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[ SPLASHING ]
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HEY.
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HEY. SPRINKLER'S BUSTED AGAIN.
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WHAT? THE THING.
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OH. LOOK AT THAT.
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WELL, I WAS WONDERING WHY IT WAS TURNING BROWN.
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YEAH, THE PLASTIC ONES -- THEY ALWAYS BREAK,
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AND THEN THE WHOLE SYSTEM -- IT'S GONNA GO NUTS ON YOU.
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YOU KNOW, I'LL PICK UP A COUPLE PARTS. I'LL
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COME BY AND FIX IT.
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NO, IT'S ALL RIGHT. I KNOW HOW BUSY YOU ARE.
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IT'S 10 MINUTES.
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RIGHT. WELL, I'LL GET A HANDYMAN, THEN.
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NO. WHY A HANDYMAN? I'LL COME ON A SATURDAY --
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JOE, I DIDN'T COME OUT HERE TO TALK ABOUT THE SPRINKLERS!
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OKAY.
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[ SIGHS ] I'M SORRY.
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THAT'S ALL RIGHT. GO AHEAD. WHAT'S GOING ON?
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IT'S LUCY.
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THERE'S A BOY WHO'S BEEN BOTHERING HER.
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WHO? THE KID WITH THE HAIR?
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NO, A DIFFERENT ONE -- TRAVIS.
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TRAVIS?
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YEAH, I THOUGHT HE WAS NICE, BUT I GUESS IT DIDN'T WORK OUT,
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AND NOW HE KEEPS CALLING HER AND TEXTING AND...
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OF COURSE, SHE WON'T SAY ANYTHING TO ME,
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BUT, YOU KNOW, YOU HEAR ABOUT THESE KIDS THESE DAYS
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WHO GO OFF THE DEEP END, AND...
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OKAY. ALL RIGHT. YEAH.
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BUT, I MEAN, COME ON. THEY'RE 17.
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THIS IS WHAT HAPPENS. IT'S JUST SOME DRAMA.
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NO. JOE, JOE, THIS FEELS REALLY AGGRESSIVE TO ME, OKAY?
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OKAY. ALL RIGHT.
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TRAVIS.
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NOT CRAZY ABOUT THE NAME.
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OH, MY GOD, JOE.
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ANYWAY, I'LL JUST TALK TO HER. I'LL ASK HER.
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NO! OH, MY GOD, NO! THAT WOULD MAKE HER CLAM UP EVEN MORE.
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ALL RIGHT, I WON'T TALK TO HER.
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YEAH, WELL, JUST PAY ATTENTION TO HER
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AND, YOU KNOW, LET HER KNOW YOU'RE THERE FOR HER,
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THAT WE'RE THERE FOR HER.
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JUST MONITOR THE SITUATION, OKAY? AND I'LL DO THE SAME.
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Lucy: ALBERT! COME ON! OKAY? JUST --
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ALL RIGHT. I GOT IT.
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ALL RIGHT. THANKS. DON'T WORRY.
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Don't bring anything up unless she says something to you first.
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I GOT IT. I GOT IT. I GOT IT. I GOT IT.
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Okay. Thanks. All right.
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And just a warning -- she's been really moody.
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BYE, MOM.
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HAVE A GREAT DAY, YOU GUYS!
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BYE! [ CHUCKLES ]
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HI. YOUR HAIR LOOKS NICE.
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NO, IT DOESN'T.
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♪ WHEN I GROW UP TO BE A MAN ♪
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♪ WILL I DIG THE SAME THINGS THAT TURN ME ON AS A KID? ♪
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♪ WILL I JOKE AROUND ♪
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♪ WILL I STILL JOKE AROUND ♪
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♪ AND STILL DIG THOSE SOUNDS ♪
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♪ AND STILL DIG THOSE SOUNDS ♪
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♪ WHEN I GROW UP TO BE A MAN? ♪
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[ HIGH-PITCHED WHINING ]
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[ SNORING LIGHTLY ]
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[ WHINING STOPS ]
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[ SNORTS ]
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[ EXHALES SHARPLY ]
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[ GROANING ]
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[ SIGHS ]
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300 BUCKS, MY ASS.
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COME ON!
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[ SIGHS ]
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[ ALARM BEEPING ]
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[ BEEPING STOPS ]
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[ SMOOCHES ]
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DID YOU BREAK MY WAVE MACHINE?
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NO. I SET IT.
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[ EXHALES SHARPLY ]
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I THOUGHT IT ONLY MADE RAINFOREST SOUNDS.
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[ CHUCKLES ]
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THOSE MAKE YOU GO TO SLEEP.
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THEY DON'T WAKE YOU UP.
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EXACTLY.
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[ SIGHS ]
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THIS IS A MUCH BETTER WAY TO WAKE UP.
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OH. NO, SORRY, PAL.
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NOPE. I'VE GOT TO GO TO WORK.
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YOU GOT TIME.
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NO. DON'T YOU START AT 10:00?
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UH, 10:00, 11:00.
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MM...TOMORROW.
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OH, MUST BE NICE.
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MMM-HMM.
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HMM. [ GRUNTS ]
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DO YOU WANT TO HAVE DINNER?
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SURE.
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WHAT TIME?
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I DON'T KNOW. UH...
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WHY DON'T I JUST SWING BY YOUR WORK LATER ON
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AND WE'LL FIGURE IT OUT?
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OKAY. I GET OFF AT 6:00.
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YEAH, WE'LL FIGURE IT OUT.
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OKAY.
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I'M DONE AT 6:00.
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[ RAINFOREST SOUNDS PLAY ]
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I FIXED IT.
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Michael: GOT YOU! GOT YOU!
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Jamie: NO, YOU DIDN'T! YOU GOT MY SHIRT!
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BOYS!
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SIT DOWN, OR I WILL EAT THIS BREAKFAST MYSELF!
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[ BOYS LAUGHING ]
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DID YOU, UH, BLOW A FUSE OR SOMETHING?
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MNH-MNH. THE ELECTRICIANS ARE RUNNING POWER TO THE ADDITION.
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AND APPARENTLY, TO DO THAT,
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THEY HAD TO DISCONNECT THE WHOLE HOUSE FROM THE MAIN LINE.
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COME ON.
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WAIT -- THE ADDITION IS GETTING POWER?
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AS WE SPEAK.
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THEY SAID IT SHOULDN'T TAKE MORE THAN AN HOUR.
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SWEETIE, DO YOU KNOW WHAT THIS MEANS?
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HMM?
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WE ARE ALMOST DONE.
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DONE LIKE DONE DONE?
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LIKE DONE DONE.
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I MEAN, THEY STILL HAVE THINGS TO DO ON THEIR LIST,
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BUT YEAH.
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DONE DONE.
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YOU KNOW, I NEVER THOUGHT WE'D SEE THIS DAY.
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[ LAUGHS ]
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COME ON!
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COULD YOU PICK UP A MOVIE FOR THE BOYS ON YOUR
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WAY HOME FROM WORK?
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I'M ABOUT TO STRANGLE THOSE TWO.
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YEAH, YEAH. I'LL GIVE YOU A --
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UH, WHERE ARE THEY GOING?
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SUPPLIES, I GUESS.
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[ TRUCK DOOR SLAMS ]
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Powers: MR. THOREAU?
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YEAH?
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BRENT POWERS -- DEPARTMENT OF BUILDING AND SAFETY.
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AND THIS IS OFFICER KEARNS WITH THE COUNTY SHERIFF'S OFFICE.
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AND, UH, W-WHAT CAN WE DO FOR YOU GENTLEMEN?
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WELL, SIR, I'M AFRAID WE'RE HERE TO SHUT
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YOUR CONSTRUCTION DOWN.
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EXCUSE ME?
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WELL, YOU'RE BUILDING WITHOUT A PERMIT, MR. THOREAU.
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OUR OFFICE HAS RED-TAGGED THIS SITE
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FOUR TIMES IN THE LAST MONTH
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TO ALERT YOU THAT YOU WERE NOT IN COMPLIANCE.
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YOU KNOW ANYTHING ABOUT THIS?
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NO! NO! GUNTHER DIDN'T SAY ANYTHING ABOUT RED TAGS.
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YEAH, OUR CONTRACTOR NEVER SAID ANYTHING TO US
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ABOUT ANY PROBLEMS.
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[ CLICKS TONGUE ] OH.
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WHAT? WHAT'S THAT?
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WELL, SOMETIMES YOUR LESS-SCRUPULOUS CONTRACTORS
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WILL SIMPLY RIP THE TAGS DOWN WITHOUT ALERTING THE HOMEOWNER.
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THEN THEY'LL HIT YOU UP WITH AS MANY "SURPRISE
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BILLS" AS THEY CAN
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BEFORE WE SHOW UP TO SHUT THE SITE DOWN.
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THEN THEY JUST DISAPPEAR.
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NO, THIS IS NOT HAPPENING.
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SO, UH, WHAT -- WHAT DO WE DO NOW?
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WELL, ALL WORK HAS TO STOP
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UNTIL AN INSPECTOR CAN DETERMINE THE EXTENT OF THE VIOLATIONS.
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AND THEN WHAT HAPPENS?
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WELL, WORST-CASE SCENARIO -- THE COUNTY COULD DEMAND
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THAT YOU TEAR DOWN ANY WORK THAT WAS DONE
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AND REBUILD WITH THE PROPER PERMITS.
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ALL OF IT?
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NO, NO -- JUST THE NEW CONSTRUCTION.
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NO, THAT'S ALL OF IT.
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OH.
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UH...THEN YES.
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THANK YOU.
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HAVE A GOOD DAY.
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HEY, MARIA. HEY.
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OH.
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WE NEED, UM, MORE...MILLER.
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MILLER?
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YOU KNOW, THE SILVER BALLOONS.
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OH, MYLAR. IT'S PRONOUNCED "MY-LAR."
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WE'RE OUT OF IT.
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ALL RIGHT.
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HEY, MARIA...
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YOU AND, UM...
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YOU AND -- AND -- WHAT'S-HER-NAME,
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YOU GUYS -- YOU BROKE UP, RIGHT?
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KAITLYN.
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YEAH.
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I'M JUST -- THE ONLY REASON I'M BRINGING IT UP
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IS 'CAUSE MY DAUGHTER, LUCY, JUST BROKE UP WITH THIS KID,
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AND HE'S TAKING IT KIND OF HARD, YOU KNOW,
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AND -- I DON'T KNOW.
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DID -- DID KAITLYN EVER GET...CLINGY?
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SHE EVER, LIKE, COULDN'T LET GO?
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KAITLYN BROKE UP WITH ME.
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OH.
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I MEAN, NOT THAT -- NOT THAT --
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IT'S DIFFERENT, THOUGH, RIGHT?
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I MEAN, IT PROBABLY IS WAY DIFFERENT
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'CAUSE YOU GUYS ARE BOTH...
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YOU'RE A GIRL. SHE'S A GIRL. IT'S DIFFERENT, RIGHT?
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IT'S TOTALLY DIFFERENT.
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ALL RIGHT.
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MY COUSIN -- SHE BROKE UP WITH SOME GUY,
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AND HE CAME TO HER HOUSE AND KILLED HER GUINEA PIG.
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WHOA!
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LIKE, UH, "FATAL ATTRACTION" -- THE RABBIT.
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NO, IT WASN'T A RABBIT.
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IT WAS A GUINEA PIG.
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YEAH. YEAH, NO, I KNOW, BUT...
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YOU SAW "FATAL ATTRACTION"?
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UH-HUH.
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YEAH.
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YEAH, BUT... THIS WAS A GUINEA PIG.
217
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ANYWAY, I HAD A --
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I BROKE UP WITH A GIRL IN 6th GRADE,
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AND SHE, UH...
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IF I CAN REMEMBER THE QUOTE --
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SHE TOLD EVERYBODY I HAD NO WIENER.
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I'D RATHER SHE KILLED MY RABBIT. [ CHUCKLES ]
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I DON'T MEAN TO MAKE FUN.
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I'M JUST -- I'M JUST TRYING TO LIGHTEN IT UP.
225
00:07:57,000 --> 00:07:59,000
ALL RIGHT. LET'S GET SOME MYLAR.
226
00:08:01,000 --> 00:08:06,000
2, 2, 1, 1, 1, 0, 0, 0.
227
00:08:06,000 --> 00:08:08,000
[ MARKER CLATTERS ]
228
00:08:08,000 --> 00:08:10,000
SO, WHAT'S WRONG WITH YOU GUYS?
229
00:08:11,000 --> 00:08:15,000
WHY DO I KEEP SEEING CUSTOMERS WALKING OUT OF MY SHOWROOM?
230
00:08:16,000 --> 00:08:19,000
DON'T START TELLING ME ANYTHING ABOUT THE ECONOMY.
231
00:08:19,000 --> 00:08:24,000
IN 1979, DURING THE ARABIAN OPEC BULLSHIT,
232
00:08:24,000 --> 00:08:27,000
I SOLD MORE CARS THAN ANYONE ELSE IN THIS CITY.
233
00:08:27,000 --> 00:08:28,000
AND DO YOU KNOW HOW?
234
00:08:28,000 --> 00:08:33,000
BECAUSE I COULD ALWAYS, ALWAYS FIND "THE KEY."
235
00:08:35,000 --> 00:08:37,000
WHEN YOU'VE GOT AN UP,
236
00:08:37,000 --> 00:08:39,000
YOU DON'T JUST SHOW HIM THE FLOOR MODEL
237
00:08:39,000 --> 00:08:40,000
AND ASK ABOUT A TRADE-IN.
238
00:08:40,000 --> 00:08:43,000
HELL NO. YOU FIND THE KEY.
239
00:08:43,000 --> 00:08:44,000
YOU GET INSIDE OF HIS BRAIN.
240
00:08:45,000 --> 00:08:47,000
YOU KNOW ALL ABOUT HIS OLD LADY NAGGING HIM,
241
00:08:47,000 --> 00:08:51,000
ABOUT HOW HE'S NOSE-DEEP IN CRAP-FILLED DIAPERS.
242
00:08:51,000 --> 00:08:54,000
YOU WORK THE MAN. YOU FIND THE KEY.
243
00:08:54,000 --> 00:08:56,000
YOU GOT IT?
244
00:08:56,000 --> 00:08:58,000
WHAT IF THE GUY'S NOT MARRIED?
245
00:09:03,000 --> 00:09:04,000
HEY, WHAT'S GOING ON?
246
00:09:04,000 --> 00:09:05,000
STILL NO POWER AT THE HOUSE.
247
00:09:05,000 --> 00:09:06,000
STILL?
248
00:09:06,000 --> 00:09:09,000
I HAVE LEFT FIVE MESSAGES FOR GUNTHER.
249
00:09:09,000 --> 00:09:11,000
I'LL -- I'LL MAKE SOME CALLS TO THE BILLING OFFICE DOWNTOWN,
250
00:09:11,000 --> 00:09:14,000
AND, UM, IF THE POWER'S NOT ON BY TONIGHT, UH,
251
00:09:14,000 --> 00:09:16,000
WE'LL JUST, UH, CHECK INTO A HOTEL.
252
00:09:16,000 --> 00:09:17,000
WE CAN'T BE SPENDING MONEY ON HOTELS --
253
00:09:17,000 --> 00:09:19,000
NOT IF WE MIGHT HAVE TO TEAR DOWN THE HOUSE.
254
00:09:19,000 --> 00:09:20,000
WHAT ELSE ARE WE GONNA DO?
255
00:09:20,000 --> 00:09:21,000
Michael: GRANDPA!
256
00:09:22,000 --> 00:09:24,000
WHO LET THESE RUGRATS IN HERE?
257
00:09:24,000 --> 00:09:25,000
[ LAUGHS ]
258
00:09:25,000 --> 00:09:27,000
WE'RE GOING TO STAY AT YOUR HOUSE, GRANDPA!
259
00:09:27,000 --> 00:09:29,000
SAYS WHO?
260
00:09:29,000 --> 00:09:30,000
MOMMY.
261
00:09:32,000 --> 00:09:35,000
OH. [ CHUCKLES NERVOUSLY ] HI, GUYS.
262
00:09:38,000 --> 00:09:41,000
DO YOU UNDERSTAND THAT MY HOME HAS NO POWER?
263
00:09:41,000 --> 00:09:44,000
BECAUSE MY CONTRACTOR'S AN ASSHOLE, THAT'S WHY!
264
00:09:44,000 --> 00:09:47,000
NO, NO, NO, NO, NO, NO, NO, NO, NO, NO, NO, NO, NO!
265
00:09:47,000 --> 00:09:49,000
I WILL NOT! I WILL NOT CHANGE MY TONE!
266
00:09:50,000 --> 00:09:51,000
WHY DON'T YOU CHANGE -- WHY DON'T YOU CHANGE
267
00:09:51,000 --> 00:09:54,000
AND ACTUALLY DO SOMETHING THAT'S HELPFUL?
268
00:09:54,000 --> 00:09:55,000
NO, NO, DON'T PUT ME ON HOLD.
269
00:09:56,000 --> 00:09:58,000
AAAAARGH!
270
00:09:58,000 --> 00:10:00,000
YOU KNOW, YOU WATCH HIM MOVE LIKE THAT,
271
00:10:00,000 --> 00:10:02,000
AND IT'S HARD TO BELIEVE HE'S THE CHILD OF A
272
00:10:00,000 --> 00:10:02,000
PROFESSIONAL ATHLETE.
273
00:10:02,000 --> 00:10:04,000
[ SHOUTING ] MORE CONTRACTOR STUFF?
274
00:10:04,000 --> 00:10:06,000
I GUESS. I DON'T KNOW.
275
00:10:04,000 --> 00:10:06,000
[ ARGUING INDISTINCTLY ]
276
00:10:06,000 --> 00:10:08,000
I TURNED HIM ON TO THAT GUY.
277
00:10:08,000 --> 00:10:10,000
HE DID THE SIDING ON MY BUILDING. IT LOOKS GREAT.
278
00:10:10,000 --> 00:10:12,000
AAAH, SHIT!
279
00:10:12,000 --> 00:10:13,000
OH-HO-HO! SHIT, SHIT!
280
00:10:13,000 --> 00:10:15,000
HE'S GONNA BLAME ME FOR THIS.
281
00:10:15,000 --> 00:10:16,000
YOU WATCH.
282
00:10:17,000 --> 00:10:18,000
OH, YEAH. PROBABLY.
283
00:10:18,000 --> 00:10:20,000
[ SIGHS ] WELL, WELL, WELL.
284
00:10:20,000 --> 00:10:21,000
LOOK WHO'S HERE.
285
00:10:21,000 --> 00:10:22,000
MORNING, LAURA.
286
00:10:22,000 --> 00:10:23,000
TERRANCE.
287
00:10:23,000 --> 00:10:25,000
HERE YOU GO.
288
00:10:25,000 --> 00:10:26,000
THANK YOU.
289
00:10:26,000 --> 00:10:28,000
YOU'RE WELCOME.
290
00:10:32,000 --> 00:10:33,000
WHAT?
291
00:10:33,000 --> 00:10:34,000
WHEN DID THAT HAPPEN?
292
00:10:34,000 --> 00:10:36,000
I DON'T KNOW. COUPLE WEEKS AGO.
293
00:10:36,000 --> 00:10:39,000
TURNS OUT WE BOTH DROVE VW BUSES IN COLLEGE.
294
00:10:39,000 --> 00:10:40,000
OH.
295
00:10:40,000 --> 00:10:42,000
YOU SHOULD HAVE A CHOKE COLLAR ON YOUR DICK.
296
00:10:42,000 --> 00:10:43,000
[ CHUCKLES ]
297
00:10:43,000 --> 00:10:44,000
HEY.
298
00:10:44,000 --> 00:10:46,000
EVERYTHING COOL?
299
00:10:46,000 --> 00:10:47,000
I DON'T WANT TO TALK ABOUT IT.
300
00:10:47,000 --> 00:10:50,000
HE'S DOING THE WAITRESS.
301
00:10:50,000 --> 00:10:52,000
WHAT? YEAH.
302
00:10:52,000 --> 00:10:53,000
[ SIGHS ]
303
00:10:53,000 --> 00:10:54,000
WHICH ONE?
304
00:10:54,000 --> 00:10:56,000
THE -- THE TALL ONE.
305
00:10:56,000 --> 00:10:58,000
[ CHUCKLES ] WHY YOU GOT TO SHIT WHERE WE EAT?
306
00:10:58,000 --> 00:10:59,000
OH, THAT'S NICE.
307
00:10:59,000 --> 00:11:01,000
YOU KNOW, SHE'S TOUCHING OUR FOOD,
308
00:11:01,000 --> 00:11:02,000
AND SHE'S BEEN -- SHE'S BEEN NEAR HIS BUSINESS.
309
00:11:02,000 --> 00:11:06,000
WHOA, WHOA. DON'T WORRY. WE ALWAYS TAKE A SHOWER AFTERWARDS.
310
00:11:06,000 --> 00:11:06,000
GROSS.
311
00:11:07,000 --> 00:11:09,000
WHAT EXACTLY DID YOU ORDER ME HERE?
312
00:11:09,000 --> 00:11:11,000
HEY, YOU KNOW, YOU'RE 20 MINUTES LATE EVERY TIME.
313
00:11:11,000 --> 00:11:12,000
YOU CAN'T COMPLAIN ABOUT WHAT I ORDER FOR YOU.
314
00:11:12,000 --> 00:11:14,000
HEY, I'M NOT 20 MINUTES LATE.
315
00:11:14,000 --> 00:11:16,000
ALL RIGHT, OKAY. ALL RIGHT, 15. SORRY. YOU'RE EARLY.
316
00:11:16,000 --> 00:11:19,000
MAN, MY CIRCADIAN RHYTHMS ARE OUT OF WHACK.
317
00:11:19,000 --> 00:11:21,000
ANNIE SET THE ALARM THIS MORNING, AND --
318
00:11:21,000 --> 00:11:23,000
HOLD IT. ANNIE?
319
00:11:23,000 --> 00:11:25,000
SO YOU GOT THE WAITRESS AND THE 25-YEAR-OLD?
320
00:11:25,000 --> 00:11:27,000
I DON'T "GOT" ANYBODY. [ SCOFFS ] OH.
321
00:11:27,000 --> 00:11:29,000
ANYWAY, ANNIE SET THE ALARM THIS MORNING,
322
00:11:29,000 --> 00:11:32,000
WHICH IS A TOTALLY UNHEALTHY WAY TO WAKE UP.
323
00:11:32,000 --> 00:11:33,000
SO, FROM 8:00 TO 11:00,
324
00:11:33,000 --> 00:11:35,000
I FALL STRAIGHT BACK INTO A REM SLEEP,
325
00:11:35,000 --> 00:11:38,000
AND THEN, BAM! EVERY NINE MINUTES, I'M BACK UP.
326
00:11:38,000 --> 00:11:41,000
YEAH, I HATE IT WHEN I CAN'T REM SLEEP THROUGH TO 11:00.
327
00:11:41,000 --> 00:11:42,000
WHO ARE YOU KIDDING, ANYWAY?
328
00:11:42,000 --> 00:11:43,000
YOU'RE UP EVERY NINE MINUTES
329
00:11:43,000 --> 00:11:45,000
GOING, "I'M SLEEPING WITH A 25-YEAR-OLD!"
330
00:11:45,000 --> 00:11:47,000
YOU'RE HIGH-FIVING YOUR PENIS.
331
00:11:47,000 --> 00:11:48,000
ALL RIGHT, ALL RIGHT.
332
00:11:48,000 --> 00:11:51,000
I DON'T EXPECT YOU GUYS TO UNDERSTAND.
333
00:11:51,000 --> 00:11:52,000
I GET IT.
334
00:11:52,000 --> 00:11:54,000
I KNOW WHY YOU LIKE HER.
335
00:11:54,000 --> 00:11:55,000
SHE FILLS GAPS, RIGHT?
336
00:11:55,000 --> 00:11:57,000
WHAT?
337
00:11:57,000 --> 00:12:00,000
FROM "ROCKY," MAN. THAT'S, LIKE, THE BEST SCENE IN THE MOVIE.
338
00:12:00,000 --> 00:12:03,000
PAULIE SAYS, "HEY, WHY YOU GOIN' OUT WITH MY SISTER?"
339
00:12:03,000 --> 00:12:04,000
AND ROCKY'S LIKE,
340
00:12:04,000 --> 00:12:07,000
[ Deep voice ] "I GOT GAPS. "SHE'S GOT GAPS.
341
00:12:07,000 --> 00:12:10,000
YOU KNOW, TOGETHER WE FILL GAPS."
342
00:12:10,000 --> 00:12:11,000
THAT'S THE BEST SCENE?
343
00:12:12,000 --> 00:12:13,000
[ Normal voice ] MM-HMM.
344
00:12:13,000 --> 00:12:14,000
IN "ROCKY"?
345
00:12:14,000 --> 00:12:15,000
YEAH.
346
00:12:15,000 --> 00:12:17,000
NOT WHEN HE'S JUMPING AT THE TOP OF THE STAIRS
347
00:12:17,000 --> 00:12:18,000
WITH HIS ARMS IN THE AIR?
348
00:12:18,000 --> 00:12:20,000
OR "CUT ME, MICK"? HOW 'BOUT "CUT ME, MICK"?
349
00:12:20,000 --> 00:12:21,000
OR THE MEAT, MAN!
350
00:12:21,000 --> 00:12:23,000
HE'S PUNCHING THE MEAT AND THE MUSIC'S PLAYING?
351
00:12:23,000 --> 00:12:25,000
"GONNA FLY NOW"! THAT'S THE BEST SCENE.
352
00:12:25,000 --> 00:12:28,000
NO, THAT'S WHAT EVERYBODY THI-- THAT'S THE OBVIOUS, BUT IT'S --
353
00:12:29,000 --> 00:12:30,000
THAT'S NOT EVEN THE BEST SONG.
354
00:12:30,000 --> 00:12:33,000
MAN, YOU'RE NOT -- NAH, YOU DON'T GET IT.
355
00:12:33,000 --> 00:12:35,000
"FILLS GAPS" -- THAT'S DEEP SHIT.
356
00:12:35,000 --> 00:12:37,000
I COULD NAME 80 OTHER SCENES...
357
00:12:35,000 --> 00:12:37,000
NO.
358
00:12:37,000 --> 00:12:39,000
...THAT PEOPLE REMEMBER MORE THAN THAT ONE.
359
00:12:39,000 --> 00:12:40,000
FORGET IT, MAN. FORGET IT.
360
00:12:39,000 --> 00:12:40,000
WHAT?
361
00:12:41,000 --> 00:12:42,000
YOU KNOW HE'S NOT GONNA CHANGE HIS MIND.
362
00:12:42,000 --> 00:12:43,000
AND THIS IS NOT HOW I WANT TO SPEND
363
00:12:43,000 --> 00:12:45,000
THE LAST PART OF MY MORNING BEFORE I GO DOWNTOWN
364
00:12:45,000 --> 00:12:47,000
TO CONVINCE SOME ASSHOLE INSPECTOR
365
00:12:47,000 --> 00:12:49,000
TO LET SOME ASSHOLE ELECTRICIAN WIRE MY HOUSE
366
00:12:49,000 --> 00:12:50,000
SO I CAN TURN ON MY ASSHOLE LIGHTS.
367
00:12:50,000 --> 00:12:52,000
SO, FORGET IT. FORGET IT.
368
00:12:52,000 --> 00:12:53,000
OKAY?
369
00:12:56,000 --> 00:12:58,000
YOU KNOW, IF YOU WANT, I-I CAN [SIGHS]
370
00:12:58,000 --> 00:12:59,000
I CAN HELP YOU GET YOUR LIGHTS ON.
371
00:13:00,000 --> 00:13:01,000
NO, NO, NO. LOOK.
372
00:13:01,000 --> 00:13:03,000
TWO YEARS OF STAGE-LIGHTING CLASSES IN COLLEGE.
373
00:13:03,000 --> 00:13:05,000
YOU DON'T WANT TO LET THAT KNOWLEDGE GO TO WASTE.
374
00:13:05,000 --> 00:13:07,000
NO. NO, THANK YOU. YOU'VE...DONE ENOUGH.
375
00:13:11,000 --> 00:13:12,000
I TOLD YOU HE'D BLAME ME.
376
00:13:13,000 --> 00:13:14,000
[ CHUCKLES ]
377
00:13:17,000 --> 00:13:19,000
THIS IS, UH...
378
00:13:19,000 --> 00:13:21,000
THIS IS NOT GOOD.
379
00:13:21,000 --> 00:13:25,000
I DON'T EVEN SEE AN APPLICATION FOR A PERMIT.
380
00:13:25,000 --> 00:13:28,000
UH, WE THINK OUR CONTRACTOR WAS LYING TO US.
381
00:13:28,000 --> 00:13:30,000
WAS THIS A, UM, SMALL JOB
382
00:13:30,000 --> 00:13:33,000
THAT MAYBE YOU FIGURED YOU DIDN'T NEED A PERMIT FOR
383
00:13:33,000 --> 00:13:35,000
AND THEN IT TURNED INTO A BIG JOB?
384
00:13:35,000 --> 00:13:38,000
NO. IT'S THE SAME SIZE IT ALWAYS WAS.
385
00:13:38,000 --> 00:13:39,000
I MEAN, WE ADDED A WINDOW
386
00:13:39,000 --> 00:13:42,000
AND A, UM...PORTICO OR WHATEVER YOU CALL IT,
387
00:13:42,000 --> 00:13:46,000
BUT, UM, NO -- WE WEREN'T TRYING TO GET AWAY WITH ANYTHING,
388
00:13:46,000 --> 00:13:48,000
IF THAT'S WHAT YOU'RE ASKING.
389
00:13:48,000 --> 00:13:50,000
WELL, I'M SORRY, MR., UH, THOREAU,
390
00:13:50,000 --> 00:13:52,000
BUT I'M AFRAID I DON'T HAVE THE AUTHORITY
391
00:13:52,000 --> 00:13:55,000
TO ALLOW YOU TO RESUME CONSTRUCTION.
392
00:13:55,000 --> 00:13:57,000
WAIT. YOU KNOW WHAT? THAT'S -- THAT'S FINE.
393
00:13:57,000 --> 00:13:59,000
HELL, I'M HAPPY JUST TO HAVE A LITTLE BREAK
394
00:13:59,000 --> 00:14:00,000
FROM ALL THE HAMMERING.
395
00:14:00,000 --> 00:14:02,000
ALL WE REALLY WANT TO DO
396
00:14:02,000 --> 00:14:03,000
IS GET THE ELECTRICITY IN THE MAIN HOUSE BACK ON.
397
00:14:05,000 --> 00:14:07,000
WHY WAS THE ELECTRICITY OFF?
398
00:14:07,000 --> 00:14:09,000
FOR THE CONSTRUCTION.
399
00:14:09,000 --> 00:14:11,000
BUT -- BUT -- BUT WE'RE NOT GONNA DO ANY MORE WORK.
400
00:14:12,000 --> 00:14:14,000
I WISH I COULD HELP YOU, BUT IT'S OUT OF MY HANDS.
401
00:14:14,000 --> 00:14:16,000
AND ANY CHANGES TO THE CONDITION OF YOUR HOUSE
402
00:14:16,000 --> 00:14:19,000
WILL BE CONSIDERED WORK AND THEN SUBJECT TO MORE FINES.
403
00:14:19,000 --> 00:14:20,000
BELIEVE ME,
404
00:14:20,000 --> 00:14:23,000
I'M JUST TRYING TO SAVE YOU FROM EVEN BIGGER HEADACHES.
405
00:14:23,000 --> 00:14:24,000
48.
406
00:14:30,000 --> 00:14:34,000
[ AL GREEN'S "LET'S STAY TOGETHER" PLAYS ON RADIO ]
407
00:14:34,000 --> 00:14:36,000
YO!
408
00:14:39,000 --> 00:14:40,000
WHAT'S UP, BUDDY?
409
00:14:40,000 --> 00:14:41,000
OH, NOT MUCH.
410
00:14:41,000 --> 00:14:43,000
WHERE'S LUCY?
411
00:14:47,000 --> 00:14:49,000
WHO'S THE GUY SHE'S TALKING TO?
412
00:14:49,000 --> 00:14:51,000
TRAVIS, I THINK.
413
00:14:59,000 --> 00:15:01,000
HEY. YOU OKAY?
414
00:15:01,000 --> 00:15:03,000
UH-HUH.
415
00:15:04,000 --> 00:15:08,000
YEAH? YOU LOOK A LITTLE...FLUSHED.
416
00:15:08,000 --> 00:15:10,000
WHAT DOES THAT EVEN MEAN?
417
00:15:12,000 --> 00:15:13,000
OH, JUST -- YOU KNOW.
418
00:15:14,000 --> 00:15:15,000
WERE YOU OUT IN THE SUN TODAY?
419
00:15:16,000 --> 00:15:17,000
YEAH, I-I GUESS SO.
420
00:15:17,000 --> 00:15:19,000
YEAH. THAT'S -- THAT'S PROBABLY IT.
421
00:15:32,000 --> 00:15:34,000
[ HUMS ]
422
00:15:35,000 --> 00:15:36,000
OH, GOOD. YOU FOUND THEM.
423
00:15:36,000 --> 00:15:38,000
UH, YEAH. THANKS, MOM.
424
00:15:38,000 --> 00:15:41,000
OKAY. I'M GOING FOR A RUN.
425
00:15:41,000 --> 00:15:42,000
OH, YEAH. YOU ENJOY THAT.
426
00:15:42,000 --> 00:15:44,000
OWEN, I DIDN'T KNOW THAT YOU RAN.
427
00:15:44,000 --> 00:15:46,000
NOT EVERY NIGHT,
428
00:15:46,000 --> 00:15:48,000
BUT, YOU KNOW, WHEN I NEED TO LET OFF SOME STEAM.
429
00:15:48,000 --> 00:15:51,000
YOU KNOW, HONEY, YOUR FATHER HAS PLENTY OF FRIENDS DOWNTOWN.
430
00:15:51,000 --> 00:15:53,000
I'M SURE HE CAN MAKE A FEW CALLS
431
00:15:53,000 --> 00:15:55,000
AND GET THIS ALL TAKEN CARE OF.
432
00:15:55,000 --> 00:15:56,000
REALLY?
433
00:15:56,000 --> 00:15:57,000
THE MAYOR'S BROTHER-IN-LAW --
434
00:15:57,000 --> 00:15:59,000
HE'S BEEN A CUSTOMER FOR YEARS.
435
00:15:59,000 --> 00:16:01,000
YEAH, WE CAN HANDLE IT, MOM.
436
00:16:02,000 --> 00:16:03,000
UNO!
437
00:16:03,000 --> 00:16:05,000
GRANDPA, THAT'S NOT FAIR!
438
00:16:06,000 --> 00:16:07,000
WHAT DO YOU MEAN, "IT'S NOT FAIR"?
439
00:16:07,000 --> 00:16:09,000
IF YOU LET YOUR CARDS OUT FOR EVERYBODY TO SEE,
440
00:16:09,000 --> 00:16:10,000
YOU'RE GONNA GET STUNG.
441
00:16:11,000 --> 00:16:12,000
OWEN.
442
00:16:12,000 --> 00:16:13,000
BE NICE.
443
00:16:13,000 --> 00:16:15,000
I'M SUPPOSED TO LET HIM WIN?
444
00:16:15,000 --> 00:16:17,000
THE BOY IS 6 YEARS OLD, GRANDPA.
445
00:16:17,000 --> 00:16:19,000
WELL, HE'S NOT GONNA BE 6 FOREVER, NOW, IS HE?
446
00:16:19,000 --> 00:16:20,000
IF YOU LET THEM WIN NOW,
447
00:16:20,000 --> 00:16:23,000
THEY'LL THINK THE WORLD OWES THEM SOMETHING.
448
00:16:23,000 --> 00:16:24,000
[ CHUCKLES ]
449
00:16:24,000 --> 00:16:26,000
CAN WE GO WATCH TV NOW?
450
00:16:26,000 --> 00:16:28,000
OH, NO, NO, NO. LOSER HAS TO SHUFFLE.
451
00:16:28,000 --> 00:16:30,000
SO NOT GONNA LOSE.
452
00:16:30,000 --> 00:16:31,000
THE POINT IS TO WIN.
453
00:16:31,000 --> 00:16:32,000
OKAY, I'LL BE BACK IN AN HOUR.
454
00:16:32,000 --> 00:16:34,000
AN HOUR?
455
00:16:34,000 --> 00:16:36,000
HE CAN RUN FOR A WHOLE HOUR?
456
00:16:36,000 --> 00:16:38,000
MM-HMM.
457
00:16:42,000 --> 00:16:44,000
YEAH, WATCH -- WATCH YOUR STEP.
458
00:16:44,000 --> 00:16:46,000
THERE'S NAILS AND CRAP EVERYWHERE.
459
00:16:47,000 --> 00:16:50,000
OH. IT'S GONNA BE GREAT WHEN IT'S DONE, HUH?
460
00:16:51,000 --> 00:16:53,000
YEAH. IT WAS DONE BY A CRIMINAL.
461
00:16:53,000 --> 00:16:55,000
AND IT MIGHT ALL SOON BE GONE.
462
00:16:55,000 --> 00:16:56,000
WHAT AM I LOOKING FOR?
463
00:16:56,000 --> 00:16:58,000
THE JUNCTION BOX.
464
00:16:58,000 --> 00:16:59,000
YEAH. WHAT'S IT LOOK LIKE?
465
00:16:59,000 --> 00:17:02,000
IT -- [ SIGHS ]
466
00:17:06,000 --> 00:17:07,000
LIKE A BOX.
467
00:17:07,000 --> 00:17:09,000
WELL, HOW AM I SUPPOSED TO KNOW THAT? I'M A CAR SALESMAN.
468
00:17:09,000 --> 00:17:11,000
[ Chuckling ] WELL, I DON'T SELL CARS,
469
00:17:11,000 --> 00:17:12,000
BUT IF YOU ASK ME TO FIND A WHEEL,
470
00:17:12,000 --> 00:17:15,000
I'M GONNA GO WITH SOMETHING ROUND.
471
00:17:15,000 --> 00:17:17,000
JUST TURN MY DAMN LIGHTS ON!
472
00:17:17,000 --> 00:17:18,000
[ LAUGHS ]
473
00:17:18,000 --> 00:17:21,000
Albert: SO, I'M NOT SAYING I'M THE FASTEST KID IN MY GYM CLASS,
474
00:17:21,000 --> 00:17:24,000
BUT I'M AT LEAST IN THE TOP EIGHT.
475
00:17:21,000 --> 00:17:24,000
EIGHT?
476
00:17:24,000 --> 00:17:27,000
USUALLY WHEN YOU SAY A TOP, YOU ROUND IT OUT TO, LIKE, 10.
477
00:17:27,000 --> 00:17:29,000
BUT I'M BETTER THAN THAT.
478
00:17:29,000 --> 00:17:32,000
I MEAN, IF I SAID "TOP 10," YOU'D THINK I WAS 10.
479
00:17:32,000 --> 00:17:33,000
I'M NOT. I'M EIGHT.
480
00:17:33,000 --> 00:17:35,000
YEAH, I GET IT. I GET IT. THAT'S PRETTY GOOD.
481
00:17:35,000 --> 00:17:37,000
HEY, COME ON, THUMBELINA.
482
00:17:38,000 --> 00:17:39,000
WE WERE GONNA PUT IT DOWN DURING DINNER, RIGHT?
483
00:17:39,000 --> 00:17:43,000
YEAH, I AM. JUST...A SECOND.
484
00:17:43,000 --> 00:17:44,000
AND...DONE.
485
00:17:46,000 --> 00:17:47,000
HAPPY?
486
00:17:48,000 --> 00:17:49,000
YEAH. YEAH.
487
00:17:49,000 --> 00:17:51,000
NOW, LET'S -- COME ON. LET'S TALK A LITTLE.
488
00:17:51,000 --> 00:17:53,000
I GOT TO PEE. I HAD TWO LARGE COKES.
489
00:17:53,000 --> 00:17:56,000
AND I LICKED ALL MY FRIES, ALBERT.
490
00:17:58,000 --> 00:17:59,000
ALBERT, LET ME ASK YOU SOMETHING --
491
00:17:59,000 --> 00:18:01,000
WHAT DO YOU KNOW ABOUT THIS TRAVIS GUY?
492
00:18:01,000 --> 00:18:03,000
I DON'T KNOW.
493
00:18:03,000 --> 00:18:06,000
I MEAN, DO YOU SEE HIM AROUND SCHOOL? IS HE A NICE GUY?
494
00:18:06,000 --> 00:18:08,000
YEAH, USUALLY.
495
00:18:09,000 --> 00:18:11,000
I GUESS LAST WEEK, HE CALLED LUCY A WHORE.
496
00:18:12,000 --> 00:18:13,000
WHAT?!
497
00:18:13,000 --> 00:18:15,000
AGH! BRAIN FREEZE!
498
00:18:15,000 --> 00:18:16,000
WHAT DO YOU MEAN?
499
00:18:16,000 --> 00:18:18,000
IT'S LIKE NAILS IN MY EYEBALLS!
500
00:18:18,000 --> 00:18:19,000
[ CELLPHONE CHIRPS ]
501
00:18:19,000 --> 00:18:21,000
[ WHIMPERING ]
502
00:18:25,000 --> 00:18:26,000
ALBERT, HOW DO YOU -- HOW DO YOU --
503
00:18:26,000 --> 00:18:28,000
HOW DO YOU OPEN THIS?
504
00:18:28,000 --> 00:18:29,000
TO DO WHAT?
505
00:18:29,000 --> 00:18:31,000
I DON'T KNOW. I DON'T KNOW. JUST READ THEM.
506
00:18:31,000 --> 00:18:32,000
ALL OF THEM?
507
00:18:32,000 --> 00:18:34,000
YEAH, YEAH. WHAT -- UNLOCK IT.
508
00:18:34,000 --> 00:18:37,000
[ BEEPING ]
509
00:18:37,000 --> 00:18:40,000
WHAT DO YOU THINK YOU'RE DOING?
510
00:18:41,000 --> 00:18:43,000
HE HAD ONE OF YOUR FRIES.
511
00:18:47,000 --> 00:18:49,000
WHOA.
512
00:18:49,000 --> 00:18:50,000
ALL THAT HAPPENED IN THE BATHROOM?
513
00:18:50,000 --> 00:18:52,000
YEAH, I'M JUST...
514
00:18:52,000 --> 00:18:54,000
A FRIEND OF MINE IS SUPPOSED TO SWING BY AND PICK ME UP.
515
00:18:54,000 --> 00:18:56,000
IS IT THE OLD GUY?
516
00:18:56,000 --> 00:18:59,000
YEAH, THE OLD GUY.
517
00:19:02,000 --> 00:19:05,000
[ DOG BARKING IN DISTANCE ]
518
00:19:05,000 --> 00:19:08,000
YOU KNOW, IF IT WAS JUST ME, I COULD HANDLE IT. YOU KNOW?
519
00:19:08,000 --> 00:19:10,000
I'M USED TO IT.
520
00:19:10,000 --> 00:19:12,000
BUT WHEN HE STARTS DROPPING THAT SHIT ON MY KIDS?
521
00:19:12,000 --> 00:19:15,000
MAN -- JUST HOLD THE LIGHT UP,
522
00:19:12,000 --> 00:19:15,000
WOULD YOU?
523
00:19:15,000 --> 00:19:16,000
SO, HOW'D YOU GET OUT OF THE HOUSE?
524
00:19:16,000 --> 00:19:17,000
I TOLD THEM I WAS GOING FOR A RUN.
525
00:19:18,000 --> 00:19:19,000
AND THEY BOUGHT THAT?
526
00:19:20,000 --> 00:19:22,000
[ LAUGHS ]
527
00:19:22,000 --> 00:19:24,000
ANYWAY, THANKS FOR COMING OUT SO QUICK.
528
00:19:24,000 --> 00:19:25,000
YOU'RE SAVING MY ASS.
529
00:19:25,000 --> 00:19:27,000
YOU KIDDING ME? YOU SAVED MINE.
530
00:19:27,000 --> 00:19:28,000
LAURA FROM THE DINER CAME BY AFTER WORK,
531
00:19:28,000 --> 00:19:30,000
AND I SWEAR TO GOD, IF YOU HADN'T CALLED,
532
00:19:30,000 --> 00:19:32,000
I MIGHT HAVE BEEN CUDDLED TO DEATH.
533
00:19:32,000 --> 00:19:34,000
OKAY.
534
00:19:34,000 --> 00:19:35,000
SO, HERE WE GO.
535
00:19:35,000 --> 00:19:38,000
WE GOT THE BLACK -- POSITIVE.
536
00:19:38,000 --> 00:19:40,000
RED, POSITIVE.
537
00:19:40,000 --> 00:19:43,000
THEY GOT THIS GREEN ONE GOING...
538
00:19:43,000 --> 00:19:45,000
WHAT THE HELL. I'LL JUST PUT IT THERE.
539
00:19:45,000 --> 00:19:46,000
TERRY.
540
00:19:46,000 --> 00:19:48,000
NOW, WHOA. TERRY.
541
00:19:48,000 --> 00:19:49,000
TERRY, COME ON, MAN! IF YOU DON'T KNOW WHAT YOU'RE DO--
542
00:19:49,000 --> 00:19:51,000
[ CLICK ]
543
00:19:51,000 --> 00:19:52,000
EH?
544
00:19:52,000 --> 00:19:53,000
SON OF A BITCH.
545
00:19:53,000 --> 00:19:56,000
[ LAUGHS ]
546
00:19:56,000 --> 00:19:57,000
HUH?
547
00:19:57,000 --> 00:19:59,000
[ LAUGHS ]
548
00:19:59,000 --> 00:20:00,000
WOW.
549
00:20:00,000 --> 00:20:03,000
WHO KNEW THAT YOU COULD ACTUALLY DO SHIT?
550
00:20:04,000 --> 00:20:05,000
SURPRISED THE HELL OUT OF ME.
551
00:20:05,000 --> 00:20:06,000
Officer: ALL RIGHT, GUYS.
552
00:20:06,000 --> 00:20:08,000
WHOA, WHOA, WHOA!
553
00:20:08,000 --> 00:20:09,000
WAIT RIGHT THERE. KEEP YOUR HANDS UP.
554
00:20:09,000 --> 00:20:11,000
NO, NO. NO, OFFICER, THIS IS -- THIS IS MY HOUSE.
555
00:20:11,000 --> 00:20:14,000
WE JUST HAD A LITTLE ELECTRICAL PROBLEM.
556
00:20:14,000 --> 00:20:15,000
LET ME SEE SOME I.D. YEAH.
557
00:20:15,000 --> 00:20:16,000
AND MOVE SLOWLY.
558
00:20:16,000 --> 00:20:18,000
SURE. NO -- NO PROBLEM.
559
00:20:18,000 --> 00:20:20,000
[ POLICE RADIO CHATTER ]
560
00:20:22,000 --> 00:20:23,000
OH.
561
00:20:23,000 --> 00:20:24,000
WHAT?
562
00:20:24,000 --> 00:20:26,000
THESE ARE NOT MY SHORTS.
563
00:20:28,000 --> 00:20:29,000
AW, SHIT.
564
00:20:29,000 --> 00:20:31,000
[ CAR DOOR SLAMS ]
565
00:20:33,000 --> 00:20:36,000
REALLY? THEY GOT TO CUFF US?
566
00:20:36,000 --> 00:20:38,000
WELL, THEY DON'T KNOW.
567
00:20:38,000 --> 00:20:40,000
WE COULD HAVE BEEN BREAKING AND ENTERING.
568
00:20:40,000 --> 00:20:41,000
BREAKING INTO WHAT?
569
00:20:41,000 --> 00:20:44,000
WE WALKED IN THROUGH A PLASTIC SHEET.
570
00:20:44,000 --> 00:20:45,000
HEY, WHAT TIME IS IT?
571
00:20:46,000 --> 00:20:47,000
HMM?
572
00:20:48,000 --> 00:20:49,000
AAH!
573
00:20:49,000 --> 00:20:51,000
7:30.
574
00:20:51,000 --> 00:20:52,000
SHIT!
575
00:20:52,000 --> 00:20:55,000
WHAT THE HELL -- WHAT IS WRONG WITH YOU, MAN?
576
00:20:55,000 --> 00:20:57,000
AH, I WAS SUPPOSED TO PICK UP ANNIE AN HOUR AGO FOR DINNER.
577
00:20:57,000 --> 00:20:59,000
OHHHH.
578
00:20:59,000 --> 00:21:00,000
IT'S -- IT'S FINE.
579
00:21:00,000 --> 00:21:01,000
OH, GOOD.
580
00:21:02,000 --> 00:21:03,000
WELL, MAYBE NOW SHE'LL REALIZE SHE'S DATING A DICK.
581
00:21:04,000 --> 00:21:04,000
WHY AM I A DICK?
582
00:21:05,000 --> 00:21:06,000
BECAUSE ONLY A DICK
583
00:21:06,000 --> 00:21:08,000
GOES STRAIGHT FROM BANGING A WAITRESS ALL AFTERNOON
584
00:21:08,000 --> 00:21:10,000
TO DINNER WITH HIS 25-YEAR-OLD GIRLFRIEND.
585
00:21:10,000 --> 00:21:13,000
OKAY, FIRST OF ALL, SHE'S NOT MY GIRLFRIEND.
586
00:21:13,000 --> 00:21:14,000
NEITHER IS LAURA.
587
00:21:14,000 --> 00:21:16,000
AND I HAVE BEEN TOTALLY UP FRONT WITH BOTH OF THEM
588
00:21:16,000 --> 00:21:19,000
ABOUT HOW I FEEL ABOUT ALL THIS, AND THEY'RE OKAY WITH IT.
589
00:21:19,000 --> 00:21:20,000
OH, SO THEY KNOW ABOUT EACH OTHER?
590
00:21:20,000 --> 00:21:22,000
[ CHUCKLING NERVOUSLY ]
591
00:21:22,000 --> 00:21:23,000
WHAT DIFFERENCE DOES IT MAKE?
592
00:21:23,000 --> 00:21:25,000
THEY'RE HAPPY. I'M HAPPY.
593
00:21:25,000 --> 00:21:27,000
THE ONLY ONE WHO'S NOT HAPPY ABOUT THE WHOLE THING IS YOU.
594
00:21:27,000 --> 00:21:29,000
OF COURSE, YOU'RE NOT HAPPY ABOUT ANYTHING LATELY.
595
00:21:29,000 --> 00:21:32,000
I CAN'T REMEMBER THE LAST TIME WE HAD A HIKE OR WENT TO LUNCH
596
00:21:32,000 --> 00:21:34,000
WHEN YOU WEREN'T BITCHING ABOUT YOUR LIFE.
597
00:21:34,000 --> 00:21:37,000
"MY DAD'S TOO TOUGH ON ME. THE KIDS ARE UP ALL NIGHT.
598
00:21:37,000 --> 00:21:38,000
THE CONTRACTOR'S SCREWING ME." BLAH, BLAH, BLAH.
599
00:21:38,000 --> 00:21:40,000
THAT'S YOUR FAULT! YOU TOLD ME GUNTHER DID GREAT WORK!
600
00:21:40,000 --> 00:21:43,000
HE DOES DO GREAT WORK! HOW AM I SUPPOSED TO KNOW
601
00:21:40,000 --> 00:21:43,000
HE DOES IT WITHOUT A PERMIT?
602
00:21:43,000 --> 00:21:46,000
LOOK, I DIDN'T HIRE HIM. I JUST LIVE IN THE BUILDING.
603
00:21:46,000 --> 00:21:47,000
GEEZ! MAN!
604
00:21:47,000 --> 00:21:49,000
TAKE SOME RESPONSIBILITY!
605
00:21:49,000 --> 00:21:51,000
YOU'RE TELLING ME ABOUT TAKING RESPONSIBILITY?
606
00:21:51,000 --> 00:21:53,000
YOU CAN'T EVEN BE ON TIME FOR SHIT YOU WANT TO BE AT!
607
00:21:53,000 --> 00:21:56,000
OH, NO, NO, NO. NOT THE SAME. NOT THE SAME.
608
00:21:56,000 --> 00:21:58,000
YOU KNOW WHY YOU'RE ALWAYS LATE?
609
00:21:58,000 --> 00:22:00,000
'CAUSE I KNOW WHY. I KNOW EXACTLY WHY.
610
00:22:00,000 --> 00:22:02,000
REALLY? I GOT A WHOLE THEORY
611
00:22:00,000 --> 00:22:02,000
ABOUT IT.
612
00:22:02,000 --> 00:22:04,000
WELL, PLEASE ENLIGHTEN ME, O GREAT BUDDHA.
613
00:22:04,000 --> 00:22:06,000
WHEN YOU'RE LATE, ALL YOU CAN THINK ABOUT
614
00:22:06,000 --> 00:22:07,000
IS GETTING TO WHERE YOU'RE TRYING TO GO --
615
00:22:07,000 --> 00:22:09,000
TRAFFIC, LIGHTS, WHATEVER.
616
00:22:09,000 --> 00:22:11,000
YOU GOT NO ROOM IN YOUR HEAD FOR ANYTHING ELSE.
617
00:22:11,000 --> 00:22:12,000
BUT IF YOU'RE EARLY,
618
00:22:12,000 --> 00:22:14,000
YOU'RE NOT THINKING ABOUT THAT STUFF.
619
00:22:14,000 --> 00:22:16,000
YOUR BRAIN'S NOT OCCUPIED THAT WAY.
620
00:22:16,000 --> 00:22:18,000
SO YOUR MIND DRIFTS.
621
00:22:18,000 --> 00:22:22,000
MAYBE YOU START THINKING, YOU KNOW, INWARD --
622
00:22:22,000 --> 00:22:24,000
ABOUT YOUR LIFE, WHO YOU ARE, WHATNOT.
623
00:22:24,000 --> 00:22:26,000
BUT YOU DON'T WANT TO DO THAT.
624
00:22:26,000 --> 00:22:29,000
THE LAST THING YOU WANT IS TO LOOK IN THE MIRROR
625
00:22:29,000 --> 00:22:31,000
AND ASK, "WHO ARE YOU, TERRY?"
626
00:22:31,000 --> 00:22:33,000
BECAUSE THEN YOU MIGHT START THINKING
627
00:22:33,000 --> 00:22:35,000
ABOUT EXACTLY WHO YOU ARE
628
00:22:35,000 --> 00:22:37,000
AND WHAT YOU'RE DOING WITH YOUR LIFE.
629
00:22:39,000 --> 00:22:42,000
THAT'S WHY YOU'RE LATE ALL THE TIME.
630
00:22:45,000 --> 00:22:47,000
WELL, THANK YOU.
631
00:22:47,000 --> 00:22:49,000
YEAH.
632
00:22:49,000 --> 00:22:50,000
THAT'S FOR FREE.
633
00:22:50,000 --> 00:22:51,000
YEAH, BUT YOU FORGOT ONE THING.
634
00:22:52,000 --> 00:22:53,000
WHAT'S THAT?
635
00:22:53,000 --> 00:22:54,000
THE ONLY REASON I'M LATE RIGHT NOW
636
00:22:54,000 --> 00:22:56,000
IS BECAUSE I WAS HELPING YOU.
637
00:22:59,000 --> 00:23:01,000
[ SIGHS ]
638
00:23:01,000 --> 00:23:03,000
[ RADIO CHATTER CONTINUES ]
639
00:23:07,000 --> 00:23:08,000
I DON'T CARE WHY!
640
00:23:08,000 --> 00:23:11,000
YOU HAVE NO RIGHT TO GO THROUGH MY STUFF!
641
00:23:11,000 --> 00:23:13,000
[ DOOR SLAMS ]
642
00:23:13,000 --> 00:23:14,000
SORRY.
643
00:23:15,000 --> 00:23:16,000
IT'S MY FAULT. IT'S MY FAULT.
644
00:23:16,000 --> 00:23:18,000
OH, I SHOULD NEVER HAVE TOLD YOU ABOUT THIS.
645
00:23:18,000 --> 00:23:21,000
WHAT? NO, NO. YOU HAVE TO TELL ME THIS STUFF, OKAY?
646
00:23:21,000 --> 00:23:22,000
WE GOT TO FIGURE THIS OUT TOGETHER. DON'T --
647
00:23:22,000 --> 00:23:25,000
I DON'T WANT TO WORRY THAT YOU'RE NOT GONNA
648
00:23:22,000 --> 00:23:25,000
INCLUDE ME IN THIS STUFF.
649
00:23:25,000 --> 00:23:26,000
YEAH, YOU KNOW WHAT -- I'M SORRY, JOE,
650
00:23:26,000 --> 00:23:28,000
BUT I DID INCLUDE YOU, AND LOOK WHAT HAPPENED.
651
00:23:28,000 --> 00:23:31,000
DID YOU KNOW TRAVIS CALLED LUCY A WHORE?
652
00:23:31,000 --> 00:23:32,000
WHAT?
653
00:23:32,000 --> 00:23:34,000
YEAH. THAT'S WHY -- THAT'S...
654
00:23:34,000 --> 00:23:35,000
WAS THAT IN THE TEXT?
655
00:23:35,000 --> 00:23:36,000
NO. ALBERT -- HE HEARD ABOUT IT AT SCHOOL.
656
00:23:36,000 --> 00:23:38,000
BUT THAT'S WHY I WAS LOOKING --
657
00:23:38,000 --> 00:23:39,000
TO TRY TO SEE WHAT ELSE HE'S SAYING TO HER.
658
00:23:39,000 --> 00:23:41,000
WHICH I WOULD HAVE FOUND OUT
659
00:23:41,000 --> 00:23:44,000
IF HER PHONE WASN'T A DAMN RUBIK'S CUBE.
660
00:23:44,000 --> 00:23:46,000
WHY DIDN'T SHE TELL ME THAT?
661
00:23:46,000 --> 00:23:47,000
I DON'T...
662
00:23:47,000 --> 00:23:49,000
I DON'T KNOW.
663
00:23:49,000 --> 00:23:51,000
EVEN WHEN WE WERE TOGETHER, I'D FEEL LIKE I DIDN'T KNOW
664
00:23:51,000 --> 00:23:53,000
WHAT WAS GOING ON WITH HER AND ALL THAT.
665
00:23:53,000 --> 00:23:55,000
NOW IT JUST... [ SIGHS ]
666
00:23:55,000 --> 00:23:58,000
LOOK, I DON'T KNOW IF SHE'S NOT TALKING
667
00:23:55,000 --> 00:23:58,000
TO ME AND THAT'S NORMAL,
668
00:23:58,000 --> 00:24:00,000
OR IF THERE'S SOMETHING ELSE GOING ON
669
00:24:00,000 --> 00:24:02,000
BECAUSE OF, YOU KNOW...
670
00:24:04,000 --> 00:24:05,000
...US.
671
00:24:06,000 --> 00:24:07,000
NO, NO, NO.
672
00:24:07,000 --> 00:24:09,000
LOOK, IT'S OKAY. IT'S ALL RIGHT.
673
00:24:09,000 --> 00:24:12,000
WE'LL FIGURE THIS ALL OUT.
674
00:24:16,000 --> 00:24:18,000
YEAH, OKAY.
675
00:24:18,000 --> 00:24:19,000
IT'S ALL RIGHT.
676
00:24:21,000 --> 00:24:22,000
WELL, WE'RE DEFINITELY GETTING HER A NEW PHONE,
677
00:24:23,000 --> 00:24:24,000
BECAUSE THAT THING'S A NIGHTMARE.
678
00:24:24,000 --> 00:24:26,000
RIGHT? YOU COULDN'T FIGURE IT OUT, EITHER.
679
00:24:24,000 --> 00:24:26,000
IT'S IMPOSSIBLE.
680
00:24:26,000 --> 00:24:28,000
SOON THEY'RE ALL GONNA HAVE THE GPS-TRACKING THING.
681
00:24:28,000 --> 00:24:29,000
OH, WE'RE GETTING THAT SHIT.
682
00:24:30,000 --> 00:24:31,000
[ LAUGHS ]
683
00:24:31,000 --> 00:24:33,000
Sharon: ALL WE WERE SAYING IS --
684
00:24:33,000 --> 00:24:35,000
OKAY. THEY'RE DOWN.
685
00:24:35,000 --> 00:24:36,000
PHEW!
686
00:24:36,000 --> 00:24:37,000
SO, IF IT COMES UP,
687
00:24:37,000 --> 00:24:40,000
I WAS HELPING THOSE COPS TO LOOK FOR A DOG.
688
00:24:40,000 --> 00:24:42,000
YOUR FATHER AND I HAVE TALKED IT OVER,
689
00:24:42,000 --> 00:24:45,000
AND WE FEEL LIKE THE BEST WAY TO HANDLE THIS SITUATION
690
00:24:46,000 --> 00:24:47,000
IS FOR YOU TO JUST PAY THE FINES
691
00:24:47,000 --> 00:24:50,000
AND DO WHATEVER IT TAKES TO GET THE JOB FINISHED.
692
00:24:50,000 --> 00:24:53,000
WELL, WE MAY HAVE TO REBUILD, AND WE CAN'T AFFORD THAT.
693
00:24:53,000 --> 00:24:56,000
IF IT COMES TO THAT, WE'LL COVER IT.
694
00:24:56,000 --> 00:24:58,000
BUT YOU TWO NEED A HOME TO LIVE IN.
695
00:24:58,000 --> 00:25:00,000
MOM, THAT'S VERY KIND OF YOU,
696
00:25:00,000 --> 00:25:02,000
BUT, UH, I'M TELLING YOU -- WE CAN HANDLE IT.
697
00:25:02,000 --> 00:25:04,000
YOUR WAY OF "HANDLING IT"
698
00:25:04,000 --> 00:25:06,000
ALMOST GOT YOU THROWN IN JAIL, TODAY, SON,
699
00:25:06,000 --> 00:25:07,000
WHICH IS WHERE YOU WOULD HAVE BEEN
700
00:25:07,000 --> 00:25:09,000
IF THEY HADN'T RECOGNIZED ME.
701
00:25:09,000 --> 00:25:11,000
WHAT WOULD YOU HAVE ME DO, DAD?
702
00:25:11,000 --> 00:25:14,000
SIT HERE AND WATCH YOU MAKE MY KIDS CRY AT CARDS?
703
00:25:22,000 --> 00:25:24,000
MELISSA, TALK TO YOUR HUSBAND.
704
00:25:24,000 --> 00:25:27,000
SHARON, I'M GOING TO BED.
705
00:25:29,000 --> 00:25:30,000
[ GRUNTS ]
706
00:25:32,000 --> 00:25:34,000
WOULD YOU JUST PLEASE THINK ABOUT IT?
707
00:25:39,000 --> 00:25:41,000
IF THEY HELP US, HE WILL NEVER LET ME FORGET IT.
708
00:25:42,000 --> 00:25:43,000
YOU KNOW THAT.
709
00:25:43,000 --> 00:25:44,000
I DO KNOW THE MAN, YES.
710
00:25:44,000 --> 00:25:46,000
WE DIDN'T DO ANYTHING WRONG.
711
00:25:46,000 --> 00:25:48,000
HONEY, I DON'T THINK THAT'S THE POINT ANYMORE.
712
00:25:48,000 --> 00:25:49,000
WELL, WHAT, THEN? WHAT DO WE DO?
713
00:25:49,000 --> 00:25:51,000
I DON'T KNOW.
714
00:25:51,000 --> 00:25:53,000
GO DOWNTOWN AGAIN.
715
00:25:53,000 --> 00:25:55,000
THEY DON'T WANT TO HELP YOU DOWN THERE.
716
00:25:55,000 --> 00:25:57,000
ALL THEY WANT TO DO IS CHECK YOUR NAME OFF SOME LIST
717
00:25:57,000 --> 00:25:58,000
SO -- SO IT LOOKS LIKE THEY DID SOMETHING.
718
00:25:58,000 --> 00:26:02,000
LOOK, YOU'RE -- YOU'RE A SALESMAN, RIGHT?
719
00:26:02,000 --> 00:26:04,000
SO GO DO SOME SELLING.
720
00:26:04,000 --> 00:26:06,000
FIND THE KEY.
721
00:26:07,000 --> 00:26:08,000
YOU KNOW THAT'S BULLSHIT, RIGHT?
722
00:26:08,000 --> 00:26:10,000
THEN WE'RE GONNA BE
723
00:26:10,000 --> 00:26:12,000
SPENDING A HELL OF A LOT MORE TIME WITH YOUR PARENTS.
724
00:26:24,000 --> 00:26:26,000
[ ENGINE TURNS OVER ]
725
00:26:42,000 --> 00:26:44,000
[ ENGINE SHUTS OFF ]
726
00:26:56,000 --> 00:26:58,000
AAAH!
727
00:26:59,000 --> 00:27:03,000
OPEN UP.
728
00:27:10,000 --> 00:27:12,000
DID YOU CALL MY DAUGHTER A WHORE?
729
00:27:12,000 --> 00:27:13,000
NO.
730
00:27:13,000 --> 00:27:15,000
'CAUSE I GOT TO TELL YOU, AS A PARENT,
731
00:27:15,000 --> 00:27:17,000
THAT'S NOT THE KIND OF THING YOU WANT TO HEAR.
732
00:27:17,000 --> 00:27:18,000
I DIDN'T CALL HER THAT.
733
00:27:18,000 --> 00:27:20,000
REALLY? 'CAUSE I HEARD YOU DID.
734
00:27:20,000 --> 00:27:22,000
WELL, I DIDN'T.
735
00:27:26,000 --> 00:27:28,000
THIS IS STUPID. I'M GONNA GET LUCY.
736
00:27:28,000 --> 00:27:29,000
WE'RE GONNA STRAIGHTEN ALL THIS OUT.
737
00:27:29,000 --> 00:27:30,000
WHAT?! NO, WAIT!
738
00:27:30,000 --> 00:27:32,000
WHAT?
739
00:27:35,000 --> 00:27:37,000
SHE DUMPED ME, OKAY?
740
00:27:39,000 --> 00:27:41,000
AND...I DON'T KNOW. I...
741
00:27:41,000 --> 00:27:44,000
I KIND OF LOST MY MIND, AND I GOT ANGRY.
742
00:27:44,000 --> 00:27:47,000
AND WHEN I TRIED TO MAKE HER TALK TO ME ABOUT IT...
743
00:27:49,000 --> 00:27:50,000
...I CALLED HER A WHORE.
744
00:27:50,000 --> 00:27:53,000
BUT IT WAS BECAUSE SHE WOULDN'T LET ME TALK.
745
00:27:53,000 --> 00:27:55,000
IT'S NOT BECAUSE SHE'S ACTUALLY LIKE A WHORE
746
00:27:55,000 --> 00:27:57,000
OR ANYTHING LIKE THAT.
747
00:27:57,000 --> 00:27:58,000
I SWEAR.
748
00:27:58,000 --> 00:28:01,000
I MEAN, EVEN IF SHE WAS A WHORE,
749
00:28:01,000 --> 00:28:02,000
I'D STILL, YOU KNOW...
750
00:28:05,000 --> 00:28:07,000
[ Voice breaking ] SHE'S JUST...
751
00:28:09,000 --> 00:28:11,000
SHE'S SO GREAT.
752
00:28:16,000 --> 00:28:17,000
OKAY.
753
00:28:17,000 --> 00:28:19,000
I'M SORRY. I DIDN'T MEAN IT.
754
00:28:19,000 --> 00:28:21,000
RELAX. CALM DOWN.
755
00:28:21,000 --> 00:28:25,000
I JUST WANTED HER TO LIKE ME AGAIN.
756
00:28:27,000 --> 00:28:31,000
I WANTED EVERYTHING TO BE THE WAY IT WAS.
757
00:28:33,000 --> 00:28:35,000
LOOK, YOU'RE -- YOU'RE IN HIGH SCHOOL.
758
00:28:35,000 --> 00:28:37,000
THIS IS -- IT'S WHAT HAPPENS.
759
00:28:37,000 --> 00:28:39,000
NO. IT'S NOT LIKE THAT.
760
00:28:39,000 --> 00:28:41,000
LIKE, WHEN WE WERE TOGETHER,
761
00:28:41,000 --> 00:28:44,000
IT WAS...
762
00:28:47,000 --> 00:28:50,000
[ SIGHS ]
763
00:28:50,000 --> 00:28:52,000
I WAS...
764
00:28:52,000 --> 00:28:53,000
I DON'T KNOW.
765
00:28:56,000 --> 00:28:58,000
SHE FILLS GAPS, RIGHT?
766
00:29:00,000 --> 00:29:01,000
HUH?
767
00:29:01,000 --> 00:29:03,000
GAPS.
768
00:29:03,000 --> 00:29:06,000
YOU'VE GOT GAPS. SHE'S GOT GAPS.
769
00:29:06,000 --> 00:29:08,000
AND WHEN YOU'RE TOGETHER...
770
00:29:08,000 --> 00:29:09,000
YOU FILL GAPS.
771
00:29:10,000 --> 00:29:11,000
YEAH.
772
00:29:12,000 --> 00:29:12,000
YEAH.
773
00:29:13,000 --> 00:29:14,000
YEAH. I GUESS.
774
00:29:14,000 --> 00:29:16,000
YOU REMEMBER THAT? FROM "ROCKY"?
775
00:29:16,000 --> 00:29:18,000
WHAT'S "ROCKY"?
776
00:29:20,000 --> 00:29:21,000
DOESN'T MATTER.
777
00:29:23,000 --> 00:29:26,000
IT'S JUST -- LOOK.
778
00:29:26,000 --> 00:29:28,000
I GET IT.
779
00:29:30,000 --> 00:29:32,000
SO, WHAT NOW?
780
00:29:32,000 --> 00:29:35,000
EVERYTHING GO BACK TO SUCKING?
781
00:29:39,000 --> 00:29:41,000
YEAH, PRETTY MUCH.
782
00:29:43,000 --> 00:29:44,000
NOT FOREVER, THOUGH.
783
00:29:44,000 --> 00:29:47,000
FEELS LIKE FOREVER.
784
00:29:47,000 --> 00:29:49,000
LOOK, TRAVIS...
785
00:29:49,000 --> 00:29:51,000
IT'S HARD. I KNOW.
786
00:29:51,000 --> 00:29:53,000
IT'S HARD. YOU FOUND SOMEBODY SPECIAL.
787
00:29:53,000 --> 00:29:54,000
YEAH.
788
00:29:54,000 --> 00:29:56,000
AND -- AND -- AND YOU PROBABLY THOUGHT
789
00:29:56,000 --> 00:29:58,000
YOU'RE GONNA SPEND THE REST OF YOUR LIFE WITH HER.
790
00:29:58,000 --> 00:29:59,000
YEAH.
791
00:30:00,000 --> 00:30:02,000
YEAH, AND -- AND -- AND YOU THINK,
792
00:30:02,000 --> 00:30:05,000
"BOY, I'M NEVER GONNA FIND ANYBODY LIKE THIS EVER AGAIN."
793
00:30:05,000 --> 00:30:07,000
THAT'S HOW YOU FEEL.
794
00:30:09,000 --> 00:30:13,000
I DON'T HAVE ANY MAGIC WORDS, BUT...
795
00:30:13,000 --> 00:30:14,000
ALL I CAN TELL YOU
796
00:30:14,000 --> 00:30:18,000
IS SOMETIMES YOU GOT TO FEEL AS BAD AS YOU POSSIBLY CAN
797
00:30:18,000 --> 00:30:20,000
BEFORE YOU FEEL BETTER.
798
00:30:20,000 --> 00:30:22,000
AND...
799
00:30:22,000 --> 00:30:24,000
YOU WILL -- YOU'RE GONNA FIND SOMEBODY.
800
00:30:24,000 --> 00:30:25,000
YOU'RE GONNA MEET SOMEBODY AGAIN.
801
00:30:26,000 --> 00:30:28,000
I KNOW YOU DON'T BELIEVE ME RIGHT NOW, BUT...
802
00:30:28,000 --> 00:30:30,000
YOU WILL.
803
00:30:30,000 --> 00:30:33,000
AND YOU KNOW WHAT?
804
00:30:33,000 --> 00:30:35,000
MAYBE THE NEXT ONE -- MAYBE THAT'S --
805
00:30:35,000 --> 00:30:37,000
MAYBE THAT'S THE GIRL YOU'RE GONNA MARRY.
806
00:30:37,000 --> 00:30:38,000
AND WHO KNOWS?
807
00:30:38,000 --> 00:30:40,000
YOU MAY HAVE A DAUGHTER ONE DAY,
808
00:30:40,000 --> 00:30:44,000
AND THERE MAY BE A BOY WHO FALLS IN LOVE WITH HER,
809
00:30:44,000 --> 00:30:46,000
AND HE MAY CALL HER A NAME.
810
00:30:46,000 --> 00:30:48,000
AND YOU'RE GONNA HAVE THIS MOMENT RIGHT HERE.
811
00:30:48,000 --> 00:30:51,000
YOU KNOW WHAT YOU'RE PROBABLY GONNA SAY TO THAT KID?
812
00:30:51,000 --> 00:30:52,000
YOU'RE GONNA SAY, "HEY, KID,
813
00:30:52,000 --> 00:30:56,000
"I KNOW YOU'RE GONNA DO THE RIGHT THING.
814
00:30:56,000 --> 00:30:59,000
'CAUSE IF YOU DON'T, I'M GONNA KICK YOUR ASS."
815
00:31:02,000 --> 00:31:04,000
THAT'S PROBABLY WHAT YOU'RE GONNA SAY.
816
00:31:04,000 --> 00:31:07,000
YEAH. YEAH, OKAY.
817
00:31:10,000 --> 00:31:11,000
OKAY.
818
00:31:12,000 --> 00:31:14,000
ALL RIGHT. DRIVE SAFE, TRAV.
819
00:31:14,000 --> 00:31:18,000
[ ENGINE TURNS OVER ]
820
00:31:18,000 --> 00:31:20,000
[ TIRES SQUEAL ]
821
00:31:42,000 --> 00:31:45,000
[ INDISTINCT CONVERSATIONS ]
822
00:32:09,000 --> 00:32:10,000
HEY.
823
00:32:10,000 --> 00:32:12,000
[ CHUCKLES ]
824
00:32:12,000 --> 00:32:14,000
I'M SO SORRY ABOUT LAST NIGHT.
825
00:32:14,000 --> 00:32:16,000
I GOT THE CRAZIEST STORY.
826
00:32:16,000 --> 00:32:18,000
I WISH I HAD TIME TO HEAR IT.
827
00:32:18,000 --> 00:32:21,000
I TRIED TO CALL YOU LATER, BUT -- BUT YOU NEVER ANSWERED.
828
00:32:21,000 --> 00:32:23,000
YEAH, I WASN'T THERE.
829
00:32:23,000 --> 00:32:25,000
I MADE PLANS WITH SOME PEOPLE, AND I KEPT THEM.
830
00:32:26,000 --> 00:32:28,000
OKAY, LOOK, UM... [ CLEARS THROAT ]
831
00:32:28,000 --> 00:32:31,000
I KNOW WE WERE KIND OF SUPPOSED TO HAVE DINNER,
832
00:32:31,000 --> 00:32:33,000
BUT WE WERE KEEPING IT KIND OF LOOSEY-GOOSEY.
833
00:32:33,000 --> 00:32:35,000
NO. YOU WERE KEEPING IT LOOSEY-GOOSEY.
834
00:32:35,000 --> 00:32:39,000
I WAS GETTING OFF AT 6:00 AND THEN WAITING UNTIL 7:30.
835
00:32:40,000 --> 00:32:42,000
LOOK, I-I WAS ARRESTED.
836
00:32:42,000 --> 00:32:43,000
WHAT?
837
00:32:44,000 --> 00:32:45,000
I WAS TRYING TO HELP A FRIEND OF MINE
838
00:32:46,000 --> 00:32:47,000
TURN THE LIGHTS BACK ON AT HIS HOUSE.
839
00:32:47,000 --> 00:32:50,000
THEN THE POLICE SHOWED UP, AND -- AND...
840
00:32:50,000 --> 00:32:54,000
THE STORY'S ACTUALLY REALLY BORING, BUT IT'S REAL.
841
00:32:54,000 --> 00:32:56,000
OKAY, THEN.
842
00:32:57,000 --> 00:32:59,000
O...KAY, THEN.
843
00:32:59,000 --> 00:33:02,000
SO...
844
00:33:02,000 --> 00:33:04,000
UH, YOU WANT TO TRY AGAIN TONIGHT?
845
00:33:04,000 --> 00:33:06,000
AT AN ACTUAL TIME OR "LOOSEY-GOOSEY"?
846
00:33:06,000 --> 00:33:09,000
LOOK, I FEEL LIKE I'VE BEEN... [ CLEARS THROAT ]
847
00:33:09,000 --> 00:33:12,000
...PRETTY UP FRONT ABOUT ME AND RELATIONSHIPS.
848
00:33:12,000 --> 00:33:14,000
AND...YOU KNOW...
849
00:33:14,000 --> 00:33:16,000
AS FAR AS COMMITMENT GOES, I'M NOT --
850
00:33:16,000 --> 00:33:18,000
WHOA, WHOA, WHOA.
851
00:33:18,000 --> 00:33:20,000
NO ONE'S TALKING ABOUT THAT.
852
00:33:20,000 --> 00:33:23,000
LOOK, I LIKE BEING WITH YOU.
853
00:33:23,000 --> 00:33:26,000
AND I DON'T CARE ABOUT SPENDING EVERY NIGHT WITH YOU,
854
00:33:26,000 --> 00:33:27,000
OR EVEN EVERY OTHER NIGHT.
855
00:33:27,000 --> 00:33:30,000
BUT ON THE NIGHTS THAT WE SAY WE'RE GONNA BE TOGETHER,
856
00:33:30,000 --> 00:33:33,000
I NEED TO KNOW THAT YOU GIVE A SHIT.
857
00:33:33,000 --> 00:33:35,000
CAN YOU HANDLE THAT?
858
00:33:36,000 --> 00:33:38,000
ABSOLUTELY.
859
00:33:38,000 --> 00:33:39,000
GOOD.
860
00:33:39,000 --> 00:33:40,000
OKAY.
861
00:33:40,000 --> 00:33:43,000
SO... [ CLEARS THROAT ]
862
00:33:43,000 --> 00:33:45,000
TONIGHT?
863
00:33:48,000 --> 00:33:50,000
I GET OFF AT 6:00.
864
00:33:51,000 --> 00:33:53,000
YOU WANT TO WRITE IT DOWN?
865
00:33:53,000 --> 00:33:58,000
YEAH, YOU KNOW, MAYBE I BETTER.
866
00:34:04,000 --> 00:34:07,000
[ "GOING THE DISTANCE" FROM "ROCKY" PLAYS ]
867
00:34:17,000 --> 00:34:19,000
RIGHT? "ROCKY."
868
00:34:21,000 --> 00:34:23,000
"GONNA FLY NOW" GETS ALL THE PRESS,
869
00:34:23,000 --> 00:34:24,000
BUT THIS IS THE ONE THAT GETS YOU RIGHT HERE.
870
00:34:27,000 --> 00:34:30,000
HEY, YOU KNOW, MARIA, I MEANT TO TELL YOU --
871
00:34:30,000 --> 00:34:32,000
I KNOW YOU GOT A LOT OF THINGS GOING ON IN YOUR LIFE,
872
00:34:33,000 --> 00:34:34,000
AND, YOU KNOW, IT CAN GET COMPLICATED AND ALL,
873
00:34:34,000 --> 00:34:36,000
AND I JUST -- JUST WANT YOU TO KNOW,
874
00:34:36,000 --> 00:34:39,000
IF YOU NEED IT, YOU CAN ALWAYS COME TO ME, YOU KNOW?
875
00:34:39,000 --> 00:34:42,000
I MEAN, MY DOOR IS ALWAYS OPEN FOR YOU GUYS.
876
00:34:44,000 --> 00:34:45,000
OKAY.
877
00:34:46,000 --> 00:34:48,000
OKAY.
878
00:34:52,000 --> 00:34:55,000
[ Rapping ] ♪ I GOT THIS SONG IN MY HEAD
879
00:34:52,000 --> 00:34:55,000
THAT I JUST CAN'T STAND ♪
880
00:34:55,000 --> 00:34:58,000
♪ WITH THIS BEAT THAT COMES FROM A FOREIGN LAND ♪
881
00:34:58,000 --> 00:35:00,000
♪ MIGHT BE SWEDEN OR VENEZUELA -- ♪
882
00:35:00,000 --> 00:35:02,000
DON'T RUIN IT, DaSHAUN.
883
00:35:32,000 --> 00:35:33,000
Man: 81!
884
00:35:36,000 --> 00:35:38,000
IT'S ME AGAIN.
885
00:35:38,000 --> 00:35:40,000
I NOTICE YOU DON'T GET A LOT OF CHANCES
886
00:35:40,000 --> 00:35:41,000
TO GET UP FROM THAT DESK.
887
00:35:41,000 --> 00:35:43,000
I THOUGHT YOU MIGHT GET THIRSTY.
888
00:35:43,000 --> 00:35:48,000
UH, SIR, I TOLD YOU I'VE DONE EVERYTHING I COULD POSSIBLY DO.
889
00:35:48,000 --> 00:35:50,000
WELL, I KNOW YOU HAVE, AND I APPRECIATE IT.
890
00:35:50,000 --> 00:35:52,000
THE THING IS, I CAN SEE YOU'RE A CLEVER GUY,
891
00:35:52,000 --> 00:35:53,000
AND I THOUGHT BETWEEN THE TWO OF US,
892
00:35:53,000 --> 00:35:55,000
WE COULD MAYBE COME UP WITH ANOTHER SOLUTION --
893
00:35:55,000 --> 00:35:57,000
SOMETHING THAT, UH, MAKES SENSE.
894
00:35:57,000 --> 00:35:59,000
FIVE MINUTES -- THAT'S ALL I'M ASKING.
895
00:36:05,000 --> 00:36:07,000
HEY, UM...
896
00:36:07,000 --> 00:36:10,000
YOU KNOW, MY FATHER PLAYED FOR THE LAKERS.
897
00:36:12,000 --> 00:36:14,000
OH. THAT.
898
00:36:14,000 --> 00:36:16,000
THAT'S, UH, THAT'S MY BOSS TIM'S.
899
00:36:16,000 --> 00:36:19,000
HE'S A -- HE'S A HUGE LAKERS FAN.
900
00:36:19,000 --> 00:36:23,000
ME, I'M, UH... MORE OF A FOOTBALL GUY.
901
00:36:28,000 --> 00:36:30,000
I GOT TO HAND IT TO YOU -- YOU REALLY WORK.
902
00:36:30,000 --> 00:36:32,000
I MEAN, A LOT OF PEOPLE,
903
00:36:32,000 --> 00:36:33,000
THEY SHOW UP AND FART AROUND MOST OF THE DAY.
904
00:36:34,000 --> 00:36:36,000
BUT WHAT YOU DO? THIS -- PSH! THIS IS WORK.
905
00:36:36,000 --> 00:36:40,000
LOOK, UH... MR. THOREAU...
906
00:36:40,000 --> 00:36:45,000
I APPRECIATE THE COMPLIMENTS AND THE EFFORT,
907
00:36:45,000 --> 00:36:48,000
UM... BUT I'LL SAY IT AGAIN --
908
00:36:48,000 --> 00:36:52,000
THERE IS NOTHING MORE I CAN DO FOR YOU.
909
00:36:52,000 --> 00:36:55,000
IF I COULD, I WOULD GIVE YOU THE PERMITS RIGHT NOW.
910
00:36:55,000 --> 00:36:57,000
BUT THIS IS THE CITY OF LOS ANGELES.
911
00:36:57,000 --> 00:37:01,000
DID YOU KNOW I CAN'T EVEN DECORATE MY OWN WORK AREA?
912
00:37:01,000 --> 00:37:02,000
I LIKE PLANTS.
913
00:37:02,000 --> 00:37:04,000
MAN.
914
00:37:04,000 --> 00:37:05,000
OKAY, MAN.
915
00:37:05,000 --> 00:37:07,000
I'M SORRY.
916
00:37:07,000 --> 00:37:10,000
DON'T BE SORRY. I GET IT.
917
00:37:10,000 --> 00:37:14,000
I'VE BEEN WORKING FOR MY OLD MAN FOR 20 YEARS, SO...
918
00:37:14,000 --> 00:37:17,000
BOY, DO I GET IT.
919
00:37:18,000 --> 00:37:20,000
20 YEARS OF SHOWING UP, SITTING AT MY DESK,
920
00:37:20,000 --> 00:37:22,000
AND TRYING TO FOOL MYSELF INTO BELIEVING
921
00:37:22,000 --> 00:37:24,000
THAT I ACTUALLY WANTED TO BE THERE.
922
00:37:27,000 --> 00:37:29,000
ONE TIME...
923
00:37:29,000 --> 00:37:32,000
I TRIED TO GET FROM UNDER IT.
924
00:37:32,000 --> 00:37:34,000
23 YEARS OLD.
925
00:37:34,000 --> 00:37:38,000
I HAD THIS PLAN TO OPEN MY OWN RECORD STORE.
926
00:37:38,000 --> 00:37:39,000
I FOUND A PLACE.
927
00:37:39,000 --> 00:37:41,000
I BORROWED ONE OF MY DAD'S TIES
928
00:37:41,000 --> 00:37:44,000
AND WENT IN AND ACTUALLY CONVINCED SOME LOAN OFFICER
929
00:37:44,000 --> 00:37:47,000
TO GIVE ME $10,000.
930
00:37:47,000 --> 00:37:49,000
MM. [ LAUGHS ]
931
00:37:49,000 --> 00:37:51,000
BACK THEN, IT MIGHT AS WELL HAVE BEEN A MILLION.
932
00:37:51,000 --> 00:37:52,000
I COULDN'T BELIEVE IT.
933
00:37:52,000 --> 00:37:54,000
AND I TOOK THAT CHECK STRAIGHT FROM THE BANK,
934
00:37:54,000 --> 00:37:55,000
AND I DROPPED IT ON THE OLD MAN'S DESK.
935
00:37:56,000 --> 00:37:57,000
I WAS BOUNCING OFF THE WALLS.
936
00:37:57,000 --> 00:38:01,000
I WAS TELLING HIM, "I'M GONNA MAKE MY OWN NAME,
937
00:38:01,000 --> 00:38:02,000
BE MY OWN BOSS."
938
00:38:02,000 --> 00:38:05,000
YOU KNOW, DO IT THE WAY HE DID IT.
939
00:38:05,000 --> 00:38:07,000
I THOUGHT HE'D RESPECT ME FOR IT, YOU KNOW?
940
00:38:07,000 --> 00:38:10,000
HE JUST FOLDED UP THAT CHECK,
941
00:38:10,000 --> 00:38:14,000
STUCK IT IN MY POCKET, AND SAID...
942
00:38:14,000 --> 00:38:16,000
"YOU'LL BE BACK."
943
00:38:17,000 --> 00:38:22,000
NO "GOOD LUCK" OR, UM...
944
00:38:22,000 --> 00:38:24,000
"DON'T SKIMP ON THOSE PAYROLL TAXES."
945
00:38:24,000 --> 00:38:26,000
JUST...
946
00:38:26,000 --> 00:38:28,000
"YOU'LL BE BACK."
947
00:38:28,000 --> 00:38:30,000
AND A YEAR LATER,
948
00:38:30,000 --> 00:38:32,000
WHEN I WAS SITTING ON A MOUNTAIN OF VINYL
949
00:38:32,000 --> 00:38:36,000
AND EVERY KID IN THE WORLD DECIDED TO BUY A CD PLAYER,
950
00:38:36,000 --> 00:38:38,000
HE WAS RIGHT.
951
00:38:38,000 --> 00:38:39,000
[ CHUCKLES ]
952
00:38:39,000 --> 00:38:42,000
I WAS BACK.
953
00:38:42,000 --> 00:38:44,000
JUST LIKE NOW,
954
00:38:44,000 --> 00:38:47,000
WHEN I TELL HIM HOW DEEP I'M GONNA BE INTO THIS HOUSE,
955
00:38:48,000 --> 00:38:51,000
WHEN I GOT TO GO TO HIM FOR THE MONEY FOR IT.
956
00:38:53,000 --> 00:38:55,000
HE'LL BE RIGHT AGAIN.
957
00:38:59,000 --> 00:39:01,000
AND I'LL BE BACK.
958
00:39:10,000 --> 00:39:12,000
YOU GOT A FATHER?
959
00:39:22,000 --> 00:39:24,000
[ HORN HONKING IN DISTANCE ]
960
00:39:26,000 --> 00:39:28,000
[ CHUCKLES ]
961
00:39:28,000 --> 00:39:31,000
PLENTY OF TIME.
962
00:39:33,000 --> 00:39:36,000
[ HORN HONKING IN DISTANCE ]
963
00:39:43,000 --> 00:39:46,000
WHO ARE YOU, TERRY?
964
00:39:55,000 --> 00:39:56,000
[ HORN HONKS IN DISTANCE ]
965
00:39:56,000 --> 00:39:57,000
[ LAUGHS ]
966
00:40:04,000 --> 00:40:06,000
OH, NO.
967
00:40:06,000 --> 00:40:09,000
NO, NO! YOU PIECE OF SHIT!
968
00:40:09,000 --> 00:40:10,000
[ HORN HONKS ]
969
00:40:11,000 --> 00:40:12,000
COME ON!
970
00:40:12,000 --> 00:40:14,000
[ HORN HONKS ] COME O--
971
00:40:14,000 --> 00:40:16,000
[ TIRES SQUEAL ]
972
00:40:20,000 --> 00:40:21,000
HEY! HERE!
973
00:40:22,000 --> 00:40:23,000
WE DON'T OPEN TILL 7:00.
974
00:40:22,000 --> 00:40:23,000
I DON'T CARE!
975
00:40:23,000 --> 00:40:25,000
OOH!
976
00:40:26,000 --> 00:40:27,000
WHOA, WHOA, WHOA!
977
00:40:27,000 --> 00:40:29,000
MY BAD. MY BAD.
978
00:40:29,000 --> 00:40:32,000
NO SHIT YOUR BAD, DICKHEAD!
979
00:40:39,000 --> 00:40:41,000
DUDE, YOU ARE SAVING MY LIFE RIGHT NOW.
980
00:40:41,000 --> 00:40:42,000
NO PROBLEM.
981
00:40:52,000 --> 00:40:54,000
[ PANTING ]
982
00:40:57,000 --> 00:41:00,000
THREE MINUTES. THREE...
983
00:41:00,000 --> 00:41:02,000
SHIT.
984
00:41:10,000 --> 00:41:12,000
HEY.
985
00:41:14,000 --> 00:41:17,000
TRAFFIC WAS NO GOOD.
986
00:41:17,000 --> 00:41:18,000
UM...
987
00:41:21,000 --> 00:41:22,000
[ SIGHS ]
988
00:41:22,000 --> 00:41:24,000
I'M SORRY.
989
00:41:26,000 --> 00:41:29,000
WE'RE NOT RIDING BIKES TO DINNER, ARE WE?
990
00:41:33,000 --> 00:41:34,000
ACTUALLY, UH, YEAH.
991
00:41:34,000 --> 00:41:37,000
I GUESS I DIDN'T TELL YOU -- I'VE GONE TOTALLY GREEN.
992
00:41:37,000 --> 00:41:38,000
WOW!
993
00:41:38,000 --> 00:41:40,000
YEAH. YEAH.
994
00:41:40,000 --> 00:41:41,000
LET ME ASK YOU --
995
00:41:41,000 --> 00:41:44,000
YOU EVER LOOK IN THE MIRROR AND ASK, "WHO ARE YOU?"
996
00:41:44,000 --> 00:41:45,000
NO.
997
00:41:46,000 --> 00:41:47,000
NO, ME NEITHER.
998
00:42:00,000 --> 00:42:03,000
[ "GOING THE DISTANCE" FROM "ROCKY" PLAYS ]
68101
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