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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:07,000 Uploaded by http://Scene-RLS.net 2 00:00:19,000 --> 00:00:23,360 And we pay tribute to Divinyls. # Get me out of here... # 3 00:00:23,360 --> 00:00:27,720 Plus a memorable Kylie Minogue performance from the vault. 4 00:00:27,720 --> 00:00:30,280 All this and more on The Sound. 5 00:00:30,280 --> 00:00:31,680 # It makes me dance 6 00:00:31,680 --> 00:00:33,560 # It makes me sing 7 00:00:33,560 --> 00:00:37,200 # It makes me feel everything 8 00:00:37,200 --> 00:00:40,240 # Oh, I can't forget The Sound 9 00:00:40,240 --> 00:00:43,920 # The Sound, The Sound 10 00:00:43,920 --> 00:00:45,400 # The Sound 11 00:00:45,400 --> 00:00:48,120 # Oh, I can't forget The Sound. # 12 00:00:48,120 --> 00:00:50,440 Hello! I'm Jane Gazzo. 13 00:00:50,440 --> 00:00:52,120 Welcome to The Sound, 14 00:00:52,120 --> 00:00:56,680 and another great hour of Australian music past and present. 15 00:00:56,680 --> 00:01:00,520 My very special guest co-host is Russell Crowe, 16 00:01:00,520 --> 00:01:03,600 star of new psychological thriller Unhinged, 17 00:01:03,600 --> 00:01:05,880 which is out on July 30. 18 00:01:05,880 --> 00:01:08,040 Thanks, Jane. It's my pleasure to be here. 19 00:01:08,040 --> 00:01:10,520 I'm looking forward to, later on in the show, 20 00:01:10,520 --> 00:01:12,720 the tribute to Chrissy Amphlett from the Divinyls, 21 00:01:12,720 --> 00:01:15,800 and playing a live performance by Kylie Minogue - one from the vault. 22 00:01:15,800 --> 00:01:18,640 And I'm also gonna talk to a couple of road animal mates of mine 23 00:01:18,640 --> 00:01:21,840 and see how they're doing in a pandemic. 24 00:01:21,840 --> 00:01:26,280 Alright, first up, it's Fremantle indie pop group San Cisco. 25 00:01:26,280 --> 00:01:29,760 The band will release their fourth album, Between You and Me, 26 00:01:29,760 --> 00:01:31,360 on September 4. 27 00:01:31,360 --> 00:01:34,040 And it contains tracks like Skin and When I Dream, 28 00:01:34,040 --> 00:01:38,160 which both featured in Triple J's Hottest 100 last year, 29 00:01:38,160 --> 00:01:41,840 as well as the song they're performing for us here on The Sound. 30 00:01:41,840 --> 00:01:44,480 It's called On the Line. 31 00:02:13,960 --> 00:02:15,720 # I know that we need to talk 32 00:02:15,720 --> 00:02:18,720 # Maybe we should take a walk round here 33 00:02:21,240 --> 00:02:22,640 # I know you got things on your mind 34 00:02:22,640 --> 00:02:25,760 # I'm sorry I don't take the time to care 35 00:02:28,440 --> 00:02:30,560 # You say you want things to change 36 00:02:30,560 --> 00:02:33,760 # But they just stay the same, yeah 37 00:02:34,840 --> 00:02:36,800 # It's not in your head 38 00:02:36,800 --> 00:02:40,400 # There's something in the air 39 00:02:41,680 --> 00:02:44,680 # And when we disconnect 40 00:02:44,680 --> 00:02:47,840 # I still feel you there 41 00:02:49,840 --> 00:02:53,560 # Could you love me, love me 42 00:02:53,560 --> 00:02:55,400 # One more time? 43 00:02:57,120 --> 00:03:01,000 # Could you put it all 44 00:03:01,000 --> 00:03:02,720 # On the line? 45 00:03:02,720 --> 00:03:06,200 # Patch it up, I think we'll be fine 46 00:03:20,240 --> 00:03:21,920 # The disconnect was always there 47 00:03:21,920 --> 00:03:25,400 # The stars will share our death 48 00:03:27,640 --> 00:03:29,440 # Do you see where I'm coming from? 49 00:03:29,440 --> 00:03:32,280 # I guess you went and got it wrong again 50 00:03:34,760 --> 00:03:36,440 # We come to a fork in the road 51 00:03:36,440 --> 00:03:38,200 # Don't know which way we want to go 52 00:03:38,200 --> 00:03:40,040 # Dead end 53 00:03:41,320 --> 00:03:43,520 # It's not in your head 54 00:03:43,520 --> 00:03:47,280 # There's something in the air 55 00:03:48,400 --> 00:03:51,040 # And when we disconnect 56 00:03:51,040 --> 00:03:54,560 # I still feel you there 57 00:03:56,360 --> 00:04:00,000 # Could you love me, love me 58 00:04:00,000 --> 00:04:01,760 # One more time? 59 00:04:03,640 --> 00:04:07,320 # Could you put it all 60 00:04:07,320 --> 00:04:08,880 # On the line? 61 00:04:13,040 --> 00:04:16,640 # And I try and I try and I try 62 00:04:20,560 --> 00:04:23,240 # And I try and I try-y 63 00:04:24,320 --> 00:04:28,320 # Don't know how to let go 64 00:04:28,320 --> 00:04:31,320 # When this is all that I've known 65 00:04:31,320 --> 00:04:35,120 # And our friends say we should move on 66 00:04:35,120 --> 00:04:38,560 # Too broken to fix 67 00:04:38,560 --> 00:04:43,120 # But I don't want to give up on this 68 00:04:43,120 --> 00:04:45,960 # When our love's on the line 69 00:04:51,920 --> 00:04:55,240 # Could you love me, love me 70 00:04:55,240 --> 00:04:57,160 # One more time? 71 00:04:59,200 --> 00:05:02,720 # Could you put it all 72 00:05:02,720 --> 00:05:04,560 # On the line? 73 00:05:04,560 --> 00:05:08,000 # Patch it up, I think we'll be fine 74 00:05:08,000 --> 00:05:11,800 # And I try and I try and I try 75 00:05:11,800 --> 00:05:13,920 # And I try and I try 76 00:05:13,920 --> 00:05:17,560 # Could you love me, love me 77 00:05:17,560 --> 00:05:19,160 # One more time? 78 00:05:20,640 --> 00:05:25,160 # Could you put it all 79 00:05:25,160 --> 00:05:26,720 # On the line? 80 00:05:30,680 --> 00:05:33,960 # And I try and I try and I try 81 00:05:33,960 --> 00:05:37,960 # And I try and I try and I try 82 00:05:37,960 --> 00:05:41,880 # And I try and I try and I try 83 00:05:41,880 --> 00:05:44,640 # And I try and I try, ah! # 84 00:06:44,600 --> 00:06:47,160 San Cisco there with On the Line. 85 00:06:47,160 --> 00:06:51,760 The band will play shows in Tasmania, Queensland and New South Wales 86 00:06:51,760 --> 00:06:53,360 in October. 87 00:06:53,360 --> 00:06:56,160 Up next, here's Double J's Zan Rowe 88 00:06:56,160 --> 00:06:58,240 with all the local music news. 89 00:07:08,240 --> 00:07:09,960 Tones and I's Dance Monkey 90 00:07:09,960 --> 00:07:14,000 has just become the highest-selling Australian single in ARIA history. 91 00:07:14,000 --> 00:07:15,920 It's now 12 times platinum, 92 00:07:15,920 --> 00:07:19,040 translating to 840,000 sales, 93 00:07:19,040 --> 00:07:21,120 and surpassing previous record-holders 94 00:07:21,120 --> 00:07:23,400 Gotye and Guy Sebastian. 95 00:07:23,400 --> 00:07:26,240 Dance Monkey has now spent the last 55 weeks 96 00:07:26,240 --> 00:07:28,360 in the Australian top 20, 97 00:07:28,360 --> 00:07:32,880 including a record-breaking 24 weeks at number one. 98 00:07:32,880 --> 00:07:35,520 Rocker Jimmy Barnes scared fans this week 99 00:07:35,520 --> 00:07:39,960 when he posted a photo from a hospital bed on his social media. 100 00:07:39,960 --> 00:07:41,760 But we were well looked after by all our mates, 101 00:07:41,760 --> 00:07:45,120 doctors and nurses and staff at the...at St Vinnies. 102 00:07:45,120 --> 00:07:48,840 Barnesy went to the ER with severe stomach pains but is back home, 103 00:07:48,840 --> 00:07:52,480 and sang a cover of The Beatles' With a Little Help from My Friends 104 00:07:52,480 --> 00:07:56,040 in tribute to hospital staff. 105 00:07:56,040 --> 00:07:57,560 Sampa the Great confronts 106 00:07:57,560 --> 00:08:00,880 the Australian music industry's exploitation of people of colour 107 00:08:00,880 --> 00:08:04,280 in her striking new video for Time's Up. 108 00:08:04,280 --> 00:08:05,760 The video, which also features 109 00:08:05,760 --> 00:08:07,200 Melbourne rapper Krown, 110 00:08:07,200 --> 00:08:09,000 show Sampa held upside down 111 00:08:09,000 --> 00:08:10,440 at one point, 112 00:08:10,440 --> 00:08:12,440 with her culture shaken out of her. 113 00:08:12,440 --> 00:08:14,280 # Take our ideas, then you resell it... # 114 00:08:14,280 --> 00:08:16,480 Regional festival the Red Hot Summer Tour 115 00:08:16,480 --> 00:08:18,200 has moved three postponed shows 116 00:08:18,200 --> 00:08:21,560 with Hunters and Collectors, The Living End and Killing Heidi 117 00:08:21,560 --> 00:08:23,920 forward nearly two years. 118 00:08:23,920 --> 00:08:27,840 The shows will now take place in Ballarat, Kiama and the Barossa 119 00:08:27,840 --> 00:08:30,200 in May 2022. 120 00:08:30,200 --> 00:08:31,920 The festival is still hoping to have 121 00:08:31,920 --> 00:08:33,920 a new line-up running early next year, 122 00:08:33,920 --> 00:08:37,880 depending on COVID-19 restrictions on large outdoor events. 123 00:08:41,480 --> 00:08:43,160 Melbourne band The Teskey Brothers 124 00:08:43,160 --> 00:08:45,640 scored their first ARIA chart-topper in May, 125 00:08:45,640 --> 00:08:48,560 when their Live at the Forum album hit number one. 126 00:08:48,560 --> 00:08:52,360 The song you're about to see, Carry You, features on that record, 127 00:08:52,360 --> 00:08:56,240 as well as on last year's Grammy-nominated album Run Home Slow. 128 00:08:56,240 --> 00:09:01,120 Here's the Teskeys, recorded live at the Bakehouse Studios in Melbourne. 129 00:09:21,520 --> 00:09:23,520 # Well, I've always known 130 00:09:25,720 --> 00:09:29,600 # Pain's like a heavy stone 131 00:09:29,600 --> 00:09:32,920 # It's too much to carry 132 00:09:34,560 --> 00:09:37,560 # To carry alone 133 00:09:39,400 --> 00:09:41,800 # That's the story of love 134 00:09:41,800 --> 00:09:43,160 # Love 135 00:09:44,160 --> 00:09:46,320 # It takes time to know it's true 136 00:09:48,000 --> 00:09:51,400 # You need someone to lean on 137 00:09:52,400 --> 00:09:55,560 # I need someone to lean on too 138 00:09:57,240 --> 00:10:00,480 # Someone to help me through 139 00:10:03,920 --> 00:10:11,040 # So, just let me carry you, carry you, carry you, carry you 140 00:10:13,200 --> 00:10:20,240 # Just let me carry you, carry you, carry you, carry you 141 00:10:21,720 --> 00:10:26,800 # Mmm-mmm-mmm, ooh-ooh-ooh-ooh 142 00:10:28,360 --> 00:10:30,280 # Hey 143 00:10:33,400 --> 00:10:36,200 # There ain't no storm 144 00:10:36,200 --> 00:10:38,080 # That can 145 00:10:38,080 --> 00:10:40,600 # Last too long 146 00:10:42,440 --> 00:10:45,280 # There's nothing we can't handle 147 00:10:45,280 --> 00:10:49,600 # In the morning, this rain gonna be gone 148 00:10:51,640 --> 00:10:54,320 # 'Cause you and me, baby 149 00:10:54,320 --> 00:10:56,120 # We can 150 00:10:56,120 --> 00:10:58,680 # Weather what's wrong 151 00:11:00,520 --> 00:11:04,160 # A heavy heart is a heavy load 152 00:11:05,160 --> 00:11:07,800 # To carry alone 153 00:11:09,720 --> 00:11:13,240 # To carry alone 154 00:11:14,480 --> 00:11:16,560 # Yeah, yeah 155 00:11:16,560 --> 00:11:23,360 # So, just let me carry you, carry you, carry you, carry you 156 00:11:25,560 --> 00:11:31,080 # Ah, just let me carry you, carry you, carry you 157 00:11:31,080 --> 00:11:33,000 # Carry you 158 00:11:37,000 --> 00:11:40,120 # I'll be like a river 159 00:11:41,760 --> 00:11:43,960 # Oh, so strong 160 00:11:45,880 --> 00:11:49,640 # And I'll keep on running, yeah, 161 00:11:49,640 --> 00:11:52,600 # To carry you on 162 00:11:54,760 --> 00:11:58,120 # There's no one place 163 00:11:59,320 --> 00:12:02,320 # Ah, too far gone 164 00:12:03,800 --> 00:12:06,760 # I'll just keep running 165 00:12:07,960 --> 00:12:10,680 # To carry you on 166 00:12:10,680 --> 00:12:15,920 # Whoa-oh-oh-oh-oh, mmm 167 00:12:18,040 --> 00:12:23,160 # Let me carry, let me carry you on 168 00:12:24,920 --> 00:12:27,480 # Ooh-ooh-ooh 169 00:12:29,200 --> 00:12:36,520 # So, just let me carry you, carry you, carry you, carry you 170 00:12:38,240 --> 00:12:40,600 # Ah, just let me carry you 171 00:12:40,600 --> 00:12:44,840 # Carry you, carry you, carry you 172 00:12:44,840 --> 00:12:46,520 # Yeah, yeah 173 00:12:46,520 --> 00:12:48,520 # Oh, baby 174 00:12:48,520 --> 00:12:50,600 # I need ya 175 00:12:50,600 --> 00:12:53,360 # I need you, oh, so bad 176 00:12:53,360 --> 00:12:57,240 # Yeah-eah-eah-eah 177 00:12:57,240 --> 00:13:00,280 # Oh, let me carry you on 178 00:13:01,280 --> 00:13:05,200 # Let me carry you on 179 00:13:05,200 --> 00:13:08,160 # I'll take you over there 180 00:13:08,160 --> 00:13:10,120 # Ooh 181 00:13:10,120 --> 00:13:12,080 # I need you, baby 182 00:13:13,280 --> 00:13:17,560 # Ooh-ooh, no, no, no, no, no, no 183 00:13:17,560 --> 00:13:19,960 # Yeah, yeah 184 00:13:19,960 --> 00:13:22,080 # Yeah, yeah, yeah 185 00:13:22,080 --> 00:13:25,720 # Ooh-ooh-ooh. # 186 00:13:35,120 --> 00:13:40,880 Brisbane singer Eves Karydas has amassed over 40 million streams 187 00:13:40,880 --> 00:13:43,920 since her debut album in 2018. 188 00:13:43,920 --> 00:13:47,840 Her latest single, Complicated, was created in Sweden 189 00:13:47,840 --> 00:13:52,400 with producers who have worked with Britney Spears and Katy Perry. 190 00:13:52,400 --> 00:13:55,840 It's one of Triple J's most played songs this month 191 00:13:55,840 --> 00:13:58,320 and is on track to be a crossover hit 192 00:13:58,320 --> 00:14:01,720 with commercial radio now embracing the tune, 193 00:14:01,720 --> 00:14:06,160 which she's performing from SEA LIFE in Sydney. 194 00:14:08,160 --> 00:14:14,480 # When did everything here get so, get so complicated? 195 00:14:17,160 --> 00:14:19,280 # Oh, oh 196 00:14:26,520 --> 00:14:31,520 # Always thought when I sleep was meant to be peaceful 197 00:14:31,520 --> 00:14:33,680 # But my blood's been running 198 00:14:35,160 --> 00:14:38,160 # My teeth fall out in my dreams 199 00:14:38,160 --> 00:14:40,320 # Don't know what it means now 200 00:14:40,320 --> 00:14:41,960 # But it must mean something 201 00:14:43,760 --> 00:14:45,720 # Wish I was in love, wish I was alone 202 00:14:45,720 --> 00:14:48,000 # Never want to work, wish I wasn't broke 203 00:14:48,000 --> 00:14:49,600 # Wish I had a clue, had it figured out 204 00:14:49,600 --> 00:14:51,440 # But I really don't 205 00:14:51,440 --> 00:14:53,040 # So tell me 206 00:14:53,040 --> 00:14:57,240 # When did everything here get so, get so complicated 207 00:14:57,240 --> 00:14:58,920 # Used to laugh at nothing 208 00:14:58,920 --> 00:15:02,040 # Don't know how I got this jaded 209 00:15:02,040 --> 00:15:04,240 # Thought it was fine, thought we had time 210 00:15:04,240 --> 00:15:06,160 # But we felt dated 211 00:15:06,160 --> 00:15:10,440 # When did everything here get so, get so complicated 212 00:15:10,440 --> 00:15:13,760 # Always thought when I'm older 213 00:15:13,760 --> 00:15:17,680 # I'll be done waiting for my life to happen 214 00:15:19,080 --> 00:15:22,400 # My grandfather who was a soldier 215 00:15:22,400 --> 00:15:26,000 # But all that I know is that I don't know nothing 216 00:15:26,000 --> 00:15:27,640 # No, I don't know nothing 217 00:15:27,640 --> 00:15:29,560 # Wanted thicker skin, wanted tougher bones 218 00:15:29,560 --> 00:15:31,680 # Want to be away, wish I was at home 219 00:15:31,680 --> 00:15:33,680 # Wish I had a clue, had it figured out 220 00:15:33,680 --> 00:15:34,800 # But I really don't 221 00:15:35,600 --> 00:15:36,800 Again. Yeah. 222 00:15:36,800 --> 00:15:38,400 # Wish I was in love, wish I was alone 223 00:15:38,400 --> 00:15:40,760 # Never want to work, wish I wasn't broke 224 00:15:40,760 --> 00:15:42,560 # Wish I had a clue, had it figured out 225 00:15:42,560 --> 00:15:44,040 # But I really don't 226 00:15:44,040 --> 00:15:45,600 # So tell me 227 00:15:45,600 --> 00:15:50,040 # When did everything here get so, get so complicated 228 00:15:50,040 --> 00:15:54,960 # Used to laugh at nothing Don't know how I got this jaded 229 00:15:54,960 --> 00:15:57,400 # Thought it was fine, thought we had time 230 00:15:57,400 --> 00:15:59,160 # But we felt dated 231 00:15:59,160 --> 00:16:03,200 # When did everything here get so, get so complicated 232 00:16:03,200 --> 00:16:05,080 # When did every 233 00:16:05,080 --> 00:16:07,280 # When did, when did everything here 234 00:16:07,280 --> 00:16:10,000 # When did, when did everything here get so 235 00:16:10,000 --> 00:16:12,040 # Get so complicated? 236 00:16:12,040 --> 00:16:13,960 # When did every 237 00:16:13,960 --> 00:16:16,160 # When did, when did everything here 238 00:16:16,160 --> 00:16:18,960 # When did, when did everything here get so 239 00:16:18,960 --> 00:16:20,520 # Get so complicated? 240 00:16:20,520 --> 00:16:24,600 # Never asked for this, not once 241 00:16:24,600 --> 00:16:27,080 # Bring me back to the basics 242 00:16:27,080 --> 00:16:28,800 # Back to the basics 243 00:16:28,800 --> 00:16:32,640 # Speeding up and I'm barely holding on 244 00:16:32,640 --> 00:16:37,120 # Bring me back to the basics, to the start 245 00:16:37,120 --> 00:16:38,400 # So tell me 246 00:16:38,400 --> 00:16:42,960 # When did everything here get so, get so complicated? 247 00:16:42,960 --> 00:16:44,560 # Used to laugh at nothing 248 00:16:44,560 --> 00:16:47,640 # Don't know how I got this jaded 249 00:16:47,640 --> 00:16:50,040 # Thought it was fine, thought we had time 250 00:16:50,040 --> 00:16:52,080 # But we felt dated 251 00:16:52,080 --> 00:16:54,880 # When did everything here get so 252 00:16:54,880 --> 00:16:56,600 # So tell me when 253 00:16:56,600 --> 00:16:59,640 # When did everything here get so, get so complicated? 254 00:16:59,640 --> 00:17:02,080 # Complicated # Used to laugh at nothing 255 00:17:02,080 --> 00:17:05,640 # Don't know # How I got this jaded 256 00:17:05,640 --> 00:17:08,960 # Thought I was fine, thought we had time, but we felt dated 257 00:17:08,960 --> 00:17:13,880 # When did everything here get so, get so complicated? 258 00:17:13,880 --> 00:17:15,800 # When did every 259 00:17:15,800 --> 00:17:17,800 # When did, when did everything here 260 00:17:17,800 --> 00:17:20,360 # When did, when did everything here get so 261 00:17:20,360 --> 00:17:22,160 # Get so complicated? 262 00:17:22,160 --> 00:17:24,160 # When did every 263 00:17:24,160 --> 00:17:26,080 # When did, when did everything here 264 00:17:26,080 --> 00:17:29,240 # When did, when did everything here get so 265 00:17:29,240 --> 00:17:31,720 # Get so complicated? # 266 00:17:38,120 --> 00:17:42,040 ARIA Hall of Famer James Reyne was meant to be touring later this year 267 00:17:42,040 --> 00:17:45,400 to mark the 40th anniversary of his band Australian Crawl's 268 00:17:45,400 --> 00:17:48,000 classic album Boys Light Up. 269 00:17:48,000 --> 00:17:50,560 But with those plans now in limbo, 270 00:17:50,560 --> 00:17:55,800 he's been busy promoting his 12th solo album, Toon Town Lullaby, 271 00:17:55,800 --> 00:17:57,760 which came out earlier this month. 272 00:17:57,760 --> 00:17:59,480 Hi, James. Welcome to The Sound. 273 00:17:59,480 --> 00:18:00,480 How are you? 274 00:18:00,480 --> 00:18:02,440 Ah, good, thanks, Jane. How are you? 275 00:18:02,440 --> 00:18:04,720 Doing great. Thank you for joining us here. 276 00:18:04,720 --> 00:18:06,160 Toon Town Lullaby. 277 00:18:06,160 --> 00:18:07,760 Tell us about trying to write a love song. 278 00:18:07,760 --> 00:18:09,240 'Cause it seems that 279 00:18:09,240 --> 00:18:12,560 love songs aren't really, really heavily featured 280 00:18:12,560 --> 00:18:14,320 in the James Reyne repertoire. 281 00:18:14,320 --> 00:18:16,560 So I once wrote a song called After You've Gone, 282 00:18:16,560 --> 00:18:17,760 which was actually a love song, 283 00:18:17,760 --> 00:18:21,680 but this was a song on this record called Trying To Write A Love Song. 284 00:18:21,680 --> 00:18:24,960 My wife and a couple of her friends occasionally said to me, 285 00:18:24,960 --> 00:18:26,480 "Why don't you ever write love songs?" 286 00:18:26,480 --> 00:18:29,000 I said, "Well, I don't... I'm not very good at it. 287 00:18:29,000 --> 00:18:30,920 "And other people do it much better than I do." 288 00:18:30,920 --> 00:18:34,880 So I decide to write a song about a guy trying to write a love song. 289 00:18:34,880 --> 00:18:36,560 Love it. Love it. Alright, James. 290 00:18:36,560 --> 00:18:39,160 You're going to be performing Low Hanging Fruit 291 00:18:39,160 --> 00:18:41,080 from the brand-new album for us. 292 00:18:41,080 --> 00:18:45,080 Can you tell us a little bit about where you performed this song? 293 00:18:45,080 --> 00:18:46,480 So I was in... 294 00:18:46,480 --> 00:18:48,040 It's performed in the... 295 00:18:48,040 --> 00:18:51,760 ..an iconic hotel called the Great Northern Hotel in Byron Bay. 296 00:18:51,760 --> 00:18:54,880 I was up there because my wife has a place up near there 297 00:18:54,880 --> 00:18:56,600 and we're up there for family reasons. 298 00:18:56,600 --> 00:19:00,120 So...and we know Kyle, who runs the place. 299 00:19:00,120 --> 00:19:03,400 so he kindly let us film the song in there. 300 00:19:03,400 --> 00:19:07,200 And keep these places alive, ladies and gentlemen! 301 00:19:07,200 --> 00:19:08,480 So true, so true. 302 00:19:08,480 --> 00:19:10,880 James, it's always a pleasure catching up with you. 303 00:19:10,880 --> 00:19:13,520 Here you are performing Low Hanging Fruit. 304 00:19:13,520 --> 00:19:16,680 It is James Reyne at the Great Northern Hotel in Byron Bay. 305 00:19:16,680 --> 00:19:17,920 Thank you, Jane. 306 00:19:39,080 --> 00:19:42,000 # I'm not fit for killing 307 00:19:43,480 --> 00:19:46,800 # Not fit to shoot 308 00:19:47,920 --> 00:19:51,360 # Your blood ain't worth spilling 309 00:19:51,360 --> 00:19:54,200 # Low-hanging fruit 310 00:19:57,320 --> 00:20:00,200 # There's no debating 311 00:20:01,640 --> 00:20:04,240 # Cloth-eared and mute 312 00:20:05,480 --> 00:20:09,520 # You're better never than late and 313 00:20:09,520 --> 00:20:12,800 # Low-hanging fruit 314 00:20:14,640 --> 00:20:20,400 # And it's raining again 315 00:20:23,480 --> 00:20:29,320 # So you fester, rot and drop 316 00:20:32,920 --> 00:20:38,040 # It's no disgrace to reach for the stars 317 00:20:41,760 --> 00:20:44,840 # But beneath the glitter 318 00:20:45,920 --> 00:20:49,200 # Is a bitter crop 319 00:20:50,760 --> 00:20:55,400 # Shame on your leaves 320 00:20:55,400 --> 00:20:57,360 # Tears at your root 321 00:20:57,360 --> 00:21:02,040 # Desperados under the eaves 322 00:21:03,560 --> 00:21:05,640 # Low-hanging fruit 323 00:21:06,960 --> 00:21:10,440 # Go on now, haul up the moon 324 00:21:11,600 --> 00:21:15,800 # Howl at it, give it a hoot 325 00:21:15,800 --> 00:21:18,240 # I don't see bravery 326 00:21:18,240 --> 00:21:21,560 # I just see knavery 327 00:21:21,560 --> 00:21:23,880 # And low-hanging fruit 328 00:21:23,880 --> 00:21:26,000 # Low-hanging fruit 329 00:21:28,560 --> 00:21:30,760 # Low-hanging fruit 330 00:21:33,040 --> 00:21:35,920 # Low-hanging fruit 331 00:21:37,480 --> 00:21:40,840 # Low-hanging fruit 332 00:21:41,920 --> 00:21:45,040 # Low-hanging fruit. # 333 00:21:50,000 --> 00:21:53,800 It's now seven years since we lost the amazing Chrissy Amphlett, 334 00:21:53,800 --> 00:21:56,400 the legendary frontwoman of Australian rock band The Divinyls. 335 00:21:56,400 --> 00:21:59,800 I got to work with Chrissy in 1988 336 00:21:59,800 --> 00:22:03,480 It was a musical by Willy Russell called Blood Brothers, 337 00:22:03,480 --> 00:22:05,800 and she walked in on day one of rehearsal 338 00:22:05,800 --> 00:22:07,160 and she sort of sized me up. 339 00:22:07,160 --> 00:22:11,800 And she said, "He can't be my son because he's going to be my lover." 340 00:22:11,800 --> 00:22:13,160 Now, we never did that, 341 00:22:13,160 --> 00:22:16,840 but that was the sort of personality you were dealing with with Chrissy. 342 00:22:16,840 --> 00:22:18,280 She'd say whatever was on her mind. 343 00:22:18,280 --> 00:22:21,920 Divinyls' debut single, 1981's Boys In Town, 344 00:22:21,920 --> 00:22:24,640 remains an Australian rock classic. 345 00:22:24,640 --> 00:22:29,200 Here's Adalita, the beautiful Mahalia Barnes, and Polish Club, 346 00:22:29,200 --> 00:22:31,720 and their take on Boys In Town. 347 00:22:44,320 --> 00:22:46,840 # I am through with hanging around 348 00:22:46,840 --> 00:22:49,240 # With all the boys in town 349 00:22:50,240 --> 00:22:53,320 # Now I want a man around 350 00:22:53,320 --> 00:22:55,200 # Get me out of here 351 00:22:56,400 --> 00:22:58,880 # I am a just red brassiere 352 00:22:58,880 --> 00:23:02,400 # To all the boys in town 353 00:23:02,400 --> 00:23:05,400 # Put this bus in top gear 354 00:23:05,400 --> 00:23:08,040 # Get me out of here 355 00:23:08,040 --> 00:23:09,960 # I must have been desperate 356 00:23:11,240 --> 00:23:12,960 # I must have been pretty low 357 00:23:14,080 --> 00:23:15,920 # I must have been desperate 358 00:23:17,040 --> 00:23:18,920 # I must have been pretty low 359 00:23:20,400 --> 00:23:23,360 # I was always driving home 360 00:23:23,360 --> 00:23:26,440 # With all the boys in town 361 00:23:26,440 --> 00:23:29,360 # But they never telephoned 362 00:23:29,360 --> 00:23:31,240 # Get me out of here 363 00:23:32,440 --> 00:23:33,920 # I think they're pretty phony 364 00:23:35,200 --> 00:23:38,120 # You're not like the rest 365 00:23:38,120 --> 00:23:41,160 # You've heard of matrimony 366 00:23:41,160 --> 00:23:44,160 # They've all flunked the test 367 00:23:44,160 --> 00:23:45,920 # I must have been desperate 368 00:23:47,080 --> 00:23:48,960 # I must have been pretty low 369 00:23:50,200 --> 00:23:51,960 # I must have been desperate 370 00:23:53,200 --> 00:23:54,920 # I must have been pretty slow 371 00:24:08,520 --> 00:24:11,360 # Ooh, I'm tired 372 00:24:11,360 --> 00:24:14,760 # Ooh, I'm wired 373 00:24:15,560 --> 00:24:17,440 # I'm tired 374 00:24:17,440 --> 00:24:21,920 # Ooh, I'm wired 375 00:24:21,920 --> 00:24:27,880 # Yeah, yeah, yeah, yeah 376 00:24:45,920 --> 00:24:47,800 # Too much too young 377 00:24:48,880 --> 00:24:50,880 # Too much too young 378 00:24:51,880 --> 00:24:53,480 # Too much too young 379 00:24:55,120 --> 00:24:56,360 # Too much too young 380 00:24:56,360 --> 00:24:59,400 # Get me out of here # Too much too young 381 00:24:59,400 --> 00:25:02,400 # Get me out of here # Too much too young 382 00:25:02,400 --> 00:25:05,440 # Get me out of here # Too much too young 383 00:25:05,440 --> 00:25:08,360 # Get me out of here # Too much too young 384 00:25:08,360 --> 00:25:11,480 # Get me out of here # Too much too young 385 00:25:11,480 --> 00:25:14,400 # Get me out of here # Too much too young 386 00:25:14,400 --> 00:25:17,400 # Get me out of here # Too much too young 387 00:25:17,400 --> 00:25:19,040 # Get me out of here! # 388 00:25:27,760 --> 00:25:31,240 Here's our guide to the new music out this week. 389 00:25:31,240 --> 00:25:33,000 Kylie Minogue has surprised fans 390 00:25:33,000 --> 00:25:36,240 with a brand-new disco-tinged single, Say Something. 391 00:25:36,240 --> 00:25:38,640 # Oh, we all got wanderlust 392 00:25:38,640 --> 00:25:40,880 # In the darkest place... # 393 00:25:40,880 --> 00:25:43,200 We'll have a vintage live performance from Kylie 394 00:25:43,200 --> 00:25:44,640 later in the show. 395 00:25:48,240 --> 00:25:51,080 The Avalanches have just released two new songs. 396 00:25:51,080 --> 00:25:54,520 Wherever You Go features Neneh Cherry and Jamie xx, 397 00:25:54,520 --> 00:25:58,840 while Reflecting Light features Sananda Maitreya and Vashti Bunyan. 398 00:25:58,840 --> 00:26:01,400 # Uh, how can I trust truth? 399 00:26:01,400 --> 00:26:03,680 # Uh, when I ain't got nothin' to sell... # 400 00:26:03,680 --> 00:26:07,760 Gorillaz pay tribute to the arcade game on their new single, Pac-Man, 401 00:26:07,760 --> 00:26:09,840 featuring Schoolboy Q. 402 00:26:09,840 --> 00:26:13,600 # Fall apart... # 403 00:26:13,600 --> 00:26:16,960 19-year-old Queensland singer-songwriter Merci, Mercy 404 00:26:16,960 --> 00:26:20,200 has delivered a great new single, Fall Apart. 405 00:26:24,360 --> 00:26:27,200 British rapper Headine One has been joined by Drake 406 00:26:27,200 --> 00:26:29,000 on Only You Freestyle. 407 00:26:31,920 --> 00:26:34,440 Ian Moss has released a new live album 408 00:26:34,440 --> 00:26:38,360 featuring his solo material and Cold Chisel classics. 409 00:26:41,160 --> 00:26:44,840 Jarv Is - that's the new band for Pulp's Jarvis Cocker - 410 00:26:44,840 --> 00:26:48,080 have just released their first album Beyond the Pale. 411 00:26:50,760 --> 00:26:53,040 Perth's Kucka is currently based in LA 412 00:26:53,040 --> 00:26:56,520 and she's just released her first single for the year, Contemplation. 413 00:26:56,520 --> 00:27:00,240 Taylor Swift dropped a surprise new album on Friday, 414 00:27:00,240 --> 00:27:03,560 announcing it only hours beforehand. 415 00:27:03,560 --> 00:27:07,240 Folklore features collaborations with Aaron Dessner from The National, 416 00:27:07,240 --> 00:27:10,680 Bon Iver and Jack Antonoff. 417 00:27:14,400 --> 00:27:17,920 Still to come, we've got performances from Julia Stone, 418 00:27:17,920 --> 00:27:21,280 Paul Kelly with Paul Grabowsky, Psycho, 419 00:27:21,280 --> 00:27:24,480 and a classic live clip from Kylie Minogue. 420 00:27:24,480 --> 00:27:28,640 But up next, Brisbane's Cub Sport have been steadily winning fans 421 00:27:28,640 --> 00:27:30,680 with their latest three albums, 422 00:27:30,680 --> 00:27:33,720 including Savage Garden's Darren Hayes, 423 00:27:33,720 --> 00:27:38,080 who recorded a duet with the band's lead singer, Tim Nelson. 424 00:27:38,080 --> 00:27:41,440 You may have heard their cover of the Billie Eilish track 425 00:27:41,440 --> 00:27:45,280 When the Party's Over on Triple J's Like a Version last year. 426 00:27:45,280 --> 00:27:49,240 Their fourth album, Like Nirvana, has just been released 427 00:27:49,240 --> 00:27:53,400 and it's full of hauntingly beautiful songs, like this one - 428 00:27:53,400 --> 00:27:56,880 Be Your Man, which they recorded for us in Brisbane. 429 00:28:11,000 --> 00:28:13,320 # Maybe I'm a fool to think 430 00:28:13,320 --> 00:28:15,960 # That I could have it all 431 00:28:15,960 --> 00:28:18,640 # Always longing after something 432 00:28:18,640 --> 00:28:24,560 # But when we give in to the call of the night 433 00:28:24,560 --> 00:28:29,920 # I feel you all around and I'm alright 434 00:28:29,920 --> 00:28:36,400 # I'm floating deep in something just like light 435 00:28:39,040 --> 00:28:44,560 # Baby, I'm a fool for thinking one day I'll have everything 436 00:28:44,560 --> 00:28:50,280 # 'Cause I'm looking round and it's like, baby, I've got everything 437 00:28:50,280 --> 00:28:53,200 # But I change with the tides 438 00:28:54,720 --> 00:28:59,400 # Sometimes my truth feels like a lie 439 00:29:01,800 --> 00:29:07,240 # What does it mean for me to be your man? 440 00:29:07,240 --> 00:29:09,320 # I'm feeling weak 441 00:29:09,320 --> 00:29:15,640 # Baby, I can't stand this feeling anymore 442 00:29:18,000 --> 00:29:22,600 # How can I give you any more? 443 00:29:23,800 --> 00:29:28,120 # Any more 444 00:29:29,640 --> 00:29:34,160 # Any more 445 00:29:35,640 --> 00:29:38,040 # Baby, I'm so tired 446 00:29:38,040 --> 00:29:40,800 # I know you feel it too 447 00:29:40,800 --> 00:29:43,720 # I've been feeling everything 448 00:29:43,720 --> 00:29:45,840 # The changes with the moon 449 00:29:45,840 --> 00:29:49,720 # But, baby, I'll hold onto you 450 00:29:51,080 --> 00:29:59,040 # No matter what you know that I'll hold onto you 451 00:30:03,760 --> 00:30:09,080 # There's this darkness that I hide underneath 452 00:30:09,080 --> 00:30:11,840 # You're the one who sees it 453 00:30:11,840 --> 00:30:18,160 # You tell me it's alright and I'm running for the prize 454 00:30:19,480 --> 00:30:26,440 # But sometimes I don't know what's behind my eyes 455 00:30:26,440 --> 00:30:31,960 # What does it mean for me to be your man? 456 00:30:31,960 --> 00:30:34,880 # Baby, I'm feeling weak 457 00:30:34,880 --> 00:30:39,920 # Baby, I can't stand this feeling anymore 458 00:30:42,000 --> 00:30:47,320 # How can I give you any more? 459 00:30:49,000 --> 00:30:54,600 # What does it mean for me to be your man? 460 00:30:54,600 --> 00:30:57,440 # Baby I'm feeling weak 461 00:30:57,440 --> 00:31:02,560 # Baby, I can't stand this feeling anymore 462 00:31:04,480 --> 00:31:09,800 # How can I give you any more? 463 00:31:11,120 --> 00:31:15,440 # Any more 464 00:31:16,560 --> 00:31:20,880 # Any more 465 00:31:22,360 --> 00:31:26,080 # Any more. # 466 00:31:32,080 --> 00:31:34,960 Julia Stone and her brother Angus are not only part of 467 00:31:34,960 --> 00:31:37,240 a globally successful duo, 468 00:31:37,240 --> 00:31:39,320 they both have their own careers. 469 00:31:39,320 --> 00:31:45,280 Julia's upcoming third solo album leaves her usual folky sound behind 470 00:31:45,280 --> 00:31:49,120 with production by US powerhouse St Vincent. 471 00:31:49,120 --> 00:31:53,000 The first single is Break, which Julia says 472 00:31:53,000 --> 00:31:56,760 is about being at the mercy of someone who breaks you. 473 00:32:18,080 --> 00:32:21,400 # So I left and started dancing under the streetlight 474 00:32:21,400 --> 00:32:24,640 # And you saw me and I saw that you saw me 475 00:32:25,960 --> 00:32:29,480 # And you were always one to wander round these places 476 00:32:29,480 --> 00:32:33,360 # With eyes for ears and ears for ideas 477 00:32:33,360 --> 00:32:35,400 # And I'll tell you what it was 478 00:32:35,400 --> 00:32:37,440 # I liked the way we felt 479 00:32:37,440 --> 00:32:41,760 # Your friend, he kept on talking about, well, I couldn't care 480 00:32:41,760 --> 00:32:47,040 # I know how I get when I hear people lie to me 481 00:32:49,680 --> 00:32:53,640 # Darling, darling, I feel like I might break 482 00:32:53,640 --> 00:32:57,480 # Darling, darling, you take my breath away 483 00:32:57,480 --> 00:33:01,400 # Darling, darling, I feel like I might break 484 00:33:01,400 --> 00:33:05,800 # Darling, darling, you take my breath away 485 00:33:13,240 --> 00:33:18,200 # Standing in your room and I keep on feeling I might drown 486 00:33:18,200 --> 00:33:22,320 # You ask me for more and more and more 487 00:33:22,320 --> 00:33:24,520 # I started dancing under the streetlight 488 00:33:24,520 --> 00:33:27,600 # And you saw me and I saw that you saw me 489 00:33:27,600 --> 00:33:28,960 # And I want you to be 490 00:33:28,960 --> 00:33:32,880 # Darling, darling, I feel like I might break 491 00:33:32,880 --> 00:33:36,680 # Darling, darling, you take my breath away 492 00:33:36,680 --> 00:33:40,720 # Darling, darling, I feel like I might break 493 00:33:40,720 --> 00:33:45,280 # Darling, darling, you take my breath away 494 00:33:45,280 --> 00:33:47,240 # You turned off your phone 495 00:33:47,240 --> 00:33:48,960 # And I hit the wall, and 496 00:33:48,960 --> 00:33:51,200 # You know how people find themselves 497 00:33:51,200 --> 00:33:52,760 # In a fever, after all 498 00:33:52,760 --> 00:33:56,760 # And you saw me and I traced the lines of your face around 499 00:33:56,760 --> 00:33:59,240 # The lines of what I had drawn 500 00:34:00,800 --> 00:34:02,600 # You know me by my heart 501 00:34:02,600 --> 00:34:04,680 # And you know me by my face 502 00:34:04,680 --> 00:34:06,160 # And you know me by the reasons 503 00:34:06,160 --> 00:34:09,080 # That the world took all of our places 504 00:34:09,080 --> 00:34:10,840 # And there's a thing when there's a reason 505 00:34:10,840 --> 00:34:13,000 # And there's a place to be here 506 00:34:13,000 --> 00:34:16,440 # And I was existing just to be unclear 507 00:34:16,440 --> 00:34:20,160 # Darling, darling, I feel like I might break 508 00:34:20,160 --> 00:34:24,400 # Darling, darling, you take my breath away 509 00:34:24,400 --> 00:34:28,440 # Darling, darling, I feel like I might break 510 00:34:28,440 --> 00:34:33,720 # Darling, darling, you take my breath away 511 00:34:33,720 --> 00:34:35,640 # Feel like I might 512 00:34:35,640 --> 00:34:37,360 # Feel like I might 513 00:34:37,360 --> 00:34:39,640 # Feel like I might 514 00:34:39,640 --> 00:34:41,440 # Feel like I might break 515 00:34:41,440 --> 00:34:43,240 # Feel like I might 516 00:34:43,240 --> 00:34:45,440 # Feel like I might 517 00:34:45,440 --> 00:34:47,080 # Feel like I might 518 00:34:47,080 --> 00:34:49,080 # Feel like I might break. # 519 00:35:31,560 --> 00:35:33,480 It's time to dig into the vaults again 520 00:35:33,480 --> 00:35:35,680 and we've got national treasure Kylie Minogue. 521 00:35:35,680 --> 00:35:39,520 Now, back in 1987 I was doing theatre in Melbourne. 522 00:35:39,520 --> 00:35:43,440 I was doing the Rocky Horror Show on stage at the Princess Theatre. 523 00:35:43,440 --> 00:35:45,960 The casting director for Neighbours came along 524 00:35:45,960 --> 00:35:48,400 and she kindly left me a note 525 00:35:48,400 --> 00:35:51,480 wondering if I'd be interested in doing three days or two days 526 00:35:51,480 --> 00:35:53,760 on the set of Neighbours. 527 00:35:53,760 --> 00:35:55,560 And at the time I was thinking, 528 00:35:55,560 --> 00:35:59,840 "Well, if it's all I ever do, at least I can tell the grandkids 529 00:35:59,840 --> 00:36:03,640 "I was in a scene on Neighbours with Kylie Minogue." 530 00:36:03,640 --> 00:36:05,320 The actual scene involved... 531 00:36:05,320 --> 00:36:08,720 ..I think Jason Donovan was trying to break a fight up. 532 00:36:08,720 --> 00:36:11,640 I punched Craig McLachlan in the head. 533 00:36:11,640 --> 00:36:14,600 Kylie Minogue was...leapt on my back and tried to strangle me. 534 00:36:14,600 --> 00:36:19,240 So that was a fun day's work, and it's a good memory. 535 00:36:19,240 --> 00:36:22,160 Kylie has a new single coming out called Say Something. 536 00:36:22,160 --> 00:36:25,520 But this clip that we're going to see, it sees Kylie live in Sydney 537 00:36:25,520 --> 00:36:29,960 back in 1998 on her Intimate And Live Tour. 538 00:36:29,960 --> 00:36:31,520 That was a pivotal tour for Kylie - 539 00:36:31,520 --> 00:36:34,680 the one that she credits with turning her into the enormously successful 540 00:36:34,680 --> 00:36:37,520 live performer on a world scale that she is now. 541 00:36:37,520 --> 00:36:43,000 This performance sees Kylie and band swap synths for guitars 542 00:36:43,000 --> 00:36:47,120 and turn her pop hit What Do I Have To Do into a rock song. 543 00:36:47,120 --> 00:36:48,720 Here's Kylie Minogue. 544 00:36:55,280 --> 00:36:57,080 Hello, Sydney! 545 00:36:57,080 --> 00:36:59,560 # Love you, love you 546 00:37:04,400 --> 00:37:06,560 # Love you, love you 547 00:37:06,560 --> 00:37:10,880 # Ahh, ahh, ahh, ahh, ahh 548 00:37:10,880 --> 00:37:13,440 # Love you, love you 549 00:37:13,440 --> 00:37:18,680 # Ahh, ahh, ahh, ahh, ahh 550 00:37:18,680 --> 00:37:20,960 # Love you, love you 551 00:37:20,960 --> 00:37:25,160 # Don't tell me that it's no use 552 00:37:25,160 --> 00:37:28,920 # Love's always been my excuse 553 00:37:28,920 --> 00:37:31,920 # Don't tell me it ain't right 554 00:37:31,920 --> 00:37:35,680 # My heart is my alibi 555 00:37:35,680 --> 00:37:37,520 # Only you, you # You, you 556 00:37:37,520 --> 00:37:39,960 # Get me acting crazy like I do 557 00:37:39,960 --> 00:37:41,320 # Do # Do 558 00:37:41,320 --> 00:37:43,040 # Say you can't believe it 559 00:37:43,040 --> 00:37:46,080 # But it's true, ooh, ooh, ooh, ooh 560 00:37:46,080 --> 00:37:50,000 # It's true, ooh, ooh, ooh, ooh 561 00:37:53,240 --> 00:37:57,720 # What do I have to do to get the message through? 562 00:37:57,720 --> 00:38:01,320 # How can I prove I really love you, love you? 563 00:38:01,320 --> 00:38:05,160 # What do I have to do to get it through to you? 564 00:38:05,160 --> 00:38:08,920 # How can I prove I really love you, love you? 565 00:38:08,920 --> 00:38:12,360 # There ain't a single night 566 00:38:12,360 --> 00:38:16,120 # When I haven't held you tight 567 00:38:16,120 --> 00:38:19,960 # But it's always inside my head 568 00:38:19,960 --> 00:38:23,080 # Never inside my bed 569 00:38:23,080 --> 00:38:25,760 # And it's you, you # You, you 570 00:38:25,760 --> 00:38:29,320 # Bringing out the passion in my soul, oh 571 00:38:29,320 --> 00:38:32,240 # And I gotta have it, don't you know? 572 00:38:32,240 --> 00:38:34,080 # Whoa-oh-oh-oh 573 00:38:34,080 --> 00:38:35,800 # Don't you know? 574 00:38:35,800 --> 00:38:38,280 # Whoa-oh-oh-oh-oh 575 00:38:38,280 --> 00:38:41,240 # Ahhhhhhhh 576 00:38:41,240 --> 00:38:45,880 # What do I have to do to get the message through? 577 00:38:45,880 --> 00:38:49,400 # How can I prove I really love you, love you? 578 00:38:49,400 --> 00:38:53,000 # What do I have to do to get it through to you? 579 00:38:53,000 --> 00:38:56,720 # How can I prove I really love you, love you? 580 00:38:56,720 --> 00:39:00,480 # What do I have to do to get it through to you? 581 00:39:00,480 --> 00:39:03,640 # How can I prove I really love you, love you? 582 00:39:03,640 --> 00:39:07,840 # What do I have to do to get it through now? 583 00:39:07,840 --> 00:39:11,200 # How can I prove I really love you, love you? 584 00:39:11,200 --> 00:39:12,480 # Oh! 585 00:39:18,400 --> 00:39:20,160 # Love you 586 00:39:20,160 --> 00:39:22,160 # Love you 587 00:39:22,160 --> 00:39:25,720 # Love you, love you 588 00:39:25,720 --> 00:39:29,480 # Love you, love you 589 00:39:29,480 --> 00:39:33,200 # Love you, love you # Sydney! 590 00:39:33,200 --> 00:39:36,560 # Love you, love you 591 00:39:36,560 --> 00:39:40,240 # Love you, love you 592 00:39:40,240 --> 00:39:44,080 # Love you, love you 593 00:39:44,080 --> 00:39:47,800 # Love you, love you 594 00:39:47,800 --> 00:39:50,000 # Only you, you # You, you 595 00:39:50,000 --> 00:39:53,000 # Get me acting crazy like I do, do # Do, do 596 00:39:53,000 --> 00:39:58,880 # Say you can't believe it, but it's true, whoo-ooh-ooh-ooh 597 00:39:58,880 --> 00:40:03,040 # It's true, whoo-ooh-ooh-ooh 598 00:40:03,040 --> 00:40:09,520 # Ahhhhhhhhhhh 599 00:40:09,520 --> 00:40:13,960 # What do I have to do to get the message through? 600 00:40:13,960 --> 00:40:17,400 # How can I prove I really love you, love you? 601 00:40:17,400 --> 00:40:21,160 # What do I have to do to get it through to you? 602 00:40:21,160 --> 00:40:24,720 # How can I prove I really love you, love you? 603 00:40:24,720 --> 00:40:28,520 # What do I have to do to get it through to you? 604 00:40:28,520 --> 00:40:32,400 # How can I prove I really love you, love you? 605 00:40:32,400 --> 00:40:36,080 # What do I have to do to get it through to you? 606 00:40:36,080 --> 00:40:37,480 # How can I prove I really 607 00:40:37,480 --> 00:40:39,440 # Love you, love you # Ah, ah, ah 608 00:40:39,440 --> 00:40:43,320 # Ah, ah, ah, ah, ah 609 00:40:43,320 --> 00:40:47,000 # How can I prove I really love you, love you? 610 00:40:47,000 --> 00:40:50,880 # What do I have to do to get it through to you? 611 00:40:50,880 --> 00:40:55,080 # How can I prove I really love you, love you? # 612 00:41:06,800 --> 00:41:09,360 Well, I hope you all enjoyed stepping back in time. 613 00:41:09,360 --> 00:41:11,320 That was from the vaults. 614 00:41:11,320 --> 00:41:14,080 I hope there's a lot more to come from the vault in the future. 615 00:41:14,080 --> 00:41:16,840 That was 1998, my Intimate and Live tour 616 00:41:16,840 --> 00:41:18,840 from the State Theatre in Sydney. 617 00:41:28,520 --> 00:41:32,200 The trailer for Beyonce's Black Is King has just dropped. 618 00:41:35,040 --> 00:41:38,160 You were formed by the heat of the galaxy. 619 00:41:38,160 --> 00:41:41,320 Written, directed and executive produced by Beyonce, 620 00:41:41,320 --> 00:41:45,040 the film is based on her music to The Lion King reboot. 621 00:41:45,040 --> 00:41:47,000 Fans won't have too long to wait. 622 00:41:47,000 --> 00:41:50,560 Black Is King will stream on Disney Plus from July 31st. 623 00:41:51,560 --> 00:41:53,280 Mariah Carey is making the most 624 00:41:53,280 --> 00:41:56,120 of the 30th anniversary of her debut album. 625 00:41:56,120 --> 00:41:58,760 She's releasing music from her vault each week, 626 00:41:58,760 --> 00:42:01,680 starting with four live songs from 1990, 627 00:42:01,680 --> 00:42:04,680 including her very first hit, Vision of Love. 628 00:42:04,680 --> 00:42:08,200 The singer will also release her autobiography in September, 629 00:42:08,200 --> 00:42:11,640 which promises to touch on issues of race, identity, class, 630 00:42:11,640 --> 00:42:14,000 as well as personal trauma. 631 00:42:14,000 --> 00:42:18,080 # The answer that heaven has... # 632 00:42:18,080 --> 00:42:22,040 This week marked the 10th anniversary of boy band One Direction 633 00:42:22,040 --> 00:42:25,280 being formed on TV by Simon Cowell. 634 00:42:25,280 --> 00:42:28,040 While fans were hoping they might reunite virtually, 635 00:42:28,040 --> 00:42:31,360 next week, 10 Years Of One Direction will be launched, 636 00:42:31,360 --> 00:42:33,520 featuring rare videos and songs. 637 00:42:35,160 --> 00:42:38,520 The late rapper Juice Wrld has become only the ninth artist 638 00:42:38,520 --> 00:42:44,000 to top the American charts both posthumously and while still alive. 639 00:42:44,000 --> 00:42:47,760 The first album since his death last December, Legends Never Die, 640 00:42:47,760 --> 00:42:49,320 saw him join a club that includes 641 00:42:49,320 --> 00:42:54,360 Prince, Tupac, Elvis, John Lennon and Johnny Cash. 642 00:42:54,360 --> 00:42:58,560 ABBA have confirmed they've recorded five brand-new songs 643 00:42:58,560 --> 00:43:00,360 with the original line-up. 644 00:43:00,360 --> 00:43:03,360 They had reunited to work on a hologram tour 645 00:43:03,360 --> 00:43:05,840 and got on so well they made new songs. 646 00:43:05,840 --> 00:43:09,360 However, the global pandemic has changed their plans 647 00:43:09,360 --> 00:43:12,960 and the songs won't be released until 2021. 648 00:43:12,960 --> 00:43:16,360 And finally, Wu-Tang Clan leader RZA 649 00:43:16,360 --> 00:43:19,040 has directed a new film, Cut Throat City, 650 00:43:19,040 --> 00:43:22,840 starring Shameik Moor, T.I. and Terrence Howard. 651 00:43:22,840 --> 00:43:27,120 It's an action heist set in New Orleans after Hurricane Katrina. 652 00:43:27,120 --> 00:43:29,120 Over to our guest host, Russell Crowe, 653 00:43:29,120 --> 00:43:32,360 speaking to RZA exclusively for The Sound. 654 00:43:32,360 --> 00:43:35,440 So, more from international news. 655 00:43:35,440 --> 00:43:39,160 We're gonna flip over to Los Angeles and catch up with the RZA, 656 00:43:39,160 --> 00:43:40,680 Bobby Diggs from the Wu-Tang Clan. 657 00:43:40,680 --> 00:43:42,560 How you doing, Bob? How you doing, big bro? 658 00:43:42,560 --> 00:43:43,840 Russ, how you doin? All good. 659 00:43:43,840 --> 00:43:45,560 So, man, you got a new movie coming out. 660 00:43:45,560 --> 00:43:48,200 Yeah, a new movie called Cut Throat City 661 00:43:48,200 --> 00:43:49,960 based on the story of Hurricane Katrina. 662 00:43:49,960 --> 00:43:52,000 It is the 15th year anniversary. 663 00:43:52,000 --> 00:43:55,160 And the film follows four young men 664 00:43:55,160 --> 00:43:59,280 from the Lower Ninth Ward with the aftermath of Katrina. 665 00:43:59,280 --> 00:44:01,080 So you did the soundtrack for the movie? 666 00:44:01,080 --> 00:44:04,520 Yes, I did. Me, Ghostface Killah of the Wu-Tang. 667 00:44:04,520 --> 00:44:08,200 We also had a great music supervisor, Adrian Miller, 668 00:44:08,200 --> 00:44:11,120 who is a manager of artists like Anderson Paak. 669 00:44:11,120 --> 00:44:12,960 Just some really cool music, you know, 670 00:44:12,960 --> 00:44:15,640 especially this one group out of New Orleans named Gumbo. 671 00:44:15,640 --> 00:44:18,040 They did a really powerful song for the soundtrack 672 00:44:18,040 --> 00:44:19,600 and I'm pretty excited for the world to hear it. 673 00:44:19,600 --> 00:44:22,640 Great, man. So that's Cut Throat City and that's out in the US. 674 00:44:22,640 --> 00:44:24,160 What date is it coming out? 675 00:44:24,160 --> 00:44:29,200 Scheduled for July 31st, if the movie theatres open. 676 00:44:29,200 --> 00:44:33,080 So, what are your memories of when you came down recently 677 00:44:33,080 --> 00:44:35,160 and played at the Sydney Opera House? 678 00:44:35,160 --> 00:44:36,160 Oh, wow. 679 00:44:36,160 --> 00:44:37,840 That was one of those what you call 680 00:44:37,840 --> 00:44:40,360 crowning achievements for Wu-Tang Clan. 681 00:44:40,360 --> 00:44:42,400 I mean, the first time I seen the Sydney Opera House, 682 00:44:42,400 --> 00:44:43,760 I think I was hanging with you. 683 00:44:43,760 --> 00:44:44,920 Yeah. 684 00:44:44,920 --> 00:44:47,000 I was walking, me and my family and your family. 685 00:44:47,000 --> 00:44:48,600 And I said, "What is that?" 686 00:44:48,600 --> 00:44:50,200 I said, "What a great basketball stadium." 687 00:44:50,200 --> 00:44:51,760 That's what you said. 688 00:44:51,760 --> 00:44:55,120 And years later, it was an honour and a pleasure 689 00:44:55,120 --> 00:44:56,600 to be, you know, to be invited 690 00:44:56,600 --> 00:45:00,400 to such an iconic building to play hip-hop, you know? 691 00:45:00,400 --> 00:45:04,160 I think we were there four nights in a row, all sold out. 692 00:45:04,160 --> 00:45:06,480 And Sydney, Australia, and the whole country of Australia 693 00:45:06,480 --> 00:45:09,960 has embraced my music and, uh, I'm just grateful for that. 694 00:45:09,960 --> 00:45:12,640 Yeah, well, you're definitely icon status down here, man. 695 00:45:12,640 --> 00:45:14,120 I was just wondering too, though, 696 00:45:14,120 --> 00:45:17,160 because I know you, uh, to be a road animal, 697 00:45:17,160 --> 00:45:20,520 to love to be travelling, to be doing shows, you know, 698 00:45:20,520 --> 00:45:24,000 what has the creative soul been doing in this pandemic 699 00:45:24,000 --> 00:45:25,680 when you haven't had that outlet? 700 00:45:25,680 --> 00:45:27,200 I've been finding myself, 701 00:45:27,200 --> 00:45:29,960 after the first, maybe, three weeks of quarantine, 702 00:45:29,960 --> 00:45:32,600 my juices just started running. 703 00:45:32,600 --> 00:45:34,880 And I've probably been writing more music 704 00:45:34,880 --> 00:45:36,840 than I've written in the last five years. 705 00:45:36,840 --> 00:45:38,320 No, I feel the same way, man. 706 00:45:38,320 --> 00:45:42,080 My life felt like I was dragging a bunch of empty tin cans 707 00:45:42,080 --> 00:45:44,520 and loose tailpipes behind me, you know? 708 00:45:44,520 --> 00:45:47,160 And it was like a lot of noise just behind me. 709 00:45:47,160 --> 00:45:48,560 I'd be keep going forward, 710 00:45:48,560 --> 00:45:50,520 but there was a lot of noise right back here, you know? 711 00:45:50,520 --> 00:45:53,120 And being able to be still for a while, 712 00:45:53,120 --> 00:45:56,520 and stop that travelling on other people's behalves, you know, 713 00:45:56,520 --> 00:45:59,480 and then just take those tin cans and like a list, 714 00:45:59,480 --> 00:46:02,200 just, right, get that done, that done and that done. 715 00:46:02,200 --> 00:46:04,200 And everything's gone nice and quiet now. 716 00:46:04,200 --> 00:46:06,360 And I feel, you know... I mean, I'm writing 717 00:46:06,360 --> 00:46:08,880 and I'm engaging in a whole bunch of stuff, you know? 718 00:46:08,880 --> 00:46:10,920 Yeah. I know you're asking me the questions, 719 00:46:10,920 --> 00:46:12,440 but I'm noticing something here. 720 00:46:12,440 --> 00:46:14,640 The Unhinged can. 721 00:46:14,640 --> 00:46:17,200 I've seen some moonshine in a can like that before. 722 00:46:17,200 --> 00:46:18,200 Oh yeah, yeah. 723 00:46:18,200 --> 00:46:20,200 Well, that's a movie that's coming out - 724 00:46:20,200 --> 00:46:24,360 it actually was on the same date as yours - July 31 - 725 00:46:24,360 --> 00:46:27,600 but it comes out in Australia on July 30 726 00:46:27,600 --> 00:46:29,680 and the United Kingdom on July 31. 727 00:46:29,680 --> 00:46:30,920 Wow. Cool, man. 728 00:46:30,920 --> 00:46:34,560 It was really, really cool for you to hook up with me like this, Bob. 729 00:46:34,560 --> 00:46:36,080 It was great. And it's lovely to see you, man. 730 00:46:36,080 --> 00:46:39,320 And the beard's coming along good. Yeah, yeah, yeah. 731 00:46:39,320 --> 00:46:41,240 Yours is looking better than mine. 732 00:46:41,240 --> 00:46:43,080 Well, I got...I got the years on you, man. 733 00:46:43,080 --> 00:46:45,080 You know, and plus, you know, Christmas is coming up. 734 00:46:45,080 --> 00:46:47,720 I might still be out of work. I can get a gig. 735 00:46:50,720 --> 00:46:52,600 Cheers, Bobby. Lovely to talk to you, man. 736 00:47:02,400 --> 00:47:05,600 18-year-old Brisbane singer Sasha McCleod 737 00:47:05,600 --> 00:47:07,480 performs under the name Sycco. 738 00:47:07,480 --> 00:47:11,080 She is the recipient of one of triple J Unearthed Level Up Grants 739 00:47:11,080 --> 00:47:14,320 and is signed to a new record label called Wilder 740 00:47:14,320 --> 00:47:17,360 from the team that gave us Flume and G Flip. 741 00:47:17,360 --> 00:47:21,120 And she's already been hailed as one of the rising stars of 2020. 742 00:47:21,120 --> 00:47:22,840 Her new single, Dribble, 743 00:47:22,840 --> 00:47:27,360 is already getting play on LA radio station KCRW. 744 00:47:28,360 --> 00:47:30,000 This one's a new one called Dribble. 745 00:47:30,000 --> 00:47:32,880 I wrote it with my friend Ed from Slum Sociable. 746 00:47:32,880 --> 00:47:35,040 This is the dark side of Sycco. 747 00:47:48,680 --> 00:47:52,000 # Boast 'bout how you suffer 748 00:47:53,720 --> 00:47:57,040 # Didn't know he loved ya 749 00:47:58,280 --> 00:48:02,000 # I was talking 'bout the weather 750 00:48:03,400 --> 00:48:07,560 # Till we stop thinking it's blubber 751 00:48:07,560 --> 00:48:09,080 # Oh 752 00:48:09,080 --> 00:48:14,280 # Talkin' in your sleep, don't know what ya mean 753 00:48:14,280 --> 00:48:19,360 # Need to act civil, won't let it fizzle 754 00:48:19,360 --> 00:48:24,680 # Talkin' in your sleep, make up fantasies 755 00:48:24,680 --> 00:48:29,400 # Need to act civil, won't let it fizzle 756 00:48:29,400 --> 00:48:34,800 # Wipin' up your dribble, dribble Let it dry 757 00:48:34,800 --> 00:48:39,800 # Soakin' in a puddle of it I won't cry 758 00:48:39,800 --> 00:48:45,000 # Wipin' up your dribble, dribble Let it dry 759 00:48:45,000 --> 00:48:49,960 # Swept up in your troubles, I'll just keep it all inside 760 00:49:00,360 --> 00:49:03,800 # Wishin' it was cooler 761 00:49:03,800 --> 00:49:08,840 # Middle of the day I'm doin' better 762 00:49:09,960 --> 00:49:14,320 # I was thinking so peculiar 763 00:49:14,320 --> 00:49:18,600 # Sittin' in the sun, I wish I knew ya 764 00:49:18,600 --> 00:49:20,720 # Oh 765 00:49:20,720 --> 00:49:25,760 # Talkin' in your sleep, don't know what ya mean 766 00:49:25,760 --> 00:49:30,720 # Need to act civil, won't let it fizzle 767 00:49:30,720 --> 00:49:35,880 # Talkin' in your sleep, make up fantasies 768 00:49:35,880 --> 00:49:41,040 # Need to act civil, won't let it fizzle 769 00:49:41,040 --> 00:49:46,240 # Wipin' up your dribble, dribble Let it dry 770 00:49:46,240 --> 00:49:51,320 # Soakin' in a puddle of it I won't cry 771 00:49:51,320 --> 00:49:56,560 # Wipin' up your dribble, dribble Let it dry 772 00:49:56,560 --> 00:50:01,680 # Swept up in your troubles I'll just keep it all inside 773 00:50:23,360 --> 00:50:28,640 # Speakin' in tongues, it don't mean a thing 774 00:50:28,640 --> 00:50:32,240 # Maybe I'm just naive 775 00:50:33,680 --> 00:50:38,680 # Speakin' in tongues, it don't mean a thing 776 00:50:38,680 --> 00:50:42,200 # Maybe I'm just naive 777 00:50:42,200 --> 00:50:47,160 # Wipin' up your dribble, dribble Let it dry 778 00:50:47,160 --> 00:50:52,680 # Soakin' in a puddle of it I won't cry 779 00:50:52,680 --> 00:50:57,800 # Wipin' up your dribble, dribble Let it dry 780 00:50:57,800 --> 00:51:02,800 # Swept up in your troubles, I'll just keep it all inside 781 00:51:04,800 --> 00:51:08,840 # Let it dry 782 00:51:09,840 --> 00:51:15,080 # I won't cry, no 783 00:51:15,080 --> 00:51:20,080 # Let it dry 784 00:51:20,080 --> 00:51:24,040 # I won't cry. # 785 00:52:09,480 --> 00:52:12,560 Well, that's about it for this episode of The Sound. 786 00:52:12,560 --> 00:52:15,160 We'll be back next Sunday at 5:30. 787 00:52:15,160 --> 00:52:17,720 And don't forget, you can catch episodes of The Sound 788 00:52:17,720 --> 00:52:21,240 any time on demand at ABC iview. 789 00:52:21,240 --> 00:52:25,920 Make sure you follow us on Facebook, Twitter and Instagram. 790 00:52:25,920 --> 00:52:28,520 Many thanks to all the artists who performed, 791 00:52:28,520 --> 00:52:33,440 and, of course, my fabulously charming co-host, Russell Crowe, 792 00:52:33,440 --> 00:52:37,120 whose new movie, Unhinged, is out on July 30. 793 00:52:37,720 --> 00:52:39,200 We're gonna go out tonight 794 00:52:39,200 --> 00:52:41,080 with two icons of the Australian music scene 795 00:52:41,080 --> 00:52:43,880 who've won 23 ARIA awards between them - 796 00:52:43,880 --> 00:52:45,920 Paul Kelly and Paul Grabowsky. 797 00:52:45,920 --> 00:52:49,080 They've collaborated on an album called Please Leave Your Light On, 798 00:52:49,080 --> 00:52:51,520 which is released on July 31 799 00:52:51,520 --> 00:52:53,320 and includes Paul Kelly songs 800 00:52:53,320 --> 00:52:56,320 reinterpreted on a piano by Paul Grabowsky. 801 00:52:56,320 --> 00:53:00,120 1992, my first time in Los Angeles, 802 00:53:00,120 --> 00:53:02,680 I'd had a 10-day period of meeting with 803 00:53:02,680 --> 00:53:06,520 the 10 biggest representative companies in the business 804 00:53:06,520 --> 00:53:08,120 and I had a decision to make. 805 00:53:08,120 --> 00:53:12,920 I rented a Mustang... ..and went for a little road trip. 806 00:53:12,920 --> 00:53:14,920 I found myself in Death Valley. 807 00:53:14,920 --> 00:53:16,720 And I packed pretty light on that trip. 808 00:53:16,720 --> 00:53:21,040 One of the things I had packed was a cassette of Paul Kelly's album Post. 809 00:53:21,040 --> 00:53:24,000 And I drove through Death Valley, 810 00:53:24,000 --> 00:53:29,880 actually sitting on the top of the front seat of the Mustang, 811 00:53:29,880 --> 00:53:31,400 listening to Post. 812 00:53:31,400 --> 00:53:35,040 And the song that kept resonating over and over again, 813 00:53:35,040 --> 00:53:38,240 and has been a resonant sort of anthem in my life, 814 00:53:38,240 --> 00:53:39,880 is the song Little Decisions. 815 00:53:39,880 --> 00:53:41,120 I love that song. 816 00:53:41,120 --> 00:53:44,480 And the decision I made then, on that trip, 817 00:53:44,480 --> 00:53:46,800 I'm still represented by that same guy. 818 00:53:46,800 --> 00:53:48,840 This is - what is it? - 28 years later. 819 00:53:48,840 --> 00:53:51,840 We're about to see If I Could Start Again Today, 820 00:53:51,840 --> 00:53:55,520 originally on Paul Kelly's 2001 album Nothing But A Dream 821 00:53:55,520 --> 00:53:57,960 performed live by the two Pauls, 822 00:53:57,960 --> 00:53:59,760 Paul Kelly and Paul Grabowsky, 823 00:53:59,760 --> 00:54:01,600 at Melbourne's Hamer Hall. 824 00:54:13,160 --> 00:54:18,360 # All the kings and queens in the Bible 825 00:54:18,360 --> 00:54:20,800 # They could not turn back time 826 00:54:22,960 --> 00:54:27,720 # So what chance have I of a miracle 827 00:54:27,720 --> 00:54:29,840 # In this life of mine? 828 00:54:32,400 --> 00:54:34,760 # I only want one day 829 00:54:36,600 --> 00:54:40,480 # To unsay the things I said 830 00:54:40,480 --> 00:54:43,120 # Undo the thing I did 831 00:54:43,120 --> 00:54:47,680 # 24 little hours 832 00:54:47,680 --> 00:54:51,000 # Oh, God! Please wipe them all away 833 00:54:52,000 --> 00:54:54,600 # And I promise I will change 834 00:54:56,880 --> 00:54:59,920 # If I could start today again 835 00:55:09,800 --> 00:55:14,920 # I know I'm not the milk and honey kind 836 00:55:14,920 --> 00:55:17,920 # Today I proved it true 837 00:55:19,560 --> 00:55:24,280 # When the red mist falls around my eyes 838 00:55:24,280 --> 00:55:27,520 # I know not what I do 839 00:55:28,920 --> 00:55:31,360 # Please give me back today 840 00:55:33,040 --> 00:55:37,000 # And I won't say the things I said 841 00:55:37,000 --> 00:55:39,880 # Or do that thing I did 842 00:55:39,880 --> 00:55:43,840 # Every minute, every hour 843 00:55:45,120 --> 00:55:47,280 # The replay's just the same 844 00:55:48,560 --> 00:55:52,080 # And I can't stand the shame 845 00:55:53,680 --> 00:55:56,840 # Oh, let me start today again 846 00:56:17,960 --> 00:56:21,360 # I only want one day 847 00:56:23,120 --> 00:56:25,920 # One lousy day, that's all 848 00:56:25,920 --> 00:56:29,480 # Out of every day that's been before 849 00:56:29,480 --> 00:56:32,560 # Since time began 850 00:56:34,440 --> 00:56:37,480 # I know my prayer's in vain 851 00:56:37,480 --> 00:56:40,800 # But for a second I'll pretend 852 00:56:43,560 --> 00:56:46,880 # That I can start today again. # 853 00:56:58,320 --> 00:57:00,600 # Oh, it makes me dance 854 00:57:00,600 --> 00:57:02,640 # And it makes me sing 855 00:57:02,640 --> 00:57:06,360 # It makes me feel everything 856 00:57:06,360 --> 00:57:09,560 # Oh, I can't forget The Sound 857 00:57:09,560 --> 00:57:14,040 # The Sound, The Sound. # 858 00:57:14,040 --> 00:57:16,040 Captions by Red Bee Media 859 00:57:16,040 --> 00:57:21,040 Uploaded by http://Scene-RLS.net 65784