Original subtitles

-And they lived happily-- -Ever after.

-Amen. -Amen.

-Love you.

-Love you too.

Goodnight.

-Father? -Mm hmm?

-Why do they hate us?

-I don't think they hate us.

Hitler is just blaming us for the suffering

of the working class.

And some people choose to believe him.

-But why?

-It's not a simple answer.

But I can tell you this.

The economy is getting better,

and soon they will stop focusing on who to blame

for what they work, and everyone will set their eyes

on living a better future.

We just have to keep contributing our part to Germany.

Like we have always done.

-Go to sleep now.

You have school tomorrow.

And you are too young to worry about these things, hmm?

-Love you.

-I love you too.

-Ten hut!

General Patton.

-Good evening, soldiers.

-Good evening, sir.

-At ease.

-If we take the generally accepted definition of bravery

as a quality which knows no fear,

I have never seen a brave man.

All men are frightened.

Courage is no more than fear holding on a minute longer.

Now imagine fighting this war as a civilian.

Imagine not knowing how to shoot a gun

and challenging the Nazis to save lives.

I have just heard an incredible story.

I'd like to share it with you.

Because it's a story about one of those unique human beings

that makes your sacrifices and your heroism

completely worth it.

-Oh my god, oh my god!

Oh, Papa, what a surprise to see you!

-How dare you?

-Did you like my show?

-You are a clown dressed like Hitler in a whorehouse.

-Papa, it's not Hitler, it's Chaplin.

And it's a cabaret.

-Oh I apologize my confusion.

-Father, I am an actor.

-Yeah.

-Yeah.

-We have to start early tomorrow, let's go.

Go.

-Mrs. Garber is coming, Mrs. Garber is coming.

Hello Mrs. Garber. -Hello.

-How is Emma?

-She is good, thank you.

How come you always ask about her?

-Actually, my father wants me to marry her.

Really.

-Is that true, Charles?

-Is she Jewish?

-I think so.

-Then no.

-Why?

-I wouldn't wish on any Jewish girl

the infinite disgrace of dealing for life

with this useless bum who wants to be a clown

and has the muscles of a ghost.

-Well, most of that is true.

-Emma is the only Jewish woman in the world

who doesn't want to marry.

-Hmm.

-You shouldn't waste your time.

-Thank you.

-I don't think that worked.

-No, I think it did.

-She now thinks you're a bum.

-No no.

Psychological projection, according to Dr. Freud.

-Never heard of him.

-I know.

Uh, blaming others can lead to a kick the dog effect

where individuals in a hierarchy blame

their immediate subordinate and this propagates

down the chain until the lowest rung.

-What does it even mean?

-It means if the butcher thinks you're a bum,

you are probably a genius.

-Mm hmm. -Yes.

Ah!

-Tell Dr. Freud to cure that.

-Good evening, Uncle.

-Shalom, Georges.

-Do you mind if I talk to Marcel for a second?

-I've told you a million times, I am a serious actor.

Okay, I'm not a clown.

-I just need your help.

These kids have been through enough.

-What do I care what they went through?

-Don't say that.

-I'm saying it, I'm saying it, I'm sorry, I don't care.

Okay, I'm not good with children, you know,

I have no patience, sorry.

I barely have have time to work with my father,

he now wants me there all day.

I have an entire play I'm working on

where I interpret 30 different characters, 30.

-Marcel. -What?

-These are Jewish orphans.

-I know that, I know that.

Sorry, I definitely have an alive Jewish father

that hasn't made my life any easier.

-That's a horrible thing to say.

-How do you want me to help?

-Go work on your play.

-Ah. -You have many characters

to write. -Georges!

-Go away.

-I'm sorry, I'm sorry, I'm sorry.

-Hello, love.

-I just saw your mother.

She was telling my father that I should marry you, hmm!

Strange, that generation I guess, they are old,

you know, they don't understand that of course

we would only get married for love.

-And you couldn't find love at the cabaret, could you?

-Hey, don't believe everything you hear

about that place, okay?

-I'm sure it's very reputable.

-Well art can happen anywhere.

Okay, look at...

Look at Marcel Duchamp.

-I don't know who that is.

-Yes well you should

before you judge an artist by his canvas.

-And your canvas is the cabaret?

-Yes, no, no, what, who are you again?

-The girl you want to marry.

-Excuse me, no, no, I don't want to marry you.

Your mother wants you to marry me

and I was just being polite to her.

-There they are.

-How many did you say? -123 children.

The foundation paid a fortune for their lives.

Their parents were just killed by Nazis.

Marcel.

-You want to look?

-Are you ready? -I am.

-Why is my brother here?

-I thought he may clown for the kids.

-He only cares about himself.

And god forbid you call him clown.

Get all crazy.

-Look, if he doesn't help, we'll send him home,

but at this point we need everyone.

-All right.

That bus is not enough.

-It's all we got.

-I can get our father's truck.

-That's a good idea.

-Make sure there's no knives or meat in there.

The children are afraid.

Go!

-All right.

Come on, let's go.

What's wrong?

Let's go.

Hmm.

Let's go.

-Do you wanna come down?

-Okay. -This way.

Careful.

It's okay.

-Easy, there are bagels for everyone.

-Georges, how long, whoa, calm down, everybody calm down,

calm down, calm down, there is food for everyone.

Okay.

-No need to fight, sit down at the table, no running.

-How do we do this?

There is no order? -No pushing.

-Georges, Georges please help me.

-Try this one.

Is it too big?

-No, it's fine.

-It's all right.

You're becoming a big girl.

Come with me.

Mila, I'll be right back.

-Am I going to be okay?

-You are okay.

This happens to every woman.

It happens to me.

It just means you're growing.

So from now on once a month for a few days,

you are going to have to wear one of these.

-What's it? -It's a special napkin

that makes sure the blood doesn't reach your clothes.

It's only going to last for a few days.

It's like a rehearsal.

To prepare for the day many years from now

when you're ready to have a baby.

-No running!

Walk, walk, there is no need to run!

You're gonna hurt yourself.

Calm down, everyone.

Please, no standing on the table.

Be nice to each other, we are family now.

This is your new home.

-What's he doing?

-Ooh!

Ooh!

-Wait, wait, wait, wait, blow!

Blow!

-You dress like a clown, you paint a clown.

-What can I do for you?

-You rub the brush on paint, you draw a face.

I am not going to say it's ugly,

I think you are getting better.

I just never quite understood why does anyone do it,

even when it's great.

Tell me, why do you do it?

-Why do you go to the bathroom?

-Oh you need not to offend your father.

-No, no, no I am not offending you.

I am asking you.

Why do you go to the bathroom?

-Because my body gives me no choice.

-There it is.

That's my answer to your question.

-Amen.

-Ah, steak, how original.

Where did you get this?

-Thanks.

Where did you get that suit?

-This is actually, it's not a suit,

this is a feminine undergarment.

I took it from Mother.

-Charles, Alain thinks Hitler is going to invade Poland

and the war is going to spill all over France.

-Hitler has zero chance against France.

He's bluffing.

I almost wish he makes that blunder so it will destroy him.

-Have you heard him talk?

-Ah, talk, talk, talk, talk.

Populists talk so that idiots can age with euphoria

and feel better about their miserable lives.

-I think Alain has a point and we should be ready

in case we have to leave.

-Mm.

-I left Poland to escape anti-Semitism

and now you are telling me to prepare to leave again?

No, no!

-Yeah me too, I can't just leave.

-Because of the children?

Wow.

-The children?

I'm helping the children as much as I can

but I'm working on my play, okay, I'm upstairs

painting the backdrops myself, thank you very much.

-Yeah, I am stupid.

For a second I thought you were started caring

about someone other than yourself.

-Sorry, why would the children be my responsibility?

-Maybe because they are the only ones

who don't consider your art completely ridiculous.

-There are 123 children in that castle.

Please, tell me, where are we supposed to take them?

-Wherever you want.

-You keep calling Marcel selfish.

-Yeah.

-But last I heard, he is there helping children every day

while you are theorizing about Hitler.

-How long has it been?

-About a year since they got here.

-Hello Alain.

-Come on, let's go.

-Marcel!

-Oh no, incoming, incoming!

Ah!

Ah, oh, oh please help me, please help me.

-Okay.

Whoa!

-Okay, thank you very much, I hope you're happy now.

-Marcel? -Yes.

-Can I tell you a secret?

-Yes, quickly.

-Emma likes you.

-Well, yes, oh, hello.

-So, you like her too?

-Oh, oh yes, that's a great book.

We are talking about something else entirely different.

I like every princess in this castle, okay?

Maybe next time you want to say it a little louder.

-I willl

-Broadcast it over the radio, please.

-Bye Marcel!

-Goodbye!

Ah, Georges.

-Hello Marcel. -Hello Flora.

-Alain!

Hey. -Hey.

-Georges.

-Good to see you.

-Hello Alain, good to see you.

-Tell me, what do you know?

-No more than what's on the radio.

But we must prepare everyone to move south.

-The children are finally settled.

-It would be irresponsible

not to start looking for alternatives.

-What alternatives?

You've got another castle?

-No, no, Alain believes having them all in one place

is dangerous in itself, right?

-I'm not sure I follow.

-Hitler's rise is empowering the worst possible groups.

Everybody knows Jewish children are living here.

We don't want this place to become a target.

-I'm not going to bring them more instability

just because you suddenly feel it may get dangerous.

-You are a mile away from Nazi Germany.

Where an extremely popular leader is preparing

the most powerful army in the history of Europe

to conquer a neighboring country

while he blames all possible evil on the Jews.

-Can I have an apple?

-Sure.

-Be gentle. -Yeah.

-I think all he is saying

is we should prepare for the worst.

And he is right, there is no other option.

-I also think I should get started with their training.

-Training for what?

They are children.

-We need to train them to survive.

-Nazis, Nazis!

-Hurry, Joseph.

You maybe?

-Shh, don't do that.

-Come down, Joseph.

-Ah. -Yes.

-Listen.

Your life and that of all your friends

will depend on your silence.

We're not playing here.

-But Marcel is too funny, Nazis are not.

You see?

-Okay everyone come down.

-Now, have you seen a squirrel hide?

A squirrel.

The squirrel does not find a place to hide in the tree, no.

The squirrel finds a place to hide

where he can become a part of the tree.

Now the trick is not to make sure that they don't see you,

but that even if they do see you,

what they see does not catch their attention.

Make the invisible visible,

and the visible invisible.

-Marcel?

-I don't see him.

-Where is he? -Where has he gone?

-Marcel. -Marcel, where are you?

-Marcel. -What?

Where did he go?

-Get in, get in, come on.

-Come in, yes come in, the water is freezing.

-As a result of the German invasion of Poland,

the French government has ordered all citizens

to evacuate all border towns in the next 10 days.

-We need to tell the kids we are leaving.

I'll be sending telegrams to the Jewish committees.

To ask families to receive.

-Families can take some, but there's too many.

-What do you suggest?

-We're gonna need the church

to receive some of the children.

-The religious kids are always talking about

how mad their parents will be if they find out

they broke kosher laws

and you want to send them to a church.

-The Jewish law can be broken

in life-threatening situations.

Maybe it's time to be honest with them.

-I don't know how we're supposed to tell them

that this is over.

Are you not going to say anything?

Thank you.

-Next week is Rosh Hashanah.

A very special--

-All right, I know, it's okay, it's okay.

-Because we welcome not only a new year--

-There we go.

-But a new century.

We are going to receive the year 5700.

In every generation they rise up against us.

Sometimes a powerful man.

Sometimes an army.

Or a nation tries to destroy the Jewish people.

But here we are.

Together.

Knowing that this time too the holy one blessed be he

will rescue us from their hands.

We are going to continue taking care of you.

But for a while, we won't be staying all together.

And because of that, we decided to blow the shofar now.

One week before Rosh Hashanah.

So that you have this moment

and that sound to remind you that you are not alone.

-All right everyone, let's go to the south.

-We already placed 40 with Jewish families,

12 with gentiles, 16 in Catholic schools,

and 30 in an orphanage up in .

-That's 100 out, 20 more to go.

-I wish, but we're expecting dozens of new orphans

to arrive from Germany.

-You ready? -Yes, I am.

-What are you doing? -Hi, hi.

-Am I allowed to play?

-There's a group in Lyon arming themselves to fight back.

-I know some of those guys.

The goal is helping them from Britain

with money and weapons.

It's a well-organized force if you want to join them.

-No, I don't fight, okay, I think, therefore I am.

-We've been thinking for 5,000 years.

Maybe it's time to try something else.

-Do you really think I could help anyone with a gun?

-Of course not.

-Okay.

Look at this, Emma.

Marcel Marceau.

-It's perfect.

-Let me see.

-It's a great name.

-Heil Hitler!

-Heil Hitler!

-You're gonna visit me, right?

Do you know if you don't visit me

I will forget about you.

Thank you.

-Come, come, come, come.

Let's go.

Goodnight.

-Goodnight.

-What?

Oh!

What, why are we kissing?

-Shut up. -Okay.

-Passports please.

-Yes, yes, of course.

-Please don't tell my father about this, he knows nothing.

-Who is your father?

What are you laughing at?

-Please don't tell him, my father will kill me.

-No, the officer won't say a word

or he'll be killed by your father.

-I'm sorry, please don't.

-Okay.

-Ms. Garner, I am not interested in your father.

Whatever your naughty business is with this man...

who is clearly not of your class.

But I want this to be the last time I find you

in the midst of indecent activity.

Or I will have to bring you to your father myself.

-Thank you, Officer.

-Go home.

-Everything okay? -Yes, yes,

the priest seems like a good person, right?

Elsbeth is strong.

Yes.

Okay, listen.

-Yeah?

-The, uh, the Resistance group in Lyon.

-What?

-How could we join them?

-Who?

-What do you mean who?

Me, us.

-You? -Yes, me.

-What happened?

-We just got stopped by these Vichy officers, you know,

and I just, I don't want to keep, like, running, you know,

without doing something about it.

-Listen.

These new fighters, they're serious, tough folks.

Risking their lives for friends.

They get approached by infiltrators on a regular basis

and if I make contact, there's no turning back.

-I know.

-If you're just mad because you got stopped--

-No, I'm not just mad.

No, I'm...

I'm ready to fight.

-Georges is expecting more children.

-Yeah, well Georges will take care of them.

He's a saint, I will talk to him.

I...

I thought you'd be, you know, proud of me.

-I am proud of you. -Okay.

Well maybe, you know, you could say it.

-I am proud of you.

-Okay, thank you.

-But first you must talk to our father.

To tell him it's your decision.

-Okay, I will go tell him.

-You know where he is?

-In the apartment?

-No.

-Marcel?

-What in the world did I just see?

-You were in there?

-I saw you from upstairs.

-Did you like it?

-You can sing.

-That's what I always wanted to do.

But my father was a butcher, his father was a butcher.

I couldn't just become a singer.

-And now you can.

-Yes.

Because now I have nothing.

They took everything but my voice.

-So, so why did you fight my passion?

-Because I didn't want you to starve.

Because most artists cannot make a living, you know?

At least a butcher will never be hungry.

-That was a great performance.

-So you liked it? -I did like it, I...

-Yes?

-I would relax on stage more, that's it.

-Ah. -I would just, I would relax.

-So you didn't like it?

-I did like it, I'm saying I think you could enjoy it more

and then, you know, we will feel that, that's it.

-Okay, I tell you something.

Maybe one day when the war is over,

we could, we can perform together.

-Alain and I are joining the Resistance.

-May (speaks in foreign language) protect you both.

-No, no, don't stop, don't stop.

-There is Marcel, Marcel!

-It's Emma, it's Emma!

Get in, get in!

Go, go, go, go, go!

-Oh my god, oh my god.

-Welcome to the Resistance.

-Sit down.

Who is Marcel?

-Me.

-Your passports are impressive.

-Thank you sir, madame.

-Sir is fine if it helps you.

We are about to receive 20 fighters from Britain,

how long would they take you?

-20?

Well you may think it's some kind of, like,

mechanical process, okay, but it actually takes

real art to study the curves

and the movement of, excuse me, of each letter,

the strength with which it was written

because it wasn't the same person who did each passport,

and the combination of colors that gives you a black

that looks authentic because, believe it or not,

black has different tones, okay,

and it varies from city to city.

-How long?

-20 would take me a day.

-They're landing in an hour.

-An hour?

We've been here for an hour, you could have told me.

-Most of Europe is crying in surrender

while the city of Lyon has the only Resistance

that is truly hurting the Nazis.

You can sit there or you can tell me what you need

to get them done in an hour.

-Give us 20 French passports.

Let Marcel choose the names.

He'll get it done.

-We're leaving in 20 minutes, only Marcel comes with us.

-I've never met a Jewish painter.

You don't have to pretend with me.

-Thank you.

But there are plenty of Jewish painters.

-But it's not your people's forte.

When you compare it to writers, with scientists.

And you know why? -Hm?

-Because your religion doesn't let you draw God.

-Hm.

-Which is also why so many people hate you.

They get afraid when they can't see who you're praying to.

-No, they hate us because for centuries

they've been told that we killed Christ.

-The entire epic of the Jewish people

is that those who were slaves in Egypt

liberated themselves to create their own society.

No symbol is more dangerous for oppressors than Jews.

Because Jews are emancipated slaves.

-Hm.

-I thought you were asleep.

-Well you certainly weren't.

-What do you mean?

What?

-I didn't even know you liked him.

-I don't tell you everything.

-Where is he now?

-He went to buy cigarettes.

-So.

Did you...

Tell me.

-I love him.

-Ah!

So you did.

What?

Tell me!

-Nazis, Nazis, Nazis!

-They're here.

-What is that?

-Get the bags. -Okay.

-Name. -Jason Baker.

-Let's go.

-Welcome to the Resistance.

-Stop, stop, stop!

-Don't move! -Hands in the air,

put your hands in the air!

-No, no, no, no, no, no, don't shoot, it's my brother!

Don't shoot, it's my brother, Alain.

Alain?

-What happened?

-The gestapo.

They took everyone.

-Emma and Mila.

Two Jewish sisters

caught fighting with the French Resistance.

This can end right now if you tell me where are the men.

Hm.

Mila?

You stay here.

-Emma.

-Wait there.

Don't move.

-Where are you taking her?

-Are you familiar with the word flaying?

Also known colloquially as skinning?

No?

It is a method of slow and painful execution

in which the skin is removed from the body

while the person is still alive.

An attempt is made to keep the removed

portion of skin intact and to keep the person conscious

for the majority of the procedure.

-You're going to kill me anyway,

what difference does it make?

-No, Emma.

I've decided I'm not going to kill you.

I'm going to do that to your sister.

In front of you.

-Why?

-Because you don't want to tell me where the men are.

If I can't capture them, I at least want you

to go back to them and tell them what you've endured.

To see if they want to continue

with their pointless Resistance--

-I don't know where they are, I don't know.

-Ah.

-I swear.

I don't. -I don't believe that.

-Emma!

What did you do to her?

-I didn't even touch her.

-He wants to know where they are.

-Don't tell him.

He will kill us all the same.

-So you do know.

-I don't.

-You do know! -I don't know.

-You do know!

-I don't know.

-You can kill me, I don't care.

We will be traitors.

We will be collaborators.

-I respect that, you see.

-We will be collaborators.

-All these other people, no dignity.

I would rather die like you. -We will be collaborators.

-Than live like them.

-Don't say anything, please.

Please, don't say anything.

Don't say anything, Emma, please!

-I don't know.

-I don't care what he does!

I don't care, please Emma, please Emma.

Emma, no. -No, don't, please, don't.

-No, Emma, Emma, please, Emma.

-Please, don't! -Emma, please!

-No, no, no, no!

-We have to go in.

We have to go in.

-No, no.

Klaus Barbie.

-Yeah, I see him.

-It's her.

-Of course it's her.

-Where's Mila?

-Nobody should bother you as long as you are wearing this.

-Where is she?

She's going in the train station.

-Where the hell is Mila?

-I don't know, Emma will tell us.

-They'll catch us as soon as we approach her.

-Okay, okay, listen to me.

Okay, bring the guards towards you and run.

I'm going in.

-It's too dangerous.

-So let them kill me.

-Go.

Be safe.

-We must train and grow with the Resistance.

We need to find guns, we need to learn how to shoot,

we need to learn explosives.

They're not humans.

No human would do that to another.

-While you were there,

I filled myself with hate and of course

I did feel an urge for revenge, but the more

I thought about it, the only thing in my mind

was why are we here?

Fighting a war we can't win.

When we could be taking orphan children to another country

before the Nazis get to them.

-We can't leave now.

-What can we truly accomplish?

-We can fight back.

We found homes for the children, safe places.

-No place is safe for them

as long as they are in a country that's occupied by Nazis.

The little fighting that we can do--

-We can slow them down and we can make it

impossible for them in France.

-What is it the Nazis want?

-What?

-They don't care about Klaus Barbie.

You know, or a bunch of gestapo slaves that we may kill.

If we are lucky.

-No, you are right.

They care about killing us like they killed her.

-So what's the best way to resist?

It's not to kill them.

They are ready to die.

If you want to resist,

we have to make sure more Jews survive.

-How can you not want to go murder him?

-Of course I want to murder Barbie.

I want Hitler to die as well.

But we can't kill all the Nazis.

-We can kill some.

-Mm hmm.

Or you can save some lives.

And maybe one day those Nazis will be captured

while the kids we save go on and form families.

-What about those who already died?

-What do you think they would want us to do?

Risk our lives to take revenge on their killers?

Or do it to help their orphans survive?

-We have to save the children.

-We will.

-Germany, Poland, all over Europe.

We're gonna be receiving 50 to 100 orphans a month.

-Listen, we want to help you take them out of France.

-Take them where?

Even the Allies have reached their cap on refugees.

-What about Switzerland?

-You plan to take children across snow-covered mountains?

At least it is safe here.

-They are not safe.

-If they are captured in the Alps,

you not only have to carry

the responsibility of disgrace

but we also lose the credibility and the funding

we need to take care of the rest of the children.

-They're not safe.

-Georges.

Listen.

Let us take a small group

to see if we can get across the border.

Please.

-No, Marcel.

What?

Why have you--

-Go on, kids.

Do what Marcel, Emma, and Alain say.

And I promise everything will be fine.

-Thank you.

Thank you for saving our lives.

Thank you.

-Go, go, go, go, go, go, go.

Let's go now.

Out, go out.

-All right, let's go.

-All right. -Come on kids, let's go.

-Go, son.

-You and Mother need to get out of Europe as well.

-Go!

Go!

-I understand there is a meeting

about visas for foreign Jews.

-The least guarded place at the border is the Almas Ridge.

We're gonna go through this forest

which is supposed to be easier

and that will take us to the path leading down the ridge,

down this mountain to Geneva.

-And there is a trail down the ridge?

-Yes.

-Emma.

You can tell me about Mila.

I mean, I lost my father and my mother.

People always feel sorry for those who die.

They should feel first for those who live.

-There are lots of beautiful things in life.

-If you can share it.

-Mila is no longer with us.

But we are here to make sure that you are always safe.

Mila wouldn't want me to be sad,

and I'm sure your parents would want you to be happy.

-We were never sad.

-Come here.

I didn't know there was a stop in Lyon.

-It should only be a minute.

-He's here!

-Who is?

-Barbie. -No.

-I have to jump.

-No, no, no!

-Okay, singing position.

-If he recognizes me, he's gonna kill them all.

-We can't just leave you here!

Here.

Okay, go, go, go, go, come, come, come.

Lock the door, lock the door.

Everyone, "Ave Maria".

-Where are you headed?

-We are going hiking in .

-Passports, please.

-Yeah.

-Hm, ah, that is our young soprano, Joseph.

-What are you doing?

-Me?

-You want them to laugh at us?

-Oh no, I would never.

They are children.

I am an educator.

What good does it do to teach them fear?

-Come with me.

I said come with me.

-Spread your legs.

Show me your pockets.

Show me your pockets.

-Just a spoon, money.

-What's this?

-It's a mustache.

-Are you making fun of the Fuhrer?

-No, no, with all due respect, Officer,

it's a Charlie Chaplin mustache.

I think it's important to help the children

laugh in the middle of this war.

-The girl.

How old is she?

-She's 14.

-You should help her nurture her voice.

It's very special.

-That's what we are here for.

-Let me ask you something. -Yes sir.

-I have a daughter.

How do you think I can help make sure

she becomes interested in the arts?

-How old is she?

-She is just a baby.

I'm not talking about what to do immediately.

But as a strategy to build her personality for the future.

-Try not to impose it.

The more that you impose it,

I think the more she will rebel against it.

Let her find her passion, stay out of her way.

If anything, push her in the opposite direction.

Tell her that arts are for the weak.

She'll want to prove you wrong.

-That's very interesting.

Very interesting.

-Thank you.

-Go.

-Now?

-Max?

-Thank you, sir.

-Max.

-It's okay, it's okay, it's okay.

Come here, come here, come here.

It's okay.

It's okay.

Go slowly.

Go slowly.

Okay, come here.

Okay, come here Joseph.

Okay.

-Come on.

-I'm fine, I'm fine.

I'm sorry.

I'm fine.

Thank you.

Thank you, Elsbeth.

Thank you.

-Let's take a break over there.

-Okay?

-Thank you.

-You're amazing.

-It's because of you.

-What does that mean?

When we met you were only interested in yourself.

-I'm still only interested in myself.

-Put it out.

-Okay, everybody, to the trees, leave the bags,

leave the bags, leave the bags, leave the bags.

Let's go!

-Come!

-Come on, move, come, move, go, go!

-No!

-It's okay. -Hurry.

-Quickly now, up to the trees, up.

-Hurry up, come on.

-Okay, look at me, look at me.

Look at me.

Look at me, look at me.

-Eyes on Marcel, eyes on Marcel.

-Don't look down.

-Stop, stop, stop, stop!

-Is this the ridge? -I hope so.

-Everyone jump!

Go, jump!

Go!

Jump!

-I'm scared, I can't!

-You must do it, jump!

(screaming!

Emma, Emma!

Jump, jump!

-Emma.

Emma!

Emma!

Oh, oh, oh, okay, come here.

-Bring her here!

-Are all the children here?

-Yes.

Where is Emma?

I can't see her.

-Emma!

Where is Emma?

-Over there, over there.

-Oh, oh.

Emma.

Okay, that's it. -Emma, Emma, Emma!

Emma.

-Do you hear me?

It's Marcel, it's Marcel.

Do you hear me?

Emma, listen to me.

It's okay, are you okay?

The kids are all here, it's okay.

It's okay, Emma, please talk to me.

Do you hear me?

Do you hear me?

Emma.

Emma, talk to me!

Emma!

Oh!

-Do you need help?

-Help?

Where are we?

-In the Alps.

-Yes, but what country?

-You came all the way from France.

-We're in Switzerland?

-Yes, we are.

-We made it!

Look at that!

-He risked his life many times

by crossing the Alps to take orphans to safety.

He is personally, directly responsible

for saving hundreds of children.

And indirectly responsible for saving thousands.

He is now one of our liaison officers,

but he's also an actor, and you are about to see

his first official public performance.

Soldiers, remember his name.

Because he will never forget you.

Marcel Marceau.