Original subtitles

Help me get this in the yute, will you?

It's going on sale at the Baa Bar.

I'll buy it.

It's the best thing you've done.

ELLIE: No, it's strictly for public consumption.

Let's just hope they don't choke on it.

If that dust get in allover the couch and everywhere

and I have to spend my day cleaning up again,

then I might accidentallykill someone too.

Well, you wouldn't have to spend your whole day

cleaning if you had a job.

Here, built in '49, got a full service history,

already on the clock.

I think it's stolen.

No, no, the paperwork's all fine.

Well, if you don't buy it, I will.

OK.

Oh, money is no object.

I'm paying.

What-- no, I don't expect you to pay.

No, it's all right, fatherof the bride and all that.

You can't afford it.

JACK: Sure, I can, if I startto make some money, right?

Just thought you'd all like to know,

Jess and Darren have eloped.

We're not together anymore.

No.

Are we breaking up?

Matt, I can't give you what you want.

You helped me change my life.

And you helped me become the person

I've always wanted to be, Matt.

And I'm always going to love you for that.

Sound like you'vealready made up your mind.

I think we both know thisis the right thing to do.

This is the Love Roo live from the Baa Bar.

I'm after lonely hearts, romantic stories,

and mating games.

There's about 10 people down here having

fun, enjoying the fine cuisine.

Come down and join us.

Has your special friend called yet?

Oh, not.

Hello, Love Roo show.

Yeah, hang on a minute.

I'll get your details.

So, did she call?

No. No.

- We still on for tomorrow?- Yep.

Um--

Financial planner.

Oh, yeah. Yeah, I'm on.

We've already had to reschedule twice.

Yeah, I know.

I'm on.

OK.

MICHAEL: Next, I've got one of the regulars,

Lara from Purgatory Hill.

[gasps] I knew she'd call.

MICHAEL: How's your love life this week, Lara?

LARA: Well, Love Roo--

How's your love life, Love Roo?

[laughter]

MICHAEL: You have the [inaudible]

and the punters at the Baa Bar, Lara.

You've become quite popular.

Maybe it's that gorgeous voice.

LARA: Thank you, Love Roo.

Yours isn't too bad either.

MICHAEL: You're not tryingto pick me up, are you?

LARA: Would you like that?

Ah.

So, um, what's tonight's question about?

LARA: Touching base, having little skirmish

with loneliness, I suppose.

So I-- stop that.

No.

What are you doing?

What's happening there, Lara?

LARA: No, stop it now.

Don't.

Put it down now.

Lara, are you OK?

[busy line tone]

If you're listening, call the station.

Yeah, he's got the hots for you, Lara.

MICHAEL: I'm putting on an old classic.

Happy loving.

And Lara, if you'relistening, give me a call.

You know the number, same as the old one.

[theme music]

[SINGING] Take me to that open silent space

where the [inaudible] breathes your name.

Completely underneath the starlight sky,

all the troubles fade away.

Hold me now as the golden sunlight

warms across your face.

La, la, la, la.

LARA: What are you doing?

MICHAEL: What's happening there, Lara?

LARA: No. Stop it now.

Don't. Put it down.

No. [busy line tone]

MICHAEL: Lara, are you OK?

No way.

It's not a gun.

You'd hear the fear in her voice.

TOBY: Someone breaking into her house?

LARA: What are you doing?

TOBY: She just doesn't sound scared.

Look, if you worry, go to the cops.

He did.

I rang it through to Purgatory Hill.

There is nothing in it.

JACK: Well, we can't justsit here and do nothing.

Eh?

It's a far drive but--

HELEN: What?

The financial planner is coming this afternoon.

TOBY: What are you doing?

We're going to find Lara.

Oh, you're joking.

You're driving to Purgatory Hill.

That's five hours away.

The police said it was nothing.

Yeah, so I heard.

What about our appointment?

Would you tell him there's an emergency,

and I'm really sorry, all right?

You coming, Toby?

Uh, no.

I've got to take out the sunset tour tonight.

And if you remember, you're taking out

tomorrow's dawn tour. - If he's not there--

Start without me.

Thanks for coming with me, Jack.

I know it's pretty crazy.

JACK: Anything is better thanplanning your own retirement.

MICHAEL: Lara's number, I've called

this morning but it rang out.

[ringing]

MAN: Yeah, good day.

Yeah, hello.

Is-- is Lara there, please?

MAN: No one here but me, mate.

JACK: Where exactly is there?

MAN: Mate, who the hell are you?

Oh, sorry.

Um, Lara rang the Love Roolast night on-- on Banter FM.

MAN: Mate, there's no one here called Lara.

So bloody leave us alone, all right?

[busy line tone]

He sounded obsessed.

We need a phone book.

MICHAEL: There's a roadhousea couple of K's up.

They'll have a phone book.

JESS: Oh, well, babe.

Check it out.

Huh.

Mate, the guy's goneand cleaned everything up.

We could eat dinner off the floor.

[sighs]

[sighs]

Well, we're going to haveto go and face the music,

aren't we?

Oh, no, no, no.

There's plenty of time for that.

The honeymoon is not overuntil you go back to work.

Hmm.

MATT: Hey, hi.

Hi.

Oh, look--

Oh.

Oh, [inaudible].

- Hi, Jess. - Hi, hey.

Congratulations.

- Oh, thank you. - Oh.

- Hey. - Hey, Darren.

Oh, hey, hey.

Good to see you.

Good to see you.

You too, married couple.

Hey.

Look at us.

Brought some DVDs.

Oh, that'll be, um, good.

Whoa, Darren's goingback to the mine tomorrow.

So we thought maybe you andEllie would be going out.

- Oh, we broke up. - Oh.

- Oh, wow. - Yeah, yeah.

- Are you OK? - I'm all right.

I've been keeping busy, you know.

Yeah, tidying things up.

Ran out of things to tidy up, actually.

Hey, this calls for champagne, huh.

DARREN: Oh, no.

No, I'm--

No, early and we caught--

jet lag and the whole--

Come on, guys.

It's just some bubbly water.

He really went.

I'm so sorry, Shawn.

Oh, no.

Look, these things happen.

There's this emergency and--

well, I wouldn't really call it an emergency.

But Jack's bit of a free spirit, you know.

Here we go.

Oh, what a town, huh.

Full of free spirits.

Yeah.

Well, I guess we should reschedule.

Mm, again.

So, are you new in town?

Yeah, uh, we justmoved in three weeks ago.

Still decorating the office.

Still got that big empty feeling, huh?

SHAWN: Mm.

It doesn't quite say Alice Springs yet.

PATRICK: [laughs] No way.

Stop hovering.

Have you ever consideredprimary industry

investments, such as olivegroves or Japonica orchards?

You're about to answer yes for Jack?

HELEN: He's a bit of a greeny.

PATRICK: Olives are weird,Japonicas are introduced.

And this is ridiculous.

HELEN: You don't have to hang around.

No, no, we could always go and walk

Rusty or practice your netball skills

or play on the monkey bars.

You just wish you'd gone offwith Jack and the Love Roo.

Well, it's better thansitting around here, planning

Jack's retirement without Jack.

ELLIE: Helen.

Hi. HELEN: Ellie.

You called.

HELEN: I did.

Who would you like me to make the check out to?

You sold the big one?

A friend?

No.

ELLIE: A relative?

A member of the constabulary?

HELEN: You know that new accountancy

that opened three weeks ago?

Yeah.

They're going to put it in their reception.

- No. - Yes.

Aw!

God!

Oh, thank you.

What are you doing?

Just wondering how much they want for it.

MICHAEL: Out here, not much.

I borrowed a phone book.

What would you do with that dinghy anyway?

The tide doesn't fight that often.

Nice to be ready when it does, don't we?

Hey, you know about the legend?

The tide runs three times whenyou're an ass and never leave.

[engine starting]

MICHAEL: We've got to find her, Jack.

We've got to find Lara.

I think she's the one.

JACK: Here's one, Mr. Jay Smith.

You sure you got the right number?

MICHAEL: Yeah.

Is this nuts or what?

What, running off to help slay the dragon

and save the fair maiden?

Hugh said it's nothing.

No, he said his mate said it's nothing.

Michael, what--

MICHAEL: Good day.

MAN: Hey, you.

Jack, this is mate, Sparrow.

Sparrow, Jack Jaffers.

Hey.

Off to a gig?

Yeah, man.

They're cool, hip hop witha reggae feel, bit of metal.

Hey, are you that JJ Knight character?

Yeah, I'm the JJ bit, yeah.

SPARROW: [chuckles] How's that song go?

Night, night, baby.

Lights out.

Boom.

Yeah, that's my song.

See you, Sparrow.

See you, man.

[music]

Now, what?

Hello.

Hi.

We're looking for a woman named Lara.

You cops?

JACK: Do we look like cops?

Yeah.

What?

What do you want her for?

Oh, we want to make sure she's OK.

Are you stirring her up?

MICHAEL: No, why would we do that?

No one will stir up that lady.

She's got the direct line.

Boys, good afternoon.

Look what the Lord's delivered to me.

Not what you're expecting, eh?

Not exactly, no.

LARA'S VOICE: Touching base.

OK, I was getting onto my topic.

LARA'S VOICE: --loneliness, I suppose.

So I-- stop that.

No.

Crash, that's Rachel smashing a bottle.

LARA'S VOICE: No, stop it now.

LARA: And that's me yelling at Timna.

Who?

MICHAEL'S VOICE: Lara, are you OK?

The baby.

She's asleep.

She's about to put a cockroach in her mouth.

MICHAEL'S VOICE: If you'relistening, call the station.

TOBY'S VOICE: Yeah, he'sgot the hots for you, Lara.

MICHAEL'S VOICE: I'mputting on an old classic.

[chuckles]

I wish you had called back.

Oh, I had to clean up broken glass,

rinse Timna's mouth out and get to bed.

Well, we're glad that you're OK.

MICHAEL: Yeah.

It turned out to be a nice day for a drive.

Well, we should head off if we're going.

LARA: But you've come all this way.

Do you believe in God, Jack?

Michael?

Because you're both guys, right?

You're both good with your hands?

MICHAEL: Of course, you could have objected.

No, I couldn't.

Because you were nodding yourhead like a giant bloody rear

vision mirror ornament.

She said it was nearly finished.

JACK: Yeah, afterwards need replacing.

What was it she said?

Are there any holes inyour life that need filling?

JACK: No, before that.

I am building the sweetest,most glorious chapel right

here in Purgatory Hill.

She's a very persuasive woman.

Yeah.

Just gorgeous.

Here we go.

Thanks, mate.

You didn't spend yourwhole time shopping, did you?

No, mate, we haven't left the bedroom.

Oh, we didn't.

JESS: [giggles] No, thank you.

Nice move.

I guess we should leave thenewlyweds to their honeymoon.

JESS: Mm-hmm. - OK, yeah.

Matt, well, next time I'min town, give me a call,

and we're going to get that motorbike.

We'll do it for real. - I got one.

You have? MATT: Yeah, I got one.

Do you want to see it? - Yeah.

Now, you hold this, baby.

MATT: All right.

Huh?

Huh?

Ugh.

Shiny.

Great color.

Yeah, it's not the color that makes it go.

The, um-- the guy said it havebeen ridden pretty carefully.

Said the vacuum [inaudible]was a little bit edgy.

Yeah.

Did he?

MATT: Yeah.

DARREN: It sounds a bit too strokey for mine.

No, no it's full stroke.

Yeah, I know.

Let's just hope it's the carby.

MATT: Oh, man.DARREN: That's all right.

If it's the carby, it's fixable.

But I think the guy saw you coming.

He can, um-- he can getthat fixed in the garage now,

can he?

Garage?

[laughter]

I've got to get to work.

Yeah, I might come for one to two.

Um-- how long do youthink it will take, babe?

Oh, with the carby, you can't really tell.

But maybe an hour?

You go tomorrow.

Oh, yeah, baby.

I'm-- I'm kind of responsiblefor the whole motorbike thing.

And he just broke up with his girlfriend.

Yep. I'll be back.

OK.

I'll get my tools.

OK.

Hey, I'll get some beers.- Do it.

Yeah.DARREN: Wrong if you didn't.

You know it.

[whistles]

Natalia, nice skirt.

Shows off your, um--

Barley.

Cars.

Is Jess back?

NATALIE: Jess and Darren,just this morning.

HELEN: Uh.

Right.

Did she, um-- did she get me one?

I don't know.

You OK?

Yeah, I'm OK.

Look, I know what you're getting at.

No, I've turned over a new leaf.

My best mate has justmarried the bloke she loves.

It's time we all faced it,grow up, put our own super fund

and face the bigger things, huh.

Um, Helen, can I look at this?

Be my guest.

Sweet.

[giggling] Exciting.

I hope it's in.

Oh, wow.

I'll slide on it.

ELLIE: So the fact that it'supside down doesn't bother you?

It still looks good.

Ellie, I'm so sorry.

I've got his home number.

Unbelievable.

You know what's great about you, Jack?

I bet it's something I don't already know.

MICHAEL: Everything youdo, you really get into it.

Even if it's dumb, you doit with, you know, gusto.

Thanks, mate.

You know what the secret is?

Thanks, Rachel.

You're welcome.

Thanks.

JACK: You know, the secret is you

got to maximize the amount of things

you feel passionate about.

MICHAEL: What about you, Lara?

Hmm?

Why church and why here?

I'm bringing Purgatory Hillback starting with the soul.

With no money and--

and no--

Hey, you're going to need some more timber.

The Lord will provide.

Yeah, I reckon he will too.

Where's the soul?

Inside.

LARA: [SINGING] Mine eyes have seen the glory

of the coming of the Lord.

You boys know it?

He has trampled out the vintagewhere the grapes of wrath

were stored.

[SINGING] He hath loosedhis fateful lightning

with His terrible swift sword.

His truth is marching on.

Glory, glory, hallelujah.

Glory, glory, hallelujah.

Glory, glory, hallelujah.

His truth is marching on.

Glory, glory, hallelujah.

[laughs] Glory, glory, hallelujah.

Glory, glory, hallelujah.

His truth is marching on.

DARREN: Yours looks abit less girly than mine.

You reckon?

JESS: Hi. MATT: Hi.

Hey.

MATT: Hey, Jess.

Darren's never seen "The Godfather."

Yeah?

Hey, babe, what do you think?

Wow, does this mean that the bike's fixed?

MATT: Oh, big time.

Darren knows his carbys.

DARREN: Yes, I do.

Hey, what did you get?

Just some bread and dipand oysters and champagne.

Awesome.

Baby, when a bloke's breakup with his girlfriend,

he needs a pal.

Aren't you sweet?

Oi, not.

Oh.

Yeah.

So, Matt, you, um, watch"The Godfather" to cheer up.

MATT: Yeah, yeah.

Whenever I break up with a girl, I

bask at the Italian-Americans.

It's a bit weird now that I think about it.

But-- [chuckles] OK, so-- allright, is this "The Godfather?"

DARREN: Mm-hmm.

MATT: Cinematic genius.

Thanks for coming.

See, Mr. Shawe, this, um--

this piece here is actuallysupposed to lie down there.

That's-- you know, that's the way--

anyway, we could-- we could turnit around now if you'd like.

Right.

Um, the thing is I--

I like it as it is.

Mm.

Right.

Except it's the wrong way up.

No, it's not.

ELLIE: I designed the piece.

I know at way it's meant to be.

DARREN: Yeah, and I bought it.

I mean, I think I know whichway my art is supposed to sit.

ELLIE: Excuse me, Mr. Shawe, I'm the artist.

I designed the piece.

You know I have some rights here.

Yeah.

Well, I have the right to melt it down

and paint it pink if I want.

I beg your pardon.SHAWN: Yeah, that's what I said.

I could melt it down--

Shawn, Shawn, Shawn.

Um, look, from one account to another,

you know that feeling youget when you're looking

down at column of figures?

And you-- you sort of getthat feeling of unease

that something's not quite adding up.

So you-- you're looking at themand-- and you get your brain

pan out.

You really look at them and--

until you see it.

Yeah?

HELEN: Same thing, just doesn't feel right.

Mr. Shawe, I will buy the piece back from you.

I'll pay you whatever you paid.

In fact, I will pay you more than you paid.

No, no, no.

I like it as it is, end of story.

OK, now, I left the barbecue for this.

Get out.

[laughs] SHAWN: Now.

You think it's funny?

Get out.

You are a Philistine.

[sighs]

I'm going to be stiff tomorrow.

You reckon this is what it's like?

MICHAEL: What?

Purgatory.

MICHAEL: What is purgatory, Jack?

JACK: Limbo, caught between two worlds,

not being able to move forwardbut you can't go back either.

MICHAEL: Yeah.

This is it.

Great work there, guys.

Great singing, great and worshipful work.

[inaudible], Lara.

A prophet's neveraccepted in her own land.

What's a religious lady-like yourself doing calling--

Calling the Love Roo?

I still get lonely, Michael.

Don't you?

You boys ready for tomorrow?

Lara, tomorrow--

Tomorrow, you finish the walls of the chapel.

But first thing, a trip to the old well.

What's there?

Water.

You boys been baptized?

I have, yeah.

Um--

LARA: I mean, really baptized,immersed in the waters

of the Holy Spirit.

More or less.

LARA: As the sun's firstrays burst through the clouds

of despair and warm thechilled body as it surfaces

from the icy cold waters below.

[laughs]

[music]

She should get someone else to do the painting.

But we've gone this far.

You really want to stay?

I guess God would forgive us.

Push it.

[phone ringing]

MATT: I've never seen the first.

Have you seen the-- have you seen--

DARREN: Yeah, I've seen them all.

MATT: Have you?

[phone ringing]

Hello.

JESS: Nat, I need you to takeMatt off my hands for me.

I'm not taking him out for the day.

We have nothing in common, Jess.

JESS: I don't care. You're my mate.

DARREN: I've seen it, but I'd watch it again.

MATT: Have you?

Hey, guys.

I've got Nat on the phone.

She needs someone to helpher move her fridge because--

What?

JESS: --Toby's on tour and Michael--

What fridge?

Oh, yeah, sure.

I can do that.

I can. I can--

Yeah.

Matt can.

He'll be over soon.

You owe me Jess.

Upside down?

Uh.

You know, I put hours and hours.

Yeah, I know.

I know.

But what can I do about it?

I don't know.

I don't know.

HUGH: Well, isn't theresome sort of artist union

you can go whinge to, um, you know, complain to.

I could threaten to sue.

I mean, the guy's a real hard nose.

He'd look terrible in court.

Yeah.

And you'd look like a real fruitcake.

Not-- not that you are.

Couldn't you go and talk to him?

HUGH: What?

Drop a big hand?

Me and the boys, if you're ready,

we'll turn the thing over ourselves.

If you don't, watch out.

Ellie, come on.

[music]

Helen.

You seen Toby?

I need some muscle.

Need some brains as well?

Yeah, right.

So, what's the story?

JACK: So, what's your passion?

Same as yours.

Music.

JACK: Yeah?

You're hitting a few uniquenotes last night at Lara's.

Mate, I never said I could sing.

JACK: You know, Bob Dylan couldn't sing.

Hey.

Trouble?

SPARROW: I think we blew every gasket in the car.

How'd the gig go?

Right.

We're still on our way.

Oh.

MATT: Hello?

- Matt. - Hi.

NATALIE: Thanks for coming.Could you?

Yeah, yeah.

Let's give it a go.

Just push it straight in or--

Mm.

Not so hard. [laughs]

No.

Oh, you here now.

Stay for coffee. - No, that's all right.

I don't want cut into your day or anything.

It's fine.

Oh, it would only take a minute.

Actually, stay for lunch.

- Lunch? - Yeah.

MATT: No, really, Nat. I mean, you're a chef.

Chefs don't want to cook in their own time.

It's OK.

I just want to try something new out.

Just stay.

Jess wanted me out of the house, didn't she?

It's the last day of their honeymoon, man.

What a putz.

Oh, well.

[chuckles]

Do you want curry?

You got any tamarind paste?

Yeah.

DARREN: Hey, baby, shouldwe be a bit worried

about Matt with his whole--

It doesn't have a very homely feel.

Does it?

Hey, babe, where are you going?

So it was, uh-- it was good hearing you

guys do my song before, huh.

Yeah.

So how's the band going, Sparrow?

Yeah, OK.

I mean, yeah, we want to get big and stuff.

But, yeah, it's just tough to get anywhere.

Want some sage advice from an old pro?

Sure.

JACK: Get the songs right.

Give the crowd the buzz.

And know who you are.

Now, we're just going to stopto see a man about a boat.

[music]

Hey, so, uh, what's the boat for?

Well, you never know whenyou're going to need a boat.

MICHAEL: You should listen to Sparrow, Jack.

They've got some good tunes.

Yeah.

Yeah, we've got this one song about how when

you fall in love with a girl but you

know she's not the right one.

And you know it's going to end.

But you haven't fallen out of love yet

so you might as well marry her.

Oh, right.

Yeah, just kind of a comic song.

No.

RADIO JOCKEY: OK, I've got a request

here going out to the Love Roo,one of my esteemed colleagues.

Lara says, keep the faith, boys.

Keep the faith while singing that.

[MUSIC - THE BATTLE HYMN OF THE REPUBLIC]

[SINGING] He's tramplingout the vintage where

the grapes of wrath are stored.

He hath loosed the fateful lightning

with His terrible swift sword.

His truth is marching on.

Glory, glory, hallelujah.

His truth is marching on.

So there I am, white as a sheet,

blood streaming down right.

And the head chef comes in, sits me down,

and stitches me up himself.

Yeah, right.

Mad.

Genius in the kitchen, though.

That was good, Matt.

Yeah, good, good.

I made a beauty for Ellie one night.

Oh, my god, four seconds.

She said it just spicy enough.

[sighs]

Let's get out of here.

OK.

Do you want to go to the, um--

the desert park?

There's a park?

Yeah.

Lots of plants, animals, and tourists?

Yeah.

Why not?

OK.

Let's get my stuff.

TOBY: You're a copper's wife.

Separated.

Don't complicate things.

I'm a grown-up now.

I don't have to do everythingyou tell me to, mom.

You never did when you were a kid.

Why start now?

I'm turning over a new leaf.

And whose side are you on, Helen,

the famous voice of reason?

Helen was the face that launched

a thousand ships, actually.

[sighs] I think we should call him again.

No, no, no, no.

This is down to us.

It's down to me if need be.

You said you'd help, Helen.

TOBY: How are you going to get in?

Tell him, go on.

Four digits, first number seven.

I saw Shawn put in the combination.

Oh, great.

That's your plant.

Yeah, that's my plant.

So you're still looking for it.

Yeah, yeah.

I don't know.

I've just been a bitdistracted lately, you know.

So you want to avoid the tourists?

Only on my day off.

Good.

Grab this.

You got it? - Mm-hmm.

- Take that. - Mm.

I got this.

Let's go.

OK.

That's good.

You're planting them close together.

Yeah.

I'll see how they go, andthen I'll fit them out later.

[sighs]

Can't believe I wasspending the weekend moping.

Breakups aren't easy.

I know.

Yeah.

Can I have another one?

Thanks.

You and Ellie were an odd couple.

How come when I brought itup, you change the subject?

I didn't know you well enough two hours ago.

You what I liked about Ellie?

She really knew what she wanted.

And she just went out andgot it without fear or favor.

The guard is justgoing to turn it around--

- Ssh. - --again.

No, no, no.

When he sees it the right way around,

he's going to want to keep it.

Ellie.

Oh, sorry.

You're my mom.

You're supposed to be setting a good example.

ELLIE: Will you quit your whinging?

Helen's cool with it. Aren't you, Helen?

Yeah, I'm cool.

ELLIE: Hmm.

Down.

HELEN: Yep.

Uh, uh.

Did you just grind my foot?

[knocking]

Helen, someone's coming.

Someone's-- abort. Abort.

Someone's coming.

[panting]

You've got good ears.

OK, back to work.

TOBY: I reckon.

HELEN: Drop it.

Put it down.

Here you go.

[grunts]

Voila.

Perfect.

TOBY: So in the future, if youtwo feel like doing anything

like that again, how about, I don't know, not

do anything about it at all?

I thought it livened up the day.

TOBY: Well, at least it's over, hopefully.

What do you mean hopefully?

TOBY: Well, you know, if they dust for prints,

they're going to trace the incident back to us.

Come on, mom, let's go.

Thanks, Helen.

TOBY: Oh, and guess who's back?

Jess and her husband.

They bought sarongs for everyone.

I mean, who even wear sarongs?

Mom?

What's up?

Well, say something.

What can't I say it?

It's art. - Mother.

Don't strangle your mother.

Don't strangle your mother.

[sighs]

Perfect.

[knocking]

Then I realized he was right.

It looked better the way the bloke

had it originally, upside down.

But you did turn it over.

Yeah, and we turned it back again.

HUGH: Toby, never listen to your mom.

Now, go on both of you.

Get out of here before I arrest you.

TOBY: [laughs] Are you for real?

OK.

All right.

I don't want to report this.

Man, the guy with thegenerator took it home, dude.

And everyone's going to Alice.

You're running on day late for the gig.

Are you taking a piss?

Sorry.

You could do an acoustic gig.

Hey, everyone's gonebush going to Alice, man.

And, you know, we need turntables, bro.

Now, what?

Well, we could wallow in our misery

or we could move on to plan A.

You mean plan B.

No, I never choose a second option, mate.

If the first one fails, comeup with something better.

Are they any good?

Yeah.

Boys, I got a proposition.

Darren's car is gone.

Pretty good although in the end.

Yeah.

- Surprisingly. - Huh?

No, nothing.

Hey.

Did you get your honeymoon?

Better than Bali.

NATALIE: [laughs]

How'd you guys go?

Yeah, good.

It was good.

Hmm.

You OK?

JESS: I just--

I hate it when he goes.

It's just-- his job is so dangerous.

And I feel-- because I feel likethere's more to lose now, huh.

Do you want to go out?

Go to the Baa Bar.

Or we could crack out the Italian-Americans,

bit of scarface mask.

MATT: Yes, yes.

Now, you're talking.

You into that?

Yeah.

Bring it.

[music playing]

JACK: That's what's all about, people.

Music.

Break your jazz.

Yeah.

So how's, uh-- how's my super going?

Super?

Yeah, you're just dipping our ties

in the water at the moment.

SPARROW: Night, night, baby.

Lights out, fool.

Isn't this your song?

[applause]

[SINGING] Lights out, baby.

It's what I told Jesus.

So you turn the lights out.

I took the night out to hold you.

Three months passed, Iknow you're the wrong one.

The Sparrow with his arrow didn't

think it'd be a long one.

Right, I'm on my knees.

I got the ring in my hand.

I'm begging you, girl, let me be your husband.

Hi.

Hi.

TOBY: Mike, because youdidn't turn up this morning,

you can take both the dawn and the sunset

too tomorrow, all right?

Yep.

Aren't they great?

Yeah.

I love this band.

So do I.

I'm Zillah.

Hey, Zillah?

Yeah.

It's from the Bible.

Praise Jesus.

[chuckles]

Cheers.

HELEN: It's a full bar in there.

Yeah, we're fully staffed.

Voila.

You got the caravan.

Now, you got the boat.

HELEN: Isn't there a theorythat the earth would tilt up?

And the boat and the caravanwill slowly roll into the sea.

Well, you know, the legendabout being an arse when

the river runs three times?

I heard it was twice.

How's your trip?

JACK: False alarm.

I met a band.

They're butchering my biggest hit.

They're being baptized.

Why?

I don't know.

Little fan.

[theme music]