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These are the user uploaded subtitles that are being translated: 1 00:00:07,642 --> 00:00:11,083 >>> TONIGHT JOIN JIMMY AND HIS GUESTS LIN‐MANUEL MIRANDA. 2 00:00:11,083 --> 00:00:18,957 KENYA BARRIS MUSICAL GUESTS MICHAEL STIPE AND 3 00:00:18,957 --> 00:00:21,560 BIG RED MACHINE'S AARON DECEMBERER 4 00:00:21,560 --> 00:00:24,530 BEN PLATT AND THE ROOTS CREW RPS OR AND NOW HERE'S JIMMY. 5 00:00:24,530 --> 00:00:26,600 >> WELCOME TO "THE TONIGHT SHOW." 6 00:00:26,600 --> 00:00:29,770 THANK YOU SO MUCH FOR WATCHING I'M JIMMY FALLON AND I LOVE YOU. 7 00:00:29,770 --> 00:00:32,339 THANK YOU SO MUCH FOR WATCHING THE SHOW 8 00:00:32,339 --> 00:00:35,342 IT'S BEEN A ROUGH FEW MONTHS FOR PRESIDENT TRUMP. 9 00:00:35,342 --> 00:00:37,878 HIS APPROVAL RATING HAS PLUMMETED, HIS HANDLING OF THE 10 00:00:37,878 --> 00:00:45,519 PANDEMIC AND PROTESTS HAVE BEEN A DISASTER, HIS RALLY IN TULSA 11 00:00:45,519 --> 00:00:48,489 WAS SEEN AS A FLOP HE DECIDED TO TOUR HIMSELF UP. 12 00:00:48,489 --> 00:00:50,991 >> PRESIDENT TRUMP TOURED A SECTION OF THE BORDER WALL IN 13 00:00:50,991 --> 00:00:52,960 ARIZONA TODAY. >> Jimmy: TRUMP VISITED THE WALL 14 00:00:52,960 --> 00:00:56,230 TODAY. IN TIME OF CRISIS IT'S IMPORTANT 15 00:00:56,230 --> 00:00:58,966 TO BE WITH YOUR LOVED ONES TRUMP SAID HE LOVES BARRIERS 16 00:00:58,966 --> 00:01:05,572 THAT BLOCK DANGEROUS THINGS, THEN WENT BACK TO NOT WEARING A 17 00:01:05,572 --> 00:01:09,476 MASK IT WAS QUITE A SCENE WHEN TRUMP 18 00:01:09,476 --> 00:01:12,112 ARRIVED AS HIS ENTIRE STAFF HOPPED THE WALL INTO MEXICO. 19 00:01:12,112 --> 00:01:18,652 ADIOS! SEE YOU AT MY BOOK SIGNING 20 00:01:18,652 --> 00:01:23,791 YEP, TRUMP CELEBRATED THE 200th MILE OF HIS WALL, EVEN THOUGH 21 00:01:23,791 --> 00:01:28,262 THE BORDER IS 2,000 MILES LONG INSTEAD OF FINISHING THE WALL, 22 00:01:28,262 --> 00:01:32,633 TRUMP'S GOING TO KEEP PEOPLE OUT WITH A GIANT BANNER THAT SAYS 23 00:01:32,633 --> 00:01:37,705 "HOME OF THE CORONAVIRUS IF THE WALL AND BANNER DON'T WORK, HE'S 24 00:01:37,705 --> 00:01:43,444 GOING TO BUILD A RAMP WITH A VERY SLIGHT DECLINE. 25 00:01:43,444 --> 00:01:48,382 THEY'LL NEVER, EVER BE ABLE TO GET UP THAT RAMP, NOT WITH 26 00:01:48,382 --> 00:01:52,519 LEATHER BOTTOMS, VERY SLIPPERY WITH LEATHER BOTTOMS 27 00:01:52,519 --> 00:01:57,024 BY THE WAY, I KNOW LEATHER BOTTOMS AND I HAVE NOT HAD ANY 28 00:01:57,024 --> 00:02:00,194 RELATIONSHIP WITH HER. LEATHER AND I, PURELY 29 00:02:00,194 --> 00:02:04,898 PROFESSIONAL LEATHER BOTTOMS? 30 00:02:04,898 --> 00:02:08,068 ONCE TRUMP WAS DONE WITH THE WALL HE MADE ANOTHER STOP IN 31 00:02:08,068 --> 00:02:09,803 ARIZONA. >> PRESIDENT TRUMP IS SPEAKING 32 00:02:09,803 --> 00:02:13,640 TO THOUSANDS OF YOUNG SUPPORTERS AT A MEGA CHURCH IN PHOENIX, 33 00:02:13,640 --> 00:02:15,709 ARIZONA. >> Jimmy: YEAH, TRUMP GAVE A 34 00:02:15,709 --> 00:02:20,080 SPEECH AT A LOCAL CHURCH, AND THE BIGGEST PART OF THAT SPEECH 35 00:02:20,080 --> 00:02:25,219 IS WHERE HE SHOWED EVERYONE HOW HE CAN DRINK COMMUNION WINE OUT 36 00:02:25,219 --> 00:02:27,721 OF ONE HAND. IT WASN'T JUST TRUMP WHO WAS 37 00:02:27,721 --> 00:02:28,689 TRAVELING. TODAY MIKE PENCE WENT TO 38 00:02:28,689 --> 00:02:41,168 WISCONSIN. LET'S SEE HOW THAT WENT. 39 00:02:41,168 --> 00:02:43,937 TRUMP CAN'T GO DOWN RAMPS, PENCE CAN'T GO UP STAIRS 40 00:02:43,937 --> 00:02:52,246 PRETTY SOON THE WHOLE ADMINISTRATION'S GOING TO BE 41 00:02:52,246 --> 00:02:54,314 SITTING ON STAIR LIFTS LIKE ‐‐ PENCE WAS SO EMBARRASSED HE 42 00:02:54,314 --> 00:02:57,885 ACTUALLY HAD SOME COLOR IN HIS FACE 43 00:02:57,885 --> 00:03:00,320 PEOPLE ARE STILL TALKING ABOUT THIS DURING A SPEECH ON 44 00:03:00,320 --> 00:03:03,690 SATURDAY TRUMP SUNDAY HE TOLD HIS 45 00:03:03,690 --> 00:03:05,993 ADMINISTRATION TO SLOW DOWN TESTING. 46 00:03:05,993 --> 00:03:10,564 YESTERDAY TRUMP SAID THE COMMENT WAS SEMI TONGUE IN CHEEK 47 00:03:10,564 --> 00:03:13,233 TODAY TWEETING, WITH SMALLER TESTING, WE WOULD SHOW FEWER 48 00:03:13,233 --> 00:03:18,405 CASES. TWITTER DIDN'T FACT CHECK THAT 49 00:03:18,405 --> 00:03:19,706 ONE, THEY JUST PUT ON A YIGS EMOJI. 50 00:03:19,706 --> 00:03:23,377 EVERYONE'S CONFUSED WHETHER TRUMP IS SERIOUS ABOUT ASKING TO 51 00:03:23,377 --> 00:03:26,680 SLOW DOWN TESTING OR JOKING. LET'S SEE IF DR. FAUCI'S 52 00:03:26,680 --> 00:03:30,717 TESTIMONY CLEARED ANYTHING UP. >> THON OF US HAVE EVER BEEN 53 00:03:30,717 --> 00:03:35,222 TOLD TO SLOW DOWN ON TESTING THAT JUST IS A FACT. 54 00:03:35,222 --> 00:03:37,291 IN FACT, WE WILL BE DOING MORE TESTING. 55 00:03:37,291 --> 00:03:40,227 >> Jimmy: YEP, FAUCI SAYS THEY HAVEN'T SLOWED DOWN TESTING. 56 00:03:40,227 --> 00:03:43,964 HE WAS BASICALLY LIKE, YEAH, WE STOPPED LISTENING TO TRUMP A 57 00:03:43,964 --> 00:03:46,600 LONG TIME AGO. THIS IS GOOD, FAUCI SAYS A 58 00:03:46,600 --> 00:03:51,738 VACCINE COULD BE READY BY THE END OF THIS YEAR OR EARLY 2021 59 00:03:51,738 --> 00:03:55,542 YOU CAN TELL THINGS ARE TENSE WITH TRUMP BECAUSE FAUCI SAID 60 00:03:55,542 --> 00:04:00,581 THE VACCINE SHOULD BE READY THE DAY AFTER JOE BIDEN'S 61 00:04:00,581 --> 00:04:03,984 INAUGURATION FAUCI IS OPTIMISTIC ABOUT A 62 00:04:03,984 --> 00:04:05,953 VACCINE AFTER FOUR MONTHS OF WORKING IN THE WHITE HOUSE 63 00:04:05,953 --> 00:04:07,955 HE'S LIKE, LOOK, BY THE END OF THE YEAR I'M DEFINITELY 64 00:04:07,955 --> 00:04:13,961 INJECTING SOMETHING INTO MY VEINS. 65 00:04:13,961 --> 00:04:16,063 DR. FAUCI ALSO SAID THERE'S A SURGE OF CORONAVIRUS CASES IN 66 00:04:16,063 --> 00:04:18,832 FLORIDA. THE VIRUS SPENT THE WINTER IN 67 00:04:18,832 --> 00:04:20,133 NEW YORK, SPENDING THE SUMMER IN FLORIDA. 68 00:04:20,133 --> 00:04:25,105 IT'S BASICALLY THE OPPOSITE OF MY GRANDMA 69 00:04:25,105 --> 00:04:28,775 YOU KNOW, SEEMS LIKE THE NEWS ABOUT CORONAVIRUS GETS MORE AND 70 00:04:28,775 --> 00:04:30,878 MORE DEPRESSING EACH DAY DO WE HAVE ANYTHING THAT CAN 71 00:04:30,878 --> 00:04:35,782 CHEER US UP? >> NINE DIFFERENT TYPES OF HAND 72 00:04:35,782 --> 00:04:37,317 SANITIZER MAY CONTAIN A POTENTIALLY FATAL INGREDIENT. 73 00:04:37,317 --> 00:04:39,620 >>. >> Jimmy: WELL, THAT DIDN'T 74 00:04:39,620 --> 00:04:41,788 WORK BLACK LIVES MATTER PROTESTS ARE 75 00:04:41,788 --> 00:04:45,626 CONTINUING ACROSS THE COUNTRY. FOR A LOT OF WHITE PEOPLE, THIS 76 00:04:45,626 --> 00:04:47,494 IS THEIR FIRST TIME JOINING A MARCH. 77 00:04:47,494 --> 00:04:49,663 SO THEY MIGHT FEEL UNCOMFORTABLE CHANTING OR DON'T KNOW WHAT TO 78 00:04:49,663 --> 00:04:52,299 SAY. THERE'S A NEW ALBUM THAT'S HERE 79 00:04:52,299 --> 00:04:55,335 TO HELP, CHECK IT OUT. >> ARE YOU A WHITE PERSON GOING 80 00:04:55,335 --> 00:04:58,672 TO BLACK LIVES MATTER PROTESTS FOR THE FIRST TIME BUT AREN'T 81 00:04:58,672 --> 00:05:01,041 SURE WHAT TO SAY PRESENTING "PROTEST CHANTS FOR 82 00:05:01,041 --> 00:05:03,543 WHITE PEOPLE." WE'VE GOT CHANTS LIKE ‐‐ 83 00:05:03,543 --> 00:05:08,248 >> WE'RE WHITE, YOU'RE BLACK, WE HAVE YOUR BACK 84 00:05:08,248 --> 00:05:12,853 >> WE ALSO HAVE CALL AND RESPONSE CHANTS LIKE ‐ 85 00:05:12,853 --> 00:05:15,355 >> TIME TO SPEAK UP, SAY IT LOUD 86 00:05:15,355 --> 00:05:18,759 ALSO TIME TO LISTEN, SAY IT NOT AS LOUD! 87 00:05:18,759 --> 00:05:21,828 >> THEY TOTALLY GET IT YES, OUR CHANTS ARE IN RHYTHMS 88 00:05:21,828 --> 00:05:27,501 LIKE WHITES ARE USED TO. ♪ IF YOU'RE WHITE LIKE ME HEAR 89 00:05:27,501 --> 00:05:30,604 WHAT I HAVE TO SAY ♪ >> ALONG WITH CHANTS THAT COULD 90 00:05:30,604 --> 00:05:36,043 HAVE RHYMED BUT DO NOT ♪ HEY WHITE PERSON MARCH AND 91 00:05:36,043 --> 00:05:40,180 RETREAT ACTIVISM IS MORE THAN JUST POSTING ON TWITTER ♪ 92 00:05:40,180 --> 00:05:43,884 >> SO CHANT OUT LOUD AND PROUD BUT NOT TOO LOUD, IT'S NOT ABOUT 93 00:05:43,884 --> 00:05:46,186 YOU. >> Jimmy: WE'VE GOT A GREAT 94 00:05:46,186 --> 00:05:49,723 SHOW LIN‐MANUEL MIRANDA IS HERE 95 00:05:49,723 --> 00:05:54,728 "HAMILTON" IS FINALLY OUT ON DISNEY PLUS THIS FRIDAY, JULY 96 00:05:54,728 --> 00:05:57,931 3rd, OR WHENEVER JULY 3rd IS ALSO, WE TALK ABOUT WE ARE 97 00:05:57,931 --> 00:06:01,034 FREESTYLE LOVE SUPREME, ANOTHER FILM COMING OUT JULY 17th ON 98 00:06:01,034 --> 00:06:04,504 HULU A LOT OF STUFF, HE'S A TALENTED 99 00:06:04,504 --> 00:06:10,177 GUY, HE CAN JUGGLE IT ALL. SPEAKING ABOUT A LOT OF STUFF, 100 00:06:10,177 --> 00:06:13,981 KENYA BARRIS, THE CREATOR OF "BLACK‐ISH," "GROWN‐ISH," 101 00:06:13,981 --> 00:06:18,785 THERE'S PROBABLY ANOTHER "ISH" I'M MISSING, HAS A NEW SHOW 102 00:06:18,785 --> 00:06:22,422 CALLED "BLACK AF" THAT GOT PICKED UP FOR SEASON TWO, KENYA 103 00:06:22,422 --> 00:06:25,258 BARRIS WILL BE ON THE SHOW, A VERY FUNNY INDIVIDUAL. 104 00:06:25,258 --> 00:06:29,629 AND MUSIC ‐‐ I CAN'T BELIEVE, I'M SO EXCITED ABOUT OUR MUSIC 105 00:06:29,629 --> 00:06:36,069 TONIGHT, ONE OF MY ALL‐TIME, ALL‐TIME, EVERYONE'S ALL‐TIME, 106 00:06:36,069 --> 00:06:40,474 ALL‐TIME LEGENDS, ONE AND ONLY MICHAEL STIPE IS ON THE SHOW 107 00:06:40,474 --> 00:06:41,875 TONIGHT. MICHAEL STIPE, WHAT CAN I SAY 108 00:06:41,875 --> 00:06:45,379 ABOUT THIS GUY WHAT MORE CAN I SAY ABOUT THIS 109 00:06:45,379 --> 00:06:47,781 GUY? I ALREADY WENT CRAZY ON HIM. 110 00:06:47,781 --> 00:06:50,083 I REALLY DO LOVE HIM MY FAVORITE JAMS, WELL, YOU 111 00:06:50,083 --> 00:06:53,553 KNOW NIGHT SWIMMING, THAT'S MY JAM, 112 00:06:53,553 --> 00:06:59,159 KIND OF. A SECRET JAM, NO ONE KNOWS ABOUT 113 00:06:59,159 --> 00:07:01,228 HIM. R. E. M., THOSE ARE MY TWO JAMS. 114 00:07:01,228 --> 00:07:06,033 THE HITS ARE GREAT TOO BUT JUST A POET AND A COOL HUMAN 115 00:07:06,033 --> 00:07:09,069 BEING. AND A RIGHTEOUS HUMAN BEING. 116 00:07:09,069 --> 00:07:14,141 I LOVE EVERYTHING ABOUT HIM. HE'S PERFORMING A SONG TONIGHT 117 00:07:14,141 --> 00:07:17,177 WITH AARON DESSNER WHO IS FROM BIG RED MACHINE. 118 00:07:17,177 --> 00:07:18,912 AND OF COURSE THE NATIONAL IT'S A BIG DEAL TO HAVE HIM ON 119 00:07:18,912 --> 00:07:23,850 THE SHOW I'M SO EXCITED ABOUT THAT. 120 00:07:23,850 --> 00:07:28,855 YOU KNOW, WE HAVEN'T DONE "ASK THE FALLONS" IN A WHILE, WHERE I 121 00:07:28,855 --> 00:07:31,691 DPROFL AND BEG MY WIFE TO ANSWER QUESTIONS ABOUT OUR FANS, TO 122 00:07:31,691 --> 00:07:37,264 ANSWER QUESTIONS ABOUT US OR HER OR THE KIDS OR LIFE OR ANYTHING. 123 00:07:37,264 --> 00:07:41,368 SO THIS IS ANOTHER INSTALLMENT OF "ASK THE FALLONS. 124 00:07:41,368 --> 00:07:45,572 ENJOY. ♪ ASK THE FALLONS ASK THE 125 00:07:45,572 --> 00:07:48,141 FALLONS ♪ >> Jimmy: THIS IS "ASK THE 126 00:07:48,141 --> 00:07:49,576 FALLONS. THANK YOU FOR SENDING THESE 127 00:07:49,576 --> 00:07:53,313 QUESTIONS IN ARE YOU GLAD TO SEE ME 128 00:07:53,313 --> 00:07:58,018 >> I WAS ABOUT TO SAY, I HAVE NOT MASTERED THE NOT SWEARING. 129 00:07:58,018 --> 00:08:01,755 >> Jimmy: I FEEL LIKE BROCCOLI. >> I HAVE TO PICK ONE OR THE 130 00:08:01,755 --> 00:08:04,157 OTHER AND IT'S GOING TO BE ‐‐ >> Jimmy: WHAT IS IT DOING HERE? 131 00:08:04,157 --> 00:08:06,560 THIS IS A RIP‐OFF. I'M GOING TO DO THIS 132 00:08:06,560 --> 00:08:08,962 >> ALL RIGHT I'M JUST GOING TO DO LIKE ‐‐ AS 133 00:08:08,962 --> 00:08:12,065 FAST AS I CAN, PUT IT ON. >> Jimmy: THERE'S NO ONE HERE. 134 00:08:12,065 --> 00:08:15,068 >> SO FAR, SO GOOD. >> Jimmy: ALL RIGHT. 135 00:08:15,068 --> 00:08:16,503 WE HAVE A BUNCH OF QUESTIONS, GREAT ONES FROM PEOPLE WATCHING 136 00:08:16,503 --> 00:08:21,208 THE SHOW. >> WE'RE BACK! 137 00:08:21,208 --> 00:08:25,178 >> Jimmy: DID YOU EVER THINK YOU'D BE BACK DOING IT AGAIN 138 00:08:25,178 --> 00:08:27,347 >> WE DID NEVER OFFICIALLY ‐‐ YOU NEVER SORT OF TOLD ME I WAS 139 00:08:27,347 --> 00:08:29,382 OUT. >> Jimmy: NO. 140 00:08:29,382 --> 00:08:30,383 >> I JUST SORT OF ‐‐ TOOK ADVANTAGE. 141 00:08:30,383 --> 00:08:33,019 >> Jimmy: YOU REALLY DID DIDN'T BRING IT UP. 142 00:08:33,019 --> 00:08:35,088 >> OF YOU NOT BRINGING IT UP. >> Jimmy: SOMEONE ASKED A 143 00:08:35,088 --> 00:08:44,397 QUESTION I THOUGHT WAS VERY YOU. BUT IT'S LIKE, IF YOU HAD TWO 144 00:08:44,397 --> 00:08:46,566 HOURS TO CRAFT, ALONE TIME, JUST TO YOURSELF WHAT WOULD YOU DO? 145 00:08:46,566 --> 00:08:51,104 WHAT WOULD YOU MAKE, WHAT WOULD YOU BE INTO RIGHT NOW? 146 00:08:51,104 --> 00:08:54,107 >> THIS IS SO FOREIGN TO ME RIGHT THIS SECOND, TWO HOURS TO 147 00:08:54,107 --> 00:08:57,511 MYSELF TO JUST CRAFT I WOULDN'T GO BUY ANY ‐‐ LIKE I 148 00:08:57,511 --> 00:09:00,614 WOULD HAVE TO ALWAYS ‐‐ WHAT DO I HAVE, WHAT INSPIRES ME 149 00:09:00,614 --> 00:09:03,116 I THINK I WOULD ‐‐ >> Jimmy: THE TWIGS ARE THE LAST 150 00:09:03,116 --> 00:09:04,818 ONE. >> THAT WAS PROBABLY WHAT I WAS 151 00:09:04,818 --> 00:09:10,891 DOING WHEN I HAD A LITTLE BIT OF ‐‐ A LITTLE TIME IN BETWEEN 152 00:09:10,891 --> 00:09:14,294 THINGS WAS ‐‐ YARN BOMBING TWIGS AND BRANCHES 153 00:09:14,294 --> 00:09:16,897 >> Jimmy: YARN BOMBING. >> WE HAVE SO MANY. 154 00:09:16,897 --> 00:09:17,764 >> Jimmy: COVERING A BRANCH WITH YARN. 155 00:09:17,764 --> 00:09:20,167 >> YES JUST PICKING DIFFERENT YARNS AND 156 00:09:20,167 --> 00:09:24,471 STUFF LIKE THAT. BUT ALMOST THE KEY IS YOU KIND 157 00:09:24,471 --> 00:09:27,073 OF HAVE TO HAVE LIKE RECYCLED IT OR FOUND IT OR FOUND YOUR MOM'S 158 00:09:27,073 --> 00:09:31,111 OLD BIN OF IT OR SOMETHING LIKE THAT 159 00:09:31,111 --> 00:09:34,181 IS THAT WHERE HOWARD STERN WAS GOING? 160 00:09:34,181 --> 00:09:37,450 HE WAS IN THE CAR. HE GETS SO MAD AT PEOPLE NOT 161 00:09:37,450 --> 00:09:38,652 WEARING MASKS WHEN THEY'RE WALKING. 162 00:09:38,652 --> 00:09:41,288 >> Jimmy: YEAH, BUT YOU ‐‐ >> HE WAS IN A CAR, SO YEAH. 163 00:09:41,288 --> 00:09:46,193 >> Jimmy: UNLESS IT WAS HOWARD IN THAT CAR. 164 00:09:46,193 --> 00:09:50,664 DOES HE DRIVE A TRUCK? >> HE DEFINITELY DRIVES. 165 00:09:50,664 --> 00:09:51,431 >> Jimmy: HE DRIVES A SILVER TRUCK. 166 00:09:51,431 --> 00:09:58,271 >> YES >> Jimmy: NO 167 00:09:58,271 --> 00:10:02,042 >> OKAY, HUMANS. I USED TO HAVE STRIPS OF LEATHER 168 00:10:02,042 --> 00:10:05,979 AND GINGHAM. THEN RANDOM FURNITURE. 169 00:10:05,979 --> 00:10:10,784 >> Jimmy: HOWARD THAT WAS HOWARD'S TRUCK. 170 00:10:10,784 --> 00:10:18,792 >> ANYTHING WOODEN I WOULD JUST STRIP IT IN CUTE 171 00:10:18,792 --> 00:10:21,294 LITTLE MICRO ‐‐ PEOPLE WHO HAVE KNOWN ME FOR A LONG TIME WILL 172 00:10:21,294 --> 00:10:24,030 PROBABLY UNEARTH SOME WEIRD THING IN THEIR GARAGE. 173 00:10:24,030 --> 00:10:25,765 >> Jimmy: HERE'S ONE >> OKAY. 174 00:10:25,765 --> 00:10:28,268 >> Jimmy: YOU GUYS ARE SO CUTE, WHAT'S YOUR SECRET FOR KEEPING 175 00:10:28,268 --> 00:10:30,604 YOUR MARRIAGE STRONG >> AWW. 176 00:10:30,604 --> 00:10:34,407 >> Jimmy: PRETTY NICE. SHE'S CUTE 177 00:10:34,407 --> 00:10:38,111 >> SHE'S CUTE. >> Jimmy: WHAT'S YOUR ADVICE FOR 178 00:10:38,111 --> 00:10:45,218 KEEPING MARRIAGE STRONG? >> I MEAN ‐‐ I THINK ‐‐ ONE OF 179 00:10:45,218 --> 00:10:47,621 THE ESSENTIALS IS ‐‐ WHICH IS HARD, BECAUSE TIMING IS 180 00:10:47,621 --> 00:10:51,358 CRITICAL BUT SOMETIMES YOUR TIMING IS, 181 00:10:51,358 --> 00:10:54,527 I'M READY TO GET GOING, AND YOU DON'T REALLY MEET THE RIGHT 182 00:10:54,527 --> 00:11:02,168 PERSON BUT I DO THINK MEETING THE RIGHT 183 00:11:02,168 --> 00:11:06,473 PERSON WHO YOU ‐‐ IT'S NOT EVEN LIKE ‐‐ IT'S SO ‐‐ IT'S 184 00:11:06,473 --> 00:11:08,742 ALMOST ‐‐ MY ANSWER'S ALMOST UNROMANTIC, BUT I DON'T MEAN IT 185 00:11:08,742 --> 00:11:15,515 TO BE UNROMANTIC BUT ALL OF THOSE LIKE CRAZY, 186 00:11:15,515 --> 00:11:19,786 GOOGLY NOTES AND EXCITING, THE BAD BOY, ALL THAT KIND OF STUFF, 187 00:11:19,786 --> 00:11:22,856 IT DOES NOT PAY OFF IN THE LONG TERM 188 00:11:22,856 --> 00:11:25,592 AND I KNOW YOU WON'T TRUST ME, BECAUSE I WOULDN'T TRUST ANYBODY 189 00:11:25,592 --> 00:11:29,296 WHO TOLD ME THAT EITHER, BUT IT'S VERY TRUE 190 00:11:29,296 --> 00:11:33,133 SO YOU REALLY WANT TO PICK SOMEONE WHO YOU DON'T HAVE TO 191 00:11:33,133 --> 00:11:38,071 LIKE EVERY SINGLE THING THE SAME, BUT YOU KIND OF HAVE TO 192 00:11:38,071 --> 00:11:40,674 HAVE THE SAME VALUES, IN A WAY I GUESS VALUES WOULD BE THE BEST 193 00:11:40,674 --> 00:11:43,843 WORD YOU HAVE TO SORT OF ‐‐ WHAT 194 00:11:43,843 --> 00:11:46,446 MAKES YOU BOTH LAUGH, YOU KNOW, WOULD BE A GOOD ‐‐ IS FUN, 195 00:11:46,446 --> 00:11:49,516 BECAUSE THEN YOU LAUGH TOGETHER AT THE SAME STUFF. 196 00:11:49,516 --> 00:11:53,219 ONE OF YOU IS NOT EYEROLLING AND THE OTHER ONE IS LIKE FALLING 197 00:11:53,219 --> 00:11:54,754 DOWN LAUGHING. >> Jimmy: YEAH. 198 00:11:54,754 --> 00:11:58,692 >> I THINK THE THINGS THAT MATTER A LOT TO YOU, I WOULDN'T 199 00:11:58,692 --> 00:12:01,995 COMPROMISE A LOT ON SOMEONE WHO IS THE OPPOSITE OF THAT. 200 00:12:01,995 --> 00:12:06,466 BECAUSE IT'S JUST A STRUGGLE AFTER A WHILE. 201 00:12:06,466 --> 00:12:08,201 AND DATING IS SO CUTE AND EVERYONE'S LIKE, I'LL DO 202 00:12:08,201 --> 00:12:11,071 ANYTHING, OH MY GOD, I LOVE MAYONNAISE 203 00:12:11,071 --> 00:12:14,207 YOU KNOW I'M SURE YOU WOULD HAVE EATEN 204 00:12:14,207 --> 00:12:16,109 MAYONNAISE FOR ME, LET'S JUST PRETEND YOU WOULD HAVE 205 00:12:16,109 --> 00:12:20,680 BUT NOW IT CAN'T EVEN BE IN THE HOUSE. 206 00:12:20,680 --> 00:12:23,283 >> Jimmy: IT CAN TOTALLY BE IN THE HOUSE. 207 00:12:23,283 --> 00:12:25,485 >> NOBODY IN OUR HOME USES MAYONNAISE. 208 00:12:25,485 --> 00:12:26,886 >> Jimmy: GOES MISSING, NOT MY PROBLEM. 209 00:12:26,886 --> 00:12:30,957 >> JUST AN EXAMPLE, THAT YOU'LL DO ANYTHING FOR THAT PERSON, AND 210 00:12:30,957 --> 00:12:35,095 THEN AS YOU REALLY ARE TOGETHER AND COME TOGETHER, JUST THOSE 211 00:12:35,095 --> 00:12:37,630 SORT OF ‐‐ YOU HOPEFULLY GET MORE REAL. 212 00:12:37,630 --> 00:12:40,133 AND WITHIN MORE REAL, YOU OF COURSE DON'T WANT MAYONNAISE 213 00:12:40,133 --> 00:12:43,737 ANYWHERE NEAR YOU. SO THOSE TRUTHS COME OUT 214 00:12:43,737 --> 00:12:46,206 THEY CAN REALLY PULL THE RUG OUT FROM UNDER PEOPLE, DEPENDING ON 215 00:12:46,206 --> 00:12:54,147 WHAT THEY ARE. >> Jimmy: JUST LIKE WHEN PEOPLE 216 00:12:54,147 --> 00:12:55,915 START LOOKING AT EACH OTHER? YOU STILL LIKE LOOKING AT EACH 217 00:12:55,915 --> 00:12:57,317 OTHER? >> I HOPE SO. 218 00:12:57,317 --> 00:12:59,419 >> Jimmy: YOU'RE CUTE. >> THAT IS A BIG ONE. 219 00:12:59,419 --> 00:13:04,424 >> Jimmy: HONESTY. >> HONESTY, BUT ALSO JUST REALLY 220 00:13:04,424 --> 00:13:08,661 HAVE YOUR LIST OF THINGS THAT REALLY YOU CAN'T TOLERATE, OR 221 00:13:08,661 --> 00:13:12,499 MUST TOLERATE, AND MAKE SURE THEY JUST LINE UP ENOUGH THAT 222 00:13:12,499 --> 00:13:15,568 THEY'RE NOT LIKE APPROVING THE OTHER PERSON 223 00:13:15,568 --> 00:13:17,003 AND I THINK, KEEP YOUR SENSE OF RUMOR. 224 00:13:17,003 --> 00:13:20,473 AND I THINK, KEEP SOME INDEPENDENCE 225 00:13:20,473 --> 00:13:27,680 NEITHER OF YOU SHOULD BE SO RELIANT ON THE OTHER 226 00:13:27,680 --> 00:13:32,952 OH MY GOD, ANYWAY, SORRY AND NOW FOR JIMMY FALLON 227 00:13:32,952 --> 00:13:37,757 >> Jimmy: UNFORTUNATELY, WE HAVE TO GO TO COMMERCIAL. 228 00:13:37,757 --> 00:13:43,229 WE'LL BE RIGHT BACK WITH LIN‐MANUEL MIRANDA, EVERYBODY, 229 00:13:43,229 --> 00:13:45,209 COME ON BACK 230 00:14:00,433 --> 00:14:01,248 >> Jimmy: WELL, IT DOESN'T COME 231 00:14:01,248 --> 00:14:04,518 ANY MORE TALENTED THAN MY FIRST GUEST TONIGHT. 232 00:14:04,518 --> 00:14:07,788 HE IS THE TONY WINNER, CREATOR OF THE BROADWAY SMASH 233 00:14:07,788 --> 00:14:10,991 "HAMILTON," WHICH YOU'LL SOON BE ABLE TO SEE WHEREVER YOU GET 234 00:14:10,991 --> 00:14:14,061 DISNEY MISCELLANEOUS HERE'S MY CONVERSATION WITH 235 00:14:14,061 --> 00:14:22,336 LIN‐MANUEL MIRANDA LIN‐MANUEL MIRANDA 236 00:14:22,336 --> 00:14:26,707 COME ON, YOU ARE OUR FIRST GUEST IN THE "AT HOME" EDITION, IT 237 00:14:26,707 --> 00:14:31,612 SEEMS LIKE FOREVER AGO. >> FIVE YEARS AGO? 238 00:14:31,612 --> 00:14:35,683 >> Jimmy: SIXTH ANNIVERSARY OF THE "AT HOME" SHOW 239 00:14:35,683 --> 00:14:41,922 I HAVE TO TALK ABOUT "HAMILTON." >> GO! 240 00:14:41,922 --> 00:14:45,225 >> Jimmy: CAN WE EVEN JUST STOP AND SAY HAMILTON FOR A SECOND? 241 00:14:45,225 --> 00:14:47,828 LET IT SIT OUT THERE THIS IS COMING OUT, THIS IS 242 00:14:47,828 --> 00:14:50,764 BEING RELEASED. >> YOU JUST WILL HAVE IT 243 00:14:50,764 --> 00:14:54,168 FUNNY, I WAS ON TWITTER YESTERDAY, PEOPLE WERE LIKE, 244 00:14:54,168 --> 00:14:57,204 WILL YOU SAY NO TO THIS? I WAS LIKE, YES, YOU WILL HAVE 245 00:14:57,204 --> 00:14:59,206 IT. >> Jimmy: WHAT ABOUT THIS SONG 246 00:14:59,206 --> 00:15:03,777 >> YOU WILL JUST HAVE IT. >> Jimmy: THIS IS INSANE 247 00:15:03,777 --> 00:15:06,513 I'VE SEEN THE SHOW I ALWAYS HATE SAYING ‐‐ I'VE 248 00:15:06,513 --> 00:15:10,217 SEEN IT SO MANY TIMES, EVERY CAST IS AMAZING. 249 00:15:10,217 --> 00:15:17,558 BUT THE FIRST TIME WAS, YOU KNOW, WITH THIS CAST. 250 00:15:17,558 --> 00:15:19,526 >> THE FIRST TIME WE MET WAS YOU BID ON YOUR VOICE MAIL. 251 00:15:19,526 --> 00:15:23,664 >> Jimmy: YOU'RE STILL MY VOICE MAIL, I'M NOT KIDDING. 252 00:15:23,664 --> 00:15:26,400 >> FIVE YEARS LATER. >> Jimmy: ALMOST EXACTLY FIVE 253 00:15:26,400 --> 00:15:30,137 YEARS LATER. DOLLY PARTON JUST LEFT A MESSAGE 254 00:15:30,137 --> 00:15:32,673 ON MY MACHINE AND FREAKED OUT AND SAID, THAT IS THE BEST 255 00:15:32,673 --> 00:15:37,544 MESSAGE I'VE EVER HEARD. >> YOU JUST MADE MY DAY, DOLLY 256 00:15:37,544 --> 00:15:43,884 PARTON KNOWS WHO I AM? >> Jimmy: SHE WAS LIKE, WHAT 257 00:15:43,884 --> 00:15:45,519 THE SHOW BECOMES THE BIGGEST THING. 258 00:15:45,519 --> 00:15:50,024 I REMEMBER GOING HOME THAT NIGHT AFTER I MET YOU, I FLIPPED OUT 259 00:15:50,024 --> 00:15:52,626 NANCE WAS FLIPPING OUT I WENT HOME AND TRIED TO GOOGLE 260 00:15:52,626 --> 00:15:56,497 ANYTHING I COULD FIND. I COULDN'T FIND ANYTHING ABOUT 261 00:15:56,497 --> 00:16:01,702 "HAMILTON" EXCEPT I FOUND A BLURRY VIDEO OF YOU PERFORMING 262 00:16:01,702 --> 00:16:03,737 AT THE WHITE HOUSE FOR PRESIDENT BARACK OBAMA AND MICHELLE. 263 00:16:03,737 --> 00:16:09,810 >> IN 2009, LIKE SIX YEARS PRIOR. 264 00:16:09,810 --> 00:16:11,979 IF YOU WANT TO SEE ME AT MY MOST AFRAID, YOU CAN WATCH THAT 265 00:16:11,979 --> 00:16:19,086 VIDEO. BECAUSE I KNOW THAT "HAMILTON'S" 266 00:16:19,086 --> 00:16:21,622 LIKE A BAD ELEVATOR PITCH. RAPPING FOUNDERS, LIKE WHAT? 267 00:16:21,622 --> 00:16:23,557 NO I THINK THE AUDIENCE REALLY 268 00:16:23,557 --> 00:16:28,395 THOUGHT IT WAS A JOKE, LIKE THIS IS LIKE A "SCHOOLHOUSE ROCK" 269 00:16:28,395 --> 00:16:31,665 THING OR AN EPIC RAP BATTLES OF HISTORY GAG THING. 270 00:16:31,665 --> 00:16:33,867 AND IF YOU WATCH THE VIDEO, MY EYES ARE CONSTANTLY SCANNING 271 00:16:33,867 --> 00:16:37,171 AROUND BECAUSE I'M LOOKING FOR AN 272 00:16:37,171 --> 00:16:40,107 ESCAPE ROUTE IT'S GOING SIDEWAYS. 273 00:16:40,107 --> 00:16:42,376 LIKE, HOW DO I GET OUT OF THE EAST ROOM? 274 00:16:42,376 --> 00:16:47,414 WHERE ARE ALL THE EXITS? HOW CAN I BOMB IN FRONT OF THE 275 00:16:47,414 --> 00:16:49,883 PRESIDENT OF THE UNITED STATES >> Jimmy: YOU SEE PEOPLE 276 00:16:49,883 --> 00:16:56,256 LAUGHING AND THEY'RE KIND OF LIKE, HA HA HA, WHAT 277 00:16:56,256 --> 00:16:58,659 WHAT'S GOING ON? ALL OF A SUDDEN YOU SEE PEOPLE 278 00:16:58,659 --> 00:17:00,961 LIKE, WELL, THIS IS ACTUALLY ‐‐ >> WELL, WHAT HAPPENS TO THEM IS 279 00:17:00,961 --> 00:17:03,263 WHAT HAPPENED TO ME. LIKE THEY GET SUCKED INTO THE 280 00:17:03,263 --> 00:17:06,533 STORY. THEY GO, OH, OH, I DIDN'T KNOW 281 00:17:06,533 --> 00:17:10,838 THAT, I DIDN'T KNOW ‐‐ BY THE END THEY'RE ALL LIKE ‐‐ 282 00:17:10,838 --> 00:17:14,174 >> Jimmy: YES! >> YES 283 00:17:14,174 --> 00:17:16,243 THAT'S BEEN THE EXPERIENCE OF "HAMILTON. 284 00:17:16,243 --> 00:17:20,214 THIS IS A WEIRD IDEA AND THEN HAMILTON'S STORY IS SO 285 00:17:20,214 --> 00:17:21,615 REMARKABLE THAT PEOPLE GET SUCKED IN. 286 00:17:21,615 --> 00:17:25,886 >> Jimmy: I DON'T KNOW IF YOU UNDERSTAND THIS. 287 00:17:25,886 --> 00:17:29,189 MORE PEOPLE WILL SEE "HAMILTON" NOW THAN HAVE EVER SEEN YOUR 288 00:17:29,189 --> 00:17:31,125 WORK EVER. >> I KNOW. 289 00:17:31,125 --> 00:17:34,628 I MEAN, THE THING ‐‐ THAT'S THE CRAZY THING ABOUT THE SCALE OF 290 00:17:34,628 --> 00:17:39,133 THEATER VERSUS FILM. LIKE THE WAY "HAMILTON'S" 291 00:17:39,133 --> 00:17:41,401 ENTERED THE POPULAR CONVERSATION 292 00:17:41,401 --> 00:17:46,773 AND YET MORE PEOPLE WILL SEE IT NEXT FRIDAY AND SATURDAY THAN 293 00:17:46,773 --> 00:17:50,711 HAVE SEEN IT IN ALL OF ITS INCARNATIONS SO FAR. 294 00:17:50,711 --> 00:17:52,579 I CAN'T WRAP MY HEAD AROUND THAT. 295 00:17:52,579 --> 00:17:56,617 >> Jimmy: HAMILTON'S BECOME NOW ‐‐ I'VE HEARD SO MANY PEOPLE 296 00:17:56,617 --> 00:18:01,955 SINGING THE SONGS, RAPPING, QUOTING THE LYRICS 297 00:18:01,955 --> 00:18:04,925 AT PROTESTS PEOPLE HAVE SIGNS HOLDING YOUR LYRICS. 298 00:18:04,925 --> 00:18:06,460 I MEAN, IT'S GOT TO MEAN A LOT TO YOU, RIGHT? 299 00:18:06,460 --> 00:18:10,597 >> YEAH. AND I THINK ALSO JUST BECAUSE SO 300 00:18:10,597 --> 00:18:13,367 MUCH OF THE SHOW IS ABOUT LEGACY 301 00:18:13,367 --> 00:18:16,703 AND HOW YOU CAN'T CONTROL IT, YOU CAN ONLY MAKE WHAT YOU MAKE 302 00:18:16,703 --> 00:18:22,843 AND DO WHAT YOU DO AND THE REST IS REALLY NOT UP TO YOU. 303 00:18:22,843 --> 00:18:25,345 AND SO I'M INCREDIBLY PROUD WHEN I SEE, THIS IS NOT A MOMENT, 304 00:18:25,345 --> 00:18:30,617 IT'S A MOVEMENT. HISTORY HAS ITS EYES ON YOU AT A 305 00:18:30,617 --> 00:18:34,421 BLACK LIVES MATTER PROTEST OR, YOU KNOW ‐‐ BUT WHAT'S WEIRD 306 00:18:34,421 --> 00:18:37,391 ABOUT THE SHOW IS, BECAUSE IT BRUSHES UP AGAINST SORT OF THE 307 00:18:37,391 --> 00:18:41,195 ORIGINS OF OUR COUNTRY, LIKE IT JUST HITS DIFFERENT DEPENDING ON 308 00:18:41,195 --> 00:18:48,435 WHERE WE ARE AS A COUNTRY. I REMEMBER GOING TO SEE IT IN 309 00:18:48,435 --> 00:18:51,104 LONDON WHEN BREXIT WAS HAPPENING AND SEEING KING GEORGE SINGING, 310 00:18:51,104 --> 00:18:57,511 WHAT COMES NEXT? YOU COULD FEEL THE AUDIENCE 311 00:18:57,511 --> 00:19:00,914 LIKE, OOHH, WHAT DOES COME NEXT? >> Jimmy: TOPICAL! 312 00:19:00,914 --> 00:19:04,851 >> YEAH, AND BECAUSE IT BRUSHES UP AGAINST THE ORIGIN STORY, 313 00:19:04,851 --> 00:19:07,888 BECAUSE IT'S THE STORY OF THE ONE IMMIGRANT AMONG THE 314 00:19:07,888 --> 00:19:10,624 FOUNDERS, LIKE IT ALWAYS HAS SOMETHING TO SAY ABOUT THE 315 00:19:10,624 --> 00:19:12,826 MOMENT BECAUSE WE'RE CONSTANTLY DEALING 316 00:19:12,826 --> 00:19:16,663 WITH THE PAST. IF THIS MOMENT IS ANY 317 00:19:16,663 --> 00:19:19,800 INDICATION, WE'RE NEVER DONE WITH THE PAST, WE'RE NEVER DONE 318 00:19:19,800 --> 00:19:22,769 WITH THE SINS OF THE FOUNDERS, WE'RE NEVER DONE WITH THE FLAWS 319 00:19:22,769 --> 00:19:25,239 AND THE CONTRADICTION IN THE FOUNDING 320 00:19:25,239 --> 00:19:29,209 SO IT HITS DIFFERENTLY DEPENDING ON WHERE WE ARE. 321 00:19:29,209 --> 00:19:31,878 >> Jimmy: IT'S JULY 3rd, CORRECT? 322 00:19:31,878 --> 00:19:35,582 >> JULY 3rd. MIDNIGHT, WEST COAST TIME. 323 00:19:35,582 --> 00:19:38,085 SO THAT WOULD BE 3:00 A. M. NEW YORK TIME. 324 00:19:38,085 --> 00:19:39,953 DO THE MATH TO YOUR RESPECTIVE TIME ZONES. 325 00:19:39,953 --> 00:19:43,690 >> Jimmy: OKAY, PERFECT. >> WORLDWIDE, EVERYWHERE THAT 326 00:19:43,690 --> 00:19:46,193 HAS DISNEY PLUS. >> Jimmy: HERE'S ANOTHER GIANT 327 00:19:46,193 --> 00:19:49,363 THING. ANOTHER THING WHY YOU'RE NOT ‐‐ 328 00:19:49,363 --> 00:19:54,601 I JUST ‐‐ WE ARE FREESTYLE LOVE SUPREME. 329 00:19:54,601 --> 00:19:58,805 ANOTHER FILM >> YES, THAT WAS A SHOW THAT 330 00:19:58,805 --> 00:20:01,608 STARTED IN 2003 THAT WE JUST ‐‐ WAS JUST OUR FRIENDS ‐‐ WE WERE 331 00:20:01,608 --> 00:20:04,978 FREESTYLING FOR FUN. IT'S A DOCUMENTARY ABOUT OUR 15 332 00:20:04,978 --> 00:20:08,482 YEARS. AND WHEN WE HAD OUR BROADWAY 333 00:20:08,482 --> 00:20:11,318 RUN, YOU HAD US ON OUR SHOW TO FREESTYLE ON YOUR SHOW 334 00:20:11,318 --> 00:20:14,821 THAT'S IN THE MOVIE. AND SO THAT WILL NOW COME OUT ON 335 00:20:14,821 --> 00:20:17,557 HULU ON JULY 17th. >> Jimmy: CAN YOU TELL ME ABOUT 336 00:20:17,557 --> 00:20:19,526 YOUR NEW CAMPAIGN? THIS IS "RAISE UP. 337 00:20:19,526 --> 00:20:24,331 >> YEAH. SO, YOU KNOW, WE'RE ‐‐ AS SOON 338 00:20:24,331 --> 00:20:26,199 AS THE PANDEMIC HIT, WE REALIZED BLACK AND BROWN COMMUNITIES WERE 339 00:20:26,199 --> 00:20:35,809 GOING TO BE OVERWHELMINGLY AFFECTED BY THIS 340 00:20:35,809 --> 00:20:38,779 AND SO THE "RAISE UP" FUND IS A FUND FOR THE FEDERATION THAT 341 00:20:38,779 --> 00:20:40,847 DONATES TO IMMIGRANT COMMUNITIES. 342 00:20:40,847 --> 00:20:47,721 AND NOW WE'RE ALSO PARTNERING WITH "COLOR OF CHANGE," RAISING 343 00:20:47,721 --> 00:20:49,489 MONEY FOR COLOR OF CHANGE AND BLACK COMMUNITIES AFFECTED BY 344 00:20:49,489 --> 00:20:51,658 THIS PANDEMIC. THERE ARE SO MANY THINGS GOING 345 00:20:51,658 --> 00:20:56,263 ON IN THE WORLD, AND THIS PANDEMIC IS STILL HAPPENING. 346 00:20:56,263 --> 00:20:58,432 LATINO COMMUNITIES, BLACK COMMUNITIES, ARE 347 00:20:58,432 --> 00:21:03,470 DISPROPORTIONATELY ACED. I LIVE IN WASHINGTON HEIGHTS, 348 00:21:03,470 --> 00:21:04,771 THAT IS THE SECOND‐HIGHEST HIT NEIGHBORHOOD RIGHT NOW IN NEW 349 00:21:04,771 --> 00:21:11,011 YORK AND SO THIS FUND ‐‐ SO WE HAVE 350 00:21:11,011 --> 00:21:14,114 LOTS OF BASICALLY FUN ITEMS TO BID ON, AND THE MONEY WILL GO TO 351 00:21:14,114 --> 00:21:20,620 THESE COMMUNITIES. YOU CAN GO ‐‐ HAVE A TRIVIA 352 00:21:20,620 --> 00:21:23,490 NIGHT WITH JONATHAN GROFF. THE GANG'S ALL HERE. 353 00:21:23,490 --> 00:21:27,427 MY WIFE IS AUCTIONING OFF A COOKING LESSON 354 00:21:27,427 --> 00:21:29,963 WE AUCTION OFF TICKETS TO "HAMILTON," WHEREVER WE OPEN 355 00:21:29,963 --> 00:21:31,865 FIRST. CHRIS JACKSON AND HIS WIFE 356 00:21:31,865 --> 00:21:37,204 AUCTIONED A NIGHT. WE'RE CALLING ON ALL OUR FRIENDS 357 00:21:37,204 --> 00:21:42,743 TO SORT OF MAKE BIDS, TO MAKE THESE SPECIAL PRIZES, ALL TO 358 00:21:42,743 --> 00:21:50,283 RAISE MONEY. >> Jimmy: RAISEUPFUND.COM. 359 00:21:50,283 --> 00:21:51,251 DID THIS WITH THE CHIRON ON THE SCREEN 360 00:21:51,251 --> 00:21:52,919 WE'RE HIGH‐TECH, WE'RE PROFESSIONAL ON "THE TONIGHT 361 00:21:52,919 --> 00:21:56,723 SHOW." >> YEAH, YOU GUYS HAVE COME A 362 00:21:56,723 --> 00:21:58,925 LONG WAY SINCE THAT FIRST SHOW. >> Jimmy: NO, JUST KIDDING, 363 00:21:58,925 --> 00:21:59,960 BETTER WIG OR WORSE WIG 364 00:21:59,960 --> 00:22:03,830 I DON'T KNOW WHAT'S GOING ON ALL RIGHT. 365 00:22:03,830 --> 00:22:06,133 WE'RE GOING TO GO TO A COMMERCIAL BREAK 366 00:22:06,133 --> 00:22:09,202 IF YOU CAN, STICK AROUND FOR TWO MORE SECONDS 367 00:22:09,202 --> 00:22:11,204 CAN I MAYBE ASK YOU TO DO A LITTLE FREESTYLE WHEN WE COME 368 00:22:11,204 --> 00:22:15,008 BACK >> YEAH, WE'LL DO SOME FREESTYLE 369 00:22:15,008 --> 00:22:16,042 WHEN WE COME BACK. >> Jimmy: MORE WITH LIN‐MANUEL 370 00:22:16,042 --> 00:22:17,877 MIR MIRANDA, EVERYBODY 371 00:22:32,423 --> 00:22:33,419 >> Jimmy: LIN‐MANUEL, I'M SO HAPPY YOU'RE HERE, LIN‐MANUEL 372 00:22:33,419 --> 00:22:39,258 MIRANDA. YOUR NEW DOCUMENTARY "WE ARE, 373 00:22:39,258 --> 00:22:43,028 FREESTYLE, LOVE SUPREME," COMING OUT JULY 17th ON HULU. 374 00:22:43,028 --> 00:22:46,498 I REMEMBER GOING BACKSTAGE TO SAY HI TO YOU GUYS BEFORE THE 375 00:22:46,498 --> 00:22:49,201 SHOW NORMALLY I WOULD GO AFTER. 376 00:22:49,201 --> 00:22:53,372 YOU SAID, COME BEFORE, THERE'S A LITTLE SPECIAL SOMETHING 377 00:22:53,372 --> 00:22:56,975 I WENT AND HID IN THE CORNER UNDER THESE LIGHTS IN THE 378 00:22:56,975 --> 00:23:00,045 THEATER AND YOU GUYS DID THIS KIND OF WORKOUT, YOU PICKED 379 00:23:00,045 --> 00:23:03,315 WORDS OUT OF A BAG AND I WAS LIKE, WOW. 380 00:23:03,315 --> 00:23:07,286 ALREADY I WAS LIKE, OH, NO, THIS IS UNBELIEVABLE, THIS IS ‐‐ THAT 381 00:23:07,286 --> 00:23:10,122 WAS AMAZING TO WATCH JUST LIKE, JUST WARMING UP, 382 00:23:10,122 --> 00:23:13,058 GETTING READY FOR THE SHOW I THOUGHT IT WOULD BE KIND OF 383 00:23:13,058 --> 00:23:15,894 FUN TO DO KIND OF A FREESTYLE RIGHT NOW. 384 00:23:15,894 --> 00:23:20,265 SINCE WE'RE BOTH STUCK AT HOME, I WANT TO SWITCH THINGS UP AND 385 00:23:20,265 --> 00:23:23,235 CHALLENGE YOU TO A NEW GAME. THIS IS "RANDOM OBJECT 386 00:23:23,235 --> 00:23:29,141 FREESTYLE. ♪ RANDOM OBJECT FREESTYLE OBJEC 387 00:23:29,141 --> 00:23:32,411 RANDOM OBJECT FREESTYLE ♪ >> Jimmy: HERE'S HOW IT WORKS. 388 00:23:32,411 --> 00:23:36,115 I WILL HOLD UP A RANDOM OBJECT, THEN YOU HAVE TO START 389 00:23:36,115 --> 00:23:40,052 FREESTYLING ABOUT THAT OBJECT. EVERY FEW SECONDS I'LL SHOW YOU 390 00:23:40,052 --> 00:23:42,588 ANOTHER RANDOM OBJECT, SWITCH IT UP, START FREESTYLING ABOUT THAT 391 00:23:42,588 --> 00:23:43,355 ONE. MAKE SENSE 392 00:23:43,355 --> 00:23:45,924 >> YES. >> Jimmy: ALL RIGHT, LET'S TRY 393 00:23:45,924 --> 00:23:49,628 IT WHERE'S THE BEAT 394 00:23:49,628 --> 00:23:53,399 ♪ ♪ OKAY LISTEN I WILL GIVE YOU A 395 00:23:53,399 --> 00:23:57,136 ANSWER NO MATTER WHAT THE ASK MAY BE KIND OF MUMBLES BECAUSE 396 00:23:57,136 --> 00:24:04,676 I'M STUCK BEHIND A MASK ♪ ♪ OH YEAH MASK OF THE RED DEATH 397 00:24:04,676 --> 00:24:10,449 EDGAR ALLEN POE TAKE MY NEXT BREATH ♪ 398 00:24:10,449 --> 00:24:13,852 ♪ I'M HEARING CHEERIOS CHEERIOS THE STEREO GOT THE SWITCH 399 00:24:13,852 --> 00:24:16,922 BECAUSE I'M STEREO I GOT THE SWITCH I'M PLAYING ANIMAL 400 00:24:16,922 --> 00:24:23,128 CROSSING AND I'M [ BLEEP ] ♪ ♪ HOW IS MY FLOSSING YES ♪ 401 00:24:23,128 --> 00:24:28,934 ♪ ONLINE WITH MY FRIENDS GOT TH BIG GOOP HITTING IT ALL UP ♪ 402 00:24:28,934 --> 00:24:32,905 ♪ I'M DRINKING LOTS OF MY 7‐ELEVEN AND ALL YES ♪ 403 00:24:32,905 --> 00:24:36,074 ♪ I GOT THE CALENDAR VACATION FOREVER BECAUSE THIS THING'S 404 00:24:36,074 --> 00:24:42,881 LASTING FOREVER ♪ ♪ I TRY TO GO TO THE BAHAMAS BU 405 00:24:42,881 --> 00:24:46,618 I END UP [ BLEEP ] PANDEMIC ♪ ♪ THE LONG AND HARD WAY AND YES 406 00:24:46,618 --> 00:24:52,724 THERE'S NO SHOWS ON BROADWAY ♪ ♪ BUT THAT'S OKAY I WILL TRUST 407 00:24:52,724 --> 00:24:58,330 BECAUSE MY SHOW IS ON JULY 3rd ♪ ♪ YOU'RE GOING DOWN TO DOWNLOAD 408 00:24:58,330 --> 00:25:02,701 HOT PORN WHILE YOU'RE EATING POPCORN ♪ 409 00:25:02,701 --> 00:25:06,071 ♪ YES PUT THE BUTTER ON IT WHEN YOU'RE PUERTO RICAN YOU CAN EAT 410 00:25:06,071 --> 00:25:09,475 IT WITH ME EVERY WEEKEND ♪ ♪ NO WHATEVER HAPPENS JOHN 411 00:25:09,475 --> 00:25:11,877 BOLTON MAN I CAN'T BELIEVE I HAVE TO RESPOND TO THIS ♪ 412 00:25:11,877 --> 00:25:18,450 ♪ YOU SHOULD HAVE [ BLEEP ] TESTIFIED BEFORE CONGRESS ♪ 413 00:25:18,450 --> 00:25:24,556 ♪ HAMILTON POSTER THIS IS NOT THE COSTANOSTRA ♪ 414 00:25:24,556 --> 00:25:28,293 ♪ I TOLD YOU WE'RE ALL GOING TO GET TO SEE IT THE HOUSE GETS THE 415 00:25:28,293 --> 00:25:32,064 MOUSE BUILT ♪ ♪ I CAN GET ON MY DAMN STILTS 416 00:25:32,064 --> 00:25:37,269 LIKE THE MICKEY MOUSE CLUB ♪ ♪ THE GOOFY DANCE IN MY 417 00:25:37,269 --> 00:25:40,973 UNDERPANTS OH YEAH ♪ ♪ DISNEYLAND YEAH THAT'S RIGHT 418 00:25:40,973 --> 00:25:45,577 BECAUSE I UNDERSTAND THIS IS JUST A DAMN PET ♪ 419 00:25:45,577 --> 00:25:49,515 ♪ HAVING FUN WITH JIMMY FALLON BRINGING BALANCE WITH MY 420 00:25:49,515 --> 00:25:53,886 FREESTYLING TALENTS ♪ >> Jimmy: HA HA WHOO 421 00:25:53,886 --> 00:25:55,420 HEY, I DON'T KNOW WHY I'M EXCITED. 422 00:25:55,420 --> 00:26:03,996 I AM JUST RELIEVED WOW! 423 00:26:03,996 --> 00:26:06,798 HOW DID YOU DO THAT? OH, GOSH 424 00:26:06,798 --> 00:26:08,033 YOU HAVE NO IDEA ABOUT ANY OF THAT STUFF. 425 00:26:08,033 --> 00:26:13,138 >> YEAH. >> Jimmy: THAT'S JUST INSANITY 426 00:26:13,138 --> 00:26:14,540 >> I DIDN'T GET PAID FOR THAT, JIMMY. 427 00:26:14,540 --> 00:26:18,210 >> Jimmy: YOU'RE THE BEST, DUDE. I LOVE YOU SO MUCH 428 00:26:18,210 --> 00:26:19,611 I CAN'T TELL YOU, I'M SO HAPPY, I'M SO EXCITED 429 00:26:19,611 --> 00:26:26,285 JULY 3rd, DISNEY PLUS, "HAMILTON. 430 00:26:26,285 --> 00:26:30,889 JULY 17th, "WE ARE FREESTYLE, LOVE SUPREME," ON HULU 431 00:26:30,889 --> 00:26:31,990 LIN‐MANUEL MIRANDA, YOU'RE THE BEST 432 00:26:31,990 --> 00:26:37,162 STAY SAFE, THANKS. >> THANKS FOR HAVING ME, JIMMY. 433 00:26:37,162 --> 00:26:40,988 >> Jimmy: MY THANKS TO LIN‐MANUEL MIRANDA 434 00:26:40,988 --> 00:26:42,739 BE RIGHT BACK WITH KENYA BARRIS, EVERYBODY. 435 00:26:57,563 --> 00:26:59,452 >> Jimmy: KENYA BARRIS IS ONE OF THE MOST SUCCESSFUL WRITERS AND 436 00:26:59,452 --> 00:27:03,390 PRODUCERS ON EARTH RIGHT NOW, HE'S UNBELIEVABLE. 437 00:27:03,390 --> 00:27:07,994 HE WROTE THE MOVIE "GIRLS TRIP," HE WROTE THE SEQUEL TO "COMING 438 00:27:07,994 --> 00:27:18,505 TO AMERICA" THAT'S COMING OUT, HE CREATED "BLACK‐ISH" 439 00:27:18,505 --> 00:27:22,209 "GROWN‐ISH," "MIXT‐ISH." HERE'S MY CONVERSATION WITH 440 00:27:22,209 --> 00:27:24,177 KENYA BARRIS THANK YOU FOR DOING THE SHOW, I 441 00:27:24,177 --> 00:27:26,580 APPRECIATE IT. I'M A FAN AND IT REALLY MEANS A 442 00:27:26,580 --> 00:27:31,284 LOT TO ME. THANK YOU SO MUCH FOR DOING "THE 443 00:27:31,284 --> 00:27:33,153 TONIGHT SHOW." >> THANK YOU FOR CHECKING OFF 444 00:27:33,153 --> 00:27:36,356 THE BUCKET LIST THAT I WOULD HAVE NEVER PUT ON MY BUCKET 445 00:27:36,356 --> 00:27:39,059 LIST, SO THANK YOU. >> Jimmy: OH MY GOSH 446 00:27:39,059 --> 00:27:42,429 HOW IS EVERYTHING, HOW ARE YOU, HOW'S THE FAM? 447 00:27:42,429 --> 00:27:44,231 IS EVERYONE SAFE, EVERYONE HEALTHY? 448 00:27:44,231 --> 00:27:47,167 >> EVERYONE IS SAFE. YOU KNOW, MY DAUGHTER ‐‐ THIS IS 449 00:27:47,167 --> 00:27:49,469 A CRAZY THING. MY DAUGHTER AND ME, MY DAUGHTER 450 00:27:49,469 --> 00:27:58,178 JUST TURNED 21 WE HAD ‐‐ I LOOKED UP, AND A 451 00:27:58,178 --> 00:28:02,449 COUPLE OF WEEKS AGO I FELT LIKE A CHARGE 452 00:28:02,449 --> 00:28:05,285 SHE WAS LIKE, I I'M GOING TO GO TO JAMAICA 453 00:28:05,285 --> 00:28:07,888 I'M LIKE, YOU'RE THOUGHT GOING TO JAMAICA, THIS IS A PANDEMIC, 454 00:28:07,888 --> 00:28:11,057 ARE YOU CRAZY? SHE'S LIKE, DAD, I'M GOING TO BE 455 00:28:11,057 --> 00:28:19,633 21, I'M GOING TO BE GROWN. I WAS LIKE, YOU'RE NOT GOING, IF 456 00:28:19,633 --> 00:28:23,103 YOU GO, I'M CUTTING YOU OFF. WE NEVER GET TO CUT PEOPLE OFF 457 00:28:23,103 --> 00:28:27,140 SHE'S LIKE, WHATEVER SO CUT TO, I LOOK ON INSTAGRAM, 458 00:28:27,140 --> 00:28:29,743 IT'S LIKE HER ON A BOAT SOMEWHERE. 459 00:28:29,743 --> 00:28:34,114 I'M LIKE, WHERE ARE YOU? SHE WAS LIKE, I'M IN MIAMI 460 00:28:34,114 --> 00:28:38,618 I'M LIKE, YOU'RE IN MIAMI? >> Jimmy: IT'S NOT JAMAICA. 461 00:28:38,618 --> 00:28:41,554 >> I WAS LIKE, NO, IT'S THE EPICENTER, IT'S GROUND ZERO. 462 00:28:41,554 --> 00:28:46,459 >> Jimmy: SHE WENT WORSE. >> I WAS LIKE, YOU WANT TO BE 463 00:28:46,459 --> 00:28:48,662 THE BOSS I'M TAKING EVERYTHING. 464 00:28:48,662 --> 00:28:54,167 YOU'RE ON YOUR OWN YOU GO AND BE AN ADULT 465 00:28:54,167 --> 00:28:56,536 SHE COMES BACK, FATHER'S DAY WAS SUNDAY 466 00:28:56,536 --> 00:28:59,706 SATURDAY I GET THIS MESSAGE FROM HER. 467 00:28:59,706 --> 00:29:04,177 SHE'S LIKE, SO I'M NOT GOING TO COME OVER TOMORROW BECAUSE I'M 468 00:29:04,177 --> 00:29:07,247 NOT FEELING WELL I DON'T WANT TO TAKE A CHANCE OF 469 00:29:07,247 --> 00:29:09,382 ANYONE GETTING SICK. I'M LIKE, WHAT ARE YOUR 470 00:29:09,382 --> 00:29:12,252 SYMPTOMS SHE'S LIKE, I'M NOT FEELING 471 00:29:12,252 --> 00:29:17,624 GOOD, I'M HAVING HEADACHES, I LOST MY SENSE OF TASTE 472 00:29:17,624 --> 00:29:20,593 I GO, YOU HAVE COVID AND I WAS LIKE, THIS ISN'T EVEN 473 00:29:20,593 --> 00:29:24,798 LIKE ‐‐ IT'S ALMOST LIKE YOU WERE TRYING TO GET IT. 474 00:29:24,798 --> 00:29:28,768 YOU WERE GOING TO GYMS SHE'S A COVID CHASER, I'M LIKE, 475 00:29:28,768 --> 00:29:31,771 YOU WERE TRYING TO GET IT. LITERALLY LIKE, WHAT IS GOING 476 00:29:31,771 --> 00:29:33,773 ON AND SHE WAS LIKE, I KNOW, I'M 477 00:29:33,773 --> 00:29:37,777 SORRY, YOU'RE GOING TO SAY I TOLD YOU SO. 478 00:29:37,777 --> 00:29:41,848 BUT IT WAS LIKE ‐‐ I TOLD HER, I HAVE TO TELL PEOPLE THIS, 479 00:29:41,848 --> 00:29:48,288 BECAUSE SHE'S YOUNG. SHE FEELS LIKE, YOU KNOW ‐‐ THEY 480 00:29:48,288 --> 00:29:53,760 FEEL INVINCIBLE. I DON'T THINK IT'S FUNNY, I HAVE 481 00:29:53,760 --> 00:29:59,132 A GALLOWS SENSE OF HUMOR BUT THE NOTION OF, THIS DOESN'T 482 00:29:59,132 --> 00:30:00,000 FEEL REAL, AND I'M YOUNG, YOU KNOW 483 00:30:00,000 --> 00:30:04,004 IT'S VERY REAL WE HAVE TO BE VERY CONSCIOUS AND 484 00:30:04,004 --> 00:30:07,407 WE HAVE TO BE AWARE, AND I'M GOING TO TALK ABOUT THIS 485 00:30:07,407 --> 00:30:09,709 I WANT PEOPLE TO KNOW, IT CAN HAPPEN TO ANYONE 486 00:30:09,709 --> 00:30:14,714 I PRAY SHE'S GOING TO BE OKAY. SHE'S HAVING MAJOR THINGS. 487 00:30:14,714 --> 00:30:18,118 BUT SHE IS SICK. SHE'S TRYING TO GET IT. 488 00:30:18,118 --> 00:30:22,322 >> Jimmy: IS SHE RECUPERATING? >> SHE'S RECUPERATING. 489 00:30:22,322 --> 00:30:25,658 SHE'S GROGGY, LETHARGIC. THANK YOU FOR ASKING 490 00:30:25,658 --> 00:30:27,727 BUT EVERYONE IS WELL, OTHER THAN HER, WHO HAS COVID. 491 00:30:27,727 --> 00:30:31,264 >> Jimmy: I LOVE THAT EVEN THROUGH THIS YOU CAN HAVE A 492 00:30:31,264 --> 00:30:33,033 SENSE OF HUMOR A LITTLE BIT. LIKE, ARE YOU CHASING THIS 493 00:30:33,033 --> 00:30:36,169 STUFF? >> LIKE, YOU DID IT! 494 00:30:36,169 --> 00:30:39,239 >> Jimmy: WE HAVE SO MUCH TO TALK ABOUT 495 00:30:39,239 --> 00:30:44,577 DOES IT START WITH "BLACK‐ISH" AND YOU TAKE THAT AND SPIN OFF 496 00:30:44,577 --> 00:30:49,416 TO "GROWN‐ISH" RIGHT >> THAT "ISH" WORLD HAS CHANGED 497 00:30:49,416 --> 00:30:52,652 MY LIFE, IT'S REALLY BEEN SOMETHING I'M UNBELIEVABLY PROUD 498 00:30:52,652 --> 00:30:55,055 OF. >> Jimmy: I WILL SAY, ESPECIALLY 499 00:30:55,055 --> 00:30:58,658 THIS LAST COUPLE OF WEEKS, THERE'S BEEN CLIPS ONLINE, 500 00:30:58,658 --> 00:31:02,495 SEEING THESE JUNETEENTH EPISODES 501 00:31:02,495 --> 00:31:07,233 AND THEN I READ THAT YOU'RE TAKING THAT TO THE NEXT LEVEL 502 00:31:07,233 --> 00:31:10,804 AND DOING ‐‐ WRITING A MUSICAL WITH PHARELL 503 00:31:10,804 --> 00:31:16,709 >> PHARELL AND I SOLD A PLAY I ALWAYS WANTED TO WRITE ONE 504 00:31:16,709 --> 00:31:19,546 WE WROTE "JUNETEENTH." PLAYS TAKE A LONG TIME AS YOU 505 00:31:19,546 --> 00:31:22,715 KNOW WE'VE BEEN TRYING TO ‐‐ IT'S 506 00:31:22,715 --> 00:31:25,018 SOMETHING IMPORTANT TO ME. "JUNETEENTH" TO ME WAS ONE OF MY 507 00:31:25,018 --> 00:31:28,321 PERSONAL THINGS. LIKE I FEEL LIKE I WANTED TO 508 00:31:28,321 --> 00:31:31,024 MAKE THAT A NATIONAL HOLIDAY I WANTED TO HELP MAKE THAT A 509 00:31:31,024 --> 00:31:35,528 NATIONAL HOLIDAY I FEEL LIKE THE NOTION OF PEOPLE 510 00:31:35,528 --> 00:31:41,201 UNDERSTANDING THAT SLAVERY IS A RECESSIVE SCAR THAT ALL OF US, 511 00:31:41,201 --> 00:31:46,673 BLACK, WHITE, WHATEVER, ASIAN, LATINX, WE ALL AS AMERICANS, 512 00:31:46,673 --> 00:31:49,943 IT'S A THING WE ALL SHARE. THERE'S NEVER BEEN AN APOLOGY 513 00:31:49,943 --> 00:31:52,145 FOR SLAVERY. THERE'S NEVER BEEN ANYTHING THAT 514 00:31:52,145 --> 00:31:55,181 SAYS SLAVERY IS LEGALLY WRONG. THE GREATEST HUMAN ATROCITY IN 515 00:31:55,181 --> 00:31:58,284 MODERN HISTORY I FEEL LIKE THE IDEA OF 516 00:31:58,284 --> 00:32:01,754 CELEBRATING THAT FROM AN AMERICAN STANDPOINT MIGHT REALLY 517 00:32:01,754 --> 00:32:04,757 START TO HELP THE HEALING. SOMETHING REALLY IMPORTANT TO 518 00:32:04,757 --> 00:32:07,026 ME WE THOUGHT TRUMP WAS GOING TO 519 00:32:07,026 --> 00:32:11,097 HAVE HIS RALLY, WE STARTED TALKING, HE WAS GOING TO HAVE IT 520 00:32:11,097 --> 00:32:14,167 ON JUNETEENTH, WE'RE LIKE, THIS ISN'T OKAY 521 00:32:14,167 --> 00:32:17,170 PHARELL BEING WHO HE IS, BEING A PARTNER, WHEN WE GOT TOGETHER, 522 00:32:17,170 --> 00:32:20,240 WE CALLED TED, TED WAS IMMEDIATELY RECEPTIVE. 523 00:32:20,240 --> 00:32:25,044 WE'RE GOING TO DO A MUSICAL ABOUT JUNETEENTH, A GREAT 524 00:32:25,044 --> 00:32:29,082 WRITER, WE'RE GOING TO GET A DIRECTOR, BUT LIKE WE WANT TO 525 00:32:29,082 --> 00:32:33,019 BRING THIS TO THE AUDIENCE AND HOPEFULLY THE NEXT JUNETEENTH, 526 00:32:33,019 --> 00:32:37,190 HAVE IT COME ON NETFLIX, LIKE A WEEKEND, TO EXPLAIN IT, TO 527 00:32:37,190 --> 00:32:38,491 CELEBRATE THE DAY IN A REALLY BIG WAY. 528 00:32:38,491 --> 00:32:43,229 >> Jimmy: IT'S MAJOR I MEAN, YOU'RE NOT GOING TO ACT 529 00:32:43,229 --> 00:32:46,766 IN THIS, RIGHT YOU HAVE THE BUG NOW 530 00:32:46,766 --> 00:32:51,304 >> [ BLEEP ] NO, NOT AT ALL 531 00:32:51,304 --> 00:32:55,909 I FEEL LIKE I ‐‐ WE HAD A GREAT ACTOR WHO I LOVE CAST, RIGHT 532 00:32:55,909 --> 00:32:59,512 YOU KNOW, RASHIDA, WHO'S MY PARTNER, WHO I LOVE, SHE WAS 533 00:32:59,512 --> 00:33:03,449 LIKE, ISN'T THERE KIND OF ALREADY A SHOW ABOUT YOUR LIFE 534 00:33:03,449 --> 00:33:05,952 WITH AN ACTOR? I WANT TO DO SOMETHING IN THE 535 00:33:05,952 --> 00:33:08,021 MARKETPLACE THAT FELT LIKE IT WOULD BE DIFFERENT, YOU KNOW 536 00:33:08,021 --> 00:33:12,192 WHAT I'M SAYING? I'M A HUGE "CURB YOUR 537 00:33:12,192 --> 00:33:15,995 ENTHUSIASM" FAN, HUGE LARRY DAVIS FAN. 538 00:33:15,995 --> 00:33:18,565 MY PRODUCER WHO PRODUCED "CURB" CONNECTED ME WITH HIM. 539 00:33:18,565 --> 00:33:22,669 HE COULD NOT HAVE BEEN MORE SWEET AND SUPPORTIVE AND FUNNY 540 00:33:22,669 --> 00:33:24,604 HE ALSO WAS LIKE, DO IT. IT'S SATIRE, YOU KNOW WHAT I'M 541 00:33:24,604 --> 00:33:27,840 SAYING WE DON'T, AS BLACK CREATORS, WE 542 00:33:27,840 --> 00:33:30,677 DON'T GET TO DO SATIRE, YOU KNOW WHAT I'M SAYING? 543 00:33:30,677 --> 00:33:32,979 IT'S NOT SOMETHING PEOPLE ARE USED TO SEEING 544 00:33:32,979 --> 00:33:36,583 I WOULD SAY IT WAS REALLY WELL RECEIVED, BUT I WOULD SAY LESS 545 00:33:36,583 --> 00:33:39,752 WELL RECEIVED THAN ANYTHING I'VE DONE BEFORE. 546 00:33:39,752 --> 00:33:42,121 BUT AT THE SAME TIME ‐‐ >> Jimmy: WHY? 547 00:33:42,121 --> 00:33:45,024 >> I THINK IT WAS POLARIZING, YOU KNOW WHAT I'M SAYING 548 00:33:45,024 --> 00:33:48,928 I THINK IT WAS A DIFFERENT ‐‐ PEOPLE, THERE WERE A LOT OF ‐‐ 549 00:33:48,928 --> 00:33:55,201 PEOPLE WERE LIKE, THIS IS JUST "BLACK‐ISH" DONE OVER. 550 00:33:55,201 --> 00:33:57,937 AND I'M LIKE, IN SOME ASPECTS IT'S MY STORY AND I'M TELLING 551 00:33:57,937 --> 00:34:01,107 IT, BUT I WANT TO TELL IT IN AN ASPIRATIONAL WAY, THIS IS WHERE 552 00:34:01,107 --> 00:34:03,409 MY CAREER HAS GONE, BUT AT THE SAME TIME SOME OF THE SAME 553 00:34:03,409 --> 00:34:06,579 PROBLEMS, JUST AS BEING A FATHER, BEING A BLACK MAN, 554 00:34:06,579 --> 00:34:13,353 EXISTS AND MORE, BUT I WANTED TO SAY IT IN A REALLY HONEST WAY. 555 00:34:13,353 --> 00:34:18,691 IT WAS CATHARTIC. >> Jimmy: IT'S RESONATING, JUST 556 00:34:18,691 --> 00:34:20,793 GOT PICKED UP FOR SEASON TWO KENYA BARRIS, I'M SO HAPPY 557 00:34:20,793 --> 00:34:23,429 YOU'RE ON THE SHOW I WANT YOU TO COME BACK WHEN 558 00:34:23,429 --> 00:34:26,065 WE'RE IN PERSON. I WANT YOU TO COME BACK MANY, 559 00:34:26,065 --> 00:34:28,768 MANY TIMES IT'S A PLEASURE AND AN HONOR TO 560 00:34:28,768 --> 00:34:31,838 TALK TO YOU. YOU'RE CRUSHING IT, BUD. 561 00:34:31,838 --> 00:34:35,008 >> YOU ARE CRUSHING IT, MAN. TO DO THE SHOW THE WAY YOU'VE 562 00:34:35,008 --> 00:34:37,977 CONTINUED TO DO IT IN THIS SPACE AND JUST SORT OF LIKE ‐‐ I'M SO 563 00:34:37,977 --> 00:34:40,813 PROUD OF YOU, MAN, HONESTLY. YOU'VE BEEN A GOOD GUY 564 00:34:40,813 --> 00:34:43,750 YOU'VE BEEN ONE OF THE GOOD GUYS SINCE YOU STARTED AND YOU'VE 565 00:34:43,750 --> 00:34:47,053 CONTINUED TO BE. WE'VE BURNED INTO EACH OTHER IN 566 00:34:47,053 --> 00:34:50,757 PERSON AND YOU ALWAYS ARE YOU. I KIND OF FEEL LIKE THAT IS A 567 00:34:50,757 --> 00:34:52,392 TESTAMENT, ESPECIALLY IN THIS BUSINESS 568 00:34:52,392 --> 00:34:56,663 LIKE YOU DO NOT CHANGE SO THANK YOU FOR THAT, MAN 569 00:34:56,663 --> 00:34:58,765 THANK YOU FOR HAVING ME. THIS IS GREAT. 570 00:34:58,765 --> 00:35:00,633 >> Jimmy: YOU ROCK THANKS, BUD. 571 00:35:00,633 --> 00:35:02,335 STAY SAFE. >> I WILL. 572 00:35:02,335 --> 00:35:05,204 THANKS. >> Jimmy: WE'LL BE RIGHT BACK 573 00:35:05,204 --> 00:35:10,643 WITH A PERFORMANCE FROM MICHAEL STIPE AND BIG RED MACHINE'S 574 00:35:10,643 --> 00:35:11,651 AARON DESSNER, STICK AROUND. 575 00:35:26,785 --> 00:35:27,669 >> Jimmy: PERFORMING THE SONG 576 00:35:27,669 --> 00:35:30,272 "NO TIME FOR LOVE LIKE NOW," "NO TIME FOR LOVE LIKE NOW," I 577 00:35:30,272 --> 00:35:33,375 AGREE WITH THAT. 578 00:35:33,375 --> 00:35:37,479 HERE'S THE ONE AND ONLY MICHAEL STIPE WITH BIG RED MACHINE'S AARON DESSNER. 579 00:35:38,480 --> 00:35:55,530 ♪ 580 00:35:57,866 --> 00:36:05,507 ♪ NO TIME FOR BREEZ NO TIME FOR ARGUMENT 581 00:36:05,507 --> 00:36:13,715 NO TIME FOR LOVE LIKE NOW ♪ ♪ THERE'S NO TIME 582 00:36:13,715 --> 00:36:20,822 IN THE BARDO NO TIME IN THE IN‐BETWEE 583 00:36:20,822 --> 00:36:29,431 NO TIME FOR LOVE LIKE NOW ♪ ♪ THERE'S NO TIME 584 00:36:29,431 --> 00:36:35,770 FOR DANCIN NO TIME FOR UNDECIDEDS 585 00:36:35,770 --> 00:36:45,513 NO TIME FOR LOVE LIKE NOW ♪ ♪ WHERE DID THIS AL 586 00:36:45,513 --> 00:36:49,217 BEGIN TO CHANGE? THE LOCKDOWN MEMORIE 587 00:36:49,217 --> 00:36:52,287 CAN'T SUSTAIN ♪ ♪ THIS GLISTENING 588 00:36:52,287 --> 00:37:01,262 HANGING FREE FAL I TURNED AWAY FROM 589 00:37:01,262 --> 00:37:14,209 THE GLORIOUS LIGHT ♪ ♪ I TURNED MY HEAD AND CRIE 590 00:37:14,209 --> 00:37:22,350 WHATEVER WAITING MEANS IN THIS NEW PLAC 591 00:37:22,350 --> 00:37:37,265 I AM WAITING FOR YOU ♪ ♪ 592 00:37:37,265 --> 00:37:42,737 ♪ THERE'S NO TIME FOR HONEY NO TIME FOR PSALMS 593 00:37:42,737 --> 00:37:47,142 AND THRESHOLDS WHISPER A SWEET ♪ 594 00:37:47,142 --> 00:37:58,386 ♪ PRAYER SIGH WHERE DID THIS ALL 595 00:37:58,386 --> 00:37:59,921 BEGIN TO CHANGE? ♪ ♪ THE LOCKDOWN MEMORIES 596 00:37:59,921 --> 00:38:01,990 CAN'T SUSTAI THIS GLISTENIN 597 00:38:01,990 --> 00:38:08,430 HANGING FREE FALL ♪ ♪ I TURNED AWAY FRO 598 00:38:08,430 --> 00:38:22,777 THE GLORIOUS LIGHT I TURNED MY HEAD AND CRIED 599 00:38:22,777 --> 00:38:30,852 WHATEVER WAITING MEANS ♪ ♪ IN THIS NEW PLACE 600 00:38:30,852 --> 00:38:40,695 I AM WAITING FOR YOU YOUR VOICE IS ECHOIN 601 00:38:40,695 --> 00:38:45,733 LOVE, LOVE, LOVE ♪ ♪ LOVE, LOV 602 00:38:45,733 --> 00:39:00,815 I HEAR IT FAR, FAR AWA AND I AM WAITING FOR YOU 603 00:39:00,815 --> 00:39:11,426 YES, I AM WAITING FOR YOU ♪ ♪ WHATEVER WAITING MEAN 604 00:39:11,426 --> 00:39:23,905 IN THIS NEW PLACE ♪ ♪ I AM WAITING FOR YO 605 00:39:23,905 --> 00:39:35,150 YES, I AM WAITING FOR YO I AM WAITING FOR YOU ♪ 606 00:39:35,150 --> 00:39:36,671 ♪ ♪ 607 00:40:28,403 --> 00:40:28,806 ♪ ♪ 608 00:40:28,806 --> 00:40:30,780 >> Jimmy: THANK YOU SO MUCH FOR WATCHING "THE TONIGHT SHOW" 609 00:40:30,780 --> 00:40:34,016 TONIGHT. PLEASE, WASH YOUR HANDS. 610 00:40:34,016 --> 00:40:35,852 DON'T TOUCH YOUR FACE. WE HAVE NEW SHOWS ALL WEEK 611 00:40:35,852 --> 00:40:38,454 I'LL SEE YA ‐‐ GO, BUD. 612 00:40:38,454 --> 00:40:39,655 I'LL SEE YA DOWN THERE GO 613 00:40:39,655 --> 00:40:40,957 YEAH I'M COMING 614 00:40:40,957 --> 00:40:45,328 [ LAUGHTER ] NO, DON'T COME 615 00:40:45,328 --> 00:40:46,095 [ LAUGHTER ] NO 616 00:40:46,095 --> 00:40:49,595 >> NO. 54747

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