All language subtitles for Biography-Leonardo Dicaprio-2008

IT JUST KEPT GOING AND GOING AND
GOING.
YOU WAITED A MONTH TO GO SEE

GOING.
YOU WAITED A MONTH TO GO SEE
"TITANIC," THERE WERE STILL

YOU WAITED A MONTH TO GO SEE
"TITANIC," THERE WERE STILL
LINE-UPS TO GO SEE IT.

"TITANIC," THERE WERE STILL
LINE-UPS TO GO SEE IT.
NOTHING CAN COME CLOSE TO IT.

LINE-UPS TO GO SEE IT.
NOTHING CAN COME CLOSE TO IT.
IT JUST KEPT MAKING MORE AND

NOTHING CAN COME CLOSE TO IT.
IT JUST KEPT MAKING MORE AND
MORE MONEY.

>>
>> IT SORT OF DEMONSTRATED THAT

>> IT SORT OF DEMONSTRATED THAT
THE POWER OF THESE GIRLS AT THE

THE POWER OF THESE GIRLS AT THE
BOX OFFICE WHO WANT TO GO.

THEY WANT TO GO AGAIN AND AGAIN.
AND IT'S NOT TO SEE THE
COMPUTER-GENERATED SHIP SINK.

AND IT'S NOT TO SEE THE
COMPUTER-GENERATED SHIP SINK.
THAT'S NICE.

COMPUTER-GENERATED SHIP SINK.
THAT'S NICE.
THEY'RE INTERESTED IN THE LOVE

THAT'S NICE.
THEY'RE INTERESTED IN THE LOVE
STORY.

THEY'RE INTERESTED IN THE LOVE
STORY.
AND IT'S A TRAGIC LOVE STORY.

STORY.
AND IT'S A TRAGIC LOVE STORY.
AND YOU CRY, AND THEY CRIED, AND

AND IT'S A TRAGIC LOVE STORY.
AND YOU CRY, AND THEY CRIED, AND
THEY WEEP, AND, YOU KNOW, THEY

AND YOU CRY, AND THEY CRIED, AND
THEY WEEP, AND, YOU KNOW, THEY
GO BACK AND BUY ANOTHER TICKET

THEY WEEP, AND, YOU KNOW, THEY
GO BACK AND BUY ANOTHER TICKET
NEXT WEEK.

GO BACK AND BUY ANOTHER TICKET
NEXT WEEK.
>> Narrator: GIRLS COULDN'T GET

NEXT WEEK.
>> Narrator: GIRLS COULDN'T GET
ENOUGH OF LEO, AND RETURNED TO

>> Narrator: GIRLS COULDN'T GET
ENOUGH OF LEO, AND RETURNED TO
THE THEATER FOR MULTIPLE

ENOUGH OF LEO, AND RETURNED TO
THE THEATER FOR MULTIPLE
VIEWINGS OF THE THREE-HOUR FILM.

THE THEATER FOR MULTIPLE
VIEWINGS OF THE THREE-HOUR FILM.
THREE MONTHS AFTER ITS RELEASE,

VIEWINGS OF THE THREE-HOUR FILM.
THREE MONTHS AFTER ITS RELEASE,
"TITANIC" BECAME THE FIRST FILM

THREE MONTHS AFTER ITS RELEASE,
"TITANIC" BECAME THE FIRST FILM
EVER TO EARN OVER A BILLION

"TITANIC" BECAME THE FIRST FILM
EVER TO EARN OVER A BILLION
DOLLARS.

EVER TO EARN OVER A BILLION
DOLLARS.
>> LEONARDO BECAME A FACE THAT

DOLLARS.
>> LEONARDO BECAME A FACE THAT
WAS KNOWN EVERYWHERE AROUND THE

>> LEONARDO BECAME A FACE THAT
WAS KNOWN EVERYWHERE AROUND THE
WORLD.

WAS KNOWN EVERYWHERE AROUND THE
WORLD.
>> Narrator: EVEN LEONARDO

WORLD.
>> Narrator: EVEN LEONARDO
COULDN'T KNOCK "TITANIC" OUT OF

>> Narrator: EVEN LEONARDO
COULDN'T KNOCK "TITANIC" OUT OF
THE NUMBER ONE SPOT.

COULDN'T KNOCK "TITANIC" OUT OF
THE NUMBER ONE SPOT.
HIS NEXT MOVIE, "THE MAN IN THE

THE NUMBER ONE SPOT.
HIS NEXT MOVIE, "THE MAN IN THE
IRON MASK," OPENED AT NUMBER

HIS NEXT MOVIE, "THE MAN IN THE
IRON MASK," OPENED AT NUMBER
TWO.

IRON MASK," OPENED AT NUMBER
TWO.
LEONARDO DiCAPRIO WAS THE

TWO.
LEONARDO DiCAPRIO WAS THE
BIGGEST STAR IN THE WORLD.

LEONARDO DiCAPRIO WAS THE
BIGGEST STAR IN THE WORLD.
>> LEOMANIA HAD HIT.

BIGGEST STAR IN THE WORLD.
>> LEOMANIA HAD HIT.
>> Narrator: WITH LEONARDO

>> LEOMANIA HAD HIT.
>> Narrator: WITH LEONARDO
DiCAPRIO AT THE HELM, "TITANIC"

>> Narrator: WITH LEONARDO
DiCAPRIO AT THE HELM, "TITANIC"
HAD BECOME THE HIGHEST-GROSSING

DiCAPRIO AT THE HELM, "TITANIC"
HAD BECOME THE HIGHEST-GROSSING
MOVIE OF ALL TIME.

HAD BECOME THE HIGHEST-GROSSING
MOVIE OF ALL TIME.
BUT THE ENORMOUS PRESSURE OF

MOVIE OF ALL TIME.
BUT THE ENORMOUS PRESSURE OF
FAME WAS ABOUT TO MAKE LEONARDO

BUT THE ENORMOUS PRESSURE OF
FAME WAS ABOUT TO MAKE LEONARDO
RETREAT FROM THE WORK HE LOVED.

FAME WAS ABOUT TO MAKE LEONARDO
RETREAT FROM THE WORK HE LOVED.
>> LEO!

RETREAT FROM THE WORK HE LOVED.
>> LEO!
>> Narrator: LEONARDO DiCAPRIO

>> LEO!
>> Narrator: LEONARDO DiCAPRIO
WAS ONLY 23 YEARS OLD WHEN HE

>> Narrator: LEONARDO DiCAPRIO
WAS ONLY 23 YEARS OLD WHEN HE
BECAME ONE OF THE MOST

WAS ONLY 23 YEARS OLD WHEN HE
BECAME ONE OF THE MOST
RECOGNIZABLE MOVIE STARS IN THE

BECAME ONE OF THE MOST
RECOGNIZABLE MOVIE STARS IN THE
WORLD, RIDING ON THE HELM OF

RECOGNIZABLE MOVIE STARS IN THE
WORLD, RIDING ON THE HELM OF
"TITANIC."

WORLD, RIDING ON THE HELM OF
"TITANIC."
THE FILM RECEIVED A RECORD-TYING

"TITANIC."
THE FILM RECEIVED A RECORD-TYING
14 OSCAR NOMINATIONS.

THE FILM RECEIVED A RECORD-TYING
14 OSCAR NOMINATIONS.
BUT DiCAPRIO WAS VERY

14 OSCAR NOMINATIONS.
BUT DiCAPRIO WAS VERY
DISAPPOINTED WHEN HE WASN'T

BUT DiCAPRIO WAS VERY
DISAPPOINTED WHEN HE WASN'T
NOMINATED HIMSELF.

DISAPPOINTED WHEN HE WASN'T
NOMINATED HIMSELF.
HE DIDN'T SHOW UP FOR THE

NOMINATED HIMSELF.
HE DIDN'T SHOW UP FOR THE
CEREMONY.

>> THE OSCARS ARE NOT ABOUT
FAIR.

FAIR.
THAT WAS A COMPETITIVE YEAR,

THAT WAS A COMPETITIVE YEAR,
THAT PARTICULAR YEAR.

THAT PARTICULAR YEAR.
>> JACK NICHOLSON, WHO WON, MATT

>> JACK NICHOLSON, WHO WON, MATT
DAMON, DUSTIN HOFFMAN AND ROBERT

DAMON, DUSTIN HOFFMAN AND ROBERT
DUVALL.

DUVALL.
>> IT PROBABLY WAS ONE OF THE

>> IT PROBABLY WAS ONE OF THE
BEST THINGS THAT HAPPENED TO

BEST THINGS THAT HAPPENED TO
LEONARDO, THAT HE WASN'T

LEONARDO, THAT HE WASN'T
NOMINATED.

THE FACT IS THAT REALITY SET
IN, AND I THINK IT WAS A LUCKY
THING FOR HIM TO KEEP HIM

IN, AND I THINK IT WAS A LUCKY
THING FOR HIM TO KEEP HIM
MOTIVATED TOWARD WHAT HE WANTED,

THING FOR HIM TO KEEP HIM
MOTIVATED TOWARD WHAT HE WANTED,
WHICH WAS A GRANDER CAREER.

MOTIVATED TOWARD WHAT HE WANTED,
WHICH WAS A GRANDER CAREER.
>> Narrator: LEONARDO MAY HAVE

WHICH WAS A GRANDER CAREER.
>> Narrator: LEONARDO MAY HAVE
BEEN SNUBBED BY OSCAR, BUT THE

>> Narrator: LEONARDO MAY HAVE
BEEN SNUBBED BY OSCAR, BUT THE
REST OF THE WORLD COULDN'T GET

BEEN SNUBBED BY OSCAR, BUT THE
REST OF THE WORLD COULDN'T GET
ENOUGH OF HIM.

>> SUDDENLY, IT WAS ALL ABOUT
HOW HE LOOKED.

HOW HE LOOKED.
I THINK THAT KIND OF THREW HIM,

I THINK THAT KIND OF THREW HIM,
BECAUSE THAT'S EXACTLY WHAT HE

BECAUSE THAT'S EXACTLY WHAT HE
DIDN'T WANT.

>> IT GOT KIND OF ANNOYING,
BECAUSE EVERY INTERVIEW AFTER
THAT WAS LESS ABOUT HIS ART AND

BECAUSE EVERY INTERVIEW AFTER
THAT WAS LESS ABOUT HIS ART AND
MORE ABOUT, "WHAT'S IT LIKE,

THAT WAS LESS ABOUT HIS ART AND
MORE ABOUT, "WHAT'S IT LIKE,
BEING LEONARDO?"

MORE ABOUT, "WHAT'S IT LIKE,
BEING LEONARDO?"
>> THERE'S A FALSE IMAGE, A LOT

BEING LEONARDO?"
>> THERE'S A FALSE IMAGE, A LOT
OF TIMES, ABOUT WHAT AN ACTOR'S

>> THERE'S A FALSE IMAGE, A LOT
OF TIMES, ABOUT WHAT AN ACTOR'S
LIFE IS LIKE.

OF TIMES, ABOUT WHAT AN ACTOR'S
LIFE IS LIKE.
>> Narrator: LEONARDO HAD BECOME

LIFE IS LIKE.
>> Narrator: LEONARDO HAD BECOME
THE BIGGEST STAR IN THE WORLD.

>> Narrator: LEONARDO HAD BECOME
THE BIGGEST STAR IN THE WORLD.
BUT AFTER THE INITIAL RUSH,

THE BIGGEST STAR IN THE WORLD.
BUT AFTER THE INITIAL RUSH,
DiCAPRIO WAS EAGER TO LEAVE HIS

BUT AFTER THE INITIAL RUSH,
DiCAPRIO WAS EAGER TO LEAVE HIS
CHARACTER IN "TITANIC," JACK

DiCAPRIO WAS EAGER TO LEAVE HIS
CHARACTER IN "TITANIC," JACK
DAWSON, BEHIND.

CHARACTER IN "TITANIC," JACK
DAWSON, BEHIND.
THE PRESSURE OF HOLLYWOOD WAS

DAWSON, BEHIND.
THE PRESSURE OF HOLLYWOOD WAS
GETTING TO LEONARDO, AND HE

THE PRESSURE OF HOLLYWOOD WAS
GETTING TO LEONARDO, AND HE
SPENT 1998 RETREATING FROM THE

GETTING TO LEONARDO, AND HE
SPENT 1998 RETREATING FROM THE
"TITANIC" CRAZE.

SPENT 1998 RETREATING FROM THE
"TITANIC" CRAZE.
DiCAPRIO TOLD "PEOPLE" MAGAZINE

"TITANIC" CRAZE.
DiCAPRIO TOLD "PEOPLE" MAGAZINE
THAT BEING PURSUED BY FANS

DiCAPRIO TOLD "PEOPLE" MAGAZINE
THAT BEING PURSUED BY FANS
THROUGH THE STREETS WAS

THAT BEING PURSUED BY FANS
THROUGH THE STREETS WAS
FRUSTRATING AND DISTRACTING.

THROUGH THE STREETS WAS
FRUSTRATING AND DISTRACTING.
>> FAME IS A HARD THING.

FRUSTRATING AND DISTRACTING.
>> FAME IS A HARD THING.
SUCCESS IS A HUGE BURDEN.

THE PRESSURE ON YOU IS
ENORMOUS, BECAUSE WHAT'S HE

ENORMOUS, BECAUSE WHAT'S HE
GOING TO DO NEXT?

>> Narrator: LEONARDO'S SELF-
IMPOSED EXILE LASTED A YEAR.
AND THERE WAS HIGH DEMAND FOR

IMPOSED EXILE LASTED A YEAR.
AND THERE WAS HIGH DEMAND FOR
HIS RETURN.

AND THERE WAS HIGH DEMAND FOR
HIS RETURN.
PRODUCERS WERE EAGER TO OPEN

HIS RETURN.
PRODUCERS WERE EAGER TO OPEN
THEIR WALLETS AND HIS $2.5

PRODUCERS WERE EAGER TO OPEN
THEIR WALLETS AND HIS $2.5
MILLION PAYCHECK FOR

THEIR WALLETS AND HIS $2.5
MILLION PAYCHECK FOR
"TITANIC" WAS UP TO $20 MILLION

MILLION PAYCHECK FOR
"TITANIC" WAS UP TO $20 MILLION
WHEN HE SIGNED UP FOR "THE

"TITANIC" WAS UP TO $20 MILLION
WHEN HE SIGNED UP FOR "THE
BEACH" IN 1999.

WHEN HE SIGNED UP FOR "THE
BEACH" IN 1999.
LEONARDO WAS HAPPY TO TRAVEL TO

BEACH" IN 1999.
LEONARDO WAS HAPPY TO TRAVEL TO
THAILAND TO TAKE ON THE ROLE OF

LEONARDO WAS HAPPY TO TRAVEL TO
THAILAND TO TAKE ON THE ROLE OF
AN AMERICAN DRIFTER SEARCHING

THAILAND TO TAKE ON THE ROLE OF
AN AMERICAN DRIFTER SEARCHING
FOR PARADISE.

AN AMERICAN DRIFTER SEARCHING
FOR PARADISE.
>> I CERTAINLY IDENTIFIED WITH

FOR PARADISE.
>> I CERTAINLY IDENTIFIED WITH
THE THEME OF WANTING TO ESCAPE,

>> I CERTAINLY IDENTIFIED WITH
THE THEME OF WANTING TO ESCAPE,
YOU KNOW, THIS WORLD THAT WE

THE THEME OF WANTING TO ESCAPE,
YOU KNOW, THIS WORLD THAT WE
LIVE IN, YOU KNOW, AND FIND THIS

YOU KNOW, THIS WORLD THAT WE
LIVE IN, YOU KNOW, AND FIND THIS
SORT OF PARADISE.

LIVE IN, YOU KNOW, AND FIND THIS
SORT OF PARADISE.
I IDENTIFIED WITH THAT.

SORT OF PARADISE.
I IDENTIFIED WITH THAT.
>> Narrator: SHORTLY AFTER HE

I IDENTIFIED WITH THAT.
>> Narrator: SHORTLY AFTER HE
RETURNED FROM FOUR MONTHS OF

>> Narrator: SHORTLY AFTER HE
RETURNED FROM FOUR MONTHS OF
SHOOTING IN THAILAND, LEONARDO

RETURNED FROM FOUR MONTHS OF
SHOOTING IN THAILAND, LEONARDO
MET GISELE BUNDCHEN, A

SHOOTING IN THAILAND, LEONARDO
MET GISELE BUNDCHEN, A
VICTORIA'S SECRET SUPERMODEL.

MET GISELE BUNDCHEN, A
VICTORIA'S SECRET SUPERMODEL.
>> BEING A SUPERSTAR, HE HAS

VICTORIA'S SECRET SUPERMODEL.
>> BEING A SUPERSTAR, HE HAS
ACCESS TO SUPERSTARS IN OTHER

>> BEING A SUPERSTAR, HE HAS
ACCESS TO SUPERSTARS IN OTHER
FIELDS.

ACCESS TO SUPERSTARS IN OTHER
FIELDS.
AND GISELE BUNDCHEN, BEING A

FIELDS.
AND GISELE BUNDCHEN, BEING A
SUPERMODEL, THEY MET AT A

AND GISELE BUNDCHEN, BEING A
SUPERMODEL, THEY MET AT A
FASHION SHOW.

SUPERMODEL, THEY MET AT A
FASHION SHOW.
AND THEY HIT IT OFF.

>> SHE'S THE TOP SUPERMODEL IN
THE WORLD, AND HE'S THE TOP

THE WORLD, AND HE'S THE TOP
LEADING MAN, AND THERE WAS A

LEADING MAN, AND THERE WAS A
CERTAIN AMOUNT OF CHEMISTRY

CERTAIN AMOUNT OF CHEMISTRY
BETWEEN THE TWO OF THEM, SO I

BETWEEN THE TWO OF THEM, SO I
WOULD SAY THEY WERE WELL SUITED

WOULD SAY THEY WERE WELL SUITED
TOGETHER.

>> Narrator: DiCAPRIO'S FANS
COULDN'T WAIT FOR HIS RETURN.
THEY LINED UP FOR THE FILM'S

COULDN'T WAIT FOR HIS RETURN.
THEY LINED UP FOR THE FILM'S
DEBUT IN FEBRUARY OF 2000.

THEY LINED UP FOR THE FILM'S
DEBUT IN FEBRUARY OF 2000.
>> SUDDENLY, HE WAS NOT AN

DEBUT IN FEBRUARY OF 2000.
>> SUDDENLY, HE WAS NOT AN
ACTOR ACTOR.

>> SUDDENLY, HE WAS NOT AN
ACTOR ACTOR.
SUDDENLY, HE WAS A STAR ACTOR.

ACTOR ACTOR.
SUDDENLY, HE WAS A STAR ACTOR.
>> Narrator: BUT EVEN LEONARDO'S

SUDDENLY, HE WAS A STAR ACTOR.
>> Narrator: BUT EVEN LEONARDO'S
DIEHARD FANS DIDN'T SAVE "THE

>> Narrator: BUT EVEN LEONARDO'S
DIEHARD FANS DIDN'T SAVE "THE
BEACH" FROM WASHING OUT AT THE

DIEHARD FANS DIDN'T SAVE "THE
BEACH" FROM WASHING OUT AT THE
THEATERS.

BEACH" FROM WASHING OUT AT THE
THEATERS.
IT OPENED IN SECOND PLACE BEHIND

THEATERS.
IT OPENED IN SECOND PLACE BEHIND
"SCREAM III."

IT OPENED IN SECOND PLACE BEHIND
"SCREAM III."
"THE BEACH" DIDN'T EVEN SELL

"SCREAM III."
"THE BEACH" DIDN'T EVEN SELL
ENOUGH TICKETS TO RECOUP ITS

"THE BEACH" DIDN'T EVEN SELL
ENOUGH TICKETS TO RECOUP ITS
$50 MILLION BUDGET.

ENOUGH TICKETS TO RECOUP ITS
$50 MILLION BUDGET.
AND CRITICS COULD ONLY MUSTER

$50 MILLION BUDGET.
AND CRITICS COULD ONLY MUSTER
LUKEWARM REVIEWS FOR THE ONCE

AND CRITICS COULD ONLY MUSTER
LUKEWARM REVIEWS FOR THE ONCE
SIZZLING-HOT DiCAPRIO.

LUKEWARM REVIEWS FOR THE ONCE
SIZZLING-HOT DiCAPRIO.
>> IT OBVIOUSLY DIDN'T HAVE MUCH

SIZZLING-HOT DiCAPRIO.
>> IT OBVIOUSLY DIDN'T HAVE MUCH
OF AN IMPACT.

I'M SURE THAT, AT THAT TIME,
THAT WAS PROBABLY REALLY

THAT WAS PROBABLY REALLY
DIFFICULT FOR HIM.

DIFFICULT FOR HIM.
YOU PROBABLY THINK, "OH, MY GOD,

YOU PROBABLY THINK, "OH, MY GOD,
DOES THIS MEAN MY CAREER IS OVER

DOES THIS MEAN MY CAREER IS OVER
NOW?"

>> Narrator: LEONARDO'S CAREER
WAS LOOKING LIKE IT MIGHT NOT BE
ABLE TO MOVE PAST "TITANIC."

WAS LOOKING LIKE IT MIGHT NOT BE
ABLE TO MOVE PAST "TITANIC."
HE HADN'T DELIVERED THE HIT

ABLE TO MOVE PAST "TITANIC."
HE HADN'T DELIVERED THE HIT
PRODUCERS WERE EXPECTING WHEN

HE HADN'T DELIVERED THE HIT
PRODUCERS WERE EXPECTING WHEN
THEY PAID HIM $20 MILLION TO

PRODUCERS WERE EXPECTING WHEN
THEY PAID HIM $20 MILLION TO
STAR IN "THE BEACH."

THEY PAID HIM $20 MILLION TO
STAR IN "THE BEACH."
DiCAPRIO KNEW HE NEEDED ANOTHER

STAR IN "THE BEACH."
DiCAPRIO KNEW HE NEEDED ANOTHER
HIT TO REIGNITE HIS CAREER.

DiCAPRIO KNEW HE NEEDED ANOTHER
HIT TO REIGNITE HIS CAREER.
THEN HE HEARD THAT LEGENDARY

HIT TO REIGNITE HIS CAREER.
THEN HE HEARD THAT LEGENDARY
DIRECTOR MARTIN SCORSESE WAS

THEN HE HEARD THAT LEGENDARY
DIRECTOR MARTIN SCORSESE WAS
INTERESTED IN DOING THE BIG

DIRECTOR MARTIN SCORSESE WAS
INTERESTED IN DOING THE BIG
BUDGET DRAMA, "GANGS OF NEW

INTERESTED IN DOING THE BIG
BUDGET DRAMA, "GANGS OF NEW
YORK."

BUDGET DRAMA, "GANGS OF NEW
YORK."
THE PRODUCERS THOUGHT DiCAPRIO

YORK."
THE PRODUCERS THOUGHT DiCAPRIO
WAS A GOOD FIT FOR THE VIOLENT,

THE PRODUCERS THOUGHT DiCAPRIO
WAS A GOOD FIT FOR THE VIOLENT,
GRITTY STORY OF AN IRISH

WAS A GOOD FIT FOR THE VIOLENT,
GRITTY STORY OF AN IRISH
GANGSTER.

GRITTY STORY OF AN IRISH
GANGSTER.
BUT FIRST, THEY HAD TO CLEAR IT

GANGSTER.
BUT FIRST, THEY HAD TO CLEAR IT
WITH THE BOSS.

BUT FIRST, THEY HAD TO CLEAR IT
WITH THE BOSS.
>> THEY ASKED HIM, "WHAT MOVIE

WITH THE BOSS.
>> THEY ASKED HIM, "WHAT MOVIE
DO YOU WANT TO DO NEXT?"

>> THEY ASKED HIM, "WHAT MOVIE
DO YOU WANT TO DO NEXT?"
HE SAID, "'GANGS OF NEW YORK.'"

DO YOU WANT TO DO NEXT?"
HE SAID, "'GANGS OF NEW YORK.'"
THEY SAID, "WELL, LEONARDO WANTS

HE SAID, "'GANGS OF NEW YORK.'"
THEY SAID, "WELL, LEONARDO WANTS
TO DO THAT.

THEY SAID, "WELL, LEONARDO WANTS
TO DO THAT.
DO YOU WANT TO DO THAT WITH

TO DO THAT.
DO YOU WANT TO DO THAT WITH
HIM?"

DO YOU WANT TO DO THAT WITH
HIM?"
HE SAID, "YES."

HIM?"
HE SAID, "YES."
I GOT THE SCRIPT, IT WAS, YOU

HE SAID, "YES."
I GOT THE SCRIPT, IT WAS, YOU
KNOW, ONE OF THE, YOU KNOW, BEST

I GOT THE SCRIPT, IT WAS, YOU
KNOW, ONE OF THE, YOU KNOW, BEST
MOMENTS OF MY CAREER.

KNOW, ONE OF THE, YOU KNOW, BEST
MOMENTS OF MY CAREER.
IT HAD ALWAYS BEEN A GOAL OF

MOMENTS OF MY CAREER.
IT HAD ALWAYS BEEN A GOAL OF
MINE TO WORK WITH SCORSESE.

IT HAD ALWAYS BEEN A GOAL OF
MINE TO WORK WITH SCORSESE.
HIS MOVIES, YOU KNOW, THEY HAVE

MINE TO WORK WITH SCORSESE.
HIS MOVIES, YOU KNOW, THEY HAVE
SUCH RESONANCE.

HIS MOVIES, YOU KNOW, THEY HAVE
SUCH RESONANCE.
>> Narrator: MOST OF THE FILM

SUCH RESONANCE.
>> Narrator: MOST OF THE FILM
WAS SHOT ON A SOUNDSTAGE IN

>> Narrator: MOST OF THE FILM
WAS SHOT ON A SOUNDSTAGE IN
ITALY.

WAS SHOT ON A SOUNDSTAGE IN
ITALY.
WHEN SHOOTING WENT TO NEW YORK,

ITALY.
WHEN SHOOTING WENT TO NEW YORK,
IT GAVE LEONARDO THE CHANCE TO

WHEN SHOOTING WENT TO NEW YORK,
IT GAVE LEONARDO THE CHANCE TO
REKINDLE HIS ON-AGAIN, OFF-AGAIN

IT GAVE LEONARDO THE CHANCE TO
REKINDLE HIS ON-AGAIN, OFF-AGAIN
RELATIONSHIP WITH GISELE.

REKINDLE HIS ON-AGAIN, OFF-AGAIN
RELATIONSHIP WITH GISELE.
DURING A TWO-WEEK BREAK, THE

RELATIONSHIP WITH GISELE.
DURING A TWO-WEEK BREAK, THE
COUPLE FLEW TO CALIFORNIA.

DURING A TWO-WEEK BREAK, THE
COUPLE FLEW TO CALIFORNIA.
THE PAPARAZZI SNAPPED SHOTS OF

COUPLE FLEW TO CALIFORNIA.
THE PAPARAZZI SNAPPED SHOTS OF
THEM SHOPPING FOR FURNITURE AND

THE PAPARAZZI SNAPPED SHOTS OF
THEM SHOPPING FOR FURNITURE AND
HANGING OUT ON THE BEACH.

THEM SHOPPING FOR FURNITURE AND
HANGING OUT ON THE BEACH.
NEITHER OF THEM WOULD COMMENT ON

HANGING OUT ON THE BEACH.
NEITHER OF THEM WOULD COMMENT ON
THEIR RELATIONSHIP.

NEITHER OF THEM WOULD COMMENT ON
THEIR RELATIONSHIP.
>> Narrator: WHEN FILMING OF

THEIR RELATIONSHIP.
>> Narrator: WHEN FILMING OF
"GANGS OF NEW YORK" RESUMED IN

>> Narrator: WHEN FILMING OF
"GANGS OF NEW YORK" RESUMED IN
ITALY, GISELE JOINED LEONARDO

"GANGS OF NEW YORK" RESUMED IN
ITALY, GISELE JOINED LEONARDO
ON SET.

ITALY, GISELE JOINED LEONARDO
ON SET.
THE FILM WENT ON TO EARN TEN

ON SET.
THE FILM WENT ON TO EARN TEN
OSCAR NODS, BUT FAILED TO WIN

THE FILM WENT ON TO EARN TEN
OSCAR NODS, BUT FAILED TO WIN
EVEN ONE, THANKS TO THE SUCCESS

OSCAR NODS, BUT FAILED TO WIN
EVEN ONE, THANKS TO THE SUCCESS
OF "CHICAGO."

EVEN ONE, THANKS TO THE SUCCESS
OF "CHICAGO."
LEONARDO WASN'T NOMINATED, BUT

OF "CHICAGO."
LEONARDO WASN'T NOMINATED, BUT
HE WAS GETTING USED TO BEING

LEONARDO WASN'T NOMINATED, BUT
HE WAS GETTING USED TO BEING
IGNORED BY THE ACADEMY.

HE WAS GETTING USED TO BEING
IGNORED BY THE ACADEMY.
FOR HIS NEXT PROJECT, HE DECIDED

IGNORED BY THE ACADEMY.
FOR HIS NEXT PROJECT, HE DECIDED
TO TRY SOMETHING COMPLETELY

FOR HIS NEXT PROJECT, HE DECIDED
TO TRY SOMETHING COMPLETELY
DIFFERENT-- A 1960S CAPER FILM

TO TRY SOMETHING COMPLETELY
DIFFERENT-- A 1960S CAPER FILM
WITH TOM HANKS.

DIFFERENT-- A 1960S CAPER FILM
WITH TOM HANKS.
>> "CATCH ME IF YOU CAN" IS

WITH TOM HANKS.
>> "CATCH ME IF YOU CAN" IS
REALLY A FUN MOVIE, AND STEVEN

>> "CATCH ME IF YOU CAN" IS
REALLY A FUN MOVIE, AND STEVEN
SPIELBERG WANTED LEO TO PLAY

REALLY A FUN MOVIE, AND STEVEN
SPIELBERG WANTED LEO TO PLAY
THIS GUY WHO'S BASED ON A REAL

SPIELBERG WANTED LEO TO PLAY
THIS GUY WHO'S BASED ON A REAL
GUY, FRANK ABAGNALE, WHO WROTE A

THIS GUY WHO'S BASED ON A REAL
GUY, FRANK ABAGNALE, WHO WROTE A
BOOK ABOUT HIS EXPERIENCES

GUY, FRANK ABAGNALE, WHO WROTE A
BOOK ABOUT HIS EXPERIENCES
CONNING PEOPLE.

BOOK ABOUT HIS EXPERIENCES
CONNING PEOPLE.
>> LEO DID JUST AN INCREDIBLE

CONNING PEOPLE.
>> LEO DID JUST AN INCREDIBLE
JOB, AND HE'S A GREAT ACTOR, SO

>> LEO DID JUST AN INCREDIBLE
JOB, AND HE'S A GREAT ACTOR, SO
HE JUST FELL RIGHT INTO THAT

JOB, AND HE'S A GREAT ACTOR, SO
HE JUST FELL RIGHT INTO THAT
PART, AND HE WAS VERY

HE JUST FELL RIGHT INTO THAT
PART, AND HE WAS VERY
CONVINCING.

PART, AND HE WAS VERY
CONVINCING.
>> Narrator: TO PULL OFF THE

CONVINCING.
>> Narrator: TO PULL OFF THE
ROLE OF A CON MAN, LEONARDO DREW

>> Narrator: TO PULL OFF THE
ROLE OF A CON MAN, LEONARDO DREW
FROM EXPERIENCES HE HAD AS A

ROLE OF A CON MAN, LEONARDO DREW
FROM EXPERIENCES HE HAD AS A
MOVIE STAR.

FROM EXPERIENCES HE HAD AS A
MOVIE STAR.
>> BEING IN THE POSITION THAT

MOVIE STAR.
>> BEING IN THE POSITION THAT
I'M IN, THERE'S CERTAIN PEOPLE

>> BEING IN THE POSITION THAT
I'M IN, THERE'S CERTAIN PEOPLE
THAT SOMEHOW WIND UP IN YOUR

I'M IN, THERE'S CERTAIN PEOPLE
THAT SOMEHOW WIND UP IN YOUR
LIFE, WHICH PORTRAY THEMSELVES

THAT SOMEHOW WIND UP IN YOUR
LIFE, WHICH PORTRAY THEMSELVES
AS SOMETHING COMPLETELY

LIFE, WHICH PORTRAY THEMSELVES
AS SOMETHING COMPLETELY
DIFFERENT.

AS SOMETHING COMPLETELY
DIFFERENT.
AND THAT GOES FOR MY MANY

DIFFERENT.
AND THAT GOES FOR MY MANY
EXPERIENCES WITH MEETING PEOPLE

AND THAT GOES FOR MY MANY
EXPERIENCES WITH MEETING PEOPLE
AND THINKING THEY'RE MY FRIEND,

EXPERIENCES WITH MEETING PEOPLE
AND THINKING THEY'RE MY FRIEND,
AND THEY WERE ACTUALLY NOT.

AND THINKING THEY'RE MY FRIEND,
AND THEY WERE ACTUALLY NOT.
>> Narrator: IT HAD BEEN FIVE

AND THEY WERE ACTUALLY NOT.
>> Narrator: IT HAD BEEN FIVE
YEARS SINCE "TITANIC," AND

>> Narrator: IT HAD BEEN FIVE
YEARS SINCE "TITANIC," AND
LEONARDO HAD FINALLY BECOME MORE

YEARS SINCE "TITANIC," AND
LEONARDO HAD FINALLY BECOME MORE
THAN JUST A HEARTTHROB.

LEONARDO HAD FINALLY BECOME MORE
THAN JUST A HEARTTHROB.
>> HE CHOSE TO PICK OFFBEAT,

THAN JUST A HEARTTHROB.
>> HE CHOSE TO PICK OFFBEAT,
ARTISTIC CHOICES THAT WOULD MAKE

>> HE CHOSE TO PICK OFFBEAT,
ARTISTIC CHOICES THAT WOULD MAKE
HIM GROW, THAT WOULD BE A HUGE

ARTISTIC CHOICES THAT WOULD MAKE
HIM GROW, THAT WOULD BE A HUGE
CHALLENGE FOR HIM,

HIM GROW, THAT WOULD BE A HUGE
CHALLENGE FOR HIM,
THAT WOULDN'T BE A "I'M A HOT

CHALLENGE FOR HIM,
THAT WOULDN'T BE A "I'M A HOT
TEEN" WALK IN THE PARK.

THAT WOULDN'T BE A "I'M A HOT
TEEN" WALK IN THE PARK.
>> Narrator: LEONARDO DiCAPRIO

TEEN" WALK IN THE PARK.
>> Narrator: LEONARDO DiCAPRIO
HAD EVOLVED FROM A TEEN IDOL TO

>> Narrator: LEONARDO DiCAPRIO
HAD EVOLVED FROM A TEEN IDOL TO
ONE OF HOLLYWOOD'S HOTTEST

HAD EVOLVED FROM A TEEN IDOL TO
ONE OF HOLLYWOOD'S HOTTEST
LEADING MEN.

ONE OF HOLLYWOOD'S HOTTEST
LEADING MEN.
AND HIS RELATIONSHIP WITH GISELE

LEADING MEN.
AND HIS RELATIONSHIP WITH GISELE
BUNDCHEN WAS ABOUT TO HIT THE

AND HIS RELATIONSHIP WITH GISELE
BUNDCHEN WAS ABOUT TO HIT THE
ROCKS.

BUNDCHEN WAS ABOUT TO HIT THE
ROCKS.
GOOD NEWS TO THE LEGION OF

ROCKS.
GOOD NEWS TO THE LEGION OF
FEMALE FANS WITH THEIR EYE ON

GOOD NEWS TO THE LEGION OF
FEMALE FANS WITH THEIR EYE ON
ONE OF THE WORLD'S MOST ELIGIBLE

FEMALE FANS WITH THEIR EYE ON
ONE OF THE WORLD'S MOST ELIGIBLE
BACHELORS.

>> Narrator: BY 2002, LEONARDO
DiCAPRIO HAD TRANSITIONED FROM A
"TITANIC" HEARTTHROB INTO A

DiCAPRIO HAD TRANSITIONED FROM A
"TITANIC" HEARTTHROB INTO A
HOLLYWOOD POWER PLAYER.

"TITANIC" HEARTTHROB INTO A
HOLLYWOOD POWER PLAYER.
HE DECIDED TO CREATE HIS OWN

HOLLYWOOD POWER PLAYER.
HE DECIDED TO CREATE HIS OWN
PRODUCTION COMPANY, APPIAN WAY,

HE DECIDED TO CREATE HIS OWN
PRODUCTION COMPANY, APPIAN WAY,
SO HE COULD DEVELOP THE STORIES

PRODUCTION COMPANY, APPIAN WAY,
SO HE COULD DEVELOP THE STORIES
HE WANTED TO STAR IN.

SO HE COULD DEVELOP THE STORIES
HE WANTED TO STAR IN.
LEONARDO STARTED TO WRITING A

HE WANTED TO STAR IN.
LEONARDO STARTED TO WRITING A
BIOPIC OF HOWARD HUGHES WITH

LEONARDO STARTED TO WRITING A
BIOPIC OF HOWARD HUGHES WITH
SCREENWRITER AND FRIEND JOHN

BIOPIC OF HOWARD HUGHES WITH
SCREENWRITER AND FRIEND JOHN
LOGAN.

SCREENWRITER AND FRIEND JOHN
LOGAN.
LEONARDO WAS FASCINATED BY THE

LOGAN.
LEONARDO WAS FASCINATED BY THE
ECCENTRIC AVIATOR AFTER READING

LEONARDO WAS FASCINATED BY THE
ECCENTRIC AVIATOR AFTER READING
A BOOK ABOUT HIM TEN YEARS

ECCENTRIC AVIATOR AFTER READING
A BOOK ABOUT HIM TEN YEARS
EARLIER.

A BOOK ABOUT HIM TEN YEARS
EARLIER.
HE WANTED MARTIN SCORSESE ON

EARLIER.
HE WANTED MARTIN SCORSESE ON
BOARD.

>> LEONARDO WAS INSTRUMENTAL IN
BRINGING SCORSESE ONTO "THE

BRINGING SCORSESE ONTO "THE
AVIATOR," AFTER THE ORIGINAL

AVIATOR," AFTER THE ORIGINAL
DIRECTOR, MICHAEL MANN, DECIDED

DIRECTOR, MICHAEL MANN, DECIDED
HE DIDN'T WANT TO DO IT.

>> Narrator: DiCAPRIO AND LOGAN
WENT THROUGH NINE DRAFTS OF "THE
AVIATOR" BEFORE THEY HAD A

WENT THROUGH NINE DRAFTS OF "THE
AVIATOR" BEFORE THEY HAD A
VERSION THEY THOUGHT WAS GOOD

AVIATOR" BEFORE THEY HAD A
VERSION THEY THOUGHT WAS GOOD
ENOUGH TO SHOW SCORSESE.

VERSION THEY THOUGHT WAS GOOD
ENOUGH TO SHOW SCORSESE.
EVEN THEN, LEONARDO HESITATED TO

ENOUGH TO SHOW SCORSESE.
EVEN THEN, LEONARDO HESITATED TO
TURN OVER THE SCRIPT.

EVEN THEN, LEONARDO HESITATED TO
TURN OVER THE SCRIPT.
HE KNEW SCORSESE DIDN'T LIKE TO

TURN OVER THE SCRIPT.
HE KNEW SCORSESE DIDN'T LIKE TO
FLY, SO HE TORE OFF "THE

HE KNEW SCORSESE DIDN'T LIKE TO
FLY, SO HE TORE OFF "THE
AVIATOR" TITLE PAGE.

FLY, SO HE TORE OFF "THE
AVIATOR" TITLE PAGE.
SCORSESE LIKED THE MATERIAL, AND

AVIATOR" TITLE PAGE.
SCORSESE LIKED THE MATERIAL, AND
SIGNED ON TO DIRECT, DESPITE HIS

SCORSESE LIKED THE MATERIAL, AND
SIGNED ON TO DIRECT, DESPITE HIS
FEARS.

SIGNED ON TO DIRECT, DESPITE HIS
FEARS.
>> ON "THE AVIATOR," LEO AND

FEARS.
>> ON "THE AVIATOR," LEO AND
MARTIN SCORSESE DISCOVERED EACH

>> ON "THE AVIATOR," LEO AND
MARTIN SCORSESE DISCOVERED EACH
OTHER, AND IT WAS THE BEGINNING

MARTIN SCORSESE DISCOVERED EACH
OTHER, AND IT WAS THE BEGINNING
OF A VERY IMPORTANT

OTHER, AND IT WAS THE BEGINNING
OF A VERY IMPORTANT
RELATIONSHIP.

LEO IS A YOUNG GUY, AND IT, NOT
LIKE HE'S MARTIN SCORSESE'S

LIKE HE'S MARTIN SCORSESE'S
ALTER EGO.

ALTER EGO.
IT'S NOT LIKE HE'S ROBERT De

IT'S NOT LIKE HE'S ROBERT De
NIRO OR HARVEY KEITEL.

NIRO OR HARVEY KEITEL.
BUT I THINK WHAT THEY HAVE IS AN

BUT I THINK WHAT THEY HAVE IS AN
ABILITY TO MAKE MOVIES TOGETHER

ABILITY TO MAKE MOVIES TOGETHER
THAT ARE AT A HIGHER BUDGET

THAT ARE AT A HIGHER BUDGET
LEVEL-- JUST TO BE, YOU KNOW,

LEVEL-- JUST TO BE, YOU KNOW,
STRAIGHT ABOUT IT-- THAN MARTY

STRAIGHT ABOUT IT-- THAN MARTY
MIGHT BE ABLE TO DO WITHOUT HIM.

MIGHT BE ABLE TO DO WITHOUT HIM.
>> Narrator: WHEN "THE AVIATOR"

>> Narrator: WHEN "THE AVIATOR"
PREMIERED IN DECEMBER OF 2004,

PREMIERED IN DECEMBER OF 2004,
EVERYONE WAS TALKING ABOUT

EVERYONE WAS TALKING ABOUT
LEONARDO'S SPOT-ON PERFORMANCE.

LEONARDO'S SPOT-ON PERFORMANCE.
>> I LOVE "THE AVIATOR."

>> I LOVE "THE AVIATOR."
I THOUGHT IT WAS JUST A MIRACLE

I THOUGHT IT WAS JUST A MIRACLE
OF A PERFORMANCE.

OF A PERFORMANCE.
FIRST OF ALL, HE SO TRANSFORMED

FIRST OF ALL, HE SO TRANSFORMED
HIS VOICE.

HIS VOICE.
SEE, I'M ALWAYS LOOKING AT THE

SEE, I'M ALWAYS LOOKING AT THE
VOICE.

VOICE.
HIS VOICE WAS DIFFERENT.

HIS VOICE WAS DIFFERENT.
AND HIS INTERNAL LIFE WAS SO

AND HIS INTERNAL LIFE WAS SO
RICH TO ME.

RICH TO ME.
>> IT'S A MOVING STORY, WHICH

>> IT'S A MOVING STORY, WHICH
LEO PLAYS BEAUTIFULLY.

LEO PLAYS BEAUTIFULLY.
I MEAN, YOU'RE REALLY CONVINCED

I MEAN, YOU'RE REALLY CONVINCED
EVERY MOMENT OF THE WAY.

EVERY MOMENT OF THE WAY.
>> THAT SCENE WITH ALDA, WHEN HE

>> THAT SCENE WITH ALDA, WHEN HE
PUTS THE FINGERPRINT ON THAT

PUTS THE FINGERPRINT ON THAT
GLASS, I WAS LIKE ( GASPS )

GLASS, I WAS LIKE ( GASPS )
"HOW DOES HE DO IT?"

"HOW DOES HE DO IT?"
I WAS REALLY, LIKE, GASP.

I WAS REALLY, LIKE, GASP.
>> FIRST OF ALL, TO SHOW THE

>> FIRST OF ALL, TO SHOW THE
NORMALCY OF THE EARLY HOWARD

NORMALCY OF THE EARLY HOWARD
HUGHES, AND THEN TO SHOW HIM

HUGHES, AND THEN TO SHOW HIM
JUST, LIKE, YOU KNOW,

JUST, LIKE, YOU KNOW,
DISINTEGRATING BEFORE OUR VERY

DISINTEGRATING BEFORE OUR VERY
EYES.

EYES.
AND, I MEAN, THAT WAS, AGAIN, A

AND, I MEAN, THAT WAS, AGAIN, A
VERY DIFFICULT AND SORT OF

VERY DIFFICULT AND SORT OF
REMARKABLE PERFORMANCE.

REMARKABLE PERFORMANCE.
>> THERE WAS THIS, SORT OF,

>> THERE WAS THIS, SORT OF,
TRANSFORMATION THAT HAPPENED,EN

TRANSFORMATION THAT HAPPENED,EN
WHERE HE, YOU KNOW, PHYSICALLY

WHERE HE, YOU KNOW, PHYSICALLY
AND MENTALLY AND VOCALLY BECAME

AND MENTALLY AND VOCALLY BECAME
HOWARD HUGHES.

HOWARD HUGHES.
TO THE POINT WHERE, YOU KNOW, IN

TO THE POINT WHERE, YOU KNOW, IN
MY MIND'S EYE, I HAVE TROUBLE

MY MIND'S EYE, I HAVE TROUBLE
REMEMBERING WHAT THE REAL HOWARD

REMEMBERING WHAT THE REAL HOWARD
REALLY LOOKS LIKE NOW, BECAUSE

REALLY LOOKS LIKE NOW, BECAUSE
I'VE SPENT SO MUCH TIME WITH

I'VE SPENT SO MUCH TIME WITH
LEO.

>> DiCAPRIO'S FACE IS, I MEAN,
IT'S VERY HANDSOME, BUT HE CAN
ALSO, LIKE, SORT OF, USE IT TO

IT'S VERY HANDSOME, BUT HE CAN
ALSO, LIKE, SORT OF, USE IT TO
DISAPPEAR INTO A ROLE.

ALSO, LIKE, SORT OF, USE IT TO
DISAPPEAR INTO A ROLE.
AND THAT'S WHAT AN ACTOR'S

DISAPPEAR INTO A ROLE.
AND THAT'S WHAT AN ACTOR'S
SUPPOSED TO DO.

AND THAT'S WHAT AN ACTOR'S
SUPPOSED TO DO.
>> HE AGES REMARKABLY IN THAT

SUPPOSED TO DO.
>> HE AGES REMARKABLY IN THAT
MOVIE.

>> HE AGES REMARKABLY IN THAT
MOVIE.
HE'S SCARRED, HE'S LIMPING, HE'S

MOVIE.
HE'S SCARRED, HE'S LIMPING, HE'S
DEFINITELY NOT ATTRACTIVE TO

HE'S SCARRED, HE'S LIMPING, HE'S
DEFINITELY NOT ATTRACTIVE TO
WOMEN BY THE END OF IT.

DEFINITELY NOT ATTRACTIVE TO
WOMEN BY THE END OF IT.
>> Narrator: "THE AVIATOR" HAD A

WOMEN BY THE END OF IT.
>> Narrator: "THE AVIATOR" HAD A
PERFECT LANDING, WITH 11 OSCAR

>> Narrator: "THE AVIATOR" HAD A
PERFECT LANDING, WITH 11 OSCAR
NOMINATIONS IN 2005.

PERFECT LANDING, WITH 11 OSCAR
NOMINATIONS IN 2005.
LEONARDO HAD FINALLY SCORED HIS

NOMINATIONS IN 2005.
LEONARDO HAD FINALLY SCORED HIS
FIRST BEST ACTOR NOMINATION.

LEONARDO HAD FINALLY SCORED HIS
FIRST BEST ACTOR NOMINATION.
HE WAS UP AGAINST CLINT

FIRST BEST ACTOR NOMINATION.
HE WAS UP AGAINST CLINT
EASTWOOD, JAMIE FOXX, DON

HE WAS UP AGAINST CLINT
EASTWOOD, JAMIE FOXX, DON
CHEADLE AND HIS FRIEND JOHNNY

EASTWOOD, JAMIE FOXX, DON
CHEADLE AND HIS FRIEND JOHNNY
DEPP.

CHEADLE AND HIS FRIEND JOHNNY
DEPP.
LEONARDO AND GISELE BUNDCHEN

DEPP.
LEONARDO AND GISELE BUNDCHEN
RETURNED FROM A BEACH VACATION

LEONARDO AND GISELE BUNDCHEN
RETURNED FROM A BEACH VACATION
TO WALK THE RED CARPET TOGETHER.

RETURNED FROM A BEACH VACATION
TO WALK THE RED CARPET TOGETHER.
IT WAS ONE OF THE FEW TIMES THE

TO WALK THE RED CARPET TOGETHER.
IT WAS ONE OF THE FEW TIMES THE
COUPLE, COINED "THE MOST

IT WAS ONE OF THE FEW TIMES THE
COUPLE, COINED "THE MOST
BEAUTIFUL IN THE WORLD," BY

COUPLE, COINED "THE MOST
BEAUTIFUL IN THE WORLD," BY
"PEOPLE" MAGAZINE, HAD APPEARED

BEAUTIFUL IN THE WORLD," BY
"PEOPLE" MAGAZINE, HAD APPEARED
TOGETHER IN PUBLIC.

"PEOPLE" MAGAZINE, HAD APPEARED
TOGETHER IN PUBLIC.
>> SHE'S PRETTY MUCH JUST AS

TOGETHER IN PUBLIC.
>> SHE'S PRETTY MUCH JUST AS
FAMOUS AROUND THE WORLD AS HE

>> SHE'S PRETTY MUCH JUST AS
FAMOUS AROUND THE WORLD AS HE
IS, RIGHT?

FAMOUS AROUND THE WORLD AS HE
IS, RIGHT?
BUT HE HAS MANAGED TO KEEP

IS, RIGHT?
BUT HE HAS MANAGED TO KEEP
HIMSELF OUT OF THAT KIND OF

BUT HE HAS MANAGED TO KEEP
HIMSELF OUT OF THAT KIND OF
LIMELIGHT, KEEP HIS

HIMSELF OUT OF THAT KIND OF
LIMELIGHT, KEEP HIS
RELATIONSHIPS OUT OF THAT KIND

LIMELIGHT, KEEP HIS
RELATIONSHIPS OUT OF THAT KIND
OF LIMELIGHT.

RELATIONSHIPS OUT OF THAT KIND
OF LIMELIGHT.
>> Narrator: IT WAS LEONARDO'S

OF LIMELIGHT.
>> Narrator: IT WAS LEONARDO'S
SECOND OSCAR NOMINATION, AND

>> Narrator: IT WAS LEONARDO'S
SECOND OSCAR NOMINATION, AND
SECOND OSCAR LOSS.

SECOND OSCAR NOMINATION, AND
SECOND OSCAR LOSS.
THIS TIME, TO JAMIE FOXX.

SECOND OSCAR LOSS.
THIS TIME, TO JAMIE FOXX.
THEN, LESS THAN A MONTH LATER,

THIS TIME, TO JAMIE FOXX.
THEN, LESS THAN A MONTH LATER,
LEONARDO TOOK A PERSONAL BLOW.

THEN, LESS THAN A MONTH LATER,
LEONARDO TOOK A PERSONAL BLOW.
LEONARDO'S RELATIONSHIP WITH

LEONARDO TOOK A PERSONAL BLOW.
LEONARDO'S RELATIONSHIP WITH
GISELE, WHICH HAD REPORTEDLY

LEONARDO'S RELATIONSHIP WITH
GISELE, WHICH HAD REPORTEDLY
BEEN TUMULTUOUS FOR FIVE YEARS,

GISELE, WHICH HAD REPORTEDLY
BEEN TUMULTUOUS FOR FIVE YEARS,
ENDED FOR GOOD.

>> BOTH OF THEM WERE VERY
RESPECTFUL AND VERY DISCREET.

RESPECTFUL AND VERY DISCREET.
>> THE ON-AND-OFF NATURE OF THE

>> THE ON-AND-OFF NATURE OF THE
RELATIONSHIP-- AND IT DID GO ON

RELATIONSHIP-- AND IT DID GO ON
FOR SEVERAL YEARS-- WAS JUST

FOR SEVERAL YEARS-- WAS JUST
STILL LEO FEELING HIS WAY AGAIN.

HE'S MATURING, HE'S GETTING
OLDER, HE'S NOT READY TO SETTLE
DOWN.

OLDER, HE'S NOT READY TO SETTLE
DOWN.
SO THAT, EVENTUALLY, RAN ITS

DOWN.
SO THAT, EVENTUALLY, RAN ITS
COURSE.

SO THAT, EVENTUALLY, RAN ITS
COURSE.
>> THE RUMORS WERE ALWAYS THAT

COURSE.
>> THE RUMORS WERE ALWAYS THAT
GISELE WANTED TO BE MORE SERIOUS

>> THE RUMORS WERE ALWAYS THAT
GISELE WANTED TO BE MORE SERIOUS
THAN LEONARDO, BUT, COME ON.

GISELE WANTED TO BE MORE SERIOUS
THAN LEONARDO, BUT, COME ON.
SHE NEVER TOLD ME THAT.

THAN LEONARDO, BUT, COME ON.
SHE NEVER TOLD ME THAT.
( LAUGHS )

SHE NEVER TOLD ME THAT.
( LAUGHS )
>> Narrator: LEONARDO DOVE INTO

( LAUGHS )
>> Narrator: LEONARDO DOVE INTO
HIS WORK AS A DISTRACTION FROM

>> Narrator: LEONARDO DOVE INTO
HIS WORK AS A DISTRACTION FROM
HIS PERSONAL LIFE.

HIS WORK AS A DISTRACTION FROM
HIS PERSONAL LIFE.
HE WAS GETTING READY TO TEAM UP

HIS PERSONAL LIFE.
HE WAS GETTING READY TO TEAM UP
WITH MARTIN SCORSESE ON "THE

HE WAS GETTING READY TO TEAM UP
WITH MARTIN SCORSESE ON "THE
DEPARTED."

WITH MARTIN SCORSESE ON "THE
DEPARTED."
IT WOULD BE THEIR THIRD TIME

DEPARTED."
IT WOULD BE THEIR THIRD TIME
WORKING TOGETHER.

IT WOULD BE THEIR THIRD TIME
WORKING TOGETHER.
>> MARTIN SCORSESE KNOWS THE

WORKING TOGETHER.
>> MARTIN SCORSESE KNOWS THE
WORLD, AND HE TOOK LEONARDO BY

>> MARTIN SCORSESE KNOWS THE
WORLD, AND HE TOOK LEONARDO BY
THE HAND, AND NOT ONLY MADE HIM

WORLD, AND HE TOOK LEONARDO BY
THE HAND, AND NOT ONLY MADE HIM
GREAT IN THE MOVIES, BUT MADE

THE HAND, AND NOT ONLY MADE HIM
GREAT IN THE MOVIES, BUT MADE
HIM UNDERSTAND ALL THE THINGS

GREAT IN THE MOVIES, BUT MADE
HIM UNDERSTAND ALL THE THINGS
YOU NEEDED TO KNOW TO BE GREAT.

>> MARTIN SCORSESE IS AN
ENCYCLOPEDIA OF FILM KNOWLEDGE,

ENCYCLOPEDIA OF FILM KNOWLEDGE,
AND I THINK DiCAPRIO LOVES THAT

AND I THINK DiCAPRIO LOVES THAT
EXPERIENCE, AND I THINK HE HAS

EXPERIENCE, AND I THINK HE HAS
BECOME A FATHER FIGURE OF SORTS,

BECOME A FATHER FIGURE OF SORTS,
A PROFESSIONAL FATHER FIGURE.

>> SCORSESE IS CHOOSING TO WORK
WITH HIM, AND SO PICKING
PROJECTS THAT, YOU KNOW, SUIT

WITH HIM, AND SO PICKING
PROJECTS THAT, YOU KNOW, SUIT
HIS CAPABILITIES, BUT THEN ALSO

PROJECTS THAT, YOU KNOW, SUIT
HIS CAPABILITIES, BUT THEN ALSO
PUSHING HIM.

HIS CAPABILITIES, BUT THEN ALSO
PUSHING HIM.
>> HE CERTAINLY LIFTED LEONARDO

PUSHING HIM.
>> HE CERTAINLY LIFTED LEONARDO
DiCAPRIO'S ACTING CAREER TO

>> HE CERTAINLY LIFTED LEONARDO
DiCAPRIO'S ACTING CAREER TO
ANOTHER LEVEL.

DiCAPRIO'S ACTING CAREER TO
ANOTHER LEVEL.
>> Narrator: "THE DEPARTED" WAS

ANOTHER LEVEL.
>> Narrator: "THE DEPARTED" WAS
A BOSTON CRIME DRAMA WITH

>> Narrator: "THE DEPARTED" WAS
A BOSTON CRIME DRAMA WITH
LEONARDO AS THE RELUCTANT

A BOSTON CRIME DRAMA WITH
LEONARDO AS THE RELUCTANT
INFORMER.

LEONARDO AS THE RELUCTANT
INFORMER.
HE APPEARED ALONGSIDE JACK

INFORMER.
HE APPEARED ALONGSIDE JACK
NICHOLSON, MATT DAMON, MARTIN

HE APPEARED ALONGSIDE JACK
NICHOLSON, MATT DAMON, MARTIN
SHEEN AND MARK WAHLBERG.

NICHOLSON, MATT DAMON, MARTIN
SHEEN AND MARK WAHLBERG.
>> "THE DEPARTED" IS AMAZING,

SHEEN AND MARK WAHLBERG.
>> "THE DEPARTED" IS AMAZING,
BECAUSE HE'S NOT ONLY CONQUERING

>> "THE DEPARTED" IS AMAZING,
BECAUSE HE'S NOT ONLY CONQUERING
THAT BOSTON ACCENT-- WITH

BECAUSE HE'S NOT ONLY CONQUERING
THAT BOSTON ACCENT-- WITH
APLOMB, IF I MAY ADD-- BUT

THAT BOSTON ACCENT-- WITH
APLOMB, IF I MAY ADD-- BUT
SHOWING REAL PHYSICALITY, AND

APLOMB, IF I MAY ADD-- BUT
SHOWING REAL PHYSICALITY, AND
HOLDING HIS OWN AGAINST

SHOWING REAL PHYSICALITY, AND
HOLDING HIS OWN AGAINST
NICHOLSON.

HOLDING HIS OWN AGAINST
NICHOLSON.
>> BY THE TIME JACK NICHOLSON

NICHOLSON.
>> BY THE TIME JACK NICHOLSON
AND ALL THOSE PEOPLE WORK WITH

>> BY THE TIME JACK NICHOLSON
AND ALL THOSE PEOPLE WORK WITH
LEONARDO, THEY THOUGHT THEY WERE

AND ALL THOSE PEOPLE WORK WITH
LEONARDO, THEY THOUGHT THEY WERE
WORKING WITH THE BIG STAR!

LEONARDO, THEY THOUGHT THEY WERE
WORKING WITH THE BIG STAR!
( LAUGHS )

WORKING WITH THE BIG STAR!
( LAUGHS )
I MEAN, AT THAT POINT, LEONARDO

( LAUGHS )
I MEAN, AT THAT POINT, LEONARDO
WAS JUST THE "IT" GUY.

I MEAN, AT THAT POINT, LEONARDO
WAS JUST THE "IT" GUY.
>> Narrator: ONCE AGAIN, THERE

WAS JUST THE "IT" GUY.
>> Narrator: ONCE AGAIN, THERE
WAS OSCAR BUZZ FOR LEONARDO

>> Narrator: ONCE AGAIN, THERE
WAS OSCAR BUZZ FOR LEONARDO
DiCAPRIO.

WAS OSCAR BUZZ FOR LEONARDO
DiCAPRIO.
BY 2006, HE WAS COMING INTO HIS

DiCAPRIO.
BY 2006, HE WAS COMING INTO HIS
OWN AS A SERIOUS ACTOR, AND

BY 2006, HE WAS COMING INTO HIS
OWN AS A SERIOUS ACTOR, AND
TACKLING A SERIOUS ISSUE.

OWN AS A SERIOUS ACTOR, AND
TACKLING A SERIOUS ISSUE.
>> HE, LIKE, SORT OF, SHOWED THE

TACKLING A SERIOUS ISSUE.
>> HE, LIKE, SORT OF, SHOWED THE
WORLD THAT HE'S A MAN NOW.

>> Narrator: BY THE AGE OF 30,
LEONARDO DiCAPRIO HAD WORKED
WITH TOP DIRECTORS JAMES

LEONARDO DiCAPRIO HAD WORKED
WITH TOP DIRECTORS JAMES
CAMERON, ROBERT De NIRO, AND

WITH TOP DIRECTORS JAMES
CAMERON, ROBERT De NIRO, AND
MARTIN SCORSESE.

CAMERON, ROBERT De NIRO, AND
MARTIN SCORSESE.
THE BOYISH ACTOR WHO HAD

MARTIN SCORSESE.
THE BOYISH ACTOR WHO HAD
CAPTURED THE WORLD'S ATTENTION

THE BOYISH ACTOR WHO HAD
CAPTURED THE WORLD'S ATTENTION
ON THE HELM OF THE "TITANIC" IN

CAPTURED THE WORLD'S ATTENTION
ON THE HELM OF THE "TITANIC" IN
1997 HAD GROWN UP.

ON THE HELM OF THE "TITANIC" IN
1997 HAD GROWN UP.
>> HE, LIKE, SORT OF, SHOWED THE

1997 HAD GROWN UP.
>> HE, LIKE, SORT OF, SHOWED THE
WORLD THAT HE'S A MAN NOW.

HE'S VERY MANLY NOW.
HE'S BIGGER, HE'S MORE MUSCULAR,

HE'S BIGGER, HE'S MORE MUSCULAR,
HIS FACE IS MUCH MORE MATURE.

>> Narrator: A TOUGHER AND
GRITTIER LEONARDO DiCAPRIO
WORKED WITH MARTIN SCORSESE

GRITTIER LEONARDO DiCAPRIO
WORKED WITH MARTIN SCORSESE
AGAIN IN 2006 FOR "THE

WORKED WITH MARTIN SCORSESE
AGAIN IN 2006 FOR "THE
DEPARTED."

AGAIN IN 2006 FOR "THE
DEPARTED."
THE CRITICALLY ACCLAIMED CRIME

DEPARTED."
THE CRITICALLY ACCLAIMED CRIME
DRAMA WAS OUT ONLY A FEW WEEKS

THE CRITICALLY ACCLAIMED CRIME
DRAMA WAS OUT ONLY A FEW WEEKS
WHEN DiCAPRIO HIT THE SCREEN

DRAMA WAS OUT ONLY A FEW WEEKS
WHEN DiCAPRIO HIT THE SCREEN
AGAIN IN A POLITICAL THRILLER

WHEN DiCAPRIO HIT THE SCREEN
AGAIN IN A POLITICAL THRILLER
FILMED IN SOUTH AFRICA.

>> LEO COMING OUT WITH "THE
DEPARTED" AND "BLOOD DIAMOND" IN

DEPARTED" AND "BLOOD DIAMOND" IN
ONE YEAR WAS JUST ASTOUNDING.

ONE YEAR WAS JUST ASTOUNDING.
IT WAS AN ASTONISHING ACTING

IT WAS AN ASTONISHING ACTING
COUP, AND AGAIN, HE ROSE TO THE

COUP, AND AGAIN, HE ROSE TO THE
OCCASION, AND COMES ACROSS AS A

OCCASION, AND COMES ACROSS AS A
REAL STAR.

>> HE CAN DO, LIKE, A MODERN-
DAY, LIKE, SORT OF, SHOVE-YOU-
UP-AGAINST-THE-WALL KISSING

DAY, LIKE, SORT OF, SHOVE-YOU-
UP-AGAINST-THE-WALL KISSING
SCENE, AND HAVE THAT BE, LIKE,

UP-AGAINST-THE-WALL KISSING
SCENE, AND HAVE THAT BE, LIKE,
VERY HOT, AND THEN HE CAN ALSO

SCENE, AND HAVE THAT BE, LIKE,
VERY HOT, AND THEN HE CAN ALSO
BE LIKE, SORT OF, A ROMANTIC

VERY HOT, AND THEN HE CAN ALSO
BE LIKE, SORT OF, A ROMANTIC
KIND OF THING WHICH HE CARRIED

BE LIKE, SORT OF, A ROMANTIC
KIND OF THING WHICH HE CARRIED
IN "BLOOD DIAMOND."

KIND OF THING WHICH HE CARRIED
IN "BLOOD DIAMOND."
>> Narrator: "BLOOD DIAMOND" WAS

IN "BLOOD DIAMOND."
>> Narrator: "BLOOD DIAMOND" WAS
A DRAMA SET IN THE CIVIL WAR IN

>> Narrator: "BLOOD DIAMOND" WAS
A DRAMA SET IN THE CIVIL WAR IN
SIERRA LEONE DURING THE LATE

A DRAMA SET IN THE CIVIL WAR IN
SIERRA LEONE DURING THE LATE
1990s.

SIERRA LEONE DURING THE LATE
1990s.
LEONARDO'S TASTE FOR SCRIPTS WAS

1990s.
LEONARDO'S TASTE FOR SCRIPTS WAS
MATURING, AND HE LIKED THE IDEA

LEONARDO'S TASTE FOR SCRIPTS WAS
MATURING, AND HE LIKED THE IDEA
OF A FILM THAT DELIVERED A

MATURING, AND HE LIKED THE IDEA
OF A FILM THAT DELIVERED A
STRONG MESSAGE ABOUT CORPORATE

OF A FILM THAT DELIVERED A
STRONG MESSAGE ABOUT CORPORATE
RESPONSIBILITY.

STRONG MESSAGE ABOUT CORPORATE
RESPONSIBILITY.
>> A VERY POLITICAL FILM ABOUT

RESPONSIBILITY.
>> A VERY POLITICAL FILM ABOUT
THE DIAMOND INDUSTRY.

>> IT WAS THE ISSUE OF BIG
CORPORATIONS MAKING MONEY ON

CORPORATIONS MAKING MONEY ON
DIAMOND MINING OUT OF THE MISERY

DIAMOND MINING OUT OF THE MISERY
OF COUNTRIES IN AFRICA.

OF COUNTRIES IN AFRICA.
>> Narrator: LEONARDO SPENT FIVE

>> Narrator: LEONARDO SPENT FIVE
MONTHS TRAINING WITH MILITARY

MONTHS TRAINING WITH MILITARY
EXPERTS TO PREPARE FOR THE ROLE.

EXPERTS TO PREPARE FOR THE ROLE.
HE LEARNED A RHODESIAN ACCENT BY

HE LEARNED A RHODESIAN ACCENT BY
SPENDING TIME WITH THE LOCALS;

SPENDING TIME WITH THE LOCALS;
DRINKING BEER AND HEARING THEIR

DRINKING BEER AND HEARING THEIR
STORIES.

STORIES.
>> YOU HAVE TO HAVE A REALLY

>> YOU HAVE TO HAVE A REALLY
GOOD EAR TO BE ABLE TO DO AN

GOOD EAR TO BE ABLE TO DO AN
ACCENT.

ACCENT.
IT'S SORT OF LIKE HAVING A GOOD

IT'S SORT OF LIKE HAVING A GOOD
EAWITH MUSIC.

EAWITH MUSIC.
HE DID A PHENOMENAL JOB IN

HE DID A PHENOMENAL JOB IN
"BLOOD DIAMOND" WITH THE

"BLOOD DIAMOND" WITH THE
DIALECT.

>> Narrator: JUST AS HIS WORK ON
"BLOOD DIAMOND" BEMON, LEONARDO
HAD A NEW LOVE IN HIS LIFE.

"BLOOD DIAMOND" BEMON, LEONARDO
HAD A NEW LOVE IN HIS LIFE.
DiCAPRIO HAD MET ISRAELI MODEL

HAD A NEW LOVE IN HIS LIFE.
DiCAPRIO HAD MET ISRAELI MODEL
BAR REFAELI AT A PARTY IN LOS

DiCAPRIO HAD MET ISRAELI MODEL
BAR REFAELI AT A PARTY IN LOS
VEGAS BEFORE HE LEFT FOR AFRICA.

BAR REFAELI AT A PARTY IN LOS
VEGAS BEFORE HE LEFT FOR AFRICA.
IT WAS REPORTED THAT HIS

VEGAS BEFORE HE LEFT FOR AFRICA.
IT WAS REPORTED THAT HIS
ATTRACTION WAS INSTANT TO THE

IT WAS REPORTED THAT HIS
ATTRACTION WAS INSTANT TO THE
BLONDE-HAIRED BEAUTY, 11 YEARS

ATTRACTION WAS INSTANT TO THE
BLONDE-HAIRED BEAUTY, 11 YEARS
YOUNGER THAN LEONARDO.

BLONDE-HAIRED BEAUTY, 11 YEARS
YOUNGER THAN LEONARDO.
HE EVEN SNUCK AWAY FROM THE

YOUNGER THAN LEONARDO.
HE EVEN SNUCK AWAY FROM THE
AFRICAN SET OF "BLOOD DIAMOND"

HE EVEN SNUCK AWAY FROM THE
AFRICAN SET OF "BLOOD DIAMOND"
TO ROMANCE HIS NEW GIRLFRIEND

AFRICAN SET OF "BLOOD DIAMOND"
TO ROMANCE HIS NEW GIRLFRIEND
FOR A WEEKEND IN PARIS IN APRIL

TO ROMANCE HIS NEW GIRLFRIEND
FOR A WEEKEND IN PARIS IN APRIL
OF 2006.

FOR A WEEKEND IN PARIS IN APRIL
OF 2006.
THE MEDIA WERE CLAMORING TO FIND

OF 2006.
THE MEDIA WERE CLAMORING TO FIND
OUT MORE ABOUT THE NEW COUPLE,

THE MEDIA WERE CLAMORING TO FIND
OUT MORE ABOUT THE NEW COUPLE,
BUT DiCAPRIO REMAINED SILENT.

OUT MORE ABOUT THE NEW COUPLE,
BUT DiCAPRIO REMAINED SILENT.
>> HE UNDERSTANDS THE GREATNESS

BUT DiCAPRIO REMAINED SILENT.
>> HE UNDERSTANDS THE GREATNESS
OF MYSTERY.

>> HE UNDERSTANDS THE GREATNESS
OF MYSTERY.
LET THEM GUESS ABOUT YOU, LET

OF MYSTERY.
LET THEM GUESS ABOUT YOU, LET
THEM SNAP YOUR PHOTO, BUT YOU

LET THEM GUESS ABOUT YOU, LET
THEM SNAP YOUR PHOTO, BUT YOU
DON'T NEED TO SPILL EVERYTHING

THEM SNAP YOUR PHOTO, BUT YOU
DON'T NEED TO SPILL EVERYTHING
ABOUT YOURSELF.

DON'T NEED TO SPILL EVERYTHING
ABOUT YOURSELF.
THE SCREEN IS THE PLACE TO SHOW

ABOUT YOURSELF.
THE SCREEN IS THE PLACE TO SHOW
THAT EMOTION.

THE SCREEN IS THE PLACE TO SHOW
THAT EMOTION.
>> Narrator: WHEN ACADEMY AWARD

THAT EMOTION.
>> Narrator: WHEN ACADEMY AWARD
NOMINATIONS WERE ANNOUNCED, "THE

>> Narrator: WHEN ACADEMY AWARD
NOMINATIONS WERE ANNOUNCED, "THE
DEPARTED" AND "BLOOD DIAMOND"

NOMINATIONS WERE ANNOUNCED, "THE
DEPARTED" AND "BLOOD DIAMOND"
WERE BOTH NOMINATED FOR FIVE

DEPARTED" AND "BLOOD DIAMOND"
WERE BOTH NOMINATED FOR FIVE
EACH.

WERE BOTH NOMINATED FOR FIVE
EACH.
LEONARDO WAS UP FOR A BEST ACTOR

EACH.
LEONARDO WAS UP FOR A BEST ACTOR
FOR "BLOOD DIAMOND."

LEONARDO WAS UP FOR A BEST ACTOR
FOR "BLOOD DIAMOND."
>> LEO SHOWS YOU EVERYTHING.

THERE IS A GREAT DEAL OF EMOTION
THERE, AND HE'S DOING IT WITH

THERE, AND HE'S DOING IT WITH
THIS, SORT OF, UGLY ACCENT THAT

THIS, SORT OF, UGLY ACCENT THAT
HE'S WORKING WITH.

EXTRAORDINARY ACHIEVEMENT.
>> Narrator: ONCE AGAIN,
LEONARDO DIDN'T WIN AN OSCAR.

>> Narrator: ONCE AGAIN,
LEONARDO DIDN'T WIN AN OSCAR.
THE BEST ACTOR PRIZE WENT TO

LEONARDO DIDN'T WIN AN OSCAR.
THE BEST ACTOR PRIZE WENT TO
FOREST WHITAKER.

BUT LEONARDO DID TAKE THE OSCAR
STAGE THAT NIGHT.
ALONGSIDE AL GORE, HE ANNOUNCED

STAGE THAT NIGHT.
ALONGSIDE AL GORE, HE ANNOUNCED
THAT THE ACADEMY HAD INTEGRATED

ALONGSIDE AL GORE, HE ANNOUNCED
THAT THE ACADEMY HAD INTEGRATED
ENVIRONMENTALLY FRIENDLY

THAT THE ACADEMY HAD INTEGRATED
ENVIRONMENTALLY FRIENDLY
PRACTICES INTO THE SHOW'S

ENVIRONMENTALLY FRIENDLY
PRACTICES INTO THE SHOW'S
PRODUCTION.

PRACTICES INTO THE SHOW'S
PRODUCTION.
FOR YEARS, DiCAPRIO HAD USED HIS

PRODUCTION.
FOR YEARS, DiCAPRIO HAD USED HIS
FAME TO FOCUS ON ENVIRONMENTAL

FOR YEARS, DiCAPRIO HAD USED HIS
FAME TO FOCUS ON ENVIRONMENTAL
ISSUES.

FAME TO FOCUS ON ENVIRONMENTAL
ISSUES.
>> IT SEEMS VERY SINCERE.

ISSUES.
>> IT SEEMS VERY SINCERE.
IT SEEMS PRETTY CONSTANT WITH

>> IT SEEMS VERY SINCERE.
IT SEEMS PRETTY CONSTANT WITH
HIM, SO IT'S NOT, YOU KNOW, A

IT SEEMS PRETTY CONSTANT WITH
HIM, SO IT'S NOT, YOU KNOW, A
LOT OF PEOPLE NOW ARE SUDDENLY

HIM, SO IT'S NOT, YOU KNOW, A
LOT OF PEOPLE NOW ARE SUDDENLY
ON THE, YOU KNOW, "I DRIVE THE

LOT OF PEOPLE NOW ARE SUDDENLY
ON THE, YOU KNOW, "I DRIVE THE
HYBRID WHATEVER."

ON THE, YOU KNOW, "I DRIVE THE
HYBRID WHATEVER."
BUT HE'S BEEN AT IT FOR A LONG

HYBRID WHATEVER."
BUT HE'S BEEN AT IT FOR A LONG
TIME.

>> IT'S A PURPOSE THAT HE'S
PASSIONATE ABOUT, HE'S AN

PASSIONATE ABOUT, HE'S AN
ACTIVIST AND IT'S SOMETHING THAT

ACTIVIST AND IT'S SOMETHING THAT
HE REALLY BELIEVES IN.

HE REALLY BELIEVES IN.
AND I THINK HIS FAME HELPS TO

AND I THINK HIS FAME HELPS TO
FURTHER THAT CAUSE.

FURTHER THAT CAUSE.
>> HE WAS ONE OF THE FIRST

>> HE WAS ONE OF THE FIRST
HOLLYWOOD ACTORS TO DRIVE A

HOLLYWOOD ACTORS TO DRIVE A
PRIUS.

PRIUS.
>> IT'S PARTLY FROM HIS

>> IT'S PARTLY FROM HIS
BACKGROUND, AND PARTLY FROM HIS

BACKGROUND, AND PARTLY FROM HIS
SENSITIVITY.

SENSITIVITY.
YOU KNOW, HE WAS EXTREMELY

YOU KNOW, HE WAS EXTREMELY
SINCERE IN TRYING TO FIND A WAY

SINCERE IN TRYING TO FIND A WAY
TO USE HIS FAME TO DO GOOD.

TO USE HIS FAME TO DO GOOD.
AND BECAUSE IT WAS LEONARDO, IT

AND BECAUSE IT WAS LEONARDO, IT
WAS LIKE, "EH, WHAT DOES HE

WAS LIKE, "EH, WHAT DOES HE
KNOW?"

KNOW?"
AND HE KIND OF HAD TO PROVE TO

AND HE KIND OF HAD TO PROVE TO
PEOPLE HE KNEW A LOT.

>> Narrator: LEONARDO TOOK HIS
ENVIRONMENTAL INTERESTS A STEP
FURTHER BY DEVELOPING A

ENVIRONMENTAL INTERESTS A STEP
FURTHER BY DEVELOPING A
DOCUMENTARY CALLED, "THE 11TH

FURTHER BY DEVELOPING A
DOCUMENTARY CALLED, "THE 11TH
HOUR."

DOCUMENTARY CALLED, "THE 11TH
HOUR."
DiCAPRIO WROTE, PRODUCED AND

HOUR."
DiCAPRIO WROTE, PRODUCED AND
NARRATED THE FILM, WHICH

DiCAPRIO WROTE, PRODUCED AND
NARRATED THE FILM, WHICH
PREMIERED AT THE CANNES FILM

NARRATED THE FILM, WHICH
PREMIERED AT THE CANNES FILM
FESTIVAL.

PREMIERED AT THE CANNES FILM
FESTIVAL.
>> THE THING ABOUT "11TH HOUR"

FESTIVAL.
>> THE THING ABOUT "11TH HOUR"
IS IT'S A SUBJECT HE CARES

>> THE THING ABOUT "11TH HOUR"
IS IT'S A SUBJECT HE CARES
DEEPLY ADEUT, AND HE WAS ABLE TO

IS IT'S A SUBJECT HE CARES
DEEPLY ADEUT, AND HE WAS ABLE TO
GET SOME DIFFERENT ORGANIZATIONS

DEEPLY ADEUT, AND HE WAS ABLE TO
GET SOME DIFFERENT ORGANIZATIONS
BEHIND IT, WHO HAD HELPED PUSH

GET SOME DIFFERENT ORGANIZATIONS
BEHIND IT, WHO HAD HELPED PUSH
THE CAUSE, WHICH IS WHAT WAS SO

BEHIND IT, WHO HAD HELPED PUSH
THE CAUSE, WHICH IS WHAT WAS SO
IMPORTANT TO HIM.

THE CAUSE, WHICH IS WHAT WAS SO
IMPORTANT TO HIM.
>> HE'S NOT ONE OF THESE ACTORS

IMPORTANT TO HIM.
>> HE'S NOT ONE OF THESE ACTORS
WHO JUST SIGNS CHECKS AND JUMPS

>> HE'S NOT ONE OF THESE ACTORS
WHO JUST SIGNS CHECKS AND JUMPS
ON TO A BANDWAGON FOR A CAUSE.

WHO JUST SIGNS CHECKS AND JUMPS
ON TO A BANDWAGON FOR A CAUSE.
HE THREW HIMSELF INTO IT.

ON TO A BANDWAGON FOR A CAUSE.
HE THREW HIMSELF INTO IT.
HE INFORMED HIMSELF, AND HE

HE THREW HIMSELF INTO IT.
HE INFORMED HIMSELF, AND HE
CONTINUES TO INFORM HIMSELF.HI

HE INFORMED HIMSELF, AND HE
CONTINUES TO INFORM HIMSELF.HI
>> HE TOOK A LOT OF VERY

CONTINUES TO INFORM HIMSELF.HI
>> HE TOOK A LOT OF VERY
COMPLICATED INFORMATION, AND

>> HE TOOK A LOT OF VERY
COMPLICATED INFORMATION, AND
HIRED FILMMAKERS WHO COULD C

COMPLICATED INFORMATION, AND
HIRED FILMMAKERS WHO COULD C
HANDLE IT, AND MADE IT AN

HIRED FILMMAKERS WHO COULD C
HANDLE IT, AND MADE IT AN
INTELLIGENT TREATISE ON WHAT'S

HANDLE IT, AND MADE IT AN
INTELLIGENT TREATISE ON WHAT'S
GOING ON WITH GLOBAL WARMING.

INTELLIGENT TREATISE ON WHAT'S
GOING ON WITH GLOBAL WARMING.
>> Narrator: WHILE LEONARDO

GOING ON WITH GLOBAL WARMING.
>> Narrator: WHILE LEONARDO
CONTINUES TO CAMPAIGN FOR THE

>> Narrator: WHILE LEONARDO
CONTINUES TO CAMPAIGN FOR THE
ENVIRONMENT, HE SELECTS HIS

CONTINUES TO CAMPAIGN FOR THE
ENVIRONMENT, HE SELECTS HIS
ACTING PROJECTS CAREFULLY.

ENVIRONMENT, HE SELECTS HIS
ACTING PROJECTS CAREFULLY.
A DECADE AFTER "TITANIC,"

ACTING PROJECTS CAREFULLY.
A DECADE AFTER "TITANIC,"
DiCAPRIO SIGNED ON TO REUNITE

A DECADE AFTER "TITANIC,"
DiCAPRIO SIGNED ON TO REUNITE
WITH KATE WINSLET IN

DiCAPRIO SIGNED ON TO REUNITE
WITH KATE WINSLET IN
"REVOLUTIONARY ROAD," DIRECTED

WITH KATE WINSLET IN
"REVOLUTIONARY ROAD," DIRECTED
BY WINSLET'S HUSBAND, SAM

"REVOLUTIONARY ROAD," DIRECTED
BY WINSLET'S HUSBAND, SAM
MENDES.

BY WINSLET'S HUSBAND, SAM
MENDES.
THE DARK DRAMA FOLLOWS THE

MENDES.
THE DARK DRAMA FOLLOWS THE
UNRAVELING RELATIONSHIP OF A

THE DARK DRAMA FOLLOWS THE
UNRAVELING RELATIONSHIP OF A
MARRIED COUPLE.

UNRAVELING RELATIONSHIP OF A
MARRIED COUPLE.
>> THIS IS NOT A LIGHT ROMANCE,

MARRIED COUPLE.
>> THIS IS NOT A LIGHT ROMANCE,
AND IT'S NOT "TITANIC."

>> THIS IS NOT A LIGHT ROMANCE,
AND IT'S NOT "TITANIC."
IT'S INTERESTING, BECAUSE BOTH

AND IT'S NOT "TITANIC."
IT'S INTERESTING, BECAUSE BOTH
LEO AND KATE HAVE MATURED TO THE

IT'S INTERESTING, BECAUSE BOTH
LEO AND KATE HAVE MATURED TO THE
DEGREE THAT THEY CAN ACTUALLY

LEO AND KATE HAVE MATURED TO THE
DEGREE THAT THEY CAN ACTUALLY
ADDRESS SOMETHING LIKE THIS AND

DEGREE THAT THEY CAN ACTUALLY
ADDRESS SOMETHING LIKE THIS AND
MAKE IT WORK.

ADDRESS SOMETHING LIKE THIS AND
MAKE IT WORK.
>> Narrator: JUST MONTHS AFTER

MAKE IT WORK.
>> Narrator: JUST MONTHS AFTER
FILMING "REVOLUTIONARY ROAD,"

>> Narrator: JUST MONTHS AFTER
FILMING "REVOLUTIONARY ROAD,"
DiCAPRIO BEGAN WORK ON THE CRIME

FILMING "REVOLUTIONARY ROAD,"
DiCAPRIO BEGAN WORK ON THE CRIME
THRILLER, "SHUTTER ISLAND."

DiCAPRIO BEGAN WORK ON THE CRIME
THRILLER, "SHUTTER ISLAND."
FOR THE FOURTH TIME, HE TEAMED

THRILLER, "SHUTTER ISLAND."
FOR THE FOURTH TIME, HE TEAMED
UP WITH DIRECTOR MARTIN

FOR THE FOURTH TIME, HE TEAMED
UP WITH DIRECTOR MARTIN
SCORSESE.

UP WITH DIRECTOR MARTIN
SCORSESE.
>> IT'S ALMOST LIKE A HAND IN A

SCORSESE.
>> IT'S ALMOST LIKE A HAND IN A
GLOVE.

>> IT'S ALMOST LIKE A HAND IN A
GLOVE.
IT'S LIKE NOT WORKING; IT'S JUST

GLOVE.
IT'S LIKE NOT WORKING; IT'S JUST
LIKE BREATHING.

IT'S LIKE NOT WORKING; IT'S JUST
LIKE BREATHING.
YOU'RE WALKING TOGETHER AND YOUR

LIKE BREATHING.
YOU'RE WALKING TOGETHER AND YOUR
MINDS WORK TOGETHER, AND IT'S

YOU'RE WALKING TOGETHER AND YOUR
MINDS WORK TOGETHER, AND IT'S
EXCITING.

MINDS WORK TOGETHER, AND IT'S
EXCITING.
YOU'RE CREATIVE, YOU HAVE GREAT

EXCITING.
YOU'RE CREATIVE, YOU HAVE GREAT
SCRIPTS, YOU HAVE ALL THIS

YOU'RE CREATIVE, YOU HAVE GREAT
SCRIPTS, YOU HAVE ALL THIS
CAMARADERIE, AND YOU'RE WORKING

SCRIPTS, YOU HAVE ALL THIS
CAMARADERIE, AND YOU'RE WORKING
WITH BRILLIANT MINDS.

CAMARADERIE, AND YOU'RE WORKING
WITH BRILLIANT MINDS.
HOW BETTER...

WITH BRILLIANT MINDS.
HOW BETTER...
CAN'T GET ANY BETTER THAN THAT.

HOW BETTER...
CAN'T GET ANY BETTER THAN THAT.
>> Narrator: AFTER RUMORS OF A

CAN'T GET ANY BETTER THAN THAT.
>> Narrator: AFTER RUMORS OF A
BREAKUP IN LATE 2007, LEONARDO

>> Narrator: AFTER RUMORS OF A
BREAKUP IN LATE 2007, LEONARDO
AND BAR RECONCILED, AND WERE

BREAKUP IN LATE 2007, LEONARDO
AND BAR RECONCILED, AND WERE
SPOTTED SHARING A MIDNIGHT KISS

AND BAR RECONCILED, AND WERE
SPOTTED SHARING A MIDNIGHT KISS
ON NEW YEAR'S EVE.

SPOTTED SHARING A MIDNIGHT KISS
ON NEW YEAR'S EVE.
DiCAPRIO'S FANS WONDER IF HE

ON NEW YEAR'S EVE.
DiCAPRIO'S FANS WONDER IF HE
WILL EVER MARRY.

DiCAPRIO'S FANS WONDER IF HE
WILL EVER MARRY.
>> EVENTUALLY, WHEN HE'S READY,

WILL EVER MARRY.
>> EVENTUALLY, WHEN HE'S READY,
IT WILL PROBABLY BE FOR THE LONG

>> EVENTUALLY, WHEN HE'S READY,
IT WILL PROBABLY BE FOR THE LONG
HAUL.

IT WILL PROBABLY BE FOR THE LONG
HAUL.
I DON'T THINK HE'S IN A BIG

HAUL.
I DON'T THINK HE'S IN A BIG
HURRY, I MEAN, BUT I HAVE NO

I DON'T THINK HE'S IN A BIG
HURRY, I MEAN, BUT I HAVE NO
IDEA.

HURRY, I MEAN, BUT I HAVE NO
IDEA.
BUT THE... YOU KNOW, MY GUT

IDEA.
BUT THE... YOU KNOW, MY GUT
INSTINCT IS THAT HE PROBABLY

BUT THE... YOU KNOW, MY GUT
INSTINCT IS THAT HE PROBABLY
WILL HAVE A WEDDING.

INSTINCT IS THAT HE PROBABLY
WILL HAVE A WEDDING.
>> Narrator: THE TAP DANCING KID

WILL HAVE A WEDDING.
>> Narrator: THE TAP DANCING KID
FROM A ROUGH L.A. NEIGHBORHOOD

>> Narrator: THE TAP DANCING KID
FROM A ROUGH L.A. NEIGHBORHOOD
TRANSFORMED INTO ONE OF HIS

FROM A ROUGH L.A. NEIGHBORHOOD
TRANSFORMED INTO ONE OF HIS
GENERATION'S BEST ACTORS.

TRANSFORMED INTO ONE OF HIS
GENERATION'S BEST ACTORS.
>> I'VE NEVER SEEN HIM IN ANY

GENERATION'S BEST ACTORS.
>> I'VE NEVER SEEN HIM IN ANY
WAY BEING LESS THAN RESPECTFUL

>> I'VE NEVER SEEN HIM IN ANY
WAY BEING LESS THAN RESPECTFUL
AND ADORABLE AND POLITE.

WAY BEING LESS THAN RESPECTFUL
AND ADORABLE AND POLITE.
>> HE WOULD RATHER TALK ABOUT,

AND ADORABLE AND POLITE.
>> HE WOULD RATHER TALK ABOUT,
YOU KNOW, THE ENVIRONMENT THAN

>> HE WOULD RATHER TALK ABOUT,
YOU KNOW, THE ENVIRONMENT THAN
TALK ABOUT HIS CAREER, VERY

YOU KNOW, THE ENVIRONMENT THAN
TALK ABOUT HIS CAREER, VERY
POLITE, AND YOU KNOW, CARRIED

TALK ABOUT HIS CAREER, VERY
POLITE, AND YOU KNOW, CARRIED
HIS OWN STUFF AND JUST SEEMED

POLITE, AND YOU KNOW, CARRIED
HIS OWN STUFF AND JUST SEEMED
LIKE A VERY NICE GUY.

HIS OWN STUFF AND JUST SEEMED
LIKE A VERY NICE GUY.
>> AUDIENCES DON'T LIKE HIM--

LIKE A VERY NICE GUY.
>> AUDIENCES DON'T LIKE HIM--
THEY LOVE HIM.

>> AUDIENCES DON'T LIKE HIM--
THEY LOVE HIM.
YOU CAN'T TURN THEIR EYES AWAY

THEY LOVE HIM.
YOU CAN'T TURN THEIR EYES AWAY
FROM HIM.

YOU CAN'T TURN THEIR EYES AWAY
FROM HIM.
>> HE'S JUST GOING TO KEEP

FROM HIM.
>> HE'S JUST GOING TO KEEP
GETTING BETTER AND BETTER.

YOU KNOW, THE ROLES ARE GOING TO
GET MORE INTERESTING, AND AS,

GET MORE INTERESTING, AND AS,
YOU KNOW, HE GROWS EVEN MORE

YOU KNOW, HE GROWS EVEN MORE
MATURE, HE'S JUST, I MEAN, HE'LL

MATURE, HE'S JUST, I MEAN, HE'LL
BEBLE TO DO WHATEVER HE WANTS.

BEBLE TO DO WHATEVER HE WANTS.
>> I LOVE JO HUSTON'S LINE:

>> I LOVE JO HUSTON'S LINE:
"THE GREAT ONES DON'T REMIND YOU

"THE GREAT ONES DON'T REMIND YOU
OF ANYBODY ELSE."

OF ANYBODY ELSE."
LEONARDO HAS THE GRACE AND THE

LEONARDO HAS THE GRACE AND THE
HANDSOMENESS AND THE DEMEANOR OF

HANDSOMENESS AND THE DEMEANOR OF
A GREAT STAR, BUT HE'S LIKE NO

A GREAT STAR, BUT HE'S LIKE NO
ONE ELSE WE'VE EVER SE E.

ONE ELSE WE'VE EVER SE E.
>> HIS COMMITMENT IS TOTAL.

>> HIS COMMITMENT IS TOTAL.
HE'S PASSIONATE, AND IT'S REAL,

HE'S PASSIONATE, AND IT'S REAL,
AND IT'S LEO.