All language subtitles for Mr.And.Mrs.Murder.S01E05_English

(delightful music)

- I've left you three messages already.

Just call me back or we're
going with the understudy.

(delightful music)

Stop smiling with the dancer, Susan.

(delightful music)

All right, that's it.

I'm done, I'm done waiting.

Lucy, you're up.

Let's take it from the top of 27.

I want all the technical
cues Kurt, everything.

Places everyone.

Let's move!

(delightful music)

♪ Another night of 27 ♪

♪ Another night of cold alone ♪

- The coffin should be lowered.

Yes, check the lid, quickly.

♪ A different girl will love my life ♪

(crew screaming)

- It's the curse.

- Can we save the theatrics
for the actual production?

It's a bit of broken glass, let's move on.

Kurt, lower the coffin.

Let's pick it up from the
entrance to the 27 Club.

In five, six, seven and...

(delightful music)

♪ Oh Amy to make you hurt ♪

♪ To add a little piece of your heart ♪

♪ Losing with the hound coming down ♪

♪ After kissing the sky ♪

- Beautiful.

♪ It doesn't matter how much it pains us ♪

♪ Here we are go on entertain us ♪

♪ 'Cause once you lock the fire ♪

♪ You can't exactly just retire ♪

(loud buzzing)

(Lucy screaming)

(dramatic music)

(suspenseful music)

(delightful music)

- It's so majestic.

- Yeah.

- Hello.

- Hey.

You've got the wrong theater.

- Is it?

- No, this is the premiere.

- But you and the princess.

- No we want the premiere.

- This is "Lost Soul".

"Hot Jazz Cold Fusion" is at the princess.

- We're here to clean up a crime scene.

- Oh! You're the cleaners?

God! I'm so sorry.

'Cause I thought you...

'Cause there's this show on
at the moment and it's...

- Oh yes.

- How are you?

- Hi.

Thanks for the referral, Peter.

- You'll like this one, Nic, Charlie.

- Like?

- Thought would be
professionally interesting.

Leading lady of "Lost Soul",
the Amy Winehouse musical,

murdered in the bowels of the theater.

You always liked the theater.

- [Nicola] Who was she?

- A 27-year-old, Linda DiBiase.

- 27?

- Ironic?

- It's not ironic, Peter.

- Well, referring to the 27 Club.

Yeah, it's the Amy
Winehouse died, Hector Ben,

Jim Morrisson.

- Yeah, yeah yeah,

but you don't mean ironic,
you mean coincidental.

Ironic would be, if she was
burnt to death by 27 candles.

- Follow me.

(suspenseful music)

- So, this is hell.

Elizabethan theater,

the area under the stage
was always known as hell.

- Half degree in
backstage areas, have you?

- PhD in backstage areas, Peter.

- What happened?

- Looks like there was a struggle

that ended with our victim
coping a fatal blow to the head,

somewhere around here.

Then she was dragged back over here

and hidden behind these
curtains, while the lift was up.

Then she was caught between
these folding supports,

when the theater tech lowered the lift.

- She couldn't have been dead
for very long before the--

- [Nicola] Or there
wouldn't be this much blood.

- The time of death we
think was around 9 a.m.

The lift came down about quarter past.

- So what are you thinking?

- I just had an interesting
chat with Kristen,

the hairdresser of Jim, the director.

Seems he was sleeping with the understudy.

The hairdresser thinks he was planning

to replace the leading
lady with her permanently.

Apparently, she told our
victim about her little theory,

so we're thinking she might
have confronted the director

and, or, the understudy.

He got all that?

- Hairdresser tells leading lady
about affair with understudy.

Got that, thanks Peter.

- How long until we can
begin rehearsal again?

Now I realize this is a shocking situation

and the timing could not be worse,

but this is the theater.

We have here in a matter
of days, not weeks, days.

And we are so far behind
schedule, it's not even funny.

We lost our stage manager
to influenza last week,

the choreographer has gout.

We got freak motor scooter accidents,

lights falling from the gods and now this.

How long?

- We appreciate your predicament, Jim.

But it's important we do this properly.

So the sooner we get these guys started,

the sooner they'll be out of your hair.

(suspenseful music)
(loud rumbling)

- I'm sorry.

I didn't see you.

Can I help you with something?

- Just...

Is he family?

- Linda's husband, he's just arrived.

- Oh God! How terrible.

- I can imagine.

Must be very painful.

(delightful music)

(Charlie humming)

- Hey there.

- Hello.

How's it going?

- It's going well, going well, thank you.

How are you going?

- I don't wanna hold you up,

I just need to know when it'll be done

so that I can fix the lift.

- Well, it's an elaborate process.

This coffin is just the
tip of the iceberg really.

Down here, there's blood and the splatter

and also a lot of filigree
work inside the machinery,

so it could be quite a while here.

- Mighty.

(delightful music)

- I don't know.

Maybe four or five times.

Yeah, totally.

There was blood everywhere.

No, she's already dead.

I know.

Well, she was always on the blow.

I know (laughs).

I think so.

(loud rumbling drowns out speaker)

Listen, I should probably
get back in there.

Okay.

Bye.

(toilet flushing)

(delightful music)

Hey.

- What, Lucy?

- You reminded me to come
and see you about the wigs?

- You know where I am.

(delightful music)

Unbelievable.

(delightful music)

- Something's not right here Charlie.

I was in the ladies' and
the understudy came in.

- Lucy?

- Lucy came in, she was on the phone.

She was saying that Linda
was always on the blow.

- On the blow, on the phone, okay.

- No, on the blow, cocaine.

- Oh yeah, right.

- And then the hairdresser came in.

- Kristen?

- And then suddenly Lucy's
all sad and (groans).

It's just not right.

She's all happy and giggly,

then when she knows someone's watching,
she's all (groans).

I was coming back from the van,

and I saw the director,
Jim, on his own, crying.

He didn't think anyone was watching.

So why would he be crying
like that if he killed Linda?

It's a gut feeling.

He's not our man.

- He's not our man?
- He's not our man.

- Well, I'm your man.

- And then I was in the backstage...

You must been Mr. DiBiase?

- Tom.

- I'm Nicola Bucannon and
this is my husband, Charlie.

We're very sorry for your loss.

- Thank you.

The police said that
Linda was badly injured

but why is there so much blood?

- Well, she was caught in the scissor lift

and the technician didn't realize.

- I just wanted to come
down and see where...

You think that's strange?

- No, not at all.

If there's anything that we can do.

- Thank you.

Actually, sorry.

There is something.

I can't seem to find
my wife's wedding ring,

searched the dressing
room and it's not at home

and the police said that
she wasn't wearing it

and I thought maybe if
you guys come across it--

- Of course.

We'll find it.

- It's very similar to that.

My card there.

It would mean a lot to me to have it back.

I think Linda took it off because,

I think she was having an affair.

- It's just very different
about it, that's all.

I don't think you should
give people false hope.

- What else can I say?

- Well, you could say,

"Tom, you seem like a very nice person

but the chances of finding
your wife's wedding ring

are next to nothing."

- [Kristen] What the
hell is wrong with you?

- [Man] What?

- You don't think we've
had enough bad luck?

Spin.

Now swear.

- What?

- Swear.

- Shit.
- Again.

- Shit.
- Again.

- Shit.

- Now spit.

Now clean it up and don't whistle again.

No wonder we're cursed.

- Well, you gotta admire the commitment.

- You could.

- No, I'm being complementary.

- No, you're not,

you're making fun of him, it's not funny.

- Well, it's a bit funny.

- I don't discount the
idea of superstitions.

- Well, you don't believe
in ghosts, do you?

- I might.

- Really?

Well, let me tell you something.
For every so called curse,

there's a perfectly logical
and rational explanation.

Now as I lead through this door,

I'm attacked by a man in a cap and a mask.

Oh! There he is.

(delightful music)

- Hey.

Sorry about that mix up before.

- Oh, no, no, no, it's
perfectly understandable.

- Well I didn't put the two together.

- No, no, no, I'm often
mistaken for a chorus boy.

So stage door manager?

- Yes!

- You're in charge of all
the entrances and exits

here in the theater, yeah?

- Yeah.

- So what?

It's just this one here,
the front entrance,

those two there, that one over there?

- There are a few loading doors and stuff,

but I keep them all locked.

- Okay.

And this morning, you're
out here, nine o'clock?

- Nine o'clock, right out here.

- Wow!

- Yeah, it's not the most exciting job,

but it pays off.

- Yeah?

- First thing this morning.

One of the guys in the ensemble,

just comes screaming around the corner,

hits something, gone flying.

Came off the scooter, burst an ankle.

- That's nasty.

Thanks Brian.

It was nice talking to you.

- You too.

(delightful music)

(phone ringing)

(delightful music)

- [Charlie] Come, meet me
in the forbidden forest.

I'm talking to you Nicola.

- Charlie?

- [Charlie] I am the ghost who loves you.

- Where are you?

- [Charlie] Here I am Nakini.

- How did you get in there?

- It goes on and out the street level.

There's an exit trap.

It's actually very
similar to the vomitorium,

used by the Romans in the fourth century.

- That goes all the way to the street.

- Yeah.

- So it didn't have to be
someone from the theater,

anyone could have slipped
in and out and killed Linda.

And she was having a secret affair.

- Well, if she was,

then someone went to
an awful lot of trouble

to keep it a secret.

(suspenseful music)

- Did you touch this?

- No, I didn't even see it.

Where was it?

- In the tunnel,

right next to the vent that
leads into the theater.

You sure you didn't touch it?
- No, actually.

I put my hands all over it

'cause it's my first time at
a crime scene and everything.

I'm an idiot, you gotta forgive me.

- We're gonna need access to the tunnel,

and on the stage area.

You guys can come back
tomorrow to finish up.

Charlie.

What were you doing in the man hole?

- Well, I was talking to Brian

and I noticed the man hole cover

wasn't quite flush with the road.

So I thought, I'll look into that,

crack this case wide open, that's all.

- Aren't you clever?

- He really is.

(delightful music)

(Charlie Humming)

What are you doing?

- Well,

we know the scooter accident
wasn't the result of any curse,

so let's roll out the
falling light, shall we?

Let's see here,

this is a pretty standard screw on clamp,

so it's common regarding human error

or as the Frenchman Petey
Dayo said, sabotage.

- Hello.

- What are you doing?

- Charlie is a designer,

and he's so interested in parts of it.

- Look at that.

- Yeah, well, we don't
anyone touching that stuff,

it's expensive.

- Sure, sure, sure, sure, absolutely.

Understandable.

- Thanks.

- Do I invoice extra cost,

'cause you have to go back tomorrow?

- No, I'm just gonna have to wear it.

- Oh! That's not fair.

It's not your fault you
have to leave the scene.

- We also have to clean out
the whip back after dinner.

- Why?

- Because your auntie very kindly promised

the husband of the woman
we've been cleaning up

that we'd find her missing wedding ring.

- Why?

- Well, that's another very,
very excellent question.

- He was so upset, he just lost his wife

and she's being having an affair,

I mean, he asked.

- Who's she having an affair with?

- Well, it could have been anybody.

Theater is a hotbed of hotbeds.

- Must have been someone

who knew the ins and outs
of the theater a bit well.

Most likely someone
involved in the production.

- Although, a very clever fellow,

happened to find an exit tunnel,

so it really could have been anyone.

- Oh! Good for you.

- My money is on the
director but I don't know.

I mean, he seemed genuinely
upset to me when I saw him.

- Then again, this is the theater.

The theater sir.

It could have been acting, is what I mean.

- Might have been that
handsome doorman, Brian.

Do you think he's handsome?
- Is he?

- [Nicola] Yeah, he's so handsome.
- See, I can't tell.

- Or it could have been the leading man.

You might know him actually.

He's from one of those
reality talent things.

David Frut.

- Oh yeah! He's all right.

- So, what have we got here then?

- Spaghetti Bolognese.

- (gasps) Good.

- No, I must say, I really
enjoyed being back in my theater.

- What do you mean back in the theater?

- Oh! In high school, I was
always trading the boards.

- Seriously?

- Yeah, I was really considered
quite the triple threat.

Yeah, I don't talk about it much but,

yeah, I've got quite a set of lungs.

(Charlie grunting)

- Am I getting nutmeg?

- No.

- No?

Very nice either way.

(delightful music)

- Charlie,

what was that look over dinner
when I mentioned that I sing?

- It wasn't a look, I don't know.

Just my regular face.

- You mean, you do like my singing, right?

(loud buzzing)

- Oh! I think we got something there.

- It's here?

- Yeah, yeah, yeah.

- I feel something.

Yes.

(delightful music)

Would you want my ring back?

- If you're having an affair, no.

- Well, maybe she was
trying to end the affair.

I mean, that's why the lover killed her.

- Either way, it's the tunnel.

Obviously he didn't want to be seen,

now was he trying to frame
somebody in the theater?

(doorbell rings)

(delightful music)

- Hello.

- Hi.

- Hi.

- We found it.

- Would you like to come in?

- Oh no, thank you--

- Absolutely.

- Yeah sure, that would be great.

Thank you.

- I don't know what to say.

I can't thank you enough.

- There's really no need.

- No, no, no, you just have.

- [Nicola] You're not in
the business yourself?

- No, no, closest I ever got was,

just being an usher at the
Princess Theater in my uni days.

I decided to tell the
police about the affair.

- It must have been so hard
for you when you found out.

- Well, I had been in denial for a while,

but I've known for a long time.

I found a packet of condoms in her purse

and we didn't use them so...

- Did you know the man involved?

- [Tom] No.
- No?

- No.

I didn't wanna know.

I always figured that she'd
make her way back to me someday.

Of course I didn't think that...

She never had a bad word to
say about anybody, Linda.

Except maybe the director.

She didn't seem like him very much.

Didn't think he was very talented,

no one did apparently.

Except the understudy.

Linda was convinced they
were sleeping together.

She said that the show was cursed.

I think she might have been right.

- We should probably--

- Yeah, yeah, absolutely.

Yeah.

- I really can't thank you enough.

They're gonna do a tribute
at the theater actually,

this Friday.

It would be nice.

You're both more than welcome
to come, if you want to.

- Well, thank you, but Friday--

- We'd really love to, wouldn't we?

- Yeah, we could do that.

We could go.

- Great.
- Yeah.

- Okay.

Thank you.

(keys jiggling)

- You know, you're a fine person.

I would never even bother
looking for that ring.

- Oh, you found it Charlie.

- Well, I'm glad you
forced me to help you.

I'm glad we got out of that house too,

it smells like the inside
of an old lady's purse.

(delightful music)

- So you've been here all night?

- More or less.

- Any luck?

- Yeah, we got a partial
print off the torch,

nothing else in the tunnel,

but we got the tox report back.

She was cut to the eyeballs.

I also had a word with
the husband last night.

Apparently, the wife was having an affair.

Poor bastard was gutted.

You didn't look surprised.

- Oh, he mentioned it yesterday

when he asked us to look for Linda's ring.

It's hard to imagine that she
could have cheated on him,

isn't it?

- I don't think anyone can
ever really trust anybody else.

Stuff happens.

It's human nature.

Hearts get broken.

(dramatic music)

- You should probably blink more.

You can get dry eye if you stay like that.

(dramatic music)

- I can't believe

they didn't find anything
else in that tunnel.

- What's the most likely scenario?

- Try me.

- Okay, if Jim and Linda
hated each other so much,

why was he so upset?

Unless, it was a love-hate thing.

He was actually in love with her.

- Isn't Jim sleeping with Lucy?

- Maybe it was a love triangle
between Linda and Lucy.

- So Lucy did it?

- She got consumed by jealousy.

- Professional and personal jealousy, yes.

- If she gets rid of Linda,

she gets the guy on the label.

- Well, it's "All About Eve", isn't it?

Dan Baxter, Ben Davies,
"All Of About Eve", 1950?

- I haven't seen it.

- Fasten your seat belts, It's gonna be...

I can't do Ben Davies.

I can do Christopher Walker.

Fasten your seat belts,
it's gonna be a bumpy ride.

- Still haven't seen it.

- Okay, you need to hold still
so I can actually secure it.

I know it's uncomfortable

but you just have to put up with it.

Hold still.

- Excuse me.

(delightful music)

She's tough.

- Yeah, it's the theater
Charlie, it's tough.

- Somebody, help.

Somebody.

Help!

Help!

- Can you breath?

- (Lucy whispering)

- EpiPen.

It could be in her bag.

(dramatic music)

- What does an EpiPen look like?
- It's like a tall, thick lipstick.

- Got it, got it, got it.

- Good, good, good.

Don't worry.

Took a St. John's course,

almost to the end.

And you're okay.

- I'm not.

You know I'm allergic to latex,

you did this deliberately.

You're trying to kill me.

- That's not true.

- You should just
concentrate on breathing,

just in through the
nose, (inhales deeply),

out through the mouth.

- You never liked me.

I tried to reach out to you.

- For God's sake,

how was I supposed to
know you had an allergy?

I've been doing this for years,

I've never come across the latex allergy.

- Actually, it's more
common than you think.

It's very, very common in hospitals.

- I'm telling Jim about this.

And the police.

Psycho.

(delightful music)

- Kristen must have known
about Lucy's allergy.

If Lucy was carrying an EpiPen,

she must have mentioned it to
someone at the theater surely.

- Could you please pass the pepper aunt?

- But maybe that someone
didn't pass that information

on to Kristen.

- Or maybe someone else
was trying to get to Jim

by wiping out his leading ladies.

Some fouled actress or someone
he rejected for the part.

- You know there's no
moisture in the tunnel.

I went all the way from street
level to the theater entrance

and there was no moisture anywhere.

So how did the mud get on
the bottom of the torch?

- Could you please pass the pepperons?

- And why leave the torch behind?

If it was the killer's, why
didn't they go back for it?

(delightful music)

There are tunnels like
these all over Melbourne.

Random Melbourne, I suppose.

Fascinating story.

Fascinating.

They were built after the
rebellion in the goldfields.

- Charlie.

Do you think I can sing?

- Of course you can sing.

You sing all the time.

- Well, I mean, do you
think I'm a good singer?

- Let me tell you something honey,

you are many, many, many things.

You're a multifaceted, glittering diamond,

as far as I'm concerned, you're beautiful,

you can dance up a storm,

you're the love of my life

and you cook really interesting food,

but the fact of the matter is,

you're no Kathy Perry.

(delightful music)

Honey?

- What else did you lie to me about?

- I never lied to you about anything,
I just...

I mean, I just withheld certain facts

to spare your feelings.

- Well, lying by omission
is still lying Charlie.

- There must be tons of things
that I do that you don't like

that you never mentioned.

- No, nothing.

You're right, there's no
moisture in here at all.

- No, there isn't.

What's that?

- Turn off your torch,
turn off your torch.

(suspenseful music)

Charlie.

What!

Who was that?

Was that the killer?

- No, was it?

No, no, no, no, no,

'cause think it through, think it through.

The killer doesn't come back
to the scene of the crime,

that's a nonsense and then
this door goes to the theater.

This is the scene of the
crime, this is the theater.

- It wasn't the killer.

- [Charlie] It wasn't the killer.

- Who was it?

- It was the owner of the torch.

He's the owner of the torch.

And the owner of the torch,

came from there.

- Oh!

What was he doing here?

- After you.

(suspenseful music)

It's just like "The
Hardy Boys", aren't we?

- Yeah, I'm Nancy Drew.

- We can't both be Nancy Drew.

- I'm Nancy Drew.

- Yeah.

- Oh Charlie! It's the missing moisture.

- Yeah.

Hello.

(suspenseful music)

And good evening.

(suspenseful music)

- It's cocaine.

- What about that summer I taught myself

to play the bagpipes?

Surely, you hated that.

I mean, I hated it, it was my idea.

- Whoever was down there

must have been clearing
out that cocaine stash.

He couldn't have done it early
because the place was crawling with cops.

- Sure.

- So whether it was the
lover or the dealer,

or whoever it was,

there must have been
from the theater, right?

- I guess so.

- They'll all be at the tribute tomorrow.

- Probably.

- I'll talk to Jess

and see if I can talk
her into coming along.

It would be good to have an
extra set of eyes and ears.

- It's a good idea.

- And for the record, I thought
your bagpipes were charming,

as I told you at the time.

(delightful music)

- So why am I here?

- Because your aunt asked you to

and it's a nice thing to
do and you should help.

- Eyes and ears.

- Hi guys.

- Hello, how are you?

- Thank you very much for coming.

- Thanks for inviting us.

- It's nice of them to
help me with this space.

They've got a final rehearsal
in a couple of hours.

- It's beautiful.

- I think they're gonna
get going, so if excuse me.

Thanks.

- It's Tom, her husband.

There's the director, Jim,

leading man, David Frut.

- He's better looking in person.

- Go forth and eavesdrop.

- Go on.

- So Linda could have been sleeping
with any man in this room

and Tom doesn't seem to be jealous

or suspicious of any of them, does he?

- You know, he's probably
being strong for the family.

- [Nicola] I'm not getting
lovers from Jim and Lucy.

I mean, she can't get
further away from him.

- Oh!

I'm so sorry, it was my fault.

- It's a difficult day, isn't it?

(Nicola wimping)

- Excuse me ladies and gentlemen,
just have your attention please.

Just want to say a quick
thank you for coming today.

It would have meant a lot to Linda.

She would have loved seeing you all.

Jim, is very kindly offered
to say some words so,

I'll introduce him now.

(crowd applauding)

- Why should a dog, a
horse, a rat have life

and thou no breath at all.

Order comes no more.

Never, never, never, never, never.

Words cannot express
how much Linda was loved

and how much she will be missed.

Welcome to this humble celebration

of Linda's exceptional talent.

(delightful music)

♪ I moved around a lot in life ♪

♪ I never stayed for long ♪

- So is Lucy sleeping with the director?

- Who's Lucy?

(Nicola Grunts)

- Oh! No, no, she's not into the old guy.

- Who's the old guy?

- The director.

- He's not old.

- No, she's into him.

- Totally.

I just heard her bitching

about how the old guy hated Linda.

- There's no one sleeping
with the old guy?

- Okay, so that kills
the love triangle idea.

So who's she sleeping with?

What's Peter doing here?

- Well, there's an open bar.

- Am onto it, I'm just gonna find out.

- Okay.

- Hello there.
- Hi.

- You look great.

- What are you doing here?

- What are you doing here?

- We were invited.

- The partial print on the torch,

matched the tech guy, Kurt.

He's got prize for possession.

You really do look great.

- What did you get out of Finn Sike?

- Kurt's a match for the
partial on the torch,

it looks like he's the drug dealer.

No wonder he's sniffing all the time,

he's probably using as well.

- I thought so, I thought so.

He was probably choked up
when he was fitting the light.

- Choked up?

- Yeah, choked up baby.

Well done Nancy, give us a kiss.

♪ Never had woven yeah ♪

- There's something about that lyric.

- Man, woman,

it's cliche but you know--

- Oh my God! Charlie,

I know who Linda was
having the affair with.

(suspenseful music)

- Come on, I don't think it's
appropriate for me to come in.

(delightful music)

- I love you L.D.

L.D.

- Leonardo Da Vinci, fair enough too,

he was pretty hot.

- Linda DiBiase.

(delightful music)

- [Charlie] Wash your hands.

- Charlie, we've been on the wrong track.

She wasn't having an affair
with a man, it was Kristen,

the hairdresser.

- What?

Because of some graffiti?

- Didn't you tell me

that 90% of women are
opaque cubicle users?

- Yeah I did and I'm flattered
that you remembered that.

- And I was in here the other day,

Kristen came in to use that stall.

She could have written it.

- I don't think that evidence alone

is going to be strong
enough to convict her.

- Okay, something bothered me
when Kristen hugged me earlier.

- Okay, what?

- Remember when we went to
Tom's to return the ring

and there was that strong
smell of perfume in the air?

You said it reminded you

of the inside of an old lady's purse.

- Oh! Yeah, yeah, it
was awful, yeah, yeah.

- Kristen was wearing that same smell.

I saw Kristen around the
ladies' dressing room

carrying a bottle of perfume.

She must have stolen the perfume

to conjure her lover's scent.

- Possibly, possibly.

I mean, it is so circumstantial
as to be borderline nothing,

but it's possible.

Although if Kristen loved her that much

to want to smell like her,

why would she kill her?

- Maybe Linda was refusing to leave Tom

and it all got too much.

Maybe they've...

- What?

- Just don't turn around.

Okay.

(delightful music)

Kristen, you okay?

- I'm fine.

- I don't think that's true.

I think you're devastated
and I think I know why.

- No you don't.

- I know that you were
having an affair with Linda.

I don't know how you managed
to hold it together in there.

Having to hide your grief.

I can't imagine how
difficult it must have been.

- How did you know?

- You told me that Linda
was having an affair,

I just didn't know who with.

- How did you work out it was me?

- It's just the little things,
indicators, just added up.

You're obviously mourning
somebody you love very deeply.

- I did.

I loved her very much.

And she loved me.

- Why didn't you tell the police?

- I was respecting Linda's wishes.

She didn't think Tom
knew, neither of us did.

She was going to leave him.

She was just waiting for
the right time to tell him.

Didn't wanna hurt him.

She was a good person.

(Kristen crying loudly)

- I know how difficult
this must be for you,

but you need to talk to the police.

You need to tell them everything.

You knew about Lucy's allergy, didn't you?

- I had no idea how bad it was.

I thought she'd end up with a nasty rash.

So stupid.

I was angry.

- There you are.

Hey, Jim's been looking
for you everywhere.

Rehearsals?

- Okay.

- You better get in there,
he's pretty pissed off.

- Yeah, okay.

(delightful music)

- Why did Tom tell us

that he found condoms in Linda's purse?

Why would she need condoms if
the lover was another woman?

- There were no condoms.
- There were no condoms.

Linda told Tom about her
relationship with Kristen.

- So it wasn't a jealous lover,
it was a jealous husband.

Tom was an usher,

so he would have known about
the tunnels under the theater.

- So Linda tells Tom she's leaving him,

he follows her here.

Well, if it was premeditated,

if he had the forethought
to use the tunnel,

why would he leave her
in the scissor lift?

- Well, he didn't know
it was a scissor lift.

It had a curtain around it.

- Even so, surely he would have planned

to get rid of the body unless what?
He was trying to frame somebody?

- No, maybe he was interrupted by Kurt

on his way to collect his chalk stash.

- Yes.

- So Tom killed Linda?

But we haven't got any proof.

(delightful music)

I don't think we should have
left Jess at the theater.

- She's fine, she's doing
good, lovely date for a guy.

- Yeah, yeah, well you know, she's drunk.

- Downstairs?

Do you want to try downstairs?
- Yeah, yeah.

(delightful music)

(loud bang)

(delightful music)

Ladies and gentlemen, I give
you mud and tunnel dust,

starring Tom DiBiase.

- Proof.

(electrifying music)

♪ I'm doing good stuff ♪

♪ I'm riding what I feel ♪

♪ I'm doing good stuff ♪

♪ My sons feel real ♪

- So one of us has to see his side.

- All right, he'll be here shortly.

Something about improperly
obtained evidence--

- I can't believe you left me here.

- Sorry, have you seen
Kristen, hairdressing lady?

- Yeah, she's backstage I think.

- What about the husband, Tom?
- He's back there somewhere too.

♪ I'm on a perfect turn ♪

♪ She's doing good stuff ♪

♪ I got my car ♪

♪ It feels like forever ♪

♪ It feels so divine ♪

♪ The pulse I get from banging
you is better than wine ♪

♪ You're doing good stuff ♪

♪ And it feels good too ♪

♪ And it feels good too ♪

♪ And it's due to you ♪

♪ You walked into the bar ♪

- Come on.

We're gonna need help.

♪ Every time you walk back out ♪

♪ It's kinda practice ♪

♪ You send me to the sky ♪

♪ For you there's nothing I won't do ♪

♪ Nothing I won't try ♪

♪ Let's go get high ♪

- [Kristen] I don't know
what you're talking about.

- [Tom] I saw you here with my wife.

- Tom, she didn't love you anymore,

she wanted to be with me.

- She didn't want to be
with you, look at yourself.

Who'd want to be with you?

She was confused because
you screwed with her mind.

- I loved her.

- She wasn't yours to love.

- But she chose me, Tom.

- She died married to me.

(suspenseful music)

(loud thud)

Please, get her off me, please.

(Nicola screaming)

Okay.

- Kristen, you don't wanna do this.

- Kristen.

- Actually, I have never wanted
to do anything more in my life.

(Nicola screaming)

♪ Bad stuff ♪

♪ Good stuff ♪

♪ Bad stuff ♪

♪ Doing good stuff bad
stuff 'til we're tired ♪

♪ Good stuff ♪

(crew applauding)

(delightful music)

♪ 'Til you return 27 ♪

♪ Can you refuse your quarter up ♪

♪ You always say I act too bold ♪

♪ You're just a girl ♪

♪ But I feel halt ♪

♪ I'm done with what I'm going through ♪

- Okay, well as long as
he bags it and labels it,

that will be fine.

Thank you.

Exciting third act guys well done.

- Hey Livier, when you finish
taking the curtain calls,

do you mind handing a few
more of our business cards?

- It's the least I can do.

- Certainly is.

- Hey, I've got to maintain
the integrity of the evidence,

you know that Nic.

- Absolutely.

And you found Tom's boots okay?

- We did.

They were exactly what you said they were.

Please don't tell me you
broke into his house.

- Okay.

- Okay.

- Was that lying by omission?

- No, no, that was me taking
direction, big difference.

- I see.

You know, if this was "All About Eve",

Peter would be Eve, and you
and I, could be Ben Davies.

- I still haven't seen it.

- Yeah we should see
it, you know, we should.

- Charlie, you just moved around.

- Yeah, yeah, yeah, not
because of any superstition,

it's just practical.

'Cause there could be
somebody up there painting

or using a nail gun.

- They're not.

- No, they're not.

- Walk under it then.

(delightful music)