All language subtitles for Americas.Got.Talent.S15E11.1080p.WEB.H264-BLACKHAT_Subtitles01.ENG

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,202 --> 00:00:08,073 ♪ 2 00:00:10,910 --> 00:00:16,493 WE'RE GOING INTO A NEW ERA AND SOMETIMES WHEN YOU'RE FORCED 3 00:00:16,517 --> 00:00:17,861 AND SOMETIMES WHEN YOU'RE FORCED TO CHANGE, A LOT OF BEAUTIFUL 4 00:00:17,885 --> 00:00:19,963 TO CHANGE, A LOT OF BEAUTIFUL THINGS HAPPEN WITH THAT AS WELL. 5 00:00:19,987 --> 00:00:22,298 THINGS HAPPEN WITH THAT AS WELL. IT'S GOING TO BE SO 6 00:00:22,322 --> 00:00:22,632 IT'S GOING TO BE SO DIFFERENT. 7 00:00:22,656 --> 00:00:25,201 DIFFERENT. THE CONTESTANTS ARE READY. 8 00:00:25,225 --> 00:00:26,970 THE CONTESTANTS ARE READY. IN THE REGULAR WORLD IT'S SO 9 00:00:26,994 --> 00:00:28,905 IN THE REGULAR WORLD IT'S SO HARD TO BALANCE. 10 00:00:28,929 --> 00:00:29,939 HARD TO BALANCE. IN THIS WORLD, ON THIS SHOW, 11 00:00:29,963 --> 00:00:32,709 IN THIS WORLD, ON THIS SHOW, NOW, ANYTHING CAN HAPPEN 12 00:00:32,733 --> 00:00:40,733 NOW, ANYTHING CAN HAPPEN [ CHEERS AND APPLAUSE 13 00:00:42,076 --> 00:00:44,154 [ CHEERS AND APPLAUSE I FEEL LIKE THIS IS MY TIME 14 00:00:44,178 --> 00:00:45,722 I FEEL LIKE THIS IS MY TIME THIS IS SO BIG. 15 00:00:45,746 --> 00:00:51,494 THIS IS SO BIG. THIS COULD CHANGE MY LIFE 16 00:00:51,518 --> 00:00:51,895 THIS COULD CHANGE MY LIFE FOREVER. 17 00:00:51,919 --> 00:00:55,732 FOREVER. FOR US, MAKING IT TO THE NEXT 18 00:00:55,756 --> 00:00:57,734 FOR US, MAKING IT TO THE NEXT ROUND MEANS EVERYTHING WE'VE 19 00:00:57,758 --> 00:00:58,835 ROUND MEANS EVERYTHING WE'VE WANTED OUR ENTIRE LIFE 20 00:00:58,859 --> 00:00:59,803 WANTED OUR ENTIRE LIFE IT'S SHOWTIME 21 00:00:59,827 --> 00:01:01,905 IT'S SHOWTIME I FEEL SO EXCITED 22 00:01:01,929 --> 00:01:04,841 I FEEL SO EXCITED I'M READY TO STEP ON THAT "AGT" 23 00:01:04,865 --> 00:01:06,776 I'M READY TO STEP ON THAT "AGT" STAGE AND SHOW AMERICA WHAT I 24 00:01:06,800 --> 00:01:07,043 STAGE AND SHOW AMERICA WHAT I HAVE 25 00:01:07,067 --> 00:01:07,811 HAVE HERE WE GO. 26 00:01:07,835 --> 00:01:09,079 HERE WE GO. WHAT'S UP, Y'ALL 27 00:01:09,103 --> 00:01:09,478 WHAT'S UP, Y'ALL WHAT'S UP? 28 00:01:09,502 --> 00:01:14,050 WHAT'S UP? OH, MAN. 29 00:01:14,074 --> 00:01:14,317 OH, MAN. WOO. 30 00:01:14,341 --> 00:01:15,352 WOO. ALL RIGHT. 31 00:01:15,376 --> 00:01:15,685 ALL RIGHT. YOU READY? 32 00:01:15,709 --> 00:01:19,622 YOU READY? LET'S MAKE IT HAPPEN 33 00:01:19,646 --> 00:01:21,224 LET'S MAKE IT HAPPEN Announcer: LIVE FROM 34 00:01:21,248 --> 00:01:24,928 Announcer: LIVE FROM UNIVERSAL STUDIOS HOLLYWOOD, 35 00:01:24,952 --> 00:01:32,836 UNIVERSAL STUDIOS HOLLYWOOD, IT'S "AMERICA'S GOT TALENT"! 36 00:01:32,860 --> 00:01:38,608 IT'S "AMERICA'S GOT TALENT"! HERE'S YOUR HOST, TERRY CREWS. 37 00:01:38,632 --> 00:01:46,632 HERE'S YOUR HOST, TERRY CREWS. [ CHEERS AND APPLAUSE 38 00:01:54,515 --> 00:01:54,991 [ CHEERS AND APPLAUSE Terry: WOO! 39 00:01:55,015 --> 00:01:55,725 Terry: WOO! HELLO AMERICA, AND 40 00:01:55,749 --> 00:01:57,293 HELLO AMERICA, AND HELLO WORLD. 41 00:01:57,317 --> 00:01:58,895 HELLO WORLD. YES, WE GOT PEOPLE WATCHING 42 00:01:58,919 --> 00:02:02,165 YES, WE GOT PEOPLE WATCHING EVERYWHERE 43 00:02:02,189 --> 00:02:10,189 EVERYWHERE LOOK AT ALL THESE FACES. 44 00:02:11,899 --> 00:02:13,076 LOOK AT ALL THESE FACES. THIS IS GONNA BE LIKE NOTHING 45 00:02:13,100 --> 00:02:14,711 THIS IS GONNA BE LIKE NOTHING YOU'VE EVER SEEN IN 15 YEARS OF 46 00:02:14,735 --> 00:02:16,813 YOU'VE EVER SEEN IN 15 YEARS OF "AGT." 47 00:02:16,837 --> 00:02:17,881 "AGT." OF COURSE, WE'RE GONNA HAVE ACTS 48 00:02:17,905 --> 00:02:18,915 OF COURSE, WE'RE GONNA HAVE ACTS RIGHT HERE ON OUR STAGE. 49 00:02:18,939 --> 00:02:21,618 RIGHT HERE ON OUR STAGE. BUT WE ARE AT UNIVERSAL STUDIOS, 50 00:02:21,642 --> 00:02:22,685 BUT WE ARE AT UNIVERSAL STUDIOS, SO WE'RE GONNA HAVE ACTS OUT AND 51 00:02:22,709 --> 00:02:24,821 SO WE'RE GONNA HAVE ACTS OUT AND ABOUT, PERFORMING ALL OVER THE 52 00:02:24,845 --> 00:02:26,389 ABOUT, PERFORMING ALL OVER THE LOT. 53 00:02:26,413 --> 00:02:27,991 LOT. LIKE IN A NEW YORK STREET, OR 54 00:02:28,015 --> 00:02:29,058 LIKE IN A NEW YORK STREET, OR GOING BACK IN TIME TO THE WILD 55 00:02:29,082 --> 00:02:32,262 GOING BACK IN TIME TO THE WILD WEST 56 00:02:32,286 --> 00:02:33,830 WEST THIS IS GONNA BE SO COOL 57 00:02:33,854 --> 00:02:35,431 THIS IS GONNA BE SO COOL AND ON TOP OF THAT, WE ARE GOING 58 00:02:35,455 --> 00:02:37,066 AND ON TOP OF THAT, WE ARE GOING INTERNATIONAL, WITH ACTS BEAMING 59 00:02:37,090 --> 00:02:38,635 INTERNATIONAL, WITH ACTS BEAMING IN VIA SATELLITE FROM ALL AROUND 60 00:02:38,659 --> 00:02:41,804 IN VIA SATELLITE FROM ALL AROUND THE WORLD. 61 00:02:41,828 --> 00:02:43,439 THE WORLD. SO FAR, THE GOAL FOR THE ACTS 62 00:02:43,463 --> 00:02:44,975 SO FAR, THE GOAL FOR THE ACTS HAS BEEN TO MAKE IT TO THESE 63 00:02:44,999 --> 00:02:46,609 HAS BEEN TO MAKE IT TO THESE LIVE SHOWS. 64 00:02:46,633 --> 00:02:47,644 LIVE SHOWS. WELL, THEY'RE HERE AND THE 65 00:02:47,668 --> 00:02:49,245 WELL, THEY'RE HERE AND THE GOALPOSTS JUST MOVED 66 00:02:49,269 --> 00:02:51,348 GOALPOSTS JUST MOVED NOW, THEY GOTTA WIN. 67 00:02:51,372 --> 00:02:52,949 NOW, THEY GOTTA WIN. AND THE PRIZE IS THE BIGGEST 68 00:02:52,973 --> 00:02:55,618 AND THE PRIZE IS THE BIGGEST PRIZE ON TV... 69 00:02:55,642 --> 00:02:56,653 PRIZE ON TV... $1 MILLION AND A HEADLINE SHOW 70 00:02:56,677 --> 00:03:00,357 $1 MILLION AND A HEADLINE SHOW IN LAS VEGAS 71 00:03:00,381 --> 00:03:02,692 IN LAS VEGAS [ CHEERS AND APPLAUSE 72 00:03:02,716 --> 00:03:04,761 [ CHEERS AND APPLAUSE NOW, AS SOME OF YOU MIGHT KNOW, 73 00:03:04,785 --> 00:03:05,862 NOW, AS SOME OF YOU MIGHT KNOW, SIMON COWELL HAD AN ACCIDENT 74 00:03:05,886 --> 00:03:06,463 SIMON COWELL HAD AN ACCIDENT OVER THE WEEKEND AND HE CAN'T BE 75 00:03:06,487 --> 00:03:09,065 OVER THE WEEKEND AND HE CAN'T BE HERE TONIGHT 76 00:03:09,089 --> 00:03:11,734 HERE TONIGHT BUT SIMON, WE ARE SENDING LOTS 77 00:03:11,758 --> 00:03:13,336 BUT SIMON, WE ARE SENDING LOTS OF "AGT" LOVE AND OUR BEST 78 00:03:13,360 --> 00:03:14,371 OF "AGT" LOVE AND OUR BEST WISHES AND WE HOPE TO SEE YOU 79 00:03:14,395 --> 00:03:16,539 WISHES AND WE HOPE TO SEE YOU SOON 80 00:03:16,563 --> 00:03:18,141 SOON STANDING IN FOR SIMON TONIGHT, 81 00:03:18,165 --> 00:03:19,209 STANDING IN FOR SIMON TONIGHT, WE ARE PSYCHED TO HAVE A TRUE 82 00:03:19,233 --> 00:03:24,347 WE ARE PSYCHED TO HAVE A TRUE SUPERSTAR. 83 00:03:24,371 --> 00:03:27,617 SUPERSTAR. MISS KELLY CLARKSON. 84 00:03:27,641 --> 00:03:31,087 MISS KELLY CLARKSON. [ CHEERS AND APPLAUSE 85 00:03:31,111 --> 00:03:33,723 [ CHEERS AND APPLAUSE HI, KELLY 86 00:03:33,747 --> 00:03:34,391 HI, KELLY Terry: AND MAKE SOME NOISE 87 00:03:34,415 --> 00:03:35,959 Terry: AND MAKE SOME NOISE FO 88 00:03:35,983 --> 00:03:37,560 FO SOFIA VERGARA. 89 00:03:37,584 --> 00:03:45,584 SOFIA VERGARA. HEIDI KLUM 90 00:03:46,059 --> 00:03:52,275 HEIDI KLUM AND HOWIE MANDEL 91 00:03:52,299 --> 00:03:53,009 AND HOWIE MANDEL WOW. 92 00:03:53,033 --> 00:03:56,413 WOW. KELLY, I MEAN, WHAT IS IT LIKE, 93 00:03:56,437 --> 00:03:59,215 KELLY, I MEAN, WHAT IS IT LIKE, FILLING IN SIMON'S SHOES 94 00:03:59,239 --> 00:03:59,416 FILLING IN SIMON'S SHOES TONIGHT? 95 00:03:59,440 --> 00:04:00,650 TONIGHT? TALK TO ME 96 00:04:00,674 --> 00:04:03,186 TALK TO ME I HAVE WAITED YEARS FOR THIS. 97 00:04:03,210 --> 00:04:05,521 I HAVE WAITED YEARS FOR THIS. I LOVE SIMON BUT I'MGETTING 98 00:04:05,545 --> 00:04:07,490 I LOVE SIMON BUT I'MGETTING REALLY USED TO THIS CHAIR, 99 00:04:07,514 --> 00:04:08,124 REALLY USED TO THIS CHAIR, BUDDY. 100 00:04:08,148 --> 00:04:10,260 BUDDY. I'M JUST SAYING, TAKE YOUR TIME. 101 00:04:10,284 --> 00:04:12,629 I'M JUST SAYING, TAKE YOUR TIME. I COULD USE ANOTHER JOB. 102 00:04:12,653 --> 00:04:14,231 I COULD USE ANOTHER JOB. YOU COULD USE SOME REST, 103 00:04:14,255 --> 00:04:14,530 YOU COULD USE SOME REST, RIGHT? 104 00:04:14,554 --> 00:04:16,766 RIGHT? NO, I HOPE HE FEELS BETTER. 105 00:04:16,790 --> 00:04:17,967 NO, I HOPE HE FEELS BETTER. I LOVE THE SHOW. 106 00:04:17,991 --> 00:04:21,170 I LOVE THE SHOW. THANK YOU ALL FOR HAVING ME. 107 00:04:21,194 --> 00:04:22,105 THANK YOU ALL FOR HAVING ME. Terry: THANK YOU FOR BEING 108 00:04:22,129 --> 00:04:23,072 Terry: THANK YOU FOR BEING HERE, KELLY, THANK YOU SO MUCH 109 00:04:23,096 --> 00:04:27,977 HERE, KELLY, THANK YOU SO MUCH [ APPLAUSE ] 110 00:04:28,001 --> 00:04:29,445 [ APPLAUSE ] 11 ACTS ARE COMING UP TONIGHT 111 00:04:29,469 --> 00:04:31,914 11 ACTS ARE COMING UP TONIGHT BUT ONLY FIVE WILL SURVIVE 112 00:04:31,938 --> 00:04:32,915 BUT ONLY FIVE WILL SURVIVE YEP, JUST FIVE 113 00:04:32,939 --> 00:04:37,253 YEP, JUST FIVE FOR THE FIRST TIME THIS SEASON, 114 00:04:37,277 --> 00:04:43,260 FOR THE FIRST TIME THIS SEASON, YOU'VE GOTTA, GOTTA, GOTTA VOTE. 115 00:04:43,284 --> 00:04:44,994 YOU'VE GOTTA, GOTTA, GOTTA VOTE. FOR OUR FIRST ACT, WE'RE GOING 116 00:04:45,018 --> 00:04:47,464 FOR OUR FIRST ACT, WE'RE GOING TO THE ICONIC UNIVERSAL STUDIO 117 00:04:47,488 --> 00:04:49,866 TO THE ICONIC UNIVERSAL STUDIO THIS PROVES YOU CAN FIND TALENT 118 00:04:49,890 --> 00:04:50,967 THIS PROVES YOU CAN FIND TALENT ANYWHERE, INCLUDING DOWN ON THE 119 00:04:50,991 --> 00:04:52,001 ANYWHERE, INCLUDING DOWN ON THE FARM 120 00:04:52,025 --> 00:04:53,603 FARM HERE'S PORK CHOP REVUE 121 00:04:53,627 --> 00:04:56,873 HERE'S PORK CHOP REVUE WE LIVE IN A SMALL TOWN IN 122 00:04:56,897 --> 00:04:57,240 WE LIVE IN A SMALL TOWN IN FLORIDA. 123 00:04:57,264 --> 00:04:59,108 FLORIDA. IT'S A NICE PLACE FOR THE 124 00:04:59,132 --> 00:04:59,475 IT'S A NICE PLACE FOR THE ANIMALS. 125 00:04:59,499 --> 00:05:00,410 ANIMALS. HI, GIRLS 126 00:05:00,434 --> 00:05:03,079 HI, GIRLS LUNA, LEAVE THE CHICKENS 127 00:05:03,103 --> 00:05:03,680 LUNA, LEAVE THE CHICKENS ALONE. 128 00:05:03,704 --> 00:05:04,947 ALONE. THERE'S PRACTICE AREA 129 00:05:04,971 --> 00:05:06,816 THERE'S PRACTICE AREA THE BIG GUY RIGHT HERE IS 130 00:05:06,840 --> 00:05:08,485 THE BIG GUY RIGHT HERE IS MAC, THE SWEETEST ANIMAL YOU'LL 131 00:05:08,509 --> 00:05:09,252 MAC, THE SWEETEST ANIMAL YOU'LL EVER SEE 132 00:05:09,276 --> 00:05:12,055 EVER SEE HE SAW HEIDI KISSING ON THE 133 00:05:12,079 --> 00:05:12,389 HE SAW HEIDI KISSING ON THE AUDITIONS. 134 00:05:12,413 --> 00:05:15,258 AUDITIONS. I THINK MAC HAS SO MUCH 135 00:05:15,282 --> 00:05:16,259 I THINK MAC HAS SO MUCH CONFIDENCE, NOT TOO MUCH 136 00:05:16,283 --> 00:05:20,463 CONFIDENCE, NOT TOO MUCH NOW WE'RE AT THE LIVE SHOWS, OUR 137 00:05:20,487 --> 00:05:23,333 NOW WE'RE AT THE LIVE SHOWS, OUR KIDS HAVE BECOME DIVAS 138 00:05:23,357 --> 00:05:27,904 KIDS HAVE BECOME DIVAS WHAT A BEAUTIFUL DAY TO TAKE A 139 00:05:27,928 --> 00:05:28,071 WHAT A BEAUTIFUL DAY TO TAKE A NAP. 140 00:05:28,095 --> 00:05:29,906 NAP. ANYTHING I WOULDN'T EAT, I 141 00:05:29,930 --> 00:05:32,041 ANYTHING I WOULDN'T EAT, I WON'T FEED IT TO THEM. 142 00:05:32,065 --> 00:05:35,778 WON'T FEED IT TO THEM. THEY LOVE ZUCCHINI, THEY LOVE 143 00:05:35,802 --> 00:05:36,279 THEY LOVE ZUCCHINI, THEY LOVE CUCUMBERS. 144 00:05:36,303 --> 00:05:39,015 CUCUMBERS. THEY DON'T LIKE KALE. 145 00:05:39,039 --> 00:05:40,450 THEY DON'T LIKE KALE. HE LOVES TO BE TUCKED INTO BED 146 00:05:40,474 --> 00:05:41,484 HE LOVES TO BE TUCKED INTO BED THEY'RE OUR BABIES 147 00:05:41,508 --> 00:05:42,919 THEY'RE OUR BABIES I LOVE THEM. 148 00:05:42,943 --> 00:05:43,653 I LOVE THEM. WE SPOIL THEM. 149 00:05:43,677 --> 00:05:44,687 WE SPOIL THEM. AND I THINK THEY DO 150 00:05:44,711 --> 00:05:45,355 AND I THINK THEY DO APPRECIATE IT. 151 00:05:45,379 --> 00:05:47,457 APPRECIATE IT. WHEN IT'S MY TIME, I HOPE I COME 152 00:05:47,481 --> 00:05:50,226 WHEN IT'S MY TIME, I HOPE I COME BACK AS ONE OF MY PIGS 153 00:05:50,250 --> 00:05:51,160 BACK AS ONE OF MY PIGS "AMERICA'S GOT TALENT" HAS GOT 154 00:05:51,184 --> 00:05:52,862 "AMERICA'S GOT TALENT" HAS GOT SOME INCREDIBLE, AMAZING ANIMAL 155 00:05:52,886 --> 00:05:54,097 SOME INCREDIBLE, AMAZING ANIMAL ACTS WE'VE WATCHED OVER THE 156 00:05:54,121 --> 00:05:54,397 ACTS WE'VE WATCHED OVER THE YEARS. 157 00:05:54,421 --> 00:05:56,466 YEARS. THAT'S A TOUGH COMPETITION, 158 00:05:56,490 --> 00:05:56,799 THAT'S A TOUGH COMPETITION, GUYS 159 00:05:56,823 --> 00:05:58,835 GUYS THE LAST TWO SEASONS IT'S 160 00:05:58,859 --> 00:05:59,335 THE LAST TWO SEASONS IT'S BEEN ABOUT THE DOGS. 161 00:05:59,359 --> 00:05:59,969 BEEN ABOUT THE DOGS. THIS YEAR IT'S ALL ABOUT THE 162 00:05:59,993 --> 00:06:05,675 THIS YEAR IT'S ALL ABOUT THE HOGS 163 00:06:05,699 --> 00:06:08,177 HOGS [ APPLAUSE ] 164 00:06:08,201 --> 00:06:16,201 [ APPLAUSE ] GOOD BOY, LOUIE 165 00:06:18,011 --> 00:06:19,455 GOOD BOY, LOUIE LOUIE, GO AHEAD 166 00:06:19,479 --> 00:06:25,661 LOUIE, GO AHEAD ♪ 167 00:06:25,685 --> 00:06:33,685 ♪ >> HERE, RED >> HERE, RED ♪ 168 00:06:35,796 --> 00:06:37,039 ♪ ♪ I'M HERE FOR THE PARTY ♪ 169 00:06:37,063 --> 00:06:42,578 ♪ I'M HERE FOR THE PARTY ♪ INSIDE. 170 00:06:42,602 --> 00:06:50,602 INSIDE. UP UP ALL RIGHT, RED 171 00:06:53,280 --> 00:06:57,527 ALL RIGHT, RED UP UP GOOD BOY 172 00:06:57,551 --> 00:07:00,296 GOOD BOY COME ON, MAN, RIGHT HERE. 173 00:07:00,320 --> 00:07:00,963 COME ON, MAN, RIGHT HERE. GOOD BOY 174 00:07:00,987 --> 00:07:01,564 GOOD BOY STEP UP. 175 00:07:01,588 --> 00:07:02,064 STEP UP. YOU GOT IT, BIG BOY. 176 00:07:02,088 --> 00:07:07,370 YOU GOT IT, BIG BOY. EASY EASY NOW TURN 177 00:07:07,394 --> 00:07:12,008 NOW TURN ATTABOY. 178 00:07:12,032 --> 00:07:20,032 ATTABOY. GOOD BOY GOOD BOY [ APPLAUSE ] 179 00:07:26,213 --> 00:07:27,957 [ APPLAUSE ] ♪ I'M HERE FOR THE PARTY ♪ 180 00:07:27,981 --> 00:07:29,926 ♪ I'M HERE FOR THE PARTY ♪ ♪ AN AIN'T LEAVING 'TIL THEY 181 00:07:29,950 --> 00:07:31,494 ♪ AN AIN'T LEAVING 'TIL THEY THROW ME OUT ♪ 182 00:07:31,518 --> 00:07:32,262 THROW ME OUT ♪ GOOD BOY, COME ON 183 00:07:32,286 --> 00:07:34,797 GOOD BOY, COME ON RIGHT HERE 184 00:07:34,821 --> 00:07:36,132 RIGHT HERE GOOD BOY, NELSON 185 00:07:36,156 --> 00:07:40,736 GOOD BOY, NELSON GOOD BOY, NELSON 186 00:07:40,760 --> 00:07:41,337 GOOD BOY, NELSON LET'S TRY THAT ONE MORE TIME, 187 00:07:41,361 --> 00:07:47,677 LET'S TRY THAT ONE MORE TIME, NELSON 188 00:07:47,701 --> 00:07:49,646 NELSON GOOD BOY, NELSON 189 00:07:49,670 --> 00:07:57,670 GOOD BOY, NELSON JUMP JUMP GOOD BOY 190 00:07:58,612 --> 00:08:02,158 GOOD BOY ♪ I'M HERE FOR THE PARTY ♪ 191 00:08:02,182 --> 00:08:03,759 ♪ I'M HERE FOR THE PARTY ♪ ♪ YES, I AIN'T LEAVING 'TIL THE 192 00:08:03,783 --> 00:08:05,161 ♪ YES, I AIN'T LEAVING 'TIL THE THROW ME OUT ♪ 193 00:08:05,185 --> 00:08:07,263 THROW ME OUT ♪ RIGHT HERE. 194 00:08:07,287 --> 00:08:09,532 RIGHT HERE. GOOD BOY 195 00:08:09,556 --> 00:08:17,556 GOOD BOY AND NOW ROLL IT, PAL 196 00:08:18,932 --> 00:08:19,642 AND NOW ROLL IT, PAL GOOD BOY 197 00:08:19,666 --> 00:08:21,110 GOOD BOY THAT IS FOR YOU. 198 00:08:21,134 --> 00:08:22,545 THAT IS FOR YOU. UP AND OVER. 199 00:08:22,569 --> 00:08:22,811 UP AND OVER. NICE JOB 200 00:08:22,835 --> 00:08:25,681 NICE JOB TAKE A SEAT. 201 00:08:25,705 --> 00:08:26,315 TAKE A SEAT. ♪ YOU KNOW I'M HERE FOR THE 202 00:08:26,339 --> 00:08:29,852 ♪ YOU KNOW I'M HERE FOR THE PARTY ♪ 203 00:08:29,876 --> 00:08:31,854 PARTY ♪ ♪ YES I AIN'T LEAVING 'TIL THEY 204 00:08:31,878 --> 00:08:32,989 ♪ YES I AIN'T LEAVING 'TIL THEY THROW ME OUT ♪ 205 00:08:33,013 --> 00:08:41,013 THROW ME OUT ♪ COME ON, HERE WE GO 206 00:08:42,155 --> 00:08:44,501 COME ON, HERE WE GO DOWN THE SLIDE 207 00:08:44,525 --> 00:08:44,833 DOWN THE SLIDE YOU READY? 208 00:08:44,857 --> 00:08:49,572 YOU READY? DOWN THE SLIDE, GOOD BOY 209 00:08:49,596 --> 00:08:52,208 DOWN THE SLIDE, GOOD BOY COME ON, RED. 210 00:08:52,232 --> 00:09:00,232 COME ON, RED. THE SLIDE. 211 00:09:02,142 --> 00:09:08,213 THE SLIDE. ♪ I'M HERE FOR THE PARTY ♪ 212 00:09:09,415 --> 00:09:16,555 [ CHEERS AND APPLAUSE 213 00:09:20,059 --> 00:09:23,639 Terry: WE'LL FIND OUT WHAT THE JUDGES THOUGHT IN JUST A 214 00:09:23,663 --> 00:09:24,340 THE JUDGES THOUGHT IN JUST A COUPLE OF MINUTES. 215 00:09:24,364 --> 00:09:27,243 COUPLE OF MINUTES. THEN A 13-YEAR-OLD PRODIGY FROM 216 00:09:27,267 --> 00:09:28,678 THEN A 13-YEAR-OLD PRODIGY FROM TAIWAN PUSHES WAY BEYOND HIS 217 00:09:28,702 --> 00:09:29,312 TAIWAN PUSHES WAY BEYOND HIS LIMITS, HOPING TO WIN AMERICA'S 218 00:09:29,336 --> 00:09:29,445 LIMITS, HOPING TO WIN AMERICA'S VOTE 219 00:09:29,469 --> 00:09:31,202 VOTE WE'LL BE RIGHT BACK. 220 00:09:50,523 --> 00:09:53,403 Terry: OK, BEFORE THE BREAK WE SAW PORK CHOP REVUE PULLING 221 00:09:53,427 --> 00:09:55,004 WE SAW PORK CHOP REVUE PULLING OFF SOME STUNNING MOVES. 222 00:09:55,028 --> 00:10:01,277 OFF SOME STUNNING MOVES. LET'S GET TO THE JUDGES. 223 00:10:01,301 --> 00:10:01,610 LET'S GET TO THE JUDGES. HOWIE? 224 00:10:01,634 --> 00:10:02,678 HOWIE? Howie: STUNNING 225 00:10:02,702 --> 00:10:05,648 Howie: STUNNING THE MOVES WERE STUNNING TO YOU 226 00:10:05,672 --> 00:10:06,716 THE MOVES WERE STUNNING TO YOU I THINK IT'S AMAZING BECAUSE 227 00:10:06,740 --> 00:10:09,051 I THINK IT'S AMAZING BECAUSE THEY'RE PIGS 228 00:10:09,075 --> 00:10:10,052 THEY'RE PIGS BUT IF I HAVE TO BE HONEST, IT'S 229 00:10:10,076 --> 00:10:12,355 BUT IF I HAVE TO BE HONEST, IT'S LIKE A VERY LETHARGIC DOG ACT. 230 00:10:12,379 --> 00:10:13,790 LIKE A VERY LETHARGIC DOG ACT. IT'S KIND OF SLOW. 231 00:10:13,814 --> 00:10:15,491 IT'S KIND OF SLOW. BUT IT'S AMAZING BECAUSE THEY'RE 232 00:10:15,515 --> 00:10:16,692 BUT IT'S AMAZING BECAUSE THEY'RE PIGS, YOU HAVE TO TAKE THAT INTO 233 00:10:16,716 --> 00:10:17,026 PIGS, YOU HAVE TO TAKE THAT INTO ACCOUNT. 234 00:10:17,050 --> 00:10:20,496 ACCOUNT. YOU KNOW I'M MISSING THE 235 00:10:20,520 --> 00:10:24,367 YOU KNOW I'M MISSING THE AUDIENCE BOOING. 236 00:10:24,391 --> 00:10:28,571 AUDIENCE BOOING. Heidi: TO ME, IT WASN'T ONE 237 00:10:28,595 --> 00:10:31,474 Heidi: TO ME, IT WASN'T ONE BIG BORING... YOU DON'T GET IT 238 00:10:31,498 --> 00:10:36,412 BIG BORING... YOU DON'T GET IT Howie: I GET IT 239 00:10:36,436 --> 00:10:38,447 Howie: I GET IT Heidi: I'VE NEVER SEEN SUCH A 240 00:10:38,471 --> 00:10:39,248 Heidi: I'VE NEVER SEEN SUCH A BIG PIG. 241 00:10:39,272 --> 00:10:43,453 BIG PIG. I WISH YOU GOOD LUCK 242 00:10:43,477 --> 00:10:45,087 I WISH YOU GOOD LUCK Terry: SOFIA. 243 00:10:45,111 --> 00:10:47,890 Terry: SOFIA. Sofia: I LOVE IT, THEY'RE 244 00:10:47,914 --> 00:10:49,725 Sofia: I LOVE IT, THEY'RE PIGS, THEY'RE GIGANTIC PIGS, AND 245 00:10:49,749 --> 00:10:51,093 PIGS, THEY'RE GIGANTIC PIGS, AND YOU GUYS ARE ADORABLE. 246 00:10:51,117 --> 00:10:53,195 YOU GUYS ARE ADORABLE. I COULD NOT LOVE IT. 247 00:10:53,219 --> 00:10:57,733 I COULD NOT LOVE IT. Howie: YOU COULD NOT LOVE IT? 248 00:10:57,757 --> 00:10:58,100 Howie: YOU COULD NOT LOVE IT? PERFECT. 249 00:10:58,124 --> 00:10:59,635 PERFECT. Terry: KELLY, DID YOU NOT 250 00:10:59,659 --> 00:11:00,670 Terry: KELLY, DID YOU NOT LOVE IT? 251 00:11:00,694 --> 00:11:01,871 LOVE IT? Kelly: I ACTUALLY DID LOVE IT 252 00:11:01,895 --> 00:11:02,772 Kelly: I ACTUALLY DID LOVE IT JUST BECAUSE I'VE NEVER SEEN 253 00:11:02,796 --> 00:11:03,573 JUST BECAUSE I'VE NEVER SEEN ANYTHING LIKE IT 254 00:11:03,597 --> 00:11:05,274 ANYTHING LIKE IT I LOVED THAT ALL THE PIGS DIDN'T 255 00:11:05,298 --> 00:11:06,342 I LOVED THAT ALL THE PIGS DIDN'T DO WHAT THEY'RE SUPPOSED TO 256 00:11:06,366 --> 00:11:08,377 DO WHAT THEY'RE SUPPOSED TO BECAUSE, ONE, THAT MEANS YOU 257 00:11:08,401 --> 00:11:09,679 BECAUSE, ONE, THAT MEANS YOU LOVE YOUR PIGS AND AREN'T HARD 258 00:11:09,703 --> 00:11:11,781 LOVE YOUR PIGS AND AREN'T HARD ON THEM, AND THAT MEANS A LOT TO 259 00:11:11,805 --> 00:11:12,148 ON THEM, AND THAT MEANS A LOT TO ME 260 00:11:12,172 --> 00:11:14,784 ME TWO, IT'S GREAT THAT IT'S LIVE, 261 00:11:14,808 --> 00:11:15,951 TWO, IT'S GREAT THAT IT'S LIVE, YOU NEVER KNOW WHAT'S GOING TO 262 00:11:15,975 --> 00:11:17,887 YOU NEVER KNOW WHAT'S GOING TO HAPPEN, YOU LEANED IN AND SHOW 263 00:11:17,911 --> 00:11:19,889 HAPPEN, YOU LEANED IN AND SHOW THEIR PERSONALITIES. 264 00:11:19,913 --> 00:11:22,358 THEIR PERSONALITIES. I LOVED THAT HE WAS LIKE, NOPE, 265 00:11:22,382 --> 00:11:23,059 I LOVED THAT HE WAS LIKE, NOPE, WE'RE NOT DOING THAT TODAY 266 00:11:23,083 --> 00:11:25,862 WE'RE NOT DOING THAT TODAY I LIKE THAT. 267 00:11:25,886 --> 00:11:27,363 I LIKE THAT. Terry: ALL RIGHT. 268 00:11:27,387 --> 00:11:28,631 Terry: ALL RIGHT. PORK CHOP REVUE, HOW HAVE YOU 269 00:11:28,655 --> 00:11:29,832 PORK CHOP REVUE, HOW HAVE YOU GUYS BEEN DOING DURING THIS 270 00:11:29,856 --> 00:11:31,233 GUYS BEEN DOING DURING THIS WHOLE QUARANTINE DOWN ON THE 271 00:11:31,257 --> 00:11:31,567 WHOLE QUARANTINE DOWN ON THE FARM 272 00:11:31,591 --> 00:11:33,469 FARM THAT'S WHAT WE SPENT A LOT OF 273 00:11:33,493 --> 00:11:35,571 THAT'S WHAT WE SPENT A LOT OF TIME AT THE FARM, TERRY, THE 274 00:11:35,595 --> 00:11:36,806 TIME AT THE FARM, TERRY, THE PIGS, WE SPEND A LOT OF TIME 275 00:11:36,830 --> 00:11:38,741 PIGS, WE SPEND A LOT OF TIME WITH THEM AND THE OTHER ANIMALS, 276 00:11:38,765 --> 00:11:43,679 WITH THEM AND THE OTHER ANIMALS, WE HAVE GOATS, A LLAMA, AND 277 00:11:43,703 --> 00:11:44,080 WE HAVE GOATS, A LLAMA, AND DOGS 278 00:11:44,104 --> 00:11:45,681 DOGS Terry: YOU'RE NEVER ALONE 279 00:11:45,705 --> 00:11:46,182 Terry: YOU'RE NEVER ALONE THIS IS GOOD 280 00:11:46,206 --> 00:11:46,916 THIS IS GOOD GOOD LUCK TONIGHT. 281 00:11:46,940 --> 00:11:47,683 GOOD LUCK TONIGHT. HERE WE GO 282 00:11:47,707 --> 00:11:49,218 HERE WE GO VOTING STARTS NOW. 283 00:11:49,242 --> 00:11:51,520 VOTING STARTS NOW. GET ONLINE OR USE THE APP. 284 00:11:51,544 --> 00:11:53,522 GET ONLINE OR USE THE APP. YOU CAN VOTE UP TO TEN TIMES 285 00:11:53,546 --> 00:11:56,081 YOU CAN VOTE UP TO TEN TIMES WITH EACH VOTING MESSAGE 286 00:12:06,158 --> 00:12:13,008 HOWEVER YOU DO IT, GO VOTE LET'S KEEP IT GOING. 287 00:12:13,032 --> 00:12:14,076 LET'S KEEP IT GOING. WE ARE GOING INTERNATIONAL FOR 288 00:12:14,100 --> 00:12:15,111 WE ARE GOING INTERNATIONAL FOR OUR NEXT ACT 289 00:12:15,135 --> 00:12:15,878 OUR NEXT ACT HE'S OVER IN TAIWAN AND HE'LL BE 290 00:12:15,902 --> 00:12:18,814 HE'S OVER IN TAIWAN AND HE'LL BE PERFORMING VIA SATELLITE 291 00:12:18,838 --> 00:12:20,015 PERFORMING VIA SATELLITE HE'S JUST 13 YEARS OLD 292 00:12:20,039 --> 00:12:20,916 HE'S JUST 13 YEARS OLD BUT, MAN... WHAT THIS GUY CAN DO 293 00:12:20,940 --> 00:12:21,617 BUT, MAN... WHAT THIS GUY CAN DO WITH A UKULELE, YOU WILL NOT 294 00:12:21,641 --> 00:12:25,020 WITH A UKULELE, YOU WILL NOT BELIEVE. 295 00:12:25,044 --> 00:12:31,427 BELIEVE. HE'S FENG E. 296 00:12:31,451 --> 00:12:32,862 HE'S FENG E. I THINK THE REASON I LOVE 297 00:12:32,886 --> 00:12:34,430 I THINK THE REASON I LOVE PLAY-DOH IS BECAUSE YOU CAN 298 00:12:34,454 --> 00:12:35,564 PLAY-DOH IS BECAUSE YOU CAN BUILD EVERYTHING 299 00:12:35,588 --> 00:12:39,535 BUILD EVERYTHING WHEN I WAS 6 YEARS OLD, MY 300 00:12:39,559 --> 00:12:41,537 WHEN I WAS 6 YEARS OLD, MY TEACHER TOLD MY FATHER MY 301 00:12:41,561 --> 00:12:44,574 TEACHER TOLD MY FATHER MY FINGERS WERE NOT AS FLEXIBLE AS 302 00:12:44,598 --> 00:12:48,077 FINGERS WERE NOT AS FLEXIBLE AS ALL THE OTHER STUDENTS 303 00:12:48,101 --> 00:12:56,101 ALL THE OTHER STUDENTS [ SPEAKING FOREIGN LANGUAGE 304 00:12:58,878 --> 00:13:02,158 [ SPEAKING FOREIGN LANGUAGE HE MADE A DEAL WITH ME, FOR 305 00:13:02,182 --> 00:13:07,196 HE MADE A DEAL WITH ME, FOR EVERY MINUTE I PLAY UKELELE, 306 00:13:07,220 --> 00:13:09,165 EVERY MINUTE I PLAY UKELELE, HE'LL PLAY LEGO WITH ME. 307 00:13:09,189 --> 00:13:10,866 HE'LL PLAY LEGO WITH ME. IT WAS A GOOD DEAL BECAUSE I 308 00:13:10,890 --> 00:13:14,336 IT WAS A GOOD DEAL BECAUSE I LOVE LEGO. 309 00:13:14,360 --> 00:13:16,372 LOVE LEGO. MAKING MUSIC IS LIKE MAKING A 310 00:13:16,396 --> 00:13:17,273 MAKING MUSIC IS LIKE MAKING A LEGO WORK. 311 00:13:17,297 --> 00:13:18,941 LEGO WORK. IT'S LIKE PUTTING A LOT OF SMALL 312 00:13:18,965 --> 00:13:21,243 IT'S LIKE PUTTING A LOT OF SMALL PIECES TOGETHER TO BECOME A VERY 313 00:13:21,267 --> 00:13:22,011 PIECES TOGETHER TO BECOME A VERY BEAUTIFUL THING. 314 00:13:22,035 --> 00:13:29,618 BEAUTIFUL THING. THANKS TO MY DAD, NOW I LOVE UKE 315 00:13:29,642 --> 00:13:29,874 THANKS TO MY DAD, NOW I LOVE UKE 316 00:13:30,009 --> 00:13:31,554 LELE IT CHANGED MY WHOLE LIFE AND NOW 317 00:13:31,578 --> 00:13:33,355 IT CHANGED MY WHOLE LIFE AND NOW I'M ON "AGT. 318 00:13:33,379 --> 00:13:34,022 I'M ON "AGT. "AMERICA'S GOT TALENT" IS ONE OF 319 00:13:34,046 --> 00:13:37,493 "AMERICA'S GOT TALENT" IS ONE OF THE BIGGEST SHOWS IN THE WORLD 320 00:13:37,517 --> 00:13:40,196 THE BIGGEST SHOWS IN THE WORLD I'M SO HAPPY THAT THESE LITTLE 321 00:13:40,220 --> 00:13:41,130 I'M SO HAPPY THAT THESE LITTLE TOYS HAVE LED TO SOMETHING SO 322 00:13:41,154 --> 00:13:41,831 TOYS HAVE LED TO SOMETHING SO BIG. 323 00:13:41,855 --> 00:13:44,823 BIG. [ CHEERS AND APPLAUSE 324 00:13:45,791 --> 00:13:53,791 ♪ 325 00:13:59,571 --> 00:14:07,571 ♪ 326 00:14:12,451 --> 00:14:20,451 ♪ 327 00:14:24,496 --> 00:14:32,496 ♪ 328 00:14:39,912 --> 00:14:47,912 ♪ 329 00:14:54,026 --> 00:15:02,026 ♪ 330 00:15:07,372 --> 00:15:15,372 ♪ 331 00:15:22,454 --> 00:15:30,454 ♪ 332 00:15:36,769 --> 00:15:44,769 ♪ 333 00:15:51,350 --> 00:15:59,350 ♪ 334 00:16:05,330 --> 00:16:08,833 ♪ 335 00:16:10,569 --> 00:16:16,051 [ CHEERS AND APPLAUSE Terry: FENG E, THAT WAS 336 00:16:16,075 --> 00:16:17,786 Terry: FENG E, THAT WAS AMAZING. 337 00:16:17,810 --> 00:16:22,891 AMAZING. INCREDIBLE 338 00:16:22,915 --> 00:16:24,059 INCREDIBLE HOWIE, YOU'RE ON YOUR FEET 339 00:16:24,083 --> 00:16:26,261 HOWIE, YOU'RE ON YOUR FEET I'M ON MY FEET. 340 00:16:26,285 --> 00:16:27,796 I'M ON MY FEET. I'VE GOT TO SAY SOMETHING, I'M 341 00:16:27,820 --> 00:16:29,798 I'VE GOT TO SAY SOMETHING, I'M THE OLDEST ONE IN THE ROOM, AND 342 00:16:29,822 --> 00:16:31,000 THE OLDEST ONE IN THE ROOM, AND THE OTHER NIGHT I WAS WATCHING 343 00:16:31,024 --> 00:16:33,402 THE OTHER NIGHT I WAS WATCHING "THREE DAYS AT WOODSTOCK," A 344 00:16:33,426 --> 00:16:33,769 "THREE DAYS AT WOODSTOCK," A DOCUMENTARY. 345 00:16:33,793 --> 00:16:39,808 DOCUMENTARY. I'M TELLING YOU, YOU ARE THE H 346 00:16:39,832 --> 00:16:47,832 I'M TELLING YOU, YOU ARE THE H HENDRIX OF THE UKE HE LAUKELELE. 347 00:16:50,309 --> 00:16:51,954 HENDRIX OF THE UKE HE LAUKELELE. YOU JUST BLEW ME AWAY. 348 00:16:51,978 --> 00:16:53,389 YOU JUST BLEW ME AWAY. THE SOUND WAS GREAT, THE LOOK 349 00:16:53,413 --> 00:16:54,123 THE SOUND WAS GREAT, THE LOOK WAS GREAT. 350 00:16:54,147 --> 00:16:55,157 WAS GREAT. YOU, YOUNG MAN, CAN SPEND 351 00:16:55,181 --> 00:16:59,928 YOU, YOUNG MAN, CAN SPEND ANOTHER TEN MINUTES ON LEGO. 352 00:16:59,952 --> 00:17:00,829 ANOTHER TEN MINUTES ON LEGO. THANK YOU 353 00:17:00,853 --> 00:17:02,064 THANK YOU Terry: HEIDI. 354 00:17:02,088 --> 00:17:03,032 Terry: HEIDI. Heidi: WHAT AN AMAZING 355 00:17:03,056 --> 00:17:03,365 Heidi: WHAT AN AMAZING PERFORMANCE. 356 00:17:03,389 --> 00:17:06,068 PERFORMANCE. I ALSO HAVE TO TELL YOU, I LOVE 357 00:17:06,092 --> 00:17:06,302 I ALSO HAVE TO TELL YOU, I LOVE YOUR VIBE. 358 00:17:06,326 --> 00:17:08,303 YOUR VIBE. I THINK THAT YOU ARE SO COOL 359 00:17:08,327 --> 00:17:10,239 I THINK THAT YOU ARE SO COOL I WISH I WAS HALF AS COOL AS YOU 360 00:17:10,263 --> 00:17:10,839 I WISH I WAS HALF AS COOL AS YOU ARE. 361 00:17:10,863 --> 00:17:12,608 ARE. KUDOS FOR YOU, I HOPE PEOPLE ARE 362 00:17:12,632 --> 00:17:13,876 KUDOS FOR YOU, I HOPE PEOPLE ARE GOING TO VOTE FOR YOU TODAY. 363 00:17:13,900 --> 00:17:14,576 GOING TO VOTE FOR YOU TODAY. GOOD LUCK. 364 00:17:14,600 --> 00:17:15,277 GOOD LUCK. THANK YOU 365 00:17:15,301 --> 00:17:17,379 THANK YOU Terry: SOFIA. 366 00:17:17,403 --> 00:17:18,714 Terry: SOFIA. Sofia: YOU LOOK LIKE A STAR 367 00:17:18,738 --> 00:17:20,149 Sofia: YOU LOOK LIKE A STAR UP THERE 368 00:17:20,173 --> 00:17:21,417 UP THERE IT WAS LIKE UNBELIEVABLE 369 00:17:21,441 --> 00:17:24,720 IT WAS LIKE UNBELIEVABLE I HATE THE UKELELE 370 00:17:24,744 --> 00:17:28,090 I HATE THE UKELELE AND YOU MAKE THE UKELELE SOUND 371 00:17:28,114 --> 00:17:29,525 AND YOU MAKE THE UKELELE SOUND LIKE UNBELIEVABLE. 372 00:17:29,549 --> 00:17:31,527 LIKE UNBELIEVABLE. I COULD LIKE LISTEN TO YOU 373 00:17:31,551 --> 00:17:31,993 I COULD LIKE LISTEN TO YOU FOREVER. 374 00:17:32,017 --> 00:17:33,195 FOREVER. IT'S AMAZING WHAT YOU CAN DO 375 00:17:33,219 --> 00:17:34,163 IT'S AMAZING WHAT YOU CAN DO WITH THAT INSTRUMENT 376 00:17:34,187 --> 00:17:35,031 WITH THAT INSTRUMENT AND I REALLY... 377 00:17:35,055 --> 00:17:37,366 AND I REALLY... WHAT INSTRUMENT 378 00:17:37,390 --> 00:17:39,902 WHAT INSTRUMENT THE UKELELE 379 00:17:39,926 --> 00:17:41,537 THE UKELELE AND I REALLY HOPE THAT YOU KEEP 380 00:17:41,561 --> 00:17:42,704 AND I REALLY HOPE THAT YOU KEEP GOING IN THIS COMPOSITION 381 00:17:42,728 --> 00:17:43,338 GOING IN THIS COMPOSITION BECAUSE I WANT TO HEAR YOU 382 00:17:43,362 --> 00:17:46,775 BECAUSE I WANT TO HEAR YOU AGAIN. 383 00:17:46,799 --> 00:17:48,377 AGAIN. KELLY 384 00:17:48,401 --> 00:17:49,278 KELLY Kelly: I WANT TO HEAR YOU 385 00:17:49,302 --> 00:17:52,714 Kelly: I WANT TO HEAR YOU PLAY THE UKELELE TOO 386 00:17:52,738 --> 00:17:55,350 PLAY THE UKELELE TOO I THOUGHT IT WAS SO... NOT ONLY 387 00:17:55,374 --> 00:17:58,153 I THOUGHT IT WAS SO... NOT ONLY JUST... YOU'RE NOT ONLY JUST SO 388 00:17:58,177 --> 00:17:59,955 JUST... YOU'RE NOT ONLY JUST SO INSANELY GIFTED, JUST A TALENTED 389 00:17:59,979 --> 00:18:01,690 INSANELY GIFTED, JUST A TALENTED MUSICIAN, EVEN THE PART WHERE 390 00:18:01,714 --> 00:18:03,292 MUSICIAN, EVEN THE PART WHERE YOU SHUSH EVERYONE AND THE DRAMA 391 00:18:03,316 --> 00:18:04,159 YOU SHUSH EVERYONE AND THE DRAMA OF THE WHOLE PERFORMANCE AND HOW 392 00:18:04,183 --> 00:18:05,594 OF THE WHOLE PERFORMANCE AND HOW ROCK AND ROLL THE WHOLE THING 393 00:18:05,618 --> 00:18:05,928 ROCK AND ROLL THE WHOLE THING WAS. 394 00:18:05,952 --> 00:18:07,897 WAS. I MEAN, YOU LITERALLY COULD 395 00:18:07,921 --> 00:18:10,432 I MEAN, YOU LITERALLY COULD JUST... I'VE SEEN ED SHEERAN 396 00:18:10,456 --> 00:18:11,834 JUST... I'VE SEEN ED SHEERAN BEFORE, IT'S JUST HIM AND LIGHTS 397 00:18:11,858 --> 00:18:14,003 BEFORE, IT'S JUST HIM AND LIGHTS AND NO OTHER BAND, YOU COULD 398 00:18:14,027 --> 00:18:15,671 AND NO OTHER BAND, YOU COULD CONTROL THE ENTIRE ARENA WITH 399 00:18:15,695 --> 00:18:16,972 CONTROL THE ENTIRE ARENA WITH THE SAME KIND OF VIBE AND ENERGY 400 00:18:16,996 --> 00:18:18,006 THE SAME KIND OF VIBE AND ENERGY AND NOT MANY PEOPLE ARE CAPABLE 401 00:18:18,030 --> 00:18:18,907 AND NOT MANY PEOPLE ARE CAPABLE OF DOING THAT. 402 00:18:18,931 --> 00:18:21,977 OF DOING THAT. YOU ARE VERY TALENTED. 403 00:18:22,001 --> 00:18:23,078 YOU ARE VERY TALENTED. Terry: INCREDIBLE 404 00:18:23,102 --> 00:18:25,347 Terry: INCREDIBLE GOOD LUCK TONIGHT, FENG E. 405 00:18:25,371 --> 00:18:26,916 GOOD LUCK TONIGHT, FENG E. IF YOU WANT TO VOTE FOR FENG E, 406 00:18:26,940 --> 00:18:28,550 IF YOU WANT TO VOTE FOR FENG E, YOU CAN VOTE ONLINE AT NBC.COM 407 00:18:28,574 --> 00:18:30,152 YOU CAN VOTE ONLINE AT NBC.COM OR USE THE OFFICIAL "AMERICA'S 408 00:18:30,176 --> 00:18:32,287 OR USE THE OFFICIAL "AMERICA'S GOT TALENT" APP. 409 00:18:32,311 --> 00:18:33,355 GOT TALENT" APP. YOU CAN DOWNLOAD IT FROM THE APP 410 00:18:33,379 --> 00:18:36,525 YOU CAN DOWNLOAD IT FROM THE APP STORE OR GOOGLE PLAY 411 00:18:36,549 --> 00:18:38,660 STORE OR GOOGLE PLAY VOTING IS OPEN NOW AND STAY OPEN 412 00:18:38,684 --> 00:18:46,469 VOTING IS OPEN NOW AND STAY OPEN UNTIL 7 A.M. EASTERN TOMORROW. 413 00:18:46,493 --> 00:18:47,102 UNTIL 7 A.M. EASTERN TOMORROW. Announcer: COMING UP... 414 00:18:47,126 --> 00:18:49,071 Announcer: COMING UP... THIS IS JUST THE BEGINNING 415 00:18:49,095 --> 00:18:49,304 THIS IS JUST THE BEGINNING FOR YOU. 416 00:18:49,328 --> 00:18:56,178 FOR YOU. AND YOU JUST CRUSHED IT. 417 00:18:56,202 --> 00:18:59,014 AND YOU JUST CRUSHED IT. NO, NO. 418 00:18:59,038 --> 00:19:07,038 NO, NO. DID YOU REALLY TAKE YOUR ARMS 419 00:19:14,387 --> 00:19:15,330 DID YOU REALLY TAKE YOUR ARMS Terry: THINK ABOUT IT... THIS 420 00:19:15,354 --> 00:19:16,398 Terry: THINK ABOUT IT... THIS IS A BIG, BIG NIGHT FOR THE 421 00:19:16,422 --> 00:19:18,500 IS A BIG, BIG NIGHT FOR THE ACTS 422 00:19:18,524 --> 00:19:20,102 ACTS ONE MINUTE THEY'RE SITTING AT 423 00:19:20,126 --> 00:19:21,170 ONE MINUTE THEY'RE SITTING AT HOME WATCHING TV... DREAMING OF 424 00:19:21,194 --> 00:19:23,839 HOME WATCHING TV... DREAMING OF STARDOM. 425 00:19:23,863 --> 00:19:24,907 STARDOM. THE NEXT THEY'RE STARRING ON TV. 426 00:19:24,931 --> 00:19:26,508 THE NEXT THEY'RE STARRING ON TV. AND YOU CAN TAKE THIS RIDE RIGHT 427 00:19:26,532 --> 00:19:28,076 AND YOU CAN TAKE THIS RIDE RIGHT ALONGSIDE THEM 428 00:19:28,100 --> 00:19:30,212 ALONGSIDE THEM JUST FOLLOW THEM ON TWITTER, 429 00:19:30,236 --> 00:19:31,813 JUST FOLLOW THEM ON TWITTER, INSTAGRAM, OR FACEBOOK @AGT. 430 00:19:31,837 --> 00:19:34,483 INSTAGRAM, OR FACEBOOK @AGT. FIND OUT WHAT'S REALLY GOING ON 431 00:19:34,507 --> 00:19:39,054 FIND OUT WHAT'S REALLY GOING ON FOR THEM 432 00:19:39,078 --> 00:19:40,522 FOR THEM NOW, THIS SHOW IS ALL ABOUT 433 00:19:40,546 --> 00:19:41,723 NOW, THIS SHOW IS ALL ABOUT ORDINARY PEOPLE FOLLOWING THEIR 434 00:19:41,747 --> 00:19:42,691 ORDINARY PEOPLE FOLLOWING THEIR DREAMS 435 00:19:42,715 --> 00:19:44,326 DREAMS BUT EVERYONE HAS THEIR OWN 436 00:19:44,350 --> 00:19:45,661 BUT EVERYONE HAS THEIR OWN PERSONAL BATTLES THEY HAVE TO 437 00:19:45,685 --> 00:19:46,962 PERSONAL BATTLES THEY HAVE TO FIGHT IN ORDER TO DO THAT. 438 00:19:46,986 --> 00:19:48,797 FIGHT IN ORDER TO DO THAT. LIKE THIS SINGER 439 00:19:48,821 --> 00:19:52,100 LIKE THIS SINGER SHE'S SHAQUIRA McGRATH 440 00:19:52,124 --> 00:19:53,502 SHE'S SHAQUIRA McGRATH WHEN I WAS GROWING UP, I 441 00:19:53,526 --> 00:19:54,937 WHEN I WAS GROWING UP, I WANTED TO BE A SINGER AND EVERY 442 00:19:54,961 --> 00:20:01,543 WANTED TO BE A SINGER AND EVERY INCH OF MY HOME WAS A STAGE. 443 00:20:01,567 --> 00:20:03,879 INCH OF MY HOME WAS A STAGE. I JUST IMAGINED STANDING IN THE 444 00:20:03,903 --> 00:20:04,813 I JUST IMAGINED STANDING IN THE BIGGEST ARENAWITH ALL THE 445 00:20:04,837 --> 00:20:09,084 BIGGEST ARENAWITH ALL THE LIGHTS ON ME, AND THAT'S WHERE I 446 00:20:09,108 --> 00:20:09,651 LIGHTS ON ME, AND THAT'S WHERE I WANTED TO BE 447 00:20:09,675 --> 00:20:10,953 WANTED TO BE BUT I'VE ALWAYS HAD INSECURITIES 448 00:20:10,977 --> 00:20:13,222 BUT I'VE ALWAYS HAD INSECURITIES THAT HELD ME BACK. 449 00:20:13,246 --> 00:20:14,423 THAT HELD ME BACK. YOU THINK, NO ONE WANTS TO LOOK 450 00:20:14,447 --> 00:20:16,425 YOU THINK, NO ONE WANTS TO LOOK AT ME, NO ONE CARES WHAT I SOUND 451 00:20:16,449 --> 00:20:17,826 AT ME, NO ONE CARES WHAT I SOUND LIKE BECAUSE THEY ONLY CARE 452 00:20:17,850 --> 00:20:18,526 LIKE BECAUSE THEY ONLY CARE ABOUT WHAT I LOOK LIKE 453 00:20:18,550 --> 00:20:20,996 ABOUT WHAT I LOOK LIKE I WAS MY OWN TOUGHEST CRITIC 454 00:20:21,020 --> 00:20:22,731 I WAS MY OWN TOUGHEST CRITIC AND I WAS MY OWN ROADBLOCK FOR 455 00:20:22,755 --> 00:20:25,100 AND I WAS MY OWN ROADBLOCK FOR EVERY OPPORTUNITY THAT CAME MY 456 00:20:25,124 --> 00:20:26,302 EVERY OPPORTUNITY THAT CAME MY WAY, EVERY SINGLE ONE. 457 00:20:26,326 --> 00:20:27,736 WAY, EVERY SINGLE ONE. SO THEN I HAD MY FIRST AUDITION 458 00:20:27,760 --> 00:20:30,439 SO THEN I HAD MY FIRST AUDITION ON "AMERICA'S GOT TALENT." 459 00:20:30,463 --> 00:20:32,274 ON "AMERICA'S GOT TALENT." I REMEMBER WALKING ON THE STAGE 460 00:20:32,298 --> 00:20:34,042 I REMEMBER WALKING ON THE STAGE AND FEELING LIKE MY HEART WAS 461 00:20:34,066 --> 00:20:37,179 AND FEELING LIKE MY HEART WAS ABOUT TO FALL OUT OF MY CHEST. 462 00:20:37,203 --> 00:20:38,847 ABOUT TO FALL OUT OF MY CHEST. I REMEMBER THE LIGHTS, THE 463 00:20:38,871 --> 00:20:39,147 I REMEMBER THE LIGHTS, THE CROWDED. 464 00:20:39,171 --> 00:20:41,149 CROWDED. AND A NEW DOOR WAS OPENED FOR 465 00:20:41,173 --> 00:20:46,154 AND A NEW DOOR WAS OPENED FOR ME, TO CHANGE MY LIFE FOREVER. 466 00:20:46,178 --> 00:20:48,690 ME, TO CHANGE MY LIFE FOREVER. I'M JUST SO HAPPY TO BE HERE 467 00:20:48,714 --> 00:20:51,660 I'M JUST SO HAPPY TO BE HERE I NEVER THOUGHT IN A MILLION 468 00:20:51,684 --> 00:20:52,728 I NEVER THOUGHT IN A MILLION YEARS THAT SOMETHING LIKE THIS 469 00:20:52,752 --> 00:20:53,829 YEARS THAT SOMETHING LIKE THIS WOULD BE HAPPENING TO ME 470 00:20:53,853 --> 00:20:56,164 WOULD BE HAPPENING TO ME AFTER WANTING IT SO BAD, AND 471 00:20:56,188 --> 00:20:58,300 AFTER WANTING IT SO BAD, AND WORKING SO HARD, IT MEANS THE 472 00:20:58,324 --> 00:21:03,071 WORKING SO HARD, IT MEANS THE WORLD. 473 00:21:03,095 --> 00:21:04,606 WORLD. EVER SINCE I WAS LITTLE, I'VE 474 00:21:04,630 --> 00:21:06,275 EVER SINCE I WAS LITTLE, I'VE WANTED TO BE ON A STAGE. 475 00:21:06,299 --> 00:21:09,144 WANTED TO BE ON A STAGE. AND NOW, AFTER WAITING ALL MY 476 00:21:09,168 --> 00:21:12,114 AND NOW, AFTER WAITING ALL MY LIFE, I'M HERE 477 00:21:12,138 --> 00:21:17,174 LIFE, I'M HERE [ CHEERS AND APPLAUSE 478 00:21:18,043 --> 00:21:22,913 ♪ 479 00:21:30,255 --> 00:21:34,870 ♪ I CAN TAKE THE RAIN ON THE ROOF OF THIS HOUSE, THAT DON'T 480 00:21:34,894 --> 00:21:35,304 ROOF OF THIS HOUSE, THAT DON'T BOTHER ME ♪ 481 00:21:35,328 --> 00:21:37,239 BOTHER ME ♪ ♪ I CAN TAKE A FEW TEARS AND LE 482 00:21:37,263 --> 00:21:37,806 ♪ I CAN TAKE A FEW TEARS AND LE THEM OUT ♪ 483 00:21:37,830 --> 00:21:40,676 THEM OUT ♪ ♪ I'M NOT AFRAID TO CRY, EVERY 484 00:21:40,700 --> 00:21:46,737 ♪ I'M NOT AFRAID TO CRY, EVERY ONCE IN A WHILE ♪ 485 00:21:47,605 --> 00:21:53,477 ♪ 486 00:21:56,481 --> 00:22:02,931 ♪ WHAT HURTS THE MOST IS BEING SO CLOSE ♪ 487 00:22:02,955 --> 00:22:08,637 SO CLOSE ♪ ♪ AND WATCHING YOU WALK AWAY ♪ 488 00:22:08,661 --> 00:22:14,676 ♪ AND WATCHING YOU WALK AWAY ♪ ♪ AND NEVER KNOWING WHAT COULD 489 00:22:14,700 --> 00:22:17,279 ♪ AND NEVER KNOWING WHAT COULD HAVE BEEN ♪ 490 00:22:17,303 --> 00:22:20,916 HAVE BEEN ♪ ♪ AND LOVING YOU IS WHAT I WAS 491 00:22:20,940 --> 00:22:24,786 ♪ AND LOVING YOU IS WHAT I WAS TRYING TO DO ♪ 492 00:22:24,810 --> 00:22:32,810 TRYING TO DO ♪ OH, WHOA ♪ 493 00:22:34,620 --> 00:22:42,620 OH, WHOA ♪ WHOA, YEAH ♪ 494 00:22:43,963 --> 00:22:51,963 WHOA, YEAH ♪ ♪ IT HURTS TO FALL ♪ 495 00:22:53,973 --> 00:23:00,455 ♪ IT HURTS TO FALL ♪ ♪ WATCHING YOU WALK AWAY ♪ 496 00:23:00,479 --> 00:23:02,424 ♪ WATCHING YOU WALK AWAY ♪ ♪ I'LL NEVER KNOW WHAT COULD 497 00:23:02,448 --> 00:23:02,891 ♪ I'LL NEVER KNOW WHAT COULD HAVE BEEN ♪ 498 00:23:02,915 --> 00:23:05,527 HAVE BEEN ♪ ♪ NOT SEEING THAT LOVING YOU ♪ 499 00:23:05,551 --> 00:23:13,551 ♪ NOT SEEING THAT LOVING YOU ♪ ♪ IS WHAT I WAS TRYING TO DO ♪ 500 00:23:15,127 --> 00:23:23,127 ♪ IS WHAT I WAS TRYING TO DO ♪ ♪ IT'S WHAT I WAS TRYING TO DO ♪ 501 00:23:25,671 --> 00:23:28,216 ♪ IT'S WHAT I WAS TRYING TO DO ♪ OOH ♪ 502 00:23:28,240 --> 00:23:35,279 OOH ♪ [ CHEERS AND APPLAUSE 503 00:23:40,619 --> 00:23:48,470 Terry: SHAQUIRA McGRATH SOFIA, WHAT DO YOU THINK 504 00:23:48,494 --> 00:23:49,337 SOFIA, WHAT DO YOU THINK Sofia: BREATHTAKING 505 00:23:49,361 --> 00:23:50,305 Sofia: BREATHTAKING CAN YOU PLEASE SING MORE 506 00:23:50,329 --> 00:23:51,973 CAN YOU PLEASE SING MORE I LOVE IT. 507 00:23:51,997 --> 00:23:52,507 I LOVE IT. FANTASTIC. 508 00:23:52,531 --> 00:23:54,776 FANTASTIC. IT'S LIKE YOU PUT YOUR SOUL IN 509 00:23:54,800 --> 00:23:57,646 IT'S LIKE YOU PUT YOUR SOUL IN EVERY SONG THAT YOU SING 510 00:23:57,670 --> 00:24:01,016 EVERY SONG THAT YOU SING IT'S LIKE MAGIC. 511 00:24:01,040 --> 00:24:01,650 IT'S LIKE MAGIC. THANK YOU SO MUCH 512 00:24:01,674 --> 00:24:05,387 THANK YOU SO MUCH Terry: KELLY, WHAT DID YOU 513 00:24:05,411 --> 00:24:05,787 Terry: KELLY, WHAT DID YOU THINK? 514 00:24:05,811 --> 00:24:07,155 THINK? Kelly: GIRL, I LOVE THAT 515 00:24:07,179 --> 00:24:08,190 Kelly: GIRL, I LOVE THAT SONG, ONE OF MY FAVORITES. 516 00:24:08,214 --> 00:24:09,925 SONG, ONE OF MY FAVORITES. THAT'S HARD SONG TO SING, 517 00:24:09,949 --> 00:24:13,528 THAT'S HARD SONG TO SING, AMERICA NEEDS TO KNOW, THERE IS 518 00:24:13,552 --> 00:24:14,329 AMERICA NEEDS TO KNOW, THERE IS NOWHERE TO BREATHE IN THAT SONG. 519 00:24:14,353 --> 00:24:15,464 NOWHERE TO BREATHE IN THAT SONG. I KNOW YOU'LL HEAR A COUPLE OF 520 00:24:15,488 --> 00:24:17,232 I KNOW YOU'LL HEAR A COUPLE OF THINGS THAT YOU DIDN'T QUITE GET 521 00:24:17,256 --> 00:24:18,700 THINGS THAT YOU DIDN'T QUITE GET THERE, BUT OVERALL YOU HAVE SUCH 522 00:24:18,724 --> 00:24:21,403 THERE, BUT OVERALL YOU HAVE SUCH A POWERFUL VOICE AND IT'S SO 523 00:24:21,427 --> 00:24:21,769 A POWERFUL VOICE AND IT'S SO SOULFUL. 524 00:24:21,793 --> 00:24:23,004 SOULFUL. IT'S KIND OF WHAT I LIKE ABOUT 525 00:24:23,028 --> 00:24:26,308 IT'S KIND OF WHAT I LIKE ABOUT GARY AND COUNTRY MUSIC, TEETERS 526 00:24:26,332 --> 00:24:28,810 GARY AND COUNTRY MUSIC, TEETERS THE LINE BETWEEN COUNTRY MUSIC 527 00:24:28,834 --> 00:24:32,014 THE LINE BETWEEN COUNTRY MUSIC AND BRIAN McKNIGHT 528 00:24:32,038 --> 00:24:33,048 AND BRIAN McKNIGHT YOU HAVE SUCH A BEAUTIFUL AND 529 00:24:33,072 --> 00:24:34,316 YOU HAVE SUCH A BEAUTIFUL AND POWERFUL VOICE 530 00:24:34,340 --> 00:24:34,850 POWERFUL VOICE GREAT JOB. 531 00:24:34,874 --> 00:24:36,485 GREAT JOB. Terry: HOWIE. 532 00:24:36,509 --> 00:24:37,819 Terry: HOWIE. Howie: I THINK YOU CERTAINLY 533 00:24:37,843 --> 00:24:38,353 Howie: I THINK YOU CERTAINLY DESERVE TO BE HERE 534 00:24:38,377 --> 00:24:39,187 DESERVE TO BE HERE THE PASSION SHOWS. 535 00:24:39,211 --> 00:24:40,589 THE PASSION SHOWS. YOU HAVE THE STRENGTH IN YOUR 536 00:24:40,613 --> 00:24:40,956 YOU HAVE THE STRENGTH IN YOUR VOICE. 537 00:24:40,980 --> 00:24:42,390 VOICE. TO BE HONEST, STILL, I WATCHED 538 00:24:42,414 --> 00:24:44,459 TO BE HONEST, STILL, I WATCHED YOU THREE TIMES ON THIS SHOW, 539 00:24:44,483 --> 00:24:46,862 YOU THREE TIMES ON THIS SHOW, THE FIRST ONE BLEW ME AWAY AND I 540 00:24:46,886 --> 00:24:48,730 THE FIRST ONE BLEW ME AWAY AND I THINK THAT THE FIRST ONE HAS 541 00:24:48,754 --> 00:24:52,834 THINK THAT THE FIRST ONE HAS BEEN YOUR TOP PERFORMANCE. 542 00:24:52,858 --> 00:24:55,270 BEEN YOUR TOP PERFORMANCE. Heidi: LET ME TALK INSTEAD. 543 00:24:55,294 --> 00:24:56,671 Heidi: LET ME TALK INSTEAD. Terry: HEIDI? 544 00:24:56,695 --> 00:24:58,540 Terry: HEIDI? Heidi: YOU'RE AMAZING, YOUR 545 00:24:58,564 --> 00:25:00,141 Heidi: YOU'RE AMAZING, YOUR VOICE IS LARGER THAN LIFE AND IT 546 00:25:00,165 --> 00:25:01,843 VOICE IS LARGER THAN LIFE AND IT FILLED EVERY NOOK AND CRANNY OF 547 00:25:01,867 --> 00:25:02,878 FILLED EVERY NOOK AND CRANNY OF THIS ROOM RIGHT HERE 548 00:25:02,902 --> 00:25:04,079 THIS ROOM RIGHT HERE YOUR VOICE IS SO BIG 549 00:25:04,103 --> 00:25:05,514 YOUR VOICE IS SO BIG I FEEL THIS VULNERABILITY INSIDE 550 00:25:05,538 --> 00:25:08,550 I FEEL THIS VULNERABILITY INSIDE OF AND YOU IT'S SO BEAUTIFUL 551 00:25:08,574 --> 00:25:13,054 OF AND YOU IT'S SO BEAUTIFUL AND YOU ARE SO BEAUTIFUL 552 00:25:13,078 --> 00:25:17,192 AND YOU ARE SO BEAUTIFUL PLEASE VOTE FOR SHAQUIRA, SHE'S 553 00:25:17,216 --> 00:25:17,692 PLEASE VOTE FOR SHAQUIRA, SHE'S AMAZING. 554 00:25:17,716 --> 00:25:19,027 AMAZING. IF THEY COULD ALL STAND UP, IF 555 00:25:19,051 --> 00:25:20,428 IF THEY COULD ALL STAND UP, IF THERE WAS AN AUDIENCE THEY WOULD 556 00:25:20,452 --> 00:25:23,465 THERE WAS AN AUDIENCE THEY WOULD ALL STAND UP 557 00:25:23,489 --> 00:25:25,100 ALL STAND UP Terry: SHAQUIRA, CONSIDERING 558 00:25:25,124 --> 00:25:27,102 Terry: SHAQUIRA, CONSIDERING ALL YOU'VE BEEN THROUGH, HOW 559 00:25:27,126 --> 00:25:27,735 ALL YOU'VE BEEN THROUGH, HOW DOES IT FEEL TO BE HERE RIGHT 560 00:25:27,759 --> 00:25:31,072 DOES IT FEEL TO BE HERE RIGHT NOW? 561 00:25:31,096 --> 00:25:32,774 NOW? TO BE ABLE TO STAND HERE, 562 00:25:32,798 --> 00:25:34,876 TO BE ABLE TO STAND HERE, KNOWING HOW BAD I WANTED IT, IT 563 00:25:34,900 --> 00:25:36,378 KNOWING HOW BAD I WANTED IT, IT FEELS SO FREEING 564 00:25:36,402 --> 00:25:38,113 FEELS SO FREEING LIKE OF COURSE, YES, I'M STILL 565 00:25:38,137 --> 00:25:38,513 LIKE OF COURSE, YES, I'M STILL TERRIFIED. 566 00:25:38,537 --> 00:25:40,115 TERRIFIED. BUT I FEEL FREE. 567 00:25:40,139 --> 00:25:43,251 BUT I FEEL FREE. I MEAN, KELLY CLARKSON IS HERE, 568 00:25:43,275 --> 00:25:45,020 I MEAN, KELLY CLARKSON IS HERE, SHE JUST TALKED TO ME. 569 00:25:45,044 --> 00:25:45,987 SHE JUST TALKED TO ME. SO YES, I'M FREAKING OUT 570 00:25:46,011 --> 00:25:46,454 SO YES, I'M FREAKING OUT BUT IT'S OKAY. 571 00:25:46,478 --> 00:25:50,325 BUT IT'S OKAY. I FEEL GOOD. 572 00:25:50,349 --> 00:25:51,726 I FEEL GOOD. Kelly: THEN LIFE IS GOOD. 573 00:25:51,750 --> 00:25:52,828 Kelly: THEN LIFE IS GOOD. Terry: GOOD LUCK TONIGHT. 574 00:25:52,852 --> 00:25:53,962 Terry: GOOD LUCK TONIGHT. IF YOU WANT TO VOTE FOR 575 00:25:53,986 --> 00:25:56,031 IF YOU WANT TO VOTE FOR SHAQUIRA, YOU CAN VOTE ONLINE AT 576 00:25:56,055 --> 00:25:57,666 SHAQUIRA, YOU CAN VOTE ONLINE AT NBC.COM OR USE THE OFFICIAL 577 00:25:57,690 --> 00:25:59,801 NBC.COM OR USE THE OFFICIAL "AMERICA'S GOT TALENT" APP 578 00:25:59,825 --> 00:26:00,836 "AMERICA'S GOT TALENT" APP YOU CAN DOWNLOAD IT FROM THE APP 579 00:26:00,860 --> 00:26:04,540 YOU CAN DOWNLOAD IT FROM THE APP STORE OR GOOGLE PLAY 580 00:26:04,564 --> 00:26:05,640 STORE OR GOOGLE PLAY AFTER THE BREAK, TWO YOUNG SALSA 581 00:26:05,664 --> 00:26:06,708 AFTER THE BREAK, TWO YOUNG SALSA DANCERS FACE THE BIGGEST 582 00:26:06,732 --> 00:26:11,902 DANCERS FACE THE BIGGEST CHALLENGE OF THEIR YOUNG LIVES 583 00:26:26,751 --> 00:26:29,698 Terry: NOW, WHILE WE'RE LUCKY ENOUGH TO BE SHOOTING SOME 584 00:26:29,722 --> 00:26:35,637 ENOUGH TO BE SHOOTING SOME PERFORMANCES OUT ON THE LOT AT 585 00:26:35,661 --> 00:26:37,472 PERFORMANCES OUT ON THE LOT AT UNIVERSAL STUDIOS, HOLLYWOOD, 586 00:26:37,496 --> 00:26:41,176 UNIVERSAL STUDIOS, HOLLYWOOD, AND IT'S OPEN TO GUESTS, THE 587 00:26:41,200 --> 00:26:43,645 AND IT'S OPEN TO GUESTS, THE THEME PARK IS CURRENTLY CLOSED 588 00:26:43,669 --> 00:26:45,847 THEME PARK IS CURRENTLY CLOSED BUT THESE TWO SALSA DANCERS GOT 589 00:26:45,871 --> 00:26:46,481 BUT THESE TWO SALSA DANCERS GOT THEIR OWN PRIVATE TOUR 590 00:26:46,505 --> 00:26:51,486 THEIR OWN PRIVATE TOUR CHECK OUT SIMON AND MARIA. 591 00:26:51,510 --> 00:26:52,320 CHECK OUT SIMON AND MARIA. WE ARE IN THE UNIVERSAL BACK 592 00:26:52,344 --> 00:26:54,956 WE ARE IN THE UNIVERSAL BACK LOT. 593 00:26:54,980 --> 00:26:56,291 LOT. WHERE THEY FILMED A WHOLE 594 00:26:56,315 --> 00:26:57,492 WHERE THEY FILMED A WHOLE BUNCH OF MOVIES. 595 00:26:57,516 --> 00:26:58,493 BUNCH OF MOVIES. YES 596 00:26:58,517 --> 00:27:00,228 YES AND LIVE SHOWS. 597 00:27:00,252 --> 00:27:01,029 AND LIVE SHOWS. "AMERICA'S GOT TALENT." 598 00:27:01,053 --> 00:27:01,262 "AMERICA'S GOT TALENT." HOWIE 599 00:27:01,286 --> 00:27:06,635 HOWIE SOFIA 600 00:27:06,659 --> 00:27:08,570 SOFIA LOOK TO OUR RIGHT, WE HAVE 601 00:27:08,594 --> 00:27:10,438 LOOK TO OUR RIGHT, WE HAVE THE CLOCK TOWER FROM "BACK TO 602 00:27:10,462 --> 00:27:10,872 THE CLOCK TOWER FROM "BACK TO THE FUTURE." 603 00:27:10,896 --> 00:27:12,674 THE FUTURE." AND IF YOU LOOK TO YOUR LEFT, 604 00:27:12,698 --> 00:27:13,875 AND IF YOU LOOK TO YOUR LEFT, YOU'LL SEE THE SET WHERE "HOME 605 00:27:13,899 --> 00:27:20,382 YOU'LL SEE THE SET WHERE "HOME ALONE 2" WAS FILMED. 606 00:27:20,406 --> 00:27:21,783 ALONE 2" WAS FILMED. I'M LITERALLY IN THE MIDDLE 607 00:27:21,807 --> 00:27:23,852 I'M LITERALLY IN THE MIDDLE OF A JUNGLE. 608 00:27:23,876 --> 00:27:29,491 OF A JUNGLE. WHOO WHOO OH, MY GOSH. 609 00:27:29,515 --> 00:27:30,992 OH, MY GOSH. IT HAS BEEN REALLY EXCITING. 610 00:27:31,016 --> 00:27:33,862 IT HAS BEEN REALLY EXCITING. THE WHOLE THEME PARK, IT'S 611 00:27:33,886 --> 00:27:37,032 THE WHOLE THEME PARK, IT'S BEEN REALLY COOL 612 00:27:37,056 --> 00:27:40,535 BEEN REALLY COOL OH, MY GOD. 613 00:27:40,559 --> 00:27:40,969 OH, MY GOD. [ SCREAMING 614 00:27:40,993 --> 00:27:42,570 [ SCREAMING STOP SCREAMING! 615 00:27:42,594 --> 00:27:44,305 STOP SCREAMING! I CAN'T BELIEVE THAT WE'RE 616 00:27:44,329 --> 00:27:46,608 I CAN'T BELIEVE THAT WE'RE GOING TO PERFORM TONIGHT 617 00:27:46,632 --> 00:27:47,242 GOING TO PERFORM TONIGHT THIS IS CRAZY. 618 00:27:47,266 --> 00:27:49,411 THIS IS CRAZY. THE LIVE SHOWS, WE'VE DEFINITELY 619 00:27:49,435 --> 00:27:50,679 THE LIVE SHOWS, WE'VE DEFINITELY HAD TO STEP IT UP. 620 00:27:50,703 --> 00:27:52,547 HAD TO STEP IT UP. WE'VE BEEN PRACTICING EVERY DAY. 621 00:27:52,571 --> 00:27:55,417 WE'VE BEEN PRACTICING EVERY DAY. AND WE HAVE A BUNCH OF TRICKS UP 622 00:27:55,441 --> 00:27:56,284 AND WE HAVE A BUNCH OF TRICKS UP OUR SLEEVE 623 00:27:56,308 --> 00:27:57,052 OUR SLEEVE I'M SO EXCITED 624 00:27:57,076 --> 00:27:57,385 I'M SO EXCITED WE'RE HERE. 625 00:27:57,409 --> 00:28:00,121 WE'RE HERE. OH, MY GOSH 626 00:28:00,145 --> 00:28:00,521 OH, MY GOSH YOU READY 627 00:28:00,545 --> 00:28:04,025 YOU READY LET'S DO THIS 628 00:28:04,049 --> 00:28:07,317 LET'S DO THIS [ CHEERS AND APPLAUSE 629 00:28:08,419 --> 00:28:16,419 ♪ 630 00:28:20,265 --> 00:28:27,905 ♪ 631 00:28:31,042 --> 00:28:39,016 ♪ 632 00:28:43,154 --> 00:28:50,861 ♪ 633 00:28:55,833 --> 00:29:03,833 ♪ 634 00:29:08,246 --> 00:29:16,246 ♪ 635 00:29:23,094 --> 00:29:31,094 ♪ 636 00:29:36,674 --> 00:29:44,674 ♪ 637 00:29:50,789 --> 00:29:55,526 ♪ 638 00:29:56,895 --> 00:30:01,431 [ CHEERS AND APPLAUSE 639 00:30:02,333 --> 00:30:04,813 Terry: WHOA I CAN'T STOP MY FEET MOVING. 640 00:30:04,837 --> 00:30:05,880 I CAN'T STOP MY FEET MOVING. WE'RE GONNA FIND OUT WHAT THE 641 00:30:05,904 --> 00:30:07,482 WE'RE GONNA FIND OUT WHAT THE JUDGES MADE OF THAT IN JUST A 642 00:30:07,506 --> 00:30:09,584 JUDGES MADE OF THAT IN JUST A COUPLE OF MINUTES. 643 00:30:09,608 --> 00:30:10,218 COUPLE OF MINUTES. THEN, A SENSATIONAL DANCER IS 644 00:30:10,242 --> 00:30:11,186 THEN, A SENSATIONAL DANCER IS GOING TO ATTEMPT THE PHYSICALLY 645 00:30:11,210 --> 00:30:12,787 GOING TO ATTEMPT THE PHYSICALLY IMPOSSIBLE 646 00:30:12,811 --> 00:30:13,855 IMPOSSIBLE YOU GOTTA SEE THIS TO BELIEVE 647 00:30:13,879 --> 00:30:14,923 YOU GOTTA SEE THIS TO BELIEVE IT 648 00:30:14,947 --> 00:30:18,415 IT STAY RIGHT THERE 649 00:30:33,164 --> 00:30:36,177 Terry: HERE ARE SIMON AND MARIA, WHO WE SAW TEARING UP 650 00:30:36,201 --> 00:30:37,779 MARIA, WHO WE SAW TEARING UP MEL'S DINER HERE AT UNIVERSAL. 651 00:30:37,803 --> 00:30:38,847 MEL'S DINER HERE AT UNIVERSAL. LET'S GET STRAIGHT TO THE 652 00:30:38,871 --> 00:30:43,384 LET'S GET STRAIGHT TO THE JUDGES 653 00:30:43,408 --> 00:30:43,718 JUDGES KELLY? 654 00:30:43,742 --> 00:30:44,853 KELLY? Kelly: I THOUGHT THAT WAS 655 00:30:44,877 --> 00:30:45,420 Kelly: I THOUGHT THAT WAS AMAZING. 656 00:30:45,444 --> 00:30:48,223 AMAZING. WE WERE DISCUSSING AT THE BREAK, 657 00:30:48,247 --> 00:30:49,591 WE WERE DISCUSSING AT THE BREAK, HOW WONDERFUL IT IS, WITH A COOL 658 00:30:49,615 --> 00:30:53,061 HOW WONDERFUL IT IS, WITH A COOL OPPORTUNITY TO USE THIS WHOLE 659 00:30:53,085 --> 00:30:55,330 OPPORTUNITY TO USE THIS WHOLE LOT AND BE ABLE TO DO THAT 660 00:30:55,354 --> 00:30:57,699 LOT AND BE ABLE TO DO THAT USUALLY YOU HAVE TO BE IN 661 00:30:57,723 --> 00:30:59,133 USUALLY YOU HAVE TO BE IN MULTIMILLION DOLLAR MOVIES TO DO 662 00:30:59,157 --> 00:30:59,400 MULTIMILLION DOLLAR MOVIES TO DO THAT 663 00:30:59,424 --> 00:31:01,669 THAT YOU DID SO WELL, YOU'RE SO CUTE, 664 00:31:01,693 --> 00:31:03,104 YOU DID SO WELL, YOU'RE SO CUTE, I LIKED WATCHING YOUR FACES 665 00:31:03,128 --> 00:31:06,040 I LIKED WATCHING YOUR FACES ALMOST AS MUCH AS WATCHING YOUR 666 00:31:06,064 --> 00:31:06,408 ALMOST AS MUCH AS WATCHING YOUR FEET 667 00:31:06,432 --> 00:31:07,508 FEET THANK YOU 668 00:31:07,532 --> 00:31:08,776 THANK YOU Terry: HOWIE? 669 00:31:08,800 --> 00:31:10,445 Terry: HOWIE? Howie: I AGREE WITH WHAT 670 00:31:10,469 --> 00:31:11,579 Howie: I AGREE WITH WHAT KELLY SAID 671 00:31:11,603 --> 00:31:13,147 KELLY SAID YOU'VE PERFORMED THREE TIMES AND 672 00:31:13,171 --> 00:31:14,949 YOU'VE PERFORMED THREE TIMES AND EACH TIME IT'S GOTTEN BETTER, 673 00:31:14,973 --> 00:31:16,851 EACH TIME IT'S GOTTEN BETTER, BETTER, AND BETTER 674 00:31:16,875 --> 00:31:17,285 BETTER, AND BETTER THANK YOU 675 00:31:17,309 --> 00:31:18,686 THANK YOU Howie: AND I HOPE AMERICA 676 00:31:18,710 --> 00:31:20,688 Howie: AND I HOPE AMERICA AGREES AND I HOPE AMERICA VOTES. 677 00:31:20,712 --> 00:31:22,090 AGREES AND I HOPE AMERICA VOTES. ONLY FIVE CAN GO THROUGH 678 00:31:22,114 --> 00:31:23,224 ONLY FIVE CAN GO THROUGH AMERICA, YOU'VE GOT TO VOTE. 679 00:31:23,248 --> 00:31:24,359 AMERICA, YOU'VE GOT TO VOTE. YOU GUYS ARE GREAT 680 00:31:24,383 --> 00:31:25,827 YOU GUYS ARE GREAT THANK YOU, HOWIE. 681 00:31:25,851 --> 00:31:27,295 THANK YOU, HOWIE. Terry: HEIDI? 682 00:31:27,319 --> 00:31:28,730 Terry: HEIDI? Heidi: YOU ARE SO TALENTED. 683 00:31:28,754 --> 00:31:31,532 Heidi: YOU ARE SO TALENTED. BY THE WAY, YOUR TALENT IS ONLY 684 00:31:31,556 --> 00:31:32,567 BY THE WAY, YOUR TALENT IS ONLY OVERSHADOWED BY YOUR CUTENESS 685 00:31:32,591 --> 00:31:34,168 OVERSHADOWED BY YOUR CUTENESS BECAUSE YOU ARE SO CUTE. 686 00:31:34,192 --> 00:31:36,304 BECAUSE YOU ARE SO CUTE. LIKE YOU SAID, THE FEET ARE 687 00:31:36,328 --> 00:31:39,674 LIKE YOU SAID, THE FEET ARE DANCING, THE FACES DANCING 688 00:31:39,698 --> 00:31:40,441 DANCING, THE FACES DANCING GOOD LUCK TONIGHT. 689 00:31:40,465 --> 00:31:42,577 GOOD LUCK TONIGHT. THANK YOU, HEIDI. 690 00:31:42,601 --> 00:31:44,545 THANK YOU, HEIDI. Terry: SOFIA. 691 00:31:44,569 --> 00:31:46,247 Terry: SOFIA. Sofia: MY FAVORITE 692 00:31:46,271 --> 00:31:46,681 Sofia: MY FAVORITE COLOMBIANS 693 00:31:46,705 --> 00:31:48,249 COLOMBIANS I AM SO PROUD OF YOU GUYS TO SEE 694 00:31:48,273 --> 00:31:50,952 I AM SO PROUD OF YOU GUYS TO SEE YOU ON THIS STAGE AND TO DO WHAT 695 00:31:50,976 --> 00:31:52,720 YOU ON THIS STAGE AND TO DO WHAT YOU'VE BEEN DOING. 696 00:31:52,744 --> 00:31:54,155 YOU'VE BEEN DOING. THE THIRD TIME, IT'S BEEN EVEN 697 00:31:54,179 --> 00:31:55,690 THE THIRD TIME, IT'S BEEN EVEN BETTER THAN THE FIRST TIME 698 00:31:55,714 --> 00:31:57,625 BETTER THAN THE FIRST TIME I CAN ONLY SEE THE FUTURE FOR 699 00:31:57,649 --> 00:31:59,995 I CAN ONLY SEE THE FUTURE FOR YOU, LIKE UNBELIEVABLE 700 00:32:00,019 --> 00:32:04,432 YOU, LIKE UNBELIEVABLE THANK YOU FOR EXISTING 701 00:32:04,456 --> 00:32:06,567 THANK YOU FOR EXISTING Terry: SIMON AND MARIA, HOW 702 00:32:06,591 --> 00:32:07,902 Terry: SIMON AND MARIA, HOW HAVE YOUR LIVES CHANGED SINCE 703 00:32:07,926 --> 00:32:10,471 HAVE YOUR LIVES CHANGED SINCE THE AUDITION 704 00:32:10,495 --> 00:32:11,640 THE AUDITION THEY HAVE CHANGED A LOT SINCE 705 00:32:11,664 --> 00:32:14,142 THEY HAVE CHANGED A LOT SINCE THE AUDITION, BECAUSE OUR 706 00:32:14,166 --> 00:32:15,410 THE AUDITION, BECAUSE OUR FRIENDS, LIKE A LOT MORE PEOPLE 707 00:32:15,434 --> 00:32:16,845 FRIENDS, LIKE A LOT MORE PEOPLE HAVE NOTICED US. 708 00:32:16,869 --> 00:32:19,414 HAVE NOTICED US. AND IT'S BEEN REALLY GREAT 709 00:32:19,438 --> 00:32:20,515 AND IT'S BEEN REALLY GREAT Terry: GOOD LUCK, GUYS. 710 00:32:20,539 --> 00:32:22,116 Terry: GOOD LUCK, GUYS. WHAT DO YOU THINK? 711 00:32:22,140 --> 00:32:23,184 WHAT DO YOU THINK? DO YOU WANT TO SEE THESE TWO IN 712 00:32:23,208 --> 00:32:25,286 DO YOU WANT TO SEE THESE TWO IN THE SEMI-FINALS? 713 00:32:25,310 --> 00:32:26,888 THE SEMI-FINALS? THEN YOU HAVE TO VOTE. 714 00:32:26,912 --> 00:32:27,956 THEN YOU HAVE TO VOTE. YOU CAN VOTE UP TO TEN TIMES FOR 715 00:32:27,980 --> 00:32:29,023 YOU CAN VOTE UP TO TEN TIMES FOR EACH ACT WITH EACH VOTING 716 00:32:29,047 --> 00:32:31,159 EACH ACT WITH EACH VOTING METHOD 717 00:32:31,183 --> 00:32:33,795 METHOD LET'S KEEP IT GOING. 718 00:32:33,819 --> 00:32:35,396 LET'S KEEP IT GOING. COMING UP RIGHT NOW IS A DANCER 719 00:32:35,420 --> 00:32:38,032 COMING UP RIGHT NOW IS A DANCER WHO PROVES THAT IF YOU HAVE A 720 00:32:38,056 --> 00:32:39,100 WHO PROVES THAT IF YOU HAVE A DREAM, YOU JUST HAVE TO FOLLOW 721 00:32:39,124 --> 00:32:40,168 DREAM, YOU JUST HAVE TO FOLLOW IT... NO MATTER WHAT 722 00:32:40,192 --> 00:32:42,303 IT... NO MATTER WHAT BUT SOMETIMES YOU NEED A LITTLE 723 00:32:42,327 --> 00:32:45,673 BUT SOMETIMES YOU NEED A LITTLE HELP... LIKE, FROM SIMON COWELL. 724 00:32:45,697 --> 00:32:50,478 HELP... LIKE, FROM SIMON COWELL. HERE'S FRENCHIEBABYY 725 00:32:50,502 --> 00:32:53,214 HERE'S FRENCHIEBABYY ME AND MY FAMILY WERE VERY 726 00:32:53,238 --> 00:32:54,983 ME AND MY FAMILY WERE VERY CLOSE BUT WHEN I STARTED 727 00:32:55,007 --> 00:32:58,219 CLOSE BUT WHEN I STARTED DANCING, MY FAMILY WAS SUPER 728 00:32:58,243 --> 00:32:58,786 DANCING, MY FAMILY WAS SUPER CHRISTIAN AND THEY DIDN'T 729 00:32:58,810 --> 00:32:59,487 CHRISTIAN AND THEY DIDN'T SUPPORT IT 730 00:32:59,511 --> 00:33:01,522 SUPPORT IT I GOT INTO A BIG FIGHT WITH MY 731 00:33:01,546 --> 00:33:04,492 I GOT INTO A BIG FIGHT WITH MY PARENTS AND GOT KICKED OUT OF 732 00:33:04,516 --> 00:33:05,326 PARENTS AND GOT KICKED OUT OF THE HOUSE. 733 00:33:05,350 --> 00:33:07,228 THE HOUSE. Simon: WHY DON'T WE CALL THEM 734 00:33:07,252 --> 00:33:07,495 Simon: WHY DON'T WE CALL THEM NOW. 735 00:33:07,519 --> 00:33:10,832 NOW. YOUR SON IS ON "AMERICA'S GOT 736 00:33:10,856 --> 00:33:11,032 YOUR SON IS ON "AMERICA'S GOT TALENT." 737 00:33:11,056 --> 00:33:13,568 TALENT." I STARTED TO PUT THE PIECES 738 00:33:13,592 --> 00:33:17,105 I STARTED TO PUT THE PIECES BACK TOGETHER WITH MY MOM BUT I 739 00:33:17,129 --> 00:33:18,606 BACK TOGETHER WITH MY MOM BUT I LOST CONNECTION WITH MY SISTERS, 740 00:33:18,630 --> 00:33:19,107 LOST CONNECTION WITH MY SISTERS, THEY WERE MY BEST FRIENDS 741 00:33:19,131 --> 00:33:23,344 THEY WERE MY BEST FRIENDS GROWING UP 742 00:33:23,368 --> 00:33:26,581 GROWING UP [ TELEPHONE RINGING 743 00:33:26,605 --> 00:33:26,948 [ TELEPHONE RINGING HEY, GUYS. 744 00:33:26,972 --> 00:33:30,818 HEY, GUYS. HOW ARE YOU ALL DOING? 745 00:33:30,842 --> 00:33:32,153 HOW ARE YOU ALL DOING? GOOD TO SEE YOU GUYS 746 00:33:32,177 --> 00:33:33,388 GOOD TO SEE YOU GUYS IT'S BEEN A LONG TIME 747 00:33:33,412 --> 00:33:35,556 IT'S BEEN A LONG TIME THE LAST TIME WE ALL TOGETHER 748 00:33:35,580 --> 00:33:37,592 THE LAST TIME WE ALL TOGETHER HAD TO BE 2010 749 00:33:37,616 --> 00:33:39,927 HAD TO BE 2010 TO SEE YOU ON "AMERICA'S GOT 750 00:33:39,951 --> 00:33:40,628 TO SEE YOU ON "AMERICA'S GOT TALENT," WE'RE SUPER PROUD OF 751 00:33:40,652 --> 00:33:41,562 TALENT," WE'RE SUPER PROUD OF YOU, MAN 752 00:33:41,586 --> 00:33:42,530 YOU, MAN THANK YOU 753 00:33:42,554 --> 00:33:46,801 THANK YOU I WANT YOU TO KNOW EVEN 754 00:33:46,825 --> 00:33:49,537 I WANT YOU TO KNOW EVEN THOUGH WE COULDN'T BE THERE 755 00:33:49,561 --> 00:33:51,672 THOUGH WE COULDN'T BE THERE PHYSICALLY, WE'RE THERE FOR YOU 756 00:33:51,696 --> 00:33:52,640 PHYSICALLY, WE'RE THERE FOR YOU IN SPIRIT. 757 00:33:52,664 --> 00:33:54,042 IN SPIRIT. WE RECONNECTED, WE HAVE A 758 00:33:54,066 --> 00:33:54,709 WE RECONNECTED, WE HAVE A STRONG BOND. 759 00:33:54,733 --> 00:33:57,578 STRONG BOND. WE'RE WATCHING YOU, YOU'RE 760 00:33:57,602 --> 00:33:59,214 WE'RE WATCHING YOU, YOU'RE GOING TO DO GREAT, YOU'LL BE 761 00:33:59,238 --> 00:33:59,447 GOING TO DO GREAT, YOU'LL BE AWESOME. 762 00:33:59,471 --> 00:34:01,015 AWESOME. I LOVE YOU GUYS SO MUCH 763 00:34:01,039 --> 00:34:04,085 I LOVE YOU GUYS SO MUCH TO BE IN A LIVE SHOW AND HAVE MY 764 00:34:04,109 --> 00:34:05,019 TO BE IN A LIVE SHOW AND HAVE MY FAMILY'S SUPPORT MAKES ME WANT 765 00:34:05,043 --> 00:34:06,988 FAMILY'S SUPPORT MAKES ME WANT TO PUT THE BEST SHOW ON JUST 766 00:34:07,012 --> 00:34:08,222 TO PUT THE BEST SHOW ON JUST BECAUSE I KNOW THEY'RE WATCHING. 767 00:34:08,246 --> 00:34:08,956 BECAUSE I KNOW THEY'RE WATCHING. I FEEL LIKE MY TIME IS NOW 768 00:34:08,980 --> 00:34:10,825 I FEEL LIKE MY TIME IS NOW I'M HERE TO WIN. 769 00:34:10,849 --> 00:34:15,419 I'M HERE TO WIN. [ CHEERS AND APPLAUSE 770 00:34:16,420 --> 00:34:24,127 ♪ 771 00:34:28,199 --> 00:34:36,039 ♪ 772 00:34:39,977 --> 00:34:47,551 ♪ 773 00:34:51,689 --> 00:34:58,862 ♪ 774 00:35:11,275 --> 00:35:19,275 ♪ 775 00:35:23,821 --> 00:35:31,094 ♪ 776 00:35:35,666 --> 00:35:43,666 ♪ 777 00:35:48,845 --> 00:35:56,845 ♪ 778 00:36:03,127 --> 00:36:10,634 ♪ 779 00:36:11,969 --> 00:36:19,676 [ CHEERS AND APPLAUSE 780 00:36:26,017 --> 00:36:30,531 Terry: THAT WAS VIRTUAL REALITY ON STEROIDS. 781 00:36:30,555 --> 00:36:32,300 REALITY ON STEROIDS. FRENCHIEBABYY. 782 00:36:32,324 --> 00:36:32,600 FRENCHIEBABYY. HEIDI? 783 00:36:32,624 --> 00:36:34,569 HEIDI? Heidi: I MEAN, FRENCHIEBABYY, 784 00:36:34,593 --> 00:36:35,403 Heidi: I MEAN, FRENCHIEBABYY, THAT'S ONE OF THOSE THINGS THAT 785 00:36:35,427 --> 00:36:37,138 THAT'S ONE OF THOSE THINGS THAT ARE HARD TO WATCH BUT YOU CAN'T 786 00:36:37,162 --> 00:36:38,673 ARE HARD TO WATCH BUT YOU CAN'T LOOK AWAY, YOU HAVE TO KEEP 787 00:36:38,697 --> 00:36:39,040 LOOK AWAY, YOU HAVE TO KEEP WATCHING 788 00:36:39,064 --> 00:36:40,841 WATCHING YOUR ARMS DON'T LOOK LIKE ARMS, 789 00:36:40,865 --> 00:36:42,310 YOUR ARMS DON'T LOOK LIKE ARMS, IT LOOKS LIKE YOU HAVE SNAKE 790 00:36:42,334 --> 00:36:43,611 IT LOOKS LIKE YOU HAVE SNAKE ARMS, IT'S SO BIZARRE. 791 00:36:43,635 --> 00:36:44,579 ARMS, IT'S SO BIZARRE. LIVE IT. 792 00:36:44,603 --> 00:36:45,313 LIVE IT. YOU'RE SUPER UNIQUE. 793 00:36:45,337 --> 00:36:46,480 YOU'RE SUPER UNIQUE. I ALSO LOVE THAT YOU FOUND YOUR 794 00:36:46,504 --> 00:36:48,816 I ALSO LOVE THAT YOU FOUND YOUR LOOK WITH ALL THE BODY PAINTING, 795 00:36:48,840 --> 00:36:52,153 LOOK WITH ALL THE BODY PAINTING, I THINK IT'S SUPER COOL. 796 00:36:52,177 --> 00:36:54,522 I THINK IT'S SUPER COOL. YOU CAN NEVER, YOU KNOW, THINK 797 00:36:54,546 --> 00:36:56,224 YOU CAN NEVER, YOU KNOW, THINK OF SOMETHING ELSE, IT'S 798 00:36:56,248 --> 00:36:56,691 OF SOMETHING ELSE, IT'S FRENCHIEBABYY. 799 00:36:56,715 --> 00:36:58,593 FRENCHIEBABYY. FRENCHIEBABYY MAKES THE WORLD 800 00:36:58,617 --> 00:36:59,460 FRENCHIEBABYY MAKES THE WORLD GO CRAZY 801 00:36:59,484 --> 00:37:00,661 GO CRAZY Heidi: I THINK IT'S REALLY 802 00:37:00,685 --> 00:37:02,563 Heidi: I THINK IT'S REALLY COOL WHAT YOU DO, I REALLY DO. 803 00:37:02,587 --> 00:37:03,598 COOL WHAT YOU DO, I REALLY DO. Terry: SOFIA. 804 00:37:03,622 --> 00:37:04,665 Terry: SOFIA. Sofia: THAT WAS UNBELIEVABLE. 805 00:37:04,689 --> 00:37:05,933 Sofia: THAT WAS UNBELIEVABLE. THE STAGE, WHAT WAS BEHIND YOU, 806 00:37:05,957 --> 00:37:08,102 THE STAGE, WHAT WAS BEHIND YOU, WHAT YOU WERE DOING. 807 00:37:08,126 --> 00:37:09,303 WHAT YOU WERE DOING. YOU COULD IMAGINE YOU REALLY 808 00:37:09,327 --> 00:37:11,939 YOU COULD IMAGINE YOU REALLY DOING THIS FOR A LIVING BECAUSE 809 00:37:11,963 --> 00:37:13,708 DOING THIS FOR A LIVING BECAUSE IT WAS AMAZING 810 00:37:13,732 --> 00:37:14,408 IT WAS AMAZING SOMETIMES I THOUGHT YOU WERE 811 00:37:14,432 --> 00:37:16,877 SOMETIMES I THOUGHT YOU WERE GOING TO GET STUCK IN ONE OF 812 00:37:16,901 --> 00:37:17,778 GOING TO GET STUCK IN ONE OF THOSE POSITIONS. 813 00:37:17,802 --> 00:37:20,615 THOSE POSITIONS. BUT THEN YOU KEEP DOING IT 814 00:37:20,639 --> 00:37:22,450 BUT THEN YOU KEEP DOING IT IT'S NERVEWRACKING BUT ALSO 815 00:37:22,474 --> 00:37:24,118 IT'S NERVEWRACKING BUT ALSO SUPER ENTERTAINING 816 00:37:24,142 --> 00:37:25,753 SUPER ENTERTAINING I LOVE YOU 817 00:37:25,777 --> 00:37:28,289 I LOVE YOU Terry: WHAT DO YOU THINK, 818 00:37:28,313 --> 00:37:28,723 Terry: WHAT DO YOU THINK, KELLY? 819 00:37:28,747 --> 00:37:30,825 KELLY? Kelly: I'VE NEVER IN MY LIFE 820 00:37:30,849 --> 00:37:31,926 Kelly: I'VE NEVER IN MY LIFE SEEN ANYTHING LIKE WHAT JUST 821 00:37:31,950 --> 00:37:33,160 SEEN ANYTHING LIKE WHAT JUST HAPPENED 822 00:37:33,184 --> 00:37:35,730 HAPPENED KUDOS TO YOU ON SONGS, IT'S SO 823 00:37:35,754 --> 00:37:37,064 KUDOS TO YOU ON SONGS, IT'S SO IMPORTANT, IT SETS UP THE TONE 824 00:37:37,088 --> 00:37:37,698 IMPORTANT, IT SETS UP THE TONE AND THE VIBE 825 00:37:37,722 --> 00:37:39,166 AND THE VIBE WHAT YOU DO IS INCREDIBLE. 826 00:37:39,190 --> 00:37:41,902 WHAT YOU DO IS INCREDIBLE. I'VE NEVER SEEN ANYONE ON THE 827 00:37:41,926 --> 00:37:43,738 I'VE NEVER SEEN ANYONE ON THE PLANET BE ABLE TO DO IT. 828 00:37:43,762 --> 00:37:45,840 PLANET BE ABLE TO DO IT. CONGRATULATIONS, YOU'RE ONE OF A 829 00:37:45,864 --> 00:37:46,073 CONGRATULATIONS, YOU'RE ONE OF A KIND 830 00:37:46,097 --> 00:37:50,979 KIND MUCH LOVE, MUCH LOVE. 831 00:37:51,003 --> 00:37:53,981 MUCH LOVE, MUCH LOVE. Terry: HOWIE. 832 00:37:54,005 --> 00:37:55,916 Terry: HOWIE. Howie: WOW AND OW 833 00:37:55,940 --> 00:37:59,120 Howie: WOW AND OW THIS BRINGS EVERYBODY TOGETHER, 834 00:37:59,144 --> 00:38:01,155 THIS BRINGS EVERYBODY TOGETHER, AND YOUR FAMILY CAME TOGETHER. 835 00:38:01,179 --> 00:38:02,823 AND YOUR FAMILY CAME TOGETHER. IT WAS EMOTIONAL 836 00:38:02,847 --> 00:38:03,023 IT WAS EMOTIONAL VOTE 837 00:38:03,047 --> 00:38:04,358 VOTE I HAVE A FEELING YOU'RE GOING TO 838 00:38:04,382 --> 00:38:06,694 I HAVE A FEELING YOU'RE GOING TO BE ONE OF THE FIVE THAT GO 839 00:38:06,718 --> 00:38:07,027 BE ONE OF THE FIVE THAT GO THROUGH. 840 00:38:07,051 --> 00:38:09,697 THROUGH. Terry: GOOD LUCK TONIGHT, 841 00:38:09,721 --> 00:38:13,301 Terry: GOOD LUCK TONIGHT, FRENCHY. 842 00:38:13,325 --> 00:38:16,137 FRENCHY. FRENCHY IS COUNTING ON YOU 843 00:38:16,161 --> 00:38:17,204 FRENCHY IS COUNTING ON YOU REMEMBER, AGT ON XFINITY VOICE 844 00:38:17,228 --> 00:38:17,838 REMEMBER, AGT ON XFINITY VOICE REMOTE YOU CAN ALSO VOTE USING 845 00:38:17,862 --> 00:38:18,773 REMOTE YOU CAN ALSO VOTE USING YOUR XFINITY REMOTE. 846 00:38:18,797 --> 00:38:19,307 YOUR XFINITY REMOTE. SO GET BUSY. 847 00:38:19,331 --> 00:38:20,374 SO GET BUSY. COMING UP, ONE OF THE MOST 848 00:38:20,398 --> 00:38:21,442 COMING UP, ONE OF THE MOST DANGEROUS ACTS WE'VE SEEN SO FAR 849 00:38:21,466 --> 00:38:22,009 DANGEROUS ACTS WE'VE SEEN SO FAR FACES A MAJOR SETBACK. 850 00:38:22,033 --> 00:38:23,044 FACES A MAJOR SETBACK. CAN THEY STILL SAVE THEIR 851 00:38:23,068 --> 00:38:24,111 CAN THEY STILL SAVE THEIR PERFORMANCE? 852 00:38:24,135 --> 00:38:32,135 PERFORMANCE? FIND OUT AFTER THE BREAK 853 00:38:35,213 --> 00:38:39,193 FIND OUT AFTER THE BREAK Terry: WELCOME BACK 854 00:38:39,217 --> 00:38:42,196 Terry: WELCOME BACK WE'VE COME OUTSIDE TO ONE OF 855 00:38:42,220 --> 00:38:42,930 WE'VE COME OUTSIDE TO ONE OF UNIVERSAL'S AMAZING LOCATIONS 856 00:38:42,954 --> 00:38:44,598 UNIVERSAL'S AMAZING LOCATIONS FOR ONE OF OUR DANGER ACTS 857 00:38:44,622 --> 00:38:47,902 FOR ONE OF OUR DANGER ACTS THESE TWO HAVE BOTH COMPETED ON 858 00:38:47,926 --> 00:38:48,736 THESE TWO HAVE BOTH COMPETED ON "AGT" BEFORE, SEPARATELY 859 00:38:48,760 --> 00:38:50,271 "AGT" BEFORE, SEPARATELY AND MAN, THEY HAVE DONE SOME 860 00:38:50,295 --> 00:38:51,672 AND MAN, THEY HAVE DONE SOME CRAZY STUFF, BEING BLOWN OUT OF 861 00:38:51,696 --> 00:38:55,242 CRAZY STUFF, BEING BLOWN OUT OF A CANNON, BEING BLOWN UP 862 00:38:55,266 --> 00:38:56,777 A CANNON, BEING BLOWN UP WELL, NOW THEY PERFORM TOGETHER, 863 00:38:56,801 --> 00:38:57,812 WELL, NOW THEY PERFORM TOGETHER, WHICH MAKES SENSE BECAUSE THEY 864 00:38:57,836 --> 00:39:00,681 WHICH MAKES SENSE BECAUSE THEY ARE FATHER AND DAUGHTER. 865 00:39:00,705 --> 00:39:01,215 ARE FATHER AND DAUGHTER. ALL RIGHT. 866 00:39:01,239 --> 00:39:02,116 ALL RIGHT. HERE COME OUR JUDGES 867 00:39:02,140 --> 00:39:04,652 HERE COME OUR JUDGES COME ON, GUYS, LET'S MOVE. 868 00:39:04,676 --> 00:39:05,853 COME ON, GUYS, LET'S MOVE. Howie: WE'RE COMING 869 00:39:05,877 --> 00:39:07,088 Howie: WE'RE COMING Terry: EVERYTHING WAS ALL SET 870 00:39:07,112 --> 00:39:09,857 Terry: EVERYTHING WAS ALL SET FOR THE SHOW, BUT BEING IN A 871 00:39:09,881 --> 00:39:11,559 FOR THE SHOW, BUT BEING IN A DAREDEVIL ACT IS A DANGEROUS 872 00:39:11,583 --> 00:39:13,127 DAREDEVIL ACT IS A DANGEROUS BUSINESS 873 00:39:13,151 --> 00:39:13,894 BUSINESS AND THIS WEEK, THERE WAS SOME 874 00:39:13,918 --> 00:39:15,229 AND THIS WEEK, THERE WAS SOME BIG DRAMA. 875 00:39:15,253 --> 00:39:18,999 BIG DRAMA. CHECK OUT BELLO & ANNALIESE 876 00:39:19,023 --> 00:39:19,700 CHECK OUT BELLO & ANNALIESE NOCK 877 00:39:19,724 --> 00:39:20,434 NOCK WHAT'S THE WORST THING THAT 878 00:39:20,458 --> 00:39:22,136 WHAT'S THE WORST THING THAT COULD HAPPEN IF THIS GOES WRONG? 879 00:39:22,160 --> 00:39:22,837 COULD HAPPEN IF THIS GOES WRONG? SPLAT 880 00:39:22,861 --> 00:39:24,438 SPLAT WE HAVE BEEN ON "AMERICA'S 881 00:39:24,462 --> 00:39:28,909 WE HAVE BEEN ON "AMERICA'S GOT TALENT" INDIVIDUALLY 882 00:39:28,933 --> 00:39:29,777 GOT TALENT" INDIVIDUALLY BUT NEITHER ONE OF US MADE IT AS 883 00:39:29,801 --> 00:39:32,613 BUT NEITHER ONE OF US MADE IT AS FAR AS WE WANTED TO. 884 00:39:32,637 --> 00:39:33,948 FAR AS WE WANTED TO. WHEN I SAW THAT THEY WERE 885 00:39:33,972 --> 00:39:36,417 WHEN I SAW THAT THEY WERE HAVING AUDITIONS ONLINE, I SAID, 886 00:39:36,441 --> 00:39:37,952 HAVING AUDITIONS ONLINE, I SAID, DAD, THIS IS OUR OPPORTUNITY, 887 00:39:37,976 --> 00:39:39,553 DAD, THIS IS OUR OPPORTUNITY, LET'S TRY AND DO THIS TOGETHER 888 00:39:39,577 --> 00:39:41,255 LET'S TRY AND DO THIS TOGETHER AND SO WHEN WE FOUND OUT WE WERE 889 00:39:41,279 --> 00:39:44,592 AND SO WHEN WE FOUND OUT WE WERE GOING TO THE LIVE SHOW, WE KNEW 890 00:39:44,616 --> 00:39:45,460 GOING TO THE LIVE SHOW, WE KNEW WE HAD TO THINK EVEN BIGGER AND 891 00:39:45,484 --> 00:39:48,229 WE HAD TO THINK EVEN BIGGER AND EVEN BOLDER. 892 00:39:48,253 --> 00:39:49,864 EVEN BOLDER. FOR THIS NEXT PERFORMANCE, 893 00:39:49,888 --> 00:39:53,201 FOR THIS NEXT PERFORMANCE, WE'VE CONSTRUCTED AN APPARATUS 894 00:39:53,225 --> 00:39:56,370 WE'VE CONSTRUCTED AN APPARATUS THAT IS PASSING THE LIMITS OF 895 00:39:56,394 --> 00:39:56,603 THAT IS PASSING THE LIMITS OF DANGER 896 00:39:56,627 --> 00:39:57,538 DANGER WE'RE GOING TO PERFORMING ON 897 00:39:57,562 --> 00:39:58,739 WE'RE GOING TO PERFORMING ON SOMETHING CALLED A WHEEL OF 898 00:39:58,763 --> 00:39:58,939 SOMETHING CALLED A WHEEL OF DEATH. 899 00:39:58,963 --> 00:39:59,673 DEATH. IT IS VERY DANGEROUS 900 00:39:59,697 --> 00:40:04,645 IT IS VERY DANGEROUS NO NET, NO SAFETY DEVICES. 901 00:40:04,669 --> 00:40:06,380 NO NET, NO SAFETY DEVICES. I AM NERVOUS BECAUSE IT'S MY 902 00:40:06,404 --> 00:40:08,215 I AM NERVOUS BECAUSE IT'S MY DAUGHTER, MY BEAUTIFUL DAUGHTER. 903 00:40:08,239 --> 00:40:10,852 DAUGHTER, MY BEAUTIFUL DAUGHTER. WHATEVER I DO AFFECTS HER. 904 00:40:10,876 --> 00:40:11,418 WHATEVER I DO AFFECTS HER. ONE WRONG MOVE COULD BE 905 00:40:11,442 --> 00:40:15,890 ONE WRONG MOVE COULD BE DEVASTATING. 906 00:40:15,914 --> 00:40:17,291 DEVASTATING. THERE'S AN EMERGENCY, WE NEED 907 00:40:17,315 --> 00:40:20,161 THERE'S AN EMERGENCY, WE NEED A MEDIC. 908 00:40:20,185 --> 00:40:22,229 A MEDIC. MY DAD GOT HURT IN THE LAST 909 00:40:22,253 --> 00:40:22,663 MY DAD GOT HURT IN THE LAST REHEARSAL. 910 00:40:22,687 --> 00:40:23,998 REHEARSAL. I DON'T KNOW WHAT I DID 911 00:40:24,022 --> 00:40:27,535 I DON'T KNOW WHAT I DID THE PAIN COMES AND GOES, BACK 912 00:40:27,559 --> 00:40:27,902 THE PAIN COMES AND GOES, BACK SPASM. 913 00:40:27,926 --> 00:40:29,870 SPASM. THEY DON'T KNOW WHAT'S WRONG 914 00:40:29,894 --> 00:40:30,070 THEY DON'T KNOW WHAT'S WRONG YET. 915 00:40:30,094 --> 00:40:32,006 YET. I HOPE HE CAN DO THIS WITH ME. 916 00:40:32,030 --> 00:40:40,030 I HOPE HE CAN DO THIS WITH ME. BUT IF HE CAN'T, WE DON'T KNOW 917 00:40:40,205 --> 00:40:42,316 BUT IF HE CAN'T, WE DON'T KNOW SO, BELLO, HOW ARE YOU DOING? 918 00:40:42,340 --> 00:40:44,218 SO, BELLO, HOW ARE YOU DOING? I FEEL GREAT. 919 00:40:44,242 --> 00:40:46,687 I FEEL GREAT. BUT ALSO JUST TERRIBLE THAT I'M 920 00:40:46,711 --> 00:40:47,422 BUT ALSO JUST TERRIBLE THAT I'M MISSING THIS 921 00:40:47,446 --> 00:40:50,057 MISSING THIS I SUSTAINED AN ACROBATIC INJURY 922 00:40:50,081 --> 00:40:50,991 I SUSTAINED AN ACROBATIC INJURY YESTERDAY, WOKE UP THIS MORNING 923 00:40:51,015 --> 00:40:52,059 YESTERDAY, WOKE UP THIS MORNING NOT ABLE TO WORK 924 00:40:52,083 --> 00:40:54,929 NOT ABLE TO WORK I ASKED MY DAUGHTER IF SHE 925 00:40:54,953 --> 00:40:55,963 I ASKED MY DAUGHTER IF SHE WOULD, YOU KNOW, PERFORM BY 926 00:40:55,987 --> 00:40:58,065 WOULD, YOU KNOW, PERFORM BY HERSELF AND SHE HAD LESS THAN 24 927 00:40:58,089 --> 00:40:59,700 HERSELF AND SHE HAD LESS THAN 24 HOURS TO COME UP WITH A NEW 928 00:40:59,724 --> 00:41:00,167 HOURS TO COME UP WITH A NEW ROUTINE. 929 00:41:00,191 --> 00:41:01,101 ROUTINE. HER BROTHER PETEY WILL STEP IN 930 00:41:01,125 --> 00:41:02,803 HER BROTHER PETEY WILL STEP IN AND BE THE COUNTERBALANCE AND 931 00:41:02,827 --> 00:41:04,071 AND BE THE COUNTERBALANCE AND SHOW US SOMETHING EVEN I'VE 932 00:41:04,095 --> 00:41:05,706 SHOW US SOMETHING EVEN I'VE NEVER SEEN BEFORE. 933 00:41:05,730 --> 00:41:06,974 NEVER SEEN BEFORE. Terry: OKAY 934 00:41:06,998 --> 00:41:11,712 Terry: OKAY AND HERE IS ANNALIESE NOCK 935 00:41:11,736 --> 00:41:15,271 AND HERE IS ANNALIESE NOCK LET'S GO! 936 00:41:16,240 --> 00:41:24,240 ♪ 937 00:41:29,486 --> 00:41:37,486 ♪ 938 00:41:43,100 --> 00:41:50,707 ♪ 939 00:41:54,612 --> 00:42:02,612 ♪ 940 00:42:07,557 --> 00:42:15,557 ♪ 941 00:42:21,338 --> 00:42:24,140 ♪ 942 00:42:27,177 --> 00:42:31,281 OF COURSE SHE HAS TO CLIMB ON THE OUTSIDE. 943 00:42:32,282 --> 00:42:40,282 ♪ 944 00:42:46,730 --> 00:42:54,637 ♪ 945 00:42:57,875 --> 00:42:59,586 SHE'S GOING TO DO JUMP ROPE SHE'S GOING TO SKIP 946 00:42:59,610 --> 00:43:03,813 SHE'S GOING TO SKIP I KNOW. 947 00:43:04,781 --> 00:43:10,420 ♪ 948 00:43:14,758 --> 00:43:22,758 ♪ 949 00:43:30,107 --> 00:43:35,378 CRAZY LOOK AHEAD. 950 00:43:36,446 --> 00:43:39,482 ♪ 951 00:43:40,618 --> 00:43:47,190 NO! 952 00:43:48,258 --> 00:43:56,258 ♪ 953 00:44:02,872 --> 00:44:10,872 FIRE. OH, MY GOSH 954 00:44:13,351 --> 00:44:20,423 OH, MY GOSH "HOT," SHE SAID 955 00:44:21,124 --> 00:44:24,727 ♪ 956 00:44:26,797 --> 00:44:34,797 NO, NO, I DON'T LIKE THIS YES 957 00:44:35,173 --> 00:44:37,718 YES WOW 958 00:44:37,742 --> 00:44:45,742 WOW [ CHEERS AND APPLAUSE 959 00:44:47,450 --> 00:44:55,450 ♪ 960 00:45:06,436 --> 00:45:10,784 AWW INSANE! 961 00:45:10,808 --> 00:45:11,118 INSANE! ARE YOU OKAY 962 00:45:11,142 --> 00:45:13,587 ARE YOU OKAY I'M OKAY. 963 00:45:13,611 --> 00:45:14,388 I'M OKAY. ALL RIGHT 964 00:45:14,412 --> 00:45:16,523 ALL RIGHT WE'RE GOING TO HEAD BACK INSIDE 965 00:45:16,547 --> 00:45:19,293 WE'RE GOING TO HEAD BACK INSIDE FOR THE JUDGING AND GIVE OUR 966 00:45:19,317 --> 00:45:20,026 FOR THE JUDGING AND GIVE OUR HEARTS TIME TO STOP POUNDING 967 00:45:20,050 --> 00:45:28,050 HEARTS TIME TO STOP POUNDING WE'LL BE RIGHT BACK. 968 00:45:35,133 --> 00:45:38,212 WE'LL BE RIGHT BACK. Terry: WELCOME BACK 969 00:45:38,236 --> 00:45:40,881 Terry: WELCOME BACK BELLO AND ANNALIESE NOCK - 970 00:45:40,905 --> 00:45:41,916 BELLO AND ANNALIESE NOCK - I MEAN, ANNALIESE, YOU HAD MY 971 00:45:41,940 --> 00:45:43,517 I MEAN, ANNALIESE, YOU HAD MY HEART IN MY MOUTH THE WHOLE 972 00:45:43,541 --> 00:45:45,119 HEART IN MY MOUTH THE WHOLE TIME 973 00:45:45,143 --> 00:45:45,652 TIME SO THANKS FOR THAT 974 00:45:45,676 --> 00:45:46,720 SO THANKS FOR THAT LET'S CHECK OUT WHAT THE JUDGES 975 00:45:46,744 --> 00:45:49,389 LET'S CHECK OUT WHAT THE JUDGES THOUGHT. 976 00:45:49,413 --> 00:45:51,391 THOUGHT. NOW, KELLY, WE FILMED THIS ON A 977 00:45:51,415 --> 00:45:54,228 NOW, KELLY, WE FILMED THIS ON A DAY YOU WEREN'T ABLE TO BE 978 00:45:54,252 --> 00:45:54,461 DAY YOU WEREN'T ABLE TO BE THERE. 979 00:45:54,485 --> 00:45:56,497 THERE. SEEING IT FOR THE FIRST TIME... 980 00:45:56,521 --> 00:46:00,167 SEEING IT FOR THE FIRST TIME... Kelly: THANK GOD. 981 00:46:00,191 --> 00:46:02,169 Kelly: THANK GOD. Terry: WHAT DID YOU THINK? 982 00:46:02,193 --> 00:46:04,705 Terry: WHAT DID YOU THINK? Kelly: I HAD TO TURN AWAY, I 983 00:46:04,729 --> 00:46:07,407 Kelly: I HAD TO TURN AWAY, I HAD EVERY EMOTION IN THE WORLD 984 00:46:07,431 --> 00:46:07,808 HAD EVERY EMOTION IN THE WORLD HAPPENING. 985 00:46:07,832 --> 00:46:09,710 HAPPENING. I HAVE ZERO DAREDEVIL GOING ON, 986 00:46:09,734 --> 00:46:10,677 I HAVE ZERO DAREDEVIL GOING ON, SO WAY TO GO 987 00:46:10,701 --> 00:46:13,047 SO WAY TO GO YOU'RE INSANE BUT YOUR AWESOME 988 00:46:13,071 --> 00:46:14,849 YOU'RE INSANE BUT YOUR AWESOME I'M TERRIFIED FOR YOU. 989 00:46:14,873 --> 00:46:15,816 I'M TERRIFIED FOR YOU. Terry: HEIDI. 990 00:46:15,840 --> 00:46:18,285 Terry: HEIDI. Heidi: I SIT HERE WONDERING 991 00:46:18,309 --> 00:46:20,053 Heidi: I SIT HERE WONDERING HOW YOU GUYS PLAYED THAT GAME 992 00:46:20,077 --> 00:46:21,922 HOW YOU GUYS PLAYED THAT GAME TRUTH OR DARE AT HOME, 993 00:46:21,946 --> 00:46:22,356 TRUTH OR DARE AT HOME, LITERALLY. 994 00:46:22,380 --> 00:46:25,359 LITERALLY. THE SONG WAS PERFECT, "GO BIG, 995 00:46:25,383 --> 00:46:25,759 THE SONG WAS PERFECT, "GO BIG, GO HOME. 996 00:46:25,783 --> 00:46:27,561 GO HOME. ANYTHING WITH YOU GUYS IS ALWAYS 997 00:46:27,585 --> 00:46:29,196 ANYTHING WITH YOU GUYS IS ALWAYS LARGER THAN LIFE, YOU BEING SHOT 998 00:46:29,220 --> 00:46:30,831 LARGER THAN LIFE, YOU BEING SHOT OUT OF A CANNON OR YOU WERE ON A 999 00:46:30,855 --> 00:46:32,332 OUT OF A CANNON OR YOU WERE ON A LADDER THAT I'VE NEVER SEEN, 1000 00:46:32,356 --> 00:46:33,200 LADDER THAT I'VE NEVER SEEN, THIS TALL. 1001 00:46:33,224 --> 00:46:34,835 THIS TALL. YOU BLEW YOURSELF UP 1002 00:46:34,859 --> 00:46:35,969 YOU BLEW YOURSELF UP IT'S ALWAYS SPECTACULAR. 1003 00:46:35,993 --> 00:46:36,970 IT'S ALWAYS SPECTACULAR. REALLY, REALLY ALWAYS IS 1004 00:46:36,994 --> 00:46:39,840 REALLY, REALLY ALWAYS IS I THINK YOU GUYS ARE AMAZING 1005 00:46:39,864 --> 00:46:41,108 I THINK YOU GUYS ARE AMAZING THANK YOU 1006 00:46:41,132 --> 00:46:41,775 THANK YOU Heidi: GOOD LUCK. 1007 00:46:41,799 --> 00:46:42,943 Heidi: GOOD LUCK. Terry: SOFIA. 1008 00:46:42,967 --> 00:46:46,480 Terry: SOFIA. Sofia: I KEPT WATCHING MY SON 1009 00:46:46,504 --> 00:46:49,016 Sofia: I KEPT WATCHING MY SON GRAB A KNIFE AND CUT AN ONION, I 1010 00:46:49,040 --> 00:46:50,184 GRAB A KNIFE AND CUT AN ONION, I HAVE TO LEAVE THE KITCHEN. 1011 00:46:50,208 --> 00:46:52,352 HAVE TO LEAVE THE KITCHEN. I DON'T KNOW HOW BELLO CAN BE 1012 00:46:52,376 --> 00:46:53,520 I DON'T KNOW HOW BELLO CAN BE THERE WATCHING THIS. 1013 00:46:53,544 --> 00:46:55,522 THERE WATCHING THIS. IT'S UNBELIEVABLE, WHAT YOU GUYS 1014 00:46:55,546 --> 00:46:55,789 IT'S UNBELIEVABLE, WHAT YOU GUYS DO 1015 00:46:55,813 --> 00:47:00,093 DO YOU GUYS ARE LIKE NERVES OF 1016 00:47:00,117 --> 00:47:00,494 YOU GUYS ARE LIKE NERVES OF STEEL. 1017 00:47:00,518 --> 00:47:02,329 STEEL. I WANT TO SEE MORE, THOUGH 1018 00:47:02,353 --> 00:47:03,397 I WANT TO SEE MORE, THOUGH Terry: HOWIE. 1019 00:47:03,421 --> 00:47:05,099 Terry: HOWIE. Howie: I AGREE WITH SOFIA, WE 1020 00:47:05,123 --> 00:47:07,734 Howie: I AGREE WITH SOFIA, WE SHOULD CALL CHILD PROTECTIVE 1021 00:47:07,758 --> 00:47:08,836 SHOULD CALL CHILD PROTECTIVE SERVICES 1022 00:47:08,860 --> 00:47:09,536 SERVICES YOU'RE NOT SUPPOSED TO BE 1023 00:47:09,560 --> 00:47:10,704 YOU'RE NOT SUPPOSED TO BE PUTTING YOUR DAUGHTER ON 1024 00:47:10,728 --> 00:47:11,939 PUTTING YOUR DAUGHTER ON SOMETHING CALLED THE WHEEL OF 1025 00:47:11,963 --> 00:47:12,739 SOMETHING CALLED THE WHEEL OF DEATH. 1026 00:47:12,763 --> 00:47:13,974 DEATH. I'M NERVOUS WITH MY DAUGHTER 1027 00:47:13,998 --> 00:47:16,010 I'M NERVOUS WITH MY DAUGHTER BEHIND THE WHEEL OF A CAR. 1028 00:47:16,034 --> 00:47:16,944 BEHIND THE WHEEL OF A CAR. BUT THAT WAS SPECTACULAR 1029 00:47:16,968 --> 00:47:18,913 BUT THAT WAS SPECTACULAR THE SHOW MUST GO ON. 1030 00:47:18,937 --> 00:47:20,647 THE SHOW MUST GO ON. BELLO, I HOPE YOU'RE FEELING 1031 00:47:20,671 --> 00:47:20,981 BELLO, I HOPE YOU'RE FEELING BETTER 1032 00:47:21,005 --> 00:47:23,150 BETTER GOOD LUCK, BUDDY 1033 00:47:23,174 --> 00:47:24,818 GOOD LUCK, BUDDY Terry: ANNALIESE, I SAW YOU 1034 00:47:24,842 --> 00:47:26,520 Terry: ANNALIESE, I SAW YOU WERE IN TEARS, CAN YOU EXPLAIN 1035 00:47:26,544 --> 00:47:27,754 WERE IN TEARS, CAN YOU EXPLAIN WHAT YOU WERE FEELING WHEN IT 1036 00:47:27,778 --> 00:47:29,723 WHAT YOU WERE FEELING WHEN IT WAS OVER 1037 00:47:29,747 --> 00:47:30,924 WAS OVER I NEVER EXPECTED TO PERFORM 1038 00:47:30,948 --> 00:47:32,860 I NEVER EXPECTED TO PERFORM WITHOUT MY DAD, I HAVE A LOT OF 1039 00:47:32,884 --> 00:47:33,560 WITHOUT MY DAD, I HAVE A LOT OF EMOTIONS RUNNING HIGH. 1040 00:47:33,584 --> 00:47:36,196 EMOTIONS RUNNING HIGH. I HOPE I DID GOOD ENOUGH TO GET 1041 00:47:36,220 --> 00:47:37,932 I HOPE I DID GOOD ENOUGH TO GET US BOTH TO THE NEXT ROUND SO WE 1042 00:47:37,956 --> 00:47:39,299 US BOTH TO THE NEXT ROUND SO WE CAN SHOW THE WORLD WHAT WE CAN 1043 00:47:39,323 --> 00:47:39,567 CAN SHOW THE WORLD WHAT WE CAN DO TOGETHER. 1044 00:47:39,591 --> 00:47:40,500 DO TOGETHER. Terry: GOOD LUCK TONIGHT. 1045 00:47:40,524 --> 00:47:42,102 Terry: GOOD LUCK TONIGHT. IF YOU WANT TO SEE BELLO AND 1046 00:47:42,126 --> 00:47:43,137 IF YOU WANT TO SEE BELLO AND ANNALIESE IN THE SEMI-FINALS, 1047 00:47:43,161 --> 00:47:44,771 ANNALIESE IN THE SEMI-FINALS, VOTE 1048 00:47:44,795 --> 00:47:45,839 VOTE IF YOU WANT TO VOTE ONLINE, GO 1049 00:47:45,863 --> 00:47:47,407 IF YOU WANT TO VOTE ONLINE, GO TO NBC.COM 1050 00:47:47,431 --> 00:47:52,846 TO NBC.COM KEEP THEIR DREAM ALIVE 1051 00:47:52,870 --> 00:47:54,448 KEEP THEIR DREAM ALIVE RIGHT NOW, HERE'S SOFIA 1052 00:47:54,472 --> 00:47:56,016 RIGHT NOW, HERE'S SOFIA VERGARA'S FIRS 1053 00:47:56,040 --> 00:47:57,084 VERGARA'S FIRS EVER GOLDEN BUZZER 1054 00:47:57,108 --> 00:48:01,255 EVER GOLDEN BUZZER SOFIA, WHY THIS GIRL 1055 00:48:01,279 --> 00:48:03,991 SOFIA, WHY THIS GIRL Sofia: I THINK IT WAS THE 1056 00:48:04,015 --> 00:48:04,691 Sofia: I THINK IT WAS THE SURPRISE FACTOR. 1057 00:48:04,715 --> 00:48:07,928 SURPRISE FACTOR. I NEVER THOUGHT THAT THAT TINY, 1058 00:48:07,952 --> 00:48:10,097 I NEVER THOUGHT THAT THAT TINY, DELICATE, CUTE LITTLE GIRL COULD 1059 00:48:10,121 --> 00:48:12,366 DELICATE, CUTE LITTLE GIRL COULD JUST OPEN HER MOUTH AND SOUND 1060 00:48:12,390 --> 00:48:13,634 JUST OPEN HER MOUTH AND SOUND LIKE THAT. 1061 00:48:13,658 --> 00:48:15,636 LIKE THAT. I WAS BLOWN AWAY 1062 00:48:15,660 --> 00:48:17,171 I WAS BLOWN AWAY AND THAT WAS MY FIRST DAY ON 1063 00:48:17,195 --> 00:48:18,105 AND THAT WAS MY FIRST DAY ON THIS JOB 1064 00:48:18,129 --> 00:48:22,943 THIS JOB SO IT WAS LIKE, I STILL FEEL 1065 00:48:22,967 --> 00:48:23,177 SO IT WAS LIKE, I STILL FEEL GOOSEBUMPS 1066 00:48:23,201 --> 00:48:23,710 GOOSEBUMPS Terry: OKAY 1067 00:48:23,734 --> 00:48:25,178 Terry: OKAY LET'S CATCH UP 1068 00:48:25,202 --> 00:48:33,202 LET'S CATCH UP WITH ROBERTA BATTAGLIA 1069 00:48:33,311 --> 00:48:35,923 WITH ROBERTA BATTAGLIA YOU'RE NERVOUS? 1070 00:48:35,947 --> 00:48:38,225 YOU'RE NERVOUS? OH, GOSH. 1071 00:48:38,249 --> 00:48:39,927 OH, GOSH. JUST BE YOURSELF, CONTINUE ON 1072 00:48:39,951 --> 00:48:41,128 JUST BE YOURSELF, CONTINUE ON BEING YOURSELF 1073 00:48:41,152 --> 00:48:44,598 BEING YOURSELF YOU ALWAYS SAID YOU LIKED TO 1074 00:48:44,622 --> 00:48:46,033 YOU ALWAYS SAID YOU LIKED TO SING BECAUSE YOU LIKED TO PUT 1075 00:48:46,057 --> 00:48:49,469 SING BECAUSE YOU LIKED TO PUT SMILES ON PEOPLE'S FACES 1076 00:48:49,493 --> 00:48:51,571 SMILES ON PEOPLE'S FACES IT REALLY FEELS NICE 1077 00:48:51,595 --> 00:48:52,673 IT REALLY FEELS NICE THE EMOTION THAT YOU GAVE WHILE 1078 00:48:52,697 --> 00:48:56,510 THE EMOTION THAT YOU GAVE WHILE YOU WERE ON THAT STAGE 1079 00:48:56,534 --> 00:48:57,077 YOU WERE ON THAT STAGE IT WAS INCREDIBLE. 1080 00:48:57,101 --> 00:49:03,873 IT WAS INCREDIBLE. JUST INCREDIBLE. 1081 00:49:05,409 --> 00:49:13,409 [ SPEAKING FOREIGN LANGUAGE 1082 00:49:20,490 --> 00:49:23,603 YOU DID THIS ALL, GIRL. YOU WORKED HARD AT IT AND YOU 1083 00:49:23,627 --> 00:49:24,338 YOU WORKED HARD AT IT AND YOU DID IT 1084 00:49:24,362 --> 00:49:26,573 DID IT AND NOW HERE WE ARE, WE'RE ABOUT 1085 00:49:26,597 --> 00:49:29,343 AND NOW HERE WE ARE, WE'RE ABOUT TO EMBARK ON ANOTHER JOURNEY 1086 00:49:29,367 --> 00:49:30,444 TO EMBARK ON ANOTHER JOURNEY ARE YOU READY 1087 00:49:30,468 --> 00:49:31,278 ARE YOU READY I'M READY 1088 00:49:31,302 --> 00:49:32,312 I'M READY ARE YOU SURE? 1089 00:49:32,336 --> 00:49:36,116 ARE YOU SURE? HEY, I'M ONLY 10, DON'T RUSH 1090 00:49:36,140 --> 00:49:36,382 HEY, I'M ONLY 10, DON'T RUSH IT 1091 00:49:36,406 --> 00:49:38,218 IT I'M TURNING 11 ON THE 22nd 1092 00:49:38,242 --> 00:49:38,719 I'M TURNING 11 ON THE 22nd WE'RE SO PROUD OF YOU 1093 00:49:38,743 --> 00:49:39,253 WE'RE SO PROUD OF YOU VERY PROUD 1094 00:49:39,277 --> 00:49:43,946 VERY PROUD [ CHEERS AND APPLAUSE 1095 00:49:44,948 --> 00:49:52,188 ♪ 1096 00:49:55,092 --> 00:50:00,440 ♪ I KEEP HEARING VOICES IN MY MIND SAYING NOT ENOUGH ♪ 1097 00:50:00,464 --> 00:50:03,543 MIND SAYING NOT ENOUGH ♪ ♪ EVERY SINGLE NIGHT THEY TELL 1098 00:50:03,567 --> 00:50:11,567 ♪ EVERY SINGLE NIGHT THEY TELL ME I WILL NEVER BE ENOUGH ♪ 1099 00:50:13,711 --> 00:50:18,558 ME I WILL NEVER BE ENOUGH ♪ ♪ WHEN I CAN'T FEEL A THING, YO 1100 00:50:18,582 --> 00:50:21,261 ♪ WHEN I CAN'T FEEL A THING, YO SAY I AM STRONG ♪ 1101 00:50:21,285 --> 00:50:27,401 SAY I AM STRONG ♪ ♪ WHEN I THINK I AM WEAK ♪ 1102 00:50:27,425 --> 00:50:31,805 ♪ WHEN I THINK I AM WEAK ♪ ♪ AND I BELIEVE, OH, I BELIEVE 1103 00:50:31,829 --> 00:50:39,613 ♪ AND I BELIEVE, OH, I BELIEVE WHAT YOU SAY TO ME, I BELIEVE ♪ 1104 00:50:39,637 --> 00:50:44,551 WHAT YOU SAY TO ME, I BELIEVE ♪ ♪ TAKING ALL I HAVE AND NOW I'M 1105 00:50:44,575 --> 00:50:51,125 ♪ TAKING ALL I HAVE AND NOW I'M LAYING IT AT YOUR FEET ♪ 1106 00:50:51,149 --> 00:50:59,149 LAYING IT AT YOUR FEET ♪ ♪ YOU'LL HAVE EVERY VICTORY ♪ 1107 00:51:02,426 --> 00:51:06,873 ♪ YOU'LL HAVE EVERY VICTORY ♪ ♪ WHOA, WHOA ♪ 1108 00:51:06,897 --> 00:51:11,111 ♪ WHOA, WHOA ♪ ♪ WHEN I CAN'T FEEL A THING, YO 1109 00:51:11,135 --> 00:51:15,782 ♪ WHEN I CAN'T FEEL A THING, YO SAY I'M STRONG WHEN I THINK I AM 1110 00:51:15,806 --> 00:51:16,116 SAY I'M STRONG WHEN I THINK I AM WEAK ♪ 1111 00:51:16,140 --> 00:51:24,140 WEAK ♪ ♪ AND YOU SAY I AM YOURS ♪ 1112 00:51:30,121 --> 00:51:34,534 ♪ AND YOU SAY I AM YOURS ♪ ♪ AND I BELIEVE ♪ 1113 00:51:34,558 --> 00:51:38,105 ♪ AND I BELIEVE ♪ ♪ WHOA, I BELIEVE WHAT YOU SAY 1114 00:51:38,129 --> 00:51:44,711 ♪ WHOA, I BELIEVE WHAT YOU SAY TO ME ♪ 1115 00:51:44,735 --> 00:51:45,779 TO ME ♪ ♪ AND I BELIEVE ♪ 1116 00:51:45,803 --> 00:51:53,803 ♪ AND I BELIEVE ♪ [ CHEERS AND APPLAUSE 1117 00:52:02,051 --> 00:52:07,200 Terry: ROBERTA BATTAGLIA. SOFIA, THAT'S YOUR GOLDEN 1118 00:52:07,224 --> 00:52:08,001 SOFIA, THAT'S YOUR GOLDEN BUZZER 1119 00:52:08,025 --> 00:52:09,002 BUZZER WHAT DO YOU THINK? 1120 00:52:09,026 --> 00:52:11,605 WHAT DO YOU THINK? Sofia: I WANT HER TO WIN. 1121 00:52:11,629 --> 00:52:13,507 Sofia: I WANT HER TO WIN. I WANT MANY OF THEM TO WIN 1122 00:52:13,531 --> 00:52:15,742 I WANT MANY OF THEM TO WIN BUT YOU HAVE A SPECIAL PLACE IN 1123 00:52:15,766 --> 00:52:17,511 BUT YOU HAVE A SPECIAL PLACE IN MY HEART BECAUSE IT WAS MY FIRST 1124 00:52:17,535 --> 00:52:22,215 MY HEART BECAUSE IT WAS MY FIRST DAY AT WORK, AND I CANNOT 1125 00:52:22,239 --> 00:52:23,416 DAY AT WORK, AND I CANNOT BELIEVE HOW SPECTACULAR YOU 1126 00:52:23,440 --> 00:52:23,750 BELIEVE HOW SPECTACULAR YOU SING 1127 00:52:23,774 --> 00:52:25,152 SING IT'S LIKE, I THINK THE WORLD IS 1128 00:52:25,176 --> 00:52:26,987 IT'S LIKE, I THINK THE WORLD IS GOING TO OPEN UP FOR YOU 1129 00:52:27,011 --> 00:52:31,024 GOING TO OPEN UP FOR YOU I MEAN, AFTER THIS EXPERIENCE. 1130 00:52:31,048 --> 00:52:31,658 I MEAN, AFTER THIS EXPERIENCE. THANK YOU SO MUCH 1131 00:52:31,682 --> 00:52:33,560 THANK YOU SO MUCH Terry: KELLY. 1132 00:52:33,584 --> 00:52:35,228 Terry: KELLY. Kelly: YOU ARE INCREDIBLE 1133 00:52:35,252 --> 00:52:38,331 Kelly: YOU ARE INCREDIBLE NO, YOU'RE... HELLO, BUT I DON'T 1134 00:52:38,355 --> 00:52:40,400 NO, YOU'RE... HELLO, BUT I DON'T WANT TO WASTE MY TIME ON YOU 1135 00:52:40,424 --> 00:52:41,067 WANT TO WASTE MY TIME ON YOU YOU'RE INCREDIBLE. 1136 00:52:41,091 --> 00:52:42,235 YOU'RE INCREDIBLE. I CANNOT BELIEVE YOUR AGE. 1137 00:52:42,259 --> 00:52:44,271 I CANNOT BELIEVE YOUR AGE. EVEN IF YOU WERE 27 AND SOUNDING 1138 00:52:44,295 --> 00:52:47,240 EVEN IF YOU WERE 27 AND SOUNDING LIKE THAT, YOUR TONE IS SO 1139 00:52:47,264 --> 00:52:47,507 LIKE THAT, YOUR TONE IS SO BEAUTIFUL. 1140 00:52:47,531 --> 00:52:50,110 BEAUTIFUL. AND IT'S EFFORTLESS. 1141 00:52:50,134 --> 00:52:53,480 AND IT'S EFFORTLESS. AND I CAN'T EVEN WAIT TO SEE 1142 00:52:53,504 --> 00:52:56,383 AND I CAN'T EVEN WAIT TO SEE WHAT YOU DO THE REST OF YOUR 1143 00:52:56,407 --> 00:52:57,317 WHAT YOU DO THE REST OF YOUR LIFE 1144 00:52:57,341 --> 00:52:58,051 LIFE THANK YOU SO MUCH 1145 00:52:58,075 --> 00:53:00,086 THANK YOU SO MUCH Kelly: ALL THE POTENTIAL YOU 1146 00:53:00,110 --> 00:53:02,155 Kelly: ALL THE POTENTIAL YOU HAVE IS INSANE 1147 00:53:02,179 --> 00:53:04,291 HAVE IS INSANE AMERICA, VOTE FOR HER, PLEASE. 1148 00:53:04,315 --> 00:53:05,091 AMERICA, VOTE FOR HER, PLEASE. Terry: HOWIE. 1149 00:53:05,115 --> 00:53:06,560 Terry: HOWIE. Howie: I'M SO PROUD THAT I'M 1150 00:53:06,584 --> 00:53:08,628 Howie: I'M SO PROUD THAT I'M FROM TORONTO AND YOU'RE FROM 1151 00:53:08,652 --> 00:53:08,995 FROM TORONTO AND YOU'RE FROM TORONTO. 1152 00:53:09,019 --> 00:53:09,729 TORONTO. YOU BLOW ME AWAY 1153 00:53:09,753 --> 00:53:11,398 YOU BLOW ME AWAY I SAID TO SOFIA, RIGHT AFTER 1154 00:53:11,422 --> 00:53:12,532 I SAID TO SOFIA, RIGHT AFTER THAT, I THINK THAT YOU HAVE A 1155 00:53:12,556 --> 00:53:13,967 THAT, I THINK THAT YOU HAVE A GOOD CHANCE OF WINNING THIS 1156 00:53:13,991 --> 00:53:16,203 GOOD CHANCE OF WINNING THIS WHOLE SEASON, NUMBER ONE 1157 00:53:16,227 --> 00:53:17,270 WHOLE SEASON, NUMBER ONE NUMBER TWO, YOUR VOICE IS GREAT. 1158 00:53:17,294 --> 00:53:18,939 NUMBER TWO, YOUR VOICE IS GREAT. AND THE ABILITY TO SING THROUGH 1159 00:53:18,963 --> 00:53:20,473 AND THE ABILITY TO SING THROUGH A HORRIBLE BUTTERFLY ATTACK LIKE 1160 00:53:20,497 --> 00:53:22,175 A HORRIBLE BUTTERFLY ATTACK LIKE THAT IS AMAZING. 1161 00:53:22,199 --> 00:53:22,842 THAT IS AMAZING. THANK YOU SO MUCH 1162 00:53:22,866 --> 00:53:23,944 THANK YOU SO MUCH Terry: HEIDI. 1163 00:53:23,968 --> 00:53:25,078 Terry: HEIDI. Heidi: I HAVE SO MUCH RESPECT 1164 00:53:25,102 --> 00:53:26,046 Heidi: I HAVE SO MUCH RESPECT FOR YOU. 1165 00:53:26,070 --> 00:53:27,247 FOR YOU. I THINK YOU'RE ABSOLUTELY 1166 00:53:27,271 --> 00:53:27,714 I THINK YOU'RE ABSOLUTELY INCREDIBLE 1167 00:53:27,738 --> 00:53:28,515 INCREDIBLE YOUR VOICE IS INCREDIBLE 1168 00:53:28,539 --> 00:53:30,884 YOUR VOICE IS INCREDIBLE I MEAN, SOFIA SAW YOUR TALENT 1169 00:53:30,908 --> 00:53:33,119 I MEAN, SOFIA SAW YOUR TALENT FIRST AND RIGHTFULLY SO, SHE HIT 1170 00:53:33,143 --> 00:53:34,788 FIRST AND RIGHTFULLY SO, SHE HIT THE GOLDEN BUZZER FOR YOU. 1171 00:53:34,812 --> 00:53:37,390 THE GOLDEN BUZZER FOR YOU. I HOPE NOW AMERICA SEES THAT AND 1172 00:53:37,414 --> 00:53:38,391 I HOPE NOW AMERICA SEES THAT AND WILL VOTE FOR YOU. 1173 00:53:38,415 --> 00:53:39,926 WILL VOTE FOR YOU. I THINK YOU'RE INCREDIBLE. 1174 00:53:39,950 --> 00:53:40,226 I THINK YOU'RE INCREDIBLE. GOOD LUCK. 1175 00:53:40,250 --> 00:53:44,898 GOOD LUCK. THANK YOU SO MUCH 1176 00:53:44,922 --> 00:53:46,399 THANK YOU SO MUCH Terry: ROBERTA, DO YOU SEE 1177 00:53:46,423 --> 00:53:47,667 Terry: ROBERTA, DO YOU SEE YOURSELF DOING THIS THE REST OF 1178 00:53:47,691 --> 00:53:48,168 YOURSELF DOING THIS THE REST OF YOUR LIFE? 1179 00:53:48,192 --> 00:53:49,903 YOUR LIFE? YES, I DEFINITELY DO, YES 1180 00:53:49,927 --> 00:53:51,004 YES, I DEFINITELY DO, YES Terry: GOOD LUCK TONIGHT, 1181 00:53:51,028 --> 00:53:52,072 Terry: GOOD LUCK TONIGHT, ROBERTA. 1182 00:53:52,096 --> 00:53:54,174 ROBERTA. REMEMBER, A SPOT IN THE 1183 00:53:54,198 --> 00:53:56,309 REMEMBER, A SPOT IN THE SEMI-FINALS IS AT STAKE HERE 1184 00:53:56,333 --> 00:53:58,979 SEMI-FINALS IS AT STAKE HERE VOTING IS OPEN NOW AND CLOSES AT 1185 00:53:59,003 --> 00:54:00,514 VOTING IS OPEN NOW AND CLOSES AT 7:00 A.M. EASTERN TOMORROW 1186 00:54:00,538 --> 00:54:03,717 7:00 A.M. EASTERN TOMORROW YOU ALSO CAN VOTE ONLINE AT 1187 00:54:03,741 --> 00:54:05,885 YOU ALSO CAN VOTE ONLINE AT NBC.COM AND YOU CAN VOTE USING 1188 00:54:05,909 --> 00:54:07,487 NBC.COM AND YOU CAN VOTE USING THE "AMERICA'S GOT TALENT" APP 1189 00:54:07,511 --> 00:54:10,657 THE "AMERICA'S GOT TALENT" APP MOVING RIGHT ALONG, HERE'S A 1190 00:54:10,681 --> 00:54:13,326 MOVING RIGHT ALONG, HERE'S A COMEDIAN WHO WENT STRAIGHT FROM 1191 00:54:13,350 --> 00:54:14,928 COMEDIAN WHO WENT STRAIGHT FROM THE HIGH OF A GREAT AUDITION TO, 1192 00:54:14,952 --> 00:54:18,065 THE HIGH OF A GREAT AUDITION TO, WELL, THE LOWEST OF LOWS 1193 00:54:18,089 --> 00:54:25,438 WELL, THE LOWEST OF LOWS HERE'S MICHAEL YO'S STORY. 1194 00:54:25,462 --> 00:54:31,211 HERE'S MICHAEL YO'S STORY. I CHANGED AFTER "AGT" BUT NOT 1195 00:54:31,235 --> 00:54:33,847 I CHANGED AFTER "AGT" BUT NOT IN THE WAY I THOUGHT I WOULD 1196 00:54:33,871 --> 00:54:34,247 IN THE WAY I THOUGHT I WOULD CHANGE 1197 00:54:34,271 --> 00:54:35,549 CHANGE I TOLD MY WIFE I DIDN'T FEEL 1198 00:54:35,573 --> 00:54:35,849 I TOLD MY WIFE I DIDN'T FEEL GOOD 1199 00:54:35,873 --> 00:54:37,651 GOOD I HAD A FEVER, 101 1200 00:54:37,675 --> 00:54:39,286 I HAD A FEVER, 101 I COULDN'T BREATHE ANYMORE 1201 00:54:39,310 --> 00:54:40,954 I COULDN'T BREATHE ANYMORE MY WIFE IMMEDIATELY CALLED 911 1202 00:54:40,978 --> 00:54:43,223 MY WIFE IMMEDIATELY CALLED 911 I'M LAYING ON THE KITCHEN FLOOR 1203 00:54:43,247 --> 00:54:44,858 I'M LAYING ON THE KITCHEN FLOOR GASPING FOR AIR. 1204 00:54:44,882 --> 00:54:45,725 GASPING FOR AIR. SHE'S SCREAMING. 1205 00:54:45,749 --> 00:54:50,897 SHE'S SCREAMING. MY SON IS CRYING 1206 00:54:50,921 --> 00:54:53,733 MY SON IS CRYING THE AMBULANCE SHOWS UP 1207 00:54:53,757 --> 00:54:57,103 THE AMBULANCE SHOWS UP AND HE PUTS HIS HAND ON THE 1208 00:54:57,127 --> 00:54:57,404 AND HE PUTS HIS HAND ON THE WINDOW 1209 00:54:57,428 --> 00:55:00,340 WINDOW AND I WALK OVER TO IT AND I PUT 1210 00:55:00,364 --> 00:55:04,477 AND I WALK OVER TO IT AND I PUT MY HAND ON IT. 1211 00:55:04,501 --> 00:55:08,415 MY HAND ON IT. AND THEN THEY TAKE ME AWAY 1212 00:55:08,439 --> 00:55:10,717 AND THEN THEY TAKE ME AWAY THEY ROLLED ME INTO ICU. 1213 00:55:10,741 --> 00:55:13,586 THEY ROLLED ME INTO ICU. THE DOCTOR SAYS, YOU GOT COVID 1214 00:55:13,610 --> 00:55:15,722 THE DOCTOR SAYS, YOU GOT COVID I SAID, I'M GOING TO MAKE IT, 1215 00:55:15,746 --> 00:55:16,022 I SAID, I'M GOING TO MAKE IT, RIGHT? 1216 00:55:16,046 --> 00:55:18,892 RIGHT? AND SHE GOES, WE'RE GOING TO TRY 1217 00:55:18,916 --> 00:55:19,526 AND SHE GOES, WE'RE GOING TO TRY OUR BEST 1218 00:55:19,550 --> 00:55:21,561 OUR BEST MY BIGGEST FEAR WHEN I WAS IN 1219 00:55:21,585 --> 00:55:22,929 MY BIGGEST FEAR WHEN I WAS IN THERE, IT WASN'T DYING 1220 00:55:22,953 --> 00:55:25,065 THERE, IT WASN'T DYING IT WAS MY KIDS NOT KNOWING HOW 1221 00:55:25,089 --> 00:55:29,769 IT WAS MY KIDS NOT KNOWING HOW MUCH I REALLY LOVE THEM. 1222 00:55:29,793 --> 00:55:31,705 MUCH I REALLY LOVE THEM. SO I FOUGHT HARD 1223 00:55:31,729 --> 00:55:32,739 SO I FOUGHT HARD DADDY'S HERE! 1224 00:55:32,763 --> 00:55:39,212 DADDY'S HERE! ♪ 1225 00:55:39,236 --> 00:55:41,114 ♪ WHEN I KISSED MY WIFE FOR THE 1226 00:55:41,138 --> 00:55:43,817 WHEN I KISSED MY WIFE FOR THE FIRST TIME AND HUGGED MY SON AND 1227 00:55:43,841 --> 00:55:45,352 FIRST TIME AND HUGGED MY SON AND DAUGHTER, ME AND MY WIFE LOOKED 1228 00:55:45,376 --> 00:55:47,087 DAUGHTER, ME AND MY WIFE LOOKED AT EACH OTHER AND SHE SAID, 1229 00:55:47,111 --> 00:55:49,155 AT EACH OTHER AND SHE SAID, BABY, YOU'RE HERE FOR A REASON 1230 00:55:49,179 --> 00:55:50,156 BABY, YOU'RE HERE FOR A REASON YOU'RE HERE TO MAKE PEOPLE 1231 00:55:50,180 --> 00:55:51,658 YOU'RE HERE TO MAKE PEOPLE LAUGH, YOU'RE HERE TO MAKE 1232 00:55:51,682 --> 00:55:53,026 LAUGH, YOU'RE HERE TO MAKE PEOPLE COME TOGETHER 1233 00:55:53,050 --> 00:55:53,927 PEOPLE COME TOGETHER AND THAT'S WHY I WANT TO BE ON 1234 00:55:53,951 --> 00:55:55,662 AND THAT'S WHY I WANT TO BE ON THE BIGGEST STAGE WITH THE BEST 1235 00:55:55,686 --> 00:55:57,764 THE BIGGEST STAGE WITH THE BEST TALENT IN THE WORLD, TO SHOW 1236 00:55:57,788 --> 00:55:59,366 TALENT IN THE WORLD, TO SHOW PEOPLE THAT A COMEDIAN CAN WIN 1237 00:55:59,390 --> 00:56:03,203 PEOPLE THAT A COMEDIAN CAN WIN THIS THING 1238 00:56:03,227 --> 00:56:05,872 THIS THING [ CHEERS AND APPLAUSE 1239 00:56:05,896 --> 00:56:08,041 [ CHEERS AND APPLAUSE Terry: WOW. 1240 00:56:08,065 --> 00:56:09,142 Terry: WOW. WELL, MICHAEL IS GONNA GET HIS 1241 00:56:09,166 --> 00:56:09,976 WELL, MICHAEL IS GONNA GET HIS CHANCE IN A COUPLE OF MINUTES. 1242 00:56:10,000 --> 00:56:11,244 CHANCE IN A COUPLE OF MINUTES. AND LATER, A SINGER WHO'S LIVED 1243 00:56:11,268 --> 00:56:12,345 AND LATER, A SINGER WHO'S LIVED THROUGH HELL FINALLY GETS HIS 1244 00:56:12,369 --> 00:56:14,448 THROUGH HELL FINALLY GETS HIS SHOT AT THE LIFE HE DESERVES 1245 00:56:14,472 --> 00:56:18,107 SHOT AT THE LIFE HE DESERVES WE'LL BE RIGHT BACK. 1246 00:56:32,722 --> 00:56:34,567 Terry: BEFORE THE BREAK WE SAW COMEDIAN MICHAEL YO'S BATTLE 1247 00:56:34,591 --> 00:56:35,102 SAW COMEDIAN MICHAEL YO'S BATTLE TO BE HERE 1248 00:56:35,126 --> 00:56:37,237 TO BE HERE AND NOW, HE GETS HIS SHOT AT 1249 00:56:37,261 --> 00:56:38,271 AND NOW, HE GETS HIS SHOT AT MAKING AMERICA LAUGH 1250 00:56:38,295 --> 00:56:42,876 MAKING AMERICA LAUGH GIVE IT UP FOR MICHAEL YO. 1251 00:56:42,900 --> 00:56:50,900 GIVE IT UP FOR MICHAEL YO. [ CHEERS AND APPLAUSE 1252 00:56:52,209 --> 00:56:54,454 [ CHEERS AND APPLAUSE WHAT'S UP, AMERICA? 1253 00:56:54,478 --> 00:56:55,856 WHAT'S UP, AMERICA? I HAVE SOME GOOD NEWS. 1254 00:56:55,880 --> 00:56:58,225 I HAVE SOME GOOD NEWS. ME AND MY WIFE, WE JUST HAD A 1255 00:56:58,249 --> 00:56:58,691 ME AND MY WIFE, WE JUST HAD A BABY 1256 00:56:58,715 --> 00:57:00,026 BABY YEAH, BEAUTIFUL. 1257 00:57:00,050 --> 00:57:00,393 YEAH, BEAUTIFUL. BEAUTIFUL. 1258 00:57:00,417 --> 00:57:01,027 BEAUTIFUL. BUT AS A MAN I DID LEARN TWO 1259 00:57:01,051 --> 00:57:02,462 BUT AS A MAN I DID LEARN TWO THINGS I 1260 00:57:02,486 --> 00:57:06,099 THINGS I THE DELIVERY ROOM. 1261 00:57:06,123 --> 00:57:07,667 THE DELIVERY ROOM. THE FIRST THING I LEARNED IS HOW 1262 00:57:07,691 --> 00:57:09,636 THE FIRST THING I LEARNED IS HOW MUCH STRONGER WOMEN ARE THAN 1263 00:57:09,660 --> 00:57:09,969 MUCH STRONGER WOMEN ARE THAN MEN. 1264 00:57:09,993 --> 00:57:11,638 MEN. THAT'S RIGHT, I COULD NEVER GIVE 1265 00:57:11,662 --> 00:57:12,405 THAT'S RIGHT, I COULD NEVER GIVE BIRTH TO A BABY. 1266 00:57:12,429 --> 00:57:15,074 BIRTH TO A BABY. EVEN IF I WANTED TO, I WOULDN'T. 1267 00:57:15,098 --> 00:57:16,576 EVEN IF I WANTED TO, I WOULDN'T. BECAUSE YOU CAN DO THINGS THAT 1268 00:57:16,600 --> 00:57:18,178 BECAUSE YOU CAN DO THINGS THAT WE JUST CAN'T DO 1269 00:57:18,202 --> 00:57:19,212 WE JUST CAN'T DO THAT'S RIGHT, WE'RE NOT STRONG 1270 00:57:19,236 --> 00:57:20,647 THAT'S RIGHT, WE'RE NOT STRONG ENOUGH TO DELIVER A BABY, YOU 1271 00:57:20,671 --> 00:57:20,947 ENOUGH TO DELIVER A BABY, YOU KNOW 1272 00:57:20,971 --> 00:57:22,949 KNOW THE SECOND THING I LEARNED, 1273 00:57:22,973 --> 00:57:28,621 THE SECOND THING I LEARNED, HOWIE, AND SIMON, IS HOW USELESS 1274 00:57:28,645 --> 00:57:32,526 HOWIE, AND SIMON, IS HOW USELESS MEN ARE IN THE DELIVERY ROOM 1275 00:57:32,550 --> 00:57:33,760 MEN ARE IN THE DELIVERY ROOM OH, CONVEY 1276 00:57:33,784 --> 00:57:34,494 OH, CONVEY THAT' 1277 00:57:34,518 --> 00:57:34,794 THAT' YEAH. 1278 00:57:34,818 --> 00:57:36,262 YEAH. LET ME BREAK IT DOWN FOR YOU 1279 00:57:36,286 --> 00:57:38,765 LET ME BREAK IT DOWN FOR YOU MY WIFE IS GIVING BIRTH TO A 1280 00:57:38,789 --> 00:57:40,300 MY WIFE IS GIVING BIRTH TO A BABY BOY AND I'M STANDING NEXT 1281 00:57:40,324 --> 00:57:44,271 BABY BOY AND I'M STANDING NEXT TO HER GOING, PUSH, PUSH 1282 00:57:44,295 --> 00:57:49,876 TO HER GOING, PUSH, PUSH LIKE WHAT'S SHE GOING TO DO, 1283 00:57:49,900 --> 00:57:54,180 LIKE WHAT'S SHE GOING TO DO, SUCK THE BABY BACK IN? 1284 00:57:54,204 --> 00:57:57,984 SUCK THE BABY BACK IN? WE NAMED HIM OLIVER FOR MY DAD 1285 00:57:58,008 --> 00:57:58,985 WE NAMED HIM OLIVER FOR MY DAD HE WAS CRYING AND CRYING 1286 00:57:59,009 --> 00:58:00,454 HE WAS CRYING AND CRYING I SAID, I CAN DO SOMETHING, I 1287 00:58:00,478 --> 00:58:01,788 I SAID, I CAN DO SOMETHING, I CAN HELP OUT 1288 00:58:01,812 --> 00:58:04,290 CAN HELP OUT I PUT MY FINGER IN MY BABY'S 1289 00:58:04,314 --> 00:58:05,625 I PUT MY FINGER IN MY BABY'S HAND AND HE GRABS MY FINGER AND 1290 00:58:05,649 --> 00:58:06,292 HAND AND HE GRABS MY FINGER AND STARTS CRYING. 1291 00:58:06,316 --> 00:58:07,327 STARTS CRYING. THEN I START WRITING 1292 00:58:07,351 --> 00:58:10,197 THEN I START WRITING WAAHHH 1293 00:58:10,221 --> 00:58:12,565 WAAHHH THIS IS WHAT LOVE IS 1294 00:58:12,589 --> 00:58:13,666 THIS IS WHAT LOVE IS NOW, EVERY FATHER WATCHING, YOU 1295 00:58:13,690 --> 00:58:15,602 NOW, EVERY FATHER WATCHING, YOU KNOW WHAT I'M ABOUT TO SAY IS 1296 00:58:15,626 --> 00:58:18,204 KNOW WHAT I'M ABOUT TO SAY IS TRUE 1297 00:58:18,228 --> 00:58:20,273 TRUE AS SOON AS MY SON TOUCHED MY 1298 00:58:20,297 --> 00:58:22,609 AS SOON AS MY SON TOUCHED MY FINGER, I KNEW I WOULD DIE FOR 1299 00:58:22,633 --> 00:58:22,808 FINGER, I KNEW I WOULD DIE FOR HIM. 1300 00:58:22,832 --> 00:58:24,677 HIM. I DON'T EVEN KNOW THIS DUDE BUT 1301 00:58:24,701 --> 00:58:25,678 I DON'T EVEN KNOW THIS DUDE BUT I WOULD DIE FOR MY SON 1302 00:58:25,702 --> 00:58:27,247 I WOULD DIE FOR MY SON THE FIRST TIME I SEE HIM, THE 1303 00:58:27,271 --> 00:58:28,515 THE FIRST TIME I SEE HIM, THE FIRST TIME I TOUCH HIM, I WOULD 1304 00:58:28,539 --> 00:58:30,350 FIRST TIME I TOUCH HIM, I WOULD DIE FOR MY SON 1305 00:58:30,374 --> 00:58:32,685 DIE FOR MY SON ISN'T THAT CRAZY, WE DO THAT, 1306 00:58:32,709 --> 00:58:34,754 ISN'T THAT CRAZY, WE DO THAT, FELLA? 1307 00:58:34,778 --> 00:58:36,189 FELLA? WE WOULDN'T DID A THAT FOR OUR 1308 00:58:36,213 --> 00:58:36,422 WE WOULDN'T DID A THAT FOR OUR WIVES. 1309 00:58:36,446 --> 00:58:37,423 WIVES. OH, I'M FEELING THE HEAT FROM 1310 00:58:37,447 --> 00:58:38,057 OH, I'M FEELING THE HEAT FROM THE WOMEN. 1311 00:58:38,081 --> 00:58:43,563 THE WOMEN. HANG ON, LET ME EXPLAIN, LADIES. 1312 00:58:43,587 --> 00:58:46,165 HANG ON, LET ME EXPLAIN, LADIES. LOOK, LADIES, THE FIRST TIME WE 1313 00:58:46,189 --> 00:58:47,700 LOOK, LADIES, THE FIRST TIME WE SEE YOU OR TOUCH YOU IS USUALLY 1314 00:58:47,724 --> 00:58:48,568 SEE YOU OR TOUCH YOU IS USUALLY ON THE FIRST DATE. 1315 00:58:48,592 --> 00:58:50,436 ON THE FIRST DATE. NO DUDE IS DYING FOR YOU ON THE 1316 00:58:50,460 --> 00:58:52,105 NO DUDE IS DYING FOR YOU ON THE FIRST DATE 1317 00:58:52,129 --> 00:58:55,208 FIRST DATE NOW, LET ME MAKE YOU FEEL 1318 00:58:55,232 --> 00:58:55,608 NOW, LET ME MAKE YOU FEEL BETTER 1319 00:58:55,632 --> 00:58:58,712 BETTER IF A DUDE LOOKS AT YOU ON THE 1320 00:58:58,736 --> 00:58:59,346 IF A DUDE LOOKS AT YOU ON THE FIRST DATE AND GOES, I WOULD DIE 1321 00:58:59,370 --> 00:59:00,713 FIRST DATE AND GOES, I WOULD DIE FOR YOU, YOU BETTER RUN, BECAUSE 1322 00:59:00,737 --> 00:59:08,087 FOR YOU, YOU BETTER RUN, BECAUSE THAT DUDE IS ABOUT TO KILL YOU 1323 00:59:08,111 --> 00:59:11,491 THAT DUDE IS ABOUT TO KILL YOU BUT I WOULD DIE FOR MY WIFE NOW, 1324 00:59:11,515 --> 00:59:12,392 BUT I WOULD DIE FOR MY WIFE NOW, 100% 1325 00:59:12,416 --> 00:59:14,727 100% IT TOOK A COUPLE OF YEARS TO GET 1326 00:59:14,751 --> 00:59:14,928 IT TOOK A COUPLE OF YEARS TO GET THERE. 1327 00:59:14,952 --> 00:59:17,864 THERE. IF A CAR CAME, I WOULD PUSH HER 1328 00:59:17,888 --> 00:59:19,633 IF A CAR CAME, I WOULD PUSH HER OUT OF THE WAY AND TAKE IT 1329 00:59:19,657 --> 00:59:20,266 OUT OF THE WAY AND TAKE IT MYSELF 1330 00:59:20,290 --> 00:59:23,236 MYSELF BECAUSE WE ALL KNOW PEOPLE WHO 1331 00:59:23,260 --> 00:59:24,938 BECAUSE WE ALL KNOW PEOPLE WHO WE WOULDN'T DIE FOR. 1332 00:59:24,962 --> 00:59:26,840 WE WOULDN'T DIE FOR. I GUESS IT WAS THEIR TIME, THE 1333 00:59:26,864 --> 00:59:28,875 I GUESS IT WAS THEIR TIME, THE LORD WORKS IN MYSTERIOUS WAYS. 1334 00:59:28,899 --> 00:59:30,543 LORD WORKS IN MYSTERIOUS WAYS. GUYS, THANK YOU SO MUCH. 1335 00:59:30,567 --> 00:59:36,349 GUYS, THANK YOU SO MUCH. [ APPLAUSE ] 1336 00:59:36,373 --> 00:59:37,150 [ APPLAUSE ] Terry: MICHAEL YO 1337 00:59:37,174 --> 00:59:38,685 Terry: MICHAEL YO GOOD TO SEE YOU, MAN 1338 00:59:38,709 --> 00:59:39,853 GOOD TO SEE YOU, MAN YOU WERE AWESOME 1339 00:59:39,877 --> 00:59:42,221 YOU WERE AWESOME THANK YOU, THANK YOU. 1340 00:59:42,245 --> 00:59:45,158 THANK YOU, THANK YOU. Terry: KELLY, HE HAD YOU 1341 00:59:45,182 --> 00:59:45,491 Terry: KELLY, HE HAD YOU CRYING 1342 00:59:45,515 --> 00:59:46,860 CRYING Kelly: I LOVE COMEDY, ONE OF 1343 00:59:46,884 --> 00:59:50,396 Kelly: I LOVE COMEDY, ONE OF MY FIRST JOBS, I WAS A WAITRESS 1344 00:59:50,420 --> 00:59:51,598 MY FIRST JOBS, I WAS A WAITRESS AT A COMEDY CLUB 1345 00:59:51,622 --> 00:59:54,834 AT A COMEDY CLUB I LOVE COMEDIANS 1346 00:59:54,858 --> 00:59:56,903 I LOVE COMEDIANS Y'ALL ARE NEEDED NOW MORE THAN 1347 00:59:56,927 --> 00:59:57,704 Y'ALL ARE NEEDED NOW MORE THAN EVER 1348 00:59:57,728 --> 00:59:59,172 EVER I'VE KNOWN YOU FOR YEARS AND I'M 1349 00:59:59,196 --> 01:00:02,008 I'VE KNOWN YOU FOR YEARS AND I'M SO EXCITED FOR YOU, YOU JUST 1350 01:00:02,032 --> 01:00:02,709 SO EXCITED FOR YOU, YOU JUST NAILED IT. 1351 01:00:02,733 --> 01:00:04,243 NAILED IT. I DIDN'T KNOW THIS SIDE OF YOU 1352 01:00:04,267 --> 01:00:05,011 I DIDN'T KNOW THIS SIDE OF YOU EXISTED. 1353 01:00:05,035 --> 01:00:05,511 EXISTED. CONGRATULATIONS. 1354 01:00:05,535 --> 01:00:07,080 CONGRATULATIONS. THANK YOU SO MUCH, KELLY. 1355 01:00:07,104 --> 01:00:08,481 THANK YOU SO MUCH, KELLY. Terry: HOWIE. 1356 01:00:08,505 --> 01:00:09,582 Terry: HOWIE. Howie: AS I SAID TO MY FELLOW 1357 01:00:09,606 --> 01:00:11,517 Howie: AS I SAID TO MY FELLOW JUDGES BEFORE THIS, OUT OF EVERY 1358 01:00:11,541 --> 01:00:16,856 JUDGES BEFORE THIS, OUT OF EVERY ART FORM THAT WE HAVE ON THIS 1359 01:00:16,880 --> 01:00:24,597 ART FORM THAT WE HAVE ON THIS SHOW, WHEN YOU'RE IN FRONT OF A 1360 01:00:24,621 --> 01:00:26,532 SHOW, WHEN YOU'RE IN FRONT OF A VIRTUAL AUDIENCE, YOU DIDN'T 1361 01:00:26,556 --> 01:00:27,801 VIRTUAL AUDIENCE, YOU DIDN'T LOOK THAT NERVOUS. 1362 01:00:27,825 --> 01:00:30,637 LOOK THAT NERVOUS. I'M SO HAPPY YOU SURVIVED THE 1363 01:00:30,661 --> 01:00:31,704 I'M SO HAPPY YOU SURVIVED THE COVID. 1364 01:00:31,728 --> 01:00:33,607 COVID. COMEDY AND TRAGEDY GO TOGETHER 1365 01:00:33,631 --> 01:00:34,140 COMEDY AND TRAGEDY GO TOGETHER YOU DELIVERED. 1366 01:00:34,164 --> 01:00:34,874 YOU DELIVERED. AND THIS IS HARD 1367 01:00:34,898 --> 01:00:36,342 AND THIS IS HARD I DON'T KNOW WHAT I WOULD DO IN 1368 01:00:36,366 --> 01:00:38,211 I DON'T KNOW WHAT I WOULD DO IN THIS ROOM LIKE THIS. 1369 01:00:38,235 --> 01:00:40,480 THIS ROOM LIKE THIS. BUT YOU DELIVERED. 1370 01:00:40,504 --> 01:00:41,080 BUT YOU DELIVERED. THANK YOU SO MUCH 1371 01:00:41,104 --> 01:00:42,882 THANK YOU SO MUCH Howie: I'M PROUD OF YOU 1372 01:00:42,906 --> 01:00:44,250 Howie: I'M PROUD OF YOU THANK YOU, THANK YOU. 1373 01:00:44,274 --> 01:00:45,618 THANK YOU, THANK YOU. Terry: HEIDI. 1374 01:00:45,642 --> 01:00:47,053 Terry: HEIDI. Heidi: THAT WAS A LOT OF FUN. 1375 01:00:47,077 --> 01:00:48,287 Heidi: THAT WAS A LOT OF FUN. YOU ARE A LOT OF FUN 1376 01:00:48,311 --> 01:00:49,822 YOU ARE A LOT OF FUN YOU HAVE A BEAUTIFUL FAMILY. 1377 01:00:49,846 --> 01:00:51,057 YOU HAVE A BEAUTIFUL FAMILY. PROBABLY MY FAVORITE PART OF THE 1378 01:00:51,081 --> 01:00:53,926 PROBABLY MY FAVORITE PART OF THE ENTIRE THING WAS YOUR FACE, YOU 1379 01:00:53,950 --> 01:00:56,729 ENTIRE THING WAS YOUR FACE, YOU LIKE LIKE THAT SMILEY EMOJI WITH 1380 01:00:56,753 --> 01:00:57,764 LIKE LIKE THAT SMILEY EMOJI WITH THOSE HEARTS, WHEN YOU'RE 1381 01:00:57,788 --> 01:00:58,765 THOSE HEARTS, WHEN YOU'RE TALKING ABOUT YOUR FAMILY, 1382 01:00:58,789 --> 01:00:59,966 TALKING ABOUT YOUR FAMILY, ESPECIALLY YOUR SON. 1383 01:00:59,990 --> 01:01:01,668 ESPECIALLY YOUR SON. CONGRATULATIONS AGAIN FOR THIS 1384 01:01:01,692 --> 01:01:03,336 CONGRATULATIONS AGAIN FOR THIS AND LIKE YOU SAID, IT'S VERY 1385 01:01:03,360 --> 01:01:04,170 AND LIKE YOU SAID, IT'S VERY HARD WHEN YOU DON'T HAVE THE 1386 01:01:04,194 --> 01:01:05,605 HARD WHEN YOU DON'T HAVE THE PEOPLE TO FEED OFF OF. 1387 01:01:05,629 --> 01:01:08,074 PEOPLE TO FEED OFF OF. BUT IT DIDN'T SEEM TO BOTHER YOU 1388 01:01:08,098 --> 01:01:10,109 BUT IT DIDN'T SEEM TO BOTHER YOU AT ALL 1389 01:01:10,133 --> 01:01:11,110 AT ALL SO, VERY GOOD. 1390 01:01:11,134 --> 01:01:12,646 SO, VERY GOOD. Terry: SOFIA. 1391 01:01:12,670 --> 01:01:14,180 Terry: SOFIA. Sofia: I REALLY ENJOYED IT. 1392 01:01:14,204 --> 01:01:16,382 Sofia: I REALLY ENJOYED IT. YES, YES! 1393 01:01:16,406 --> 01:01:18,751 YES, YES! Sofia: I THINK THIS TIME WAS 1394 01:01:18,775 --> 01:01:22,188 Sofia: I THINK THIS TIME WAS BETTER THAN THE LAST TIME. 1395 01:01:22,212 --> 01:01:23,589 BETTER THAN THE LAST TIME. I LOVED IT 1396 01:01:23,613 --> 01:01:23,957 I LOVED IT GREAT. 1397 01:01:23,981 --> 01:01:25,992 GREAT. I LOVE YOU. 1398 01:01:26,016 --> 01:01:27,794 I LOVE YOU. Sofia: PEOPLE UNDERSTAND HOW 1399 01:01:27,818 --> 01:01:29,028 Sofia: PEOPLE UNDERSTAND HOW HARD IT IS FOR A COMEDIAN TO 1400 01:01:29,052 --> 01:01:29,462 HARD IT IS FOR A COMEDIAN TO MAKE IT THIS FAR 1401 01:01:29,486 --> 01:01:33,266 MAKE IT THIS FAR I LOVE YOU! 1402 01:01:33,290 --> 01:01:33,600 I LOVE YOU! THANK YOU! 1403 01:01:33,624 --> 01:01:34,867 THANK YOU! Terry: GOOD LUCK TONIGHT, 1404 01:01:34,891 --> 01:01:35,902 Terry: GOOD LUCK TONIGHT, MICHAEL. 1405 01:01:35,926 --> 01:01:37,470 MICHAEL. DO YOU WANT TO SEE MICHAEL IN 1406 01:01:37,494 --> 01:01:38,004 DO YOU WANT TO SEE MICHAEL IN THE SEMI-FINALS? 1407 01:01:38,028 --> 01:01:39,105 THE SEMI-FINALS? THEN VOTE. 1408 01:01:39,129 --> 01:01:41,240 THEN VOTE. GO TO NBC.COM OR DOWNLOAD THE 1409 01:01:41,264 --> 01:01:42,842 GO TO NBC.COM OR DOWNLOAD THE OFFICIAL AGT APP FROM THE APP 1410 01:01:42,866 --> 01:01:45,478 OFFICIAL AGT APP FROM THE APP STORE OR GOOGLE PLAY 1411 01:01:45,502 --> 01:01:47,080 STORE OR GOOGLE PLAY OK, I HOPE YOU'RE READY TO GET 1412 01:01:47,104 --> 01:01:48,648 OK, I HOPE YOU'RE READY TO GET DANCING. 1413 01:01:48,672 --> 01:01:50,283 DANCING. 'CAUSE AFTER THE BREAK... TWO 1414 01:01:50,307 --> 01:01:51,884 'CAUSE AFTER THE BREAK... TWO SISTERS ARE GONNA BE TEARING UP 1415 01:01:51,908 --> 01:01:52,952 SISTERS ARE GONNA BE TEARING UP A WILD WEST TOWN 1416 01:01:52,976 --> 01:02:00,976 A WILD WEST TOWN STAY RIGHT THERE! 1417 01:02:07,157 --> 01:02:08,601 STAY RIGHT THERE! ALL OF OUR PERFORMERS ARE 1418 01:02:08,625 --> 01:02:09,702 ALL OF OUR PERFORMERS ARE HOPING TO CHANGE THEIR LIVES AND 1419 01:02:09,726 --> 01:02:11,805 HOPING TO CHANGE THEIR LIVES AND LIVE THE DREAM 1420 01:02:11,829 --> 01:02:12,905 LIVE THE DREAM WELL, YOU CAN, TOO, BECAUSE 1421 01:02:12,929 --> 01:02:13,940 WELL, YOU CAN, TOO, BECAUSE AUDITIONS FOR NEXT SEASON ARE 1422 01:02:13,964 --> 01:02:17,677 AUDITIONS FOR NEXT SEASON ARE STARTING UP SOON 1423 01:02:17,701 --> 01:02:19,278 STARTING UP SOON GO TO NBC.COM/AGT TO SUBMIT A 1424 01:02:19,302 --> 01:02:21,914 GO TO NBC.COM/AGT TO SUBMIT A VIDEO ONLINE OR TO GET MORE 1425 01:02:21,938 --> 01:02:22,982 VIDEO ONLINE OR TO GET MORE INFORMATION. 1426 01:02:23,006 --> 01:02:24,050 INFORMATION. IT'S TIME TO START LIVING YOUR 1427 01:02:24,074 --> 01:02:25,651 IT'S TIME TO START LIVING YOUR DREAM. 1428 01:02:25,675 --> 01:02:26,686 DREAM. LIKE THESE TWO SISTERS 1429 01:02:26,710 --> 01:02:28,321 LIKE THESE TWO SISTERS AT THE AUDITIONS, THEY HAD ME 1430 01:02:28,345 --> 01:02:29,388 AT THE AUDITIONS, THEY HAD ME JUMPING UP AND DOWN LIKE I 1431 01:02:29,412 --> 01:02:30,423 JUMPING UP AND DOWN LIKE I WAS 16 1432 01:02:30,447 --> 01:02:32,024 WAS 16 THEY ARE A FORCE OF NATURE 1433 01:02:32,048 --> 01:02:35,228 THEY ARE A FORCE OF NATURE BUCKLE UP! 1434 01:02:35,252 --> 01:02:43,252 BUCKLE UP! HERE ARE DOUBLE DRAGON 1435 01:02:44,060 --> 01:02:46,873 HERE ARE DOUBLE DRAGON I SAID YES, OF COURSE 1436 01:02:46,897 --> 01:02:49,208 I SAID YES, OF COURSE BUT UNDER ONE CONDITION. 1437 01:02:49,232 --> 01:02:50,243 BUT UNDER ONE CONDITION. GOOD MORNING, SUNSHINE. 1438 01:02:50,267 --> 01:02:51,845 GOOD MORNING, SUNSHINE. IT'S TWO FOR ONE. 1439 01:02:51,869 --> 01:02:53,513 IT'S TWO FOR ONE. NOW THERE'S THREE OF US 1440 01:02:53,537 --> 01:02:54,781 NOW THERE'S THREE OF US WE ARE LIVING TOGETHER 1441 01:02:54,805 --> 01:02:58,117 WE ARE LIVING TOGETHER HERE YOU GO 1442 01:02:58,141 --> 01:03:01,254 HERE YOU GO THANK YOU 1443 01:03:01,278 --> 01:03:05,057 THANK YOU WE REALIZED THE POWER OF 1444 01:03:05,081 --> 01:03:06,592 WE REALIZED THE POWER OF DOUBLE DRAGON AND WE WERE 1445 01:03:06,616 --> 01:03:07,160 DOUBLE DRAGON AND WE WERE TOGETHER 1446 01:03:07,184 --> 01:03:09,061 TOGETHER DAVID IS VERY SUPPORTIVE BECAUSE 1447 01:03:09,085 --> 01:03:10,663 DAVID IS VERY SUPPORTIVE BECAUSE HE KNOWS THERE IS NO WAY I 1448 01:03:10,687 --> 01:03:12,498 HE KNOWS THERE IS NO WAY I CANNOT SEE MY SISTER EVERY DAY 1449 01:03:12,522 --> 01:03:16,135 CANNOT SEE MY SISTER EVERY DAY BUT "AGT," WE WERE WORKING IN 1450 01:03:16,159 --> 01:03:18,070 BUT "AGT," WE WERE WORKING IN A BAKERY 1451 01:03:18,094 --> 01:03:19,873 A BAKERY FOR AUDITIONS WE REHEARSED FOR 1452 01:03:19,897 --> 01:03:20,773 FOR AUDITIONS WE REHEARSED FOR TEN HOURS. 1453 01:03:20,797 --> 01:03:22,675 TEN HOURS. HE COOKED FOR US SOMETIMES 1454 01:03:22,699 --> 01:03:25,211 HE COOKED FOR US SOMETIMES TOMATOES, ANYBODY 1455 01:03:25,235 --> 01:03:31,084 TOMATOES, ANYBODY WE GAINED SO MUCH WEIGHT. 1456 01:03:31,108 --> 01:03:32,618 WE GAINED SO MUCH WEIGHT. IT'S NICE TO HAVE SOMEONE 1457 01:03:32,642 --> 01:03:33,986 IT'S NICE TO HAVE SOMEONE LIKE HIM THAT ACTUALLY RESPECTS 1458 01:03:34,010 --> 01:03:35,188 LIKE HIM THAT ACTUALLY RESPECTS WHAT WE'RE DOING 1459 01:03:35,212 --> 01:03:35,855 WHAT WE'RE DOING IF THAT'S NOT LOVE, I DON'T 1460 01:03:35,879 --> 01:03:41,694 IF THAT'S NOT LOVE, I DON'T KNOW WHAT IT IS. 1461 01:03:41,718 --> 01:03:44,497 KNOW WHAT IT IS. FOR US, MAKING IT TO THE NEXT 1462 01:03:44,521 --> 01:03:45,364 FOR US, MAKING IT TO THE NEXT ROUND MEANS EVERYTHING WE WANTED 1463 01:03:45,388 --> 01:03:46,365 ROUND MEANS EVERYTHING WE WANTED IN OUR ENTIRE LIFE 1464 01:03:46,389 --> 01:03:48,201 IN OUR ENTIRE LIFE AND WHAT IS IT YOU WANT 1465 01:03:48,225 --> 01:03:50,069 AND WHAT IS IT YOU WANT WE WANT CARBS 1466 01:03:50,093 --> 01:03:53,339 WE WANT CARBS SO SORRY. 1467 01:03:53,363 --> 01:03:56,742 SO SORRY. WE WANT TO MAKE A DREAM COME 1468 01:03:56,766 --> 01:03:57,042 WE WANT TO MAKE A DREAM COME TRUE 1469 01:03:57,066 --> 01:03:58,645 TRUE THIS IS WHY WE'RE HERE. 1470 01:03:58,669 --> 01:04:03,249 THIS IS WHY WE'RE HERE. DOUBLE DRAGON IS HERE 1471 01:04:03,273 --> 01:04:07,342 DOUBLE DRAGON IS HERE [ CHEERS AND APPLAUSE 1472 01:04:08,411 --> 01:04:15,717 ♪ 1473 01:04:19,021 --> 01:04:26,661 ♪ 1474 01:04:32,001 --> 01:04:40,001 ♪ 1475 01:04:44,713 --> 01:04:52,713 ♪ 1476 01:04:58,060 --> 01:05:06,060 ♪ 1477 01:05:10,639 --> 01:05:18,639 ♪ 1478 01:05:22,485 --> 01:05:30,225 ♪ 1479 01:05:34,830 --> 01:05:42,830 ♪ 1480 01:05:49,278 --> 01:05:56,484 ♪ 1481 01:06:02,157 --> 01:06:06,928 [ CHEERS AND APPLAUSE 1482 01:06:09,665 --> 01:06:12,311 Terry: OH, MY GOODNESS. WE'LL BRING THE LADIES BACK TO 1483 01:06:12,335 --> 01:06:12,845 WE'LL BRING THE LADIES BACK TO THE FUTURE FOR THE JUDGING, 1484 01:06:12,869 --> 01:06:13,913 THE FUTURE FOR THE JUDGING, AFTER THE BREAK. 1485 01:06:13,937 --> 01:06:18,606 AFTER THE BREAK. STAY RIGHT THERE 1486 01:06:26,181 --> 01:06:31,464 Announcer: COMING UP... PULL IT 1487 01:06:31,488 --> 01:06:33,433 PULL IT THEY DON'T DO THAT IN 1488 01:06:33,457 --> 01:06:33,666 THEY DON'T DO THAT IN COLOMBIA 1489 01:06:33,690 --> 01:06:36,235 COLOMBIA THAT WAS VERY POWERFUL. 1490 01:06:36,259 --> 01:06:38,660 THAT WAS VERY POWERFUL. THIS IS AN AUDITION I WILL 1491 01:06:50,506 --> 01:06:56,655 OKAY DOUBLE DRAGON NAILED IT BEFORE 1492 01:06:56,679 --> 01:06:57,690 DOUBLE DRAGON NAILED IT BEFORE THE BREAK, OUT IN THE WILD WEST. 1493 01:06:57,714 --> 01:07:02,895 THE BREAK, OUT IN THE WILD WEST. LET'S GO TO THE JUDGES 1494 01:07:02,919 --> 01:07:03,195 LET'S GO TO THE JUDGES HOWIE? 1495 01:07:03,219 --> 01:07:05,097 HOWIE? Howie: YOU KNOW, I'M NOT 1496 01:07:05,121 --> 01:07:07,299 Howie: YOU KNOW, I'M NOT JUDGING YOU AS SINGERS, I'M 1497 01:07:07,323 --> 01:07:09,301 JUDGING YOU AS SINGERS, I'M JUDGING YOU AS JUST 1498 01:07:09,325 --> 01:07:09,668 JUDGING YOU AS JUST PERSONALITIES. 1499 01:07:09,692 --> 01:07:11,637 PERSONALITIES. YOU GUYS SING, YOU MAKE US 1500 01:07:11,661 --> 01:07:11,938 YOU GUYS SING, YOU MAKE US LAUGH. 1501 01:07:11,962 --> 01:07:13,806 LAUGH. WE WERE ALL TALKING BEFORE, 1502 01:07:13,830 --> 01:07:14,540 WE WERE ALL TALKING BEFORE, THEY'RE GOING TO SAY THE SAME 1503 01:07:14,564 --> 01:07:20,880 THEY'RE GOING TO SAY THE SAME THING, I SEE YOU AS A SITCOM, 1504 01:07:20,904 --> 01:07:23,416 THING, I SEE YOU AS A SITCOM, YOU COULD BE THE NEW "THREE'S 1505 01:07:23,440 --> 01:07:26,652 YOU COULD BE THE NEW "THREE'S COMPANY" WITH YOU AND YOUR 1506 01:07:26,676 --> 01:07:27,053 COMPANY" WITH YOU AND YOUR BOYFRIEND. 1507 01:07:27,077 --> 01:07:28,120 BOYFRIEND. Terry: HEIDI? 1508 01:07:28,144 --> 01:07:30,256 Terry: HEIDI? Heidi: I LOVE YOU TOO 1509 01:07:30,280 --> 01:07:33,225 Heidi: I LOVE YOU TOO DOUBLE THE ENERGY, DOUBLE THE 1510 01:07:33,249 --> 01:07:34,894 DOUBLE THE ENERGY, DOUBLE THE FUN, DOUBLE THE TALENT 1511 01:07:34,918 --> 01:07:39,799 FUN, DOUBLE THE TALENT CAN I BE YOUR TRIPLET? 1512 01:07:39,823 --> 01:07:41,801 CAN I BE YOUR TRIPLET? Sofia: THE ONLY ONE HERE WHO 1513 01:07:41,825 --> 01:07:44,036 Sofia: THE ONLY ONE HERE WHO COULD BE THEIR TRIPLET IS ME 1514 01:07:44,060 --> 01:07:47,340 COULD BE THEIR TRIPLET IS ME SO MUCH FUN 1515 01:07:47,364 --> 01:07:48,441 SO MUCH FUN Terry: WHAT DO YOU THINK, SO 1516 01:07:48,465 --> 01:07:49,208 Terry: WHAT DO YOU THINK, SO MUCH I CAN'T 1517 01:07:49,232 --> 01:07:50,609 MUCH I CAN'T Sofia: IF YOU DON'T WIN THIS 1518 01:07:50,633 --> 01:07:52,678 Sofia: IF YOU DON'T WIN THIS COMPETITION, I THINK WE CAN DO 1519 01:07:52,702 --> 01:07:53,045 COMPETITION, I THINK WE CAN DO SOMETHING. 1520 01:07:53,069 --> 01:07:57,249 SOMETHING. YOU DESERVE A REALITY SHOW, AT 1521 01:07:57,273 --> 01:07:59,752 YOU DESERVE A REALITY SHOW, AT LEAST, BECAUSE YOU GUYS ARE SO 1522 01:07:59,776 --> 01:08:01,153 LEAST, BECAUSE YOU GUYS ARE SO ENTERTAINING, SO FULL OF LIFE. 1523 01:08:01,177 --> 01:08:03,656 ENTERTAINING, SO FULL OF LIFE. I FEEL SO BAD FOR THAT POOR 1524 01:08:03,680 --> 01:08:06,325 I FEEL SO BAD FOR THAT POOR BOYFRIEND THAT LIVES WITH YOU. 1525 01:08:06,349 --> 01:08:08,227 BOYFRIEND THAT LIVES WITH YOU. BUT YOU GUYS ARE AMAZING 1526 01:08:08,251 --> 01:08:11,564 BUT YOU GUYS ARE AMAZING AND THE VOICE, THE VOICE IS 1527 01:08:11,588 --> 01:08:11,831 AND THE VOICE, THE VOICE IS FANTASTIC. 1528 01:08:11,855 --> 01:08:14,300 FANTASTIC. I'M SO HAPPY, THANK YOU 1529 01:08:14,324 --> 01:08:15,468 I'M SO HAPPY, THANK YOU Terry: KELLY. 1530 01:08:15,492 --> 01:08:17,870 Terry: KELLY. Kelly: I LOVE THE ENERGY, 1531 01:08:17,894 --> 01:08:19,271 Kelly: I LOVE THE ENERGY, LOVE THE SONG CHOICE, I LOVED 1532 01:08:19,295 --> 01:08:22,041 LOVE THE SONG CHOICE, I LOVED YOU SINGING IN SPANISH, IT WAS 1533 01:08:22,065 --> 01:08:26,378 YOU SINGING IN SPANISH, IT WAS SEXY AND FUN AND FLIRTY AND 1534 01:08:26,402 --> 01:08:27,080 SEXY AND FUN AND FLIRTY AND GREAT. 1535 01:08:27,104 --> 01:08:29,081 GREAT. Terry: DOUBLE DRAGON, WHERE 1536 01:08:29,105 --> 01:08:30,149 Terry: DOUBLE DRAGON, WHERE DO YOU GET THAT ENERGY 1537 01:08:30,173 --> 01:08:32,551 DO YOU GET THAT ENERGY IT'S COFFEE, MAN, WE DRINK A 1538 01:08:32,575 --> 01:08:34,787 IT'S COFFEE, MAN, WE DRINK A LOT, DOUBLE SHOT 1539 01:08:34,811 --> 01:08:37,523 LOT, DOUBLE SHOT Terry: I GOT IT, I GOT IT 1540 01:08:37,547 --> 01:08:38,057 Terry: I GOT IT, I GOT IT GOOD LUCK TONIGHT, LADIES. 1541 01:08:38,081 --> 01:08:39,091 GOOD LUCK TONIGHT, LADIES. REMEMBER, ALL OF TONIGHT'S 1542 01:08:39,115 --> 01:08:40,159 REMEMBER, ALL OF TONIGHT'S ACTS ARE DEPENDING VOICE REMOTE 1543 01:08:40,183 --> 01:08:41,227 ACTS ARE DEPENDING VOICE REMOTE ON YOU 1544 01:08:41,251 --> 01:08:42,795 ON YOU SO YOU GOTTA VOTE! 1545 01:08:42,819 --> 01:08:43,396 SO YOU GOTTA VOTE! XFINITY CUSTOMERS, YOU CAN VOTE 1546 01:08:43,420 --> 01:08:44,396 XFINITY CUSTOMERS, YOU CAN VOTE USING YOUR XFINITY VOICE REMOTE. 1547 01:08:44,420 --> 01:08:51,704 USING YOUR XFINITY VOICE REMOTE. HERE'S OUR NEXT ACT. 1548 01:08:51,728 --> 01:08:54,073 HERE'S OUR NEXT ACT. HE'S SOFIA VERGARA'S NEXT BFF, 1549 01:08:54,097 --> 01:08:55,574 HE'S SOFIA VERGARA'S NEXT BFF, OR NOT 1550 01:08:55,598 --> 01:08:56,609 OR NOT THIS GUY TAKES SWORD-SWALLOWING 1551 01:08:56,633 --> 01:08:57,343 THIS GUY TAKES SWORD-SWALLOWING TO A WHOLE NEW LEVEL OF... WHAT! 1552 01:08:57,367 --> 01:08:58,210 TO A WHOLE NEW LEVEL OF... WHAT! AND PLEASE, DO NOT EVEN THINK 1553 01:08:58,234 --> 01:08:59,278 AND PLEASE, DO NOT EVEN THINK ABOUT TRYING WHAT YOU'RE GONNA 1554 01:08:59,302 --> 01:08:59,812 ABOUT TRYING WHAT YOU'RE GONNA SEE AT HOME. 1555 01:08:59,836 --> 01:09:04,049 SEE AT HOME. HERE'S BRETT LOUDERMILK. 1556 01:09:04,073 --> 01:09:05,217 HERE'S BRETT LOUDERMILK. HEY, AMERICA. 1557 01:09:05,241 --> 01:09:08,921 HEY, AMERICA. IT'S ME, BRETT LOUDERMILK. 1558 01:09:08,945 --> 01:09:11,423 IT'S ME, BRETT LOUDERMILK. WHEN I WINK, YOU GRAB THE SWORD 1559 01:09:11,447 --> 01:09:11,924 WHEN I WINK, YOU GRAB THE SWORD AND PULL 1560 01:09:11,948 --> 01:09:13,692 AND PULL PULL IT, PULL IT! 1561 01:09:13,716 --> 01:09:14,861 PULL IT, PULL IT! I CAN'T 1562 01:09:14,885 --> 01:09:17,196 I CAN'T SUCH A GREAT REACTION FROM MY 1563 01:09:17,220 --> 01:09:20,499 SUCH A GREAT REACTION FROM MY AUDITION ON "AGT," I DECIDED TO 1564 01:09:20,523 --> 01:09:22,468 AUDITION ON "AGT," I DECIDED TO PACK MY BAGS, MOVE TO LAS VEGAS, 1565 01:09:22,492 --> 01:09:25,438 PACK MY BAGS, MOVE TO LAS VEGAS, FOLLOW MY DREAMS, TRY TO GET 1566 01:09:25,462 --> 01:09:26,438 FOLLOW MY DREAMS, TRY TO GET SOME WORK. 1567 01:09:26,462 --> 01:09:27,440 SOME WORK. AND BOOM, CORONAVIRUS. 1568 01:09:27,464 --> 01:09:30,976 AND BOOM, CORONAVIRUS. I DECIDED TO KEEP A VIDEO DIARY. 1569 01:09:31,000 --> 01:09:32,745 I DECIDED TO KEEP A VIDEO DIARY. THE ENTIRE LAS VEGAS STRIP IS 1570 01:09:32,769 --> 01:09:33,646 THE ENTIRE LAS VEGAS STRIP IS CLOSED 1571 01:09:33,670 --> 01:09:35,848 CLOSED CASINOS ARE CLOSED 1572 01:09:35,872 --> 01:09:37,183 CASINOS ARE CLOSED THEATERS ARE BOARDED UP. 1573 01:09:37,207 --> 01:09:39,552 THEATERS ARE BOARDED UP. MY DREAMS ARE DEAD 1574 01:09:39,576 --> 01:09:40,753 MY DREAMS ARE DEAD I CAN'T STREET PERFORM BECAUSE 1575 01:09:40,777 --> 01:09:42,021 I CAN'T STREET PERFORM BECAUSE THERE'S LITERALLY NO ONE ON THE 1576 01:09:42,045 --> 01:09:42,388 THERE'S LITERALLY NO ONE ON THE STREETS. 1577 01:09:42,412 --> 01:09:45,157 STREETS. I'VE BEEN IN QUARANTINE FOR 1578 01:09:45,181 --> 01:09:46,025 I'VE BEEN IN QUARANTINE FOR ABOUT THIS LONG. 1579 01:09:46,049 --> 01:09:48,761 ABOUT THIS LONG. I'M WORKING ON MY NEXT ACT 1580 01:09:48,785 --> 01:09:50,563 I'M WORKING ON MY NEXT ACT NOW, I THINK THEY DID THAT ON 1581 01:09:50,587 --> 01:09:51,297 NOW, I THINK THEY DID THAT ON SEASON 2 1582 01:09:51,321 --> 01:09:52,565 SEASON 2 I'M DOING PHOTOGRAPHY. 1583 01:09:52,589 --> 01:09:53,899 I'M DOING PHOTOGRAPHY. AND I'M SPENDING A FAIR AMOUNT 1584 01:09:53,923 --> 01:09:59,071 AND I'M SPENDING A FAIR AMOUNT OF TIME JUST STARING AT A WALL 1585 01:09:59,095 --> 01:10:01,674 OF TIME JUST STARING AT A WALL GOING FORWARD NOW IS COMPLETELY 1586 01:10:01,698 --> 01:10:02,274 GOING FORWARD NOW IS COMPLETELY UNCHARTED. 1587 01:10:02,298 --> 01:10:03,042 UNCHARTED. "AMERICA'S GOT TALENT" HAS 1588 01:10:03,066 --> 01:10:03,308 "AMERICA'S GOT TALENT" HAS CHANGED. 1589 01:10:03,332 --> 01:10:04,343 CHANGED. EVERYTHING HAS CHANGED 1590 01:10:04,367 --> 01:10:06,045 EVERYTHING HAS CHANGED I CAN'T THINK OF ANOTHER TIME IN 1591 01:10:06,069 --> 01:10:08,280 I CAN'T THINK OF ANOTHER TIME IN HISTORY WHERE EVERYONE HAS 1592 01:10:08,304 --> 01:10:09,615 HISTORY WHERE EVERYONE HAS EXPERIENCED THE EXACT SAME 1593 01:10:09,639 --> 01:10:10,683 EXPERIENCED THE EXACT SAME THING. 1594 01:10:10,707 --> 01:10:12,585 THING. AND I THINK AT THE END OF THIS 1595 01:10:12,609 --> 01:10:13,519 AND I THINK AT THE END OF THIS THERE'S GOING TO BE A GREATER 1596 01:10:13,543 --> 01:10:14,787 THERE'S GOING TO BE A GREATER SENSE OF COMMUNITY IN THE WORLD. 1597 01:10:14,811 --> 01:10:16,622 SENSE OF COMMUNITY IN THE WORLD. HELLO, GOOD TO SEE YOU GUYS 1598 01:10:16,646 --> 01:10:17,957 HELLO, GOOD TO SEE YOU GUYS WHAT I'M REALLY LOOKING 1599 01:10:17,981 --> 01:10:19,992 WHAT I'M REALLY LOOKING FORWARD TO THE MOST IS GETTING 1600 01:10:20,016 --> 01:10:23,095 FORWARD TO THE MOST IS GETTING BACK ON STAGE, MAKING PEOPLE 1601 01:10:23,119 --> 01:10:24,396 BACK ON STAGE, MAKING PEOPLE LAUGH, AND MAKING THEM FORGET 1602 01:10:24,420 --> 01:10:25,631 LAUGH, AND MAKING THEM FORGET ABOUT ANYTHING BAD THAT HAPPENED 1603 01:10:25,655 --> 01:10:27,800 ABOUT ANYTHING BAD THAT HAPPENED TO THEM THAT DAY AND REMIND THEM 1604 01:10:27,824 --> 01:10:28,901 TO THEM THAT DAY AND REMIND THEM OF THE GREAT THINGS LIFE HAS TO 1605 01:10:28,925 --> 01:10:29,301 OF THE GREAT THINGS LIFE HAS TO OFFER. 1606 01:10:29,325 --> 01:10:33,895 OFFER. [ CHEERS AND APPLAUSE 1607 01:10:36,598 --> 01:10:41,614 "AGT" LIVE SHOWS, I GET IT. JESUS. 1608 01:10:41,638 --> 01:10:44,683 JESUS. THAT'S A LOT OF PINK 1609 01:10:44,707 --> 01:10:46,352 THAT'S A LOT OF PINK CAN WE GET SOMETHING A LITTLE 1610 01:10:46,376 --> 01:10:48,120 CAN WE GET SOMETHING A LITTLE LESS SUBTLE, PLEASE? 1611 01:10:48,144 --> 01:10:48,721 LESS SUBTLE, PLEASE? THANK YOU. 1612 01:10:48,745 --> 01:10:50,222 THANK YOU. SPEAKING OF SUBTLE, I WANT TO 1613 01:10:50,246 --> 01:10:51,924 SPEAKING OF SUBTLE, I WANT TO THANK THE ART DEPARTMENT FOR 1614 01:10:51,948 --> 01:10:56,595 THANK THE ART DEPARTMENT FOR THAT IMPECCABLE IMAGE OF MYSELF. 1615 01:10:56,619 --> 01:10:58,564 THAT IMPECCABLE IMAGE OF MYSELF. HI, HEIDI, HOW ARE YOU 1616 01:10:58,588 --> 01:11:03,002 HI, HEIDI, HOW ARE YOU WE HAVEN'T MET YET, THIS IS SO 1617 01:11:03,026 --> 01:11:03,435 WE HAVEN'T MET YET, THIS IS SO EXCITING 1618 01:11:03,459 --> 01:11:04,603 EXCITING Heidi: IS THERE A SWORD I 1619 01:11:04,627 --> 01:11:06,272 Heidi: IS THERE A SWORD I HAVE TO PULL OUT OF YOUR THROAT? 1620 01:11:06,296 --> 01:11:07,740 HAVE TO PULL OUT OF YOUR THROAT? NOT YET 1621 01:11:07,764 --> 01:11:09,541 NOT YET IT'S A DECK OF CARD. 1622 01:11:09,565 --> 01:11:10,876 IT'S A DECK OF CARD. IT'S NOT REALLY A TRICK, IT'S 1623 01:11:10,900 --> 01:11:12,144 IT'S NOT REALLY A TRICK, IT'S MORE OF A STUNT. 1624 01:11:12,168 --> 01:11:12,978 MORE OF A STUNT. I'M GOING TO SPREAD THE CARDS 1625 01:11:13,002 --> 01:11:14,247 I'M GOING TO SPREAD THE CARDS OUT JUST LIKE THIS 1626 01:11:14,271 --> 01:11:16,215 OUT JUST LIKE THIS WILL YOU PULL ONE OF THOSE CARDS 1627 01:11:16,239 --> 01:11:16,982 WILL YOU PULL ONE OF THOSE CARDS TOWARDS YOURSELF 1628 01:11:17,006 --> 01:11:19,752 TOWARDS YOURSELF YEP, RIGHT THERE 1629 01:11:19,776 --> 01:11:21,787 YEP, RIGHT THERE LIKE I SAID, IT'S NOT A MAGIC 1630 01:11:21,811 --> 01:11:22,054 LIKE I SAID, IT'S NOT A MAGIC TRICK. 1631 01:11:22,078 --> 01:11:23,756 TRICK. YOU CAN SHOW THE CAMERA THE 1632 01:11:23,780 --> 01:11:25,291 YOU CAN SHOW THE CAMERA THE CARD, I CAN SEE THE CARD, IT 1633 01:11:25,315 --> 01:11:26,558 CARD, I CAN SEE THE CARD, IT DOESN'T MATTER 1634 01:11:26,582 --> 01:11:27,593 DOESN'T MATTER THE SIX OF DIAMONDS. 1635 01:11:27,617 --> 01:11:27,993 THE SIX OF DIAMONDS. ALL RIGHT. 1636 01:11:28,017 --> 01:11:29,628 ALL RIGHT. I WANT YOU TO SIGN YOUR NAME 1637 01:11:29,652 --> 01:11:31,697 I WANT YOU TO SIGN YOUR NAME ACROSS THE SIX OF DIAMONDS 1638 01:11:31,721 --> 01:11:32,297 ACROSS THE SIX OF DIAMONDS JUST GIVE ME YOUR AUTOGRAPH 1639 01:11:32,321 --> 01:11:34,833 JUST GIVE ME YOUR AUTOGRAPH RIGHT THERE. 1640 01:11:34,857 --> 01:11:35,434 RIGHT THERE. PERFECT. 1641 01:11:35,458 --> 01:11:36,535 PERFECT. NOW, THIS IS REALLY IMPORTANT. 1642 01:11:36,559 --> 01:11:40,005 NOW, THIS IS REALLY IMPORTANT. WE'RE GOING TO PLACE THE CARD 1643 01:11:40,029 --> 01:11:43,075 WE'RE GOING TO PLACE THE CARD ABOUT 18 CARDS INTO THE PACK 1644 01:11:43,099 --> 01:11:43,842 ABOUT 18 CARDS INTO THE PACK YOU'LL SEE WHY THAT'S IMPORTANT 1645 01:11:43,866 --> 01:11:48,614 YOU'LL SEE WHY THAT'S IMPORTANT IN JUST SECONDS. 1646 01:11:48,638 --> 01:11:48,947 IN JUST SECONDS. PERFECT. 1647 01:11:48,971 --> 01:11:51,016 PERFECT. YOU FOLLOW INSTRUCTIONS SO WELL. 1648 01:11:51,040 --> 01:11:53,452 YOU FOLLOW INSTRUCTIONS SO WELL. SPEAKING OF FOLLOWING 1649 01:11:53,476 --> 01:11:54,053 SPEAKING OF FOLLOWING INSTRUCTIONS... 1650 01:11:54,077 --> 01:11:55,521 INSTRUCTIONS... Sofia: WHAT 1651 01:11:55,545 --> 01:11:57,323 Sofia: WHAT WHAT WHAT >> HI, SOFIA 1652 01:11:57,347 --> 01:11:59,358 HI, SOFIA WILL YOU PLEASE JOIN ME ONSTAGE? 1653 01:11:59,382 --> 01:12:01,060 WILL YOU PLEASE JOIN ME ONSTAGE? EVERYONE GIVE HER A ROUND OF 1654 01:12:01,084 --> 01:12:03,162 EVERYONE GIVE HER A ROUND OF APPLAUSE AS SOFIA JOINS ME 1655 01:12:03,186 --> 01:12:03,428 APPLAUSE AS SOFIA JOINS ME ONSTAGE. 1656 01:12:03,452 --> 01:12:04,497 ONSTAGE. YES, HURRY UP, COME ON 1657 01:12:04,521 --> 01:12:12,521 YES, HURRY UP, COME ON [ APPLAUSE ] 1658 01:12:15,698 --> 01:12:19,712 [ APPLAUSE ] YOU MAY REMEMBER, DURING MY 1659 01:12:19,736 --> 01:12:22,247 YOU MAY REMEMBER, DURING MY AUDITION SOFIA ASSISTED ME 1660 01:12:22,271 --> 01:12:22,615 AUDITION SOFIA ASSISTED ME ONSTAGE. 1661 01:12:22,639 --> 01:12:24,616 ONSTAGE. YOU SCREWED IT UP. 1662 01:12:24,640 --> 01:12:26,352 YOU SCREWED IT UP. BUT IT'S FINE, IT'S OKAY, 1663 01:12:26,376 --> 01:12:28,120 BUT IT'S FINE, IT'S OKAY, BECAUSE TONIGHT IS YOUR CHANCE 1664 01:12:28,144 --> 01:12:29,322 BECAUSE TONIGHT IS YOUR CHANCE FOR REDEMPTION 1665 01:12:29,346 --> 01:12:31,890 FOR REDEMPTION I DIDN'T DO ANYTHING WRONG. 1666 01:12:31,914 --> 01:12:32,357 I DIDN'T DO ANYTHING WRONG. STAND OVER THERE. 1667 01:12:32,381 --> 01:12:39,031 STAND OVER THERE. STAND ON THE X 1668 01:12:39,055 --> 01:12:39,664 STAND ON THE X TONIGHT THIS ACT IS NOT ABOUT 1669 01:12:39,688 --> 01:12:41,834 TONIGHT THIS ACT IS NOT ABOUT ME 1670 01:12:41,858 --> 01:12:45,437 ME THIS ACT IS ALL ABOUT YOU! 1671 01:12:45,461 --> 01:12:48,807 THIS ACT IS ALL ABOUT YOU! THAT'S A NICE PICTURE, THANK 1672 01:12:48,831 --> 01:12:49,141 THAT'S A NICE PICTURE, THANK YOU. 1673 01:12:49,165 --> 01:12:50,142 YOU. IT WAS FIVE GRAND 1674 01:12:50,166 --> 01:12:51,076 IT WAS FIVE GRAND I'M NOT KIDDING. 1675 01:12:51,100 --> 01:12:52,478 I'M NOT KIDDING. I LIKE IT 1676 01:12:52,502 --> 01:12:55,114 I LIKE IT IN A MINUTE, YOU'RE GOING TO 1677 01:12:55,138 --> 01:12:57,350 IN A MINUTE, YOU'RE GOING TO BE SHOOTING THAT CROSSBOW 1678 01:12:57,374 --> 01:12:59,251 BE SHOOTING THAT CROSSBOW DIRECTLY AT MY FACE. 1679 01:12:59,275 --> 01:13:00,486 DIRECTLY AT MY FACE. Sofia: COME ON, COME ON 1680 01:13:00,510 --> 01:13:04,757 Sofia: COME ON, COME ON STAND THERE, GO BACK, GO 1681 01:13:04,781 --> 01:13:05,257 STAND THERE, GO BACK, GO BACK 1682 01:13:05,281 --> 01:13:07,259 BACK Sofia: WHY CAN'T HE DO IT 1683 01:13:07,283 --> 01:13:08,327 Sofia: WHY CAN'T HE DO IT YOU WILL SHOOT THE ARROW TO 1684 01:13:08,351 --> 01:13:15,667 YOU WILL SHOOT THE ARROW TO FIND HEIDI'S CARD. 1685 01:13:15,691 --> 01:13:18,971 FIND HEIDI'S CARD. Sofia: WHY CAN'T HEIDI? 1686 01:13:18,995 --> 01:13:22,941 Sofia: WHY CAN'T HEIDI? Heidi: WHY CAN'T SHE STAND 1687 01:13:22,965 --> 01:13:24,176 Heidi: WHY CAN'T SHE STAND HERE 1688 01:13:24,200 --> 01:13:24,877 HERE BECAUSE YOU DIDN'T SCREW ME 1689 01:13:24,901 --> 01:13:29,915 BECAUSE YOU DIDN'T SCREW ME OVER LAST TIME 1690 01:13:29,939 --> 01:13:31,383 OVER LAST TIME I'M GOING TO BE STANDING ON THAT 1691 01:13:31,407 --> 01:13:31,816 I'M GOING TO BE STANDING ON THAT X. 1692 01:13:31,840 --> 01:13:34,820 X. THIS CROSSBOW IS EQUIPPED WITH A 1693 01:13:34,844 --> 01:13:35,754 THIS CROSSBOW IS EQUIPPED WITH A LASER SIGHT. 1694 01:13:35,778 --> 01:13:37,790 LASER SIGHT. YOU WILL AIM THE CROSSBOW AT THE 1695 01:13:37,814 --> 01:13:39,658 YOU WILL AIM THE CROSSBOW AT THE CARDS IN MY MOUTH AND ON MY 1696 01:13:39,682 --> 01:13:41,360 CARDS IN MY MOUTH AND ON MY SIGNAL, ONLY ON MY SIGNAL, YOU 1697 01:13:41,384 --> 01:13:43,228 SIGNAL, ONLY ON MY SIGNAL, YOU WILL FIRMLY PULL THAT TRIGGER, 1698 01:13:43,252 --> 01:13:44,997 WILL FIRMLY PULL THAT TRIGGER, SHOOTING AN ARROW ACROSS THAT 1699 01:13:45,021 --> 01:13:46,198 SHOOTING AN ARROW ACROSS THAT STAGE INTO A PACK OF CARDS 1700 01:13:46,222 --> 01:13:46,631 STAGE INTO A PACK OF CARDS DO YOU UNDERSTAND? 1701 01:13:46,655 --> 01:13:53,005 DO YOU UNDERSTAND? Sofia: WHY ME 1702 01:13:53,029 --> 01:13:54,440 Sofia: WHY ME YOU DON'T WANT TO DO THIS 1703 01:13:54,464 --> 01:13:55,107 YOU DON'T WANT TO DO THIS Sofia: WHAT IF SOMETHING I DO 1704 01:13:55,131 --> 01:13:55,507 Sofia: WHAT IF SOMETHING I DO WRONG? 1705 01:13:55,531 --> 01:14:00,312 WRONG? I DIE 1706 01:14:00,336 --> 01:14:01,947 I DIE Heidi: I HAVE ANOTHER 1707 01:14:01,971 --> 01:14:02,314 Heidi: I HAVE ANOTHER QUESTION 1708 01:14:02,338 --> 01:14:04,583 QUESTION WHERE DO I STAND WHILE THIS IS 1709 01:14:04,607 --> 01:14:05,117 WHERE DO I STAND WHILE THIS IS HAPPENING? 1710 01:14:05,141 --> 01:14:05,951 HAPPENING? WE HAVE FOUR MINUTES, I DON'T 1711 01:14:05,975 --> 01:14:07,553 WE HAVE FOUR MINUTES, I DON'T HAVE TIME FOR YOUR QUESTIONS 1712 01:14:07,577 --> 01:14:10,122 HAVE TIME FOR YOUR QUESTIONS Sofia: WHAT IS YOUR SIGNAL? 1713 01:14:10,146 --> 01:14:12,925 Sofia: WHAT IS YOUR SIGNAL? I'M GOING TO YELL "FIRE." 1714 01:14:12,949 --> 01:14:13,792 I'M GOING TO YELL "FIRE." Sofia: OKAY 1715 01:14:13,816 --> 01:14:14,493 Sofia: OKAY LIKE RIGHT NOW 1716 01:14:14,517 --> 01:14:15,060 LIKE RIGHT NOW NO. 1717 01:14:15,084 --> 01:14:15,527 NO. NOT RIGHT NOW. 1718 01:14:15,551 --> 01:14:16,695 NOT RIGHT NOW. WHEN YOU AIM 1719 01:14:16,719 --> 01:14:18,063 WHEN YOU AIM LISTEN, I BELIEVE IN YOU, AS 1720 01:14:18,087 --> 01:14:19,765 LISTEN, I BELIEVE IN YOU, AS LONG AS YOU JUST FOCUS AND DO 1721 01:14:19,789 --> 01:14:22,034 LONG AS YOU JUST FOCUS AND DO WHAT I'M ASKING YOU TO DO, 1722 01:14:22,058 --> 01:14:23,469 WHAT I'M ASKING YOU TO DO, EVERYTHING IS GOING TO BE OKAY 1723 01:14:23,493 --> 01:14:23,902 EVERYTHING IS GOING TO BE OKAY Sofia: OKAY 1724 01:14:23,926 --> 01:14:24,303 Sofia: OKAY I CAN DO IT. 1725 01:14:24,327 --> 01:14:28,407 I CAN DO IT. I HOPE YOU CAN DO IT. 1726 01:14:28,431 --> 01:14:34,446 I HOPE YOU CAN DO IT. SOFIA, RAISE THE CROSSBOW. 1727 01:14:34,470 --> 01:14:34,879 SOFIA, RAISE THE CROSSBOW. ANY DAY NOW. 1728 01:14:34,903 --> 01:14:37,483 ANY DAY NOW. NOT THERE. 1729 01:14:37,507 --> 01:14:38,250 NOT THERE. Sofia: NO 1730 01:14:38,274 --> 01:14:40,519 Sofia: NO NO. 1731 01:14:40,543 --> 01:14:41,253 NO. A LITTLE HIGHER. 1732 01:14:41,277 --> 01:14:43,589 A LITTLE HIGHER. Sofia: WAIT, NO, IT'S WRONG 1733 01:14:43,613 --> 01:14:44,623 Sofia: WAIT, NO, IT'S WRONG YOU'RE FINE 1734 01:14:44,647 --> 01:14:46,358 YOU'RE FINE OH, MY GOD 1735 01:14:46,382 --> 01:14:47,092 OH, MY GOD Sofia: WAIT 1736 01:14:47,116 --> 01:14:48,994 Sofia: WAIT THIS IS WHAT I'M PUSHING HERE? 1737 01:14:49,018 --> 01:14:49,628 THIS IS WHAT I'M PUSHING HERE? YES 1738 01:14:49,652 --> 01:14:50,796 YES THE TRIGGER, YES 1739 01:14:50,820 --> 01:14:51,163 THE TRIGGER, YES BUT NOT YET. 1740 01:14:51,187 --> 01:14:54,633 BUT NOT YET. HERE WE GO 1741 01:14:54,657 --> 01:14:56,469 HERE WE GO AIM AT THE... 1742 01:14:56,493 --> 01:14:57,836 AIM AT THE... Sofia: DO I HAVE TO LOOK? 1743 01:14:57,860 --> 01:14:59,638 Sofia: DO I HAVE TO LOOK? YES, YOU HAVE TO LOOK AT THE 1744 01:14:59,662 --> 01:15:00,272 YES, YOU HAVE TO LOOK AT THE RED DOT. 1745 01:15:00,296 --> 01:15:01,473 RED DOT. Sofia: WAIT, WAIT 1746 01:15:01,497 --> 01:15:04,510 Sofia: WAIT, WAIT THIS IS MOVING 1747 01:15:04,534 --> 01:15:04,876 THIS IS MOVING OKAY 1748 01:15:04,900 --> 01:15:08,881 OKAY I BEG YOU, I BEG YOU 1749 01:15:08,905 --> 01:15:09,448 I BEG YOU, I BEG YOU FIRE! 1750 01:15:09,472 --> 01:15:13,585 FIRE! Howie: HE SAID FIRE 1751 01:15:13,609 --> 01:15:14,086 Howie: HE SAID FIRE Sofia: HE'S DEAD? 1752 01:15:14,110 --> 01:15:21,293 Sofia: HE'S DEAD? HE'S DEAD? 1753 01:15:21,317 --> 01:15:29,317 HE'S DEAD? [ COUGHING ] 1754 01:15:32,528 --> 01:15:33,972 [ COUGHING ] Kelly: NO WAY 1755 01:15:33,996 --> 01:15:36,808 Kelly: NO WAY NO WAY 1756 01:15:36,832 --> 01:15:39,912 NO WAY Heidi: NO WAY 1757 01:15:39,936 --> 01:15:40,913 Heidi: NO WAY HEIDI 1758 01:15:40,937 --> 01:15:41,914 HEIDI YOU DON'T HAVE TO TOUCH IT, I 1759 01:15:41,938 --> 01:15:43,815 YOU DON'T HAVE TO TOUCH IT, I DEFEAT IT, COVID 1760 01:15:43,839 --> 01:15:46,919 DEFEAT IT, COVID IS THAT YOUR SIGNED CARD 1761 01:15:46,943 --> 01:15:47,586 IS THAT YOUR SIGNED CARD Heidi: IT IS MY SIGNED CARD 1762 01:15:47,610 --> 01:15:55,610 Heidi: IT IS MY SIGNED CARD [ APPLAUSE ] 1763 01:16:03,626 --> 01:16:10,108 [ APPLAUSE ] Terry: BRETT LOUDERMILK 1764 01:16:10,132 --> 01:16:12,244 Terry: BRETT LOUDERMILK HOWIE, WHAT DID YOU THINK? 1765 01:16:12,268 --> 01:16:13,612 HOWIE, WHAT DID YOU THINK? Howie: LAST TIME WAS GREAT, 1766 01:16:13,636 --> 01:16:15,848 Howie: LAST TIME WAS GREAT, USING SOFIA AND ALL OF US. 1767 01:16:15,872 --> 01:16:16,715 USING SOFIA AND ALL OF US. THIS WAS EVEN GREATER. 1768 01:16:16,739 --> 01:16:18,016 THIS WAS EVEN GREATER. IT LOOKED MORE DANGEROUS 1769 01:16:18,040 --> 01:16:19,418 IT LOOKED MORE DANGEROUS IT WAS MORE MAGICAL. 1770 01:16:19,442 --> 01:16:21,486 IT WAS MORE MAGICAL. IT WAS A LOT OF FUN. 1771 01:16:21,510 --> 01:16:22,521 IT WAS A LOT OF FUN. AND IT LOOKED LIKE YOU WERE IN 1772 01:16:22,545 --> 01:16:24,022 AND IT LOOKED LIKE YOU WERE IN MORE CONTROL THIS TIME THAN LAST 1773 01:16:24,046 --> 01:16:24,590 MORE CONTROL THIS TIME THAN LAST TIME 1774 01:16:24,614 --> 01:16:25,057 TIME SLIGHTLY. 1775 01:16:25,081 --> 01:16:25,791 SLIGHTLY. Howie: YES. 1776 01:16:25,815 --> 01:16:26,358 Howie: YES. SO GOOD LUCK 1777 01:16:26,382 --> 01:16:27,559 SO GOOD LUCK IT'S GOING TO BE UP TO AMERICA, 1778 01:16:27,583 --> 01:16:29,628 IT'S GOING TO BE UP TO AMERICA, BUT THAT WAS A GOOD JOB. 1779 01:16:29,652 --> 01:16:30,262 BUT THAT WAS A GOOD JOB. THANK YOU 1780 01:16:30,286 --> 01:16:33,865 THANK YOU Terry: KELLY. 1781 01:16:33,889 --> 01:16:38,270 Terry: KELLY. Kelly: WHAT JUST HAPPENED 1782 01:16:38,294 --> 01:16:41,707 Kelly: WHAT JUST HAPPENED A LITTLE BIT OF REDEMPTION. 1783 01:16:41,731 --> 01:16:43,241 A LITTLE BIT OF REDEMPTION. Kelly: I WANTED TO SHOOT THE 1784 01:16:43,265 --> 01:16:44,677 Kelly: I WANTED TO SHOOT THE CROSSBOW SO I'M A LITTLE UPSET 1785 01:16:44,701 --> 01:16:47,946 CROSSBOW SO I'M A LITTLE UPSET BUT SECONDLY, I DON'T UNDERSTAND 1786 01:16:47,970 --> 01:16:48,414 BUT SECONDLY, I DON'T UNDERSTAND HOW THAT HAPPENED. 1787 01:16:48,438 --> 01:16:50,349 HOW THAT HAPPENED. I'M SO IN AWE RIGHT NOW. 1788 01:16:50,373 --> 01:16:54,720 I'M SO IN AWE RIGHT NOW. HOW DID IT GET IN YOUR THROAT? 1789 01:16:54,744 --> 01:16:58,223 HOW DID IT GET IN YOUR THROAT? IT'S A MAGIC TRICK. 1790 01:16:58,247 --> 01:17:00,592 IT'S A MAGIC TRICK. Sofia: I'M THE ONE WHO DID 1791 01:17:00,616 --> 01:17:01,593 Sofia: I'M THE ONE WHO DID IT 1792 01:17:01,617 --> 01:17:02,561 IT Kelly: IT WAS SO 1793 01:17:02,585 --> 01:17:02,961 Kelly: IT WAS SO ENTERTAINING 1794 01:17:02,985 --> 01:17:03,795 ENTERTAINING I WOULD LOVE TO SEE A FULL SHOW 1795 01:17:03,819 --> 01:17:04,529 I WOULD LOVE TO SEE A FULL SHOW OF YOU 1796 01:17:04,553 --> 01:17:06,865 OF YOU I LOVE ANY KIND OF MAGIC 1797 01:17:06,889 --> 01:17:12,004 I LOVE ANY KIND OF MAGIC YOU DID SUCH A GREAT JOB, WOW. 1798 01:17:12,028 --> 01:17:13,538 YOU DID SUCH A GREAT JOB, WOW. Heidi: I'M JUST HAPPY IT CAME 1799 01:17:13,562 --> 01:17:19,144 Heidi: I'M JUST HAPPY IT CAME OUT BY HIMSELF, WITH CORONA THE 1800 01:17:19,168 --> 01:17:21,913 OUT BY HIMSELF, WITH CORONA THE HEIMLICH WOULD NOT HAVE BEEN 1801 01:17:21,937 --> 01:17:22,080 HEIMLICH WOULD NOT HAVE BEEN GOOD 1802 01:17:22,104 --> 01:17:26,218 GOOD Terry: SOFIA, YOU WERE 1803 01:17:26,242 --> 01:17:26,719 Terry: SOFIA, YOU WERE ONSTAGE, YOU SAW IT. 1804 01:17:26,743 --> 01:17:27,953 ONSTAGE, YOU SAW IT. Sofia: I THOUGHT IT WAS 1805 01:17:27,977 --> 01:17:28,787 Sofia: I THOUGHT IT WAS SPECTACULAR, THE BOW AND 1806 01:17:28,811 --> 01:17:30,188 SPECTACULAR, THE BOW AND EVERYTHING I DID, I'M WONDERING, 1807 01:17:30,212 --> 01:17:33,125 EVERYTHING I DID, I'M WONDERING, WHAT WILL YOU DO WHEN I'M NOT 1808 01:17:33,149 --> 01:17:33,525 WHAT WILL YOU DO WHEN I'M NOT AVAILABLE? 1809 01:17:33,549 --> 01:17:35,227 AVAILABLE? HOW WILL THIS SHOW BE WITHOUT 1810 01:17:35,251 --> 01:17:35,494 HOW WILL THIS SHOW BE WITHOUT ME 1811 01:17:35,518 --> 01:17:36,828 ME BECAUSE THIS IS MY REAL JOB, I 1812 01:17:36,852 --> 01:17:37,429 BECAUSE THIS IS MY REAL JOB, I CAN'T BE IN VEGAS ALL THE TIME 1813 01:17:37,453 --> 01:17:40,899 CAN'T BE IN VEGAS ALL THE TIME WHEN YOU NEED ME 1814 01:17:40,923 --> 01:17:43,969 WHEN YOU NEED ME I THINK IT WAS GREAT 1815 01:17:43,993 --> 01:17:47,372 I THINK IT WAS GREAT I COULDN'T REALLY SEE BECAUSE I 1816 01:17:47,396 --> 01:17:48,607 I COULDN'T REALLY SEE BECAUSE I CLOSED MY EYES BECAUSE I DIDN'T 1817 01:17:48,631 --> 01:17:50,843 CLOSED MY EYES BECAUSE I DIDN'T WANT TO SEE YOU WHEN YOU DIED. 1818 01:17:50,867 --> 01:17:53,746 WANT TO SEE YOU WHEN YOU DIED. BUT I THINK IT WAS SPECTACULAR 1819 01:17:53,770 --> 01:17:55,347 BUT I THINK IT WAS SPECTACULAR THANK YOU 1820 01:17:55,371 --> 01:17:58,283 THANK YOU FABULOUS JOB, BRETT, 1821 01:17:58,307 --> 01:17:58,851 FABULOUS JOB, BRETT, FABULOUS, FABULOUS JOB 1822 01:17:58,875 --> 01:18:00,085 FABULOUS, FABULOUS JOB GOOD LUCK TONIGHT. 1823 01:18:00,109 --> 01:18:01,654 GOOD LUCK TONIGHT. EVERY VOTE COUNTS, SO GET BUSY 1824 01:18:01,678 --> 01:18:02,754 EVERY VOTE COUNTS, SO GET BUSY YOU CAN VOTE UP TO 10 TIMES FOR 1825 01:18:02,778 --> 01:18:04,322 YOU CAN VOTE UP TO 10 TIMES FOR EACH ACT, WITH EACH VOTING 1826 01:18:04,346 --> 01:18:05,924 EACH ACT, WITH EACH VOTING METHOD 1827 01:18:05,948 --> 01:18:06,959 METHOD AFTER THE BREAK, OUR LAST ACT 1828 01:18:06,983 --> 01:18:08,560 AFTER THE BREAK, OUR LAST ACT OF THE NIGHT 1829 01:18:08,584 --> 01:18:09,227 OF THE NIGHT WE'RE GONNA HAVE TO WAIT JUST A 1830 01:18:09,251 --> 01:18:11,263 WE'RE GONNA HAVE TO WAIT JUST A COUPLE OF MINUTES. 1831 01:18:11,287 --> 01:18:14,966 COUPLE OF MINUTES. HE'S HAD TO WAIT 37 YEARS TO 1832 01:18:14,990 --> 01:18:16,034 HE'S HAD TO WAIT 37 YEARS TO LIVE HIS LIFE. 1833 01:18:16,058 --> 01:18:18,626 LIVE HIS LIFE. STAY RIGHT THERE 1834 01:18:34,442 --> 01:18:36,488 Terry: OKAY HERE'S OUR LAST ACT TONIGHT. 1835 01:18:36,512 --> 01:18:37,889 HERE'S OUR LAST ACT TONIGHT. THIS SINGER HAS ALREADY FACED 1836 01:18:37,913 --> 01:18:41,193 THIS SINGER HAS ALREADY FACED JUST ABOUT THE TOUGHEST BREAK 1837 01:18:41,217 --> 01:18:44,362 JUST ABOUT THE TOUGHEST BREAK THE WORLD CAN THROW AT A GUY, AS 1838 01:18:44,386 --> 01:18:45,363 THE WORLD CAN THROW AT A GUY, AS THINGS ARE STARTING TO GO HIS 1839 01:18:45,387 --> 01:18:45,497 THINGS ARE STARTING TO GO HIS WAY. 1840 01:18:45,521 --> 01:18:53,521 WAY. HERE IS ARCHIE WILLIAMS. 1841 01:19:00,903 --> 01:19:03,415 HERE IS ARCHIE WILLIAMS. DEAR MR. BARRY. 1842 01:19:03,439 --> 01:19:05,684 DEAR MR. BARRY. MY NAME IS ARCHIE WILLIAMS 1843 01:19:05,708 --> 01:19:08,720 MY NAME IS ARCHIE WILLIAMS I'M SERVING AN INSTANCE FOR A 1844 01:19:08,744 --> 01:19:09,955 I'M SERVING AN INSTANCE FOR A RAPE AND ATTEMPTED MURDER THAT I 1845 01:19:09,979 --> 01:19:11,423 RAPE AND ATTEMPTED MURDER THAT I KNOW I DIDN'T COMMIT 1846 01:19:11,447 --> 01:19:13,158 KNOW I DIDN'T COMMIT AS THE YEARS GO BY, I SIT HERE 1847 01:19:13,182 --> 01:19:14,526 AS THE YEARS GO BY, I SIT HERE YEAR AFTER YEAR. 1848 01:19:14,550 --> 01:19:16,294 YEAR AFTER YEAR. IT'S LIKE NO ONE CARES 1849 01:19:16,318 --> 01:19:17,362 IT'S LIKE NO ONE CARES YOU HAVE NO OUTSIDE HELP 1850 01:19:17,386 --> 01:19:21,066 YOU HAVE NO OUTSIDE HELP PEOPLE LET YOU DOWN AND GIVE UP 1851 01:19:21,090 --> 01:19:21,967 PEOPLE LET YOU DOWN AND GIVE UP ON YOU 1852 01:19:21,991 --> 01:19:22,768 ON YOU THEN ALL YOU HAVE IS PRISON 1853 01:19:22,792 --> 01:19:29,775 THEN ALL YOU HAVE IS PRISON LIFE 1854 01:19:29,799 --> 01:19:31,209 LIFE I'VE BEEN HERE IN LOUISIANA 1855 01:19:31,233 --> 01:19:34,079 I'VE BEEN HERE IN LOUISIANA STATE PRISON FOR 12 YEARS. 1856 01:19:34,103 --> 01:19:35,781 STATE PRISON FOR 12 YEARS. I'VE MAILED TO MANY PLACES BUT 1857 01:19:35,805 --> 01:19:36,882 I'VE MAILED TO MANY PLACES BUT NO ONE RESPONDS. 1858 01:19:36,906 --> 01:19:37,615 NO ONE RESPONDS. I'M TRYING SO HARD BECAUSE I 1859 01:19:37,639 --> 01:19:45,639 I'M TRYING SO HARD BECAUSE I KNOW I'M INNOCENT. 1860 01:19:48,384 --> 01:19:49,795 KNOW I'M INNOCENT. I KNOW PEOPLE MUST WRITE YOU ALL 1861 01:19:49,819 --> 01:19:51,730 I KNOW PEOPLE MUST WRITE YOU ALL THE TIME BUT IF YOU CAN FIND IT 1862 01:19:51,754 --> 01:19:53,165 THE TIME BUT IF YOU CAN FIND IT IN YOUR HEART, I WOULD 1863 01:19:53,189 --> 01:19:54,666 IN YOUR HEART, I WOULD APPRECIATE ALL THE HELP YOU CAN 1864 01:19:54,690 --> 01:19:55,267 APPRECIATE ALL THE HELP YOU CAN GIVE 1865 01:19:55,291 --> 01:19:56,969 GIVE HERE ARE SOME OF THE CLOSING 1866 01:19:56,993 --> 01:19:57,969 HERE ARE SOME OF THE CLOSING ARGUMENTS IN MY CASE 1867 01:19:57,993 --> 01:20:00,071 ARGUMENTS IN MY CASE MR. WILLIAMS, IF CONVICTED, WILL 1868 01:20:00,095 --> 01:20:02,875 MR. WILLIAMS, IF CONVICTED, WILL NEVER GO HOME AGAIN. 1869 01:20:02,899 --> 01:20:04,743 NEVER GO HOME AGAIN. EVERY MAN IS PRESUMED INNOCENT 1870 01:20:04,767 --> 01:20:05,777 EVERY MAN IS PRESUMED INNOCENT UNTIL PROVEN GUILTY. 1871 01:20:05,801 --> 01:20:07,145 UNTIL PROVEN GUILTY. IT WOULD BE A TRAVESTY AND A 1872 01:20:07,169 --> 01:20:09,548 IT WOULD BE A TRAVESTY AND A DANGER TO CONVICT THE WRONG MAN. 1873 01:20:09,572 --> 01:20:14,786 DANGER TO CONVICT THE WRONG MAN. MR. WILLIAMS IS NOT THE RIGHT 1874 01:20:14,810 --> 01:20:15,020 MR. WILLIAMS IS NOT THE RIGHT MAN. 1875 01:20:15,044 --> 01:20:15,553 MAN. THANK YOU. 1876 01:20:15,577 --> 01:20:23,577 THANK YOU. ARCHIE WILLIAMS. 1877 01:20:45,073 --> 01:20:49,054 MAKE I ♪ IT'S YOUR FRIENDLY ANNOUNCER, 1878 01:20:49,078 --> 01:20:53,525 ♪ IT'S YOUR FRIENDLY ANNOUNCER, I HAVE NEWS TO PASS ON TO 1879 01:20:53,549 --> 01:20:54,459 I HAVE NEWS TO PASS ON TO EVERYBODY ♪ 1880 01:20:54,483 --> 01:21:02,483 EVERYBODY ♪ ♪ WHAT I'M ABOUT TO SAY COULD 1881 01:21:03,092 --> 01:21:05,604 ♪ WHAT I'M ABOUT TO SAY COULD MEAN A WORLD DISASTER, COULD 1882 01:21:05,628 --> 01:21:11,710 MEAN A WORLD DISASTER, COULD CHANGE YOUR JOY AND LAUGHTER TO 1883 01:21:11,734 --> 01:21:13,812 CHANGE YOUR JOY AND LAUGHTER TO TEARS AND PAIN ♪ 1884 01:21:13,836 --> 01:21:21,836 TEARS AND PAIN ♪ ♪ YOU KNOW THAT LOVE IN NEED OF 1885 01:21:25,314 --> 01:21:28,860 ♪ YOU KNOW THAT LOVE IN NEED OF LOVE TODAY ♪ 1886 01:21:28,884 --> 01:21:33,165 LOVE TODAY ♪ ♪ DON'T DELAY, SEND YOURS IN 1887 01:21:33,189 --> 01:21:38,203 ♪ DON'T DELAY, SEND YOURS IN RIGHT AWAY ♪ 1888 01:21:38,227 --> 01:21:46,227 RIGHT AWAY ♪ ♪ HATE GOIN' ROUND IN MANY 1889 01:21:47,369 --> 01:21:50,081 ♪ HATE GOIN' ROUND IN MANY HEARTS ♪ 1890 01:21:50,105 --> 01:21:56,454 HEARTS ♪ ♪ STOP BEFORE IT'S GONE TOO 1891 01:21:56,478 --> 01:21:59,557 ♪ STOP BEFORE IT'S GONE TOO FAR ♪ 1892 01:21:59,581 --> 01:22:07,581 FAR ♪ ♪ EVER THINK THAT LOVE WOULD BE 1893 01:22:10,292 --> 01:22:11,169 ♪ EVER THINK THAT LOVE WOULD BE IN LOVE TODAY ♪ 1894 01:22:11,193 --> 01:22:16,207 IN LOVE TODAY ♪ ♪ WE GOT TO, WE GOT TO SEND 1895 01:22:16,231 --> 01:22:19,911 ♪ WE GOT TO, WE GOT TO SEND YOURS IN RIGHT AWAY ♪ 1896 01:22:19,935 --> 01:22:22,981 YOURS IN RIGHT AWAY ♪ ♪ BECAUSE HATE'S GOING ROUND, 1897 01:22:23,005 --> 01:22:26,985 ♪ BECAUSE HATE'S GOING ROUND, HATE'S GOING ROUND, HATE'S GOING 1898 01:22:27,009 --> 01:22:31,623 HATE'S GOING ROUND, HATE'S GOING ROUND, BREAKING MANY HEARTS ♪ 1899 01:22:31,647 --> 01:22:37,028 ROUND, BREAKING MANY HEARTS ♪ ♪ STOP IT, PLEASE, BEFORE IT'S 1900 01:22:37,052 --> 01:22:45,052 ♪ STOP IT, PLEASE, BEFORE IT'S GONE TOO FAR ♪ 1901 01:22:47,162 --> 01:22:55,162 GONE TOO FAR ♪ ♪ LOVE IN NEED OF LOVE TODAY ♪ 1902 01:22:59,274 --> 01:22:59,784 ♪ LOVE IN NEED OF LOVE TODAY ♪ THANK YOU 1903 01:22:59,808 --> 01:23:07,808 THANK YOU [ CHEERS AND APPLAUSE 1904 01:23:11,186 --> 01:23:15,300 [ CHEERS AND APPLAUSE Terry: ARCHIE WILLIAMS. 1905 01:23:15,324 --> 01:23:16,668 Terry: ARCHIE WILLIAMS. SOFIA. 1906 01:23:16,692 --> 01:23:17,402 SOFIA. Sofia: SPECTACULAR. 1907 01:23:17,426 --> 01:23:19,604 Sofia: SPECTACULAR. I MEAN, YOU DESERVE THIS MORE 1908 01:23:19,628 --> 01:23:20,205 I MEAN, YOU DESERVE THIS MORE THAN ANYONE. 1909 01:23:20,229 --> 01:23:21,639 THAN ANYONE. I HOPE THAT THE PEOPLE VOTE FOR 1910 01:23:21,663 --> 01:23:21,773 I HOPE THAT THE PEOPLE VOTE FOR YOU. 1911 01:23:21,797 --> 01:23:27,012 YOU. YOU DESERVE THIS 1912 01:23:27,036 --> 01:23:28,313 YOU DESERVE THIS Terry: HEIDI. 1913 01:23:28,337 --> 01:23:31,883 Terry: HEIDI. Heidi: I MEAN, THIS STEVIE 1914 01:23:31,907 --> 01:23:33,084 Heidi: I MEAN, THIS STEVIE WONDER SONG MIXED WITH YOUR 1915 01:23:33,108 --> 01:23:34,586 WONDER SONG MIXED WITH YOUR STORY, YOUR VOICE. 1916 01:23:34,610 --> 01:23:35,820 STORY, YOUR VOICE. I CAN FEEL ALL THE PAIN THAT 1917 01:23:35,844 --> 01:23:36,788 I CAN FEEL ALL THE PAIN THAT YOU'VE GONE THROUGH. 1918 01:23:36,812 --> 01:23:38,456 YOU'VE GONE THROUGH. AND THOSE WORDS COULD NOT BE 1919 01:23:38,480 --> 01:23:39,491 AND THOSE WORDS COULD NOT BE MORE PERFECT AT THIS TIME RIGHT 1920 01:23:39,515 --> 01:23:39,891 MORE PERFECT AT THIS TIME RIGHT NOW. 1921 01:23:39,915 --> 01:23:42,227 NOW. WE NEED MORE LOVE AND LESS HATE. 1922 01:23:42,251 --> 01:23:45,030 WE NEED MORE LOVE AND LESS HATE. IT COULDN'T BE MORE PERFECT. 1923 01:23:45,054 --> 01:23:45,730 IT COULDN'T BE MORE PERFECT. AND THANK YOU FOR THAT 1924 01:23:45,754 --> 01:23:51,503 AND THANK YOU FOR THAT THANK YOU FOR BEING HERE 1925 01:23:51,527 --> 01:23:52,904 THANK YOU FOR BEING HERE Terry: KELLY. 1926 01:23:52,928 --> 01:23:54,973 Terry: KELLY. Kelly: I MEAN, FIRST OF ALL, 1927 01:23:54,997 --> 01:23:55,440 Kelly: I MEAN, FIRST OF ALL, THANK YOU SO MUCH. 1928 01:23:55,464 --> 01:23:56,408 THANK YOU SO MUCH. THAT WAS JUST A BEAUTIFUL 1929 01:23:56,432 --> 01:23:56,741 THAT WAS JUST A BEAUTIFUL PERFORMANCE. 1930 01:23:56,765 --> 01:23:59,477 PERFORMANCE. I KNOW YOUR STORY IS 1931 01:23:59,501 --> 01:24:01,413 I KNOW YOUR STORY IS INCREDIBLY... IT'S AN INCREDIBLE 1932 01:24:01,437 --> 01:24:02,414 INCREDIBLY... IT'S AN INCREDIBLE TESTIMONY, HONESTLY. 1933 01:24:02,438 --> 01:24:03,481 TESTIMONY, HONESTLY. IT'S POWERFUL. 1934 01:24:03,505 --> 01:24:05,283 IT'S POWERFUL. BUT I DON'T WANT THAT TO 1935 01:24:05,307 --> 01:24:06,484 BUT I DON'T WANT THAT TO OVERSHADOW THE BEAUTIFUL GIFT 1936 01:24:06,508 --> 01:24:07,619 OVERSHADOW THE BEAUTIFUL GIFT THAT YOU HAVE TOO. 1937 01:24:07,643 --> 01:24:09,587 THAT YOU HAVE TOO. YOUR TONE IS SO COOL 1938 01:24:09,611 --> 01:24:11,256 YOUR TONE IS SO COOL AND IT WAS JUST A BLESSING TO BE 1939 01:24:11,280 --> 01:24:13,024 AND IT WAS JUST A BLESSING TO BE ABLE TO HEAR SUCH A STORYTELLER. 1940 01:24:13,048 --> 01:24:15,026 ABLE TO HEAR SUCH A STORYTELLER. THOSE ARE MY FAVORITE KIND OF 1941 01:24:15,050 --> 01:24:16,528 THOSE ARE MY FAVORITE KIND OF SINGERS, MAN, AND YOU DID A 1942 01:24:16,552 --> 01:24:17,862 SINGERS, MAN, AND YOU DID A REALLY GREAT JOB, I HOPE 1943 01:24:17,886 --> 01:24:19,597 REALLY GREAT JOB, I HOPE EVERYBODY VOTES FOR YOU TONIGHT. 1944 01:24:19,621 --> 01:24:20,465 EVERYBODY VOTES FOR YOU TONIGHT. Terry: HOWIE. 1945 01:24:20,489 --> 01:24:21,633 Terry: HOWIE. Howie: I AGREE WITH WHAT 1946 01:24:21,657 --> 01:24:22,600 Howie: I AGREE WITH WHAT EVERYBODY IS SAYING. 1947 01:24:22,624 --> 01:24:24,969 EVERYBODY IS SAYING. YOU DON'T SING TO US, IT'S LIKE 1948 01:24:24,993 --> 01:24:26,704 YOU DON'T SING TO US, IT'S LIKE YOU PREACH TO US 1949 01:24:26,728 --> 01:24:28,139 YOU PREACH TO US YOUR WORDS MEAN SO MUCH MORE 1950 01:24:28,163 --> 01:24:30,375 YOUR WORDS MEAN SO MUCH MORE THAN EVEN THE LYRICS AND THE WAY 1951 01:24:30,399 --> 01:24:31,342 THAN EVEN THE LYRICS AND THE WAY YOU SING IT. 1952 01:24:31,366 --> 01:24:32,544 YOU SING IT. AND TO HAVE ENDURED WHAT YOU DO, 1953 01:24:32,568 --> 01:24:36,347 AND TO HAVE ENDURED WHAT YOU DO, YOU KNOW YOU'RE AN INSPIRATION 1954 01:24:36,371 --> 01:24:37,615 YOU KNOW YOU'RE AN INSPIRATION I THINK YOU DESERVE... THE FACT 1955 01:24:37,639 --> 01:24:40,051 I THINK YOU DESERVE... THE FACT THAT THE FIRST FREEDOM THAT YOU 1956 01:24:40,075 --> 01:24:42,220 THAT THE FIRST FREEDOM THAT YOU HAD YOU DECIDED TO SHARE ON OUR 1957 01:24:42,244 --> 01:24:43,354 HAD YOU DECIDED TO SHARE ON OUR STAGE, I CAN'T THANK YOU ENOUGH. 1958 01:24:43,378 --> 01:24:44,856 STAGE, I CAN'T THANK YOU ENOUGH. ONLY FIVE ARE GOING THROUGH, YOU 1959 01:24:44,880 --> 01:24:47,859 ONLY FIVE ARE GOING THROUGH, YOU DESERVE IT, ARCHIE, MORE THAN 1960 01:24:47,883 --> 01:24:48,259 DESERVE IT, ARCHIE, MORE THAN ANYBODY. 1961 01:24:48,283 --> 01:24:50,061 ANYBODY. Terry: ARCHIE WILLIAMS, GOOD 1962 01:24:50,085 --> 01:24:51,863 Terry: ARCHIE WILLIAMS, GOOD LUCK TONIGHT, ARCHIE 1963 01:24:51,887 --> 01:24:54,365 LUCK TONIGHT, ARCHIE COME ON, ARCHIE NEEDS YOUR 1964 01:24:54,389 --> 01:24:54,833 COME ON, ARCHIE NEEDS YOUR VOTES. 1965 01:24:54,857 --> 01:24:57,435 VOTES. VOTING IS OPEN NOW AND STAYS 1966 01:24:57,459 --> 01:24:59,504 VOTING IS OPEN NOW AND STAYS OPEN UNTIL 7:00 A.M. EASTERN 1967 01:24:59,528 --> 01:25:00,071 OPEN UNTIL 7:00 A.M. EASTERN TOMORROW 1968 01:25:00,095 --> 01:25:01,172 TOMORROW OVER TO YOU. 1969 01:25:01,196 --> 01:25:03,374 OVER TO YOU. IT'S PICK FIVE FOR THE 1970 01:25:03,398 --> 01:25:05,176 IT'S PICK FIVE FOR THE SEMIFINALS 1971 01:25:05,200 --> 01:25:08,146 SEMIFINALS THE RESULTS SHOW TOMORROW. 1972 01:25:08,170 --> 01:25:12,984 THE RESULTS SHOW TOMORROW. MATT FRANCO AND KODI LEE 1973 01:25:13,008 --> 01:25:15,286 MATT FRANCO AND KODI LEE "WORLD OF DANCE" SEMIFINALS ARE 1974 01:25:15,310 --> 01:25:15,486 "WORLD OF DANCE" SEMIFINALS ARE NEXT 1975 01:25:15,510 --> 01:25:15,853 NEXT I AM TERRY CREWS 1976 01:25:15,877 --> 01:25:18,145 I AM TERRY CREWS GOOD NIGHT, AMERICA. 157928

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