Original subtitles

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BEAUTIFUL DAY.

YES, I CAN SEE THAT.

I DON'T KNOW HOW YOU CAN READ IN A STAGECOACH.

IT DOESN'T UPSET YOUR STOMACH?

ONLY WHEN STRANGERS INTERRUPT ME.

I MADE YOU SOME COFFEE.

THANKS, HONEY.

WHY ARE YOU SO DRESSED UP?

MOTHER INSISTED.

HELP ME WITH THIS TIE, WOULD YOU?

SURE.

YOU LOOK VERY HANDSOME, HUSBAND.

OH, COME ON.

WELL, IT'S TRUE.

WHAT TIME IS THE STAGE DUE IN?

IN ABOUT AN HOUR.

IT'S ALWAYS LATE, ISN'T IT?

WELL, USUALLY.

WELL, I GUESS YOU DON'T HAVE TO LEAVE JUST YET THEN.

NO, I GUESS I DON'T.

NELS, NELS, HOW DO I LOOK?

FINE, DEAR.

NELS! YOU DON'T HAVE EYES IN THE TOP OF YOUR HEAD!

HOW DO I LOOK?!

FINE, REALLY.

MA? YES?

THE STAGE IS DUE IN 5 MINUTES.

OH! I'M COMING!

OH, I'M SO NERVOUS!

ARE YOU SURE I LOOK ALL RIGHT?

HARRIET, DON'T YOU THINK YOU'RE OVERDOING THIS A BIT?

NELS, THIS IS SHERWOOD MONTAGUE.

HE'S A VERY FAMOUS WRITER.

BUT NOT VISITING ROYALTY.

AND NEED I REMIND YOU

THAT HE IS GOING TO RENT OUR VERY BEST ROOM

FOR AN INDEFINITE STAY.

INDEFINITE. THAT'S WHAT THE WIRE SAYS.

MA, WE'D BETTER GO.

YES, I'M COMING.

OH, WILLIE, WAIT!

OH, BOY.

OH, MR. MONTAGUE?

NO, MA'AM.

MISTER?

I'LL HAVE YOUR BAGS SENT OVER TO THE HOTEL.

OH!

OF COURSE.

WHY, YOU'RE MR. MONTAGUE.

THAT IS CORRECT.

OH! I'M HARRIET OLESON,

OWNER OF THE HOTEL AND RESTAURANT.

YOUR BAGS, MISTER.

OH, UH--WILLIE, WILLIE, WILLIE.

ARE MY ACCOMMODATIONS IN ORDER?

OH, YES, OF COURSE.

WHY, WE HAVE NOTHING BUT THE VERY BEST FOR YOU.

THIS IS MY SON, WILLIE.

MR. OLESON.

PLEASURE TO MEET YOU, SIR.

UH, HE AND--AND HIS WIFE

HELP OUT IN THE RESTAURANT.

HMM. HOW INCREDIBLY INTERESTING.

OH, YES. [GIGGLING]

EXCUSE ME. YES?

I'M TRYING TO LOCATE A MATTHEW ROGERS.

HE'S AROUND 13...

OH, MATTHEW. YES.

YOU KNOW HIM?

YES. CHECK WITH MR. EDWARDS.

MATTHEW STAYS AT HIS PLACE.

WHERE CAN I FIND THIS MR. EDWARDS?

WELL, IT'S LUNCHTIME.

YOU'LL FIND HIM UP THE STREET AT THE RESTAURANT.

THANK YOU. THANK YOU VERY MUCH.

YOU'RE WELCOME.

AND WE'LL DO EVERYTHING IN OUR POWER

TO MAKE CERTAIN THAT YOUR STAY IS ABSOLUTELY COMFORTABLE.

MY STEAMER TRUNK ARRIVED?

AH, YES, YESTERDAY. IT'S AT THE HOTEL.

I GOT THE BAGS.

THEN LET'S TAKE A LOOK

AT MY QUARTERS, SHALL WE?

AH, YES, YES, OF COURSE.

RIGHT THIS WAY, MR. MONTAGUE.

O.K., THAT'S VEGETABLE SOUP,

SALAD, AND NOODLES.

WOULD YOU LIKE SOME COFFEE?

YES, PLEASE.

EXCUSE ME, MISS?

YES?

I'M LOOKING FOR A MR. EDWARDS.

OH, HE'S RIGHT OVER THERE.

THANK YOU.

EXCUSE ME.

HMM?

EXCUSE ME, SIR. ARE YOU MR. EDWARDS?

YEAH.

I'M LOOKING FOR MATTHEW ROGERS.

WHAT FOR?

WELL, YOU SEE, UH...

I'M HIS FATHER.

WOULD YOU SAY THAT AGAIN?

I'M MATTHEW'S FATHER.

AH!

HERE WE ARE.

THIS IS OUR VERY BEST ROOM.

REALLY?

IS SOMETHING WRONG?

MRS.-- MRS. OLESON,

WHEN I REQUEST A HOTEL'S BEST ACCOMMODATIONS--

AND I USUALLY DO--

IT IS GENERALLY ASSUMED THAT I'M TALKING ABOUT A SUITE.

OH!

PREFERABLY ONE WITH A MODEST KITCHEN FACILITY.

A KITCHEN?

FOR ME, THE CULINARY ARTS ARE A NECESSITY,

TRAVELING AS I DO

THROUGH MANY BACKWATERS OF THE WORLD

WHERE PEOPLE ARE CONTENT TO EAT

WHATEVER THEY CAN MANAGE TO SWALLOW. OH...

AT ANY RATE, THIS SIMPLY WILL NOT DO.

PERHAPS THERE'S A HOUSE FOR RENT IN THE AREA?

NO...

THERE'S WILDER'S BOARDINGHOUSE.

YEAH. IT'S WHERE WE LIVE.

WILLIE! FOR HEAVEN'S SAKES!

HA HA HA!

NOW, HOW COULD A MAN OF MR. MONTAGUE'S STATURE

STAY IN A MUSTY...

WELL, LAURA'S FIXED IT UP REAL NICE, MA.

YOU'D KNOW THAT IF YOU EVER CAME BY TO VISIT.

THERE'S 2 CONNECTING ROOMS UPSTAIRS.

ONE OF 'EM NEEDS SOME FIXING, BUT NOT MUCH.

WELL, THEY DON'T HAVE A KITCHEN,

BUT THERE'S A NICE BIG ONE DOWNSTAIRS.

I KNOW LAURA'D LET YOU USE IT.

WILLIE!

WHAT'S WRONG WITH MR. MONTAGUE TAKING A LOOK?

NOTHING AT ALL, YOUNG MAN.

LEAD THE WAY.

YES, SIR, MR. MONTAGUE.

OH, AND, UH, MRS. OLESON.

IF THE BOARDINGHOUSE IS ACCEPTABLE,

YOU MAY RETAIN MY DEPOSIT FOR YOUR INCONVENIENCE.

MR. EDWARDS, I CAN'T TELL YOU

HOW LONG I'VE BEEN SEARCHING FOR THE BOY.

MAYBE NOT LONG ENOUGH.

WHAT?

YOU ABANDONED THAT BOY 11 YEARS AGO

WHEN HE WAS 2 YEARS OLD.

I KNOW.

I KNOW, BUT...

IT HAD TO BE.

I'LL JUST HAVE TO MAKE HIM UNDERSTAND.

I RECKON YOU'RE GONNA HAVE TO MAKE

BOTH OF US DO THAT.

LOOK, I DON'T WANT YOU SAYING ANYTHING

UNTIL WE MAKE SURE IT'S THE SAME BOY.

THERE WAS A BIRTHMARK ON HIS NECK

BEHIND HIS LEFT EAR.

WHAT KIND OF BIRTHMARK?

A ROUND BLOTCH, OBLONG SHAPED.

AM I RIGHT?

YEAH, I SEEN IT.

WHEN CAN I SEE HIM?

I'LL DRIVE YOU OUT.

MATTHEW. SOMEBODY HERE TO SEE YOU.

HELLO, MATTHEW.

THIS IS MR. ROGERS.

I DON'T UNDERSTAND. WHY IS HE...

THAT'S CALLED SIGN LANGUAGE.

CAN'T TALK NO OTHER WAY.

BUT THERE WAS NOTHING WRONG WHEN HE WAS A CHILD.

HE WAS JUST STARTING TO TALK.

SEEMS LIKE SOMEBODY AT THE WORKHOUSE

WANTED TO TEACH MATTHEW A LESSON,

SO THEY FORCED LYE DOWN HIS THROAT.

OH, LORD.

MATTHEW, I'M...

I AM SO, SO SORRY.

SAYS HE'S YOUR PA.

I THINK HE MIGHT BE.

I KNOW IT'S A SHOCK TO YOU, SON.

I DON'T KNOW WHERE TO BEGIN.

THERE'S SO VERY MUCH TO EXPLAIN.

YEAH, I RECKON THERE IS.

WHY DON'T WE ALL SIT DOWN?

THIS ROOM WAS USED AS A GUEST BEDROOM,

ALTHOUGH MRS. FLANNERY DIDN'T HAVE MANY GUESTS OVER THE YEARS.

HMM... WE'RE STILL WORKING ON IT, I'M AFRAID.

I KNOW, THE FURNITURE'S KINDA OLD AND SCRATCHED UP.

YEAH, I WAS FIGURING TO PAINT THAT.

PAINT? THIS?

WELL, YES, SIR.

THE FURNISHINGS ARE, AS YOU SAY, OLD.

BUT DO YOU KNOW HOW OLD?

I DON'T THINK SO.

PRICELESSLY OLD.

THIS PIECE IS AUTHENTIC GEORGIAN,

LATE 17th CENTURY.

THE ONLY OTHER ONE I'VE SEEN WAS IN A LONDON MUSEUM.

MY GOODNESS.

AND THIS OVER HERE.

MY, MY, MY.

MRS. WILDER.

IF I SHOULD MOVE IN,

I WILL UNDERTAKE THE RESTORATION OF THESE ANTIQUES MYSELF.

LET'S HAVE A LOOK AT THE CONNECTING ROOM.

CERTAINLY.

I'M SORRY IT'S SUCH A MESS.

IT'S BEEN USED AS A STORAGE ROOM FOR YEARS.

THE DIMENSIONS ARE RIGHT.

WHEN CAN YOU HAVE IT READY?

WE'LL GET RIGHT TO WORK.

IN A COUPLE OF DAYS, YOU WON'T EVEN KNOW IT.

I SHALL NEED A DESK.

WE DON'T HAVE ONE.

NO MATTER. I NEED TO PURCHASE

A NUMBER OF ODDS AND ENDS ANYWAY.

A DESK CAN BE ONE OF THEM.

WELL, A NEIGHBOR OF OURS, JOHN CARTER,

IS MAKING A DELIVERY IN SLEEPY EYE TOMORROW.

I'M SURE HE'D ENJOY THE COMPANY.

FINE. WOULD YOU MIND ARRANGING THAT FOR ME?

MY PLEASURE.

AND IF YOUNG MR. OLESON THERE

WILL KINDLY DELIVER MY STEAMER TRUNK,

I CAN GET TO UNPACKING.

YES, SIR, RIGHT AWAY.

I'LL GIVE YOU A HAND.

MR. MONTAGUE,

I JUST WANT TO TELL YOU HOW HONORED WE ARE TO HAVE YOU STAY HERE.

THANK YOU, MRS. WILDER.

SO...

JUST AS SOON AS YOUR MOTHER AND I COULD SCRAPE OUT A LIVING,

WE SENT OUT INQUIRIES TO TRY AND FIND YOU.

IT SEEMED LIKE...

EVERY TIME WE GOT CLOSE,

YOU'D BEEN SENT SOMEWHERE ELSE.

I KNOW SOME FOLKS ADOPTED YOU ONCE.

YOU MEAN THAT FELLOW McQUEEN?

NO.

WE HEARD ABOUT HIM LATER.

THIS WAS A FARMER AND HIS WIFE SOMEWHERE IN DULUTH.

NEVER HEARD ABOUT THEM.

THIS BOY DOESN'T TALK MUCH ABOUT HIS PAST.

THAT TRUE, MATTHEW?

YOU WERE ADOPTED ONCE BY THOSE FOLKS?

THEY'RE THE ONES THAT FORCED THAT LYE DOWN YOU?

ALL THEY WANTED HIM FOR WAS WORK.

FED HIM NO BETTER THAN PIG SLOP UNTIL HE GOT SICK,

COULDN'T STAND ON HIS FEET.

THEN THEY SENT HIM BACK TO THE WORKHOUSE.

HE COULDN'T TELL ANYBODY WHAT HAPPENED

BECAUSE HE DIDN'T HAVE NO VOICE.

THEN McQUEEN COME ALONG

AND PUT HIM IN A CAGE FOR HIS MEDICINE SHOW.

MATTHEW...

I KNOW NOBODY CAN MAKE UP FOR WHAT YOU'VE BEEN THROUGH.

BUT LET ME TRY.

IT'D JUST BE THE 2 OF US.

YOUR MA, SHE PASSED ON A FEW MONTHS BACK.

IT MADE ME ALL THE MORE DETERMINED

TO FINALLY FIND YOU.

WILL YOU GIVE ME A CHANCE, SON?

WILL YOU?

HE WANTS TO KNOW WHY YOU DESERTED HIM IN THE FIRST PLACE.

BECAUSE WE WERE STARVING!

IT WAS THE YEAR OF THE DRAUGHT.

THERE WAS NO FOOD.

NOT ANYTHING, ANYWHERE.

MATTHEW, YOU WERE DYING BEFORE OUR EYES.

DON'T YOU SEE, SON?

THE ONLY WAY WE COULD SAVE YOUR LIFE WAS...

WAS TO GIVE YOU UP.

SAYS YOU SHOULD HAVE LET HIM DIE.

NO.

DON'T SAY THAT, BOY.

MATTHEW, I LOVE YOU.

MATTHEW, WAIT!

UGH!

WHAT WAS IT HE SAID TO ME BEFORE HE RAN OUT?

THAT HE HATES YOU.

I THINK YOU'D BETTER GO NOW.

WANT ME TO DRIVE YOU BACK TO TOWN?

NO.

I CAN WALK.

HE'S GONE.

I DON'T KNOW IF HE'S COMING BACK.

NOW, COME ON, HOLD ON.

I CAN UNDERSTAND YOU NOT WANTING TO SEE HIM AGAIN,

BUT HATING...

HATING'S BAD FOR THE SOUL.

HE IS YOUR FATHER.

NO, I DON'T WANT YOU TO GO WITH HIM.

I WANT YOU TO DO WHAT YOU WANT TO DO.

THEN I WANT YOU TO STAY WITH ME.

[DOOR OPENING]

AH, MR. MONTAGUE.

THAT IS CORRECT.

I'M DOC BAKER. WON'T YOU HAVE A SEAT?

THANK YOU.

NOW, I'D LIKE YOU TO FILL THIS CARD OUT.

JUST THE CUSTOMARY MEDICAL HISTORY QUESTIONS.

THAT WON'T BE NECESSARY.

WELL, IT WILL HELP ME IN TREATING YOU EFFECTIVELY.

I DID NOT COME HERE FOR TREATMENT, DOCTOR.

I'M QUITE CAPABLE OF DIAGNOSING AND TREATING

ANY PROBLEM I MIGHT HAVE.

WELL, MR. MONTAGUE, I'VE DISCOVERED OVER THE YEARS,

IT'S A VERY DANGEROUS PRACTICE

FOR PATIENTS TO DIAGNOSE THEMSELVES.

IT'S MUCH WISER TO LEAVE THAT TO THEIR PHYSICIANS.

EXACTLY.

I RECEIVED MY MEDICAL DEGREE IN LONDON

AND DID MY INTERNSHIP AT SEVERAL MAJOR HOSPITALS,

INCLUDING, FOR A WHILE, AT YOUR OWN MAYO CLINIC.

I HAD NO IDEA.

OBVIOUSLY.

WELL, UH... IF YOU DIDN'T COME HERE FOR TREATMENT,

MAY I ASK WHY YOU MADE THIS APPOINTMENT?

IT'S FOR A BOOK.

I'M PLANNING TO INCLUDE A CHAPTER ON FRONTIER MEDICINE.

OH.

OH, I SEE.

WELL, I'D BE VERY HAPPY TO ANSWER ANY OF YOUR QUESTIONS.

YOU'RE VERY KIND.

DO YOU HAVE A COLD, DOCTOR?

OH, NO. IT'S SINUS TROUBLE.

I'VE HAD IT MY WHOLE LIFE.

REALLY?

WILL YOU STICK OUT YOUR TONGUE?

I BEG YOUR PARDON?

YOUR TONGUE, DOCTOR.

WILL YOU STICK IT OUT?

YES.

AH.

HANDS, PLEASE.

AH, THERE IT IS.

THERE WHAT IS?

DO YOU SEE THE SLIGHT DISCOLORATION THERE?

YES.

POWDERED BEET ROOT.

POWDERED BEET ROOT?

ONE TEASPOON TWICE A DAY.

YOU WILL SEE AN IMMEDIATE IMPROVEMENT IN YOUR SINUSES.

BEET ROOT WILL DO THAT?

YES. HERBAL REMEDY.

I STUDIED IT FOR A WHILE,

WHEN I WAS IN CHINA.

CHINA.

AMAZING.

YES.

NOW, SOME QUESTIONS.

DOCTOR, IF YOU DON'T MIND...

YES?

I'VE HAD THIS RECURRING PAIN

RIGHT HERE IN THE SHOULDER.

WOULD YOU MIND LOOKING AT IT?

OF COURSE NOT.

COULD WE STEP INTO YOUR EXAMINING ROOM?

WONDERFUL.

YOU DON'T KNOW HOW MUCH I APPRECIATE THIS.

YES, I DO.

Montague: TELL ME, IS THERE A CHINESE LAUNDRY

IN SLEEPY EYE?

I BELIEVE SO.

GOOD, GOOD.

BUT I THOUGHT LAURA INCLUDED DOING THE LAUNDRY.

SHE DOES, BUT WHEN IT COMES TO MY BEST SHIRTS,

ONLY A PROPER CHINESE LAUNDRY

UNDERSTANDS THE CORRECT WAY TO DO THEM.

I'M SURE MRS. WILDER WON'T BE OFFENDED.

[SPEAKING CHINESE]

AH! GOOD MORNING, GENTLEMEN.

MAY I HELP YOU?

[SPEAKING CHINESE]

[SPEAKING CHINESE]

NOW, LET'S GO AND LOOK AT SOME DESKS, SHALL WE?

HERE YOU GO, MR. EDWARDS.

THANK YOU, WILLIE. HOW'S MARRIED LIFE TREATING YOU?

FINE. JUST FINE.

IT MUST BE. YOU STILL GOT THAT GRIN ON YOUR FACE.

YEAH. OH, CAN I GET YOU SOME MORE COFFEE?

MAYBE RIGHT AFTERWARDS.

ALL RIGHT.

[BELL ON DOOR RINGS]

AFTERNOON.

THOUGHT YOU'D BE GONE BY NOW.

THE STAGE TO MINNEAPOLIS DOESN'T LEAVE TILL FRIDAY.

SHAME YOU HAVE TO HANG AROUND.

YOU'RE VERY FOND OF THE BOY, AREN'T YOU?

MORE THAN THAT.

MATTHEW'S LIKE A SON TO ME.

LIKE A SON IS NOT THE SAME AS BEING A SON.

IT IS TO ME.

AND IT IS TO MATTHEW.

HE DOESN'T WANT TO GO WITH YOU, MR. ROGERS.

WANTS TO STAY WITH ME.

BE BETTER OFF IF YOU HADN'T

COME AROUND HERE AT ALL.

I HAD TO TRY.

WELL, YOU DID.

COULD I COME BY YOUR PLACE TOMORROW?

MR. ROGERS...

PLEASE. IT'LL JUST BE FOR A FEW MINUTES.

THERE'S SOMETHING I WANT TO GIVE MATTHEW.

ALL RIGHT.

THANK YOU.

[DOOR OPENS AND CLOSES]

I CAN'T BELIEVE HOW NICE THIS LOOKS.

YEAH, I'M ALMOST FINISHED.

AND A FINE JOB IT IS, MR. WILDER.

WOULDN'T YOU SAY SO, MRS. WILDER?

YES.

YOU KNOW, MR. MONTAGUE.

YES?

WE WOULDN'T MIND AT ALL IF YOU CALLED US LAURA AND ALMANZO.

VERY WELL.

HOWEVER, THERE'LL BE NO RECIPROCITY.

I'M SIMPLY NOT COMFORTABLE

WITH ANYTHING OTHER THAN MR. MONTAGUE.

THERE... THAT COMPLETES IT.

IS THAT YOUR WIFE AND SON?

OOH, HEAVENS NO.

ACTUALLY, I CAN'T RECALL THE NAMES OF THE WOMAN OR HER SON.

THE PICTURE WAS TAKEN ON THE FRENCH RIVIERA.

IF YOU DON'T KNOW WHO THEY ARE,

WHY'D YOU FRAME THE PICTURE?

BECAUSE IT WAS THE ONLY PICTURE TAKEN OF ME

THAT DID ME JUSTICE.

OH, I SEE.

WELL, IT IS A WONDERFUL PICTURE OF YOU.

I KNOW.

ISN'T IT TIME YOU WERE SERVING BREAKFAST?

YES. UM, IT'LL JUST TAKE A MINUTE.

I'LL CALL YOU.

THANK YOU.

UH, MR. MONTAGUE,

CAN I ASK YOU A QUESTION?

CERTAINLY.

WELL, I WAS JUST WONDERING WHY...

[HUMMING] OMMMMMMM.

ASK ME WHAT?

OMMMMMM.

WHY YOU WERE NEVER MARRIED.

I NEVER HAD THE DESIRE.

OMMMMMM.

NO FOOLING. YOU NEVER WANTED ANY CHILDREN?

MMMMM.

I DON'T LIKE OTHER PEOPLE'S CHILDREN.

I SEE NO REASON WHY I WOULD LIKE MY OWN ANY BETTER.

OMMMMMM.

OH.

WELL, I'M ALL THROUGH HERE.

MMMMMM.

EXCELLENT! I COULDN'T DO MUCH BETTER MYSELF!

OMMMMMM.

THANKS.

[CONTINUES HUMMING]

YOU KNOW, I'M NOT SO SURE IT WAS A GOOD IDEA

TO TAKE MR. MONTAGUE IN AS A BOARDER.

WHY?

I DON'T KNOW. HE'S SORT OF STRANGE.

HE'S A WRITER.

SO? YOU'RE A WRITER, AND YOU'RE NOT STRANGE.

ALMANZO, HE SEEMS NICE ENOUGH.

BESIDES, I THINK HE'S FUNNY.

FUNNY? I NEVER MET SUCH A KNOW-IT-ALL IN ALL MY LIFE.

NO MATTER WHAT IT IS, HE DOES IT BETTER.

I TELL YOU, HE ACTS LIKE HE'S PERFECT.

IT IS NOT AN ACT, ALMANZO. I AM PERFECT.

IT IS A CROSS I MUST BEAR.

BACON CRISP, EGGS EXACTLY 2 1/2 MINUTES.

CERTAINLY.

[BABY CRIES]

[TALKING BABY TALK]

A RUDIMENTARY FORM OF BABY TALK

I PICKED UP ON THE ISLAND OF CYPRUS.

I'LL BE AT THE TABLE.

MAYBE HE IS PERFECT.

[HUMMING]

YOU WANT THE REST?

THERE YOU GO.

[KNOCK ON DOOR]

IT'S OPEN.

I DIDN'T MEAN TO INTERRUPT BREAKFAST.

I GOT SOME HOT COFFEE.

NO, THANK YOU. I ATE AT THE RESTAURANT.

I KNOW YOU WANT TO STAY HERE WITH MR. EDWARDS.

AND I RESPECT YOUR DECISION.

I'LL BE LEAVING AT THE END OF THE WEEK.

IF YOUR MOTHER AND I MADE A MISTAKE IN GIVING YOU UP...

AND I WON'T SAY THAT MAYBE WE DIDN'T...

WE SPENT A LOT OF YEARS TRYING TO FIND YOU,

GET YOU BACK.

WE NEVER STOPPED LOVING YOU, MATTHEW.

NEVER ONCE.

AND I LOVE YOU NOW.

I--I DON'T EXPECT YOU TO FEEL THE SAME WAY, BUT...

IF I COULD ONLY LEAVE HERE KNOWING YOU DIDN'T HATE ME,

IT'D MEAN A GREAT DEAL TO ME.

HE DOESN'T HATE YOU.

TIMES WERE HARD. YOU DID WHAT YOU HAD TO DO.

HE CAN UNDERSTAND THAT.

THANK YOU.

I WANT TO LEAVE YOU SOMETHING.

IT'S YOUR MOTHER'S BIBLE.

SHE'D HAD IT SINCE SHE WAS A LITTLE GIRL.

WILL YOU ACCEPT IT?

THEN I'LL BE GOING.

I WON'T TRY TO SEE YOU BEFORE I GO.

IF YOU'RE HEADING INTO TOWN, I'LL GIVE YOU A RIDE.

GOOD-BYE, MATTHEW.

HA HA HA.

WAIT'LL YOU SEE WHAT I GOT.

WE'RE GONNA HAVE US SOME STEAK,

WE'RE GONNA HAVE US SOME TURNIPS HERE,

AND FRIED TATERS.

WHAT'S WRONG?

WHAT DO YOU MEAN YOU AIN'T HUNGRY?

WHAT, ARE YOU SICK OR SOMETHING?

WELL, GUESS WE CAN EAT 'EM LATER ON.

AIN'T NO RUSH. STILL EARLY.

IT'S YOUR PA, ISN'T IT?

YOU SURE YOU JUST FEEL SORRY FOR HIM?

WELL, THAT'S NATURAL.

I MEAN, AFTER ALL, HE IS YOUR PA.

YEAH, I KNOW. HE DID LOOK SAD.

LOOK, YOU WANT TO SEE HIM AGAIN?

YOU SURE?

ALL RIGHT.

SURE YOU DON'T WANT A STEAK?

MIGHTY GOOD.

GOOD DAY, MADAME.

I HAVE A LIST OF SPICES HERE.

I HOPE YOU CARRY WHAT I NEED.

[CHOKING]

MADAME? IS SOMETHING WRONG?

YOU CAN'T SPEAK?

LARYNGITIS?

FIRST...

WORD.

AH, CHARADES!

I USED TO PLAY FOR HOURS IN BURMA.

I...

I FLEW.

I--BIRD?

A BIRD? SOME KIND OF BIRD.

BIRD. IT MUST BE A VERB FOLLOWING THE "I."

AH! SWALLOW.

I SWALLOW...

I SWALLOWED A...

SOUR BALL.

CERTAINLY. TURN A BIT.

AH! ARGH!

THANK YOU VERY MUCH.

HOW FORTUNATE THAT YOU HAPPENED BY JUST NOW.

I COULD'VE CHOKED TO DEATH!

VERY UNLIKELY.

IF IT SHOULD HAPPEN AGAIN,

A FEW SIPS OF HOT WATER WILL DO THE TRICK.

OH. YES, CERTAINLY. I'LL REMEMBER THAT.

NOW, IF YOU WILL GET MY ORDER, PLEASE?

OH! OH, YES.

YES, CERTAINLY, MR. MONTAGUE.

MOTHER.

OH, YES, PRECIOUS?

THAT MISS PLUMB. SHE GAVE ME A "C" ON MY ESSAY.

A "C"!

YES.

SHE HATES ME.

MADAME!

YES?

WOULD YOU MIND FILLING MY ORDER

BEFORE YOU MOVE ON TO THIS DOMESTIC MATTER?

OH! OH, YES, OF COURSE, MR. MONTAGUE.

I'LL LOOK AT IT LATER, PRECIOUS.

YOU'RE MR. MONTAGUE, THE FAMOUS WRITER.

CORRECT.

THEN YOU MUST KNOW HOW I FEEL.

YOU PUT YOUR HEART AND SOUL INTO YOUR WRITING,

AND THEN SOMEONE TELLS YOU IT'S NO GOOD.

I HAVE NEVER HAD THAT EXPERIENCE.

OH.

WOULD YOU LOOK AT IT, PLEASE?

MY DEAR GIRL!

PLEASE. IT WOULD MAKE ME FEEL SO MUCH BETTER

IF YOU TOLD ME WHAT YOU THOUGHT.

WELL?

DRIVEL.

WHAT?

IT'S DRIVEL.

YOUR MISS PLUMB WAS VERY KIND

IN GIVING YOU A PASSING GRADE.

YOU HATE ME, TOO!

NOT YET.

BUT I'M SURE IF I SPEND SOME TIME WITH YOU,

IT COULD DEVELOP INTO THAT.

I'M GONNA KILL MYSELF!

AH, HERE WE ARE.

[DOOR SLAMS]

WE HAD EVERYTHING THAT WAS ON YOUR LIST.

THANK YOU. PUT IT ON MY BILL.

YES, CERTAINLY. WHERE'S NANCY?

I BELIEVE SHE SAID SHE WAS GOING UPSTAIRS TO COMMIT SUICIDE.

OH.

GOOD DAY.

GOOD DAY.

SUICIDE?

NANCY!

[KNOCK ON DOOR]

COME IN.

I THOUGHT YOU WERE THE COACH DRIVER.

HE SAID HE'D GET ME WHEN IT WAS TIME.

THINK WE SHOULD TALK.

OF COURSE.

I, UH...

DIDN'T GIVE YOU MUCH OF A CHANCE WHEN YOU CAME HERE.

I WAS ANGRY.

NOT BECAUSE OF WHAT HAPPENED.

DEEP DOWN, I COULD UNDERSTAND THAT.

I WAS ANGRY...

'CAUSE I DIDN'T WANT TO LOSE THE BOY. YOU KNOW?

I LOVE HIM.

I KNOW THAT.

SOMETHING'S HAPPENED TO HIM EVER SINCE YOU GAVE HIM THAT BIBLE

AND SAID GOOD-BYE TO HIM.

HE'S HURTING INSIDE.

I THOUGHT MAYBE HE'D GET OVER IT. YOU KNOW?

I GUESS...

WHAT I'M TRYING TO SAY IS

THAT YOU'RE HIS PA, YOU KNOW.

AND HE FEELS THAT.

AND HE'S SCARED. HE'S CONFUSED.

I MEAN, HE DOESN'T WANT TO HURT ME.

BUT I KNOW THAT WAY DOWN DEEP INSIDE OF HIM,

HE LOVES YOU.

HE LOVES YOU.

AND HE WANTS TO GET TO KNOW YOU.

SO...

WHY DON'T YOU, UH...

COME ON OUT TO MY PLACE AND, UH...

TALK TO HIM?

I'LL DRIVE YOU.

THE BOY NEEDS A LOT OF LOVE.

HE'LL GET IT.

I'LL WAIT OUT HERE.

Laura, voice-over: A WEEK LATER,

MATTHEW LEFT WALNUT GROVE WITH HIS FATHER.

MR. EDWARDS SMILED A LOT SAYING GOOD-BYE,

BUT I KNOW INSIDE HIS HEART WAS BREAKING.

WHY DON'T YOU JOIN US FOR SUPPER TONIGHT?

MR. MONTAGUE'S COOKING AGAIN.

HE'S A WONDERFUL COOK.

I WOULDN'T WANT TO BE INTRUDING.

SINCE WHEN WOULD YOU BE INTRUDING?

NOT TONIGHT, HALF-PINT.

I JUST WOULDN'T BE GOOD COMPANY. NOT TONIGHT.

ALL RIGHT.

BUT IF YOU WANT TO COME BY,

THE OFFER STILL STANDS.

THANK YOU.

HE FORGOT HIS SHOE.

WHAT AM I GONNA DO WITH THAT BOY?

THIS SURE IS DELICIOUS, MR. MONTAGUE.

YES, I KNOW.

I CONCOCTED THIS DISH AT BUCKINGHAM PALACE

AS A SURPRISE FOR THE QUEEN.

YOU'VE MET THE QUEEN?

MM. WE'RE QUITE CLOSE.

SHE NAMED IT CHICKEN MONTAGUE.

IT IS NOW SERVED

IN ALL THE FINEST RESTAURANTS IN LONDON.

YOU DON'T CARE FOR IT, LAURA?

OH, YES! IT'S WONDERFUL.

I JUST CAN'T STOP THINKING ABOUT MR. EDWARDS.

HE TRIED SO HARD NOT TO CRY TODAY.

I WISH HE WOULD'VE COME BY TONIGHT.

SO DO I.

I FEEL SO BAD EVERY TIME I THINK ABOUT HIM

ALL ALONE IN THAT HOUSE.

[DOOR CLOSING]

MR. EDWARDS.

I'M SORRY ABOUT BARGING IN LIKE THIS.

WE WERE HOPING YOU'D COME FOR SUPPER.

WELL, TO TELL YOU THE TRUTH,

I COME FOR MORE THAN SUPPER.

WHAT?

LISTEN, HALF-PINT,

I'VE BEEN DOING SOME THINKING,

SITTING ALONE OVER AT MY PLACE.

WHAT WITH MATTHEW GONE, AND...

WELL, THE FACT IS,

I DON'T WANT TO BE ALONE AGAIN.

SO IF YOU GOT A SPACE HERE...

YOU WANT TO LIVE HERE?

IF IT'S ALL RIGHT.

THAT'S WONDERFUL.

COME. SIT DOWN AND HAVE SOME SUPPER.

OH, GREAT. I TELL YOU WHAT.

I CAN EAT A HORSE.

JENNY, WOULD YOU PLEASE GET A PLATE FOR MR. EDWARDS?

NEVER MIND, NEVER MIND.

THIS RIGHT HERE WILL DO JUST FINE.

AH, A MAN AFTER MY OWN HEART.

Jenny: MR. MONTAGUE MADE THIS DISH

FOR THE QUEEN.

IS THAT A FACT?

WHAT DO YOU THINK, MR. EDWARDS?

YOU GOT ANY KETCHUP?

I'LL GET IT!

KETCHUP?

OH, AND SOME OF THEM LITTLE SOUR PICKLES.

YOU KNOW HOW I LOVE THEM!

KETCHUP AND PICKLES.

OH, YOU LIKE 'EM, TOO?

I'LL TELL YOU SOMETHING, MR. MON-TAY-GOO...

MONTAGUE.

OH, YEAH. WELL, WHATEVER.

YOU KNOW, I THINK YOU AND ME GOT A LOT IN COMMON!

I HOPE NOT.

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