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>>> TONIGHT JOIN JIMMY AND HIS
GUESTS LIN‐MANUEL MIRANDA.
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KENYA BARRIS
MUSICAL GUESTS MICHAEL STIPE AND
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00:00:18,957 --> 00:00:21,560
BIG RED MACHINE'S AARON
DECEMBERER
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BEN PLATT AND THE ROOTS CREW RPS
OR AND NOW HERE'S JIMMY.
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00:00:24,530 --> 00:00:26,600
>> WELCOME TO "THE TONIGHT
SHOW."
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THANK YOU SO MUCH FOR WATCHING
I'M JIMMY FALLON AND I LOVE YOU.
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THANK YOU SO MUCH FOR WATCHING
THE SHOW
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IT'S BEEN A ROUGH FEW MONTHS FOR
PRESIDENT TRUMP.
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HIS APPROVAL RATING HAS
PLUMMETED, HIS HANDLING OF THE
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00:00:37,878 --> 00:00:45,519
PANDEMIC AND PROTESTS HAVE BEEN
A DISASTER, HIS RALLY IN TULSA
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WAS SEEN AS A FLOP
HE DECIDED TO TOUR HIMSELF UP.
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>> PRESIDENT TRUMP TOURED A
SECTION OF THE BORDER WALL IN
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ARIZONA TODAY.
>> Jimmy: TRUMP VISITED THE WALL
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TODAY.
IN TIME OF CRISIS IT'S IMPORTANT
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TO BE WITH YOUR LOVED ONES
TRUMP SAID HE LOVES BARRIERS
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THAT BLOCK DANGEROUS THINGS,
THEN WENT BACK TO NOT WEARING A
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MASK
IT WAS QUITE A SCENE WHEN TRUMP
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ARRIVED AS HIS ENTIRE STAFF
HOPPED THE WALL INTO MEXICO.
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ADIOS!
SEE YOU AT MY BOOK SIGNING
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YEP, TRUMP CELEBRATED THE 200th
MILE OF HIS WALL, EVEN THOUGH
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THE BORDER IS 2,000 MILES LONG
INSTEAD OF FINISHING THE WALL,
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TRUMP'S GOING TO KEEP PEOPLE OUT
WITH A GIANT BANNER THAT SAYS
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"HOME OF THE CORONAVIRUS IF THE
WALL AND BANNER DON'T WORK, HE'S
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GOING TO BUILD A RAMP WITH A
VERY SLIGHT DECLINE.
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THEY'LL NEVER, EVER BE ABLE TO
GET UP THAT RAMP, NOT WITH
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LEATHER BOTTOMS, VERY SLIPPERY
WITH LEATHER BOTTOMS
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BY THE WAY, I KNOW LEATHER
BOTTOMS AND I HAVE NOT HAD ANY
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RELATIONSHIP WITH HER.
LEATHER AND I, PURELY
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PROFESSIONAL
LEATHER BOTTOMS?
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ONCE TRUMP WAS DONE WITH THE
WALL HE MADE ANOTHER STOP IN
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ARIZONA.
>> PRESIDENT TRUMP IS SPEAKING
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TO THOUSANDS OF YOUNG SUPPORTERS
AT A MEGA CHURCH IN PHOENIX,
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ARIZONA.
>> Jimmy: YEAH, TRUMP GAVE A
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SPEECH AT A LOCAL CHURCH, AND
THE BIGGEST PART OF THAT SPEECH
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IS WHERE HE SHOWED EVERYONE HOW
HE CAN DRINK COMMUNION WINE OUT
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OF ONE HAND.
IT WASN'T JUST TRUMP WHO WAS
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TRAVELING.
TODAY MIKE PENCE WENT TO
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WISCONSIN.
LET'S SEE HOW THAT WENT.
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TRUMP CAN'T GO DOWN RAMPS, PENCE
CAN'T GO UP STAIRS
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PRETTY SOON THE WHOLE
ADMINISTRATION'S GOING TO BE
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SITTING ON STAIR LIFTS LIKE ‐‐
PENCE WAS SO EMBARRASSED HE
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ACTUALLY HAD SOME COLOR IN HIS
FACE
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PEOPLE ARE STILL TALKING ABOUT
THIS DURING A SPEECH ON
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SATURDAY
TRUMP SUNDAY HE TOLD HIS
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ADMINISTRATION TO SLOW DOWN
TESTING.
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YESTERDAY TRUMP SAID THE COMMENT
WAS SEMI TONGUE IN CHEEK
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TODAY TWEETING, WITH SMALLER
TESTING, WE WOULD SHOW FEWER
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CASES.
TWITTER DIDN'T FACT CHECK THAT
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ONE, THEY JUST PUT ON A YIGS
EMOJI.
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EVERYONE'S CONFUSED WHETHER
TRUMP IS SERIOUS ABOUT ASKING TO
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SLOW DOWN TESTING OR JOKING.
LET'S SEE IF DR. FAUCI'S
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TESTIMONY CLEARED ANYTHING UP.
>> THON OF US HAVE EVER BEEN
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TOLD TO SLOW DOWN ON TESTING
THAT JUST IS A FACT.
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IN FACT, WE WILL BE DOING MORE
TESTING.
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>> Jimmy: YEP, FAUCI SAYS THEY
HAVEN'T SLOWED DOWN TESTING.
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HE WAS BASICALLY LIKE, YEAH, WE
STOPPED LISTENING TO TRUMP A
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LONG TIME AGO.
THIS IS GOOD, FAUCI SAYS A
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VACCINE COULD BE READY BY THE
END OF THIS YEAR OR EARLY 2021
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YOU CAN TELL THINGS ARE TENSE
WITH TRUMP BECAUSE FAUCI SAID
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THE VACCINE SHOULD BE READY THE
DAY AFTER JOE BIDEN'S
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INAUGURATION
FAUCI IS OPTIMISTIC ABOUT A
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VACCINE AFTER FOUR MONTHS OF
WORKING IN THE WHITE HOUSE
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HE'S LIKE, LOOK, BY THE END OF
THE YEAR I'M DEFINITELY
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INJECTING SOMETHING INTO MY
VEINS.
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DR. FAUCI ALSO SAID THERE'S A
SURGE OF CORONAVIRUS CASES IN
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FLORIDA.
THE VIRUS SPENT THE WINTER IN
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NEW YORK, SPENDING THE SUMMER IN
FLORIDA.
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IT'S BASICALLY THE OPPOSITE OF
MY GRANDMA
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YOU KNOW, SEEMS LIKE THE NEWS
ABOUT CORONAVIRUS GETS MORE AND
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MORE DEPRESSING EACH DAY
DO WE HAVE ANYTHING THAT CAN
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CHEER US UP?
>> NINE DIFFERENT TYPES OF HAND
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SANITIZER MAY CONTAIN A
POTENTIALLY FATAL INGREDIENT.
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>>.
>> Jimmy: WELL, THAT DIDN'T
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WORK
BLACK LIVES MATTER PROTESTS ARE
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CONTINUING ACROSS THE COUNTRY.
FOR A LOT OF WHITE PEOPLE, THIS
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00:04:45,626 --> 00:04:47,494
IS THEIR FIRST TIME JOINING A
MARCH.
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SO THEY MIGHT FEEL UNCOMFORTABLE
CHANTING OR DON'T KNOW WHAT TO
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SAY.
THERE'S A NEW ALBUM THAT'S HERE
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TO HELP, CHECK IT OUT.
>> ARE YOU A WHITE PERSON GOING
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TO BLACK LIVES MATTER PROTESTS
FOR THE FIRST TIME BUT AREN'T
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SURE WHAT TO SAY
PRESENTING "PROTEST CHANTS FOR
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WHITE PEOPLE."
WE'VE GOT CHANTS LIKE ‐‐
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>> WE'RE WHITE, YOU'RE BLACK, WE
HAVE YOUR BACK
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>> WE ALSO HAVE CALL AND
RESPONSE CHANTS LIKE ‐
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>> TIME TO SPEAK UP, SAY IT
LOUD
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ALSO TIME TO LISTEN, SAY IT NOT
AS LOUD!
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00:05:18,759 --> 00:05:21,828
>> THEY TOTALLY GET IT
YES, OUR CHANTS ARE IN RHYTHMS
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LIKE WHITES ARE USED TO.
♪ IF YOU'RE WHITE LIKE ME HEAR
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WHAT I HAVE TO SAY ♪
>> ALONG WITH CHANTS THAT COULD
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HAVE RHYMED BUT DO NOT
♪ HEY WHITE PERSON MARCH AND
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RETREAT ACTIVISM IS MORE THAN
JUST POSTING ON TWITTER ♪
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>> SO CHANT OUT LOUD AND PROUD
BUT NOT TOO LOUD, IT'S NOT ABOUT
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YOU.
>> Jimmy: WE'VE GOT A GREAT
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SHOW
LIN‐MANUEL MIRANDA IS HERE
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"HAMILTON" IS FINALLY OUT ON
DISNEY PLUS THIS FRIDAY, JULY
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00:05:54,728 --> 00:05:57,931
3rd, OR WHENEVER JULY 3rd IS
ALSO, WE TALK ABOUT WE ARE
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FREESTYLE LOVE SUPREME, ANOTHER
FILM COMING OUT JULY 17th ON
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00:06:01,034 --> 00:06:04,504
HULU
A LOT OF STUFF, HE'S A TALENTED
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00:06:04,504 --> 00:06:10,177
GUY, HE CAN JUGGLE IT ALL.
SPEAKING ABOUT A LOT OF STUFF,
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00:06:10,177 --> 00:06:13,981
KENYA BARRIS, THE CREATOR OF
"BLACK‐ISH," "GROWN‐ISH,"
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00:06:13,981 --> 00:06:18,785
THERE'S PROBABLY ANOTHER "ISH"
I'M MISSING, HAS A NEW SHOW
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00:06:18,785 --> 00:06:22,422
CALLED "BLACK AF" THAT GOT
PICKED UP FOR SEASON TWO, KENYA
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BARRIS WILL BE ON THE SHOW, A
VERY FUNNY INDIVIDUAL.
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AND MUSIC ‐‐ I CAN'T BELIEVE,
I'M SO EXCITED ABOUT OUR MUSIC
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TONIGHT, ONE OF MY ALL‐TIME,
ALL‐TIME, EVERYONE'S ALL‐TIME,
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00:06:36,069 --> 00:06:40,474
ALL‐TIME LEGENDS, ONE AND ONLY
MICHAEL STIPE IS ON THE SHOW
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TONIGHT.
MICHAEL STIPE, WHAT CAN I SAY
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00:06:41,875 --> 00:06:45,379
ABOUT THIS GUY
WHAT MORE CAN I SAY ABOUT THIS
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00:06:45,379 --> 00:06:47,781
GUY?
I ALREADY WENT CRAZY ON HIM.
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00:06:47,781 --> 00:06:50,083
I REALLY DO LOVE HIM
MY FAVORITE JAMS, WELL, YOU
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KNOW
NIGHT SWIMMING, THAT'S MY JAM,
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00:06:53,553 --> 00:06:59,159
KIND OF.
A SECRET JAM, NO ONE KNOWS ABOUT
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00:06:59,159 --> 00:07:01,228
HIM.
R. E. M., THOSE ARE MY TWO JAMS.
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00:07:01,228 --> 00:07:06,033
THE HITS ARE GREAT TOO
BUT JUST A POET AND A COOL HUMAN
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00:07:06,033 --> 00:07:09,069
BEING.
AND A RIGHTEOUS HUMAN BEING.
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I LOVE EVERYTHING ABOUT HIM.
HE'S PERFORMING A SONG TONIGHT
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WITH AARON DESSNER WHO IS FROM
BIG RED MACHINE.
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00:07:17,177 --> 00:07:18,912
AND OF COURSE THE NATIONAL
IT'S A BIG DEAL TO HAVE HIM ON
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00:07:18,912 --> 00:07:23,850
THE SHOW
I'M SO EXCITED ABOUT THAT.
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00:07:23,850 --> 00:07:28,855
YOU KNOW, WE HAVEN'T DONE "ASK
THE FALLONS" IN A WHILE, WHERE I
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00:07:28,855 --> 00:07:31,691
DPROFL AND BEG MY WIFE TO ANSWER
QUESTIONS ABOUT OUR FANS, TO
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00:07:31,691 --> 00:07:37,264
ANSWER QUESTIONS ABOUT US OR HER
OR THE KIDS OR LIFE OR ANYTHING.
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00:07:37,264 --> 00:07:41,368
SO THIS IS ANOTHER INSTALLMENT
OF "ASK THE FALLONS.
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ENJOY.
♪ ASK THE FALLONS ASK THE
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00:07:45,572 --> 00:07:48,141
FALLONS ♪
>> Jimmy: THIS IS "ASK THE
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00:07:48,141 --> 00:07:49,576
FALLONS.
THANK YOU FOR SENDING THESE
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00:07:49,576 --> 00:07:53,313
QUESTIONS IN
ARE YOU GLAD TO SEE ME
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00:07:53,313 --> 00:07:58,018
>> I WAS ABOUT TO SAY, I HAVE
NOT MASTERED THE NOT SWEARING.
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00:07:58,018 --> 00:08:01,755
>> Jimmy: I FEEL LIKE BROCCOLI.
>> I HAVE TO PICK ONE OR THE
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00:08:01,755 --> 00:08:04,157
OTHER AND IT'S GOING TO BE ‐‐
>> Jimmy: WHAT IS IT DOING HERE?
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THIS IS A RIP‐OFF.
I'M GOING TO DO THIS
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00:08:06,560 --> 00:08:08,962
>> ALL RIGHT
I'M JUST GOING TO DO LIKE ‐‐ AS
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FAST AS I CAN, PUT IT ON.
>> Jimmy: THERE'S NO ONE HERE.
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00:08:12,065 --> 00:08:15,068
>> SO FAR, SO GOOD.
>> Jimmy: ALL RIGHT.
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00:08:15,068 --> 00:08:16,503
WE HAVE A BUNCH OF QUESTIONS,
GREAT ONES FROM PEOPLE WATCHING
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00:08:16,503 --> 00:08:21,208
THE SHOW.
>> WE'RE BACK!
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>> Jimmy: DID YOU EVER THINK
YOU'D BE BACK DOING IT AGAIN
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00:08:25,178 --> 00:08:27,347
>> WE DID NEVER OFFICIALLY ‐‐
YOU NEVER SORT OF TOLD ME I WAS
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00:08:27,347 --> 00:08:29,382
OUT.
>> Jimmy: NO.
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00:08:29,382 --> 00:08:30,383
>> I JUST SORT OF ‐‐ TOOK
ADVANTAGE.
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00:08:30,383 --> 00:08:33,019
>> Jimmy: YOU REALLY DID
DIDN'T BRING IT UP.
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>> OF YOU NOT BRINGING IT UP.
>> Jimmy: SOMEONE ASKED A
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00:08:35,088 --> 00:08:44,397
QUESTION I THOUGHT WAS VERY YOU.
BUT IT'S LIKE, IF YOU HAD TWO
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00:08:44,397 --> 00:08:46,566
HOURS TO CRAFT, ALONE TIME, JUST
TO YOURSELF WHAT WOULD YOU DO?
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00:08:46,566 --> 00:08:51,104
WHAT WOULD YOU MAKE, WHAT WOULD
YOU BE INTO RIGHT NOW?
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00:08:51,104 --> 00:08:54,107
>> THIS IS SO FOREIGN TO ME
RIGHT THIS SECOND, TWO HOURS TO
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00:08:54,107 --> 00:08:57,511
MYSELF TO JUST CRAFT
I WOULDN'T GO BUY ANY ‐‐ LIKE I
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00:08:57,511 --> 00:09:00,614
WOULD HAVE TO ALWAYS ‐‐ WHAT DO
I HAVE, WHAT INSPIRES ME
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00:09:00,614 --> 00:09:03,116
I THINK I WOULD ‐‐
>> Jimmy: THE TWIGS ARE THE LAST
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00:09:03,116 --> 00:09:04,818
ONE.
>> THAT WAS PROBABLY WHAT I WAS
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00:09:04,818 --> 00:09:10,891
DOING WHEN I HAD A LITTLE BIT
OF ‐‐ A LITTLE TIME IN BETWEEN
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00:09:10,891 --> 00:09:14,294
THINGS WAS ‐‐ YARN BOMBING TWIGS
AND BRANCHES
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00:09:14,294 --> 00:09:16,897
>> Jimmy: YARN BOMBING.
>> WE HAVE SO MANY.
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00:09:16,897 --> 00:09:17,764
>> Jimmy: COVERING A BRANCH WITH
YARN.
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00:09:17,764 --> 00:09:20,167
>> YES
JUST PICKING DIFFERENT YARNS AND
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00:09:20,167 --> 00:09:24,471
STUFF LIKE THAT.
BUT ALMOST THE KEY IS YOU KIND
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00:09:24,471 --> 00:09:27,073
OF HAVE TO HAVE LIKE RECYCLED IT
OR FOUND IT OR FOUND YOUR MOM'S
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00:09:27,073 --> 00:09:31,111
OLD BIN OF IT OR SOMETHING LIKE
THAT
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00:09:31,111 --> 00:09:34,181
IS THAT WHERE HOWARD STERN WAS
GOING?
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00:09:34,181 --> 00:09:37,450
HE WAS IN THE CAR.
HE GETS SO MAD AT PEOPLE NOT
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00:09:37,450 --> 00:09:38,652
WEARING MASKS WHEN THEY'RE
WALKING.
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00:09:38,652 --> 00:09:41,288
>> Jimmy: YEAH, BUT YOU ‐‐
>> HE WAS IN A CAR, SO YEAH.
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00:09:41,288 --> 00:09:46,193
>> Jimmy: UNLESS IT WAS HOWARD
IN THAT CAR.
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00:09:46,193 --> 00:09:50,664
DOES HE DRIVE A TRUCK?
>> HE DEFINITELY DRIVES.
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00:09:50,664 --> 00:09:51,431
>> Jimmy: HE DRIVES A SILVER
TRUCK.
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00:09:51,431 --> 00:09:58,271
>> YES
>> Jimmy: NO
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00:09:58,271 --> 00:10:02,042
>> OKAY, HUMANS.
I USED TO HAVE STRIPS OF LEATHER
168
00:10:02,042 --> 00:10:05,979
AND GINGHAM.
THEN RANDOM FURNITURE.
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00:10:05,979 --> 00:10:10,784
>> Jimmy: HOWARD
THAT WAS HOWARD'S TRUCK.
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00:10:10,784 --> 00:10:18,792
>> ANYTHING WOODEN
I WOULD JUST STRIP IT IN CUTE
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00:10:18,792 --> 00:10:21,294
LITTLE MICRO ‐‐ PEOPLE WHO HAVE
KNOWN ME FOR A LONG TIME WILL
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00:10:21,294 --> 00:10:24,030
PROBABLY UNEARTH SOME WEIRD
THING IN THEIR GARAGE.
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00:10:24,030 --> 00:10:25,765
>> Jimmy: HERE'S ONE
>> OKAY.
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00:10:25,765 --> 00:10:28,268
>> Jimmy: YOU GUYS ARE SO CUTE,
WHAT'S YOUR SECRET FOR KEEPING
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00:10:28,268 --> 00:10:30,604
YOUR MARRIAGE STRONG
>> AWW.
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00:10:30,604 --> 00:10:34,407
>> Jimmy: PRETTY NICE.
SHE'S CUTE
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00:10:34,407 --> 00:10:38,111
>> SHE'S CUTE.
>> Jimmy: WHAT'S YOUR ADVICE FOR
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00:10:38,111 --> 00:10:45,218
KEEPING MARRIAGE STRONG?
>> I MEAN ‐‐ I THINK ‐‐ ONE OF
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00:10:45,218 --> 00:10:47,621
THE ESSENTIALS IS ‐‐ WHICH IS
HARD, BECAUSE TIMING IS
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00:10:47,621 --> 00:10:51,358
CRITICAL
BUT SOMETIMES YOUR TIMING IS,
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00:10:51,358 --> 00:10:54,527
I'M READY TO GET GOING, AND YOU
DON'T REALLY MEET THE RIGHT
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00:10:54,527 --> 00:11:02,168
PERSON
BUT I DO THINK MEETING THE RIGHT
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00:11:02,168 --> 00:11:06,473
PERSON WHO YOU ‐‐ IT'S NOT EVEN
LIKE ‐‐ IT'S SO ‐‐ IT'S
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00:11:06,473 --> 00:11:08,742
ALMOST ‐‐ MY ANSWER'S ALMOST
UNROMANTIC, BUT I DON'T MEAN IT
185
00:11:08,742 --> 00:11:15,515
TO BE UNROMANTIC
BUT ALL OF THOSE LIKE CRAZY,
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00:11:15,515 --> 00:11:19,786
GOOGLY NOTES AND EXCITING, THE
BAD BOY, ALL THAT KIND OF STUFF,
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00:11:19,786 --> 00:11:22,856
IT DOES NOT PAY OFF IN THE LONG
TERM
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00:11:22,856 --> 00:11:25,592
AND I KNOW YOU WON'T TRUST ME,
BECAUSE I WOULDN'T TRUST ANYBODY
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00:11:25,592 --> 00:11:29,296
WHO TOLD ME THAT EITHER, BUT
IT'S VERY TRUE
190
00:11:29,296 --> 00:11:33,133
SO YOU REALLY WANT TO PICK
SOMEONE WHO YOU DON'T HAVE TO
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00:11:33,133 --> 00:11:38,071
LIKE EVERY SINGLE THING THE
SAME, BUT YOU KIND OF HAVE TO
192
00:11:38,071 --> 00:11:40,674
HAVE THE SAME VALUES, IN A WAY
I GUESS VALUES WOULD BE THE BEST
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00:11:40,674 --> 00:11:43,843
WORD
YOU HAVE TO SORT OF ‐‐ WHAT
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00:11:43,843 --> 00:11:46,446
MAKES YOU BOTH LAUGH, YOU KNOW,
WOULD BE A GOOD ‐‐ IS FUN,
195
00:11:46,446 --> 00:11:49,516
BECAUSE THEN YOU LAUGH TOGETHER
AT THE SAME STUFF.
196
00:11:49,516 --> 00:11:53,219
ONE OF YOU IS NOT EYEROLLING AND
THE OTHER ONE IS LIKE FALLING
197
00:11:53,219 --> 00:11:54,754
DOWN LAUGHING.
>> Jimmy: YEAH.
198
00:11:54,754 --> 00:11:58,692
>> I THINK THE THINGS THAT
MATTER A LOT TO YOU, I WOULDN'T
199
00:11:58,692 --> 00:12:01,995
COMPROMISE A LOT ON SOMEONE WHO
IS THE OPPOSITE OF THAT.
200
00:12:01,995 --> 00:12:06,466
BECAUSE IT'S JUST A STRUGGLE
AFTER A WHILE.
201
00:12:06,466 --> 00:12:08,201
AND DATING IS SO CUTE AND
EVERYONE'S LIKE, I'LL DO
202
00:12:08,201 --> 00:12:11,071
ANYTHING, OH MY GOD, I LOVE
MAYONNAISE
203
00:12:11,071 --> 00:12:14,207
YOU KNOW
I'M SURE YOU WOULD HAVE EATEN
204
00:12:14,207 --> 00:12:16,109
MAYONNAISE FOR ME, LET'S JUST
PRETEND YOU WOULD HAVE
205
00:12:16,109 --> 00:12:20,680
BUT NOW IT CAN'T EVEN BE IN THE
HOUSE.
206
00:12:20,680 --> 00:12:23,283
>> Jimmy: IT CAN TOTALLY BE IN
THE HOUSE.
207
00:12:23,283 --> 00:12:25,485
>> NOBODY IN OUR HOME USES
MAYONNAISE.
208
00:12:25,485 --> 00:12:26,886
>> Jimmy: GOES MISSING, NOT MY
PROBLEM.
209
00:12:26,886 --> 00:12:30,957
>> JUST AN EXAMPLE, THAT YOU'LL
DO ANYTHING FOR THAT PERSON, AND
210
00:12:30,957 --> 00:12:35,095
THEN AS YOU REALLY ARE TOGETHER
AND COME TOGETHER, JUST THOSE
211
00:12:35,095 --> 00:12:37,630
SORT OF ‐‐ YOU HOPEFULLY GET
MORE REAL.
212
00:12:37,630 --> 00:12:40,133
AND WITHIN MORE REAL, YOU OF
COURSE DON'T WANT MAYONNAISE
213
00:12:40,133 --> 00:12:43,737
ANYWHERE NEAR YOU.
SO THOSE TRUTHS COME OUT
214
00:12:43,737 --> 00:12:46,206
THEY CAN REALLY PULL THE RUG OUT
FROM UNDER PEOPLE, DEPENDING ON
215
00:12:46,206 --> 00:12:54,147
WHAT THEY ARE.
>> Jimmy: JUST LIKE WHEN PEOPLE
216
00:12:54,147 --> 00:12:55,915
START LOOKING AT EACH OTHER?
YOU STILL LIKE LOOKING AT EACH
217
00:12:55,915 --> 00:12:57,317
OTHER?
>> I HOPE SO.
218
00:12:57,317 --> 00:12:59,419
>> Jimmy: YOU'RE CUTE.
>> THAT IS A BIG ONE.
219
00:12:59,419 --> 00:13:04,424
>> Jimmy: HONESTY.
>> HONESTY, BUT ALSO JUST REALLY
220
00:13:04,424 --> 00:13:08,661
HAVE YOUR LIST OF THINGS THAT
REALLY YOU CAN'T TOLERATE, OR
221
00:13:08,661 --> 00:13:12,499
MUST TOLERATE, AND MAKE SURE
THEY JUST LINE UP ENOUGH THAT
222
00:13:12,499 --> 00:13:15,568
THEY'RE NOT LIKE APPROVING THE
OTHER PERSON
223
00:13:15,568 --> 00:13:17,003
AND I THINK, KEEP YOUR SENSE OF
RUMOR.
224
00:13:17,003 --> 00:13:20,473
AND I THINK, KEEP SOME
INDEPENDENCE
225
00:13:20,473 --> 00:13:27,680
NEITHER OF YOU SHOULD BE SO
RELIANT ON THE OTHER
226
00:13:27,680 --> 00:13:32,952
OH MY GOD, ANYWAY, SORRY
AND NOW FOR JIMMY FALLON
227
00:13:32,952 --> 00:13:37,757
>> Jimmy: UNFORTUNATELY, WE HAVE
TO GO TO COMMERCIAL.
228
00:13:37,757 --> 00:13:43,229
WE'LL BE RIGHT BACK WITH
LIN‐MANUEL MIRANDA, EVERYBODY,
229
00:13:43,229 --> 00:13:45,209
COME ON BACK
230
00:14:00,433 --> 00:14:01,248
>> Jimmy: WELL, IT DOESN'T COME
231
00:14:01,248 --> 00:14:04,518
ANY MORE TALENTED THAN MY FIRST
GUEST TONIGHT.
232
00:14:04,518 --> 00:14:07,788
HE IS THE TONY WINNER, CREATOR
OF THE BROADWAY SMASH
233
00:14:07,788 --> 00:14:10,991
"HAMILTON," WHICH YOU'LL SOON BE
ABLE TO SEE WHEREVER YOU GET
234
00:14:10,991 --> 00:14:14,061
DISNEY MISCELLANEOUS
HERE'S MY CONVERSATION WITH
235
00:14:14,061 --> 00:14:22,336
LIN‐MANUEL MIRANDA
LIN‐MANUEL MIRANDA
236
00:14:22,336 --> 00:14:26,707
COME ON, YOU ARE OUR FIRST GUEST
IN THE "AT HOME" EDITION, IT
237
00:14:26,707 --> 00:14:31,612
SEEMS LIKE FOREVER AGO.
>> FIVE YEARS AGO?
238
00:14:31,612 --> 00:14:35,683
>> Jimmy: SIXTH ANNIVERSARY OF
THE "AT HOME" SHOW
239
00:14:35,683 --> 00:14:41,922
I HAVE TO TALK ABOUT "HAMILTON."
>> GO!
240
00:14:41,922 --> 00:14:45,225
>> Jimmy: CAN WE EVEN JUST STOP
AND SAY HAMILTON FOR A SECOND?
241
00:14:45,225 --> 00:14:47,828
LET IT SIT OUT THERE
THIS IS COMING OUT, THIS IS
242
00:14:47,828 --> 00:14:50,764
BEING RELEASED.
>> YOU JUST WILL HAVE IT
243
00:14:50,764 --> 00:14:54,168
FUNNY, I WAS ON TWITTER
YESTERDAY, PEOPLE WERE LIKE,
244
00:14:54,168 --> 00:14:57,204
WILL YOU SAY NO TO THIS?
I WAS LIKE, YES, YOU WILL HAVE
245
00:14:57,204 --> 00:14:59,206
IT.
>> Jimmy: WHAT ABOUT THIS SONG
246
00:14:59,206 --> 00:15:03,777
>> YOU WILL JUST HAVE IT.
>> Jimmy: THIS IS INSANE
247
00:15:03,777 --> 00:15:06,513
I'VE SEEN THE SHOW
I ALWAYS HATE SAYING ‐‐ I'VE
248
00:15:06,513 --> 00:15:10,217
SEEN IT SO MANY TIMES, EVERY
CAST IS AMAZING.
249
00:15:10,217 --> 00:15:17,558
BUT THE FIRST TIME WAS, YOU
KNOW, WITH THIS CAST.
250
00:15:17,558 --> 00:15:19,526
>> THE FIRST TIME WE MET WAS YOU
BID ON YOUR VOICE MAIL.
251
00:15:19,526 --> 00:15:23,664
>> Jimmy: YOU'RE STILL MY VOICE
MAIL, I'M NOT KIDDING.
252
00:15:23,664 --> 00:15:26,400
>> FIVE YEARS LATER.
>> Jimmy: ALMOST EXACTLY FIVE
253
00:15:26,400 --> 00:15:30,137
YEARS LATER.
DOLLY PARTON JUST LEFT A MESSAGE
254
00:15:30,137 --> 00:15:32,673
ON MY MACHINE AND FREAKED OUT
AND SAID, THAT IS THE BEST
255
00:15:32,673 --> 00:15:37,544
MESSAGE I'VE EVER HEARD.
>> YOU JUST MADE MY DAY, DOLLY
256
00:15:37,544 --> 00:15:43,884
PARTON KNOWS WHO I AM?
>> Jimmy: SHE WAS LIKE, WHAT
257
00:15:43,884 --> 00:15:45,519
THE SHOW BECOMES THE BIGGEST
THING.
258
00:15:45,519 --> 00:15:50,024
I REMEMBER GOING HOME THAT NIGHT
AFTER I MET YOU, I FLIPPED OUT
259
00:15:50,024 --> 00:15:52,626
NANCE WAS FLIPPING OUT
I WENT HOME AND TRIED TO GOOGLE
260
00:15:52,626 --> 00:15:56,497
ANYTHING I COULD FIND.
I COULDN'T FIND ANYTHING ABOUT
261
00:15:56,497 --> 00:16:01,702
"HAMILTON" EXCEPT I FOUND A
BLURRY VIDEO OF YOU PERFORMING
262
00:16:01,702 --> 00:16:03,737
AT THE WHITE HOUSE FOR PRESIDENT
BARACK OBAMA AND MICHELLE.
263
00:16:03,737 --> 00:16:09,810
>> IN 2009, LIKE SIX YEARS
PRIOR.
264
00:16:09,810 --> 00:16:11,979
IF YOU WANT TO SEE ME AT MY MOST
AFRAID, YOU CAN WATCH THAT
265
00:16:11,979 --> 00:16:19,086
VIDEO.
BECAUSE I KNOW THAT "HAMILTON'S"
266
00:16:19,086 --> 00:16:21,622
LIKE A BAD ELEVATOR PITCH.
RAPPING FOUNDERS, LIKE WHAT?
267
00:16:21,622 --> 00:16:23,557
NO
I THINK THE AUDIENCE REALLY
268
00:16:23,557 --> 00:16:28,395
THOUGHT IT WAS A JOKE, LIKE THIS
IS LIKE A "SCHOOLHOUSE ROCK"
269
00:16:28,395 --> 00:16:31,665
THING OR AN EPIC RAP BATTLES OF
HISTORY GAG THING.
270
00:16:31,665 --> 00:16:33,867
AND IF YOU WATCH THE VIDEO, MY
EYES ARE CONSTANTLY SCANNING
271
00:16:33,867 --> 00:16:37,171
AROUND
BECAUSE I'M LOOKING FOR AN
272
00:16:37,171 --> 00:16:40,107
ESCAPE ROUTE
IT'S GOING SIDEWAYS.
273
00:16:40,107 --> 00:16:42,376
LIKE, HOW DO I GET OUT OF THE
EAST ROOM?
274
00:16:42,376 --> 00:16:47,414
WHERE ARE ALL THE EXITS?
HOW CAN I BOMB IN FRONT OF THE
275
00:16:47,414 --> 00:16:49,883
PRESIDENT OF THE UNITED STATES
>> Jimmy: YOU SEE PEOPLE
276
00:16:49,883 --> 00:16:56,256
LAUGHING AND THEY'RE KIND OF
LIKE, HA HA HA, WHAT
277
00:16:56,256 --> 00:16:58,659
WHAT'S GOING ON?
ALL OF A SUDDEN YOU SEE PEOPLE
278
00:16:58,659 --> 00:17:00,961
LIKE, WELL, THIS IS ACTUALLY ‐‐
>> WELL, WHAT HAPPENS TO THEM IS
279
00:17:00,961 --> 00:17:03,263
WHAT HAPPENED TO ME.
LIKE THEY GET SUCKED INTO THE
280
00:17:03,263 --> 00:17:06,533
STORY.
THEY GO, OH, OH, I DIDN'T KNOW
281
00:17:06,533 --> 00:17:10,838
THAT, I DIDN'T KNOW ‐‐ BY THE
END THEY'RE ALL LIKE ‐‐
282
00:17:10,838 --> 00:17:14,174
>> Jimmy: YES!
>> YES
283
00:17:14,174 --> 00:17:16,243
THAT'S BEEN THE EXPERIENCE OF
"HAMILTON.
284
00:17:16,243 --> 00:17:20,214
THIS IS A WEIRD IDEA
AND THEN HAMILTON'S STORY IS SO
285
00:17:20,214 --> 00:17:21,615
REMARKABLE THAT PEOPLE GET
SUCKED IN.
286
00:17:21,615 --> 00:17:25,886
>> Jimmy: I DON'T KNOW IF YOU
UNDERSTAND THIS.
287
00:17:25,886 --> 00:17:29,189
MORE PEOPLE WILL SEE "HAMILTON"
NOW THAN HAVE EVER SEEN YOUR
288
00:17:29,189 --> 00:17:31,125
WORK EVER.
>> I KNOW.
289
00:17:31,125 --> 00:17:34,628
I MEAN, THE THING ‐‐ THAT'S THE
CRAZY THING ABOUT THE SCALE OF
290
00:17:34,628 --> 00:17:39,133
THEATER VERSUS FILM.
LIKE THE WAY "HAMILTON'S"
291
00:17:39,133 --> 00:17:41,401
ENTERED THE POPULAR
CONVERSATION
292
00:17:41,401 --> 00:17:46,773
AND YET MORE PEOPLE WILL SEE IT
NEXT FRIDAY AND SATURDAY THAN
293
00:17:46,773 --> 00:17:50,711
HAVE SEEN IT IN ALL OF ITS
INCARNATIONS SO FAR.
294
00:17:50,711 --> 00:17:52,579
I CAN'T WRAP MY HEAD AROUND
THAT.
295
00:17:52,579 --> 00:17:56,617
>> Jimmy: HAMILTON'S BECOME
NOW ‐‐ I'VE HEARD SO MANY PEOPLE
296
00:17:56,617 --> 00:18:01,955
SINGING THE SONGS, RAPPING,
QUOTING THE LYRICS
297
00:18:01,955 --> 00:18:04,925
AT PROTESTS PEOPLE HAVE SIGNS
HOLDING YOUR LYRICS.
298
00:18:04,925 --> 00:18:06,460
I MEAN, IT'S GOT TO MEAN A LOT
TO YOU, RIGHT?
299
00:18:06,460 --> 00:18:10,597
>> YEAH.
AND I THINK ALSO JUST BECAUSE SO
300
00:18:10,597 --> 00:18:13,367
MUCH OF THE SHOW IS ABOUT
LEGACY
301
00:18:13,367 --> 00:18:16,703
AND HOW YOU CAN'T CONTROL IT,
YOU CAN ONLY MAKE WHAT YOU MAKE
302
00:18:16,703 --> 00:18:22,843
AND DO WHAT YOU DO AND THE REST
IS REALLY NOT UP TO YOU.
303
00:18:22,843 --> 00:18:25,345
AND SO I'M INCREDIBLY PROUD WHEN
I SEE, THIS IS NOT A MOMENT,
304
00:18:25,345 --> 00:18:30,617
IT'S A MOVEMENT.
HISTORY HAS ITS EYES ON YOU AT A
305
00:18:30,617 --> 00:18:34,421
BLACK LIVES MATTER PROTEST
OR, YOU KNOW ‐‐ BUT WHAT'S WEIRD
306
00:18:34,421 --> 00:18:37,391
ABOUT THE SHOW IS, BECAUSE IT
BRUSHES UP AGAINST SORT OF THE
307
00:18:37,391 --> 00:18:41,195
ORIGINS OF OUR COUNTRY, LIKE IT
JUST HITS DIFFERENT DEPENDING ON
308
00:18:41,195 --> 00:18:48,435
WHERE WE ARE AS A COUNTRY.
I REMEMBER GOING TO SEE IT IN
309
00:18:48,435 --> 00:18:51,104
LONDON WHEN BREXIT WAS HAPPENING
AND SEEING KING GEORGE SINGING,
310
00:18:51,104 --> 00:18:57,511
WHAT COMES NEXT?
YOU COULD FEEL THE AUDIENCE
311
00:18:57,511 --> 00:19:00,914
LIKE, OOHH, WHAT DOES COME NEXT?
>> Jimmy: TOPICAL!
312
00:19:00,914 --> 00:19:04,851
>> YEAH, AND BECAUSE IT BRUSHES
UP AGAINST THE ORIGIN STORY,
313
00:19:04,851 --> 00:19:07,888
BECAUSE IT'S THE STORY OF THE
ONE IMMIGRANT AMONG THE
314
00:19:07,888 --> 00:19:10,624
FOUNDERS, LIKE IT ALWAYS HAS
SOMETHING TO SAY ABOUT THE
315
00:19:10,624 --> 00:19:12,826
MOMENT
BECAUSE WE'RE CONSTANTLY DEALING
316
00:19:12,826 --> 00:19:16,663
WITH THE PAST.
IF THIS MOMENT IS ANY
317
00:19:16,663 --> 00:19:19,800
INDICATION, WE'RE NEVER DONE
WITH THE PAST, WE'RE NEVER DONE
318
00:19:19,800 --> 00:19:22,769
WITH THE SINS OF THE FOUNDERS,
WE'RE NEVER DONE WITH THE FLAWS
319
00:19:22,769 --> 00:19:25,239
AND THE CONTRADICTION IN THE
FOUNDING
320
00:19:25,239 --> 00:19:29,209
SO IT HITS DIFFERENTLY DEPENDING
ON WHERE WE ARE.
321
00:19:29,209 --> 00:19:31,878
>> Jimmy: IT'S JULY 3rd,
CORRECT?
322
00:19:31,878 --> 00:19:35,582
>> JULY 3rd.
MIDNIGHT, WEST COAST TIME.
323
00:19:35,582 --> 00:19:38,085
SO THAT WOULD BE 3:00 A. M. NEW
YORK TIME.
324
00:19:38,085 --> 00:19:39,953
DO THE MATH TO YOUR RESPECTIVE
TIME ZONES.
325
00:19:39,953 --> 00:19:43,690
>> Jimmy: OKAY, PERFECT.
>> WORLDWIDE, EVERYWHERE THAT
326
00:19:43,690 --> 00:19:46,193
HAS DISNEY PLUS.
>> Jimmy: HERE'S ANOTHER GIANT
327
00:19:46,193 --> 00:19:49,363
THING.
ANOTHER THING WHY YOU'RE NOT ‐‐
328
00:19:49,363 --> 00:19:54,601
I JUST ‐‐ WE ARE FREESTYLE LOVE
SUPREME.
329
00:19:54,601 --> 00:19:58,805
ANOTHER FILM
>> YES, THAT WAS A SHOW THAT
330
00:19:58,805 --> 00:20:01,608
STARTED IN 2003 THAT WE JUST ‐‐
WAS JUST OUR FRIENDS ‐‐ WE WERE
331
00:20:01,608 --> 00:20:04,978
FREESTYLING FOR FUN.
IT'S A DOCUMENTARY ABOUT OUR 15
332
00:20:04,978 --> 00:20:08,482
YEARS.
AND WHEN WE HAD OUR BROADWAY
333
00:20:08,482 --> 00:20:11,318
RUN, YOU HAD US ON OUR SHOW TO
FREESTYLE ON YOUR SHOW
334
00:20:11,318 --> 00:20:14,821
THAT'S IN THE MOVIE.
AND SO THAT WILL NOW COME OUT ON
335
00:20:14,821 --> 00:20:17,557
HULU ON JULY 17th.
>> Jimmy: CAN YOU TELL ME ABOUT
336
00:20:17,557 --> 00:20:19,526
YOUR NEW CAMPAIGN?
THIS IS "RAISE UP.
337
00:20:19,526 --> 00:20:24,331
>> YEAH.
SO, YOU KNOW, WE'RE ‐‐ AS SOON
338
00:20:24,331 --> 00:20:26,199
AS THE PANDEMIC HIT, WE REALIZED
BLACK AND BROWN COMMUNITIES WERE
339
00:20:26,199 --> 00:20:35,809
GOING TO BE OVERWHELMINGLY
AFFECTED BY THIS
340
00:20:35,809 --> 00:20:38,779
AND SO THE "RAISE UP" FUND IS A
FUND FOR THE FEDERATION THAT
341
00:20:38,779 --> 00:20:40,847
DONATES TO IMMIGRANT
COMMUNITIES.
342
00:20:40,847 --> 00:20:47,721
AND NOW WE'RE ALSO PARTNERING
WITH "COLOR OF CHANGE," RAISING
343
00:20:47,721 --> 00:20:49,489
MONEY FOR COLOR OF CHANGE AND
BLACK COMMUNITIES AFFECTED BY
344
00:20:49,489 --> 00:20:51,658
THIS PANDEMIC.
THERE ARE SO MANY THINGS GOING
345
00:20:51,658 --> 00:20:56,263
ON IN THE WORLD, AND THIS
PANDEMIC IS STILL HAPPENING.
346
00:20:56,263 --> 00:20:58,432
LATINO COMMUNITIES, BLACK
COMMUNITIES, ARE
347
00:20:58,432 --> 00:21:03,470
DISPROPORTIONATELY ACED.
I LIVE IN WASHINGTON HEIGHTS,
348
00:21:03,470 --> 00:21:04,771
THAT IS THE SECOND‐HIGHEST HIT
NEIGHBORHOOD RIGHT NOW IN NEW
349
00:21:04,771 --> 00:21:11,011
YORK
AND SO THIS FUND ‐‐ SO WE HAVE
350
00:21:11,011 --> 00:21:14,114
LOTS OF BASICALLY FUN ITEMS TO
BID ON, AND THE MONEY WILL GO TO
351
00:21:14,114 --> 00:21:20,620
THESE COMMUNITIES.
YOU CAN GO ‐‐ HAVE A TRIVIA
352
00:21:20,620 --> 00:21:23,490
NIGHT WITH JONATHAN GROFF.
THE GANG'S ALL HERE.
353
00:21:23,490 --> 00:21:27,427
MY WIFE IS AUCTIONING OFF A
COOKING LESSON
354
00:21:27,427 --> 00:21:29,963
WE AUCTION OFF TICKETS TO
"HAMILTON," WHEREVER WE OPEN
355
00:21:29,963 --> 00:21:31,865
FIRST.
CHRIS JACKSON AND HIS WIFE
356
00:21:31,865 --> 00:21:37,204
AUCTIONED A NIGHT.
WE'RE CALLING ON ALL OUR FRIENDS
357
00:21:37,204 --> 00:21:42,743
TO SORT OF MAKE BIDS, TO MAKE
THESE SPECIAL PRIZES, ALL TO
358
00:21:42,743 --> 00:21:50,283
RAISE MONEY.
>> Jimmy: RAISEUPFUND.COM.
359
00:21:50,283 --> 00:21:51,251
DID THIS WITH THE CHIRON ON THE
SCREEN
360
00:21:51,251 --> 00:21:52,919
WE'RE HIGH‐TECH, WE'RE
PROFESSIONAL ON "THE TONIGHT
361
00:21:52,919 --> 00:21:56,723
SHOW."
>> YEAH, YOU GUYS HAVE COME A
362
00:21:56,723 --> 00:21:58,925
LONG WAY SINCE THAT FIRST SHOW.
>> Jimmy: NO, JUST KIDDING,
363
00:21:58,925 --> 00:21:59,960
BETTER WIG
OR WORSE WIG
364
00:21:59,960 --> 00:22:03,830
I DON'T KNOW WHAT'S GOING ON
ALL RIGHT.
365
00:22:03,830 --> 00:22:06,133
WE'RE GOING TO GO TO A
COMMERCIAL BREAK
366
00:22:06,133 --> 00:22:09,202
IF YOU CAN, STICK AROUND FOR TWO
MORE SECONDS
367
00:22:09,202 --> 00:22:11,204
CAN I MAYBE ASK YOU TO DO A
LITTLE FREESTYLE WHEN WE COME
368
00:22:11,204 --> 00:22:15,008
BACK
>> YEAH, WE'LL DO SOME FREESTYLE
369
00:22:15,008 --> 00:22:16,042
WHEN WE COME BACK.
>> Jimmy: MORE WITH LIN‐MANUEL
370
00:22:16,042 --> 00:22:17,877
MIR
MIRANDA, EVERYBODY
371
00:22:32,423 --> 00:22:33,419
>> Jimmy: LIN‐MANUEL, I'M SO
HAPPY YOU'RE HERE, LIN‐MANUEL
372
00:22:33,419 --> 00:22:39,258
MIRANDA.
YOUR NEW DOCUMENTARY "WE ARE,
373
00:22:39,258 --> 00:22:43,028
FREESTYLE, LOVE SUPREME," COMING
OUT JULY 17th ON HULU.
374
00:22:43,028 --> 00:22:46,498
I REMEMBER GOING BACKSTAGE TO
SAY HI TO YOU GUYS BEFORE THE
375
00:22:46,498 --> 00:22:49,201
SHOW
NORMALLY I WOULD GO AFTER.
376
00:22:49,201 --> 00:22:53,372
YOU SAID, COME BEFORE, THERE'S A
LITTLE SPECIAL SOMETHING
377
00:22:53,372 --> 00:22:56,975
I WENT AND HID IN THE CORNER
UNDER THESE LIGHTS IN THE
378
00:22:56,975 --> 00:23:00,045
THEATER AND YOU GUYS DID THIS
KIND OF WORKOUT, YOU PICKED
379
00:23:00,045 --> 00:23:03,315
WORDS OUT OF A BAG AND I WAS
LIKE, WOW.
380
00:23:03,315 --> 00:23:07,286
ALREADY I WAS LIKE, OH, NO, THIS
IS UNBELIEVABLE, THIS IS ‐‐ THAT
381
00:23:07,286 --> 00:23:10,122
WAS AMAZING TO WATCH
JUST LIKE, JUST WARMING UP,
382
00:23:10,122 --> 00:23:13,058
GETTING READY FOR THE SHOW
I THOUGHT IT WOULD BE KIND OF
383
00:23:13,058 --> 00:23:15,894
FUN TO DO KIND OF A FREESTYLE
RIGHT NOW.
384
00:23:15,894 --> 00:23:20,265
SINCE WE'RE BOTH STUCK AT HOME,
I WANT TO SWITCH THINGS UP AND
385
00:23:20,265 --> 00:23:23,235
CHALLENGE YOU TO A NEW GAME.
THIS IS "RANDOM OBJECT
386
00:23:23,235 --> 00:23:29,141
FREESTYLE.
♪ RANDOM OBJECT FREESTYLE OBJEC
387
00:23:29,141 --> 00:23:32,411
RANDOM OBJECT FREESTYLE ♪
>> Jimmy: HERE'S HOW IT WORKS.
388
00:23:32,411 --> 00:23:36,115
I WILL HOLD UP A RANDOM OBJECT,
THEN YOU HAVE TO START
389
00:23:36,115 --> 00:23:40,052
FREESTYLING ABOUT THAT OBJECT.
EVERY FEW SECONDS I'LL SHOW YOU
390
00:23:40,052 --> 00:23:42,588
ANOTHER RANDOM OBJECT, SWITCH IT
UP, START FREESTYLING ABOUT THAT
391
00:23:42,588 --> 00:23:43,355
ONE.
MAKE SENSE
392
00:23:43,355 --> 00:23:45,924
>> YES.
>> Jimmy: ALL RIGHT, LET'S TRY
393
00:23:45,924 --> 00:23:49,628
IT
WHERE'S THE BEAT
394
00:23:49,628 --> 00:23:53,399
♪
♪ OKAY LISTEN I WILL GIVE YOU A
395
00:23:53,399 --> 00:23:57,136
ANSWER NO MATTER WHAT THE ASK
MAY BE KIND OF MUMBLES BECAUSE
396
00:23:57,136 --> 00:24:04,676
I'M STUCK BEHIND A MASK ♪
♪ OH YEAH MASK OF THE RED DEATH
397
00:24:04,676 --> 00:24:10,449
EDGAR ALLEN POE TAKE MY NEXT
BREATH ♪
398
00:24:10,449 --> 00:24:13,852
♪ I'M HEARING CHEERIOS CHEERIOS
THE STEREO GOT THE SWITCH
399
00:24:13,852 --> 00:24:16,922
BECAUSE I'M STEREO I GOT THE
SWITCH I'M PLAYING ANIMAL
400
00:24:16,922 --> 00:24:23,128
CROSSING AND I'M [ BLEEP ] ♪
♪ HOW IS MY FLOSSING YES ♪
401
00:24:23,128 --> 00:24:28,934
♪ ONLINE WITH MY FRIENDS GOT TH
BIG GOOP HITTING IT ALL UP ♪
402
00:24:28,934 --> 00:24:32,905
♪ I'M DRINKING LOTS OF MY
7‐ELEVEN AND ALL YES ♪
403
00:24:32,905 --> 00:24:36,074
♪ I GOT THE CALENDAR VACATION
FOREVER BECAUSE THIS THING'S
404
00:24:36,074 --> 00:24:42,881
LASTING FOREVER ♪
♪ I TRY TO GO TO THE BAHAMAS BU
405
00:24:42,881 --> 00:24:46,618
I END UP [ BLEEP ] PANDEMIC ♪
♪ THE LONG AND HARD WAY AND YES
406
00:24:46,618 --> 00:24:52,724
THERE'S NO SHOWS ON BROADWAY ♪
♪ BUT THAT'S OKAY I WILL TRUST
407
00:24:52,724 --> 00:24:58,330
BECAUSE MY SHOW IS ON JULY 3rd ♪
♪ YOU'RE GOING DOWN TO DOWNLOAD
408
00:24:58,330 --> 00:25:02,701
HOT PORN WHILE YOU'RE EATING
POPCORN ♪
409
00:25:02,701 --> 00:25:06,071
♪ YES PUT THE BUTTER ON IT WHEN
YOU'RE PUERTO RICAN YOU CAN EAT
410
00:25:06,071 --> 00:25:09,475
IT WITH ME EVERY WEEKEND ♪
♪ NO WHATEVER HAPPENS JOHN
411
00:25:09,475 --> 00:25:11,877
BOLTON MAN I CAN'T BELIEVE I
HAVE TO RESPOND TO THIS ♪
412
00:25:11,877 --> 00:25:18,450
♪ YOU SHOULD HAVE [ BLEEP ]
TESTIFIED BEFORE CONGRESS ♪
413
00:25:18,450 --> 00:25:24,556
♪ HAMILTON POSTER THIS IS NOT
THE COSTANOSTRA ♪
414
00:25:24,556 --> 00:25:28,293
♪ I TOLD YOU WE'RE ALL GOING TO
GET TO SEE IT THE HOUSE GETS THE
415
00:25:28,293 --> 00:25:32,064
MOUSE BUILT ♪
♪ I CAN GET ON MY DAMN STILTS
416
00:25:32,064 --> 00:25:37,269
LIKE THE MICKEY MOUSE CLUB ♪
♪ THE GOOFY DANCE IN MY
417
00:25:37,269 --> 00:25:40,973
UNDERPANTS OH YEAH ♪
♪ DISNEYLAND YEAH THAT'S RIGHT
418
00:25:40,973 --> 00:25:45,577
BECAUSE I UNDERSTAND THIS IS
JUST A DAMN PET ♪
419
00:25:45,577 --> 00:25:49,515
♪ HAVING FUN WITH JIMMY FALLON
BRINGING BALANCE WITH MY
420
00:25:49,515 --> 00:25:53,886
FREESTYLING TALENTS ♪
>> Jimmy: HA HA WHOO
421
00:25:53,886 --> 00:25:55,420
HEY, I DON'T KNOW WHY I'M
EXCITED.
422
00:25:55,420 --> 00:26:03,996
I AM JUST RELIEVED
WOW!
423
00:26:03,996 --> 00:26:06,798
HOW DID YOU DO THAT?
OH, GOSH
424
00:26:06,798 --> 00:26:08,033
YOU HAVE NO IDEA ABOUT ANY OF
THAT STUFF.
425
00:26:08,033 --> 00:26:13,138
>> YEAH.
>> Jimmy: THAT'S JUST INSANITY
426
00:26:13,138 --> 00:26:14,540
>> I DIDN'T GET PAID FOR THAT,
JIMMY.
427
00:26:14,540 --> 00:26:18,210
>> Jimmy: YOU'RE THE BEST, DUDE.
I LOVE YOU SO MUCH
428
00:26:18,210 --> 00:26:19,611
I CAN'T TELL YOU, I'M SO HAPPY,
I'M SO EXCITED
429
00:26:19,611 --> 00:26:26,285
JULY 3rd, DISNEY PLUS,
"HAMILTON.
430
00:26:26,285 --> 00:26:30,889
JULY 17th, "WE ARE FREESTYLE,
LOVE SUPREME," ON HULU
431
00:26:30,889 --> 00:26:31,990
LIN‐MANUEL MIRANDA, YOU'RE THE
BEST
432
00:26:31,990 --> 00:26:37,162
STAY SAFE, THANKS.
>> THANKS FOR HAVING ME, JIMMY.
433
00:26:37,162 --> 00:26:40,988
>> Jimmy: MY THANKS TO
LIN‐MANUEL MIRANDA
434
00:26:40,988 --> 00:26:42,739
BE RIGHT BACK WITH KENYA BARRIS,
EVERYBODY.
435
00:26:57,563 --> 00:26:59,452
>> Jimmy: KENYA BARRIS IS ONE OF
THE MOST SUCCESSFUL WRITERS AND
436
00:26:59,452 --> 00:27:03,390
PRODUCERS ON EARTH RIGHT NOW,
HE'S UNBELIEVABLE.
437
00:27:03,390 --> 00:27:07,994
HE WROTE THE MOVIE "GIRLS TRIP,"
HE WROTE THE SEQUEL TO "COMING
438
00:27:07,994 --> 00:27:18,505
TO AMERICA" THAT'S COMING OUT,
HE CREATED "BLACK‐ISH"
439
00:27:18,505 --> 00:27:22,209
"GROWN‐ISH," "MIXT‐ISH."
HERE'S MY CONVERSATION WITH
440
00:27:22,209 --> 00:27:24,177
KENYA BARRIS
THANK YOU FOR DOING THE SHOW, I
441
00:27:24,177 --> 00:27:26,580
APPRECIATE IT.
I'M A FAN AND IT REALLY MEANS A
442
00:27:26,580 --> 00:27:31,284
LOT TO ME.
THANK YOU SO MUCH FOR DOING "THE
443
00:27:31,284 --> 00:27:33,153
TONIGHT SHOW."
>> THANK YOU FOR CHECKING OFF
444
00:27:33,153 --> 00:27:36,356
THE BUCKET LIST THAT I WOULD
HAVE NEVER PUT ON MY BUCKET
445
00:27:36,356 --> 00:27:39,059
LIST, SO THANK YOU.
>> Jimmy: OH MY GOSH
446
00:27:39,059 --> 00:27:42,429
HOW IS EVERYTHING, HOW ARE YOU,
HOW'S THE FAM?
447
00:27:42,429 --> 00:27:44,231
IS EVERYONE SAFE, EVERYONE
HEALTHY?
448
00:27:44,231 --> 00:27:47,167
>> EVERYONE IS SAFE.
YOU KNOW, MY DAUGHTER ‐‐ THIS IS
449
00:27:47,167 --> 00:27:49,469
A CRAZY THING.
MY DAUGHTER AND ME, MY DAUGHTER
450
00:27:49,469 --> 00:27:58,178
JUST TURNED 21
WE HAD ‐‐ I LOOKED UP, AND A
451
00:27:58,178 --> 00:28:02,449
COUPLE OF WEEKS AGO I FELT LIKE
A CHARGE
452
00:28:02,449 --> 00:28:05,285
SHE WAS LIKE, I I'M GOING TO GO
TO JAMAICA
453
00:28:05,285 --> 00:28:07,888
I'M LIKE, YOU'RE THOUGHT GOING
TO JAMAICA, THIS IS A PANDEMIC,
454
00:28:07,888 --> 00:28:11,057
ARE YOU CRAZY?
SHE'S LIKE, DAD, I'M GOING TO BE
455
00:28:11,057 --> 00:28:19,633
21, I'M GOING TO BE GROWN.
I WAS LIKE, YOU'RE NOT GOING, IF
456
00:28:19,633 --> 00:28:23,103
YOU GO, I'M CUTTING YOU OFF.
WE NEVER GET TO CUT PEOPLE OFF
457
00:28:23,103 --> 00:28:27,140
SHE'S LIKE, WHATEVER
SO CUT TO, I LOOK ON INSTAGRAM,
458
00:28:27,140 --> 00:28:29,743
IT'S LIKE HER ON A BOAT
SOMEWHERE.
459
00:28:29,743 --> 00:28:34,114
I'M LIKE, WHERE ARE YOU?
SHE WAS LIKE, I'M IN MIAMI
460
00:28:34,114 --> 00:28:38,618
I'M LIKE, YOU'RE IN MIAMI?
>> Jimmy: IT'S NOT JAMAICA.
461
00:28:38,618 --> 00:28:41,554
>> I WAS LIKE, NO, IT'S THE
EPICENTER, IT'S GROUND ZERO.
462
00:28:41,554 --> 00:28:46,459
>> Jimmy: SHE WENT WORSE.
>> I WAS LIKE, YOU WANT TO BE
463
00:28:46,459 --> 00:28:48,662
THE BOSS
I'M TAKING EVERYTHING.
464
00:28:48,662 --> 00:28:54,167
YOU'RE ON YOUR OWN
YOU GO AND BE AN ADULT
465
00:28:54,167 --> 00:28:56,536
SHE COMES BACK, FATHER'S DAY WAS
SUNDAY
466
00:28:56,536 --> 00:28:59,706
SATURDAY I GET THIS MESSAGE FROM
HER.
467
00:28:59,706 --> 00:29:04,177
SHE'S LIKE, SO I'M NOT GOING TO
COME OVER TOMORROW BECAUSE I'M
468
00:29:04,177 --> 00:29:07,247
NOT FEELING WELL
I DON'T WANT TO TAKE A CHANCE OF
469
00:29:07,247 --> 00:29:09,382
ANYONE GETTING SICK.
I'M LIKE, WHAT ARE YOUR
470
00:29:09,382 --> 00:29:12,252
SYMPTOMS
SHE'S LIKE, I'M NOT FEELING
471
00:29:12,252 --> 00:29:17,624
GOOD, I'M HAVING HEADACHES, I
LOST MY SENSE OF TASTE
472
00:29:17,624 --> 00:29:20,593
I GO, YOU HAVE COVID
AND I WAS LIKE, THIS ISN'T EVEN
473
00:29:20,593 --> 00:29:24,798
LIKE ‐‐ IT'S ALMOST LIKE YOU
WERE TRYING TO GET IT.
474
00:29:24,798 --> 00:29:28,768
YOU WERE GOING TO GYMS
SHE'S A COVID CHASER, I'M LIKE,
475
00:29:28,768 --> 00:29:31,771
YOU WERE TRYING TO GET IT.
LITERALLY LIKE, WHAT IS GOING
476
00:29:31,771 --> 00:29:33,773
ON
AND SHE WAS LIKE, I KNOW, I'M
477
00:29:33,773 --> 00:29:37,777
SORRY, YOU'RE GOING TO SAY I
TOLD YOU SO.
478
00:29:37,777 --> 00:29:41,848
BUT IT WAS LIKE ‐‐ I TOLD HER, I
HAVE TO TELL PEOPLE THIS,
479
00:29:41,848 --> 00:29:48,288
BECAUSE SHE'S YOUNG.
SHE FEELS LIKE, YOU KNOW ‐‐ THEY
480
00:29:48,288 --> 00:29:53,760
FEEL INVINCIBLE.
I DON'T THINK IT'S FUNNY, I HAVE
481
00:29:53,760 --> 00:29:59,132
A GALLOWS SENSE OF HUMOR
BUT THE NOTION OF, THIS DOESN'T
482
00:29:59,132 --> 00:30:00,000
FEEL REAL, AND I'M YOUNG, YOU
KNOW
483
00:30:00,000 --> 00:30:04,004
IT'S VERY REAL
WE HAVE TO BE VERY CONSCIOUS AND
484
00:30:04,004 --> 00:30:07,407
WE HAVE TO BE AWARE, AND I'M
GOING TO TALK ABOUT THIS
485
00:30:07,407 --> 00:30:09,709
I WANT PEOPLE TO KNOW, IT CAN
HAPPEN TO ANYONE
486
00:30:09,709 --> 00:30:14,714
I PRAY SHE'S GOING TO BE OKAY.
SHE'S HAVING MAJOR THINGS.
487
00:30:14,714 --> 00:30:18,118
BUT SHE IS SICK.
SHE'S TRYING TO GET IT.
488
00:30:18,118 --> 00:30:22,322
>> Jimmy: IS SHE RECUPERATING?
>> SHE'S RECUPERATING.
489
00:30:22,322 --> 00:30:25,658
SHE'S GROGGY, LETHARGIC.
THANK YOU FOR ASKING
490
00:30:25,658 --> 00:30:27,727
BUT EVERYONE IS WELL, OTHER THAN
HER, WHO HAS COVID.
491
00:30:27,727 --> 00:30:31,264
>> Jimmy: I LOVE THAT EVEN
THROUGH THIS YOU CAN HAVE A
492
00:30:31,264 --> 00:30:33,033
SENSE OF HUMOR A LITTLE BIT.
LIKE, ARE YOU CHASING THIS
493
00:30:33,033 --> 00:30:36,169
STUFF?
>> LIKE, YOU DID IT!
494
00:30:36,169 --> 00:30:39,239
>> Jimmy: WE HAVE SO MUCH TO
TALK ABOUT
495
00:30:39,239 --> 00:30:44,577
DOES IT START WITH "BLACK‐ISH"
AND YOU TAKE THAT AND SPIN OFF
496
00:30:44,577 --> 00:30:49,416
TO "GROWN‐ISH" RIGHT
>> THAT "ISH" WORLD HAS CHANGED
497
00:30:49,416 --> 00:30:52,652
MY LIFE, IT'S REALLY BEEN
SOMETHING I'M UNBELIEVABLY PROUD
498
00:30:52,652 --> 00:30:55,055
OF.
>> Jimmy: I WILL SAY, ESPECIALLY
499
00:30:55,055 --> 00:30:58,658
THIS LAST COUPLE OF WEEKS,
THERE'S BEEN CLIPS ONLINE,
500
00:30:58,658 --> 00:31:02,495
SEEING THESE JUNETEENTH
EPISODES
501
00:31:02,495 --> 00:31:07,233
AND THEN I READ THAT YOU'RE
TAKING THAT TO THE NEXT LEVEL
502
00:31:07,233 --> 00:31:10,804
AND DOING ‐‐ WRITING A MUSICAL
WITH PHARELL
503
00:31:10,804 --> 00:31:16,709
>> PHARELL AND I SOLD A PLAY
I ALWAYS WANTED TO WRITE ONE
504
00:31:16,709 --> 00:31:19,546
WE WROTE "JUNETEENTH."
PLAYS TAKE A LONG TIME AS YOU
505
00:31:19,546 --> 00:31:22,715
KNOW
WE'VE BEEN TRYING TO ‐‐ IT'S
506
00:31:22,715 --> 00:31:25,018
SOMETHING IMPORTANT TO ME.
"JUNETEENTH" TO ME WAS ONE OF MY
507
00:31:25,018 --> 00:31:28,321
PERSONAL THINGS.
LIKE I FEEL LIKE I WANTED TO
508
00:31:28,321 --> 00:31:31,024
MAKE THAT A NATIONAL HOLIDAY
I WANTED TO HELP MAKE THAT A
509
00:31:31,024 --> 00:31:35,528
NATIONAL HOLIDAY
I FEEL LIKE THE NOTION OF PEOPLE
510
00:31:35,528 --> 00:31:41,201
UNDERSTANDING THAT SLAVERY IS A
RECESSIVE SCAR THAT ALL OF US,
511
00:31:41,201 --> 00:31:46,673
BLACK, WHITE, WHATEVER, ASIAN,
LATINX, WE ALL AS AMERICANS,
512
00:31:46,673 --> 00:31:49,943
IT'S A THING WE ALL SHARE.
THERE'S NEVER BEEN AN APOLOGY
513
00:31:49,943 --> 00:31:52,145
FOR SLAVERY.
THERE'S NEVER BEEN ANYTHING THAT
514
00:31:52,145 --> 00:31:55,181
SAYS SLAVERY IS LEGALLY WRONG.
THE GREATEST HUMAN ATROCITY IN
515
00:31:55,181 --> 00:31:58,284
MODERN HISTORY
I FEEL LIKE THE IDEA OF
516
00:31:58,284 --> 00:32:01,754
CELEBRATING THAT FROM AN
AMERICAN STANDPOINT MIGHT REALLY
517
00:32:01,754 --> 00:32:04,757
START TO HELP THE HEALING.
SOMETHING REALLY IMPORTANT TO
518
00:32:04,757 --> 00:32:07,026
ME
WE THOUGHT TRUMP WAS GOING TO
519
00:32:07,026 --> 00:32:11,097
HAVE HIS RALLY, WE STARTED
TALKING, HE WAS GOING TO HAVE IT
520
00:32:11,097 --> 00:32:14,167
ON JUNETEENTH, WE'RE LIKE, THIS
ISN'T OKAY
521
00:32:14,167 --> 00:32:17,170
PHARELL BEING WHO HE IS, BEING A
PARTNER, WHEN WE GOT TOGETHER,
522
00:32:17,170 --> 00:32:20,240
WE CALLED TED, TED WAS
IMMEDIATELY RECEPTIVE.
523
00:32:20,240 --> 00:32:25,044
WE'RE GOING TO DO A MUSICAL
ABOUT JUNETEENTH, A GREAT
524
00:32:25,044 --> 00:32:29,082
WRITER, WE'RE GOING TO GET A
DIRECTOR, BUT LIKE WE WANT TO
525
00:32:29,082 --> 00:32:33,019
BRING THIS TO THE AUDIENCE AND
HOPEFULLY THE NEXT JUNETEENTH,
526
00:32:33,019 --> 00:32:37,190
HAVE IT COME ON NETFLIX, LIKE A
WEEKEND, TO EXPLAIN IT, TO
527
00:32:37,190 --> 00:32:38,491
CELEBRATE THE DAY IN A REALLY
BIG WAY.
528
00:32:38,491 --> 00:32:43,229
>> Jimmy: IT'S MAJOR
I MEAN, YOU'RE NOT GOING TO ACT
529
00:32:43,229 --> 00:32:46,766
IN THIS, RIGHT
YOU HAVE THE BUG NOW
530
00:32:46,766 --> 00:32:51,304
>> [ BLEEP ]
NO, NOT AT ALL
531
00:32:51,304 --> 00:32:55,909
I FEEL LIKE I ‐‐ WE HAD A GREAT
ACTOR WHO I LOVE CAST, RIGHT
532
00:32:55,909 --> 00:32:59,512
YOU KNOW, RASHIDA, WHO'S MY
PARTNER, WHO I LOVE, SHE WAS
533
00:32:59,512 --> 00:33:03,449
LIKE, ISN'T THERE KIND OF
ALREADY A SHOW ABOUT YOUR LIFE
534
00:33:03,449 --> 00:33:05,952
WITH AN ACTOR?
I WANT TO DO SOMETHING IN THE
535
00:33:05,952 --> 00:33:08,021
MARKETPLACE THAT FELT LIKE IT
WOULD BE DIFFERENT, YOU KNOW
536
00:33:08,021 --> 00:33:12,192
WHAT I'M SAYING?
I'M A HUGE "CURB YOUR
537
00:33:12,192 --> 00:33:15,995
ENTHUSIASM" FAN, HUGE LARRY
DAVIS FAN.
538
00:33:15,995 --> 00:33:18,565
MY PRODUCER WHO PRODUCED "CURB"
CONNECTED ME WITH HIM.
539
00:33:18,565 --> 00:33:22,669
HE COULD NOT HAVE BEEN MORE
SWEET AND SUPPORTIVE AND FUNNY
540
00:33:22,669 --> 00:33:24,604
HE ALSO WAS LIKE, DO IT.
IT'S SATIRE, YOU KNOW WHAT I'M
541
00:33:24,604 --> 00:33:27,840
SAYING
WE DON'T, AS BLACK CREATORS, WE
542
00:33:27,840 --> 00:33:30,677
DON'T GET TO DO SATIRE, YOU KNOW
WHAT I'M SAYING?
543
00:33:30,677 --> 00:33:32,979
IT'S NOT SOMETHING PEOPLE ARE
USED TO SEEING
544
00:33:32,979 --> 00:33:36,583
I WOULD SAY IT WAS REALLY WELL
RECEIVED, BUT I WOULD SAY LESS
545
00:33:36,583 --> 00:33:39,752
WELL RECEIVED THAN ANYTHING I'VE
DONE BEFORE.
546
00:33:39,752 --> 00:33:42,121
BUT AT THE SAME TIME ‐‐
>> Jimmy: WHY?
547
00:33:42,121 --> 00:33:45,024
>> I THINK IT WAS POLARIZING,
YOU KNOW WHAT I'M SAYING
548
00:33:45,024 --> 00:33:48,928
I THINK IT WAS A DIFFERENT ‐‐
PEOPLE, THERE WERE A LOT OF ‐‐
549
00:33:48,928 --> 00:33:55,201
PEOPLE WERE LIKE, THIS IS JUST
"BLACK‐ISH" DONE OVER.
550
00:33:55,201 --> 00:33:57,937
AND I'M LIKE, IN SOME ASPECTS
IT'S MY STORY AND I'M TELLING
551
00:33:57,937 --> 00:34:01,107
IT, BUT I WANT TO TELL IT IN AN
ASPIRATIONAL WAY, THIS IS WHERE
552
00:34:01,107 --> 00:34:03,409
MY CAREER HAS GONE, BUT AT THE
SAME TIME SOME OF THE SAME
553
00:34:03,409 --> 00:34:06,579
PROBLEMS, JUST AS BEING A
FATHER, BEING A BLACK MAN,
554
00:34:06,579 --> 00:34:13,353
EXISTS AND MORE, BUT I WANTED TO
SAY IT IN A REALLY HONEST WAY.
555
00:34:13,353 --> 00:34:18,691
IT WAS CATHARTIC.
>> Jimmy: IT'S RESONATING, JUST
556
00:34:18,691 --> 00:34:20,793
GOT PICKED UP FOR SEASON TWO
KENYA BARRIS, I'M SO HAPPY
557
00:34:20,793 --> 00:34:23,429
YOU'RE ON THE SHOW
I WANT YOU TO COME BACK WHEN
558
00:34:23,429 --> 00:34:26,065
WE'RE IN PERSON.
I WANT YOU TO COME BACK MANY,
559
00:34:26,065 --> 00:34:28,768
MANY TIMES
IT'S A PLEASURE AND AN HONOR TO
560
00:34:28,768 --> 00:34:31,838
TALK TO YOU.
YOU'RE CRUSHING IT, BUD.
561
00:34:31,838 --> 00:34:35,008
>> YOU ARE CRUSHING IT, MAN.
TO DO THE SHOW THE WAY YOU'VE
562
00:34:35,008 --> 00:34:37,977
CONTINUED TO DO IT IN THIS SPACE
AND JUST SORT OF LIKE ‐‐ I'M SO
563
00:34:37,977 --> 00:34:40,813
PROUD OF YOU, MAN, HONESTLY.
YOU'VE BEEN A GOOD GUY
564
00:34:40,813 --> 00:34:43,750
YOU'VE BEEN ONE OF THE GOOD GUYS
SINCE YOU STARTED AND YOU'VE
565
00:34:43,750 --> 00:34:47,053
CONTINUED TO BE.
WE'VE BURNED INTO EACH OTHER IN
566
00:34:47,053 --> 00:34:50,757
PERSON AND YOU ALWAYS ARE YOU.
I KIND OF FEEL LIKE THAT IS A
567
00:34:50,757 --> 00:34:52,392
TESTAMENT, ESPECIALLY IN THIS
BUSINESS
568
00:34:52,392 --> 00:34:56,663
LIKE YOU DO NOT CHANGE
SO THANK YOU FOR THAT, MAN
569
00:34:56,663 --> 00:34:58,765
THANK YOU FOR HAVING ME.
THIS IS GREAT.
570
00:34:58,765 --> 00:35:00,633
>> Jimmy: YOU ROCK
THANKS, BUD.
571
00:35:00,633 --> 00:35:02,335
STAY SAFE.
>> I WILL.
572
00:35:02,335 --> 00:35:05,204
THANKS.
>> Jimmy: WE'LL BE RIGHT BACK
573
00:35:05,204 --> 00:35:10,643
WITH A PERFORMANCE FROM MICHAEL
STIPE AND BIG RED MACHINE'S
574
00:35:10,643 --> 00:35:11,651
AARON DESSNER, STICK AROUND.
575
00:35:26,785 --> 00:35:27,669
>> Jimmy: PERFORMING THE SONG
576
00:35:27,669 --> 00:35:30,272
"NO TIME FOR LOVE LIKE NOW,"
"NO TIME FOR LOVE LIKE NOW," I
577
00:35:30,272 --> 00:35:33,375
AGREE WITH THAT.
578
00:35:33,375 --> 00:35:37,479
HERE'S THE ONE AND ONLY
MICHAEL STIPE WITH BIG RED
MACHINE'S AARON DESSNER.
579
00:35:38,480 --> 00:35:55,530
♪
580
00:35:57,866 --> 00:36:05,507
♪ NO TIME FOR BREEZ
NO TIME FOR ARGUMENT
581
00:36:05,507 --> 00:36:13,715
NO TIME FOR LOVE LIKE NOW ♪
♪ THERE'S NO TIME
582
00:36:13,715 --> 00:36:20,822
IN THE BARDO
NO TIME IN THE IN‐BETWEE
583
00:36:20,822 --> 00:36:29,431
NO TIME FOR LOVE LIKE NOW ♪
♪ THERE'S NO TIME
584
00:36:29,431 --> 00:36:35,770
FOR DANCIN
NO TIME FOR UNDECIDEDS
585
00:36:35,770 --> 00:36:45,513
NO TIME FOR LOVE LIKE NOW ♪
♪ WHERE DID THIS AL
586
00:36:45,513 --> 00:36:49,217
BEGIN TO CHANGE?
THE LOCKDOWN MEMORIE
587
00:36:49,217 --> 00:36:52,287
CAN'T SUSTAIN ♪
♪ THIS GLISTENING
588
00:36:52,287 --> 00:37:01,262
HANGING FREE FAL
I TURNED AWAY FROM
589
00:37:01,262 --> 00:37:14,209
THE GLORIOUS LIGHT ♪
♪ I TURNED MY HEAD AND CRIE
590
00:37:14,209 --> 00:37:22,350
WHATEVER WAITING MEANS
IN THIS NEW PLAC
591
00:37:22,350 --> 00:37:37,265
I AM WAITING FOR YOU ♪
♪
592
00:37:37,265 --> 00:37:42,737
♪ THERE'S NO TIME FOR HONEY
NO TIME FOR PSALMS
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00:37:42,737 --> 00:37:47,142
AND THRESHOLDS
WHISPER A SWEET ♪
594
00:37:47,142 --> 00:37:58,386
♪ PRAYER SIGH
WHERE DID THIS ALL
595
00:37:58,386 --> 00:37:59,921
BEGIN TO CHANGE? ♪
♪ THE LOCKDOWN MEMORIES
596
00:37:59,921 --> 00:38:01,990
CAN'T SUSTAI
THIS GLISTENIN
597
00:38:01,990 --> 00:38:08,430
HANGING FREE FALL ♪
♪ I TURNED AWAY FRO
598
00:38:08,430 --> 00:38:22,777
THE GLORIOUS LIGHT
I TURNED MY HEAD AND CRIED
599
00:38:22,777 --> 00:38:30,852
WHATEVER WAITING MEANS ♪
♪ IN THIS NEW PLACE
600
00:38:30,852 --> 00:38:40,695
I AM WAITING FOR YOU
YOUR VOICE IS ECHOIN
601
00:38:40,695 --> 00:38:45,733
LOVE, LOVE, LOVE ♪
♪ LOVE, LOV
602
00:38:45,733 --> 00:39:00,815
I HEAR IT FAR, FAR AWA
AND I AM WAITING FOR YOU
603
00:39:00,815 --> 00:39:11,426
YES, I AM WAITING FOR YOU ♪
♪ WHATEVER WAITING MEAN
604
00:39:11,426 --> 00:39:23,905
IN THIS NEW PLACE ♪
♪ I AM WAITING FOR YO
605
00:39:23,905 --> 00:39:35,150
YES, I AM WAITING FOR YO
I AM WAITING FOR YOU ♪
606
00:39:35,150 --> 00:39:36,671
♪
♪
607
00:40:28,403 --> 00:40:28,806
♪
♪
608
00:40:28,806 --> 00:40:30,780
>> Jimmy: THANK YOU SO MUCH FOR
WATCHING "THE TONIGHT SHOW"
609
00:40:30,780 --> 00:40:34,016
TONIGHT.
PLEASE, WASH YOUR HANDS.
610
00:40:34,016 --> 00:40:35,852
DON'T TOUCH YOUR FACE.
WE HAVE NEW SHOWS ALL WEEK
611
00:40:35,852 --> 00:40:38,454
I'LL SEE YA ‐‐
GO, BUD.
612
00:40:38,454 --> 00:40:39,655
I'LL SEE YA DOWN THERE
GO
613
00:40:39,655 --> 00:40:40,957
YEAH
I'M COMING
614
00:40:40,957 --> 00:40:45,328
[ LAUGHTER ]
NO, DON'T COME
615
00:40:45,328 --> 00:40:46,095
[ LAUGHTER ]
NO
616
00:40:46,095 --> 00:40:49,595
>> NO.
54747
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