Original subtitles

[CRAIG PLAYING GUITAR]

PORSCHE 911 CARRERA.FIRE ENGINE RED.

FULL LEATHER INTERIOR.

THAT'S WHAT I'D BUY.

WOW,THAT IS SO '80S.

WHAT?!

FLIP THOSE COLLARS UP,MR. MANNING.

OKAY,SO WHAT ARE YOU GONNA BUYAFTER WE'RE DISCOVERED

AT THE NORTHERNSOUND SHOWCASE?

I GUESS I'D INVESTTHE MONEY,

BUY A CONDO OR...A SMART CAR.

OR BOTH.

[YAWNING]

DON'T.

STOP.

STOP DOING THAT!

[PLAYFUL GIGGLING]

CRAIG.

MANNY'S ON THE PHONEFOR YOU.

TELL HER I'M STUDYING.

DOESN'T LOOK LIKE STUDYING.

THANKS, MOM.

ELLIE:SPEAKING OF STUDYING,

SOMEONE IS SUPPOSEDTO BE PREPARING

FOR HIS HISTORY PRESENTATION.

CRAIG: WHO CARES?

NOW THE SHOWCASEIS IN TWO DAYS,

SO DROP THAT BOOKAND GRAB THOSE STICKS.

'CAUSE NO MATTER WHAT,

WE ARE GONNA WIN THIS THING.

? Whatever it takes

? I know I can make it through

? If I hold out

? I know I can make it through

? Be the best

? Be the best I can

? And I say to you

? Whatever it takes

? I know I can make it

? I know I can make it

? I know I can make it through

CRAIG: SO THERE WAS THIS PART OF FRANCE

AND GERMANY WANTED IT BAD.

SO THEY UH...

CROSSED THE BORDER-

AND THEY TOOK THIS DETOURBECAUSE...?

CRAIG: BECAUSE...

WELL, SIMPLE...

LET SEE,IT'S RIGHT HERE.

AFTER THAT ONE GUY KILLEDTHAT ARCHDUKE, UH...

[WHISPERS]FRANZ FERDINAND.

[COUGHS]FRANZ FERDINAND.

ELLIE, GESUNDHEIT.

THANKS.

CRAIG: EUROPE'S TREATIES WERE ALL MESSED UP,

AND GERMANY TOOK ADVANTAGE OF IT.

TOBY: SO, LIBERTY AND I ARE GOING TO REPRESENT DEGRASSI

AT THE METRO TORONTO STUDENTS ASSEMBLY.

BUT WE NEED YOUR INPUT,

SO EMAIL USYOUR THOUGHTS,

AND WE'LL COMPILE THEM.

MEETING ADJOURNED.

SO HOW ARE YOU GETTINGTO THE ASSEMBLY?

'CAUSE I WAS THINKING...

THAT IF YOU NEEDED A LIFT,

JT COULD DRIVE YOU.

TOBY, YOU KNOWI DON'T TALK TO JT.

YEAH, BUT I WISH YOU WOULD.BECAUSE THIS SUCKS, OKAY?

I MEAN, I'M FRIENDSWITH BOTH YOU.

I'VE GOT ENOUGH ON MY PLATEWITHOUT WORRYING ABOUT THAT.

HOW'S IT GOING,ANYWAY?

WITH THE BABY,I MEAN.

MY DOCTOR TOLD METO TAKE IT EASIER -

FOR THE BABY.

HE SAYS I'M OVER-STRESSED,

BUT I THINK I'M FINE.

WELL,I'M HERE TO HELP -

STUDENT COUNCIL,WHATEVER.

AND NOT JUST 'CAUSEI'M YOUR VICE, OKAY?

TOBY:SHE'S FINE.

SHE'S STRESSED BUT...

YOU KNOW, HER DOCTORTOLD HER TO TAKE IT EASY,

FOR THE KID.

WHAT?THE BABY'S IN DANGER?

I DIDN'T-I DIDN'T SAY THAT.

WELL, IS LIBERTYIN DANGER?

LOOK, CALM DOWN.

LIBERTY'S FINE.

I'LL MAKE SURESHE TAKES IT EASY.

GOOD.SO WILL I.

JT, IF LIBERTY FINDS OUT

WE'VE BEEN HAVINGLITTLE MEETINGS,

I'M DEAD.MURDERED.

JT: SORRY.

BUT I HAVE TO DO SOMETHING,OKAY?

WHAT OTHER CHOICEDO I HAVE?

JIMMY:"AND, THUS,CRAIG FAILS HISTORY."

MY POOR BABY.

CRAIG:IT'S ONE GRADE,SO WHAT?

UM...UNIVERSITY.

UM, GETTING INTOUNIVERSITY.

UM...YOUR LIFE.

YEAH,BREATHE, MARCO.

THEY'VE ALREADYSUBMITTED OUR GRADES.

ANYWAY, WHO ACTUALLYWANTS TO GO?

REALLY?

OKAY,BESIDES THE TWO OF YOU.

HI, I'M ELLIE NASH,

FUTURE JOURNALISM SCHOOLSTUDENT

AND ROVING REPORTER.

AND YOU'RESO ANNOYING.

JIMMY: SO EL, YOU'RE...

YOU'RE REALLY TAKINGNEXT YEAR OFF

TO LIKE...

TO FOLLOW CRAIG AROUNDOR WHATEVER?

NO. SHE - AND WE -

ARE GOING TO SPEND ITCUTTING OUR FIRST ALBUM

AFTER WE'RE DISCOVEREDAT THE NORTHERN SOUND SHOWCASE.

THAT WAY, NO WASTINGTHE NEXT FOUR YEARS

ON SOME USELESS B.A.

WHICH IS WORTH AN F.

JIMMY: GAVIN.

WHAT'S THIS LITTLE NUMBER?

IS THIS UH...

IS THIS A COPY OF YOU AND DARCYSINGING "JESUS LOVES ME"?

NO, THAT'S MONEY MONEY.

OUR DISHWASHER'STHEIR LEAD GUITARIST

AND THEY ARE YOUR COMPETITIONAT THE NORTHERN SOUND SHOWCASE.

AND THEY'RE GOOD.

[CLACKING DRUM STICKS]

CRAIG:ALL RIGHT!

? WAKE UP!GLAD TO MEET YOU ?

? I NEVER MET YOU BEFORE

? YOU CAME WITH THE FEELING

? IT DROVE ME OUTMY FRONT DOOR ?

? WAY OUT!SOON TOGETHER ?

? WALKING AND TALKINGOUT MY FRONT DOOR ?

? TOO LATE

? GLAD TO MEET YOU

? I NEVER MET YOU BEFORE

? WAKE UP, EVERYBODY

? LIVIN' THE DREAMTHAT DROVE ME WHERE EVERYBODY ?

? WHERE I MET YOUAND YOU MET ME ?

? AND WE THREE GROOVEDTO THE BEAT

? TO THE BEAT -THREE! ?

? APPLESEED CAME BACKWITH A VENGEANCE ?

? WHAT ARE WE INAPPREHENDIN' OUR FRIENDS ?

? YOU TOO,LITTLE BOY BLUE ?

? CAME BACK AND GOT BACKAND GOT THE FLU ?

ANNOUNCER: THANK YOU. THAT WAS DOWNTOWN SASQUATCH.

NOW GIVE IT UP FOR MONEY MONEY!

MONEY MONEY: ? WE ARE NOT WORTH THAT MUCH

? OH SHE

? ONLY WANTS ME FOR...

? MY MONEY! OH MY...

? MY MONEY! OH MY...

? MY MY MY MONEY!

[CHEERING]

OKAY.

OKAY,THEY'RE GOOD.

BUT THEIR TIES MAKE MEWANT TO STRANGLE THEM.

LEO: CUTE GIRL'S GOT A POINT.

LEO DAVIES.

HEY, I'M CRAIG.THIS IS-

GOTCHA.

SO GOOD SHOW TONIGHT.

LIKED THE SONG,LOVED THE VOCALS.

THANKS.

IT'S TOO BAD MONEY MONEYBLEW US OFF THE STAGE.

OH, THEY'RE GOOD,

BUT THEIR SOUND'SBEEN PLAYED,

SO IS THEIR LOOK.

NO DEPTH.

SO WE'VE GOT DEPTH?

DEFINITELY.

THE BAND'S A LITTLE ROUGH.

YEAH. NOT SOCOORDINATED HERE.

YEAH, BUT IT WORKED.

I LIKED IT.

AND...

I'D LIKE TO MANAGE YOU.

JOEY:UH, CRAIG,

DANCING WITH THE STARSIS ON?

A MANAGER... OKAY?

A REAL,MUSIC INDUSTRY MANAGER

HAS SIGNED US TONIGHT.

THAT'S AMAZING,CRAIG!

WOW!

YEAH, UM...

LEO'S GONNA WORK WITH USTO SHARPEN OUR SOUND.

HE'S GOING TO INTRODUCE USTO A&R, RECORD COMPANIES.

TOMORROW WE HAVEA PHOTO SHOOT SET UP.

THAT IS AMAZING,BUDDY.

AND WELL...

SPEAKING OF POTENTIALLYAMAZING NEWS,

THIS LETTER ARRIVED FOR YOU TODAY.

FROM U OF T.

OH WOW.

UH... I GOT-I GOT EARLY ACCEPTANCE.

AND A FULL SCHOLARSHIP.

WHAT?!

OH, CRAIG,THAT IS AWESOME!

CONGRATULATIONS,BUDDY!

OH, WE'RE SO PROUDOF YOU!

CRAIG,SUMMER WITH YOUR BAND;

FREE UNIVERSITYIN THE FALL.

YOU'RE TOTALLY SET.

YEAH...

OKAY. HOLD ON.

THIS IS SO GREATAND EVERYTHING,

BUT UM, I DON'T KNOWIF FOR SURE I CAN DO THIS.

I MEAN, I HAVE TALKTO LEO FIRST.

OKAY CRAIG,I KNOW YOU'RE EXCITED, OKAY?

BUT THIS IS SCHOOL;

THIS IS YOUR FUTURE.

CRAIG: MY FUTURE'S MUSIC.

OKAY? I'M NOT GOINGTO GIVE THIS UP.

LIKE...

SORRY, THIS IS THE OPPORTUNITYOF A LIFETIME.

? WAKE UP!GLAD TO MEET YOU ?

? I NEVER MET YOU BEFORE

HAWKE,

THIS AIN'T WORKINGFOR ME.

[CONSIDERING]UH...

MARCO,STEP OVER HERE.

OKAY.

LEO:AND JIMMY, SCOOT OVER HERE,BESIDE MARCO.

UM WAIT,

ISN'T HE BLOCKINGMY DRUMS?

YOU'RE OUR CHICKON STICKS.

YOU CAN SELL ITFROM BACK THERE.

[WHISTLES]

THANKS.

CRAIG, I NEED YOUTO STEP FORWARD.

FORWARD.YEAH, GOOD.

OKAY, HAWKE?YEAH?

UH... LEO?

I'M KIND OF ABOUT"THE BAND".

DUDE,THIS IS DIFFERENT.

SEE NOW "THE BAND"IS ABOUT YOU.

LEO: OKAY, HAWKE...

[LOUD CAMERA CLICK]

HEY.

LEO SAIDHE'S RUNNING LATE.

UM... EL?

CHICK ON STICKS

IS GONNA SELL ITFROM OVER HERE, YO.

LEO:OKAY.

SO...

NORTHERN SOUND SHOWCASEALWAYS ASKS A FEW BANDS BACK

FOR THEIR FINAL NIGHT.

THIS YEAR THEY'VE ASKED BACKMONEY MONEY,

THE AUNT SELMASAND DOWNTOWN SASQUATCH.

CRAIG:YOU'RE SERIOUS.

LEO: PLUS, ONE OF THE EXECS

IS INVITING HIS FAVOURITE BAND OUT TO VANCOUVER

TO CUT A DEMO WITH JAKALOPE.

WHICH IS HUGE.

WAIT,

SO IF THIS RECORD GUYLIKES US,

WE SPEND THE SUMMERIN VANCOUVER?

YEAH, GUYS, THIS WOULDHAPPEN NEXT WEEK.

YOU'D BE ON A FLIGHT ON SUNDAY NIGHT.

FOR HOW LONG?

AS LONG AS IT TAKES.WEEKS. MONTHS.

MARCO: WAIT, WHAT-WHAT ABOUT SCHOOL?

WE HAVE EXAMS,PAPERS.

WE'LL SCREW UPOUR ENTIRE YEAR.

SO? THIS IS A ONE SHOT DEAL.IT'S MORE IMPORTANT THAN SCHOOL.

GUYS, DON'T WORRYABOUT THIS STUFF.

WORRY ABOUT POLISHINGYOUR SOUND.

IT'S A LITTLE ROUGH.

OH, BUT...

ROUGH'S PARTOF OUR CHARM.

LEO:ROUGH'S GONNA HOLD YOU BACK,

ESPECIALLY AROUNDTHE DRUMMING.

LEO, WE'LL BE FINE.

SHE'LL BE FINE.

YOU HAVE MY WORD ON IT.

[SIGHS]

OKAY.

I THOUGHT WE'D GOTHROUGH THE SONG

FROM START TO FINISH,JUST DRUMS.

CRAIG, THIS ISA HOPELESS CAUSE.

I'M NOT A GOOD DRUMMER.

HEY, WE HAVE NO TIMEFOR NEGATIVITY, OKAY?

LET'S JUST FOCUS HERE.

OKAY.

[DRUMMING]

IS THAT BETTER?

THAT'S PERFECT.JUST KEEP GOING.

WE GOT A GIGAT THE SHOWCASE.

ANOTHER ONE.

THE BAND GETS TO-

THE BAND, THE BAND...

THE BAND IS ALLTHAT YOU CARE ABOUT.

THIS SHOWCASE MATTERS,MANNY.

MANNY: RIGHT NOW,

IT LOOKS LIKE THE ONLY THINGTHAT MATTERS IS ELLIE.

MANNY!MANNY...

HATZILAKOS:LIBERTY, I WAS WONDERINGIF YOU WERE STILL HERE.

OH, WE'RE JUSTFINISHING UP.

HATZILAKOS:LISTEN, IT CAMETO MY ATTENTION...

WELL, LET ME REPHRASE THAT.

I'M CONCERNED ABOUT YOU, LIBERTY.

YOUR BABY IS DUE SOON,

YOU'VE WORKINGAWFULLY HARD,

AND YOU JUST SEEM STRESSED.

STRESSED?

AND WHAT WOULD GIVE YOUTHAT IDEA?

HATZILAKOS:WELL, WITH ALL DUE RESPECT,

I THINK YOU SHOULD STEP ASIDE

AND YOU SHOULD LET TOBYGO ALONE TO THE ASSEMBLY.

MS. HATZILAKOS,

IS THIS BECAUSE YOU DON'TWANT A PREGNANT STUDENT

REPRESENTING THE SCHOOL?

HATZILAKOS: NO LIBERTY.

IT'S BECAUSEI WANT TO MAKE SURE

THAT YOU GET THE RESTTHAT YOU NEED.

UH... TOBY,

YOU DIDN'T TALK TO HER,RIGHT?

ME? NO!

NO, NO, NO, NO...

I WAS JUST...OH MY...

LOOK AT THE TIME!

I HAVE TO GET THE MATERIALS READY FOR...

FOR THE ASSEMBLY.

CHOP-CHOP.

? I NEVER MET YOU BEFORE

? WAKE UP, EVERYBODY

? LIVIN' THE DREAMTHAT DROVE ME WHERE ?

? THREW THE BODY WHERE

? I MET YOUAND YOU MET ME ?

? AND WE THREE GROOVETO THE BEAT

? TO THE BEAT -THREE ?

? APPLESEED CAME BACKWITH A VENGEANCE ?

? WHAT ARE WE INAPPREHENDING OUR FRIENDS ?

? YOU TOO,LITTLE BOY BLUE ?

? CAME BACKAND GOT BACK ?

? AND GOT THE FLU

WELL, IT'S BETTER.

BETTER,BUT IT'S NOT GOOD.

SEE, A ROUGH SOUNDIS ONE THING, BUT...

YOUR DRUMMERCAN'T KEEP TIME.

CRAIG: WE'VE WORKED ON THAT.

YOU SHOULDN'T HAVE TO.

THERE ARE A LOT OF GREATDRUMMERS IN THIS TOWN.

ELLIE: MR. DAVIES, PLEASE...

I'M NEW,BUT I'M DEDICATED.

I'LL PRACTICEALL NIGHT.

HONEY, YOU'RE NOTCUT OUT FOR THIS.

JUST LIKE I'M NOT CUT OUTTO FLY AIRPLANES.

THEM'S THE BREAKS.

I HOPE TORONTO HAS A LOTOF GREAT SINGERS, TOO.

OKAY.

LIBERTY: ET TU, TO-BAY?

[PAINED GROAN]

SO...

YOU USED MY PREGNANCYTO STAGE A COUP D'ETAT?

NICE.

LIBERTY, THAT'S NOTWHAT HAPPENED.

REALLY.

THEN WHO WENTTO MS. HATZILAKOS, HMM?

OKAY, IT WAS ME.

I'M THE BLABBER.

TOBY "THE BLABBER" ISAACS.

THAT'S ME.

BUT LIBERTY,IF I WAS PREGNANT?

AND, YOU KNOW,

MY DOCTOR TOLD METO SLOW DOWN?

THAT'S WHAT I'D BE DOINGRIGHT NOW.

YEAH...WHATEVER, TOBES.

I'M GOING TO THE ASSEMBLY

AND YOU'RE DRIVING ME.

[ENGINE RATTLESAND BACKFIRES]

[ENGINE DIES]

UH...THIS ISN'T CARSON HILL.

YEAH.I KNOW.

BUT MY BUBBIE'S CARDOESN'T SEEM TO GET THAT.

I'M CALLING A CAB.

DON'T EXPECT A RIDEBECAUSE TRAITORS HAVE TO WALK.

I'M NOT A TRAITOR.

YOU ATTEMPTED TO OUST MEFROM MY PRESIDENCY.

YOU,TRAITOROUS YOU.

LOOK, I DON'T WANTYOUR STUPID JOB.

SO WHY BLABTO HATZILAKOS?

I DIDN'T.I BLABBED TO JT,

AND JT BLABBED TO HATZILAKOS.

BECAUSE THIS WHOLE TIME I'VE BEEN TRYING TO HELP HIM

KEEP UP WITH YOU.WHILE AT THE SAME TIME

HELP YOU GET READYFOR THIS STUPID CONFERENCE.

BUT THE ONLY PERSON I HELPEDWAS MYSELF -

ACHIEVE INSANITY!

COME ON...[HITS STEERING WHEEL]

LIBERTY: THERE'S A REASON I DON'T TELL JT

ABOUT ANY OF THIS.

HE- [GASPS]

LIBERTY?

OH, THAT'S DISGUSTING.

WHAT?

WHY IS THERE WATERON THE FLOOR?

TOBY... IT'S-IT'S TIME.

TOBY: TI-TIME? T-WHAT?

WHAT TIME?

TIME FOR-

NO! NO. NO.NOT HERE.

NOT IN MY BUBBIE'S CAR!

DIAL 9-1-1.

BUT DON'T MAKE A BIG DEALABOUT IT.

[INDISTINCT VOICES OVER RADIOS]

[MURMUR OF VOICES]

LIBERTY:TOBY, I'M SORRY.

IT'S OKAY. YOU'RE GONNA BE FINE.DON'T WORRY.

BUT THE ASSEMBLY-

IT DOESN'T MATTER,OKAY?

NEW SONG?

I LIKE IT.JUST LIKE THAT.

YOU KNOW, IT DOESN'TEVEN NEED LYRICS.

IT'S NOT REALLYA SONG THEN, IS IT?

SOMETIMES YOU DON'T NEEDALL THE EXTRA STUFF.

SOMETIMES SIMPLERIS BETTER.

I'M NOT A SOLO ACT.

BUT YOU COULD BE.

I DON'T CARE.THIS ISN'T ABOUT ME.

THIS IS ABOUT THE BAND.

ELLIE, WE WERE GONNA DO THIS TOGETHER.

CUT OUR ALBUM,

SOLD-OUT SHOWS.A JUNO, A GRAMMY.

CRAIG, I CAN'T DRUM.

YES, YOU CAN.

NO, I CAN'T.

AND MARCO'S NOT MUCHBETTER ON BASS,

AND JIMMY WANTS TO PAINT.

LEO... GOD, FACE IT,

HE ONLY WANTED YOU.

WE WERE JUST...EXCESS BAGGAGE.

CRAIG, I REALLY THINK YOU SHOULD GO

TO THE SHOWCASE TONIGHT,

JUST LIKE THIS -YOU AND YOUR GUITAR.

I REALLY THINKYOU COULD WIN.

OKAY.

LET'S SAY I DO PLAYTHE SHOWCASE,

AND I DO WIN.

THAT MEANS LEAVING.

WHAT ABOUT MANNY?

OR JOEY? OR ANGIE?

DON'T WORRY ABOUT THEM.

THEY'LL MANAGE.THEY'LL BE FINE.

WHAT ABOUT YOU?

I'LL WAVE GOOD-BYE

'CAUSE I HAVE TO.

CRAIG...

GO TO THAT CLUB

AND KNOCK THEM DEAD.

FOR ALL OF US.

ANNOUNCER: EVERYONE WELCOME TO THE STAGE FROM DOWNTOWN SASQUATCH,

CRAIG MANNING.

? THE DAY IS LONG

? THE FLIGHT AND SONG

? BUT I DON'T EVEN LISTEN

? THE BLUE BIRD HIDES

? A PIECE OF NIGHT

? I DON'T EVEN TRY...

THE ADOPTION COUNSELLORIS IN THE HALL.

SHE'S TALKINGTO YOUR PARENTS.

CRAIG: ? EVERY MAMA GONE MISSING

? EVERY PAPA GONE MAD

? I'LL TAKE A CHANCE

? IT'S NOT ROMANCE

? BUT SOMETHIN' MORE IMPORTANT

? SO GIVE ME WINGS

? LET ME SING IT'S ALL BEEN DONE BEFORE ?

? FOR ANY GIRL THAT'S UNHAPPY ?

? FOR ANY BOY THAT IS BAD

? EVERY MAMA GONE MISSING

? WHOA...

? EVERY PAPA GONE MAD

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