Original subtitles

YES, FOLKS, THIS IS ONE EXCITING NIGHT

HERE IN STONE'S THROW.

JUST ARRIVING, THE FABULOUS ACTRESS

HELENA HARRIS AND HER NEW BOYFRIEND,

CLARK GABLE.

AND YES, THAT'S HIS REAL NAME. OH!

RUMORS ARE FLYING THESE DAYS.

CAN YOU TWO SET THE RECORD STRAIGHT

ON YOUR RELATIONSHIP?

WELL, CLARK AND I ARE WORKING

ON A FANTASTIC NEW FILM TOGETHER.

AND ENJOYING PLENTY OF ONE-ON-ONE TIME.

OH, CLARK. THANK YOU.

WELL, FOLKS, THERE YOU HAVE IT--

LIVING PROOF THAT DREAMS CAN COME TRUE,

AS LONG AS YOU DON'T WAKE UP.

WAKE UP.

I SAID WAKE UP, SLEEPYHEADS,

AND LET'S GET THIS DAY STARTED.

- OVER TO YOU, LEANNA. - AND IN LOCAL NEWS,

THE TOWN'S BEEN TALKING ABOUT IT FOR WEEKS.

HOLLYWOOD COMES TO SUBURBAN STONE'S THROW

WITH THE ARRIVAL OF TWO-TIME OSCAR NOMINEE HELENA HARRIS

AND HER FAMED COSTAR-- AND EX-BOYFRIEND-- ROBERTO MOLINEZ.

THEY'LL BE IN TOWN SHOOTING A NEW ROMANTIC COMEDY

ENTITLED THIS MAGIC MOMENT.

- WOW, EXCITING NEWS, LEANNA. - IT REALLY IS.

THIS IS A BIG DEAL FOR STONE'S THROW.

THERE YOU GO. BE CAREFUL, THAT'S VERY HOT.

THERE SHOULD BE A SECOND ONE IN THE GRIP TRUCK.

I'LL CHECK THAT.

READY FOR THE ONSLAUGHT?

THE MOVIE CREW?

NO, I THINK THAT'S GONNA BE

WAY MORE TROUBLE THAN IT'S WORTH.

NEVER FOR YOU.

I'M JUST SAYING. IT COULD BE FUN, THAT'S ALL.

MM-HMM.

- HI, MOM. - HEY, MOM.

OH, HEY, DID YOU GUYS SEE THAT THAT FILM CREW

IS ALREADY FIXING UP THE OLD DINER?

DON'T YOU HAVE YOUR ZUMBA CLASS THIS MORNING?

YES, I DO.

I JUST CAME IN FOR A QUICK PICK-ME-UP.

COULD I HAVE THE USUAL, HONEY?

OH, I LOVE THIS ONE.

I WILL NOT BE SHUNNED BY AN UNFORGIVING SOCIETY

SIMPLY BECAUSE I LOVE YOU.

A LITTLE MOON AND STARS TRIBUTE

TO OUR SPECIAL VISITOR.

GOOD IDEA.

IT IS UNFAIR...

AND I CANNOT ABIDE IT.

WHAT AN AMAZING TALENT.

SHE'S AN ACTRESS, CLARK.

SHE'S NOT CURING RARE DISEASES.

WELL, JUST FOR THE RECORD, NEITHER ARE YOU.

OKAY. THAT'S FAIR.

JUST DON'T BE SURPRISED

IF YOU MEET HER AND SHE BLOWS YOU OFF.

YOU KNOW, I HAVE READ

THAT HELENA HARRIS IS A LOVELY PERSON.

- HMM. - OR IS THAT A LONELY PERSON?

OH, WAIT, WAIT, WAIT. THIS IS MY FAVORITE PART.

I KNOW, RIGHT?

OUR LOVE WILL CLEAR A PATH AND LIGHT THE WAY...

TO BE TOGETHER.

THAT IS OUR DESTINY.

SO GOOD.

CLARK.

HEY.

EMILY.

HI.

UH, HOW ARE YOU?

- GOOD. - GOOD TO SEE YOU.

YOU TOO.

I-I'VE BEEN MEANING TO CALL

SINCE YOU WERE BACK, BUT SORRY TO HEAR ABOUT YOUR DIVORCE.

YEAH, WELL, SHE COMES CRAWLING BACK TO HER HOMETOWN.

NO, NO. HARDLY CRAWLING BACK.

I MEAN, GREAT NEW JOB AT C & D FINANCIAL.

AND YOU LOOK-- YOU LOOK GREAT.

THANK YOU. STORE STILL ALIVE AND KICKIN'?

ALIVE, YES. KICKING, NOT SO MUCH.

BIG DAY, HUH?

HUGE.

FIRST MOVIE TO EVER FILM IN STONE'S THROW.

SOMETHING TO TELL OUR GRANDKIDS.

I'M LATE FOR WORK, SO, I, UH--

IF YOU EVER NEED FINANCIAL ADVICE OR--

WELL, YOU KNOW WHERE TO FIND ME.

I-I WILL. I MEAN, I DO.

BYE.

HEY.

CAN YOU BELIEVE THAT IN ONE HOUR,

HELENA HARRIS AND ROBERTO MOLINEZ

WILL BE IN THE BACK OF MY LIMO? HUH?

- YEAH. - HOW SURREAL IS THAT?

HEY, I WANT YOU TO PAY CLOSE ATTENTION.

I WANT A DETAILED REPORT.

WELL, SPEAKING OF AMAZING WOMEN,

HOW'S THE FETCHING JUSTINE?

UH, CURRENTLY FETCHING LUNCH.

OH, COME ON. DOES SHE EVER ASK ABOUT ME?

PHIL, FOR THE 100TH TIME,

IF YOU'RE GONNA ASK OUT MY SISTER, ASK HER OUT.

I KNOW, IT'S JUST SOMETIMES

SHE LOOKS AT ME A LITTLE FUNNY.

- THEN TAKE A HINT. - NOT ME.

ALL RIGHT, I GOTTA GET TO THE AIRPORT.

THE STARS AND THE BIGWIGS ARE STAYING OVER AT THE INN.

COME ON BY WHEN WE GET BACK.

I'LL INTRODUCE YOU. - REALLY?

- ALL RIGHT. - ALL RIGHT.

- SEE YOU OUT THERE. - YEAH.

ALL RIGHT.

SORRY, IT WAS-- IT WAS PHIL, RIGHT?

UH, WHERE EXACTLY ARE WE GOING AGAIN?

STONE'S THROW, MA'AM,

AS IN A STONE'S THROW FROM PARADISE.

SOUNDS LOVELY.

MAN, IT'S TOO BAD WE NEVER HAVE ANY TIME

TO ACTUALLY ENJOY THESE PLACES.

WHAT'S NOT TO ENJOY?

THIS IS A GREAT PART FOR YOU.

I MEAN, YOU'LL PROBABLY EVEN GET NOMINATED AGAIN.

YOU'RE GETTING TOP DOLLAR.

YOU'RE MORE FAMOUS NOW THAN I'VE EVER BEEN.

WHAT MORE DO YOU WANT?

TWO WEEKS IN A ROW AT HOME.

A WHITE PICKET FENCE.

A KID.

YEAH. GOOD LUCK WITH THAT.

- THANK YOU, ROBERTO. - FOR WHAT?

REMINDING ME AGAIN WHY I BROKE UP WITH YOU.

WE ARE HERE AT THE STONE'S THROW INN

WATCHING THE ARRIVAL OF HELENA HARRIS

AND ROBERTO MOLINEZ,

AS WELL AS KEY MEMBERS OF THEIR PRODUCTION STAFF.

NOW, I ALSO SEE DOYLE DUNCAN HERE.

AND HOPEFULLY HE'S GOING TO CHAT WITH US

A LITTLE BIT LATER.

NOW, PLAY NICE.

HERE ARE YOUR KEYS.

- THANK YOU. - HAVE A NICE DAY.

LAST CHANCE FOR CONNECTING ROOMS.

THESE ROOMS ARE ON OPPOSITE SIDES

OF THE HOTEL, RIGHT? - YES.

- GOOD. - LISTEN.

YOU MAY THINK THAT YOU WANT A NORMAL LIFE,

BUT YOU WILL DIE OF BOREDOM.

WORK ON YOUR DIALOGUE TONIGHT.

I HATE IT WHEN YOU MAKE THINGS UP.

YO, CLARK.

YOU MADE IT. - HEY, YEAH.

HEY, YOU WANT TO GIVE US A HAND WITH THE LUGGAGE?

YEAH. YEAH, YEAH.

- COME IN. - HI.

OH, UM, JUST SET THOSE ON THE BED,

AND RIGHT HERE WILL BE FINE.

OKAY.

SO, GOOD FLIGHT IN?

OH, IT WAS AWFUL. STUDIO CHEAPED OUT.

MADE US FLY COMMERCIAL.

- BUMMER. - HERE YOU GO.

IS THERE ANYTHING ELSE YOU NEED?

NO, NO, NO. WE'RE GREAT.

OH, NO. I CAN'T TAKE THAT.

I DON'T WORK HERE. I WAS JUST HELPING OUT.

>> YOU KNOW WHAT? WHY DON'T YOU GO AHEAD AND TAKE IT

BECAUSE I'LL GET IN TROUBLE IF YOU DON'T.

YOU KNOW WHAT? I WILL TAKE THE MONEY

BECAUSE, HEY, NEVER TURN DOWN MONEY.

SORRY. HI, I'M HELENA HARRIS.

CLARK. CLARK GABLE.

THAT'S CUTE.

- OH, YOU'RE SERIOUS? - UH-HUH.

GOOD NAME. DIDN'T EXPECT THAT.

IT'S AMAZING TO MEET YOU.

I SHOULD GO.

- MONEY? - NO, THANK YOU.

MORE FOR ME.

- NICE TO MEET YOU. - YOU TOO, CLARK GABLE.

MM, THEY GROW 'EM CUTE AROUND HERE.

AMEN TO THAT.

I JUST MET HELENA HARRIS.

THANK YOU.

WHAT DID YOU MEAN BEFORE?

YOU HATE WHEN I MAKE THINGS UP?

I KNOW THIS IS UNFAMILIAR TO YOU,

BUT I'M WORKING ON THE SCRIPT.

WHAT DID YOU MEAN?

YOU KNOW, YOU'RE NOT GOOD WITH YOUR DIALOGUE.

YOU IMPROVISE TOO MUCH.

YOU MAKE IT HARDER ON EVERYONE ELSE.

- THAT'S ALL? - LOOK, GO AWAY.

ENJOY YOUR FREEDOM. SEE OTHER WOMEN.

JUST LEAVE ME ALONE, OKAY?

YOU DON'T MEAN THAT.

I'M A GOOD ACTRESS, BUT I'M NOT THAT GOOD.

YOU CAN SAY THAT AGAIN.

FINANCIAL PLANNING, THIS IS EMILY.

- EMILY, HEY, IT'S CLARK. - CLARK.

YEAH, HEY, I WAS WONDERING

IF I COULD GET SOME ADVICE ON MY LEASE RENEWAL.

DINNER ON ME? - YES.

I MEAN, IT DEPENDS ON YOUR RATE OF GROWTH.

DO YOU THINK THE STORE WILL BE DOING BETTER

IN FIVE YEARS THAN IT IS TODAY?

IN REALITY, IT'S ONLY STILL OPEN

'CAUSE I ADDED THE COFFEE BAR.

WELL, YOU REINVENTED ONCE. YOU CAN DO IT AGAIN.

YEAH, BUT DO I SEE MYSELF

RUNNING THE PLACE IN FIVE YEARS?

I DON'T KNOW. DO YOU?

I MET HELENA HARRIS TODAY.

- REALLY? - YEAH.

WOW. HOW DID SHE LOOK?

PRETTY GREAT, ACTUALLY.

HEY, REMEMBER THE MOVIE WE SAW OF HERS ON OUR FIRST DATE?

HEARTBREAK HIGH SCHOOL.

BEAUTIFUL CHEERLEADER FALLS FOR

A HANDSOME CLASS PRESIDENT...

UNAWARE THAT HE'S A VAMPIRE.

THAT WAS A FUN NIGHT.

LISTEN, YOU DON'T HAVE TO SIGN THIS

FOR ANOTHER MONTH, SO IN THE MEANTIME

I COULD RUN SOME ACTUAL NUMBERS,

HELP YOU MAKE AN INFORMED DECISION.

IT'S REALLY GOOD TO HAVE YOU BACK IN TOWN, EMILY.

IT'S NICE TO BE BACK.

HEY. WHERE YOU HEADED?

PICKING UP HELENA. TAKING HER TO SET.

- LUCKY YOU. - I'M THINKING YOU

SHOULD COME ON BY. - COME BY WHERE?

THE SET. I GOT A LITTLE JUICE.

I'LL LEAVE YOUR NAME UP FRONT.

ALL RIGHT, COME ON, PEOPLE.

LET'S MOVE THIS ALONG, SHALL WE?

WE'RE NOT MAKING BEN-HUR.

OKAY, HELENA. CAN WE HAVE YOU ON SET, PLEASE?

WE'RE READY TO GO.

- AFTER YOU. - YES.

YOU LOOK A LITTLE SHINY.

LET ME TAKE CARE OF THAT. - EXCUSE ME?

YOU LOOK FAMILIAR.

OH, I DON'T KNOW--

ALL RIGHT, MY GOOD MAN.

SO, YOU KNOW WHAT TO DO, HMM?

YOU JUST WALK IN, HAND THE PARCEL TO HELENA,

THEN SCRAM. JUST GET OUT OF THE WAY.

WELL, LOOK, I DON'T THINK THIS IS--

OH, RIGHT. FIRST-TIME JITTERS.

DON'T YOU WORRY ABOUT A THING.

EVEN OUR MOST ESTEEMED STARS STARTED THIS WAY.

LISTEN, JUST BE GRATEFUL YOU DON'T HAVE ANY DIALOGUE, HUH?

HERE.

LOCAL HIRES.

ALL RIGHTY THEN. LET'S DO THIS.

JACK, IF YOU WOULD BE SO KIND. - OF COURSE.

LOCK IT UP OUTSIDE.

QUIET ON SET, PLEASE. - HOLD WORK.

- ROLL SOUND. - ROLLING.

SCENE 23, TAKE 1. MARK.

AND ACTION.

I SAID ACTION!

THAT MEANS YOU, PAL.

THANK YOU FOR EVERYTHING.

I WON'T FORGET IT.

CUT, PRINT, PERFECT. THANK YOU VERY MUCH, EVERYONE.

MOVING ON. - HEY, WAIT, WAIT.

AREN'T YOU THE BELLMAN FROM THE HOTEL?

WHAT IS IT? UH, KIRK DOUGLAS.

CLARK GABLE.

AND I'M NOT A BELLMAN.

OH. SO YOU'RE AN ACTOR?

UH, NO. ACTUALLY, I-I RUN THE TOWN VIDEO STORE.

SORRY I'M LATE.

I'M HERE TO PLAY THE DELIVERY GUY.

I DON'T KNOW WHY YOU DON'T LOOK HAPPIER.

YOU JUST KISSED

ONE OF THE WORLD'S BIGGEST, HOTTEST MOVIES STARS.

I AM HAPPY. IT'S--

I MEAN, YOU KNOW, IT WAS AMAZING,

BUT IT DOESN'T MEAN ANYTHING. - IT CAN IF YOU WANT IT TO.

- WHAT DOES THAT MEAN? - SHE LIKES YOU.

OR, AT LEAST, SHE DOESN'T NOT LIKE YOU,

SO TAKE ADVANTAGE. SHOW HER YOUR SCRIPT.

I'LL THINK ABOUT IT.

YOU GO, BIG TIME.

WOW.

THEN AGAIN, NO TIME LIKE THE PRESENT.

HOLY COW, WHAT'S SHE DOING HERE?

LOOKING FOR A MOVIE. OR FOR YOU.

HEY, PHIL. CARY GRANT!

CLARK GABLE.

AH, I WAS CLOSE.

YOU REALLY DO LOOK LIKE A CARY, THOUGH.

I'M NOT DEAD, AM I?

NO, NO, UH... CONSIDER IT A TRIBUTE.

RIGHT, WELL, THEN I'M HONORED.

PARTY HARDY? REALLY?

GOD, I SHOULD BUY UP EVERY COPY OF THIS

AND HAVE, LIKE, A GIANT BONFIRE.

THAT WAS YOUR FIRST FILM.

WELL, ACTUALLY, YOUR SECOND,

IF YOU COUNT THE AIRPORT SCENE IN LOOK SMART.

WELL, YOU'RE A FAN. I'M IMPRESSED.

SO, LISTEN, CLARK,

WE'RE HAVING A LITTLE GET-TOGETHER AT THE INN TONIGHT.

IT'S KIND OF A CAST AND CREW THING,

BUT SINCE YOU'RE NOW OFFICIALLY PART OF THE CAST,

I THOUGHT YOU MIGHT WANT TO COME.

SAY NINE-ISH?

NINE-ISH? UH, THAT'D BE FINE-ISH.

PHIL?

WORKING.

NEXT TIME.

ALL RIGHT, THEN, I WILL SEE YOU AT NINE... ISH.

I'M GOING TO THE CAST AND CREW THING.

DUDE! THE DOOR TO HOLLYWOOD IS NOW OPEN.

OH, MAN, WHAT A DAY.

♪

HEY. ENJOYING YOURSELF?

HEY, CUTIE.

THIS PLACE IS PRETTY CUTE, ACTUALLY.

WHAT DO YOU THINK? - YEAH, I LIKE IT.

FOR THE WOODS.

OH, IF IT ISN'T HUMPHREY BOGART.

WELCOME TO OUR LITTLE SOIREE.

CLARK GABLE.

OH, I'M SO SORRY.

NO, I'M HAPPY TO BE HERE.

JOIN ME IN A COCKTAIL, WHY DON'T YOU, HMM?

THANK YOU.

LISTEN, YOU WERE AWFULLY GOOD

IN THAT SCENE TODAY.

LOOK, I KNOW I SHOULD'VE SAID SOMETHING FIRST,

BUT EVERYTHING HAPPENED SO FAST.

OH, NONSENSE. HAPPY ACCIDENT.

CLARK GABLE, MY FAVORITE ACTOR.

HELENA. HI.

WELL, I BETTER GO MINGLE WITH THE CREW

OR THEY'LL THINK I'M A SNOB.

- THEY KNOW YOU'RE A SNOB. - YEAH, HAVE FUN.

I'M SO GLAD YOU CAME.

THESE THINGS CAN BE INCREDIBLY DULL.

- REALLY? - HMM.

'CAUSE FOR STONE'S THROW,

THIS IS LIKE NEW YEAR'S EVE.

THAT'S SO FUNNY.

OH, MY GOD. I LOVE A GUY WITH A SENSE OF HUMOR.

SO, TELL ME, YOU ATTACHED? YOU SINGLE?

WHAT ARE YOU? - UH, THAT'D BE SINGLE.

HMM.

WELL, SOMEONE'S MISSING OUT.

I HAVE AN IDEA, LET'S DANCE. - DANCE?

- MM-HMM. - NO. I'M NOT--

HAND ME YOUR DRINK. I'M JUST GONNA SET IT OVER HERE.

I DON'T KNOW.

THANKS, GUYS. GIVE ME YOUR HAND.

I DON'T THINK THIS IS A GOOD IDEA.

NO, YOU CAN DO IT. TRUST ME.

YOU'RE GONNA BE FINE. MM-HMM. - OKAY.

I'M TRUSTING YOU ON THIS. - JUST FOLLOW ME.

YOU CAN PRETEND. - OKAY, OKAY.

- HAND UP. - I GOT THIS PART.

IT'S NOT TOO BAD, RIGHT?

- IT'S, UH... IT'S, UH... - OKAY.

DRY MARTINI.

♪

OKAY. SHOW'S OVER.

ROBERTO, GO AWAY.

THIS HAS NOTHING TO DO WITH YOU. - OH, REALLY?

I THINK IT HAS EVERYTHING TO DO WITH ME.

CAN YOU GIVE US A MINUTE, PLEASE?

I THINK YOU SHOULD PROBABLY GO.

CLARK, I'M SORRY.

HEY, CLARK.

HELENA.

CAN YOU CHAT?

CLARK! HEY.

OH, THIS IS MY SISTER, JUSTINE GABLE.

JUSTINE, THIS IS HELENA HARRIS.

I KNOW WHO THIS IS.

HI.

WELCOME TO STONE... THROW.

I HOPE THAT YOU'RE ENJOYING YOUR STAY HERE.

I AM ENJOYING MY STAY HERE. IT IS VERY NICE TO MEET YOU.

WOW, WHAT LOVELY EYES YOU HAVE.

THEY'RE SUCH A GORGEOUS SHADE OF BLUE.

THANK YOU, MS. HARRIS.

PLEASE, CALL ME HELENA.

HELENA.

OH, UM, CAN I GET YOU SOMETHING?

LIKE, A CAPPUCCINO OR A LATTE?

OH, OR A CHAI TEA?

NO, NO, NO. I AM TOTALLY FINE.

THANK YOU. I JUST NEED TO BORROW CLARK.

YEAH. NO, ABSOLUTELY.

HE'S ALL YOURS.

GREAT.

- GO-- YEAH. - JUST--

HELLO.

SHE'S ADORABLE.

UM, I JUST WANTED TO APOLOGIZE FOR LAST NIGHT.

ROBERTO CAN BE SUCH A JERK SOMETIMES,

AND AS I'M SURE YOU KNOW, WE HAVE A LOT OF HISTORY.

SO, SORRY.

NO, IT'S OKAY. I GUESS HE GOT THE WRONG IDEA.

NO, IT'S NOT OKAY. IT WAS EMBARRASSING.

AND I WANT TO MAKE IT UP TO YOU.

NO, REALLY, HELENA.

YOU DON'T HAVE TO DO ANYTHING FOR ME.

YEAH, I DO. SO THINK OF SOMETHING GOOD.

CLARK, THERE'S ONE THING I'VE LEARNED IN THIS LIFE.

IF YOU DON'T ASK, YOU DON'T GET.

SO ASK. - I WROTE A SCREENPLAY.

- HMM. - WOULD YOU READ IT?

A SCREENPLAY, HUH?

ANYTHING IN IT FOR ME?

YEAH, THE LEAD.

WELL, I LIKE IT ALREADY.

WHY DON'T YOU BRING IT BY THE SET,

AND I'LL READ IT AS SOON AS I CAN.

OKAY. BUT WHAT ABOUT ROBERTO?

HE PROBABLY WON'T READ IT.

NO.

NO, I MEAN, I DON'T WANT TO CAUSE ANY TROUBLE.

HE'S MOSTLY BARK, ONLY A TINY BIT OF BITE, OKAY?

OKAY.

CUT! OH...

DARLINGS, DARLINGS, DARLINGS, YOU'RE KILLING ME.

YOU'RE SUPPOSED TO BE ENJOYING THIS.

PLEASE HELP ME OUT. LET'S TRY AGAIN, HMM?

- HMM. - PLEASE?

CAN YOU KEEP YOUR HANDS TO YOURSELF?

CAN YOU KEEP YOUR HANDS OFF OF JOHN WAYNE,

OR WHATEVER HE'S CALLED?

YOU KNOW WHAT? I LIKE CLARK.

UNLIKE SOME PEOPLE, HE'S SANE.

OH, YEAH? I WAS SANE TOO, UNTIL I MET YOU.

THAT'S DEBATABLE!

ALL RIGHT, ALL RIGHT, ALL RIGHT.

- ASK ANYBODY. - KIDS, KIDS, KIDS, KIDS!

KIDS, COME ALONG NOW. PLAY NICE.

WE'VE GOT A LONG SHOOT AHEAD OF US, HMM?

OH, GREAT. NOW HERE COMES DELIVERY BOY.

CLARK, WHAT A WONDERFUL SURPRISE.

THESE ARE-- THESE ARE FOR YOU.

OH, IRISES, MY FAVORITE. HOW DID YOU KNOW?

WELL, JUST-- YOU KNOW, JUST SEEMED LIKE--

NO, IT'S THE INTERNET.

UM, AND HERE'S MY SCRIPT.

UH, HOPE IT'S UP TO YOUR STANDARDS.

I CANNOT WAIT TO READ IT.

A SCRIPT. REALLY?

I DON'T THINK YOU TWO HAVE OFFICIALLY MET.

ROBERTO MOLINEZ, THIS IS CLARK GABLE.

CLARK, THIS IS ROBERTO.

YOU GOT GOOD TASTE IN FLOWERS THERE, CLARK GABLE.

- THANKS. - AND IN WOMEN.

OKAY.

YOU KNOW WHAT? YOU'RE DONE HERE.

WHY DON'T YOU SAY GOOD-BYE, ROBERTO?

ALL RIGHT.

FOLKS, LET'S GET BACK TO OUR ONES.

GET READY FOR ANOTHER TAKE.

SO, LISTEN, WHY DON'T YOU COME BY THE INN LATER,

AND WE CAN TALK ABOUT YOUR SCRIPT?

UH, YEAH, SURE. YEAH.

- BYE. - BYE.

JACK. THANK YOU.

YOU READY?

THANKS. - MM-HMM.

I'M LEANNA ANGELO

WITH SOME HOMEGROWN ENTERTAINMENT NEWS.

OH, HONEY, CLARK.

TURN THIS UP. TURN THIS UP.

ON THE SET OF THIS MAGIC MOMENT,

THE NEW FILM NOW SHOOTING IN NEARBY STONE'S THROW.

IT SEEMS THAT ACTOR ROBERTO MOLINEZ IS DISTURBED

OVER COSTAR AND EX-SQUEEZE HELENA HARRIS'S

ALLEGED FLIRTATIONS WITH A LOCAL MERCHANT NAMED--

ARE YOU READY?-- CLARK GABLE.

WHAT?

HELENA AND CLARK HAVE BEEN SEEN

ACTING EXTREMELY COZY TOWARD ONE ANOTHER.

ONE SOURCE SAYS THEY MAY EVEN BE IN LOVE.

NEEDLESS TO SAY, THIS MUST BE

PRETTY TOUGH FOR MOLINEZ,

WHO WAS VOTED HOLLYWOOD'S SEXIEST MAN OF THE YEAR

15 YEARS AGO. - 13, BOZO.

WE'LL KEEP YOU POSTED AS MORE DEVELOPS.

STAY TUNED TO K.O.Y.R. AS WE CONTINUE.

OH, MY GOSH.

HONEY, YOU'RE FAMOUS.

THAT'S NOT TRUE.

IS THAT TRUE? THAT'S NOT TRUE.

NO, HONESTLY, I DON'T KNOW WHAT THAT WAS ABOUT.

I MEAN, HELENA AND I ARE JUST SORT OF FRIENDS.

BECAUSE I THOUGHT I SAW SOME WEIRD SPARK

BETWEEN YOU TWO TODAY,

BUT THEN I'M JUST LIKE, "JUSTINE, YOU'RE HALLUCINATING."

WELL, IT'S NOT AN IMPOSSIBILITY.

I MEAN, YOU KNOW, DON'T KNOCK

THE POWER OF OUT-OF-TOWN ROMANCE.

NO, IT'S ALL RIGHT, HONEY.

YOU WILL TELL US WHENEVER YOU'RE READY.

HELLO?

CLARK. HEY, IT'S EMILY.

- OH, HEY. HOW ARE YOU? - GOOD.

LISTEN, I DID SOME WORK ON YOUR CONTRACT.

I THOUGHT MAYBE WE COULD GET TOGETHER LATER,

TALK ABOUT IT.

OH, YOU KNOW, I'D LOVE TO, BUT...

I KIND OF HAVE THIS MEETING WITH HELENA.

A MEETING? WOW.

SOUNDS IMPORTANT.

OKAY. ANOTHER TIME THEN?

YEAH, DEFINITELY. THANK YOU, EMILY.

BYE.

WAIT, YOU READ IT ALREADY?

THE WHOLE THING?

YEAH. FROM FADE IN TO FADE OUT.

I MEAN, IT NEEDS SOME WORK,

BUT YOU WROTE IT FROM THE HEART,

AND I'M TELLING YOU, FOR A THRILLER, THAT'S RARE.

ARE YOU SERIOUS?

YEAH, I'M SO SERIOUS THAT, IF YOU WANT,

I'M WILLING TO WORK WITH YOU ON IT,

GIVE YOU SOME SPECIFIC NOTES.

THAT'S AMAZING. I'M--

I DON'T KNOW WHAT TO SAY.

JUST SAY THANK YOU, OKAY? THAT'S--

HEY, YOU DID ALL THE HEAVY LIFTING.

THANK YOU.

SO IS THIS REALLY YOUR FIRST SCRIPT?

FIRST SCRIPT I'VE EVER WANTED TO SHOW ANYONE.

AH, YOU EVER THINK ABOUT WRITING PROFESSIONALLY?

ONLY HALF MY LIFE.

SO WHAT'S STOPPING YOU?

IT'S A LONG STORY.

GOT IT. ALL RIGHT.

WELL, MAYBE SOME DAY, YOU'LL TELL ME.

OKAY, NOW YOU TELL ME WHAT I CAN DO FOR YOU.

AND DON'T SAY NOTHING. THAT'S NOT GONNA FLY.

I ALWAYS RETURN A FAVOR.

I-I DON'T NEED ANYTHING.

OKAY, DID YOU SEE THAT NEWS REPORT TONIGHT?

YEAH, I DID.

WH-- WHERE DID THEY GET ALL THAT LOVE TRIANGLE STUFF?

I KNOW. LIKE, WHO WOULD BELIEVE IT?

- NOT ME. - HMM.

BUT I BET ROBERTO DOES.

IT'S WEIRD HOW SOME THINGS WORK OUT, HUH?

WAIT, YOU'VE BEEN USING ME TO MAKE ROBERTO JEALOUS,

HAVEN'T YOU? - WHAT? NO.

I-I WOULD NEVER DO THAT.

REALLY, I WOULDN'T DO THAT.

OKAY, MAYBE, JUST A TINY LITTLE BIT.

IT WAS COMPLETELY UNINTENTIONAL, I SWEAR.

BUT WHY? WHY?

I THOUGHT YOU TWO BROKE UP.

UNLESS YOU'RE GETTING BACK AT HIM FOR SOMETHING

OR TRYING TO GET HIM BACK? - OH, LIKE I SAID,

IT'S-- IT'S COMPLICATED. WE HAVE TONS OF HISTORY.

YEAH, MEANWHILE, EVERYONE THINKS I'M IN LOVE

WITH HELENA HARRIS.

OH, AND IS THAT SO TERRIBLE?

THERE ARE WORSE THINGS, I GUESS.

YEAH.

I HAVE AN IDEA.

YOU WANTED TO DO ME A FAVOR?

THIS IS IT. - WHAT'S IT? I DON'T--

EVERYONE THINKS THAT WE'RE HAVING

THIS WHIRLWIND ROMANCE, RIGHT?

SO LET'S KEEP IT GOING.

OKAY. I'LL HELP YOU OUT.

LOVE THIS ONE.

"SHREWD AND SEXY HELENA HARRIS IS GETTING FRISKY

WITH GUY AROUND TOWN CLARK GABLE."

OOH!

OOH, THERE'S MORE.

"ROBERTO MOLINEZ SEES SCARLET

AS HELENA DATES CLARK GABLE."

- GINA, OUT. - SORRY.

IF YOU'RE DOING THIS TO MAKE MY BLOOD BOIL,

YOU'VE SUCCEEDED.

AND IF YOU'RE DOING THIS TO RUIN MY CAREER, DON'T.

HOW IS THIS RUINING YOUR CAREER?

COUPLES BREAK UP ALL THE TIME.

THEY START SEEING NEW PEOPLE ALL THE TIME.

- I'M NOT. - NOT NOW.

HELENA,

THOSE TIMES IN THE PAST, THEY MEANT NOTHING TO ME.

I ALWAYS CAME BACK TO YOU.

NO, NO, NO, NO, NO, NO.

I ALWAYS TOOK YOU BACK.

ROBERTO, JUST DO YOUR JOB,

STOP GRIPING, AND STAY OUT OF MY PRIVATE LIFE.

HEY, EMILY.

SO TELL AN OLD FRIEND THE TRUTH.

ARE YOU AND HELENA HARRIS REALLY AN ITEM?

WELL, IS THAT INCONCEIVABLE?

OH, I DIDN'T MEAN IT LIKE THAT.

SHE'D BE LUCKY TO HAVE YOU.

WELL, THANK YOU, EMILY.

YOU'RE A REAL PRINCE.

UM, REMEMBER THIS? - MY HIGH SCHOOL PROM PICTURE?

DID YOU SELL THIS TO THEM?

YES, I DID.

YOU'RE A REGULAR CASH COW FOR ME.

NOW I THINK I'M GONNA RETIRE.

OKAY. I'M JUST GOING TO SAY THIS.

DON'T BELIEVE EVERY LITTLE THING YOU READ.

WHATEVER.

I HAVE TO GO TO WORK.

EMILY, NO.

- HI. - HI. OKAY.

UM, DO ANY OF YOU WANT TO RENT ANYTHING

OR BUY ANYTHING?

- CAN I GET YOUR AUTOGRAPH? - JUST... AUTOGRAPHS. OKAY.

I NEVER REALIZED HOW MUCH I CARED FOR HELENA.

I MEAN, I KNEW, YOU KNOW,

SHE WAS BEAUTIFUL AND TALENTED AND SMART.

I GUESS AFTER THE INITIAL CONQUEST,

I JUST STARTED TAKING OUR RELATIONSHIP FOR GRANTED.

WELL, THAT'S PROBABLY BECAUSE

YOU'RE A SELF-ABSORBED MACHO PIG, OLD CHAP.

CONTRARY TO WHAT MY DWINDLING LEGIONS OF FANS BELIEVE,

I AM ONLY HUMAN.

THEN WHY DON'T YOU START ACTING LIKE ONE, ROBERTO, HMM?

STOP TREATING HELENA LIKE SOMETHING YOU OWN

AND START TREATING HER LIKE SOMEONE YOU WANT TO IMPRESS.

TRY A LITTLE TENDERNESS.

WOW.

YOU LIKE THEM?

THEY'RE MAGNIFICENT.

JUST MY LITTLE WAY OF SAYING I FORGIVE YOU.

WHAT?

I'M SORRY. YOU... FORGIVE ME?

YEAH, FOR, SHALL WE SAY, YOUR HASTY JUDGMENT.

OH, RIGHT.

WELL, IF ANYTHING, MY JUDGMENT ABOUT YOU

WASN'T HASTY ENOUGH. - THAT'S GOOD.

JUST-- JUST, YOU KNOW, LET THAT OUT.

JUST PURGE THOSE DEMONS. JUST CLEAR YOUR CONSCIENCE.

RIGHT, NO.

THE ONLY DEMON THAT I NEED TO PURGE IS YOU,

SO WHY DON'T YOU GET OUT!

HELENA, YOU'RE BEING

RIDICULOUSLY UNREASONABLE ABOUT THIS.

WE CAN WORK THIS OUT.

- NO, WE CAN'T. - YES, WE CAN.

ALREADY HAVE.

BYE-BYE.

MOON AND STARS VIDEO AND CAFE.

THIS IS CLARK.

HI, CLARK, IT'S HELENA.

OH. HEY, HELENA.

- HOW ARE YOU? - GOOD.

NICE. I WAS WONDERING, ARE YOU CRAZY BUSY?

UH, NO. NOT CRAZY.

WELL, I WAS THINKING ABOUT TAKING

A LITTLE WALK AROUND TOWN,

AND I WAS WONDERING IF YOU WANTED TO TAKE

A LITTLE WALK AROUND TOWN WITH ME.

- WELL, UH, RIGHT NOW? - YEAH.

SURE, THAT'D BE GREAT.

I'LL TAKE YOU SOMEWHERE SPECIAL.

OOH, I LIKE THE SOUND OF THAT.

OKAY, SO SEE YOU AT THE HOTEL IN, SAY, TEN?

- SOUNDS GOOD. - EXCELLENT.

CAN YOU HANG OUT UNTIL JUSTINE GETS BACK?

GO ON.

- THANKS, MAN. - GOOD LUCK.

CITIES AND TOWNS ALONG THE FLORIDA PANHANDLE

BREATHED A SIGH OF RELIEF TODAY

AS HURRICANE HELENA MADE LANDFALL

AND WAS PROMPTLY DOWNGRADED TO A TROPICAL STORM.

COASTAL AREAS STILL FACE

THE PROSPECT OF FLOODING FROM THE STORM SURGE,

BUT WITH SUSTAINED WINDS EXPECTED TO TOP OUT

AROUND 50 MILES PER HOUR...

HURRICANE HELENA.

COPE WITH THE STORM

WITH LITTLE OR NO DISRUPTION OF SERVICES.

SO, MYSTERY MAN, WHERE ARE YOU TAKING ME?

A PLACE I GUARANTEE YOU'VE NEVER BEEN.

OOH.

YOU LIKE IT SO FAR?

I LOVE IT. SUCH A CUTE LITTLE TOWN.

YEAH. YOU KNOW, IT'S HOME.

IT'S NICE.

OKAY.

THIS IS IT.

"GONE."

AS IN, "WITH THE WIND."

IT WAS THE LAST MOVIE THAT EVER PLAYED HERE.

BIG REVIVAL SHOWING. RESTORED PRINT. THE WORKS.

OH, VERY APPROPRIATE, MR. CLARK GABLE.

HOW DO YOU THINK I GOT MY NAME?

IT'S MY MOM'S FAVORITE MOVIE.

- NO. - YEAH.

HERE IT IS.

IT'S WONDERFUL.

MY FATHER OWNED IT FOREVER.

I PRACTICALLY LIVED HERE AS A KID.

WHEN DID IT CLOSE?

ABOUT EIGHT YEARS AGO.

A FEW YEARS AFTER MY DAD DIED.

MY MOM AND I TRIED TO KEEP IT GOING,

RAN NEW MOVIES, OLD MOVIES, WHATEVER.

BUT EVENTUALLY PEOPLE STOPPED COMING.

AND THAT'S WHEN I OPENED UP THE VIDEO STORE.

BUT I ALWAYS KEEP THE KEYS ON ME.

IT'S WHERE I GO TO THINK.

ABOUT WHAT?

ABOUT WHAT IT'D BE LIKE TO MEET SOMEONE LIKE YOU.

HAVE A SEAT.

OOH, THANK YOU.

OKAY, SO...

WHY DID YOU BECOME AN ACTRESS?

IT WAS THE ONLY THING I EVER WANTED TO BE.

EVEN WHEN I WAS A LITTLE GIRL,

I WOULD IMITATE PEOPLE AND ACT OUT SCENES

FOR MY FRIENDS AND FAMILY.

I JUST LOVED BEING THE CENTER OF ATTENTION,

ENTERTAINING.

HOW DO YOU LIKE IT NOW?

SOMETIMES IT'S GREAT.

SOMETIMES I HATE IT,

MAINLY BECAUSE IT'S HARD TO BE MYSELF

OR EVEN REMEMBER WHO MYSELF REALLY IS.

OKAY, YOU DON'T HAVE TO ANSWER THIS, BUT...

DO YOU LOVE ROBERTO?

I HAVE BEEN IN LOVE WITH ROBERTO

SINCE I FIRST SAW STREET REBEL.

GREAT FILM.

I THOUGHT HE WAS THE MOST BEAUTIFUL THING

I'D EVER SEEN.

AND IT WAS YEARS BEFORE WE ACTUALLY MET,

BUT AROUND ROBERTO

I STILL FELT LIKE A LOVE-STRUCK TEENAGER.

SOMETIMES I STILL DO...

WHEN HE'S NOT DRIVING ME TOTALLY INSANE, OF COURSE.

YEAH.

BUT LET'S TALK ABOUT YOU. YOUR LONG STORY.

LIKE, WHY ARE YOU STILL LIVING UP HERE

IF YOU WANT TO WRITE MOVIES?

YOU SHOULD BE WHERE THE ACTION IS.

MY FATHER DIED OF A HEART ATTACK

RIGHT BEFORE I GRADUATED FROM COLLEGE.

MY MOM WAS A WRECK.

MY SISTER WAS STILL IN HIGH SCHOOL.

SO, YOU KNOW, I JUST COULDN'T LEAVE THEM.

THAT'S FAIR ENOUGH.

WHAT ABOUT NOW?

DO YOU KNOW,

NOT ONE AGENT I EMAILED ABOUT READING MY SCRIPT

EVER RESPONDED?

WELL, THAT'S BEFORE YOU KNEW ME.

BUT WHAT IF I'M TOO OLD?

FROM WHAT I READ, IT SEEMS LIKE

EVERY NEW HOLLYWOOD SCREENWRITER

IS BARELY OUT OF COLLEGE. - OKAY, TRUST ME.

IT'S NOT ABOUT YOUR AGE.

IT'S ABOUT WHAT'S ON THE PAGE. THAT'S IT.

I GOT SOMETHING FOR YOU.

AN OLD MARQUEE LETTER.

THANK YOU, CLARK.

YEAH, SOMETHING TO REMEMBER ME BY.

SHALL WE?

- YES. - HMM.

THANK YOU.

- YEAH. - THAT WAS REALLY FUN.

YOU WANT TO JOIN ME FOR A DRINK ON THE PATIO?

- SURE. - NICE.

MS. HARRIS. MS. HARRIS. EXCUSE ME. I'M SORRY.

YOU WANT TO TALK TO ME?

YES, PLEASE. JUST FOR A MOMENT.

MS. HARRIS, I'M SORRY, BUT THERE'S BEEN

KIND OF A MISHAP IN YOUR ROOM.

A MISHAP? WHAT KIND OF A MISHAP?

THE FIRE SPRINKLER WENT OFF SOMEHOW.

IT'S PRETTY BAD.

IT'S GOING TO TAKE SEVERAL DAYS TO DRY OUT.

YOU'VE GOT TO BE KIDDING ME.

HE'S NOT KIDDING.

WHAT DO YOU THINK COULD'VE SET OFF THE FIRE SPRINKLERS?

IS THERE A PROBLEM, HELENA?

YOU TELL ME.

I DON'T KNOW WHAT YOU'RE TALKING ABOUT.

YOU'RE RIGHT, CLARK.

I'M JUST GONNA HAVE TO BUNK WITH SOMEONE ELSE.

HEY, WHY NOT ME?

I'VE GOT A NICE, BIG, DRY SUITE

WITH A NICE, BIG, DRY GUEST ROOM.

YOU FLOODED MY ROOM SO I'D MOVE IN WITH YOU?

OH, THAT'S PATHETIC.

HELENA, THERE'S ROOM AT MY PLACE.

CLARK. THAT IS A GREAT IDEA.

OH, HELENA.

THIS IS-- YOU REMEMBER MY SISTER, JUSTINE.

HI, JUSTINE. IT'S NICE TO SEE YOU AGAIN.

- AND THIS IS MY MOM, MARYELLEN. - HELLO.

HOW DO YOU DO? IT'S SO NICE TO MEET YOU.

AND THIS IS EMILY, MY OLD FRIEND.

WOW, IT IS REALLY GREAT TO MEET BOTH OF YOU, MARYELLEN.

YOU HAVE A GREAT SON, AND, EMILY,

YOU HAVE A FANTASTIC OLD FRIEND.

IT'S REALLY NICE TO MEET YOU GUYS.

AND I AM JUST ONE OF YOUR GREATEST FANS.

YOU WERE FABULOUS IN THE WOMAN DOTH PROTEST.

JUST FABULOUS, REALLY. - THANK YOU.

THAT'S INCREDIBLY KIND.

YOU KNOW WHAT WAS REALLY FUN ABOUT THAT ONE?

I WORE SNEAKERS THE ENTIRE TIME.

NO, YOU DIDN'T.

I FIGURED WITH THE LONG SKIRTS AND THE CORSETS,

MIGHT AS WELL BE COMFORTABLE SOMEWHERE.

YOU KNOW, YOU GUYS SHOULD COME VISIT SET SOMETIME.

IT'D BE REALLY FUN TO HAVE YOU.

- WE COULD? - I'D LOVE THAT.

WELL, HERE, I'LL SHOW YOU THE PLACE.

- OH, GREAT. OH, I GOT IT. - OH, YOU GOT IT? OKAY.

YOU CAN OPEN THE DOOR. ANYWAY, I WILL SEE YOU ON SET.

BYE, GUYS.

- BYE, LADIES. - BYE.

SHE REALLY IS EVEN MORE BEAUTIFUL IN PERSON.

AND SO INCREDIBLY NICE. WOW.

NO, CLARK. ARE YOU SURE?

BECAUSE I REALLY, REALLY, REALLY CAN SLEEP ON THE COUCH.

HELENA HARRIS IS NOT SLEEPING ON MY COUCH.

NOT ON MY WATCH.

ALL RIGHT, THANK YOU, CLARK. I REALLY APPRECIATE IT.

HEY, IT'S WORTH IT JUST TO SEE ROBERTO SQUIRM, RIGHT?

IT'S PRETTY GOOD, BUT THAT'S ACTUALLY

NOT THE ONLY REASON I'M DOING IT.

I CONSIDER YOU A FRIEND,

AND SOMETIMES YOU JUST NEED A FRIEND.

COME HERE, FRIEND. FRIEND HUG.

YEAH.

SPEAKING OF FRIENDS,

WHY DON'T YOU TELL ME ABOUT EMILY?

- EMILY? - YEAH.

WELL, SHE'S-- AN OLD GIRLFRIEND.

OH. AN OLD GIRLFRIEND, I SEE.

MOVE ALONG. THERE'S NOTHING TO SEE HERE.

OKAY.

BY THE WAY, MY MOTHER INVITED YOU OVER

FOR A HOME-COOKED MEAL TONIGHT.

BUT DON'T WORRY.

I TOLD HER I DIDN'T KNOW IF YOU WERE BUSY

OR WORKING OR IF, YOU KNOW, YOU ATE DINNER.

NO, OF COURSE I EAT DINNER.

WHO DOESN'T EAT DINNER? TONIGHT?

UH, YEAH, 8:00.

PERFECT.

ALL RIGHT, I'M JUST GONNA GO FINISH UNPACKING.

OKAY.

MARYELLEN, THIS WAS WONDERFUL,

BUT REALLY YOU SHOULDN'T HAVE GONE

TO SO MUCH TROUBLE.

NO ONE IS GONNA BELIEVE THIS.

HELENA HARRIS IS WASHING MY DISHES.

YOU KNOW, GROWING UP, LIKE, WE COULDN'T AFFORD

A DISHWASHER, SO DISHES? MY NIGHTLY CHORE.

AH, WELL, LOOKS LIKE YOU'VE COME A LONG WAY.

YEAH, BUT I NEVER TAKE ANY OF IT FOR GRANTED

'CAUSE IT COULD ALL DISAPPEAR TOMORROW.

WELL, EVEN IF IT DID,

I BET YOU COULD AFFORD A DISHWASHER NOW.

I HOPE SO.

YOU KNOW WHAT?

I JUST WANT YOU TO KNOW

THAT, WHATEVER YOUR RELATIONSHIP WITH CLARK

IS OR ISN'T, IT'S OKAY WITH ME.

I JUST-- JUST ALWAYS WANT TO SEE HIM HAPPY.

YOU'VE OBVIOUSLY BEEN AN AMAZING MOTHER

TO BOTH OF YOUR CHILDREN.

AND I'M REALLY SORRY TO HEAR ABOUT YOUR HUSBAND.

IT MUST HAVE BEEN VERY HARD ON ALL OF YOU.

THANK YOU. IT WAS.

BUT CLARK WAS SUCH A ROCK.

HE JUMPED RIGHT IN THERE AND KEPT US ALL GOING.

DON'T KNOW HOW HE DID IT, HONESTLY.

HE AND HIS FATHER WERE SO CLOSE.

BEST FRIENDS, REALLY.

SOUNDS LIKE HE WAS A GOOD MAN.

HE WAS.

AND I MISS HIM EVERY DAY.

CAN I ASK YOU A QUESTION?

ANYTHING.

HOW DO YOU GET YOUR HAIR SO EXCITING?

NO MATTER WHAT I TRY, NO MATTER WHAT I DO,

MY HAIR IS JUST SO NOT EXCITING.

WELL, I DON'T ACTUALLY DO ANYTHING.

OUR STYLIST, GINA... - UH-HUH.

SHE'S A MIRACLE WORKER.

YOU KNOW WHAT? YOU SHOULD HAVE CLARK BRING YOU TO SET,

AND SHE COULD GIVE YOU THE WORKS.

I'LL SET IT ALL UP. JUSTINE, YOU TOO.

IT'LL BE FUN. - SERIOUSLY?

- YEAH. - YEAH. YEAH, ABSOLUTELY.

MAKEOVER.

MAKEOVER. I LOVE IT.

CLARK, YOUR MOTHER IS ABSOLUTELY DELIGHTFUL.

SHE IS THE MOST SUPPORTIVE, OPEN-MINDED MOM EVER.

WHEN I FIRST BROUGHT UP MOVING TO L.A.,

YOU KNOW WHAT SHE SAID?

SHE SAID, "DON'T THINK TWICE. FOLLOW YOUR DREAM."

BLEW ME AWAY.

WOW.

WHAT ABOUT JUSTINE?

JUSTINE WOULDN'T TALK TO ME ABOUT IT FOR MONTHS.

SHE WOULDN'T EVEN WATCH A TV SHOW

THAT TOOK PLACE IN L.A.

TOTAL BOYCOTT.

YEAH, WELL, SHE'D ALREADY LOST ONE MAN IN HER FAMILY.

DIDN'T WANT TO LOSE ANOTHER.

YOU KNOW, IF THIS ACTING THING DOESN'T PAN OUT FOR YOU,

YOU MIGHT MAKE A HECK OF A SHRINK.

JUST AN OBSERVER OF HUMAN NATURE, LIKE MOST ACTORS--

AND WRITERS, OF COURSE. - HMM.

SPEAKING OF WHICH, I OWE YOU NOTES ON YOUR SCRIPT.

DON'T LET ME FORGET, OKAY?

WHAT ARE YOU DOING LATER?

I-I UNDERSTAND WHY ROSS MARRIES OLIVIA, RIGHT?

HE'S OPPORTUNISTIC, SHE'S LOADED.

BUT WHAT I DON'T UNDERSTAND

IS WHAT, EXACTLY, DOES SHE SEE IN HIM?

WELL, SHE'S LONELY. ROSS CHARMS HER.

HE PRETENDS TO HAVE MONEY OF HIS OWN,

SO HE ISN'T A THREAT.

YEAH, BUT FROM THE GET-GO,

HE'S PLANNING ON KILLING HER FOR THE MONEY.

SHE DOESN'T AT LEAST HAVE, LIKE, THE TINIEST INKLING?

WELL, SHE'S CRAZY ABOUT HIM.

I MEAN, SHE JUST SEES WHAT SHE WANTS TO SEE.

ALL RIGHT.

SO FOR OLIVIA, LOVE IS BLIND. LOVE TRUMPS ALL.

UNTIL IT DOESN'T. THAT'S WHEN THE TABLES TURN.

WHICH IS GREAT. I LOVE THAT PART. I LOVE IT.

OKAY, BUT WHAT-- WHAT IF,

AFTER ALL THE CAT AND MOUSE STUFF,

THEY GET BACK TOGETHER?

RIGHT? THAT IT WAS THE CHASE AND THE DANGER

THAT INSPIRED THEM, RIGHT? NOT THE MONEY.

IT'S VERY FILM NOIR.

YEAH, IT'S VERY REAL LIFE.

I MEAN, RELATIONSHIPS ARE NEVER WHAT THEY SEEM, RIGHT?

- CLEARLY. - CLEARLY.

CAN I GET A DRUM ROLL, PLEASE?

SHOWTIME.

- TA-DA! - WOW.

WOW, SOMEBODY ALERT THE PAPARAZZI.

AND, EMILY, YOU TOO, HUH?

THEY OFFERED AND I ACCEPTED.

WELL, YOU LOOK-- YOU LOOK AMAZING.

REALLY?

IT'S NOT TOO HOLLYWOOD, RIGHT?

AND NOT TOO STONE'S THROW EITHER.

SOMEWHERE PERFECTLY IN THE MIDDLE.

AND, JUSTINE,

PEOPLE ARE GONNA THINK I HIRED

A SUPERMODEL TO SERVE COFFEE.

OH, THEN I'M GONNA NEED MORE MONEY.

LADIES, YOU LOOK SO GLAMOROUS.

THANK YOU, HELENA, FOR ARRANGING THIS.

IT'S BEEN LIKE A FANTASY.

I DIDN'T DO ANYTHING. IT WAS ALL GINA.

YOU ALL LOOK SO GORGEOUS.

AND, EMILY, YOU LOOK FANTASTIC.

CLARK, DOESN'T SHE LOOK FANTASTIC?

DEFINITELY.

WHAT DO WE HAVE HERE?

WHO ARE THESE THREE GORGEOUS CREATURES?

AND WHERE HAVE YOU BEEN ALL MY LIFE?

LADIES, THIS IS ROBERTO.

ROBERTO, THIS IS JUSTINE, CLARK'S SISTER.

AH, JUSTINE.

PLEASURE TO MEET YOU. - HI.

CLARK'S VERY YOUNG AND BEAUTIFUL MOTHER, MARYELLEN.

HELLO.

- AND EMILY, CLARK'S EX-- - OLD FRIEND.

UH-HUH. IT'S AN HONOR.

CLARK, YOU NEVER MENTIONED

YOU HAD SUCH A BEWITCHING ACQUAINTANCE.

WE DON'T TALK, ROBERTO.

WELL, THAT MUST STOP IMMEDIATELY.

PLEASE, ALLOW ME TO SHOW YOU THE SET.

SURE.

OH, MY GOSH.

DON'T BE IMPRESSED BY HIM.

WOW, I THOUGHT YOU WERE KIDDING.

OKAY, I'LL TALK TO YOU LATER.

UH, CLARK.

YOU'RE NOT GONNA BELIEVE THIS.

BELIEVE WHAT?

YOU'RE NOT REALLY GOING, ARE YOU?

ROBERTO MOLINEZ ASKED ME ON A DATE.

WHY WOULD I NOT GO?

BECAUSE HE'S DOING THIS TO GET BACK AT ME

TO MAKE ME JEALOUS.

IS IT WORKING?

EMILY, HE'S A NUT CASE.

I THOUGHT HE WAS THOROUGHLY CHARMING,

BUT THANK YOU FOR YOUR CONCERN, CLARK.

OKAY, HELENA HARRIS,

YOU ARE ABOUT TO EXPERIENCE THE TASTE TREAT OF A LIFETIME.

I PRESENT CLARK GABLE'S

FAMOUS GRILLED MACARONI AND CHEESE SANDWICH.

I KNOW IT SOUNDS GROSS,

BUT TRUST ME, YOU'LL BE DREAMING ABOUT IT.

I'M NOT GONNA LIE. IT'S NOT WHAT I WAS EXPECTING.

THAT'S WHY I KEPT YOU IN HERE WHILE I MADE IT.

A-HA.

SO WHO-- WHO TAUGHT YOU HOW TO MAKE THIS?

UM, WELL, I KIND OF-- NOBODY REALLY TAUGHT ME.

IS THIS BACHELOR FOOD? IS THAT WHAT THIS IS?

IT'S PRETTY MUCH WHAT IT IS. THAT'S EXACTLY WHAT IT IS.

IT WAS WHATEVER I COULD FIND. - YEAH, OKAY.

YOU'RE GONNA WATCH ME? - NO, I--

COUNT OF THREE, LET'S JUST TAKE A BITE.

COME ON, READY? - OKAY.

ONE, TWO, THREE.

OKAY.

THIS IS HEAVEN.

- AND SO BAD FOR YOU... - MMM.

WHICH IS WHY IT'S SO GOOD.

IT'S ALWAYS LIKE THAT.

MM, MM.

CLARK, DO YOU MIND THAT EMILY WENT OUT WITH ROBERTO?

YOU KNOW, WHAT EMILY AND I HAD

WAS A LONG TIME AGO.

A LOT HAS HAPPENED SINCE THEN.

STILL DIDN'T ANSWER MY QUESTION.

NO, I DON'T MIND.

UH, I ONLY HOPE SHE'S HAVING AS MUCH FUN AS I AM.

OKAY, NOW YOUR TURN. DO YOU MIND?

I-I REMEMBER MY FIRST DATE WITH ROBERTO.

IT WAS INCREDIBLY ROMANTIC,

AND I THOUGHT HE WAS THE MOST CAPTIVATING MAN

I'D EVER MET.

HE WAS A HUGE STAR. HOW COULD IT NOT BE EXCITING?

HE WAS REALLY DIFFERENT BACK THEN.

MAYBE YOU WERE TOO.

YEAH.

I CAN'T BELIEVE THIS WHOLE ELABORATE SET-UP

IS JUST FOR US.

THAT'S BECAUSE TONIGHT

THERE IS NO ONE ELSE IN THE WORLD.

TO LOVE.

TO LOVE.

YOU STILL LOVE HELENA, DON'T YOU?

IS IT THAT OBVIOUS?

WHAT IS IT ABOUT YOU TWO? IF IT'S NOT TOO PERSONAL.

IT'S COMPLETELY PERSONAL. SHE HATES ME.

WELL, SHE DIDN'T ALWAYS, OBVIOUSLY.

SHE DIDN'T ALWAYS WANT TO GET MARRIED.

AH...

AND NOW SHE DOES.

YEAH.

AND WHY AREN'T YOU MARRIED?

I WAS. I'M NOT ANYMORE.

BUT I-I STILL BELIEVE IN THE INSTITUTION COMPLETELY.

AH. THANK YOU.

QUAIL VERONIQUE.

PERFETTO.

I WILL NOT BE SHUNNED BY...

NO. NO, NO, NO. WE'RE NOT GONNA WATCH THIS.

- WHA-- - CHANGE IT, CHANGE IT.

OF COURSE WE'RE GONNA WATCH THIS.

THIS MOVIE IS AMAZING, AND YOU WERE AMAZING IN IT.

THANK YOU. THANK YOU VERY MUCH.

BUT IT'S STILL VERY STRANGE WATCHING YOURSELF ON TV.

WELL, WATCH IT FOR ME.

I WOULD LEAVE EVERYTHING BEHIND.

FINE. WHEN YOU PUT IT THAT WAY.

IT IS UNFAIR, AND I CANNOT ABIDE IT.

IS IT STRANGE TO KISS SOMEONE LIKE THAT

IN FRONT OF AN ENTIRE CREW?

AH, SOMETIMES.

THOUGH, HONESTLY, BY ABOUT THE TENTH TAKE,

YOU MIGHT AS WELL JUST BE SHAKING HANDS.

IT'S NOT, YOU KNOW, ROMANTIC,

IF THAT'S WHAT YOU'RE ASKING.

EMILY, I KNOW CLARK IS YOUR FRIEND--

OLD BOYFRIEND, WHATEVER.

AND I'M SURE HE'S AN OKAY GUY.

BUT, TO BE HONEST,

I FIND THIS WHOLE SITUATION WITH HIM AND HELENA

TO BE INTOLERABLE.

DON'T YOU? - INTOLERABLE?

NO.

I MEAN, CLARK HAS EVERY RIGHT TO BE HAPPY.

FRANKLY, SO DOES HELENA.

YEAH, BUT NOT WITH EACH OTHER.

LISTEN, HAS CLARK MENTIONED ANYTHING SPECIFIC TO YOU

ABOUT THE TWO OF THEM?

WELL, MAYBE JUST DON'T BELIEVE

EVERY LITTLE THING YOU READ.

HMM.

VERY ENCOURAGING.

I HAD A WONDERFUL NIGHT.

THANK YOU FOR MAKING ME FEEL SO SPECIAL.

THAT WAS EASY. YOU ARE SPECIAL.

THANK YOU FOR MAKING ME FEEL BETTER ABOUT HELENA.

YOU KNOW, ABOUT WHAT CLARK SAID,

I PROBABLY SHOULDN'T HAVE REPEATED THAT.

I DON'T EVEN REALLY KNOW WHAT HE MEANT, SO--

DON'T YOU WORRY YOUR PRETTY LITTLE HEAD.

THAT'S JUST BETWEEN US.

WELL, GOOD NIGHT.

GOOD NIGHT.

SHE'LL BE DOWN IN A MINUTE.

YOU LOOK HAPPY.

EH. YOU NEVER SEEN ME SMILE?

WAIT, WAIT, YOU AND HELENA?

CRAZY, HUH?

AH, WHO KNOWS, RIGHT?

YOU MOVE TO L.A., YOU MIGHT HAVE A BUILT-IN GIRLFRIEND.

LET'S NOT JUMP THE GUN. IT WAS JUST A KISS.

OR TWO.

THIS IS WILD.

YOU AND HELENA, EMILY AND ROBERTO.

I MEAN, WHAT'S NEXT, ME AND JUSTINE?

YOU KNOW WHAT, I THINK I'M GONNA ASK HER OUT.

WHAT DO YOU MEAN, EMILY AND ROBERTO?

THAT WASN'T A REAL DATE.

WELL, YEAH, THE DATE MIGHT HAVE BEEN A SET-UP,

BUT THE GOOD NIGHT KISS? THAT WAS 3D.

YOU OKAY?

YEAH, YEAH, OF COURSE.

I MEAN, EMILY CAN DO WHATEVER SHE WANTS.

YOU KNOW, I'D JUST HATE TO SEE HER GET HURT.

- THANK YOU, ALEXANDRA. - YOU'RE WELCOME.

EMILY, DON'T KEEP ME WAITING.

THEN WHAT HAPPENED?

HE...

KISSED ME. - HOW WAS IT?

DID YOU FEEL THE EARTHQUAKE LAST NIGHT,

OR WAS IT JUST ME?

THANKS, STACY.

ROBERTO.

WELL, IF IT ISN'T MARLON BRANDO.

I THINK YOU KNOW MY NAME BY NOW.

DOESN'T MEAN I HAVE TO USE IT.

SO, WHAT BRINGS YOU HERE TODAY?

LUNCH. HELENA.

AH, HELENA. YES, OF COURSE.

BY THE WAY, I HAD A SUPERB TIME WITH EMILY LAST NIGHT.

SHE'S QUITE A DESIRABLE LADY,

BUT I GUESS YOU KNOW THAT ALREADY.

- CAN I SAY SOMETHING? - CAN I STOP YOU?

DON'T BLAME ME FOR HOW THINGS ARE BETWEEN YOU AND HELENA.

THAT SCRIPT WAS WRITTEN WAY BEFORE I SHOWED UP.

- I DON'T BLAME YOU, KIRK. - CLARK.

BECAUSE I KNOW THAT THIS WHOLE LITTLE ROMANCE

BETWEEN YOU AND HELENA IS JUST SOME COOKED-UP SCHEME.

WHY DON'T YOU GUESS AGAIN, MOLINEZ?

HELENA, IF YOU DON'T STOP THIS NONSENSE RIGHT NOW...

YOU'LL WHAT?

I WILL QUIT THE FILM.

WELL, THAT'S FINE, BECAUSE THEN I CAN TELL

THE WHOLE WORLD THE TRUTH,

THAT I ONLY AGREED TO DO THIS FILM

BECAUSE YOU COULDN'T GET IT MADE ON YOUR OWN.

BECAUSE I FELT SORRY FOR YOU

BECAUSE YOU'VE TURNED INTO A B-LIST ACTOR

WHO IS COASTING ON THE SUCCESS

OF A MOVIE THAT IS 20 YEARS OLD.

IS THAT TRUE?

RIGHT NOW, ROBERTO,

IT'S THE ONLY THING BETWEEN US THAT IS.

HI.

JUSTINE, CAN I TALK TO YOU?

HI, PHIL.

UM, I'M A LITTLE BUSY RIGHT NOW.

OKAY.

I'M JUST GONNA COME RIGHT OUT AND SAY IT THEN.

YOU LOOK AWESOME, AND I THINK

YOU SHOULD BE SHARING THIS NEW YOU WITH SOMEONE.

YOU THINK I LOOK AWESOME?

I ALWAYS HAVE.

EVEN WHEN I WAS SIX?

NO, THAT WOULD BE CREEPY.

RIGHT.

I'M FLATTERED.

SO IS IT A DATE?

CAN I GET BACK TO YOU?

ONLY ON WHICH DAY YOU WANT TO GO.

COME ON, WHY SHOULD CLARK AND HELENA

HAVE ALL THE FUN?

- YOU'RE STILL HERE. - YEAH.

OKAY, UM, CAN I ASK YOU A QUESTION?

AND DO YOU PROMISE YOU'LL BE

COMPLETELY HONEST WITH ME? - YEAH.

UM, WOULD IT BE WEIRD IF I DATED PHIL?

I LOVE PHIL LIKE A BROTHER.

I DO TOO. THAT'S THE PROBLEM.

I DON'T KNOW IF I'M READY TO TAKE THAT LEAP

OR IF IT'LL EVEN WORK OUT.

YOU'LL NEVER KNOW IF YOU DON'T TRY.

I'M THINKING ABOUT MOVING TO L.A.,

SERIOUSLY THIS TIME.

YOU'LL NEVER KNOW IF YOU DON'T TRY.

IT'S NOT LIKE THE STORE IS DOING SO GREAT.

AND THE LEASE IS ALMOST UP ANYWAY.

I MEAN, MAYBE YOU CAN FINALLY GET YOUR DEGREE,

BECOME A TEACHER LIKE YOU'VE ALWAYS WANTED TO.

I JUST-- I DON'T KNOW IF I'M READY

TO LEAVE THE COFFEE GAME.

THE THING IS, WE'RE A FAMILY,

AND I'D NEVER GO WITHOUT YOUR BLESSING.

WELL, IT'S NOT GONNA BE THE SAME WITHOUT YOU HERE.

BUT JUST BECAUSE I'M STUCK IN A RUT

DOESN'T MEAN YOU HAVE TO BE.

THANK YOU, SIS.

THAT MEANS A LOT.

DO WHAT YOU WANT. YOU ALWAYS DO.

COME WITH ME. I'LL JUST SHOW YOU WHERE IT IS.

IT ALL GOES SO FAST.

WHAT DOES?

TIME. LIFE.

I MEAN, DO YOU REALIZE

WE ONLY HAVE A FEW DAYS LEFT ON THIS MOVIE?

BEFORE YOU KNOW IT, WE'LL BE READING THE REVIEWS,

AND IN NO TIME WE'LL BE WATCHING

THE DARN THING ON CABLE.

WHAT'S YOUR POINT, ROBERTO?

MY POINT IS...

WE ONLY GO AROUND ONCE,

AND I DON'T WANT TO DO IT SOLO.

WELL, THEN, DON'T.

I'M SURE THERE ARE A MILLION WOMEN

IN L.A. ALONE THAT'LL BE HAPPY TO KEEP YOU COMPANY.

I DON'T WANT ANY OTHER WOMEN.

I LOVE YOU.

AND AFTER YOU TOLD ME WHY YOU SIGNED ON TO DO THIS MOVIE,

I REALIZED JUST HOW MUCH YOU LOVE ME TOO.

I'M SORRY, ROBERTO.

IT'S TOO LITTLE, TOO LATE.

YOU WANT ME TO APOLOGIZE?

I APOLOGIZE.

YOU WANT ME TO TELL YOU THAT I'VE BEEN A FOOL?

I'VE BEEN A FOOL.

YOU WANT ME TO TELL YOU THAT I WANT YOU TO BE MY WIFE?

HELENA, WE BELONG TOGETHER.

MARRY ME.

YOU DON'T HAVE TO GIVE ME YOUR ANSWER NOW.

JUST THINK ABOUT IT.

SO GUESS WHAT?

YOU FINALLY DUMPED ALL THOSE COPIES OF PARTY HARDY?

- WHAT? - I HATE THAT MOVIE!

HATE IT, HATE IT. - I'M MOVING TO L.A.

GONNA GO WHERE THE ACTION IS.

- WHAT? - YEAH.

- REALLY? - YEAH.

OH, MY GOD, THAT'S FABULOUS.

I'M REALLY HAPPY FOR YOU, CLARK.

WELL, I COULDN'T HAVE DONE IT WITHOUT YOU.

I MEAN, YOU GAVE ME THE CONFIDENCE I NEEDED.

THANK YOU FOR THAT.

WELL, YOU'RE WELCOME.

BUT I GUESS IT'S LIKE ALL THINGS

IN LIFE, THOUGH, RIGHT?

YOU WAKE UP ONE MORNING, AND YOU'RE READY.

SO, YOU TELL EMILY YET? - NOT YET.

WHY? - OH, NO REASON.

I JUST FIGURED EVERYONE AROUND HERE

WILL MISS YOU, THAT'S ALL.

SO IF YOU HAVE ANY SUGGESTIONS

ON WHERE TO LOOK FOR A PLACE OR, YOU KNOW,

ANYTHING ABOUT L.A., THAT'D BE GREAT,

SINCE YOU'RE THE ONLY PERSON I'LL REALLY KNOW THERE.

YOU'LL FIND YOUR WAY.

I MEAN, L.A. IS A REALLY EASY CITY TO NAVIGATE.

AND-- AND YOU, YOU'RE GONNA MEET PEOPLE

LEFT AND RIGHT, SO I'M NOT WORRIED ABOUT YOU.

BUT, UM... I'LL GIVE YOU MY PRIVATE NUMBER.

YOU CAN CALL ANYTIME.

HEY, JUSTINE.

HEY, EMILY.

HEY, CLARK.

WHAT BRINGS YOU TO MY HUMBLE WORKPLACE?

A SUDDEN URGE TO SEE TITANIC.

DO YOU HAVE A COPY?

I HAVE SIX COPIES,

AND SURPRISINGLY, THEY'RE ALL HERE.

SO, UH,

WHY AREN'T YOU STREAMING OFF THE INTERNET

LIKE EVERYONE ELSE?

OLD HABITS DIE HARD. FOR ME, ANYWAYS.

SO I HEAR YOU'RE MOVING TO L.A.

YES, FINALLY GONNA TAKE THE PLUNGE.

THAT'S GREAT NEWS, CLARK.

AND I KNOW IT'S SOMETHING YOU'VE ALWAYS WANTED TO DO,

SO CONGRATS.

AND I HEARD YOU HAD QUITE THE DATE

WITH ROBERTO MOLINEZ.

WELL, HOW HANDY IS IT BEING BEST FRIENDS

WITH THE TOWN'S LIMO DRIVER?

IT HAS ITS PERKS, BUT ROBERTO ALSO WEIGHED IN.

TOLD ME HE FOUND YOU DESIRABLE.

LOOK, CLARK, I KNOW WHAT ROBERTO'S ALL ABOUT.

BUT IT WAS A MEMORABLE NIGHT.

WELL, SO WAS THE NIGHT THE TITANIC WENT DOWN.

OKAY, HOW MUCH DO I OWE YOU?

TODAY ONLY, ALL DVDs FREE

IF YOU EVER DATED A MOVIE STAR.

I'M KIDDING.

IT'S ON ME. ENJOY.

THANK YOU.

PACKING ALREADY?

STARTING TO.

YOU KNOW, TOMORROW IS OUR LAST DAY ON SET,

SO I THOUGHT I'D, YOU KNOW?

AND THEN YOU'RE GONE?

I TELL YOU, IT IS GONNA BE SO GOOD TO GET HOME.

OF COURSE I HAVE TO DECIDE WHAT I'M GONNA DO NEXT.

MY AGENT, HE'S BEEN JUGGLING SOME OFFERS.

I HAVEN'T WANTED TO HEAR ANYTHING, SO...

WELL, UH, MAYBE WHILE YOU'RE FIGURING THINGS OUT, HELENA,

WHAT ABOUT US?

WHAT DO YOU MEAN?

I SAID I'D SEE YOU IN L.A.

CLARK...

YOU'RE A WONDERFUL MAN.

YOU'RE FUNNY.

AND YOU'RE SMART, AND YOU'RE KIND.

BUT?

YEAH, WHAT HAPPENS IN STONE'S THROW

STAYS IN STONE'S THROW.

I THINK YOU MEAN IN STONE'S THROW.

YOU KNOW, WE'RE JUST FROM DIFFERENT WORLDS.

IT'S, UH, IT'S NOTHING.

SURE, I KNOW.

YOU'RE HELENA HARRIS,

AND... I'M JUST SOME NOBODY FROM NOWHERE.

I GET IT. - THAT'S NOT IT AT ALL.

THAT'S NOT IT AT ALL. - NO? THEN WHAT IS IT?

I JUST CAN'T.

LOOK, I JUST CAN'T. PLEASE, JUST PLEASE UNDERSTAND.

WH--

THEN JUST SAY IT.

YOU'RE STILL IN LOVE WITH ROBERTO.

MY LIFE, IT'S, UH...

MY LIFE, CLARK, IT'S VERY COMPLICATED.

EXCEPT THIS PART. IT'S SIMPLE.

YOU SAID IT YOURSELF,

WHAT IF, AFTER ALL THAT CAT AND MOUSE STUFF,

THEY END UP BACK TOGETHER?

THAT IT WAS THE CHASE THAT INSPIRED THEM?

I'M SORRY, CLARK.

THE HOTEL CALLED, AND THEY SAID THAT MY ROOM IS READY.

SO-- - SURE. OF COURSE.

OH, MAN.

WHEN YOU'RE DONE PACKING, I'LL DRIVE YOU.

THANKS, MONTY.

CLARK, THANKS FOR EVERYTHING.

YOU WERE AN AMAZING HOST,

AND I ENJOYED EVERY MINUTE.

LISTEN, HELENA, I--

BYE.

ACTION.

OH, YEAH. WE LOVE IT UP HERE.

I'D SAY DIVORCE

IS NOW THE FURTHEST THING FROM OUR MINDS.

BELIEVE ME, NO ONE'S MORE SURPRISED THAN US.

AND THAT'S A CUT. PRINT THAT ONE.

LOVELY STUFF, ROBERTO. THANK YOU VERY MUCH.

ALL RIGHT, FOLKS. WE ARE MOVING ON TO SCENE 100.

SCENE 100. LET'S GET IT GOING.

I RECEIVED YOUR MESSAGE.

WE CANNOT KEEP MEETING IN SECRET.

OUR LOVE MUST BE SET FREE.

NO, I MUST SPEAK.

IT MATTERS NOT WHAT OTHERS THINK.

I WOULD FORFEIT MY WORLD TO BE WITH YOU.

SO YOU GONNA DROP BY THE SET,

SAY GOOD-BYE TO EVERYONE TODAY?

UH, NO, I DON'T THINK SO.

I GOT A LOT TO DO AT THE STORE.

LIKE WHAT?

YOU KNOW, STUFF.

WELL, YOU KNOW YOU'RE GONNA SEE HELENA

WHEN YOU MOVE TO LOS ANGELES.

I'M SURE YOU'RE GONNA BE GREAT FRIENDS.

IF I MOVE TO L.A.

"IF"?

I THOUGHT YOU SAID YOU ALREADY DECIDED.

IT'S A BIG MOVE. THERE'S A LOT TO THINK ABOUT.

OKAY.

BUT JUST PROMISE ME YOU'RE NOT HAVING

SECOND THOUGHTS BECAUSE OF ME OR YOUR SISTER.

I PROMISE.

ALL RIGHT.

AM I INTERRUPTING ANYTHING?

OH, NO. JUST TRYING TO FIGURE OUT

WHAT TO DO WITH THE REST OF MY LIFE.

PEOPLE STILL JOIN THE PEACE CORPS?

WHAT ABOUT L.A.?

UH, SUDDENLY, L.A.'S NOT LOOKING SO SUNNY.

I HEARD ABOUT YOU AND HELENA, CLARK. I'M SORRY.

I DIDN'T KNOW YOU WERE ROOTING FOR US.

SHUT UP.

WE HAVE KNOWN EACH OTHER WAY TOO LONG FOR THAT.

I WANT YOU TO BE HAPPY.

LOOK, WE HAVEN'T TALKED ENOUGH SINCE YOU GOT BACK.

I APOLOGIZE FOR THAT.

YOU HAVE YOUR LIFE. I HAVE MINE.

BUT HOW IS YOUR LIFE, REALLY?

IT'S GOOD.

STRANGE, NOT TO BE MARRIED AFTER ALL THAT TIME.

BUT IT WAS FOR THE BEST.

I'M SORRY IT DIDN'T WORK OUT.

BACK THEN, YOU WERE TALKING ABOUT MOVING TO L.A.,

AND... MAYBE I SHOULD HAVE GONE WITH YOU.

I WANTED YOU TO GO WITH ME,

BUT YOU JUST DIDN'T BELIEVE IN MY DREAM ENOUGH.

I JUST THOUGHT YOU BELIEVED IN IT TOO MUCH.

YEAH, AND LOOK WHERE THAT GOT ME.

CLARK, LISTEN.

BIG DREAMS ARE BETTER THAN NO DREAMS.

ANYWAY, THANK YOU FOR THE MOVIE.

AND, IN CASE YOU'RE WONDERING,

THE BOAT STILL SINKS, AND PEOPLE STILL DIE.

CAN'T REWRITE HISTORY?

I GUESS NOT, HUH?

GOOD TO SEE YOU.

YOU TOO.

YOU SHOULD GO TO THAT WRAP PARTY.

- NAH, IT'S TOO WEIRD. - CLARK, COME ON, MAN.

YOU WERE PART OF THIS AMAZING EXPERIENCE, OKAY?

DON'T GO GET ALL MOPEY NOW JUST BECAUSE--

OKAY, LOOK, I GET IT. - I DON'T KNOW.

I MEAN, EVERYBODY'S GONNA BE PARTYING AND DANCING AND ALL.

SO YOU NEED A WING-PERSON.

WHAT ABOUT EMILY?

EMILY? WHAT ABOUT YOU?

NO, YOU WOULD HATE DANCING WITH ME.

I HAVE TWO LEFT FEET.

BESIDES, I-I HAVE A DATE.

- WITH WHO? - JUSTINE.

JUSTINE? SHE FINALLY SAID YES?

YEAH, SOMETHING ABOUT NEEDING

TO CLIMB OUT OF A RUT.

SO I TOLD HER, "I AM HERE FOR YOU."

THAT'S GREAT.

BUT JUST REMEMBER, SHE'S MY SISTER,

AND I KNOW WHERE YOU LIVE.

DON'T WORRY.

I WILL TREAT HER EXACTLY LIKE SHE'S MY OWN SISTER.

NOT EXACTLY.

HEY, YOU, GO TO THE PARTY. ASK EMILY.

OKAY?

I WANT TO THANK YOU

FOR FORGIVING ME

AND FOR COMING BACK.

I LOVE YOU, HELENA.

WELL, IF IT ISN'T MR. GABLE.

SO GLAD YOU WERE ABLE TO JOIN US.

YEAH, I THOUGHT I'D COME BY FOR A DRINK.

I'LL TAKE A BEER, PLEASE.

THAT IS A CAPITAL IDEA.

SO, LISTEN, WHEN AM I GONNA READ

THAT MARVELOUS SCRIPT YOU'VE BEEN WRITING?

UH, AFTER I MAKE IT MARVELOUS.

I'M SERIOUS.

I WANT YOU TO SEND IT OVER TO ME

JUST WHEN YOU'RE READY.

I'M ALWAYS LOOKING TO FALL IN LOVE WITH A NEW SCRIPT.

LADIES AND GENTLEMEN,

DEAR FRIENDS, FELLOW COWORKERS,

MAY I HAVE YOUR ATTENTION, PLEASE?

HELENA AND I WOULD LIKE TO SHARE SOME EXCITING NEWS

BEFORE YOU READ ABOUT IT ONLINE.

OH, LORD, YOU'RE GONNA BE FIGHTING EACH OTHER

ON PAY-PER-VIEW. - CLOSE.

AFTER THIS, MAYBE.

HELENA AND I ARE GETTING MARRIED.

- WOW. - FINALLY.

- YOU GOT IT, JACK. - ALL RIGHT.

HEY. ALL RIGHT.

THANK YOU.

AH... OH!

LADY HUG, LADY HUG.

- THANKS. - THANK YOU.

CONGRATULATIONS, YOU TWO.

THAT IS INCREDIBLY SWEET OF YOU, CLARK. UM--

I KNOW YOU DON'T MEAN IT, BUT THANKS ANYWAY.

HAVE A GOOD NIGHT. OKAY?

YOU TOO.

SMILE AND SAY, "HONEYMOON."

HONEYMOON.

OH, YOU'D BE AMAZED AT THE AMOUNT OF RUBBISH

I HAVE TO WADE THROUGH.

NOT THAT YOURS ISN'T REALLY NICE, I'M SURE.

SO YOU SEND ME THAT SCRIPT, ALL RIGHT?

DARLING DOYLE,

MAY I HAVE A WORD WITH CLARK, PLEASE?

OH, YES, OF COURSE YOU MAY.

JUST BE GENTLE, HMM?

- HI. - HEY.

I JUST WANTED TO APOLOGIZE TO YOU FOR ROBERTO.

NO, NO.

REALLY, UNDERNEATH ALL THAT TYPE-"A" BRAVADO,

HE'S JUST-- JUST AN INSECURE GUY.

AND YOU...

YOU'RE SO SWEET.

AND THIS IS GONNA SOUND LIKE A LINE, BUT...

YOU DESERVE SOMEONE BETTER.

EMILY, IT'S SO NICE TO SEE YOU.

HEY. NICE TO SEE YOU.

I GOT YOUR MESSAGE.

HOPE IT'S NOT TOO LATE.

UM, ACTUALLY, EMILY, I WAS JUST LEAVING.

OH. OKAY.

GOOD-BYE, HELENA.

SAFE TRAVELS.

TAKE CARE, CLARK.

MARRIED?

WOW.

YOU OKAY?

YEAH. I'M FINE.

THAT'S SHOW BIZ, RIGHT?

YOU WANT TO GO FOR A WALK?

I'D LOVE TO.

SO IF DOYLE LIKES YOUR SCRIPT,

YOU THINK HE'D WANT TO DIRECT IT?

WELL, HE CAN DIRECT ANY SCRIPT HE WANTS.

I DON'T KNOW WHY HE'D WANT TO PICK MINE.

SINCE WHEN ARE YOU SUCH A PESSIMIST?

BESIDES, I THOUGHT YOU LIKED HIM.

I DID. UH, I DO.

I'M A LITTLE CONFUSED

ABOUT HOW I FEEL ABOUT EVERYONE RIGHT NOW.

DOES THAT INCLUDE ME?

OH, EMILY, I NEVER STOPPED THINKING ABOUT YOU.

AND YOU KNOW THAT, DON'T YOU?

WELL, I DO NOW, BUT, LIKE YOU SAID,

WE CAN'T REWRITE HISTORY.

DID I SAY THAT?

I SHOULD GO.

GO WHERE?

EMILY, UM...

SO YOU AND PHIL REALLY HAD A GOOD TIME?

YEAH, NO ONE'S MORE SURPRISED ABOUT THAT THAN I AM,

BUT HE WAS ACTUALLY SWEET AND FUNNY AND RESPECTFUL.

I MEAN, IT WAS LIKE HE WAS A COMPLETELY DIFFERENT PERSON.

LIKE A STRANGER, ONLY IN A GOOD WAY.

YOU THINK THERE'S A FUTURE?

ONE BIG STEP AT A TIME.

HOW WAS THE WRAP PARTY?

I DON'T KNOW. WE LEFT AS SOON AS I GOT THERE.

THINGS WERE WEIRD BETWEEN ME AND CLARK.

YOU KNOW, I DON'T CARE WHAT ANYONE SAYS.

THERE REALLY ARE NO SECOND CHANCES.

IT KIND OF SEEMS LIKE THERE IS WITH ROBERTO AND HELENA.

WELL, WE'LL SEE HOW LONG THAT LASTS.

LET'S GO.

I'LL BE RIGHT BACK, OKAY?

WHAT-- UH, WHERE ARE YOU GOING?

LET ME GET THE DOOR FOR YOU.

I DON'T SEE WHY YOU NEED TO STOP HERE.

I FORGOT SOMETHING. IT'LL ONLY TAKE A MINUTE, OKAY?

ONE MORE STOP. COOL YOUR JETS.

IT'LL BE ONE SECOND.

HELENA!

COME ON, ALREADY, LET'S GO!

"DEAREST CLARK, THANK YOU AGAIN

"FOR YOUR LOVE AND FRIENDSHIP DURING MY STAY IN STONE'S THROW.

"YOU MADE MY TIME HERE THOROUGHLY ENJOYABLE

"AND HELPED REMIND ME WHAT I LOVE MOST ABOUT ACTING:

"SEEING THE WORLD THROUGH A WHOLE NEW SET OF EYES.

"PLEASE GET IN TOUCH ONCE YOU'RE SETTLED IN L.A.

"ANY WAY I CAN HELP YOU WOULD BE AN HONOR.

"I JUST ASK YOU ONE THING:

"WHEN YOU BECOME A FAMOUS SCREENWRITER,

"DON'T FORGET ABOUT ME.

"P.S., I'VE CONVINCED THE STUDIO

"TO HOLD A SCREENING OF THIS MAGIC MOMENT

"AT YOUR THEATER.

"I KNOW, PRETTY EXCITING.

"AND GUESS WHAT'S EVEN MORE EXCITING?

RENOVATIONS ARE ON ME. SEE YOU THERE."

I'VE BEEN THINKING.

AS SOON AS WE GET BACK TO L.A.,

WE'LL SET A WEDDING DATE,

AND WE'LL PUT YOUR HOUSE ON THE MARKET.

WHY CAN'T WE LIVE IN MY HOUSE AFTER WE GET MARRIED?

- IT'S TOO SMALL. - SMALL?

ANY BIGGER, IT WOULD HAVE ITS OWN ZIP CODE.

BESIDES, YOU LOVE MY OCEAN VIEW...

THE HORSES, THE TENNIS COURTS...

AND ME.

IT'S GONNA BE GREAT, HELENA.

IT'S GONNA BE GREAT.

- PHIL, STOP. I'M ON MY WAY. - 10-4, BUDDY.

ALL RIGHT, WAIT. WHERE ARE YOU?

JUST CROSSING THE BRIDGE. YOU HURRY.

ALL RIGHT, GOT IT.

SORRY, FOLKS, WE HAVE TO PULL OVER.

CAR TROUBLE.

THANK YOU.

IT IS WHAT IT IS.

THEY'RE NICE PEOPLE, OKAY, ROBERTO?

LOOK, THEY'RE DOING THE BEST THEY CAN.

IT'S A SMALL TOWN.

HELENA!

WHAT ARE YOU DOING HERE?

- OH, GOODY, ANOTHER SCENE. - I KNOW.

I NEED TO TALK TO HELENA.

CLARK... YOU GOT MY NOTE.

I DID. IT WAS BEAUTIFUL. THANK YOU.

I MEANT EVERY WORD, YOU KNOW.

I WANTED TO SAY GOOD-BYE. I JUST COULDN'T.

- HELENA! - DON'T WORRY ABOUT HIM.

WHAT WERE YOU SAYING, CLARK?

OH, WAIT. I ALMOST FORGOT.

MY "H"!

I CAN'T BELIEVE I LEFT WITHOUT IT.

I ALSO COULDN'T LET YOU LEAVE WITHOUT SAYING THIS.

WHAT, CLARK?

YOU CAN'T MARRY ROBERTO.

YOU TOLD ME I DESERVE BETTER.

WELL, I WAS THINKING ABOUT THAT, AND SO DO YOU.

WHAT ARE YOU TELLING ME, CLARK?

TO LEAVE ROBERTO. START OVER.

FIND TRUE LOVE, JUST LIKE IN THE MOVIES.

WITH YOU?

NO. YOU WERE RIGHT.

I MEAN, WE'RE JUST TOO DIFFERENT,

FROM WAY TOO DIFFERENT WORLDS.

EVEN IF I WAS LIVING IN L.A. WRITING MOVIES,

WE'D STILL BE DAY AND NIGHT.

BUT YOU'VE HELPED ME SO MUCH. I HAD TO RETURN THE FAVOR.

YOU CAN LISTEN TO ME OR NOT.

BUT YOU DESERVE A SECOND CHANCE AT HAPPINESS.

NOT WITH ROBERTO.

HELENA, I WANT YOU BACK IN THE CAR RIGHT NOW!

- OR WHAT? - OR...

THE WEDDING IS OFF!

WELL, I HAVE A NEWSFLASH FOR YOU, ROBERTO.

THE WEDDING IS OFF. - WHAT ARE YOU SAYING?

I'M NOT IN LOVE WITH YOU.

I'LL BE WAITING IN THE CAR.

REALLY, THANK YOU SO MUCH.

RIGHT BACK AT YOU, HELENA HARRIS.

YOU REALLY DID CHANGE MY LIFE, CLARK GABLE.

BY THE WAY, YOUR OFFER TO FIX UP THE CAMEO,

THAT'S AMAZING.

NOBODY IN TOWN WILL EVER FORGET IT,

ESPECIALLY ME.

YOU REALLY CAN HAVE IT ALL, CLARK.

THE RELATIONSHIP YOU WANT, THE CAREER YOU WANT...

THE LIFE YOU WANT--

IT'S ALL JUST THERE FOR THE TAKING.

AND DON'T WORRY ABOUT GOING TO L.A.

YOU CAN WRITE ANYWHERE. JUST--

JUST BE HAPPY.

THANK YOU.

IT'S ALL FIXED.

WE SHOULD GET GOING.

OKAY.

ALL RIGHT, TIME TO GO.

OH, AND SAY GOOD-BYE TO EMILY FOR ME, WOULD YOU?

SHE'S A KEEPER.

LAST CHANCE, HELENA.

PURSE.

MAY I?

BY ALL MEANS, MY DARLING.

THANK YOU, THANK YOU, THANK YOU.

SO IS EVERYONE GONE?

WITH THE WIND.

I'M GLAD YOU CAME. - ME TOO.

WHY HERE?

THIS IS WHERE WE WENT ON OUR FIRST DATE.

OH.

I REMEMBER, THAT NIGHT, THINKING WE

WERE GONNA SPEND THE REST OF OUR LIVES TOGETHER.

AND I THOUGHT YOU LOOKED MORE BEAUTIFUL

THAN ANY GIRL I'D EVER SEEN.

SO ARE YOU, UM... CLOSING THE STORE

AND MOVING TO L.A.?

ACTUALLY, JUST THE OPPOSITE.

WHAT ABOUT YOUR WRITING? YOUR-- YOUR DREAM?

I CAN WRITE RIGHT HERE.

AND, UH... I KIND OF HAVE A NEW DREAM.

- THAT WAS THE BEST. - OH, MY GOSH.

I'M SO PROUD OF CLARK. - OH, I AM TOO.

AND THIS IS ALL SO EXCITING, I JUST--

DO YOU THINK I'LL GET A RAISE THEN?

WELL, I WOULD DEFINITELY ASK HIM.

HELENA, ARE YOU HAPPY WITH THE MOVIE?

I COULDN'T BE HAPPIER.

OUR DIRECTOR DID A FABULOUS JOB.

AND, CLARK, I UNDERSTAND YOU HAD A ROLE IN THE FILM TOO.

SO ANY OTHER PLANS TO ACT?

UH, NO. NO.

BUT I DID JUST SELL MY FIRST SCREENPLAY,

WHICH STARTS SHOOTING THIS SUMMER,

RIGHT AFTER THIS BEAUTIFUL LADY AND I GET MARRIED.

ANY DETAILS ON THE PROJECT?

IT'S A ROMANTIC THRILLER CALLED A MILLION REASONS.

FINANCING IS SET, DOYLE DUNCAN IS DIRECTING,

AND OUR LEAD JUST SIGNED HER CONTRACT.

CAN YOU TELL US WHO THAT IS?

HE CAN'T, BUT I CAN.

IT IS ME.

SO, CLARK, HOW DOES THIS ALL FEEL?

LIKE ANYTHING IS POSSIBLE.

- THANK YOU, GUYS. - THANKS.

OH, MISS HARRIS, MISS HARRIS, ONE MORE QUESTION...

HOW YOU DOING?

THANK YOU. THANK YOU. APPRECIATE IT.