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[rock music]
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‐ ♪ Are you ready
for the show? ♪
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‐ Okay, one, two, three.
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all: "World of Dance."
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‐ [high‐pitched yell]
"World of Dance."
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It's the callback!
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‐ ♪ Are you ready
for the show? ♪
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♪ Y'all ain't never seen
nothing like this before ♪
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‐ Hey!
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Hey!
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‐ What's up, fellas?
‐ Hey, I'm feeling!
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‐ Yeah.
‐ Whoo, let's go!
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‐ Well, listen,
give it all you've got.
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Do not leave anything.
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We're picking four
out of, you know, ten today,
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so leave it all
on the dance floor.
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‐ That thing inside of you that
pushes you that much harder,
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pull that out today, okay?
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‐ Let's go!
20
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all: Let's go!
‐ Whoo!
21
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‐ ♪ Are you ready
for the show? ♪
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♪ Y'all ain't never seen
nothing like this before ♪
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‐ I'm anxious to see.
‐ I wanna see how much
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they took our notes.
‐ Yeah.
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‐ Ladies and gents...
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‐ Who's gonna make it to Duels?
‐ Callback day!
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‐ ♪ Are you ready
for the show? ♪
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‐ We worked so hard for this.
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It's an opportunity
that we got given.
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We need to work.
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‐ ♪ Are you ready
for the show? ♪
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♪ Y'all ain't never seen
nothing like this before ♪
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‐ Whoo!
‐ I'm glad we decided
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to do callbacks this year.
‐ I am too.
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‐ It makes it more like
a real audition process.
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‐ Definitely, definitely,
it gives you a second chance
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to show us whatever you didn't
show us the first time.
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This is your opportunity
to show us you deserve this.
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I love it.
‐ Ten acts, only four slots.
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‐ Six acts are going home.
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‐ ♪ Are you ready
for the show? ♪
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‐ We gotta give it
everything that we got.
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This is it.
This is the moment.
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‐ It's been a lot
of hard work.
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We cannot just
throw that all away.
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‐ We're ready to kill it.
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‐ ♪ Are you ready
for the show? ♪
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♪ Are you ready?
Are you ready for the‐‐ ♪
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‐ Let's get it.
‐ Callbacks!
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‐ Who's up first?
Let's go!
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‐ The Rise is up.
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‐ All right, guys, stand by.
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‐ Intention, story.
Have fun.
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‐ If we do our job,
we walk out of here champs.
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‐ Three, two...
‐ In you go.
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[tense music]
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♪ ♪
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both: There they are!
‐ Let's go.
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‐ Dapper and debonair.
I like it.
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‐ How are you guys feeling?
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‐ Great.
both: Good.
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‐ I'm saying y'all walked
in hella quiet.
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Y'all all right?
‐ Just super excited.
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‐ They're focused, they're
in the zone, I can tell.
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‐ You know, we not even
gonna waste no time.
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Let's get it.
Let's get it.
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‐ Everything now.
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‐ The judges know
what they wanna see.
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They gotta bring it.
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Here we go.
‐ Feel it.
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‐ There you go.
‐ In five, four...
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‐ Exactly right. Feel it.
‐ Three, two.
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[Usher's "OMG" playing]
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‐ ♪ Oh, my ♪
‐ Get it.
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‐ ♪ Baby, let me
love you down ♪
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♪ ♪
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♪ There's so many ways
to love you ♪
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♪ Got me like oh, my gosh ♪
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♪ I'm so in love ♪
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♪ I found you finally,
you make me wanna say ♪
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♪ Oh, oh, oh, oh,
oh, oh, oh, oh, oh ♪
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♪ Oh, oh, oh, oh, oh,
oh, oh, oh, my ♪
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♪ ♪
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♪ Oh ♪
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♪ Baby, you got it all ♪
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♪ Sexy from her head
to her toes ♪
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♪ And I want it all ♪
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♪ And all, and all ♪
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♪ So honey, let me
love you down ♪
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‐ Nice.
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‐ ♪ There's so many ways
to love you ♪
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♪ Baby, I can break it down ♪
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♪ There's so many ways
to love you ♪
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♪ Got me ♪
‐ Come on. Hey!
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‐ ♪ Oh ♪
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♪ Oh, my, my, my, my,
my, my, oh, my gosh ♪
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‐ Whoo!
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[applause]
‐ Nice one.
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‐ Let's go.
‐ All right, fellas.
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‐ All right, boys!
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[cheers and applause]
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‐ All right, fellas.
‐ Yeah!
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‐ He said,
"Yeah, we nailed it."
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‐ Nice, nice, nice, nice.
‐ [singsongy] Nailed it.
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‐ Good job, guys.
‐ Yes.
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Wow, guys, that was compelling.
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I'm impressed.
The routine was really good.
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‐ I can honestly say...
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improvement from the last one
definitely.
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‐ Yeah, this was better
than the first one,
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so well done for that
'cause that's exactly
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what a callback's
all about, right?
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‐ Yeah.
‐ I gotta be honest‐‐
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I like you in front.
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Like, I was paying attention
to the whole thing,
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but I feel like
everything kicked up
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once you took center stage.
‐ Thank you.
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‐ And mind you, taking nothing
from anyone else.
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Everybody has
their own strengths,
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but I feel like
when you're in the front,
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the energy kicks up.
‐ Thank you.
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‐ That's an important note
he just said
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because if we think about
the groups that really did well
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like S‐Rank or The Lab,
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there's always a couple
that stay in the front.
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Everybody else
supports the team.
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And yes, we all get to see you
at some point,
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but you always want the energy,
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whoever carries the energy of
the group, up front and center.
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‐ It's like having
a quarterback, right?
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Quarterback of a football team.
‐ Yeah.
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You don't switch
the quarterback every week.
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all: Yeah.
‐ Right?
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‐ Right, right, right.
‐ Ne‐Yo, what did you think?
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‐ Okay, there was opportunity
for a grand situation,
136
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and it was kind of small.
137
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Like where the wave went
this way, and it ended with...
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[clicks tongue]
And I was like, "Mm..."
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That could've been
so much more.
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That was an opportunity
for something a little bigger.
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I think it's much better
than the first one.
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There's still
some room to grow.
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‐ Here's the thing‐‐
when we're choreographing,
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I'm sure you guys do this,
but it's about, like,
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beating your ideas.
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So it's like
when you do something,
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you gotta ask yourself
as a unit, as a team,
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you go like, "Yo, is that
the best choice we got?"
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‐ For sure. Yeah.
‐ "Or can we do better?"
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You leave everything
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out there...
‐ Mm‐hmm.
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‐ Until you have nothing left
in your arsenal,
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and you're like‐‐
then if you make it through,
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you go, "Okay, now we have
to figure something else out."
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‐ Yeah.
156
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‐ Yeah, you can't,
like, reserve stuff.
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‐ Yeah, don't hold it back.
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‐ That's the only way
you improve.
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‐ Don't wait till next time.
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There might not be a next time.
‐ You might not get it.
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‐ Right.
‐ Might not get it.
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‐ But with that said,
I think the choreography,
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I think your guys' execution
was really solid, really good.
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‐ Yeah, you nailed
at your routine today.
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‐ Thank you,
thank you so much.
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‐ We're gonna put four people
through today,
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so hopefully you guys will
be one of them.
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‐ Yeah.
169
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‐ Great job.
‐ Thank you so much.
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‐ We're gonna bring you guys
back a little later on
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and see what happens.
Appreciate y'all.
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‐ Let's go, fellas.
‐ Thank you, thank you so much.
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‐ ♪ Oh, oh, oh, whoa ♪
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‐ You're absolutely right,
by the way.
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He is the...
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‐ Your eye just naturally
goes to him.
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‐ Yeah.
‐ There are stars of the group,
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and they have to know
who they are,
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and they have to let them
be up front.
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‐ You have to put
your ego aside,
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and put your power
in the front.
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That's what it is.
‐ Yep.
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‐ We left it all out there,
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but we have to just wait.
185
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The judges could
choose anything,
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so that's all we can really do
at this point.
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[hopeful music]
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‐ How y'all feeling?
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‐ Good!
‐ Nervous.
190
00:06:27,888 --> 00:06:29,222
‐ Yeah?
[laughs]
191
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"I was great
until you said that."
192
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[laughter]
193
00:06:32,058 --> 00:06:33,560
"I was great
until you said that."
194
00:06:33,560 --> 00:06:36,521
‐ We are Project 21
from Yorba Linda, California.
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‐ ♪ Let's go ♪
196
00:06:38,231 --> 00:06:39,816
♪ Oh, look at me go, yeah ♪
197
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‐ We're a jazz group, and
we came to "World of Dance"
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to show the world
what we've got.
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‐ ♪ Yeah ♪
200
00:06:45,405 --> 00:06:47,574
‐ I'm very grateful
for a second chance,
201
00:06:47,574 --> 00:06:50,368
and I'm very grateful to be
in front of Ne‐Yo again.
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00:06:50,368 --> 00:06:51,578
[shutter clicking]
203
00:06:51,578 --> 00:06:52,662
‐ Damn, you're sexy, Ne‐Yo.
204
00:06:52,662 --> 00:06:54,122
‐ ♪ Pop, pause, pop ♪
205
00:06:54,122 --> 00:06:57,709
‐ I've had a crush on Ne‐Yo
since I was five years old.
206
00:06:57,709 --> 00:07:00,086
He's very pretty.
‐ Oh, my gosh!
207
00:07:00,086 --> 00:07:02,422
‐ ♪ Look at me go, yeah ♪
208
00:07:02,422 --> 00:07:04,716
‐ In this performance, we have
decided to dance with chairs,
209
00:07:04,716 --> 00:07:06,426
but what comes along
with the chairs
210
00:07:06,426 --> 00:07:08,595
is the possibility
that things can go wrong.
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00:07:08,595 --> 00:07:10,930
♪ ♪
212
00:07:10,930 --> 00:07:13,391
‐ ♪ Yeah, hey ♪
213
00:07:13,391 --> 00:07:15,518
‐ We got props.
‐ Oh, they've got props.
214
00:07:15,518 --> 00:07:17,103
They got props.
215
00:07:17,103 --> 00:07:18,396
‐ Looking like
a group of angels.
216
00:07:18,396 --> 00:07:19,439
I like it.
I like it.
217
00:07:19,439 --> 00:07:21,441
‐ ♪ Go, go ♪
‐ Let's go.
218
00:07:21,441 --> 00:07:23,068
‐ ♪ Ay, boy,
whatcha say, boy? ♪
219
00:07:23,068 --> 00:07:25,070
♪ You tryna play coy
like a Gameboy? ♪
220
00:07:25,070 --> 00:07:27,280
♪ Hit my phone boy,
is you home, boy? ♪
221
00:07:27,280 --> 00:07:29,282
♪ Are you alone boy,
come give me ♪
222
00:07:29,282 --> 00:07:31,284
♪ Got this boy
speaking Spanish, ay Papi ♪
223
00:07:31,284 --> 00:07:34,871
♪ Boy, boy ♪
224
00:07:34,871 --> 00:07:37,165
♪ Boy, make a girl go crazy ♪
225
00:07:37,165 --> 00:07:39,250
‐ ♪ Four, three, two, ow ♪
226
00:07:39,250 --> 00:07:43,296
‐ ♪ Boy, boy, boy ♪
227
00:07:43,296 --> 00:07:44,964
‐ Using a prop is
always your risk,
228
00:07:44,964 --> 00:07:46,257
but I think you paid off
the beginning.
229
00:07:46,257 --> 00:07:48,635
At the end, you guys
were just a little off time.
230
00:07:48,635 --> 00:07:50,136
And I say little,
231
00:07:50,136 --> 00:07:52,097
but those little things count.
‐ Yeah.
232
00:07:52,097 --> 00:07:53,932
‐ The use of the chairs
was actually really good.
233
00:07:53,932 --> 00:07:55,475
I wish your hair was loose.
234
00:07:55,475 --> 00:07:57,310
That would've added
an extra element.
235
00:07:57,310 --> 00:07:59,312
But for me,
this was more in line
236
00:07:59,312 --> 00:08:00,897
with what we're looking for.
237
00:08:00,897 --> 00:08:02,315
‐ Thank you.
‐ Thank you.
238
00:08:02,315 --> 00:08:03,817
‐ It was just enough
of the chair to where
239
00:08:03,817 --> 00:08:06,736
it didn't overpower and
become just about the chairs.
240
00:08:06,736 --> 00:08:08,154
A lot better
than the first one.
241
00:08:08,154 --> 00:08:09,322
both: Thank you.
242
00:08:09,322 --> 00:08:10,407
‐ We'll take a look
at everybody else,
243
00:08:10,407 --> 00:08:11,658
and then we'll bring you back.
244
00:08:11,658 --> 00:08:12,659
all: Thank you.
245
00:08:12,659 --> 00:08:14,744
[upbeat music]
246
00:08:14,744 --> 00:08:16,287
[both vocalizing]
247
00:08:16,287 --> 00:08:19,374
all: Hi, we are
Avant Garde Collective.
248
00:08:19,374 --> 00:08:22,335
‐ And we're a urban dance group
from Amsterdam, Netherlands.
249
00:08:22,335 --> 00:08:24,170
all: Avant Garde.
250
00:08:24,170 --> 00:08:27,340
‐ As sharp as possible.
One, two.
251
00:08:27,340 --> 00:08:29,676
For the qualifier auditions,
252
00:08:29,676 --> 00:08:32,429
we got to showcase our style.
253
00:08:32,429 --> 00:08:34,097
‐ When JLo said no to us,
254
00:08:34,097 --> 00:08:36,433
we were like...
[laughter]
255
00:08:36,433 --> 00:08:39,644
They wanted to see what
we have more to offer.
256
00:08:39,644 --> 00:08:42,272
‐ Four, sharp!
Ooh.
257
00:08:42,272 --> 00:08:44,357
‐ We're doing something
completely Avant Garde.
258
00:08:44,357 --> 00:08:47,485
‐ We get another opportunity to
change Jennifer's mind, I hope.
259
00:08:47,485 --> 00:08:49,529
Let's bring the fire.
‐ Hey.
260
00:08:49,529 --> 00:08:51,489
‐ What's going on, fellas?
‐ Hi.
261
00:08:51,489 --> 00:08:53,033
‐ All right.
Let's see it.
262
00:08:53,033 --> 00:08:56,036
[striking orchestral music]
263
00:08:56,036 --> 00:09:03,084
♪ ♪
264
00:09:25,023 --> 00:09:26,357
‐ Nice.
265
00:09:34,491 --> 00:09:35,575
[applause]
‐ All right.
266
00:09:35,575 --> 00:09:38,536
‐ All right,
all right, all right.
267
00:09:38,536 --> 00:09:41,247
‐ Much better than the
first thing I saw you guys do.
268
00:09:41,247 --> 00:09:42,874
The first one,
I couldn't see you guys
269
00:09:42,874 --> 00:09:44,209
in the competition at all.
270
00:09:44,209 --> 00:09:46,044
Right now, I mean, at least
271
00:09:46,044 --> 00:09:47,587
the whole routine made sense.
272
00:09:47,587 --> 00:09:50,215
And the dancing was better.
I'm impressed.
273
00:09:50,215 --> 00:09:52,509
‐ The dancing didn't seem
as strong to me.
274
00:09:52,509 --> 00:09:54,928
Even though the choreography
was cool, I liked the style,
275
00:09:54,928 --> 00:09:56,596
I liked the fact that
it was classical music,
276
00:09:56,596 --> 00:09:58,431
I'm unsure today, actually.
277
00:09:58,431 --> 00:10:01,392
‐ The part of the routine that
bugged me a little was this.
278
00:10:01,392 --> 00:10:04,062
‐ I liked that.
‐ I didn't.
279
00:10:04,062 --> 00:10:05,522
Honestly liked
your first routine
280
00:10:05,522 --> 00:10:07,440
a little better
than this one as well.
281
00:10:07,440 --> 00:10:09,776
‐ We get it.
‐ I don't know, it's‐‐
282
00:10:09,776 --> 00:10:11,611
‐ Okay.
‐ Yeah.
283
00:10:11,611 --> 00:10:13,238
‐ We have a lot to talk about.
‐ We do.
284
00:10:13,238 --> 00:10:14,405
‐ So we're gonna let you rest.
285
00:10:14,405 --> 00:10:15,782
‐ We'll figure out
what this is gonna be.
286
00:10:15,782 --> 00:10:17,033
Thank you, guys.
Thank you.
287
00:10:17,033 --> 00:10:18,952
Initially, it was like a cool,
288
00:10:18,952 --> 00:10:21,037
kind of different feel,
289
00:10:21,037 --> 00:10:22,288
and then this felt‐‐
290
00:10:22,288 --> 00:10:25,291
‐ Yeah, but not good either.
‐ Contrived.
291
00:10:25,291 --> 00:10:27,752
‐ No, this felt
a little bit more put together.
292
00:10:27,752 --> 00:10:30,797
[funky music]
293
00:10:30,797 --> 00:10:32,632
♪ ♪
294
00:10:32,632 --> 00:10:35,969
‐ Hi, everyone, we are‐‐
all: CBAction.
295
00:10:35,969 --> 00:10:38,847
‐ A street dance group from‐‐
all: Argentina.
296
00:10:42,267 --> 00:10:44,978
‐ We are feeling so grateful
to perform a second time
297
00:10:44,978 --> 00:10:46,563
in front of those judges,
298
00:10:46,563 --> 00:10:49,774
and although this situation
is not the perfect one...
299
00:10:50,984 --> 00:10:54,070
I mean, we were
rehearsing, and...
300
00:10:54,070 --> 00:10:55,238
[eerie tone]
301
00:10:55,238 --> 00:10:57,323
Frederico landed on his knee.
302
00:10:57,323 --> 00:10:59,534
‐ [speaking Spanish]
303
00:11:02,829 --> 00:11:05,707
‐ ♪ We'll be
the last ones dancing ♪
304
00:11:05,707 --> 00:11:08,501
‐ We are bringing something
completely different this time,
305
00:11:08,501 --> 00:11:11,421
something more Latino,
different choreography.
306
00:11:11,421 --> 00:11:13,965
We're turning it from
five people to four people.
307
00:11:13,965 --> 00:11:15,842
We are pretty sure
this is gonna work
308
00:11:15,842 --> 00:11:17,677
to make it past
through the Duels.
309
00:11:17,677 --> 00:11:20,680
‐ ♪ I'll hold you down,
whoo, whoo ♪
310
00:11:20,680 --> 00:11:22,348
‐ I really hope
this works, guys.
311
00:11:22,348 --> 00:11:23,516
‐ It has to.
312
00:11:23,516 --> 00:11:25,810
I mean, we cannot go
back home now.
313
00:11:25,810 --> 00:11:29,689
‐ ♪ We'll be
the last ones dancing ♪
314
00:11:29,689 --> 00:11:31,691
‐ What up, fellas?
‐ CBAction!
315
00:11:31,691 --> 00:11:33,276
‐ Here we go.
‐ Welcome back.
316
00:11:33,276 --> 00:11:35,445
‐ We are way better than
in qualifiers.
317
00:11:35,445 --> 00:11:37,363
Hope you enjoy.
‐ Let's see what you got.
318
00:11:37,363 --> 00:11:38,489
‐ Do it.
319
00:11:38,489 --> 00:11:41,451
‐ ♪ Whoo, whoo ♪
‐ [trills]
320
00:11:41,451 --> 00:11:44,537
‐ ♪ Whoo, whoo,
I'll hold you down ♪
321
00:11:44,537 --> 00:11:46,372
♪ Whoo, whoo, down ♪
322
00:11:46,372 --> 00:11:49,417
♪ I'll hold you down ♪
323
00:11:49,417 --> 00:11:51,377
‐ Hey.
‐ ♪ I'll hold you down ♪
324
00:11:51,377 --> 00:11:54,714
♪ Anytime that you will fall ♪
325
00:11:54,714 --> 00:11:56,382
♪ I'll be there
to pick you up ♪
326
00:11:56,382 --> 00:11:58,301
♪ Whoo, whoo, yeah ♪
327
00:11:58,301 --> 00:12:01,512
♪ I'll hold you down ♪
328
00:12:01,512 --> 00:12:04,349
[laughter]
329
00:12:04,349 --> 00:12:06,059
‐ Jazz hands.
‐ Right?
330
00:12:06,059 --> 00:12:07,477
‐ Yeah.
331
00:12:07,477 --> 00:12:09,896
[cheers and applause]
332
00:12:09,896 --> 00:12:11,064
‐ I love you guys'
partner work.
333
00:12:11,064 --> 00:12:12,899
I think that was really fun.
334
00:12:12,899 --> 00:12:14,859
For me, there's still
some moments where I felt like
335
00:12:14,859 --> 00:12:16,861
it lacked a little bit
of impact throughout.
336
00:12:16,861 --> 00:12:18,738
So I don't know‐‐I'm a little
on the fence right now.
337
00:12:18,738 --> 00:12:20,865
‐ I personally like this one
better than the first one.
338
00:12:20,865 --> 00:12:22,825
You guys are actually
quality dancers,
339
00:12:22,825 --> 00:12:25,203
and the parts that were
supposed to be funny
340
00:12:25,203 --> 00:12:26,412
were actually funny.
341
00:12:26,412 --> 00:12:27,622
‐ You're strong dancers,
342
00:12:27,622 --> 00:12:29,123
you have some
strong formations,
343
00:12:29,123 --> 00:12:30,625
there's some good moments
in there,
344
00:12:30,625 --> 00:12:33,586
but I just‐‐
I'm still not sure.
345
00:12:33,586 --> 00:12:34,837
We're gonna see everybody else,
346
00:12:34,837 --> 00:12:36,256
and then we'll
have you come back.
347
00:12:36,256 --> 00:12:37,382
‐ Thank you very much.
348
00:12:37,382 --> 00:12:38,424
‐ Thank you so much.
‐ Appreciate it.
349
00:12:38,424 --> 00:12:41,594
[upbeat music]
350
00:12:41,594 --> 00:12:42,762
‐ We are the Difference.
351
00:12:42,762 --> 00:12:45,098
a contemporary group
from Chicago, Illinois.
352
00:12:45,098 --> 00:12:48,351
‐ ♪ Friends with you
till the end ♪
353
00:12:48,351 --> 00:12:49,769
‐ In our qualifiers
performance,
354
00:12:49,769 --> 00:12:51,271
Derek, when he was talking
about choreography,
355
00:12:51,271 --> 00:12:53,731
we just have to really focus
on incorporating the story
356
00:12:53,731 --> 00:12:55,566
into the choreography.
‐ Yeah.
357
00:12:55,566 --> 00:12:57,068
‐ They gave us good feedback
358
00:12:57,068 --> 00:12:59,612
for them to be able
to connect to it.
359
00:12:59,612 --> 00:13:02,907
‐ The Difference,
the judges will see you now.
360
00:13:02,907 --> 00:13:06,619
Go, go, go, go.
361
00:13:06,619 --> 00:13:09,622
‐ ♪ Fix you, help you bend,
when it gets tough ♪
362
00:13:09,622 --> 00:13:11,666
‐ Hello there.
‐ Hi, ladies.
363
00:13:11,666 --> 00:13:13,543
‐ Welcome back.
‐ Love you, JLo.
364
00:13:13,543 --> 00:13:16,296
[laughter]
‐ Love you too.
365
00:13:16,296 --> 00:13:18,131
‐ All right, let's see it.
‐ Let's go, ladies.
366
00:13:18,131 --> 00:13:21,384
‐ ♪ Friends, with you
till the end ♪
367
00:13:21,384 --> 00:13:23,928
♪ Fix you, help you bend ♪
368
00:13:23,928 --> 00:13:26,431
♪ When it gets tough ♪
369
00:13:26,431 --> 00:13:29,267
♪ And when you're scared ♪
‐ Nice.
370
00:13:29,267 --> 00:13:31,644
‐ ♪ They're gon' be
right there ♪
371
00:13:31,644 --> 00:13:33,980
♪ So hold onto your friends ♪
372
00:13:33,980 --> 00:13:36,941
♪ Friends ♪
373
00:13:36,941 --> 00:13:38,109
[applause]
374
00:13:38,109 --> 00:13:40,570
‐ I like you guys.
You guys got heart.
375
00:13:40,570 --> 00:13:41,821
‐ That was better even than
what you did
376
00:13:41,821 --> 00:13:43,322
the first time,
and I thought you guys
377
00:13:43,322 --> 00:13:44,991
were great the first time.
‐ Thank you.
378
00:13:44,991 --> 00:13:46,159
‐ You guys are telling
your story,
379
00:13:46,159 --> 00:13:47,493
which I love, by the way.
380
00:13:47,493 --> 00:13:49,662
It's more than just being able
to dance well.
381
00:13:49,662 --> 00:13:51,706
It's being able to really
get that emotion out.
382
00:13:51,706 --> 00:13:54,042
‐ Yeah, what I wanted
to feel and see
383
00:13:54,042 --> 00:13:55,668
was when you guys were, like,
all together dancing.
384
00:13:55,668 --> 00:13:57,920
It was big and powerful
and strong,
385
00:13:57,920 --> 00:13:59,505
but I still love you guys
as dancers.
386
00:13:59,505 --> 00:14:00,840
I think you guys are
all wonderful,
387
00:14:00,840 --> 00:14:02,508
so we'll see what happens.
388
00:14:02,508 --> 00:14:04,761
‐ Well, thank you guys so much.
‐ Thanks, guys.
389
00:14:04,761 --> 00:14:07,305
‐ ♪ We're already
halfway there ♪
390
00:14:07,305 --> 00:14:08,639
‐ Yeah, they do
have heart, though.
391
00:14:08,639 --> 00:14:09,849
They do have,
like, that energy.
392
00:14:09,849 --> 00:14:11,517
‐ When you're talking
about a competition,
393
00:14:11,517 --> 00:14:13,853
heart becomes such
a big part of it.
394
00:14:13,853 --> 00:14:14,854
‐ Yeah.
‐ You know what I mean?
395
00:14:14,854 --> 00:14:16,689
Because in a long race,
396
00:14:16,689 --> 00:14:18,524
the heart will win talent,
397
00:14:18,524 --> 00:14:21,194
so you can't count them out
is all I'm saying.
398
00:14:21,194 --> 00:14:23,529
‐ No, definitely not.
‐ This is gonna be hard.
399
00:14:23,529 --> 00:14:26,991
‐ ♪ We're already
halfway there ♪
400
00:14:33,706 --> 00:14:35,026
‐ We were given
this second chance.
401
00:14:35,083 --> 00:14:36,459
We gotta use it, okay?
402
00:14:36,459 --> 00:14:38,628
We gotta leave everything
we have on that dance floor.
403
00:14:38,628 --> 00:14:41,672
Hey, we're GRVMNT, a hip‐hop
crew from Vancouver, Canada.
404
00:14:41,672 --> 00:14:43,883
‐ ♪ We're still on ♪
405
00:14:43,883 --> 00:14:47,053
‐ Yeah, I was really hoping
for more yeses.
406
00:14:47,053 --> 00:14:48,888
‐ We just gotta give it
everything for this one
407
00:14:48,888 --> 00:14:52,225
to show Derek and Ne‐Yo
that we deserve that yes.
408
00:14:52,225 --> 00:14:54,560
‐ We have to work on hitting
all the big climaxes
409
00:14:54,560 --> 00:14:57,021
in the music, and we gotta
step up our facials on it,
410
00:14:57,021 --> 00:14:58,898
we gotta step up
the body waving.
411
00:14:58,898 --> 00:15:01,067
‐ Slow.
‐ Shoulders, shoulders.
412
00:15:01,067 --> 00:15:03,069
‐ We definitely do feel
a little pressure
413
00:15:03,069 --> 00:15:04,403
going into this
next performance.
414
00:15:04,403 --> 00:15:07,073
I forgot many of the changes.
415
00:15:07,073 --> 00:15:08,741
We're probably gonna end up
doing this routine
416
00:15:08,741 --> 00:15:10,034
till you can't get it wrong
417
00:15:10,034 --> 00:15:12,370
instead of doing it
until you get it right.
418
00:15:12,370 --> 00:15:15,039
Breathe in, breathe out.
[all breathe deeply]
419
00:15:15,039 --> 00:15:17,583
‐ Okay, stand by, guys.
And in you come.
420
00:15:17,583 --> 00:15:21,170
all: [chanting]
G‐R‐V‐M‐N‐T, G‐R‐V‐M‐N‐T.
421
00:15:21,170 --> 00:15:24,382
G‐R‐V‐M‐N‐T,
G‐R‐V‐M‐N‐T.
422
00:15:24,382 --> 00:15:25,842
‐ Hey, hey!
‐ GRVMNT!
423
00:15:25,842 --> 00:15:27,385
‐ Hey!
‐ Let's go.
424
00:15:27,385 --> 00:15:28,678
You already got me
out of my seat.
425
00:15:28,678 --> 00:15:29,929
‐ What's going on?
‐ All right, baby.
426
00:15:29,929 --> 00:15:31,097
Are you ready
for your callback?
427
00:15:31,097 --> 00:15:32,932
‐ Yes.
‐ Worked all night?
428
00:15:32,932 --> 00:15:35,768
‐ A lot, yeah, we worked
till 2:00 a. m. last night.
429
00:15:35,768 --> 00:15:37,186
‐ That's what I like to hear.
430
00:15:37,186 --> 00:15:38,271
‐ Do you remember
the notes we gave you?
431
00:15:38,271 --> 00:15:39,355
all: Yes.
432
00:15:39,355 --> 00:15:40,356
‐ What was one
of the biggest notes
433
00:15:40,356 --> 00:15:41,524
that stood out?
‐ The grooving‐‐
434
00:15:41,524 --> 00:15:42,900
we didn't earn our grooving.
435
00:15:42,900 --> 00:15:45,403
You want it to be‐‐actually
feel like grooving,
436
00:15:45,403 --> 00:15:46,946
not just moving slow.
‐ Mm‐hmm.
437
00:15:46,946 --> 00:15:49,115
‐ You also said we were
missing the 20%,
438
00:15:49,115 --> 00:15:50,616
and I really hope we can
show you that we have it.
439
00:15:50,616 --> 00:15:52,577
‐ This is it.
‐ Okay, let's see it, guys.
440
00:15:52,577 --> 00:15:54,287
‐ This is it, guys.
both: Let's go.
441
00:15:54,287 --> 00:15:55,454
‐ Last chance.
442
00:15:55,454 --> 00:15:56,497
‐ Let's earn it!
Let's earn it!
443
00:15:56,497 --> 00:15:58,457
‐ Let's go.
‐ Let's go, baby.
444
00:15:58,457 --> 00:16:00,418
[hip‐hop music]
445
00:16:00,418 --> 00:16:02,795
‐ ♪ Yeah ♪
‐ Let's go.
446
00:16:02,795 --> 00:16:04,714
‐ ♪ Let's freakin' lose it ♪
447
00:16:04,714 --> 00:16:06,799
‐ ♪ One, two ♪
448
00:16:06,799 --> 00:16:10,261
♪ One, two, three, go ♪
449
00:16:10,261 --> 00:16:12,763
‐ ♪ Get outta your mind ♪
‐ Hey.
450
00:16:12,763 --> 00:16:14,891
‐ ♪ Get outta your mind,
what? ♪
451
00:16:14,891 --> 00:16:16,475
♪ Get outta your mind,
what? ♪
452
00:16:16,475 --> 00:16:18,644
♪ Hey, hey, hey,
get outta your mind ♪
453
00:16:18,644 --> 00:16:20,229
♪ I'm a semitruck ♪
‐ Yup.
454
00:16:20,229 --> 00:16:21,606
‐ ♪ Don't mess ♪
‐ Yeah.
455
00:16:21,606 --> 00:16:22,982
‐ ♪ Outta control
like a bull ♪
456
00:16:22,982 --> 00:16:24,442
♪ Out the gate ♪
‐ Yup, nice.
457
00:16:24,442 --> 00:16:26,402
‐ ♪ Get drunk or get
the [...] out the way ♪
458
00:16:26,402 --> 00:16:28,613
♪ We get bananas like
a group full of apes, hoo ♪
459
00:16:28,613 --> 00:16:31,115
♪ I done lost it ♪
‐ Come on.
460
00:16:31,115 --> 00:16:33,284
‐ ♪ I'm over here...
in the mosh pit ♪
461
00:16:33,284 --> 00:16:34,994
♪ Throwin' elbows ♪
‐ Whoo.
462
00:16:34,994 --> 00:16:36,329
‐ ♪ Scuffin' shell‐toes,
yeah ♪
463
00:16:36,329 --> 00:16:39,040
♪ Is that [...] dead? ♪
[vocalizing]
464
00:16:39,040 --> 00:16:42,501
♪ Get outta your mind,
get outta your mind ♪
465
00:16:42,501 --> 00:16:45,254
♪ Hey, get outta your mind,
what? ♪
466
00:16:45,254 --> 00:16:48,633
♪ Hey, hey, hey, hey,
hey, hey, hey ♪
467
00:16:48,633 --> 00:16:50,843
♪ Outta, outta your mind ♪
‐ Okay.
468
00:16:50,843 --> 00:16:52,762
‐ ♪ Outta, outta your mind,
what? ♪
469
00:16:52,762 --> 00:16:55,097
♪ Get, get, outta your mind,
what? ♪
470
00:16:55,097 --> 00:16:57,516
♪ Hey, hey, hey ♪
‐ The front!
471
00:16:57,516 --> 00:16:59,268
‐ ♪ I don't give a what ♪
‐ Hey!
472
00:16:59,268 --> 00:17:01,312
Come on!
‐ Oh.
473
00:17:01,312 --> 00:17:03,522
‐ Whoo!
‐ [laughs]
474
00:17:03,522 --> 00:17:05,149
‐ Let's go!
‐ Let's go, buddy.
475
00:17:05,149 --> 00:17:07,109
‐ ♪ Let's freakin' lose it ♪
476
00:17:07,109 --> 00:17:09,528
♪ ♪
477
00:17:09,528 --> 00:17:11,697
♪ Get, get, get, get,
get outta your mind, what? ♪
478
00:17:11,697 --> 00:17:14,617
[all grunt, huffing]
479
00:17:14,617 --> 00:17:16,285
‐ Hey!
‐ Whoo!
480
00:17:16,285 --> 00:17:18,371
[cheers and applause]
481
00:17:18,371 --> 00:17:20,414
‐ That's how you start it.
That's how you start it.
482
00:17:20,414 --> 00:17:22,667
‐ All right, guys.
‐ Nice, nice.
483
00:17:22,667 --> 00:17:25,044
‐ Yo. Nice, guys.
‐ I like what I saw.
484
00:17:25,044 --> 00:17:26,212
‐ Nice.
‐ Good job, team.
485
00:17:26,212 --> 00:17:27,505
‐ That's what you have
to come with
486
00:17:27,505 --> 00:17:28,965
every single time
you come in here,
487
00:17:28,965 --> 00:17:31,467
and you have to realize
it just gets harder from here.
488
00:17:31,467 --> 00:17:33,135
So we have to put you
through this,
489
00:17:33,135 --> 00:17:34,720
we have to put you through this
490
00:17:34,720 --> 00:17:37,181
because you're just not gonna
be able to hang with everybody.
491
00:17:37,181 --> 00:17:38,558
That was much better.
492
00:17:38,558 --> 00:17:40,560
You still have a ways to go‐‐
I'ma be honest with you‐‐
493
00:17:40,560 --> 00:17:43,563
But there was so much
good stuff in there.
494
00:17:43,563 --> 00:17:45,690
You guys should be
really, really proud.
495
00:17:45,690 --> 00:17:47,692
‐ Thank you so much.
‐ Really proud for working
496
00:17:47,692 --> 00:17:49,235
that hard till 2:00
in the morning.
497
00:17:49,235 --> 00:17:50,736
Next time, 4:00 in the morning.
498
00:17:50,736 --> 00:17:52,530
Next time, 6:00
in the morning‐‐
499
00:17:52,530 --> 00:17:54,490
whatever it takes.
‐ Whatever it takes.
500
00:17:54,490 --> 00:17:55,908
‐ You know what I mean?
501
00:17:55,908 --> 00:17:57,910
‐ Yo, though, I love
those transition.
502
00:17:57,910 --> 00:17:59,745
I thought those were fantastic.
‐ The transitions were great.
503
00:17:59,745 --> 00:18:01,789
‐ So clean and so active.
504
00:18:01,789 --> 00:18:03,416
‐ Thank you.
‐ My man right here.
505
00:18:03,416 --> 00:18:05,418
[cheering]
506
00:18:05,418 --> 00:18:07,920
This is the energy everybody
needs to match from now on.
507
00:18:07,920 --> 00:18:09,380
‐ Yep.
‐ My man right here,
508
00:18:09,380 --> 00:18:11,257
when he stepped forward and
gave that little "aye."
509
00:18:11,257 --> 00:18:13,050
all: Yeah.
510
00:18:13,050 --> 00:18:14,719
‐ That's the energy
that I need from everybody
511
00:18:14,719 --> 00:18:15,928
every single time.
512
00:18:15,928 --> 00:18:17,096
‐ And play
to each other's strengths.
513
00:18:17,096 --> 00:18:18,347
‐ Kudos, brother, kudos.
You did that.
514
00:18:18,347 --> 00:18:19,849
‐ When you guys
are choreographing,
515
00:18:19,849 --> 00:18:21,726
make sure that
whoever comes up front
516
00:18:21,726 --> 00:18:23,102
is the one
who's killing it the most.
517
00:18:23,102 --> 00:18:26,272
What we do at my shows,
we have everybody come up,
518
00:18:26,272 --> 00:18:28,107
and we see
who does it the best.
519
00:18:28,107 --> 00:18:30,067
Whoever does it the best
gets in the front.
520
00:18:30,067 --> 00:18:32,111
Nobody just gets in the front
to get in the front.
521
00:18:32,111 --> 00:18:35,114
You understand what I'm saying?
How do you win?
522
00:18:35,114 --> 00:18:37,783
How do you win?
That's what you want, okay?
523
00:18:37,783 --> 00:18:38,951
‐ Okay, guys.
‐ Great job.
524
00:18:38,951 --> 00:18:40,620
‐ Well done.
Great job.
525
00:18:40,620 --> 00:18:42,079
‐ Thank you.
‐ Bye‐bye.
526
00:18:42,079 --> 00:18:43,664
‐ Yeah, good job, guys.
‐ Whoo!
527
00:18:43,664 --> 00:18:45,416
‐ We know we did
the best that we could,
528
00:18:45,416 --> 00:18:48,210
so all we can do now
is just‐‐is hope.
529
00:18:48,210 --> 00:18:50,129
‐ Here's what's great
about a callback is that
530
00:18:50,129 --> 00:18:53,132
you feel like they like you,
but you feel it slipping away.
531
00:18:53,132 --> 00:18:54,592
‐ Oh, yeah, yeah.
‐ You know what I mean?
532
00:18:54,592 --> 00:18:57,303
‐ Which, depending on
what kind of dancer you are,
533
00:18:57,303 --> 00:18:58,804
it's gonna make you go
that much harder,
534
00:18:58,804 --> 00:19:00,056
or gonna make you pull back
535
00:19:00,056 --> 00:19:01,432
into the shell.
‐ Or not, or not.
536
00:19:01,432 --> 00:19:02,642
You know what I mean?
‐ You're like, "Ah."
537
00:19:02,642 --> 00:19:05,645
‐ Pumpfidence up next.
538
00:19:05,645 --> 00:19:07,938
[cheers and applause]
‐ ♪ Oh ♪
539
00:19:07,938 --> 00:19:09,607
‐ All right, ladies.
All right, let's get it.
540
00:19:09,607 --> 00:19:12,443
‐ We are‐‐
all: Pumpfidence.
541
00:19:12,443 --> 00:19:15,988
‐ A heels group from‐‐
all: Los Angeles, California.
542
00:19:15,988 --> 00:19:17,782
‐ ♪ Always gotta
take the lead ♪
543
00:19:17,782 --> 00:19:21,077
‐ I put this heel on,
and I was like, "Ah."
544
00:19:21,077 --> 00:19:22,244
‐ ♪ Make it ♪
545
00:19:22,244 --> 00:19:23,496
‐ The shoes are high,
546
00:19:23,496 --> 00:19:25,498
and I feel like it
got in the way.
547
00:19:25,498 --> 00:19:27,500
Come back with an inch lower
548
00:19:27,500 --> 00:19:29,835
and see how much
of a difference it made.
549
00:19:29,835 --> 00:19:31,921
‐ ♪ Oh, serve ♪
550
00:19:31,921 --> 00:19:33,089
‐ We love JLo so much.
551
00:19:33,089 --> 00:19:35,299
We wanna show her
that we deserve her love
552
00:19:35,299 --> 00:19:37,677
and adoration and support.
553
00:19:37,677 --> 00:19:39,470
‐ ♪ Give me side eyes,
but you're following me ♪
554
00:19:39,470 --> 00:19:40,680
♪ ♪
555
00:19:40,680 --> 00:19:44,183
[suspenseful tones]
556
00:19:44,183 --> 00:19:46,185
‐ Pumpfidence, let's go.
557
00:19:46,185 --> 00:19:48,854
‐ Yes! They're back.
‐ Hey.
558
00:19:48,854 --> 00:19:51,148
‐ How are you guys doing?
‐ We're doing good.
559
00:19:51,148 --> 00:19:52,358
‐ Up late last night?
560
00:19:52,358 --> 00:19:54,360
‐ The shoemakers were up
late last night.
561
00:19:54,360 --> 00:19:57,154
We took an inch off.
It made a big difference.
562
00:19:57,154 --> 00:19:58,989
We feel very good.
‐ Yeah, you guys ready?
563
00:19:58,989 --> 00:20:01,033
‐ Yes.
‐ Let's do it.
564
00:20:01,033 --> 00:20:03,869
‐ I'm nervous for everyone.
‐ Let's go, ladies.
565
00:20:03,869 --> 00:20:05,996
‐ In three, two.
566
00:20:05,996 --> 00:20:09,041
[Jennifer Lopez's "Love
Don't Cost a Thing" playing]
567
00:20:09,041 --> 00:20:11,127
‐ ♪ Think you gotta keep me
iced, you don't ♪
568
00:20:11,127 --> 00:20:14,004
♪ Think I'm gonna spend
your cash, I won't ♪
569
00:20:14,004 --> 00:20:18,676
♪ Even if you were broke,
my love don't cost a thing ♪
570
00:20:18,676 --> 00:20:20,845
♪ Think I wanna drive
your Benz, I don't ♪
571
00:20:20,845 --> 00:20:22,388
‐ Hey.
572
00:20:22,388 --> 00:20:24,223
‐ ♪ If I wanna floss,
I got my own ♪
573
00:20:24,223 --> 00:20:27,893
♪ Even if you were broke,
my love don't cost a thing ♪
574
00:20:27,893 --> 00:20:30,563
♪ When you roll up
in the Escalade ♪
575
00:20:30,563 --> 00:20:32,732
♪ Saw that truck you gave
to the valet ♪
576
00:20:32,732 --> 00:20:35,401
♪ Knew that it was game
when you looked at me ♪
577
00:20:35,401 --> 00:20:37,737
♪ Pulling up your sleeve so
I could see the Rollie bling ♪
578
00:20:37,737 --> 00:20:40,239
♪ Saw you later
in the corner booth ♪
579
00:20:40,239 --> 00:20:42,742
♪ Raising up a toast
so I would notice you ♪
580
00:20:42,742 --> 00:20:45,035
♪ But your heart's a mess,
think you oughta know ♪
581
00:20:45,035 --> 00:20:47,913
♪ Doesn't matter if you're
balling out of control ♪
582
00:20:47,913 --> 00:20:51,959
♪ All that matters is
that you treat me right ♪
583
00:20:51,959 --> 00:20:54,754
♪ Give me all
the things I need ♪
584
00:20:54,754 --> 00:20:57,423
♪ That money can't buy, yeah ♪
585
00:20:57,423 --> 00:20:59,842
‐ Oh, okay.
‐ Good job.
586
00:20:59,842 --> 00:21:02,762
[applause]
587
00:21:02,762 --> 00:21:03,763
‐ Yes, yes.
588
00:21:03,763 --> 00:21:05,097
‐ There was a lot in there
589
00:21:05,097 --> 00:21:06,515
that was so much better
than last time.
590
00:21:06,515 --> 00:21:08,392
Obviously, the shoes made
a big difference for me.
591
00:21:08,392 --> 00:21:09,769
Choreography, to me,
592
00:21:09,769 --> 00:21:11,604
was a lot better,
song was great!
593
00:21:11,604 --> 00:21:14,398
‐ Wait, what that your song?
‐ I'm glad you like it.
594
00:21:14,398 --> 00:21:15,858
[laughter]
‐ Was that her song?
595
00:21:15,858 --> 00:21:17,568
‐ What about you guys?
‐ Yeah.
596
00:21:17,568 --> 00:21:19,695
I think for me again, I think
there was a few moments
597
00:21:19,695 --> 00:21:21,864
in there where, to me,
you guys weren't together.
598
00:21:21,864 --> 00:21:23,532
But I did think also, though,
599
00:21:23,532 --> 00:21:25,367
it was better
than the first round.
600
00:21:25,367 --> 00:21:27,244
‐ I still feel like
there's room to grow.
601
00:21:27,244 --> 00:21:29,497
There's room for improvement.
‐ Always, absolutely.
602
00:21:29,497 --> 00:21:30,831
‐ Well, here's what I'll say‐‐
603
00:21:30,831 --> 00:21:32,833
if this is something
that you really want,
604
00:21:32,833 --> 00:21:35,753
make sure you're planning it
out for a while.
605
00:21:35,753 --> 00:21:36,921
You know what I mean?
606
00:21:36,921 --> 00:21:38,297
Because if you're
gonna really be a group
607
00:21:38,297 --> 00:21:40,382
that comes here to try to
compete for a million dollars,
608
00:21:40,382 --> 00:21:43,803
it's got to be a group
that gels together.
609
00:21:43,803 --> 00:21:46,222
As much as I love
how strong you guys are,
610
00:21:46,222 --> 00:21:48,140
and I love how beautiful
and sexy you are,
611
00:21:48,140 --> 00:21:49,809
it's something that
we have to look at really
612
00:21:49,809 --> 00:21:51,644
as competing
with everybody else.
613
00:21:51,644 --> 00:21:55,147
But I really am proud of you.
614
00:21:55,147 --> 00:21:57,233
‐ [quietly] Thank you.
615
00:21:57,233 --> 00:22:00,152
Thank you so much.
[indistinct]
616
00:22:00,152 --> 00:22:02,822
‐ Yes, you guys
are awesome seriously,
617
00:22:02,822 --> 00:22:04,281
and what you're about
is awesome.
618
00:22:04,281 --> 00:22:05,825
‐ And the good news is that
we're picking four
619
00:22:05,825 --> 00:22:07,409
out of ten today.
‐ Yeah, we have four.
620
00:22:07,409 --> 00:22:08,619
You never know.
‐ So we honestly don't know
621
00:22:08,619 --> 00:22:10,120
what's gonna happen, all right?
‐ Yeah.
622
00:22:10,120 --> 00:22:11,831
‐ So thank you ladies, bye.
‐ Thank you ladies.
623
00:22:11,831 --> 00:22:14,041
[upbeat music]
624
00:22:14,041 --> 00:22:16,502
‐ First of all,
they were sparkly.
625
00:22:16,502 --> 00:22:18,838
‐ Super sparkly.
‐ I am now sparkly too.
626
00:22:18,838 --> 00:22:20,840
I have all the confidence
in the world now.
627
00:22:20,840 --> 00:22:22,466
‐ Can we just talk
about that hug real quick?
628
00:22:22,466 --> 00:22:24,677
[cheering]
‐ I'm so jealous.
629
00:22:24,677 --> 00:22:28,013
‐ ♪ My love
don't cost a thing ♪
630
00:22:28,013 --> 00:22:31,433
‐ ♪ My love cost this ring ♪
631
00:22:31,433 --> 00:22:33,602
‐ It don't cost a thing.
You can't buy me.
632
00:22:33,602 --> 00:22:35,479
‐ Mm‐mm.
‐ I could buy this myself.
633
00:22:35,479 --> 00:22:36,689
‐ Tell him.
634
00:22:36,689 --> 00:22:38,941
A little louder
for the folks in the back.
635
00:22:38,941 --> 00:22:40,025
‐ Yeah.
[laughs]
636
00:22:47,283 --> 00:22:48,263
[percussive music]
637
00:22:48,617 --> 00:22:49,785
‐ By the way, you've been
wearing sparkles
638
00:22:49,785 --> 00:22:50,870
since you were about five.
639
00:22:50,870 --> 00:22:52,371
Sparkly outfits.
‐ Yes. True.
640
00:22:52,371 --> 00:22:55,249
And you get mad when people
don't come in here sparkly.
641
00:22:55,249 --> 00:22:57,626
‐ I'm like, "It's true."
‐ You're very fashionable.
642
00:22:57,626 --> 00:22:59,003
Don't try to act
like you're not
643
00:22:59,003 --> 00:23:01,630
just because you like
to do outdoorsy things.
644
00:23:01,630 --> 00:23:03,382
[laughter]
645
00:23:03,382 --> 00:23:04,884
‐ I'm actually shocked
you don't wear
646
00:23:04,884 --> 00:23:06,719
more sparkles
in your regular wardrobe.
647
00:23:06,719 --> 00:23:08,053
‐ You know what's funny?
648
00:23:08,053 --> 00:23:10,014
There was a time when
I tried to get away from it.
649
00:23:10,014 --> 00:23:11,557
I was like, "No, no sparkles."
‐ Right.
650
00:23:11,557 --> 00:23:13,726
‐ And then, I look at that time
as a very dark time in my life.
651
00:23:13,726 --> 00:23:17,146
‐ Yeah, it is a dark time.
Everybody needs sparkles.
652
00:23:17,146 --> 00:23:18,731
‐ Stars are meant
to shine, Derek.
653
00:23:18,731 --> 00:23:20,316
‐ That's right.
[laughter]
654
00:23:20,316 --> 00:23:23,903
[hip‐hop music]
655
00:23:23,903 --> 00:23:25,237
‐ Guys, this is
our last chance.
656
00:23:25,237 --> 00:23:26,655
‐ Yeah.
‐ We gotta make it count.
657
00:23:26,655 --> 00:23:28,324
So we're Show Stopper, Miami.
658
00:23:28,324 --> 00:23:30,326
‐ ♪ Let's go ♪
659
00:23:30,326 --> 00:23:32,244
♪ Shake your body,
shake your body ♪
660
00:23:32,244 --> 00:23:35,122
‐ [vocalizing]
661
00:23:35,122 --> 00:23:37,458
In our qualifier performance,
one thing we nailed
662
00:23:37,458 --> 00:23:38,751
was our passion.
663
00:23:38,751 --> 00:23:39,877
‐ But we did receive
664
00:23:39,877 --> 00:23:41,211
some very constructive
feedback.
665
00:23:41,211 --> 00:23:43,589
You know, they mentioned things
about musicality,
666
00:23:43,589 --> 00:23:45,424
about clarity of movement,
667
00:23:45,424 --> 00:23:47,551
and about creating
more moments.
668
00:23:47,551 --> 00:23:49,219
‐ Let's do it from da, da, da.
669
00:23:49,219 --> 00:23:51,430
‐ We feel really excited
about getting a callback
670
00:23:51,430 --> 00:23:53,849
because it's another
opportunity to really showcase
671
00:23:53,849 --> 00:23:55,392
what we can bring to the table.
672
00:23:55,392 --> 00:23:57,436
‐ ♪ Shake your body,
shake your body ♪
673
00:23:57,436 --> 00:23:59,855
♪ Shake your body,
go, go, go ♪
674
00:23:59,855 --> 00:24:01,106
‐ All right, ladies,
about minute
675
00:24:01,106 --> 00:24:02,191
until we send you in, okay?
676
00:24:02,191 --> 00:24:03,943
‐ Show Stopper.
‐ Let's go.
677
00:24:03,943 --> 00:24:05,778
‐ In you go.
‐ Come on, y'all.
678
00:24:05,778 --> 00:24:07,529
‐ Let's go.
Let's go.
679
00:24:07,529 --> 00:24:09,114
‐ Oh!
680
00:24:09,114 --> 00:24:11,116
‐ All right, Show Stopper,
front and center.
681
00:24:11,116 --> 00:24:12,868
Let's go!
Let's go!
682
00:24:12,868 --> 00:24:15,120
We are bright.
‐ Wow.
683
00:24:15,120 --> 00:24:16,330
‐ I like it.
684
00:24:16,330 --> 00:24:18,248
‐ Do you feel confident?
‐ Yes, ready.
685
00:24:18,248 --> 00:24:21,627
‐ Let's get it going.
‐ Let's go, ladies.
686
00:24:21,627 --> 00:24:24,630
‐ Very stressful.
Anything can go wrong.
687
00:24:24,630 --> 00:24:26,048
‐ Three, two.
688
00:24:26,048 --> 00:24:28,133
‐ ♪ No gyal can tell me
'bout my mother ♪
689
00:24:28,133 --> 00:24:30,594
♪ ♪
690
00:24:30,594 --> 00:24:32,721
♪ No gyal can tell me
'bout my mother ♪
691
00:24:32,721 --> 00:24:34,098
‐ Whoo!
‐ ♪ 16 shot ♪
692
00:24:34,098 --> 00:24:35,641
♪ We go longer than a ladder ♪
693
00:24:35,641 --> 00:24:37,935
♪ Dem nuh fi talk,
we go shotta any bluddah ♪
694
00:24:37,935 --> 00:24:39,061
♪ Rah‐ta, rah‐ta ♪
695
00:24:39,061 --> 00:24:40,312
♪ Ka‐kah, ka‐kah, ka‐kah ♪
696
00:24:40,312 --> 00:24:41,981
♪ Rah‐ka‐ka‐ka‐ka‐rahh,
5 shot ♪
697
00:24:41,981 --> 00:24:43,607
♪ Fi anybody
what think dem hard ♪
698
00:24:43,607 --> 00:24:44,817
♪ Straight ♪
699
00:24:44,817 --> 00:24:46,151
♪ Head tump,
ya must drop ♪
700
00:24:46,151 --> 00:24:48,320
♪ If you hit up
the Da‐Da‐Da‐Don ♪
701
00:24:48,320 --> 00:24:49,655
‐ Don't dip.
Don't dip.
702
00:24:49,655 --> 00:24:52,825
‐ ♪ Gon' hit you
wherever you are ♪
703
00:24:52,825 --> 00:24:54,827
♪ No gyal can tell me
'bout my mother ♪
704
00:24:54,827 --> 00:24:56,996
♪ 16 shot, we go longer
than a ladder ♪
705
00:24:56,996 --> 00:24:59,540
♪ Dem nuh fi talk
'bout the real don dada ♪
706
00:24:59,540 --> 00:25:02,167
♪ ♪
707
00:25:02,167 --> 00:25:04,503
♪ No gyal can tell me
'bout my mother ♪
708
00:25:04,503 --> 00:25:05,838
♪ 16 shot ♪
709
00:25:05,838 --> 00:25:07,339
♪ We go longer than a ladder ♪
‐ Whoo!
710
00:25:07,339 --> 00:25:09,299
‐ ♪ Dem nuh fi talk
'bout the real don dada ♪
711
00:25:09,299 --> 00:25:12,177
♪ Put body inna pot
dem a bun like grabba ♪
712
00:25:12,177 --> 00:25:14,513
♪ No boy can diss me
or my mother ♪
713
00:25:14,513 --> 00:25:17,349
♪ Round here ain't safe,
everybody need armor ♪
714
00:25:17,349 --> 00:25:19,601
♪ 16 shots ♪
‐ Hey!
715
00:25:19,601 --> 00:25:23,105
‐ ♪ Ka‐kah, ka‐kah, ka‐kah,
rah‐ka‐ka‐ka‐ka‐rahh ♪
716
00:25:23,105 --> 00:25:25,190
♪ ♪
717
00:25:25,190 --> 00:25:26,692
both: Hey.
‐ Nice.
718
00:25:26,692 --> 00:25:28,694
‐ Whoo.
[applause]
719
00:25:28,694 --> 00:25:30,487
‐ All right, all right.
‐ Very cool, ladies.
720
00:25:30,487 --> 00:25:33,032
I found you to be much
stronger dancers this time
721
00:25:33,032 --> 00:25:34,199
than I did last time.
722
00:25:34,199 --> 00:25:35,701
‐ A lot better
than the first one.
723
00:25:35,701 --> 00:25:37,828
‐ I feel that your routines
724
00:25:37,828 --> 00:25:41,165
need a little bit
more surprises.
725
00:25:41,165 --> 00:25:42,249
But even with that,
726
00:25:42,249 --> 00:25:44,126
I feel like you guys are
very strong dancers.
727
00:25:44,126 --> 00:25:45,544
I'm still not sure.
728
00:25:45,544 --> 00:25:47,379
‐ From a standpoint
of paying attention to the fact
729
00:25:47,379 --> 00:25:49,715
that there are literally
ten other acts here,
730
00:25:49,715 --> 00:25:52,051
and only four are going
through, you know what I mean?
731
00:25:52,051 --> 00:25:54,970
So it's like really
fine‐tooth comb time,
732
00:25:54,970 --> 00:25:56,180
if you know what I mean.
733
00:25:56,180 --> 00:25:57,806
‐ For me, I thought
you guys started strong.
734
00:25:57,806 --> 00:25:58,891
When it started, I was like,
"Okay,
735
00:25:58,891 --> 00:26:00,726
here we go,
Show Stoppers."
736
00:26:00,726 --> 00:26:02,853
‐ And even some stuff towards
the end felt really strong.
737
00:26:02,853 --> 00:26:04,688
‐ Yeah, but again, I think
for me, I think what it is,
738
00:26:04,688 --> 00:26:06,065
it was like the groove
was here,
739
00:26:06,065 --> 00:26:08,358
and I felt like everything
stayed in that pocket.
740
00:26:08,358 --> 00:26:09,735
But like she said,
741
00:26:09,735 --> 00:26:12,071
you guys danced better
and stronger today.
742
00:26:12,071 --> 00:26:14,073
You guys, as dancers,
are great.
743
00:26:14,073 --> 00:26:16,408
‐ All right, well, then we'll
see you guys in a minute.
744
00:26:16,408 --> 00:26:17,743
‐ Thank you.
‐ Yes, thank you.
745
00:26:17,743 --> 00:26:19,244
‐ Thanks, ladies.
‐ Good job.
746
00:26:19,244 --> 00:26:20,412
‐ Good job, guys.
747
00:26:20,412 --> 00:26:23,207
We did everything
that we possibly could,
748
00:26:23,207 --> 00:26:24,792
and I think we did
a great performance.
749
00:26:24,792 --> 00:26:26,585
Right now, we're just trying
to focus on the now,
750
00:26:26,585 --> 00:26:29,755
and stay positive,
and see what the outcome is,
751
00:26:29,755 --> 00:26:31,090
and that's all we could do.
752
00:26:31,090 --> 00:26:35,260
‐ [singing in Spanish]
753
00:26:35,260 --> 00:26:36,595
‐ ♪ Hey ♪
754
00:26:36,595 --> 00:26:39,765
‐ All right, all right, 305,
755
00:26:39,765 --> 00:26:42,226
you are next.
[cheers and applause]
756
00:26:42,226 --> 00:26:44,770
‐ We are 305
from Miami, Florida.
757
00:26:44,770 --> 00:26:47,064
‐ [singing in Spanish]
758
00:26:47,064 --> 00:26:48,732
‐ Now there's
no callback option.
759
00:26:48,732 --> 00:26:50,609
It's either yes or no.
760
00:26:50,609 --> 00:26:52,444
‐ ♪ Ooh, I like it
when you turn it up ♪
761
00:26:52,444 --> 00:26:54,905
‐ For the qualifiers,
the judges had told us
762
00:26:54,905 --> 00:26:57,032
that we just have
to bring more energy
763
00:26:57,032 --> 00:26:59,952
so we all look equal and
no one overpowering each other.
764
00:26:59,952 --> 00:27:02,454
‐ [singing in Spanish]
765
00:27:02,454 --> 00:27:03,831
‐ Now we have
766
00:27:03,831 --> 00:27:06,166
a bunch of ripples
and a bunch of effects,
767
00:27:06,166 --> 00:27:08,919
so if one person's off, it just
throws off the whole thing.
768
00:27:08,919 --> 00:27:11,380
‐ ♪ Let me see you sway ♪
‐ ♪ Suda, suda ♪
769
00:27:11,380 --> 00:27:14,466
‐ It's "World of Dance."
One little mistake, you're out.
770
00:27:14,466 --> 00:27:17,636
♪ ♪
771
00:27:17,636 --> 00:27:19,304
‐ ♪ Suda, suda ♪
772
00:27:19,304 --> 00:27:20,806
‐ All right, guys.
Stand by.
773
00:27:20,806 --> 00:27:23,809
‐ [exhales]
‐ Ooh, 305 is coming in.
774
00:27:23,809 --> 00:27:25,435
‐ In you go.
775
00:27:25,435 --> 00:27:26,603
[suspenseful music]
776
00:27:26,603 --> 00:27:27,980
[door creaks]
777
00:27:27,980 --> 00:27:29,815
all: 3...
‐ Yes!
778
00:27:29,815 --> 00:27:32,150
all: 0...5.
779
00:27:32,150 --> 00:27:33,735
305.
[cheering]
780
00:27:33,735 --> 00:27:35,821
‐ Hey!
‐ I had to do it.
781
00:27:35,821 --> 00:27:36,989
I just felt compelled.
‐ You guys ready?
782
00:27:36,989 --> 00:27:38,782
all: Yes!
‐ You seem‐‐yes, yes.
783
00:27:38,782 --> 00:27:40,409
‐ Let's go.
‐ Let's go.
784
00:27:40,409 --> 00:27:41,702
‐ Hey!
785
00:27:42,327 --> 00:27:44,621
‐ In three, two.
786
00:27:44,621 --> 00:27:47,875
‐ ♪ Hey, hey, hey, hey,
hey, hey, hey, hey ♪
787
00:27:47,875 --> 00:27:51,003
‐ Hey!
‐ ♪ Multitudes ♪
788
00:27:51,003 --> 00:27:54,006
[singing in Spanish]
789
00:27:54,006 --> 00:28:01,096
♪ ♪
790
00:28:10,522 --> 00:28:13,525
[vocalizing]
791
00:28:13,525 --> 00:28:14,818
♪ ♪
792
00:28:14,818 --> 00:28:16,820
♪ Multitudes ♪
793
00:28:16,820 --> 00:28:20,032
♪ ♪
794
00:28:20,032 --> 00:28:21,658
‐ Oh!
795
00:28:21,658 --> 00:28:23,327
‐ ♪ Uno, dos, tres, cuatro ♪
796
00:28:23,327 --> 00:28:26,371
[vocalizing]
797
00:28:26,371 --> 00:28:33,378
♪ ♪
798
00:28:34,338 --> 00:28:36,173
♪ Multitudes ♪
799
00:28:36,173 --> 00:28:42,179
♪ ♪
800
00:28:42,179 --> 00:28:43,680
‐ Hey.
‐ Wow.
801
00:28:43,680 --> 00:28:48,560
♪ ♪
802
00:28:48,560 --> 00:28:49,853
♪ Hey ♪
803
00:28:49,853 --> 00:28:52,606
‐ So cute.
[laughter, applause]
804
00:28:55,067 --> 00:28:56,151
‐ Yeah, I thought it was fun.
805
00:28:56,151 --> 00:28:57,235
I think you guys did
a great job.
806
00:28:57,235 --> 00:28:59,321
That song was
so unbelievably hype,
807
00:28:59,321 --> 00:29:01,198
and you guys matched that
in some areas,
808
00:29:01,198 --> 00:29:03,241
but there was a part
when that beat dropped...
809
00:29:03,241 --> 00:29:04,743
[vocalizing]
810
00:29:04,743 --> 00:29:06,495
And I felt like
I wasn't feeling
811
00:29:06,495 --> 00:29:09,289
what the music was doing
in what you guys were dancing.
812
00:29:09,289 --> 00:29:10,457
I don't know.
813
00:29:10,457 --> 00:29:11,917
I'm a little on the fence
with this one.
814
00:29:11,917 --> 00:29:14,044
‐ The energy was amazing,
it was a much better routine
815
00:29:14,044 --> 00:29:15,379
than you did the other day.
816
00:29:15,379 --> 00:29:18,048
I felt like we saw you each
a little bit more,
817
00:29:18,048 --> 00:29:20,175
so I got to see the dancing
a little bit more,
818
00:29:20,175 --> 00:29:21,426
which was nice.
819
00:29:21,426 --> 00:29:22,928
I don't know if you're
all the way up to par
820
00:29:22,928 --> 00:29:26,056
with everybody else,
but I really enjoyed it.
821
00:29:26,056 --> 00:29:28,767
‐ I mean, there was
some energies that were
822
00:29:28,767 --> 00:29:30,268
up here the whole time,
823
00:29:30,268 --> 00:29:31,770
and other energies
that dipped a little.
824
00:29:31,770 --> 00:29:34,189
Like you were on ten
the entire time.
825
00:29:34,189 --> 00:29:35,732
I need everybody's energy
to match hers.
826
00:29:35,732 --> 00:29:38,777
So with that being said,
amazing job.
827
00:29:38,777 --> 00:29:40,278
We're gonna send you guys back,
828
00:29:40,278 --> 00:29:41,947
and then we're gonna see
what happens, okay?
829
00:29:41,947 --> 00:29:44,449
‐ Thank you, guys.
‐ I love you, JLo!
830
00:29:44,449 --> 00:29:46,618
‐ I love you.
I love you guys.
831
00:29:46,618 --> 00:29:49,287
[cheering]
‐ Let's go!
832
00:29:49,287 --> 00:29:50,831
‐ When I go to rehearsal,
833
00:29:50,831 --> 00:29:54,292
I always have to feel
like it's showtime.
834
00:29:54,292 --> 00:29:55,794
‐ Right.
‐ I'll never forget that
835
00:29:55,794 --> 00:29:57,295
a teacher always told me that.
836
00:29:57,295 --> 00:29:59,631
It was like, "Whatever you do
here in rehearsal,
837
00:29:59,631 --> 00:30:01,425
"you're gonna do out there,
838
00:30:01,425 --> 00:30:04,094
so you better do
something good here."
839
00:30:12,185 --> 00:30:13,770
‐ Mm, mm, mm, mm.
‐ In case you forget my name,
840
00:30:13,854 --> 00:30:14,631
there it is, yes.
841
00:30:15,605 --> 00:30:16,982
‐ I'm just ruining every photo
for you.
842
00:30:16,982 --> 00:30:18,233
I'm so sorry.
[laughter]
843
00:30:18,233 --> 00:30:20,152
‐ That's your job.
‐ Every photo is like...
844
00:30:20,152 --> 00:30:21,987
‐ That's like
a little brother's job
845
00:30:21,987 --> 00:30:23,321
is ruin every moment for me.
‐ I am.
846
00:30:23,321 --> 00:30:24,573
[cackles]
847
00:30:24,573 --> 00:30:26,450
‐ Even Emme and Max,
they're are twins,
848
00:30:26,450 --> 00:30:28,660
but Max is one minute younger.
‐ Yeah.
849
00:30:28,660 --> 00:30:30,495
‐ So she feels like
the older sister.
850
00:30:30,495 --> 00:30:32,205
I feel like she thinks,
like, his job
851
00:30:32,205 --> 00:30:34,166
is to ruin every moment
of her life.
852
00:30:34,166 --> 00:30:36,752
‐ I was the older sibling,
and it was my life mission
853
00:30:36,752 --> 00:30:38,837
to make sure that
anything my sister did
854
00:30:38,837 --> 00:30:40,172
was sabotaged by me.
855
00:30:40,172 --> 00:30:42,132
‐ Really‐‐oh, so it's just
a brother‐sister thing?
856
00:30:42,132 --> 00:30:44,009
‐ It's a brother‐sister thing.
‐ It's like a duty.
857
00:30:44,009 --> 00:30:45,469
‐ It's a younger
brother thing.
858
00:30:45,469 --> 00:30:47,179
‐ It's a duty.
‐ I have two sisters.
859
00:30:47,179 --> 00:30:48,263
I never had brothers,
860
00:30:48,263 --> 00:30:49,514
so I missed out on that.
861
00:30:49,514 --> 00:30:51,183
[laughter]
862
00:30:51,183 --> 00:30:52,601
[dramatic music]
863
00:30:52,601 --> 00:30:53,852
‐ We need to show them
864
00:30:53,852 --> 00:30:56,438
that we have something
completely new.
865
00:30:56,438 --> 00:30:58,273
‐ We are‐‐
all: The Young Cast.
866
00:30:58,273 --> 00:31:00,317
‐ A hip‐hop group
from Quebec, Canada.
867
00:31:00,317 --> 00:31:03,528
‐ ♪ Forever here ♪
868
00:31:03,528 --> 00:31:06,990
♪ We are forever here ♪
869
00:31:06,990 --> 00:31:09,159
‐ We've been trying out
for "World of Dance"
870
00:31:09,159 --> 00:31:10,368
since season two,
871
00:31:10,368 --> 00:31:12,704
but we know that
this is the one.
872
00:31:12,704 --> 00:31:15,248
We've thought of giving up
at some point,
873
00:31:15,248 --> 00:31:16,917
but we're not ready to go home.
874
00:31:16,917 --> 00:31:19,044
We'll fight till the end.
‐ ♪ Forever here ♪
875
00:31:19,044 --> 00:31:20,504
[both vocalizing]
876
00:31:20,504 --> 00:31:23,006
‐ We're really excited
about our performance,
877
00:31:23,006 --> 00:31:25,008
but unfortunately,
the judges said
878
00:31:25,008 --> 00:31:27,344
there was something
that we could work on.
879
00:31:27,344 --> 00:31:29,137
We need to be sharper.
880
00:31:29,137 --> 00:31:30,889
‐ Really, have
to be synchronized,
881
00:31:30,889 --> 00:31:34,059
our hands have to be at
the same spot at the same time.
882
00:31:34,059 --> 00:31:36,728
‐ ♪ Forever here ♪
883
00:31:36,728 --> 00:31:39,189
‐ We wanna make it to the duel.
That's our goal.
884
00:31:39,189 --> 00:31:40,816
‐ ♪ Oh, you're on your way ♪
885
00:31:40,816 --> 00:31:43,860
‐ This is the most important
performance that we ever did.
886
00:31:43,860 --> 00:31:45,904
‐ ♪ 'Cause in your mind ♪
887
00:31:45,904 --> 00:31:48,156
♪ You're always home ♪
888
00:31:48,156 --> 00:31:49,407
‐ Oh, was that it?
No, one more.
889
00:31:49,407 --> 00:31:50,742
‐ One more.
‐ Wow.
890
00:31:50,742 --> 00:31:52,911
‐ Oh, wow.
‐ That went really fast.
891
00:31:52,911 --> 00:31:54,412
‐ All right, guys.
Stand by.
892
00:31:54,412 --> 00:31:55,539
[suspenseful tones]
893
00:31:55,539 --> 00:31:58,416
Three, two, one.
894
00:31:58,416 --> 00:32:01,920
‐ Young Cast, come on down.
‐ In you go.
895
00:32:01,920 --> 00:32:04,756
♪ ♪
896
00:32:04,756 --> 00:32:07,425
‐ You're the next contestant
on "World of Dance."
897
00:32:07,425 --> 00:32:09,678
Hey, what's going on, guys?
‐ Hi.
898
00:32:09,678 --> 00:32:11,596
‐ Hi, guys.
‐ Hi.
899
00:32:11,596 --> 00:32:13,098
‐ Y'all ready?
all: Yeah.
900
00:32:13,098 --> 00:32:14,933
‐ Did you work hard?
all: Yeah.
901
00:32:14,933 --> 00:32:16,268
‐ You remember
the notes we gave?
902
00:32:16,268 --> 00:32:18,228
‐ We listened to you
really carefully,
903
00:32:18,228 --> 00:32:20,605
and when we worked
on this choreo,
904
00:32:20,605 --> 00:32:23,358
we really thought
about what you told us.
905
00:32:23,358 --> 00:32:24,901
‐ Okay, great.
Let's see it.
906
00:32:24,901 --> 00:32:26,278
‐ All right.
Let's do it, let's do it.
907
00:32:26,278 --> 00:32:27,362
‐ We can win this.
908
00:32:29,531 --> 00:32:31,950
‐ All right, here we go.
Here we go.
909
00:32:31,950 --> 00:32:33,243
‐ Let's go.
Let's go.
910
00:32:33,243 --> 00:32:37,164
‐ ♪ What about the children? ♪
911
00:32:37,164 --> 00:32:38,790
♪ Look at all the children ♪
912
00:32:38,790 --> 00:32:40,667
♪ We can change ♪
‐ Hey.
913
00:32:40,667 --> 00:32:43,795
‐ ♪ What about a vision? ♪
914
00:32:43,795 --> 00:32:47,799
♪ Be a visionary
for a change ♪
915
00:32:47,799 --> 00:32:50,760
♪ We're the generation ♪
916
00:32:50,760 --> 00:32:54,055
♪ Who's gonna be the one
to fight for it? ♪
917
00:32:54,055 --> 00:32:56,057
♪ To die for it ♪
918
00:32:56,057 --> 00:33:00,478
♪ ♪
919
00:33:00,478 --> 00:33:02,606
♪ Die for it ♪
920
00:33:02,606 --> 00:33:04,274
♪ ♪
921
00:33:04,274 --> 00:33:05,984
‐ Whoo.
‐ Hey.
922
00:33:05,984 --> 00:33:08,403
♪ ♪
923
00:33:08,403 --> 00:33:11,323
‐ ♪ Who's got the heart?
Who's got it? ♪
924
00:33:11,323 --> 00:33:13,491
♪ Whose‐‐we can make
a difference ♪
925
00:33:13,491 --> 00:33:15,827
♪ Oh, yeah ♪
926
00:33:15,827 --> 00:33:20,332
♪ ♪
927
00:33:20,332 --> 00:33:23,460
‐ Yeah.
‐ Hey, hey, hey.
928
00:33:23,460 --> 00:33:25,837
♪ ♪
929
00:33:25,837 --> 00:33:27,797
‐ ♪ We can make a difference ♪
930
00:33:27,797 --> 00:33:29,966
♪ Oh, yeah ♪
931
00:33:29,966 --> 00:33:35,847
♪ ♪
932
00:33:35,847 --> 00:33:36,848
‐ Nice.
933
00:33:36,848 --> 00:33:38,141
‐ Nice.
‐ Whoo, okay!
934
00:33:38,141 --> 00:33:40,018
[applause]
‐ Yeah.
935
00:33:40,018 --> 00:33:42,187
Okay.
‐ Young Cast.
936
00:33:42,187 --> 00:33:44,314
‐ All right.
‐ Giving me ninja vibes.
937
00:33:44,314 --> 00:33:46,650
[both vocalizing]
938
00:33:46,650 --> 00:33:49,319
‐ I like it!
‐ Thank you so much.
939
00:33:49,319 --> 00:33:51,696
both: Much better.
‐ Much better.
940
00:33:51,696 --> 00:33:55,533
Seriously, your formations
were beautiful,
941
00:33:55,533 --> 00:33:58,370
everything felt like
it had a nice energy to it.
942
00:33:58,370 --> 00:34:00,580
It felt strong.
943
00:34:00,580 --> 00:34:04,125
You guys were super clean.
You were connected.
944
00:34:04,125 --> 00:34:08,630
As a group, I felt many, many
things as I was watching you.
945
00:34:08,630 --> 00:34:11,508
‐ My favorite parts‐‐the intro
picture with the legs up,
946
00:34:11,508 --> 00:34:13,802
that was amazing, the roll off.
947
00:34:13,802 --> 00:34:15,512
[trills]
‐ [laughs] Yeah.
948
00:34:15,512 --> 00:34:17,222
‐ I spoke on it before.
You heard me.
949
00:34:17,222 --> 00:34:18,974
Thank you for that, yes.
950
00:34:18,974 --> 00:34:21,726
‐ I will say one thing‐‐
a few critiques actually.
951
00:34:21,726 --> 00:34:23,311
In the circle...
952
00:34:23,311 --> 00:34:24,396
both: Yeah.
‐ There's a partner bit.
953
00:34:24,396 --> 00:34:26,064
I don't wanna see the lift.
954
00:34:26,064 --> 00:34:27,399
both: Okay, yeah.
955
00:34:27,399 --> 00:34:28,733
‐ We saw you back there
setting up,
956
00:34:28,733 --> 00:34:29,901
and I was watching you
957
00:34:29,901 --> 00:34:31,569
when I should have been
watching this,
958
00:34:31,569 --> 00:34:32,862
right?
‐ Yeah.
959
00:34:32,862 --> 00:34:34,239
‐ If it's gonna happen,
it has to feel‐‐
960
00:34:34,239 --> 00:34:36,324
‐ Come out of nowhere.
Like magic.
961
00:34:36,324 --> 00:34:37,701
‐ Okay?
‐ Yeah.
962
00:34:37,701 --> 00:34:39,244
‐ You guys definitely
raised your game.
963
00:34:39,244 --> 00:34:41,579
Good time to do that.
‐ Thank you, guys.
964
00:34:41,579 --> 00:34:43,456
both: Thank you so much.
965
00:34:43,456 --> 00:34:45,125
‐ Thank you.
‐ Great job, great job.
966
00:34:45,125 --> 00:34:47,168
[upbeat music]
967
00:34:47,168 --> 00:34:49,754
That's an example of,
"Okay, we listened.
968
00:34:49,754 --> 00:34:52,507
We went back, we regrouped,
we came back stronger."
969
00:34:52,507 --> 00:34:53,925
That‐‐I liked that.
970
00:34:53,925 --> 00:34:56,928
[cheers and applause]
971
00:34:56,928 --> 00:35:00,682
‐ The Young Cast is
in the building!
972
00:35:00,682 --> 00:35:03,226
[chanting]
973
00:35:03,226 --> 00:35:05,353
‐ I would have been sad
if they had that in them
974
00:35:05,353 --> 00:35:06,855
and we let them go.
‐ Yeah.
975
00:35:06,855 --> 00:35:08,898
‐ We're gonna have to think
long and hard about this one.
976
00:35:16,281 --> 00:35:17,933
‐ [vocalizing]
977
00:35:19,409 --> 00:35:20,910
‐ So, callbacks.
978
00:35:20,910 --> 00:35:23,747
‐ Yes.
‐ Ten acts, only four slots.
979
00:35:23,747 --> 00:35:27,125
‐ Six acts are going home.
‐ It's gonna be tough.
980
00:35:27,125 --> 00:35:28,793
‐ I mean, let's talk about it.
Let's get it to it.
981
00:35:28,793 --> 00:35:30,378
‐ Should we go over there?
‐ Let's do it.
982
00:35:30,378 --> 00:35:32,130
‐ ♪ If you're looking
for hope tonight ♪
983
00:35:32,130 --> 00:35:34,299
♪ Raise your hand ♪
984
00:35:34,299 --> 00:35:36,426
‐ Only four slots out of ten,
985
00:35:36,426 --> 00:35:39,304
so you gotta be better
than six other acts.
986
00:35:39,304 --> 00:35:42,807
But there is nothing
you should be ashamed of
987
00:35:42,807 --> 00:35:45,769
no matter what happens today.
988
00:35:45,769 --> 00:35:46,811
‐ Who did you guys like?
989
00:35:46,811 --> 00:35:48,146
‐ Young Cast.
‐ I like them a lot.
990
00:35:48,146 --> 00:35:49,648
‐ I thought they were
the standout today.
991
00:35:49,648 --> 00:35:50,982
‐ I think so.
I think these guys as well.
992
00:35:50,982 --> 00:35:52,901
‐ And this is a no,
this is a no, this is a no.
993
00:35:52,901 --> 00:35:56,821
‐ Here's the thing‐‐I love
the energy these guys bring.
994
00:35:56,821 --> 00:35:59,449
‐ Me too, it's different.
‐ It's just like a...
995
00:35:59,449 --> 00:36:00,659
‐ So you feel like these
are better dancers but this‐‐
996
00:36:00,659 --> 00:36:02,077
‐ I feel like these
are better dancers.
997
00:36:02,077 --> 00:36:03,161
‐ A better act.
998
00:36:03,161 --> 00:36:04,245
‐ They just need
better material.
999
00:36:04,245 --> 00:36:05,705
‐ For me, I think
it's these guys.
1000
00:36:05,705 --> 00:36:07,207
‐ For me,
it's gonna be these guys.
1001
00:36:07,207 --> 00:36:09,501
‐ But do you see them
stepping up to the plate?
1002
00:36:09,501 --> 00:36:11,336
Let's be honest.
‐ Well, let's put it this way‐‐
1003
00:36:11,336 --> 00:36:13,004
there's a possibility there.
1004
00:36:13,004 --> 00:36:14,839
[contemplative music]
1005
00:36:14,839 --> 00:36:16,508
‐ We feel like
they're not ready.
1006
00:36:16,508 --> 00:36:17,842
This makes me really sad
1007
00:36:17,842 --> 00:36:19,469
because we don't have
anything like this.
1008
00:36:19,469 --> 00:36:21,471
‐ But we also gotta put
1009
00:36:21,471 --> 00:36:24,265
what we think is going to
really push this show forward.
1010
00:36:24,265 --> 00:36:27,769
And as dope as they are,
I don't know if they're ready.
1011
00:36:27,769 --> 00:36:29,187
‐ The more we talked
about this,
1012
00:36:29,187 --> 00:36:31,106
I'm leaning to this.
1013
00:36:31,106 --> 00:36:32,607
‐ I'm leaning to this too.
1014
00:36:32,607 --> 00:36:35,193
‐ Okay, majority rules.
‐ All right, let's do it.
1015
00:36:35,193 --> 00:36:38,488
We have deliberated.
‐ We have deliberated.
1016
00:36:38,488 --> 00:36:40,365
‐ And we made our decision.
1017
00:36:40,365 --> 00:36:42,200
‐ ♪ Stronger ♪
1018
00:36:43,201 --> 00:36:45,495
[emotional music]
1019
00:36:45,495 --> 00:36:48,581
‐ Come on down, come on down.
‐ Hello.
1020
00:36:48,581 --> 00:36:50,083
‐ ♪ We'll pick our battles ♪
1021
00:36:50,083 --> 00:36:52,377
♪ 'Cause we know
we're gonna win the war ♪
1022
00:36:52,377 --> 00:36:53,628
‐ Here we go.
1023
00:36:53,628 --> 00:36:55,213
‐ You guys are
all amazing dancers.
1024
00:36:55,213 --> 00:36:57,298
We enjoyed each one of you
1025
00:36:57,298 --> 00:36:59,884
for what you bring
to the dance floor.
1026
00:36:59,884 --> 00:37:01,678
Show Stoppers...
1027
00:37:01,678 --> 00:37:03,221
‐ ♪ Steadier than steel ♪
1028
00:37:03,221 --> 00:37:05,557
♪ 'Cause we're ready
with a shield and sword ♪
1029
00:37:05,557 --> 00:37:07,308
‐ Young Cast.
1030
00:37:07,308 --> 00:37:09,728
‐ ♪ Back on the saddle
'cause we've gathered ♪
1031
00:37:09,728 --> 00:37:11,855
‐ The Difference.
1032
00:37:11,855 --> 00:37:14,899
‐ ♪ And we won't bow,
we won't break ♪
1033
00:37:14,899 --> 00:37:18,862
‐ We only have a few spots
1034
00:37:18,862 --> 00:37:20,655
that are going through
to the Duels.
1035
00:37:20,655 --> 00:37:23,408
Only one of you guys
of these groups right here
1036
00:37:23,408 --> 00:37:25,243
is gonna go through today.
1037
00:37:25,243 --> 00:37:28,580
This has been a very,
very tough decision
1038
00:37:28,580 --> 00:37:30,790
for us.
1039
00:37:30,790 --> 00:37:32,417
But today...
1040
00:37:32,417 --> 00:37:34,085
‐ ♪ We'll never bow ♪
1041
00:37:34,085 --> 00:37:37,380
♪ We'll never break ♪
1042
00:37:37,380 --> 00:37:40,592
‐ Young Cast, you're going
through to the next round.
1043
00:37:40,592 --> 00:37:43,428
Congratulations.
‐ Thank you!
1044
00:37:43,428 --> 00:37:45,096
[cheering]
1045
00:37:45,096 --> 00:37:48,349
‐ Thank you guys so much
for coming down.
1046
00:37:48,349 --> 00:37:51,269
‐ ♪ We are warriors ♪
1047
00:37:51,269 --> 00:37:52,729
♪ ♪
1048
00:37:52,729 --> 00:37:55,774
‐ To know that we are going
to the Duels means so much.
1049
00:37:55,774 --> 00:37:59,611
It means that all the work
we put in really paid off,
1050
00:37:59,611 --> 00:38:01,029
and we didn't give up.
1051
00:38:01,029 --> 00:38:03,656
‐ The Duels, here we come!
1052
00:38:06,284 --> 00:38:08,369
‐ Hey, everybody.
1053
00:38:08,369 --> 00:38:10,413
‐ All right, all right.
1054
00:38:10,413 --> 00:38:13,500
Pumpfidence, your name
says it all‐‐
1055
00:38:13,500 --> 00:38:16,628
Beautiful ladies
inside and out
1056
00:38:16,628 --> 00:38:19,130
that epitomize confidence
in, let's just be honest,
1057
00:38:19,130 --> 00:38:20,965
a shoe that is not easy
to dance in.
1058
00:38:20,965 --> 00:38:22,801
[laughter]
1059
00:38:22,801 --> 00:38:24,636
Avant Garde Collective.
1060
00:38:24,636 --> 00:38:26,221
There's something
really quirky
1061
00:38:26,221 --> 00:38:28,306
and different
about what you guys are.
1062
00:38:28,306 --> 00:38:32,143
It's a concept that is new
and interesting.
1063
00:38:32,143 --> 00:38:34,646
It is my unfortunate task...
1064
00:38:34,646 --> 00:38:36,773
♪ ♪
1065
00:38:36,773 --> 00:38:39,108
to let you both know
1066
00:38:39,108 --> 00:38:41,444
that neither of you will be
making it through to the Duels.
1067
00:38:41,444 --> 00:38:43,488
‐ ♪ No, we weren't bow ♪
1068
00:38:43,488 --> 00:38:45,156
♪ We won't break ♪
1069
00:38:45,156 --> 00:38:47,784
♪ No, we're not afraid to do
whatever it takes ♪
1070
00:38:47,784 --> 00:38:49,494
‐ Take what you've learned
here today,
1071
00:38:49,494 --> 00:38:51,496
come back stronger next time.
1072
00:38:51,496 --> 00:38:52,956
Yes?
‐ Thank you guys so much
1073
00:38:52,956 --> 00:38:54,040
for coming out.
‐ Thank you guys so much.
1074
00:38:54,040 --> 00:38:55,041
‐ Guys, thank you.
Appreciate y'all.
1075
00:38:55,041 --> 00:38:56,334
‐ Appreciate you.
‐ Thank you, guys.
1076
00:38:56,334 --> 00:38:58,127
Thank you, thank you.
1077
00:38:58,127 --> 00:39:01,339
‐ That's never easy.
‐ Never easy, no.
1078
00:39:01,339 --> 00:39:04,175
‐ I definitely feel like
we've become sisters
1079
00:39:04,175 --> 00:39:05,802
through this process.
‐ Yes.
1080
00:39:05,802 --> 00:39:07,846
‐ I'm really proud of the guys,
1081
00:39:07,846 --> 00:39:10,598
and I think we came to do
what we wanted to do
1082
00:39:10,598 --> 00:39:14,185
and showcase our style,
showcase our group.
1083
00:39:14,185 --> 00:39:16,980
‐ There's a "World of Dance"
level that you must have
1084
00:39:16,980 --> 00:39:18,690
in order to be a part
of this show.
1085
00:39:18,690 --> 00:39:19,691
‐ Yeah.
1086
00:39:19,691 --> 00:39:22,694
‐ ♪ We are warriors ♪
1087
00:39:22,694 --> 00:39:23,778
[doors creak]
1088
00:39:23,778 --> 00:39:25,196
‐ Hi, guys.
‐ Hey, everybody.
1089
00:39:25,196 --> 00:39:26,489
‐ What's going on, everybody?
1090
00:39:26,489 --> 00:39:28,700
‐ ♪ Ain't no better day
for love ♪
1091
00:39:28,700 --> 00:39:31,286
‐ So this is always
a tough day for us.
1092
00:39:31,286 --> 00:39:33,705
We have ten groups.
1093
00:39:33,705 --> 00:39:35,248
Only four go through.
1094
00:39:35,248 --> 00:39:36,583
305...
1095
00:39:36,583 --> 00:39:38,626
‐ ♪ Staring at
your silhouette ♪
1096
00:39:38,626 --> 00:39:40,879
‐ You guys bring an energy.
1097
00:39:40,879 --> 00:39:43,548
We're not sure
that you're all the way ready.
1098
00:39:43,548 --> 00:39:46,175
Those were kind of some of the
comments that we talked about.
1099
00:39:46,175 --> 00:39:48,219
Same with you guys.
The Rise.
1100
00:39:48,219 --> 00:39:50,221
‐ ♪ You know I'm ready ♪
1101
00:39:50,221 --> 00:39:52,056
♪ ♪
1102
00:39:52,056 --> 00:39:53,892
‐ So maybe you haven't
figured out that your star
1103
00:39:53,892 --> 00:39:55,184
needs to be upfront,
1104
00:39:55,184 --> 00:39:57,061
that there's no "I" in team.
1105
00:39:57,061 --> 00:39:59,898
So it was a difficult decision
1106
00:39:59,898 --> 00:40:02,692
to pick who would make it
through to the Duels.
1107
00:40:02,692 --> 00:40:04,736
‐ ♪ And I know
that we ain't perfect ♪
1108
00:40:04,736 --> 00:40:07,739
‐ So, it's my job
1109
00:40:07,739 --> 00:40:10,241
to tell you both....
1110
00:40:10,241 --> 00:40:12,869
that you're both making it
through to the Duels.
1111
00:40:12,869 --> 00:40:15,622
[cheers and applause]
1112
00:40:15,622 --> 00:40:18,583
[laughter]
1113
00:40:18,583 --> 00:40:21,544
Congratulations!
[laughs]
1114
00:40:21,544 --> 00:40:23,838
[all screaming, cheering]
1115
00:40:23,838 --> 00:40:25,423
‐ Thank you, guys!
1116
00:40:25,423 --> 00:40:26,883
Hey!
1117
00:40:26,883 --> 00:40:30,261
‐ [laughs] She went‐‐
[both laugh]
1118
00:40:30,261 --> 00:40:32,513
‐ We can win this whole
World of Dance.
1119
00:40:32,513 --> 00:40:34,599
We can get that
million dollars.
1120
00:40:34,599 --> 00:40:35,600
‐ Yeah!
‐ Who's with me?
1121
00:40:35,600 --> 00:40:38,269
all: Yeah!
1122
00:40:38,269 --> 00:40:40,021
‐ That just goes to say
hard work...
1123
00:40:40,021 --> 00:40:41,397
‐ Yeah, pays off.
both: Pays off.
1124
00:40:41,397 --> 00:40:42,440
♪ ♪
1125
00:40:42,440 --> 00:40:43,733
‐ Come on down.
1126
00:40:43,733 --> 00:40:46,069
Come on down.
Come on down.
1127
00:40:46,778 --> 00:40:49,781
‐ All right,
how you guys feeling?
1128
00:40:49,781 --> 00:40:51,282
all: Good.
‐ Yeah?
1129
00:40:51,282 --> 00:40:52,367
‐ Yes.
‐ A little nervous?
1130
00:40:52,367 --> 00:40:53,368
both: Yeah.
1131
00:40:53,368 --> 00:40:54,369
‐ You know, CBAction...
1132
00:40:54,369 --> 00:40:55,954
‐ ♪ Oh, I'm ready ♪
1133
00:40:55,954 --> 00:40:58,414
Much, much better
the second time around.
1134
00:40:58,414 --> 00:41:00,333
Project 21...
1135
00:41:00,333 --> 00:41:02,460
‐ ♪ No one to tell us
what to do ♪
1136
00:41:02,460 --> 00:41:04,879
‐ We love the creativity
you brought today.
1137
00:41:04,879 --> 00:41:06,714
Again, better
than your first performance,
1138
00:41:06,714 --> 00:41:07,966
GRVMNT...
1139
00:41:07,966 --> 00:41:10,635
‐ ♪ I'm staring
at your silhouette ♪
1140
00:41:10,635 --> 00:41:11,636
‐ Great job.
1141
00:41:11,636 --> 00:41:12,971
You know, we only can take four
1142
00:41:12,971 --> 00:41:14,389
from ten today.
1143
00:41:14,389 --> 00:41:17,475
So, out of the three
of you guys here,
1144
00:41:17,475 --> 00:41:21,312
unfortunately we can only
put through one.
1145
00:41:21,312 --> 00:41:24,107
‐ ♪ And I know
that we ain't perfect ♪
1146
00:41:24,107 --> 00:41:25,817
‐ And...
1147
00:41:25,817 --> 00:41:29,612
the group that we're gonna send
through into the Duels
1148
00:41:29,612 --> 00:41:31,322
is gonna be...
1149
00:41:31,322 --> 00:41:32,907
♪ ♪
1150
00:41:32,907 --> 00:41:35,827
GRVMNT.
[all cheering]
1151
00:41:35,827 --> 00:41:39,205
‐ Oh, my gosh!
Oh, my gosh!
1152
00:41:39,205 --> 00:41:41,874
No way, no way.
‐ Let's go!
1153
00:41:41,874 --> 00:41:45,003
‐ Man, well done. Great job.
‐ Congratulations!
1154
00:41:45,003 --> 00:41:46,754
‐ Thanks. Appreciate you guys.
1155
00:41:46,754 --> 00:41:48,131
Well done.
1156
00:41:48,131 --> 00:41:49,966
‐ ♪ Ain't no better day ♪
1157
00:41:49,966 --> 00:41:51,926
all: We're going to the Duels!
1158
00:41:51,926 --> 00:41:54,178
[cheering]
1159
00:41:54,178 --> 00:41:55,346
‐ That was a great day.
1160
00:41:55,346 --> 00:41:56,848
‐ That was good.
‐ That was an amazing day.
1161
00:41:56,848 --> 00:41:58,516
‐ Really, really good day.
‐ I mean, it was hard, but...
1162
00:41:58,516 --> 00:42:00,184
‐ I'm ready for the Duels now.
‐ I'm so ready,
1163
00:42:00,184 --> 00:42:01,686
and I think
we have an amazing group.
1164
00:42:01,686 --> 00:42:03,021
‐ No more chances.
This is gonna be it.
1165
00:42:03,021 --> 00:42:04,814
But we got a good season
on our hands.
1166
00:42:04,814 --> 00:42:06,190
‐ Yes.
‐ On to the Duels!
1167
00:42:06,190 --> 00:42:08,860
‐ Whoo!
Wa‐psh!
1168
00:42:08,860 --> 00:42:12,155
‐ It's never easy to let,
you know, talented dancers go,
1169
00:42:12,155 --> 00:42:14,532
but I think we have
an amazing group,
1170
00:42:14,532 --> 00:42:17,827
and I think we really weeded it
down to the really top talent,
1171
00:42:17,827 --> 00:42:19,537
which is what America deserves
to see.
1172
00:42:19,537 --> 00:42:21,581
So I'm excited
1173
00:42:21,581 --> 00:42:23,416
to get into the Duels
1174
00:42:23,416 --> 00:42:25,543
and see who rises to the top!
1175
00:42:25,543 --> 00:42:27,295
Can't wait.
1176
00:42:27,295 --> 00:42:30,757
‐ ♪ Ain't no better day
for love ♪
88226
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