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>> Dicky: FROM HOLLYWOOD, IT'S
"JIMMY KIMMEL LIVE," WITH GUEST
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HOST, NIKKI GLASER.
TONIGHT, PARIS HILTON AND PHOEBE
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ROBINSON. AND NOW, NIKKI GLASER!
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>> WELCOME TO "JIMMY KIMMEL
LIVE." I'M NIKKI GLASER, YOUR
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GUEST‐HOST FOR THE EVENING.
I REALLY CAN'T BELIEVE I'M
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HOSTING A NETWORK LATE NIGHT
TALK SHOW. ALONE.
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INSIDE A WEIRD HOUSE.
WITH NO LAUGHTER.
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WOW, THIS IS BOTH THE HIGH AND
LOW POINT OF MY CAREER.
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00:00:36,570 --> 00:00:40,440
I WANT TO THANK JIMMY FOR
LETTING ME HOST HIS SHOW WHILE
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00:00:40,440 --> 00:00:42,910
HE'S ON PREGNANCY LEAVE.
I'M REALLY HAPPY HE'S KEEPING
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00:00:42,910 --> 00:00:45,879
THIS ONE.
THE LAST TIME I SAW JIMMY IN
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00:00:45,879 --> 00:00:47,281
PERSON WAS ACTUALLY JUST A
COUPLE DAYS BEFORE THE
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00:00:47,281 --> 00:00:51,485
QUARANTINE WHEN I TAPED AN
EPISODE OF WHO WANTS TO BE A
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00:00:51,485 --> 00:00:54,955
MILLIONAIRE WHERE I ACCIDENTALLY
LOCKED IN A WRONG ANSWER AND
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THIS HAPPENED.
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NO! NO! NO!
THE DAY AFTER I TAPED THAT, I
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00:01:06,066 --> 00:01:09,136
DECIDED THAT INSTEAD OF GOING
BACK TO MY PLACE IN NEW YORK,
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00:01:09,136 --> 00:01:11,338
I'D GO TO MY PARENTS' HOUSE IN
ST. LOUIS WHERE I COULD STAY FOR
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00:01:11,338 --> 00:01:16,977
A WEEK OR TWO UNTIL THIS WHOLE
CORONA THING BLEW OVER.
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00:01:16,977 --> 00:01:18,912
HERE'S FOOTAGE OF MY REACTION
WHEN I REALIZED VIRUSES DON'T
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BLOW OVER. NO! NO!
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NO! IT'S HONESTLY NOT BEEN SO BAD
BEING STUCK LIVING IN ST. LOUIS
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WITH A COUPLE IN THEIR 60s IT
COULD BE WORSE, AT LEAST IT'S
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NOT THESE TWO.
MY MOM WOULD NEVER WEAR
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HORIZONTAL STRIPES.
I GOTTA SAY THOUGH, NOT MUCH HAS
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CHANGED SINCE THE LAST TIME I
LIVED AT HOME.
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I STILL SLEEP LATE, MY ROOM IS A
MESS, I STEAL THEIR WEED.
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THE MAIN DIFFERENCE IS NOW IF
I'M GOING TO MY ROOM TO
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MASTURBATE, I SAY "MOM, DAD, I'M
GOING TO MY ROOM TO MASTURBATE.
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I CAN'T WATCH ANY MORE "DOWN TO
EARTH WITH ZAC EFRON" WITH YOU
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GUYS.
OL' GLAZ DOG'S GONNA FINISH THIS
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EP ALONE.
AS GRATEFUL AS I AM TO HAVE THIS
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TIME TO GET REACQUAINTED WITH
BOTH MY PARENTS AND THE ZACK
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MORRIS POSTER OVER MY BED, I'M
NOT PRETENDING THAT ANY OF THIS
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IS WORTH IT.
I LOVE HOW SO MANY GIRLS ARE
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MAKING THIS CRISIS ABOUT
THEMSELVES.
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I KEEP HEARING SOME VERSION OF
THIS.
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"HONESTLY, THIS PANDEMIC WAS A
SIGN FROM THE UNIVERSE THAT I
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NEEDED TO SLOW DOWN."
AND IT'S LIKE, NO BECCA, I DON'T
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THINK A HALF A MILLION PEOPLE
DIED SO YOU COULD RECOMMIT TO
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YOUR YOGA PRACTICE."
I'VE EVEN BEEN GUILTY OF THIS
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REASONING.
BEFORE COVID HIT, I WAS GETTING
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LASER HAIR REMOVAL.
I WAS HALFWAY THROUGH MY
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12 SESSIONS AND HAD TO STOP.
AND I SWEAR THE OTHER DAY I
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LOOKED DOWN WAS LIKE, "I GUESS I
WAS NEVER MEANT TO HAVE A
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HAIRLESS VAGINA."
THAT WASN'T GOD'S PLAN.
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APPARENTLY, HIS PLAN WAS FOR IT
TO LOOK LIKE A SOUTH AMERICAN
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SOCCER FIELD.
I DON'T EVEN CARE WHAT IT LOOKS
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00:02:54,975 --> 00:03:01,515
LIKE ANYMORE. WHO CARES?
IT'S NOT LIKE ANYONE IS SEEING
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00:03:01,515 --> 00:03:03,383
IT. AND WHEN THEY DO.
I'M GUESSING I KNOW THEIR
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00:03:03,383 --> 00:03:09,022
REACTION. NO! NO! NO!
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AND DR. DREW WILL BE THERE!
I CAN'T EVEN DATE RIGHT NOW.
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IF I MEET UP WITH A GUY, I RISK
EXPOSING MY PARENTS TO COVID.
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I DON'T WANT MY MOM GETTING
INTUBATED SO I'M NOT GETTING
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INTUBATED.
AND CAN I EVEN TRUST A GUY I
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MEET ONLINE TO KEEP SIX FEET
AWAY?
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DO THEY EVEN KNOW WHAT SIX FEET
IS? OR AM I GOING TO SHOW UP AND
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00:03:28,542 --> 00:03:33,914
IT'S GOING TO BE MORE LIKE
5'8 AND THREE QUARTERS?
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00:03:33,914 --> 00:03:35,716
AND EVEN IF DATING DIDN'T PUT MY
PARENTS' LIVES AT RISK, EVERY
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00:03:35,716 --> 00:03:39,086
SOCIAL DISTANCE DATE SOUNDS LIKE
IT'S PUTTING MY LIFE AT RISK.
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THEY HAVE THE SAME SETTING AS
EVERY TRUE CRIME PODCAST.
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"LET'S GO FOR A HIKE IN THE
WOODS" OR "LET'S MEET UP AT THE
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SOUTHEAST CORNER OF THE BEST BUY
PARKING LOT."
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"I GUESS I'M DOWN FOR A PICNIC
AT THE ABANDONED QUARRY, BUT WHY
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DO I NEED TO BRING ZIP TIES AND
GARBAGE BAGS?"
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SO IN ORDER TO DATE DURING
QUARANTINE, I'VE ACTUALLY BEEN
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00:03:58,605 --> 00:04:00,907
SPEED DATING LIVE ON MY
INSTAGRAM.
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00:04:00,907 --> 00:04:05,746
WHICH IS DEPRESSING BUT ALSO
HUMILIATING!
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00:04:05,746 --> 00:04:08,048
AND I THOUGHT YOU MIGHT ENJOY
COMING ON AN INTERNET DATE RIDE
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ALONG WITH ME, SO IT'S TIME FOR
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NIKKI'S QUICKIES.
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♪
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>> YEAH, LET'S DO THIS. HI!
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>> HEY, NIKKI, HOW'S IT GOING?
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>> I'M GOOD, HOW ARE YOU?
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>> THANK YOU, GREAT TO MEET YOU.
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00:04:27,234 --> 00:04:30,904
>> HIS BACKGROUND KIND OF
INTIMIDATED ME AT FIRST.
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IT LOOKED LOOK HE WAS SHOOTING A
BEHEADING VIDEO FOR AL QAEDA,
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THEN HE WAS THE NICEST GUY EVER.
CAN I MEET YOUR MOM?
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>> YOU WANT ME TO GET HER RIGHT
NOW?
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>> YEAH.
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>> I GOT TO GET UP CAREFULLY.
I DON'T HAVE PANTS ON OR
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ANYTHING, HOLD ON.
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>> OH, MY!
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>> NEITHER DO I!
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>> THERE WE GO. HEY.
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>> HI.
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>> HELLO.
WHAT KIND OF GIRL ARE YOU
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LOOKING FOR, FOR YOUR SON?
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00:05:01,902 --> 00:05:04,104
>> A GIRL WHO WOULD TREAT HIM
WELL.
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00:05:04,104 --> 00:05:09,209
WHO WOULD BE HIS SISTER, HIS
FRIEND, HIS LOVER.
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00:05:09,209 --> 00:05:11,144
>> I HEAR YOU HAVE A NICKNAME?
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>> YEAH, BOOTS.
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00:05:12,746 --> 00:05:16,216
>> ALL RIGHT, WELL, WHAT DO YOU
LIKE TO DO FOR FUN?
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>> I STILL DO A LITTLE RESEARCH
WORK ON THE COMPUTER.
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00:05:21,188 --> 00:05:24,791
>> INVESTIGATING BIG FOOT?
I LIKE THAT IT LOOKS LIKE BOOTS
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HAS BEEN IN QUARANTINE SINCE
1977.
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00:05:27,627 --> 00:05:34,401
>> ARE YOU READY TO PLAY
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[ BLEEP ] MARRY, KILL.
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WHICH ONE WOULD YOU LIKE TO DO
TO ME?
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>> MARRY.
DOESN'T MARRY APPLY TO THE OTHER
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ONE?
IF YOU MARRY THEN I [ BLEEP ].
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00:05:45,579 --> 00:05:48,515
>> LET'S BE HONEST, A LOT OF
THEM END IN MURDER.
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WHAT DO YOU DO BESIDES HANG OUT
IN A BASEMENT?
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00:05:52,285 --> 00:05:54,754
>> I'M A TEST ENGINEER FOR
PANERA.
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00:05:54,754 --> 00:05:58,158
THERE ARE A FEW THINGS I'M
LOOKING FOR IN THIS JOB.
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00:05:58,158 --> 00:06:01,027
ONE, I'M LOOKING FOR THE CHICKEN
SALAD RECIPE.
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00:06:01,027 --> 00:06:01,561
>> RIGHT.
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00:06:01,561 --> 00:06:04,998
>> BECAUSE THEY HAVE A CHICKEN
SALAD, FANTASTIC, AND THEN THEY
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00:06:04,998 --> 00:06:10,337
CHANGED THE RECIPE, AND THEY
ADDED WALNUTS, AND ALMONDS AND
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00:06:10,337 --> 00:06:14,107
GRAPES, AND I'M LIKE WHAT
MONSTER DID THIS TO ME?
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00:06:14,107 --> 00:06:17,210
>> WHAT ELSE ARE YOU LOOKING
FOR, OTHER THAN SOMEONE TO STAIN
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00:06:17,210 --> 00:06:18,478
THE REST OF THAT FENCE?
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00:06:18,478 --> 00:06:22,916
>> I DON'T KNOW, SOMEONE YOU
COULD BE COMFORTABLE DOING
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NOTHING WITH.
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>> ARE YOU EVER GOING TO BE IN
L.A.?
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>> YEAH, I'M ACTUALLY THERE NEXT
WEEK.
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00:06:28,188 --> 00:06:31,858
>> WE SHOULD HANG OUT.
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>> ALL RIGHT.
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>> MARK PAUL IS UP NEXT.
LET'S SEE WHO THIS IS.
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OH, MY, UH, MARK PAUL GOSSLER?
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>> YOU MUST BE NIKKI.
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>> HI.
I CAN'T BELIEVE I'M ON A DATE
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WITH MARK PAUL GOSSLER RIGHT NOW.
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00:06:54,981 --> 00:06:58,018
>> THAT YOU'RE CALLING THIS A
DATE, THAT'S SO CUTE.
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>> THAT'S WHAT THIS IS.
I'M SPEED DATING WITH PEOPLE.
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00:07:01,187 --> 00:07:05,392
>> WAIT, THIS ISN'T A CHARITY
THING? CAUSE ‐‐
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>> NO.
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00:07:06,159 --> 00:07:10,597
>> THE PRODUCER SAID THAT BY
DOING THIS I WAS GRANTING A WISH
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00:07:10,597 --> 00:07:14,334
TO A VERY SICK WOMAN, IS THAT
NOT WHAT THIS IS?
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00:07:14,334 --> 00:07:20,573
>> UM, WELL, YEAH, I GUESS IN A
WAY THAT'S EXACTLY, THAT'S
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00:07:20,573 --> 00:07:28,581
EXACTLY WHAT THIS IS.
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THANKS.
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00:07:29,217 --> 00:07:29,582
♪
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>> WE'VE GOT A GOOD SHOW FOR YOU
TONIGHT. PARIS HILTON IS HERE.
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PHOEBE ROBINSON IS WITH US.
AND ALSO MY HOUSE BAND TONIGHT
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00:07:35,922 --> 00:07:39,926
LITERALLY LIVE FROM THEIR HOUSE
IN ST. LOUIS ARE MY PARENTS EJ
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00:07:39,926 --> 00:07:46,166
AND JULIE GLASER.
PLAY US OUT, GUYS.
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>> A ONE, TWO.
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♪ YEAH, YEAH, OH, YEAH, MY
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CONDITION, MY CONDITION WAS IN ♪
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00:07:55,575 --> 00:07:56,176
♪ I WOKE UP THIS MORNING WITH
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00:07:56,176 --> 00:07:57,644
THE SUNDOWN ♪
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00:07:57,644 --> 00:07:57,978
♪ POURING IN
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00:08:04,951 --> 00:08:12,592
♪ YEAH, YEAH, OH, YEAH ♪
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00:08:12,592 --> 00:08:15,161
>> Nikki: THANK YOU, MOM AND
DAD.
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00:08:15,161 --> 00:08:21,368
WELCOME BACK TO "JIMMY KIMMEL
LIVE".
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00:08:21,368 --> 00:08:22,936
I'M YOUR HOST FOR THE NIGHT,
NIKKI GLASER.
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00:08:22,936 --> 00:08:24,604
TOMORROW, I'LL BE SPENDING EVEN
MORE TIME WITH MY PARENTS, BUT
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00:08:24,604 --> 00:08:26,439
GEORGE LOPEZ WILL BE HERE
HOSTING WITH HIS GUEST
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00:08:26,439 --> 00:08:28,408
WILLIE NELSON.
MY FIRST GUEST TONIGHT IS A HOTEL
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HEIRESS‐TURNED‐REALITY‐STAR‐
TURNED‐ BUSINESS‐MOGUL, WITH A
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00:08:30,310 --> 00:08:31,745
NEW AND UNEXPECTEDLY REVEALING
DOCUMENTARY THAT I CAN'T STOP
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00:08:31,745 --> 00:08:35,348
THINKING ABOUT.
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00:08:35,348 --> 00:08:41,287
>> NO ONE REALLY KNOWS WHO I AM.
SOMETHING HAPPENED IN MY
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CHILDHOOD THAT I'VE NEVER TALKED
ABOUT WITH ANY ONE.
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00:08:45,225 --> 00:08:50,964
I STILL HAVE NIGHTMARES ABOUT IT.
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00:08:50,964 --> 00:08:56,202
>> Nikki: "THIS IS PARIS"
PREMIERS SENT 14th ON YOUTUBE.
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00:08:56,202 --> 00:08:56,870
HI, PARIS.
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00:08:56,870 --> 00:08:59,806
>> HELLO.
SO GOOD TO SEE YOU.
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00:08:59,806 --> 00:09:04,044
>> Nikki: SO GOOD TO SEE YOU,
TOO. HOW ARE YOU FEELING WITH THE
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00:09:04,044 --> 00:09:09,416
ANTICIPATION OF THIS COMING OUT?
BECAUSE THERE ARE SOME PRETTY
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00:09:09,416 --> 00:09:11,651
REVELATORY THINGS COMING OUT,
HOW ARE YOU FEELING RIGHT NOW?
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00:09:11,651 --> 00:09:15,221
>> I'M EXCITED, ALSO VERY
NERVOUS GIVEN THE TOPICS
165
00:09:15,221 --> 00:09:18,792
DISCUSSED IN THIS FILM, BECAUSE
IT'S THINGS I'VE NEVER TALKED
166
00:09:18,792 --> 00:09:21,661
ABOUT.
REALLY PERSON AND TRAUMATIC
167
00:09:21,661 --> 00:09:24,497
EXPERIENCES.
TO TALK ABOUT THAT PUBLICLY IS
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00:09:24,497 --> 00:09:29,069
OBVIOUSLY VERY HARD.
169
00:09:29,069 --> 00:09:31,504
>> Nikki: IT S IS.
YOU REALLY GO THERE.
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00:09:31,504 --> 00:09:37,143
AND YOU'VE REALLY GONE THERE IN
REALITY SHOWS AND VERSIONS OF
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00:09:37,143 --> 00:09:41,014
YOURSELF.
YOU'VE PEEL ED IT BACK FROM "TH
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00:09:41,014 --> 00:09:46,653
SIMPLE LIFE" WHERE WE WERE FIRST
EXPOSED TO YOU.
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00:09:46,653 --> 00:09:50,023
WHAT IS IT LIKE BEING ON CAMERA
IN SUCH A REAL WAY?
174
00:09:50,023 --> 00:09:52,392
I REALLY FEEL LIKE WE GOT TO
KNOW WHO YOU ARE.
175
00:09:52,392 --> 00:09:55,895
HOW IS THAT TRANSITIONED FROM
BEING FOLLOWED AROUND ALL DAY
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00:09:55,895 --> 00:09:57,130
AND BEING YOU?
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00:09:57,130 --> 00:10:02,001
>> OBVIOUSLY, I'M USED TO BEING
ON CAMERA FROM BEING ON CAMERA
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00:10:02,001 --> 00:10:04,904
FOR SO LONG, BUT I'VE ALWAYS
BEEN A NATURALLY SHY PERSON, SO
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00:10:04,904 --> 00:10:08,575
I LOVED INVENTING THIS CHARACTER
AND PLAYING THAT CHARACTER, AND
180
00:10:08,575 --> 00:10:12,745
TO ACTUALLY BE MYSELF WAS A
COMPLETELY DIFFERENT EXPERIENCE,
181
00:10:12,745 --> 00:10:16,015
BUT ALSO ALMOST THERAPEUTIC IN
SOME WAY, WHERE I LEARNED SO
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00:10:16,015 --> 00:10:19,752
MUCH ABOUT MYSELF THAT I HAD NO
IDEA OF, YOU KNOW, WHY I AM THE
183
00:10:19,752 --> 00:10:22,890
WAY I AM.
AND NOW I UNDERSTAND MYSELF SO
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00:10:22,890 --> 00:10:23,223
MUCH MORE.
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00:10:23,223 --> 00:10:27,427
>> YEAH, I FEEL LIKE EVERYONE
WILL UNDERSTAND YOU MORE.
186
00:10:27,427 --> 00:10:31,364
I FEEL LIKE I WAS ALREADY A HUGE
FAN GOING INTO IT, I WAS LIKE, I
187
00:10:31,364 --> 00:10:35,068
KNOW THE REAL HER, AND THEN I
WAS LIKE, OH, NO, I DID NOT.
188
00:10:35,068 --> 00:10:39,305
IT'S TAKEN ME EVERYTHING NOT TO
SEND MY SECRET LINK TO ALL MY
189
00:10:39,305 --> 00:10:42,242
FRIENDS AND BE LIKE, WE NEED TO
WATCH THIS AND DISCUSS.
190
00:10:42,242 --> 00:10:47,680
I'M SO EXCITED FOR PEOPLE TO SEE
IT. WHAT HAVE YOU BEEN UP TO IN
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00:10:47,680 --> 00:10:49,983
QUARANTINE?
YOU ARE AT YOUR MANOR WHICH YOU
192
00:10:49,983 --> 00:10:52,285
CALL YOUR HOUSE.
WHAT ARE YOU DOING ALL DAY?
193
00:10:52,285 --> 00:10:56,523
BECAUSE ARE YOU A WORKAHOLIC,
WHICH WE LEARN IN THE
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00:10:56,523 --> 00:10:58,158
DOCUMENTARY.
HOW HAS THIS BEEN NOT BEING ABLE
195
00:10:58,158 --> 00:10:59,425
TO WORK AS MUCH?
196
00:10:59,425 --> 00:11:03,463
>> I'M USED TO BEING ON A PLANE
197
00:11:03,463 --> 00:11:10,803
250 DAYS A YEAR AND TRAVELING.
THIS IS THE FIRST TIME SINCE
198
00:11:10,803 --> 00:11:13,173
BEING A LITTLE KID THAT I'M
STUCK IN ONE PLACE.
199
00:11:13,173 --> 00:11:17,410
SO JUST BEING HOME, A LOT OF
ART, A LOT OF COOKING, SPENDING
200
00:11:17,410 --> 00:11:21,447
TIME WITH MY PETS AND MY
BOYFRIEND.
201
00:11:21,447 --> 00:11:24,951
STILL MAKING THE MOST OF IT.
202
00:11:24,951 --> 00:11:26,986
>> Nikki: WE GET IT, YOU HAVE A
BOYFRIEND. STOP BRAGGING.
203
00:11:26,986 --> 00:11:30,790
YOU GUYS ARE SO CUTE, TELL ME
WHAT IT'S LIKE TO HAVE A
204
00:11:30,790 --> 00:11:32,058
BOYFRIEND IN QUARANTINE?
205
00:11:32,058 --> 00:11:35,428
>> CHILL TOGETHER, WE WATCH "THE
SIMPLE LIFE."
206
00:11:35,428 --> 00:11:40,633
HE'S NOT LIKE A REALITY PERSON.
HE'S AN INTELLECTUAL MAN.
207
00:11:40,633 --> 00:11:49,175
TO SEE HIM WATCITH SOMETHING LI
208
00:11:49,175 --> 00:11:52,111
THAT IS FUN.
209
00:11:52,111 --> 00:11:53,746
>> Nikki: YOU'RE SUCH A SEX
SYMBOL TO ME AT LEAST.
210
00:11:53,746 --> 00:11:57,150
I LOVE THAT YOU WERE GIVEN A
NICKNAME IN YOUR LIFE, I'D LOVE
211
00:11:57,150 --> 00:12:03,723
IF YOU'D SHARE THAT WITH US.
BECAUSE IT ACTUALLY EMPOWERED ME.
212
00:12:03,723 --> 00:12:07,694
>> MY NICKNAME IS MS. BLUE
BALLER.
213
00:12:07,694 --> 00:12:12,865
>> Nikki: NOW EXPLAIN THAT AN
ILL WILL BIT.
214
00:12:12,865 --> 00:12:17,303
I THINK WE CAN GET THERE ON OUR
OWN. YOU DON'T GIVE IT UP EASILY.
215
00:12:17,303 --> 00:12:19,372
YOU MAKE THEM WAIT FOR IT.
216
00:12:19,372 --> 00:12:24,010
>> YES, MY MOM ALWAYS TAUGHT ME
SINCE I WAS A LITTLE GIRL GUYS
217
00:12:24,010 --> 00:12:27,680
WANT WHAT THEY CAN'T HAVE.
I'VE ALWAYS BEEN VERY PRUDE IN
218
00:12:27,680 --> 00:12:29,549
THAT WAY.
YES, I LIKE TO KISS AND MAKE
219
00:12:29,549 --> 00:12:32,885
OUT, BUT THAT'S IT.
SO I FEEL THAT MOST GIRLS ARE
220
00:12:32,885 --> 00:12:35,488
NOT LIKE THAT, SO GUYS ARE NOT
USED TO IT.
221
00:12:35,488 --> 00:12:40,193
BUT I'M SO HAPPY MY MOM TAUGHT
ME THAT, I'M GOING TO TEACH MY
222
00:12:40,193 --> 00:12:43,096
DAUGHTER THE SAME THING.
I THINK IT'S WAY HOTTER.
223
00:12:43,096 --> 00:12:47,533
>> Nikki: I NEEDED YOU TO TEACH
ME THAT. IT'S A STRUGGLE.
224
00:12:47,533 --> 00:12:50,903
GIRLS FEEL PRESSURED TO DO
SOMETHING THEY DON'T WANT TO DO.
225
00:12:50,903 --> 00:12:54,440
SINCE WE'VE HAD THAT
CONVERSATION I'VE BEEN MAKING
226
00:12:54,440 --> 00:12:57,944
OUT AND TRYING TO KEEP IT AT
THAT. I LEARNED HOW TO SURVEIL
227
00:12:57,944 --> 00:13:00,280
BOYFRIENDS.
I LOVE THAT YOU GET A NEW
228
00:13:00,280 --> 00:13:03,216
COMPUTER FOR EVERY GUY YOU DATE.
THAT WAS AWESOME.
229
00:13:03,216 --> 00:13:06,486
YOU HAVE STACKS AND STACKS OF
COMPUTERS, JUST BOUGHT TRUST
230
00:13:06,486 --> 00:13:09,589
ISSUES THAT YOU TALK ABOUT IN
THE DOCUMENTARY, YOU KIND OF
231
00:13:09,589 --> 00:13:11,658
REVEAL.
YOU HAVE A LOT OF FOOTAGE OF
232
00:13:11,658 --> 00:13:15,228
THEM.
YOU WOULD SET UP CAMERAS JUST TO
233
00:13:15,228 --> 00:13:17,163
HAVE THEM IF THEY WERE AT YOUR
PLACE.
234
00:13:17,163 --> 00:13:20,700
DID YOU SIT THERE AND REVIEW
FOOTAGE AND HAVE TO WATCH IT FOR
235
00:13:20,700 --> 00:13:22,335
HOURS AND HOURS?
236
00:13:22,335 --> 00:13:25,171
>> NO, I ACTUALLY ONLY DID THAT
TO ONE PERSON.
237
00:13:25,171 --> 00:13:26,839
I JUST DON'T TRUST CERTAIN
PEOPLE.
238
00:13:26,839 --> 00:13:30,310
IF I'M GOING TO HAVE TO GO OUT
AND WORK AND THEY'RE GOING TO BE
239
00:13:30,310 --> 00:13:33,913
ALONE IN MY ROOM, I DON'T WANT
THEN GOING THROUGH ALL MY THINGS.
240
00:13:33,913 --> 00:13:37,150
I WANTED TO SEE WHAT WAS
HAPPENING WHILE I WAS AT WORK
241
00:13:37,150 --> 00:13:39,819
SOY DON'T HAVE TO WORRY.
242
00:13:39,819 --> 00:13:44,924
>> Nikki: I LOVE, LOVE, LOVED
YOUR DOCUMENTARY, "THIS IS
243
00:13:44,924 --> 00:13:46,759
PARIS" ON SEPTEMBER 14 ON
YOUTUBE.
244
00:13:46,759 --> 00:13:50,263
PEOPLE ARE GOING TO FREAK.
THANK YOU SO MUCH FOR SHARING SO
245
00:13:50,263 --> 00:13:53,066
MUCH OF YOURSELF AND BEING YOU.
I LOVE YOU, PARIS.
246
00:13:53,066 --> 00:13:54,867
>> I LOVE YOU.
247
00:13:54,867 --> 00:14:01,843
>> Nikki: WE'LL BE RIGHT BACK
WITH PHOEBE ROBINSON.
248
00:14:01,843 --> 00:14:02,208
♪
249
00:14:02,208 --> 00:14:03,743
♪ FAIRY TALES CAN COME TRUE
250
00:14:03,743 --> 00:14:04,747
♪ CAN HAPPEN TO YOU
251
00:14:04,747 --> 00:14:05,111
♪
252
00:14:12,518 --> 00:14:13,686
♪ THE BEST PART
253
00:14:13,686 --> 00:14:16,089
♪ YOU HAD A HEAD START
254
00:14:16,089 --> 00:14:19,959
♪ IF YOU ARE AMONG THE VERY
255
00:14:19,959 --> 00:14:21,527
YOUNG AT HEART ♪
256
00:14:21,527 --> 00:14:26,466
>> Nikki: WELCOME BACK TO "JIMMY
KIMMEL LIVE".
257
00:14:26,466 --> 00:14:27,767
I'M TONIGHT'S SUB, NIKKI GLASER.
MY NEXT GUEST IS A COMEDIAN,
258
00:14:27,767 --> 00:14:28,901
BEST‐SELLING AUTHOR AND FORMER
DOPE QUEEN WHO LAUNCHED A
259
00:14:28,901 --> 00:14:31,938
BRAND‐NEW BOOK IMPRINT CALLED
"TINY REPARATIONS BOOKS"
260
00:14:31,938 --> 00:14:33,673
AND STARTING NEXT MONTH, YOU CAN
LISTEN TO HER NEW PODCAST "BLACK
261
00:14:33,673 --> 00:14:39,746
FRASIER."
PLEASE WELCOME PHOEBE ROBINSON.
262
00:14:39,746 --> 00:14:40,613
HI, PHOEBE.
263
00:14:40,613 --> 00:14:43,516
>> NIKKI, HI, QUEEN!
264
00:14:43,516 --> 00:14:47,053
>> Nikki: I'M READING YOUR BOOK
RIGHT NOW, SOY FEEL LIKE I'VE
265
00:14:47,053 --> 00:14:49,088
BEEN TALKING TO YOU LIKE EVERY
DAY.
266
00:14:49,088 --> 00:14:54,927
SO IT'S SO GOOD TO TALK TO YOU.
I WANT TO QUICKLY ASK.
267
00:14:54,927 --> 00:14:59,532
YOU'RE FRIENDS WITH A LOT OF
FAMOUS PEOPLE, PHOEBE.
268
00:14:59,532 --> 00:15:02,535
LITTLE BIT.
I JUST INTERVIEWED PARIS HILTON,
269
00:15:02,535 --> 00:15:06,105
AND I REALLY WANT TO BECOME
FRIENDS WITH HER, HOW DO I GO
270
00:15:06,105 --> 00:15:08,977
ABOUT DOING THAT?
HOW DO YOU TAKE IT TO THE NEXT
271
00:15:08,977 --> 00:15:09,342
LEVEL?
272
00:15:09,342 --> 00:15:16,749
>> I AM VERY LOOSELY FRIENDS
WITH MICHELLE OBAMA, WHICH IS
273
00:15:16,749 --> 00:15:21,154
TRULY WILD TO KNME.
THE KEYS TO THAT ARE DON'T BE
274
00:15:21,154 --> 00:15:26,559
THIRSTY AND HOLD IN EVERY SINGLE
FART WHEN YOU ARE AROUND THEM.
275
00:15:26,559 --> 00:15:32,532
I HAVE ENGAGED MY CORE SO MUCH
WHEN I'M AROUND, IT'S WILD.
276
00:15:32,532 --> 00:15:35,568
>> Nikki: DO YOU, LIKE HOW ARE
YOU FRIENDS WITH HER?
277
00:15:35,568 --> 00:15:38,704
WHAT IS THE FRIENDSHIP?
HOW OFTEN DO YOU GUYS TALK?
278
00:15:38,704 --> 00:15:42,708
>> EVERY FEW MONTHS WE'LL CHECK
IN. WE HAVE EACH OTHER'S PHONE
279
00:15:42,708 --> 00:15:44,210
NUMBERS.
SHE'S IN MY PHONE UNDER LIKE A
280
00:15:44,210 --> 00:15:48,915
CODE NAME, AND I'M ALWAYS SO
TERRIFIED WHEN I TEXT HER.
281
00:15:48,915 --> 00:15:53,319
I PROOFREAD IT.
I DO ALL THE THINGS, YOU KNOW.
282
00:15:53,319 --> 00:15:53,886
IT'S SCARY.
283
00:15:53,886 --> 00:15:57,457
>> Nikki: THE WHOLE THING.
OH, MY GOSH.
284
00:15:57,457 --> 00:16:01,694
IT'S SO, IT'S A DELICATE THING
TO HAVE SOMEONE THAT'S, I'D BE
285
00:16:01,694 --> 00:16:09,068
SO SCARED TO ACCIDENTLY FACE
TIME HER.
286
00:16:09,068 --> 00:16:12,472
I'M READING YOUR BOOK
"EVERYTHING'S TRASH" RIGHT NOW.
287
00:16:12,472 --> 00:16:16,642
IT'S SO FREAKING GOOD.
I'M SO EXCITED FOR YOUR NEW BOOK
288
00:16:16,642 --> 00:16:24,517
IN PRINT THAT YOU ARE ALSO R
RELEASING, YOU'RE WRITING A BOOK
289
00:16:24,517 --> 00:16:25,184
ABOUT QUARANTINE IN QUARANTINE.
290
00:16:25,184 --> 00:16:29,689
>> YEAH, IT'S CALLED "SIX FEET
APART."
291
00:16:29,689 --> 00:16:35,161
I HAVE ESSAYS LIKE WAIVE YOUR
ISSUES LIKE BLACK EXCELLENCE AND
292
00:16:35,161 --> 00:16:39,465
QUARANTINING WITH MY BOYFRIEND
OF THREE YEARS, AND, YOU KNOW,
293
00:16:39,465 --> 00:16:42,835
IT'S GOOD. BUT IT'S A LOT.
YOU KNOW, TO BE IN AN APARTMENT
294
00:16:42,835 --> 00:16:47,673
FOR ALMOST FIVE MONTHS, IT'S
LIKE, THAT'S TOO MUCH.
295
00:16:47,673 --> 00:16:50,543
>> Nikki: IT'S SO MUCH.
IT'S KIND OF LIKE WHAT I AM
296
00:16:50,543 --> 00:16:53,312
LOOKING FORWARD TO FOR THE NEXT
TIME THIS ALL GOES DOWN.
297
00:16:53,312 --> 00:16:57,683
I'D LIKE TO HAVE A PARTNER TO
END UP RESENTING THROUGH IT.
298
00:16:57,683 --> 00:17:02,522
I'M LIVING WITH MY MOM AND DAD
NOW. WHAT IS YOUR WRITING PROCESS
299
00:17:02,522 --> 00:17:05,691
LIKE WITH HIM THERE?
YOU'RE WRITING FROM HOME.
300
00:17:05,691 --> 00:17:08,661
EVERYONE'S TRYING TO WRITE A
BOOK RIGHT NOW.
301
00:17:08,661 --> 00:17:10,296
YOU'RE ACTUALLY DOING IT.
302
00:17:10,296 --> 00:17:14,166
>> IT'S GREAT.
I STAY HOME, SIT ON THE COUCH,
303
00:17:14,166 --> 00:17:16,836
I'M NOT WEARING PANTS.
THIS IS NOT SEXUAL.
304
00:17:16,836 --> 00:17:20,239
THIS IS PROFESSIONAL.
THIS IS HOW I WRITE, AND I HAVE
305
00:17:20,239 --> 00:17:25,645
MY SNACKS, TONIGHT I WANTED TO
BE NICE FOR YOU, SO I'M WEARING
306
00:17:25,645 --> 00:17:27,313
BIKER SHORTS.
307
00:17:27,313 --> 00:17:31,117
>> Nikki: NO.
YES, YES, AMAZING.
308
00:17:31,117 --> 00:17:36,722
THAT OUTFIT ACTUALLY GOES.
YOU LOOK GREAT.
309
00:17:36,722 --> 00:17:39,759
ISN'T THIS SO GREAT?
THIS IS THE FIRST TIME I'VE BEEN
310
00:17:39,759 --> 00:17:43,496
WEARING MAKEUP OR THINK KIND OF
FITTED THING IN MONTHS AND
311
00:17:43,496 --> 00:17:45,865
MONTHS, AND IT'S SO NICE TO GET
A BREAK FROM THAT.
312
00:17:45,865 --> 00:17:52,705
HAVE YOU FOUND IT'S NICE TO
ESCAPE ALL THE PRESSURES OF VYI
313
00:17:52,705 --> 00:17:53,573
TRYING TO LOOK HOT?
314
00:17:53,573 --> 00:17:57,376
>> OH, MY GOSH, I LOOK LIKE
TRASH MOST DAYS.
315
00:17:57,376 --> 00:17:58,978
JUST THROWING IT ALL OUT THERE.
316
00:17:58,978 --> 00:18:01,013
>> Nikki: WE GOT IT TOGETHER FOR
ALL THIS.
317
00:18:01,013 --> 00:18:08,721
>> I ALWAYS HAVE A ZIT PATCH ON
JUST IN CASE. JUST IN CASE.
318
00:18:08,721 --> 00:18:10,690
>> Nikki: PREEMPTIVELY.
319
00:18:10,690 --> 00:18:11,257
>> YEAH.
320
00:18:11,257 --> 00:18:20,366
>> Nikki: YOU HAVE A NEW VICE
321
00:18:20,366 --> 00:18:26,673
POD
ADVICE PRODODCAST CALLED "BLACK
322
00:18:26,673 --> 00:18:27,006
FRASIER."
323
00:18:27,006 --> 00:18:29,041
>> NEVER SEEN IT.
NEVER SEEN IT.
324
00:18:29,041 --> 00:18:33,646
>> Nikki: I MOVE THAT YOU'VE
NEVER SEEN IT, AND IT'S SUCH A
325
00:18:33,646 --> 00:18:36,582
GREAT NAME BECAUSE YOU HAVE NO
INFORMATION ABOUT FRASIER OTHER
326
00:18:36,582 --> 00:18:39,085
THAN THE COVER OF THE DVD.
327
00:18:39,085 --> 00:18:45,524
>> MY BOYFRIEND LOVES THE SHOW,
AND I ALWAYS GIVE ADVICE, SO I'M
328
00:18:45,524 --> 00:18:49,962
LIKE A BLACK FRAS.
GO FOR IT, BABE.
329
00:18:49,962 --> 00:18:53,466
>> Nikki: I WAS ON A FLIGHT
YESTERDAY, MET A CUTE GUY.
330
00:18:53,466 --> 00:18:56,869
THREE HOURS INTO THE FLIGHT OF
TALKING THE WHOLE TIME HE
331
00:18:56,869 --> 00:19:00,006
REVEALS HE HAS A GIRLFRIEND,
THREE HOURS IN.
332
00:19:00,006 --> 00:19:02,742
WHAT WOULD YOU DO IN THAT MOMENT?
333
00:19:02,742 --> 00:19:06,479
>> YOU KNOW WHAT?
IF HE WAS DRINKING A MOUNTAIN
334
00:19:06,479 --> 00:19:11,017
DEW, I WOULD HAVE POURED IT ON
HIS LAP. THAT IS RUDE AS HELL.
335
00:19:11,017 --> 00:19:15,821
WE ARE IN THE AGE OF CORONA.
EVERYTHING IS WAY STRESSFUL.
336
00:19:15,821 --> 00:19:20,126
IF YOU ARE IN A RELATIONSHIP, DO
NOT TALK TO ME, I DON'T WANT
337
00:19:20,126 --> 00:19:22,862
FRIENDS RIGHT NOW.
I DON'T WANT THEM. NO THANKS.
338
00:19:22,862 --> 00:19:25,598
>> Nikki: YOU KNOW WHAT I DID?
NOTHING.
339
00:19:25,598 --> 00:19:27,967
I CONTINUED THE CONVERSATION
UNTIL WE LANDED AND WASTED MORE
340
00:19:27,967 --> 00:19:30,903
OF MY TIME.
I COULD HAVE USED YOU.
341
00:19:30,903 --> 00:19:37,009
SINCE READING YOUR BOOK, YOUR
VOICE IS IN MY HEAD ALL THE TIME.
342
00:19:37,009 --> 00:19:40,479
YOU'RE SO FREAKIN' FUNNY.
I CAN'T WAIT FOR YOUR NEW BOOK.
343
00:19:40,479 --> 00:19:45,317
CAN'T WAIT FOR YOUR PODCAST,
THANK YOU FOR BEING HERE TONIGHT.
344
00:19:45,317 --> 00:19:50,489
>> THANK YOU FOR HAVING ME.
YOU'RE A GEM. I LOVE YOU
345
00:19:50,489 --> 00:19:52,491
♪ I'M GOING TO TAKE MY HORSE TO
346
00:19:52,491 --> 00:19:53,225
♪ I'M GOING TO RIDE UNTIL I
347
00:19:53,225 --> 00:19:53,739
CAN'T NO MORE ♪
348
00:19:58,798 --> 00:20:01,000
>> THAT'S ALL THE TIME WE HAVE.
I'D LIKE TO THANK PARIS HILTON,
349
00:20:01,000 --> 00:20:03,302
PHOEBE ROBINSON,
MARC PAUL GOSSELAAR, MY PARENTS
350
00:20:03,302 --> 00:20:06,038
AND OF COURSE, JIMMY KIMMEL.
MY APOLOGIES TO JENNIFER ANISTON
351
00:20:06,038 --> 00:20:09,842
WE RAN OUT OF TIME.
GEORGE LOPEZ WILL HOST TOMORROW.
352
00:20:09,842 --> 00:20:13,342
"NIGHTLINE" IS NEXT.
THANKS FOR WATCHING. GOODNIGHT.
29726
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