All language subtitles for 2003-09-26 THE RUNDOWN_track5_eng

,' I seen the br/ght l/ghts
of Memphis , '

,>And the Commodore Hotel ,r'

♪ And undemeath the streetlamp ♪

,r' I met a Southem belle ,r'

,r' Oh, she took me to the river,r*_r*

[ Radio Stations Changing]

[ Man] I just Iove mushrooms.
One ofmy favorites,

or a5 I Call it “the king
ofmushrooms,” i5 the porcini.

Now stop right there.
Don 't be alarmed.

There '5 a Im' ofcanfus/on
in t/7/5 count/y...

between porcini,
the Italian name,

and cäpes,
which i5 the French name.

They're fat and they're earthy.

Naw, the parc/n/ i5 man' afien
seen dr/edhere in t/7/5 count/y.

Ana' the y wou/a' a/ways
be labe/ed "zir/edporc/ni; ”

not “dried cäpes.” [ Man] Beck!

Okay? They are vety, very,
very flavorful. Come an.

It's about time.
Hour and a halfl've been waiting.

Man, you're lucky to be getting in.
It's an extreme/y private party tonight.

Let's go.
,MH/p-Iwp]

What's he drinking?
Jägermeister and Cristal.

Great.

JJI HiP'h0P]

Secumy? N0, butwe d0
have a shght prodem.

Have fun.

What's the problem?

777a z' '5 yourprob/em. Okay the
guy an the /efi' fs/a/ee/johnson.

I think he's Iike the Ieft tackle
or something. Jamaljohnson.

Defensive ena'.
He '5 t/7e besz' defensive l/neman...

Notre Dame's produced
in the last 20 years, maybe ever.

The guy on his Ieft
is Kambuijackson.

Ran f0r2, 000 yards last year,
all-pro fiveyears in a row.

The guy in the headband, thafs
Fernando Lewis, middle Iinebacker.

- P/ays 2/01' l/ke RayLew/Lc.
- [ Glass Breaks]

- He just fxfts harder: - Whatever, Beck.
I'm not into football.

The other two guys arejimmy
Coggeshell and David Mulaire.

- Whoo! - Oneß' 290m USC, the
0277er one '5290m Ohio 5 t3 te.

- [ Bone Cracks]
- [Man/Stay down, b/tch/

Well, anyway, the guy you're Iooking for
is right there. That's Brian Knappmiller.

Throws Iike Brett Favre,

bets Iike Pete Rose.

5 o, f??? te/Arhg ihr: C32', f??? fike,
“V0, f know ,fräyau thazylumpeaf.

I know it's you. I saw you jump.
Don't tell me it's not you.”

- He '5 fike, “f don 3:' know. ”
f??? fike, “Dog. ” - Excuse m e.

- It's you. I know. - [
Clears Throat] Excuse me.

- F??? sony t0 botheryou guys. fapo/ogzke.
- Hold up, my man.

I ain't got no hookups to tryout camps.
You gotta show up Iike everybody else.

You're a big boy though.
I thinkyou'II be all right.

So I'm tellin' the cat
I don't wanna have to sit through--

Excuse me, Brian, I'm sorry. I'm not
here to talk to you about tryouts

Ifl could have one minute ofyourtime.
I got it. Pass me that.

Who dm make flms out m, man?

Who do I make it out to?
Yeah, what's your name?

- Beck. B-E-C-K.
- Beck?

- What's up, man?
- What's happening?

- Here you go, man? Knockyourselfout.
All right? - Thankyou.

You got K.
New, what yeu gonna de?

You gonna come back,
or what?

,y [ Hip-hop Continues]
Excuse me.

I'm really sorry. Yo, man,
what are you doing, man?

Couple of months ago, you made some
wagers with an associate of mine.

- Two, three months ago?
- What's up, Knappy?

- Nothing. It's good. Enjoy your drink.
- What's up,jimmy?

3e t5? You come embarrass me in fionz'
of m y fifends abouz' some bets?

Don't mean to embarrass you. This is
embarrassing to me. I'm a big fan.

But 550,000, you might have remembered.
I know what it is, man.

Listen. There's a “G“
to get me started.

Now you do me a favor. You tell your man
I'm gonna see him on Monday with the rest.

And not to send anybody else
to see me. All right?

[Sighs]
Brian.

I'm gonna need
some collateral from you.

What?

I'm gonna need the ring.

[Chuckles]

I'm sorry.
Are you-- Yo!

Slip it to me under the table,
on the Iow-Iow.

I'll make sureyou get it back.
On the Iow-Iow.

You wen: the rang? f'// give f2'.
You wen: a drrh/c too?

- Tha n k you.
- Take the rang, buday.

That's what I think about that.
Get the hell on, man.

Go, man, go! Go!
Hey, do something with this.

You heard the man.
Let's go, man. Get up.

Okay.

That's right, playboy, walk.
Go on, man.

Set your ass outta here.

,s' G0, go, go, am go, 30» 30 a?

- You all right?
- This shit burns.

[Line Ringing]

[Man] Hello. Hey, it's me.

Oh, yeah, he's here.
We got a problem though.

He's got the entire offensive Iine.
The entire offensive Iine is here.

Let me do it another night.
How about that?

Theyve got a Iegitimate shot at repeating
this year. I do not want to hurt them.

I don't wanna go out--
[Man On Phane, lnzfistinct]

Okay, Billy.

[ Phone Snaps Shut]

[Sighs]

G l5 that your chik g
g People you knowg

,* Me and Timbaland been hat
since 20 years ago g

j What da dillyyo Now what da
dillyyo Ifyou wanna battle me ♪

Knappmmer, ycu got {wo chomes. OpUon
“NHYou gwe me the fing. ,y [ Continues ]

Option “B“:
I make you give me the ring.

I'll take

- 00h'.
- Wmng Choke.

,s' Getcha fiea/c an G e tcha
fiea/c an G e tcha fiea/c an ,s'

♪ Getcho freak an
Getcho Freak on ♪

,* Getcho fieak on
Missy be puttin' it down g

,* I'm the hattest round
I toldyour mutha g

♪ Y'all can stop me now
Listen to me now;

,s' f in? /a5 ? ' 20 rounds
Ana' ,ffyou wen: me, peop/e ,s'

,* Then come and get me now
I5 you with me now;

,s' 777e bfggz}? bfggz}? bounce f km0 w you dfg
the way f 5 w- 5 w- 5 wfrchea' m y5zfy/e ,s'

g Holla g ,r' People sing
around People gather round g

- O kay. -,--* Peop/ejzzmp
arouna' Qufezg,'

,s' 5/7/7, hushyo mouth ,s'

,s' Sf/ence when f spfz' z': au: ,s'

- [ Bone Brea ks]
- ,s' In your 296e ,s'

,s' Openyo mouth
Gfveyou a taste ,s'

g Holla g
g Ain't no stoppin' me g

,' Copywr/tten
50 den?' capyme,'

♪ Getcho freak an
Getcho Freak on ♪

,r'; [ Continues, Indistinct]

Put him down, man!

[ Record Scratches]

Oh! Ohh!

Aah!
[ Record Scratches]

[ Knappmiller Groans]

- [ Bones Crack]
- [Yells]

Yo, man, what's with
all this hostility, man?

You should have taken
option

[Panting]

Are you all right, mate?

Are you okay?
[Groaning]

Thanks, mate.

- [Tires Skid]
- [ Buzzes]

There he i5.
Why'd you send him, Billy?

Martin?
Oh, he was just backup.

After I got your Call, I wasn't so
sure you could deliver, you know.

- What happened anyway?
- He stole it from me.

He got you
with those beanbags? No.

That is gonna be 10
offyourvig anyway.

Billy, you know I've got plans. You
are gonna stop nickel and diming me.

It's a tough business, you know,
the restaurant business.

I hear that 75% ofthem fail
the first year, and you know why?

Under capitalization.
That's why.

{just don 3:' t/nh/o- Billy, I want out.
I want a new Iife.

Iwant my money
and I want it now.

N ow. N ow.

Okay.

[ Paper Rustling]

Onejob.

Onejob,
I wipe your slate clean.

And you have your restaurant.

G0 an.
Oper: z': up.

Come on.

Ifs a photo
of Travis Alfred Welker.

Stanford dropout,
treasure hunter.

Only, to date, the only thing
he's found is trouble.

Did you say, “Walker“?
My son.

He's from my third marriage.
Lasted about three minutes.

That picture was taken
about two months ago.

Same gold mining town called EI Dorado,
down in the middle ofthe Amazon.

How much?
250 Iarge.

- With that Kind ofmoney, invite him
backyourself. - The boy doesn't trust me.

- Kidnapping's gonna help.
- Is that sarcasm?

You wanna be sarcastic,
you d0 it to your monkey friends.

You do not do it to me!

Do you understand?

I'm sorry, Billy.

'(eure gcxddamn flght
you are.

- What'd he do?
- Pissed offthe wrong people.

F don 3:' h3 ve t0 remfndyou whaz'
happens whenyou d0 2773:', d0 f?

Sol bought him
some forgiveness.

But ifl don't bring him
back here to face the music,

you know damn well
that I can't carry a tune.

So, ycxu dem er
my boy back here.

You bring him
right through that door,

you walk out ofthis house
a free man...

with a restaurant.

,r' His final words ,r'

,' Don 't takeyaurguns t0 t0 wn, son,'

,' Leaveyourguns a1' hame, Bill,'

,' Don 'z' takeyourguns t0 t0 wng,'

Is that duct tape?
Oh, aye. Aye, aye.

Don't worry there, Iittle fella.
Walk by faith, not by sight. Hmm?

M/il/you look a1' thaz'?
We ran 'z' lana' now.

- Why? Why cafitwe und?
Whey got the “booze cm the gflnd.”

“Booze on the grind”? Aye, the bulls
on the ground. The cattle down there.

C0 ws. Yeah. {Wgive them
a wee fifghz' there.

Ah, get mcxvmg'. Ah, ccxme cm then'.
Outta me way'.!

Outta me way, you!

Move it!
Move it now! Shoo!

Outta my way?

Outta me way.
[ Laughs]

[Cattle Mooing]

[ Pilot Laughing]

All right there, get offthe-
Okay, gotcha.

Hey, Sugie, what'd I tell you about not
Iet- My needle was totally nackered.

R. P. Ms all over the shaft.

- l5 t/7/5 the an/yroaa' in 2nd auf?
- Ifyou wanna stay alive.

- Why's that?
- That there, that's thejungle, Iittle fella.

You got anacondas in there. Poison
arrow frogs, black flies, bullet ants.

Ifthey don't get you,
the rebels will.

- What?
- Aye, rebels. That's what I'm telling you.

To them, Cornelius Hatcher's
built a Babylon in paradise.

- Built a what?
- A Babylon.

Yeah, that mine...

i5 a5 dass a5 a man ran came
t0 the gates ofhe/l,

while his heart's still beating.

The Sunday schon! picnic
i5 over, I'll tellyou that.

Stay out ofthejungle,
Iittle fella, okay?

[ Horn Honking]

I, uh- I found these flowers growing
in the deepest parts ofthejungle.

As faras I can tell,
no one's ever identified them,

which means that I'm responsible
for naming them.

I can only think ofone Word...

that fits something
so beautiful.

Mariana.

How much do you want?

- What?
- How much?

I need your uncle's boat. A day
or two, max. Mariana, listen.

You borro w m y Gar; you bring f2' baC/c wir/r n0
wzhdshfe/af You borro w m y bro therß' 5600519!“-

The scooter was mechanical.
Itwasn't my fault.

Now you want to borrow my uncle's boat?
And, “I found it. I found it.”

You will never find
this “Garbo“ ofyours.

Shh, it's gato.
I told you.

- Garn.
- It's out there, Mariana.

I know exactly where it is.
But I need that boat.

How much?
I told you--

No, how much
is your gato worth?

- This is a very signiflcant
academic flnd, Mariana. - How much?

- It's not about money.
- You Iie Iikea Iittle girl.

I'm not Iying.

Ifl get the boat foryou,
you have to take me with you.

That's ridiculous. We're talking
about a Iousy boat here.

And we split the take 50-50. I've
been doing all the work, okay?

I found it. No way.
Fifty-fifty, Travis.

Seventy-'Lmrty.
Ffity-ffity.

- Sixty-forty. - Fifty-fifty,
and I get off ofwork at 6:00.

Then we can go
and get your gato.

You're evil.

Thankyou.
Whatever.

For the flowers.

Harvey, someone here
to see your brother.

- Where's he from?
- He's an American.

- Yaugotagun?
- No, I don't Iike guns.

Check him.

[Speaking Portuguese]

- What' s the current paycxut?
- Gwe me a payout im' Quadrant three.

[Speaking Portuguese]

[FrogTrilling]

[Portuguese]

Two-four, two-five.
Down 20 percent.

[Portuguese]

You checked him?
All right. Let's go.

Come an.

Come on.

Never met an American
who didn't Iike guns.

Tell 'em to dig harder.

Ifonly it were that simple,
eh, Mr. Beck?

- How do you know my name?
- When a man ofyour dimensions...

travels all this way
to visit a place Iike this,

it arouses the curiosity.

What can I do foryou?
Doyou know this man?

Ah, Travis Walker.

I Iet him do some excavating
around the mine,

allow him to rent a room
in my town,

all fora fair 60%
ofanything he might unearth.

Can you tell me where to find him?
Yeah,just follow the bullshit.

The guy's got a mouth
should be in the Circus.

Brother, please.
Do you have business with him?

I do. Good. What Kind of business?
I Iove business.

It's personal.

So, why come to me?

When I'm a guest in
another man's house, Ah.

I don't reach into his refrigerator
without asking permission.

Refri gera to r? I wanna show
you something, Mr. Beck.

Does that Iook Iike
a refrigerator to you?

Looks more Iike hell.

Well, you see hell. I see a
spellbinding sense of purpose.

I see the value
of keeping your eye on the ball.

When a bride
Slips the ring on her fingen

when a buszhessman
/ay5 bis hands an a Rolex

when a rapper
gets a shiny new tooth,

this i5 that cost, Mr. Beck.

My horror for their beauty.
My hell for their Iittle slice of heaven.

Somebodyß' gotta
keep bis e ye an the ba/K.

That somebodyis me, Mr. Bark.

l am down here every day...

keep/ng m y e ye an the ba/l.

Thafsjust a simple fact oflife.

And ifyou're bald enough
to face that cold, hard fact,

you can make a Iot ofmoney.

- What do you want with the kid?
- I've come to take him home.

That'II costyou 510,000.

I need to borrow thejeep.
Uh, wait a minute, friend.

I'll giveyou S1 ,O00.
Huh?

I'll giveyou S1 ,O00.

I need you to take my bag
back to the plane.

Keep the engme runmng.
Can yeu du that?

FOI' 51,000?
That's right.

I'IIfindaway.

Decmn,Fn1gonna be com i ng fast.
Yea h.

- [ Glasses Clinking]
- [ Pool Balls Clacking]

American?

Yeah.

W here from? Somemace
{hat s got bartenders.

What can I get you?

I'll takea beer.

- Nice flowers.
- O tolo sorrindo.

The smiling fool.

You know, back in the States, Brazil
nuts Iike these go for S15 a pound.

Well, those fell
offthe tree out back.

And around here
we don't Call them Brazil nuts.

What do you Call 'em?
Well, we're in Brazil,

so wejust Call them nuts.

Fair enough. So what brings you to the Amazon?
Other than the food and drink, of course.

I'm Iooking fora man.

- What's your type?
- His name's Travis Walker.

Bro wn bar}; he '5 in bis 205.
Wears a b/ue shfrz', je-ans.

R/ghz' now, he '5 gar a real
be wi/derea' look an h/s 195e.

- Do I know you?
- The name's Beck.

What can I do foryou,
Mr. Beck?

I need you to make a choice for me.
A choice.

Option “A“ or option “B“?
What's option “A“?

Weil, option “A” is you and I
walk outta here nice and easy,

get in myjeep and we drive
back to the airstri p.

And then we begin our Iong
journey back to Los Angeles.

Be no blood,
no broken bones.

And no problems. [Chuckles]
What's in Los Angeles?

Your father.

What's option “B”? Pretty
much the opposite of

But I wouldn't recommend
that one.

I'll take option

Travis, there is no option

Really?
Mm-hmm.

Are you sure?
I mean, big boy,

there's always an option

[Groangwhimpers]

- Ow, ow! So angzy!
- Shut up.

Shut up!

Like I said,
there i5 no Option “C."

L et me introduceyou
t0 Option "C ”

[ Hatcher]
Mr. Beck.

There's been a slight change
in the narrative.

An unexpected Kunst
yeu mght say.

Can I have a beer, please?

Mr: Haar/wer; f was/last gamma
come findyau when 27713--

- The kid stays.
- I paid you.

Well, fortunately, I had my
fingers crossed the whole time.

Apparently, young Mr. Walker may have
stumbled onto a trinket ofsome value,

3nd a5 he '5 /ocaz'ea' z':
in m y jung/e,

yup, I'm gonna need him
to Iead me to it.

Okay, so Iet's go, dickhead.

- Don't Call me a dickhead, you dickhead.
- Did you find it or not, asshole?

- Whatß' 2773:', assho/e? - Harvey.
- Did you find it or not, asshole?

- What's that, asshole?
- Did you find it or not, asshole?

- Dmfi'.
- Hey, den": mck the boat.

[ Scoffs ]
Okay.

I don't want any trouble. Then
Ieave now and don't come back.

And the 10,000?
C onsfder z': tax deductzb/e.

A contribution
to your personal health fund.

With all due respect,
Mr. Hatcher,

I'm feeling pretty healthy.

- Oh,yeah?
- Walk.

Dom make waves.

Look out for the chair!

- Wow.
- [ HarveyWhimpering]

You're gonna kill us all,
Mr. Beck?

[Groaning]

[Groans]

I tried to be reasonable.

It's not the way to do business.

You should have kept the gun.

You're dead already.
Youjust don't know ityet.

This is option “B“?
Areyou kidding me?

Qmet. '(eure dead.
YouWe so dead.

We're not gonna be able to get outta here.
All this Iand, Hatcher owns it.

- The road that you're on, the air that you're
breathing, Hatcher owns it all. - Shut up.

Whatever my father's paying
you, I will double it. No.

Iquadruple it. I I I'II double
it and quadruple it. No. No.

You're being unreasonable.

I'm gonna giveyou
one more Chance to reconsider.

- I'II give you one Chance to shut your
mouth. - Is that your final answer?

For whaz' /z"5 worth,
l/mpeyou enjo y the 252/1

- Yeah,what fall?
- This fall.

- [ Horn Honks]
- [ Engine Revs]

[ Both Yell ]

[Travis Yelling]

- Oh!
- Whoo-hoo/

[Together]
Whoa!

[Gasping]

Come an.
Where are the fnckm' keys?

That's it. Come on. Oh!
[Handcufifi Un/ock]

[Panting]

Travis ?

Good God.

Travis!

I'm not going back.
Oh, you're going back.

No way.
Right now.

Who the hell
doyou thinkyou are, huh?

You came into m y t0 wn,
mess up m y bar.

- And you eyeball my woman.
- Eyeball yourwoman?

N0, W5 an.

What's this, huh?
Who is this?

Is heyourfriend?
Doyou know him?

Do you? Say hello.

Say hello. Say hello.
Ooh, ooh, ooh!

[Groaning]

Areyou finished?
L et '5 go.

Big boy,
you Iike thunderstorms, huh?

Betyou da, r/ghz'?
Uh-huh.

Little thunder. Little Iightning.
5 top f2'.

510p "m. Thunder, hghtflwxg.
Thunder, Hghtmng.

Here's-- Oh!
[Groans]

You done beating me up?
Let's go.

Yeah, you wi n.
f in? irre-a' ofthfs'.

[Travis]
Come on!

Go to sleep!
Night-night! Night-night!

Go to sleep!
Come on!

Obmousw we gut o“
cm the wmng fegt here,

so I'm gonna
be completely candid with you.

[ Groans ] Have you ever
heard of the Gato d0 D19170?

- The devil's cat.
- You're gonna stop speaking right now.

All right. Oh!

It's a priceless object, man.

Forged out of pure gold.

- It's worth millions.
- Thought you said it was priceless.

You do not want to argue semantics
with a Ph.D. candidate.

- Ph.D.?
- Yeah. Oh!

I am really very close
to being Dr. Travis Walker.

Dropped out ofStanford
after two Semesters, Einstein.

So, I'm fairly close.
Closer than you.

You're close to getting your ass
kicked again. We got a plane to catch.

Wait.Wait.Wait.
The gato is real, all right?

I know where to find it.
I'll split it with you, 80-20.

Move.
Seventy-thi rty?

You're a very unpleasant
individual, you know that?

[ Man Yells In Portuguese]

You think they're dead?
What am I, psychic?

I'm gonna cut
that kid's nose off.

No, Harvey,
you wanna get the gato,

'cause ifthe bad guys get it,
they won't need us anymore.

There'II be no one to work the mine.
You wanna work the mine?

There are two men in thatjungle
who are trying to steal from me.

I feel Iike a Iittle boy
who's lost his first tooth.

Put it under his pillow,
waiting for the tooth fairy to come.

Only, two evil burglars
have crept in my window...

and snatched it
before she could get here.

- [ Portuguese]
- Wait a second.

Do you understand
the concept ofthe tooth fairy?

Explain it to them.
[Portuguese]

You find a tooth.
You put it underyour pillow.

[ Harvey Continues in Portuguese ]

Wait. She takes the goddamn thing,
gives you a quarter.

They got my tooth.
I want it back.

I have to ask you, back at the bar, man.
That was crazy.

No guns.
Strip, toss. Toss, strip.

Didn't I tell you to be quiet?
I know. I know.

But what is that? Some Kind of
nouveau Samurai Code or something?

You got a problem with guns? Let's just say
they take me to a place I don't wanna go.

Where do they take you?

To a place you don't wanna
see me go. Walk.

Hcxw eilen
du yeu werk gut?

L er me gez' ihr: strafgh z'.
You ne wer use guns? No.

Never?
Never.

Ifyour best friend was gonna die?
You wouldn't pick up a gun?

No guns. Santa Claus would pick
up a gun to save his best friend.

Do I Iook Iike Santa Claus?
Do I Iook Iike Santa Claus to you?

Guns make you an poco /0c'0?
Bang-bang crazy?

I pick up guns, bad things happen
to people. I don't Iike that.

What Kind ofthings? Very
bad things, Travis. Walk.

What about knives?

Move.

My father doesn't share the
same distaste for guns you do.

He Syour zäther:
He '5 n02' gamma kfi/you.

The only thing Billy Walker cares
about i5 whafs good for business.

Now, the question i5, Mr. Beck,
whafs good foryour business?

Huh? You don't Iike money?

I don't make deals
with people Iike you.

[Snickers]
You don't even know me.

You'rejust Iike every
otherjackass I've taken down.

First they try to run, then they try
to flght, then they try to negotiate.

When that doesn't work, they do exactly what
you're about to do when you realize it's over.

Oh, yeah?
What's that?

YouWe gonna get down cm your hands and
knees and youWe gonna beg me für a break.

Well, guess what.
I don't give breaks. No breaks.

[Snickers] You don't
understand the situation.

You bormwed money {vom the wmng guy.
'(au shot the wmng guy.

You slept with the wrong guys wife.
I don't care.

Your mistake.

What about you, Mr. Beck?

Haven't you ever
made a mistake?

I know, move.

No breaks.
That's Iame.

[ Mocking] No breaks.
I don't give breaks.

Santa Claus
doesn't give any breaks.

[ Bark] Should have been
at the airstrip by now.

Like I'm really gonna help you out
with this. I didn't ask foryour help.

What are you doing?
I have to pee.

Fee "m your pants. Mcwe.
N0.

I've Iet you push me around thisjungle for
Iike five hours. You've been very aggressive.

And I'm not taking another step
until you Iet me pee.

Ifyou wanna keep going,
you're gonna have to carry me.

And I guarantee,
I'm gonna pee on your head.

You threatening me?
You threatening me with pee?

Well, yeah, ifyou don't
Iet me pee here.

Fine. You win. Pee.

Willyou unzip me?

No, I'm not gonna unzipyou. You wanna pee?
You have 30 seconds.

How am I supposed to pee with my hands
cuffed behind my back? Find a way. Pee.

Come on.
Don't make it weird.

Please.

Dmü breathe.
Dorft say a ward.

Don't even Iook atme.
Look over there.

[ Unzips Zipper]

Thanks, man.

Oh, shit.

I can't get it out.

Could youjust--
No. Hell no.

God! Son ofa--

X Grunts X
Come an'. Come an'.!

Come on!
Oh, hey, hey, I got it.

Congratulations. You got 30 seconds.
Hurry up.

Don't listen to Tiny Tim, okay?

You're the real big boy.
Everybody knows it.

Ready?
One, two, three. Go.

One, two, three.
Go, go, go, go!

[Ur/nat/ng]
Oh. Oh, yeah.

[Sighs]
I'm going.

[Laughs]

Oh, boy.

[Grunts]
Whoo!

What is this?
What is--

Travis, hey.

Whoo-hoo-hoo!
Welcome to thejungle, tough guy.

Looks Iike big boy got himselfpig-snared.
Get me down.

Hey, I've got the keys
to your cuffs.

- Oh! Oh, shit.
- I'll tell you what you've got, pal.

You've got problems.
Travis. Don't do it, Travis.

- Hey hcy gez' me down. Trans.
- Whoo!

0/7, whatß' 27713'?
f5 thfsyour dfcsvj/P

- Your Iittlejournal? Huh?
- Gimme that. Don't touch that.

D0 ycu want mm Get K'. Get K'.
Give that back.

Come an, get K.
Come QnEYeah, yeah'.!

- Oh, yeah, come on. Get it, get
it, get it! - Give it to me!

Caw-caw. You're Iike a Iittle
birdie up there. Caw-caw. Caw-caw.

Caw-caw. Caw-caw.
Caw-caw. Caw-caw.

I will killyou.
You better give me that book.

“Shrimp and pea risotto
with basil and mint.“

- What are you, a Chef? - None ofyour
business. Gimme the book back!

Well, it Iooks Iike yourwolfgangs
stuck right here, huh?

Travis! Travis!
Hey, I Iet you pee.

Oh, yeah, ycxu dm.
'(ou dkLThankyou so much.

Do you have to pee, huh? Well, you
got 30 seconds. Go ahead and pee.

[ Branch Cracks]

Oh, shit. Oh!

Hey, I was totally kidding
about what I said.

Gimme the book. Turn around.
I don't want it. Oh!

What do you always gotta hit me?
Now listen to me.

We gotta get to this tree.
Now Iet's go back to back.

All right. Okay.

Kick your Iegs. I'm trying!
I'm kicking my Iegs!

Where are you?
Grab my back, not my ass.

'(Du got "m.
Bot "K. Bot "K.

Oh, great, you did it.

Now what? Why? Pull your
arm over me into the tree.

Listen. Put your arm over me.
You're Iikej oe Pig-snare?

Putyour arm over me.

J ust stop movi ng. Grab the vine.
You gotta grab the-

[ Creature Roars ]
What was that?

Oh, shit.
What was that?

Monkeys.

[Growls, Trills]

Steady. Steady.

Steady.

[Roars]
[Yells]

' Steady!
' [ Roa rs ]

- G-G-G-G-G-G-G-
- [ Hisses]

[ Travis]
Do not fight them!

[ Beck]
Oh. my God!

[Beck] What's he doing?
What is he doing?

He's humping you. He's humping you.
What is he doing?

Establish dominance!
Establish dominance!

- [Bark] Gez' h/m ofime/
- [ MonkeyGrunting]

He's humping me!
[Yells] Make him stop!

[ Gunshots]

Who's that? It's the rebels. Don't worry.
Theyre my friends.

Hey. [ Portuguese] God bless you.
Say hi.

Hi.

These are your friends, huh?
Areyou kidding me?

I'm starting to Iong
fora monkey with a hard-on.

[ Whispering] Whatever happens,
just keep Iooking into his eyes.

W ofit {hat offend mm7.
N0.

Whateveryou da,
do no blink.

Theyre Iike grizzlies. Just shut
up and Iet me take care ofthis.

[ Portuguese ]

He thinks we work for Hatcher. Tell
him the truth. [ Mouthing Words]

Fierce gaze. Fierce gaze. Fierce gaze.

[Portuguese]

What's he sayi ng? Shut up. Just
hold his gaze. Hold his gaze.

[Guns Cocking]

Why do I get the feeling
you really suck at Portuguese?

' Oh! Oh!
' [ Portuguese]

Fierce gaze!

- Whafs gcflng cm7.
- I think he wants to fightyou.

N0, we're not fighting.
Tel! him I don't want to fight.

[ Travis In Portuguese]

I do not want to fight you.
We are not fighting.

I do not want to fight. We are not flghting.
Don 3:' war/y Theyfire Lift/e peop/e.

What? You can take them.
Theyre Iittle.

You can win.

Why du ycxu wanna fight?
Why?

I just wanna get back
to the airport.

Please.
I just have to get home.

Okay, hip-hop.

You don't wanna do this.
Please. Please.

Travis, tell them one more time,
I do not wanna fight.

I-I'd Iove to helpyou out, buddy,

but I don't think they're really
Iistening to me anymore.

Heads up.

That's okay!
That is okay.

Hey, Kansas City.

[Portuguese]

- Don't do it.
- [ Portuguese]

What is that?
That's Iike spinning Tarzanjujitsu.

Speedy Iittle bastards,
aren't they?

It's gotta stay up.

'Oh! OW!
' [Yells]

- [ Panting]
- JJ*[ Drums Stop]

- [ Groans]
- [ Mouthing Words]

I am notyour enemy.

[Gunshot]

- [ Portuguese]
- Mariana.

What are you doing here?

Barma/d b y day
rebe/ leader b y n/ghz'.

You are good.

The whole time I was working
you, you were working me.

I was hoping you might find
El Gato d0 D/abo.

[ Travis] lt couldnT have all been work.
Could it?

Man, {hat was some good work.

What do you think, Travis?

I knew. You know that, right?
I totally knew.

[ Mariana In Portuguese]

He)'-.

The herbs will keep it
from getting infected.

- Why du ycu du mm7.
- Pardon me?

- Why du ycxu fight?
- Because cf 65 Cents an hour, Mr. Beck.

That' s what Hatdner
pays the werken.

Bat in Order t0 mzhe,
you neea' too/s.

You need food, clothing,
a place to sleep.

You have no money,
so what doyou da?

You borrow from Hatcher.

Pick and shovel,
a dollar a day.

Sack to hold the dirt,
another dollar.

Mr. Beck knows a Iot
about that, don't you?

He knows what it's Iike to dig a hole
so deep you can never climb out.

Call/t whatyou want.
Escravidäo. S/JVE/y

And we intend to stop it.

[Portuguese]

Manito wants to know
who you thinkwould win a fight...

between Mike Tyson
and Muhammad Ali.

Ali. Hands down.

[Portuguese]

He says what about Tyson's power?
Shit.

Tell him Ali would have done to Tyson
what he did to Foreman in Africa.

Ah, Rumble--
Rumble in thejungle.

- Tell him Ali was too smart.
- [ Portuguese]

Too smart, too fast. He would
have used hisjabs. Bam! Bam!

- [Mar/ana Trans/ates ]
- Would have danced.

Would have played with his mind. Before
you know it, bam, Ieft to the body.

- Bam, right to the head.
- [ Portuguese]

Down goes Tyson.

Float Iike butterfly.

Sting Iike bee.

Float Iike butterfly,
sting Iike bee.

[Gang] Float Iike butterfly,
sting Iike a bee.

Float Iike butterfly,
sting Iike a bee. Aah!

[Portuguese]

He says he thinks
you are a great fighter.

And he wants you to have it.
It's forluck.

- Tell him I'm sorry. I can't.
- You'II offend him ifyou refuse.

I'm honored. Thankyou.

[ Mariana] You'II need all
the Iuck you can get.

It's a Iong walk
back to the airfield.

Especially byyourself.

Nice.

You don't understand.

I'm not going back
without him.

- Here we go again.
- Fifty rifles sayyou are.

And we're rebels, not thieves.

[Gunfire]

Hatcher!
[Yelling In Portuguese]

- Travis!
- [ Gunshots]

Travis!

Let's clean it up.

[Gunfire]

[Panting]

Not so fastjungle boy.

[ Motorcycle Approaches]

Move. Move!

[Mariana]
Come on.

Manko!
Get back Manko. Vamos.

Go! Go! Go!

Manko'.
Let' s go'.!

Iwant hunting parties.
Small ones.

Find them.

Find them!

[Mariana] All right, this is
the way it's going to be.

YouWe gomg 'm 'Lake me
t0 E! Gato do Diabo.

Andyou're going to take me now.

- Calm down.
- Don't!

You saw what they do.
Don't ever tell me to calm down.

- Travis, don't play with me.
- Or what?

Or I'm going to shoot you.

Well, ifyou shoot me,
you're never gonna find the gato.

5 o, we 're gamma make-
a Lift/e dea/

Deal? You see,
E/Gato isjust an object to you.

It's a Iife on the Riviera
and a private yacht.

- Lady, you don't know the first
thing about me. - For us, it's hope.

Oh, you're breakin' my heart.
It's Iike a telethon.

- You selfish--
- [R/fle Blast]

Sit down. Sit down!

Holy shit.
You tried to shoot me!

You saw "K.

- Crazy--
- Shut up.

You shut up.

The deal is this.
He'II take you to the gato.

Youjust show me how I get out ofthisjungle
so I can take him home. Deal?

Do we... have a deal?

Deal.

Let me get this straight.

She gets what she needs, you get
what you need and I get the shaft.

- I could always give her back the gun.
- I really don't Iike you.

- Well, I get that a Iot.
- Seriously.

What? I was just wondering
how it is you came to do,

you know,
whatever it is you do.

- It's a Iong story.
- It's a Iong walk.

I grew up
in a very rough place.

One thing Ied to another,
that's alLJust Iike you.

Like me? Yeah. You gez'
pushen: you push bac/c.

But with me, I pushed so hard
that word got around.

Before I knew it, I was Standing in a room
full ofthe wrong people with the wrong money.

So you think I'm Standing in a room
full ofthe wrong people? Yeah.

- Something Iike that.
- I Iike you, Mr. Beck.

Real Iy.

But you and I are nothing alike.

Travis, Iet's keep moving.

Let's go.

[ Water Rushing]

What are you doing?

Let's take us a Iittle swim,
Wolfgang.

We're not swimming.
We're moving.

- Let's go.
- Come an, bfg boy You cou/a' use a b3 e77.

Travis, we have to keep moving.
It'II be dark soon.

Why? Wäre aheady here.

Dorft pee "m 'Lhe water.
W m?

A Candrru, a vicious parasite will
swim up the urine into your pau. Whoo!

Come on, big boy.
Feels good!

Swim up my what?

Yourp/nto.
It'II swim upyour ding-dong.

And once it gets in, you can't get it out.
Whoo-hoo-hoa'

Come on!

[Stammers]
Well, then what?

They have to amputate.

Not this boy's p/nto.
Uh-uh, not today.

The hieroglyphic Code said
the great chiefofthe Marajo people...

put the gato to sleep
behind the walls ofa moving curtain.

A waterfall.

Whoa.

Must be some Kind
ofmethane buildup.

It's cool. Let's go.
[Screams]

[All Gasping]

Yeah, real genius.
You have no clue what you're doing.

Aw, shut up. You obviously don't know
the first thing about methane deposits.

Oh, and ycu de?
Shut up.

What'd youjust say?

[ Walls Creaking]

What is it?

Why do I get the feeling
we are not supposed to be here?

Because we're not.

Whoaljesus!

There z': f5.'
f to/dyou z': was real'

Travis, you're never gonna get back there.
It's too dangerous.

- [ G a s ps ]
- [Bark] The roof/'s com/ng down.

War': a seconaf.

Jaguar.

I know what this is.
Monkey.

Ea g I e.
/ ran 'z' hold 177/5, Tra W5.

- / know What t/7/5 i5.
- What is it?

It's an SOG-year-old safe. This is how
they kept their treasures protected.

There's a combination.

Jaguar. Cat.

Gato. C21'.
/z"5 gotta be thejaguan

Ifwe hold the sticks closest
to thejaguar, we'II be okay.

In about 60 seconds,
then the whole rooFs coming down.

'(eure hat gcxnna {auch anytkflng.
Let' s go.

Follow thejag.
Follow thejaguan

[Grunting]

Easy. 585%

- [ Gasps]
- It's comin' down, Travis.

[ Beck ] Whaz' are you dozhg?
L er '5 go.

[Mariana]
Pass it to me.

-/5 thaz' ajaguan?
- I think it's an eagle.

Travis, hurry!

Oh, Iook at that.

Here, kitty, kitty, kitty.

I did it.

I found you.

Not scxme Oxford archaecflogßt
er some sflfi-assed Harvard prefessor.

- I did! I found you!
- Who gives a shit?

How do you Iike me now,
huh, Beck?

G o! G o! M0 ve!

Now.' Run!

Let's
[Screaming]

[ Mariana ]
These are komobos.

They're very rare.
You're Iucky.

And I wouldn't flirt with E/ Gato
d0 0:91:03“ eyes ifl were you.

- They say it's quite dangerous.
- What else do they say?

That once restored to its rightful owners,
the rivers will run deep, laden with fish.

And the trees will grow tall bringing
shade for thousands ofhammocks...

so its people may rest
theirweary backs.

You think bringing this gato
to your people will do all that?

No, Mr. Beck, butl expect the money
selling it brings will dojust that.

We can buy seed, irrigate, farm our own
Iands, free ourselves from Hatcher's mine.

L utadores da Iiberdade.

When thaz' 5:3 tue fxfts the b/ack merke-z',
{t3 gamma vanfsh fore wer:

It's a Iittle Iate for morals,
don't you think?

Especially afteryou were going
to do the same thing yourself.

And 10% ofthat black market
is going to pay foryour freedom,

so I'd be a Iittle more grateful
ifl were you.

What ifl told you I was gonna give it to a museum
so that the whole world could appreciate it?

You can tell me anything
you want, Travis.

But I know you.

[ Scoffs ]

50, whaz' areyou gonna d0
afieryou bring h/m hame, Mr. Bark?

- I'm gonna open a restaurant.
- Yeah. He: a kfi/er in the Kirchen too.

Ten, 15 tables. Nothing fancy.

Italian.

Southern Italian.

How do you, uh--

How do you, uh--

How doyou spe/A ,ab--

konlobos ?

[ Si ghs ]
Kon/obos,

with a “K. ”

Don't worry. After four or five hours,
you'II be as good as new.

The fire will keep the ,an/maß
a wa y unti/sunup.

I'm sorry,

but money has a way
ofchanging people.

You did find it, Travis,

just l/keyou 5.2/0'.

N0 one can take {hat away {vom you.

[Kisses Cheek]

And I will send you the money
to buyyour freedom. I meant that.

You kept yourword,
and I admire that.

Sol'II keepmine.

Go north until you reach the Quantana Road.
Take it south all the way to the airfield.

Gaad/uck tayozx, Mr. Bark.

[Kisses Cheek]

[ Footsteps Departing]

[ Footsteps Approaching]

[SIurred Speech] Oh, shit.
Wha z'?

[Slurred Speech]
What?

What?

Monkey. Monkey.

Monkey, where?
Just get him away from me.

- Get out of here, monkey.
- Get out ofhere, monkey.

[Animal Roaring]

- Oh, no.
- I hate this place.

- Get out of here, monkey!
- I hate penis-eating minnows...

and I hate freaky fruit!

-[Grunting]
- Get him away from me.

I wanna go home.
I want concrete.

- Get out of here, monkey!
- I want homemade tortellini.

- [ Hissing]
- I want my Los Angeles Lakers!

- [ Tra vis ] N0!
- I wanna go home. I wanna go home.

- Get out of here, monkey!
- / wanna go home/

- [ Screeching] - Get out of here, monkey!
Get out of here, monkey!

[Grunts]

[ Boy Shouting In Portuguese]

Oh, what about that?

Been {er a 51m1“, have ya, boys?

Wherefs m31 'Gag'.
Where's myJEEP?

GNe me my 'mag.

You have any water?

Sit down. How soon
before we can take off?

There's the slight matter ofajeep
you Ieft at the bottom ofa mountainside.

- I'II take care ofit. - In a right
bloody Iarge puddle, am I wrong?

Isa/a' /'// take rare ofit.
Thatjeep is dead, my friend.

Look, you'II get your money.
Just start the plane.

What's your big hurry? I'm just
trying to get out of here...

before I run into Hatcher or any more
problems. Don't go worrying about Hatcher.

777a: mons trosizfy won 3:' give a fiyrhg
fornfca {Ion for the pafr ofyouse n0 more.

- He got what he was after, - What d0
you mean he' s gut what he was after?

He caught upwith poor Mariana in thejungle
and relieved her of her artifact.

- What'd you say?
- I said he relieved her of her artifact.

Ifs a ward in the English language,
“artifact."

Artifäcz', /00/< z': up. Son ofa bitch.
He's got my gato!

Your what?
The gato.

Don't you speak English?
Hey.

Where is she?
Hatcher's got her in town.

He's torturing her for information.

He's doing what?
L utadores da liberdade.

Freedom fighters?
Freedom fighters, my ass.

L utadores da /0c'0,
yo u a s k m e.

They're all gonna die.

Come on. All aboard.

[Sighs]
Come on.

What are you doing?

We made a deal.
Adeal?

What the hell does that mean?

I'm here at the airstrip,
she doesn't have the gato.

You're gonna go in there
byyourself?

No way. No way.

Hey, Hatcher's got a small army
back there.

You don 3:' even kno w your way arouna'
the t0 wn. 0/7, war': f gar an ,fdea.

How about you saddle up
to one ofthose bulls over there,

you ride into town like a conquistador
and challenge all them to a duel.

Oh,yeah. I forgot.
You don't use guns.

What's your point?

You're gonna die, Beck.

- The boy's right, Mr. Beck. Do ya mind
ifwe settle the bill now? - You need help.

Are you gonna help me, Travis?
All you care about is the money.

No, Beck, you're wrong. I'd rather die
than Iet that son ofa bitch get my gato.

You neea' all the he/pyou ran get.

Hell, you can even use him,
for Christ sake.

Don't bring me into it.
I got a dodgy knee here.

You ran 'z' d0 t/7/5 an yaur own.

Okay, Travis.

I know you're gonna run on me. lt might
not be tonight, it might not be tomorrow,

butlwill findyou
and I will takeyou back.

Are we clear?
Yeah.

We'II both probably be dead
in about an hour.

So Iet's cancel Christmas.

Brava.

Bellissima. Brava.

Your plan ofattack was a bit naive.

Man, if/ was on/y
70 m/nutesyounger, huh?

I suppose now we have a conversation
where you enlighten me.

Mr. Hatcher?
How many more ofyou are out there?

Enlighten me. Where are the rest
ofyour compadres? Enlighten me!

- Mr. Hatcher? - What I don't get
is why you people are so hostile?

I've been good to you.
I builtyou a town. Why are we fighting?

Mr. Hatcher.
What?

We've lost contact with Outpost 1.

Thema nobody answeflng.

Mr. Hatcher, are you out there?

What can I do foryou, Mr. Beck?

I have no desire to fight
with you oryour men.

For that reason,
you have two options.

Option “A”: You leave the gato and the girl
andyou walk out of town, no questions asked.

And what's option “B“?

Option “B“: I make you.

Wmng Choke.

Lock down the town.

[People Shouting]

[ Man, Indistinct
Over Walkie-Talkie]

[ Beil Tolling]

3M Blows Note]

JMSingle Note]

[ Man] Still no visual contact. Team 4
is checking the perimeter right now.

A“: f 53311737851

,r'; [ Continues]

He... that heard the sound...

ofthy holy trumpet
and took not warnin'.

He hath clearly wandered too far...

from the word ofGod.

And Cornelius Bernard Hatcher,

your hour has come!

Let's get it on, big boy!

It's time to get back on the path.

,y [Resumes]

[ Distanz' Rumb/ing]

[ Men Shout]

[Screaming]

That's a Iot ofcows.

Hi.

[Shouts In Portuguese]

[Gunfire]

What nerve.

Ah, 'bout bloody time, huh?

Somebody, just shoot him.

[Grunting]

[Grunting]
oh,yeah?

Oh, ycu want ehe?
Yeah.

Oh, okay.

A Iittle thunder.
You Iike thunderstorms, big boy?

How 'baut some Hghtflwxg?

Ooh-ooh!
[Cooing]

Whoo!
[Chittering]

Your-- Your ears!

Oh!

Take the gato and the girl
and get to the airfield.

Ifyou run into trouble,
use her as a hostage.

And, Harvey,
when you're safely out of town,

put her out of my misery.

[Gunfire]
[Gasps]

Boom, boom.

I need help!

Do not go gentle into that
good night, my Iovely.

Beck! Help, Beck!

Rage, rage...

aga/nsz' the dy/'mofthe l/ghz'.

For there shall be no mercy...

für an y farce thaz' stands...

blocking this path ofhis righteousness!

[ Muffled]
Beck, help!

Beck!

.'.'[ Rock]

Move!

Boom-shaka-Iaka, ta-da!

[Screaming]

No way.

Give me back my galt),
you litt/e bald freak!

[Whips Snapping]

Oh, great.

[Groans]

[Gunshot]

Whoa!

See ya.

You got the moves.
I'll give you that.

You reached...

into the wrong refrigerator,
Mr. Beck.

[Guns/mt]
[ Groans ]

Hold your horses!
What have I done?

Are we not men?

Hatcher? [Shouts] What?

Option “A“ is still on the table.
You can walk away right now.

[ Chuckling]

Opium “ A“ doesrüwork {er me.

Before I came here,

what-- what did you people have?

Face f2'! 3e 29;}: {pur a roof 0 wer your
heaaj a Lift/e cofn in your packe t5.

You barefoot Indians
didn't have pockets...

before Hatcher came along.

I gave you Iife!
I'm the heart in the darkness. Face it.

You can't run this thing without me.

L am pumping the blood
ofthe modern world...

"mm ycxur backw am vems,
yeu sünmn',

ingrate,

Oompa Loompa...

morons!

Okay. That's it. I'm done.

Mr. Beck.

I'll take option

Clear, please.

[Groans]

Oh, shit.

You make a hell ofan entrance,
Mr. Beck.

Yeah.

I'd offeryou a beer,
but I thinkyou blew up my bar.

Yeah, I thinkyou're right.

Thankyou.

We 'nad a deaL
Yes,we um.

And I'm afraid I didn't
deliver on that deal.

How is that?

The gato.
I promised you the gato.

Yes, well, I promised you Travis.

You all talking
about this Travis?

And this gato?

- I'm impressed. - Yeah, well, make
sure they spell my name right.

I told you it wasn't
about the money.

Well, big boy.
I guess it's your move.

I'm impressed myself, Travis.

[ Shaking Hands]

Declan, start the plane.

“Declan, start the plane”? What does
that mean, “Declan start the plane”?

I'm taking you home, Travis.
Oh, I figured that.

No breaks. Good Iuck.

You too.
I will send you your cut.

Move.
Uh-huh.

Not a penny Iess than 15.6 million.
Move, Travis.

You really ought to stay away from guns. You
ought to get yourself a psychiatrist, seriously.

[All Cheering]

Move.

[Chuckling]
Well, Iook at him.

Look at you with your beard. You're
Iike a real man. But you're so thin.

Running is good exercise. [
Laughing] It's good exercise.

- Thafs funny. Dm ycxu 'near 'um?
Runnmg {er your Ufe? - Yeah.

[ Laughing]
I Iove it, I real/y d0!

You know, there is not enough aspirin
in the world for a headache Iike you.

Well, there probably is,
but I understand what you mean.

Well, that's good, 'cause
that means you'II understand...

whyyou're gonna take that Iittle
trip back to Chicago, huh?

Actually, I don't completely
understand that one.

Ah, still the smart-ass.

I'm not that smart, Dad. I didn't know
she was married. Well, she was...

wem mamed.

And you, what tookyou so Iong?

Your kid was a tough rundown, Billy.
[Chuckles] Him?

No.
Yeah, yeah.

But I did walk him right through
that door, rightjust Iike we agreed?

Youdmi
Vvegood?

Wäre good.

250 Iarge.
You got your restaurant, kid.

Now get out of here.

Billy, before I Ieave, when I was down
in Brazil, they showed me this ritual...

that they practice when they have
these big celebrations.

And what they do
is they eat this fruit...

and it's called kan/obos,
with a

So, I figured beforel Ieave,
we can celebrate one last time.

Guys, trysome ofthfs'. We '// gez' z': 0 wer
wir/r. ffhe says {t3 gooaj {t3 gotta be gooaf.

He's the best Chef l know. [ Beck]
Billy, here. You m; the first piece.

It's not bad.

Big seeds, though.
I don't Iike seeds.

Hey, what are you--

[Moans]

[Moaning Continues]

I walked him right through
that door, Billy.

Mm-hmm.

Boy.

Ycu got a funnwookwx' face.

Hey, Dacxwhoo'.!

I Iove you, you know that? Because you
showed me something back there. You did.

I thought you had character,
but I wasn't sure.

You got it, man! You really got it!
Get in the truck.

You pretty much violated every agricultural Iaw
back there. That's the least ofour problems.

I know. You should go back in there
and finish him off.

You wanna go back in there? Go ahead.
Knockyourselfout. I'II wait foryou right here.

I'm not going back in there.
Right.

So, shut up, get in the truck
before I change my mind.

Don't push me.

What?
Don't push me.

I appreciate everything
you did back there.

But ifyou wanna get technical about it, all you really
did is even up the score since I saved your Iife flrst.

Set "m 'Lhe tmck.
'(au dorft haue t0 thank me.

But this pushing shit ain't
happening no more. You read me?

Uh-uh.

- Okay. I'm gonna bust you up.
- Go for it.

[ Scoffs ]
Yeah.

Hey, rememberyour friend--
Mr. Thunder?

How'bout his buddy--
Mr. Lightning?

Ooh, I know you know him.

You know him real well,
don't ya?

[Grunting]

I'mjust playing, man.
I'll be in the truck.

I'm gonna killyou.

S: I HiP-ÜOP]

[ Man ] ,s' Wha tyou runnzhg
290m Who you runnzhg t0 ,s'

,* Ready to kick some ass
Bring a gun or two g

,* Get your whole town
It's gonna be the Showdown g

,"And we gonna make the streets smoky
Iike it was Motown ♪

,' Came an, came an, came an,'

,* I got the temptation
Feeling the Sensation g

,s' We gar our m0 rar runnzhg
3nd f 3;}? 3:' e wen gar m y gun ,s'

,' Don 'z' take the th/rd hause
/'m prepared t0 gez' thejob done,'

,s' E wen ,ffrbe Mob Come-
runnzhg up in Mach f ,s'

,' I den?' hold n0 beefw/thyou
hause /'m a peacefu/ dude,'

,' Don 'z' make me rearrangeyour 295e
l/ke a Rub/kic C ube,'

,' Don 'z' make me run up in yaur 295e
l/ke I was ready t0 da,'

,s' Don 3:' brrhgyour /adfe5 in t0 t0 wn
Ar}? 3:' n0 p/ace safe foryou ,s'

,s' Ran, ran, ran, ran, ran, ran
D0n 3:' 5/0 w me d0 wn n0 w,”

,s' Ran, ran, ran, ran, ran, ran
777;: f5 the rando wn ,s'

,s' Ran, ran, ran, ran, ran, ran
D0n 3:' 5/0 w me d0 wn n0 w,”

,s' Ran, ran, ran, ran, ran, ran
777;: f5 the rando wn ,s'

g All right, all right, all right ♪

,s' Onyour marks, 5er, reaay go
Hands up, here we go ,s'

,* Same people love me
but a Iot ofniggers hate me more g

,r'; [ Continues Indistinct]

♪ Now some days
I don't know who to trust ♪

,s' ffyou wen? be ttzhg man
the gooa' guys usua/ß/ a5 ,s'

,> I mean me
l ain't ttying to be mean, T. ♪

,* I'd rather chill, meditati-
and sip this green tea g

,' /'m hardas a rock
buz' I den 'z' neea' a Im' ofspace,'

,s' You mal(zhg a scene
C ome an, ihr: f5 n02' the p/ace ,s'

,s' Don 3:' try t0 escape, ran
ors/cxp t0 wn, dude ,s'

,s' You mal(zhg z': harder for e
veryone aroundyou fpoundyou,”

,s' Ran, ran, ran, ran, ran, ran
D0n 3:' 5/0 w me d0 wn n0 w,”

,s' Ran, ran, ran, ran, ran, ran
777;: f5 the rando wn ,s'

,s' Ran, ran, ran, ran, ran, ran
D0n 3:' 5/0 w me d0 wn n0 w,”

,s' Ran, ran, ran, ran, ran, ran
777;: f5 the rando wn ,s'

,' DanTs/owme down naw,'

,r' This is the rundown ,r'

,' DanTs/owme down naw,'

,r' This is the rundown ,r'

,s' Ran, ran, ran, ran, ran, ran
D0n 3:' 5/0 w me d0 wn n0 w,”

,s' Ran, ran, ran, ran, ran, ran
777;: f5 the rando wn ,s'

,s' Ran, ran, ran, ran, ran, ran
777;: f5 the rando wn ,s'

_* Go, go, go, 505% 5° a'

,' GG EG EG EG EG E02.'