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[instrumental music]
(Charlie) Previously on "Head Of The Class.."
You wanna do a musical about a plant that eats people?
Please, Mr. Moore, please, you gotta let me be in the show.
It will be so great. Please?
And, Mr. Moore, you should seriously consider
makin' Arvid my understudy.
You know, in case maybe I get hit by a light or something.
I-if only we could find
someone like you to play this..
Okay. I'll do it.
[cheering]
- She wants me at the wedding. - Well, I think you should go.
It's our opening night.
Monica, do you wanna make it really interesting
for everybody?
- Quit. - Great idea.
[cheering]
Welcome aboard. You are our new Ronette.
- 'Alright!' - Absolutely no.
Well, Dr. Samuels, we need her.
Fine. All she has to do is apologize
to her high school principal for calling him a liar.
Is there someway that we can solve this problem?
Short of an apology, I don't think so.
[scoffs]
Uh, T.J., is there something
you did do that he doesn't know about
that you maybe should apologize for?
Maybe.
Now if you were to hear that apology
without knowing what was it about
would that maybe solve your problem?
Maybe.
Okay.
I apologize for something which I did
which didn't hurt anybody except for singin' in the halls
which I didn't do.
I accept your apology.
But if I find out--
Kids, kids, kids, come on.
Shake hands.
Congratulations. You're part of a great cast.
[piano music]
Look, Maria, if you want to be at your mother's wedding
that's your decision, okay?
I, uh, I-I have to know what your decision is.
We open in three days.
Now if you're gonna drop out of the show
I understand, but I need as much time
as possible to find your replacement.
But you're counting on me.
Everyone's counting on me.
Well, that's right.
But then again it's my own mother and..
...what's more important than my own mother getting remarried.
It's okay, Maria. I respect your decision.
No. You know, damn it.
I'm gonna do what's right for me.
- I'm in the show. - Good.
- Wonderful, thank you. - Uh..
[piano music]
♪ Da do ♪
There was this weird humming sound
like something from another planet.
♪ Da do ♪♪
Excuse me. I..
Alan, can you try to be more excited
about the idea of discovering this plant?
- 'Yeah.' - Okay.
Okay. Again.
[piano music]
♪ Da do ♪
And when the light came back, this weird..
[clears throat] This weird..
My voice. Something just happened to my voice.
I, um, I've lost it. It's gone.
Something just happened. My, uh, my voice, I've lost it.
Don't worry, okay?
Go get some hot water
some lemon juice.
- Um, this weird.. - Don't worry.
(Mr. Moore) 'Arvid, can you fill in for a moment here?'
- Yes. - Yes, yes, yes.
(Mr. Moore) 'Okay, from, uh, "He didn't have any.."'
[piano music]
He didn't have anything unusual there that day.
♪ No da do ♪
I was about to, you know, walk on by.
♪ Good for you ♪
When suddenly and without warning..
♪ There was this total eclipse of the sun ♪
It got very dark
and I heard this strange humming sound
like something from another world.
And when the light came back
this weird plant was just sitting there.
♪ Whoopsy doo ♪♪
Whoo. Yeah.
[cheering]
[hoarse voice] Thank you. Thank you.
But th-this isn't gonna help any.
I've lost it. It's gone.
Well, you'll have to get it back by opening night.
No, no, no, you don't understand. I can't.
I've had this before.
It takes at least a week to get better.
Well, you know, we'll have to postpone the show.
Uh, ha, I wish we could, Alan
but, uh, that's impossible.
I feel terrible.
Well, I'm sure we all feel terrible.
- Oh, yes, yes. - Oh. Oh.
You've certainly set the standard
for whoever ends up playing the role, Alan.
You know, uh, the show is not
going to be the same without you.
- 'Is it, kids? Huh?' - No.
I just hope that we are lucky enough
to find somebody half as good as you are.
- Right, guys? - Yeah.
[indistinct chatter]
[instrumental music]
[indistinct chatter]
Where's my eyeliner? It was right here.
Will the person who borrowed my number five eyeliner
please, bring it back now?
Here, here, here, use this, use this.
I can't. It's a four.
I need a five. A five.
I know. Just calm down, Dr. Samuels.
You have a little case of stage fright, okay?
You're right. I got stage fright.
Well, it's perfectly natural.
Imagine this. The principal of a major high school
worried about forgetting his, his, his..
- Lines. - Yes.
- Yeah. You'll be fine. - Lines. Lines.
Listen up, everybody. Uh--
- Mr. Moore, I-- - Just a moment, Janice.
- Uh, I would like-- - But, Mr. Moore--
I would like to say just a few words, Janice.
Just a moment.
Uh, I'd just like to say that, uh
the curtain is going up in less than ten minutes
and, uh, you better be on stage.
Seriously, uh, you've all worked very hard.
And I think that we're ready for you to give your best.
Um, I love you all.
(all) Aww.
And as we say in the theater, break a leg.
- Alright. - We'll try.
Where is Maria?
That's what I've been trying to tell you.
Maria.
- What's this all about? - It's no use, Mr. Moore.
It's about your mother's wedding again, isn't it?
Look, I have to be there. Don't try to talk me out of it.
But don't worry about a thing. Simone knows all my lines.
- I think. - Yeah.
Look, uh, I do understand
it's an important day for your mother.
And I think you should be there.
And I'm not going to try to talk you out of going.
Ah-ha, you're trying to talk me out of it
by not trying to talk me out of it.
It's reverse psychology.
No, I'm not using
reverse psychology.
Reverse reverse psychology.
No.
In that case, suppose I decide to be in the show
and not to go to the wedding, what do I say to my mother?
Well, uh, you say, uh
"Look, I've worked really long and hard with these people
"and I don't wanna let 'em down.
"Um, I, I don't wanna disappoint the audience.
"And, uh, I don't want to just throw away all the hard work
and sacrifices that I've made."
So, uh
you know, you say, "I'm gonna go out there.
"I'm gonna give the performance of my life.
"And I sincerely wish that of all the people in the world
"you, my own mother
could be here to see me do it."
Oh, great.
Do I have time to say all that?
We'll wait.
[instrumental music]
(Mr. Moore) 'Not so very long ago'
'human race encountered a deadly threat'
'to its very existence.'
'And it happened in the most unlikely of places.'
[upbeat music]
♪ Little shop little shoppa horrors ♪
♪ Little shop little shoppa terror ♪
♪ Call the cop little shoppa horrors ♪
♪ No oh-oh no ♪
♪ Shing-a-ling what a creepy thing to be happening ♪
♪ Look out look out look out look out ♪
♪ You better telling you you better ♪
♪ Tell your mama something's gonna get her ♪
♪ She better ♪
♪ Everybody better beware ♪
♪ Come-a come-a come-a little shop ♪
♪ Little shoppa horrors ♪
♪ Bop-sh'bop you'll never stop the terror ♪
♪ Little shop little shoppa horrors ♪
♪ No oh-oh no oh-oh ♪
♪ No oh-oh no ♪♪
[audience applauding]
[instrumental music]
[upbeat music]
♪ Da doo ♪
I was walking in the wholesale
flower district that day.
♪ Shoop da doo ♪
And I passed by this place
where this old Chinese man..
♪ Chang da doo ♪
He sometimes sells me
weird and exotic cuttings.
♪ Snip da doo ♪
'Cause you know, you see
that strange plants are my hobby.
♪ Da da da da da da doo ♪
He didn't have anything unusual there that day.
♪ Nope da doo ♪
So I was just about to, you know, walk on by.
♪ Good for you ♪
When suddenly and without warning
there was this..
♪ Total eclipse of the sun ♪
It got very dark
and there was this strange humming sound
like something from another world.
♪ Da doo ♪
And when the light came back on
this weird plant was just sitting there.
♪ Whoopsy do ♪
Just, you know, stuck in among the zinnias.
♪ Audrey II ♪
I could have sworn
it hadn't been there before.
But the old Chinese man sold it to me, anyways
for $1.95.
♪ Doo ♪♪
[audience applauding]
[hoarse voice] I'm really sorry, Mr. Moore.
He's pretty bad, isn't he?
[instrumental music]
♪ I've given you sunshine ♪
♪ I've given you dirt ♪
♪ You've given me nothin' ♪
♪ But heartache and hurt ♪
♪ I'm beggin' you sweetly ♪
♪ I'm down on my knees ♪
♪ Oh please ♪
♪ Grow for me ♪
♪ I've given you southern exposure ♪
♪ To get you to thrive ♪
♪ I've pinched you back hard like I'm supposed to ♪
♪ You're barely alive ♪
♪ I've tried you at levels of moisture ♪
♪ From desert to mud ♪
♪ I've given you grow-lights and mineral supplements ♪
♪ What do you want from me? Blood? ♪
Ouch!
♪ I've given you sunlight ♪
♪ I've given you rain ♪
♪ Looks like you're not happy ♪
♪ Till I open a vein ♪
♪ I'll give you a few drops ♪
♪ If that will appease ♪
♪ Now please ♪
♪ Oh please ♪
♪ Grow for me ♪♪
[audience applauding]
I knew it. I was right.
We should have postponed the show.
♪ I know Seymour's the greatest ♪
♪ But I'm dating a semi sadist ♪
♪ So I've got a black eye ♪
♪ And my arm's in a cast ♪
♪ Still that Seymour's a cutie ♪
♪ Well if not he's got inner beauty ♪
♪ And I dream of a place ♪
♪ Where we can be together at last ♪
♪ A matchbox of our own ♪
♪ A fence of real chain link ♪
♪ A grill out on the patio ♪
♪ Disposal in the sink ♪
♪ A washer and a dryer ♪
♪ And an ironing machine ♪
♪ Far from Skid Row ♪
♪ I dream we'll go ♪
♪ Somewhere that's ♪
♪ Green ♪♪
[audience applauding]
[laughing]
Goodnight, Seymour.
Goodnight, Mr. Mushnik.
Feed me.
- I-I-I beg your pardon. - Feed me!
You-you-you talked?
Feed me, Krelborn. Feed me now.
W-w-what am I supposed to do? Slit my wrists?
- Feed me! - Does it have to be human?
- Feed me! - Does it have to be mine?
[grunts]
♪ Feed me Seymour ♪
♪ Feed me all night long ♪
♪ That's right boy ♪
♪ You can do it ♪
♪ Feed me Seymour ♪
♪ Feed me all night long ♪
[laughs]
♪ 'Cause if you feed me Seymour ♪
♪ I can grow up big and strong ♪
Where am I supposed to get it?
Hi, Seymour. I forgot my sweater.
Can you believe that dumb broad?
Forgets her stupid sweater.
If your head weren't screwed on straight, move it.
[laughing]
[groans]
[grunts]
- Huh? - Mm-hmm.
♪ If you want a rationale ♪
♪ It isn't very hard to see ♪
♪ Stop and think it over pal ♪
♪ The guy sure looks like plant food to me ♪
♪ The guy sure looks like plant food to me ♪
♪ The guy sure looks like plant food to me ♪
♪ He's so nasty treatin' her rough ♪
♪ Smackin' her around always talkin' so tough ♪
♪ You need blood and he's got more than enough ♪
♪ I need blood and he's got more than enough ♪
♪ I need blood ♪ ♪ You need blood ♪
♪ And he's got more than enough ♪
♪ So go get it ♪♪
[audience applauding]
- Hi. - Hi.
- Mrs. Borges? - Yes.
I was wondering, is Maria around here somewhere?
Uh, aren't you and Hoboken getting married again?
[sighs] I couldn't do it, Mr. Moore.
Charlie. I mean, how can I marry a man
who didn't care if I missed my daughter's big moment, huh?
Hm.
- Hi, baby. - Hi.
- You're here. You're here! - I didn't do it.
- I didn't. - Alright!
[instrumental music]
♪ Don't be fooled if I should chuckle ♪
♪ Like hyenas in the zoo ♪
♪ It's just the gas ♪
♪ It turns me on ♪
♪ But don't let my mirth deceive you ♪
♪ Any moment I'll be gone ♪
♪ All my vital signs are failing ♪
♪ 'Cause the oxide I'm inhaling ♪
♪ Makes it difficult as hell to catch my breath ♪
[gasping]
♪ Are you dumb? ♪
♪ Or hard of hearing? ♪
♪ Or relieved? ♪
♪ My end is nearing ♪
♪ Are you satisfied? ♪
♪ I laughed myself to ♪
[laughing]
♪ Death ♪♪
[audience applauding]
So, anyway, I told him.
I said, "My daughter means
more to me than any third husband"
and if he didn't care enough to go--
That's what I've been trying to say.
- Right. So, anyway-- - Excuse me.
Uh, Maria, I believe you're on.
- Oh, sorry. - Oh, you know, I did.
I told him just like that, straight out
I said, "If you don't care enough
that my daughter is in a huge production."
And that I need to be there and see her
and quite possibly run into you..
What do you think?
Seymour.
- You don't like it? - I don't know. I--
I-I'll take it off. I'll burn it.
Oh, I only bought it to impress you. Oh.
Oh, Seymour.
I don't deserve a nice boy like you.
Audrey, that's not true.
♪ Lift up your head ♪
♪ Wipe off that mascara ♪
♪ Here take my Kleenex ♪
♪ Wipe that lipstick away ♪
♪ Show me your face ♪
♪ Clean as the morning ♪
♪ I know things were bad ♪
♪ But now they're okay ♪
♪ Suddenly Seymour ♪
♪ Is standing beside you ♪
♪ You don't need no makeup ♪
♪ Don't have to pretend ♪
♪ Suddenly Seymour ♪
♪ Is here to provide you ♪
♪ Sweet understanding ♪
♪ Seymour's your friend ♪
♪ Suddenly Seymour ♪
♪ Is standing beside me ♪
♪ He don't give me orders ♪
♪ He don't condescend ♪
♪ Suddenly Seymour ♪
♪ Is here to provide me ♪
♪ Sweet understanding ♪
♪ Seymour's my friend ♪ ♪ Tell me this feeling ♪
♪ Lasts till forever ♪
♪ Tell me the bad times ♪
♪ Are clean washed away ♪
♪ Suddenly Seymour ♪ ♪ Suddenly Seymour ♪
♪ He purified me ♪
♪ He purified you ♪
♪ Suddenly Seymour ♪ ♪ Suddenly Seymour ♪
♪ Showed me I can ♪ ♪ Yes you can ♪
♪ Learn how to be more ♪ ♪ Be more ♪
♪ The girl that's inside you ♪
♪ With sweet understanding ♪ ♪ With sweet understanding ♪
♪ With sweet understanding ♪ ♪ With sweet understanding ♪
♪ With sweet understanding ♪
♪ Seymour's your man ♪ ♪ Seymour's my man ♪♪
[audience cheering and applauding]
[upbeat music]
[audience cheering and applauding]
♪ Little shop little shoppa horrors ♪
♪ Little shop little shoppa terror ♪
♪ Call the cop little shoppa horrors ♪
♪ No oh-oh no ♪
♪ Shing-a-ling what a creepy thing to be happening ♪
♪ Look out look out look out look out ♪
♪ Shing-a-ling everybody better beware ♪
♪ Oh ♪
♪ Little shop little shoppa horrors ♪
♪ Bop-sh'bop little shoppa terror ♪
♪ Call the cop little shoppa horrors ♪
♪ No oh-oh no ♪
♪ Little shop little shoppa horrors ♪
♪ Little shop little shoppa horrors ♪
♪ Little shop little shoppa horrors ♪
♪ Bop-sh'bop little shoppa horrors ♪
♪ Little shop little shoppa horrors ♪
♪ Little shop little shoppa horrors ♪
♪ Little shop little shoppa horrors ♪
♪ Little shop.. ♪
Good job, Mr. Mushnik.
Pretty good show, Mr. Moore.
- Very good show. - You're welcome.
[audience cheering and applauding]
♪ Little shop little shoppa horrors ♪
♪ Little shop little shop of horrors ♪
♪ Little shop little shoppa horrors ♪
♪ Little shop ♪♪
[theme music]
(Dennis as Audrey II) Feed me!
[laughs]
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