Classic rock film documenting David Bowie's last public appearance as his androgynous alter ego Ziggy Stardust, in a concert at the Hammersmith Odeon filmed by DA Pennebaker.
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Line | From | To | |
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CAR HORNS AND TRAFFIC | 0:00:02 | 0:00:05 | |
WHISTLES FROM CROWD | 0:00:20 | 0:00:23 | |
HORNS BLARE | 0:00:54 | 0:00:56 | |
David! | 0:00:56 | 0:00:57 | |
I've got a telex here for Tony from Jerry. I don't know if you've seen it at all. | 0:01:31 | 0:01:36 | |
I'd like to see it. | 0:01:36 | 0:01:37 | |
-It's a very long involved one. -All right. OK. | 0:01:39 | 0:01:41 | |
I'll read it... | 0:01:41 | 0:01:44 | |
It's all in code. | 0:01:54 | 0:01:56 | |
I didn't know we did business in code. | 0:02:00 | 0:02:03 | |
Can't understand a word of this. | 0:02:03 | 0:02:05 | |
TUNES PIANO | 0:02:08 | 0:02:11 | |
CAR HORNS TOOT | 0:02:39 | 0:02:41 | |
ANNOUNCER: Ladies and gentlemen - straight from his fantastically successful world tour, | 0:02:56 | 0:03:01 | |
including the United States of America, Japan. Now, his home country. | 0:03:01 | 0:03:07 | |
For the last time - David Bowie! | 0:03:07 | 0:03:11 | |
CHEERING | 0:03:11 | 0:03:13 | |
AUDIENCE CLAPS ALONG TO ORGAN MUSIC | 0:03:17 | 0:03:20 | |
My mother saw her first spaceship in that. | 0:04:07 | 0:04:10 | |
-What did you say to me? -My mother saw her first spaceship. -Really? -She says, yeah. | 0:04:10 | 0:04:17 | |
-Angie! -Darling, I came to say good luck. | 0:04:18 | 0:04:20 | |
-Oh, you look beautiful, darling. I love that. -Merci. | 0:04:20 | 0:04:23 | |
-So anyway, are you all right? -Yeah. | 0:04:23 | 0:04:26 | |
-There's an awful lot of Rolls-Royces out there, darling. -Really? | 0:04:26 | 0:04:29 | |
-Limousines. Incidents occurring. -Oh! | 0:04:29 | 0:04:34 | |
Tony loved it, he made the driver go by slowly. | 0:04:34 | 0:04:37 | |
-Just people... Being surrounded and recognised and fans going nuts. -What people? | 0:04:37 | 0:04:41 | |
I don't know. I just saw the Rolls-Royces lined up. It's fabulous! | 0:04:41 | 0:04:44 | |
Ah, you guys, you look very nice and I just came to say hello. | 0:04:44 | 0:04:48 | |
-Bon, je reviendrai. -Who did your make-up? | 0:04:48 | 0:04:50 | |
-I did. -Did you? -Why? -Interesting. -It is interesting. | 0:04:50 | 0:04:54 | |
-It's the best one you've done if I may say so. -It's cos I'm watching you, you see. I'm learning from you. | 0:04:54 | 0:05:00 | |
Do you like the lines around the lips? | 0:05:00 | 0:05:02 | |
No, I don't like and she knows that. | 0:05:02 | 0:05:04 | |
But I like the idea of the blue lines with the pink lipstick. That's quite good. | 0:05:04 | 0:05:09 | |
-You see how they pick on me and make me feel terrible? -You're a girl. What do you know about make-up? | 0:05:09 | 0:05:14 | |
Exactly! That's what I say all the time(!) | 0:05:14 | 0:05:16 | |
Make-up for a night out on the town, with the boys. | 0:05:16 | 0:05:19 | |
Go on, star! Go on. | 0:05:19 | 0:05:21 | |
All right. I'll see you later. Bye-bye. | 0:05:21 | 0:05:23 | |
MUSIC: "Beethoven Ninth Symphony" | 0:05:23 | 0:05:25 | |
CHATTER IN BACKGROUND | 0:05:38 | 0:05:41 | |
Huh. | 0:05:45 | 0:05:46 | |
CHATTER IN BACKGROUND GROWS | 0:05:46 | 0:05:49 | |
BOWIE WHISTLES | 0:06:00 | 0:06:02 | |
HE WHISTLES ALONG TO ORGAN MUSIC | 0:06:14 | 0:06:17 | |
No, I haven't. Oh, what happened to it then? | 0:06:31 | 0:06:34 | |
WHISTLING AND APPLAUSE | 0:06:43 | 0:06:46 | |
INTRO: "Hang Onto Yourself" | 0:07:01 | 0:07:04 | |
# Well she's a tongue twisting storm, she will come to the show tonight praying to the light machine | 0:07:06 | 0:07:11 | |
# She wants my honey not my money she's a funky-thigh collector layin' on 'lectric dreams | 0:07:13 | 0:07:18 | |
# So come on, come on, we've really got a good thing going | 0:07:20 | 0:07:25 | |
# Well come on, well come on, if you think we're gonna make it You better hang on to yourself | 0:07:25 | 0:07:31 | |
# Ooh, come on | 0:07:33 | 0:07:35 | |
# Now we don't dance much we just wanna play | 0:07:36 | 0:07:38 | |
# Then we move around like tigers on Vaseline | 0:07:38 | 0:07:42 | |
# You know the bitter comes out better on a stolen guitar | 0:07:43 | 0:07:46 | |
# You're the blessed we're The Spiders from Mars | 0:07:46 | 0:07:49 | |
# So come on, come on we've really got a good thing going on | 0:07:49 | 0:07:55 | |
# Well come on, come on if you think you're gonna make it You better hang on to yourself | 0:07:55 | 0:08:01 | |
# Come on | 0:08:06 | 0:08:07 | |
# Come on | 0:08:11 | 0:08:12 | |
# So come on, come on, we've really got a good thing going on Come on, come on | 0:08:15 | 0:08:22 | |
# If you think we're gonna make it You better hang on to yourself | 0:08:22 | 0:08:27 | |
# So come on, we've really got a good thing going on | 0:08:32 | 0:08:36 | |
# Come on, come on, if you think we're gonna make it You better hang on to yourself | 0:08:36 | 0:08:42 | |
# Come on, come on, baby | 0:08:44 | 0:08:47 | |
# Don't mean maybe. # | 0:08:49 | 0:08:51 | |
GUITAR SOLO | 0:08:51 | 0:08:54 | |
GUITAR SOLO | 0:09:34 | 0:09:36 | |
CHEERING AND APPLAUSE | 0:09:44 | 0:09:47 | |
INTRO: "Ziggy Stardust" | 0:09:54 | 0:09:57 | |
# Ooh, yeah-ah | 0:10:06 | 0:10:09 | |
# Ah | 0:10:10 | 0:10:12 | |
# Now Ziggy played guitar jamming good with Weird and Gilly | 0:10:15 | 0:10:21 | |
# And The Spiders from Mars He played it left hand | 0:10:21 | 0:10:27 | |
# But he made it too far Became the special man then we were Ziggy's band | 0:10:27 | 0:10:35 | |
# Ziggy really sang, screwed-up eyes and screwed-down hairdo like some cat from Japan | 0:10:38 | 0:10:45 | |
# He could kill 'em by smiling He could leave 'em to hang | 0:10:46 | 0:10:50 | |
# Came on so loaded man, white skin and snow white tan | 0:10:51 | 0:10:56 | |
# So where were the Spiders? | 0:10:59 | 0:11:04 | |
# While the fly tried to break our balls | 0:11:04 | 0:11:08 | |
# Just the beer light to guide us | 0:11:09 | 0:11:13 | |
# So we bitched about his fans and should we crush his sweet hands? | 0:11:13 | 0:11:19 | |
# Oh yeah | 0:11:25 | 0:11:27 | |
# Ziggy played for time jiving us that we were voodoo | 0:11:32 | 0:11:37 | |
# The kids were just crass he was the nazz | 0:11:37 | 0:11:42 | |
# With God-given ass | 0:11:42 | 0:11:45 | |
# But he took it all too far but boy could he play guitar | 0:11:45 | 0:11:51 | |
# Making love with his ego, oh yeah | 0:11:53 | 0:11:58 | |
# Ziggy sucked up into his mind Ah! | 0:11:58 | 0:12:03 | |
# Like a leper messiah When the kids had killed the man | 0:12:04 | 0:12:10 | |
# I had to break up the band | 0:12:10 | 0:12:13 | |
# Oh yeah | 0:12:19 | 0:12:21 | |
# Ooooooo | 0:12:25 | 0:12:27 | |
# Ooooooo | 0:12:30 | 0:12:32 | |
# Now Ziggy played... | 0:12:35 | 0:12:37 | |
# ..guita-a-r-r-r! # | 0:12:39 | 0:12:45 | |
SCREAMING | 0:12:51 | 0:12:53 | |
INTRO: "Watch That Man" | 0:13:01 | 0:13:04 | |
# Shakey threw a party that lasted all night | 0:13:17 | 0:13:21 | |
# Everybody drank a lot of something nice | 0:13:21 | 0:13:24 | |
# There was an old-fashioned band of married men | 0:13:24 | 0:13:27 | |
# Looking up to me for encouragement it was so-so | 0:13:27 | 0:13:32 | |
# The ladies looked bad but the music was sad | 0:13:33 | 0:13:36 | |
# No-one took their eyes off Lorraine She shimmered and the strolled like a Chicago moll | 0:13:36 | 0:13:42 | |
# Her feathers looked better and better - it was so-so | 0:13:42 | 0:13:47 | |
# Yeah! I began to unfreeze When the Reverend Alabaster danced on his knees | 0:13:48 | 0:13:55 | |
# Yeah! Slam! So it wasn't a game Cracking all the mirrors in shame | 0:13:55 | 0:14:00 | |
# Watch that man! Oh honey watch that man | 0:14:00 | 0:14:05 | |
# He talks like a jerk but he could eat you with a fork and spoon | 0:14:08 | 0:14:12 | |
# Watch that man! Oh honey watch that man | 0:14:14 | 0:14:20 | |
# Walks like a jerk But he's only taking care of the room | 0:14:22 | 0:14:26 | |
# Though he must be in tune | 0:14:28 | 0:14:30 | |
# Yeah | 0:14:38 | 0:14:40 | |
# A Benny Goodman fan painted holes in his hands | 0:14:46 | 0:14:49 | |
# So Shakey hung him up to dry The pundits were jokin' the manholes were smokin' | 0:14:49 | 0:14:55 | |
# And every bottle battled with the reason why | 0:14:55 | 0:14:59 | |
# The girl on the phone wouldn't leave me alone | 0:15:01 | 0:15:04 | |
# A throwback from someone's LP A lemon in a bag played the Tiger Rag | 0:15:04 | 0:15:11 | |
# And the bodies on the screen stopped bleeding | 0:15:11 | 0:15:14 | |
# Yeah! I was shakin' like a leaf because I couldn't understand the conversation | 0:15:17 | 0:15:22 | |
# Yeah! So I ran through the street looking for information | 0:15:23 | 0:15:29 | |
# Watch that man Oh honey watch that man | 0:15:29 | 0:15:34 | |
# He talks like a jerk but he could eat you with a fork and spoon | 0:15:36 | 0:15:41 | |
# Watch that man! Oh honey watch that man | 0:15:42 | 0:15:48 | |
# He walks like a jerk but he's only taking care of the room | 0:15:50 | 0:15:54 | |
# Well he must be in tune | 0:15:56 | 0:15:59 | |
# Oh yeah! | 0:16:00 | 0:16:01 | |
# Watch that man | 0:16:04 | 0:16:06 | |
# Ha! | 0:16:07 | 0:16:08 | |
# Watch that man Ha! | 0:16:11 | 0:16:13 | |
# Oooooh! Watch that man | 0:16:17 | 0:16:21 | |
# Ooooh-hoo-hoo! Watch that man | 0:16:23 | 0:16:28 | |
# Ooooh-hoo-hoo! Watch that man | 0:16:30 | 0:16:35 | |
# Oh yeah! Ooooh-hoo-hoo! Watch that man | 0:16:35 | 0:16:41 | |
-# Do-do-do yeah, do-do-do yeah Do-do-do yeah -Watch that man | 0:16:42 | 0:16:48 | |
# Watch that man | 0:16:48 | 0:16:49 | |
# Ooooh-hoo-hoo! Watch that...man. # | 0:16:50 | 0:16:57 | |
INTRO: "Wild Eyed Boy From Freecloud" | 0:17:06 | 0:17:11 | |
# Solemn faced the village settles down | 0:17:26 | 0:17:30 | |
# Undetected by the stars | 0:17:30 | 0:17:34 | |
# And the hangman plays the mandolin before he goes to sleep | 0:17:36 | 0:17:42 | |
# And the last thing on his mind | 0:17:45 | 0:17:47 | |
# Is the Wild Eyed Boy imprisoned 'neath the covered wooden shaft | 0:17:50 | 0:17:56 | |
# Folds the rope into its bag | 0:17:59 | 0:18:02 | |
# Blows his pipe of smoulders | 0:18:05 | 0:18:08 | |
# Blankets smoke into the room | 0:18:08 | 0:18:10 | |
# And the day will end for some | 0:18:13 | 0:18:17 | |
# As the night begins for one | 0:18:20 | 0:18:24 | |
# Staring through the message in his eyes | 0:18:30 | 0:18:35 | |
# Lies the solitary son | 0:18:35 | 0:18:38 | |
# From the mountain called Freecloud Where the eagle dare not fly | 0:18:41 | 0:18:47 | |
# And the patience in his sigh | 0:18:50 | 0:18:53 | |
# Gives no indication For the townsmen to decide | 0:18:57 | 0:19:02 | |
# So the village dreadful yawns | 0:19:05 | 0:19:08 | |
# Pronouncing gross diversion | 0:19:11 | 0:19:14 | |
# As the label for the dog | 0:19:14 | 0:19:16 | |
# Oh "It's the madness in his eyes" | 0:19:18 | 0:19:23 | |
# As he breaks the night to cry | 0:19:25 | 0:19:28 | |
# "It's really me | 0:19:28 | 0:19:33 | |
# "Really you and really me | 0:19:34 | 0:19:38 | |
# "It's so hard for us to really be | 0:19:40 | 0:19:45 | |
# "Really you and really me | 0:19:49 | 0:19:52 | |
# "You'll lose me though I'm always really... | 0:19:54 | 0:20:00 | |
# "free-e-e" | 0:20:00 | 0:20:04 | |
# Yea-ea-ea-h! # | 0:20:04 | 0:20:06 | |
INTRO: "All The Young Dudes" | 0:20:16 | 0:20:20 | |
# Jimmy rapped all night about a suicide | 0:20:30 | 0:20:33 | |
# How he'd kick it in the head when he was 25 | 0:20:33 | 0:20:37 | |
# Oh, the speed-jive Don't wanna stay alive when you're 25 | 0:20:37 | 0:20:43 | |
# Lucy's stealing clothes from unlocked cars | 0:20:43 | 0:20:46 | |
# And Freddy's got spots from ripping off the stars from his face | 0:20:46 | 0:20:50 | |
# Funky little boat race | 0:20:52 | 0:20:54 | |
# The television man is crazy | 0:20:56 | 0:20:59 | |
# Saying we're juvenile delinquent wrecks | 0:20:59 | 0:21:02 | |
# Oh, man, I need a TV when I've got T Rex | 0:21:02 | 0:21:07 | |
# Brother, you guessed | 0:21:08 | 0:21:10 | |
# I'm a dude | 0:21:11 | 0:21:13 | |
# All the young dudes yeah | 0:21:14 | 0:21:17 | |
# Carry the news | 0:21:18 | 0:21:21 | |
# Boogaloo dudes yeah | 0:21:21 | 0:21:24 | |
# Carry the news | 0:21:24 | 0:21:27 | |
# All the young dudes yeah | 0:21:30 | 0:21:33 | |
# Carry the news | 0:21:33 | 0:21:37 | |
# Boogaloo dudes yeah | 0:21:37 | 0:21:40 | |
# Carry the news. # | 0:21:40 | 0:21:43 | |
INTRO: "Oh! You Pretty Things" | 0:21:43 | 0:21:47 | |
# Wake up, you sleepy head | 0:21:47 | 0:21:49 | |
# Put on some clothes shake up your bed | 0:21:49 | 0:21:52 | |
# Put another log on the fire for me | 0:21:52 | 0:21:55 | |
# I've made some breakfast and coffee | 0:21:55 | 0:21:58 | |
# Look out my window and what do I see | 0:21:58 | 0:22:00 | |
# A crack in the sky and a hand reaching down... | 0:22:00 | 0:22:08 | |
#..To me | 0:22:11 | 0:22:13 | |
# All the nightmares came today | 0:22:15 | 0:22:18 | |
# And it looks as though they're here to stay | 0:22:20 | 0:22:23 | |
-# Oh, you pretty things -Oh, you pretty things | 0:22:25 | 0:22:28 | |
# Don't you know you're driving your mamas and papas insane | 0:22:28 | 0:22:33 | |
-# Oh, you pretty things -Oh, you pretty things | 0:22:35 | 0:22:38 | |
# Don't you know you're driving your mamas and papas insane? | 0:22:38 | 0:22:43 | |
# Let me make it plain | 0:22:43 | 0:22:45 | |
# You gotta make way for the Homo Superior | 0:22:45 | 0:22:49 | |
# One...two | 0:22:51 | 0:22:53 | |
-# Oh, you pretty things -Oh, you pretty things | 0:22:54 | 0:22:57 | |
# Don't you know you're driving your mamas and papas insane | 0:22:57 | 0:23:02 | |
-# Oh, you pretty things -Oh, you pretty things | 0:23:04 | 0:23:07 | |
# Don't you know you're driving your mamas and papas insane? | 0:23:07 | 0:23:12 | |
# Let me make it plain | 0:23:12 | 0:23:14 | |
# You gotta make way for the Homo Superior. # | 0:23:14 | 0:23:17 | |
CHEERING | 0:23:21 | 0:23:23 | |
INTRO: "Moonage Daydream" | 0:23:29 | 0:23:33 | |
# Aah | 0:23:39 | 0:23:40 | |
# Mmmm | 0:23:42 | 0:23:43 | |
# Ooh | 0:23:44 | 0:23:46 | |
# I'm an alligator I'm a mama-papa calling for you | 0:23:48 | 0:23:53 | |
# I'm the space invader I'll be a rock 'n' rollin' bitch for you | 0:23:54 | 0:23:59 | |
# Keep your mouth shut, you're squawking like a big monkey bird | 0:24:00 | 0:24:06 | |
# And I'm busting up my brains for the words | 0:24:06 | 0:24:09 | |
# You know I am | 0:24:10 | 0:24:11 | |
# Keep your 'lectric eye on me, babe | 0:24:14 | 0:24:19 | |
# Put your ray gun to my head | 0:24:20 | 0:24:24 | |
# Press your space face close to mine, love | 0:24:27 | 0:24:30 | |
# Freak out in a moonage daydream, oh yeah | 0:24:32 | 0:24:36 | |
# Don't fake it, baby lay the real thing on me | 0:24:40 | 0:24:45 | |
# You know the church of man love is such a holy place to be | 0:24:45 | 0:24:51 | |
# Don't fake it, baby make me know you really care? | 0:24:51 | 0:24:58 | |
# Make me jump into the air | 0:24:58 | 0:25:01 | |
# If you dare | 0:25:03 | 0:25:04 | |
# Keep your 'lectric eye on me, babe | 0:25:06 | 0:25:09 | |
# Put your ray gun to my head | 0:25:12 | 0:25:16 | |
# Press your space face close to mine, love | 0:25:18 | 0:25:22 | |
# Freak out in a moonage daydream, oh yeah | 0:25:24 | 0:25:28 | |
# Ooooo! Oooooo! Ooooooo! | 0:25:32 | 0:25:37 | |
# Ooooo! Oooooo! Ooooooo! | 0:25:37 | 0:25:42 | |
# Ooooo! Oooooo! Ooooooo! | 0:25:42 | 0:25:49 | |
# Ooooo! Oooooo! Ooooooo! | 0:25:49 | 0:25:55 | |
BOTH: # Keep your 'lectric eye on me, babe | 0:25:55 | 0:25:59 | |
# Put your ray gun to my head | 0:26:01 | 0:26:05 | |
# Press your space face close to mine, love | 0:26:08 | 0:26:11 | |
# Freak out in a moonage daydream, oh yeah | 0:26:13 | 0:26:18 | |
# Keep your 'lectric eye on me, babe | 0:26:20 | 0:26:23 | |
# Put your ray gun to my head | 0:26:26 | 0:26:30 | |
# Press your space face close to mine, love | 0:26:32 | 0:26:35 | |
# Freak out in a moonage daydream, oh yeah | 0:26:38 | 0:26:43 | |
# Freak out! | 0:26:46 | 0:26:49 | |
# Far out | 0:26:49 | 0:26:51 | |
# In out. # | 0:26:52 | 0:26:54 | |
DROWNED OUT BY MUSIC | 0:28:21 | 0:28:24 | |
# Aaah-aaah-aaah | 0:28:50 | 0:28:58 | |
# Aaah-aaah-aaah. # | 0:28:58 | 0:29:03 | |
APPLAUSE | 0:29:29 | 0:29:31 | |
< GUITAR SOLO CONTINUES ON STAGE | 0:29:39 | 0:29:43 | |
-It's going well, Dave. Aren't the audience lovely? -Marvellous. -Beautiful audience! | 0:30:05 | 0:30:09 | |
There is not one single person tonight who's not, you know... | 0:30:12 | 0:30:17 | |
-I should wipe your hands cos their deathly-white with that powder. -It's all right. Looks nice. | 0:30:20 | 0:30:25 | |
APPLAUSE | 0:30:52 | 0:30:54 | |
OLD-TIME PIANO MUSIC PLAYS | 0:30:59 | 0:31:02 | |
INTRO: "Changes" | 0:31:06 | 0:31:10 | |
# Still don't know what I was waiting for - time was running wild | 0:31:16 | 0:31:22 | |
# A million dead-end streets Every time I thought I'd got it made It seemed the taste was not so sweet | 0:31:22 | 0:31:30 | |
# Then I turned myself to face me | 0:31:31 | 0:31:34 | |
# But I've never caught a glimpse | 0:31:36 | 0:31:38 | |
# Of how the others must see the faker | 0:31:39 | 0:31:43 | |
# I'm much too fast to take that test | 0:31:44 | 0:31:47 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:31:47 | 0:31:50 | |
# Ch-Ch-Changes Didn't wanna have to be a richer man | 0:31:50 | 0:31:55 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:31:55 | 0:31:59 | |
# Ch-Ch-Changes Just wanted to be a better man | 0:31:59 | 0:32:03 | |
# Time may change me | 0:32:03 | 0:32:05 | |
# I can't trace time | 0:32:06 | 0:32:09 | |
# Ah | 0:32:11 | 0:32:12 | |
# Ooh yeah | 0:32:14 | 0:32:16 | |
# I watch the ripples change their size but never leave the stream of warm impermanence | 0:32:19 | 0:32:27 | |
# And so the days float through my eyes | 0:32:27 | 0:32:31 | |
# But still the days seem the same just the same, quite the same | 0:32:31 | 0:32:35 | |
# And these children that you spit on | 0:32:35 | 0:32:39 | |
# As they try to change their worlds | 0:32:39 | 0:32:42 | |
# Ah they're immune to your consultations | 0:32:43 | 0:32:46 | |
# They're quite aware of what they're going through | 0:32:46 | 0:32:50 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:32:50 | 0:32:54 | |
# Ch-Ch-Changes | 0:32:54 | 0:32:56 | |
# Don't tell us to grow up and out of it | 0:32:56 | 0:32:59 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:32:59 | 0:33:02 | |
# Oh Changes You've left us up to our necks in it | 0:33:02 | 0:33:07 | |
# Time may change me | 0:33:07 | 0:33:09 | |
# I can't trace time | 0:33:10 | 0:33:12 | |
# Strange fascination, fascinating me | 0:33:13 | 0:33:18 | |
# Oh changes are taking the pace I'm going through | 0:33:20 | 0:33:26 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:33:26 | 0:33:30 | |
# Ch-ch-ch-ch-Changes Look out you rock 'n' rollers | 0:33:30 | 0:33:34 | |
-# Ch-Ch-Ch-Ch-Changes -Turn and face the strain | 0:33:35 | 0:33:39 | |
# Ch-Ch-Ch-Ch-Changes | 0:33:39 | 0:33:40 | |
# Pretty soon now you're gonna get older | 0:33:40 | 0:33:43 | |
# Time may change me | 0:33:43 | 0:33:45 | |
# But I can't trace time | 0:33:46 | 0:33:48 | |
# I said that time may change me | 0:33:48 | 0:33:52 | |
# I can't trace time. # | 0:33:52 | 0:33:54 | |
SAXOPHONE SOLO | 0:33:57 | 0:34:00 | |
INTRO: "Space Oddity" | 0:34:26 | 0:34:29 | |
# Ground Control to Major Tom | 0:34:56 | 0:34:59 | |
# Ground Control to Major Tom | 0:35:03 | 0:35:07 | |
# Take your protein pills and put your helmet on | 0:35:10 | 0:35:16 | |
# Ground Control to Major Tom | 0:35:18 | 0:35:21 | |
# Commencing countdown, engines on | 0:35:25 | 0:35:29 | |
# Check ignition and may God's love be with you | 0:35:32 | 0:35:38 | |
# This is Ground Control to Major Tom | 0:35:51 | 0:35:55 | |
# You've really made the grade | 0:35:55 | 0:36:00 | |
# And the papers want to know whose shirts you wear | 0:36:00 | 0:36:05 | |
# Now it's time to leave the capsule if you dare | 0:36:07 | 0:36:12 | |
# This is Major Tom to Ground Control | 0:36:14 | 0:36:18 | |
# I'm stepping through the door | 0:36:19 | 0:36:22 | |
# And I'm floating in a most peculiar way | 0:36:23 | 0:36:28 | |
# Oh the stars look very different today | 0:36:30 | 0:36:35 | |
# For here am I sitting in my tin can | 0:36:37 | 0:36:43 | |
# Far above the world | 0:36:44 | 0:36:49 | |
# Planet Earth is blue and there's nothing I can do. # | 0:36:51 | 0:36:57 | |
# Though I'm past 100,000 miles I'm feeling very still | 0:37:27 | 0:37:34 | |
# And I think my spaceship knows which way to go | 0:37:36 | 0:37:41 | |
# Tell my wife I love her very much she knows | 0:37:42 | 0:37:48 | |
# Ground Control to Major Tom | 0:37:50 | 0:37:52 | |
# Your circuit's dead there's something wrong | 0:37:52 | 0:37:56 | |
# Can you hear me, Major Tom? | 0:37:56 | 0:37:59 | |
# Can you hear me, Major Tom? | 0:37:59 | 0:38:02 | |
# Can you hear me, Major Tom? | 0:38:02 | 0:38:06 | |
# Can you...? | 0:38:06 | 0:38:07 | |
# Here am I floating round my tin can | 0:38:07 | 0:38:12 | |
# Far above the Moon | 0:38:13 | 0:38:18 | |
# Planet Earth is blue | 0:38:20 | 0:38:22 | |
# And there's nothing I can do. # | 0:38:22 | 0:38:26 | |
CHEERS AND APPLAUSE | 0:39:00 | 0:39:03 | |
INTRO: "My Death" | 0:39:06 | 0:39:10 | |
# My death waits like an old roue | 0:39:23 | 0:39:29 | |
# So confident I'll go his way | 0:39:31 | 0:39:36 | |
# Whistle to him | 0:39:38 | 0:39:40 | |
# And the passing time... | 0:39:42 | 0:39:44 | |
# My death waits like a Bible truth | 0:39:47 | 0:39:55 | |
# At the funeral of my youth | 0:39:56 | 0:40:01 | |
# We ploughed for that... | 0:40:03 | 0:40:05 | |
# ..and the passing time | 0:40:07 | 0:40:09 | |
# My death waits like a witch at night | 0:40:12 | 0:40:19 | |
# As surely as our love is right | 0:40:21 | 0:40:26 | |
# Let's not think about the passing time | 0:40:28 | 0:40:35 | |
# But whatever lies behind the door | 0:40:37 | 0:40:42 | |
# There is nothing much to do | 0:40:45 | 0:40:48 | |
# Angel or devil, I don't care | 0:40:52 | 0:40:57 | |
# For in front of that door | 0:40:59 | 0:41:02 | |
# There is you | 0:41:04 | 0:41:06 | |
# My death waits like a beggar blind | 0:41:15 | 0:41:21 | |
# Who sees the world through an unlit mind | 0:41:23 | 0:41:28 | |
# Throw him a dime for the passing time | 0:41:30 | 0:41:35 | |
# My death waits there between your thighs | 0:41:38 | 0:41:45 | |
# Your cool fingers will close my eyes | 0:41:47 | 0:41:52 | |
# Let's think of that and the passing time | 0:41:54 | 0:42:00 | |
# My death waits to allow my friends | 0:42:03 | 0:42:10 | |
# A few good times before it ends | 0:42:12 | 0:42:17 | |
# So let's drink to that and the passing time | 0:42:19 | 0:42:26 | |
# But whatever lies behind the door | 0:42:29 | 0:42:33 | |
# There is nothing much to do | 0:42:35 | 0:42:38 | |
# Angel or devil, I don't care | 0:42:43 | 0:42:48 | |
# For in front of that door | 0:42:50 | 0:42:52 | |
# There is you | 0:42:54 | 0:42:57 | |
# My death waits there among the leaves | 0:43:01 | 0:43:08 | |
# In magician's mysterious sleeves | 0:43:09 | 0:43:15 | |
# Rabbits and dogs and the passing time | 0:43:16 | 0:43:20 | |
# My death waits there among the flowers | 0:43:23 | 0:43:31 | |
# Where the blackest shadow blackest shadow cowers | 0:43:33 | 0:43:38 | |
# Let's pick lilacs for the passing time | 0:43:40 | 0:43:46 | |
# My death waits there in a double bed | 0:43:48 | 0:43:56 | |
# Sails of oblivion at my head | 0:43:57 | 0:44:03 | |
# So pull up the sheets against the passing time | 0:44:04 | 0:44:12 | |
# But whatever lies behind the door | 0:44:15 | 0:44:19 | |
# There is nothing much to do | 0:44:21 | 0:44:24 | |
# Angel or devil, I don't care | 0:44:28 | 0:44:33 | |
# For in front of that door | 0:44:35 | 0:44:39 | |
# There is... # | 0:44:39 | 0:44:41 | |
-MAN: -Me! -MORE FANS SHOUT: "Me!" | 0:44:41 | 0:44:44 | |
-GIRLS: -David, me! | 0:44:44 | 0:44:47 | |
Thank you. | 0:44:47 | 0:44:48 | |
LOUD CHEERS | 0:44:48 | 0:44:50 | |
PIANO NOTES STRUCK | 0:44:56 | 0:44:59 | |
How long have we got? | 0:45:06 | 0:45:07 | |
-Anyone in the stalls has got no chance. -Eh? | 0:45:14 | 0:45:17 | |
-Anyone sitting in the stalls has got no chance. -Can't they see anything? | 0:45:17 | 0:45:21 | |
-No, not really. Not unless you stand on somebody. Doesn't matter. -Too bad. | 0:45:21 | 0:45:25 | |
When the end, at the end of that thing... "There is..." And they said, "Me, me, me, me!" | 0:45:25 | 0:45:32 | |
CHATTER AND LAUGHTER | 0:45:34 | 0:45:36 | |
< CLAPPING ALONG TO GUITAR MUSIC | 0:45:41 | 0:45:44 | |
OK, the boys are ready... | 0:45:52 | 0:45:54 | |
INTRO: "Cracked Actor" | 0:45:59 | 0:46:04 | |
# I've come on a few years from my Hollywood highs | 0:46:04 | 0:46:08 | |
# The best of the last, the meanest star they ever had | 0:46:08 | 0:46:11 | |
# Stiff on my legend, the films that I made | 0:46:11 | 0:46:15 | |
# Forget that I'm 50 cause you just got paid | 0:46:15 | 0:46:18 | |
# Crack, baby, crack show me you're real | 0:46:18 | 0:46:21 | |
# Smack, baby, smack is that all that you feel | 0:46:21 | 0:46:25 | |
# Suck, baby, suck give me your head | 0:46:25 | 0:46:29 | |
# Before you start professing that you're knocking me dead. # | 0:46:29 | 0:46:32 | |
# Found yourself a trick down on Sunset and Vine | 0:46:47 | 0:46:50 | |
# But since he pinned you, baby you're a porcupine | 0:46:50 | 0:46:53 | |
# He sold you illusions for a bagful of cheques | 0:46:53 | 0:46:57 | |
# You've made a bad connection cos I just want your sex | 0:46:57 | 0:47:00 | |
-BOTH: -# Crack, baby, crack show me you're real | 0:47:00 | 0:47:04 | |
# Smack, baby, smack is that all that you feel | 0:47:04 | 0:47:07 | |
# Suck baby suck give me your head | 0:47:07 | 0:47:11 | |
# Before you start professing that you're knocking me dead. # | 0:47:11 | 0:47:15 | |
CROWD CHEERS | 0:48:23 | 0:48:25 | |
GIRLS SCREAM | 0:48:35 | 0:48:37 | |
VAUDEVILLIAN PIANO | 0:48:37 | 0:48:41 | |
INTRO: "Time" | 0:48:43 | 0:48:46 | |
# Time - he's waiting in the wings | 0:48:49 | 0:48:53 | |
# He speaks of senseless things | 0:48:54 | 0:48:57 | |
# His script is you and me - boy | 0:48:58 | 0:49:03 | |
# Time - he flexes like a whore | 0:49:04 | 0:49:08 | |
# Falls wanking to the floor | 0:49:08 | 0:49:11 | |
# His script is you and me - boy | 0:49:12 | 0:49:17 | |
# Time - in Quaaludes and red wine | 0:49:18 | 0:49:22 | |
# Demanding Billy Dolls | 0:49:22 | 0:49:25 | |
# And other friends of mine Take your time | 0:49:25 | 0:49:29 | |
# The sniper in the brain regurgitating drain | 0:49:31 | 0:49:37 | |
# Incestuous and vain, and many other last names | 0:49:37 | 0:49:45 | |
# You know I look at my watch it says 9:25 and I think "Oh God I'm still alive" | 0:49:45 | 0:49:51 | |
# We should be on by now | 0:49:53 | 0:49:55 | |
# We should be on by now | 0:49:59 | 0:50:02 | |
# La-la-la-la-la | 0:50:04 | 0:50:08 | |
# La-la-la-la-la | 0:50:08 | 0:50:12 | |
# La-la-la-la-la | 0:50:12 | 0:50:16 | |
# La-la-la-la-la-la-la | 0:50:16 | 0:50:23 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:50:23 | 0:50:30 | |
# You...are not a victim | 0:50:32 | 0:50:35 | |
# You...just scream with boredom | 0:50:35 | 0:50:39 | |
# You...are not evicting time. # | 0:50:39 | 0:50:43 | |
HE PANTS | 0:50:44 | 0:50:47 | |
# Chimes - God damn, you're looking old | 0:51:05 | 0:51:09 | |
# You'll freeze and catch a cold | 0:51:09 | 0:51:12 | |
# Cos you've left your coat behind Take your time | 0:51:12 | 0:51:16 | |
# Breaking up is hard but keeping dark is hateful | 0:51:18 | 0:51:24 | |
# I had so many dreams I made so many breakthroughs | 0:51:24 | 0:51:30 | |
# But you, my love, were kind your love was real but dreamless | 0:51:30 | 0:51:36 | |
# And the door to dreams was closed | 0:51:36 | 0:51:39 | |
# Your park was real dreamless | 0:51:39 | 0:51:42 | |
# Perhaps you're smiling now smiling through this darkness | 0:51:42 | 0:51:48 | |
# But all I had to give was the guilt for dreaming | 0:51:48 | 0:51:53 | |
# We should be on by now | 0:51:58 | 0:51:59 | |
# We should be on by now | 0:52:04 | 0:52:06 | |
# We should be on by now | 0:52:10 | 0:52:12 | |
# La-la-la-la-la-la-la-la | 0:52:14 | 0:52:20 | |
# La-la-la-la-la-la-la-la | 0:52:20 | 0:52:25 | |
# La-la-la-la-la-la-la-la | 0:52:25 | 0:52:32 | |
# La-la-la-la-la-la-la-la-la-la-la-la | 0:52:32 | 0:52:39 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:52:39 | 0:52:45 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:52:45 | 0:52:51 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:52:51 | 0:52:57 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:52:57 | 0:53:01 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:53:01 | 0:53:07 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:53:07 | 0:53:12 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:53:12 | 0:53:19 | |
# La-la-la-la-la-la-la-la-la-la-la | 0:53:19 | 0:53:26 | |
# La-la-la yeah - time! # | 0:53:26 | 0:53:30 | |
INTRO: "The Width Of A Circle" | 0:53:49 | 0:53:53 | |
AUDIENCE CLAPS IN TIME | 0:53:53 | 0:53:57 | |
# In the corner of the morning in the past | 0:54:20 | 0:54:23 | |
# I would sit and blame the master first and last | 0:54:25 | 0:54:28 | |
# All the roads were straight and narrow | 0:54:29 | 0:54:32 | |
# And the prayers were small and yellow | 0:54:32 | 0:54:34 | |
# And the rumour spread that I was aging fast | 0:54:34 | 0:54:37 | |
# Then I ran across a monster who was sleeping by a tree | 0:54:39 | 0:54:43 | |
# Well I looked and frowned cos the monster was...me | 0:54:43 | 0:54:48 | |
# Ha | 0:54:50 | 0:54:51 | |
# Well, I said "Hello" and I said "Hello" | 0:54:54 | 0:54:57 | |
# And I asked "Why not?" and I replied "Dunno" | 0:54:59 | 0:55:02 | |
# So we asked a simple blackbird who was happy as can be | 0:55:04 | 0:55:08 | |
# Well, he laughed insane and quipped "Kahlil Gibran" | 0:55:08 | 0:55:11 | |
# And I cried for all the others till the day was nearly through | 0:55:13 | 0:55:17 | |
# Cos I realised that God's a young...man...too | 0:55:18 | 0:55:25 | |
# Ah just like you | 0:55:26 | 0:55:28 | |
# Just like you | 0:55:29 | 0:55:30 | |
# Oh just like you. # | 0:55:37 | 0:55:39 | |
ROCKING GUITAR | 0:58:18 | 0:58:22 | |
RHYTHMIC DRUM SOLO | 1:01:35 | 1:01:39 | |
WAILING GUITARS AND DRUMS | 1:02:21 | 1:02:25 | |
# Well I said "So long" and I waved bye-bye | 1:02:44 | 1:02:49 | |
# And I smashed my soul and traded my mind | 1:02:49 | 1:02:54 | |
# I got laid by a young bordello | 1:02:54 | 1:02:56 | |
# I was vaguely half asleep | 1:02:56 | 1:02:58 | |
# For which my reputation swept back home in drag | 1:02:58 | 1:03:02 | |
# And the morals of this magic spell | 1:03:03 | 1:03:05 | |
# Negotiates my hide | 1:03:05 | 1:03:08 | |
# When God did take my logic for a ride | 1:03:08 | 1:03:12 | |
# Riding along | 1:03:14 | 1:03:17 | |
# Turn around. # | 1:03:18 | 1:03:20 | |
SOARING GUITAR MELODY | 1:04:29 | 1:04:32 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:04:49 | 1:04:57 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:04:57 | 1:05:01 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:05:05 | 1:05:12 | |
# Oh-oh-oh-oh-oh-oh | 1:05:12 | 1:05:16 | |
# He swallowed his pride and puckered his lips | 1:05:19 | 1:05:23 | |
# He showed me the leather belt round his hips | 1:05:23 | 1:05:26 | |
# You know my knees were shaking my cheeks aflame | 1:05:26 | 1:05:28 | |
# He said "You'll never go down to the Gods again" | 1:05:29 | 1:05:32 | |
# Turn around, go back | 1:05:32 | 1:05:33 | |
# He struck the ground a cavern appeared | 1:05:33 | 1:05:36 | |
# And I smelt the burning pit of fear | 1:05:36 | 1:05:38 | |
# We crashed a thousand yards below | 1:05:39 | 1:05:42 | |
# I said "Do it again, do it again." | 1:05:42 | 1:05:45 | |
# Turn around, go back | 1:05:45 | 1:05:47 | |
# His nebulous body swayed above | 1:05:47 | 1:05:49 | |
# His tongue swollen with devil's love | 1:05:50 | 1:05:52 | |
# The snake and I a venom high | 1:05:53 | 1:05:55 | |
# I said "Do it again, do it again." | 1:05:56 | 1:05:58 | |
# Turn around go back | 1:05:58 | 1:06:00 | |
# Breathe, breathe, breathe deeply | 1:06:00 | 1:06:03 | |
# And I was seething breathing deeply | 1:06:03 | 1:06:05 | |
# Spitting sentry horned and tailed | 1:06:07 | 1:06:11 | |
# Waiting for you...ah you | 1:06:11 | 1:06:15 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:07:04 | 1:07:11 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:07:11 | 1:07:17 | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh | 1:07:20 | 1:07:27 | |
# Oh-oh-oh-oh-oh | 1:07:27 | 1:07:30 | |
# Oh-oh-oh-oh-oh-oh. # | 1:07:31 | 1:07:35 | |
I'd like to introduce you to The Spiders From Mars. | 1:07:49 | 1:07:53 | |
On bass guitar we've got Trevor Bolder. | 1:07:56 | 1:07:58 | |
CHEERS AND APPLAUSE | 1:07:58 | 1:08:01 | |
And on percussive instruments and drums - Woody Woodmansey. | 1:08:03 | 1:08:07 | |
CHEERS | 1:08:07 | 1:08:10 | |
No, it's not Suzi Quatro on lead guitar - we've got Mick Ronson! | 1:08:11 | 1:08:14 | |
LOUD CHEERS | 1:08:14 | 1:08:16 | |
This is for Mick. | 1:08:21 | 1:08:22 | |
INTRO: "Let's Spend The Night Together" | 1:08:23 | 1:08:28 | |
# Don't you worry 'bout what's been on my mind | 1:08:45 | 1:08:48 | |
# I'm in no hurry I can take my time, oh yeah | 1:08:50 | 1:08:55 | |
# My tongue's going red and my mouth's getting dry oh-oh | 1:08:56 | 1:09:01 | |
# I'm out of my head | 1:09:01 | 1:09:03 | |
# I'm h-h-h-high | 1:09:05 | 1:09:06 | |
# Let's spend the night together Now I need you more than ever | 1:09:06 | 1:09:11 | |
# Let's spend the night together now | 1:09:11 | 1:09:15 | |
# I feel so strong that I can't disguise, oh my | 1:09:20 | 1:09:22 | |
# Well, I just won't apologize no | 1:09:25 | 1:09:27 | |
# Don't put me down | 1:09:30 | 1:09:33 | |
# We could have fun just by fooling around and around and around | 1:09:36 | 1:09:40 | |
# Let's spend the night together Now I need you more than ever | 1:09:40 | 1:09:46 | |
# Let's spend the night together now | 1:09:46 | 1:09:49 | |
# You see I'm smiling, baby You need some guiding, baby | 1:09:52 | 1:09:57 | |
# I'm just deciding, baby | 1:09:57 | 1:09:59 | |
# Let's spend the night together Now I need you more than ever | 1:09:59 | 1:10:05 | |
# Let's spend the night together now | 1:10:05 | 1:10:07 | |
# This doesn't happen to me every day oh no no no | 1:10:12 | 1:10:17 | |
# No excuses I've got anyway, oh my my-my-my-my-my | 1:10:18 | 1:10:23 | |
# I'll satisfy your every need You know I will | 1:10:24 | 1:10:27 | |
# And I'll know you'll satisfy me, oh-my-my-my my-my | 1:10:29 | 1:10:34 | |
# Let's spend the night together Now I need you more than ever | 1:10:34 | 1:10:39 | |
# Let's spend the night together Now I need you more than ever | 1:10:39 | 1:10:45 | |
# Let's spend the night together Now I need you more than ever | 1:10:45 | 1:10:50 | |
# Oh they said our love was too young | 1:10:50 | 1:10:54 | |
# That our kind of love was no fun | 1:10:54 | 1:10:57 | |
# But our love comes from above | 1:10:57 | 1:11:00 | |
# Let's do it | 1:11:01 | 1:11:03 | |
# Let's make love | 1:11:04 | 1:11:06 | |
# Ah! | 1:11:08 | 1:11:09 | |
# Oh yeah! | 1:11:12 | 1:11:13 | |
# Let's spend the night together Now I need you more than ever | 1:11:14 | 1:11:19 | |
# Let's spend the night together now. # | 1:11:19 | 1:11:22 | |
MUSIC: "Suffragette City" | 1:11:25 | 1:11:29 | |
-# Hey man! -Oh leave me alone I said, -hey man! -Oh Henry, get off the phone | 1:11:34 | 1:11:39 | |
-# I said, -hey man! -I gotta straighten my face | 1:11:39 | 1:11:43 | |
-# This mellow thighed chick just put my spine out of place I said, -hey man! | 1:11:43 | 1:11:47 | |
# My schooldays insane | 1:11:47 | 1:11:48 | |
-# I said, -hey man, -well my work's down the drain | 1:11:48 | 1:11:51 | |
-# I said, -hey man! -Well she's a total blam-blam | 1:11:51 | 1:11:54 | |
# She said she had to squeeze it but she... and then she... Oh don't lean on me, man | 1:11:54 | 1:11:58 | |
# Cos you can't afford the ticket I'm back on Suffragette City | 1:11:58 | 1:12:02 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:02 | 1:12:06 | |
# I'm back on Suffragette City She's outta sight...she's all right | 1:12:06 | 1:12:12 | |
-# Hey, man! -Henry don't be unkind | 1:12:17 | 1:12:20 | |
-# Hey, man! -I can't take you this time no way | 1:12:20 | 1:12:23 | |
-# Hey, man! -Droogie don't crash here There's only room for one and here she comes and she comes | 1:12:23 | 1:12:28 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:28 | 1:12:31 | |
# I'm back on Suffragette City | 1:12:31 | 1:12:33 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:33 | 1:12:36 | |
# I'm back on Suffragette City She's outta sight... | 1:12:36 | 1:12:40 | |
# ..she's all right yeah | 1:12:42 | 1:12:43 | |
# Suffragette babe | 1:12:44 | 1:12:46 | |
# Oh Ziggy | 1:12:47 | 1:12:48 | |
# Whoo! | 1:12:50 | 1:12:51 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:53 | 1:12:56 | |
# I'm back on Suffragette City | 1:12:56 | 1:12:58 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:12:58 | 1:13:02 | |
# I'm back on Suffragette City | 1:13:02 | 1:13:04 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:13:04 | 1:13:07 | |
# I'm back on Suffragette City | 1:13:07 | 1:13:10 | |
# Oh don't lean on me, man Cos you can't afford the ticket | 1:13:10 | 1:13:13 | |
# I'm back on Suffragette City | 1:13:13 | 1:13:15 | |
# She's outta sight...she's all right yeah | 1:13:16 | 1:13:19 | |
# Suffragette City, Suffragette City | 1:13:20 | 1:13:25 | |
# Oh my! Suffragette City She's all mine | 1:13:25 | 1:13:29 | |
-# Suffragette city! -Oh I wish you were mine! -Suffragette City | 1:13:29 | 1:13:33 | |
-# Oooh-hoo! -Suffragette City! -Oooh-hoo! -Suffragette City! -Oooh-hoo! | 1:13:33 | 1:13:39 | |
# Ohhh! Wham bam thank you, ma'am! | 1:13:45 | 1:13:49 | |
# We're Suffragette City | 1:13:51 | 1:13:52 | |
# Wooo! We're Suffragette City | 1:13:53 | 1:13:55 | |
-# She's all fine. -Suffragette City. | 1:13:55 | 1:13:57 | |
# Oh now I wish you were mine | 1:13:57 | 1:14:00 | |
-# Suffragette City! -Wey-ooo -Suffragette City! -Wey-ooo | 1:14:00 | 1:14:05 | |
-# Suffragette City! -Wey-ooo -Suffragette City! -Wey-ooo | 1:14:05 | 1:14:10 | |
# Suffragette | 1:14:10 | 1:14:12 | |
# Suffragette! # | 1:14:15 | 1:14:17 | |
Thank you! Good night. | 1:14:17 | 1:14:19 | |
Thank you. | 1:14:22 | 1:14:23 | |
-Where's my torch gone? There it is. -> | 1:14:29 | 1:14:32 | |
What's happening now is I've got indigestion. | 1:14:32 | 1:14:34 | |
-..Big belts. -Which is where? -On top of the wardrobe. | 1:14:36 | 1:14:39 | |
OK! Are we ready! | 1:14:45 | 1:14:46 | |
Thank you, very much | 1:14:49 | 1:14:50 | |
I'd like to do a... | 1:14:50 | 1:14:51 | |
..a number by a guy who tonight is in London somewhere making an album. | 1:14:53 | 1:14:57 | |
And I think he's a friend of mine. | 1:14:57 | 1:14:59 | |
Well, anyway, he's one of the best songwriters around today. His name's Lou Reed! | 1:14:59 | 1:15:03 | |
And this is one of his early things. It's called White Light White Heat. | 1:15:03 | 1:15:08 | |
-# White light - -white light gonna drive me out of my brain | 1:15:27 | 1:15:31 | |
-# White light - -white light gonna make me feel so insane | 1:15:31 | 1:15:34 | |
-# White heat - -white shapin' them down to my toes | 1:15:34 | 1:15:37 | |
-# White light - -white light's got it now, goodness knows | 1:15:37 | 1:15:40 | |
-# White light - -white light gonna drive me out of my mind | 1:15:40 | 1:15:44 | |
-# White light - -white light's surely gonna make me blind | 1:15:44 | 1:15:48 | |
-# White heat - -white shaping way down to my toes | 1:15:48 | 1:15:51 | |
-# White light - -white light could kill me now, goodness knows | 1:15:51 | 1:15:54 | |
# Oh, oh, white light | 1:15:54 | 1:15:58 | |
# Oh, oh, white light | 1:16:01 | 1:16:05 | |
# Oh, oh, oh, white heat | 1:16:07 | 1:16:11 | |
# Oh, oh, white heat | 1:16:14 | 1:16:18 | |
-# White light - -white light gonna drive me out of my brain | 1:16:20 | 1:16:23 | |
-# White light - -white light gonna make me feel so insane | 1:16:23 | 1:16:27 | |
-# White heat - -white shapin' them down to my toes | 1:16:27 | 1:16:30 | |
-# White light - -white light's got it now, goodness knows | 1:16:30 | 1:16:34 | |
-# White light - -white light gonna drive me out of my mind | 1:16:34 | 1:16:37 | |
-# White light - -white light's surely gonna make me blind | 1:16:37 | 1:16:41 | |
-# White heat - -white shaping way down to my toes | 1:16:41 | 1:16:44 | |
-# White light - -white light could kill me now, goodness knows | 1:16:44 | 1:16:47 | |
# Oh, oh, white light | 1:16:47 | 1:16:51 | |
# Oh, oh, white light | 1:16:54 | 1:16:58 | |
# Oh, oh, white heat | 1:17:00 | 1:17:04 | |
# Oh, oh, white heat | 1:17:07 | 1:17:11 | |
# Oh, oh, white light | 1:17:39 | 1:17:43 | |
# Oh, oh, white light | 1:17:46 | 1:17:49 | |
# Oh, Oh, oh, oh, white heat | 1:17:52 | 1:17:56 | |
# Oh, oh, oh, oh, white heat | 1:17:59 | 1:18:03 | |
# White light's a-flashing | 1:18:04 | 1:18:05 | |
# White light | 1:18:08 | 1:18:09 | |
# Still feels right | 1:18:10 | 1:18:12 | |
# What's that sound? What's that sound? Don't turn on, be dead or alive | 1:18:15 | 1:18:19 | |
# No feeling | 1:18:21 | 1:18:22 | |
# Here she comes | 1:18:22 | 1:18:24 | |
# Oooh yeah | 1:18:24 | 1:18:26 | |
# Here she comes. # | 1:18:27 | 1:18:28 | |
Thank you! Good night! | 1:18:51 | 1:18:55 | |
RAPTUROUS APPLAUSE | 1:18:55 | 1:18:57 | |
APPLAUSE BUILDS | 1:19:23 | 1:19:26 | |
WHISTLING AND CHEERING | 1:19:39 | 1:19:42 | |
Everybody...this has been...one of the greatest tours of our life, we really... | 1:19:50 | 1:19:57 | |
Ah, of all the shows on this tour, this particular show will remain with us the longest because... | 1:20:00 | 1:20:07 | |
CROWD SCREAMS | 1:20:07 | 1:20:09 | |
not only is it...not only is it the last show of the tour | 1:20:10 | 1:20:14 | |
but it's the last show that we'll ever do. Thank you. | 1:20:14 | 1:20:19 | |
AUDIENCE SCREAMS | 1:20:19 | 1:20:21 | |
INTRO: "Rock 'n' Roll Suicide" | 1:20:23 | 1:20:27 | |
# Time takes a cigarette, puts it in your mouth | 1:20:34 | 1:20:39 | |
# Pull on your finger, then another finger, then your cigarette | 1:20:40 | 1:20:46 | |
# The wall-to-wall is calling, it lingers but still you forget | 1:20:47 | 1:20:53 | |
# Ohhh, you're a rock 'n' roll suicide | 1:20:54 | 1:20:59 | |
# You're too young to lose it | 1:21:01 | 1:21:03 | |
# But you're too old to lose it | 1:21:05 | 1:21:07 | |
# And the clock waits so patiently on your song | 1:21:09 | 1:21:14 | |
# Well you walk past the cafe but you can't eat when you've lived too long | 1:21:15 | 1:21:21 | |
# Oh no no no, you're a rock 'n' roll suicide | 1:21:21 | 1:21:27 | |
# Now the Chev brakes are snarling as you stumble across the road | 1:21:29 | 1:21:35 | |
# But the day breaks instead so you hurry home | 1:21:37 | 1:21:41 | |
# Don't let the sunlight blast your shadow | 1:21:44 | 1:21:47 | |
# Don't let the milk float ride your mind | 1:21:47 | 1:21:51 | |
# You're so natural - religiously unkind | 1:21:51 | 1:21:56 | |
# Oh no, love, you're not alone | 1:21:56 | 1:22:00 | |
# You're watching yourself but you're too unfair | 1:22:01 | 1:22:04 | |
# You got your head all tangled up but if I can only make you care | 1:22:04 | 1:22:12 | |
# Oh no, love, you're not alone | 1:22:12 | 1:22:15 | |
# No matter what or who you've been | 1:22:15 | 1:22:19 | |
# No matter when or where you've seen | 1:22:19 | 1:22:21 | |
# All the knives seem to lacerate your brain | 1:22:22 | 1:22:25 | |
# I've had my share, now I'll help you with the pain | 1:22:25 | 1:22:30 | |
# You're not alone | 1:22:30 | 1:22:32 | |
# Just turn on with me and you're not alone | 1:22:36 | 1:22:40 | |
# Just turn on with me and you're not alone | 1:22:42 | 1:22:46 | |
# Just gimme your hands cos you're wonderful | 1:22:49 | 1:22:54 | |
# I said - gimme your hands cos you're wonderful | 1:22:55 | 1:23:00 | |
# Gimme your hands cos you're wonderful | 1:23:02 | 1:23:07 | |
# It's you | 1:23:08 | 1:23:09 | |
# Gimme your hands cos you're wonderful | 1:23:10 | 1:23:14 | |
-# Gimme your hands - -you're wonderful | 1:23:16 | 1:23:21 | |
-# Gimme your hands - -oh oh oh you're wonderful | 1:23:21 | 1:23:27 | |
# Oh oh oh you're wonderful... | 1:23:29 | 1:23:35 | |
# Cos you're wonderful | 1:23:46 | 1:23:48 | |
# Gimme your ha-a-and | 1:23:49 | 1:23:50 | |
# Cos you're wonderful baby | 1:23:52 | 1:23:53 | |
# Yeah! # | 1:23:55 | 1:23:56 | |
Thank you very much. Bye-bye. We love you. | 1:24:12 | 1:24:14 | |
CHEERS AND APPLAUSE | 1:24:18 | 1:24:21 | |
MUSIC: "Pomp And Circumstance March No 1" by Edward Elgar | 1:24:28 | 1:24:33 | |
MUSIC: "Beethoven Ninth Symphony" | 1:25:29 | 1:25:32 | |
Subtitles by Iain Black Red Bee Media Ltd | 1:25:55 | 1:25:58 | |
E-mail [email protected] | 1:25:58 | 1:26:02 |
Classic rock film documenting David Bowie's last public appearance as his androgynous alter ego Ziggy Stardust. This memorable final concert at the Hammersmith Odeon was filmed by DA Pennebaker, famous for such 1960s rock documentaries as Don't Look Back and Monterey Pop. The 17 songs performed include Changes, Time and Suffragette City.
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