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♪
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WE'RE GOING INTO A NEW ERA
AND SOMETIMES WHEN YOU'RE FORCED
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AND SOMETIMES WHEN YOU'RE FORCED
TO CHANGE, A LOT OF BEAUTIFUL
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TO CHANGE, A LOT OF BEAUTIFUL
THINGS HAPPEN WITH THAT AS WELL.
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THINGS HAPPEN WITH THAT AS WELL.
IT'S GOING TO BE SO
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IT'S GOING TO BE SO
DIFFERENT.
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DIFFERENT.
THE CONTESTANTS ARE READY.
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THE CONTESTANTS ARE READY.
IN THE REGULAR WORLD IT'S SO
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IN THE REGULAR WORLD IT'S SO
HARD TO BALANCE.
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HARD TO BALANCE.
IN THIS WORLD, ON THIS SHOW,
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IN THIS WORLD, ON THIS SHOW,
NOW, ANYTHING CAN HAPPEN
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NOW, ANYTHING CAN HAPPEN
[ CHEERS AND APPLAUSE
13
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[ CHEERS AND APPLAUSE
I FEEL LIKE THIS IS MY TIME
14
00:00:44,178 --> 00:00:45,722
I FEEL LIKE THIS IS MY TIME
THIS IS SO BIG.
15
00:00:45,746 --> 00:00:51,494
THIS IS SO BIG.
THIS COULD CHANGE MY LIFE
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THIS COULD CHANGE MY LIFE
FOREVER.
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FOREVER.
FOR US, MAKING IT TO THE NEXT
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FOR US, MAKING IT TO THE NEXT
ROUND MEANS EVERYTHING WE'VE
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ROUND MEANS EVERYTHING WE'VE
WANTED OUR ENTIRE LIFE
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WANTED OUR ENTIRE LIFE
IT'S SHOWTIME
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IT'S SHOWTIME
I FEEL SO EXCITED
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I FEEL SO EXCITED
I'M READY TO STEP ON THAT "AGT"
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I'M READY TO STEP ON THAT "AGT"
STAGE AND SHOW AMERICA WHAT I
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STAGE AND SHOW AMERICA WHAT I
HAVE
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HAVE
HERE WE GO.
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HERE WE GO.
WHAT'S UP, Y'ALL
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WHAT'S UP, Y'ALL
WHAT'S UP?
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WHAT'S UP?
OH, MAN.
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OH, MAN.
WOO.
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WOO.
ALL RIGHT.
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ALL RIGHT.
YOU READY?
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YOU READY?
LET'S MAKE IT HAPPEN
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LET'S MAKE IT HAPPEN
Announcer: LIVE FROM
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Announcer: LIVE FROM
UNIVERSAL STUDIOS HOLLYWOOD,
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UNIVERSAL STUDIOS HOLLYWOOD,
IT'S "AMERICA'S GOT TALENT"!
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IT'S "AMERICA'S GOT TALENT"!
HERE'S YOUR HOST, TERRY CREWS.
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HERE'S YOUR HOST, TERRY CREWS.
[ CHEERS AND APPLAUSE
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[ CHEERS AND APPLAUSE
Terry: WOO!
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Terry: WOO!
HELLO AMERICA, AND
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HELLO AMERICA, AND
HELLO WORLD.
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HELLO WORLD.
YES, WE GOT PEOPLE WATCHING
42
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YES, WE GOT PEOPLE WATCHING
EVERYWHERE
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EVERYWHERE
LOOK AT ALL THESE FACES.
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LOOK AT ALL THESE FACES.
THIS IS GONNA BE LIKE NOTHING
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THIS IS GONNA BE LIKE NOTHING
YOU'VE EVER SEEN IN 15 YEARS OF
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YOU'VE EVER SEEN IN 15 YEARS OF
"AGT."
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"AGT."
OF COURSE, WE'RE GONNA HAVE ACTS
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OF COURSE, WE'RE GONNA HAVE ACTS
RIGHT HERE ON OUR STAGE.
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RIGHT HERE ON OUR STAGE.
BUT WE ARE AT UNIVERSAL STUDIOS,
50
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BUT WE ARE AT UNIVERSAL STUDIOS,
SO WE'RE GONNA HAVE ACTS OUT AND
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00:02:22,709 --> 00:02:24,821
SO WE'RE GONNA HAVE ACTS OUT AND
ABOUT, PERFORMING ALL OVER THE
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ABOUT, PERFORMING ALL OVER THE
LOT.
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LOT.
LIKE IN A NEW YORK STREET, OR
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LIKE IN A NEW YORK STREET, OR
GOING BACK IN TIME TO THE WILD
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GOING BACK IN TIME TO THE WILD
WEST
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WEST
THIS IS GONNA BE SO COOL
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THIS IS GONNA BE SO COOL
AND ON TOP OF THAT, WE ARE GOING
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AND ON TOP OF THAT, WE ARE GOING
INTERNATIONAL, WITH ACTS BEAMING
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INTERNATIONAL, WITH ACTS BEAMING
IN VIA SATELLITE FROM ALL AROUND
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IN VIA SATELLITE FROM ALL AROUND
THE WORLD.
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THE WORLD.
SO FAR, THE GOAL FOR THE ACTS
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SO FAR, THE GOAL FOR THE ACTS
HAS BEEN TO MAKE IT TO THESE
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HAS BEEN TO MAKE IT TO THESE
LIVE SHOWS.
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LIVE SHOWS.
WELL, THEY'RE HERE AND THE
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WELL, THEY'RE HERE AND THE
GOALPOSTS JUST MOVED
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GOALPOSTS JUST MOVED
NOW, THEY GOTTA WIN.
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NOW, THEY GOTTA WIN.
AND THE PRIZE IS THE BIGGEST
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AND THE PRIZE IS THE BIGGEST
PRIZE ON TV...
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PRIZE ON TV...
$1 MILLION AND A HEADLINE SHOW
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$1 MILLION AND A HEADLINE SHOW
IN LAS VEGAS
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IN LAS VEGAS
[ CHEERS AND APPLAUSE
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[ CHEERS AND APPLAUSE
NOW, AS SOME OF YOU MIGHT KNOW,
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NOW, AS SOME OF YOU MIGHT KNOW,
SIMON COWELL HAD AN ACCIDENT
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00:03:05,886 --> 00:03:06,463
SIMON COWELL HAD AN ACCIDENT
OVER THE WEEKEND AND HE CAN'T BE
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OVER THE WEEKEND AND HE CAN'T BE
HERE TONIGHT
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HERE TONIGHT
BUT SIMON, WE ARE SENDING LOTS
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BUT SIMON, WE ARE SENDING LOTS
OF "AGT" LOVE AND OUR BEST
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OF "AGT" LOVE AND OUR BEST
WISHES AND WE HOPE TO SEE YOU
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WISHES AND WE HOPE TO SEE YOU
SOON
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SOON
STANDING IN FOR SIMON TONIGHT,
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STANDING IN FOR SIMON TONIGHT,
WE ARE PSYCHED TO HAVE A TRUE
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WE ARE PSYCHED TO HAVE A TRUE
SUPERSTAR.
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SUPERSTAR.
MISS KELLY CLARKSON.
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MISS KELLY CLARKSON.
[ CHEERS AND APPLAUSE
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[ CHEERS AND APPLAUSE
HI, KELLY
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HI, KELLY
Terry: AND MAKE SOME NOISE
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Terry: AND MAKE SOME NOISE
FO
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FO
SOFIA VERGARA.
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SOFIA VERGARA.
HEIDI KLUM
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HEIDI KLUM
AND HOWIE MANDEL
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AND HOWIE MANDEL
WOW.
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WOW.
KELLY, I MEAN, WHAT IS IT LIKE,
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KELLY, I MEAN, WHAT IS IT LIKE,
FILLING IN SIMON'S SHOES
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FILLING IN SIMON'S SHOES
TONIGHT?
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TONIGHT?
TALK TO ME
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TALK TO ME
I HAVE WAITED YEARS FOR THIS.
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I HAVE WAITED YEARS FOR THIS.
I LOVE SIMON BUT I'MGETTING
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I LOVE SIMON BUT I'MGETTING
REALLY USED TO THIS CHAIR,
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REALLY USED TO THIS CHAIR,
BUDDY.
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BUDDY.
I'M JUST SAYING, TAKE YOUR TIME.
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I'M JUST SAYING, TAKE YOUR TIME.
I COULD USE ANOTHER JOB.
102
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I COULD USE ANOTHER JOB.
YOU COULD USE SOME REST,
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YOU COULD USE SOME REST,
RIGHT?
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RIGHT?
NO, I HOPE HE FEELS BETTER.
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NO, I HOPE HE FEELS BETTER.
I LOVE THE SHOW.
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I LOVE THE SHOW.
THANK YOU ALL FOR HAVING ME.
107
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THANK YOU ALL FOR HAVING ME.
Terry: THANK YOU FOR BEING
108
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Terry: THANK YOU FOR BEING
HERE, KELLY, THANK YOU SO MUCH
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HERE, KELLY, THANK YOU SO MUCH
[ APPLAUSE ]
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[ APPLAUSE ]
11 ACTS ARE COMING UP TONIGHT
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11 ACTS ARE COMING UP TONIGHT
BUT ONLY FIVE WILL SURVIVE
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BUT ONLY FIVE WILL SURVIVE
YEP, JUST FIVE
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YEP, JUST FIVE
FOR THE FIRST TIME THIS SEASON,
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FOR THE FIRST TIME THIS SEASON,
YOU'VE GOTTA, GOTTA, GOTTA VOTE.
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YOU'VE GOTTA, GOTTA, GOTTA VOTE.
FOR OUR FIRST ACT, WE'RE GOING
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FOR OUR FIRST ACT, WE'RE GOING
TO THE ICONIC UNIVERSAL STUDIO
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TO THE ICONIC UNIVERSAL STUDIO
THIS PROVES YOU CAN FIND TALENT
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THIS PROVES YOU CAN FIND TALENT
ANYWHERE, INCLUDING DOWN ON THE
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ANYWHERE, INCLUDING DOWN ON THE
FARM
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FARM
HERE'S PORK CHOP REVUE
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HERE'S PORK CHOP REVUE
WE LIVE IN A SMALL TOWN IN
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WE LIVE IN A SMALL TOWN IN
FLORIDA.
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FLORIDA.
IT'S A NICE PLACE FOR THE
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IT'S A NICE PLACE FOR THE
ANIMALS.
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ANIMALS.
HI, GIRLS
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HI, GIRLS
LUNA, LEAVE THE CHICKENS
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00:05:03,103 --> 00:05:03,680
LUNA, LEAVE THE CHICKENS
ALONE.
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00:05:03,704 --> 00:05:04,947
ALONE.
THERE'S PRACTICE AREA
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00:05:04,971 --> 00:05:06,816
THERE'S PRACTICE AREA
THE BIG GUY RIGHT HERE IS
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THE BIG GUY RIGHT HERE IS
MAC, THE SWEETEST ANIMAL YOU'LL
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MAC, THE SWEETEST ANIMAL YOU'LL
EVER SEE
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00:05:09,276 --> 00:05:12,055
EVER SEE
HE SAW HEIDI KISSING ON THE
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HE SAW HEIDI KISSING ON THE
AUDITIONS.
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AUDITIONS.
I THINK MAC HAS SO MUCH
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00:05:15,282 --> 00:05:16,259
I THINK MAC HAS SO MUCH
CONFIDENCE, NOT TOO MUCH
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CONFIDENCE, NOT TOO MUCH
NOW WE'RE AT THE LIVE SHOWS, OUR
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NOW WE'RE AT THE LIVE SHOWS, OUR
KIDS HAVE BECOME DIVAS
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KIDS HAVE BECOME DIVAS
WHAT A BEAUTIFUL DAY TO TAKE A
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00:05:27,928 --> 00:05:28,071
WHAT A BEAUTIFUL DAY TO TAKE A
NAP.
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00:05:28,095 --> 00:05:29,906
NAP.
ANYTHING I WOULDN'T EAT, I
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ANYTHING I WOULDN'T EAT, I
WON'T FEED IT TO THEM.
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WON'T FEED IT TO THEM.
THEY LOVE ZUCCHINI, THEY LOVE
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THEY LOVE ZUCCHINI, THEY LOVE
CUCUMBERS.
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00:05:36,303 --> 00:05:39,015
CUCUMBERS.
THEY DON'T LIKE KALE.
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THEY DON'T LIKE KALE.
HE LOVES TO BE TUCKED INTO BED
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HE LOVES TO BE TUCKED INTO BED
THEY'RE OUR BABIES
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THEY'RE OUR BABIES
I LOVE THEM.
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I LOVE THEM.
WE SPOIL THEM.
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WE SPOIL THEM.
AND I THINK THEY DO
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AND I THINK THEY DO
APPRECIATE IT.
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APPRECIATE IT.
WHEN IT'S MY TIME, I HOPE I COME
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WHEN IT'S MY TIME, I HOPE I COME
BACK AS ONE OF MY PIGS
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BACK AS ONE OF MY PIGS
"AMERICA'S GOT TALENT" HAS GOT
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00:05:51,184 --> 00:05:52,862
"AMERICA'S GOT TALENT" HAS GOT
SOME INCREDIBLE, AMAZING ANIMAL
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SOME INCREDIBLE, AMAZING ANIMAL
ACTS WE'VE WATCHED OVER THE
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00:05:54,121 --> 00:05:54,397
ACTS WE'VE WATCHED OVER THE
YEARS.
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00:05:54,421 --> 00:05:56,466
YEARS.
THAT'S A TOUGH COMPETITION,
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THAT'S A TOUGH COMPETITION,
GUYS
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00:05:56,823 --> 00:05:58,835
GUYS
THE LAST TWO SEASONS IT'S
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THE LAST TWO SEASONS IT'S
BEEN ABOUT THE DOGS.
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BEEN ABOUT THE DOGS.
THIS YEAR IT'S ALL ABOUT THE
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THIS YEAR IT'S ALL ABOUT THE
HOGS
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HOGS
[ APPLAUSE ]
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[ APPLAUSE ]
GOOD BOY, LOUIE
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GOOD BOY, LOUIE
LOUIE, GO AHEAD
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LOUIE, GO AHEAD
♪
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♪ >> HERE, RED >> HERE, RED ♪
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♪
♪ I'M HERE FOR THE PARTY ♪
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♪ I'M HERE FOR THE PARTY ♪
INSIDE.
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INSIDE. UP UP ALL RIGHT, RED
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ALL RIGHT, RED UP UP GOOD BOY
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GOOD BOY
COME ON, MAN, RIGHT HERE.
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00:07:00,320 --> 00:07:00,963
COME ON, MAN, RIGHT HERE.
GOOD BOY
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00:07:00,987 --> 00:07:01,564
GOOD BOY
STEP UP.
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00:07:01,588 --> 00:07:02,064
STEP UP.
YOU GOT IT, BIG BOY.
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00:07:02,088 --> 00:07:07,370
YOU GOT IT, BIG BOY.
EASY EASY NOW TURN
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00:07:07,394 --> 00:07:12,008
NOW TURN
ATTABOY.
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ATTABOY. GOOD BOY
GOOD BOY [ APPLAUSE ]
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[ APPLAUSE ]
♪ I'M HERE FOR THE PARTY ♪
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♪ I'M HERE FOR THE PARTY ♪
♪ AN AIN'T LEAVING 'TIL THEY
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00:07:29,950 --> 00:07:31,494
♪ AN AIN'T LEAVING 'TIL THEY
THROW ME OUT ♪
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00:07:31,518 --> 00:07:32,262
THROW ME OUT ♪
GOOD BOY, COME ON
183
00:07:32,286 --> 00:07:34,797
GOOD BOY, COME ON
RIGHT HERE
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00:07:34,821 --> 00:07:36,132
RIGHT HERE
GOOD BOY, NELSON
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00:07:36,156 --> 00:07:40,736
GOOD BOY, NELSON
GOOD BOY, NELSON
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00:07:40,760 --> 00:07:41,337
GOOD BOY, NELSON
LET'S TRY THAT ONE MORE TIME,
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00:07:41,361 --> 00:07:47,677
LET'S TRY THAT ONE MORE TIME,
NELSON
188
00:07:47,701 --> 00:07:49,646
NELSON
GOOD BOY, NELSON
189
00:07:49,670 --> 00:07:57,670
GOOD BOY, NELSON
JUMP JUMP GOOD BOY
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00:07:58,612 --> 00:08:02,158
GOOD BOY
♪ I'M HERE FOR THE PARTY ♪
191
00:08:02,182 --> 00:08:03,759
♪ I'M HERE FOR THE PARTY ♪
♪ YES, I AIN'T LEAVING 'TIL THE
192
00:08:03,783 --> 00:08:05,161
♪ YES, I AIN'T LEAVING 'TIL THE
THROW ME OUT ♪
193
00:08:05,185 --> 00:08:07,263
THROW ME OUT ♪
RIGHT HERE.
194
00:08:07,287 --> 00:08:09,532
RIGHT HERE.
GOOD BOY
195
00:08:09,556 --> 00:08:17,556
GOOD BOY
AND NOW ROLL IT, PAL
196
00:08:18,932 --> 00:08:19,642
AND NOW ROLL IT, PAL
GOOD BOY
197
00:08:19,666 --> 00:08:21,110
GOOD BOY
THAT IS FOR YOU.
198
00:08:21,134 --> 00:08:22,545
THAT IS FOR YOU.
UP AND OVER.
199
00:08:22,569 --> 00:08:22,811
UP AND OVER.
NICE JOB
200
00:08:22,835 --> 00:08:25,681
NICE JOB
TAKE A SEAT.
201
00:08:25,705 --> 00:08:26,315
TAKE A SEAT.
♪ YOU KNOW I'M HERE FOR THE
202
00:08:26,339 --> 00:08:29,852
♪ YOU KNOW I'M HERE FOR THE
PARTY ♪
203
00:08:29,876 --> 00:08:31,854
PARTY ♪
♪ YES I AIN'T LEAVING 'TIL THEY
204
00:08:31,878 --> 00:08:32,989
♪ YES I AIN'T LEAVING 'TIL THEY
THROW ME OUT ♪
205
00:08:33,013 --> 00:08:41,013
THROW ME OUT ♪
COME ON, HERE WE GO
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COME ON, HERE WE GO
DOWN THE SLIDE
207
00:08:44,525 --> 00:08:44,833
DOWN THE SLIDE
YOU READY?
208
00:08:44,857 --> 00:08:49,572
YOU READY?
DOWN THE SLIDE, GOOD BOY
209
00:08:49,596 --> 00:08:52,208
DOWN THE SLIDE, GOOD BOY
COME ON, RED.
210
00:08:52,232 --> 00:09:00,232
COME ON, RED.
THE SLIDE.
211
00:09:02,142 --> 00:09:08,213
THE SLIDE.
♪ I'M HERE FOR THE PARTY ♪
212
00:09:09,415 --> 00:09:16,555
[ CHEERS AND APPLAUSE
213
00:09:20,059 --> 00:09:23,639
Terry: WE'LL FIND OUT WHAT
THE JUDGES THOUGHT IN JUST A
214
00:09:23,663 --> 00:09:24,340
THE JUDGES THOUGHT IN JUST A
COUPLE OF MINUTES.
215
00:09:24,364 --> 00:09:27,243
COUPLE OF MINUTES.
THEN A 13-YEAR-OLD PRODIGY FROM
216
00:09:27,267 --> 00:09:28,678
THEN A 13-YEAR-OLD PRODIGY FROM
TAIWAN PUSHES WAY BEYOND HIS
217
00:09:28,702 --> 00:09:29,312
TAIWAN PUSHES WAY BEYOND HIS
LIMITS, HOPING TO WIN AMERICA'S
218
00:09:29,336 --> 00:09:29,445
LIMITS, HOPING TO WIN AMERICA'S
VOTE
219
00:09:29,469 --> 00:09:31,202
VOTE
WE'LL BE RIGHT BACK.
220
00:09:50,523 --> 00:09:53,403
Terry: OK, BEFORE THE BREAK
WE SAW PORK CHOP REVUE PULLING
221
00:09:53,427 --> 00:09:55,004
WE SAW PORK CHOP REVUE PULLING
OFF SOME STUNNING MOVES.
222
00:09:55,028 --> 00:10:01,277
OFF SOME STUNNING MOVES.
LET'S GET TO THE JUDGES.
223
00:10:01,301 --> 00:10:01,610
LET'S GET TO THE JUDGES.
HOWIE?
224
00:10:01,634 --> 00:10:02,678
HOWIE?
Howie: STUNNING
225
00:10:02,702 --> 00:10:05,648
Howie: STUNNING
THE MOVES WERE STUNNING TO YOU
226
00:10:05,672 --> 00:10:06,716
THE MOVES WERE STUNNING TO YOU
I THINK IT'S AMAZING BECAUSE
227
00:10:06,740 --> 00:10:09,051
I THINK IT'S AMAZING BECAUSE
THEY'RE PIGS
228
00:10:09,075 --> 00:10:10,052
THEY'RE PIGS
BUT IF I HAVE TO BE HONEST, IT'S
229
00:10:10,076 --> 00:10:12,355
BUT IF I HAVE TO BE HONEST, IT'S
LIKE A VERY LETHARGIC DOG ACT.
230
00:10:12,379 --> 00:10:13,790
LIKE A VERY LETHARGIC DOG ACT.
IT'S KIND OF SLOW.
231
00:10:13,814 --> 00:10:15,491
IT'S KIND OF SLOW.
BUT IT'S AMAZING BECAUSE THEY'RE
232
00:10:15,515 --> 00:10:16,692
BUT IT'S AMAZING BECAUSE THEY'RE
PIGS, YOU HAVE TO TAKE THAT INTO
233
00:10:16,716 --> 00:10:17,026
PIGS, YOU HAVE TO TAKE THAT INTO
ACCOUNT.
234
00:10:17,050 --> 00:10:20,496
ACCOUNT.
YOU KNOW I'M MISSING THE
235
00:10:20,520 --> 00:10:24,367
YOU KNOW I'M MISSING THE
AUDIENCE BOOING.
236
00:10:24,391 --> 00:10:28,571
AUDIENCE BOOING.
Heidi: TO ME, IT WASN'T ONE
237
00:10:28,595 --> 00:10:31,474
Heidi: TO ME, IT WASN'T ONE
BIG BORING... YOU DON'T GET IT
238
00:10:31,498 --> 00:10:36,412
BIG BORING... YOU DON'T GET IT
Howie: I GET IT
239
00:10:36,436 --> 00:10:38,447
Howie: I GET IT
Heidi: I'VE NEVER SEEN SUCH A
240
00:10:38,471 --> 00:10:39,248
Heidi: I'VE NEVER SEEN SUCH A
BIG PIG.
241
00:10:39,272 --> 00:10:43,453
BIG PIG.
I WISH YOU GOOD LUCK
242
00:10:43,477 --> 00:10:45,087
I WISH YOU GOOD LUCK
Terry: SOFIA.
243
00:10:45,111 --> 00:10:47,890
Terry: SOFIA.
Sofia: I LOVE IT, THEY'RE
244
00:10:47,914 --> 00:10:49,725
Sofia: I LOVE IT, THEY'RE
PIGS, THEY'RE GIGANTIC PIGS, AND
245
00:10:49,749 --> 00:10:51,093
PIGS, THEY'RE GIGANTIC PIGS, AND
YOU GUYS ARE ADORABLE.
246
00:10:51,117 --> 00:10:53,195
YOU GUYS ARE ADORABLE.
I COULD NOT LOVE IT.
247
00:10:53,219 --> 00:10:57,733
I COULD NOT LOVE IT.
Howie: YOU COULD NOT LOVE IT?
248
00:10:57,757 --> 00:10:58,100
Howie: YOU COULD NOT LOVE IT?
PERFECT.
249
00:10:58,124 --> 00:10:59,635
PERFECT.
Terry: KELLY, DID YOU NOT
250
00:10:59,659 --> 00:11:00,670
Terry: KELLY, DID YOU NOT
LOVE IT?
251
00:11:00,694 --> 00:11:01,871
LOVE IT?
Kelly: I ACTUALLY DID LOVE IT
252
00:11:01,895 --> 00:11:02,772
Kelly: I ACTUALLY DID LOVE IT
JUST BECAUSE I'VE NEVER SEEN
253
00:11:02,796 --> 00:11:03,573
JUST BECAUSE I'VE NEVER SEEN
ANYTHING LIKE IT
254
00:11:03,597 --> 00:11:05,274
ANYTHING LIKE IT
I LOVED THAT ALL THE PIGS DIDN'T
255
00:11:05,298 --> 00:11:06,342
I LOVED THAT ALL THE PIGS DIDN'T
DO WHAT THEY'RE SUPPOSED TO
256
00:11:06,366 --> 00:11:08,377
DO WHAT THEY'RE SUPPOSED TO
BECAUSE, ONE, THAT MEANS YOU
257
00:11:08,401 --> 00:11:09,679
BECAUSE, ONE, THAT MEANS YOU
LOVE YOUR PIGS AND AREN'T HARD
258
00:11:09,703 --> 00:11:11,781
LOVE YOUR PIGS AND AREN'T HARD
ON THEM, AND THAT MEANS A LOT TO
259
00:11:11,805 --> 00:11:12,148
ON THEM, AND THAT MEANS A LOT TO
ME
260
00:11:12,172 --> 00:11:14,784
ME
TWO, IT'S GREAT THAT IT'S LIVE,
261
00:11:14,808 --> 00:11:15,951
TWO, IT'S GREAT THAT IT'S LIVE,
YOU NEVER KNOW WHAT'S GOING TO
262
00:11:15,975 --> 00:11:17,887
YOU NEVER KNOW WHAT'S GOING TO
HAPPEN, YOU LEANED IN AND SHOW
263
00:11:17,911 --> 00:11:19,889
HAPPEN, YOU LEANED IN AND SHOW
THEIR PERSONALITIES.
264
00:11:19,913 --> 00:11:22,358
THEIR PERSONALITIES.
I LOVED THAT HE WAS LIKE, NOPE,
265
00:11:22,382 --> 00:11:23,059
I LOVED THAT HE WAS LIKE, NOPE,
WE'RE NOT DOING THAT TODAY
266
00:11:23,083 --> 00:11:25,862
WE'RE NOT DOING THAT TODAY
I LIKE THAT.
267
00:11:25,886 --> 00:11:27,363
I LIKE THAT.
Terry: ALL RIGHT.
268
00:11:27,387 --> 00:11:28,631
Terry: ALL RIGHT.
PORK CHOP REVUE, HOW HAVE YOU
269
00:11:28,655 --> 00:11:29,832
PORK CHOP REVUE, HOW HAVE YOU
GUYS BEEN DOING DURING THIS
270
00:11:29,856 --> 00:11:31,233
GUYS BEEN DOING DURING THIS
WHOLE QUARANTINE DOWN ON THE
271
00:11:31,257 --> 00:11:31,567
WHOLE QUARANTINE DOWN ON THE
FARM
272
00:11:31,591 --> 00:11:33,469
FARM
THAT'S WHAT WE SPENT A LOT OF
273
00:11:33,493 --> 00:11:35,571
THAT'S WHAT WE SPENT A LOT OF
TIME AT THE FARM, TERRY, THE
274
00:11:35,595 --> 00:11:36,806
TIME AT THE FARM, TERRY, THE
PIGS, WE SPEND A LOT OF TIME
275
00:11:36,830 --> 00:11:38,741
PIGS, WE SPEND A LOT OF TIME
WITH THEM AND THE OTHER ANIMALS,
276
00:11:38,765 --> 00:11:43,679
WITH THEM AND THE OTHER ANIMALS,
WE HAVE GOATS, A LLAMA, AND
277
00:11:43,703 --> 00:11:44,080
WE HAVE GOATS, A LLAMA, AND
DOGS
278
00:11:44,104 --> 00:11:45,681
DOGS
Terry: YOU'RE NEVER ALONE
279
00:11:45,705 --> 00:11:46,182
Terry: YOU'RE NEVER ALONE
THIS IS GOOD
280
00:11:46,206 --> 00:11:46,916
THIS IS GOOD
GOOD LUCK TONIGHT.
281
00:11:46,940 --> 00:11:47,683
GOOD LUCK TONIGHT.
HERE WE GO
282
00:11:47,707 --> 00:11:49,218
HERE WE GO
VOTING STARTS NOW.
283
00:11:49,242 --> 00:11:51,520
VOTING STARTS NOW.
GET ONLINE OR USE THE APP.
284
00:11:51,544 --> 00:11:53,522
GET ONLINE OR USE THE APP.
YOU CAN VOTE UP TO TEN TIMES
285
00:11:53,546 --> 00:11:56,081
YOU CAN VOTE UP TO TEN TIMES
WITH EACH VOTING MESSAGE
286
00:12:06,158 --> 00:12:13,008
HOWEVER YOU DO IT, GO VOTE
LET'S KEEP IT GOING.
287
00:12:13,032 --> 00:12:14,076
LET'S KEEP IT GOING.
WE ARE GOING INTERNATIONAL FOR
288
00:12:14,100 --> 00:12:15,111
WE ARE GOING INTERNATIONAL FOR
OUR NEXT ACT
289
00:12:15,135 --> 00:12:15,878
OUR NEXT ACT
HE'S OVER IN TAIWAN AND HE'LL BE
290
00:12:15,902 --> 00:12:18,814
HE'S OVER IN TAIWAN AND HE'LL BE
PERFORMING VIA SATELLITE
291
00:12:18,838 --> 00:12:20,015
PERFORMING VIA SATELLITE
HE'S JUST 13 YEARS OLD
292
00:12:20,039 --> 00:12:20,916
HE'S JUST 13 YEARS OLD
BUT, MAN... WHAT THIS GUY CAN DO
293
00:12:20,940 --> 00:12:21,617
BUT, MAN... WHAT THIS GUY CAN DO
WITH A UKULELE, YOU WILL NOT
294
00:12:21,641 --> 00:12:25,020
WITH A UKULELE, YOU WILL NOT
BELIEVE.
295
00:12:25,044 --> 00:12:31,427
BELIEVE.
HE'S FENG E.
296
00:12:31,451 --> 00:12:32,862
HE'S FENG E.
I THINK THE REASON I LOVE
297
00:12:32,886 --> 00:12:34,430
I THINK THE REASON I LOVE
PLAY-DOH IS BECAUSE YOU CAN
298
00:12:34,454 --> 00:12:35,564
PLAY-DOH IS BECAUSE YOU CAN
BUILD EVERYTHING
299
00:12:35,588 --> 00:12:39,535
BUILD EVERYTHING
WHEN I WAS 6 YEARS OLD, MY
300
00:12:39,559 --> 00:12:41,537
WHEN I WAS 6 YEARS OLD, MY
TEACHER TOLD MY FATHER MY
301
00:12:41,561 --> 00:12:44,574
TEACHER TOLD MY FATHER MY
FINGERS WERE NOT AS FLEXIBLE AS
302
00:12:44,598 --> 00:12:48,077
FINGERS WERE NOT AS FLEXIBLE AS
ALL THE OTHER STUDENTS
303
00:12:48,101 --> 00:12:56,101
ALL THE OTHER STUDENTS
[ SPEAKING FOREIGN LANGUAGE
304
00:12:58,878 --> 00:13:02,158
[ SPEAKING FOREIGN LANGUAGE
HE MADE A DEAL WITH ME, FOR
305
00:13:02,182 --> 00:13:07,196
HE MADE A DEAL WITH ME, FOR
EVERY MINUTE I PLAY UKELELE,
306
00:13:07,220 --> 00:13:09,165
EVERY MINUTE I PLAY UKELELE,
HE'LL PLAY LEGO WITH ME.
307
00:13:09,189 --> 00:13:10,866
HE'LL PLAY LEGO WITH ME.
IT WAS A GOOD DEAL BECAUSE I
308
00:13:10,890 --> 00:13:14,336
IT WAS A GOOD DEAL BECAUSE I
LOVE LEGO.
309
00:13:14,360 --> 00:13:16,372
LOVE LEGO.
MAKING MUSIC IS LIKE MAKING A
310
00:13:16,396 --> 00:13:17,273
MAKING MUSIC IS LIKE MAKING A
LEGO WORK.
311
00:13:17,297 --> 00:13:18,941
LEGO WORK.
IT'S LIKE PUTTING A LOT OF SMALL
312
00:13:18,965 --> 00:13:21,243
IT'S LIKE PUTTING A LOT OF SMALL
PIECES TOGETHER TO BECOME A VERY
313
00:13:21,267 --> 00:13:22,011
PIECES TOGETHER TO BECOME A VERY
BEAUTIFUL THING.
314
00:13:22,035 --> 00:13:29,618
BEAUTIFUL THING.
THANKS TO MY DAD, NOW I LOVE UKE
315
00:13:29,642 --> 00:13:29,874
THANKS TO MY DAD, NOW I LOVE UKE
316
00:13:30,009 --> 00:13:31,554
LELE
IT CHANGED MY WHOLE LIFE AND NOW
317
00:13:31,578 --> 00:13:33,355
IT CHANGED MY WHOLE LIFE AND NOW
I'M ON "AGT.
318
00:13:33,379 --> 00:13:34,022
I'M ON "AGT.
"AMERICA'S GOT TALENT" IS ONE OF
319
00:13:34,046 --> 00:13:37,493
"AMERICA'S GOT TALENT" IS ONE OF
THE BIGGEST SHOWS IN THE WORLD
320
00:13:37,517 --> 00:13:40,196
THE BIGGEST SHOWS IN THE WORLD
I'M SO HAPPY THAT THESE LITTLE
321
00:13:40,220 --> 00:13:41,130
I'M SO HAPPY THAT THESE LITTLE
TOYS HAVE LED TO SOMETHING SO
322
00:13:41,154 --> 00:13:41,831
TOYS HAVE LED TO SOMETHING SO
BIG.
323
00:13:41,855 --> 00:13:44,823
BIG.
[ CHEERS AND APPLAUSE
324
00:13:45,791 --> 00:13:53,791
♪
325
00:13:59,571 --> 00:14:07,571
♪
326
00:14:12,451 --> 00:14:20,451
♪
327
00:14:24,496 --> 00:14:32,496
♪
328
00:14:39,912 --> 00:14:47,912
♪
329
00:14:54,026 --> 00:15:02,026
♪
330
00:15:07,372 --> 00:15:15,372
♪
331
00:15:22,454 --> 00:15:30,454
♪
332
00:15:36,769 --> 00:15:44,769
♪
333
00:15:51,350 --> 00:15:59,350
♪
334
00:16:05,330 --> 00:16:08,833
♪
335
00:16:10,569 --> 00:16:16,051
[ CHEERS AND APPLAUSE
Terry: FENG E, THAT WAS
336
00:16:16,075 --> 00:16:17,786
Terry: FENG E, THAT WAS
AMAZING.
337
00:16:17,810 --> 00:16:22,891
AMAZING.
INCREDIBLE
338
00:16:22,915 --> 00:16:24,059
INCREDIBLE
HOWIE, YOU'RE ON YOUR FEET
339
00:16:24,083 --> 00:16:26,261
HOWIE, YOU'RE ON YOUR FEET
I'M ON MY FEET.
340
00:16:26,285 --> 00:16:27,796
I'M ON MY FEET.
I'VE GOT TO SAY SOMETHING, I'M
341
00:16:27,820 --> 00:16:29,798
I'VE GOT TO SAY SOMETHING, I'M
THE OLDEST ONE IN THE ROOM, AND
342
00:16:29,822 --> 00:16:31,000
THE OLDEST ONE IN THE ROOM, AND
THE OTHER NIGHT I WAS WATCHING
343
00:16:31,024 --> 00:16:33,402
THE OTHER NIGHT I WAS WATCHING
"THREE DAYS AT WOODSTOCK," A
344
00:16:33,426 --> 00:16:33,769
"THREE DAYS AT WOODSTOCK," A
DOCUMENTARY.
345
00:16:33,793 --> 00:16:39,808
DOCUMENTARY.
I'M TELLING YOU, YOU ARE THE H
346
00:16:39,832 --> 00:16:47,832
I'M TELLING YOU, YOU ARE THE H
HENDRIX OF THE UKE HE LAUKELELE.
347
00:16:50,309 --> 00:16:51,954
HENDRIX OF THE UKE HE LAUKELELE.
YOU JUST BLEW ME AWAY.
348
00:16:51,978 --> 00:16:53,389
YOU JUST BLEW ME AWAY.
THE SOUND WAS GREAT, THE LOOK
349
00:16:53,413 --> 00:16:54,123
THE SOUND WAS GREAT, THE LOOK
WAS GREAT.
350
00:16:54,147 --> 00:16:55,157
WAS GREAT.
YOU, YOUNG MAN, CAN SPEND
351
00:16:55,181 --> 00:16:59,928
YOU, YOUNG MAN, CAN SPEND
ANOTHER TEN MINUTES ON LEGO.
352
00:16:59,952 --> 00:17:00,829
ANOTHER TEN MINUTES ON LEGO.
THANK YOU
353
00:17:00,853 --> 00:17:02,064
THANK YOU
Terry: HEIDI.
354
00:17:02,088 --> 00:17:03,032
Terry: HEIDI.
Heidi: WHAT AN AMAZING
355
00:17:03,056 --> 00:17:03,365
Heidi: WHAT AN AMAZING
PERFORMANCE.
356
00:17:03,389 --> 00:17:06,068
PERFORMANCE.
I ALSO HAVE TO TELL YOU, I LOVE
357
00:17:06,092 --> 00:17:06,302
I ALSO HAVE TO TELL YOU, I LOVE
YOUR VIBE.
358
00:17:06,326 --> 00:17:08,303
YOUR VIBE.
I THINK THAT YOU ARE SO COOL
359
00:17:08,327 --> 00:17:10,239
I THINK THAT YOU ARE SO COOL
I WISH I WAS HALF AS COOL AS YOU
360
00:17:10,263 --> 00:17:10,839
I WISH I WAS HALF AS COOL AS YOU
ARE.
361
00:17:10,863 --> 00:17:12,608
ARE.
KUDOS FOR YOU, I HOPE PEOPLE ARE
362
00:17:12,632 --> 00:17:13,876
KUDOS FOR YOU, I HOPE PEOPLE ARE
GOING TO VOTE FOR YOU TODAY.
363
00:17:13,900 --> 00:17:14,576
GOING TO VOTE FOR YOU TODAY.
GOOD LUCK.
364
00:17:14,600 --> 00:17:15,277
GOOD LUCK.
THANK YOU
365
00:17:15,301 --> 00:17:17,379
THANK YOU
Terry: SOFIA.
366
00:17:17,403 --> 00:17:18,714
Terry: SOFIA.
Sofia: YOU LOOK LIKE A STAR
367
00:17:18,738 --> 00:17:20,149
Sofia: YOU LOOK LIKE A STAR
UP THERE
368
00:17:20,173 --> 00:17:21,417
UP THERE
IT WAS LIKE UNBELIEVABLE
369
00:17:21,441 --> 00:17:24,720
IT WAS LIKE UNBELIEVABLE
I HATE THE UKELELE
370
00:17:24,744 --> 00:17:28,090
I HATE THE UKELELE
AND YOU MAKE THE UKELELE SOUND
371
00:17:28,114 --> 00:17:29,525
AND YOU MAKE THE UKELELE SOUND
LIKE UNBELIEVABLE.
372
00:17:29,549 --> 00:17:31,527
LIKE UNBELIEVABLE.
I COULD LIKE LISTEN TO YOU
373
00:17:31,551 --> 00:17:31,993
I COULD LIKE LISTEN TO YOU
FOREVER.
374
00:17:32,017 --> 00:17:33,195
FOREVER.
IT'S AMAZING WHAT YOU CAN DO
375
00:17:33,219 --> 00:17:34,163
IT'S AMAZING WHAT YOU CAN DO
WITH THAT INSTRUMENT
376
00:17:34,187 --> 00:17:35,031
WITH THAT INSTRUMENT
AND I REALLY...
377
00:17:35,055 --> 00:17:37,366
AND I REALLY...
WHAT INSTRUMENT
378
00:17:37,390 --> 00:17:39,902
WHAT INSTRUMENT
THE UKELELE
379
00:17:39,926 --> 00:17:41,537
THE UKELELE
AND I REALLY HOPE THAT YOU KEEP
380
00:17:41,561 --> 00:17:42,704
AND I REALLY HOPE THAT YOU KEEP
GOING IN THIS COMPOSITION
381
00:17:42,728 --> 00:17:43,338
GOING IN THIS COMPOSITION
BECAUSE I WANT TO HEAR YOU
382
00:17:43,362 --> 00:17:46,775
BECAUSE I WANT TO HEAR YOU
AGAIN.
383
00:17:46,799 --> 00:17:48,377
AGAIN.
KELLY
384
00:17:48,401 --> 00:17:49,278
KELLY
Kelly: I WANT TO HEAR YOU
385
00:17:49,302 --> 00:17:52,714
Kelly: I WANT TO HEAR YOU
PLAY THE UKELELE TOO
386
00:17:52,738 --> 00:17:55,350
PLAY THE UKELELE TOO
I THOUGHT IT WAS SO... NOT ONLY
387
00:17:55,374 --> 00:17:58,153
I THOUGHT IT WAS SO... NOT ONLY
JUST... YOU'RE NOT ONLY JUST SO
388
00:17:58,177 --> 00:17:59,955
JUST... YOU'RE NOT ONLY JUST SO
INSANELY GIFTED, JUST A TALENTED
389
00:17:59,979 --> 00:18:01,690
INSANELY GIFTED, JUST A TALENTED
MUSICIAN, EVEN THE PART WHERE
390
00:18:01,714 --> 00:18:03,292
MUSICIAN, EVEN THE PART WHERE
YOU SHUSH EVERYONE AND THE DRAMA
391
00:18:03,316 --> 00:18:04,159
YOU SHUSH EVERYONE AND THE DRAMA
OF THE WHOLE PERFORMANCE AND HOW
392
00:18:04,183 --> 00:18:05,594
OF THE WHOLE PERFORMANCE AND HOW
ROCK AND ROLL THE WHOLE THING
393
00:18:05,618 --> 00:18:05,928
ROCK AND ROLL THE WHOLE THING
WAS.
394
00:18:05,952 --> 00:18:07,897
WAS.
I MEAN, YOU LITERALLY COULD
395
00:18:07,921 --> 00:18:10,432
I MEAN, YOU LITERALLY COULD
JUST... I'VE SEEN ED SHEERAN
396
00:18:10,456 --> 00:18:11,834
JUST... I'VE SEEN ED SHEERAN
BEFORE, IT'S JUST HIM AND LIGHTS
397
00:18:11,858 --> 00:18:14,003
BEFORE, IT'S JUST HIM AND LIGHTS
AND NO OTHER BAND, YOU COULD
398
00:18:14,027 --> 00:18:15,671
AND NO OTHER BAND, YOU COULD
CONTROL THE ENTIRE ARENA WITH
399
00:18:15,695 --> 00:18:16,972
CONTROL THE ENTIRE ARENA WITH
THE SAME KIND OF VIBE AND ENERGY
400
00:18:16,996 --> 00:18:18,006
THE SAME KIND OF VIBE AND ENERGY
AND NOT MANY PEOPLE ARE CAPABLE
401
00:18:18,030 --> 00:18:18,907
AND NOT MANY PEOPLE ARE CAPABLE
OF DOING THAT.
402
00:18:18,931 --> 00:18:21,977
OF DOING THAT.
YOU ARE VERY TALENTED.
403
00:18:22,001 --> 00:18:23,078
YOU ARE VERY TALENTED.
Terry: INCREDIBLE
404
00:18:23,102 --> 00:18:25,347
Terry: INCREDIBLE
GOOD LUCK TONIGHT, FENG E.
405
00:18:25,371 --> 00:18:26,916
GOOD LUCK TONIGHT, FENG E.
IF YOU WANT TO VOTE FOR FENG E,
406
00:18:26,940 --> 00:18:28,550
IF YOU WANT TO VOTE FOR FENG E,
YOU CAN VOTE ONLINE AT NBC.COM
407
00:18:28,574 --> 00:18:30,152
YOU CAN VOTE ONLINE AT NBC.COM
OR USE THE OFFICIAL "AMERICA'S
408
00:18:30,176 --> 00:18:32,287
OR USE THE OFFICIAL "AMERICA'S
GOT TALENT" APP.
409
00:18:32,311 --> 00:18:33,355
GOT TALENT" APP.
YOU CAN DOWNLOAD IT FROM THE APP
410
00:18:33,379 --> 00:18:36,525
YOU CAN DOWNLOAD IT FROM THE APP
STORE OR GOOGLE PLAY
411
00:18:36,549 --> 00:18:38,660
STORE OR GOOGLE PLAY
VOTING IS OPEN NOW AND STAY OPEN
412
00:18:38,684 --> 00:18:46,469
VOTING IS OPEN NOW AND STAY OPEN
UNTIL 7 A.M. EASTERN TOMORROW.
413
00:18:46,493 --> 00:18:47,102
UNTIL 7 A.M. EASTERN TOMORROW.
Announcer: COMING UP...
414
00:18:47,126 --> 00:18:49,071
Announcer: COMING UP...
THIS IS JUST THE BEGINNING
415
00:18:49,095 --> 00:18:49,304
THIS IS JUST THE BEGINNING
FOR YOU.
416
00:18:49,328 --> 00:18:56,178
FOR YOU.
AND YOU JUST CRUSHED IT.
417
00:18:56,202 --> 00:18:59,014
AND YOU JUST CRUSHED IT.
NO, NO.
418
00:18:59,038 --> 00:19:07,038
NO, NO.
DID YOU REALLY TAKE YOUR ARMS
419
00:19:14,387 --> 00:19:15,330
DID YOU REALLY TAKE YOUR ARMS
Terry: THINK ABOUT IT... THIS
420
00:19:15,354 --> 00:19:16,398
Terry: THINK ABOUT IT... THIS
IS A BIG, BIG NIGHT FOR THE
421
00:19:16,422 --> 00:19:18,500
IS A BIG, BIG NIGHT FOR THE
ACTS
422
00:19:18,524 --> 00:19:20,102
ACTS
ONE MINUTE THEY'RE SITTING AT
423
00:19:20,126 --> 00:19:21,170
ONE MINUTE THEY'RE SITTING AT
HOME WATCHING TV... DREAMING OF
424
00:19:21,194 --> 00:19:23,839
HOME WATCHING TV... DREAMING OF
STARDOM.
425
00:19:23,863 --> 00:19:24,907
STARDOM.
THE NEXT THEY'RE STARRING ON TV.
426
00:19:24,931 --> 00:19:26,508
THE NEXT THEY'RE STARRING ON TV.
AND YOU CAN TAKE THIS RIDE RIGHT
427
00:19:26,532 --> 00:19:28,076
AND YOU CAN TAKE THIS RIDE RIGHT
ALONGSIDE THEM
428
00:19:28,100 --> 00:19:30,212
ALONGSIDE THEM
JUST FOLLOW THEM ON TWITTER,
429
00:19:30,236 --> 00:19:31,813
JUST FOLLOW THEM ON TWITTER,
INSTAGRAM, OR FACEBOOK @AGT.
430
00:19:31,837 --> 00:19:34,483
INSTAGRAM, OR FACEBOOK @AGT.
FIND OUT WHAT'S REALLY GOING ON
431
00:19:34,507 --> 00:19:39,054
FIND OUT WHAT'S REALLY GOING ON
FOR THEM
432
00:19:39,078 --> 00:19:40,522
FOR THEM
NOW, THIS SHOW IS ALL ABOUT
433
00:19:40,546 --> 00:19:41,723
NOW, THIS SHOW IS ALL ABOUT
ORDINARY PEOPLE FOLLOWING THEIR
434
00:19:41,747 --> 00:19:42,691
ORDINARY PEOPLE FOLLOWING THEIR
DREAMS
435
00:19:42,715 --> 00:19:44,326
DREAMS
BUT EVERYONE HAS THEIR OWN
436
00:19:44,350 --> 00:19:45,661
BUT EVERYONE HAS THEIR OWN
PERSONAL BATTLES THEY HAVE TO
437
00:19:45,685 --> 00:19:46,962
PERSONAL BATTLES THEY HAVE TO
FIGHT IN ORDER TO DO THAT.
438
00:19:46,986 --> 00:19:48,797
FIGHT IN ORDER TO DO THAT.
LIKE THIS SINGER
439
00:19:48,821 --> 00:19:52,100
LIKE THIS SINGER
SHE'S SHAQUIRA McGRATH
440
00:19:52,124 --> 00:19:53,502
SHE'S SHAQUIRA McGRATH
WHEN I WAS GROWING UP, I
441
00:19:53,526 --> 00:19:54,937
WHEN I WAS GROWING UP, I
WANTED TO BE A SINGER AND EVERY
442
00:19:54,961 --> 00:20:01,543
WANTED TO BE A SINGER AND EVERY
INCH OF MY HOME WAS A STAGE.
443
00:20:01,567 --> 00:20:03,879
INCH OF MY HOME WAS A STAGE.
I JUST IMAGINED STANDING IN THE
444
00:20:03,903 --> 00:20:04,813
I JUST IMAGINED STANDING IN THE
BIGGEST ARENAWITH ALL THE
445
00:20:04,837 --> 00:20:09,084
BIGGEST ARENAWITH ALL THE
LIGHTS ON ME, AND THAT'S WHERE I
446
00:20:09,108 --> 00:20:09,651
LIGHTS ON ME, AND THAT'S WHERE I
WANTED TO BE
447
00:20:09,675 --> 00:20:10,953
WANTED TO BE
BUT I'VE ALWAYS HAD INSECURITIES
448
00:20:10,977 --> 00:20:13,222
BUT I'VE ALWAYS HAD INSECURITIES
THAT HELD ME BACK.
449
00:20:13,246 --> 00:20:14,423
THAT HELD ME BACK.
YOU THINK, NO ONE WANTS TO LOOK
450
00:20:14,447 --> 00:20:16,425
YOU THINK, NO ONE WANTS TO LOOK
AT ME, NO ONE CARES WHAT I SOUND
451
00:20:16,449 --> 00:20:17,826
AT ME, NO ONE CARES WHAT I SOUND
LIKE BECAUSE THEY ONLY CARE
452
00:20:17,850 --> 00:20:18,526
LIKE BECAUSE THEY ONLY CARE
ABOUT WHAT I LOOK LIKE
453
00:20:18,550 --> 00:20:20,996
ABOUT WHAT I LOOK LIKE
I WAS MY OWN TOUGHEST CRITIC
454
00:20:21,020 --> 00:20:22,731
I WAS MY OWN TOUGHEST CRITIC
AND I WAS MY OWN ROADBLOCK FOR
455
00:20:22,755 --> 00:20:25,100
AND I WAS MY OWN ROADBLOCK FOR
EVERY OPPORTUNITY THAT CAME MY
456
00:20:25,124 --> 00:20:26,302
EVERY OPPORTUNITY THAT CAME MY
WAY, EVERY SINGLE ONE.
457
00:20:26,326 --> 00:20:27,736
WAY, EVERY SINGLE ONE.
SO THEN I HAD MY FIRST AUDITION
458
00:20:27,760 --> 00:20:30,439
SO THEN I HAD MY FIRST AUDITION
ON "AMERICA'S GOT TALENT."
459
00:20:30,463 --> 00:20:32,274
ON "AMERICA'S GOT TALENT."
I REMEMBER WALKING ON THE STAGE
460
00:20:32,298 --> 00:20:34,042
I REMEMBER WALKING ON THE STAGE
AND FEELING LIKE MY HEART WAS
461
00:20:34,066 --> 00:20:37,179
AND FEELING LIKE MY HEART WAS
ABOUT TO FALL OUT OF MY CHEST.
462
00:20:37,203 --> 00:20:38,847
ABOUT TO FALL OUT OF MY CHEST.
I REMEMBER THE LIGHTS, THE
463
00:20:38,871 --> 00:20:39,147
I REMEMBER THE LIGHTS, THE
CROWDED.
464
00:20:39,171 --> 00:20:41,149
CROWDED.
AND A NEW DOOR WAS OPENED FOR
465
00:20:41,173 --> 00:20:46,154
AND A NEW DOOR WAS OPENED FOR
ME, TO CHANGE MY LIFE FOREVER.
466
00:20:46,178 --> 00:20:48,690
ME, TO CHANGE MY LIFE FOREVER.
I'M JUST SO HAPPY TO BE HERE
467
00:20:48,714 --> 00:20:51,660
I'M JUST SO HAPPY TO BE HERE
I NEVER THOUGHT IN A MILLION
468
00:20:51,684 --> 00:20:52,728
I NEVER THOUGHT IN A MILLION
YEARS THAT SOMETHING LIKE THIS
469
00:20:52,752 --> 00:20:53,829
YEARS THAT SOMETHING LIKE THIS
WOULD BE HAPPENING TO ME
470
00:20:53,853 --> 00:20:56,164
WOULD BE HAPPENING TO ME
AFTER WANTING IT SO BAD, AND
471
00:20:56,188 --> 00:20:58,300
AFTER WANTING IT SO BAD, AND
WORKING SO HARD, IT MEANS THE
472
00:20:58,324 --> 00:21:03,071
WORKING SO HARD, IT MEANS THE
WORLD.
473
00:21:03,095 --> 00:21:04,606
WORLD.
EVER SINCE I WAS LITTLE, I'VE
474
00:21:04,630 --> 00:21:06,275
EVER SINCE I WAS LITTLE, I'VE
WANTED TO BE ON A STAGE.
475
00:21:06,299 --> 00:21:09,144
WANTED TO BE ON A STAGE.
AND NOW, AFTER WAITING ALL MY
476
00:21:09,168 --> 00:21:12,114
AND NOW, AFTER WAITING ALL MY
LIFE, I'M HERE
477
00:21:12,138 --> 00:21:17,174
LIFE, I'M HERE
[ CHEERS AND APPLAUSE
478
00:21:18,043 --> 00:21:22,913
♪
479
00:21:30,255 --> 00:21:34,870
♪ I CAN TAKE THE RAIN ON THE
ROOF OF THIS HOUSE, THAT DON'T
480
00:21:34,894 --> 00:21:35,304
ROOF OF THIS HOUSE, THAT DON'T
BOTHER ME ♪
481
00:21:35,328 --> 00:21:37,239
BOTHER ME ♪
♪ I CAN TAKE A FEW TEARS AND LE
482
00:21:37,263 --> 00:21:37,806
♪ I CAN TAKE A FEW TEARS AND LE
THEM OUT ♪
483
00:21:37,830 --> 00:21:40,676
THEM OUT ♪
♪ I'M NOT AFRAID TO CRY, EVERY
484
00:21:40,700 --> 00:21:46,737
♪ I'M NOT AFRAID TO CRY, EVERY
ONCE IN A WHILE ♪
485
00:21:47,605 --> 00:21:53,477
♪
486
00:21:56,481 --> 00:22:02,931
♪ WHAT HURTS THE MOST IS BEING
SO CLOSE ♪
487
00:22:02,955 --> 00:22:08,637
SO CLOSE ♪
♪ AND WATCHING YOU WALK AWAY ♪
488
00:22:08,661 --> 00:22:14,676
♪ AND WATCHING YOU WALK AWAY ♪
♪ AND NEVER KNOWING WHAT COULD
489
00:22:14,700 --> 00:22:17,279
♪ AND NEVER KNOWING WHAT COULD
HAVE BEEN ♪
490
00:22:17,303 --> 00:22:20,916
HAVE BEEN ♪
♪ AND LOVING YOU IS WHAT I WAS
491
00:22:20,940 --> 00:22:24,786
♪ AND LOVING YOU IS WHAT I WAS
TRYING TO DO ♪
492
00:22:24,810 --> 00:22:32,810
TRYING TO DO ♪
OH, WHOA ♪
493
00:22:34,620 --> 00:22:42,620
OH, WHOA ♪
WHOA, YEAH ♪
494
00:22:43,963 --> 00:22:51,963
WHOA, YEAH ♪
♪ IT HURTS TO FALL ♪
495
00:22:53,973 --> 00:23:00,455
♪ IT HURTS TO FALL ♪
♪ WATCHING YOU WALK AWAY ♪
496
00:23:00,479 --> 00:23:02,424
♪ WATCHING YOU WALK AWAY ♪
♪ I'LL NEVER KNOW WHAT COULD
497
00:23:02,448 --> 00:23:02,891
♪ I'LL NEVER KNOW WHAT COULD
HAVE BEEN ♪
498
00:23:02,915 --> 00:23:05,527
HAVE BEEN ♪
♪ NOT SEEING THAT LOVING YOU ♪
499
00:23:05,551 --> 00:23:13,551
♪ NOT SEEING THAT LOVING YOU ♪
♪ IS WHAT I WAS TRYING TO DO ♪
500
00:23:15,127 --> 00:23:23,127
♪ IS WHAT I WAS TRYING TO DO ♪
♪ IT'S WHAT I WAS TRYING TO DO ♪
501
00:23:25,671 --> 00:23:28,216
♪ IT'S WHAT I WAS TRYING TO DO ♪
OOH ♪
502
00:23:28,240 --> 00:23:35,279
OOH ♪
[ CHEERS AND APPLAUSE
503
00:23:40,619 --> 00:23:48,470
Terry: SHAQUIRA McGRATH
SOFIA, WHAT DO YOU THINK
504
00:23:48,494 --> 00:23:49,337
SOFIA, WHAT DO YOU THINK
Sofia: BREATHTAKING
505
00:23:49,361 --> 00:23:50,305
Sofia: BREATHTAKING
CAN YOU PLEASE SING MORE
506
00:23:50,329 --> 00:23:51,973
CAN YOU PLEASE SING MORE
I LOVE IT.
507
00:23:51,997 --> 00:23:52,507
I LOVE IT.
FANTASTIC.
508
00:23:52,531 --> 00:23:54,776
FANTASTIC.
IT'S LIKE YOU PUT YOUR SOUL IN
509
00:23:54,800 --> 00:23:57,646
IT'S LIKE YOU PUT YOUR SOUL IN
EVERY SONG THAT YOU SING
510
00:23:57,670 --> 00:24:01,016
EVERY SONG THAT YOU SING
IT'S LIKE MAGIC.
511
00:24:01,040 --> 00:24:01,650
IT'S LIKE MAGIC.
THANK YOU SO MUCH
512
00:24:01,674 --> 00:24:05,387
THANK YOU SO MUCH
Terry: KELLY, WHAT DID YOU
513
00:24:05,411 --> 00:24:05,787
Terry: KELLY, WHAT DID YOU
THINK?
514
00:24:05,811 --> 00:24:07,155
THINK?
Kelly: GIRL, I LOVE THAT
515
00:24:07,179 --> 00:24:08,190
Kelly: GIRL, I LOVE THAT
SONG, ONE OF MY FAVORITES.
516
00:24:08,214 --> 00:24:09,925
SONG, ONE OF MY FAVORITES.
THAT'S HARD SONG TO SING,
517
00:24:09,949 --> 00:24:13,528
THAT'S HARD SONG TO SING,
AMERICA NEEDS TO KNOW, THERE IS
518
00:24:13,552 --> 00:24:14,329
AMERICA NEEDS TO KNOW, THERE IS
NOWHERE TO BREATHE IN THAT SONG.
519
00:24:14,353 --> 00:24:15,464
NOWHERE TO BREATHE IN THAT SONG.
I KNOW YOU'LL HEAR A COUPLE OF
520
00:24:15,488 --> 00:24:17,232
I KNOW YOU'LL HEAR A COUPLE OF
THINGS THAT YOU DIDN'T QUITE GET
521
00:24:17,256 --> 00:24:18,700
THINGS THAT YOU DIDN'T QUITE GET
THERE, BUT OVERALL YOU HAVE SUCH
522
00:24:18,724 --> 00:24:21,403
THERE, BUT OVERALL YOU HAVE SUCH
A POWERFUL VOICE AND IT'S SO
523
00:24:21,427 --> 00:24:21,769
A POWERFUL VOICE AND IT'S SO
SOULFUL.
524
00:24:21,793 --> 00:24:23,004
SOULFUL.
IT'S KIND OF WHAT I LIKE ABOUT
525
00:24:23,028 --> 00:24:26,308
IT'S KIND OF WHAT I LIKE ABOUT
GARY AND COUNTRY MUSIC, TEETERS
526
00:24:26,332 --> 00:24:28,810
GARY AND COUNTRY MUSIC, TEETERS
THE LINE BETWEEN COUNTRY MUSIC
527
00:24:28,834 --> 00:24:32,014
THE LINE BETWEEN COUNTRY MUSIC
AND BRIAN McKNIGHT
528
00:24:32,038 --> 00:24:33,048
AND BRIAN McKNIGHT
YOU HAVE SUCH A BEAUTIFUL AND
529
00:24:33,072 --> 00:24:34,316
YOU HAVE SUCH A BEAUTIFUL AND
POWERFUL VOICE
530
00:24:34,340 --> 00:24:34,850
POWERFUL VOICE
GREAT JOB.
531
00:24:34,874 --> 00:24:36,485
GREAT JOB.
Terry: HOWIE.
532
00:24:36,509 --> 00:24:37,819
Terry: HOWIE.
Howie: I THINK YOU CERTAINLY
533
00:24:37,843 --> 00:24:38,353
Howie: I THINK YOU CERTAINLY
DESERVE TO BE HERE
534
00:24:38,377 --> 00:24:39,187
DESERVE TO BE HERE
THE PASSION SHOWS.
535
00:24:39,211 --> 00:24:40,589
THE PASSION SHOWS.
YOU HAVE THE STRENGTH IN YOUR
536
00:24:40,613 --> 00:24:40,956
YOU HAVE THE STRENGTH IN YOUR
VOICE.
537
00:24:40,980 --> 00:24:42,390
VOICE.
TO BE HONEST, STILL, I WATCHED
538
00:24:42,414 --> 00:24:44,459
TO BE HONEST, STILL, I WATCHED
YOU THREE TIMES ON THIS SHOW,
539
00:24:44,483 --> 00:24:46,862
YOU THREE TIMES ON THIS SHOW,
THE FIRST ONE BLEW ME AWAY AND I
540
00:24:46,886 --> 00:24:48,730
THE FIRST ONE BLEW ME AWAY AND I
THINK THAT THE FIRST ONE HAS
541
00:24:48,754 --> 00:24:52,834
THINK THAT THE FIRST ONE HAS
BEEN YOUR TOP PERFORMANCE.
542
00:24:52,858 --> 00:24:55,270
BEEN YOUR TOP PERFORMANCE.
Heidi: LET ME TALK INSTEAD.
543
00:24:55,294 --> 00:24:56,671
Heidi: LET ME TALK INSTEAD.
Terry: HEIDI?
544
00:24:56,695 --> 00:24:58,540
Terry: HEIDI?
Heidi: YOU'RE AMAZING, YOUR
545
00:24:58,564 --> 00:25:00,141
Heidi: YOU'RE AMAZING, YOUR
VOICE IS LARGER THAN LIFE AND IT
546
00:25:00,165 --> 00:25:01,843
VOICE IS LARGER THAN LIFE AND IT
FILLED EVERY NOOK AND CRANNY OF
547
00:25:01,867 --> 00:25:02,878
FILLED EVERY NOOK AND CRANNY OF
THIS ROOM RIGHT HERE
548
00:25:02,902 --> 00:25:04,079
THIS ROOM RIGHT HERE
YOUR VOICE IS SO BIG
549
00:25:04,103 --> 00:25:05,514
YOUR VOICE IS SO BIG
I FEEL THIS VULNERABILITY INSIDE
550
00:25:05,538 --> 00:25:08,550
I FEEL THIS VULNERABILITY INSIDE
OF AND YOU IT'S SO BEAUTIFUL
551
00:25:08,574 --> 00:25:13,054
OF AND YOU IT'S SO BEAUTIFUL
AND YOU ARE SO BEAUTIFUL
552
00:25:13,078 --> 00:25:17,192
AND YOU ARE SO BEAUTIFUL
PLEASE VOTE FOR SHAQUIRA, SHE'S
553
00:25:17,216 --> 00:25:17,692
PLEASE VOTE FOR SHAQUIRA, SHE'S
AMAZING.
554
00:25:17,716 --> 00:25:19,027
AMAZING.
IF THEY COULD ALL STAND UP, IF
555
00:25:19,051 --> 00:25:20,428
IF THEY COULD ALL STAND UP, IF
THERE WAS AN AUDIENCE THEY WOULD
556
00:25:20,452 --> 00:25:23,465
THERE WAS AN AUDIENCE THEY WOULD
ALL STAND UP
557
00:25:23,489 --> 00:25:25,100
ALL STAND UP
Terry: SHAQUIRA, CONSIDERING
558
00:25:25,124 --> 00:25:27,102
Terry: SHAQUIRA, CONSIDERING
ALL YOU'VE BEEN THROUGH, HOW
559
00:25:27,126 --> 00:25:27,735
ALL YOU'VE BEEN THROUGH, HOW
DOES IT FEEL TO BE HERE RIGHT
560
00:25:27,759 --> 00:25:31,072
DOES IT FEEL TO BE HERE RIGHT
NOW?
561
00:25:31,096 --> 00:25:32,774
NOW?
TO BE ABLE TO STAND HERE,
562
00:25:32,798 --> 00:25:34,876
TO BE ABLE TO STAND HERE,
KNOWING HOW BAD I WANTED IT, IT
563
00:25:34,900 --> 00:25:36,378
KNOWING HOW BAD I WANTED IT, IT
FEELS SO FREEING
564
00:25:36,402 --> 00:25:38,113
FEELS SO FREEING
LIKE OF COURSE, YES, I'M STILL
565
00:25:38,137 --> 00:25:38,513
LIKE OF COURSE, YES, I'M STILL
TERRIFIED.
566
00:25:38,537 --> 00:25:40,115
TERRIFIED.
BUT I FEEL FREE.
567
00:25:40,139 --> 00:25:43,251
BUT I FEEL FREE.
I MEAN, KELLY CLARKSON IS HERE,
568
00:25:43,275 --> 00:25:45,020
I MEAN, KELLY CLARKSON IS HERE,
SHE JUST TALKED TO ME.
569
00:25:45,044 --> 00:25:45,987
SHE JUST TALKED TO ME.
SO YES, I'M FREAKING OUT
570
00:25:46,011 --> 00:25:46,454
SO YES, I'M FREAKING OUT
BUT IT'S OKAY.
571
00:25:46,478 --> 00:25:50,325
BUT IT'S OKAY.
I FEEL GOOD.
572
00:25:50,349 --> 00:25:51,726
I FEEL GOOD.
Kelly: THEN LIFE IS GOOD.
573
00:25:51,750 --> 00:25:52,828
Kelly: THEN LIFE IS GOOD.
Terry: GOOD LUCK TONIGHT.
574
00:25:52,852 --> 00:25:53,962
Terry: GOOD LUCK TONIGHT.
IF YOU WANT TO VOTE FOR
575
00:25:53,986 --> 00:25:56,031
IF YOU WANT TO VOTE FOR
SHAQUIRA, YOU CAN VOTE ONLINE AT
576
00:25:56,055 --> 00:25:57,666
SHAQUIRA, YOU CAN VOTE ONLINE AT
NBC.COM OR USE THE OFFICIAL
577
00:25:57,690 --> 00:25:59,801
NBC.COM OR USE THE OFFICIAL
"AMERICA'S GOT TALENT" APP
578
00:25:59,825 --> 00:26:00,836
"AMERICA'S GOT TALENT" APP
YOU CAN DOWNLOAD IT FROM THE APP
579
00:26:00,860 --> 00:26:04,540
YOU CAN DOWNLOAD IT FROM THE APP
STORE OR GOOGLE PLAY
580
00:26:04,564 --> 00:26:05,640
STORE OR GOOGLE PLAY
AFTER THE BREAK, TWO YOUNG SALSA
581
00:26:05,664 --> 00:26:06,708
AFTER THE BREAK, TWO YOUNG SALSA
DANCERS FACE THE BIGGEST
582
00:26:06,732 --> 00:26:11,902
DANCERS FACE THE BIGGEST
CHALLENGE OF THEIR YOUNG LIVES
583
00:26:26,751 --> 00:26:29,698
Terry: NOW, WHILE WE'RE LUCKY
ENOUGH TO BE SHOOTING SOME
584
00:26:29,722 --> 00:26:35,637
ENOUGH TO BE SHOOTING SOME
PERFORMANCES OUT ON THE LOT AT
585
00:26:35,661 --> 00:26:37,472
PERFORMANCES OUT ON THE LOT AT
UNIVERSAL STUDIOS, HOLLYWOOD,
586
00:26:37,496 --> 00:26:41,176
UNIVERSAL STUDIOS, HOLLYWOOD,
AND IT'S OPEN TO GUESTS, THE
587
00:26:41,200 --> 00:26:43,645
AND IT'S OPEN TO GUESTS, THE
THEME PARK IS CURRENTLY CLOSED
588
00:26:43,669 --> 00:26:45,847
THEME PARK IS CURRENTLY CLOSED
BUT THESE TWO SALSA DANCERS GOT
589
00:26:45,871 --> 00:26:46,481
BUT THESE TWO SALSA DANCERS GOT
THEIR OWN PRIVATE TOUR
590
00:26:46,505 --> 00:26:51,486
THEIR OWN PRIVATE TOUR
CHECK OUT SIMON AND MARIA.
591
00:26:51,510 --> 00:26:52,320
CHECK OUT SIMON AND MARIA.
WE ARE IN THE UNIVERSAL BACK
592
00:26:52,344 --> 00:26:54,956
WE ARE IN THE UNIVERSAL BACK
LOT.
593
00:26:54,980 --> 00:26:56,291
LOT.
WHERE THEY FILMED A WHOLE
594
00:26:56,315 --> 00:26:57,492
WHERE THEY FILMED A WHOLE
BUNCH OF MOVIES.
595
00:26:57,516 --> 00:26:58,493
BUNCH OF MOVIES.
YES
596
00:26:58,517 --> 00:27:00,228
YES
AND LIVE SHOWS.
597
00:27:00,252 --> 00:27:01,029
AND LIVE SHOWS.
"AMERICA'S GOT TALENT."
598
00:27:01,053 --> 00:27:01,262
"AMERICA'S GOT TALENT."
HOWIE
599
00:27:01,286 --> 00:27:06,635
HOWIE
SOFIA
600
00:27:06,659 --> 00:27:08,570
SOFIA
LOOK TO OUR RIGHT, WE HAVE
601
00:27:08,594 --> 00:27:10,438
LOOK TO OUR RIGHT, WE HAVE
THE CLOCK TOWER FROM "BACK TO
602
00:27:10,462 --> 00:27:10,872
THE CLOCK TOWER FROM "BACK TO
THE FUTURE."
603
00:27:10,896 --> 00:27:12,674
THE FUTURE."
AND IF YOU LOOK TO YOUR LEFT,
604
00:27:12,698 --> 00:27:13,875
AND IF YOU LOOK TO YOUR LEFT,
YOU'LL SEE THE SET WHERE "HOME
605
00:27:13,899 --> 00:27:20,382
YOU'LL SEE THE SET WHERE "HOME
ALONE 2" WAS FILMED.
606
00:27:20,406 --> 00:27:21,783
ALONE 2" WAS FILMED.
I'M LITERALLY IN THE MIDDLE
607
00:27:21,807 --> 00:27:23,852
I'M LITERALLY IN THE MIDDLE
OF A JUNGLE.
608
00:27:23,876 --> 00:27:29,491
OF A JUNGLE. WHOO
WHOO OH, MY GOSH.
609
00:27:29,515 --> 00:27:30,992
OH, MY GOSH.
IT HAS BEEN REALLY EXCITING.
610
00:27:31,016 --> 00:27:33,862
IT HAS BEEN REALLY EXCITING.
THE WHOLE THEME PARK, IT'S
611
00:27:33,886 --> 00:27:37,032
THE WHOLE THEME PARK, IT'S
BEEN REALLY COOL
612
00:27:37,056 --> 00:27:40,535
BEEN REALLY COOL
OH, MY GOD.
613
00:27:40,559 --> 00:27:40,969
OH, MY GOD.
[ SCREAMING
614
00:27:40,993 --> 00:27:42,570
[ SCREAMING
STOP SCREAMING!
615
00:27:42,594 --> 00:27:44,305
STOP SCREAMING!
I CAN'T BELIEVE THAT WE'RE
616
00:27:44,329 --> 00:27:46,608
I CAN'T BELIEVE THAT WE'RE
GOING TO PERFORM TONIGHT
617
00:27:46,632 --> 00:27:47,242
GOING TO PERFORM TONIGHT
THIS IS CRAZY.
618
00:27:47,266 --> 00:27:49,411
THIS IS CRAZY.
THE LIVE SHOWS, WE'VE DEFINITELY
619
00:27:49,435 --> 00:27:50,679
THE LIVE SHOWS, WE'VE DEFINITELY
HAD TO STEP IT UP.
620
00:27:50,703 --> 00:27:52,547
HAD TO STEP IT UP.
WE'VE BEEN PRACTICING EVERY DAY.
621
00:27:52,571 --> 00:27:55,417
WE'VE BEEN PRACTICING EVERY DAY.
AND WE HAVE A BUNCH OF TRICKS UP
622
00:27:55,441 --> 00:27:56,284
AND WE HAVE A BUNCH OF TRICKS UP
OUR SLEEVE
623
00:27:56,308 --> 00:27:57,052
OUR SLEEVE
I'M SO EXCITED
624
00:27:57,076 --> 00:27:57,385
I'M SO EXCITED
WE'RE HERE.
625
00:27:57,409 --> 00:28:00,121
WE'RE HERE.
OH, MY GOSH
626
00:28:00,145 --> 00:28:00,521
OH, MY GOSH
YOU READY
627
00:28:00,545 --> 00:28:04,025
YOU READY
LET'S DO THIS
628
00:28:04,049 --> 00:28:07,317
LET'S DO THIS
[ CHEERS AND APPLAUSE
629
00:28:08,419 --> 00:28:16,419
♪
630
00:28:20,265 --> 00:28:27,905
♪
631
00:28:31,042 --> 00:28:39,016
♪
632
00:28:43,154 --> 00:28:50,861
♪
633
00:28:55,833 --> 00:29:03,833
♪
634
00:29:08,246 --> 00:29:16,246
♪
635
00:29:23,094 --> 00:29:31,094
♪
636
00:29:36,674 --> 00:29:44,674
♪
637
00:29:50,789 --> 00:29:55,526
♪
638
00:29:56,895 --> 00:30:01,431
[ CHEERS AND APPLAUSE
639
00:30:02,333 --> 00:30:04,813
Terry: WHOA
I CAN'T STOP MY FEET MOVING.
640
00:30:04,837 --> 00:30:05,880
I CAN'T STOP MY FEET MOVING.
WE'RE GONNA FIND OUT WHAT THE
641
00:30:05,904 --> 00:30:07,482
WE'RE GONNA FIND OUT WHAT THE
JUDGES MADE OF THAT IN JUST A
642
00:30:07,506 --> 00:30:09,584
JUDGES MADE OF THAT IN JUST A
COUPLE OF MINUTES.
643
00:30:09,608 --> 00:30:10,218
COUPLE OF MINUTES.
THEN, A SENSATIONAL DANCER IS
644
00:30:10,242 --> 00:30:11,186
THEN, A SENSATIONAL DANCER IS
GOING TO ATTEMPT THE PHYSICALLY
645
00:30:11,210 --> 00:30:12,787
GOING TO ATTEMPT THE PHYSICALLY
IMPOSSIBLE
646
00:30:12,811 --> 00:30:13,855
IMPOSSIBLE
YOU GOTTA SEE THIS TO BELIEVE
647
00:30:13,879 --> 00:30:14,923
YOU GOTTA SEE THIS TO BELIEVE
IT
648
00:30:14,947 --> 00:30:18,415
IT
STAY RIGHT THERE
649
00:30:33,164 --> 00:30:36,177
Terry: HERE ARE SIMON AND
MARIA, WHO WE SAW TEARING UP
650
00:30:36,201 --> 00:30:37,779
MARIA, WHO WE SAW TEARING UP
MEL'S DINER HERE AT UNIVERSAL.
651
00:30:37,803 --> 00:30:38,847
MEL'S DINER HERE AT UNIVERSAL.
LET'S GET STRAIGHT TO THE
652
00:30:38,871 --> 00:30:43,384
LET'S GET STRAIGHT TO THE
JUDGES
653
00:30:43,408 --> 00:30:43,718
JUDGES
KELLY?
654
00:30:43,742 --> 00:30:44,853
KELLY?
Kelly: I THOUGHT THAT WAS
655
00:30:44,877 --> 00:30:45,420
Kelly: I THOUGHT THAT WAS
AMAZING.
656
00:30:45,444 --> 00:30:48,223
AMAZING.
WE WERE DISCUSSING AT THE BREAK,
657
00:30:48,247 --> 00:30:49,591
WE WERE DISCUSSING AT THE BREAK,
HOW WONDERFUL IT IS, WITH A COOL
658
00:30:49,615 --> 00:30:53,061
HOW WONDERFUL IT IS, WITH A COOL
OPPORTUNITY TO USE THIS WHOLE
659
00:30:53,085 --> 00:30:55,330
OPPORTUNITY TO USE THIS WHOLE
LOT AND BE ABLE TO DO THAT
660
00:30:55,354 --> 00:30:57,699
LOT AND BE ABLE TO DO THAT
USUALLY YOU HAVE TO BE IN
661
00:30:57,723 --> 00:30:59,133
USUALLY YOU HAVE TO BE IN
MULTIMILLION DOLLAR MOVIES TO DO
662
00:30:59,157 --> 00:30:59,400
MULTIMILLION DOLLAR MOVIES TO DO
THAT
663
00:30:59,424 --> 00:31:01,669
THAT
YOU DID SO WELL, YOU'RE SO CUTE,
664
00:31:01,693 --> 00:31:03,104
YOU DID SO WELL, YOU'RE SO CUTE,
I LIKED WATCHING YOUR FACES
665
00:31:03,128 --> 00:31:06,040
I LIKED WATCHING YOUR FACES
ALMOST AS MUCH AS WATCHING YOUR
666
00:31:06,064 --> 00:31:06,408
ALMOST AS MUCH AS WATCHING YOUR
FEET
667
00:31:06,432 --> 00:31:07,508
FEET
THANK YOU
668
00:31:07,532 --> 00:31:08,776
THANK YOU
Terry: HOWIE?
669
00:31:08,800 --> 00:31:10,445
Terry: HOWIE?
Howie: I AGREE WITH WHAT
670
00:31:10,469 --> 00:31:11,579
Howie: I AGREE WITH WHAT
KELLY SAID
671
00:31:11,603 --> 00:31:13,147
KELLY SAID
YOU'VE PERFORMED THREE TIMES AND
672
00:31:13,171 --> 00:31:14,949
YOU'VE PERFORMED THREE TIMES AND
EACH TIME IT'S GOTTEN BETTER,
673
00:31:14,973 --> 00:31:16,851
EACH TIME IT'S GOTTEN BETTER,
BETTER, AND BETTER
674
00:31:16,875 --> 00:31:17,285
BETTER, AND BETTER
THANK YOU
675
00:31:17,309 --> 00:31:18,686
THANK YOU
Howie: AND I HOPE AMERICA
676
00:31:18,710 --> 00:31:20,688
Howie: AND I HOPE AMERICA
AGREES AND I HOPE AMERICA VOTES.
677
00:31:20,712 --> 00:31:22,090
AGREES AND I HOPE AMERICA VOTES.
ONLY FIVE CAN GO THROUGH
678
00:31:22,114 --> 00:31:23,224
ONLY FIVE CAN GO THROUGH
AMERICA, YOU'VE GOT TO VOTE.
679
00:31:23,248 --> 00:31:24,359
AMERICA, YOU'VE GOT TO VOTE.
YOU GUYS ARE GREAT
680
00:31:24,383 --> 00:31:25,827
YOU GUYS ARE GREAT
THANK YOU, HOWIE.
681
00:31:25,851 --> 00:31:27,295
THANK YOU, HOWIE.
Terry: HEIDI?
682
00:31:27,319 --> 00:31:28,730
Terry: HEIDI?
Heidi: YOU ARE SO TALENTED.
683
00:31:28,754 --> 00:31:31,532
Heidi: YOU ARE SO TALENTED.
BY THE WAY, YOUR TALENT IS ONLY
684
00:31:31,556 --> 00:31:32,567
BY THE WAY, YOUR TALENT IS ONLY
OVERSHADOWED BY YOUR CUTENESS
685
00:31:32,591 --> 00:31:34,168
OVERSHADOWED BY YOUR CUTENESS
BECAUSE YOU ARE SO CUTE.
686
00:31:34,192 --> 00:31:36,304
BECAUSE YOU ARE SO CUTE.
LIKE YOU SAID, THE FEET ARE
687
00:31:36,328 --> 00:31:39,674
LIKE YOU SAID, THE FEET ARE
DANCING, THE FACES DANCING
688
00:31:39,698 --> 00:31:40,441
DANCING, THE FACES DANCING
GOOD LUCK TONIGHT.
689
00:31:40,465 --> 00:31:42,577
GOOD LUCK TONIGHT.
THANK YOU, HEIDI.
690
00:31:42,601 --> 00:31:44,545
THANK YOU, HEIDI.
Terry: SOFIA.
691
00:31:44,569 --> 00:31:46,247
Terry: SOFIA.
Sofia: MY FAVORITE
692
00:31:46,271 --> 00:31:46,681
Sofia: MY FAVORITE
COLOMBIANS
693
00:31:46,705 --> 00:31:48,249
COLOMBIANS
I AM SO PROUD OF YOU GUYS TO SEE
694
00:31:48,273 --> 00:31:50,952
I AM SO PROUD OF YOU GUYS TO SEE
YOU ON THIS STAGE AND TO DO WHAT
695
00:31:50,976 --> 00:31:52,720
YOU ON THIS STAGE AND TO DO WHAT
YOU'VE BEEN DOING.
696
00:31:52,744 --> 00:31:54,155
YOU'VE BEEN DOING.
THE THIRD TIME, IT'S BEEN EVEN
697
00:31:54,179 --> 00:31:55,690
THE THIRD TIME, IT'S BEEN EVEN
BETTER THAN THE FIRST TIME
698
00:31:55,714 --> 00:31:57,625
BETTER THAN THE FIRST TIME
I CAN ONLY SEE THE FUTURE FOR
699
00:31:57,649 --> 00:31:59,995
I CAN ONLY SEE THE FUTURE FOR
YOU, LIKE UNBELIEVABLE
700
00:32:00,019 --> 00:32:04,432
YOU, LIKE UNBELIEVABLE
THANK YOU FOR EXISTING
701
00:32:04,456 --> 00:32:06,567
THANK YOU FOR EXISTING
Terry: SIMON AND MARIA, HOW
702
00:32:06,591 --> 00:32:07,902
Terry: SIMON AND MARIA, HOW
HAVE YOUR LIVES CHANGED SINCE
703
00:32:07,926 --> 00:32:10,471
HAVE YOUR LIVES CHANGED SINCE
THE AUDITION
704
00:32:10,495 --> 00:32:11,640
THE AUDITION
THEY HAVE CHANGED A LOT SINCE
705
00:32:11,664 --> 00:32:14,142
THEY HAVE CHANGED A LOT SINCE
THE AUDITION, BECAUSE OUR
706
00:32:14,166 --> 00:32:15,410
THE AUDITION, BECAUSE OUR
FRIENDS, LIKE A LOT MORE PEOPLE
707
00:32:15,434 --> 00:32:16,845
FRIENDS, LIKE A LOT MORE PEOPLE
HAVE NOTICED US.
708
00:32:16,869 --> 00:32:19,414
HAVE NOTICED US.
AND IT'S BEEN REALLY GREAT
709
00:32:19,438 --> 00:32:20,515
AND IT'S BEEN REALLY GREAT
Terry: GOOD LUCK, GUYS.
710
00:32:20,539 --> 00:32:22,116
Terry: GOOD LUCK, GUYS.
WHAT DO YOU THINK?
711
00:32:22,140 --> 00:32:23,184
WHAT DO YOU THINK?
DO YOU WANT TO SEE THESE TWO IN
712
00:32:23,208 --> 00:32:25,286
DO YOU WANT TO SEE THESE TWO IN
THE SEMI-FINALS?
713
00:32:25,310 --> 00:32:26,888
THE SEMI-FINALS?
THEN YOU HAVE TO VOTE.
714
00:32:26,912 --> 00:32:27,956
THEN YOU HAVE TO VOTE.
YOU CAN VOTE UP TO TEN TIMES FOR
715
00:32:27,980 --> 00:32:29,023
YOU CAN VOTE UP TO TEN TIMES FOR
EACH ACT WITH EACH VOTING
716
00:32:29,047 --> 00:32:31,159
EACH ACT WITH EACH VOTING
METHOD
717
00:32:31,183 --> 00:32:33,795
METHOD
LET'S KEEP IT GOING.
718
00:32:33,819 --> 00:32:35,396
LET'S KEEP IT GOING.
COMING UP RIGHT NOW IS A DANCER
719
00:32:35,420 --> 00:32:38,032
COMING UP RIGHT NOW IS A DANCER
WHO PROVES THAT IF YOU HAVE A
720
00:32:38,056 --> 00:32:39,100
WHO PROVES THAT IF YOU HAVE A
DREAM, YOU JUST HAVE TO FOLLOW
721
00:32:39,124 --> 00:32:40,168
DREAM, YOU JUST HAVE TO FOLLOW
IT... NO MATTER WHAT
722
00:32:40,192 --> 00:32:42,303
IT... NO MATTER WHAT
BUT SOMETIMES YOU NEED A LITTLE
723
00:32:42,327 --> 00:32:45,673
BUT SOMETIMES YOU NEED A LITTLE
HELP... LIKE, FROM SIMON COWELL.
724
00:32:45,697 --> 00:32:50,478
HELP... LIKE, FROM SIMON COWELL.
HERE'S FRENCHIEBABYY
725
00:32:50,502 --> 00:32:53,214
HERE'S FRENCHIEBABYY
ME AND MY FAMILY WERE VERY
726
00:32:53,238 --> 00:32:54,983
ME AND MY FAMILY WERE VERY
CLOSE BUT WHEN I STARTED
727
00:32:55,007 --> 00:32:58,219
CLOSE BUT WHEN I STARTED
DANCING, MY FAMILY WAS SUPER
728
00:32:58,243 --> 00:32:58,786
DANCING, MY FAMILY WAS SUPER
CHRISTIAN AND THEY DIDN'T
729
00:32:58,810 --> 00:32:59,487
CHRISTIAN AND THEY DIDN'T
SUPPORT IT
730
00:32:59,511 --> 00:33:01,522
SUPPORT IT
I GOT INTO A BIG FIGHT WITH MY
731
00:33:01,546 --> 00:33:04,492
I GOT INTO A BIG FIGHT WITH MY
PARENTS AND GOT KICKED OUT OF
732
00:33:04,516 --> 00:33:05,326
PARENTS AND GOT KICKED OUT OF
THE HOUSE.
733
00:33:05,350 --> 00:33:07,228
THE HOUSE.
Simon: WHY DON'T WE CALL THEM
734
00:33:07,252 --> 00:33:07,495
Simon: WHY DON'T WE CALL THEM
NOW.
735
00:33:07,519 --> 00:33:10,832
NOW.
YOUR SON IS ON "AMERICA'S GOT
736
00:33:10,856 --> 00:33:11,032
YOUR SON IS ON "AMERICA'S GOT
TALENT."
737
00:33:11,056 --> 00:33:13,568
TALENT."
I STARTED TO PUT THE PIECES
738
00:33:13,592 --> 00:33:17,105
I STARTED TO PUT THE PIECES
BACK TOGETHER WITH MY MOM BUT I
739
00:33:17,129 --> 00:33:18,606
BACK TOGETHER WITH MY MOM BUT I
LOST CONNECTION WITH MY SISTERS,
740
00:33:18,630 --> 00:33:19,107
LOST CONNECTION WITH MY SISTERS,
THEY WERE MY BEST FRIENDS
741
00:33:19,131 --> 00:33:23,344
THEY WERE MY BEST FRIENDS
GROWING UP
742
00:33:23,368 --> 00:33:26,581
GROWING UP
[ TELEPHONE RINGING
743
00:33:26,605 --> 00:33:26,948
[ TELEPHONE RINGING
HEY, GUYS.
744
00:33:26,972 --> 00:33:30,818
HEY, GUYS.
HOW ARE YOU ALL DOING?
745
00:33:30,842 --> 00:33:32,153
HOW ARE YOU ALL DOING?
GOOD TO SEE YOU GUYS
746
00:33:32,177 --> 00:33:33,388
GOOD TO SEE YOU GUYS
IT'S BEEN A LONG TIME
747
00:33:33,412 --> 00:33:35,556
IT'S BEEN A LONG TIME
THE LAST TIME WE ALL TOGETHER
748
00:33:35,580 --> 00:33:37,592
THE LAST TIME WE ALL TOGETHER
HAD TO BE 2010
749
00:33:37,616 --> 00:33:39,927
HAD TO BE 2010
TO SEE YOU ON "AMERICA'S GOT
750
00:33:39,951 --> 00:33:40,628
TO SEE YOU ON "AMERICA'S GOT
TALENT," WE'RE SUPER PROUD OF
751
00:33:40,652 --> 00:33:41,562
TALENT," WE'RE SUPER PROUD OF
YOU, MAN
752
00:33:41,586 --> 00:33:42,530
YOU, MAN
THANK YOU
753
00:33:42,554 --> 00:33:46,801
THANK YOU
I WANT YOU TO KNOW EVEN
754
00:33:46,825 --> 00:33:49,537
I WANT YOU TO KNOW EVEN
THOUGH WE COULDN'T BE THERE
755
00:33:49,561 --> 00:33:51,672
THOUGH WE COULDN'T BE THERE
PHYSICALLY, WE'RE THERE FOR YOU
756
00:33:51,696 --> 00:33:52,640
PHYSICALLY, WE'RE THERE FOR YOU
IN SPIRIT.
757
00:33:52,664 --> 00:33:54,042
IN SPIRIT.
WE RECONNECTED, WE HAVE A
758
00:33:54,066 --> 00:33:54,709
WE RECONNECTED, WE HAVE A
STRONG BOND.
759
00:33:54,733 --> 00:33:57,578
STRONG BOND.
WE'RE WATCHING YOU, YOU'RE
760
00:33:57,602 --> 00:33:59,214
WE'RE WATCHING YOU, YOU'RE
GOING TO DO GREAT, YOU'LL BE
761
00:33:59,238 --> 00:33:59,447
GOING TO DO GREAT, YOU'LL BE
AWESOME.
762
00:33:59,471 --> 00:34:01,015
AWESOME.
I LOVE YOU GUYS SO MUCH
763
00:34:01,039 --> 00:34:04,085
I LOVE YOU GUYS SO MUCH
TO BE IN A LIVE SHOW AND HAVE MY
764
00:34:04,109 --> 00:34:05,019
TO BE IN A LIVE SHOW AND HAVE MY
FAMILY'S SUPPORT MAKES ME WANT
765
00:34:05,043 --> 00:34:06,988
FAMILY'S SUPPORT MAKES ME WANT
TO PUT THE BEST SHOW ON JUST
766
00:34:07,012 --> 00:34:08,222
TO PUT THE BEST SHOW ON JUST
BECAUSE I KNOW THEY'RE WATCHING.
767
00:34:08,246 --> 00:34:08,956
BECAUSE I KNOW THEY'RE WATCHING.
I FEEL LIKE MY TIME IS NOW
768
00:34:08,980 --> 00:34:10,825
I FEEL LIKE MY TIME IS NOW
I'M HERE TO WIN.
769
00:34:10,849 --> 00:34:15,419
I'M HERE TO WIN.
[ CHEERS AND APPLAUSE
770
00:34:16,420 --> 00:34:24,127
♪
771
00:34:28,199 --> 00:34:36,039
♪
772
00:34:39,977 --> 00:34:47,551
♪
773
00:34:51,689 --> 00:34:58,862
♪
774
00:35:11,275 --> 00:35:19,275
♪
775
00:35:23,821 --> 00:35:31,094
♪
776
00:35:35,666 --> 00:35:43,666
♪
777
00:35:48,845 --> 00:35:56,845
♪
778
00:36:03,127 --> 00:36:10,634
♪
779
00:36:11,969 --> 00:36:19,676
[ CHEERS AND APPLAUSE
780
00:36:26,017 --> 00:36:30,531
Terry: THAT WAS VIRTUAL
REALITY ON STEROIDS.
781
00:36:30,555 --> 00:36:32,300
REALITY ON STEROIDS.
FRENCHIEBABYY.
782
00:36:32,324 --> 00:36:32,600
FRENCHIEBABYY.
HEIDI?
783
00:36:32,624 --> 00:36:34,569
HEIDI?
Heidi: I MEAN, FRENCHIEBABYY,
784
00:36:34,593 --> 00:36:35,403
Heidi: I MEAN, FRENCHIEBABYY,
THAT'S ONE OF THOSE THINGS THAT
785
00:36:35,427 --> 00:36:37,138
THAT'S ONE OF THOSE THINGS THAT
ARE HARD TO WATCH BUT YOU CAN'T
786
00:36:37,162 --> 00:36:38,673
ARE HARD TO WATCH BUT YOU CAN'T
LOOK AWAY, YOU HAVE TO KEEP
787
00:36:38,697 --> 00:36:39,040
LOOK AWAY, YOU HAVE TO KEEP
WATCHING
788
00:36:39,064 --> 00:36:40,841
WATCHING
YOUR ARMS DON'T LOOK LIKE ARMS,
789
00:36:40,865 --> 00:36:42,310
YOUR ARMS DON'T LOOK LIKE ARMS,
IT LOOKS LIKE YOU HAVE SNAKE
790
00:36:42,334 --> 00:36:43,611
IT LOOKS LIKE YOU HAVE SNAKE
ARMS, IT'S SO BIZARRE.
791
00:36:43,635 --> 00:36:44,579
ARMS, IT'S SO BIZARRE.
LIVE IT.
792
00:36:44,603 --> 00:36:45,313
LIVE IT.
YOU'RE SUPER UNIQUE.
793
00:36:45,337 --> 00:36:46,480
YOU'RE SUPER UNIQUE.
I ALSO LOVE THAT YOU FOUND YOUR
794
00:36:46,504 --> 00:36:48,816
I ALSO LOVE THAT YOU FOUND YOUR
LOOK WITH ALL THE BODY PAINTING,
795
00:36:48,840 --> 00:36:52,153
LOOK WITH ALL THE BODY PAINTING,
I THINK IT'S SUPER COOL.
796
00:36:52,177 --> 00:36:54,522
I THINK IT'S SUPER COOL.
YOU CAN NEVER, YOU KNOW, THINK
797
00:36:54,546 --> 00:36:56,224
YOU CAN NEVER, YOU KNOW, THINK
OF SOMETHING ELSE, IT'S
798
00:36:56,248 --> 00:36:56,691
OF SOMETHING ELSE, IT'S
FRENCHIEBABYY.
799
00:36:56,715 --> 00:36:58,593
FRENCHIEBABYY.
FRENCHIEBABYY MAKES THE WORLD
800
00:36:58,617 --> 00:36:59,460
FRENCHIEBABYY MAKES THE WORLD
GO CRAZY
801
00:36:59,484 --> 00:37:00,661
GO CRAZY
Heidi: I THINK IT'S REALLY
802
00:37:00,685 --> 00:37:02,563
Heidi: I THINK IT'S REALLY
COOL WHAT YOU DO, I REALLY DO.
803
00:37:02,587 --> 00:37:03,598
COOL WHAT YOU DO, I REALLY DO.
Terry: SOFIA.
804
00:37:03,622 --> 00:37:04,665
Terry: SOFIA.
Sofia: THAT WAS UNBELIEVABLE.
805
00:37:04,689 --> 00:37:05,933
Sofia: THAT WAS UNBELIEVABLE.
THE STAGE, WHAT WAS BEHIND YOU,
806
00:37:05,957 --> 00:37:08,102
THE STAGE, WHAT WAS BEHIND YOU,
WHAT YOU WERE DOING.
807
00:37:08,126 --> 00:37:09,303
WHAT YOU WERE DOING.
YOU COULD IMAGINE YOU REALLY
808
00:37:09,327 --> 00:37:11,939
YOU COULD IMAGINE YOU REALLY
DOING THIS FOR A LIVING BECAUSE
809
00:37:11,963 --> 00:37:13,708
DOING THIS FOR A LIVING BECAUSE
IT WAS AMAZING
810
00:37:13,732 --> 00:37:14,408
IT WAS AMAZING
SOMETIMES I THOUGHT YOU WERE
811
00:37:14,432 --> 00:37:16,877
SOMETIMES I THOUGHT YOU WERE
GOING TO GET STUCK IN ONE OF
812
00:37:16,901 --> 00:37:17,778
GOING TO GET STUCK IN ONE OF
THOSE POSITIONS.
813
00:37:17,802 --> 00:37:20,615
THOSE POSITIONS.
BUT THEN YOU KEEP DOING IT
814
00:37:20,639 --> 00:37:22,450
BUT THEN YOU KEEP DOING IT
IT'S NERVEWRACKING BUT ALSO
815
00:37:22,474 --> 00:37:24,118
IT'S NERVEWRACKING BUT ALSO
SUPER ENTERTAINING
816
00:37:24,142 --> 00:37:25,753
SUPER ENTERTAINING
I LOVE YOU
817
00:37:25,777 --> 00:37:28,289
I LOVE YOU
Terry: WHAT DO YOU THINK,
818
00:37:28,313 --> 00:37:28,723
Terry: WHAT DO YOU THINK,
KELLY?
819
00:37:28,747 --> 00:37:30,825
KELLY?
Kelly: I'VE NEVER IN MY LIFE
820
00:37:30,849 --> 00:37:31,926
Kelly: I'VE NEVER IN MY LIFE
SEEN ANYTHING LIKE WHAT JUST
821
00:37:31,950 --> 00:37:33,160
SEEN ANYTHING LIKE WHAT JUST
HAPPENED
822
00:37:33,184 --> 00:37:35,730
HAPPENED
KUDOS TO YOU ON SONGS, IT'S SO
823
00:37:35,754 --> 00:37:37,064
KUDOS TO YOU ON SONGS, IT'S SO
IMPORTANT, IT SETS UP THE TONE
824
00:37:37,088 --> 00:37:37,698
IMPORTANT, IT SETS UP THE TONE
AND THE VIBE
825
00:37:37,722 --> 00:37:39,166
AND THE VIBE
WHAT YOU DO IS INCREDIBLE.
826
00:37:39,190 --> 00:37:41,902
WHAT YOU DO IS INCREDIBLE.
I'VE NEVER SEEN ANYONE ON THE
827
00:37:41,926 --> 00:37:43,738
I'VE NEVER SEEN ANYONE ON THE
PLANET BE ABLE TO DO IT.
828
00:37:43,762 --> 00:37:45,840
PLANET BE ABLE TO DO IT.
CONGRATULATIONS, YOU'RE ONE OF A
829
00:37:45,864 --> 00:37:46,073
CONGRATULATIONS, YOU'RE ONE OF A
KIND
830
00:37:46,097 --> 00:37:50,979
KIND
MUCH LOVE, MUCH LOVE.
831
00:37:51,003 --> 00:37:53,981
MUCH LOVE, MUCH LOVE.
Terry: HOWIE.
832
00:37:54,005 --> 00:37:55,916
Terry: HOWIE.
Howie: WOW AND OW
833
00:37:55,940 --> 00:37:59,120
Howie: WOW AND OW
THIS BRINGS EVERYBODY TOGETHER,
834
00:37:59,144 --> 00:38:01,155
THIS BRINGS EVERYBODY TOGETHER,
AND YOUR FAMILY CAME TOGETHER.
835
00:38:01,179 --> 00:38:02,823
AND YOUR FAMILY CAME TOGETHER.
IT WAS EMOTIONAL
836
00:38:02,847 --> 00:38:03,023
IT WAS EMOTIONAL
VOTE
837
00:38:03,047 --> 00:38:04,358
VOTE
I HAVE A FEELING YOU'RE GOING TO
838
00:38:04,382 --> 00:38:06,694
I HAVE A FEELING YOU'RE GOING TO
BE ONE OF THE FIVE THAT GO
839
00:38:06,718 --> 00:38:07,027
BE ONE OF THE FIVE THAT GO
THROUGH.
840
00:38:07,051 --> 00:38:09,697
THROUGH.
Terry: GOOD LUCK TONIGHT,
841
00:38:09,721 --> 00:38:13,301
Terry: GOOD LUCK TONIGHT,
FRENCHY.
842
00:38:13,325 --> 00:38:16,137
FRENCHY.
FRENCHY IS COUNTING ON YOU
843
00:38:16,161 --> 00:38:17,204
FRENCHY IS COUNTING ON YOU
REMEMBER, AGT ON XFINITY VOICE
844
00:38:17,228 --> 00:38:17,838
REMEMBER, AGT ON XFINITY VOICE
REMOTE YOU CAN ALSO VOTE USING
845
00:38:17,862 --> 00:38:18,773
REMOTE YOU CAN ALSO VOTE USING
YOUR XFINITY REMOTE.
846
00:38:18,797 --> 00:38:19,307
YOUR XFINITY REMOTE.
SO GET BUSY.
847
00:38:19,331 --> 00:38:20,374
SO GET BUSY.
COMING UP, ONE OF THE MOST
848
00:38:20,398 --> 00:38:21,442
COMING UP, ONE OF THE MOST
DANGEROUS ACTS WE'VE SEEN SO FAR
849
00:38:21,466 --> 00:38:22,009
DANGEROUS ACTS WE'VE SEEN SO FAR
FACES A MAJOR SETBACK.
850
00:38:22,033 --> 00:38:23,044
FACES A MAJOR SETBACK.
CAN THEY STILL SAVE THEIR
851
00:38:23,068 --> 00:38:24,111
CAN THEY STILL SAVE THEIR
PERFORMANCE?
852
00:38:24,135 --> 00:38:32,135
PERFORMANCE?
FIND OUT AFTER THE BREAK
853
00:38:35,213 --> 00:38:39,193
FIND OUT AFTER THE BREAK
Terry: WELCOME BACK
854
00:38:39,217 --> 00:38:42,196
Terry: WELCOME BACK
WE'VE COME OUTSIDE TO ONE OF
855
00:38:42,220 --> 00:38:42,930
WE'VE COME OUTSIDE TO ONE OF
UNIVERSAL'S AMAZING LOCATIONS
856
00:38:42,954 --> 00:38:44,598
UNIVERSAL'S AMAZING LOCATIONS
FOR ONE OF OUR DANGER ACTS
857
00:38:44,622 --> 00:38:47,902
FOR ONE OF OUR DANGER ACTS
THESE TWO HAVE BOTH COMPETED ON
858
00:38:47,926 --> 00:38:48,736
THESE TWO HAVE BOTH COMPETED ON
"AGT" BEFORE, SEPARATELY
859
00:38:48,760 --> 00:38:50,271
"AGT" BEFORE, SEPARATELY
AND MAN, THEY HAVE DONE SOME
860
00:38:50,295 --> 00:38:51,672
AND MAN, THEY HAVE DONE SOME
CRAZY STUFF, BEING BLOWN OUT OF
861
00:38:51,696 --> 00:38:55,242
CRAZY STUFF, BEING BLOWN OUT OF
A CANNON, BEING BLOWN UP
862
00:38:55,266 --> 00:38:56,777
A CANNON, BEING BLOWN UP
WELL, NOW THEY PERFORM TOGETHER,
863
00:38:56,801 --> 00:38:57,812
WELL, NOW THEY PERFORM TOGETHER,
WHICH MAKES SENSE BECAUSE THEY
864
00:38:57,836 --> 00:39:00,681
WHICH MAKES SENSE BECAUSE THEY
ARE FATHER AND DAUGHTER.
865
00:39:00,705 --> 00:39:01,215
ARE FATHER AND DAUGHTER.
ALL RIGHT.
866
00:39:01,239 --> 00:39:02,116
ALL RIGHT.
HERE COME OUR JUDGES
867
00:39:02,140 --> 00:39:04,652
HERE COME OUR JUDGES
COME ON, GUYS, LET'S MOVE.
868
00:39:04,676 --> 00:39:05,853
COME ON, GUYS, LET'S MOVE.
Howie: WE'RE COMING
869
00:39:05,877 --> 00:39:07,088
Howie: WE'RE COMING
Terry: EVERYTHING WAS ALL SET
870
00:39:07,112 --> 00:39:09,857
Terry: EVERYTHING WAS ALL SET
FOR THE SHOW, BUT BEING IN A
871
00:39:09,881 --> 00:39:11,559
FOR THE SHOW, BUT BEING IN A
DAREDEVIL ACT IS A DANGEROUS
872
00:39:11,583 --> 00:39:13,127
DAREDEVIL ACT IS A DANGEROUS
BUSINESS
873
00:39:13,151 --> 00:39:13,894
BUSINESS
AND THIS WEEK, THERE WAS SOME
874
00:39:13,918 --> 00:39:15,229
AND THIS WEEK, THERE WAS SOME
BIG DRAMA.
875
00:39:15,253 --> 00:39:18,999
BIG DRAMA.
CHECK OUT BELLO & ANNALIESE
876
00:39:19,023 --> 00:39:19,700
CHECK OUT BELLO & ANNALIESE
NOCK
877
00:39:19,724 --> 00:39:20,434
NOCK
WHAT'S THE WORST THING THAT
878
00:39:20,458 --> 00:39:22,136
WHAT'S THE WORST THING THAT
COULD HAPPEN IF THIS GOES WRONG?
879
00:39:22,160 --> 00:39:22,837
COULD HAPPEN IF THIS GOES WRONG?
SPLAT
880
00:39:22,861 --> 00:39:24,438
SPLAT
WE HAVE BEEN ON "AMERICA'S
881
00:39:24,462 --> 00:39:28,909
WE HAVE BEEN ON "AMERICA'S
GOT TALENT" INDIVIDUALLY
882
00:39:28,933 --> 00:39:29,777
GOT TALENT" INDIVIDUALLY
BUT NEITHER ONE OF US MADE IT AS
883
00:39:29,801 --> 00:39:32,613
BUT NEITHER ONE OF US MADE IT AS
FAR AS WE WANTED TO.
884
00:39:32,637 --> 00:39:33,948
FAR AS WE WANTED TO.
WHEN I SAW THAT THEY WERE
885
00:39:33,972 --> 00:39:36,417
WHEN I SAW THAT THEY WERE
HAVING AUDITIONS ONLINE, I SAID,
886
00:39:36,441 --> 00:39:37,952
HAVING AUDITIONS ONLINE, I SAID,
DAD, THIS IS OUR OPPORTUNITY,
887
00:39:37,976 --> 00:39:39,553
DAD, THIS IS OUR OPPORTUNITY,
LET'S TRY AND DO THIS TOGETHER
888
00:39:39,577 --> 00:39:41,255
LET'S TRY AND DO THIS TOGETHER
AND SO WHEN WE FOUND OUT WE WERE
889
00:39:41,279 --> 00:39:44,592
AND SO WHEN WE FOUND OUT WE WERE
GOING TO THE LIVE SHOW, WE KNEW
890
00:39:44,616 --> 00:39:45,460
GOING TO THE LIVE SHOW, WE KNEW
WE HAD TO THINK EVEN BIGGER AND
891
00:39:45,484 --> 00:39:48,229
WE HAD TO THINK EVEN BIGGER AND
EVEN BOLDER.
892
00:39:48,253 --> 00:39:49,864
EVEN BOLDER.
FOR THIS NEXT PERFORMANCE,
893
00:39:49,888 --> 00:39:53,201
FOR THIS NEXT PERFORMANCE,
WE'VE CONSTRUCTED AN APPARATUS
894
00:39:53,225 --> 00:39:56,370
WE'VE CONSTRUCTED AN APPARATUS
THAT IS PASSING THE LIMITS OF
895
00:39:56,394 --> 00:39:56,603
THAT IS PASSING THE LIMITS OF
DANGER
896
00:39:56,627 --> 00:39:57,538
DANGER
WE'RE GOING TO PERFORMING ON
897
00:39:57,562 --> 00:39:58,739
WE'RE GOING TO PERFORMING ON
SOMETHING CALLED A WHEEL OF
898
00:39:58,763 --> 00:39:58,939
SOMETHING CALLED A WHEEL OF
DEATH.
899
00:39:58,963 --> 00:39:59,673
DEATH.
IT IS VERY DANGEROUS
900
00:39:59,697 --> 00:40:04,645
IT IS VERY DANGEROUS
NO NET, NO SAFETY DEVICES.
901
00:40:04,669 --> 00:40:06,380
NO NET, NO SAFETY DEVICES.
I AM NERVOUS BECAUSE IT'S MY
902
00:40:06,404 --> 00:40:08,215
I AM NERVOUS BECAUSE IT'S MY
DAUGHTER, MY BEAUTIFUL DAUGHTER.
903
00:40:08,239 --> 00:40:10,852
DAUGHTER, MY BEAUTIFUL DAUGHTER.
WHATEVER I DO AFFECTS HER.
904
00:40:10,876 --> 00:40:11,418
WHATEVER I DO AFFECTS HER.
ONE WRONG MOVE COULD BE
905
00:40:11,442 --> 00:40:15,890
ONE WRONG MOVE COULD BE
DEVASTATING.
906
00:40:15,914 --> 00:40:17,291
DEVASTATING.
THERE'S AN EMERGENCY, WE NEED
907
00:40:17,315 --> 00:40:20,161
THERE'S AN EMERGENCY, WE NEED
A MEDIC.
908
00:40:20,185 --> 00:40:22,229
A MEDIC.
MY DAD GOT HURT IN THE LAST
909
00:40:22,253 --> 00:40:22,663
MY DAD GOT HURT IN THE LAST
REHEARSAL.
910
00:40:22,687 --> 00:40:23,998
REHEARSAL.
I DON'T KNOW WHAT I DID
911
00:40:24,022 --> 00:40:27,535
I DON'T KNOW WHAT I DID
THE PAIN COMES AND GOES, BACK
912
00:40:27,559 --> 00:40:27,902
THE PAIN COMES AND GOES, BACK
SPASM.
913
00:40:27,926 --> 00:40:29,870
SPASM.
THEY DON'T KNOW WHAT'S WRONG
914
00:40:29,894 --> 00:40:30,070
THEY DON'T KNOW WHAT'S WRONG
YET.
915
00:40:30,094 --> 00:40:32,006
YET.
I HOPE HE CAN DO THIS WITH ME.
916
00:40:32,030 --> 00:40:40,030
I HOPE HE CAN DO THIS WITH ME.
BUT IF HE CAN'T, WE DON'T KNOW
917
00:40:40,205 --> 00:40:42,316
BUT IF HE CAN'T, WE DON'T KNOW
SO, BELLO, HOW ARE YOU DOING?
918
00:40:42,340 --> 00:40:44,218
SO, BELLO, HOW ARE YOU DOING?
I FEEL GREAT.
919
00:40:44,242 --> 00:40:46,687
I FEEL GREAT.
BUT ALSO JUST TERRIBLE THAT I'M
920
00:40:46,711 --> 00:40:47,422
BUT ALSO JUST TERRIBLE THAT I'M
MISSING THIS
921
00:40:47,446 --> 00:40:50,057
MISSING THIS
I SUSTAINED AN ACROBATIC INJURY
922
00:40:50,081 --> 00:40:50,991
I SUSTAINED AN ACROBATIC INJURY
YESTERDAY, WOKE UP THIS MORNING
923
00:40:51,015 --> 00:40:52,059
YESTERDAY, WOKE UP THIS MORNING
NOT ABLE TO WORK
924
00:40:52,083 --> 00:40:54,929
NOT ABLE TO WORK
I ASKED MY DAUGHTER IF SHE
925
00:40:54,953 --> 00:40:55,963
I ASKED MY DAUGHTER IF SHE
WOULD, YOU KNOW, PERFORM BY
926
00:40:55,987 --> 00:40:58,065
WOULD, YOU KNOW, PERFORM BY
HERSELF AND SHE HAD LESS THAN 24
927
00:40:58,089 --> 00:40:59,700
HERSELF AND SHE HAD LESS THAN 24
HOURS TO COME UP WITH A NEW
928
00:40:59,724 --> 00:41:00,167
HOURS TO COME UP WITH A NEW
ROUTINE.
929
00:41:00,191 --> 00:41:01,101
ROUTINE.
HER BROTHER PETEY WILL STEP IN
930
00:41:01,125 --> 00:41:02,803
HER BROTHER PETEY WILL STEP IN
AND BE THE COUNTERBALANCE AND
931
00:41:02,827 --> 00:41:04,071
AND BE THE COUNTERBALANCE AND
SHOW US SOMETHING EVEN I'VE
932
00:41:04,095 --> 00:41:05,706
SHOW US SOMETHING EVEN I'VE
NEVER SEEN BEFORE.
933
00:41:05,730 --> 00:41:06,974
NEVER SEEN BEFORE.
Terry: OKAY
934
00:41:06,998 --> 00:41:11,712
Terry: OKAY
AND HERE IS ANNALIESE NOCK
935
00:41:11,736 --> 00:41:15,271
AND HERE IS ANNALIESE NOCK
LET'S GO!
936
00:41:16,240 --> 00:41:24,240
♪
937
00:41:29,486 --> 00:41:37,486
♪
938
00:41:43,100 --> 00:41:50,707
♪
939
00:41:54,612 --> 00:42:02,612
♪
940
00:42:07,557 --> 00:42:15,557
♪
941
00:42:21,338 --> 00:42:24,140
♪
942
00:42:27,177 --> 00:42:31,281
OF COURSE SHE HAS TO CLIMB ON
THE OUTSIDE.
943
00:42:32,282 --> 00:42:40,282
♪
944
00:42:46,730 --> 00:42:54,637
♪
945
00:42:57,875 --> 00:42:59,586
SHE'S GOING TO DO JUMP ROPE
SHE'S GOING TO SKIP
946
00:42:59,610 --> 00:43:03,813
SHE'S GOING TO SKIP
I KNOW.
947
00:43:04,781 --> 00:43:10,420
♪
948
00:43:14,758 --> 00:43:22,758
♪
949
00:43:30,107 --> 00:43:35,378
CRAZY
LOOK AHEAD.
950
00:43:36,446 --> 00:43:39,482
♪
951
00:43:40,618 --> 00:43:47,190
NO!
952
00:43:48,258 --> 00:43:56,258
♪
953
00:44:02,872 --> 00:44:10,872
FIRE.
OH, MY GOSH
954
00:44:13,351 --> 00:44:20,423
OH, MY GOSH
"HOT," SHE SAID
955
00:44:21,124 --> 00:44:24,727
♪
956
00:44:26,797 --> 00:44:34,797
NO, NO, I DON'T LIKE THIS
YES
957
00:44:35,173 --> 00:44:37,718
YES
WOW
958
00:44:37,742 --> 00:44:45,742
WOW
[ CHEERS AND APPLAUSE
959
00:44:47,450 --> 00:44:55,450
♪
960
00:45:06,436 --> 00:45:10,784
AWW
INSANE!
961
00:45:10,808 --> 00:45:11,118
INSANE!
ARE YOU OKAY
962
00:45:11,142 --> 00:45:13,587
ARE YOU OKAY
I'M OKAY.
963
00:45:13,611 --> 00:45:14,388
I'M OKAY.
ALL RIGHT
964
00:45:14,412 --> 00:45:16,523
ALL RIGHT
WE'RE GOING TO HEAD BACK INSIDE
965
00:45:16,547 --> 00:45:19,293
WE'RE GOING TO HEAD BACK INSIDE
FOR THE JUDGING AND GIVE OUR
966
00:45:19,317 --> 00:45:20,026
FOR THE JUDGING AND GIVE OUR
HEARTS TIME TO STOP POUNDING
967
00:45:20,050 --> 00:45:28,050
HEARTS TIME TO STOP POUNDING
WE'LL BE RIGHT BACK.
968
00:45:35,133 --> 00:45:38,212
WE'LL BE RIGHT BACK.
Terry: WELCOME BACK
969
00:45:38,236 --> 00:45:40,881
Terry: WELCOME BACK
BELLO AND ANNALIESE NOCK -
970
00:45:40,905 --> 00:45:41,916
BELLO AND ANNALIESE NOCK -
I MEAN, ANNALIESE, YOU HAD MY
971
00:45:41,940 --> 00:45:43,517
I MEAN, ANNALIESE, YOU HAD MY
HEART IN MY MOUTH THE WHOLE
972
00:45:43,541 --> 00:45:45,119
HEART IN MY MOUTH THE WHOLE
TIME
973
00:45:45,143 --> 00:45:45,652
TIME
SO THANKS FOR THAT
974
00:45:45,676 --> 00:45:46,720
SO THANKS FOR THAT
LET'S CHECK OUT WHAT THE JUDGES
975
00:45:46,744 --> 00:45:49,389
LET'S CHECK OUT WHAT THE JUDGES
THOUGHT.
976
00:45:49,413 --> 00:45:51,391
THOUGHT.
NOW, KELLY, WE FILMED THIS ON A
977
00:45:51,415 --> 00:45:54,228
NOW, KELLY, WE FILMED THIS ON A
DAY YOU WEREN'T ABLE TO BE
978
00:45:54,252 --> 00:45:54,461
DAY YOU WEREN'T ABLE TO BE
THERE.
979
00:45:54,485 --> 00:45:56,497
THERE.
SEEING IT FOR THE FIRST TIME...
980
00:45:56,521 --> 00:46:00,167
SEEING IT FOR THE FIRST TIME...
Kelly: THANK GOD.
981
00:46:00,191 --> 00:46:02,169
Kelly: THANK GOD.
Terry: WHAT DID YOU THINK?
982
00:46:02,193 --> 00:46:04,705
Terry: WHAT DID YOU THINK?
Kelly: I HAD TO TURN AWAY, I
983
00:46:04,729 --> 00:46:07,407
Kelly: I HAD TO TURN AWAY, I
HAD EVERY EMOTION IN THE WORLD
984
00:46:07,431 --> 00:46:07,808
HAD EVERY EMOTION IN THE WORLD
HAPPENING.
985
00:46:07,832 --> 00:46:09,710
HAPPENING.
I HAVE ZERO DAREDEVIL GOING ON,
986
00:46:09,734 --> 00:46:10,677
I HAVE ZERO DAREDEVIL GOING ON,
SO WAY TO GO
987
00:46:10,701 --> 00:46:13,047
SO WAY TO GO
YOU'RE INSANE BUT YOUR AWESOME
988
00:46:13,071 --> 00:46:14,849
YOU'RE INSANE BUT YOUR AWESOME
I'M TERRIFIED FOR YOU.
989
00:46:14,873 --> 00:46:15,816
I'M TERRIFIED FOR YOU.
Terry: HEIDI.
990
00:46:15,840 --> 00:46:18,285
Terry: HEIDI.
Heidi: I SIT HERE WONDERING
991
00:46:18,309 --> 00:46:20,053
Heidi: I SIT HERE WONDERING
HOW YOU GUYS PLAYED THAT GAME
992
00:46:20,077 --> 00:46:21,922
HOW YOU GUYS PLAYED THAT GAME
TRUTH OR DARE AT HOME,
993
00:46:21,946 --> 00:46:22,356
TRUTH OR DARE AT HOME,
LITERALLY.
994
00:46:22,380 --> 00:46:25,359
LITERALLY.
THE SONG WAS PERFECT, "GO BIG,
995
00:46:25,383 --> 00:46:25,759
THE SONG WAS PERFECT, "GO BIG,
GO HOME.
996
00:46:25,783 --> 00:46:27,561
GO HOME.
ANYTHING WITH YOU GUYS IS ALWAYS
997
00:46:27,585 --> 00:46:29,196
ANYTHING WITH YOU GUYS IS ALWAYS
LARGER THAN LIFE, YOU BEING SHOT
998
00:46:29,220 --> 00:46:30,831
LARGER THAN LIFE, YOU BEING SHOT
OUT OF A CANNON OR YOU WERE ON A
999
00:46:30,855 --> 00:46:32,332
OUT OF A CANNON OR YOU WERE ON A
LADDER THAT I'VE NEVER SEEN,
1000
00:46:32,356 --> 00:46:33,200
LADDER THAT I'VE NEVER SEEN,
THIS TALL.
1001
00:46:33,224 --> 00:46:34,835
THIS TALL.
YOU BLEW YOURSELF UP
1002
00:46:34,859 --> 00:46:35,969
YOU BLEW YOURSELF UP
IT'S ALWAYS SPECTACULAR.
1003
00:46:35,993 --> 00:46:36,970
IT'S ALWAYS SPECTACULAR.
REALLY, REALLY ALWAYS IS
1004
00:46:36,994 --> 00:46:39,840
REALLY, REALLY ALWAYS IS
I THINK YOU GUYS ARE AMAZING
1005
00:46:39,864 --> 00:46:41,108
I THINK YOU GUYS ARE AMAZING
THANK YOU
1006
00:46:41,132 --> 00:46:41,775
THANK YOU
Heidi: GOOD LUCK.
1007
00:46:41,799 --> 00:46:42,943
Heidi: GOOD LUCK.
Terry: SOFIA.
1008
00:46:42,967 --> 00:46:46,480
Terry: SOFIA.
Sofia: I KEPT WATCHING MY SON
1009
00:46:46,504 --> 00:46:49,016
Sofia: I KEPT WATCHING MY SON
GRAB A KNIFE AND CUT AN ONION, I
1010
00:46:49,040 --> 00:46:50,184
GRAB A KNIFE AND CUT AN ONION, I
HAVE TO LEAVE THE KITCHEN.
1011
00:46:50,208 --> 00:46:52,352
HAVE TO LEAVE THE KITCHEN.
I DON'T KNOW HOW BELLO CAN BE
1012
00:46:52,376 --> 00:46:53,520
I DON'T KNOW HOW BELLO CAN BE
THERE WATCHING THIS.
1013
00:46:53,544 --> 00:46:55,522
THERE WATCHING THIS.
IT'S UNBELIEVABLE, WHAT YOU GUYS
1014
00:46:55,546 --> 00:46:55,789
IT'S UNBELIEVABLE, WHAT YOU GUYS
DO
1015
00:46:55,813 --> 00:47:00,093
DO
YOU GUYS ARE LIKE NERVES OF
1016
00:47:00,117 --> 00:47:00,494
YOU GUYS ARE LIKE NERVES OF
STEEL.
1017
00:47:00,518 --> 00:47:02,329
STEEL.
I WANT TO SEE MORE, THOUGH
1018
00:47:02,353 --> 00:47:03,397
I WANT TO SEE MORE, THOUGH
Terry: HOWIE.
1019
00:47:03,421 --> 00:47:05,099
Terry: HOWIE.
Howie: I AGREE WITH SOFIA, WE
1020
00:47:05,123 --> 00:47:07,734
Howie: I AGREE WITH SOFIA, WE
SHOULD CALL CHILD PROTECTIVE
1021
00:47:07,758 --> 00:47:08,836
SHOULD CALL CHILD PROTECTIVE
SERVICES
1022
00:47:08,860 --> 00:47:09,536
SERVICES
YOU'RE NOT SUPPOSED TO BE
1023
00:47:09,560 --> 00:47:10,704
YOU'RE NOT SUPPOSED TO BE
PUTTING YOUR DAUGHTER ON
1024
00:47:10,728 --> 00:47:11,939
PUTTING YOUR DAUGHTER ON
SOMETHING CALLED THE WHEEL OF
1025
00:47:11,963 --> 00:47:12,739
SOMETHING CALLED THE WHEEL OF
DEATH.
1026
00:47:12,763 --> 00:47:13,974
DEATH.
I'M NERVOUS WITH MY DAUGHTER
1027
00:47:13,998 --> 00:47:16,010
I'M NERVOUS WITH MY DAUGHTER
BEHIND THE WHEEL OF A CAR.
1028
00:47:16,034 --> 00:47:16,944
BEHIND THE WHEEL OF A CAR.
BUT THAT WAS SPECTACULAR
1029
00:47:16,968 --> 00:47:18,913
BUT THAT WAS SPECTACULAR
THE SHOW MUST GO ON.
1030
00:47:18,937 --> 00:47:20,647
THE SHOW MUST GO ON.
BELLO, I HOPE YOU'RE FEELING
1031
00:47:20,671 --> 00:47:20,981
BELLO, I HOPE YOU'RE FEELING
BETTER
1032
00:47:21,005 --> 00:47:23,150
BETTER
GOOD LUCK, BUDDY
1033
00:47:23,174 --> 00:47:24,818
GOOD LUCK, BUDDY
Terry: ANNALIESE, I SAW YOU
1034
00:47:24,842 --> 00:47:26,520
Terry: ANNALIESE, I SAW YOU
WERE IN TEARS, CAN YOU EXPLAIN
1035
00:47:26,544 --> 00:47:27,754
WERE IN TEARS, CAN YOU EXPLAIN
WHAT YOU WERE FEELING WHEN IT
1036
00:47:27,778 --> 00:47:29,723
WHAT YOU WERE FEELING WHEN IT
WAS OVER
1037
00:47:29,747 --> 00:47:30,924
WAS OVER
I NEVER EXPECTED TO PERFORM
1038
00:47:30,948 --> 00:47:32,860
I NEVER EXPECTED TO PERFORM
WITHOUT MY DAD, I HAVE A LOT OF
1039
00:47:32,884 --> 00:47:33,560
WITHOUT MY DAD, I HAVE A LOT OF
EMOTIONS RUNNING HIGH.
1040
00:47:33,584 --> 00:47:36,196
EMOTIONS RUNNING HIGH.
I HOPE I DID GOOD ENOUGH TO GET
1041
00:47:36,220 --> 00:47:37,932
I HOPE I DID GOOD ENOUGH TO GET
US BOTH TO THE NEXT ROUND SO WE
1042
00:47:37,956 --> 00:47:39,299
US BOTH TO THE NEXT ROUND SO WE
CAN SHOW THE WORLD WHAT WE CAN
1043
00:47:39,323 --> 00:47:39,567
CAN SHOW THE WORLD WHAT WE CAN
DO TOGETHER.
1044
00:47:39,591 --> 00:47:40,500
DO TOGETHER.
Terry: GOOD LUCK TONIGHT.
1045
00:47:40,524 --> 00:47:42,102
Terry: GOOD LUCK TONIGHT.
IF YOU WANT TO SEE BELLO AND
1046
00:47:42,126 --> 00:47:43,137
IF YOU WANT TO SEE BELLO AND
ANNALIESE IN THE SEMI-FINALS,
1047
00:47:43,161 --> 00:47:44,771
ANNALIESE IN THE SEMI-FINALS,
VOTE
1048
00:47:44,795 --> 00:47:45,839
VOTE
IF YOU WANT TO VOTE ONLINE, GO
1049
00:47:45,863 --> 00:47:47,407
IF YOU WANT TO VOTE ONLINE, GO
TO NBC.COM
1050
00:47:47,431 --> 00:47:52,846
TO NBC.COM
KEEP THEIR DREAM ALIVE
1051
00:47:52,870 --> 00:47:54,448
KEEP THEIR DREAM ALIVE
RIGHT NOW, HERE'S SOFIA
1052
00:47:54,472 --> 00:47:56,016
RIGHT NOW, HERE'S SOFIA
VERGARA'S FIRS
1053
00:47:56,040 --> 00:47:57,084
VERGARA'S FIRS
EVER GOLDEN BUZZER
1054
00:47:57,108 --> 00:48:01,255
EVER GOLDEN BUZZER
SOFIA, WHY THIS GIRL
1055
00:48:01,279 --> 00:48:03,991
SOFIA, WHY THIS GIRL
Sofia: I THINK IT WAS THE
1056
00:48:04,015 --> 00:48:04,691
Sofia: I THINK IT WAS THE
SURPRISE FACTOR.
1057
00:48:04,715 --> 00:48:07,928
SURPRISE FACTOR.
I NEVER THOUGHT THAT THAT TINY,
1058
00:48:07,952 --> 00:48:10,097
I NEVER THOUGHT THAT THAT TINY,
DELICATE, CUTE LITTLE GIRL COULD
1059
00:48:10,121 --> 00:48:12,366
DELICATE, CUTE LITTLE GIRL COULD
JUST OPEN HER MOUTH AND SOUND
1060
00:48:12,390 --> 00:48:13,634
JUST OPEN HER MOUTH AND SOUND
LIKE THAT.
1061
00:48:13,658 --> 00:48:15,636
LIKE THAT.
I WAS BLOWN AWAY
1062
00:48:15,660 --> 00:48:17,171
I WAS BLOWN AWAY
AND THAT WAS MY FIRST DAY ON
1063
00:48:17,195 --> 00:48:18,105
AND THAT WAS MY FIRST DAY ON
THIS JOB
1064
00:48:18,129 --> 00:48:22,943
THIS JOB
SO IT WAS LIKE, I STILL FEEL
1065
00:48:22,967 --> 00:48:23,177
SO IT WAS LIKE, I STILL FEEL
GOOSEBUMPS
1066
00:48:23,201 --> 00:48:23,710
GOOSEBUMPS
Terry: OKAY
1067
00:48:23,734 --> 00:48:25,178
Terry: OKAY
LET'S CATCH UP
1068
00:48:25,202 --> 00:48:33,202
LET'S CATCH UP
WITH ROBERTA BATTAGLIA
1069
00:48:33,311 --> 00:48:35,923
WITH ROBERTA BATTAGLIA
YOU'RE NERVOUS?
1070
00:48:35,947 --> 00:48:38,225
YOU'RE NERVOUS?
OH, GOSH.
1071
00:48:38,249 --> 00:48:39,927
OH, GOSH.
JUST BE YOURSELF, CONTINUE ON
1072
00:48:39,951 --> 00:48:41,128
JUST BE YOURSELF, CONTINUE ON
BEING YOURSELF
1073
00:48:41,152 --> 00:48:44,598
BEING YOURSELF
YOU ALWAYS SAID YOU LIKED TO
1074
00:48:44,622 --> 00:48:46,033
YOU ALWAYS SAID YOU LIKED TO
SING BECAUSE YOU LIKED TO PUT
1075
00:48:46,057 --> 00:48:49,469
SING BECAUSE YOU LIKED TO PUT
SMILES ON PEOPLE'S FACES
1076
00:48:49,493 --> 00:48:51,571
SMILES ON PEOPLE'S FACES
IT REALLY FEELS NICE
1077
00:48:51,595 --> 00:48:52,673
IT REALLY FEELS NICE
THE EMOTION THAT YOU GAVE WHILE
1078
00:48:52,697 --> 00:48:56,510
THE EMOTION THAT YOU GAVE WHILE
YOU WERE ON THAT STAGE
1079
00:48:56,534 --> 00:48:57,077
YOU WERE ON THAT STAGE
IT WAS INCREDIBLE.
1080
00:48:57,101 --> 00:49:03,873
IT WAS INCREDIBLE.
JUST INCREDIBLE.
1081
00:49:05,409 --> 00:49:13,409
[ SPEAKING FOREIGN LANGUAGE
1082
00:49:20,490 --> 00:49:23,603
YOU DID THIS ALL, GIRL.
YOU WORKED HARD AT IT AND YOU
1083
00:49:23,627 --> 00:49:24,338
YOU WORKED HARD AT IT AND YOU
DID IT
1084
00:49:24,362 --> 00:49:26,573
DID IT
AND NOW HERE WE ARE, WE'RE ABOUT
1085
00:49:26,597 --> 00:49:29,343
AND NOW HERE WE ARE, WE'RE ABOUT
TO EMBARK ON ANOTHER JOURNEY
1086
00:49:29,367 --> 00:49:30,444
TO EMBARK ON ANOTHER JOURNEY
ARE YOU READY
1087
00:49:30,468 --> 00:49:31,278
ARE YOU READY
I'M READY
1088
00:49:31,302 --> 00:49:32,312
I'M READY
ARE YOU SURE?
1089
00:49:32,336 --> 00:49:36,116
ARE YOU SURE?
HEY, I'M ONLY 10, DON'T RUSH
1090
00:49:36,140 --> 00:49:36,382
HEY, I'M ONLY 10, DON'T RUSH
IT
1091
00:49:36,406 --> 00:49:38,218
IT I'M TURNING 11 ON THE 22nd
1092
00:49:38,242 --> 00:49:38,719
I'M TURNING 11 ON THE 22nd
WE'RE SO PROUD OF YOU
1093
00:49:38,743 --> 00:49:39,253
WE'RE SO PROUD OF YOU
VERY PROUD
1094
00:49:39,277 --> 00:49:43,946
VERY PROUD
[ CHEERS AND APPLAUSE
1095
00:49:44,948 --> 00:49:52,188
♪
1096
00:49:55,092 --> 00:50:00,440
♪ I KEEP HEARING VOICES IN MY
MIND SAYING NOT ENOUGH ♪
1097
00:50:00,464 --> 00:50:03,543
MIND SAYING NOT ENOUGH ♪
♪ EVERY SINGLE NIGHT THEY TELL
1098
00:50:03,567 --> 00:50:11,567
♪ EVERY SINGLE NIGHT THEY TELL
ME I WILL NEVER BE ENOUGH ♪
1099
00:50:13,711 --> 00:50:18,558
ME I WILL NEVER BE ENOUGH ♪
♪ WHEN I CAN'T FEEL A THING, YO
1100
00:50:18,582 --> 00:50:21,261
♪ WHEN I CAN'T FEEL A THING, YO
SAY I AM STRONG ♪
1101
00:50:21,285 --> 00:50:27,401
SAY I AM STRONG ♪
♪ WHEN I THINK I AM WEAK ♪
1102
00:50:27,425 --> 00:50:31,805
♪ WHEN I THINK I AM WEAK ♪
♪ AND I BELIEVE, OH, I BELIEVE
1103
00:50:31,829 --> 00:50:39,613
♪ AND I BELIEVE, OH, I BELIEVE
WHAT YOU SAY TO ME, I BELIEVE ♪
1104
00:50:39,637 --> 00:50:44,551
WHAT YOU SAY TO ME, I BELIEVE ♪
♪ TAKING ALL I HAVE AND NOW I'M
1105
00:50:44,575 --> 00:50:51,125
♪ TAKING ALL I HAVE AND NOW I'M
LAYING IT AT YOUR FEET ♪
1106
00:50:51,149 --> 00:50:59,149
LAYING IT AT YOUR FEET ♪
♪ YOU'LL HAVE EVERY VICTORY ♪
1107
00:51:02,426 --> 00:51:06,873
♪ YOU'LL HAVE EVERY VICTORY ♪
♪ WHOA, WHOA ♪
1108
00:51:06,897 --> 00:51:11,111
♪ WHOA, WHOA ♪
♪ WHEN I CAN'T FEEL A THING, YO
1109
00:51:11,135 --> 00:51:15,782
♪ WHEN I CAN'T FEEL A THING, YO
SAY I'M STRONG WHEN I THINK I AM
1110
00:51:15,806 --> 00:51:16,116
SAY I'M STRONG WHEN I THINK I AM
WEAK ♪
1111
00:51:16,140 --> 00:51:24,140
WEAK ♪
♪ AND YOU SAY I AM YOURS ♪
1112
00:51:30,121 --> 00:51:34,534
♪ AND YOU SAY I AM YOURS ♪
♪ AND I BELIEVE ♪
1113
00:51:34,558 --> 00:51:38,105
♪ AND I BELIEVE ♪
♪ WHOA, I BELIEVE WHAT YOU SAY
1114
00:51:38,129 --> 00:51:44,711
♪ WHOA, I BELIEVE WHAT YOU SAY
TO ME ♪
1115
00:51:44,735 --> 00:51:45,779
TO ME ♪
♪ AND I BELIEVE ♪
1116
00:51:45,803 --> 00:51:53,803
♪ AND I BELIEVE ♪
[ CHEERS AND APPLAUSE
1117
00:52:02,051 --> 00:52:07,200
Terry: ROBERTA BATTAGLIA.
SOFIA, THAT'S YOUR GOLDEN
1118
00:52:07,224 --> 00:52:08,001
SOFIA, THAT'S YOUR GOLDEN
BUZZER
1119
00:52:08,025 --> 00:52:09,002
BUZZER
WHAT DO YOU THINK?
1120
00:52:09,026 --> 00:52:11,605
WHAT DO YOU THINK?
Sofia: I WANT HER TO WIN.
1121
00:52:11,629 --> 00:52:13,507
Sofia: I WANT HER TO WIN.
I WANT MANY OF THEM TO WIN
1122
00:52:13,531 --> 00:52:15,742
I WANT MANY OF THEM TO WIN
BUT YOU HAVE A SPECIAL PLACE IN
1123
00:52:15,766 --> 00:52:17,511
BUT YOU HAVE A SPECIAL PLACE IN
MY HEART BECAUSE IT WAS MY FIRST
1124
00:52:17,535 --> 00:52:22,215
MY HEART BECAUSE IT WAS MY FIRST
DAY AT WORK, AND I CANNOT
1125
00:52:22,239 --> 00:52:23,416
DAY AT WORK, AND I CANNOT
BELIEVE HOW SPECTACULAR YOU
1126
00:52:23,440 --> 00:52:23,750
BELIEVE HOW SPECTACULAR YOU
SING
1127
00:52:23,774 --> 00:52:25,152
SING
IT'S LIKE, I THINK THE WORLD IS
1128
00:52:25,176 --> 00:52:26,987
IT'S LIKE, I THINK THE WORLD IS
GOING TO OPEN UP FOR YOU
1129
00:52:27,011 --> 00:52:31,024
GOING TO OPEN UP FOR YOU
I MEAN, AFTER THIS EXPERIENCE.
1130
00:52:31,048 --> 00:52:31,658
I MEAN, AFTER THIS EXPERIENCE.
THANK YOU SO MUCH
1131
00:52:31,682 --> 00:52:33,560
THANK YOU SO MUCH
Terry: KELLY.
1132
00:52:33,584 --> 00:52:35,228
Terry: KELLY.
Kelly: YOU ARE INCREDIBLE
1133
00:52:35,252 --> 00:52:38,331
Kelly: YOU ARE INCREDIBLE
NO, YOU'RE... HELLO, BUT I DON'T
1134
00:52:38,355 --> 00:52:40,400
NO, YOU'RE... HELLO, BUT I DON'T
WANT TO WASTE MY TIME ON YOU
1135
00:52:40,424 --> 00:52:41,067
WANT TO WASTE MY TIME ON YOU
YOU'RE INCREDIBLE.
1136
00:52:41,091 --> 00:52:42,235
YOU'RE INCREDIBLE.
I CANNOT BELIEVE YOUR AGE.
1137
00:52:42,259 --> 00:52:44,271
I CANNOT BELIEVE YOUR AGE.
EVEN IF YOU WERE 27 AND SOUNDING
1138
00:52:44,295 --> 00:52:47,240
EVEN IF YOU WERE 27 AND SOUNDING
LIKE THAT, YOUR TONE IS SO
1139
00:52:47,264 --> 00:52:47,507
LIKE THAT, YOUR TONE IS SO
BEAUTIFUL.
1140
00:52:47,531 --> 00:52:50,110
BEAUTIFUL.
AND IT'S EFFORTLESS.
1141
00:52:50,134 --> 00:52:53,480
AND IT'S EFFORTLESS.
AND I CAN'T EVEN WAIT TO SEE
1142
00:52:53,504 --> 00:52:56,383
AND I CAN'T EVEN WAIT TO SEE
WHAT YOU DO THE REST OF YOUR
1143
00:52:56,407 --> 00:52:57,317
WHAT YOU DO THE REST OF YOUR
LIFE
1144
00:52:57,341 --> 00:52:58,051
LIFE
THANK YOU SO MUCH
1145
00:52:58,075 --> 00:53:00,086
THANK YOU SO MUCH
Kelly: ALL THE POTENTIAL YOU
1146
00:53:00,110 --> 00:53:02,155
Kelly: ALL THE POTENTIAL YOU
HAVE IS INSANE
1147
00:53:02,179 --> 00:53:04,291
HAVE IS INSANE
AMERICA, VOTE FOR HER, PLEASE.
1148
00:53:04,315 --> 00:53:05,091
AMERICA, VOTE FOR HER, PLEASE.
Terry: HOWIE.
1149
00:53:05,115 --> 00:53:06,560
Terry: HOWIE.
Howie: I'M SO PROUD THAT I'M
1150
00:53:06,584 --> 00:53:08,628
Howie: I'M SO PROUD THAT I'M
FROM TORONTO AND YOU'RE FROM
1151
00:53:08,652 --> 00:53:08,995
FROM TORONTO AND YOU'RE FROM
TORONTO.
1152
00:53:09,019 --> 00:53:09,729
TORONTO.
YOU BLOW ME AWAY
1153
00:53:09,753 --> 00:53:11,398
YOU BLOW ME AWAY
I SAID TO SOFIA, RIGHT AFTER
1154
00:53:11,422 --> 00:53:12,532
I SAID TO SOFIA, RIGHT AFTER
THAT, I THINK THAT YOU HAVE A
1155
00:53:12,556 --> 00:53:13,967
THAT, I THINK THAT YOU HAVE A
GOOD CHANCE OF WINNING THIS
1156
00:53:13,991 --> 00:53:16,203
GOOD CHANCE OF WINNING THIS
WHOLE SEASON, NUMBER ONE
1157
00:53:16,227 --> 00:53:17,270
WHOLE SEASON, NUMBER ONE
NUMBER TWO, YOUR VOICE IS GREAT.
1158
00:53:17,294 --> 00:53:18,939
NUMBER TWO, YOUR VOICE IS GREAT.
AND THE ABILITY TO SING THROUGH
1159
00:53:18,963 --> 00:53:20,473
AND THE ABILITY TO SING THROUGH
A HORRIBLE BUTTERFLY ATTACK LIKE
1160
00:53:20,497 --> 00:53:22,175
A HORRIBLE BUTTERFLY ATTACK LIKE
THAT IS AMAZING.
1161
00:53:22,199 --> 00:53:22,842
THAT IS AMAZING.
THANK YOU SO MUCH
1162
00:53:22,866 --> 00:53:23,944
THANK YOU SO MUCH
Terry: HEIDI.
1163
00:53:23,968 --> 00:53:25,078
Terry: HEIDI.
Heidi: I HAVE SO MUCH RESPECT
1164
00:53:25,102 --> 00:53:26,046
Heidi: I HAVE SO MUCH RESPECT
FOR YOU.
1165
00:53:26,070 --> 00:53:27,247
FOR YOU.
I THINK YOU'RE ABSOLUTELY
1166
00:53:27,271 --> 00:53:27,714
I THINK YOU'RE ABSOLUTELY
INCREDIBLE
1167
00:53:27,738 --> 00:53:28,515
INCREDIBLE
YOUR VOICE IS INCREDIBLE
1168
00:53:28,539 --> 00:53:30,884
YOUR VOICE IS INCREDIBLE
I MEAN, SOFIA SAW YOUR TALENT
1169
00:53:30,908 --> 00:53:33,119
I MEAN, SOFIA SAW YOUR TALENT
FIRST AND RIGHTFULLY SO, SHE HIT
1170
00:53:33,143 --> 00:53:34,788
FIRST AND RIGHTFULLY SO, SHE HIT
THE GOLDEN BUZZER FOR YOU.
1171
00:53:34,812 --> 00:53:37,390
THE GOLDEN BUZZER FOR YOU.
I HOPE NOW AMERICA SEES THAT AND
1172
00:53:37,414 --> 00:53:38,391
I HOPE NOW AMERICA SEES THAT AND
WILL VOTE FOR YOU.
1173
00:53:38,415 --> 00:53:39,926
WILL VOTE FOR YOU.
I THINK YOU'RE INCREDIBLE.
1174
00:53:39,950 --> 00:53:40,226
I THINK YOU'RE INCREDIBLE.
GOOD LUCK.
1175
00:53:40,250 --> 00:53:44,898
GOOD LUCK.
THANK YOU SO MUCH
1176
00:53:44,922 --> 00:53:46,399
THANK YOU SO MUCH
Terry: ROBERTA, DO YOU SEE
1177
00:53:46,423 --> 00:53:47,667
Terry: ROBERTA, DO YOU SEE
YOURSELF DOING THIS THE REST OF
1178
00:53:47,691 --> 00:53:48,168
YOURSELF DOING THIS THE REST OF
YOUR LIFE?
1179
00:53:48,192 --> 00:53:49,903
YOUR LIFE?
YES, I DEFINITELY DO, YES
1180
00:53:49,927 --> 00:53:51,004
YES, I DEFINITELY DO, YES
Terry: GOOD LUCK TONIGHT,
1181
00:53:51,028 --> 00:53:52,072
Terry: GOOD LUCK TONIGHT,
ROBERTA.
1182
00:53:52,096 --> 00:53:54,174
ROBERTA.
REMEMBER, A SPOT IN THE
1183
00:53:54,198 --> 00:53:56,309
REMEMBER, A SPOT IN THE
SEMI-FINALS IS AT STAKE HERE
1184
00:53:56,333 --> 00:53:58,979
SEMI-FINALS IS AT STAKE HERE
VOTING IS OPEN NOW AND CLOSES AT
1185
00:53:59,003 --> 00:54:00,514
VOTING IS OPEN NOW AND CLOSES AT
7:00 A.M. EASTERN TOMORROW
1186
00:54:00,538 --> 00:54:03,717
7:00 A.M. EASTERN TOMORROW
YOU ALSO CAN VOTE ONLINE AT
1187
00:54:03,741 --> 00:54:05,885
YOU ALSO CAN VOTE ONLINE AT
NBC.COM AND YOU CAN VOTE USING
1188
00:54:05,909 --> 00:54:07,487
NBC.COM AND YOU CAN VOTE USING
THE "AMERICA'S GOT TALENT" APP
1189
00:54:07,511 --> 00:54:10,657
THE "AMERICA'S GOT TALENT" APP
MOVING RIGHT ALONG, HERE'S A
1190
00:54:10,681 --> 00:54:13,326
MOVING RIGHT ALONG, HERE'S A
COMEDIAN WHO WENT STRAIGHT FROM
1191
00:54:13,350 --> 00:54:14,928
COMEDIAN WHO WENT STRAIGHT FROM
THE HIGH OF A GREAT AUDITION TO,
1192
00:54:14,952 --> 00:54:18,065
THE HIGH OF A GREAT AUDITION TO,
WELL, THE LOWEST OF LOWS
1193
00:54:18,089 --> 00:54:25,438
WELL, THE LOWEST OF LOWS
HERE'S MICHAEL YO'S STORY.
1194
00:54:25,462 --> 00:54:31,211
HERE'S MICHAEL YO'S STORY.
I CHANGED AFTER "AGT" BUT NOT
1195
00:54:31,235 --> 00:54:33,847
I CHANGED AFTER "AGT" BUT NOT
IN THE WAY I THOUGHT I WOULD
1196
00:54:33,871 --> 00:54:34,247
IN THE WAY I THOUGHT I WOULD
CHANGE
1197
00:54:34,271 --> 00:54:35,549
CHANGE
I TOLD MY WIFE I DIDN'T FEEL
1198
00:54:35,573 --> 00:54:35,849
I TOLD MY WIFE I DIDN'T FEEL
GOOD
1199
00:54:35,873 --> 00:54:37,651
GOOD
I HAD A FEVER, 101
1200
00:54:37,675 --> 00:54:39,286
I HAD A FEVER, 101
I COULDN'T BREATHE ANYMORE
1201
00:54:39,310 --> 00:54:40,954
I COULDN'T BREATHE ANYMORE
MY WIFE IMMEDIATELY CALLED 911
1202
00:54:40,978 --> 00:54:43,223
MY WIFE IMMEDIATELY CALLED 911
I'M LAYING ON THE KITCHEN FLOOR
1203
00:54:43,247 --> 00:54:44,858
I'M LAYING ON THE KITCHEN FLOOR
GASPING FOR AIR.
1204
00:54:44,882 --> 00:54:45,725
GASPING FOR AIR.
SHE'S SCREAMING.
1205
00:54:45,749 --> 00:54:50,897
SHE'S SCREAMING.
MY SON IS CRYING
1206
00:54:50,921 --> 00:54:53,733
MY SON IS CRYING
THE AMBULANCE SHOWS UP
1207
00:54:53,757 --> 00:54:57,103
THE AMBULANCE SHOWS UP
AND HE PUTS HIS HAND ON THE
1208
00:54:57,127 --> 00:54:57,404
AND HE PUTS HIS HAND ON THE
WINDOW
1209
00:54:57,428 --> 00:55:00,340
WINDOW
AND I WALK OVER TO IT AND I PUT
1210
00:55:00,364 --> 00:55:04,477
AND I WALK OVER TO IT AND I PUT
MY HAND ON IT.
1211
00:55:04,501 --> 00:55:08,415
MY HAND ON IT.
AND THEN THEY TAKE ME AWAY
1212
00:55:08,439 --> 00:55:10,717
AND THEN THEY TAKE ME AWAY
THEY ROLLED ME INTO ICU.
1213
00:55:10,741 --> 00:55:13,586
THEY ROLLED ME INTO ICU.
THE DOCTOR SAYS, YOU GOT COVID
1214
00:55:13,610 --> 00:55:15,722
THE DOCTOR SAYS, YOU GOT COVID
I SAID, I'M GOING TO MAKE IT,
1215
00:55:15,746 --> 00:55:16,022
I SAID, I'M GOING TO MAKE IT,
RIGHT?
1216
00:55:16,046 --> 00:55:18,892
RIGHT?
AND SHE GOES, WE'RE GOING TO TRY
1217
00:55:18,916 --> 00:55:19,526
AND SHE GOES, WE'RE GOING TO TRY
OUR BEST
1218
00:55:19,550 --> 00:55:21,561
OUR BEST
MY BIGGEST FEAR WHEN I WAS IN
1219
00:55:21,585 --> 00:55:22,929
MY BIGGEST FEAR WHEN I WAS IN
THERE, IT WASN'T DYING
1220
00:55:22,953 --> 00:55:25,065
THERE, IT WASN'T DYING
IT WAS MY KIDS NOT KNOWING HOW
1221
00:55:25,089 --> 00:55:29,769
IT WAS MY KIDS NOT KNOWING HOW
MUCH I REALLY LOVE THEM.
1222
00:55:29,793 --> 00:55:31,705
MUCH I REALLY LOVE THEM.
SO I FOUGHT HARD
1223
00:55:31,729 --> 00:55:32,739
SO I FOUGHT HARD
DADDY'S HERE!
1224
00:55:32,763 --> 00:55:39,212
DADDY'S HERE!
♪
1225
00:55:39,236 --> 00:55:41,114
♪
WHEN I KISSED MY WIFE FOR THE
1226
00:55:41,138 --> 00:55:43,817
WHEN I KISSED MY WIFE FOR THE
FIRST TIME AND HUGGED MY SON AND
1227
00:55:43,841 --> 00:55:45,352
FIRST TIME AND HUGGED MY SON AND
DAUGHTER, ME AND MY WIFE LOOKED
1228
00:55:45,376 --> 00:55:47,087
DAUGHTER, ME AND MY WIFE LOOKED
AT EACH OTHER AND SHE SAID,
1229
00:55:47,111 --> 00:55:49,155
AT EACH OTHER AND SHE SAID,
BABY, YOU'RE HERE FOR A REASON
1230
00:55:49,179 --> 00:55:50,156
BABY, YOU'RE HERE FOR A REASON
YOU'RE HERE TO MAKE PEOPLE
1231
00:55:50,180 --> 00:55:51,658
YOU'RE HERE TO MAKE PEOPLE
LAUGH, YOU'RE HERE TO MAKE
1232
00:55:51,682 --> 00:55:53,026
LAUGH, YOU'RE HERE TO MAKE
PEOPLE COME TOGETHER
1233
00:55:53,050 --> 00:55:53,927
PEOPLE COME TOGETHER
AND THAT'S WHY I WANT TO BE ON
1234
00:55:53,951 --> 00:55:55,662
AND THAT'S WHY I WANT TO BE ON
THE BIGGEST STAGE WITH THE BEST
1235
00:55:55,686 --> 00:55:57,764
THE BIGGEST STAGE WITH THE BEST
TALENT IN THE WORLD, TO SHOW
1236
00:55:57,788 --> 00:55:59,366
TALENT IN THE WORLD, TO SHOW
PEOPLE THAT A COMEDIAN CAN WIN
1237
00:55:59,390 --> 00:56:03,203
PEOPLE THAT A COMEDIAN CAN WIN
THIS THING
1238
00:56:03,227 --> 00:56:05,872
THIS THING
[ CHEERS AND APPLAUSE
1239
00:56:05,896 --> 00:56:08,041
[ CHEERS AND APPLAUSE
Terry: WOW.
1240
00:56:08,065 --> 00:56:09,142
Terry: WOW.
WELL, MICHAEL IS GONNA GET HIS
1241
00:56:09,166 --> 00:56:09,976
WELL, MICHAEL IS GONNA GET HIS
CHANCE IN A COUPLE OF MINUTES.
1242
00:56:10,000 --> 00:56:11,244
CHANCE IN A COUPLE OF MINUTES.
AND LATER, A SINGER WHO'S LIVED
1243
00:56:11,268 --> 00:56:12,345
AND LATER, A SINGER WHO'S LIVED
THROUGH HELL FINALLY GETS HIS
1244
00:56:12,369 --> 00:56:14,448
THROUGH HELL FINALLY GETS HIS
SHOT AT THE LIFE HE DESERVES
1245
00:56:14,472 --> 00:56:18,107
SHOT AT THE LIFE HE DESERVES
WE'LL BE RIGHT BACK.
1246
00:56:32,722 --> 00:56:34,567
Terry: BEFORE THE BREAK WE
SAW COMEDIAN MICHAEL YO'S BATTLE
1247
00:56:34,591 --> 00:56:35,102
SAW COMEDIAN MICHAEL YO'S BATTLE
TO BE HERE
1248
00:56:35,126 --> 00:56:37,237
TO BE HERE
AND NOW, HE GETS HIS SHOT AT
1249
00:56:37,261 --> 00:56:38,271
AND NOW, HE GETS HIS SHOT AT
MAKING AMERICA LAUGH
1250
00:56:38,295 --> 00:56:42,876
MAKING AMERICA LAUGH
GIVE IT UP FOR MICHAEL YO.
1251
00:56:42,900 --> 00:56:50,900
GIVE IT UP FOR MICHAEL YO.
[ CHEERS AND APPLAUSE
1252
00:56:52,209 --> 00:56:54,454
[ CHEERS AND APPLAUSE
WHAT'S UP, AMERICA?
1253
00:56:54,478 --> 00:56:55,856
WHAT'S UP, AMERICA?
I HAVE SOME GOOD NEWS.
1254
00:56:55,880 --> 00:56:58,225
I HAVE SOME GOOD NEWS.
ME AND MY WIFE, WE JUST HAD A
1255
00:56:58,249 --> 00:56:58,691
ME AND MY WIFE, WE JUST HAD A
BABY
1256
00:56:58,715 --> 00:57:00,026
BABY
YEAH, BEAUTIFUL.
1257
00:57:00,050 --> 00:57:00,393
YEAH, BEAUTIFUL.
BEAUTIFUL.
1258
00:57:00,417 --> 00:57:01,027
BEAUTIFUL.
BUT AS A MAN I DID LEARN TWO
1259
00:57:01,051 --> 00:57:02,462
BUT AS A MAN I DID LEARN TWO
THINGS I
1260
00:57:02,486 --> 00:57:06,099
THINGS I
THE DELIVERY ROOM.
1261
00:57:06,123 --> 00:57:07,667
THE DELIVERY ROOM.
THE FIRST THING I LEARNED IS HOW
1262
00:57:07,691 --> 00:57:09,636
THE FIRST THING I LEARNED IS HOW
MUCH STRONGER WOMEN ARE THAN
1263
00:57:09,660 --> 00:57:09,969
MUCH STRONGER WOMEN ARE THAN
MEN.
1264
00:57:09,993 --> 00:57:11,638
MEN.
THAT'S RIGHT, I COULD NEVER GIVE
1265
00:57:11,662 --> 00:57:12,405
THAT'S RIGHT, I COULD NEVER GIVE
BIRTH TO A BABY.
1266
00:57:12,429 --> 00:57:15,074
BIRTH TO A BABY.
EVEN IF I WANTED TO, I WOULDN'T.
1267
00:57:15,098 --> 00:57:16,576
EVEN IF I WANTED TO, I WOULDN'T.
BECAUSE YOU CAN DO THINGS THAT
1268
00:57:16,600 --> 00:57:18,178
BECAUSE YOU CAN DO THINGS THAT
WE JUST CAN'T DO
1269
00:57:18,202 --> 00:57:19,212
WE JUST CAN'T DO
THAT'S RIGHT, WE'RE NOT STRONG
1270
00:57:19,236 --> 00:57:20,647
THAT'S RIGHT, WE'RE NOT STRONG
ENOUGH TO DELIVER A BABY, YOU
1271
00:57:20,671 --> 00:57:20,947
ENOUGH TO DELIVER A BABY, YOU
KNOW
1272
00:57:20,971 --> 00:57:22,949
KNOW
THE SECOND THING I LEARNED,
1273
00:57:22,973 --> 00:57:28,621
THE SECOND THING I LEARNED,
HOWIE, AND SIMON, IS HOW USELESS
1274
00:57:28,645 --> 00:57:32,526
HOWIE, AND SIMON, IS HOW USELESS
MEN ARE IN THE DELIVERY ROOM
1275
00:57:32,550 --> 00:57:33,760
MEN ARE IN THE DELIVERY ROOM
OH, CONVEY
1276
00:57:33,784 --> 00:57:34,494
OH, CONVEY
THAT'
1277
00:57:34,518 --> 00:57:34,794
THAT'
YEAH.
1278
00:57:34,818 --> 00:57:36,262
YEAH.
LET ME BREAK IT DOWN FOR YOU
1279
00:57:36,286 --> 00:57:38,765
LET ME BREAK IT DOWN FOR YOU
MY WIFE IS GIVING BIRTH TO A
1280
00:57:38,789 --> 00:57:40,300
MY WIFE IS GIVING BIRTH TO A
BABY BOY AND I'M STANDING NEXT
1281
00:57:40,324 --> 00:57:44,271
BABY BOY AND I'M STANDING NEXT
TO HER GOING, PUSH, PUSH
1282
00:57:44,295 --> 00:57:49,876
TO HER GOING, PUSH, PUSH
LIKE WHAT'S SHE GOING TO DO,
1283
00:57:49,900 --> 00:57:54,180
LIKE WHAT'S SHE GOING TO DO,
SUCK THE BABY BACK IN?
1284
00:57:54,204 --> 00:57:57,984
SUCK THE BABY BACK IN?
WE NAMED HIM OLIVER FOR MY DAD
1285
00:57:58,008 --> 00:57:58,985
WE NAMED HIM OLIVER FOR MY DAD
HE WAS CRYING AND CRYING
1286
00:57:59,009 --> 00:58:00,454
HE WAS CRYING AND CRYING
I SAID, I CAN DO SOMETHING, I
1287
00:58:00,478 --> 00:58:01,788
I SAID, I CAN DO SOMETHING, I
CAN HELP OUT
1288
00:58:01,812 --> 00:58:04,290
CAN HELP OUT
I PUT MY FINGER IN MY BABY'S
1289
00:58:04,314 --> 00:58:05,625
I PUT MY FINGER IN MY BABY'S
HAND AND HE GRABS MY FINGER AND
1290
00:58:05,649 --> 00:58:06,292
HAND AND HE GRABS MY FINGER AND
STARTS CRYING.
1291
00:58:06,316 --> 00:58:07,327
STARTS CRYING.
THEN I START WRITING
1292
00:58:07,351 --> 00:58:10,197
THEN I START WRITING
WAAHHH
1293
00:58:10,221 --> 00:58:12,565
WAAHHH
THIS IS WHAT LOVE IS
1294
00:58:12,589 --> 00:58:13,666
THIS IS WHAT LOVE IS
NOW, EVERY FATHER WATCHING, YOU
1295
00:58:13,690 --> 00:58:15,602
NOW, EVERY FATHER WATCHING, YOU
KNOW WHAT I'M ABOUT TO SAY IS
1296
00:58:15,626 --> 00:58:18,204
KNOW WHAT I'M ABOUT TO SAY IS
TRUE
1297
00:58:18,228 --> 00:58:20,273
TRUE
AS SOON AS MY SON TOUCHED MY
1298
00:58:20,297 --> 00:58:22,609
AS SOON AS MY SON TOUCHED MY
FINGER, I KNEW I WOULD DIE FOR
1299
00:58:22,633 --> 00:58:22,808
FINGER, I KNEW I WOULD DIE FOR
HIM.
1300
00:58:22,832 --> 00:58:24,677
HIM.
I DON'T EVEN KNOW THIS DUDE BUT
1301
00:58:24,701 --> 00:58:25,678
I DON'T EVEN KNOW THIS DUDE BUT
I WOULD DIE FOR MY SON
1302
00:58:25,702 --> 00:58:27,247
I WOULD DIE FOR MY SON
THE FIRST TIME I SEE HIM, THE
1303
00:58:27,271 --> 00:58:28,515
THE FIRST TIME I SEE HIM, THE
FIRST TIME I TOUCH HIM, I WOULD
1304
00:58:28,539 --> 00:58:30,350
FIRST TIME I TOUCH HIM, I WOULD
DIE FOR MY SON
1305
00:58:30,374 --> 00:58:32,685
DIE FOR MY SON
ISN'T THAT CRAZY, WE DO THAT,
1306
00:58:32,709 --> 00:58:34,754
ISN'T THAT CRAZY, WE DO THAT,
FELLA?
1307
00:58:34,778 --> 00:58:36,189
FELLA?
WE WOULDN'T DID A THAT FOR OUR
1308
00:58:36,213 --> 00:58:36,422
WE WOULDN'T DID A THAT FOR OUR
WIVES.
1309
00:58:36,446 --> 00:58:37,423
WIVES.
OH, I'M FEELING THE HEAT FROM
1310
00:58:37,447 --> 00:58:38,057
OH, I'M FEELING THE HEAT FROM
THE WOMEN.
1311
00:58:38,081 --> 00:58:43,563
THE WOMEN.
HANG ON, LET ME EXPLAIN, LADIES.
1312
00:58:43,587 --> 00:58:46,165
HANG ON, LET ME EXPLAIN, LADIES.
LOOK, LADIES, THE FIRST TIME WE
1313
00:58:46,189 --> 00:58:47,700
LOOK, LADIES, THE FIRST TIME WE
SEE YOU OR TOUCH YOU IS USUALLY
1314
00:58:47,724 --> 00:58:48,568
SEE YOU OR TOUCH YOU IS USUALLY
ON THE FIRST DATE.
1315
00:58:48,592 --> 00:58:50,436
ON THE FIRST DATE.
NO DUDE IS DYING FOR YOU ON THE
1316
00:58:50,460 --> 00:58:52,105
NO DUDE IS DYING FOR YOU ON THE
FIRST DATE
1317
00:58:52,129 --> 00:58:55,208
FIRST DATE
NOW, LET ME MAKE YOU FEEL
1318
00:58:55,232 --> 00:58:55,608
NOW, LET ME MAKE YOU FEEL
BETTER
1319
00:58:55,632 --> 00:58:58,712
BETTER
IF A DUDE LOOKS AT YOU ON THE
1320
00:58:58,736 --> 00:58:59,346
IF A DUDE LOOKS AT YOU ON THE
FIRST DATE AND GOES, I WOULD DIE
1321
00:58:59,370 --> 00:59:00,713
FIRST DATE AND GOES, I WOULD DIE
FOR YOU, YOU BETTER RUN, BECAUSE
1322
00:59:00,737 --> 00:59:08,087
FOR YOU, YOU BETTER RUN, BECAUSE
THAT DUDE IS ABOUT TO KILL YOU
1323
00:59:08,111 --> 00:59:11,491
THAT DUDE IS ABOUT TO KILL YOU
BUT I WOULD DIE FOR MY WIFE NOW,
1324
00:59:11,515 --> 00:59:12,392
BUT I WOULD DIE FOR MY WIFE NOW,
100%
1325
00:59:12,416 --> 00:59:14,727
100%
IT TOOK A COUPLE OF YEARS TO GET
1326
00:59:14,751 --> 00:59:14,928
IT TOOK A COUPLE OF YEARS TO GET
THERE.
1327
00:59:14,952 --> 00:59:17,864
THERE.
IF A CAR CAME, I WOULD PUSH HER
1328
00:59:17,888 --> 00:59:19,633
IF A CAR CAME, I WOULD PUSH HER
OUT OF THE WAY AND TAKE IT
1329
00:59:19,657 --> 00:59:20,266
OUT OF THE WAY AND TAKE IT
MYSELF
1330
00:59:20,290 --> 00:59:23,236
MYSELF
BECAUSE WE ALL KNOW PEOPLE WHO
1331
00:59:23,260 --> 00:59:24,938
BECAUSE WE ALL KNOW PEOPLE WHO
WE WOULDN'T DIE FOR.
1332
00:59:24,962 --> 00:59:26,840
WE WOULDN'T DIE FOR.
I GUESS IT WAS THEIR TIME, THE
1333
00:59:26,864 --> 00:59:28,875
I GUESS IT WAS THEIR TIME, THE
LORD WORKS IN MYSTERIOUS WAYS.
1334
00:59:28,899 --> 00:59:30,543
LORD WORKS IN MYSTERIOUS WAYS.
GUYS, THANK YOU SO MUCH.
1335
00:59:30,567 --> 00:59:36,349
GUYS, THANK YOU SO MUCH.
[ APPLAUSE ]
1336
00:59:36,373 --> 00:59:37,150
[ APPLAUSE ]
Terry: MICHAEL YO
1337
00:59:37,174 --> 00:59:38,685
Terry: MICHAEL YO
GOOD TO SEE YOU, MAN
1338
00:59:38,709 --> 00:59:39,853
GOOD TO SEE YOU, MAN
YOU WERE AWESOME
1339
00:59:39,877 --> 00:59:42,221
YOU WERE AWESOME
THANK YOU, THANK YOU.
1340
00:59:42,245 --> 00:59:45,158
THANK YOU, THANK YOU.
Terry: KELLY, HE HAD YOU
1341
00:59:45,182 --> 00:59:45,491
Terry: KELLY, HE HAD YOU
CRYING
1342
00:59:45,515 --> 00:59:46,860
CRYING
Kelly: I LOVE COMEDY, ONE OF
1343
00:59:46,884 --> 00:59:50,396
Kelly: I LOVE COMEDY, ONE OF
MY FIRST JOBS, I WAS A WAITRESS
1344
00:59:50,420 --> 00:59:51,598
MY FIRST JOBS, I WAS A WAITRESS
AT A COMEDY CLUB
1345
00:59:51,622 --> 00:59:54,834
AT A COMEDY CLUB
I LOVE COMEDIANS
1346
00:59:54,858 --> 00:59:56,903
I LOVE COMEDIANS
Y'ALL ARE NEEDED NOW MORE THAN
1347
00:59:56,927 --> 00:59:57,704
Y'ALL ARE NEEDED NOW MORE THAN
EVER
1348
00:59:57,728 --> 00:59:59,172
EVER
I'VE KNOWN YOU FOR YEARS AND I'M
1349
00:59:59,196 --> 01:00:02,008
I'VE KNOWN YOU FOR YEARS AND I'M
SO EXCITED FOR YOU, YOU JUST
1350
01:00:02,032 --> 01:00:02,709
SO EXCITED FOR YOU, YOU JUST
NAILED IT.
1351
01:00:02,733 --> 01:00:04,243
NAILED IT.
I DIDN'T KNOW THIS SIDE OF YOU
1352
01:00:04,267 --> 01:00:05,011
I DIDN'T KNOW THIS SIDE OF YOU
EXISTED.
1353
01:00:05,035 --> 01:00:05,511
EXISTED.
CONGRATULATIONS.
1354
01:00:05,535 --> 01:00:07,080
CONGRATULATIONS.
THANK YOU SO MUCH, KELLY.
1355
01:00:07,104 --> 01:00:08,481
THANK YOU SO MUCH, KELLY.
Terry: HOWIE.
1356
01:00:08,505 --> 01:00:09,582
Terry: HOWIE.
Howie: AS I SAID TO MY FELLOW
1357
01:00:09,606 --> 01:00:11,517
Howie: AS I SAID TO MY FELLOW
JUDGES BEFORE THIS, OUT OF EVERY
1358
01:00:11,541 --> 01:00:16,856
JUDGES BEFORE THIS, OUT OF EVERY
ART FORM THAT WE HAVE ON THIS
1359
01:00:16,880 --> 01:00:24,597
ART FORM THAT WE HAVE ON THIS
SHOW, WHEN YOU'RE IN FRONT OF A
1360
01:00:24,621 --> 01:00:26,532
SHOW, WHEN YOU'RE IN FRONT OF A
VIRTUAL AUDIENCE, YOU DIDN'T
1361
01:00:26,556 --> 01:00:27,801
VIRTUAL AUDIENCE, YOU DIDN'T
LOOK THAT NERVOUS.
1362
01:00:27,825 --> 01:00:30,637
LOOK THAT NERVOUS.
I'M SO HAPPY YOU SURVIVED THE
1363
01:00:30,661 --> 01:00:31,704
I'M SO HAPPY YOU SURVIVED THE
COVID.
1364
01:00:31,728 --> 01:00:33,607
COVID.
COMEDY AND TRAGEDY GO TOGETHER
1365
01:00:33,631 --> 01:00:34,140
COMEDY AND TRAGEDY GO TOGETHER
YOU DELIVERED.
1366
01:00:34,164 --> 01:00:34,874
YOU DELIVERED.
AND THIS IS HARD
1367
01:00:34,898 --> 01:00:36,342
AND THIS IS HARD
I DON'T KNOW WHAT I WOULD DO IN
1368
01:00:36,366 --> 01:00:38,211
I DON'T KNOW WHAT I WOULD DO IN
THIS ROOM LIKE THIS.
1369
01:00:38,235 --> 01:00:40,480
THIS ROOM LIKE THIS.
BUT YOU DELIVERED.
1370
01:00:40,504 --> 01:00:41,080
BUT YOU DELIVERED.
THANK YOU SO MUCH
1371
01:00:41,104 --> 01:00:42,882
THANK YOU SO MUCH
Howie: I'M PROUD OF YOU
1372
01:00:42,906 --> 01:00:44,250
Howie: I'M PROUD OF YOU
THANK YOU, THANK YOU.
1373
01:00:44,274 --> 01:00:45,618
THANK YOU, THANK YOU.
Terry: HEIDI.
1374
01:00:45,642 --> 01:00:47,053
Terry: HEIDI.
Heidi: THAT WAS A LOT OF FUN.
1375
01:00:47,077 --> 01:00:48,287
Heidi: THAT WAS A LOT OF FUN.
YOU ARE A LOT OF FUN
1376
01:00:48,311 --> 01:00:49,822
YOU ARE A LOT OF FUN
YOU HAVE A BEAUTIFUL FAMILY.
1377
01:00:49,846 --> 01:00:51,057
YOU HAVE A BEAUTIFUL FAMILY.
PROBABLY MY FAVORITE PART OF THE
1378
01:00:51,081 --> 01:00:53,926
PROBABLY MY FAVORITE PART OF THE
ENTIRE THING WAS YOUR FACE, YOU
1379
01:00:53,950 --> 01:00:56,729
ENTIRE THING WAS YOUR FACE, YOU
LIKE LIKE THAT SMILEY EMOJI WITH
1380
01:00:56,753 --> 01:00:57,764
LIKE LIKE THAT SMILEY EMOJI WITH
THOSE HEARTS, WHEN YOU'RE
1381
01:00:57,788 --> 01:00:58,765
THOSE HEARTS, WHEN YOU'RE
TALKING ABOUT YOUR FAMILY,
1382
01:00:58,789 --> 01:00:59,966
TALKING ABOUT YOUR FAMILY,
ESPECIALLY YOUR SON.
1383
01:00:59,990 --> 01:01:01,668
ESPECIALLY YOUR SON.
CONGRATULATIONS AGAIN FOR THIS
1384
01:01:01,692 --> 01:01:03,336
CONGRATULATIONS AGAIN FOR THIS
AND LIKE YOU SAID, IT'S VERY
1385
01:01:03,360 --> 01:01:04,170
AND LIKE YOU SAID, IT'S VERY
HARD WHEN YOU DON'T HAVE THE
1386
01:01:04,194 --> 01:01:05,605
HARD WHEN YOU DON'T HAVE THE
PEOPLE TO FEED OFF OF.
1387
01:01:05,629 --> 01:01:08,074
PEOPLE TO FEED OFF OF.
BUT IT DIDN'T SEEM TO BOTHER YOU
1388
01:01:08,098 --> 01:01:10,109
BUT IT DIDN'T SEEM TO BOTHER YOU
AT ALL
1389
01:01:10,133 --> 01:01:11,110
AT ALL
SO, VERY GOOD.
1390
01:01:11,134 --> 01:01:12,646
SO, VERY GOOD.
Terry: SOFIA.
1391
01:01:12,670 --> 01:01:14,180
Terry: SOFIA.
Sofia: I REALLY ENJOYED IT.
1392
01:01:14,204 --> 01:01:16,382
Sofia: I REALLY ENJOYED IT.
YES, YES!
1393
01:01:16,406 --> 01:01:18,751
YES, YES!
Sofia: I THINK THIS TIME WAS
1394
01:01:18,775 --> 01:01:22,188
Sofia: I THINK THIS TIME WAS
BETTER THAN THE LAST TIME.
1395
01:01:22,212 --> 01:01:23,589
BETTER THAN THE LAST TIME.
I LOVED IT
1396
01:01:23,613 --> 01:01:23,957
I LOVED IT
GREAT.
1397
01:01:23,981 --> 01:01:25,992
GREAT.
I LOVE YOU.
1398
01:01:26,016 --> 01:01:27,794
I LOVE YOU.
Sofia: PEOPLE UNDERSTAND HOW
1399
01:01:27,818 --> 01:01:29,028
Sofia: PEOPLE UNDERSTAND HOW
HARD IT IS FOR A COMEDIAN TO
1400
01:01:29,052 --> 01:01:29,462
HARD IT IS FOR A COMEDIAN TO
MAKE IT THIS FAR
1401
01:01:29,486 --> 01:01:33,266
MAKE IT THIS FAR
I LOVE YOU!
1402
01:01:33,290 --> 01:01:33,600
I LOVE YOU!
THANK YOU!
1403
01:01:33,624 --> 01:01:34,867
THANK YOU!
Terry: GOOD LUCK TONIGHT,
1404
01:01:34,891 --> 01:01:35,902
Terry: GOOD LUCK TONIGHT,
MICHAEL.
1405
01:01:35,926 --> 01:01:37,470
MICHAEL.
DO YOU WANT TO SEE MICHAEL IN
1406
01:01:37,494 --> 01:01:38,004
DO YOU WANT TO SEE MICHAEL IN
THE SEMI-FINALS?
1407
01:01:38,028 --> 01:01:39,105
THE SEMI-FINALS?
THEN VOTE.
1408
01:01:39,129 --> 01:01:41,240
THEN VOTE.
GO TO NBC.COM OR DOWNLOAD THE
1409
01:01:41,264 --> 01:01:42,842
GO TO NBC.COM OR DOWNLOAD THE
OFFICIAL AGT APP FROM THE APP
1410
01:01:42,866 --> 01:01:45,478
OFFICIAL AGT APP FROM THE APP
STORE OR GOOGLE PLAY
1411
01:01:45,502 --> 01:01:47,080
STORE OR GOOGLE PLAY
OK, I HOPE YOU'RE READY TO GET
1412
01:01:47,104 --> 01:01:48,648
OK, I HOPE YOU'RE READY TO GET
DANCING.
1413
01:01:48,672 --> 01:01:50,283
DANCING.
'CAUSE AFTER THE BREAK... TWO
1414
01:01:50,307 --> 01:01:51,884
'CAUSE AFTER THE BREAK... TWO
SISTERS ARE GONNA BE TEARING UP
1415
01:01:51,908 --> 01:01:52,952
SISTERS ARE GONNA BE TEARING UP
A WILD WEST TOWN
1416
01:01:52,976 --> 01:02:00,976
A WILD WEST TOWN
STAY RIGHT THERE!
1417
01:02:07,157 --> 01:02:08,601
STAY RIGHT THERE!
ALL OF OUR PERFORMERS ARE
1418
01:02:08,625 --> 01:02:09,702
ALL OF OUR PERFORMERS ARE
HOPING TO CHANGE THEIR LIVES AND
1419
01:02:09,726 --> 01:02:11,805
HOPING TO CHANGE THEIR LIVES AND
LIVE THE DREAM
1420
01:02:11,829 --> 01:02:12,905
LIVE THE DREAM
WELL, YOU CAN, TOO, BECAUSE
1421
01:02:12,929 --> 01:02:13,940
WELL, YOU CAN, TOO, BECAUSE
AUDITIONS FOR NEXT SEASON ARE
1422
01:02:13,964 --> 01:02:17,677
AUDITIONS FOR NEXT SEASON ARE
STARTING UP SOON
1423
01:02:17,701 --> 01:02:19,278
STARTING UP SOON
GO TO NBC.COM/AGT TO SUBMIT A
1424
01:02:19,302 --> 01:02:21,914
GO TO NBC.COM/AGT TO SUBMIT A
VIDEO ONLINE OR TO GET MORE
1425
01:02:21,938 --> 01:02:22,982
VIDEO ONLINE OR TO GET MORE
INFORMATION.
1426
01:02:23,006 --> 01:02:24,050
INFORMATION.
IT'S TIME TO START LIVING YOUR
1427
01:02:24,074 --> 01:02:25,651
IT'S TIME TO START LIVING YOUR
DREAM.
1428
01:02:25,675 --> 01:02:26,686
DREAM.
LIKE THESE TWO SISTERS
1429
01:02:26,710 --> 01:02:28,321
LIKE THESE TWO SISTERS
AT THE AUDITIONS, THEY HAD ME
1430
01:02:28,345 --> 01:02:29,388
AT THE AUDITIONS, THEY HAD ME
JUMPING UP AND DOWN LIKE I
1431
01:02:29,412 --> 01:02:30,423
JUMPING UP AND DOWN LIKE I
WAS 16
1432
01:02:30,447 --> 01:02:32,024
WAS 16
THEY ARE A FORCE OF NATURE
1433
01:02:32,048 --> 01:02:35,228
THEY ARE A FORCE OF NATURE
BUCKLE UP!
1434
01:02:35,252 --> 01:02:43,252
BUCKLE UP!
HERE ARE DOUBLE DRAGON
1435
01:02:44,060 --> 01:02:46,873
HERE ARE DOUBLE DRAGON
I SAID YES, OF COURSE
1436
01:02:46,897 --> 01:02:49,208
I SAID YES, OF COURSE
BUT UNDER ONE CONDITION.
1437
01:02:49,232 --> 01:02:50,243
BUT UNDER ONE CONDITION.
GOOD MORNING, SUNSHINE.
1438
01:02:50,267 --> 01:02:51,845
GOOD MORNING, SUNSHINE.
IT'S TWO FOR ONE.
1439
01:02:51,869 --> 01:02:53,513
IT'S TWO FOR ONE.
NOW THERE'S THREE OF US
1440
01:02:53,537 --> 01:02:54,781
NOW THERE'S THREE OF US
WE ARE LIVING TOGETHER
1441
01:02:54,805 --> 01:02:58,117
WE ARE LIVING TOGETHER
HERE YOU GO
1442
01:02:58,141 --> 01:03:01,254
HERE YOU GO
THANK YOU
1443
01:03:01,278 --> 01:03:05,057
THANK YOU
WE REALIZED THE POWER OF
1444
01:03:05,081 --> 01:03:06,592
WE REALIZED THE POWER OF
DOUBLE DRAGON AND WE WERE
1445
01:03:06,616 --> 01:03:07,160
DOUBLE DRAGON AND WE WERE
TOGETHER
1446
01:03:07,184 --> 01:03:09,061
TOGETHER
DAVID IS VERY SUPPORTIVE BECAUSE
1447
01:03:09,085 --> 01:03:10,663
DAVID IS VERY SUPPORTIVE BECAUSE
HE KNOWS THERE IS NO WAY I
1448
01:03:10,687 --> 01:03:12,498
HE KNOWS THERE IS NO WAY I
CANNOT SEE MY SISTER EVERY DAY
1449
01:03:12,522 --> 01:03:16,135
CANNOT SEE MY SISTER EVERY DAY
BUT "AGT," WE WERE WORKING IN
1450
01:03:16,159 --> 01:03:18,070
BUT "AGT," WE WERE WORKING IN
A BAKERY
1451
01:03:18,094 --> 01:03:19,873
A BAKERY
FOR AUDITIONS WE REHEARSED FOR
1452
01:03:19,897 --> 01:03:20,773
FOR AUDITIONS WE REHEARSED FOR
TEN HOURS.
1453
01:03:20,797 --> 01:03:22,675
TEN HOURS.
HE COOKED FOR US SOMETIMES
1454
01:03:22,699 --> 01:03:25,211
HE COOKED FOR US SOMETIMES
TOMATOES, ANYBODY
1455
01:03:25,235 --> 01:03:31,084
TOMATOES, ANYBODY
WE GAINED SO MUCH WEIGHT.
1456
01:03:31,108 --> 01:03:32,618
WE GAINED SO MUCH WEIGHT.
IT'S NICE TO HAVE SOMEONE
1457
01:03:32,642 --> 01:03:33,986
IT'S NICE TO HAVE SOMEONE
LIKE HIM THAT ACTUALLY RESPECTS
1458
01:03:34,010 --> 01:03:35,188
LIKE HIM THAT ACTUALLY RESPECTS
WHAT WE'RE DOING
1459
01:03:35,212 --> 01:03:35,855
WHAT WE'RE DOING
IF THAT'S NOT LOVE, I DON'T
1460
01:03:35,879 --> 01:03:41,694
IF THAT'S NOT LOVE, I DON'T
KNOW WHAT IT IS.
1461
01:03:41,718 --> 01:03:44,497
KNOW WHAT IT IS.
FOR US, MAKING IT TO THE NEXT
1462
01:03:44,521 --> 01:03:45,364
FOR US, MAKING IT TO THE NEXT
ROUND MEANS EVERYTHING WE WANTED
1463
01:03:45,388 --> 01:03:46,365
ROUND MEANS EVERYTHING WE WANTED
IN OUR ENTIRE LIFE
1464
01:03:46,389 --> 01:03:48,201
IN OUR ENTIRE LIFE
AND WHAT IS IT YOU WANT
1465
01:03:48,225 --> 01:03:50,069
AND WHAT IS IT YOU WANT
WE WANT CARBS
1466
01:03:50,093 --> 01:03:53,339
WE WANT CARBS
SO SORRY.
1467
01:03:53,363 --> 01:03:56,742
SO SORRY.
WE WANT TO MAKE A DREAM COME
1468
01:03:56,766 --> 01:03:57,042
WE WANT TO MAKE A DREAM COME
TRUE
1469
01:03:57,066 --> 01:03:58,645
TRUE
THIS IS WHY WE'RE HERE.
1470
01:03:58,669 --> 01:04:03,249
THIS IS WHY WE'RE HERE.
DOUBLE DRAGON IS HERE
1471
01:04:03,273 --> 01:04:07,342
DOUBLE DRAGON IS HERE
[ CHEERS AND APPLAUSE
1472
01:04:08,411 --> 01:04:15,717
♪
1473
01:04:19,021 --> 01:04:26,661
♪
1474
01:04:32,001 --> 01:04:40,001
♪
1475
01:04:44,713 --> 01:04:52,713
♪
1476
01:04:58,060 --> 01:05:06,060
♪
1477
01:05:10,639 --> 01:05:18,639
♪
1478
01:05:22,485 --> 01:05:30,225
♪
1479
01:05:34,830 --> 01:05:42,830
♪
1480
01:05:49,278 --> 01:05:56,484
♪
1481
01:06:02,157 --> 01:06:06,928
[ CHEERS AND APPLAUSE
1482
01:06:09,665 --> 01:06:12,311
Terry: OH, MY GOODNESS.
WE'LL BRING THE LADIES BACK TO
1483
01:06:12,335 --> 01:06:12,845
WE'LL BRING THE LADIES BACK TO
THE FUTURE FOR THE JUDGING,
1484
01:06:12,869 --> 01:06:13,913
THE FUTURE FOR THE JUDGING,
AFTER THE BREAK.
1485
01:06:13,937 --> 01:06:18,606
AFTER THE BREAK.
STAY RIGHT THERE
1486
01:06:26,181 --> 01:06:31,464
Announcer: COMING UP...
PULL IT
1487
01:06:31,488 --> 01:06:33,433
PULL IT
THEY DON'T DO THAT IN
1488
01:06:33,457 --> 01:06:33,666
THEY DON'T DO THAT IN
COLOMBIA
1489
01:06:33,690 --> 01:06:36,235
COLOMBIA
THAT WAS VERY POWERFUL.
1490
01:06:36,259 --> 01:06:38,660
THAT WAS VERY POWERFUL.
THIS IS AN AUDITION I WILL
1491
01:06:50,506 --> 01:06:56,655
OKAY
DOUBLE DRAGON NAILED IT BEFORE
1492
01:06:56,679 --> 01:06:57,690
DOUBLE DRAGON NAILED IT BEFORE
THE BREAK, OUT IN THE WILD WEST.
1493
01:06:57,714 --> 01:07:02,895
THE BREAK, OUT IN THE WILD WEST.
LET'S GO TO THE JUDGES
1494
01:07:02,919 --> 01:07:03,195
LET'S GO TO THE JUDGES
HOWIE?
1495
01:07:03,219 --> 01:07:05,097
HOWIE?
Howie: YOU KNOW, I'M NOT
1496
01:07:05,121 --> 01:07:07,299
Howie: YOU KNOW, I'M NOT
JUDGING YOU AS SINGERS, I'M
1497
01:07:07,323 --> 01:07:09,301
JUDGING YOU AS SINGERS, I'M
JUDGING YOU AS JUST
1498
01:07:09,325 --> 01:07:09,668
JUDGING YOU AS JUST
PERSONALITIES.
1499
01:07:09,692 --> 01:07:11,637
PERSONALITIES.
YOU GUYS SING, YOU MAKE US
1500
01:07:11,661 --> 01:07:11,938
YOU GUYS SING, YOU MAKE US
LAUGH.
1501
01:07:11,962 --> 01:07:13,806
LAUGH.
WE WERE ALL TALKING BEFORE,
1502
01:07:13,830 --> 01:07:14,540
WE WERE ALL TALKING BEFORE,
THEY'RE GOING TO SAY THE SAME
1503
01:07:14,564 --> 01:07:20,880
THEY'RE GOING TO SAY THE SAME
THING, I SEE YOU AS A SITCOM,
1504
01:07:20,904 --> 01:07:23,416
THING, I SEE YOU AS A SITCOM,
YOU COULD BE THE NEW "THREE'S
1505
01:07:23,440 --> 01:07:26,652
YOU COULD BE THE NEW "THREE'S
COMPANY" WITH YOU AND YOUR
1506
01:07:26,676 --> 01:07:27,053
COMPANY" WITH YOU AND YOUR
BOYFRIEND.
1507
01:07:27,077 --> 01:07:28,120
BOYFRIEND.
Terry: HEIDI?
1508
01:07:28,144 --> 01:07:30,256
Terry: HEIDI?
Heidi: I LOVE YOU TOO
1509
01:07:30,280 --> 01:07:33,225
Heidi: I LOVE YOU TOO
DOUBLE THE ENERGY, DOUBLE THE
1510
01:07:33,249 --> 01:07:34,894
DOUBLE THE ENERGY, DOUBLE THE
FUN, DOUBLE THE TALENT
1511
01:07:34,918 --> 01:07:39,799
FUN, DOUBLE THE TALENT
CAN I BE YOUR TRIPLET?
1512
01:07:39,823 --> 01:07:41,801
CAN I BE YOUR TRIPLET?
Sofia: THE ONLY ONE HERE WHO
1513
01:07:41,825 --> 01:07:44,036
Sofia: THE ONLY ONE HERE WHO
COULD BE THEIR TRIPLET IS ME
1514
01:07:44,060 --> 01:07:47,340
COULD BE THEIR TRIPLET IS ME
SO MUCH FUN
1515
01:07:47,364 --> 01:07:48,441
SO MUCH FUN
Terry: WHAT DO YOU THINK, SO
1516
01:07:48,465 --> 01:07:49,208
Terry: WHAT DO YOU THINK, SO
MUCH I CAN'T
1517
01:07:49,232 --> 01:07:50,609
MUCH I CAN'T
Sofia: IF YOU DON'T WIN THIS
1518
01:07:50,633 --> 01:07:52,678
Sofia: IF YOU DON'T WIN THIS
COMPETITION, I THINK WE CAN DO
1519
01:07:52,702 --> 01:07:53,045
COMPETITION, I THINK WE CAN DO
SOMETHING.
1520
01:07:53,069 --> 01:07:57,249
SOMETHING.
YOU DESERVE A REALITY SHOW, AT
1521
01:07:57,273 --> 01:07:59,752
YOU DESERVE A REALITY SHOW, AT
LEAST, BECAUSE YOU GUYS ARE SO
1522
01:07:59,776 --> 01:08:01,153
LEAST, BECAUSE YOU GUYS ARE SO
ENTERTAINING, SO FULL OF LIFE.
1523
01:08:01,177 --> 01:08:03,656
ENTERTAINING, SO FULL OF LIFE.
I FEEL SO BAD FOR THAT POOR
1524
01:08:03,680 --> 01:08:06,325
I FEEL SO BAD FOR THAT POOR
BOYFRIEND THAT LIVES WITH YOU.
1525
01:08:06,349 --> 01:08:08,227
BOYFRIEND THAT LIVES WITH YOU.
BUT YOU GUYS ARE AMAZING
1526
01:08:08,251 --> 01:08:11,564
BUT YOU GUYS ARE AMAZING
AND THE VOICE, THE VOICE IS
1527
01:08:11,588 --> 01:08:11,831
AND THE VOICE, THE VOICE IS
FANTASTIC.
1528
01:08:11,855 --> 01:08:14,300
FANTASTIC.
I'M SO HAPPY, THANK YOU
1529
01:08:14,324 --> 01:08:15,468
I'M SO HAPPY, THANK YOU
Terry: KELLY.
1530
01:08:15,492 --> 01:08:17,870
Terry: KELLY.
Kelly: I LOVE THE ENERGY,
1531
01:08:17,894 --> 01:08:19,271
Kelly: I LOVE THE ENERGY,
LOVE THE SONG CHOICE, I LOVED
1532
01:08:19,295 --> 01:08:22,041
LOVE THE SONG CHOICE, I LOVED
YOU SINGING IN SPANISH, IT WAS
1533
01:08:22,065 --> 01:08:26,378
YOU SINGING IN SPANISH, IT WAS
SEXY AND FUN AND FLIRTY AND
1534
01:08:26,402 --> 01:08:27,080
SEXY AND FUN AND FLIRTY AND
GREAT.
1535
01:08:27,104 --> 01:08:29,081
GREAT.
Terry: DOUBLE DRAGON, WHERE
1536
01:08:29,105 --> 01:08:30,149
Terry: DOUBLE DRAGON, WHERE
DO YOU GET THAT ENERGY
1537
01:08:30,173 --> 01:08:32,551
DO YOU GET THAT ENERGY
IT'S COFFEE, MAN, WE DRINK A
1538
01:08:32,575 --> 01:08:34,787
IT'S COFFEE, MAN, WE DRINK A
LOT, DOUBLE SHOT
1539
01:08:34,811 --> 01:08:37,523
LOT, DOUBLE SHOT
Terry: I GOT IT, I GOT IT
1540
01:08:37,547 --> 01:08:38,057
Terry: I GOT IT, I GOT IT
GOOD LUCK TONIGHT, LADIES.
1541
01:08:38,081 --> 01:08:39,091
GOOD LUCK TONIGHT, LADIES.
REMEMBER, ALL OF TONIGHT'S
1542
01:08:39,115 --> 01:08:40,159
REMEMBER, ALL OF TONIGHT'S
ACTS ARE DEPENDING VOICE REMOTE
1543
01:08:40,183 --> 01:08:41,227
ACTS ARE DEPENDING VOICE REMOTE
ON YOU
1544
01:08:41,251 --> 01:08:42,795
ON YOU
SO YOU GOTTA VOTE!
1545
01:08:42,819 --> 01:08:43,396
SO YOU GOTTA VOTE!
XFINITY CUSTOMERS, YOU CAN VOTE
1546
01:08:43,420 --> 01:08:44,396
XFINITY CUSTOMERS, YOU CAN VOTE
USING YOUR XFINITY VOICE REMOTE.
1547
01:08:44,420 --> 01:08:51,704
USING YOUR XFINITY VOICE REMOTE.
HERE'S OUR NEXT ACT.
1548
01:08:51,728 --> 01:08:54,073
HERE'S OUR NEXT ACT.
HE'S SOFIA VERGARA'S NEXT BFF,
1549
01:08:54,097 --> 01:08:55,574
HE'S SOFIA VERGARA'S NEXT BFF,
OR NOT
1550
01:08:55,598 --> 01:08:56,609
OR NOT
THIS GUY TAKES SWORD-SWALLOWING
1551
01:08:56,633 --> 01:08:57,343
THIS GUY TAKES SWORD-SWALLOWING
TO A WHOLE NEW LEVEL OF... WHAT!
1552
01:08:57,367 --> 01:08:58,210
TO A WHOLE NEW LEVEL OF... WHAT!
AND PLEASE, DO NOT EVEN THINK
1553
01:08:58,234 --> 01:08:59,278
AND PLEASE, DO NOT EVEN THINK
ABOUT TRYING WHAT YOU'RE GONNA
1554
01:08:59,302 --> 01:08:59,812
ABOUT TRYING WHAT YOU'RE GONNA
SEE AT HOME.
1555
01:08:59,836 --> 01:09:04,049
SEE AT HOME.
HERE'S BRETT LOUDERMILK.
1556
01:09:04,073 --> 01:09:05,217
HERE'S BRETT LOUDERMILK.
HEY, AMERICA.
1557
01:09:05,241 --> 01:09:08,921
HEY, AMERICA.
IT'S ME, BRETT LOUDERMILK.
1558
01:09:08,945 --> 01:09:11,423
IT'S ME, BRETT LOUDERMILK.
WHEN I WINK, YOU GRAB THE SWORD
1559
01:09:11,447 --> 01:09:11,924
WHEN I WINK, YOU GRAB THE SWORD
AND PULL
1560
01:09:11,948 --> 01:09:13,692
AND PULL
PULL IT, PULL IT!
1561
01:09:13,716 --> 01:09:14,861
PULL IT, PULL IT!
I CAN'T
1562
01:09:14,885 --> 01:09:17,196
I CAN'T
SUCH A GREAT REACTION FROM MY
1563
01:09:17,220 --> 01:09:20,499
SUCH A GREAT REACTION FROM MY
AUDITION ON "AGT," I DECIDED TO
1564
01:09:20,523 --> 01:09:22,468
AUDITION ON "AGT," I DECIDED TO
PACK MY BAGS, MOVE TO LAS VEGAS,
1565
01:09:22,492 --> 01:09:25,438
PACK MY BAGS, MOVE TO LAS VEGAS,
FOLLOW MY DREAMS, TRY TO GET
1566
01:09:25,462 --> 01:09:26,438
FOLLOW MY DREAMS, TRY TO GET
SOME WORK.
1567
01:09:26,462 --> 01:09:27,440
SOME WORK.
AND BOOM, CORONAVIRUS.
1568
01:09:27,464 --> 01:09:30,976
AND BOOM, CORONAVIRUS.
I DECIDED TO KEEP A VIDEO DIARY.
1569
01:09:31,000 --> 01:09:32,745
I DECIDED TO KEEP A VIDEO DIARY.
THE ENTIRE LAS VEGAS STRIP IS
1570
01:09:32,769 --> 01:09:33,646
THE ENTIRE LAS VEGAS STRIP IS
CLOSED
1571
01:09:33,670 --> 01:09:35,848
CLOSED
CASINOS ARE CLOSED
1572
01:09:35,872 --> 01:09:37,183
CASINOS ARE CLOSED
THEATERS ARE BOARDED UP.
1573
01:09:37,207 --> 01:09:39,552
THEATERS ARE BOARDED UP.
MY DREAMS ARE DEAD
1574
01:09:39,576 --> 01:09:40,753
MY DREAMS ARE DEAD
I CAN'T STREET PERFORM BECAUSE
1575
01:09:40,777 --> 01:09:42,021
I CAN'T STREET PERFORM BECAUSE
THERE'S LITERALLY NO ONE ON THE
1576
01:09:42,045 --> 01:09:42,388
THERE'S LITERALLY NO ONE ON THE
STREETS.
1577
01:09:42,412 --> 01:09:45,157
STREETS.
I'VE BEEN IN QUARANTINE FOR
1578
01:09:45,181 --> 01:09:46,025
I'VE BEEN IN QUARANTINE FOR
ABOUT THIS LONG.
1579
01:09:46,049 --> 01:09:48,761
ABOUT THIS LONG.
I'M WORKING ON MY NEXT ACT
1580
01:09:48,785 --> 01:09:50,563
I'M WORKING ON MY NEXT ACT
NOW, I THINK THEY DID THAT ON
1581
01:09:50,587 --> 01:09:51,297
NOW, I THINK THEY DID THAT ON
SEASON 2
1582
01:09:51,321 --> 01:09:52,565
SEASON 2
I'M DOING PHOTOGRAPHY.
1583
01:09:52,589 --> 01:09:53,899
I'M DOING PHOTOGRAPHY.
AND I'M SPENDING A FAIR AMOUNT
1584
01:09:53,923 --> 01:09:59,071
AND I'M SPENDING A FAIR AMOUNT
OF TIME JUST STARING AT A WALL
1585
01:09:59,095 --> 01:10:01,674
OF TIME JUST STARING AT A WALL
GOING FORWARD NOW IS COMPLETELY
1586
01:10:01,698 --> 01:10:02,274
GOING FORWARD NOW IS COMPLETELY
UNCHARTED.
1587
01:10:02,298 --> 01:10:03,042
UNCHARTED.
"AMERICA'S GOT TALENT" HAS
1588
01:10:03,066 --> 01:10:03,308
"AMERICA'S GOT TALENT" HAS
CHANGED.
1589
01:10:03,332 --> 01:10:04,343
CHANGED.
EVERYTHING HAS CHANGED
1590
01:10:04,367 --> 01:10:06,045
EVERYTHING HAS CHANGED
I CAN'T THINK OF ANOTHER TIME IN
1591
01:10:06,069 --> 01:10:08,280
I CAN'T THINK OF ANOTHER TIME IN
HISTORY WHERE EVERYONE HAS
1592
01:10:08,304 --> 01:10:09,615
HISTORY WHERE EVERYONE HAS
EXPERIENCED THE EXACT SAME
1593
01:10:09,639 --> 01:10:10,683
EXPERIENCED THE EXACT SAME
THING.
1594
01:10:10,707 --> 01:10:12,585
THING.
AND I THINK AT THE END OF THIS
1595
01:10:12,609 --> 01:10:13,519
AND I THINK AT THE END OF THIS
THERE'S GOING TO BE A GREATER
1596
01:10:13,543 --> 01:10:14,787
THERE'S GOING TO BE A GREATER
SENSE OF COMMUNITY IN THE WORLD.
1597
01:10:14,811 --> 01:10:16,622
SENSE OF COMMUNITY IN THE WORLD.
HELLO, GOOD TO SEE YOU GUYS
1598
01:10:16,646 --> 01:10:17,957
HELLO, GOOD TO SEE YOU GUYS
WHAT I'M REALLY LOOKING
1599
01:10:17,981 --> 01:10:19,992
WHAT I'M REALLY LOOKING
FORWARD TO THE MOST IS GETTING
1600
01:10:20,016 --> 01:10:23,095
FORWARD TO THE MOST IS GETTING
BACK ON STAGE, MAKING PEOPLE
1601
01:10:23,119 --> 01:10:24,396
BACK ON STAGE, MAKING PEOPLE
LAUGH, AND MAKING THEM FORGET
1602
01:10:24,420 --> 01:10:25,631
LAUGH, AND MAKING THEM FORGET
ABOUT ANYTHING BAD THAT HAPPENED
1603
01:10:25,655 --> 01:10:27,800
ABOUT ANYTHING BAD THAT HAPPENED
TO THEM THAT DAY AND REMIND THEM
1604
01:10:27,824 --> 01:10:28,901
TO THEM THAT DAY AND REMIND THEM
OF THE GREAT THINGS LIFE HAS TO
1605
01:10:28,925 --> 01:10:29,301
OF THE GREAT THINGS LIFE HAS TO
OFFER.
1606
01:10:29,325 --> 01:10:33,895
OFFER.
[ CHEERS AND APPLAUSE
1607
01:10:36,598 --> 01:10:41,614
"AGT" LIVE SHOWS, I GET IT.
JESUS.
1608
01:10:41,638 --> 01:10:44,683
JESUS.
THAT'S A LOT OF PINK
1609
01:10:44,707 --> 01:10:46,352
THAT'S A LOT OF PINK
CAN WE GET SOMETHING A LITTLE
1610
01:10:46,376 --> 01:10:48,120
CAN WE GET SOMETHING A LITTLE
LESS SUBTLE, PLEASE?
1611
01:10:48,144 --> 01:10:48,721
LESS SUBTLE, PLEASE?
THANK YOU.
1612
01:10:48,745 --> 01:10:50,222
THANK YOU.
SPEAKING OF SUBTLE, I WANT TO
1613
01:10:50,246 --> 01:10:51,924
SPEAKING OF SUBTLE, I WANT TO
THANK THE ART DEPARTMENT FOR
1614
01:10:51,948 --> 01:10:56,595
THANK THE ART DEPARTMENT FOR
THAT IMPECCABLE IMAGE OF MYSELF.
1615
01:10:56,619 --> 01:10:58,564
THAT IMPECCABLE IMAGE OF MYSELF.
HI, HEIDI, HOW ARE YOU
1616
01:10:58,588 --> 01:11:03,002
HI, HEIDI, HOW ARE YOU
WE HAVEN'T MET YET, THIS IS SO
1617
01:11:03,026 --> 01:11:03,435
WE HAVEN'T MET YET, THIS IS SO
EXCITING
1618
01:11:03,459 --> 01:11:04,603
EXCITING
Heidi: IS THERE A SWORD I
1619
01:11:04,627 --> 01:11:06,272
Heidi: IS THERE A SWORD I
HAVE TO PULL OUT OF YOUR THROAT?
1620
01:11:06,296 --> 01:11:07,740
HAVE TO PULL OUT OF YOUR THROAT?
NOT YET
1621
01:11:07,764 --> 01:11:09,541
NOT YET
IT'S A DECK OF CARD.
1622
01:11:09,565 --> 01:11:10,876
IT'S A DECK OF CARD.
IT'S NOT REALLY A TRICK, IT'S
1623
01:11:10,900 --> 01:11:12,144
IT'S NOT REALLY A TRICK, IT'S
MORE OF A STUNT.
1624
01:11:12,168 --> 01:11:12,978
MORE OF A STUNT.
I'M GOING TO SPREAD THE CARDS
1625
01:11:13,002 --> 01:11:14,247
I'M GOING TO SPREAD THE CARDS
OUT JUST LIKE THIS
1626
01:11:14,271 --> 01:11:16,215
OUT JUST LIKE THIS
WILL YOU PULL ONE OF THOSE CARDS
1627
01:11:16,239 --> 01:11:16,982
WILL YOU PULL ONE OF THOSE CARDS
TOWARDS YOURSELF
1628
01:11:17,006 --> 01:11:19,752
TOWARDS YOURSELF
YEP, RIGHT THERE
1629
01:11:19,776 --> 01:11:21,787
YEP, RIGHT THERE
LIKE I SAID, IT'S NOT A MAGIC
1630
01:11:21,811 --> 01:11:22,054
LIKE I SAID, IT'S NOT A MAGIC
TRICK.
1631
01:11:22,078 --> 01:11:23,756
TRICK.
YOU CAN SHOW THE CAMERA THE
1632
01:11:23,780 --> 01:11:25,291
YOU CAN SHOW THE CAMERA THE
CARD, I CAN SEE THE CARD, IT
1633
01:11:25,315 --> 01:11:26,558
CARD, I CAN SEE THE CARD, IT
DOESN'T MATTER
1634
01:11:26,582 --> 01:11:27,593
DOESN'T MATTER
THE SIX OF DIAMONDS.
1635
01:11:27,617 --> 01:11:27,993
THE SIX OF DIAMONDS.
ALL RIGHT.
1636
01:11:28,017 --> 01:11:29,628
ALL RIGHT.
I WANT YOU TO SIGN YOUR NAME
1637
01:11:29,652 --> 01:11:31,697
I WANT YOU TO SIGN YOUR NAME
ACROSS THE SIX OF DIAMONDS
1638
01:11:31,721 --> 01:11:32,297
ACROSS THE SIX OF DIAMONDS
JUST GIVE ME YOUR AUTOGRAPH
1639
01:11:32,321 --> 01:11:34,833
JUST GIVE ME YOUR AUTOGRAPH
RIGHT THERE.
1640
01:11:34,857 --> 01:11:35,434
RIGHT THERE.
PERFECT.
1641
01:11:35,458 --> 01:11:36,535
PERFECT.
NOW, THIS IS REALLY IMPORTANT.
1642
01:11:36,559 --> 01:11:40,005
NOW, THIS IS REALLY IMPORTANT.
WE'RE GOING TO PLACE THE CARD
1643
01:11:40,029 --> 01:11:43,075
WE'RE GOING TO PLACE THE CARD
ABOUT 18 CARDS INTO THE PACK
1644
01:11:43,099 --> 01:11:43,842
ABOUT 18 CARDS INTO THE PACK
YOU'LL SEE WHY THAT'S IMPORTANT
1645
01:11:43,866 --> 01:11:48,614
YOU'LL SEE WHY THAT'S IMPORTANT
IN JUST SECONDS.
1646
01:11:48,638 --> 01:11:48,947
IN JUST SECONDS.
PERFECT.
1647
01:11:48,971 --> 01:11:51,016
PERFECT.
YOU FOLLOW INSTRUCTIONS SO WELL.
1648
01:11:51,040 --> 01:11:53,452
YOU FOLLOW INSTRUCTIONS SO WELL.
SPEAKING OF FOLLOWING
1649
01:11:53,476 --> 01:11:54,053
SPEAKING OF FOLLOWING
INSTRUCTIONS...
1650
01:11:54,077 --> 01:11:55,521
INSTRUCTIONS...
Sofia: WHAT
1651
01:11:55,545 --> 01:11:57,323
Sofia: WHAT WHAT
WHAT >> HI, SOFIA
1652
01:11:57,347 --> 01:11:59,358
HI, SOFIA
WILL YOU PLEASE JOIN ME ONSTAGE?
1653
01:11:59,382 --> 01:12:01,060
WILL YOU PLEASE JOIN ME ONSTAGE?
EVERYONE GIVE HER A ROUND OF
1654
01:12:01,084 --> 01:12:03,162
EVERYONE GIVE HER A ROUND OF
APPLAUSE AS SOFIA JOINS ME
1655
01:12:03,186 --> 01:12:03,428
APPLAUSE AS SOFIA JOINS ME
ONSTAGE.
1656
01:12:03,452 --> 01:12:04,497
ONSTAGE.
YES, HURRY UP, COME ON
1657
01:12:04,521 --> 01:12:12,521
YES, HURRY UP, COME ON
[ APPLAUSE ]
1658
01:12:15,698 --> 01:12:19,712
[ APPLAUSE ]
YOU MAY REMEMBER, DURING MY
1659
01:12:19,736 --> 01:12:22,247
YOU MAY REMEMBER, DURING MY
AUDITION SOFIA ASSISTED ME
1660
01:12:22,271 --> 01:12:22,615
AUDITION SOFIA ASSISTED ME
ONSTAGE.
1661
01:12:22,639 --> 01:12:24,616
ONSTAGE.
YOU SCREWED IT UP.
1662
01:12:24,640 --> 01:12:26,352
YOU SCREWED IT UP.
BUT IT'S FINE, IT'S OKAY,
1663
01:12:26,376 --> 01:12:28,120
BUT IT'S FINE, IT'S OKAY,
BECAUSE TONIGHT IS YOUR CHANCE
1664
01:12:28,144 --> 01:12:29,322
BECAUSE TONIGHT IS YOUR CHANCE
FOR REDEMPTION
1665
01:12:29,346 --> 01:12:31,890
FOR REDEMPTION
I DIDN'T DO ANYTHING WRONG.
1666
01:12:31,914 --> 01:12:32,357
I DIDN'T DO ANYTHING WRONG.
STAND OVER THERE.
1667
01:12:32,381 --> 01:12:39,031
STAND OVER THERE.
STAND ON THE X
1668
01:12:39,055 --> 01:12:39,664
STAND ON THE X
TONIGHT THIS ACT IS NOT ABOUT
1669
01:12:39,688 --> 01:12:41,834
TONIGHT THIS ACT IS NOT ABOUT
ME
1670
01:12:41,858 --> 01:12:45,437
ME
THIS ACT IS ALL ABOUT YOU!
1671
01:12:45,461 --> 01:12:48,807
THIS ACT IS ALL ABOUT YOU!
THAT'S A NICE PICTURE, THANK
1672
01:12:48,831 --> 01:12:49,141
THAT'S A NICE PICTURE, THANK
YOU.
1673
01:12:49,165 --> 01:12:50,142
YOU.
IT WAS FIVE GRAND
1674
01:12:50,166 --> 01:12:51,076
IT WAS FIVE GRAND
I'M NOT KIDDING.
1675
01:12:51,100 --> 01:12:52,478
I'M NOT KIDDING.
I LIKE IT
1676
01:12:52,502 --> 01:12:55,114
I LIKE IT
IN A MINUTE, YOU'RE GOING TO
1677
01:12:55,138 --> 01:12:57,350
IN A MINUTE, YOU'RE GOING TO
BE SHOOTING THAT CROSSBOW
1678
01:12:57,374 --> 01:12:59,251
BE SHOOTING THAT CROSSBOW
DIRECTLY AT MY FACE.
1679
01:12:59,275 --> 01:13:00,486
DIRECTLY AT MY FACE.
Sofia: COME ON, COME ON
1680
01:13:00,510 --> 01:13:04,757
Sofia: COME ON, COME ON
STAND THERE, GO BACK, GO
1681
01:13:04,781 --> 01:13:05,257
STAND THERE, GO BACK, GO
BACK
1682
01:13:05,281 --> 01:13:07,259
BACK
Sofia: WHY CAN'T HE DO IT
1683
01:13:07,283 --> 01:13:08,327
Sofia: WHY CAN'T HE DO IT
YOU WILL SHOOT THE ARROW TO
1684
01:13:08,351 --> 01:13:15,667
YOU WILL SHOOT THE ARROW TO
FIND HEIDI'S CARD.
1685
01:13:15,691 --> 01:13:18,971
FIND HEIDI'S CARD.
Sofia: WHY CAN'T HEIDI?
1686
01:13:18,995 --> 01:13:22,941
Sofia: WHY CAN'T HEIDI?
Heidi: WHY CAN'T SHE STAND
1687
01:13:22,965 --> 01:13:24,176
Heidi: WHY CAN'T SHE STAND
HERE
1688
01:13:24,200 --> 01:13:24,877
HERE
BECAUSE YOU DIDN'T SCREW ME
1689
01:13:24,901 --> 01:13:29,915
BECAUSE YOU DIDN'T SCREW ME
OVER LAST TIME
1690
01:13:29,939 --> 01:13:31,383
OVER LAST TIME
I'M GOING TO BE STANDING ON THAT
1691
01:13:31,407 --> 01:13:31,816
I'M GOING TO BE STANDING ON THAT
X.
1692
01:13:31,840 --> 01:13:34,820
X.
THIS CROSSBOW IS EQUIPPED WITH A
1693
01:13:34,844 --> 01:13:35,754
THIS CROSSBOW IS EQUIPPED WITH A
LASER SIGHT.
1694
01:13:35,778 --> 01:13:37,790
LASER SIGHT.
YOU WILL AIM THE CROSSBOW AT THE
1695
01:13:37,814 --> 01:13:39,658
YOU WILL AIM THE CROSSBOW AT THE
CARDS IN MY MOUTH AND ON MY
1696
01:13:39,682 --> 01:13:41,360
CARDS IN MY MOUTH AND ON MY
SIGNAL, ONLY ON MY SIGNAL, YOU
1697
01:13:41,384 --> 01:13:43,228
SIGNAL, ONLY ON MY SIGNAL, YOU
WILL FIRMLY PULL THAT TRIGGER,
1698
01:13:43,252 --> 01:13:44,997
WILL FIRMLY PULL THAT TRIGGER,
SHOOTING AN ARROW ACROSS THAT
1699
01:13:45,021 --> 01:13:46,198
SHOOTING AN ARROW ACROSS THAT
STAGE INTO A PACK OF CARDS
1700
01:13:46,222 --> 01:13:46,631
STAGE INTO A PACK OF CARDS
DO YOU UNDERSTAND?
1701
01:13:46,655 --> 01:13:53,005
DO YOU UNDERSTAND?
Sofia: WHY ME
1702
01:13:53,029 --> 01:13:54,440
Sofia: WHY ME
YOU DON'T WANT TO DO THIS
1703
01:13:54,464 --> 01:13:55,107
YOU DON'T WANT TO DO THIS
Sofia: WHAT IF SOMETHING I DO
1704
01:13:55,131 --> 01:13:55,507
Sofia: WHAT IF SOMETHING I DO
WRONG?
1705
01:13:55,531 --> 01:14:00,312
WRONG?
I DIE
1706
01:14:00,336 --> 01:14:01,947
I DIE
Heidi: I HAVE ANOTHER
1707
01:14:01,971 --> 01:14:02,314
Heidi: I HAVE ANOTHER
QUESTION
1708
01:14:02,338 --> 01:14:04,583
QUESTION
WHERE DO I STAND WHILE THIS IS
1709
01:14:04,607 --> 01:14:05,117
WHERE DO I STAND WHILE THIS IS
HAPPENING?
1710
01:14:05,141 --> 01:14:05,951
HAPPENING?
WE HAVE FOUR MINUTES, I DON'T
1711
01:14:05,975 --> 01:14:07,553
WE HAVE FOUR MINUTES, I DON'T
HAVE TIME FOR YOUR QUESTIONS
1712
01:14:07,577 --> 01:14:10,122
HAVE TIME FOR YOUR QUESTIONS
Sofia: WHAT IS YOUR SIGNAL?
1713
01:14:10,146 --> 01:14:12,925
Sofia: WHAT IS YOUR SIGNAL?
I'M GOING TO YELL "FIRE."
1714
01:14:12,949 --> 01:14:13,792
I'M GOING TO YELL "FIRE."
Sofia: OKAY
1715
01:14:13,816 --> 01:14:14,493
Sofia: OKAY
LIKE RIGHT NOW
1716
01:14:14,517 --> 01:14:15,060
LIKE RIGHT NOW
NO.
1717
01:14:15,084 --> 01:14:15,527
NO.
NOT RIGHT NOW.
1718
01:14:15,551 --> 01:14:16,695
NOT RIGHT NOW.
WHEN YOU AIM
1719
01:14:16,719 --> 01:14:18,063
WHEN YOU AIM
LISTEN, I BELIEVE IN YOU, AS
1720
01:14:18,087 --> 01:14:19,765
LISTEN, I BELIEVE IN YOU, AS
LONG AS YOU JUST FOCUS AND DO
1721
01:14:19,789 --> 01:14:22,034
LONG AS YOU JUST FOCUS AND DO
WHAT I'M ASKING YOU TO DO,
1722
01:14:22,058 --> 01:14:23,469
WHAT I'M ASKING YOU TO DO,
EVERYTHING IS GOING TO BE OKAY
1723
01:14:23,493 --> 01:14:23,902
EVERYTHING IS GOING TO BE OKAY
Sofia: OKAY
1724
01:14:23,926 --> 01:14:24,303
Sofia: OKAY
I CAN DO IT.
1725
01:14:24,327 --> 01:14:28,407
I CAN DO IT.
I HOPE YOU CAN DO IT.
1726
01:14:28,431 --> 01:14:34,446
I HOPE YOU CAN DO IT.
SOFIA, RAISE THE CROSSBOW.
1727
01:14:34,470 --> 01:14:34,879
SOFIA, RAISE THE CROSSBOW.
ANY DAY NOW.
1728
01:14:34,903 --> 01:14:37,483
ANY DAY NOW.
NOT THERE.
1729
01:14:37,507 --> 01:14:38,250
NOT THERE.
Sofia: NO
1730
01:14:38,274 --> 01:14:40,519
Sofia: NO
NO.
1731
01:14:40,543 --> 01:14:41,253
NO.
A LITTLE HIGHER.
1732
01:14:41,277 --> 01:14:43,589
A LITTLE HIGHER.
Sofia: WAIT, NO, IT'S WRONG
1733
01:14:43,613 --> 01:14:44,623
Sofia: WAIT, NO, IT'S WRONG
YOU'RE FINE
1734
01:14:44,647 --> 01:14:46,358
YOU'RE FINE
OH, MY GOD
1735
01:14:46,382 --> 01:14:47,092
OH, MY GOD
Sofia: WAIT
1736
01:14:47,116 --> 01:14:48,994
Sofia: WAIT
THIS IS WHAT I'M PUSHING HERE?
1737
01:14:49,018 --> 01:14:49,628
THIS IS WHAT I'M PUSHING HERE?
YES
1738
01:14:49,652 --> 01:14:50,796
YES
THE TRIGGER, YES
1739
01:14:50,820 --> 01:14:51,163
THE TRIGGER, YES
BUT NOT YET.
1740
01:14:51,187 --> 01:14:54,633
BUT NOT YET.
HERE WE GO
1741
01:14:54,657 --> 01:14:56,469
HERE WE GO
AIM AT THE...
1742
01:14:56,493 --> 01:14:57,836
AIM AT THE...
Sofia: DO I HAVE TO LOOK?
1743
01:14:57,860 --> 01:14:59,638
Sofia: DO I HAVE TO LOOK?
YES, YOU HAVE TO LOOK AT THE
1744
01:14:59,662 --> 01:15:00,272
YES, YOU HAVE TO LOOK AT THE
RED DOT.
1745
01:15:00,296 --> 01:15:01,473
RED DOT.
Sofia: WAIT, WAIT
1746
01:15:01,497 --> 01:15:04,510
Sofia: WAIT, WAIT
THIS IS MOVING
1747
01:15:04,534 --> 01:15:04,876
THIS IS MOVING
OKAY
1748
01:15:04,900 --> 01:15:08,881
OKAY
I BEG YOU, I BEG YOU
1749
01:15:08,905 --> 01:15:09,448
I BEG YOU, I BEG YOU
FIRE!
1750
01:15:09,472 --> 01:15:13,585
FIRE!
Howie: HE SAID FIRE
1751
01:15:13,609 --> 01:15:14,086
Howie: HE SAID FIRE
Sofia: HE'S DEAD?
1752
01:15:14,110 --> 01:15:21,293
Sofia: HE'S DEAD?
HE'S DEAD?
1753
01:15:21,317 --> 01:15:29,317
HE'S DEAD?
[ COUGHING ]
1754
01:15:32,528 --> 01:15:33,972
[ COUGHING ]
Kelly: NO WAY
1755
01:15:33,996 --> 01:15:36,808
Kelly: NO WAY
NO WAY
1756
01:15:36,832 --> 01:15:39,912
NO WAY
Heidi: NO WAY
1757
01:15:39,936 --> 01:15:40,913
Heidi: NO WAY
HEIDI
1758
01:15:40,937 --> 01:15:41,914
HEIDI
YOU DON'T HAVE TO TOUCH IT, I
1759
01:15:41,938 --> 01:15:43,815
YOU DON'T HAVE TO TOUCH IT, I
DEFEAT IT, COVID
1760
01:15:43,839 --> 01:15:46,919
DEFEAT IT, COVID
IS THAT YOUR SIGNED CARD
1761
01:15:46,943 --> 01:15:47,586
IS THAT YOUR SIGNED CARD
Heidi: IT IS MY SIGNED CARD
1762
01:15:47,610 --> 01:15:55,610
Heidi: IT IS MY SIGNED CARD
[ APPLAUSE ]
1763
01:16:03,626 --> 01:16:10,108
[ APPLAUSE ]
Terry: BRETT LOUDERMILK
1764
01:16:10,132 --> 01:16:12,244
Terry: BRETT LOUDERMILK
HOWIE, WHAT DID YOU THINK?
1765
01:16:12,268 --> 01:16:13,612
HOWIE, WHAT DID YOU THINK?
Howie: LAST TIME WAS GREAT,
1766
01:16:13,636 --> 01:16:15,848
Howie: LAST TIME WAS GREAT,
USING SOFIA AND ALL OF US.
1767
01:16:15,872 --> 01:16:16,715
USING SOFIA AND ALL OF US.
THIS WAS EVEN GREATER.
1768
01:16:16,739 --> 01:16:18,016
THIS WAS EVEN GREATER.
IT LOOKED MORE DANGEROUS
1769
01:16:18,040 --> 01:16:19,418
IT LOOKED MORE DANGEROUS
IT WAS MORE MAGICAL.
1770
01:16:19,442 --> 01:16:21,486
IT WAS MORE MAGICAL.
IT WAS A LOT OF FUN.
1771
01:16:21,510 --> 01:16:22,521
IT WAS A LOT OF FUN.
AND IT LOOKED LIKE YOU WERE IN
1772
01:16:22,545 --> 01:16:24,022
AND IT LOOKED LIKE YOU WERE IN
MORE CONTROL THIS TIME THAN LAST
1773
01:16:24,046 --> 01:16:24,590
MORE CONTROL THIS TIME THAN LAST
TIME
1774
01:16:24,614 --> 01:16:25,057
TIME
SLIGHTLY.
1775
01:16:25,081 --> 01:16:25,791
SLIGHTLY.
Howie: YES.
1776
01:16:25,815 --> 01:16:26,358
Howie: YES.
SO GOOD LUCK
1777
01:16:26,382 --> 01:16:27,559
SO GOOD LUCK
IT'S GOING TO BE UP TO AMERICA,
1778
01:16:27,583 --> 01:16:29,628
IT'S GOING TO BE UP TO AMERICA,
BUT THAT WAS A GOOD JOB.
1779
01:16:29,652 --> 01:16:30,262
BUT THAT WAS A GOOD JOB.
THANK YOU
1780
01:16:30,286 --> 01:16:33,865
THANK YOU
Terry: KELLY.
1781
01:16:33,889 --> 01:16:38,270
Terry: KELLY.
Kelly: WHAT JUST HAPPENED
1782
01:16:38,294 --> 01:16:41,707
Kelly: WHAT JUST HAPPENED
A LITTLE BIT OF REDEMPTION.
1783
01:16:41,731 --> 01:16:43,241
A LITTLE BIT OF REDEMPTION.
Kelly: I WANTED TO SHOOT THE
1784
01:16:43,265 --> 01:16:44,677
Kelly: I WANTED TO SHOOT THE
CROSSBOW SO I'M A LITTLE UPSET
1785
01:16:44,701 --> 01:16:47,946
CROSSBOW SO I'M A LITTLE UPSET
BUT SECONDLY, I DON'T UNDERSTAND
1786
01:16:47,970 --> 01:16:48,414
BUT SECONDLY, I DON'T UNDERSTAND
HOW THAT HAPPENED.
1787
01:16:48,438 --> 01:16:50,349
HOW THAT HAPPENED.
I'M SO IN AWE RIGHT NOW.
1788
01:16:50,373 --> 01:16:54,720
I'M SO IN AWE RIGHT NOW.
HOW DID IT GET IN YOUR THROAT?
1789
01:16:54,744 --> 01:16:58,223
HOW DID IT GET IN YOUR THROAT?
IT'S A MAGIC TRICK.
1790
01:16:58,247 --> 01:17:00,592
IT'S A MAGIC TRICK.
Sofia: I'M THE ONE WHO DID
1791
01:17:00,616 --> 01:17:01,593
Sofia: I'M THE ONE WHO DID
IT
1792
01:17:01,617 --> 01:17:02,561
IT
Kelly: IT WAS SO
1793
01:17:02,585 --> 01:17:02,961
Kelly: IT WAS SO
ENTERTAINING
1794
01:17:02,985 --> 01:17:03,795
ENTERTAINING
I WOULD LOVE TO SEE A FULL SHOW
1795
01:17:03,819 --> 01:17:04,529
I WOULD LOVE TO SEE A FULL SHOW
OF YOU
1796
01:17:04,553 --> 01:17:06,865
OF YOU
I LOVE ANY KIND OF MAGIC
1797
01:17:06,889 --> 01:17:12,004
I LOVE ANY KIND OF MAGIC
YOU DID SUCH A GREAT JOB, WOW.
1798
01:17:12,028 --> 01:17:13,538
YOU DID SUCH A GREAT JOB, WOW.
Heidi: I'M JUST HAPPY IT CAME
1799
01:17:13,562 --> 01:17:19,144
Heidi: I'M JUST HAPPY IT CAME
OUT BY HIMSELF, WITH CORONA THE
1800
01:17:19,168 --> 01:17:21,913
OUT BY HIMSELF, WITH CORONA THE
HEIMLICH WOULD NOT HAVE BEEN
1801
01:17:21,937 --> 01:17:22,080
HEIMLICH WOULD NOT HAVE BEEN
GOOD
1802
01:17:22,104 --> 01:17:26,218
GOOD
Terry: SOFIA, YOU WERE
1803
01:17:26,242 --> 01:17:26,719
Terry: SOFIA, YOU WERE
ONSTAGE, YOU SAW IT.
1804
01:17:26,743 --> 01:17:27,953
ONSTAGE, YOU SAW IT.
Sofia: I THOUGHT IT WAS
1805
01:17:27,977 --> 01:17:28,787
Sofia: I THOUGHT IT WAS
SPECTACULAR, THE BOW AND
1806
01:17:28,811 --> 01:17:30,188
SPECTACULAR, THE BOW AND
EVERYTHING I DID, I'M WONDERING,
1807
01:17:30,212 --> 01:17:33,125
EVERYTHING I DID, I'M WONDERING,
WHAT WILL YOU DO WHEN I'M NOT
1808
01:17:33,149 --> 01:17:33,525
WHAT WILL YOU DO WHEN I'M NOT
AVAILABLE?
1809
01:17:33,549 --> 01:17:35,227
AVAILABLE?
HOW WILL THIS SHOW BE WITHOUT
1810
01:17:35,251 --> 01:17:35,494
HOW WILL THIS SHOW BE WITHOUT
ME
1811
01:17:35,518 --> 01:17:36,828
ME
BECAUSE THIS IS MY REAL JOB, I
1812
01:17:36,852 --> 01:17:37,429
BECAUSE THIS IS MY REAL JOB, I
CAN'T BE IN VEGAS ALL THE TIME
1813
01:17:37,453 --> 01:17:40,899
CAN'T BE IN VEGAS ALL THE TIME
WHEN YOU NEED ME
1814
01:17:40,923 --> 01:17:43,969
WHEN YOU NEED ME
I THINK IT WAS GREAT
1815
01:17:43,993 --> 01:17:47,372
I THINK IT WAS GREAT
I COULDN'T REALLY SEE BECAUSE I
1816
01:17:47,396 --> 01:17:48,607
I COULDN'T REALLY SEE BECAUSE I
CLOSED MY EYES BECAUSE I DIDN'T
1817
01:17:48,631 --> 01:17:50,843
CLOSED MY EYES BECAUSE I DIDN'T
WANT TO SEE YOU WHEN YOU DIED.
1818
01:17:50,867 --> 01:17:53,746
WANT TO SEE YOU WHEN YOU DIED.
BUT I THINK IT WAS SPECTACULAR
1819
01:17:53,770 --> 01:17:55,347
BUT I THINK IT WAS SPECTACULAR
THANK YOU
1820
01:17:55,371 --> 01:17:58,283
THANK YOU
FABULOUS JOB, BRETT,
1821
01:17:58,307 --> 01:17:58,851
FABULOUS JOB, BRETT,
FABULOUS, FABULOUS JOB
1822
01:17:58,875 --> 01:18:00,085
FABULOUS, FABULOUS JOB
GOOD LUCK TONIGHT.
1823
01:18:00,109 --> 01:18:01,654
GOOD LUCK TONIGHT.
EVERY VOTE COUNTS, SO GET BUSY
1824
01:18:01,678 --> 01:18:02,754
EVERY VOTE COUNTS, SO GET BUSY
YOU CAN VOTE UP TO 10 TIMES FOR
1825
01:18:02,778 --> 01:18:04,322
YOU CAN VOTE UP TO 10 TIMES FOR
EACH ACT, WITH EACH VOTING
1826
01:18:04,346 --> 01:18:05,924
EACH ACT, WITH EACH VOTING
METHOD
1827
01:18:05,948 --> 01:18:06,959
METHOD
AFTER THE BREAK, OUR LAST ACT
1828
01:18:06,983 --> 01:18:08,560
AFTER THE BREAK, OUR LAST ACT
OF THE NIGHT
1829
01:18:08,584 --> 01:18:09,227
OF THE NIGHT
WE'RE GONNA HAVE TO WAIT JUST A
1830
01:18:09,251 --> 01:18:11,263
WE'RE GONNA HAVE TO WAIT JUST A
COUPLE OF MINUTES.
1831
01:18:11,287 --> 01:18:14,966
COUPLE OF MINUTES.
HE'S HAD TO WAIT 37 YEARS TO
1832
01:18:14,990 --> 01:18:16,034
HE'S HAD TO WAIT 37 YEARS TO
LIVE HIS LIFE.
1833
01:18:16,058 --> 01:18:18,626
LIVE HIS LIFE.
STAY RIGHT THERE
1834
01:18:34,442 --> 01:18:36,488
Terry: OKAY
HERE'S OUR LAST ACT TONIGHT.
1835
01:18:36,512 --> 01:18:37,889
HERE'S OUR LAST ACT TONIGHT.
THIS SINGER HAS ALREADY FACED
1836
01:18:37,913 --> 01:18:41,193
THIS SINGER HAS ALREADY FACED
JUST ABOUT THE TOUGHEST BREAK
1837
01:18:41,217 --> 01:18:44,362
JUST ABOUT THE TOUGHEST BREAK
THE WORLD CAN THROW AT A GUY, AS
1838
01:18:44,386 --> 01:18:45,363
THE WORLD CAN THROW AT A GUY, AS
THINGS ARE STARTING TO GO HIS
1839
01:18:45,387 --> 01:18:45,497
THINGS ARE STARTING TO GO HIS
WAY.
1840
01:18:45,521 --> 01:18:53,521
WAY.
HERE IS ARCHIE WILLIAMS.
1841
01:19:00,903 --> 01:19:03,415
HERE IS ARCHIE WILLIAMS.
DEAR MR. BARRY.
1842
01:19:03,439 --> 01:19:05,684
DEAR MR. BARRY.
MY NAME IS ARCHIE WILLIAMS
1843
01:19:05,708 --> 01:19:08,720
MY NAME IS ARCHIE WILLIAMS
I'M SERVING AN INSTANCE FOR A
1844
01:19:08,744 --> 01:19:09,955
I'M SERVING AN INSTANCE FOR A
RAPE AND ATTEMPTED MURDER THAT I
1845
01:19:09,979 --> 01:19:11,423
RAPE AND ATTEMPTED MURDER THAT I
KNOW I DIDN'T COMMIT
1846
01:19:11,447 --> 01:19:13,158
KNOW I DIDN'T COMMIT
AS THE YEARS GO BY, I SIT HERE
1847
01:19:13,182 --> 01:19:14,526
AS THE YEARS GO BY, I SIT HERE
YEAR AFTER YEAR.
1848
01:19:14,550 --> 01:19:16,294
YEAR AFTER YEAR.
IT'S LIKE NO ONE CARES
1849
01:19:16,318 --> 01:19:17,362
IT'S LIKE NO ONE CARES
YOU HAVE NO OUTSIDE HELP
1850
01:19:17,386 --> 01:19:21,066
YOU HAVE NO OUTSIDE HELP
PEOPLE LET YOU DOWN AND GIVE UP
1851
01:19:21,090 --> 01:19:21,967
PEOPLE LET YOU DOWN AND GIVE UP
ON YOU
1852
01:19:21,991 --> 01:19:22,768
ON YOU
THEN ALL YOU HAVE IS PRISON
1853
01:19:22,792 --> 01:19:29,775
THEN ALL YOU HAVE IS PRISON
LIFE
1854
01:19:29,799 --> 01:19:31,209
LIFE
I'VE BEEN HERE IN LOUISIANA
1855
01:19:31,233 --> 01:19:34,079
I'VE BEEN HERE IN LOUISIANA
STATE PRISON FOR 12 YEARS.
1856
01:19:34,103 --> 01:19:35,781
STATE PRISON FOR 12 YEARS.
I'VE MAILED TO MANY PLACES BUT
1857
01:19:35,805 --> 01:19:36,882
I'VE MAILED TO MANY PLACES BUT
NO ONE RESPONDS.
1858
01:19:36,906 --> 01:19:37,615
NO ONE RESPONDS.
I'M TRYING SO HARD BECAUSE I
1859
01:19:37,639 --> 01:19:45,639
I'M TRYING SO HARD BECAUSE I
KNOW I'M INNOCENT.
1860
01:19:48,384 --> 01:19:49,795
KNOW I'M INNOCENT.
I KNOW PEOPLE MUST WRITE YOU ALL
1861
01:19:49,819 --> 01:19:51,730
I KNOW PEOPLE MUST WRITE YOU ALL
THE TIME BUT IF YOU CAN FIND IT
1862
01:19:51,754 --> 01:19:53,165
THE TIME BUT IF YOU CAN FIND IT
IN YOUR HEART, I WOULD
1863
01:19:53,189 --> 01:19:54,666
IN YOUR HEART, I WOULD
APPRECIATE ALL THE HELP YOU CAN
1864
01:19:54,690 --> 01:19:55,267
APPRECIATE ALL THE HELP YOU CAN
GIVE
1865
01:19:55,291 --> 01:19:56,969
GIVE
HERE ARE SOME OF THE CLOSING
1866
01:19:56,993 --> 01:19:57,969
HERE ARE SOME OF THE CLOSING
ARGUMENTS IN MY CASE
1867
01:19:57,993 --> 01:20:00,071
ARGUMENTS IN MY CASE
MR. WILLIAMS, IF CONVICTED, WILL
1868
01:20:00,095 --> 01:20:02,875
MR. WILLIAMS, IF CONVICTED, WILL
NEVER GO HOME AGAIN.
1869
01:20:02,899 --> 01:20:04,743
NEVER GO HOME AGAIN.
EVERY MAN IS PRESUMED INNOCENT
1870
01:20:04,767 --> 01:20:05,777
EVERY MAN IS PRESUMED INNOCENT
UNTIL PROVEN GUILTY.
1871
01:20:05,801 --> 01:20:07,145
UNTIL PROVEN GUILTY.
IT WOULD BE A TRAVESTY AND A
1872
01:20:07,169 --> 01:20:09,548
IT WOULD BE A TRAVESTY AND A
DANGER TO CONVICT THE WRONG MAN.
1873
01:20:09,572 --> 01:20:14,786
DANGER TO CONVICT THE WRONG MAN.
MR. WILLIAMS IS NOT THE RIGHT
1874
01:20:14,810 --> 01:20:15,020
MR. WILLIAMS IS NOT THE RIGHT
MAN.
1875
01:20:15,044 --> 01:20:15,553
MAN.
THANK YOU.
1876
01:20:15,577 --> 01:20:23,577
THANK YOU.
ARCHIE WILLIAMS.
1877
01:20:45,073 --> 01:20:49,054
MAKE I
♪ IT'S YOUR FRIENDLY ANNOUNCER,
1878
01:20:49,078 --> 01:20:53,525
♪ IT'S YOUR FRIENDLY ANNOUNCER,
I HAVE NEWS TO PASS ON TO
1879
01:20:53,549 --> 01:20:54,459
I HAVE NEWS TO PASS ON TO
EVERYBODY ♪
1880
01:20:54,483 --> 01:21:02,483
EVERYBODY ♪
♪ WHAT I'M ABOUT TO SAY COULD
1881
01:21:03,092 --> 01:21:05,604
♪ WHAT I'M ABOUT TO SAY COULD
MEAN A WORLD DISASTER, COULD
1882
01:21:05,628 --> 01:21:11,710
MEAN A WORLD DISASTER, COULD
CHANGE YOUR JOY AND LAUGHTER TO
1883
01:21:11,734 --> 01:21:13,812
CHANGE YOUR JOY AND LAUGHTER TO
TEARS AND PAIN ♪
1884
01:21:13,836 --> 01:21:21,836
TEARS AND PAIN ♪
♪ YOU KNOW THAT LOVE IN NEED OF
1885
01:21:25,314 --> 01:21:28,860
♪ YOU KNOW THAT LOVE IN NEED OF
LOVE TODAY ♪
1886
01:21:28,884 --> 01:21:33,165
LOVE TODAY ♪
♪ DON'T DELAY, SEND YOURS IN
1887
01:21:33,189 --> 01:21:38,203
♪ DON'T DELAY, SEND YOURS IN
RIGHT AWAY ♪
1888
01:21:38,227 --> 01:21:46,227
RIGHT AWAY ♪
♪ HATE GOIN' ROUND IN MANY
1889
01:21:47,369 --> 01:21:50,081
♪ HATE GOIN' ROUND IN MANY
HEARTS ♪
1890
01:21:50,105 --> 01:21:56,454
HEARTS ♪
♪ STOP BEFORE IT'S GONE TOO
1891
01:21:56,478 --> 01:21:59,557
♪ STOP BEFORE IT'S GONE TOO
FAR ♪
1892
01:21:59,581 --> 01:22:07,581
FAR ♪
♪ EVER THINK THAT LOVE WOULD BE
1893
01:22:10,292 --> 01:22:11,169
♪ EVER THINK THAT LOVE WOULD BE
IN LOVE TODAY ♪
1894
01:22:11,193 --> 01:22:16,207
IN LOVE TODAY ♪
♪ WE GOT TO, WE GOT TO SEND
1895
01:22:16,231 --> 01:22:19,911
♪ WE GOT TO, WE GOT TO SEND
YOURS IN RIGHT AWAY ♪
1896
01:22:19,935 --> 01:22:22,981
YOURS IN RIGHT AWAY ♪
♪ BECAUSE HATE'S GOING ROUND,
1897
01:22:23,005 --> 01:22:26,985
♪ BECAUSE HATE'S GOING ROUND,
HATE'S GOING ROUND, HATE'S GOING
1898
01:22:27,009 --> 01:22:31,623
HATE'S GOING ROUND, HATE'S GOING
ROUND, BREAKING MANY HEARTS ♪
1899
01:22:31,647 --> 01:22:37,028
ROUND, BREAKING MANY HEARTS ♪
♪ STOP IT, PLEASE, BEFORE IT'S
1900
01:22:37,052 --> 01:22:45,052
♪ STOP IT, PLEASE, BEFORE IT'S
GONE TOO FAR ♪
1901
01:22:47,162 --> 01:22:55,162
GONE TOO FAR ♪
♪ LOVE IN NEED OF LOVE TODAY ♪
1902
01:22:59,274 --> 01:22:59,784
♪ LOVE IN NEED OF LOVE TODAY ♪
THANK YOU
1903
01:22:59,808 --> 01:23:07,808
THANK YOU
[ CHEERS AND APPLAUSE
1904
01:23:11,186 --> 01:23:15,300
[ CHEERS AND APPLAUSE
Terry: ARCHIE WILLIAMS.
1905
01:23:15,324 --> 01:23:16,668
Terry: ARCHIE WILLIAMS.
SOFIA.
1906
01:23:16,692 --> 01:23:17,402
SOFIA.
Sofia: SPECTACULAR.
1907
01:23:17,426 --> 01:23:19,604
Sofia: SPECTACULAR.
I MEAN, YOU DESERVE THIS MORE
1908
01:23:19,628 --> 01:23:20,205
I MEAN, YOU DESERVE THIS MORE
THAN ANYONE.
1909
01:23:20,229 --> 01:23:21,639
THAN ANYONE.
I HOPE THAT THE PEOPLE VOTE FOR
1910
01:23:21,663 --> 01:23:21,773
I HOPE THAT THE PEOPLE VOTE FOR
YOU.
1911
01:23:21,797 --> 01:23:27,012
YOU.
YOU DESERVE THIS
1912
01:23:27,036 --> 01:23:28,313
YOU DESERVE THIS
Terry: HEIDI.
1913
01:23:28,337 --> 01:23:31,883
Terry: HEIDI.
Heidi: I MEAN, THIS STEVIE
1914
01:23:31,907 --> 01:23:33,084
Heidi: I MEAN, THIS STEVIE
WONDER SONG MIXED WITH YOUR
1915
01:23:33,108 --> 01:23:34,586
WONDER SONG MIXED WITH YOUR
STORY, YOUR VOICE.
1916
01:23:34,610 --> 01:23:35,820
STORY, YOUR VOICE.
I CAN FEEL ALL THE PAIN THAT
1917
01:23:35,844 --> 01:23:36,788
I CAN FEEL ALL THE PAIN THAT
YOU'VE GONE THROUGH.
1918
01:23:36,812 --> 01:23:38,456
YOU'VE GONE THROUGH.
AND THOSE WORDS COULD NOT BE
1919
01:23:38,480 --> 01:23:39,491
AND THOSE WORDS COULD NOT BE
MORE PERFECT AT THIS TIME RIGHT
1920
01:23:39,515 --> 01:23:39,891
MORE PERFECT AT THIS TIME RIGHT
NOW.
1921
01:23:39,915 --> 01:23:42,227
NOW.
WE NEED MORE LOVE AND LESS HATE.
1922
01:23:42,251 --> 01:23:45,030
WE NEED MORE LOVE AND LESS HATE.
IT COULDN'T BE MORE PERFECT.
1923
01:23:45,054 --> 01:23:45,730
IT COULDN'T BE MORE PERFECT.
AND THANK YOU FOR THAT
1924
01:23:45,754 --> 01:23:51,503
AND THANK YOU FOR THAT
THANK YOU FOR BEING HERE
1925
01:23:51,527 --> 01:23:52,904
THANK YOU FOR BEING HERE
Terry: KELLY.
1926
01:23:52,928 --> 01:23:54,973
Terry: KELLY.
Kelly: I MEAN, FIRST OF ALL,
1927
01:23:54,997 --> 01:23:55,440
Kelly: I MEAN, FIRST OF ALL,
THANK YOU SO MUCH.
1928
01:23:55,464 --> 01:23:56,408
THANK YOU SO MUCH.
THAT WAS JUST A BEAUTIFUL
1929
01:23:56,432 --> 01:23:56,741
THAT WAS JUST A BEAUTIFUL
PERFORMANCE.
1930
01:23:56,765 --> 01:23:59,477
PERFORMANCE.
I KNOW YOUR STORY IS
1931
01:23:59,501 --> 01:24:01,413
I KNOW YOUR STORY IS
INCREDIBLY... IT'S AN INCREDIBLE
1932
01:24:01,437 --> 01:24:02,414
INCREDIBLY... IT'S AN INCREDIBLE
TESTIMONY, HONESTLY.
1933
01:24:02,438 --> 01:24:03,481
TESTIMONY, HONESTLY.
IT'S POWERFUL.
1934
01:24:03,505 --> 01:24:05,283
IT'S POWERFUL.
BUT I DON'T WANT THAT TO
1935
01:24:05,307 --> 01:24:06,484
BUT I DON'T WANT THAT TO
OVERSHADOW THE BEAUTIFUL GIFT
1936
01:24:06,508 --> 01:24:07,619
OVERSHADOW THE BEAUTIFUL GIFT
THAT YOU HAVE TOO.
1937
01:24:07,643 --> 01:24:09,587
THAT YOU HAVE TOO.
YOUR TONE IS SO COOL
1938
01:24:09,611 --> 01:24:11,256
YOUR TONE IS SO COOL
AND IT WAS JUST A BLESSING TO BE
1939
01:24:11,280 --> 01:24:13,024
AND IT WAS JUST A BLESSING TO BE
ABLE TO HEAR SUCH A STORYTELLER.
1940
01:24:13,048 --> 01:24:15,026
ABLE TO HEAR SUCH A STORYTELLER.
THOSE ARE MY FAVORITE KIND OF
1941
01:24:15,050 --> 01:24:16,528
THOSE ARE MY FAVORITE KIND OF
SINGERS, MAN, AND YOU DID A
1942
01:24:16,552 --> 01:24:17,862
SINGERS, MAN, AND YOU DID A
REALLY GREAT JOB, I HOPE
1943
01:24:17,886 --> 01:24:19,597
REALLY GREAT JOB, I HOPE
EVERYBODY VOTES FOR YOU TONIGHT.
1944
01:24:19,621 --> 01:24:20,465
EVERYBODY VOTES FOR YOU TONIGHT.
Terry: HOWIE.
1945
01:24:20,489 --> 01:24:21,633
Terry: HOWIE.
Howie: I AGREE WITH WHAT
1946
01:24:21,657 --> 01:24:22,600
Howie: I AGREE WITH WHAT
EVERYBODY IS SAYING.
1947
01:24:22,624 --> 01:24:24,969
EVERYBODY IS SAYING.
YOU DON'T SING TO US, IT'S LIKE
1948
01:24:24,993 --> 01:24:26,704
YOU DON'T SING TO US, IT'S LIKE
YOU PREACH TO US
1949
01:24:26,728 --> 01:24:28,139
YOU PREACH TO US
YOUR WORDS MEAN SO MUCH MORE
1950
01:24:28,163 --> 01:24:30,375
YOUR WORDS MEAN SO MUCH MORE
THAN EVEN THE LYRICS AND THE WAY
1951
01:24:30,399 --> 01:24:31,342
THAN EVEN THE LYRICS AND THE WAY
YOU SING IT.
1952
01:24:31,366 --> 01:24:32,544
YOU SING IT.
AND TO HAVE ENDURED WHAT YOU DO,
1953
01:24:32,568 --> 01:24:36,347
AND TO HAVE ENDURED WHAT YOU DO,
YOU KNOW YOU'RE AN INSPIRATION
1954
01:24:36,371 --> 01:24:37,615
YOU KNOW YOU'RE AN INSPIRATION
I THINK YOU DESERVE... THE FACT
1955
01:24:37,639 --> 01:24:40,051
I THINK YOU DESERVE... THE FACT
THAT THE FIRST FREEDOM THAT YOU
1956
01:24:40,075 --> 01:24:42,220
THAT THE FIRST FREEDOM THAT YOU
HAD YOU DECIDED TO SHARE ON OUR
1957
01:24:42,244 --> 01:24:43,354
HAD YOU DECIDED TO SHARE ON OUR
STAGE, I CAN'T THANK YOU ENOUGH.
1958
01:24:43,378 --> 01:24:44,856
STAGE, I CAN'T THANK YOU ENOUGH.
ONLY FIVE ARE GOING THROUGH, YOU
1959
01:24:44,880 --> 01:24:47,859
ONLY FIVE ARE GOING THROUGH, YOU
DESERVE IT, ARCHIE, MORE THAN
1960
01:24:47,883 --> 01:24:48,259
DESERVE IT, ARCHIE, MORE THAN
ANYBODY.
1961
01:24:48,283 --> 01:24:50,061
ANYBODY.
Terry: ARCHIE WILLIAMS, GOOD
1962
01:24:50,085 --> 01:24:51,863
Terry: ARCHIE WILLIAMS, GOOD
LUCK TONIGHT, ARCHIE
1963
01:24:51,887 --> 01:24:54,365
LUCK TONIGHT, ARCHIE
COME ON, ARCHIE NEEDS YOUR
1964
01:24:54,389 --> 01:24:54,833
COME ON, ARCHIE NEEDS YOUR
VOTES.
1965
01:24:54,857 --> 01:24:57,435
VOTES.
VOTING IS OPEN NOW AND STAYS
1966
01:24:57,459 --> 01:24:59,504
VOTING IS OPEN NOW AND STAYS
OPEN UNTIL 7:00 A.M. EASTERN
1967
01:24:59,528 --> 01:25:00,071
OPEN UNTIL 7:00 A.M. EASTERN
TOMORROW
1968
01:25:00,095 --> 01:25:01,172
TOMORROW
OVER TO YOU.
1969
01:25:01,196 --> 01:25:03,374
OVER TO YOU.
IT'S PICK FIVE FOR THE
1970
01:25:03,398 --> 01:25:05,176
IT'S PICK FIVE FOR THE
SEMIFINALS
1971
01:25:05,200 --> 01:25:08,146
SEMIFINALS
THE RESULTS SHOW TOMORROW.
1972
01:25:08,170 --> 01:25:12,984
THE RESULTS SHOW TOMORROW.
MATT FRANCO AND KODI LEE
1973
01:25:13,008 --> 01:25:15,286
MATT FRANCO AND KODI LEE
"WORLD OF DANCE" SEMIFINALS ARE
1974
01:25:15,310 --> 01:25:15,486
"WORLD OF DANCE" SEMIFINALS ARE
NEXT
1975
01:25:15,510 --> 01:25:15,853
NEXT
I AM TERRY CREWS
1976
01:25:15,877 --> 01:25:18,145
I AM TERRY CREWS
GOOD NIGHT, AMERICA.
157928
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