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http://Scene-RLS.net
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Here at The Repair Shop, we take
amazing objects from the past...
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00:00:06,680 --> 00:00:07,960
Oh, wow. Look at that!
4
00:00:07,960 --> 00:00:09,520
..and bring them back to life.
5
00:00:09,520 --> 00:00:13,200
There's so much history that
could've been lost there.
6
00:00:13,200 --> 00:00:15,560
You've got to have a love to do
this type of work.
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It's absolutely a passion.
Beautiful.
8
00:00:17,960 --> 00:00:20,640
But these things aren't just
precious to the people
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00:00:20,640 --> 00:00:22,680
we fix them for. Wow!
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I don't want to cry, but,
oh, my God.
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Heck of a history, isn't it?
12
00:00:28,560 --> 00:00:31,480
They also tell a bigger
story about Britain...
13
00:00:31,480 --> 00:00:34,800
These went out of service in 1938.
14
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Aha! It's from my family business,
which started in 1862.
15
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Bagpipes. Over 100 years old.
16
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..our history back then...
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They're just about the most
modern design bikes
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00:00:45,760 --> 00:00:48,840
that I've seen for ages.
And it looks extremely sporty.
19
00:00:48,840 --> 00:00:50,480
..and who we are now.
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00:00:50,480 --> 00:00:52,160
Yes!
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I'm Jay Blades.
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I've no idea where to start on this.
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..some of our favourite items
in the barn...
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THEY CHEER
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00:01:03,720 --> 00:01:06,600
Over 100 years old.
And still it stands.
26
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..unlocking how the past...
27
00:01:08,240 --> 00:01:10,360
Look, look, look! Where?
Did you see that? Look!
28
00:01:10,360 --> 00:01:12,480
You've literally just unlocked
the secret.
29
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Now that's a story.
30
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..shapes the way we live now.
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I can feel the memories
she feels from it.
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00:01:17,440 --> 00:01:20,760
The story that is behind, this is
what's kept it alive.
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# If you gave me a chance,
I would take it... #
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00:01:30,480 --> 00:01:33,640
At The Repair Shop, we love to
listen to music while we work.
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And music has always been
a big part of my life.
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Thank you, sir.
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These days, you can stream any tune
you want almost instantly.
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But it wasn't always that way.
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00:01:45,840 --> 00:01:48,200
Today, we're going to rewind...
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# I'll tell you what I want,
what I really, really... #
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00:01:51,400 --> 00:01:54,160
# Heaven, I'm in... #
42
00:01:54,160 --> 00:01:57,720
..and take a look back at how modern
music has been shaped by
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00:01:57,720 --> 00:01:59,160
technologies of the past...
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# My heart beats so that I can
hardly speak... #
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00:02:01,800 --> 00:02:04,080
NEWSREEL: These girls believe in
hiking to music,
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so they rigged up this
gramophone hammock.
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THEY LAUGH
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# We're out together dancing
cheek to cheek. #
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00:02:17,400 --> 00:02:18,800
APPLAUSE
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00:02:23,960 --> 00:02:27,240
Old-fashioned turntables and retro
musical devices
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00:02:32,080 --> 00:02:33,880
And luckily, at The Repair Shop,
52
00:02:33,880 --> 00:02:35,640
we've got Steve Kember to fix them.
53
00:02:43,520 --> 00:02:46,920
like this one owned by Sue
and son Richard.
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00:02:49,400 --> 00:02:52,120
Hiya. I'm Will. Hi, Will, I'm Sue.
Nice to meet you, Sue. I'm Steve.
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00:02:52,120 --> 00:02:53,960
Hi, Steve. Richard. Richard,
hi, I'm Will.
56
00:02:53,960 --> 00:02:56,640
Hi, Richard. Richard. Nice to meet
you. So what have we got here?
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00:02:56,640 --> 00:03:00,560
This is my grandfather's
musical box.
58
00:03:00,560 --> 00:03:03,960
It's a very loved item in our
family. OK.
59
00:03:04,960 --> 00:03:10,840
It has about 20 of these discs that
you place inside it. Yeah.
60
00:03:10,840 --> 00:03:15,400
And sadly, probably due to wear
and tear, maybe, possibly...
61
00:03:15,400 --> 00:03:18,120
That was a pointed look, wasn't it?
Yeah! "Wear and tear"!
62
00:03:18,120 --> 00:03:21,040
Yeah. I might be partly responsible.
..over the years of grandchildren
63
00:03:21,040 --> 00:03:24,520
playing with it, it's not in
the best state now
64
00:03:24,520 --> 00:03:25,920
and it doesn't play properly.
65
00:03:25,920 --> 00:03:28,080
So how long has it been
in your family?
66
00:03:28,080 --> 00:03:33,120
My grandfather purchased it, I would
think, in the early 1900s. Yes.
67
00:03:33,120 --> 00:03:35,760
When my grandparents died,
it came to my dad.
68
00:03:35,760 --> 00:03:40,240
Yeah. And my mum, she regularly used
to dance around to it
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00:03:40,240 --> 00:03:43,200
and make us all very embarrassed,
but she loved...
70
00:03:43,200 --> 00:03:45,560
They do that, mums, don't they?
No, she was wonderful.
71
00:03:45,560 --> 00:03:49,200
She loved to dance. If we would play
this, she would start doing
72
00:03:49,200 --> 00:03:52,400
her Sugar Plum Fairy dance
around the room.
73
00:03:52,400 --> 00:03:54,600
I know that when I was little,
it used to have a...
74
00:03:54,600 --> 00:03:57,320
It wasn't an elephant, but it was
like a curly motif
75
00:03:57,320 --> 00:03:59,360
of something white. Motif on
the top. Yeah, yeah.
76
00:03:59,360 --> 00:04:01,240
Got a nice split there for Will
to do that...
77
00:04:01,240 --> 00:04:03,040
Oh, sorry! ..and keep him up
late tonight.
78
00:04:03,040 --> 00:04:06,280
It is very beautiful. And even
when it plays badly,
79
00:04:06,280 --> 00:04:09,120
it's quite a magical sound. Yeah.
80
00:04:13,280 --> 00:04:16,480
You awkwardly have to try and place
the disc in. Yeah.
81
00:04:16,480 --> 00:04:17,920
And then this has to click.
82
00:04:17,920 --> 00:04:19,120
HANDLE CLICKS
83
00:04:19,120 --> 00:04:20,600
Bit of a crank.
84
00:04:26,320 --> 00:04:30,400
It's always been stop-start.
You know, very jittery.
85
00:04:30,400 --> 00:04:34,920
When I hear this play, I have
memories of...
86
00:04:39,960 --> 00:04:44,840
and pointing her toes and telling us
how she used to do ballet and...
87
00:04:46,360 --> 00:04:47,400
SHE INHALES SHARPLY
88
00:04:48,720 --> 00:04:49,840
And it...
89
00:04:48,720 --> 00:04:49,840
SHE CRIES
90
00:04:49,840 --> 00:04:51,760
Sorry. Sorry. It's OK.
91
00:04:53,960 --> 00:04:57,880
I really, really would like to be
able to play it
92
00:04:57,880 --> 00:05:01,440
to my grandchildren and just to
talk about Nana Katie
93
00:05:01,440 --> 00:05:04,520
because she died in 2013.
94
00:05:05,800 --> 00:05:09,720
And, yeah... So, I'm hoping
you can perhaps...
95
00:05:10,840 --> 00:05:14,400
..make it work and... So am I!
..fulfil that dream.
96
00:05:14,400 --> 00:05:16,520
That would be wonderful.
97
00:05:16,520 --> 00:05:20,080
Well, you've left it in the best
hands. We have. Thank you so much.
98
00:05:20,080 --> 00:05:22,040
No pressure, then.
Thank you so much.
99
00:05:22,040 --> 00:05:25,200
Thanks. I'll do my best. Good luck.
I believe you will, definitely.
100
00:05:25,200 --> 00:05:27,560
Thanks, then. Thanks. Bye-bye.
Bye-bye. Bye.
101
00:05:30,600 --> 00:05:33,640
It feels strange leaving it, really,
because I always think of Mum
102
00:05:33,640 --> 00:05:36,880
in the same context as the musical
box, so it's a bit like
103
00:05:36,880 --> 00:05:38,320
leaving your nana here.
104
00:05:42,480 --> 00:05:44,920
Music boxes started being
mass-produced in
105
00:05:44,920 --> 00:05:47,280
the mid-19th century.
106
00:05:47,280 --> 00:05:50,880
Just imagine - before that, the only
way you could listen to music
107
00:05:50,880 --> 00:05:53,840
was for someone to play it
to you live.
108
00:05:53,840 --> 00:05:56,840
They came in a variety of shapes
and sizes.
109
00:05:56,840 --> 00:05:59,040
The most common types
used cylinders,
110
00:05:59,040 --> 00:06:01,640
with precisely placed pins that
plucked a tune
111
00:06:01,640 --> 00:06:02,840
on a metal comb.
112
00:06:12,600 --> 00:06:15,600
This catalogue from 1901 shows
Sue's model,
113
00:06:15,600 --> 00:06:19,400
the Gordon, on sale for £4
and five shillings -
114
00:06:19,400 --> 00:06:21,400
over £500 in today's money.
115
00:06:25,320 --> 00:06:29,160
Not surprisingly, any mechanical
device that old needs maintenance
116
00:06:29,160 --> 00:06:31,480
to keep it playing for another
100 years.
117
00:06:34,240 --> 00:06:37,800
I'm going to take the mechanism from
the case, strip it down,
118
00:06:37,800 --> 00:06:41,320
clean all the parts, locate
the defects, correct them
119
00:06:41,320 --> 00:06:43,400
and put it back together again,
120
00:06:43,400 --> 00:06:46,040
and then it will sing beautifully.
121
00:06:46,040 --> 00:06:49,840
It's easier to say that
than actually do it
122
00:06:49,840 --> 00:06:54,480
cos there's...a few little
problems to cure on the way.
123
00:07:02,560 --> 00:07:04,240
..it's a little piece of history.
124
00:07:04,240 --> 00:07:05,720
I'm doing it for the first time.
125
00:07:05,720 --> 00:07:07,560
It's sort of an untouched machine.
126
00:07:07,560 --> 00:07:10,120
You don't know what you're going to
find. We can get the motor
127
00:07:10,120 --> 00:07:13,200
and governor in an ultrasonic tank
of clock cleaning fluid.
128
00:07:20,800 --> 00:07:24,160
that has accumulated, which is
degrading the performance.
129
00:07:24,160 --> 00:07:26,520
And it's going to come out
beautifully clean.
130
00:07:27,680 --> 00:07:31,840
Music boxes like Sue's were made to
look as good as they sounded,
131
00:07:31,840 --> 00:07:36,200
so it's over to furniture restorer
Will to bring the case back to life.
132
00:07:36,200 --> 00:07:37,800
I call him the King of Veneers,
133
00:07:37,800 --> 00:07:39,880
and not just because of
his shiny teeth.
134
00:07:41,040 --> 00:07:44,840
The first job is to replace
the decorative inlay on the lid.
135
00:07:44,840 --> 00:07:47,440
So I'm just cutting by eye
and see if it fits.
136
00:07:49,600 --> 00:07:52,040
And it's actually a perfect fit
the first time round.
137
00:07:52,040 --> 00:07:54,440
Already, that's made
a massive difference.
138
00:07:54,440 --> 00:07:57,400
If I can glue those in, I just want
to make sure that this new piece
139
00:08:00,120 --> 00:08:02,640
There might be a few pieces of wood
that are blocking it
140
00:08:02,640 --> 00:08:05,280
from being completely flat.
I'm going to pick those out now,
141
00:08:05,280 --> 00:08:07,600
and once I'm satisfied that
everything fits perfectly,
142
00:08:07,600 --> 00:08:09,920
I can glue it all in.
143
00:08:09,920 --> 00:08:12,400
And I can move on to the filling
and the polishing.
144
00:08:13,440 --> 00:08:16,160
Mechanical parts often need
clock cleaning fluid
145
00:08:16,160 --> 00:08:17,520
to get them running again.
146
00:08:17,520 --> 00:08:18,720
Phew!
147
00:08:18,720 --> 00:08:22,800
It's nasty stuff, so Steve's
relocated to the outdoor workshop.
148
00:08:22,800 --> 00:08:25,720
All the congealed oil and the old
paint has gone
149
00:08:25,720 --> 00:08:27,520
and we've got these
star wheels here.
150
00:08:27,520 --> 00:08:31,240
You can still see the odd piece
of oily fluff in there.
151
00:08:39,240 --> 00:08:41,640
Some objects just need a good clean.
152
00:08:41,640 --> 00:08:43,800
Others require major surgery.
153
00:08:46,440 --> 00:08:48,720
To hear music the way it was
originally intended,
154
00:08:48,720 --> 00:08:50,720
it's vital to play it at
the right speed.
155
00:08:51,880 --> 00:08:54,920
So without the governor mechanism,
we'll be in a right spin.
156
00:08:55,920 --> 00:08:59,720
I'm suspicious of the governor
springs here.
157
00:08:59,720 --> 00:09:01,640
I think they're too strong.
158
00:09:01,640 --> 00:09:06,320
When the motor rotates, the governor
vanes fly out like this.
159
00:09:06,320 --> 00:09:10,800
If the springs are too tight,
the governor vanes won't expand.
160
00:09:10,800 --> 00:09:13,040
There'll be no air resistance
and the thing will just
161
00:09:13,040 --> 00:09:14,840
sort of go like the clappers.
162
00:09:17,240 --> 00:09:20,600
So, I'm going to time one revolution
of the disc
163
00:09:20,600 --> 00:09:23,760
and see how long it takes.
So, off we go.
164
00:09:25,920 --> 00:09:28,640
One revolution of the disc
is in the order of
165
00:09:28,640 --> 00:09:31,320
40-something seconds. If it's less
than that, obviously,
166
00:09:31,320 --> 00:09:32,920
the music sounds ever so fast.
167
00:09:32,920 --> 00:09:36,440
If it's slow, it sounds lethargic
and not too great.
168
00:09:36,440 --> 00:09:39,200
So, we need to be very precise
with the song.
169
00:09:41,160 --> 00:09:45,040
And so, there we are.
We got 32 seconds.
170
00:09:45,040 --> 00:09:48,280
It is too fast. We have the solution
to the problem -
171
00:09:48,280 --> 00:09:50,560
put a different set of springs
so that we approach
172
00:09:50,560 --> 00:09:53,120
our 40-second rotation time.
173
00:10:04,080 --> 00:10:07,880
It seems that everything has dried
properly, which is great.
174
00:10:07,880 --> 00:10:10,040
It already looks like
a different box.
175
00:10:10,040 --> 00:10:13,720
This new piece in the middle has
some areas round the outside of it
176
00:10:13,720 --> 00:10:17,400
that need to be filled along with
split on the top of the box.
177
00:10:17,400 --> 00:10:20,120
I'm going to fill those now
and once they've dried,
178
00:10:20,120 --> 00:10:21,720
I can then start cleaning the box.
179
00:10:34,800 --> 00:10:37,800
So, now I've got the timing
hopefully right,
180
00:10:42,240 --> 00:10:45,960
I'm going to concentrate on a little
bit of maintenance on the discs.
181
00:10:49,360 --> 00:10:52,840
The music disc, a distant relative
of the records we're familiar with,
182
00:10:52,840 --> 00:10:54,920
was invented in 1886.
183
00:10:56,440 --> 00:10:58,960
Cylinders were more expensive
to produce,
184
00:10:58,960 --> 00:11:01,880
and if you wanted to change
the tune, harder to swap.
185
00:11:03,520 --> 00:11:07,120
With a playing time of 40 seconds
or so, many musical styles
186
00:11:07,120 --> 00:11:09,880
were available, from hymns
and classical
187
00:11:09,880 --> 00:11:11,840
to popular musical numbers.
188
00:11:14,600 --> 00:11:16,280
Like their later vinyl cousins,
189
00:11:16,280 --> 00:11:20,200
manufacturers would rush to release
the most commercial tunes.
190
00:11:20,200 --> 00:11:22,600
Often, they could be sung along to
at home.
191
00:11:24,760 --> 00:11:28,680
Here in the barn, we love it when we
get musical objects playing again.
192
00:11:28,680 --> 00:11:31,080
Nothing is as powerful as music
for bringing back
193
00:11:31,080 --> 00:11:32,760
happy family memories.
194
00:11:34,120 --> 00:11:36,720
But as well as getting the insides
of an object working,
195
00:11:36,720 --> 00:11:41,360
it's just as important to give
the outside a perfect polish.
196
00:11:41,360 --> 00:11:43,640
I can see that lovely colour,
a lovely grain
197
00:11:50,360 --> 00:11:54,440
I really hope that this is going
to look exactly like it did
198
00:11:54,440 --> 00:11:55,840
when Sue first saw it.
199
00:11:58,400 --> 00:11:59,520
NOTE PLAYS GENTLY
200
00:12:00,760 --> 00:12:04,720
Hey, Steve. Oh! Look at that.
Cor, you clever old thing.
201
00:12:04,720 --> 00:12:07,280
Look at that. I can't wait to hear
this working, Steve. I know.
202
00:12:07,280 --> 00:12:09,320
I hope it's as good as your case.
203
00:12:09,320 --> 00:12:10,840
Lovely. Thank you very much.
204
00:12:10,840 --> 00:12:12,840
No worries, pal. Cheers, then.
Bye now.
205
00:12:14,200 --> 00:12:17,280
JAY: Putting something as beautiful
as a Polyphon back together
206
00:12:17,280 --> 00:12:20,240
is what we live for at
The Repair Shop.
207
00:12:20,240 --> 00:12:22,680
But the best bit is giving it
back to its owner.
208
00:12:26,280 --> 00:12:28,560
Hello. Hi. Hello.
How lovely to meet you.
209
00:12:28,560 --> 00:12:31,320
Likewise. And once again. Nice to
see you again. You all right?
210
00:12:31,320 --> 00:12:33,560
Lovely, yes. Good, thank you. Hiya.
Hi, Steve. Hiya.
211
00:12:33,560 --> 00:12:36,200
Nice to see you. Look at that smile.
I know!
212
00:12:43,120 --> 00:12:45,560
Anything's going to be a positive.
Right. Yeah.
213
00:12:45,560 --> 00:12:47,960
THEY EXHALE DEEPLY
214
00:12:47,960 --> 00:12:49,440
You ready? Uh-huh. Yeah. OK.
215
00:12:53,720 --> 00:12:56,720
Oh! That is beautiful.
216
00:12:56,720 --> 00:13:00,560
That is absolutely wonderful.
217
00:13:05,560 --> 00:13:07,440
Thank you so much, Will.
Thank you, Will.
218
00:13:07,440 --> 00:13:10,720
An amazing job. Really, really
appreciate it. It's wonderful.
219
00:13:10,720 --> 00:13:12,640
Beautiful, really.
Pressure's off me, then.
220
00:13:18,920 --> 00:13:22,400
Oh, look. It's all ready to play.
It is.
221
00:13:25,560 --> 00:13:27,600
MUSIC BOX PLAYS CLEARLY
222
00:13:27,600 --> 00:13:29,720
Unbelievable.
223
00:13:29,720 --> 00:13:31,200
That is unbelievable.
224
00:13:32,560 --> 00:13:33,720
Thank you.
225
00:13:37,920 --> 00:13:41,560
Oh, my mum would be here now.
She would, wouldn't she?
226
00:13:49,600 --> 00:13:52,840
Oh, you're wonderful!
227
00:13:52,840 --> 00:13:54,880
Thank you. How clever you are.
228
00:13:54,880 --> 00:13:57,600
Oh, don't... That is absolutely
amazing. Yeah.
229
00:13:57,600 --> 00:14:01,840
It's amazing. I remember hearing it
like that and I can tell you now
230
00:14:01,840 --> 00:14:05,280
that my grandchildren will hear
the story behind it. Yeah.
231
00:14:05,280 --> 00:14:07,920
And that will include this
experience, too. Yeah.
232
00:14:07,920 --> 00:14:10,920
I mean that. Thank you. Yeah.
233
00:14:10,920 --> 00:14:13,640
All right. Well, you can take
this home now. Can we?
234
00:14:13,640 --> 00:14:15,600
Rich, I'll let you do the honours.
Thank you.
235
00:14:15,600 --> 00:14:17,720
OK. I'll try not to drop it.
236
00:14:17,720 --> 00:14:19,760
Bye. Take care. Bye-bye. Bye.
Bye-bye.
237
00:14:21,680 --> 00:14:23,800
Well done, you. Well! God. Yes. Eh?
238
00:14:26,160 --> 00:14:31,080
The first thing I thought about when
I saw that box again was my mum.
239
00:14:31,080 --> 00:14:36,800
And when I heard the music playing,
I could see her right there dancing,
240
00:14:36,800 --> 00:14:41,080
and it really made me feel
such happiness.
241
00:14:53,160 --> 00:14:56,520
But at the turn of the century,
the music box's charms
242
00:14:56,520 --> 00:14:58,320
were replaced by the latest tech.
243
00:14:59,920 --> 00:15:02,360
Richard and Leslie from Cornwall
are arriving at the barn
244
00:15:02,360 --> 00:15:04,840
with the music box's
ingenious rival.
245
00:15:04,840 --> 00:15:06,800
Hello. How are we doing?
Fine, thanks.
246
00:15:06,800 --> 00:15:09,360
I'm Jay. Jay, I'm Richard.
All right, Richard? How we doing?
247
00:15:09,360 --> 00:15:12,840
I'm very well, thank you. And you?
So what have we got in the bag?
248
00:15:17,960 --> 00:15:21,560
Well, it's quite small. I would say
it looks like a camera.
249
00:15:21,560 --> 00:15:23,080
Yeah, it does indeed, doesn't it?
250
00:15:23,080 --> 00:15:25,680
Is it a camera? Shall I open it?
Yes, please. OK.
251
00:15:29,280 --> 00:15:31,360
Whoa. OK.
252
00:15:32,800 --> 00:15:35,520
Don't tell me this is a record
player. It's a record player, innit?
253
00:15:35,520 --> 00:15:38,080
It is. Oh, that is cool. Tim!
You've got to see this.
254
00:15:38,080 --> 00:15:40,360
This is one for you, mate.
Have a look at this.
255
00:15:40,360 --> 00:15:43,840
Gramophone expert Tim has been
hooked on vintage record players
256
00:15:43,840 --> 00:15:47,840
since 1963, when his father bought
him his first one
257
00:15:47,840 --> 00:15:49,160
at a jumble sale.
258
00:15:50,360 --> 00:15:52,760
It's a record player,
but a portable one.
259
00:15:52,760 --> 00:15:53,880
And you wind it up...
260
00:15:55,600 --> 00:15:57,400
TIM CHUCKLES
261
00:15:57,400 --> 00:15:59,400
..like that. Yeah.
262
00:15:59,400 --> 00:16:03,200
But when you put the record on,
and I put this on here...
263
00:16:03,200 --> 00:16:05,800
RECORD STARTS AND STOPS
264
00:16:05,800 --> 00:16:07,920
Cor blimey. ..it grinds to a halt.
Yeah. Yeah.
265
00:16:07,920 --> 00:16:10,760
If I might intervene at this point.
Yeah, please. You're the expert.
266
00:16:10,760 --> 00:16:13,760
This is called a Peter Pan.
267
00:16:13,760 --> 00:16:18,160
This particular model
were made only in 1924.
268
00:16:19,280 --> 00:16:22,320
And almost certainly it will have
a Swiss motor in it...
269
00:16:22,320 --> 00:16:25,760
Right. ..with a single 2cm spring,
270
00:16:25,760 --> 00:16:28,080
which has probably just about
had it. Yeah. Right.
271
00:16:28,080 --> 00:16:31,840
Because it's 95 years old isn't it,
at least? Yeah. Yeah.
272
00:16:31,840 --> 00:16:34,440
So how come you guys have got this?
What's the history behind it?
273
00:16:34,440 --> 00:16:37,560
It was given to me by my father.
Right. And he told me stories
274
00:16:37,560 --> 00:16:39,560
about taking it out on picnics. OK.
275
00:16:39,560 --> 00:16:41,960
He was courting my mother at
the time and he would
276
00:16:41,960 --> 00:16:45,440
play these records, perhaps some
Ella Fitzgerald or something,
277
00:16:45,440 --> 00:16:46,960
on a portable record player.
278
00:16:46,960 --> 00:16:50,040
But I think it was given to him
by my grandfather, his father.
279
00:16:50,040 --> 00:16:52,480
OK. He was a naval captain.
280
00:16:52,480 --> 00:16:54,960
So he would go from Liverpool
down to Southampton,
281
00:16:54,960 --> 00:16:58,880
then down to Tenerife and then
the Ivory Coast in West Africa.
282
00:16:58,880 --> 00:17:00,640
He had it and then he passed it
to your dad
283
00:17:06,600 --> 00:17:09,400
And so, obviously, in time,
when time's right... Yeah.
284
00:17:09,400 --> 00:17:12,040
..I'm just dying to, you know,
pass it on.
285
00:17:12,040 --> 00:17:14,760
And it did work. I think our
daughters might have had
286
00:17:14,760 --> 00:17:16,320
something to do with it.
287
00:17:16,320 --> 00:17:18,800
So, when was the last time you heard
it playing, anyway? Oh...
288
00:17:18,800 --> 00:17:22,320
Properly? Oh, probably about...
Properly. 20 or 30 years ago. Yeah.
289
00:17:22,320 --> 00:17:24,320
So, what do you reckon, Tim?
Can we sort this out?
290
00:17:24,320 --> 00:17:27,600
Well, if the motor's all there
inside... Maybe?
291
00:17:27,600 --> 00:17:29,960
Yeah. OK. Yeah.
292
00:17:34,320 --> 00:17:36,920
Thank you. And leave it with us.
OK. We'll get it sorted.
293
00:17:36,920 --> 00:17:40,080
Going to happen... All right.
Bye-bye. Bye-bye.
294
00:17:47,680 --> 00:17:52,520
In 1877, Thomas Edison played back
recorded sound for the first time
295
00:17:52,520 --> 00:17:55,280
on his new invention,
the phonograph.
296
00:17:57,720 --> 00:17:59,600
Using a stylus and a diaphragm
297
00:17:59,600 --> 00:18:02,760
etching into a tinfoil-wrapped
cylinder, he recorded
298
00:18:02,760 --> 00:18:04,520
a nursery rhyme.
299
00:18:04,520 --> 00:18:08,840
Here's his assistant recreating
that moment in 1933.
300
00:18:10,240 --> 00:18:14,960
Mary had a little lamb. Its fleece
was white as snow.
301
00:18:14,960 --> 00:18:20,200
Emile Berliner pioneered rubber
and shellac records in 1887,
302
00:18:20,200 --> 00:18:22,920
replacing the cylinder and creating
the gramophone.
303
00:18:24,440 --> 00:18:27,920
The first models went on sale
in 1895,
304
00:18:27,920 --> 00:18:31,600
creating a new phenomena, which we
take for granted today -
305
00:18:31,600 --> 00:18:33,160
listening on demand.
306
00:18:34,840 --> 00:18:36,680
Players continue to evolve,
307
00:18:36,680 --> 00:18:39,280
becoming louder, smaller
and portable,
308
00:18:39,280 --> 00:18:40,640
like Richard's Peter Pan.
309
00:18:43,600 --> 00:18:46,640
But when you take them all apart,
they work much the same,
310
00:18:46,640 --> 00:18:50,400
reproducing music from the grooves
on a record using a sound box
311
00:18:50,400 --> 00:18:51,760
like this one.
312
00:18:53,480 --> 00:18:56,520
Something very peculiar has been
done to this.
313
00:18:56,520 --> 00:18:59,640
Someone seems to have put what
looks like a cardboard -
314
00:19:07,480 --> 00:19:11,280
..we can see, possibly,
what's inside there.
315
00:19:12,680 --> 00:19:17,760
Plop that in there. So, then we can
lift the whole diaphragm,
316
00:19:17,760 --> 00:19:20,920
stylus bar and needle holder away,
317
00:19:20,920 --> 00:19:24,200
and then, let's see what's
under here.
318
00:19:26,160 --> 00:19:27,200
Aha!
319
00:19:28,520 --> 00:19:31,360
Now, that's what you would
expect to see.
320
00:19:31,360 --> 00:19:34,520
I don't know why somebody would've
put that in there.
321
00:19:34,520 --> 00:19:37,760
If they were trying to sort of
quieten the volume down,
322
00:19:37,760 --> 00:19:40,520
you would put... You know, you'd jam
something into the end
323
00:19:40,520 --> 00:19:43,680
of the horn, literally. And, yes,
that is where the expression,
324
00:19:43,680 --> 00:19:46,160
"Put a sock in it!" comes from.
325
00:19:47,680 --> 00:19:49,960
As well as a sound box and horn,
326
00:19:49,960 --> 00:19:53,680
every gramophone needs a mechanism
to make the record turn around.
327
00:19:53,680 --> 00:19:55,480
RECORD PLAYER CLICKS
328
00:19:55,480 --> 00:19:58,560
Yes, it shouldn't be making that
clicking, churning noise.
329
00:19:58,560 --> 00:20:02,120
So that suggests there's something
stuck inside there
330
00:20:02,120 --> 00:20:05,440
on one of the gears. What it is,
well, we shall find out
331
00:20:05,440 --> 00:20:06,680
when we get it apart.
332
00:20:08,280 --> 00:20:10,760
Right, then. A tricky little thing
to get in here
333
00:20:10,760 --> 00:20:13,120
cos there's so little room
for manoeuvre.
334
00:20:13,120 --> 00:20:14,160
Ah, there we go.
335
00:20:15,320 --> 00:20:17,480
Let's lift the top off the motor
336
00:20:17,480 --> 00:20:20,360
and let us see what we've got
inside here.
337
00:20:32,600 --> 00:20:34,520
Ah! Now...
338
00:20:35,600 --> 00:20:41,480
..you can probably see,
here is one old needle.
339
00:20:41,480 --> 00:20:45,240
You always find these inside
the boxes of gramophones,
340
00:20:45,240 --> 00:20:49,840
and that, jammed against that, will
have been probably what's making
341
00:20:49,840 --> 00:20:52,800
that strange crunching,
grinding noise
342
00:20:52,800 --> 00:20:56,640
as it was running round.
So I'm glad we found that.
343
00:21:00,680 --> 00:21:04,360
One thing you can't do, that's
a mistake that people often make,
344
00:21:04,360 --> 00:21:06,800
is they put a lot of fresh oil on
345
00:21:06,800 --> 00:21:09,520
without cleaning all the old stuff
off first.
346
00:21:09,520 --> 00:21:14,320
And that is basically like polishing
a car without washing it first.
347
00:21:20,280 --> 00:21:23,640
While Tim is top of the pops when
it comes to fixing gramophones,
348
00:21:23,640 --> 00:21:28,120
anything made of leather is a case
for saddle maker Suzie Fletcher.
349
00:21:28,120 --> 00:21:29,640
Suzie. Yeah?
350
00:21:31,360 --> 00:21:34,040
A favour. OK. Well...
351
00:21:34,040 --> 00:21:38,480
You see the handle on this little
Peter Pan gramophone?
352
00:21:38,480 --> 00:21:40,880
Yeah. It's broken. OK.
353
00:21:40,880 --> 00:21:44,600
How about if I make another handle,
354
00:21:44,600 --> 00:21:46,920
the same thickness of leather
as this?
355
00:21:46,920 --> 00:21:48,400
I've got some black leather
356
00:21:48,400 --> 00:21:50,760
that I think will do the trick quite
nicely.
357
00:21:50,760 --> 00:21:54,080
That'll look lovely. You're a
genius. Oh, I wouldn't go that far.
358
00:21:54,080 --> 00:21:56,160
THEY LAUGH
359
00:22:02,080 --> 00:22:06,120
I've used the old handle to give me
a guide to making the pattern.
360
00:22:12,480 --> 00:22:15,720
So now I've finished creasing it,
361
00:22:15,720 --> 00:22:20,720
the next stage is to slide the tips
underneath the bracket,
362
00:22:20,720 --> 00:22:22,200
which could be interesting.
363
00:22:27,200 --> 00:22:28,360
There we have it.
364
00:22:33,560 --> 00:22:36,880
The heart of a clockwork gramophone
is its mainspring,
365
00:22:36,880 --> 00:22:41,040
a cord metal ribbon that provides
the power to the mechanism.
366
00:22:41,040 --> 00:22:44,280
The major challenge with any of
these things is not to
367
00:22:44,280 --> 00:22:48,680
get them to go round, it's to get it
to do it at a steady 78
368
00:22:48,680 --> 00:22:50,600
for two and a half to three minutes.
369
00:23:00,600 --> 00:23:02,480
Well, that's down to the gramophone.
370
00:23:03,560 --> 00:23:06,760
Gramophone records were spun at
a speed of 78 revolutions
371
00:23:06,760 --> 00:23:10,440
per minute, referred to as 78s.
372
00:23:10,440 --> 00:23:12,040
They came in two sizes.
373
00:23:12,040 --> 00:23:13,920
The 10-inch could play free minutes.
374
00:23:13,920 --> 00:23:17,600
And a 12 inch, four minutes
per side.
375
00:23:17,600 --> 00:23:20,440
The gramophone was such a hit that
composers and writers
376
00:23:20,440 --> 00:23:23,960
wrote songs to fit exactly on
one side of a disc.
377
00:23:23,960 --> 00:23:27,640
And that's still the length DJs
and music fans love to this day.
378
00:23:32,920 --> 00:23:34,120
There we go.
379
00:23:35,200 --> 00:23:36,640
So, and...
380
00:23:37,680 --> 00:23:40,080
Lastly, of course, we need
the governor.
381
00:23:40,080 --> 00:23:42,880
Oh. Oh, fiddlesticks.
382
00:23:46,320 --> 00:23:49,960
One of these governor springs,
this bit here...
383
00:23:51,200 --> 00:23:53,360
..is broken away.
384
00:23:57,120 --> 00:23:59,960
The governor's spinning weights
regulate the turntable
385
00:23:59,960 --> 00:24:04,440
and ensure it stays at a steady
78 revolutions per minute.
386
00:24:04,440 --> 00:24:09,800
Luckily, I have got an assortment
of spare governor springs here.
387
00:24:09,800 --> 00:24:13,680
I bought these at an antique fair
earlier this year.
388
00:24:13,680 --> 00:24:16,320
Bit of a nuisance, but better
it's broken now than when
389
00:24:16,320 --> 00:24:17,640
we've got it all back together
390
00:24:17,640 --> 00:24:19,600
and we're trying to play
records on it.
391
00:24:24,920 --> 00:24:27,920
The acid test now - wind her up
392
00:24:27,920 --> 00:24:31,600
and will it actually work?
393
00:24:33,080 --> 00:24:35,440
Oh, yes. She's turning.
394
00:24:35,440 --> 00:24:37,960
And the turntable...
395
00:24:41,400 --> 00:24:43,440
Well, that looks pretty good.
396
00:24:43,440 --> 00:24:46,280
It's doing a nice, consistent speed.
397
00:24:46,280 --> 00:24:48,640
And like a perfectly spinning
turntable,
398
00:24:48,640 --> 00:24:51,520
The Repair Shop is at its best
when everybody's skills
399
00:24:51,520 --> 00:24:53,440
are working in harmony.
400
00:24:59,320 --> 00:25:02,080
That's much better than the original
would've been when it was new.
401
00:25:02,080 --> 00:25:06,080
Well, perhaps not, but I did clean
this up a little bit
402
00:25:06,080 --> 00:25:08,040
because it was a bit dirty.
That handle,
403
00:25:08,040 --> 00:25:10,720
that is absolutely splendid.
Oh, you are a genius.
404
00:25:10,720 --> 00:25:13,680
Thank you very much. Great, Suzie.
See you later. Thank you so much.
405
00:25:13,680 --> 00:25:14,720
Now...
406
00:25:15,800 --> 00:25:19,160
..all we've got to do is put
the works in it.
407
00:25:19,160 --> 00:25:22,960
Whilst we love working together as
a team, the most important thing
408
00:25:22,960 --> 00:25:25,560
is what the owners Richard
and Leslie think.
409
00:25:30,600 --> 00:25:31,880
to our gramophone.
410
00:25:35,920 --> 00:25:37,720
Good afternoon, Leslie. You too.
411
00:25:39,040 --> 00:25:41,320
Well, I'll take the cover off.
412
00:25:48,200 --> 00:25:51,640
Now, well, do you want to open it up
and assemble it? Yeah, sure.
413
00:25:53,120 --> 00:25:54,160
OK.
414
00:25:55,680 --> 00:25:58,120
It's different. Oh, that looks
totally different. Yeah.
415
00:25:58,120 --> 00:26:01,120
And needle's there. It still goes
together in the same way.
416
00:26:01,120 --> 00:26:02,960
Oh, yeah, it still goes together.
417
00:26:02,960 --> 00:26:05,280
As to what was inside, a lot of
the problem was
418
00:26:05,280 --> 00:26:08,600
old gramophone needles that had
fallen down inside
419
00:26:08,600 --> 00:26:12,320
and were sticking into the gear.
Really? Is that right? Fancy that.
420
00:26:12,320 --> 00:26:16,080
Now, we had a think about what
you might like. Ah.
421
00:26:17,720 --> 00:26:20,320
Oh, wow. And there we go.
422
00:26:21,800 --> 00:26:24,520
MUSIC: Sentimental Journey
by Ella Fitzgerald
423
00:26:25,600 --> 00:26:29,600
Lovely. Wow. A little birdie told us
you like this one. Yeah. Oh.
424
00:26:29,600 --> 00:26:33,640
Right. That is one of your dad's...
Your dad liked this. Yeah.
425
00:26:33,640 --> 00:26:35,320
Oh, yes.
426
00:26:39,480 --> 00:26:41,360
THEY CHUCKLE
427
00:26:43,960 --> 00:26:47,600
# If that whistle
428
00:26:47,600 --> 00:26:52,120
# Baby, I'm coming home. #
429
00:26:55,720 --> 00:26:57,280
APPLAUSE
430
00:26:59,560 --> 00:27:01,560
Well done, Tim. Thank you.
Thank you. Well done.
431
00:27:01,560 --> 00:27:03,320
It's a pleasure. It's a pleasure.
432
00:27:03,320 --> 00:27:05,360
If it makes you happy...
You're a remarkable man.
433
00:27:05,360 --> 00:27:07,920
A remarkable man. Well, it beats
going out and getting
434
00:27:07,920 --> 00:27:09,920
a proper job, doesn't it?
435
00:27:09,920 --> 00:27:12,760
So, how does it feel to hear
Ella Fitzgerald singing
436
00:27:12,760 --> 00:27:15,160
Sentimental Journey? I'm over
the moon. I'm over the moon.
437
00:27:15,160 --> 00:27:18,160
And Sentimental Journey is such an
apt piece of music to play anyway,
438
00:27:18,160 --> 00:27:20,520
considering, you know, what this is
all about. Hm.
439
00:27:20,520 --> 00:27:24,200
It's remarkable that it's been able
to be restored and we can listen
440
00:27:24,200 --> 00:27:26,800
to it again and we can pass it on
to our grandson.
441
00:27:26,800 --> 00:27:29,080
As long as you're happy.
Thank you very much.
442
00:27:29,080 --> 00:27:31,760
Thank you. Our pleasure. Bye-bye.
Our pleasure. Bye.
443
00:27:31,760 --> 00:27:32,880
Safe journey.
444
00:27:51,440 --> 00:27:54,440
are also owners of an important
music-playing device...
445
00:27:55,720 --> 00:27:58,360
..something that had a bigger effect
on our listening habits
446
00:27:58,360 --> 00:28:01,440
than the CD, the cassette
or even the MP3.
447
00:28:04,520 --> 00:28:07,120
You must be Lynne. Hiya, yes.
How we doing, Albert? Hello.
448
00:28:07,120 --> 00:28:08,480
Yeah. You all right?
449
00:28:08,480 --> 00:28:10,160
Bit out of breath. Oh, bless you.
450
00:28:10,160 --> 00:28:12,080
Well, take a seat.
Thank you very much.
451
00:28:12,080 --> 00:28:14,360
You're more than welcome.
What have you got here?
452
00:28:14,360 --> 00:28:16,080
A dilapidated radio.
453
00:28:16,080 --> 00:28:18,160
An old GEC.
454
00:28:18,160 --> 00:28:20,400
Oh. Yeah. Mark, if you don't mind
joining me.
455
00:28:21,720 --> 00:28:24,080
It will be the perfect job for
Mark Stuckey,
456
00:28:24,080 --> 00:28:26,440
whose love for all things electrical
started when he took
457
00:28:26,440 --> 00:28:29,080
his parents' TV apart aged nine.
458
00:28:29,080 --> 00:28:31,080
Hello. Tell me about it,
then, Albert.
459
00:28:31,080 --> 00:28:35,560
Well, when me and the wife,
Eileen, started courting,
460
00:28:35,560 --> 00:28:40,320
we'd been courting about a year...
OK. ..and while we was downtown,
461
00:28:40,320 --> 00:28:42,920
we saw these. I think it was
in Boots.
462
00:28:42,920 --> 00:28:45,600
They used to sell all sorts
at that time.
463
00:28:45,600 --> 00:28:48,120
And it was up there
and it were £2.50.
464
00:28:48,120 --> 00:28:50,720
And me and the wife clubbed together
and we bought it. Right.
465
00:28:50,720 --> 00:28:54,080
And we used to take it all over
with us, you know,
466
00:28:54,080 --> 00:28:57,960
in the car and get out the car,
go on the beach.
467
00:28:57,960 --> 00:29:00,480
Once we got on the beach
and this were going,
468
00:29:00,480 --> 00:29:02,760
everybody started to come
towards us.
469
00:29:02,760 --> 00:29:04,520
THEY LAUGH
470
00:29:04,520 --> 00:29:07,960
Yeah. So this radio has been like
the life of the party
471
00:29:07,960 --> 00:29:10,320
for a lot of people and also
the family. It has. It has.
472
00:29:10,320 --> 00:29:12,960
It used to go on holiday with us
as well. Yeah.
473
00:29:12,960 --> 00:29:14,800
It's had a good life.
It's had a good life.
474
00:29:14,800 --> 00:29:16,200
It's had a brilliant life.
475
00:29:16,200 --> 00:29:18,120
And it's lasted for years and years.
476
00:29:18,120 --> 00:29:22,760
And in 19... I think it were 1985,
it just stopped.
477
00:29:22,760 --> 00:29:24,720
And I couldn't get it to go.
478
00:29:24,720 --> 00:29:28,600
And a nephew of mine, he fiddles
about with electrics and that,
479
00:29:28,600 --> 00:29:32,400
and he got it going. Right.
Those on there, my nephew...
480
00:29:32,400 --> 00:29:36,040
They're off of toothbrushes. No!
481
00:29:36,040 --> 00:29:37,880
They are.
482
00:29:36,040 --> 00:29:37,880
THEY LAUGH
483
00:29:37,880 --> 00:29:39,800
So that's what he did to
get it going.
484
00:29:39,800 --> 00:29:42,280
I used to have it in the greenhouse
with me. Yeah.
485
00:29:42,280 --> 00:29:44,560
And two years ago, it stopped,
486
00:29:44,560 --> 00:29:47,720
and it was two years to the day
when Eileen passed away.
487
00:29:47,720 --> 00:29:51,040
She were an absolute ace.
Oh, bless. And...
488
00:29:54,320 --> 00:29:56,480
I really do miss her.
489
00:29:56,480 --> 00:29:58,120
It's all right. It's all right.
490
00:29:58,120 --> 00:29:59,960
And it's never gone since.
491
00:29:59,960 --> 00:30:02,200
So it's very precious to you,
isn't it? It is.
492
00:30:03,320 --> 00:30:05,040
Yeah.
493
00:30:05,040 --> 00:30:07,920
I just wondered if you could
do anything with it
494
00:30:07,920 --> 00:30:12,120
and get it repaired, so I can get
it back in my greenhouse. Yeah.
495
00:30:12,120 --> 00:30:14,760
We'll get this sorted for you.
Our pleasure. Thank you very much.
496
00:30:20,800 --> 00:30:23,320
Yeah. Pleasure to meet you. You will
look after it, won't you?
497
00:30:23,320 --> 00:30:25,760
Of course I would. Don't worry.
Thank you. You take care now.
498
00:30:25,760 --> 00:30:27,600
Cheers. Bye-bye. Bye-bye, then.
499
00:30:32,240 --> 00:30:36,360
I would love it to get repaired
cosmetically and sympathetically,
500
00:30:36,360 --> 00:30:38,520
so we could probably get Steve
on these bits.
501
00:30:38,520 --> 00:30:40,440
Yeah. Everybody's going to
be on this one.
502
00:30:40,440 --> 00:30:43,480
So, it's over to you to get that
working. Thank you very much.
503
00:30:45,560 --> 00:30:49,160
In the UK, radio became mainstream
in the 1920s.
504
00:30:50,600 --> 00:30:55,160
Marconi, one of the early pioneers,
set up his transmitters in Essex.
505
00:30:56,280 --> 00:31:00,480
And on 15th June 1920
transmitted famous opera singer
506
00:31:00,480 --> 00:31:03,720
Dame Nellie Melba,
singing live from Chelmsford.
507
00:31:06,600 --> 00:31:09,680
In 1922, the BBC was formed.
508
00:31:12,080 --> 00:31:15,200
And in that year, the first BBC
broadcast was transmitted
509
00:31:15,200 --> 00:31:17,240
from Marconi House, London.
510
00:31:19,080 --> 00:31:23,280
2LO Marconi House, London calling.
2LO, Marconi...
511
00:31:23,280 --> 00:31:26,240
Radio brought the world into
the home, and it had the ability
512
00:31:35,040 --> 00:31:37,680
hundreds of musical artists
from across the globe.
513
00:31:40,520 --> 00:31:43,760
The technology also transformed
the music itself.
514
00:31:43,760 --> 00:31:47,600
With better reproduction of vocals
and individual instruments,
515
00:31:47,600 --> 00:31:49,320
artists such as Ella Fitzgerald
516
00:31:49,320 --> 00:31:53,080
and bandleaders like Duke Ellington
were made famous by this new media.
517
00:31:55,800 --> 00:31:57,560
As well as an electronics expert,
518
00:31:57,560 --> 00:32:00,760
Mark is also a big fan of
detective novels
519
00:32:00,760 --> 00:32:03,760
and treats every investigation
like Sherlock Holmes.
520
00:32:05,320 --> 00:32:08,360
Looking at Albert's radio internally
for the very first time,
521
00:32:08,360 --> 00:32:10,200
I can see there are a couple of
things already
522
00:32:14,840 --> 00:32:16,400
the long wave coil.
523
00:32:16,400 --> 00:32:18,880
And I can see there's numerous
components which will be
524
00:32:18,880 --> 00:32:21,880
needed to be replaced for
safety anyway.
525
00:32:23,200 --> 00:32:27,040
Like all good detectives, Mark's
secret to solving a mystery
526
00:32:27,040 --> 00:32:29,240
is to take the whole thing apart,
bit by bit.
527
00:32:30,640 --> 00:32:32,560
So how are we doing, Mark?
Yeah, fine.
528
00:32:36,120 --> 00:32:38,400
OK. These, we call them capacitors.
529
00:32:38,400 --> 00:32:41,840
And there's about a dozen or so
I'm going to have to replace.
530
00:32:41,840 --> 00:32:44,960
And, effectively, I'm changing them
for little ones like this.
531
00:32:44,960 --> 00:32:47,320
All right. Cool. So you've got
a bit of work to do, then.
532
00:32:47,320 --> 00:32:49,320
I've got a fair amount of work
to do. All right.
533
00:32:49,320 --> 00:32:51,080
Let me get that case off you.
OK. Thank you.
534
00:32:51,080 --> 00:32:53,680
Get started on that. There we go.
Thank you. Enjoy that.
535
00:32:53,680 --> 00:32:55,080
I will do, yeah.
536
00:32:56,200 --> 00:32:59,960
The capacitors enable the radio to
tune in to particular frequencies.
537
00:33:04,960 --> 00:33:09,280
So, applying the voltmeter against
one of the leads
538
00:33:09,280 --> 00:33:12,720
to the transistor, in reality,
I'm expecting to get a voltage.
539
00:33:18,640 --> 00:33:21,600
in the wire,
which I didn't initially see.
540
00:33:21,600 --> 00:33:24,280
It's like a whodunnit.
Somebody's done a murder
541
00:33:24,280 --> 00:33:26,160
and you're now looking for
the suspect.
542
00:33:26,160 --> 00:33:29,280
In this case, the murder -
the transistor's been snuffed out,
543
00:33:29,280 --> 00:33:30,960
there's no voltage present,
544
00:33:30,960 --> 00:33:33,520
and I'm going to find the culprit,
the smoking gun,
545
00:33:33,520 --> 00:33:35,520
and I think I may have found it.
546
00:33:35,520 --> 00:33:37,480
But just like real detective work,
547
00:33:37,480 --> 00:33:40,640
fixing a radio is hardly ever
an open-and-shut case.
548
00:33:42,720 --> 00:33:45,600
Hm. It's trying to pick up.
549
00:33:45,600 --> 00:33:48,120
There might be another
break somewhere.
550
00:33:48,120 --> 00:33:51,960
Now, there's a lot more to do with
this. This is a sick radio.
551
00:33:51,960 --> 00:33:54,280
One of the problems we face
in The Repair Shop
552
00:33:54,280 --> 00:33:56,080
is where to source parts.
553
00:33:56,080 --> 00:33:59,480
But clockwork genius Steve Fletcher
can always be relied on
554
00:33:59,480 --> 00:34:02,640
to find some random bits and bobs
from his box.
555
00:34:02,640 --> 00:34:04,760
I've found lots of components -
556
00:34:04,760 --> 00:34:08,520
a lid off a pot, various brass bits,
557
00:34:08,520 --> 00:34:11,680
this lamp stand that I'm going
to turn the outside of.
558
00:34:17,400 --> 00:34:21,680
I'm just about to start the knurling
of the lamp stand
559
00:34:21,680 --> 00:34:25,440
that's going to be the outside
of the tuning knob.
560
00:34:30,680 --> 00:34:33,840
or anything, actually, just to
give it some grip.
561
00:34:38,400 --> 00:34:40,600
That's brilliant. That worked
really, really well.
562
00:34:40,600 --> 00:34:42,120
Very, very pleased with that.
563
00:34:51,200 --> 00:34:54,240
knew so much about old handles?
564
00:34:54,240 --> 00:34:56,200
It doesn't look very healthy,
does it? No.
565
00:34:56,200 --> 00:34:57,960
What we didn't want to do,
we didn't want
566
00:34:57,960 --> 00:34:59,320
to have a brand-new one on here.
567
00:34:59,320 --> 00:35:01,400
So this is from a similar radio.
568
00:35:01,400 --> 00:35:03,360
OK. So that's the original.
569
00:35:03,360 --> 00:35:06,600
That one's the donor, which is
slightly too big,
570
00:35:06,600 --> 00:35:07,920
but it does look the part.
571
00:35:07,920 --> 00:35:10,560
I want you to work your magic.
If anybody can, I know you can.
572
00:35:10,560 --> 00:35:12,560
OK. So, let's make this one special
for Albert.
573
00:35:12,560 --> 00:35:13,920
Yeah, no problem.
574
00:35:20,960 --> 00:35:24,120
as possible, reinforcing original
handles like this,
575
00:35:24,120 --> 00:35:27,240
and strengthening the back with
more leather.
576
00:35:27,240 --> 00:35:32,560
With hand sewing, it is, overall, a
much better quality finish.
577
00:35:32,560 --> 00:35:34,880
It just takes such a long time.
578
00:35:46,120 --> 00:35:50,080
Steve, meanwhile, is still working
on the tuning knob.
579
00:35:55,720 --> 00:35:57,160
There we go, we're almost there.
580
00:35:57,160 --> 00:36:01,560
That's the... That's the centre boss
for the tuning knob.
581
00:36:01,560 --> 00:36:04,560
Just got to do a few bits
and pieces to it, and attach it,
582
00:36:04,560 --> 00:36:06,240
and we're almost there.
583
00:36:14,120 --> 00:36:16,360
Looks good, looks the part.
584
00:36:16,360 --> 00:36:17,800
Yeah, really pleased.
585
00:36:17,800 --> 00:36:22,400
Once Mark has got the
electronics back in,
586
00:36:22,400 --> 00:36:24,480
and it's all working,
587
00:36:24,480 --> 00:36:26,040
get everything cleaned up again.
588
00:36:26,040 --> 00:36:28,960
it's going to look brilliant,
absolutely great.
589
00:36:28,960 --> 00:36:32,640
It takes a team effort
to get a radio like Albert's back
590
00:36:32,640 --> 00:36:36,040
to how it would have been when
he bought it with wife Eileen.
591
00:36:36,040 --> 00:36:39,120
And things don't always go to plan.
592
00:36:39,120 --> 00:36:41,880
But we rarely find something
we can't fix.
593
00:36:41,880 --> 00:36:43,480
Right, Mark?
594
00:36:43,480 --> 00:36:46,160
It's been quite a...a game,
this particular one,
595
00:36:51,640 --> 00:36:54,200
and I can not locate
where it's broken from,
596
00:36:54,200 --> 00:36:55,800
it's so fine, the wire.
597
00:36:55,800 --> 00:36:59,600
And the only way I'm now to resolve
the problem is to actually replace
598
00:36:59,600 --> 00:37:00,720
the whole unit.
599
00:37:00,720 --> 00:37:03,480
And if I do it right,
we will then have some magic,
600
00:37:03,480 --> 00:37:05,520
and may even hear some music
in the air.
601
00:37:14,160 --> 00:37:17,720
Now we're used to being able
to carry music everywhere,
602
00:37:17,720 --> 00:37:21,720
but it wasn't until the 1950s
that a truly pocket-sized music
603
00:37:26,280 --> 00:37:28,400
So small that a dozen
can be put in a thimble.
604
00:37:28,400 --> 00:37:31,280
Once again, we owe our thanks
to science.
605
00:37:33,280 --> 00:37:36,800
Transistor radios like Albert's
could be made smaller and lighter
606
00:37:36,800 --> 00:37:40,240
than valve radios,
going on sale in 1954.
607
00:37:42,120 --> 00:37:44,800
Radios were suddenly
in cars...
608
00:37:44,800 --> 00:37:46,720
..on the street...
609
00:37:46,720 --> 00:37:48,080
..in the parks...
610
00:37:49,320 --> 00:37:51,920
..and, like Albert and Eileen,
down on the beach.
611
00:37:55,440 --> 00:37:57,280
33 years since it's worked properly,
612
00:37:57,280 --> 00:38:00,080
the radio has had its faulty
components replaced,
613
00:38:00,080 --> 00:38:03,520
so it can bring back some of
those precious memories.
614
00:38:03,520 --> 00:38:05,440
This, actually, looks
very encouraging.
615
00:38:05,440 --> 00:38:09,280
We've now got a, what we call
sinusoidal waveform.
616
00:38:09,280 --> 00:38:12,080
That is one which is repetitive,
goes up and down,
617
00:38:12,080 --> 00:38:14,440
and that is working well.
618
00:38:14,440 --> 00:38:17,680
So that now tells me we've got
a good chance of getting
619
00:38:17,680 --> 00:38:20,600
this old lady back into
operation again.
620
00:38:20,600 --> 00:38:21,880
Mark, how we doing, sir? Hi.
621
00:38:21,880 --> 00:38:23,760
Yeah. I'm getting ready.
What we got?
622
00:38:23,760 --> 00:38:26,800
Well, we've got
the radio casing cleaned.
623
00:38:26,800 --> 00:38:28,320
That looks a lot better, doesn't it?
624
00:38:28,320 --> 00:38:30,600
It does, doesn't it? Yes.
Suzie has done the handle.
625
00:38:30,600 --> 00:38:32,880
Oh, superb.
That looks really good.
626
00:38:32,880 --> 00:38:35,320
Steve has worked his magic.
Look what he's made there.
627
00:38:35,320 --> 00:38:37,920
He's made a dial.
I think that's for tuning, isn't it?
628
00:38:37,920 --> 00:38:39,880
That's right.
You use that for the tuning.
629
00:38:39,880 --> 00:38:42,160
And it didn't have one originally,
so he's made that up.
630
00:38:42,160 --> 00:38:44,640
And the knurling he's done on
the edges is absolutely superb.
631
00:38:44,640 --> 00:38:46,480
He's clever, isn't he? Very.
632
00:38:46,480 --> 00:38:49,480
So all you got to do is put this
in there. Put that back in there.
633
00:38:49,480 --> 00:38:52,720
Put it all back together, reassemble
it, and then turn it on,
634
00:38:52,720 --> 00:38:54,600
and the magic will happen.
635
00:39:02,920 --> 00:39:06,040
Owner Albert was just 22
when he and his then girlfriend
636
00:39:06,040 --> 00:39:09,040
Eileen bought the radio,
which provided the soundtrack
637
00:39:09,040 --> 00:39:12,160
to their love story for over
50 years.
638
00:39:12,160 --> 00:39:14,120
I think me dad's been quite
lost without the radio.
639
00:39:14,120 --> 00:39:17,360
Even though it didn't work before,
it was still in the house,
640
00:39:17,360 --> 00:39:19,400
so it was still there.
641
00:39:19,400 --> 00:39:22,320
I'm hoping that when he gets
it back he can listen to it,
642
00:39:22,320 --> 00:39:25,680
and it'll bring back
memories for him and me mum,
643
00:39:25,680 --> 00:39:28,720
when me mum was there,
and so, yeah, I can't wait.
644
00:39:34,280 --> 00:39:35,920
We meet again. How we doing?
645
00:39:35,920 --> 00:39:37,560
Hello, Jay. Hi.
646
00:39:37,560 --> 00:39:40,280
Hello, mate.
Come here. How you doing?
647
00:39:40,280 --> 00:39:42,440
Oh, all the better
for seeing you, matey.
648
00:39:42,440 --> 00:39:43,960
Oh, bless you.
649
00:39:43,960 --> 00:39:45,560
Really am. Take a seat.
650
00:39:45,560 --> 00:39:47,240
Nice to see you. And you.
651
00:39:47,240 --> 00:39:49,120
Hello. Pleasure to meet you again.
652
00:39:49,120 --> 00:39:53,360
So, tell me, what was the radio like
when you brought it in?
653
00:39:53,360 --> 00:39:54,880
I couldn't get it to go.
654
00:39:54,880 --> 00:39:56,960
It was just stood there,
and hopefully...
655
00:39:56,960 --> 00:39:59,440
Hopefully?
So what are you hoping, then?
656
00:39:59,440 --> 00:40:00,680
What are you hoping?
657
00:40:00,680 --> 00:40:04,080
I'm hoping...
Yeah. ..it is in working order.
658
00:40:04,080 --> 00:40:05,560
I want it to play.
659
00:40:05,560 --> 00:40:07,400
You ready for it?
660
00:40:07,400 --> 00:40:08,640
ALBERT GASPS
661
00:40:10,880 --> 00:40:12,040
Oh, look at that.
662
00:40:12,040 --> 00:40:13,760
Oh, my God! You got your dial.
663
00:40:18,080 --> 00:40:19,480
Oh, and the volume.
664
00:40:22,640 --> 00:40:24,080
Oh, that is brilliant.
665
00:40:29,880 --> 00:40:32,680
One little thing - we left
the toothbrush handles on it,
666
00:40:32,680 --> 00:40:34,080
cos I thought that was quite cute.
667
00:40:34,080 --> 00:40:35,640
Oh, thank you.
I hope you don't mind.
668
00:40:35,640 --> 00:40:37,880
No, no, no. It's brilliant.
669
00:40:37,880 --> 00:40:39,600
Look at the handle.
670
00:40:40,640 --> 00:40:43,640
It's like it was when I bought it.
671
00:40:43,640 --> 00:40:46,760
Well, the next test is to show you
if it's working or not.
672
00:40:46,760 --> 00:40:48,440
So... I'm not touching it!
673
00:40:48,440 --> 00:40:51,520
You're not touching it? All right.
Well, I'm going to touch it.
674
00:40:51,520 --> 00:40:53,240
For this very special moment,
675
00:40:53,240 --> 00:40:55,840
I've enlisted the help of
a local radio station.
676
00:40:57,320 --> 00:40:58,960
I'm Anna Bingham.
677
00:40:58,960 --> 00:41:03,040
I've got something a bit different
for you now here, on Spirit FM.
678
00:41:03,040 --> 00:41:06,080
We had a request for Albert,
and hopefully,
679
00:41:06,080 --> 00:41:08,960
this next tune will bring
back a few memories.
680
00:41:08,960 --> 00:41:12,440
And this is dedicated
to Albert and Eileen.
681
00:41:12,440 --> 00:41:16,600
# That beauty's often hidden...
682
00:41:16,600 --> 00:41:18,680
Oh, Eileen.
683
00:41:18,680 --> 00:41:21,240
I can see us dancing
at the old baths.
684
00:41:23,680 --> 00:41:26,680
We used to smooch to this
at last dance at the baths.
685
00:41:26,680 --> 00:41:29,560
This was the last dance, yeah?
Yeah.
686
00:41:34,240 --> 00:41:36,120
That's fantastic. Good on you.
687
00:41:38,160 --> 00:41:40,920
I can't believe it.
688
00:41:40,920 --> 00:41:42,680
It's a pleasure.
689
00:41:44,920 --> 00:41:46,760
Glad we could do it for you.
690
00:41:48,760 --> 00:41:49,920
There we go.
691
00:41:49,920 --> 00:41:52,800
That is brilliant. Is that good?
Thank you, guys.
692
00:41:52,800 --> 00:41:54,800
Pleasure. I don't know what to say!
693
00:41:54,800 --> 00:41:56,160
Don't have to say anything.
694
00:41:56,160 --> 00:41:58,240
You've said everything,
by the way you are.
695
00:41:58,240 --> 00:42:00,880
This is absolutely superb.
696
00:42:00,880 --> 00:42:03,200
I never thought
this'd be going again.
697
00:42:03,200 --> 00:42:04,680
Never.
698
00:42:04,680 --> 00:42:06,600
Come here, sir.
699
00:42:06,600 --> 00:42:09,120
It's been a pleasure.
Nice to see you. Thank you.
700
00:42:10,520 --> 00:42:12,680
Well, let's get this wrapped up for
you. Thank you.
701
00:42:12,680 --> 00:42:13,720
Get it all sorted.
702
00:42:15,160 --> 00:42:18,120
It's been an absolutely
fantastic ordeal.
703
00:42:18,120 --> 00:42:19,840
I never expected that.
704
00:42:19,840 --> 00:42:21,200
Never.
705
00:42:21,200 --> 00:42:23,480
I didn't think he'd be able
to do it.
706
00:42:23,480 --> 00:42:25,600
And it's all nice and clean,
isn't it?
707
00:42:27,720 --> 00:42:30,320
I think, just looking at it, we was
like, "Wow!"
708
00:42:30,320 --> 00:42:34,560
But then to actually hear
it playing was even better.
709
00:42:40,160 --> 00:42:42,360
He wants a damn knighthood, he does.
710
00:42:44,040 --> 00:42:46,400
I'm still shaking now.
711
00:42:46,400 --> 00:42:49,160
I am absolutely over the moon
with it.
712
00:42:55,200 --> 00:42:56,240
It's a magical feeling
713
00:42:56,240 --> 00:42:58,640
to see people's memories brought
back to life...
714
00:42:58,640 --> 00:42:59,880
Oh, my word!
715
00:42:59,880 --> 00:43:01,680
..and to learn
the remarkable stories
716
00:43:01,680 --> 00:43:03,920
behind their treasured possessions.
717
00:43:03,920 --> 00:43:05,880
You are wonderful!
718
00:43:05,880 --> 00:43:08,400
And it never fails to touch
my heart,
719
00:43:08,424 --> 00:43:12,424
http://Scene-RLS.net
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