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>>> FROM ROCKEFELLER CENTER IN
THE HEART OF NEW YORK CITY, IT'S
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00:00:21,788 --> 00:00:24,858
"THE TONIGHT SHOW" STARRING
JIMMY FALLON
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JOIN JIMMY AND HIS GUESTS WILL
ARNETT
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00:00:27,828 --> 00:00:31,465
MICHAELA COEL.
H. E. R. THE LEGENDARY ROOTS CREW
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00:00:31,465 --> 00:00:44,211
AND NOW HERE'S YOUR HOST, JIMMY
FALLON
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GUESTS, GOOD TO SEE YOU, GUYS.
WELCOME BACK
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00:01:00,394 --> 00:01:02,462
THANK YOU, EVERYONE, FOR TUNING
IN
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WELCOME TO T"THE TONIGHT SHOW."
LET'S GET TO SOME NEWS
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00:01:05,666 --> 00:01:08,468
EVERYBODY IS TALKING ABOUT THIS.
YESTERDAY PRESIDENT TRUMP DID AN
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00:01:08,468 --> 00:01:13,407
INTERVIEW ON FOX NEWS WHERE HE
AGAIN TRIED TO DEFEND HIS OWN
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00:01:13,407 --> 00:01:15,809
MENTAL FITNESS BY EXPLAINING THE
COGNITIVE TEST THAT HE TOOK,
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WATCH THIS.
>> 30 OR 35 QUESTIONS.
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00:01:20,180 --> 00:01:27,287
I LIKE A MEMORY QUESTION
IT'S LIKE YOU'LL GO PERSON,
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WOMAN, MAN, CAMERA, TV
SO LET'S SAY COULD YOU REPEAT
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THAT
SO IT'S PERSON, WOMAN, MAN,
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00:01:35,262 --> 00:01:37,931
IF YOU GET IT IN ORDER, YOU GET
EXTRA POINTS
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OKAY, NOW HE'S ASKING YOU OTHER
QUESTIONS.
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GIVE US THAT AGAIN
PERSON, WOMAN, MAN, CAMERA, TV
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00:01:44,237 --> 00:01:54,815
IT'S ACTUALLY NOT THAT EASY, BUT
FOR ME IT WAS EASY
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00:01:54,815 --> 00:01:57,985
>> Jimmy: WE COULD HAVE SHOWN
YOU MORE BUT OUR SHOW IS ONLY AN
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00:01:57,985 --> 00:02:00,954
HOUR
WHAT IS HE DOING
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00:02:00,954 --> 00:02:04,658
IT SOUNDS LIKE SOMEONE PLAYING
CHARADES AFTER POUNDING
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CHARDONNAY
MAN, CAMERA, WOMAN, IS IT A
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00:02:07,060 --> 00:02:09,796
BOOK, IS IT A MOVIE?
I ACTUALLY FEEL A LOT BETTER
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KNOWING THAT THE PRESIDENT OF
THE UNITED STATES PASSED
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CONCUSSION PROTOCOL.
IT WAS IMPRESSIVE UNTIL THEY
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00:02:17,137 --> 00:02:21,508
ASKED TRUMP WHAT HE ATE FOR
LUNCH THAT DAY AND HE SAID,
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00:02:21,508 --> 00:02:27,714
"PERSON, WOMAN, MAN, CAMERA,
TV."
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I WISH WE COULD SEE TRUMP ANSWER
SOME OF THE QUESTIONS IN WRITTEN
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PORTIONS, BECAUSE I KNOW IT
LOOKS LIKE THIS.
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YEAH, THAT'S IT.
THE ONLY FIVE NAMES TRUMP
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COULDN'T REMEMBER WERE HIS KIDS.
I WANT TO SAY HARRY, ZAYN,
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00:02:46,767 --> 00:02:48,702
NIALL, CAMERA, TV.
HE WAS BEING INTERVIEWED BY ONE
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OF FOX NEWS'S TOP MEDICAL
CONTRIBUTORS DR. MARK SEGAL.
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CAN WE SEE HIS FACE WHEN TRUMP
WAS TALKING?
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YOU CAN TELL HE WAS THINKING, IS
HE HAVING A STROKE, OR AM I?
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YEAH
TRUMP REALLY SEEMED OBSESSED
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00:03:01,281 --> 00:03:04,117
WITH THOSE FIVE WORDS.
IT MAKES SENSE BECAUSE IT TURNS
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00:03:04,117 --> 00:03:06,019
OUT HE SPENT A LOT OF TIME
STUDYING FOR THE TEST, CHECK
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00:03:06,019 --> 00:03:07,621
THIS OUT.
>> CAN YOU HELP US
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>> YEAH.
>> CAN YOU SAY ‐
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>> PERSON, WOMAN, MAN, CAMERA,
TV
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>> SO IT'S PERSON, WOMAN, MAN,
CAMERA, TV
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>> HOORAY!
>> PERSON, WOMAN, MAN, CAMERA,
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TV
>> AGAIN
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>> PERSON, WOMAN, MAN, CAMERA,
TV
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>> ONE MORE TIME
>> PERSON, WOMAN, MAN, CAMERA,
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TV
>> HE DID IT, WE DID IT, YAY
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>> BECAUSE I'M DOCOGNITIVELY
THERE.
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>> Jimmy: WE DID IT!
WE DID IT!
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LISTEN TO THIS
EARLIER TODAY JOE BIDEN RELEASED
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A VIDEO WHERE HE SAT DOWN WITH
FORMER PRESIDENT OBAMA
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THEY TALKED ABOUT A RANGE OF
ISSUES LIKE HEALTH CARE, THE
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00:04:06,780 --> 00:04:08,515
ECONOMY, AND OF COURSE THE COVID
PANDEMIC
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00:04:08,515 --> 00:04:11,017
YOU CAN TELL THEY'RE TAKING
COVID SERIOUSLY BECAUSE OF HOW
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00:04:11,017 --> 00:04:12,786
FAR APART THEY SAT FOR THE
INTERVIEWS
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THIS IS REAL, TAKE A LOOK.
WOW.
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WOW.
OBAMA HASN'T DISTANCED HIMSELF
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00:04:23,497 --> 00:04:27,100
FROM BIDEN LIKE THAT SINCE THE
FIRST TEN DEMOCRATIC DEBATE.
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00:04:27,100 --> 00:04:30,270
USUALLY IN A MEETING THIS FAR
APART, ONE PERSON IS STROKING A
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00:04:30,270 --> 00:04:35,509
CAT WHILE THE OTHER IS BEING
LOWERED INTO A BARRACUDA TANK.
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00:04:35,509 --> 00:04:38,345
LAST TIME YOU LAUGH WITH ME, MR.
BOND
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SPORTS NEWS, EARLIER TONIGHT
MAJOR LEAGUE BASEBALL MADE ITS
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OFFICIAL RETURN, AND IT'S CLEAR
THIS SEASON'S GOING TO LOOK
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PRETTY DIFFERENT.
>> STADIUM SEATS WILL BE EMPTY,
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00:04:47,420 --> 00:04:50,390
REPLACED IN SOME CITIES BY
CARDBOARD CUTOUTS.
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00:04:50,390 --> 00:04:53,326
CELEBRATIONS WILL BE DISTANCED
COACHES WILL BE MASKED
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00:04:53,326 --> 00:04:56,163
>> Jimmy: YEAH, BASEBALL IS
BACK
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OR AS THE PRESIDENT PUT IT ‐‐
BAT, GLOVE, BALL, HOT DOGS, TV
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FANS HAVE TO STAY HOME, BUT IF
YOU WANT TO FEEL LIKE YOU'RE
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00:05:06,339 --> 00:05:10,177
THERE, SPEND 40 BUCKS ON POPCORN
AND HAVE YOUR KIDS SPILL HALF OF
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IT ON THE FLOOR.
THE NBA HAS SEALED EVERYONE IN A
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00:05:12,913 --> 00:05:17,284
BUBBLE IN ONE LOCATION, MAJOR
LEAGUE BASEBALL IS JUST LIKE,
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LET'S SEE HOW THIS GOES, BABY!
THIS IS INTERESTING, THOUGH.
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FOX ANNOUNCED THAT THEY'RE GOING
TO SHOW CGI FANS IN THE STANDS
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00:05:25,592 --> 00:05:28,428
YEAH
THAT WILL BE WEIRD WHEN A
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00:05:28,428 --> 00:05:34,000
PITCHER GETS HECKLE BY THE CAST
OF "TOY STORY.
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I DON'T ‐‐ I DON'T ‐‐
>> YEAH, LET IT GO, LET IT GO.
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LET IT GO.
>> Jimmy: ALL RIGHT.
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WELL ‐‐ ALL RIGHT.
HERE ‐‐ LET ME GET THIS STRAIGHT
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HERE
>> OH, MAN
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>> Jimmy: DUST OFF THE OLD CLIFF
CLAVEN IMPERSONATION
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00:06:04,197 --> 00:06:05,732
WASHINGTON'S NFL TEAM ANNOUNCED
A TEMPORARY NAME FOR THIS
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00:06:05,732 --> 00:06:07,801
SEASON.
>> THIS JUST IN, BASICALLY
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00:06:07,801 --> 00:06:11,805
WASHINGTON IS GOING TO GO WITH
AN INTERIM NAME DURING THE 2020
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00:06:11,805 --> 00:06:16,743
SEASON
IT WILL CALL ITSELF THE
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00:06:16,743 --> 00:06:21,548
WASHINGTON FOOTBALL TEAM
>> HA HA HA!
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>> Jimmy: WHAT
THAT'S WHAT THEY CAME UP WITH?
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THAT NAME SOUNDS LIKE SOMEONE
TRYING TO TALK ABOUT SPORTS WHO
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KNOWS NOTHING ABOUT SPORTS
I LOVE THE ‐‐ WASHINGTON ‐‐
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00:06:34,561 --> 00:06:39,165
FOOTBALL ‐‐ TEAM
OF COURSE I LOVE THE NEW YORK ‐‐
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00:06:39,165 --> 00:06:41,234
HOCKEY ‐‐ CLUB ‐‐ TEAM TOO
WHAT'S A GOOD NAME
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THE WASHINGTON ‐‐ THE ‐‐ CHERRY
BLOSSOMS
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MAYBE IT IS HARD, I DON'T KNOW.
>> HOW ABOUT THE ‐‐ IS THERE A
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00:06:52,145 --> 00:06:53,680
TEAM THE CAP ‐‐ THE WASHINGTON
CAPITALS
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>> Jimmy: YEAH, THERE IS A TEAM,
A GREAT TEAM.
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00:06:55,115 --> 00:07:00,020
>> YEAH, GREAT, THAT'S WHAT I
THOUGHT.
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00:07:00,020 --> 00:07:04,190
>> Jimmy: WASHINGTON CAPITALS 2.
>> WASHINGTON CAPITALS PART 2.
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00:07:04,190 --> 00:07:07,127
>> Jimmy: DUDE YEAH, EXACTLY
FINALLY, YOU GUYS, YESTERDAY
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00:07:07,127 --> 00:07:09,429
THERE WAS A CRAZY STORM HERE IN
NEW YORK
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00:07:09,429 --> 00:07:11,765
SOMEONE CAPTURED A PRETTY
AMAZING MOMENT AT THE STATUE OF
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LIBERTY, LOOK AT THIS.
WHOA
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OKAY
WORST CASE, THIS DAMAGED THE
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00:07:22,542 --> 00:07:25,278
STATUE OF LIBERTY.
BEST CASE, WE FREAKY FRIDAY WITH
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00:07:25,278 --> 00:07:27,447
CANADA
I'M ACTUALLY A LITTLE WORRIED
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00:07:27,447 --> 00:07:32,585
BECAUSE EVER SINCE THAT
HAPPENED, THE ONLY THING THE
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00:07:32,585 --> 00:07:35,121
STATUE OF LIBERTY CAN SAY IS,
"PERSON, WOMAN, MASK."
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WE HAVE A GREAT SHOW FOR YOU
TONIGHT, WILL ARNETT IS HERE
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00:07:39,159 --> 00:07:43,663
MICHAELA COEL IS HERE.
AND SHE HAS OVER 7.5 BILLION
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00:07:43,663 --> 00:07:44,431
STREAMS, H. E. R. WILL BE
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00:07:44,431 --> 00:07:49,336
PERFORMING
GIVE IT UP FOR THE ROOTS, LADIES
AND GENTLEMEN.
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00:07:50,303 --> 00:07:58,278
♪
♪
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00:07:58,278 --> 00:08:01,247
>> Jimmy: OH, MAN OH MAN, IT
FEELS GOOD TO BE HERE.
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I GOT TO TELL YOU WHAT HAPPENED
LAST NIGHT, THIS IS BIZARRE.
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00:08:06,486 --> 00:08:08,655
AFTER THE SHOW I GOT HOME.
YOU KNOW, PRETTY LATE, READY TO
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00:08:08,655 --> 00:08:12,058
GO TO SLEEP.
I WANTED TO GET IN THE CHRISTMAS
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00:08:12,058 --> 00:08:15,228
SPIRIT
BECAUSE ‐‐ WELL, BECAUSE I HAVE
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A ‐‐ I HAVE A KIDS' BOOK
A CHILDREN'S BOOK COMING OUT
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00:08:21,134 --> 00:08:24,738
I'M THINKING ABOUT DOING
SOMETHING AROUND THE BOOK.
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00:08:24,738 --> 00:08:28,241
I WANTED TO LOOK AT A ‐‐ PUT A
CHRISTMAS MOVIE ON
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SO I SEARCHED APPLE TV OR
NETFLIX OR SOMETHING, LOOKING
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00:08:30,977 --> 00:08:35,148
FOR A MOVIE.
THE FIRST THAT COMES UP IS
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00:08:35,148 --> 00:08:36,750
"CHRISTMAS PEN PAL."
A LIFETIME, YOU KNOW, ONE OF
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00:08:36,750 --> 00:08:41,354
THOSE MOVIES
I LOVE THOSE MOVIES.
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00:08:41,354 --> 00:08:43,390
I LOVE THE MUSHY, ROMANTIC, THE
CORNY, I'M ALL OF THAT, I LOVE
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00:08:43,390 --> 00:08:46,493
IT
I PUT THIS THING ON, THIS MOVIE.
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00:08:46,493 --> 00:08:51,231
IT'S GREAT
I'M WATCHING IT.
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00:08:51,231 --> 00:08:53,533
AND IT'S SARAH DREW, WHO WAS ON
"GREY'S ANATOMY," SHE'S GREAT, I
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00:08:53,533 --> 00:08:57,637
LOVED IT
ACTING WAS GOOD.
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00:08:57,637 --> 00:09:03,109
MICHAEL GROSS WHO IS ALWAYS
THERE FOR ME, "FAMILY TIES."
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00:09:03,109 --> 00:09:06,279
WATCHING THE MOVIE
KIND OF GETTING READY TO GO TO
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SLEEP, THEN THIS COMES UP.
>> OH‐OH.
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>> THEN I GET AN OFFER ON THE
APARTMENT, INSANELY OVER ASKING
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00:09:11,418 --> 00:09:12,419
PRICE, YOU'LL NEVER GUESS WHO
THE BUYER WAS.
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00:09:12,419 --> 00:09:15,889
JIMMY FALLON.
>> NO WAY!
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00:09:15,889 --> 00:09:19,025
I LOVE HIM
>> OH, HE'S GREAT, HE'S GREAT.
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00:09:19,025 --> 00:09:22,796
REALLY SHY, IF YOU CAN BELIEVE
IT
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00:09:22,796 --> 00:09:26,199
>> Jimmy: WAIT, WHAT
THE MOVIE'S FROM 2018.
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00:09:26,199 --> 00:09:28,468
I'D NEVER SEEN IT BEFORE, I DID
NOT PICK THIS THING.
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00:09:28,468 --> 00:09:30,670
I WAS WATCHING THIS LIKE
FREAKING OUT
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00:09:30,670 --> 00:09:32,305
THOUGHT IT WAS LIKE EITHER ‐‐
MAYBE I DIED
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00:09:32,305 --> 00:09:34,574
I DON'T KNOW
MAYBE LIFE ISN'T REAL?
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00:09:34,574 --> 00:09:41,381
I GO, WHAT
DID I JUST HEAR MY NAME?
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00:09:41,381 --> 00:09:42,682
SO I'M IN THIS "CHRISTMAS PEN
PAL.
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00:09:42,682 --> 00:09:50,657
IT'S ABOUT A SMALL TOWN, THEY
HAVE LIKE ‐‐ YOU DON'T WANT TO
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00:09:50,657 --> 00:09:54,828
HEAR THE PLOT OF THE MOVIE
A SMALL TOWN, ALL THE SINGLE
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00:09:54,828 --> 00:09:57,664
PEOPLE PUT THEIR NAMES, LIKE PEN
NAMES, THEY WRITE LOVE LETTERS
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00:09:57,664 --> 00:09:58,665
TO EACH OTHER, HOPING TO FIND
LOVE.
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00:09:58,665 --> 00:10:01,167
>> LETTERS
2018
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00:10:01,167 --> 00:10:03,570
>> Jimmy: YEAH, YEAH, YEAH
A SMALL TOWN, YEAH
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00:10:03,570 --> 00:10:05,972
A POST OFFICE AND EVERYTHING,
THE MAILMAN.
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00:10:05,972 --> 00:10:08,575
HE'S SINGLE, HE CAN GET
INVOLVED
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00:10:08,575 --> 00:10:12,512
SHE HAS A PEN NAME, STARDUST
SOME OTHER PERSON HAS A NAME
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00:10:12,512 --> 00:10:16,950
YOU DON'T KNOW WHO ‐‐ KIND OF
SECRET SANTA, CALLED CHRISTMAS
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00:10:16,950 --> 00:10:19,752
CUPID.
THAT'S NOT THE NAME, IT'S CALLED
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00:10:19,752 --> 00:10:21,821
"CHRISTMAS PEN PAL."
ANYWAY
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00:10:21,821 --> 00:10:27,293
THAT COMES ON AND THE GUY'S
LIKE, YEAH, I SOLD AN OVERPRICED
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00:10:27,293 --> 00:10:30,330
APARTMENT, GUESS WHO, JIMMY
FALLON
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00:10:30,330 --> 00:10:33,099
HE SUCKERED ME INTO BUYING AN
APARTMENT.
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00:10:33,099 --> 00:10:35,902
THEN NICE GUY, I LOVE JIMMY.
SHE SAID, I LOVE HIM TOO
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00:10:35,902 --> 00:10:42,242
HE GOES, HE'S ACTUALLY SHY IN
PERSON
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00:10:42,242 --> 00:10:45,645
I COULD BE SHY, SARAH.
WHY CAN'T I BE ‐‐ ANYWAY, THE
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00:10:45,645 --> 00:10:48,381
WHOLE POINT OF ME BRINGING THIS
UP, LIFETIME, IF YOU'RE
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00:10:48,381 --> 00:10:52,218
WATCHING, IF YOU EVER WANT TO
USE MY NAME, EVER, FOR SOME
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00:10:52,218 --> 00:10:56,789
CASUAL BACKGROUND CONVERSATION
OR WHATEVER, AMBIENT NOISE OVER
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00:10:56,789 --> 00:10:59,859
DINNER, YOU HAVE MORE THAN ANY
PERMISSION, PLEASE PUT IT IN
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00:10:59,859 --> 00:11:03,229
EVERY HOLIDAY MOVIE.
YOU KNOW WHO I JUST SOLD THIS
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00:11:03,229 --> 00:11:06,666
TREE TO?
JIMMY FALLON
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00:11:06,666 --> 00:11:07,967
300 BUCKS, I RIPPED HIM OFF,
UNBELIEVABLE
170
00:11:07,967 --> 00:11:11,671
HEY, HE'S PRETTY SHY IN PERSON
I LOVED IT
171
00:11:11,671 --> 00:11:13,840
I THOUGHT THAT WAS JUST A
BIZARRE THING.
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00:11:13,840 --> 00:11:16,910
I HAD TO TALK ABOUT IT
I WAS LIKE, THIS STUFF THAT
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00:11:16,910 --> 00:11:19,546
HAPPENS TO ME ALL THE TIME, JUST
WEIRD STUFF.
174
00:11:19,546 --> 00:11:21,481
LIKE "THE TRUMAN SHOW" OR
SOMETHING.
175
00:11:21,481 --> 00:11:24,017
THE TV, IS IT WATCHING ME?
>> CRAZY, MAN.
176
00:11:24,017 --> 00:11:26,085
>> Jimmy: IT'S THE END OF THE
WEEK
177
00:11:26,085 --> 00:11:30,123
I WANT TO CATCH YOU UP WITH
PERSONAL STUFF, CHECK MY INBOX,
178
00:11:30,123 --> 00:11:31,658
EMAILS, I SEND OUT THANK YOU
NOTES.
179
00:11:31,658 --> 00:11:34,727
I WAS RUNNING A BIT BEHIND
IF YOU WOULDN'T MIND, I'D LIKE
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00:11:34,727 --> 00:11:36,462
TO WRITE THANK YOU NOTES RIGHT
NOW.
181
00:11:36,462 --> 00:11:44,237
CAN I GET THANK YOU NOTE WRITING
MUSIC, PLEASE?
182
00:11:44,237 --> 00:11:45,171
♪
>> Jimmy: YOU WOULDN'T BELIEVE
183
00:11:45,171 --> 00:11:52,312
WHO I RIPPED OFF.
>> WHO
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00:11:52,312 --> 00:11:54,714
>> Jimmy: CHILI SAL, I LOVED IT,
IT WAS GOOD, MAN
185
00:11:54,714 --> 00:12:00,420
I WAS GOING TO WATCH THE
SEQUEL ‐‐ I'LL STOP TALKING.
186
00:12:00,420 --> 00:12:03,690
THERE WAS A SEQUEL CALLED
"CHRISTMAS A LA MODE
187
00:12:03,690 --> 00:12:10,029
IT WASN'T A SEQUEL, IT WAS A
GUESS HOY JUST SOLD THE DESSERT
188
00:12:10,029 --> 00:12:11,364
TO
THREE SCOOPS, I WAS LAUGHING THE
189
00:12:11,364 --> 00:12:14,234
WHOLE TIME
♪
190
00:12:14,234 --> 00:12:19,772
POWERFUL, POWERFULLY LOUD ON
THAT ONE, WOW.
191
00:12:19,772 --> 00:12:23,476
♪
THANK YOU, TAYLOR SWIFT SURPRISE
192
00:12:23,476 --> 00:12:27,747
2020 ALBUM, DROPPING AT
MIDNIGHT, BEING THE FIRST TIME
193
00:12:27,747 --> 00:12:32,118
HEARING SURPRISE AND 2020 IN THE
SAME SENTENCE HASN'T MADE US ALL
194
00:12:32,118 --> 00:12:37,690
FLINCH
♪
195
00:12:37,690 --> 00:12:40,960
THANK YOU, TACO BELL, FOR
RETIRING YOUR SEVEN‐LAYER
196
00:12:40,960 --> 00:12:43,930
BURRITO.
NOW IF I WANT RICE, BEANS,
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00:12:43,930 --> 00:12:46,232
TOMATOES, LETTUCE, SOUR CREAM,
AND CHEESE, I'LL JUST HAVE TO
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00:12:46,232 --> 00:12:55,074
ORDER LITERALLY ANY OTHER MENU
ITEM
199
00:12:55,074 --> 00:13:00,847
♪
THANK YOU, JOE BIDEN, FOR
200
00:13:00,847 --> 00:13:03,716
CALLING TRUMP THE FIRST RACIST
PRESIDENT.
201
00:13:03,716 --> 00:13:09,389
OR AS NEARLY ANY OTHER PRESIDENT
WOULD PUT IT, YES, THE FIRST
202
00:13:09,389 --> 00:13:15,395
ONE.
♪
203
00:13:15,395 --> 00:13:20,233
THANK YOU, SOCIALLY DISTANCED
SEASON OF "THE BACHELORETTE" FOR
204
00:13:20,233 --> 00:13:24,704
MAKING ABOUT AS MUCH SEASON AS A
DRY SEASON OF "THE JERSEY
205
00:13:24,704 --> 00:13:27,740
SHORE.
WELL, BECAUSE THEY'RE NOT ‐‐ YOU
206
00:13:27,740 --> 00:13:32,545
KNOW
BUT THEY MIGHT
207
00:13:32,545 --> 00:13:36,816
BUT THEY MIGHT
THEY'RE GOING TO HAVE TO
208
00:13:36,816 --> 00:13:44,357
>> YEAH.
>> Jimmy: GOOD POINT
209
00:13:44,357 --> 00:13:47,427
♪ PEOPLE LOVE PEOPLE SO WHY
SHOULD IT BE ♪
210
00:13:47,427 --> 00:13:53,700
♪ YOU AND I SHOULD GET ALONG HM
HM ♪
211
00:13:53,700 --> 00:14:08,981
>> HA HA HA!
♪
212
00:14:08,981 --> 00:14:09,782
>> Jimmy: NO, NO, NO, JUST STOP.
♪
213
00:14:09,782 --> 00:14:11,050
♪ ♪
♪
214
00:14:11,050 --> 00:14:15,088
>> Jimmy: THANK YOU, DRIVE‐IN
MOVIE THEATERS, FOR LETTING US
215
00:14:15,088 --> 00:14:19,258
WATCH MOVIES THE FILMMAKERS
INTENDED, THROUGH A CRACKED
216
00:14:19,258 --> 00:14:26,399
WINDSHIELD COVERED IN BIRD POOP.
THINK IT'S A SHARK
217
00:14:26,399 --> 00:14:28,868
♪
>> Jimmy: THANK YOU, FAKE CROWD
218
00:14:28,868 --> 00:14:30,636
NOISE AT MAJOR LEAGUE BASEBALL
GAMES.
219
00:14:30,636 --> 00:14:34,774
GEEZ, HOW INSECURE ARE THOSE
PLAYERS THAT THEY NEED
220
00:14:34,774 --> 00:14:41,114
ARTIFICIAL AUDIENCE SOUNDS
[ CHEERS AND APPLAUSE
221
00:14:41,114 --> 00:14:42,315
[ LAUGHTER ]
>> Jimmy: THAT'S RIGHT
222
00:14:42,315 --> 00:14:49,989
REAL CROWD, FAKE, I DON'T CARE,
BASEBALL IS BACK, Y'ALL.
223
00:14:49,989 --> 00:14:54,360
I LIKE THAT, ACTUALLY.
BASEBALL IS BACK, Y'ALL.
224
00:14:54,360 --> 00:15:00,833
QWEST, CAN I GET A BEAT?
♪ ONE TWO THREE FOUR ♪
225
00:15:00,833 --> 00:15:05,304
♪ BASEBALL IS BACK Y'ALL ♪
♪ I SAID BASEBALL IS BACK
226
00:15:05,304 --> 00:15:14,580
Y'ALL ♪
♪ GREEN MONSTER 37 FEET TALL ♪
227
00:15:14,580 --> 00:15:18,084
♪ GOT TO SNAP BACK IT'S AT THE
MALL ♪
228
00:15:18,084 --> 00:15:26,159
♪ FAUCI THREW THE FIRST PITCH ♪
♪ EATING ICE CREAM OUT A LITTLE
229
00:15:26,159 --> 00:15:31,764
HELMET ♪
♪ FOUR BALLS MEANS YOU WALK ♪
230
00:15:31,764 --> 00:15:38,971
♪ AND SO DOES THAT TRAP CALL ♪
♪ CATCHERS AND PITCH ERS
231
00:15:38,971 --> 00:15:42,675
PINCH‐HITTERS ♪
♪ I DANCE OFF WITH MASCOTS BUT
232
00:15:42,675 --> 00:15:45,411
NOT WITH A MASK OFF ♪
♪ BECAUSE BASEBALL IS BACK
233
00:15:45,411 --> 00:15:52,852
Y'ALL ♪
♪ SAID BASEBALL IS BACK Y'ALL ♪
234
00:15:52,852 --> 00:15:57,657
♪ WOW WOW WOW ♪
>> Jimmy: WE'LL BE RIGHT BACK
235
00:15:57,657 --> 00:16:01,160
WITH MORE "TONIGHT SHOW,"
EVERYBODY!
236
00:16:01,160 --> 00:16:06,199
♪ BASEBALL IS BACK IT'S BACK
IT'S BACK IT'S REALLY BACK ♪
237
00:16:06,199 --> 00:16:06,532
♪ IT'S BACK ♪
238
00:16:13,372 --> 00:16:20,546
>> Jimmy: OUR FIRST GUEST IS AN
239
00:16:20,546 --> 00:16:23,950
EXECUTIVE PRODUCER ON THE NEW
ANIMATED SHOW CALLED "YOUR DAILY
240
00:16:23,950 --> 00:16:29,188
HOROSCOPE" WHICH YOU CAN SEE
FIVE NIGHTS A WEEK ON QUIBI.
241
00:16:29,188 --> 00:16:34,427
HE ALSO HOSTS A NEW PODCAST
ALONGSIDE JASON BATEMAN AND SEAN
242
00:16:34,427 --> 00:16:37,396
HAYES CALLED "SMARTLESS.
MY FRIEND WILL ARNETT, NICE TO
243
00:16:37,396 --> 00:16:40,600
SEE YOU, BUD, I MISS YOU.
>> GOOD TO SEE YOU TOO, MAN.
244
00:16:40,600 --> 00:16:41,534
>> Jimmy: CONGRATS, YOU HAVE A
NEW BABY BOY
245
00:16:41,534 --> 00:16:45,571
>> I KNOW.
I JUST FOUND OUT
246
00:16:45,571 --> 00:16:49,642
>> Jimmy: SORRY.
I DIDN'T RUIN IT, DID I?
247
00:16:49,642 --> 00:16:53,346
>> NO, NO, I JUST FOUND ‐‐ NO,
NO, IT WAS SO ‐‐ I JUST MET HIM
248
00:16:53,346 --> 00:17:03,956
UPSTAIRS, I'M IN THE BASEMENT.
>> Jimmy: DO YOU GET ALONG
249
00:17:03,956 --> 00:17:04,857
>> I WAS LIKE, HEY, WHO'S THIS
LITTLE GUY
250
00:17:04,857 --> 00:17:05,925
WE GET ALONG GREAT
YEAH WE JUST HAD OUR LITTLE GUY,
251
00:17:05,925 --> 00:17:07,894
DENNY ALEXANDER, WE CALL HIM ‐‐
DENNIS, WE CALL HIM DENNY.
252
00:17:07,894 --> 00:17:08,995
>> Jimmy: NOT AFTER THE ‐‐
>> NOT AFTER THE FAST FOOD
253
00:17:08,995 --> 00:17:15,101
CHAIN.
>> Jimmy: WHY NOT?
254
00:17:15,101 --> 00:17:18,804
>> EVERYBODY ‐‐ EVERYBODY WHO
KNOWS ME KNOWS THAT I'M A FAN OF
255
00:17:18,804 --> 00:17:21,007
THE GRAND SLAM BREAKFAST.
>> Jimmy: ME TOO
256
00:17:21,007 --> 00:17:23,943
>> YEAH.
>> Jimmy: I DON'T THINK I'VE
257
00:17:23,943 --> 00:17:24,744
EVER HAD A BAD TIME AT A
DENNY'S.
258
00:17:24,744 --> 00:17:27,680
>> I DON'T THINK ‐‐ I DON'T
THINK I HAVE EITHER.
259
00:17:27,680 --> 00:17:32,151
>> Jimmy: I LOVE ‐‐ IT HAS
NOTHING TO DO WITH DENNY, BUT
260
00:17:32,151 --> 00:17:34,654
WHY NOT?
PUT HIM IN A COUPLE COMMERCIALS.
261
00:17:34,654 --> 00:17:42,428
>> YOU KNOW WHY?
THE PRICE HASN'T BEEN RIGHT YET.
262
00:17:42,428 --> 00:17:44,397
>> Jimmy: OH MY GOSH
HOW IS IT?
263
00:17:44,397 --> 00:17:49,101
IS IT WEIRD, IS IT DIFFERENT
I MEAN, ARCHIE AND ABEL ARE HOW
264
00:17:49,101 --> 00:17:53,573
OLD NOW?
>> THEY'RE 9 AND 11.
265
00:17:53,573 --> 00:17:56,842
11 AND 9
AND THEY ‐‐ THEY'RE SUPER
266
00:17:56,842 --> 00:17:59,378
PSYCHED TO BE BIG BROTHERS
AND IT'S BEEN CRAZY.
267
00:17:59,378 --> 00:18:02,982
BECAUSE OBVIOUSLY THE WORLD IS
UPSIDE DOWN RIGHT NOW.
268
00:18:02,982 --> 00:18:06,252
SO IT'S BEEN WEIRD ANYWAY.
I FEEL LIKE BEING IN THIS SORT
269
00:18:06,252 --> 00:18:09,655
OF QUARANTINE HAS PREPARED ME.
BECAUSE YOU KNOW WHAT IT'S LIKE.
270
00:18:09,655 --> 00:18:13,459
THOSE FIRST FEW MONTHS OF HAVING
A BABY ARE KIND OF LIKE BEING IN
271
00:18:13,459 --> 00:18:16,662
QUARANTINE ANYWAY.
YOU KIND OF LOCK DOWN.
272
00:18:16,662 --> 00:18:21,267
>> Jimmy: YEAH.
>> THAT'S HOW I FELT ANYWAY, AND
273
00:18:21,267 --> 00:18:25,171
IT'S JUST BECOME DOUBLE THAT, SO
IT'S BEEN OKAY
274
00:18:25,171 --> 00:18:28,240
I FEEL LIKE ALEC BALDWIN IN
"HUNT FOR RED OCTOBER.
275
00:18:28,240 --> 00:18:29,542
I FEEL LIKE THE CAPTAIN OF A
SUBMARINE.
276
00:18:29,542 --> 00:18:32,044
>> Jimmy: STUCK IN THE
SUBMARINE, YEAH.
277
00:18:32,044 --> 00:18:35,881
>> IN A SUBMARINE YOU CAN'T BE
LIKE, I'M GOING TO RUN OUT FOR A
278
00:18:35,881 --> 00:18:37,850
PACK OF BUD.
CAN'T DO THAT.
279
00:18:37,850 --> 00:18:40,152
IN A SUBMARINE.
>> Jimmy: NO, YOU HAVE TO BE
280
00:18:40,152 --> 00:18:42,121
THERE.
>> I DO HAVE MY BOOTH HERE,
281
00:18:42,121 --> 00:18:44,724
WHICH IS GOOD.
I HAVE MY SOUNDPROOF BOOTH HERE
282
00:18:44,724 --> 00:18:47,693
AT HOME.
>> Jimmy: I WAS GOING TO ASK
283
00:18:47,693 --> 00:18:49,762
THAT'S A BEAUTIFUL BOOTH
YOU'VE BEEN WORKING ON THIS FOR
284
00:18:49,762 --> 00:18:53,833
A LONG TIME.
>> YEAH, I HANDCRAFTED ‐‐ I JUST
285
00:18:53,833 --> 00:18:56,869
GOT THE CARPETING IN
IT'S REALLY NICE.
286
00:18:56,869 --> 00:19:00,139
>> Jimmy: I WATCHED ‐‐ YOUR
OTHER SHOW, "BUILDING A BOOTH.
287
00:19:00,139 --> 00:19:03,976
>> YOU DID WATCH IT.
>> Jimmy: WELL ‐‐ YEAH
288
00:19:03,976 --> 00:19:05,845
SURE
YES.
289
00:19:05,845 --> 00:19:08,014
>> I SENT YOU THE LINKS, YOU
SAID YOU WERE GOING TO PROMO IT
290
00:19:08,014 --> 00:19:10,750
ON THE SHOW.
>> Jimmy: SO HARD WITH THE WI‐FI
291
00:19:10,750 --> 00:19:12,385
AND EVERYTHING, I CAN'T ‐‐ YOU
KNOW.
292
00:19:12,385 --> 00:19:13,486
>> THAT SEEMS LIKE A GOOD
ANSWER
293
00:19:13,486 --> 00:19:18,724
SO ANYWAY.
>> Jimmy: BY THE WAY, "BATMAN"
294
00:19:18,724 --> 00:19:22,561
IS ON ROTATION AT MY HOUSE
YOU ARE THE FUNNIEST
295
00:19:22,561 --> 00:19:24,864
YOU ARE PERFECTLY ACTED IN THAT
MOVIE.
296
00:19:24,864 --> 00:19:27,066
YOU DID SUCH A GREAT JOB
I KNOW I PROBABLY TOLD YOU THAT
297
00:19:27,066 --> 00:19:29,902
ALREADY.
IT WAS SO PERFECTLY DONE, SO
298
00:19:29,902 --> 00:19:33,272
CONGRATS
YOU WERE BATMAN IN OUR HOUSE.
299
00:19:33,272 --> 00:19:35,775
>> LET ME JUST SAY THANKS.
>> Jimmy: OH MY GOSH.
300
00:19:35,775 --> 00:19:39,178
>> YOU KNOW WHAT I MEAN?
I GOT THE MIC, MIGHT AS WELL.
301
00:19:39,178 --> 00:19:43,015
>> Jimmy: DO YOU GET PAID FOR
THAT, WHAT YOU JUST DID, OR NO
302
00:19:43,015 --> 00:19:44,316
>> I DON'T GET PAID FOR JACK
[ BLEEP ].
303
00:19:44,316 --> 00:19:46,385
>> Jimmy: THAT SHOULD HAVE BEEN
IN THE MOVIE.
304
00:19:46,385 --> 00:19:50,656
>> THAT SHOULD HAVE.
IT WAS, IT WAS IN THE OUTTAKES
305
00:19:50,656 --> 00:19:52,391
IT WAS CALLED "BATMAN AFTER
DARK."
306
00:19:52,391 --> 00:19:55,127
>> Jimmy: THE BLUE VERSION
YOU HAVE TWO PROJECTS.
307
00:19:55,127 --> 00:19:58,130
YOU COULDN'T BE BUSIER.
>> TWO NEW PROJECTS, WHICH HAS
308
00:19:58,130 --> 00:20:02,902
BEEN REALLY AWESOME.
WE'VE GOT THIS THING, "YOUR
309
00:20:02,902 --> 00:20:06,505
DAILY HOROSCOPE," OVER ON QUIBI,
A FUN WAY TO GET YOUR HOROSCOPE.
310
00:20:06,505 --> 00:20:08,240
PEOPLE LOVE GETTING THEIR
HOROSCOPE.
311
00:20:08,240 --> 00:20:11,077
>> Jimmy: I LOVE IT, I ALWAYS
HAVE.
312
00:20:11,077 --> 00:20:12,511
>> ON OUR SHOW WE ANIMATE ‐‐
EVERY DAY IS LITTLE SHORT
313
00:20:12,511 --> 00:20:16,215
ANIMATIONS FOR EVERY SIGN.
IT'S REALLY A FUN WAY TO GET IT.
314
00:20:16,215 --> 00:20:18,517
YOU KIND OF FOLLOW ALONG WITH
ALL THESE DIFFERENT ANIMALS THAT
315
00:20:18,517 --> 00:20:21,253
REPRESENT THE SIGN
AND I JUST FIGURED PEOPLE LIKE
316
00:20:21,253 --> 00:20:24,557
TO HAVE FUN.
I THINK ‐‐ I THINK I'M RIGHT
317
00:20:24,557 --> 00:20:27,927
ABOUT THAT
>> Jimmy: WE POLLED ‐‐ WE POLLED
318
00:20:27,927 --> 00:20:32,098
OUR AUDIENCE
>> YOU DON'T HAVE AN AUDIENCE.
319
00:20:32,098 --> 00:20:33,966
JIMMY, LISTEN.
LET ME GET AN ADDRESS ON YOU, A
320
00:20:33,966 --> 00:20:35,468
HARD STREET ADDRESS.
LET ME JUST ‐‐
321
00:20:35,468 --> 00:20:40,272
>> Jimmy: DO YOU HAVE THE TILE
APP?
322
00:20:40,272 --> 00:20:45,311
BECAUSE IF YOU'RE CLOSE TO ME,
YOUR PHONE WILL BEEP
323
00:20:45,311 --> 00:20:51,117
>> OH, I'M GOING TO GET THE TILE
APP, GOOD IDEA
324
00:20:51,117 --> 00:20:54,153
DON'T GIVE ME A P. O. BOX
I TRY TO GET ADDRESSES AND THEY
325
00:20:54,153 --> 00:20:57,990
GIVE ME ‐‐ YOU KNOW THIS STORY
FRED ARMISEN USED TO DO IT
326
00:20:57,990 --> 00:21:02,128
SOMEBODY WOULD COME ON "SNL,"
THE BIGGER THE HOST, LIKE TOM
327
00:21:02,128 --> 00:21:05,898
CRUISE, DAY ONE, HE'D GO UP TO
THEM, LET ME GET YOUR CELL PHONE
328
00:21:05,898 --> 00:21:09,368
REAL QUICK
>> Jimmy: I SAW KEVIN NEALON DO
329
00:21:09,368 --> 00:21:12,204
A GOOD ONE THAT I WANTED TO
STEAL.
330
00:21:12,204 --> 00:21:14,273
HE WAS TALKING TO SANDLER OR
SOMEBODY
331
00:21:14,273 --> 00:21:15,274
HE GOES, SANDLER, GIVE ME A
CALL
332
00:21:15,274 --> 00:21:18,444
I DON'T HAVE YOUR NUMBER, GIVE
ME A NUMBER.
333
00:21:18,444 --> 00:21:21,280
PULLED A PEN OUT, HE HAD A
TOOTHPICK, HE PULLED THE PEN
334
00:21:21,280 --> 00:21:23,115
LIKE HE WAS GOING TO WRITE IT ON
A TOOTHPICK.
335
00:21:23,115 --> 00:21:28,587
HE GOES, JUST GIVE ME YOUR
NUMBER, WHAT IS IT
336
00:21:28,587 --> 00:21:31,657
WHAT'S THE PODCAST WITH SEAN
HAYES AND JASON BATEMAN?
337
00:21:31,657 --> 00:21:33,526
HOW'D THAT COME ABOUT?
>> THOSE TWO CLOWNS.
338
00:21:33,526 --> 00:21:38,798
THEY WEDGED THEIR WAY INTO MY
IDEA
339
00:21:38,798 --> 00:21:41,433
AND I WAS LIKE ‐‐ I WANT TO DO A
PODCAST, AND THEY WERE LIKE,
340
00:21:41,433 --> 00:21:45,304
GREAT, LET'S DO ONE.
NO, I'M DOING A PODCAST.
341
00:21:45,304 --> 00:21:47,406
THEY'RE LIKE, RIGHT, WE'RE DOING
ONE.
342
00:21:47,406 --> 00:21:50,676
WHAT HAPPENED WAS, I JUST
THOUGHT, I AM DOING ANOTHER
343
00:21:50,676 --> 00:21:52,745
PODCAST ON MY OWN THAT'S COMING
OUT.
344
00:21:52,745 --> 00:21:57,449
I WAS LIKE, I WANT TO DO THIS
WITH MY BUDDIES AND HAVE FUN
345
00:21:57,449 --> 00:22:00,619
THEY'RE OLD FRIENDS.
FIND OUT STUFF ABOUT PEOPLE THAT
346
00:22:00,619 --> 00:22:05,224
WE KNOW OR THAT WE DON'T KNOW,
JUST HAVE A LAUGH.
347
00:22:05,224 --> 00:22:06,525
KIND OF EXACTLY WHAT IT ENDED UP
BEING.
348
00:22:06,525 --> 00:22:09,595
THAT'S WHAT WE'RE DOING.
THE FIRST EPISODE CAME OUT ON
349
00:22:09,595 --> 00:22:14,867
MONDAY
WE HAD OUR BUDDY DAX SHEPARD ON.
350
00:22:14,867 --> 00:22:16,902
I HOPE YOU HAVEN'T CHANGED YOUR
NUMBER BECAUSE WE'RE GOING TO
351
00:22:16,902 --> 00:22:20,639
ASK YOU.
THERE'S NOB BETTER THAN GETTING
352
00:22:20,639 --> 00:22:22,808
THE "COME ON OUR PODCAST"
QUESTION, YOU KNOW
353
00:22:22,808 --> 00:22:24,243
>> Jimmy: YOU KNOW MY NUMBER.
>> SURE.
354
00:22:24,243 --> 00:22:25,778
>> Jimmy: 4.
>> 4
355
00:22:25,778 --> 00:22:27,513
IS IT STILL 4?
>> Jimmy: YEP.
356
00:22:27,513 --> 00:22:28,514
>> OKAY.
HANG ON.
357
00:22:28,514 --> 00:22:34,286
>> Jimmy: NO PROBLEM.
>> I WANT TO DING YOU REAL
358
00:22:34,286 --> 00:22:35,154
QUICK.
>> Jimmy: I DON'T KNOW IF THAT'S
359
00:22:35,154 --> 00:22:37,122
AROUND ANYMORE
I WOULD LIKE TO PLAY A GAME WHEN
360
00:22:37,122 --> 00:22:42,695
WE COME BACK
HAVE YOU HEARD OF "HEY, ROBOT?
361
00:22:42,695 --> 00:22:44,663
>> YEAH, YOU SUMMON A PASSING
ROBOT.
362
00:22:44,663 --> 00:22:46,665
HEY, ROBOT, COME HERE, WE GOT TO
TALK TO YOU.
363
00:22:46,665 --> 00:22:48,567
>> Jimmy: THE RULES HAVE
CHANGED.
364
00:22:48,567 --> 00:22:50,603
I'LL EXPLAIN IN THE COMMERCIAL
BREAK.
365
00:22:50,603 --> 00:22:55,297
MORE WITH WILL ARNETT WHEN WE
COME BACK, EVERYBODY
366
00:23:02,968 --> 00:23:05,918
♪
>> Jimmy: WELCOME BACK,
367
00:23:05,918 --> 00:23:08,988
EVERYBODY.
HANGING OUT WITH WILL ARNETT
368
00:23:08,988 --> 00:23:15,661
WE'RE ABOUT TO PLAY A GAME
CALLED "HEY, ROBOT."
369
00:23:15,661 --> 00:23:17,296
♪ HEY ROBOT HEY ROBOT ♪
>> Jimmy: THIS IS BASED ON A
370
00:23:17,296 --> 00:23:21,367
REAL BOARD GAME.
THIS IS LIKE YOUR CLASSIC GAME
371
00:23:21,367 --> 00:23:25,271
"PASSWORD" BUT YOUR PARTNER IS A
SMART SPEAKER.
372
00:23:25,271 --> 00:23:28,774
I'LL PICK A CARD, WE'LL TAKE
TURNS ASKING A QUESTION TO GET
373
00:23:28,774 --> 00:23:34,113
THE SPEAKER TO SAY THE WORD
SOMEWHERE IN ITS ANSWER.
374
00:23:34,113 --> 00:23:36,415
IF IT DOES, WE GET A POINT
I WILL GO FIRST.
375
00:23:36,415 --> 00:23:39,718
ALL RIGHT.
CORN DOG
376
00:23:39,718 --> 00:23:41,687
CORN DOG IS THE WORD
>> CORN DOG.
377
00:23:41,687 --> 00:23:44,723
>> Jimmy: CORN DOG.
>> GOT IT.
378
00:23:44,723 --> 00:23:50,195
>> Jimmy: ALEXA, WHAT DO YOU
CALL A HOT DOG DIPPED IN BATTER?
379
00:23:50,195 --> 00:23:55,000
>> HERE'S SOMETHING I FOUND ON
THE WEB.
380
00:23:55,000 --> 00:23:59,271
ACCORDING TO WIKIPEDIA.ORG, IF
SERVED WITH A STICK IT IS
381
00:23:59,271 --> 00:24:02,541
REFERRED TO AS A HOT DOG AND
USUALLY DIPPED IN A GENEROUS
382
00:24:02,541 --> 00:24:06,812
AMOUNT OF TOMATO SAUCE AND
SERVED IMMEDIATELY ‐‐
383
00:24:06,812 --> 00:24:08,681
>> Jimmy: ALEXA, STOP, YOU'RE
EMBARRASSING YOURSELF.
384
00:24:08,681 --> 00:24:11,650
WHAT IS SHE TALKING ABOUT?
I SAID HOT DOG DIPPED IN ‐‐
385
00:24:11,650 --> 00:24:14,353
WHATEVER
THIS IS YOUR TURN, YOU TALK TO
386
00:24:14,353 --> 00:24:18,390
THE THING, I CAN'T EVEN DO IT.
>> HEY, MAN, TAKE IT EASY.
387
00:24:18,390 --> 00:24:20,793
>> Jimmy: NO, NO, WE CAN CUT THE
WHOLE THING OUT.
388
00:24:20,793 --> 00:24:23,529
>> NO, WE'RE NOT GOING TO CUT ‐‐
NO, YOU DID GREAT, YOU DID
389
00:24:23,529 --> 00:24:26,732
GREAT.
>> Jimmy: WE DONE?
390
00:24:26,732 --> 00:24:30,302
>> NO, AND I WANT YOU TO KNOW,
THE TERM ‐‐ JIMMY, SIT DOWN.
391
00:24:30,302 --> 00:24:36,642
THE TERM HERO GETS THROWN AROUND
A LOT THESE DAYS
392
00:24:36,642 --> 00:24:41,480
THAT WAS THE WORST THING ‐‐
OKAY
393
00:24:41,480 --> 00:24:43,549
ALL RIGHT.
NOW DO I HAVE TO DO THIS WORD
394
00:24:43,549 --> 00:24:47,152
TOO?
>> Jimmy: YES.
395
00:24:47,152 --> 00:24:51,090
>> OKAY.
HEY, SIRI.
396
00:24:51,090 --> 00:24:54,360
>> Jimmy: NO, THE OTHER ONE.
THE OTHER ONE.
397
00:24:54,360 --> 00:25:00,966
>> WHAT IS IT?
>> Jimmy: A‐L‐E‐X‐A.
398
00:25:00,966 --> 00:25:04,436
>> HEY, BING
OH, OKAY, I GOT IT
399
00:25:04,436 --> 00:25:07,072
HERE WE GO, I GOT IT
FOR REAL, LET'S START MESSING
400
00:25:07,072 --> 00:25:09,141
AROUND, GROW UP.
>> Jimmy: STOP HAVING FUN,
401
00:25:09,141 --> 00:25:11,877
PLEASE.
>> HEY, ALEXA.
402
00:25:11,877 --> 00:25:14,713
WHERE DO YOU GET OFF ‐‐
>> Jimmy: HEY, COME ON
403
00:25:14,713 --> 00:25:16,348
ALEXA, STOP, YOU DON'T HAVE TO
LISTEN TO THIS
404
00:25:16,348 --> 00:25:18,984
LET'S GO
ALL RIGHT, LET'S GET TO THE NEXT
405
00:25:18,984 --> 00:25:21,053
ONE.
TIE SCORE.
406
00:25:21,053 --> 00:25:28,360
100‐100.
HERE WE GO
407
00:25:28,360 --> 00:25:33,532
>> JASON BATEMAN
>> Jimmy: ALEXA, WHO STARS IN
408
00:25:33,532 --> 00:25:39,405
THE SHOW "OZARK"
>> "OZARK" STARS INCLUDE JASON
409
00:25:39,405 --> 00:25:42,474
BATEMAN, SOFIA HUFFMAN ‐‐
>> Jimmy: ALEXA, STOP, THAT WAS
410
00:25:42,474 --> 00:25:45,644
MORE THAN ENOUGH, THANK YOU.
WILL, IT'S YOUR TURN TO TRY TO
411
00:25:45,644 --> 00:25:49,048
MATCH AND BEAT ME HERE
THE WORD IS BALD.
412
00:25:49,048 --> 00:25:53,752
>> ALEXA, WHAT KIND OF EAGLE IS
ALMOST EXTINCT
413
00:25:53,752 --> 00:25:58,223
>> HERE'S SOMETHING I FOUND FROM
THE ARTICLE "WHITE TAILED EAGLE"
414
00:25:58,223 --> 00:26:00,859
ON WIKIPEDIA
ULTIMATELY THE WHITE TAILED
415
00:26:00,859 --> 00:26:07,199
EAGLE WAS ALMOST EXTINCT IN
EUROPE ‐‐
416
00:26:07,199 --> 00:26:15,040
>> OH, ALEXA, GIVE IT A REST
>> Jimmy: OKAY, LET ME TRY TO
417
00:26:15,040 --> 00:26:23,582
SEE IF I CAN GET THIS ONE HERE
ALEXA, WHAT IS ROGAIN FOR?
418
00:26:23,582 --> 00:26:29,922
>> ROGAIN EXTRA STRENGTH FOR MEN
IS A BRAND‐NAME DRUG CLASSIFIED
419
00:26:29,922 --> 00:26:33,625
AS A HAIR GROWTH MEDICATION
ACCORDING TO WIKIPEDIA
420
00:26:33,625 --> 00:26:39,031
ROGAIN EXTRA STRENGTH FOR MEN IS
USED TO TREAT ‐‐
421
00:26:39,031 --> 00:26:41,366
>> Jimmy: ALEXA, STOP.
LIKE AN OLD COMMERCIAL FOR ‐‐
422
00:26:41,366 --> 00:26:43,368
GEEZ.
>> LET ME TRY ONE MORE.
423
00:26:43,368 --> 00:26:45,237
>> Jimmy: ALEXA, STOP.
ALEXA, STOP.
424
00:26:45,237 --> 00:26:48,707
>> I GOT ONE MORE.
>> Jimmy: GO.
425
00:26:48,707 --> 00:26:55,280
>> ALEXA, HOW WOULD YOU DESCRIBE
THE LOOK OF DADDY WAR BUCKS?
426
00:26:55,280 --> 00:26:56,482
>> SORRY, I'M NOT SURE ABOUT
THAT
427
00:26:56,482 --> 00:26:58,517
>> ME NEITHER.
I'M NOT EITHER, THAT MAKES TWO
428
00:26:58,517 --> 00:27:03,155
OF US.
OKAY, GO AHEAD
429
00:27:03,155 --> 00:27:21,073
>> Jimmy: I'D SAY ‐‐ I'D SAY
MAYBE ALOOF?
430
00:27:21,073 --> 00:27:22,274
HE WAS ALOOF
OH, MAN.
431
00:27:22,274 --> 00:27:25,010
LAST ONE.
>> WHAT WAS THE PLOT OF THAT
432
00:27:25,010 --> 00:27:26,445
I FORGET
ANYWAY.
433
00:27:26,445 --> 00:27:29,281
>> Jimmy: THE LAST ONE HERE.
WHOEVER GETS THIS WINS THE WHOLE
434
00:27:29,281 --> 00:27:33,986
THING.
READY?
435
00:27:33,986 --> 00:27:39,324
WILL, YOU CAN GO FIRST
>> ALEXA, WHAT IS THE SIGNATURE
436
00:27:39,324 --> 00:27:43,595
MOVE IN KARATE
>> HERE'S SOMETHING I FOUND ON
437
00:27:43,595 --> 00:27:48,000
REFERENCE.COM.
KARATE HAS MANY BASIC MOVES THAT
438
00:27:48,000 --> 00:27:49,601
ARE CLASSIFIED AS OFFENSIVE OR
DEFENSIVE.
439
00:27:49,601 --> 00:27:53,772
WHILE THERE ARE MANY DIFFERENT
STYLES OF KARATE, MASK MOVES,
440
00:27:53,772 --> 00:27:56,508
SUCH AS THE FOREARM BLOCKING
STRAIGHT PUNCH, ARE COMMON TO
441
00:27:56,508 --> 00:27:59,778
MOST FORMS
>> THANK YOU, PERFECT.
442
00:27:59,778 --> 00:28:01,947
WELL SAID, I AGREE
LET ME TRY.
443
00:28:01,947 --> 00:28:06,552
>> OKAY, GO.
>> Jimmy: ALEXA, NAME DIFFERENT
444
00:28:06,552 --> 00:28:10,689
CUTS OF PORK
>> ACCORDING TO AN ALEXA ANSWER
445
00:28:10,689 --> 00:28:16,595
CONTRIBUTOR, THERE ARE NINE MAIN
BEEF CUTS.
446
00:28:16,595 --> 00:28:20,132
THEY ARE CHUCKS, RIBS, LOINS,
ROUNDS, FLANK, SHORT, BRISKET,
447
00:28:20,132 --> 00:28:22,067
SHANK.
>> Jimmy: YOU NAMED THE EIGHT
448
00:28:22,067 --> 00:28:27,105
STOOGES.
I HATED SHANK.
449
00:28:27,105 --> 00:28:30,042
HE WAS MY LEAST FAVORITE
I NEVER LIKED SHANK.
450
00:28:30,042 --> 00:28:31,677
I LIKE ALL THE OTHER STOOGES
ALL RIGHT.
451
00:28:31,677 --> 00:28:34,846
I THINK THAT'S THE GAME.
I'M GOING TO GIVE IT TO YOU, MY
452
00:28:34,846 --> 00:28:37,816
GUEST.
WILL ARNETT, CONGRATULATIONS,
453
00:28:37,816 --> 00:28:40,319
YOU ARE THE CHAMP.
>> WE WERE TERRIBLE AT THAT.
454
00:28:40,319 --> 00:28:42,521
>> Jimmy: TERRIBLE
>> THERE'S NO CELEBRATING HERE
455
00:28:42,521 --> 00:28:47,226
TODAY, JIMMY
>> Jimmy: WILL ARNETT, HIS
456
00:28:47,226 --> 00:28:50,262
PODCAST "SMARTLESS" IS AVAILABLE
EVERY MONDAY
457
00:28:50,262 --> 00:28:52,931
HIS ANIMATED SHOW "YOUR DAILY
HOROSCOPE" IS AVAILABLE FIVE
458
00:28:52,931 --> 00:28:55,400
DAYS A WEEK ON QUIBI
MORE "TONIGHT SHOW" AFTER THE
459
00:28:55,400 --> 00:28:55,870
BREAK.
THANKS FOR COMING ON, WILL
460
00:29:03,780 --> 00:29:11,383
♪
>> Jimmy: MY NEXT GUEST IS THE
461
00:29:11,383 --> 00:29:15,754
STAR AND CREATOR OF ONE OF THE
BIGGEST SHOWS ON TV RIGHT NOW
462
00:29:15,754 --> 00:29:20,792
CALLED "I MAY DESTROY YOU.
NEW EPISODES AIR MONDAYS AT 9:00
463
00:29:20,792 --> 00:29:22,995
P.M. ON HBO.
MERE IS MICHAELA COEL,
464
00:29:22,995 --> 00:29:25,597
EVERYBODY.
THANK YOU SO MUCH FOR COMING ON
465
00:29:25,597 --> 00:29:28,133
OUR SHOW, I APPRECIATE IT.
YOU'RE SPEAKING TO ME FROM
466
00:29:28,133 --> 00:29:31,603
LONDON, IS THAT CORRECT?
>> YES, EAST LONDON, THAT'S
467
00:29:31,603 --> 00:29:33,905
RIGHT.
>> Jimmy: AND HOW IS ‐‐ HOW ARE
468
00:29:33,905 --> 00:29:37,175
YOU DOING, HOW ARE YOU HANGING
IN THERE
469
00:29:37,175 --> 00:29:41,546
>> YOU KNOW, IT'S KIND OF LIKE
UPS AND DOWNS.
470
00:29:41,546 --> 00:29:47,786
SOMETIMES I'M STRUGGLING WITH
THE ANXIETY OF NOT KNOWING
471
00:29:47,786 --> 00:29:49,421
WHAT'S GOING ON, LIKE MANY OTHER
PEOPLE
472
00:29:49,421 --> 00:29:54,459
I'M SORT OF OCCUPYING MYSELF
WITH PUZZLES
473
00:29:54,459 --> 00:29:57,963
I GO RUNNING BUT MY KNEES ARE
GETTING SORE, SO NOW I'VE BEEN
474
00:29:57,963 --> 00:30:00,265
STOMPING IN THE PARK, WHICH HAS
BEEN GOOD.
475
00:30:00,265 --> 00:30:04,169
>> Jimmy: DANCING IN THE PARK?
>> I'VE BEEN DANCING IN THE
476
00:30:04,169 --> 00:30:05,937
PARK, YES.
YEAH
477
00:30:05,937 --> 00:30:09,641
BASICALLY I WAS RUNNING A LOT,
LIKE EVERY DAY
478
00:30:09,641 --> 00:30:10,742
BUT MY KNEES STARTED GETTING
SORE
479
00:30:10,742 --> 00:30:14,346
ONE OF THE TIMES WHEN I WAS
RUNNING I WAS GOING THROUGH MY
480
00:30:14,346 --> 00:30:17,516
FAVORITE PARK AND I SAW THIS
GUY.
481
00:30:17,516 --> 00:30:22,120
AND HE WAS JUST SORT OF THERE,
STATIONARY, BUT DOING THESE HUGE
482
00:30:22,120 --> 00:30:24,823
LIKE MOTIONS, DANCING WITH THESE
HUGE EAR PHONES ON
483
00:30:24,823 --> 00:30:29,194
AND I THOUGHT IT WAS SO COOL
THAT AS I WAS RUNNING BY I GAVE
484
00:30:29,194 --> 00:30:31,930
HIM A THUMBS UP AND KISSES
HE SORT OF JUST GAVE ME A THUMBS
485
00:30:31,930 --> 00:30:35,033
UP BACK.
HE WAS JUST DOING HIS THING.
486
00:30:35,033 --> 00:30:35,934
THEN MY BROTHER CAME TO STAY
WITH ME.
487
00:30:35,934 --> 00:30:43,342
AND I WAS LIKE, DO YOU WANT TO
DANCE IN THE PARK?
488
00:30:43,342 --> 00:30:45,944
SO WE EACH HAVE OUR HEADPHONES
ON
489
00:30:45,944 --> 00:30:50,315
SO HE GOT HIS OWN HEADPHONES,
I'VE GOT MINE, WE JUST GO TO THE
490
00:30:50,315 --> 00:30:57,756
PARK, THEN WE START DANCING.
EVERY NOW AND AGAIN, EVEN THOUGH
491
00:30:57,756 --> 00:31:00,592
WE'RE DANCING SEPARATE BEATS ‐‐
>> Jimmy: HIT THE SAME GROOVE.
492
00:31:00,592 --> 00:31:02,994
>> THEN WE START DOING THE SAME
MUSIC.
493
00:31:02,994 --> 00:31:06,098
I WENT BY MYSELF TODAY ‐‐
>> Jimmy: DID YOU GET ANY THUMBS
494
00:31:06,098 --> 00:31:09,534
UP, ANY KISSES BLOWN AT YOU?
>> I'M TOO NERVOUS TO LOOK
495
00:31:09,534 --> 00:31:11,069
I JUST HAVE TO KEEP MY HEAD
DOWN, JUST DO MY THING.
496
00:31:11,069 --> 00:31:16,208
>> Jimmy: THAT'S THE WAY I DANCE
EVEN AT WEDDINGS
497
00:31:16,208 --> 00:31:20,912
NO ONE LOOK AT HOW BAD THIS IS.
>> I DON'T GO TO WEDDINGS
498
00:31:20,912 --> 00:31:23,882
BECAUSE MY DANCING'S THAT BAD.
>> Jimmy: LET'S TALK ABOUT "I
499
00:31:23,882 --> 00:31:27,919
MAY DESTROY YOU.
WOW, IT'S FRESH, IT'S DIFFERENT,
500
00:31:27,919 --> 00:31:30,422
IT'S SO WELL DONE.
CONGRATULATIONS.
501
00:31:30,422 --> 00:31:33,592
IT WAS A GREAT COVER IN "NEW
YORK" MAGAZINE OF YOU.
502
00:31:33,592 --> 00:31:36,661
MAN, YOU LOOK SO COOL.
IT WAS SUCH A STUNNING COVER
503
00:31:36,661 --> 00:31:41,166
CONGRATS ON THAT
YOU ALSO WROTE THIS WHOLE THING,
504
00:31:41,166 --> 00:31:42,134
EVERY EPISODE, NO WRITERS, YOU
WROTE EVERYTHING.
505
00:31:42,134 --> 00:31:43,635
>> YES.
>> Jimmy: HOW ARE YOU DOING
506
00:31:43,635 --> 00:31:48,473
THIS
>> I GO AWAY AND I JUST SORT OF
507
00:31:48,473 --> 00:31:52,744
TYPE ON THE KEYPAD
I DON'T PLAN
508
00:31:52,744 --> 00:31:56,648
LIKE I HAD LOADS OF DRAFTS, 20
DRAFTS OF EACH EPISODE
509
00:31:56,648 --> 00:32:03,321
I JUST KIND OF TYPE UNTIL IT
MAKES SENSE.
510
00:32:03,321 --> 00:32:11,530
I HAVE A VERY DEDICATED TEAM,
EXEC PRODUCERS AND ‐‐ THEY DON'T
511
00:32:11,530 --> 00:32:15,967
MAKE ANY SENSE GRAMMATICALLY,
EDITORIALLY.
512
00:32:15,967 --> 00:32:20,806
IT LOOKS LIKE GOO‐GAH‐GOO.
THEY TAKE IT AND, WOW, THIS IS
513
00:32:20,806 --> 00:32:22,774
VERY INTERESTING, WHAT DOES THIS
MEAN
514
00:32:22,774 --> 00:32:26,511
I SAY, IT MEANS THIS
OKAY, GO BACK AND TRY AND WRITE
515
00:32:26,511 --> 00:32:28,580
DOWN WHAT YOU JUST SAID.
I KEEP DOING THAT AND THEN WE
516
00:32:28,580 --> 00:32:33,718
HAVE THE SHOW.
>> Jimmy: WOW.
517
00:32:33,718 --> 00:32:34,820
IT'S SEMI AUTOBIOGRAPHICAL, IF
IMCORRECT?
518
00:32:34,820 --> 00:32:36,755
DO YOU WANT TO SET UP THE SHOW
FOR ANYONE WHO DOESN'T KNOW WHAT
519
00:32:36,755 --> 00:32:41,927
IT IS?
>> I CAN TRY TO SET UP THE SHOW.
520
00:32:41,927 --> 00:32:45,530
IT IS SEMI AUTOBIOGRAPHICAL.
I BASED THE CHARACTER OF
521
00:32:45,530 --> 00:32:47,199
ARABELLA ON MYSELF, ESPECIALLY
IN THE BEGINNING
522
00:32:47,199 --> 00:32:51,002
SHE'S A WRITER
SHE TAKES A BREAK FROM WORK.
523
00:32:51,002 --> 00:32:53,505
SHE GOES OUT FOR A DRINK AND HER
DRINK IS SPIKED AND SHE'S
524
00:32:53,505 --> 00:32:57,642
SEXUALLY ASSAULTED BY A
STRANGER
525
00:32:57,642 --> 00:33:01,480
SO THAT WAS THE INITIAL
INSPIRATION WAS THAT CHARACTER
526
00:33:01,480 --> 00:33:05,851
THEN I ASKED MANY MORE PEOPLE
QUESTIONS AND REALIZED THAT SO
527
00:33:05,851 --> 00:33:11,323
MANY PEOPLE HAVE A STORY AROUND
SEXUAL CONSENT
528
00:33:11,323 --> 00:33:16,127
SO I KIND OF HAVE THESE THREE
ESSENTIAL CHARACTERS, KWAME,
529
00:33:16,127 --> 00:33:20,532
ARABELLA, AND KERRY.
HOW CAN I SUM IT UP?
530
00:33:20,532 --> 00:33:23,335
THEN NAVIGATING SEXUAL LIFE AND
THE LINE BETWEEN LIBERATION AND
531
00:33:23,335 --> 00:33:26,638
EXPLOITATION
IT'S ALSO JUST ABOUT FRIENDSHIP
532
00:33:26,638 --> 00:33:31,209
AND ABOUT HOW WE THINK AND
RELATE TO ONE ANOTHER TODAY AND
533
00:33:31,209 --> 00:33:33,512
HOW MUCH INTROSPECTION WE REALLY
HAVE.
534
00:33:33,512 --> 00:33:38,984
>> Jimmy: I WAS IMPRESSED THE
WAY YOU TALK ABOUT AND ADDRESS
535
00:33:38,984 --> 00:33:42,687
THESE ISSUES, BUT ALSO BALANCE
COMEDY WITH SERIOUSNESS.
536
00:33:42,687 --> 00:33:49,261
I WILL LET EVERYONE KNOW, IT IS
FUNNY TOO.
537
00:33:49,261 --> 00:33:52,797
IT'S SO DIFFERENT AND WELL DONE.
DO YOU THINK ABOUT LIKE, THIS
538
00:33:52,797 --> 00:33:55,200
NEEDS A JOKE
>> NO, I DON'T
539
00:33:55,200 --> 00:33:59,671
I DON'T EVER DO THAT, I JUST
WRITE AND IT COMES OUT LIKE
540
00:33:59,671 --> 00:34:02,474
THAT
I DON'T QUITE KNOW YET THE
541
00:34:02,474 --> 00:34:04,342
METHOD TO ‐‐ THE WAY IT COMES
OUT.
542
00:34:04,342 --> 00:34:09,047
BUT I DO OFTEN GO BACK ‐‐ WHEN I
TRY AND FIGURE OUT HOW THE TONE
543
00:34:09,047 --> 00:34:13,285
EMERGED AS IT WAS, I THINK BACK
TO MY OWN REALITY WHEN I WAS IN
544
00:34:13,285 --> 00:34:16,688
THE POLICE INVESTIGATION ROOM
GETTING READY TO GIVE MY FIRST
545
00:34:16,688 --> 00:34:20,091
WITNESS STATEMENT.
AND I SAT THERE SORT OF
546
00:34:20,091 --> 00:34:23,995
REALIZING THE COURSE OF MY LIFE
WAS FOREVER GOING TO CHANGE.
547
00:34:23,995 --> 00:34:26,231
AND I WAS SORT OF REALIZING
SOMETHING BAD HAPPENED
548
00:34:26,231 --> 00:34:29,467
MY FRIEND WAS TAKING CARE OF ME.
AS I LOOKED TO HIM, I NOTICED HE
549
00:34:29,467 --> 00:34:36,708
WAS PLAYING POKEMON GO ON THE
PHONE.
550
00:34:36,708 --> 00:34:38,143
AND THAT JUST ‐‐ JUST ‐‐
>> Jimmy: THAT'S REAL.
551
00:34:38,143 --> 00:34:39,644
THAT'S REAL.
>> YES
552
00:34:39,644 --> 00:34:43,181
>> Jimmy: LIKE, WHAT ARE YOU
SERIOUSLY DOING?
553
00:34:43,181 --> 00:34:47,185
OH, WOW.
>> LIKE, WHERE AM I?
554
00:34:47,185 --> 00:34:50,822
WHAT IS EVERYTHING
>> Jimmy: YEAH, IS LIFE REAL
555
00:34:50,822 --> 00:34:53,291
YEAH.
>> WHAT A SHOCKER.
556
00:34:53,291 --> 00:34:56,461
WHAT'S GOING ON?
IT'S RAPE AND POKEMON GO
557
00:34:56,461 --> 00:34:59,798
AND I DON'T KNOW WHAT TO DO WITH
THOSE TWO THINGS
558
00:34:59,798 --> 00:35:04,903
BUT HERE THEY ARE IN ONE ROOM.
>> Jimmy: YEAH
559
00:35:04,903 --> 00:35:05,770
AND YOU MADE IT INTO A SHOW AND
INTO ART
560
00:35:05,770 --> 00:35:09,908
IT'S GREAT
I WANT TO SHOW EVERYONE A CLIP
561
00:35:09,908 --> 00:35:13,845
HERE'S MICHAELA COEL IN "I MAY
DESTROY YOU," LOOK.
562
00:35:13,845 --> 00:35:16,815
>> THIS IS THE SAME GUY, YES
THAT TOLD YOU YOU HAD A DRUG
563
00:35:16,815 --> 00:35:20,418
PROBLEM.
THEN SOLD YOU DRUGS.
564
00:35:20,418 --> 00:35:23,154
IN THE SAME BREATH
>> IT WASN'T IN THE SAME BREATH.
565
00:35:23,154 --> 00:35:24,789
>> WHAT?
>> IT WAS IN THE SAME NIGHT,
566
00:35:24,789 --> 00:35:31,363
WHICH IS DIFFERENT.
>> HE'S A HYPOCRITE.
567
00:35:31,363 --> 00:35:34,432
HE'S CONTROLLING
LET ME CHECK THE RECOVERY TOOL
568
00:35:34,432 --> 00:35:37,902
BOOK
SURROUND YOURSELF WITH PEOPLE
569
00:35:37,902 --> 00:35:40,205
WHO AFFIRM YOU
>> AND THAT'S ‐‐ YOU
570
00:35:40,205 --> 00:35:43,475
>> YES
>> THAT'S YOU?
571
00:35:43,475 --> 00:35:47,846
>> YES, IT IS.
>> YOU DO NOT AFFIRM ME WHEN I
572
00:35:47,846 --> 00:35:52,117
NEED AFFIRMATION THE MOST.
SO I SHOULD STAY AWAY FROM
573
00:35:52,117 --> 00:35:55,954
CONTROLLING AND HYPOCRITICAL
>> Jimmy: MY THANKS TO MICHAELA
574
00:35:55,954 --> 00:36:00,325
COEL
"I MAY DESTROY YOU" MONDAYS AT
575
00:36:00,325 --> 00:36:02,961
9:00 P. M. ON HBO
YOU ARE AWESOME, THANKS FOR
576
00:36:02,961 --> 00:36:06,264
COMING ON MY SHOW.
>> THANKS FOR HAVING ME.
577
00:36:06,264 --> 00:36:07,632
>> Jimmy: WE'LL BE BACK WITH A
PERFORMANCE FROM H. E. R., STAY
578
00:36:07,632 --> 00:36:08,254
AROUND, EVERYBODY!
♪
579
00:36:20,045 --> 00:36:25,483
>> Jimmy: PERFORMING HER NEW
SONG, "DO TO ME," HERE IS
H. E. R.
580
00:36:31,056 --> 00:36:40,598
♪
♪ WAIT COME ON NO
581
00:36:40,598 --> 00:36:46,805
WHAT DID YOU DO TO M
WAY PAST INFATUATION
582
00:36:46,805 --> 00:36:49,774
THIS CONNECTION ♪
♪ THAT WE MAK
583
00:36:49,774 --> 00:36:54,579
MAKE AND BABE OH
KEEPING ME U
584
00:36:54,579 --> 00:36:57,315
'TIL LATE ♪
♪ IT'S ONLY CAUSE
585
00:36:57,315 --> 00:37:01,886
I CAN'T WAIT 'TI
'TIL YOU COME TO
586
00:37:01,886 --> 00:37:06,491
MY PLACE PLACE ♪
♪ YOU SAY BYE BAB
587
00:37:06,491 --> 00:37:09,227
LET ME BE WRON
ON MY MIND LIK
588
00:37:09,227 --> 00:37:13,732
MY FAVORITE SONG ♪
♪ PROMISE ME YOU WON'
589
00:37:13,732 --> 00:37:16,868
LEAVE ME ALONE
NO NO NO
590
00:37:16,868 --> 00:37:18,403
CAUSE ♪
♪ ALL THE THING
591
00:37:18,403 --> 00:37:20,038
YOU DO TO ME DO TO M
DO TO ME
592
00:37:20,038 --> 00:37:24,409
DO TO ME YEAH ♪
♪ ALL THE THING
593
00:37:24,409 --> 00:37:26,478
YOU DO TO ME
DO TO ME DO TO M
594
00:37:26,478 --> 00:37:30,749
DO TO ME YEAH ♪
♪ I LOVE THE WA
595
00:37:30,749 --> 00:37:32,817
YOU TOUCH ME
HOLD ME MAKE M
596
00:37:32,817 --> 00:37:35,120
WANNA SING YEAH ♪
♪ DRIVE ME CRAZ
597
00:37:35,120 --> 00:37:38,189
WITH EVERYTHIN
YOU DO TO ME
598
00:37:38,189 --> 00:37:40,258
DO TO ME ♪
♪ DO TO M
599
00:37:40,258 --> 00:37:43,094
DO TO ME
YEAH OH OH ♪
600
00:37:43,094 --> 00:37:48,833
♪ WHY WHY YOU
MAKE ME SO BLIND
601
00:37:48,833 --> 00:37:51,636
JUST LOOKING
IN YOUR EYES YOU ♪
602
00:37:51,636 --> 00:37:57,108
♪ TOOK MY SOU
FOR A RIDE RID
603
00:37:57,108 --> 00:38:01,813
HOW HOW YOU MAKE M
FALL DOWN ♪
604
00:38:01,813 --> 00:38:04,749
♪ TRIPPING OVER
THE SOUND OF
605
00:38:04,749 --> 00:38:10,221
YOU LOVING M
SO LOUD LOUD ♪
606
00:38:10,221 --> 00:38:13,158
♪ YOU SAY BYE BAB
LET ME BE WRON
607
00:38:13,158 --> 00:38:16,461
ON MY MIND LIK
MY FAVORITE SONG ♪
608
00:38:16,461 --> 00:38:19,764
♪ PROMISE ME YO
WON'T LEAVE ME ALONE
609
00:38:19,764 --> 00:38:22,834
NO NO NO
CAUSE ♪
610
00:38:22,834 --> 00:38:24,536
♪ ALL THE THING
YOU DO TO ME DO TO M
611
00:38:24,536 --> 00:38:28,907
DO TO ME
DO TO ME YEAH ♪
612
00:38:28,907 --> 00:38:30,208
♪ ALL THE THING
YOU DO TO ME
613
00:38:30,208 --> 00:38:35,346
DO TO ME DO TO M
DO TO ME YEAH ♪
614
00:38:35,346 --> 00:38:37,215
♪ I LOVE THE WA
YOU TOUCH ME
615
00:38:37,215 --> 00:38:39,517
HOLD ME MAKE M
WANNA SING BOY ♪
616
00:38:39,517 --> 00:38:42,587
♪ DRIVE ME CRAZ
WITH EVERYTHIN
617
00:38:42,587 --> 00:38:44,088
YOU DO TO ME
DO TO ME ♪
618
00:38:44,088 --> 00:38:45,757
♪ DO TO M
DO TO ME
619
00:38:45,757 --> 00:38:50,895
YEAH OH OH ♪
♪ BUM BUM‐BUM
620
00:38:50,895 --> 00:38:54,732
BI‐DUM BUM‐BUM
NONE LIKE YO
621
00:38:54,732 --> 00:38:57,669
WHERE'D YOU COME FROM ♪
♪ GOT ME HOOKED
622
00:38:57,669 --> 00:39:03,775
I CAN'T GET ENOUGH ♪
♪ BUM BUM‐BUM
623
00:39:03,775 --> 00:39:07,612
BI‐DUM BUM‐BUM
NONE LIKE YO
624
00:39:07,612 --> 00:39:10,982
WHERE'D YOU COME FROM ♪
♪ GOT ME HOOKED
625
00:39:10,982 --> 00:39:18,223
ON YOUR LOVE LOVE ♪
♪ BUM BUM
626
00:39:18,223 --> 00:39:22,694
BUM‐BUM BI‐DUM
BUM‐BU
627
00:39:22,694 --> 00:39:25,997
BUM‐BUM BI‐DUM ♪
♪ BUM‐BUM
628
00:39:25,997 --> 00:39:29,500
SAY WHAT'S U
BUM‐BUM SA
629
00:39:29,500 --> 00:39:32,871
WHAT'S UP ♪
♪ BUM‐BUM
630
00:39:32,871 --> 00:39:35,807
BUM‐BUM BI‐DUM
BUM‐BU
631
00:39:35,807 --> 00:39:39,077
BUM‐BUM BI‐DUM ♪
♪ BUM BUM
632
00:39:39,077 --> 00:39:41,713
HEY YEAH ♪
♪ ALL THE THING
633
00:39:41,713 --> 00:39:43,781
YOU DO TO ME DO TO M
DO TO ME
634
00:39:43,781 --> 00:39:48,052
DO TO ME YEAH ♪
♪ ALL THE THING
635
00:39:48,052 --> 00:39:49,487
YOU DO TO ME
DO TO ME DO TO M
636
00:39:49,487 --> 00:39:53,858
DO TO ME YEAH ♪
♪ I LOVE THE WA
637
00:39:53,858 --> 00:39:56,361
YOU TOUCH ME
HOLD ME MAKE M
638
00:39:56,361 --> 00:39:58,863
WANNA SING ♪
♪ DRIVE ME CRAZ
639
00:39:58,863 --> 00:40:01,866
WITH EVERYTHIN
YOU DO TO ME
640
00:40:01,866 --> 00:40:03,134
DO TO ME ♪
♪ DO TO M
641
00:40:03,134 --> 00:40:07,171
DO TO ME
YEAH OH OH ♪
642
00:40:07,171 --> 00:40:11,109
♪
>> Jimmy: THANK YOU TO H. E. R
643
00:40:11,109 --> 00:40:13,557
MORE "TONIGHT SHOW" WHEN WE
COME BACK EVERYBODY.
644
00:40:26,207 --> 00:40:30,261
♪
>> Jimmy: THANK YOU ALL FOR
645
00:40:30,261 --> 00:40:31,529
WATCHING
STAY SAFE OUT THERE.
646
00:40:31,529 --> 00:40:33,431
WASH YOUR HANDS.
DON'T TOUCH YOUR FACE.
647
00:40:33,431 --> 00:40:34,966
WE'LL SEE YOU TOMORROW
GOODNIGHT, EVERYBODY
648
00:40:34,966 --> 00:40:52,083
♪
54948
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