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1
00:00:38,806 --> 00:00:41,041
[WHISPERING]
Can you hear me?
2
00:00:47,181 --> 00:00:49,217
Telling lies?
3
00:00:58,192 --> 00:01:00,561
Do you wanna know?
4
00:01:12,906 --> 00:01:14,408
Come on.
5
00:01:20,214 --> 00:01:23,784
Come on. Do it.
6
00:01:28,322 --> 00:01:31,058
[THINKING]
I'M A GIRL WITH A PROBLEM.
7
00:01:31,058 --> 00:01:33,194
IT'S NOT LIKE
I DON'T KNOW BETTER.
8
00:01:34,695 --> 00:01:36,597
BUT I SEEM TO HAVE
GOTTEN MYSELF INVOLVED
9
00:01:36,597 --> 00:01:40,401
IN A VERY TEMPTING
SITUATION.
10
00:02:27,548 --> 00:02:30,851
* FORGET THE LIES *
11
00:02:30,851 --> 00:02:32,853
* CAN YOU HEAR THEM? *
12
00:02:32,853 --> 00:02:35,055
* THEY TALK ABOUT US *
13
00:02:35,055 --> 00:02:36,924
* TELLING LIES *
14
00:02:36,924 --> 00:02:40,060
* THAT'S NO SURPRISE
WHOA, SEE THEM *
15
00:02:40,060 --> 00:02:42,129
Jones: I DO KNOW BETTER.
16
00:02:42,129 --> 00:02:45,399
SOME THINGS ARE HARD
TO RESIST.
17
00:02:45,399 --> 00:02:49,002
SEE MY PROBLEM?
18
00:02:49,002 --> 00:02:50,804
YOU LOOK GREAT.
WAS I RIGHT?
19
00:02:50,804 --> 00:02:52,840
THIS IS COMPLETELY
WASTED ON THE LIBRARY.
20
00:02:52,840 --> 00:02:55,175
YEAH, I KNOW. I GOT
YOUR NOTES. VERY AMUSING.
21
00:02:55,175 --> 00:02:56,344
CAN I GET ONE?
22
00:02:56,344 --> 00:02:58,546
YEAH. I THINK
IT'S SO ADMIRABLE
23
00:02:58,546 --> 00:03:00,548
THAT YOU
STILL STUDY. I DO.
24
00:03:00,548 --> 00:03:02,416
I KNOW, DERRICK,
BUT THE FACT IS
25
00:03:02,416 --> 00:03:03,751
SOME OF US ACTUALLY
NEED TO GRADUATE,
26
00:03:03,751 --> 00:03:05,519
BECAUSE EVENTUALLY,
WE WILL HAVE TO GET A JOB.
27
00:03:05,519 --> 00:03:07,821
HEY, DO YOU GUYS KNOW
THAT GIRL OVER THERE?
28
00:03:07,821 --> 00:03:10,324
SHE'S KIND OF GOT
THE SHORT THING GOING?
29
00:03:10,324 --> 00:03:12,526
THAT'S REBECCA.
SHE'S SEEN YOU. GO.
30
00:03:13,361 --> 00:03:15,062
NO, NO, NO, NO.
31
00:03:15,062 --> 00:03:17,431
TRAVIS, YOU ARE
GREAT-LOOKING,
32
00:03:17,431 --> 00:03:18,599
AND THIS SOHO ARTIST
THING YOU DO
33
00:03:18,599 --> 00:03:21,502
IS COMPLETELY SEXY.
PLUS, YOU'RE NICE.
34
00:03:21,502 --> 00:03:23,804
WHICH, CONTRARY TO WHAT
DERRICK MAY BELIEVE,
35
00:03:23,804 --> 00:03:25,138
IS WHAT WOMEN WANT.
36
00:03:25,138 --> 00:03:26,507
YEAH?
YEAH.
37
00:03:26,507 --> 00:03:27,541
GO.
38
00:03:35,048 --> 00:03:36,417
GO.
39
00:03:45,826 --> 00:03:48,762
YOUR FRIEND'S REAL SMOOTH
WITH THE LADIES.
40
00:03:50,898 --> 00:03:53,334
IT'S PATHETIC.
41
00:03:56,304 --> 00:03:58,205
BARTENDERS. YOU GUYS
SEE A LOT, HUH?
42
00:03:58,205 --> 00:04:00,641
MORE OR LESS.
YEAH, BUT THIS GUY,
43
00:04:00,641 --> 00:04:02,075
YOU SHOULD HEAR
HIS LIFE STORY, MAN.
44
00:04:02,075 --> 00:04:03,311
PATHETIC DOESN'T
BEGIN TO COVER IT.
45
00:04:04,578 --> 00:04:05,813
YEAH?
46
00:04:05,813 --> 00:04:07,615
HE'S LIKE A HOMELESS
PERSON, ONLY RICH.
47
00:04:07,615 --> 00:04:08,982
COMPLETELY RAISED
IN HOTELS.
48
00:04:08,982 --> 00:04:11,552
DERRICK, YOU PROMISED
YOU WOULDN'T TALK ABOUT HIM.
49
00:04:11,552 --> 00:04:12,620
SEE, HIS FATHER TOURS.
50
00:04:12,620 --> 00:04:14,522
HE'S THIS
HUGE ROCK STAR,
51
00:04:14,522 --> 00:04:15,623
AND I'M NOT SUPPOSED
TO SAY WHO,
52
00:04:15,623 --> 00:04:16,724
BUT IF YOU
LOOK AT THE GUY,
53
00:04:16,724 --> 00:04:18,392
YOU'LL KNOW
WHO I'M TALKING ABOUT.
54
00:04:18,392 --> 00:04:20,794
SO HIS DAD'S RUNNING
FROM ONE GIG TO ANOTHER.
55
00:04:20,794 --> 00:04:22,630
HIS MOM'S A SUPERMODEL.
OCCASIONALLY,
56
00:04:22,630 --> 00:04:23,931
THEY'VE GOTTA
LEAVE HIM AT A HOTEL.
57
00:04:23,931 --> 00:04:25,198
I MEAN, THEY'RE
TAKING CARE OF THE KID,
58
00:04:25,198 --> 00:04:26,133
THEY JUST CAN'T
BE THERE, RIGHT?
59
00:04:26,133 --> 00:04:27,968
IS IT JAGGER?
60
00:04:27,968 --> 00:04:30,638
I--I WANT TO TELL--
61
00:04:30,638 --> 00:04:32,272
I CAN'T,
I CAN'T, MAN.
62
00:04:32,272 --> 00:04:33,374
SO THEN ONE DAY,
63
00:04:33,374 --> 00:04:34,408
SOMEBODY AT THE
PENINSULA SEES HIM
64
00:04:34,408 --> 00:04:35,409
PLAYING CHECKERS
65
00:04:35,409 --> 00:04:36,410
WITH
ONE OF THE DOORMEN.
66
00:04:36,410 --> 00:04:37,578
SAYS,
"WHO IS THIS KID?"
67
00:04:37,578 --> 00:04:39,079
IT TURNS OUT HE'S
BEEN LIVING THERE
68
00:04:39,079 --> 00:04:41,114
FOR 2 YEARS.
NO PARENTS IN SIGHT.
69
00:04:41,114 --> 00:04:42,249
COME ON.
70
00:04:42,249 --> 00:04:43,451
SERIOUS.
THE NIGHT MAIDS
71
00:04:43,451 --> 00:04:46,454
WERE READING HIM
TO SLEEP.
72
00:04:49,122 --> 00:04:51,058
DO YOU GUYS
WANT TO SPLIT?
73
00:04:51,058 --> 00:04:54,462
BECAUSE I
SORT OF STRUCK OUT.
74
00:04:54,462 --> 00:04:55,663
YEAH. LET'S GO.
75
00:04:55,663 --> 00:04:58,699
HERE. LET ME, UH,
BUY YOU GUYS A DRINK.
76
00:05:01,369 --> 00:05:02,836
ON THE HOUSE.
77
00:05:14,147 --> 00:05:15,315
IS IT COBAIN?
78
00:05:15,315 --> 00:05:17,150
WAY TOO YOUNG.
IT'S DYLAN.
79
00:05:17,150 --> 00:05:18,251
IS IT HIM?
80
00:05:18,251 --> 00:05:19,553
NO. NO WAY.
81
00:05:21,855 --> 00:05:26,394
YOU KNOW, UH, WE'D LOVE IT
IF HE'D DO A SET.
82
00:05:28,529 --> 00:05:31,365
YEAH, UM,
I'LL ASK HIM.
83
00:05:31,365 --> 00:05:34,034
[ALL LAUGHING]
84
00:05:38,171 --> 00:05:39,473
HEY, WHAT DID YOU
TELL THEM ABOUT?
85
00:05:39,473 --> 00:05:41,308
NOTHING.
A LITTLE FIB.
86
00:05:41,308 --> 00:05:42,309
OH, A LITTLE FIB?
87
00:05:42,309 --> 00:05:43,310
WELL, WE GOT
FREE DRINKS
88
00:05:43,310 --> 00:05:44,545
OUT OF IT,
DIDN'T WE?
89
00:05:44,545 --> 00:05:46,547
YEAH, BUT I STILL
DIDN'T GET LAID, DID I?
90
00:05:49,383 --> 00:05:52,185
MY FRIEND,
THE SEA IS WIDE.
91
00:05:52,185 --> 00:05:53,387
THERE ARE MANY FISH.
92
00:05:53,387 --> 00:05:57,391
MANY, MANY FISH,
ALL RIGHT?
93
00:05:57,391 --> 00:05:59,727
YEOW!
94
00:06:02,062 --> 00:06:04,064
[ALL LAUGHING]
95
00:06:15,876 --> 00:06:18,345
HEY, TRAVIS.
DIDN'T YOU GO TO BED?
96
00:06:18,345 --> 00:06:21,114
UM, I HAD AN IDEA.
97
00:06:21,114 --> 00:06:23,150
WE GOT CLASS.
98
00:06:28,456 --> 00:06:29,723
[KNOCKS]
DERRICK, COME ON.
99
00:06:29,723 --> 00:06:31,391
WE GOT GOODWIN'S CLASS.
100
00:06:31,391 --> 00:06:33,827
OH? MMM.
101
00:06:35,262 --> 00:06:36,864
NOW LOOK,
I GOT THE RENT,
102
00:06:36,864 --> 00:06:38,198
I JUST DON'T HAVE IT
RIGHT NOW.
103
00:06:38,198 --> 00:06:39,232
TRAVIS,
I DON'T NEED IT.
104
00:06:39,232 --> 00:06:40,568
NO, I GOT IT FOR YOU.
105
00:06:40,568 --> 00:06:42,436
YOU JUST SAID
YOU DON'T HAVE IT.
106
00:06:42,436 --> 00:06:43,837
NO, I JUST DON'T
HAVE IT RIGHT NOW.
107
00:06:43,837 --> 00:06:45,238
ALL RIGHT,
ALL RIGHT. LOOK. LOOK.
108
00:06:45,238 --> 00:06:46,239
THIS IS MY APARTMENT,
109
00:06:46,239 --> 00:06:47,240
SO I GET
TO MAKE THE RULES.
110
00:06:47,240 --> 00:06:48,375
IT'S A SOCIALIST STATE.
111
00:06:48,375 --> 00:06:49,610
I HAVE THE MONEY,
YOU DON'T.
112
00:06:49,610 --> 00:06:51,979
DISTRIBUTION OF WEALTH.
NO RENT.
113
00:06:54,815 --> 00:06:56,283
TRAVIS, THIS
IS THE LAST TIME
114
00:06:56,283 --> 00:06:57,451
IN YOUR LIFE
THAT SOMEONE WILL
115
00:06:57,451 --> 00:06:58,986
OFFER YOU SOMETHING
FOR NOTHING.
116
00:06:58,986 --> 00:06:59,987
TAKE THE DEAL.
117
00:06:59,987 --> 00:07:02,523
YEAH, JUST THINK OF ME
AS YOUR PATRON.
118
00:07:02,523 --> 00:07:03,624
I'M A PATRON OF THE ARTS.
119
00:07:03,624 --> 00:07:04,725
Goodwin: I JUST
WANT TO REMIND YOU
120
00:07:04,725 --> 00:07:05,726
YOUR PAPERS ARE DUE
121
00:07:05,726 --> 00:07:07,127
THE FIRST WEEK
NEXT MONTH,
122
00:07:07,127 --> 00:07:09,296
NO EXTENSIONS. OK.
123
00:07:09,296 --> 00:07:12,332
IN 1995, A
SUPERMARKET TABLOID
124
00:07:12,332 --> 00:07:14,401
RAN THIS STORY
ON ITS FRONT PAGE.
125
00:07:14,401 --> 00:07:17,004
WHAT DO YOU THINK?
126
00:07:17,004 --> 00:07:19,439
Woman: MURDERER.
127
00:07:19,439 --> 00:07:21,942
OK. THE NEXT DAY,
128
00:07:21,942 --> 00:07:24,645
THE NEW YORK TIMES
RAN THIS STORY.
129
00:07:24,645 --> 00:07:27,815
THE STANDARD-BEARER
OF AMERICAN JOURNALISM
130
00:07:27,815 --> 00:07:29,449
ATTRIBUTED,
WITHOUT APOLOGY,
131
00:07:29,449 --> 00:07:32,419
A GOSSIP MAGAZINE
AS ITS SOURCE.
132
00:07:32,419 --> 00:07:34,888
NOW WHAT DO YOU THINK?
133
00:07:34,888 --> 00:07:36,389
MS. WATERS?
134
00:07:36,389 --> 00:07:39,560
UM...
[CLEARS THROAT]
135
00:07:39,560 --> 00:07:41,629
WELL, UM...
136
00:07:41,629 --> 00:07:43,531
NEWS AND ENTERTAINMENT
137
00:07:43,531 --> 00:07:46,567
ARE, LIKE, EXACTLY
THE SAME THING ANYMORE,
138
00:07:46,567 --> 00:07:48,502
SO HOW ARE WE
SUPPOSED TO TELL
139
00:07:48,502 --> 00:07:49,870
WHAT'S REAL
AND WHAT'S NOT?
140
00:07:49,870 --> 00:07:50,871
AND DO YOU HAVE
AN OPINION
141
00:07:50,871 --> 00:07:52,205
ABOUT THIS STATE
OF AFFAIRS?
142
00:07:52,205 --> 00:07:54,107
AN OPINION?
143
00:07:54,107 --> 00:07:56,043
OCCASIONALLY, IN
AN ACADEMIC ENVIRONMENT,
144
00:07:56,043 --> 00:07:56,944
WE LIKE TO ACTUALLY
145
00:07:56,944 --> 00:07:58,045
THINK ABOUT THE WORLD
WE LIVE IN,
146
00:07:58,045 --> 00:07:59,613
BUT PERHAPS
THAT'S TOO MUCH TO ASK
147
00:07:59,613 --> 00:08:01,448
OF SOMEONE WHO SPENDS
THE GREATER PART
148
00:08:01,448 --> 00:08:03,250
OF HER CREATIVE INTELLECT
ON HER HAIR.
149
00:08:06,053 --> 00:08:06,954
WELL, I THOUGHT
150
00:08:06,954 --> 00:08:08,822
WHAT MS. WATERS SAID
WAS BRILLIANT.
151
00:08:08,822 --> 00:08:11,625
AH, WEBB HAS COME
TO THE AID OF MS. WATERS.
152
00:08:11,625 --> 00:08:13,761
HER GRATITUDE WILL BE
REWARDING, I'M SURE.
153
00:08:13,761 --> 00:08:14,962
BUT AT LEAST
WE HAVE SOMEONE
154
00:08:14,962 --> 00:08:17,097
WILLING TO STATE
AN OPINION.
155
00:08:17,097 --> 00:08:19,132
OK, NOW, LET'S TRY
ANOTHER ACADEMIC ENTERPRISE.
156
00:08:19,132 --> 00:08:21,134
BACK THAT OPINION UP
WITH AN ARGUMENT.
157
00:08:21,134 --> 00:08:26,740
OK, UH, GOSSIP AND NEWS
ARE THE SAME THING.
158
00:08:26,740 --> 00:08:28,275
THEY'VE ALWAYS BEEN
THE SAME THING.
159
00:08:28,275 --> 00:08:30,811
PEOPLE TELL STORIES.
THAT'S WHAT MAKES US HUMAN.
160
00:08:30,811 --> 00:08:34,948
COME ON, WEBB. CONNECT
THE DOTS. BE CLEAR.
161
00:08:34,948 --> 00:08:37,718
PEOPLE PASS A BUNCH OF STORIES
AROUND IN THEIR TRIBE,
162
00:08:37,718 --> 00:08:38,952
AND FINALLY SOMEBODY
WRITES THEM DOWN,
163
00:08:38,952 --> 00:08:40,688
AND THEN
YOU HAVE RELIGION.
164
00:08:40,688 --> 00:08:41,789
WHEN YOU READ
THE GOSPELS,
165
00:08:41,789 --> 00:08:43,156
THEY'RE JUST
A BUNCH OF STORIES
166
00:08:43,156 --> 00:08:45,158
THAT COMPLETELY
CONTRADICT EACH OTHER.
167
00:08:45,158 --> 00:08:47,527
I MEAN, MATTHEW'S SAYING THIS,
AND LUKE'S SAYING,
168
00:08:47,527 --> 00:08:49,462
"NO, THIS IS
WHAT I HEARD."
169
00:08:49,462 --> 00:08:50,898
WHAT'S YOUR THESIS?
170
00:08:50,898 --> 00:08:54,568
ALL I'M SAYING IS PEOPLE
ARE PEOPLE. WE DO WHAT WE DO,
171
00:08:54,568 --> 00:08:56,637
AND WE GOSSIP ABOUT IT.
172
00:08:56,637 --> 00:08:58,505
IT MIGHT BE GREAT
IF WE WERE MORE NOBLE,
173
00:08:58,505 --> 00:09:01,642
BUT THEN THE STORIES
WOULDN'T BE AS GOOD,
174
00:09:01,642 --> 00:09:04,544
AND I LIKE GOSSIP.
IT'S FUN.
175
00:09:06,446 --> 00:09:08,448
WELL, THAT
WAS EXHAUSTING.
176
00:09:08,448 --> 00:09:09,449
SO, WHAT ARE
YOU GONNA DO
177
00:09:09,449 --> 00:09:10,450
FOR
GOODWIN'S PAPER?
178
00:09:10,450 --> 00:09:11,518
THE GUY'S A PRICK.
179
00:09:11,518 --> 00:09:12,653
MAYBE WE SHOULD
DO ONE TOGETHER.
180
00:09:12,653 --> 00:09:15,288
SOMETIMES HE LETS
PEOPLE DO THAT.
181
00:09:15,288 --> 00:09:17,591
HEY, TRAVIS.
HOW'S IT GOING?
182
00:09:17,591 --> 00:09:20,260
UH, REBECCA.
GREAT.
183
00:09:20,260 --> 00:09:23,396
[LAUGHS]
184
00:09:23,396 --> 00:09:25,032
I WONDER WHO
SHE THINKS YOU ARE.
185
00:09:25,032 --> 00:09:26,499
I DON'T KNOW,
BUT WHOEVER IT IS,
186
00:09:26,499 --> 00:09:28,201
I BET
HE GETS LAID A LOT.
187
00:09:28,201 --> 00:09:31,304
* SOMETIMES *
188
00:09:31,304 --> 00:09:33,473
* LIFE'S NOT FAIR *
189
00:09:33,473 --> 00:09:35,208
* I CORRECT MYSELF *
190
00:09:35,208 --> 00:09:38,879
OH, HEY, UH, I HAD AN IDEA
FOR GOODWIN'S PAPER.
191
00:09:38,879 --> 00:09:40,547
I THINK WE SHOULD
START A RUMOR.
192
00:09:40,547 --> 00:09:42,482
WHAT, DO YOU MEAN
ON PURPOSE?
193
00:09:42,482 --> 00:09:44,618
YEAH, WHY NOT?
WE'RE GOOD AT IT.
194
00:09:44,618 --> 00:09:45,786
WELL, WHAT WOULD
BE THE POINT?
195
00:09:45,786 --> 00:09:47,587
YOU KNOW, TRACK IT.
SEE HOW IT GROWS.
196
00:09:47,587 --> 00:09:48,588
OH, YEAH,
LIKE TELEPHONE.
197
00:09:48,588 --> 00:09:49,690
YEAH.
198
00:09:49,690 --> 00:09:51,024
SO, START A RUMOR.
199
00:09:51,024 --> 00:09:52,860
LIKE JONES HERE IS SLEEPING
WITH THE BOTH OF US,
200
00:09:52,860 --> 00:09:54,027
AND THAT'S WHY
WE ALL LIVE TOGETHER.
201
00:09:54,027 --> 00:09:56,496
YEAH. NO ONE WOULD
BELIEVE THAT.
202
00:09:56,496 --> 00:09:57,731
WHY NOT?
203
00:09:57,731 --> 00:09:59,767
EVERYONE KNOWS YOU NEVER
SLEEP WITH A GIRL
204
00:09:59,767 --> 00:10:02,369
LONG ENOUGH
TO LIVE WITH HER.
205
00:10:02,369 --> 00:10:03,837
WELL, I MIGHT.
206
00:10:04,972 --> 00:10:08,141
YOU KNOW,
IF TRAVIS TOOK WEEKENDS.
207
00:10:18,719 --> 00:10:20,921
[ROCK MUSIC PLAYING]
208
00:10:45,746 --> 00:10:47,915
I'M 2 ROWS BEHIND YOU
IN GOODWIN'S CLASS.
209
00:10:48,949 --> 00:10:53,286
I THOUGHT WHAT YOU SAID
TODAY WAS JUST BRILLIANT.
210
00:10:53,286 --> 00:10:55,455
A BEAUTIFUL GIRL WHO
THINKS I'M BRILLIANT.
211
00:10:55,455 --> 00:10:57,024
I LIKE THIS PARTY.
212
00:11:02,730 --> 00:11:04,031
COME ON, JONES.
213
00:11:04,031 --> 00:11:05,565
JUST ONE.
214
00:11:05,565 --> 00:11:07,835
HUNH. HEY.
215
00:11:11,304 --> 00:11:12,305
THANKS.
216
00:11:13,573 --> 00:11:14,875
OF COURSE.
217
00:11:16,243 --> 00:11:17,410
HEY, NAOMI.
218
00:11:22,983 --> 00:11:25,719
WHO COMES TO A PARTY
IN THE MEATPACKING DISTRICT
219
00:11:25,719 --> 00:11:27,120
IN A TOWN CAR?
220
00:11:27,120 --> 00:11:29,356
HER FATHER'S
A VERY BIG DEAL.
221
00:11:29,356 --> 00:11:31,258
[TIN STAR PLAYS HEAD]
222
00:11:32,125 --> 00:11:34,627
* I'M NOT GETTING ALONG *
223
00:11:34,627 --> 00:11:37,064
* I'M NOT GIVING THE ANSWER *
224
00:11:37,064 --> 00:11:39,833
* I'M NOT GETTING ALONG *
225
00:11:39,833 --> 00:11:42,135
* SO TIME TO USE THAT PHONE *
226
00:11:42,135 --> 00:11:44,738
* I'M NOT GETTING ALONG *
227
00:11:44,738 --> 00:11:47,307
* I'M NOT GIVING THE ANSWER *
228
00:11:51,711 --> 00:11:54,447
* YOU'RE HOT *
229
00:11:54,447 --> 00:11:56,817
* YOU'RE HOT *
230
00:11:56,817 --> 00:11:59,887
* YOU'RE HOT *
231
00:11:59,887 --> 00:12:01,855
* CAN'T GET
OUT OF MY HEAD *
232
00:12:01,855 --> 00:12:03,991
* YOU'RE HOT *
233
00:12:03,991 --> 00:12:06,827
* YOU'RE HOT *
234
00:12:06,827 --> 00:12:08,295
* YOU'RE HOT *
235
00:12:08,295 --> 00:12:09,797
* GOTTA GET ON *
236
00:12:09,797 --> 00:12:11,231
SO WERE YOU
GONNA TELL ME?
237
00:12:11,231 --> 00:12:12,465
TELL YOU WHAT?
238
00:12:12,465 --> 00:12:13,767
YOU AND GOODWIN.
239
00:12:13,767 --> 00:12:15,368
SAY THAT AGAIN?
240
00:12:16,937 --> 00:12:18,939
[GRUNTS] I'VE ALWAYS
WANTED TO DO IT.
241
00:12:18,939 --> 00:12:20,540
SEX WITH A PROFESSOR.
242
00:12:20,540 --> 00:12:21,942
OH, YEAH, YEAH.
243
00:12:21,942 --> 00:12:24,912
I TAKE ALL MY TEACHERS
BACK TO THE LOFT.
244
00:12:24,912 --> 00:12:27,447
HUH, THAT'S FUNNY.
I HEARD A HOTEL.
245
00:12:28,748 --> 00:12:30,217
WHO TOLD YOU THIS?
246
00:12:30,217 --> 00:12:33,186
I PROMISED.
247
00:12:38,926 --> 00:12:40,994
[DANCE MUSIC PLAYING]
248
00:12:59,679 --> 00:13:01,714
YOU KNOW NAOMI?
249
00:13:01,714 --> 00:13:03,450
NO, WHAT'S HER NAME?
250
00:13:03,450 --> 00:13:04,584
NAOMI PRESTON.
251
00:13:04,584 --> 00:13:06,086
TRANSFERRED IN
LAST SEMESTER
252
00:13:06,086 --> 00:13:07,855
FROM SOMEPLACE
IN VERMONT.
253
00:13:08,788 --> 00:13:11,524
SO WHO'S THE STIFF
TRYING TO WARM HER UP?
254
00:13:11,524 --> 00:13:12,759
BEAU EDSON.
255
00:13:12,759 --> 00:13:15,362
LAST GUY ON CAMPUS
WHO THINKS SHE PUTS OUT.
256
00:13:16,363 --> 00:13:18,231
EVERYBODY KNOWS
SHE DOESN'T.
257
00:13:18,231 --> 00:13:21,334
I JUST DON'T GET WOMEN
WHO ARE AFRAID OF SEX.
258
00:13:34,381 --> 00:13:36,716
SO MAYBE I WAS WRONG
ABOUT GOODWIN,
259
00:13:36,716 --> 00:13:38,485
'CAUSE THIS LOOKS
LIKE JEALOUSY TO ME.
260
00:13:38,485 --> 00:13:40,653
PLEASE. THE QUICKEST WAY
TO GET DERRICK WEBB
261
00:13:40,653 --> 00:13:42,522
OUT OF MY LIFE WOULD BE
TO SLEEP WITH HIM.
262
00:13:44,357 --> 00:13:46,493
THAT'S NOT A NO.
263
00:13:59,606 --> 00:14:01,241
[SOFT MOAN]
264
00:14:12,352 --> 00:14:13,553
[GROANS]
265
00:14:15,355 --> 00:14:16,723
WHY? WHAT?
266
00:14:16,723 --> 00:14:17,724
NOTHING.
267
00:14:17,724 --> 00:14:19,026
YOU ALL RIGHT?
268
00:14:19,026 --> 00:14:20,227
YOU OK?
269
00:14:20,227 --> 00:14:22,195
MARTINIS.
270
00:14:22,195 --> 00:14:23,430
[GROANS]
271
00:14:29,069 --> 00:14:31,004
HEY, TRAVIS.
WHAT ARE YOU DOING?
272
00:14:31,004 --> 00:14:32,105
YOU HIDING?
273
00:14:32,105 --> 00:14:34,908
I'M NOT HIDING.
I'M JUST THINKING.
274
00:14:34,908 --> 00:14:37,110
MMM. ARE YOU DRUNK?
275
00:14:37,110 --> 00:14:38,912
I'M JUST KINDA HAVING
276
00:14:38,912 --> 00:14:41,314
A LITTLE DIALOGUE
WITH GRAVITY.
277
00:14:41,314 --> 00:14:42,115
[MARIE GROANS]
278
00:14:42,115 --> 00:14:43,917
HERE WE GO. AH, OK.
279
00:14:43,917 --> 00:14:45,518
NOW, I GOTCHA. I GOTCHA.
280
00:14:45,518 --> 00:14:47,354
TAKE IT EASY.
281
00:14:47,354 --> 00:14:48,355
YOU ALL RIGHT?
282
00:14:48,355 --> 00:14:49,189
YEAH.
283
00:14:49,189 --> 00:14:51,591
ALL RIGHT.
KEEP YOUR HEAD DOWN.
284
00:14:51,591 --> 00:14:53,560
[SIGHS] PARTIES.
285
00:14:54,861 --> 00:14:56,263
HOW YA DOING?
YOU ALL RIGHT?
286
00:14:56,263 --> 00:14:57,064
YEAH.
287
00:14:57,064 --> 00:14:58,765
LET ME GET YOU
A COLD RAG.
288
00:14:58,765 --> 00:15:00,300
YOU HANG TIGHT.
289
00:15:02,970 --> 00:15:04,337
COME HERE.
290
00:15:04,337 --> 00:15:05,638
[CHUCKLES]
291
00:15:08,908 --> 00:15:10,443
Beau: YOU ARE SO BEAUTIFUL.
292
00:15:16,316 --> 00:15:18,685
Beau: COME ON, NAOMI.
IT'LL BE GREAT.
293
00:15:18,685 --> 00:15:20,253
[NAOMI CHUCKLES]
294
00:15:29,262 --> 00:15:30,998
STOP.
295
00:15:35,268 --> 00:15:36,269
OH.
296
00:15:48,982 --> 00:15:51,218
[MARIE COUGHS]
297
00:16:30,823 --> 00:16:32,359
BEAU...
298
00:16:32,359 --> 00:16:34,761
I'M SO DRUNK.
COME ON.
299
00:16:34,761 --> 00:16:36,096
SHHH.
300
00:16:50,910 --> 00:16:53,246
Naomi: OH, BEAU.
301
00:16:55,915 --> 00:16:57,417
PLEASE STOP.
302
00:16:58,985 --> 00:17:00,487
PLEASE?
303
00:17:01,054 --> 00:17:03,190
[TECHNO MUSIC PLAYING]
304
00:17:05,925 --> 00:17:07,594
Leslie:
HAVE YOU SEEN MARIE?
305
00:17:09,196 --> 00:17:11,431
SHE DISAPPEARED
WITH DERRICK WEBB.
306
00:17:11,431 --> 00:17:12,765
NO WAY.
307
00:17:12,765 --> 00:17:14,201
DOES SHE
EVEN KNOW HIM?
308
00:17:14,201 --> 00:17:16,536
[CHUCKLES]
SHE DOES NOW.
309
00:17:20,207 --> 00:17:22,375
IS THAT AN AIR OF SEXUAL
SATISFACTION I DETECT?
310
00:17:22,375 --> 00:17:25,112
HEY, A GENTLEMAN
WOULD NEVER...
311
00:17:25,112 --> 00:17:26,479
HA HA!
312
00:17:54,006 --> 00:17:57,277
HEY, I THINK
WE GOT OUR RUMOR.
313
00:17:57,277 --> 00:18:00,280
YEAH, I ALREADY HEARD
TONIGHT'S BIG RUMOR.
314
00:18:00,280 --> 00:18:02,382
OH, YEAH,
YOU AND GOODWIN.
315
00:18:02,382 --> 00:18:03,183
HA HA.
316
00:18:03,183 --> 00:18:04,184
HA HA HA HA.
317
00:18:04,184 --> 00:18:05,418
WHO STARTED THAT?
318
00:18:05,418 --> 00:18:06,686
NO, NO,
THIS IS SOMETHING ELSE.
319
00:18:06,686 --> 00:18:09,088
THIS GIRL AT THE PARTY,
UH, NAOMI SOMETHING.
320
00:18:09,088 --> 00:18:10,089
PRESTON.
321
00:18:10,089 --> 00:18:11,991
YEAH. HEY, WHOA!
322
00:18:11,991 --> 00:18:13,660
YEAH, WHAT DO YOU
KNOW ABOUT HER?
323
00:18:13,660 --> 00:18:15,662
SHE'S IN MY CALC CLASS.
TRANSFER STUDENT,
324
00:18:15,662 --> 00:18:17,630
OLD MONEY,
EXPENSIVE EVERYTHING,
325
00:18:17,630 --> 00:18:19,599
AND DOES HER MATH
WITH A MONT BLANC PEN.
326
00:18:19,599 --> 00:18:23,270
SHE AND HER DATE
ARRIVED IN DADDY'S LIMO.
327
00:18:23,270 --> 00:18:25,205
YOU DO HATE THE RICH.
328
00:18:26,373 --> 00:18:28,040
WELL,
I DON'T HATE YOU.
329
00:18:28,040 --> 00:18:29,209
I BUY YOU DRINKS.
330
00:18:29,209 --> 00:18:30,277
THERE YOU GO.
331
00:18:30,277 --> 00:18:31,478
I LIKE RICH PEOPLE
WHO ARE NICE.
332
00:18:31,478 --> 00:18:33,846
AND NAOMI PRESTON
IS A BITCH.
333
00:18:33,846 --> 00:18:35,047
HEY.
334
00:18:35,047 --> 00:18:36,048
YO, BUDDY!
335
00:18:36,048 --> 00:18:37,850
Jones: HEY, TRAVIS.
336
00:18:37,850 --> 00:18:39,486
NO EXPLORING.
337
00:18:40,553 --> 00:18:42,422
YEAH, WELL, I SAW
HER AND HER BOYFRIEND
338
00:18:42,422 --> 00:18:43,756
IN THE BEDROOM TOGETHER.
339
00:18:44,757 --> 00:18:46,693
I WAS IN THE BATHROOM.
340
00:18:46,693 --> 00:18:48,761
SO I WAS JUST FLOSSING,
AND, UH...
341
00:18:48,761 --> 00:18:49,762
UH-HUH.
342
00:18:49,762 --> 00:18:50,730
MEANWHILE, THESE TWO
343
00:18:50,730 --> 00:18:52,098
ARE IN THE ROOM
NEXT DOOR MAKING OUT,
344
00:18:52,098 --> 00:18:54,367
AND SHE PASSES OUT
AND HE SPLITS.
345
00:18:54,367 --> 00:18:57,870
SO--HOW IS THIS
GOSSIP?
346
00:18:57,870 --> 00:18:59,306
WELL,
WE SPREAD IT AROUND
347
00:18:59,306 --> 00:19:00,573
LIKE THEY WENT AHEAD AND
HAD SEX IN THE BEDROOM
348
00:19:00,573 --> 00:19:02,175
WHILE THE PARTY
WAS STILL GOING ON.
349
00:19:02,175 --> 00:19:03,976
YOU JUST SAID
THEY DIDN'T.
350
00:19:03,976 --> 00:19:05,312
YEAH, BUT
WHATEVER RUMOR WE TELL,
351
00:19:05,312 --> 00:19:06,513
WE'RE GONNA HAVE
TO MAKE UP. OTHERWISE,
352
00:19:06,513 --> 00:19:07,480
HOW ARE WE GONNA KNOW
IF IT'S OUR RUMOR?
353
00:19:07,480 --> 00:19:09,782
THIS IS GOOD.
IT'S SIMPLE.
354
00:19:09,782 --> 00:19:11,050
IT'S CLOSE TO THE TRUTH.
355
00:19:11,050 --> 00:19:12,785
IT'S GOT ROOM TO GROW.
356
00:19:13,920 --> 00:19:15,888
HEY, WHOA!
GET TRAVIS!
357
00:19:17,056 --> 00:19:18,658
HEY, TRAV.
358
00:19:18,658 --> 00:19:19,659
HOLD ON ONE SEC.
359
00:19:19,659 --> 00:19:22,195
YOU KNOW,
SCREW MY DAD ANYWAY.
360
00:19:22,195 --> 00:19:23,330
TRAV?
361
00:19:23,330 --> 00:19:25,298
WHAT ARE THEY GONNA
SAY ABOUT HIM?
362
00:19:25,298 --> 00:19:26,799
Travis: SOME.
363
00:19:26,799 --> 00:19:28,034
RAH RAH.
364
00:19:28,034 --> 00:19:29,168
HEY!
365
00:19:29,168 --> 00:19:31,871
* THE LOOK *
366
00:19:31,871 --> 00:19:33,473
* OF LOVE *
367
00:19:33,473 --> 00:19:36,042
[DERRICK GRUNTS] JONES.
368
00:19:36,042 --> 00:19:39,312
GIVE ME A LITTLE HELP
OVER HERE.
369
00:19:39,312 --> 00:19:42,114
* A LOOK, YOUR SMILE *
370
00:19:42,114 --> 00:19:44,217
JUST GRAB HIS FEET.
371
00:19:44,217 --> 00:19:45,218
PUSH.
372
00:19:45,218 --> 00:19:47,186
[GRUNTING]
373
00:19:47,186 --> 00:19:48,955
[GIGGLES]
YOU'LL WAKE HIM UP.
374
00:19:48,955 --> 00:19:50,457
SHIT.
375
00:19:50,457 --> 00:19:53,660
DRAGGING HIM ON THE SUBWAY
DIDN'T WAKE HIM UP.
376
00:19:54,827 --> 00:19:55,695
OK.
377
00:19:55,695 --> 00:19:59,266
* IT'S SAYING SO MUCH MORE *
378
00:19:59,266 --> 00:20:03,169
* THEN JUST WORDS
COULD EVER SAY *
379
00:20:03,169 --> 00:20:04,371
[LAUGHING]
380
00:20:04,371 --> 00:20:07,374
* I CAN'T HARDLY WAIT
TO HOLD YOU *
381
00:20:07,374 --> 00:20:10,042
* FEEL MY ARMS AROUND YOU *
382
00:20:10,042 --> 00:20:12,245
WE SHOULD TAKE
HIS SHOES OFF.
383
00:20:13,346 --> 00:20:14,547
ALL RIGHT.
384
00:20:16,148 --> 00:20:17,650
[GIGGLES]
385
00:20:26,793 --> 00:20:28,728
WHAT?
386
00:20:31,130 --> 00:20:33,266
DON'T EVEN
THINK ABOUT IT.
387
00:20:33,266 --> 00:20:37,504
CAN YOU TELL ME
IT NEVER CROSSED YOUR MIND?
388
00:20:37,504 --> 00:20:40,507
AND YOU DO EVERYTHING
THAT CROSSES YOUR MIND?
389
00:20:40,507 --> 00:20:42,642
EH, DON'T ANSWER THAT.
390
00:20:44,377 --> 00:20:47,013
DERRICK, I'M NOT JOKING.
391
00:20:47,013 --> 00:20:48,381
COME ON.
392
00:20:48,381 --> 00:20:50,149
YOU'RE JUST AS CAPABLE
OF MEANINGLESS SEX AS I AM.
393
00:20:50,149 --> 00:20:53,720
OH, AND THEY SAY
ROMANCE IS DEAD.
394
00:20:56,289 --> 00:20:58,257
IT COULD MAKE
OUR FRIENDSHIP STRONGER.
395
00:20:58,257 --> 00:21:01,961
[LAUGHS]
396
00:21:01,961 --> 00:21:03,896
IS THAT RIGHT?
397
00:21:03,896 --> 00:21:04,897
HE'S OUT.
398
00:21:06,833 --> 00:21:08,401
HE'LL NEVER KNOW.
399
00:21:09,369 --> 00:21:12,372
AM I ALONE IN THIS?
400
00:21:28,955 --> 00:21:32,525
I WAS RIGHT. I FELT
ABSOLUTELY NOTHING.
401
00:21:38,465 --> 00:21:40,533
WELL, I FELT SOMETHING.
402
00:21:57,917 --> 00:21:59,786
SEE, FIRST I THOUGHT
IF WE STARTED THE RUMOR
403
00:21:59,786 --> 00:22:01,621
3 TIMES AND THEN WAITED
FOR IT TO COME BACK,
404
00:22:01,621 --> 00:22:03,890
THEN ONCE ONE OF US HEARD IT,
WE COULD TRACE THE LINE BACK
405
00:22:03,890 --> 00:22:06,726
AND SEE WHOSE RUMOR
MOVED THE FASTEST.
406
00:22:06,726 --> 00:22:08,495
DOESN'T YOUR HEAD HURT?
MM-MMM.
407
00:22:08,495 --> 00:22:09,896
BUT THEN I THOUGHT,
YOU KNOW, THIS--
408
00:22:09,896 --> 00:22:12,231
IT'S NOT SOME STUPID RACE,
YOU KNOW? I MEAN, BESIDES,
409
00:22:12,231 --> 00:22:14,000
PEOPLE ARE GONNA SPREAD
THE THING BACK AND FORTH ANYWAY,
410
00:22:14,000 --> 00:22:15,502
AND NONE OF THE LINES
ARE GONNA MATCH.
411
00:22:15,502 --> 00:22:17,404
IT'S LIKE CHAOS THEORY,
YOU KNOW WHAT I MEAN?
412
00:22:17,404 --> 00:22:19,506
THERE'S GONNA BE
A LOT OF NOISE.
413
00:22:19,506 --> 00:22:21,774
IT'S LIKE RAPID GUNFIRE.
POW POW POW POW.
414
00:22:21,774 --> 00:22:24,310
YOU REALLY ARE NOT
IN THE LEAST BIT HUNG OVER?
415
00:22:24,310 --> 00:22:25,578
MM-MMM.
416
00:22:25,578 --> 00:22:27,447
SEE, HE'S FIGURED OUT
A WAY TO MAKE IT ART.
417
00:22:27,447 --> 00:22:29,348
TRAVIS,
THIS IS VERY GOOD.
418
00:22:29,348 --> 00:22:32,118
SO NOW ALL WE HAVE TO DO
IS TELL THE STORY.
419
00:22:32,118 --> 00:22:33,352
IF WE DO THIS.
420
00:22:33,352 --> 00:22:34,621
WHAT DO YOU MEAN,
IF WE DO THIS?
421
00:22:34,621 --> 00:22:35,955
WHOA, WAIT A SECOND.
JONES,
422
00:22:35,955 --> 00:22:36,923
THIS WAS YOUR IDEA.
423
00:22:36,923 --> 00:22:39,392
I KNOW, BUT I HARDLY
KNOW THESE PEOPLE,
424
00:22:39,392 --> 00:22:41,293
AND I DON'T HAVE
ANYTHING AGAINST THEM.
425
00:22:41,293 --> 00:22:43,195
ASIDE FROM
THE MONT BLANC
426
00:22:43,195 --> 00:22:44,196
AND DADDY'S LIMO.
427
00:22:44,196 --> 00:22:45,297
ALL RIGHT.
428
00:22:45,297 --> 00:22:46,833
SO WAIT, LET ME
GET THIS STRAIGHT.
429
00:22:46,833 --> 00:22:48,401
YOU DON'T
LIKE THIS PERSON,
430
00:22:48,401 --> 00:22:49,836
BUT YOU DON'T WANT
TO BE MEAN BECAUSE,
431
00:22:49,836 --> 00:22:51,003
YOU KNOW,
YOU'RE FROM PLYMOUTH,
432
00:22:51,003 --> 00:22:52,405
AND THAT'S WHERE
THE PILGRIMS ARE FROM,
433
00:22:52,405 --> 00:22:53,473
AND, YOU KNOW,
THEY'RE NOT MEAN,
434
00:22:53,473 --> 00:22:54,707
'CAUSE THEY WEAR
THE LITTLE HATS
435
00:22:54,707 --> 00:22:55,708
AND THE BUCKLES
ON THEIR SHOES.
436
00:22:55,708 --> 00:22:57,009
THERE WERE MEAN PILGRIMS.
437
00:22:57,009 --> 00:22:59,779
NO, NO, THEY WERE
TOO BUSY GIVING THANKS.
438
00:22:59,779 --> 00:23:01,881
HA.
439
00:23:01,881 --> 00:23:04,884
SO ARE WE GONNA DO THIS
OR WHAT?
440
00:23:04,884 --> 00:23:07,520
JONES.
441
00:23:08,688 --> 00:23:10,523
ALL RIGHT, WELL, I GUESS
WE COULD JUST STICK WITH
442
00:23:10,523 --> 00:23:12,124
THE ONE THAT'S ALREADY
MAKING THE ROUNDS.
443
00:23:12,124 --> 00:23:14,461
DID YOU HEAR ABOUT JONES
AND GOODWIN AT THE PIERRE?
444
00:23:14,461 --> 00:23:15,562
MM-MMM.
445
00:23:15,562 --> 00:23:18,898
OH, SO NOW
IT'S THE PIERRE?
446
00:23:24,336 --> 00:23:25,638
SO?
447
00:23:33,345 --> 00:23:35,081
LET'S DO IT.
448
00:23:37,216 --> 00:23:38,851
YEAH,
THE PARTY WAS COOL,
449
00:23:38,851 --> 00:23:40,953
ALTHOUGH IT TOOK US
FOREVER TO GET HOME.
450
00:23:40,953 --> 00:23:41,954
THIS IS YOURS.
451
00:23:41,954 --> 00:23:43,222
THANKS.
452
00:23:43,222 --> 00:23:45,625
AND WE EVEN LEFT EARLY,
I MEAN, BEFORE NAOMI CAME DOWN.
453
00:23:45,625 --> 00:23:47,794
APPARENTLY SHE AND BEAU
WERE UP IN ONE OF THE BEDROOMS
454
00:23:47,794 --> 00:23:49,496
HAVING SEX
DURING THE PARTY.
455
00:23:51,263 --> 00:23:55,468
I MEAN, I THOUGHT THE LINE
ON HER WAS, LIKE, NO SEX.
456
00:23:55,468 --> 00:23:57,637
NOT THAT I JUDGE THAT.
I MEAN, A LOT OF GIRLS
457
00:23:57,637 --> 00:23:59,639
ARE DOING THIS WHOLE
CHASTITY THING NOW.
458
00:23:59,639 --> 00:24:02,174
FINE. I JUST HAVE TO SAY
I WAS SURPRISED.
459
00:24:02,174 --> 00:24:04,644
WELL, YEAH. I MEAN,
EVERYBODY HEARD WITHIN DAYS
460
00:24:04,644 --> 00:24:07,113
AFTER SHE GOT HERE
THAT SHE WASN'T PUTTING OUT.
461
00:24:07,113 --> 00:24:09,148
BECAUSE SHE'S SO BEAUTIFUL
AND EVERYBODY WAS LIKE--
462
00:24:09,148 --> 00:24:10,216
I KNOW, I KNOW.
463
00:24:10,216 --> 00:24:11,918
A LOT OF PEOPLE THINK
THAT SHE'S BEAUTIFUL.
464
00:24:11,918 --> 00:24:14,220
I THINK HER FACE
IS TOO LONG AND HER NOSE--
465
00:24:14,220 --> 00:24:15,555
IT'S ME.
466
00:24:15,555 --> 00:24:18,324
Louise: I'M JUST SAYING
I'M WORRIED ABOUT NAOMI.
467
00:24:18,324 --> 00:24:19,792
I MEAN, SHE TAKES
THIS POSITION
468
00:24:19,792 --> 00:24:21,260
THAT SHE WANTS
TO SAVE HERSELF,
469
00:24:21,260 --> 00:24:23,696
AND THEN SHE GOES AND
DOES SOMETHING LIKE THIS.
470
00:24:23,696 --> 00:24:25,131
I MEAN, I JUST THINK
IN THE LONG RUN
471
00:24:25,131 --> 00:24:27,066
PEOPLE ARE GONNA
TAKE HER LESS SERIOUSLY
472
00:24:27,066 --> 00:24:28,901
AS A HUMAN BEING.
473
00:24:28,901 --> 00:24:31,103
WELL, I HEARD--
I HEARD--
474
00:24:31,103 --> 00:24:32,505
I HEARD--
I HEARD--
475
00:24:32,505 --> 00:24:33,773
YOU KNOW, I RESPECT
WOMEN LIKE THAT
476
00:24:33,773 --> 00:24:35,141
WHO ARE NOT
INTO CASUAL SEX.
477
00:24:35,141 --> 00:24:36,142
UH-HUH.
478
00:24:36,142 --> 00:24:37,343
EXCEPT AT A PARTY.
479
00:24:37,343 --> 00:24:39,211
WELL, I HEARD WHEN HE
PUT HIS HAND IN HER CROTCH...
480
00:24:39,211 --> 00:24:40,747
AT FIRST THERE WAS
A MOMENT OF RESISTANCE...
481
00:24:40,747 --> 00:24:42,515
BUT YOU KNOW
HOW THESE THINGS GO.
482
00:24:42,515 --> 00:24:43,850
OH, YEAH,
I HEARD ABOUT THAT.
483
00:24:43,850 --> 00:24:46,085
LIKE 6 GUYS AND 4 GIRLS
GETTING IT ON.
484
00:24:46,085 --> 00:24:46,919
WILD. OH, WAIT.
485
00:24:46,919 --> 00:24:48,621
NO, THAT WAS
AT MY HIGH SCHOOL.
486
00:24:48,621 --> 00:24:49,756
NEXT THING YOU KNOW...
487
00:24:49,756 --> 00:24:51,290
SHE'S GOT HER HAND
ON HIS CROTCH...
488
00:24:51,290 --> 00:24:52,291
AND HER SKIRT...
489
00:24:52,291 --> 00:24:53,492
IS UP OVER...
HER EARS.
490
00:24:53,492 --> 00:24:55,061
I KNEW THIS GIRL
IN FRESHMAN YEAR
491
00:24:55,061 --> 00:24:57,530
WHO WAS ALWAYS,
LIKE, "NO, NO, NO."
492
00:24:57,530 --> 00:24:58,631
AND THEN FINALLY
WHEN SHE'S GOING,
493
00:24:58,631 --> 00:25:00,032
"YES, YES, YES,"
IT TURNS OUT
494
00:25:00,032 --> 00:25:01,668
SHE'S WEARING
RUBBER UNDERWEAR,
495
00:25:01,668 --> 00:25:03,269
WHIPS, CHAINS,
THE WHOLE BIT.
496
00:25:03,269 --> 00:25:04,571
AND SHE GOES DOWN ON HIM...
497
00:25:04,571 --> 00:25:05,572
RIGHT THERE...
498
00:25:05,572 --> 00:25:06,706
IN THE WINDOW...
499
00:25:06,706 --> 00:25:08,207
SHE IS HOT...
HOT...
500
00:25:08,207 --> 00:25:09,609
HOT...
IS HOT...
501
00:25:09,609 --> 00:25:11,210
IS SO HOT.
502
00:25:12,011 --> 00:25:13,145
Female Student:
SO HE PICKED HER UP,
503
00:25:13,145 --> 00:25:14,714
AND THEY DID IT
STANDING ON THE BED.
504
00:25:14,714 --> 00:25:16,382
BLOW JOB? YES.
505
00:25:16,382 --> 00:25:18,751
INTERCOURSE?
DEFINITELY.
506
00:25:18,751 --> 00:25:19,752
RUBBER UNDERWEAR?
507
00:25:19,752 --> 00:25:21,187
YES, BECAUSE
I SAW IT ONCE
508
00:25:21,187 --> 00:25:22,254
IN HER LAUNDRY
BASKET.
509
00:25:22,254 --> 00:25:23,389
THIS BLACK RUBBER BRA.
510
00:25:23,389 --> 00:25:24,657
IT WAS SO CUTE.
511
00:25:24,657 --> 00:25:25,658
LIKE VICTORIA'S SECRET
512
00:25:25,658 --> 00:25:28,661
GONE...CRYSTAL METH.
513
00:25:45,511 --> 00:25:47,113
AWW...
514
00:25:51,017 --> 00:25:52,418
WHAT?
515
00:25:52,418 --> 00:25:55,187
SHE WEARS
BLACK RUBBER BRAS.
516
00:25:55,187 --> 00:25:59,558
AND APPARENTLY
ENJOYS MULTIPLE PARTNERS
517
00:25:59,558 --> 00:26:01,894
ON THE FIRE ESCAPE.
518
00:26:18,678 --> 00:26:22,782
Tin Star:
* LOVE YOU LIKE NO OTHER *
519
00:26:22,782 --> 00:26:26,986
* LOVE YOU RAIN OR SHINE *
520
00:26:26,986 --> 00:26:31,891
* YOU COULD BE THE ONE THING
THAT IS ON MY MIND *
521
00:26:35,094 --> 00:26:36,195
* DIS- *
522
00:26:36,195 --> 00:26:37,196
* CONN- *
523
00:26:37,196 --> 00:26:38,197
* ECT- *
524
00:26:38,197 --> 00:26:39,198
* ED *
525
00:26:39,198 --> 00:26:41,167
* CHILD *
526
00:26:43,002 --> 00:26:47,106
* DIS-CONN-ECT-ED *
527
00:26:47,106 --> 00:26:49,075
* CHILD *
528
00:26:49,075 --> 00:26:51,878
* SHE'S BEEN ON MY MIND *
529
00:27:09,862 --> 00:27:12,431
YOU SEE, IT MOVES
FORWARDS AND BACKWARDS.
530
00:27:12,431 --> 00:27:13,766
AND SO, SEE,
JONES STARTED IT,
531
00:27:13,766 --> 00:27:14,834
THEN SHE HEARD IT,
532
00:27:14,834 --> 00:27:15,968
SO YOU CAN TRACE
THAT LINE BACK.
533
00:27:15,968 --> 00:27:18,337
IT GOES BACK AND FORTH,
LIKE, UH...
534
00:27:18,337 --> 00:27:20,139
LIKE AIR WAVES.
535
00:27:22,441 --> 00:27:24,376
SO, WHAT ARE WE GONNA DO
AT THE END OF THE SEMESTER,
536
00:27:24,376 --> 00:27:25,812
HAND IN YOUR ROOM?
537
00:27:27,714 --> 00:27:29,048
YOU THINK I'M A FREAK,
DON'T YOU?
538
00:27:29,048 --> 00:27:31,217
NO, TRAVIS. THIS
IS VERY ORIGINAL.
539
00:27:31,217 --> 00:27:32,852
IT'S LIKE, UM...
540
00:27:34,353 --> 00:27:35,788
YOU'RE ORIGINAL,
TRAVIS.
541
00:27:35,788 --> 00:27:37,957
LISTEN...
542
00:27:39,391 --> 00:27:40,793
I KNOW YOU, MAN.
543
00:27:40,793 --> 00:27:42,795
WHAT'S GOING ON INSIDE
YOU IS LIKE A PISTON,
544
00:27:42,795 --> 00:27:43,863
AND IT'S IMPOSSIBLE
TO EXPLAIN
545
00:27:43,863 --> 00:27:45,064
WHAT MAKES IT RUN,
YOU KNOW.
546
00:27:45,064 --> 00:27:46,933
ALL THE SHIT
THAT'S IN THERE.
547
00:27:49,869 --> 00:27:51,971
I KNOW IT'S CONFUSING,
BUT PICASSO, VAN GOGH,
548
00:27:51,971 --> 00:27:54,006
ALL THOSE GUYS,
THEY ALL HAD DOUBTS.
549
00:27:54,006 --> 00:27:55,942
THAT'S WHAT
MADE THEM BRILLIANT.
550
00:27:57,844 --> 00:28:00,079
MAN, I CAN'T EVEN
PAY MY RENT.
551
00:28:02,114 --> 00:28:05,284
SOMETIMES I DON'T EVEN KNOW
WHAT I'M DOING.
552
00:28:08,788 --> 00:28:10,890
TRYING TO GET
AT THE TRUTH, MAN.
553
00:28:13,192 --> 00:28:14,393
JONES.
554
00:28:14,393 --> 00:28:15,862
COME HERE.
LOOK AT THIS.
555
00:28:15,862 --> 00:28:17,797
ISN'T THIS GOOD?
556
00:28:20,800 --> 00:28:21,968
Erica: ...TOTALLY BOMBED,
WENT UPSTAIRS,
557
00:28:21,968 --> 00:28:23,135
HAD SEX WHILE THE PARTY
WAS GOING ON.
558
00:28:23,135 --> 00:28:24,136
[LAUGHING]
559
00:28:24,136 --> 00:28:25,938
PEOPLE WERE WALKING
IN AND OUT WATCHING.
560
00:28:25,938 --> 00:28:27,673
APPARENTLY THEY WERE
GETTING OFF ON IT.
561
00:28:27,673 --> 00:28:29,776
NAOMI, SHE'S, LIKE,
HELLO, NO SEX AT ALL.
562
00:28:29,776 --> 00:28:30,843
HUGE POINT WITH HER.
563
00:28:30,843 --> 00:28:32,711
WELL, I GUESS
BEAU'S HUGER.
564
00:28:32,711 --> 00:28:34,046
OR IS IT
"MORE HUGE"?
565
00:28:34,046 --> 00:28:37,149
BEAU EDSON.
OH, GOD, I'D DO IT.
566
00:28:37,149 --> 00:28:38,985
WELL, APPARENTLY,
NAOMI DID.
567
00:28:38,985 --> 00:28:40,787
WITH BEAU, AND MAYBE
EVEN A COUPLE OF OTHERS.
568
00:28:40,787 --> 00:28:42,421
THE STORY...
569
00:29:02,174 --> 00:29:03,575
BEAU...
570
00:29:03,575 --> 00:29:05,912
IT'S JUST THAT I HEARD IT
FROM A COUPLE OF PLACES NOW.
571
00:29:05,912 --> 00:29:07,013
LISTEN, OK?
572
00:29:07,013 --> 00:29:08,881
I DON'T KNOW WHY
PEOPLE ARE SAYING
573
00:29:08,881 --> 00:29:10,783
WHATEVER IT IS
THAT THEY'RE SAYING.
574
00:29:10,783 --> 00:29:12,051
WELL, DID YOU
TELL SOMEBODY
575
00:29:12,051 --> 00:29:13,252
THAT SOMETHING
HAPPENED?
576
00:29:13,252 --> 00:29:14,753
NAOMI...
577
00:29:14,753 --> 00:29:16,688
I DON'T NEED TO LIE
ABOUT SEX.
578
00:29:16,688 --> 00:29:18,590
WELL, THEN TELL ME.
579
00:29:18,590 --> 00:29:20,026
WHAT HAPPENED?
580
00:29:22,895 --> 00:29:24,763
BEAU, LOOK AT ME.
581
00:29:24,763 --> 00:29:25,932
WHAT?!
582
00:29:25,932 --> 00:29:27,834
WHAT DO YOU WANT ME
TO SAY?
583
00:29:27,834 --> 00:29:29,301
YOU WANNA HAVE SEX,
YOU DON'T WANNA HAVE SEX,
584
00:29:29,301 --> 00:29:30,636
YOU CAN'T MAKE UP
YOUR MIND,
585
00:29:30,636 --> 00:29:32,504
AND NOW
YOU'RE ASKING WHAT?
586
00:29:32,504 --> 00:29:34,073
WHY ARE YOU SO ANGRY?
587
00:29:34,073 --> 00:29:36,042
WELL, JEEZ, NAOMI,
I WONDER.
588
00:29:36,042 --> 00:29:38,377
THAT'S NOT
AN ANSWER, BEAU.
589
00:29:41,413 --> 00:29:42,781
Beau: NAOMI.
590
00:29:47,186 --> 00:29:50,056
ACTUALLY, THE FIRST TIME
I HEARD IT, IT WAS, UH...
591
00:29:50,056 --> 00:29:51,257
IN SOME SORT OF ORGY,
592
00:29:51,257 --> 00:29:54,093
BUT THAT WAS OBVIOUSLY
AN EXAGGERATION.
593
00:29:54,093 --> 00:29:57,096
WHAT, UH...
WHAT REALLY HAPPENED
594
00:29:57,096 --> 00:29:59,531
WAS, UH,
SHE PASSED OUT DRUNK,
595
00:29:59,531 --> 00:30:00,799
AND THEY HAD SEX ANYWAY.
596
00:30:00,799 --> 00:30:02,969
THIS IS
WHAT THEY'RE SAYING?
597
00:30:02,969 --> 00:30:05,004
Travis: WELL, YOU SEE,
THAT'S THE BEST PART.
598
00:30:05,004 --> 00:30:07,039
IT KEEPS CHANGING.
599
00:30:08,207 --> 00:30:10,176
4 DIFFERENT PEOPLE
HAVE ALREADY SAID IT.
600
00:30:10,176 --> 00:30:12,344
4 DIFFERENT PEOPLE
TOLD YOU
601
00:30:12,344 --> 00:30:14,646
THAT SHE PASSED OUT
AND THAT...
602
00:30:15,447 --> 00:30:17,850
AND THAT HE HAD SEX
WITH HER ANYWAY.
603
00:30:17,850 --> 00:30:19,551
THAT'S THE NEW STORY.
604
00:30:22,454 --> 00:30:24,823
TRAVIS, DID ANYONE
USE THE WORD "RAPE"?
605
00:30:25,791 --> 00:30:28,127
YOU SAID
YOU WERE PASSED OUT.
606
00:30:28,127 --> 00:30:29,996
I WAS.
607
00:30:29,996 --> 00:30:31,530
JUST--DON'T YOU THINK
IT'S POSSIBLE
608
00:30:31,530 --> 00:30:33,165
THAT HE WENT AHEAD
ANYWAY?
609
00:30:33,165 --> 00:30:35,167
WELL, I WOULD KNOW,
WOULDN'T I?
610
00:30:35,167 --> 00:30:36,903
I MEAN, IF SOMETHING
LIKE THAT HAPPENED,
611
00:30:36,903 --> 00:30:38,104
WOULDN'T I KNOW?
612
00:30:38,104 --> 00:30:39,405
YOU SAID YOU WERE DRINKING.
613
00:30:39,405 --> 00:30:41,673
LOOK, NAOMI, I SAW HIM
COME DOWN THAT NIGHT.
614
00:30:41,673 --> 00:30:42,708
HIS FRIENDS WERE THERE,
615
00:30:42,708 --> 00:30:44,110
THEY ASKED HIM
IF HE GOT LAID,
616
00:30:44,110 --> 00:30:46,478
AND HE WAS
BRAGGING TO THEM.
617
00:30:47,846 --> 00:30:49,648
I'M JUST
NOT QUITE SURE
618
00:30:49,648 --> 00:30:50,849
WHAT YOU'RE
SO UPSET ABOUT.
619
00:30:50,849 --> 00:30:53,419
THIS IS
AN UGLY TURN, DERRICK.
620
00:30:53,419 --> 00:30:54,286
WELL, HEY,
621
00:30:54,286 --> 00:30:56,055
YOU LOVED IT
WHEN IT WAS A 3-WAY.
622
00:30:56,055 --> 00:30:57,323
HOW'S THIS WORSE
THAN THAT?
623
00:30:57,323 --> 00:30:59,058
STOP IT.
624
00:31:00,426 --> 00:31:03,162
I LOVE IT WHEN YOU GET
ALL PILGRIMATIC. I...
625
00:31:03,162 --> 00:31:04,796
NOT EVERYBODY'S
SAYING IT.
626
00:31:04,796 --> 00:31:06,432
SOME PEOPLE
STILL BELIEVE
627
00:31:06,432 --> 00:31:07,833
THE OLD RUMOR.
628
00:31:07,833 --> 00:31:09,335
YOU KNOW,
THE MULTIPLE.
629
00:31:09,335 --> 00:31:11,503
HA! ANYWAY,
IT'LL PROBABLY CHANGE
630
00:31:11,503 --> 00:31:12,738
IN A DAY OR SO.
631
00:31:12,738 --> 00:31:13,805
I DON'T THINK
IT'S SOMETHING
632
00:31:13,805 --> 00:31:16,042
YOU GOT TO BE
SO WORRIED ABOUT.
633
00:31:16,943 --> 00:31:19,211
JONES.
634
00:31:19,211 --> 00:31:21,813
IT'S NOT TRUE.
IT'S JUST WORDS.
635
00:31:21,813 --> 00:31:23,916
SO HOW BAD
CAN THAT BE?
636
00:31:27,119 --> 00:31:28,220
Naomi:
...WE WERE KISSING,
637
00:31:28,220 --> 00:31:30,289
AND...I HAD BEEN DRINKING,
638
00:31:30,289 --> 00:31:32,791
SO I WASN'T FEELING GREAT.
639
00:31:32,791 --> 00:31:35,361
HE PUSHED ME
ONTO THE BED AND...
640
00:31:38,197 --> 00:31:40,566
I TOLD HIM TO STOP,
AND HE KEPT GOING.
641
00:31:42,868 --> 00:31:44,236
WELL, NAOMI, I'M SORRY,
642
00:31:44,236 --> 00:31:46,705
BUT WE'RE GONNA NEED
TO BE MORE SPECIFIC.
643
00:31:46,705 --> 00:31:48,107
WHAT EXACTLY DID HE DO
644
00:31:48,107 --> 00:31:50,009
AFTER YOU TOLD HIM
TO STOP?
645
00:31:51,944 --> 00:31:53,245
WELL...
646
00:31:53,245 --> 00:31:56,248
HE PUT HIS HANDS
UNDER MY SKIRT...
647
00:31:56,248 --> 00:31:58,817
AND...HE WAS PULLING
AT MY PANTIES,
648
00:31:58,817 --> 00:32:01,020
TRYING TO TAKE THEM
OFF...
649
00:32:03,122 --> 00:32:06,325
AND...I THINK
HE RAPED ME.
650
00:32:07,693 --> 00:32:09,261
YOU THINK
HE RAPED YOU?
651
00:32:09,261 --> 00:32:12,264
I PASSED OUT. I DON'T KNOW
WHAT HAPPENED AFTERWARDS,
652
00:32:12,264 --> 00:32:14,400
BUT HE WAS BRAGGING
ABOUT IT, OK?
653
00:32:14,400 --> 00:32:15,634
HE TOLD...
654
00:32:15,634 --> 00:32:17,736
IT WAS EVERYWHERE.
EVERYBODY KNOWS HE DID IT.
655
00:32:17,736 --> 00:32:18,737
HOW DO THEY KNOW?
656
00:32:18,737 --> 00:32:20,772
I KNOW.
657
00:32:20,772 --> 00:32:22,474
OK?
658
00:32:22,474 --> 00:32:24,476
I KNOW HE DID IT.
659
00:32:51,470 --> 00:32:52,871
HEY. YOU READY?
660
00:32:53,839 --> 00:32:56,942
SO HOW COME THE COPS ARE
TALKING TO RICK AND BRUCE?
661
00:32:56,942 --> 00:32:59,345
NAOMI'S PRESSING CHARGES
AGAINST BEAU.
662
00:32:59,345 --> 00:33:00,412
CHARGES?
663
00:33:00,412 --> 00:33:02,414
HE RAPED HER WHILE
SHE WAS PASSED OUT, JONES.
664
00:33:02,414 --> 00:33:03,749
YOU WERE THE ONE
WHO TOLD ME.
665
00:33:03,749 --> 00:33:04,983
THAT'S NOT
WHAT I SAID.
666
00:33:04,983 --> 00:33:06,718
YEAH, WELL, I HEARD HIM
BRAGGING ABOUT IT
667
00:33:06,718 --> 00:33:08,154
AND SO DID LESLIE.
668
00:33:08,154 --> 00:33:09,721
ASSHOLE. HE
SHOULD BE IN JAIL
669
00:33:09,721 --> 00:33:10,722
FOR WHAT HE DID.
670
00:33:12,724 --> 00:33:14,326
I DIDN'T DO IT.
671
00:33:14,326 --> 00:33:16,262
YOUR FRIENDS SAY
YOU DID.
672
00:33:17,796 --> 00:33:19,398
THEY WEREN'T THERE,
WERE THEY?
673
00:33:22,734 --> 00:33:24,303
HEY, LISTEN,
I ADMIT, UH...
674
00:33:24,303 --> 00:33:26,338
WHEN I CAME DOWNSTAIRS,
BILL ASKED ME, OK?
675
00:33:26,338 --> 00:33:27,506
BUT HE NEVER GOT SPECIFIC.
676
00:33:27,506 --> 00:33:29,141
IT WAS MORE LIKE
DID YOU OR DIDN'T YOU?
677
00:33:29,141 --> 00:33:31,077
SO I JUST LET HIM THINK
WHAT HE WANTED TO.
678
00:33:31,077 --> 00:33:32,444
WHAT DID HAPPEN?
679
00:33:32,444 --> 00:33:35,614
UH, WE WERE DRINKING,
MAKING OUT,
680
00:33:35,614 --> 00:33:37,916
AND THEN SHE PASSED OUT,
SO I LEFT.
681
00:33:37,916 --> 00:33:40,086
YOU DON'T RECALL HER
SAYING NO,
682
00:33:40,086 --> 00:33:43,422
PROTESTING, TRYING
TO PUSH YOU AWAY?
683
00:33:46,292 --> 00:33:47,426
YES.
684
00:33:47,426 --> 00:33:50,096
YES, OK? I REMEMBER
SOME OF THAT, BUT...
685
00:33:50,096 --> 00:33:51,830
LISTEN, SHE WAS
SAYING NO, BUT--
686
00:33:51,830 --> 00:33:53,031
BUT WHAT?
687
00:33:54,866 --> 00:33:56,535
BUT SHE
DIDN'T MEAN IT.
688
00:33:56,535 --> 00:33:58,304
I DIDN'T DO IT!
689
00:34:01,507 --> 00:34:03,375
Derrick: HEY, TRAVIS,
COME LOOK AT THIS.
690
00:34:03,375 --> 00:34:05,177
YEAH, ZOOM IN ON THAT.
691
00:34:06,044 --> 00:34:08,480
AH, YES! GOT HER
BY THE WRIST.
692
00:34:12,050 --> 00:34:14,052
YOU GUYS HEARD OF
WHAT'S HAPPENING?
693
00:34:15,121 --> 00:34:16,588
WE HAVE
TO COME CLEAN.
694
00:34:16,588 --> 00:34:18,257
COME CLEAN?
695
00:34:18,257 --> 00:34:20,626
LIKE MURDER,
SHE WROTE. YEAH.
696
00:34:20,626 --> 00:34:21,927
HA HA HA!
697
00:34:21,927 --> 00:34:23,562
THIS IS A REAL COP,
DERRICK.
698
00:34:23,562 --> 00:34:25,997
HER INVESTIGATION'S
NOT A JOKE.
699
00:34:25,997 --> 00:34:26,998
AND WHAT
I WANT TO KNOW IS
700
00:34:26,998 --> 00:34:28,033
WHY SHE DIDN'T TALK
TO YOU.
701
00:34:28,033 --> 00:34:29,135
I MEAN, YOU
WERE THE ONLY ONE
702
00:34:29,135 --> 00:34:30,602
WHO ACTUALLY SAW
ANYTHING.
703
00:34:31,770 --> 00:34:33,038
WELL, THAT'S INTERESTING.
704
00:34:33,038 --> 00:34:35,307
I MEAN, DO YOU THINK THEY
COULD ACTUALLY ARREST SOMEBODY
705
00:34:35,307 --> 00:34:37,176
BECAUSE WHAT PEOPLE
BELIEVE IS THE TRUTH
706
00:34:37,176 --> 00:34:39,111
IS ACTUALLY MORE REAL
THAN THE TRUTH?
707
00:34:40,412 --> 00:34:42,181
YEAH, THAT'S REAL
INTERESTING, TRAVIS.
708
00:34:42,181 --> 00:34:44,082
WHAT A FASCINATING IDEA!
709
00:34:45,317 --> 00:34:48,120
OK, YOU NEED TO
RELAX A LITTLE BIT,
710
00:34:48,120 --> 00:34:50,322
'CAUSE NOBODY'S
BEEN ARRESTED.
711
00:34:50,322 --> 00:34:53,058
I'M REALLY NOT SURE
WHAT YOU WANNA DO.
712
00:34:53,058 --> 00:34:55,127
"COME CLEAN"? HOW'RE
WE GONNA DO THAT?
713
00:34:55,127 --> 00:34:56,128
WE'RE GONNA
TELL THEM, WHAT,
714
00:34:56,128 --> 00:34:57,363
THAT WE STARTED
A RUMOR
715
00:34:57,363 --> 00:35:00,566
THAT MAY JUST TURN
OUT TO BE TRUE?
716
00:35:00,566 --> 00:35:01,600
I MEAN, JONES...
717
00:35:01,600 --> 00:35:03,068
YOU KNOW,
I DIDN'T EXACTLY SEE
718
00:35:03,068 --> 00:35:04,603
EVERYTHING THAT WENT
ON IN THAT ROOM.
719
00:35:04,603 --> 00:35:05,871
I MEAN, WHAT IF...
720
00:35:05,871 --> 00:35:07,038
WHAT IF
HE DID RAPE HER?
721
00:35:07,038 --> 00:35:09,475
THAT'S NOT FUNNY,
DERRICK.
722
00:35:09,475 --> 00:35:11,243
HEY, I WAS LOADED,
MARIE WAS THROWING UP,
723
00:35:11,243 --> 00:35:13,579
AND BEAU SHUT THE DOOR.
724
00:35:13,579 --> 00:35:16,415
YOU SAID YOU WERE CERTAIN
THERE WASN'T ANY SEX.
725
00:35:16,415 --> 00:35:19,585
WELL, I'M ALMOST
CERTAIN. 80%.
726
00:35:19,585 --> 00:35:20,552
Travis: WOW.
727
00:35:20,552 --> 00:35:21,720
WHEN FACT SHIFTS
WITH PERCEPTION--
728
00:35:21,720 --> 00:35:23,822
I COULD TRACK THIS
ALGORITHMICALLY.
729
00:35:23,822 --> 00:35:25,824
TRAVIS, HE LIED TO US!
730
00:35:26,825 --> 00:35:29,495
I DIDN'T LIE, OK? I
MAY HAVE MADE A MISTAKE.
731
00:35:29,495 --> 00:35:32,063
DERRICK, THE WHOLE POINT
WAS YOU KNEW FOR SURE
732
00:35:32,063 --> 00:35:33,565
THEY DIDN'T HAVE SEX.
733
00:35:33,565 --> 00:35:35,133
WELL, I'M SORRY,
ALL RIGHT?
734
00:35:35,133 --> 00:35:36,602
I SCREWED UP.
735
00:35:36,602 --> 00:35:38,170
TRAV?
736
00:35:38,170 --> 00:35:39,905
THIS--THIS IS A MESS.
737
00:35:39,905 --> 00:35:41,307
WE--WE NEED TO GO
TO THE COPS,
738
00:35:41,307 --> 00:35:42,908
WE NEED TO TELL SOMEONE
WHAT WE DID--
739
00:35:42,908 --> 00:35:44,976
NO. WHOA. HA HA! JONES,
740
00:35:44,976 --> 00:35:46,111
CALM DOWN, ALL RIGHT?
741
00:35:46,111 --> 00:35:47,379
NOW THINK
FOR A MINUTE.
742
00:35:47,379 --> 00:35:48,647
WHAT IF HE DID
RAPE HER?
743
00:35:48,647 --> 00:35:50,282
I MEAN,
SHE'S SAYING HE DID.
744
00:35:50,282 --> 00:35:52,218
SO IF WE GO TELL
EVERYONE THIS IS A HOAX,
745
00:35:52,218 --> 00:35:53,585
HE'LL GET AWAY WITH IT.
746
00:35:54,386 --> 00:35:55,721
IS THAT WHAT YOU WANT?
747
00:35:58,557 --> 00:36:00,726
ALL I'M SAYING IS IF
SHE FILED A COMPLAINT,
748
00:36:00,726 --> 00:36:02,628
THEN MAYBE SHE KNOWS
SOMETHING WE DON'T.
749
00:36:02,628 --> 00:36:03,995
IF HE DID IT,
YOU KNOW WHAT?
750
00:36:03,995 --> 00:36:05,030
POLICE ARE GONNA
FIND THE EVIDENCE.
751
00:36:05,030 --> 00:36:06,898
IF HE DIDN'T...
NO HARM DONE.
752
00:36:06,898 --> 00:36:09,167
WE SHOULD JUST...WE
SHOULD JUST KEEP QUIET.
753
00:36:09,167 --> 00:36:10,202
Travis: YEAH.
754
00:36:10,202 --> 00:36:12,070
DON'T WORRY
ABOUT IT.
755
00:36:12,070 --> 00:36:13,639
THE POLICE KNOW
WHAT THEY'RE DOING,
756
00:36:13,639 --> 00:36:15,073
RIGHT?
757
00:36:15,073 --> 00:36:17,709
[SOFT ROCK MUSIC
PLAYING]
758
00:36:23,849 --> 00:36:25,451
THANKS A LOT.
759
00:36:30,856 --> 00:36:32,023
DON'T DO IT, MAN.
760
00:36:32,023 --> 00:36:33,225
NAOMI.
761
00:36:34,226 --> 00:36:36,628
BEAU'S HERE.
762
00:36:36,628 --> 00:36:37,763
WHAT?
763
00:36:39,898 --> 00:36:41,166
I'LL TALK TO HIM.
764
00:36:41,166 --> 00:36:43,269
NAOMI. NAOMI,
I NEED TO TALK TO YOU.
765
00:36:43,269 --> 00:36:44,536
GO AWAY.
766
00:36:44,536 --> 00:36:46,204
WHATEVER IT IS
THAT YOU THINK I DID,
767
00:36:46,204 --> 00:36:47,373
I DON'T KNOW WHY YOU
THINK THAT. I DIDN'T--
768
00:36:47,373 --> 00:36:49,140
I'M TALKING TO HER!
DO YOU MIND?
769
00:36:49,140 --> 00:36:50,376
YEAH, I DO MIND!
770
00:36:50,376 --> 00:36:52,711
HEY, COME ON.
771
00:36:54,980 --> 00:36:57,283
WHAT THE HELL--
GET OFF OF ME!
772
00:36:57,283 --> 00:36:58,717
NAOMI!
773
00:36:58,717 --> 00:36:59,551
HEY, BEAU!
774
00:36:59,551 --> 00:37:02,421
EVERYBODY KNOWS
WHAT YOU DID.
775
00:37:02,421 --> 00:37:04,956
GET YOUR HANDS OFF! COME ON,
GET YOUR HANDS OFF OF ME.
776
00:37:16,368 --> 00:37:19,070
WITNESSES SAY HE WAS
BRAGGING ABOUT IT.
777
00:37:19,070 --> 00:37:20,539
HIS INTERVIEWS,
HE'S MAKING NOISE
778
00:37:20,539 --> 00:37:22,574
THAT SHE SAID NO
BUT MEANT YES.
779
00:37:22,574 --> 00:37:24,443
THE RAPE KIT
IS INCONCLUSIVE.
780
00:37:24,443 --> 00:37:25,744
WELL, AS IT TURNS OUT,
781
00:37:25,744 --> 00:37:27,646
THIS GIRL COULDN'T
BE MORE HOOKED UP.
782
00:37:27,646 --> 00:37:29,348
HER UNCLE'S
A CITY COUNCILMAN,
783
00:37:29,348 --> 00:37:31,249
FRIEND OF THE MAYOR
WHO CALLED ME PERSONALLY
784
00:37:31,249 --> 00:37:33,084
TO FIND OUT HOW
THIS INVESTIGATION'S GOING.
785
00:37:33,084 --> 00:37:34,920
WHAT DO YOU
WANT ME TO DO?
786
00:37:39,257 --> 00:37:40,859
[ROCK MUSIC PLAYING]
787
00:37:44,696 --> 00:37:45,897
OK, PEOPLE,
788
00:37:45,897 --> 00:37:47,666
LIKE EVERYTHING ELSE
IN AMERICA TODAY,
789
00:37:47,666 --> 00:37:51,670
THIS REVOLUTION...
WILL BE TELEVISED.
790
00:37:51,670 --> 00:37:52,771
SO, WHAT...
791
00:37:52,771 --> 00:37:54,540
NOW WE'RE SUPPOSED
TO HAVE SOME BIG DEBATE
792
00:37:54,540 --> 00:37:56,608
ON "OH,
WOMEN ARE VICTIMS,
793
00:37:56,608 --> 00:37:58,710
TAKE NO RESPONSIBILITY
FOR YOUR SEXUALITY"?
794
00:37:58,710 --> 00:38:00,912
NOW, BE FAIR.
THAT'S NOT AN ARGUMENT.
795
00:38:00,912 --> 00:38:03,382
THAT'S SIMPLY
POSTFEMINIST BACKLASH.
796
00:38:03,382 --> 00:38:04,883
YEAH.
YEAH, RIGHT.
797
00:38:13,559 --> 00:38:16,628
LIKE, BECAUSE I HAVE A COCK,
THAT MEANS I'M A RAPIST.
798
00:38:16,628 --> 00:38:18,997
YEAH...WE'RE
JUST A BUNCH
799
00:38:18,997 --> 00:38:20,432
OF HYSTERICAL
BITCHES.
800
00:38:20,432 --> 00:38:21,900
YOU SAID IT, NOT ME.
801
00:38:28,540 --> 00:38:29,741
EVER SINCE
THEY LET US VOTE,
802
00:38:29,741 --> 00:38:31,510
YOU GUYS HAVE TO DEAL
WITH THE FACT
803
00:38:31,510 --> 00:38:33,412
THAT WE CAN ACTUALLY TALK.
804
00:38:33,412 --> 00:38:34,680
SO WHO GAVE 'EM
THE VOTE ANYWAY?
805
00:38:34,680 --> 00:38:36,314
WHEN AND HOW
DID THAT HAPPEN?
806
00:38:36,314 --> 00:38:37,883
[CHEERING]
807
00:38:38,750 --> 00:38:41,219
WAIT, WAIT. LIKE MEN
DO SUCH A GREAT JOB
808
00:38:41,219 --> 00:38:42,220
RUNNING THE SHOW, OK?
809
00:38:42,220 --> 00:38:43,389
UP TO YOU GUYS,
810
00:38:43,389 --> 00:38:45,457
THE WHOLE PLANET
WOULD BE NUKED BY NOW.
811
00:38:45,457 --> 00:38:47,058
[LAUGHING]
812
00:38:52,531 --> 00:38:55,300
WHAT I WANNA KNOW, IF THIS
IS SUCH A TERRIBLE THING,
813
00:38:55,300 --> 00:38:57,302
HOW COME IT HASN'T BEEN
IN THE NEWSPAPER?
814
00:38:57,302 --> 00:38:58,670
OK, NOW THERE'S
A REAL QUESTION.
815
00:38:58,670 --> 00:39:00,772
ANYBODY WANT
TO ADDRESS IT?
816
00:39:01,973 --> 00:39:04,610
MISS JONES, MAYBE
YOU HAVE AN OPINION.
817
00:39:11,450 --> 00:39:13,819
BUT IT'S JUST GOSSIP
RIGHT NOW, ISN'T IT?
818
00:39:30,335 --> 00:39:31,570
Naomi: WHO IS IT?
819
00:39:31,570 --> 00:39:33,472
IT'S CATHY JONES.
820
00:39:33,472 --> 00:39:35,106
I'M IN YOUR CALC CLASS.
821
00:39:38,276 --> 00:39:39,611
HI.
822
00:39:39,611 --> 00:39:41,913
UH, CAN I COME IN?
823
00:39:41,913 --> 00:39:44,149
JUST FOR A SECOND.
824
00:39:55,260 --> 00:39:56,795
TAKING A BREAK?
825
00:39:57,796 --> 00:39:59,364
CAN I...
826
00:39:59,364 --> 00:40:00,832
I DON'T USUALLY DRINK.
827
00:40:00,832 --> 00:40:02,167
I JUST, UH...
828
00:40:02,167 --> 00:40:03,401
IT'S BEEN...
829
00:40:03,401 --> 00:40:04,570
REALLY...
830
00:40:04,570 --> 00:40:07,072
EVERYBODY KNOWS
WHAT'S BEEN GOING ON.
831
00:40:16,782 --> 00:40:18,884
IT'S WEIRD, YOU KNOW.
PEOPLE YOU BARELY KNOW
832
00:40:18,884 --> 00:40:20,852
KNOWING SO MUCH
ABOUT YOUR LIFE.
833
00:40:24,523 --> 00:40:26,525
YOU KNOW, I--
I WANTED TO ASK.
834
00:40:26,525 --> 00:40:27,959
I KNOW IT'S NONE
OF MY BUSINESS,
835
00:40:27,959 --> 00:40:29,160
BUT, UH...
836
00:40:29,160 --> 00:40:31,663
ARE YOU SURE ABOUT WHAT
HAPPENED AT THAT PARTY?
837
00:40:31,663 --> 00:40:32,698
TO YOU, I MEAN.
838
00:40:32,698 --> 00:40:33,999
ARE YOU
A FRIEND OF BEAU'S?
839
00:40:33,999 --> 00:40:35,734
NO. HA!
840
00:40:35,734 --> 00:40:37,235
NO, I DON'T
EVEN KNOW HIM.
841
00:40:37,235 --> 00:40:39,671
I HEARD HE WAS
ARRESTED TODAY.
842
00:40:39,671 --> 00:40:41,039
WELL, HE SHOULD BE.
843
00:40:41,039 --> 00:40:43,208
HE SHOULD BE ARRESTED
FOR WHAT HE DID.
844
00:40:43,208 --> 00:40:46,077
YOU KNOW, IT'S WEIRD,
YOU COMING HERE AND...
845
00:40:46,077 --> 00:40:49,481
I DON'T KNOW. I THOUGHT
YOU NEVER LIKED ME.
846
00:40:50,381 --> 00:40:52,417
WELL, NAOMI...
847
00:40:52,417 --> 00:40:54,152
GOODWIN
AT THE PLAZA.
848
00:40:54,152 --> 00:40:55,420
WHAT?
849
00:40:55,420 --> 00:40:57,889
AT FISKER'S PARTY,
YOU TOLD SHEILA.
850
00:40:59,525 --> 00:41:01,359
THERE WAS A RUMOR
GOING AROUND
851
00:41:01,359 --> 00:41:03,595
ABOUT ME AND
PROFESSOR GOODWIN.
852
00:41:04,563 --> 00:41:06,197
AND YOU DON'T KNOW
ANYTHING ABOUT THAT,
853
00:41:06,197 --> 00:41:07,198
DO YOU?
854
00:41:07,198 --> 00:41:09,000
NO.
855
00:41:10,168 --> 00:41:11,870
WELL, I DON'T KNOW
856
00:41:11,870 --> 00:41:13,271
WHY WE'VE NEVER
REALLY TALKED.
857
00:41:13,271 --> 00:41:15,106
I GUESS MAYBE...
858
00:41:15,106 --> 00:41:17,909
I WAS INTIMIDATED
BY THE MONT BLANC.
859
00:41:21,680 --> 00:41:24,049
WHERE ARE YOU FROM,
CATHY?
860
00:41:25,050 --> 00:41:26,818
CALL ME JONES.
861
00:41:26,818 --> 00:41:28,587
I'M FROM,
UH, MASSACHUSETTS,
862
00:41:28,587 --> 00:41:29,621
PLYMOUTH.
863
00:41:29,621 --> 00:41:31,957
OH. LIKE
THE MAYFLOWER.
864
00:41:34,626 --> 00:41:35,861
YEAH. YEAH, I KNOW,
865
00:41:35,861 --> 00:41:37,395
IT'S A GREAT SOURCE
OF AMUSEMENT
866
00:41:37,395 --> 00:41:38,630
TO ONE OF MY ROOMMATES.
867
00:41:38,630 --> 00:41:39,898
AND WHY IS THAT?
868
00:41:39,898 --> 00:41:41,733
I DON'T KNOW. I MEAN,
HE'S FROM DANBURY--
869
00:41:41,733 --> 00:41:43,535
I'M FROM DANBURY.
870
00:41:43,535 --> 00:41:45,036
WHAT'S HIS NAME?
MAYBE I KNOW HIM.
871
00:41:45,036 --> 00:41:47,539
UH, I DON'T THINK SO.
DERRICK WEBB?
872
00:41:52,043 --> 00:41:54,680
IS THIS SOME KIND
OF SICK JOKE?
873
00:41:54,680 --> 00:41:56,514
NAOMI--
GET OUT OF HERE!
874
00:41:56,514 --> 00:41:57,983
GET OUT!
875
00:42:19,705 --> 00:42:21,306
Derrick: SHE SAID WHAT?
876
00:42:21,306 --> 00:42:22,874
SHE KNOWS YOU,
DERRICK.
877
00:42:22,874 --> 00:42:24,643
OK, WELL, THAT'S
NEWS TO ME, JONES.
878
00:42:24,643 --> 00:42:26,477
YOU WENT TO
THE SAME HIGH SCHOOL!
879
00:42:26,477 --> 00:42:27,813
WELL, IT WAS A BIG SCHOOL,
YOU KNOW.
880
00:42:27,813 --> 00:42:29,480
WE MIGHT'VE PASSED
EACH OTHER IN THE HALL.
881
00:42:29,480 --> 00:42:31,449
I MENTIONED YOUR NAME,
SHE GOES CRAZY!
882
00:42:31,449 --> 00:42:32,718
YOU KNOW HER,
YOU ASSHOLE!
883
00:42:32,718 --> 00:42:33,919
YOU KNOW WHAT, IF YOU
WOULD CALM DOWN A BIT,
884
00:42:33,919 --> 00:42:36,187
WE MIGHT BE ABLE
TO FIGURE THIS OUT.
885
00:42:41,993 --> 00:42:44,529
SO BEAUTIFUL
WHEN YOU GET MAD.
886
00:42:44,529 --> 00:42:46,598
DERRICK.
887
00:42:47,398 --> 00:42:49,400
I'M SORRY.
888
00:42:49,400 --> 00:42:52,638
I'M JUST...
I'M NOT IMMUNE, OK?
889
00:42:52,638 --> 00:42:54,505
YOU ACTED LIKE YOU
NEVER HEARD OF HER.
890
00:42:54,505 --> 00:42:56,541
ALL RIGHT, LISTEN.
LISTEN TO ME.
891
00:42:56,541 --> 00:42:57,943
LISTEN TO ME.
892
00:42:57,943 --> 00:42:59,945
PEOPLE TEND
TO REMEMBER ME.
893
00:42:59,945 --> 00:43:02,914
AND YOU KNOW WHAT? I
DON'T ALWAYS REMEMBER THEM.
894
00:43:02,914 --> 00:43:06,551
SO...MAYBE OUR PARENTS
KNEW EACH OTHER OR SOMETHING.
895
00:43:06,551 --> 00:43:08,153
I MEAN, DID SHE
SAY ANYTHING?
896
00:43:08,153 --> 00:43:09,187
SHE JUST LOST IT.
897
00:43:09,187 --> 00:43:11,589
I DON'T KNOW WHAT
THAT'S ABOUT, HONESTLY.
898
00:43:11,589 --> 00:43:12,758
I DON'T KNOW.
899
00:43:12,758 --> 00:43:14,860
DON'T MESS WITH ME,
DERRICK, NOT NOW.
900
00:43:14,860 --> 00:43:16,862
JONES, NOT WITH YOU.
901
00:43:19,130 --> 00:43:21,032
YOU SWEAR?
902
00:43:22,133 --> 00:43:23,735
NOT WITH YOU.
903
00:43:28,840 --> 00:43:30,776
NOT NOW, DERRICK. NO.
904
00:43:31,576 --> 00:43:33,311
WHEN?
905
00:43:35,113 --> 00:43:36,648
WHEN?
906
00:45:06,872 --> 00:45:09,107
Derrick: PEOPLE
TEND TO REMEMBER ME.
907
00:45:09,107 --> 00:45:11,777
AND YOU KNOW WHAT? I
DON'T ALWAYS REMEMBER THEM.
908
00:45:13,144 --> 00:45:14,679
Naomi: WHAT'S HIS NAME?
MAYBE I KNOW HIM.
909
00:45:14,679 --> 00:45:16,681
Jones: I DON'T THINK SO.
DERRICK WEBB?
910
00:45:16,681 --> 00:45:19,417
IS THIS SOME KIND
OF SICK JOKE?
911
00:45:19,417 --> 00:45:21,887
NAOMI--
GET OUT OF HERE!
912
00:47:29,414 --> 00:47:31,282
SON OF A BITCH.
913
00:47:42,994 --> 00:47:44,229
HI. UH, I'M LOOKING
FOR A STUDENT
914
00:47:44,229 --> 00:47:45,931
WHO MAY OR MAY NOT
HAVE GRADUATED
915
00:47:45,931 --> 00:47:47,198
A COUPLE
OF YEARS AGO.
916
00:47:47,198 --> 00:47:48,967
SURE. WHAT'S, UH,
WHAT'S THE STUDENT'S NAME?
917
00:47:48,967 --> 00:47:51,402
UH, NAOMI PRESTON.
918
00:47:51,402 --> 00:47:53,471
UH, I'M SORRY.
919
00:47:53,471 --> 00:47:55,540
WE CAN'T GIVE OUT
INFORMATION ON ANY STUDENTS,
920
00:47:55,540 --> 00:47:56,607
PRESENT OR PAST.
921
00:47:56,607 --> 00:47:57,909
WHAT?
922
00:48:09,955 --> 00:48:11,156
EXCUSE ME.
923
00:48:11,156 --> 00:48:13,024
I CAN'T TALK
TO YOU.
924
00:48:13,024 --> 00:48:15,226
I'M TRYING TO HELP
NAOMI PRESTON.
925
00:48:15,226 --> 00:48:17,095
HOW'D YOU HEAR
ABOUT THAT ANYWAY?
926
00:48:17,095 --> 00:48:18,863
NO ONE'S TALKED ABOUT
THAT IN A LONG TIME.
927
00:48:18,863 --> 00:48:20,665
I JUST HEARD
ABOUT IT.
928
00:48:20,665 --> 00:48:22,267
WELL, I DON'T KNOW
HOW YOU DID.
929
00:48:22,267 --> 00:48:24,936
DIDN'T EVEN MAKE
THE PAPERS HERE.
930
00:48:27,605 --> 00:48:29,074
THE RICH PEOPLE.
931
00:48:30,075 --> 00:48:31,909
I GUESS IF YOU HAVE
ENOUGH MONEY,
932
00:48:31,909 --> 00:48:33,478
YOU CAN MAKE JUST
ANYTHING GO AWAY.
933
00:48:33,478 --> 00:48:36,047
YOU GOT THAT RIGHT.
934
00:48:36,881 --> 00:48:39,084
THE STORIES I COULD TELL.
935
00:48:39,985 --> 00:48:42,153
AH, THE WAY
THESE KIDS BEHAVE.
936
00:48:42,153 --> 00:48:44,422
NO CONSEQUENCES
FOR ANY OF THEM.
937
00:48:44,422 --> 00:48:47,058
SO CAN YOU, UH, TELL ME
WHAT DID HAPPEN?
938
00:48:53,031 --> 00:48:55,566
[ROCK 'N' ROLL MUSIC
PLAYING]
939
00:48:55,566 --> 00:49:01,672
* EVERYBODY KNOWS,
YOU BLEW IT *
940
00:49:01,672 --> 00:49:05,076
* EVERYBODY KNOWS,
EVERYBODY KNOWS *
941
00:49:05,076 --> 00:49:07,912
* EVERYBODY KNOWS
YOU COULD HIDE *
942
00:49:07,912 --> 00:49:09,714
TRAVIS, I REALLY NEED
TO TALK TO YOU.
943
00:49:09,714 --> 00:49:11,316
YEAH, IN A MINUTE.
944
00:49:15,486 --> 00:49:17,288
NOW, TRAVIS.
945
00:49:19,090 --> 00:49:21,226
HE RAPED NAOMI PRESTON
IN HIGH SCHOOL,
946
00:49:21,226 --> 00:49:23,528
AND THEN HE USED US
TO DO IT AGAIN.
947
00:49:28,199 --> 00:49:30,068
I THINK WE COULD
USE A DRINK.
948
00:49:30,068 --> 00:49:31,802
DON'T TRY AND
DENY IT, DERRICK.
949
00:49:31,802 --> 00:49:33,104
I WENT TO DANBURY.
950
00:49:33,104 --> 00:49:35,073
OH, SO WE'RE BACK
TO MURDER, SHE WROTE.
951
00:49:35,073 --> 00:49:36,241
I TALKED TO SOMEONE
WHO WAS THERE.
952
00:49:36,241 --> 00:49:37,308
I HEARD
THE WHOLE STORY.
953
00:49:37,308 --> 00:49:38,843
SOMEONE WHO WAS THERE?
954
00:49:38,843 --> 00:49:39,977
WHICH WOULD BE WHO?
955
00:49:39,977 --> 00:49:41,679
A TYPIST.
956
00:49:43,648 --> 00:49:45,483
SHE WORKED AT THE SCHOOL
FOR A LONG TIME.
957
00:49:45,483 --> 00:49:47,285
SHE--SHE SAID SHE KNEW
EVERYTHING ABOUT YOU.
958
00:49:47,285 --> 00:49:48,719
SO YOU HEARD IT
IN PASSING
959
00:49:48,719 --> 00:49:50,055
FROM A COMPLETE STRANGER
960
00:49:50,055 --> 00:49:51,756
AND DECIDED
IT HAD TO BE TRUE.
961
00:49:51,756 --> 00:49:53,491
TELL ME WHAT YOU DID!
962
00:49:53,491 --> 00:49:56,561
OK, NAOMI AND I WERE
TOGETHER, ALL RIGHT?
963
00:49:59,264 --> 00:50:00,531
I SHOULD
HAVE TOLD YOU.
964
00:50:00,531 --> 00:50:02,633
AND ONE NIGHT, IT WAS
FINALLY THE RIGHT TIME
965
00:50:02,633 --> 00:50:05,103
FOR BOTH OF US,
AFTER WAITING FOR YEARS.
966
00:50:05,103 --> 00:50:06,604
AND SHE WANTED TO.
967
00:50:06,604 --> 00:50:10,108
WE WERE BOTH READY, AND
IT--IT WAS WONDERFUL.
968
00:50:12,110 --> 00:50:14,412
AND THEN SOMEHOW, I
DON'T KNOW, SHE FREAKED.
969
00:50:14,412 --> 00:50:15,513
I MEAN, YOU MET HER,
JONES.
970
00:50:15,513 --> 00:50:16,947
SHE'S NOT THE MOST
STABLE PERSON.
971
00:50:16,947 --> 00:50:18,449
YOU RAPED HER.
972
00:50:18,449 --> 00:50:20,985
I SWEAR TO YOU,
NO MATTER WHAT SHE SAYS,
973
00:50:20,985 --> 00:50:22,287
JONES, IT WAS NOT RAPE.
974
00:50:22,287 --> 00:50:24,255
GENERALLY, WOMEN
ARE PERFECTLY HAPPY
975
00:50:24,255 --> 00:50:26,091
TO SLEEP WITH ME.
976
00:50:26,091 --> 00:50:28,093
OR ARE YOU HAVING
SECOND THOUGHTS, TOO?
977
00:50:28,093 --> 00:50:31,429
THAT'S NOT
AN ANSWER, DERRICK.
978
00:50:34,732 --> 00:50:37,001
WAIT.
979
00:50:37,001 --> 00:50:39,437
I'M SURE HE HAS
AN EXPLANATION.
980
00:50:39,437 --> 00:50:41,672
RIGHT?
981
00:50:41,672 --> 00:50:43,441
THANKS, TRAVIS.
982
00:50:43,441 --> 00:50:46,177
AT LEAST ONE PERSON
HAS AN OPEN MIND.
983
00:50:50,481 --> 00:50:53,884
NAOMI IS YOUR CLASSIC
POOR LITTLE RICH GIRL.
984
00:50:53,884 --> 00:50:56,053
OK? SHE'S DESPERATE
TO GROW UP
985
00:50:56,053 --> 00:50:57,722
AND ACTUALLY
BECOME A WOMAN.
986
00:50:57,722 --> 00:50:58,956
BUT THEN SHE'S AFRAID
987
00:50:58,956 --> 00:51:01,459
THAT DADDY'S GONNA
FIND OUT ABOUT IT.
988
00:51:01,459 --> 00:51:04,362
AND I CAN DEAL
WITH THAT.
989
00:51:04,362 --> 00:51:07,465
BUT THEN SHE DECIDED
TO RUIN MY LIFE.
990
00:51:10,168 --> 00:51:12,170
EVERYONE IN MY HOMETOWN
991
00:51:12,170 --> 00:51:14,505
THINKS I'M A RAPIST.
992
00:51:15,673 --> 00:51:17,108
AND I'M--
993
00:51:19,177 --> 00:51:22,880
MY FAMILY
WON'T EVEN SPEAK TO ME.
994
00:51:22,880 --> 00:51:25,250
"HERE'S THE TRUST FUND,
DERRICK.
995
00:51:25,250 --> 00:51:27,652
STAY OUT OF OUR LIVES."
996
00:51:27,652 --> 00:51:29,620
WHY THAT RUMOR?
997
00:51:29,620 --> 00:51:32,890
LISTEN, I ADMIT SPREADING
THAT PARTICULAR RUMOR
998
00:51:32,890 --> 00:51:34,225
WASN'T THE NICEST THING
TO DO.
999
00:51:34,225 --> 00:51:35,860
I HAVE SOME ANGER, OK?
1000
00:51:35,860 --> 00:51:37,795
I WANTED TO HURT HER.
1001
00:51:37,795 --> 00:51:40,231
YOU SAY THAT LIKE IT'S OK
TO WANT TO HURT PEOPLE.
1002
00:51:40,231 --> 00:51:42,367
JONES, YOU DIDN'T
EXACTLY SPREAD THAT RUMOR
1003
00:51:42,367 --> 00:51:44,669
OUT OF THE GOODNESS
OF YOUR HEART, OK?
1004
00:51:44,669 --> 00:51:45,603
I MEAN, AS I RECALL,
1005
00:51:45,603 --> 00:51:46,971
YOU THOUGHT THE IDEA
OF HURTING NAOMI
1006
00:51:46,971 --> 00:51:48,105
WAS KIND
OF ENTERTAINING.
1007
00:51:48,105 --> 00:51:50,241
COME ON, MAN,
THIS IS WHAT YOU DID.
1008
00:51:50,241 --> 00:51:52,577
TRAVIS, YOU DID IT, TOO.
1009
00:51:59,750 --> 00:52:03,020
[SIGHS] LOOK...
1010
00:52:03,020 --> 00:52:04,722
NONE OF US
INTENDED FOR THIS
1011
00:52:04,722 --> 00:52:06,123
TO GO AS FAR AS IT DID.
1012
00:52:06,123 --> 00:52:09,126
BUT THAT IS SIMPLY
NOT OUR FAULT.
1013
00:52:09,126 --> 00:52:11,529
NOW, WAS THE WHOLE THING
A MISTAKE?
1014
00:52:11,529 --> 00:52:13,398
MAYBE.
1015
00:52:13,398 --> 00:52:16,000
YOU KNOW WHAT?
WE'RE IN COLLEGE.
1016
00:52:16,000 --> 00:52:17,368
WE'RE YOUNG.
1017
00:52:17,368 --> 00:52:19,704
THESE ARE THE TIMES YOU
SHOULD BE MAKING MISTAKES.
1018
00:52:19,704 --> 00:52:22,006
THIS IS THE PROBLEM
WITH YOUR POSITION
1019
00:52:22,006 --> 00:52:23,374
ABOUT BEING NICE, JONES.
1020
00:52:23,374 --> 00:52:25,743
NICE PEOPLE
DON'T LIVE LIFE.
1021
00:52:25,743 --> 00:52:27,578
I DON'T WANT TO GO
THROUGH ALL MY DAYS
1022
00:52:27,578 --> 00:52:29,113
BEING ALL SWEET
AND POLITE
1023
00:52:29,113 --> 00:52:30,981
AND THEN REALIZE
WHEN I'M 80,
1024
00:52:30,981 --> 00:52:33,351
I'M JUST SOME NICE,
DEAD PERSON.
1025
00:52:41,091 --> 00:52:43,628
TRAVIS, COME ON.
1026
00:52:51,168 --> 00:52:53,238
[WHISPERING]
I don't know.
1027
00:53:06,016 --> 00:53:07,685
A COUPLE OF US,
1028
00:53:07,685 --> 00:53:10,187
I MEAN,
I--I SPREAD A RUMOR
1029
00:53:10,187 --> 00:53:11,856
ABOUT BEAU AND NAOMI.
1030
00:53:11,856 --> 00:53:14,925
I--I SAID THEY HAD SEX
DURING A PARTY AND, UH,
1031
00:53:14,925 --> 00:53:17,562
SHE--SHE KNEW
SHE HADN'T,
1032
00:53:17,562 --> 00:53:21,966
SO, SHE THOUGHT
WHAT ANYONE MIGHT THINK.
1033
00:53:21,966 --> 00:53:24,269
UH, IT DIDN'T
REALLY HAPPEN.
1034
00:53:25,436 --> 00:53:27,472
I JUST SAID IT DID.
1035
00:53:27,472 --> 00:53:29,139
THAT'S NOT MUCH
OF A STORY, CATHY.
1036
00:53:29,139 --> 00:53:31,242
IF YOU WANT TO HELP BEAU,
YOU'RE GONNA HAVE TO DO BETTER
1037
00:53:31,242 --> 00:53:32,610
THAN "I MADE IT ALL UP."
1038
00:53:32,610 --> 00:53:34,312
I--I'M NOT
DOING THIS FOR BEAU.
1039
00:53:34,312 --> 00:53:36,146
I DON'T EVEN KNOW HIM.
HE'S JUST A SIDE EFFECT.
1040
00:53:36,146 --> 00:53:37,315
THAT'S NOT WHAT I HEARD.
1041
00:53:37,315 --> 00:53:39,049
I HEARD THAT YOU HAD
A CRUSH ON HIM.
1042
00:53:39,049 --> 00:53:41,419
NO, I DON'T.
1043
00:53:41,419 --> 00:53:43,988
HAVE YOU EVER HEARD OF
OBSTRUCTION OF JUSTICE, CATHY?
1044
00:53:43,988 --> 00:53:46,691
IMPEDING AN INVESTIGATION?
1045
00:53:46,691 --> 00:53:47,792
THAT'S NOT--
1046
00:53:47,792 --> 00:53:48,726
LISTEN TO ME.
1047
00:53:48,726 --> 00:53:50,561
BECAUSE I'M NOT
A COMPLETE ASSHOLE,
1048
00:53:50,561 --> 00:53:52,897
I'M GOING TO FORGET THAT
WE HAD THIS CONVERSATION.
1049
00:53:52,897 --> 00:53:55,199
BUT IF YOU START
SPREADING THIS AROUND,
1050
00:53:55,199 --> 00:53:57,568
I WILL NOT
LOOK KINDLY ON IT.
1051
00:54:02,640 --> 00:54:04,909
DIDN'T GO
SO GOOD, HUH?
1052
00:54:06,143 --> 00:54:08,279
SEE, THAT'S
THE THING, JONES.
1053
00:54:08,279 --> 00:54:11,015
I LIE MUCH BETTER
THAN YOU TELL THE TRUTH.
1054
00:54:25,663 --> 00:54:27,398
TRAVIS,
WE HAVE TO TALK.
1055
00:54:27,398 --> 00:54:28,699
OH, JONES,
I WAS JUST, UH--
1056
00:54:28,699 --> 00:54:30,468
WE HAVE
TO TELL SOMEBODY.
1057
00:54:30,468 --> 00:54:33,170
YOU AND ME. I CAN'T
DO THIS ALONE.
1058
00:54:33,170 --> 00:54:35,072
MAYBE IT'LL
JUST BLOW OVER.
1059
00:54:35,072 --> 00:54:37,274
IT'S NOT GONNA
BLOW OVER.
1060
00:54:37,274 --> 00:54:39,076
IF WE DON'T DO
THE RIGHT THING--
1061
00:54:39,076 --> 00:54:40,277
WHAT'S THE MATTER
WITH YOU, HUH?
1062
00:54:40,277 --> 00:54:42,179
YOU WANT TO TURN
ON DERRICK?
1063
00:54:42,179 --> 00:54:44,682
AFTER EVERYTHING
HE'S DONE FOR YOU?
1064
00:54:44,682 --> 00:54:47,585
YOU ARE NOTHING WITHOUT HIM,
YOU KNOW THAT?
1065
00:54:48,919 --> 00:54:50,455
YOU'RE PATHETIC.
1066
00:54:58,663 --> 00:55:02,333
NAOMI, IT'S CATHY.
CATHY JONES.
1067
00:55:03,133 --> 00:55:05,970
NO, PLEASE,
DON'T HANG UP.
1068
00:55:05,970 --> 00:55:07,104
NAOMI--
1069
00:55:07,104 --> 00:55:08,473
[DIAL TONE]
1070
00:55:23,320 --> 00:55:25,656
GO AWAY.
1071
00:55:33,998 --> 00:55:36,333
LISTEN, JONES,
1072
00:55:36,333 --> 00:55:39,203
YOU MAY NOT
BELIEVE THIS...
1073
00:55:39,203 --> 00:55:42,407
BUT I'M SORRY
YOU'RE HURTING.
1074
00:55:43,908 --> 00:55:45,810
I'M A CYNICAL GUY,
1075
00:55:45,810 --> 00:55:47,812
AND IT'S OBVIOUSLY
NO BIG SURPRISE TO ME
1076
00:55:47,812 --> 00:55:50,848
THAT NOBODY CARES
ABOUT THE TRUTH.
1077
00:55:50,848 --> 00:55:53,350
BUT I KNOW
IT'S HARD ON YOU.
1078
00:55:54,619 --> 00:55:59,089
AND I'M NOT PROUD TO BE
THE ONE WHO TAUGHT YOU THAT.
1079
00:55:59,089 --> 00:56:01,992
PLEASE DON'T TALK
TO ME.
1080
00:56:12,770 --> 00:56:14,238
[WHISPERING]
Jones, I mean it.
1081
00:56:14,238 --> 00:56:16,040
[SIGHS]
1082
00:56:26,283 --> 00:56:29,119
[CHUCKLES]
1083
00:56:33,424 --> 00:56:36,427
YOU'RE WIPING MY EYES
WITH A COCKTAIL NAPKIN.
1084
00:56:37,528 --> 00:56:39,797
OK, NOW HOW
APPROPRIATE IS THAT?
1085
00:56:39,797 --> 00:56:41,532
[LAUGHTER]
1086
00:56:42,900 --> 00:56:44,869
YOU KNOW...
1087
00:56:46,136 --> 00:56:48,673
WHAT DO I CARE ABOUT
NAOMI PRESTON, RIGHT?
1088
00:56:48,673 --> 00:56:52,109
I MEAN, I'M NOT RUINING
MY LIFE FOR HER.
1089
00:56:52,109 --> 00:56:53,911
THAT'S MY GIRL.
1090
00:56:55,112 --> 00:56:58,182
YOU KNOW WHAT'S FUNNY IS
SHE'S NEVER GONNA EVEN KNOW.
1091
00:56:58,182 --> 00:57:02,119
ALL THIS HAPPENED AND
SHE'S NEVER GONNA EVEN KNOW.
1092
00:57:17,735 --> 00:57:21,171
BEAU. HOW WAS JAIL?
1093
00:57:37,387 --> 00:57:39,456
I HEARD WHAT
YOU DID, ASSHOLE.
1094
00:57:39,456 --> 00:57:40,991
WHAT ARE YOU
TALKING ABOUT?
1095
00:57:42,627 --> 00:57:43,928
YOU RAPED NAOMI.
1096
00:57:43,928 --> 00:57:45,395
WAIT. WHAT IF
IT'S NOT TRUE?
1097
00:57:45,395 --> 00:57:47,364
WHAT DO YOU EM--
YOU HEARD I RAPED HER?
1098
00:57:47,364 --> 00:57:48,365
YEAH.
1099
00:57:48,365 --> 00:57:50,200
WAIT! WAIT.
1100
00:57:51,335 --> 00:57:52,937
IS IT TRUE
YOU RAPED HER?
1101
00:57:54,371 --> 00:57:56,641
THE GIRL HAS
A VERACITY PROBLEM.
1102
00:57:56,641 --> 00:57:58,576
[PANTS] ANY GUY
WHO LOOKS AT HER
1103
00:57:58,576 --> 00:58:00,711
IS A RAPIST.
1104
00:58:00,711 --> 00:58:02,847
THIS COULD
HELP YOU, BEAU.
1105
00:58:02,847 --> 00:58:05,115
[PANTING]
1106
00:58:05,115 --> 00:58:06,050
YOU AND ME.
1107
00:58:06,050 --> 00:58:07,317
SHE DID THE SAME THING
TO BOTH OF US.
1108
00:58:07,317 --> 00:58:09,053
[PANTING]
1109
00:58:10,287 --> 00:58:11,922
CAN YOU
GIVE ME A HAND?
1110
00:58:12,857 --> 00:58:15,492
CAN I--CAN I
TELL YOU MY SIDE?
1111
00:58:22,700 --> 00:58:24,101
[FLOWER POT BREAKS]
1112
00:58:28,172 --> 00:58:29,807
MY SIDE'S REALLY GOOD.
1113
00:58:32,209 --> 00:58:33,844
[GROANS]
1114
00:58:33,844 --> 00:58:35,646
YOU WANT TO KNOW
WHAT REALLY HAPPENED?
1115
00:58:35,646 --> 00:58:37,147
I SAW YOU.
1116
00:58:37,147 --> 00:58:39,083
I KNEW WHAT WAS GOING
THROUGH YOUR HEAD.
1117
00:58:40,618 --> 00:58:43,588
SHE WAS SAYING NO AND
YOU WERE GETTING OFF ON IT.
1118
00:59:09,313 --> 00:59:10,781
[KNOCKS]
1119
00:59:20,157 --> 00:59:21,558
OH! OH.
1120
00:59:21,558 --> 00:59:22,593
YOU GO AWAY.
1121
00:59:22,593 --> 00:59:25,129
I JUST WANTED--
GO AWAY.
1122
00:59:25,129 --> 00:59:27,164
NAOMI, CALM DOWN.
1123
00:59:27,164 --> 00:59:28,298
I'M HERE
TO HELP, OK?
1124
00:59:28,298 --> 00:59:29,734
I'M CALLING
SECURITY.
1125
00:59:30,701 --> 00:59:31,836
ALL RIGHT,
TOTALLY UP TO YOU.
1126
00:59:31,836 --> 00:59:33,137
BUT IF YOU DO,
YOU'LL NEVER KNOW
1127
00:59:33,137 --> 00:59:34,772
WHAT HAPPENED THAT NIGHT
BETWEEN YOU AND BEAU.
1128
00:59:34,772 --> 00:59:37,241
WHAT DO YOU KNOW
ABOUT THAT?
1129
00:59:39,176 --> 00:59:41,211
MY GOD.
1130
00:59:41,211 --> 00:59:44,081
YOU ARE STILL THE MOST
BEAUTIFUL GIRL I'VE EVER SEEN.
1131
00:59:44,081 --> 00:59:46,216
OH, I SWEAR TO GOD,
DERRICK,
1132
00:59:46,216 --> 00:59:47,818
IF YOU DON'T TELL ME
WHAT YOU'RE HERE FOR
1133
00:59:47,818 --> 00:59:50,721
AND GO, I'M GONNA
COMPLETELY LOSE IT.
1134
00:59:50,721 --> 00:59:52,422
ALL RIGHT,
ALL RIGHT, OK.
1135
00:59:52,422 --> 00:59:53,891
DON'T BE SO EMOTIONAL.
1136
00:59:58,595 --> 01:00:00,330
PILLS, HUH?
1137
01:00:01,666 --> 01:00:03,100
WHAT ABOUT BEAU?
1138
01:00:03,100 --> 01:00:05,636
BEAU.
1139
01:00:05,636 --> 01:00:08,038
YOU LIKED HIM, HUH?
1140
01:00:08,038 --> 01:00:10,708
GOD, IT WAS LIKE DéJA VU
WATCHING YOU TWO.
1141
01:00:10,708 --> 01:00:12,576
I MEAN, 'CAUSE
YOU LIKED ME, TOO.
1142
01:00:12,576 --> 01:00:14,011
YOU LOVED ME,
AS I RECALL.
1143
01:00:14,011 --> 01:00:15,846
WHAT DO YOU MEAN
YOU WATCHED?
1144
01:00:15,846 --> 01:00:19,383
OH, I WATCHED.
I WAS IN THE BATHROOM.
1145
01:00:19,383 --> 01:00:21,786
WHY ARE YOU HERE?
1146
01:00:23,187 --> 01:00:25,856
WHY ARE YOU HERE?
1147
01:00:25,856 --> 01:00:27,692
WHY DID YOU COME
TO MY SCHOOL
1148
01:00:27,692 --> 01:00:29,593
IF YOU DIDN'T
WANT TO SEE ME?
1149
01:00:29,593 --> 01:00:31,929
BECAUSE I DIDN'T
KNOW, THAT'S WHY.
1150
01:00:31,929 --> 01:00:35,800
I WISH
YOU WERE DEAD.
1151
01:00:38,969 --> 01:00:41,906
WELL, THAT'S--
THAT'S NICE.
1152
01:00:43,741 --> 01:00:45,810
WOW, LOOK AT THIS.
1153
01:00:47,945 --> 01:00:49,680
THE WIZARD OF OZ.
1154
01:00:50,480 --> 01:00:51,782
YOU REMEMBER
THAT NIGHT?
1155
01:00:51,782 --> 01:00:53,818
OH, I DO.
1156
01:00:53,818 --> 01:00:56,653
OK, GET OUT OF HERE.
1157
01:00:56,653 --> 01:00:58,756
I'M FINE NOW,
DERRICK!
1158
01:00:58,756 --> 01:01:00,090
WELL, I'M NOT FINE!
1159
01:01:00,090 --> 01:01:01,291
WHAT HAPPENED
WASN'T MY FAULT.
1160
01:01:01,291 --> 01:01:02,426
I WASN'T READY.
1161
01:01:02,426 --> 01:01:04,094
"I LOVE YOU, DERRICK.
OH, I LOVE YOU, DERRICK."
1162
01:01:04,094 --> 01:01:05,395
AND THEN YOU RUIN
MY LIFE.
1163
01:01:05,395 --> 01:01:07,631
AND EVERY GIRL IN DANBURY
THINKS I'M A RAPIST.
1164
01:01:07,631 --> 01:01:08,733
JUST STOP IT!
1165
01:01:08,733 --> 01:01:11,902
JUST TELL ME WHAT
YOU WANT AND GO!
1166
01:01:16,406 --> 01:01:18,508
WE'RE EVEN.
1167
01:01:18,508 --> 01:01:19,977
WHAT?
1168
01:01:21,011 --> 01:01:22,546
YOU RUINED MY LIFE
BACK THEN.
1169
01:01:22,546 --> 01:01:26,050
I'VE RUINED YOURS NOW.
WE'RE EVEN.
1170
01:01:26,050 --> 01:01:28,252
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
1171
01:01:28,252 --> 01:01:30,921
BEAU NEVER RAPED YOU.
1172
01:01:30,921 --> 01:01:33,523
I PLANTED A RUMOR.
1173
01:01:33,523 --> 01:01:35,625
AND I MADE YOU
BELIEVE IT.
1174
01:01:35,625 --> 01:01:37,094
HE NEVER TOUCHED YOU.
1175
01:01:39,696 --> 01:01:41,598
THAT'S INSANE.
1176
01:01:41,598 --> 01:01:44,935
YEAH. IT IS INSANE.
1177
01:01:44,935 --> 01:01:47,805
BUT THE THING IS, NAOMI,
I STILL KNOW YOU SO WELL.
1178
01:01:47,805 --> 01:01:49,740
AND I KNEW
YOU'D FALL FOR IT.
1179
01:01:49,740 --> 01:01:51,041
YOU'D HEAR THAT STORY
1180
01:01:51,041 --> 01:01:52,509
AND YOUR LITTLE
FEVERED IMAGINATION
1181
01:01:52,509 --> 01:01:55,079
WOULD START RUNNING AND
YOU'D BE SITTING THERE IN HORROR
1182
01:01:55,079 --> 01:01:56,713
GOING, "OH, MY GOD,
I JUST GOT RAPED AGAIN
1183
01:01:56,713 --> 01:01:58,382
"BY MY BOYFRIEND,
SOMEBODY I LOVE,
1184
01:01:58,382 --> 01:02:00,317
SOMEBODY I TRUSTED."
1185
01:02:02,887 --> 01:02:05,155
AND YOU DIDN'T KNOW THAT
BOTH TIMES IT WAS ME.
1186
01:02:07,291 --> 01:02:09,259
WHOA. HERE YOU GO.
1187
01:02:19,436 --> 01:02:20,771
JUST LIKE OLD TIMES, HUH?
1188
01:02:20,771 --> 01:02:22,372
[GRUNTS]
OW!
1189
01:02:29,980 --> 01:02:32,716
MIND IF I KEEP THIS?
1190
01:02:32,716 --> 01:02:34,351
I HAVE
SUCH FOND MEMORIES.
1191
01:02:35,585 --> 01:02:37,354
FUCKING ASSHOLE!
1192
01:03:25,903 --> 01:03:27,504
WHAT HAPPENED TO YOU?
1193
01:03:27,504 --> 01:03:28,672
WHAT?
1194
01:03:28,672 --> 01:03:30,707
OH...
1195
01:03:30,707 --> 01:03:32,943
I, UH, HAD
A LITTLE SHOWDOWN
1196
01:03:32,943 --> 01:03:36,180
WITH THE LOVELY NAOMI
PRESTON LAST NIGHT.
1197
01:03:39,083 --> 01:03:40,717
THINGS GOT
A LITTLE HEATED.
1198
01:03:40,717 --> 01:03:42,319
YOU TOLD HER?
1199
01:03:44,721 --> 01:03:45,789
YEAH.
1200
01:03:45,789 --> 01:03:47,958
AND WHAT DID SHE SAY?
1201
01:03:49,259 --> 01:03:51,061
MMM.
1202
01:03:51,061 --> 01:03:53,130
SHE WAS--SHE WAS
COOL WITH IT.
1203
01:04:00,437 --> 01:04:02,239
[CHUCKLES] TRAVIS.
1204
01:04:02,239 --> 01:04:04,108
I THINK I GOT SOMETHING
FOR YOUR WALL, BUD.
1205
01:04:04,108 --> 01:04:05,375
YOU'RE GONNA LOVE THIS.
1206
01:04:09,346 --> 01:04:12,449
DID--DID YOU GUYS
HEAR WHAT HAPPENED?
1207
01:04:12,449 --> 01:04:14,251
NO, WE JUST GOT UP.
1208
01:04:14,251 --> 01:04:17,187
NAOMI PRESTON'S
DEAD.
1209
01:04:19,489 --> 01:04:20,991
WHAT?
1210
01:04:20,991 --> 01:04:25,829
THEY, UH, THEY FOUND
HER BODY THIS MORNING.
1211
01:04:25,829 --> 01:04:28,298
SHE KILLED HERSELF.
1212
01:04:28,298 --> 01:04:29,099
OH, MY GOD.
1213
01:04:29,099 --> 01:04:31,268
WAIT, SHUT UP,
JONES.
1214
01:04:31,268 --> 01:04:33,137
ARE YOU SURE
ABOUT THIS?
1215
01:04:33,971 --> 01:04:35,906
IT'S ALL OVER CAMPUS.
1216
01:04:38,242 --> 01:04:39,243
SHIT.
1217
01:04:41,011 --> 01:04:45,182
THEY, UH, THEY THINK
MAYBE SHE, UH,
1218
01:04:45,182 --> 01:04:47,084
IT WAS AN ACCIDENT 'CAUSE
SHE WAS DRINKING A LOT
1219
01:04:47,084 --> 01:04:49,053
AND TAKING PILLS
AND STUFF.
1220
01:04:50,887 --> 01:04:52,722
THIS IS OUR FAULT.
1221
01:04:52,722 --> 01:04:54,258
OH, PLEASE, JONES.
1222
01:04:54,258 --> 01:04:56,460
I MEAN, YOU CAN'T
DRIVE A PERSON
1223
01:04:56,460 --> 01:04:57,861
TO KILL THEMSELVES.
1224
01:04:57,861 --> 01:05:00,597
NAOMI'S WEAK.
SHE'S ALWAYS BEEN WEAK.
1225
01:05:43,607 --> 01:05:46,343
[BANGING]
1226
01:05:50,214 --> 01:05:52,482
[BANGING ON DOOR]
1227
01:05:56,086 --> 01:05:58,655
[BANGING]
1228
01:06:05,662 --> 01:06:07,664
[BANGING]
1229
01:06:13,270 --> 01:06:14,604
YEAH?
1230
01:06:14,604 --> 01:06:16,673
I'VE BEEN BANGING
HERE FOR 5 MINUTES.
1231
01:06:16,673 --> 01:06:18,942
WELL, I WAS IN THE BATHROOM.
WHO ARE YOU?
1232
01:06:18,942 --> 01:06:21,211
I'M DETECTIVE CURTIS.
1233
01:06:27,217 --> 01:06:28,818
YOU DERRICK WEBB?
1234
01:06:28,818 --> 01:06:30,920
YEAH. YEAH, THAT'S ME.
1235
01:06:30,920 --> 01:06:32,156
WHAT CAN I DO FOR YOU?
1236
01:06:32,156 --> 01:06:33,157
CAN I COME IN?
1237
01:06:33,157 --> 01:06:34,658
YEAH, ABSOLUTELY.
1238
01:06:36,193 --> 01:06:38,028
I'D TAKE THE KEYS
OUT OF THE DOOR
1239
01:06:38,028 --> 01:06:39,096
IF I WAS YOU.
1240
01:06:39,096 --> 01:06:41,365
OH, SHI--SHIT.
1241
01:06:43,567 --> 01:06:44,834
ROOMMATES.
1242
01:06:44,834 --> 01:06:46,303
I'M HERE
INVESTIGATING THE DEATH
1243
01:06:46,303 --> 01:06:48,705
OF A YOUNG STUDENT--
1244
01:06:48,705 --> 01:06:50,307
NO-AMI PRESTON.
1245
01:06:50,307 --> 01:06:51,975
NAOMI PRESTON, YEAH.
1246
01:06:51,975 --> 01:06:53,377
YEAH,
I HEARD ABOUT THAT.
1247
01:06:53,377 --> 01:06:55,645
CAN I MAKE YOU
SOME COFFEE?
1248
01:06:55,645 --> 01:06:58,082
YEAH. I'D LIKE THAT.
1249
01:06:59,049 --> 01:07:01,051
SO YOU DIDN'T SAY--
DID YOU KNOW HER?
1250
01:07:01,051 --> 01:07:03,787
UH, WELL, WE WENT
TO HIGH SCHOOL TOGETHER.
1251
01:07:06,190 --> 01:07:07,824
DID YOU SEE HER
LAST NIGHT?
1252
01:07:07,824 --> 01:07:10,394
NO, NO.
1253
01:07:15,532 --> 01:07:18,102
LISTEN, I TALKED
TO A BEAU EDSON.
1254
01:07:18,102 --> 01:07:20,604
HE SAYS HE SAW YOU GO
INTO HER DORM LAST NIGHT.
1255
01:07:20,604 --> 01:07:22,106
OH, HE SAID THAT?
1256
01:07:22,106 --> 01:07:24,007
WELL, BEAU EDSON'S
AN ASSHOLE.
1257
01:07:24,007 --> 01:07:25,242
AS I'M SURE YOU KNOW,
1258
01:07:25,242 --> 01:07:27,877
HE'S UNDER INVESTIGATION
FOR RAPING NAOMI.
1259
01:07:27,877 --> 01:07:29,179
YES, I KNOW THAT.
1260
01:07:29,179 --> 01:07:31,615
I MEAN, IF ANYONE PUSHED
HER TO COMMIT SUICIDE,
1261
01:07:31,615 --> 01:07:32,816
IT WAS HIM.
1262
01:07:35,585 --> 01:07:38,588
THIS IS A HOMICIDE
INVESTIGATION.
1263
01:07:39,923 --> 01:07:41,191
HOMICIDE?
1264
01:07:42,192 --> 01:07:43,393
OH, I'M SORRY, I--
1265
01:07:43,393 --> 01:07:45,229
WELL, I HEARD
SHE KILLED HERSELF.
1266
01:07:45,229 --> 01:07:48,298
WE'RE NOT 100% SURE
WHAT HAPPENED.
1267
01:07:48,298 --> 01:07:52,236
WE HAVE A DEAD BODY,
AND THERE WAS A STRUGGLE.
1268
01:07:54,438 --> 01:07:56,740
HOW'D YOU GET THE SCRATCH
ON YOUR FACE?
1269
01:08:00,110 --> 01:08:01,711
UH, I WAS IN A FIGHT.
1270
01:08:01,711 --> 01:08:03,380
WITH BEAU?
1271
01:08:04,214 --> 01:08:05,982
HE LOOKS WORSE
THAN YOU DO.
1272
01:08:05,982 --> 01:08:07,784
WELL, I WAS
DEFENDING MYSELF.
1273
01:08:07,784 --> 01:08:09,319
I MEAN,
HE JUMPED ME.
1274
01:08:09,319 --> 01:08:12,322
IS THAT HOW YOU GOT
THE BITE ON YOUR HAND?
1275
01:08:13,257 --> 01:08:14,691
UH, YEAH, IT IS.
1276
01:08:14,691 --> 01:08:16,693
[KETTLE WHISTLING]
1277
01:08:20,164 --> 01:08:23,700
SO YOU'RE SAYING BEAU
MAY HAVE DONE THIS?
1278
01:08:23,700 --> 01:08:25,869
NO, I DIDN'T SAY THAT.
1279
01:08:30,174 --> 01:08:31,675
I'LL GET BACK TO YOU.
1280
01:09:21,558 --> 01:09:23,760
[LAUGHTER]
1281
01:09:42,111 --> 01:09:45,282
Travis: I DON'T BELIEVE THEY
REALLY THINK HE DID ANYTHING.
1282
01:09:45,282 --> 01:09:47,016
Jones: THEN WHY ARE THEY
ASKING QUESTIONS
1283
01:09:47,016 --> 01:09:48,318
ABOUT WHERE HE WAS?
1284
01:09:48,318 --> 01:09:49,686
LOOK, ALL I'M SAYING IS
IF HE NEEDS OUR HELP,
1285
01:09:49,686 --> 01:09:51,154
WE SHOULD GIVE IT TO HIM.
THAT'S IT.
1286
01:09:51,154 --> 01:09:54,358
TRAVIS, WE COULD BE
NAMED ACCESSORIES.
1287
01:09:56,293 --> 01:09:57,894
WHAT'S GOIN' ON?
1288
01:10:00,397 --> 01:10:01,565
THEY TALKED TO ME,
DERRICK.
1289
01:10:01,565 --> 01:10:03,099
THAT DETECTIVE FOUND ME
IN THE LIBRARY
1290
01:10:03,099 --> 01:10:05,302
AND ASKED WHERE YOU WERE
THE NIGHT OF NAOMI'S MURDER.
1291
01:10:05,302 --> 01:10:06,803
THEY DON'T KNOW FOR SURE
IT WAS EVEN A MURDER.
1292
01:10:06,803 --> 01:10:09,205
IT'S WHAT THEY THINK.
1293
01:10:09,205 --> 01:10:10,740
SO, WHAT'D
YOU TELL THEM?
1294
01:10:10,740 --> 01:10:13,042
I--I TOLD HIM
YOU WERE OVER THERE,
1295
01:10:13,042 --> 01:10:14,210
AND YOU TOLD ME.
1296
01:10:14,210 --> 01:10:15,279
WHAT? ARE YOU--
1297
01:10:15,279 --> 01:10:16,813
ARE YOU
A COMPLETE IDIOT, JONES?
1298
01:10:16,813 --> 01:10:19,015
HOW WAS I SUPPOSED TO KNOW
YOU LIED TO THIS GUY?
1299
01:10:19,015 --> 01:10:20,817
HE--HE'S GOING, DERRICK SAID
HE WASN'T THERE, AND I--
1300
01:10:20,817 --> 01:10:22,819
OH, GOD DAMN IT, JONES.
YOU SHOULD HAVE TOLD HIM--
1301
01:10:22,819 --> 01:10:24,120
WHAT?!
1302
01:10:24,120 --> 01:10:25,389
I SHOULD HAVE
LIED FOR YOU?
1303
01:10:25,389 --> 01:10:26,823
WHICH LIE WAS I
SUPPOSED TO TELL?
1304
01:10:26,823 --> 01:10:27,724
YOU TOLD SO MANY.
1305
01:10:27,724 --> 01:10:29,359
IF YOU'D HAVE BOTHERED
TO AT LEAST
1306
01:10:29,359 --> 01:10:30,394
TELL THE TRUTH,
THEN MAYBE I--
1307
01:10:30,394 --> 01:10:31,995
TELL THE TRUTH.
OK, ALL RIGHT.
1308
01:10:31,995 --> 01:10:34,097
THANK YOU ONCE AGAIN
FOR TAKING THE POSITION
1309
01:10:34,097 --> 01:10:35,365
OF RIGHTEOUS
INDIGNATION, JONES.
1310
01:10:35,365 --> 01:10:36,900
WHY DIDN'T YOU JUST TELL
THEM YOU WERE THERE?
1311
01:10:36,900 --> 01:10:39,536
YOUR FINGERPRINTS HAVE
TO BE ALL OVER THE ROOM.
1312
01:10:39,536 --> 01:10:41,571
ALL RIGHT, WELL, WHILE WE'RE
MAKING USEFUL OBSERVATIONS,
1313
01:10:41,571 --> 01:10:43,407
LET'S NOT FORGET WHO
STARTED THIS LITTLE RUMOR.
1314
01:10:43,407 --> 01:10:45,542
YOU'RE THE ONE WHO SENT
NAOMI INTO A TAILSPIN.
1315
01:10:45,542 --> 01:10:47,377
NOW, DETECTIVE CURTIS
MIGHT LIKE TO KNOW THAT.
1316
01:10:47,377 --> 01:10:50,246
YOU'RE SUCH AN ASSHOLE.
1317
01:10:50,246 --> 01:10:52,716
I DIDN'T KILL HER, JONES.
1318
01:10:52,716 --> 01:10:55,552
WELL, THEN IT WON'T MATTER
THAT I DIDN'T LIE FOR YOU.
1319
01:10:58,054 --> 01:10:59,556
FUCK!
1320
01:11:01,057 --> 01:11:03,527
TRAVIS,
WHAT DID YOU TELL HIM?
1321
01:11:03,527 --> 01:11:05,562
I DIDN'T TELL HIM ANYTHING.
1322
01:11:05,562 --> 01:11:06,730
THEY, UH, THEY CALLED,
1323
01:11:06,730 --> 01:11:08,131
AND I'M SUPPOSED
TO GO DOWN THERE.
1324
01:11:08,131 --> 01:11:09,399
OK. OK.
1325
01:11:09,399 --> 01:11:10,400
[CLEARS THROAT]
1326
01:11:10,400 --> 01:11:12,135
[SNAPPING FINGERS]
1327
01:11:12,135 --> 01:11:13,470
ALL RIGHT, UH...
1328
01:11:13,470 --> 01:11:16,139
YOU TELL HIM YOU WENT
TO SEE HER AFTER I DID,
1329
01:11:16,139 --> 01:11:18,875
AND SHE GAVE YOU THIS.
1330
01:11:18,875 --> 01:11:21,311
WHY WOULD SHE DO THAT?
1331
01:11:21,311 --> 01:11:23,413
JUST TELL HER THAT YOU,
UH, THAT YOU WERE--
1332
01:11:23,413 --> 01:11:25,449
YOU TOLD HER
ABOUT YOUR ART AND, UM,
1333
01:11:25,449 --> 01:11:26,516
SHE WANTED TO HELP OUT.
1334
01:11:26,516 --> 01:11:28,251
SO SHE GAVE YOU
THIS PICTURE...
1335
01:11:28,251 --> 01:11:30,354
AND YOU AND I MET
FOR A DRINK AFTERWARDS.
1336
01:11:30,354 --> 01:11:31,621
WHAT IF THEY THINK
I DID IT?
1337
01:11:31,621 --> 01:11:34,824
THEY'RE GONNA--HA.
ARE YOU SERIOUS?
1338
01:11:34,824 --> 01:11:37,561
TRAVIS, THERE'S NO--
NO, THERE'S NO WAY.
1339
01:11:37,561 --> 01:11:39,763
I MEAN, YOU HAVE
ABSOLUTELY NO MOTIVE.
1340
01:11:39,763 --> 01:11:41,531
TRAVIS,
NAOMI KILLED HERSELF.
1341
01:11:41,531 --> 01:11:44,401
IT'S A SUICIDE. OK?
NOW, WE BOTH KNOW
1342
01:11:44,401 --> 01:11:45,935
THIS IS AN INSANE
MISUNDERSTANDING.
1343
01:11:45,935 --> 01:11:46,936
WE JUST--
1344
01:11:46,936 --> 01:11:47,737
IT'S TOO WEIRD, MAN.
1345
01:11:47,737 --> 01:11:49,339
HEY, TRAVIS,
LISTEN TO ME.
1346
01:11:49,339 --> 01:11:51,107
LISTEN. [SIGH]
1347
01:11:51,107 --> 01:11:53,076
NOW, DO YOU TRUST ME?
1348
01:11:54,678 --> 01:11:56,913
I DO A LOT FOR YOU.
DON'T I?
1349
01:11:56,913 --> 01:11:58,582
YEAH.
1350
01:11:58,582 --> 01:12:00,417
OK, NOW, THE COPS ARE--
1351
01:12:00,417 --> 01:12:03,953
ARE MAKING SOME SERIOUS
WRONG ACCUSATIONS HERE.
1352
01:12:03,953 --> 01:12:05,021
NOW, I-- YOU KNOW?
1353
01:12:05,021 --> 01:12:08,191
I MEAN, NOW, I JUST--
I NEED YOUR HELP.
1354
01:12:08,191 --> 01:12:09,192
ALL RIGHT.
1355
01:12:09,192 --> 01:12:10,193
WILL YOU HELP ME?
YEAH.
1356
01:12:10,193 --> 01:12:11,895
OK. COOL.
ALL RIGHT.
1357
01:12:33,249 --> 01:12:35,452
Goodwin: ENTER.
1358
01:12:38,522 --> 01:12:39,856
MISS JONES.
1359
01:12:39,856 --> 01:12:43,359
YEAH, UH, CAN I TALK
TO YOU FOR A MOMENT?
1360
01:12:45,729 --> 01:12:48,465
WELL, AS WE ALL KNOW,
THE CAMPUS IS ABUZZ
1361
01:12:48,465 --> 01:12:52,402
WITH THE NEWS OF NAOMI PRESTON'S
UNTIMELY DEMISE.
1362
01:12:52,402 --> 01:12:54,270
NOW, THERE'S A JUICY STORY.
1363
01:12:54,270 --> 01:12:56,673
A GIRL IS RAPED
BY HER BOYFRIEND,
1364
01:12:56,673 --> 01:12:59,476
THERE'S A TERRIBLE SCANDAL,
HE GETS ARRESTED,
1365
01:12:59,476 --> 01:13:00,644
AND SHE CAN'T TAKE
THE PRESSURE,
1366
01:13:00,644 --> 01:13:01,945
SO SHE DRINKS HERSELF
TO DEATH
1367
01:13:01,945 --> 01:13:04,080
OR TAKES TOO MANY
SLEEPING PILLS OR--
1368
01:13:04,080 --> 01:13:07,216
OR SOMETHING.
SOMETHING TAWDRY AND USELESS.
1369
01:13:07,216 --> 01:13:10,019
IT'S A REAL SHOCKER.
1370
01:13:10,019 --> 01:13:11,421
AND WE'VE ALL BEEN
HAVING QUITE A TIME WITH IT,
1371
01:13:11,421 --> 01:13:12,656
HAVEN'T WE?
1372
01:13:12,656 --> 01:13:14,223
AND YOU'RE GONNA LOVE THIS,
BECAUSE TODAY
1373
01:13:14,223 --> 01:13:17,093
WE'RE GONNA TALK ABOUT
THE GENESIS OF THESE TALES,
1374
01:13:17,093 --> 01:13:21,097
WHERE THEY GET STARTED,
WHY THEY GET STARTED.
1375
01:13:21,097 --> 01:13:22,899
MR. WEBB...
1376
01:13:22,899 --> 01:13:25,401
PERHAPS YOU HAVE
SOME INSIGHTS.
1377
01:13:25,401 --> 01:13:28,337
HOW DO THESE STORIES
GET GOING?
1378
01:13:28,337 --> 01:13:31,040
I DON'T KNOW.
THEY JUST HAPPEN.
1379
01:13:31,040 --> 01:13:32,976
HEH. THEY JUST HAPPEN?
1380
01:13:32,976 --> 01:13:34,844
IS THAT THE BEST
YOU CAN DO, WEBB?
1381
01:13:34,844 --> 01:13:36,580
A COUPLE OF LIVES
ARE RUINED,
1382
01:13:36,580 --> 01:13:38,047
THE ENTIRE CAMPUS
IS IN AN UPROAR,
1383
01:13:38,047 --> 01:13:40,183
AND ALL YOU CAN SAY
IS SHIT HAPPENS?
1384
01:13:40,183 --> 01:13:41,284
'CAUSE I HAVE TO SAY, WEBB,
1385
01:13:41,284 --> 01:13:42,686
USUALLY YOU'RE
A LITTLE MORE GLIB.
1386
01:13:42,686 --> 01:13:46,490
ALL THAT DEEP THEORY ABOUT
THE BIBLE AND HUMAN NATURE
1387
01:13:46,490 --> 01:13:47,757
AND GOSSIP IS FUN.
1388
01:13:47,757 --> 01:13:49,726
USUALLY YOU HAVE
JUST PLENTY TO SAY.
1389
01:13:49,726 --> 01:13:52,195
I'D THINK YOU'D BE PROUD
OF YOUR ACCOMPLISHMENT.
1390
01:13:52,195 --> 01:13:53,597
MAYBE WANNA BRAG ABOUT IT.
1391
01:13:53,597 --> 01:13:56,833
I--I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
1392
01:13:56,833 --> 01:13:59,503
SO, WHAT YOU'RE SAYING IS
HE MADE IT UP.
1393
01:13:59,503 --> 01:14:00,770
THAT'S THE RUMOR.
1394
01:14:00,770 --> 01:14:02,606
THE ENTIRE DATE-RAPE
SCENARIO
1395
01:14:02,606 --> 01:14:04,307
IS A FIGMENT OF
MR. WEBB'S IMAGINATION,
1396
01:14:04,307 --> 01:14:05,875
AND WE FELL FOR IT.
1397
01:14:05,875 --> 01:14:08,044
THAT'S NOT WHAT HAPPENED.
THAT'S NOT WHAT HAPPENED.
1398
01:14:08,044 --> 01:14:10,113
WHY DON'T YOU TELL US
WHAT HAPPENED, WEBB?
1399
01:14:10,113 --> 01:14:13,983
JONES IS THE ONE
WHO STARTED THAT RUMOR.
1400
01:14:13,983 --> 01:14:15,251
SO, YOU TRY
AND TIE ME TO THAT,
1401
01:14:15,251 --> 01:14:16,586
I WAS COMPLETELY
UNINVOLVED.
1402
01:14:16,586 --> 01:14:18,254
SHE'S DEAD,
YOU ASSHOLE.
1403
01:14:18,254 --> 01:14:19,355
THAT'S NOT MY FAULT.
1404
01:14:19,355 --> 01:14:20,490
MURDERER.
1405
01:14:20,490 --> 01:14:22,859
HE'S A MURDERER.
1406
01:14:23,860 --> 01:14:24,894
[MUTTERING]
1407
01:14:26,429 --> 01:14:28,798
LISTEN TO YOU PEOPLE.
1408
01:14:28,798 --> 01:14:30,166
YOU'RE THE ONES
WHO TOLD THAT STORY.
1409
01:14:30,166 --> 01:14:34,838
PASSING IT AROUND, HAVING
THE TIME OF YOUR LIVES.
1410
01:14:34,838 --> 01:14:37,140
YOU'RE THE ONES
WHO ARE RESPONSIBLE.
1411
01:14:42,445 --> 01:14:43,647
IDIOTS.
1412
01:14:43,647 --> 01:14:45,615
I THINK YOU'VE PROVEN
YOUR THESIS, WEBB.
1413
01:14:45,615 --> 01:14:48,618
GOSSIP IS LOADS OF FUN.
1414
01:15:12,742 --> 01:15:15,144
GET OUT HERE, JONES.
1415
01:15:16,145 --> 01:15:18,548
Derrick: TRAVIS.
1416
01:15:30,459 --> 01:15:31,961
WHAT'S GOIN' ON HERE?
1417
01:15:31,961 --> 01:15:33,096
WARRANT.
1418
01:15:35,498 --> 01:15:36,766
ARE MY ROOMMATES HERE?
1419
01:15:36,766 --> 01:15:38,968
UP ON THE ROOF.
1420
01:15:47,176 --> 01:15:48,177
YOU TOLD GOODWIN?
1421
01:15:48,177 --> 01:15:49,445
YEAH.
YEAH, I DID.
1422
01:15:49,445 --> 01:15:50,647
AH, DO YOU--
1423
01:15:50,647 --> 01:15:51,881
DO YOU KNOW WHAT
THIS DOES TO ME, JONES?
1424
01:15:51,881 --> 01:15:52,982
DERRICK, THE COPS FOUND
OUT ABOUT DANBURY.
1425
01:15:52,982 --> 01:15:54,751
THEY KNEW
I WAS ASKING ABOUT HER.
1426
01:15:54,751 --> 01:15:55,952
YOU GOT YOURSELF
INTO THAT MESS!
1427
01:15:55,952 --> 01:15:57,453
I DIDN'T TELL YOU
TO GO UP THERE.
1428
01:15:57,453 --> 01:15:58,521
I'M NOT TAKING
THE FALL FOR THIS.
1429
01:15:58,521 --> 01:15:59,889
IF WHAT WE DID
HAD ANYTHING TO DO
1430
01:15:59,889 --> 01:16:02,458
WITH NAOMI'S DEATH,
WE HAVE TO ADMIT IT.
1431
01:16:03,326 --> 01:16:05,228
YOU WANNA GO THIS ALONE,
YOU BE MY GUEST,
1432
01:16:05,228 --> 01:16:08,164
BUT THEN GET THE HELL
OUT OF MY APARTMENT.
1433
01:16:28,451 --> 01:16:30,687
HAVE YOU SEEN
THAT BEFORE?
1434
01:16:30,687 --> 01:16:31,788
YEAH, OF COURSE.
1435
01:16:31,788 --> 01:16:33,890
I--I SAW THIS
IN NAOMI'S BEDROOM.
1436
01:16:33,890 --> 01:16:38,394
OFFICER STEVENS JUST FOUND
THIS IN YOUR SOCK DRAWER.
1437
01:16:38,394 --> 01:16:40,029
IN MY SOCK DRAWER?
1438
01:16:40,029 --> 01:16:40,964
MM-HMM.
1439
01:16:40,964 --> 01:16:42,398
NO, NO, NO.
THIS IS MY ROOM UP HERE.
1440
01:16:42,398 --> 01:16:43,967
THAT'S MY ROOM.
1441
01:16:43,967 --> 01:16:47,036
THAT'S OFFICER STEVENS.
1442
01:16:54,678 --> 01:16:57,647
I HAVE TO SHOW YOU
SOMETHING.
1443
01:16:59,548 --> 01:17:01,317
YOU KNOW, I ADMIT...
1444
01:17:01,317 --> 01:17:03,653
I SHOULD HAVE TOLD YOU
ABOUT THIS FROM THE BEGINNING,
1445
01:17:03,653 --> 01:17:05,421
BUT I HAVE A WEAKNESS
FOR MY FRIENDS.
1446
01:17:05,421 --> 01:17:06,990
AND I WANTED
TO PROTECT TRAVIS,
1447
01:17:06,990 --> 01:17:10,093
BUT HE'S CLEARLY--
HE'S JUST OFF.
1448
01:17:11,861 --> 01:17:14,130
COME LOOK AT THIS.
1449
01:17:24,040 --> 01:17:27,276
THIS GUY'S BEEN OBSESSED
WITH NAOMI.
1450
01:17:27,276 --> 01:17:29,278
I MEAN, I ACTUALLY--
I THINK HE'S STALKING HER.
1451
01:17:29,278 --> 01:17:32,716
AND NOW, HE'S TRYING
TO PUT THE BLAME ON ME.
1452
01:17:32,716 --> 01:17:34,017
YOU KNOW, I'VE ALWAYS
HELPED TRAVIS,
1453
01:17:34,017 --> 01:17:36,319
BUT I'M NOT GOING DOWN
FOR THIS. I'M NOT. HEH.
1454
01:17:38,587 --> 01:17:40,523
BUT, I MEAN, LOOK AT THIS--
THIS WALL.
1455
01:17:40,523 --> 01:17:44,060
I MEAN, HOW--HOW SICK AND
DEMENTED DO YOU HAVE TO BE
1456
01:17:44,060 --> 01:17:45,762
TO COME UP WITH
SOMETHING LIKE THIS?
1457
01:17:45,762 --> 01:17:48,164
I MEAN,
THE GUY'S A SOCIOPATH.
1458
01:17:50,967 --> 01:17:53,136
THERE'S NAOMI.
MY GOD. HEH.
1459
01:17:53,136 --> 01:17:55,905
LOOK WHAT HE DID
TO HER FACE.
1460
01:17:55,905 --> 01:17:58,975
WHO WOULD DO
SOMETHIN' LIKE THIS?
1461
01:18:04,013 --> 01:18:06,282
THIS ISN'T THE WORK
OF A SANE PERSON.
1462
01:18:06,282 --> 01:18:07,283
WHERE IS HE?
1463
01:18:07,283 --> 01:18:09,452
HE BOLTED.
1464
01:18:09,452 --> 01:18:11,788
GET OUT IN THE NEIGHBORHOOD.
SEE IF YOU CAN FIND HIM.
1465
01:18:11,788 --> 01:18:14,457
YOU, UH, YOU WANT ME
TO TAKE THIS DOWN?
1466
01:18:14,457 --> 01:18:16,993
LET ME KEEP IT.
1467
01:18:17,794 --> 01:18:18,828
WAIT A SECOND.
1468
01:18:18,828 --> 01:18:20,196
YEAH, BUT YOU
DON'T NEED THIS.
1469
01:18:20,196 --> 01:18:22,999
I MEAN, THIS IS MINE.
IT'S MY BRUSH.
1470
01:18:22,999 --> 01:18:24,934
I'M GONNA FIND TRAVIS.
1471
01:18:24,934 --> 01:18:27,070
HE'S GOT A VERY
INTERESTING HOBBY.
1472
01:18:27,070 --> 01:18:28,537
BUT YOU KNOW WHAT I SEE?
1473
01:18:28,537 --> 01:18:30,940
I SEE SOMEONE
WHO HAD A MOTIVE.
1474
01:18:30,940 --> 01:18:32,942
PLUS, I CAN PUT HIM AT
THE SCENE OF THE CRIME.
1475
01:18:32,942 --> 01:18:34,944
PLUS, HIS FINGERPRINTS
ARE EVERYWHERE.
1476
01:18:34,944 --> 01:18:37,080
PLUS, HE'S GOT
A SCRATCH ON HIS FACE.
1477
01:18:37,080 --> 01:18:39,849
THIS AND THE DEAD GIRL'S
GOT SKIN
1478
01:18:39,849 --> 01:18:41,484
UNDERNEATH
HER FINGERNAILS.
1479
01:18:41,484 --> 01:18:44,587
AND I'M BETTING THAT
THE DNA FROM YOUR HAIR,
1480
01:18:44,587 --> 01:18:46,890
IT'S GONNA MATCH.
1481
01:18:47,690 --> 01:18:49,959
GET OUT OF MY FACE.
1482
01:18:49,959 --> 01:18:53,262
I CAN'T TOUCH YOU
WITHOUT A WARRANT,
1483
01:18:53,262 --> 01:18:54,563
BUT I DON'T THINK
IT'S GONNA BE TOO HARD
1484
01:18:54,563 --> 01:18:55,631
TO GET ONE.
1485
01:18:55,631 --> 01:18:58,001
I'M GONNA LEAVE
A CAR OUT FRONT.
1486
01:18:58,001 --> 01:19:01,004
DON'T TRY
TO GO ANYWHERE.
1487
01:19:13,682 --> 01:19:16,052
[INDISTINCT CHATTER
ON REWIND]
1488
01:19:32,501 --> 01:19:34,537
SON OF A BITCH!
1489
01:20:17,546 --> 01:20:18,547
COME ON, COME ON.
1490
01:20:19,748 --> 01:20:22,952
[TELEPHONE RINGS]
1491
01:20:23,752 --> 01:20:25,388
[RING]
1492
01:20:26,689 --> 01:20:27,891
[RING]
1493
01:20:46,709 --> 01:20:48,644
DERRICK!
1494
01:20:48,644 --> 01:20:49,913
WHERE ARE
YOU GOIN'?
1495
01:20:51,447 --> 01:20:53,582
HEY!
1496
01:20:53,582 --> 01:20:55,418
UH...
1497
01:20:55,418 --> 01:20:59,155
ACTUALLY, I'M GOIN' SKIING
IN SWITZERLAND, THANKS TO YOU.
1498
01:20:59,155 --> 01:21:01,424
I MEAN, PLANTING THAT PICTURE
IN MY SOCK DRAWER,
1499
01:21:01,424 --> 01:21:04,427
THAT WAS, UH,
THAT WAS A SUPER IDEA.
1500
01:21:04,427 --> 01:21:06,829
I WAS GONNA TELL 'EM.
1501
01:21:06,829 --> 01:21:08,631
THEN I WOKE UP.
1502
01:21:08,631 --> 01:21:11,034
YOU MUST THINK
I'M STUPID.
1503
01:21:11,034 --> 01:21:12,401
I MEAN,
THAT WAS YOUR IDEA.
1504
01:21:12,401 --> 01:21:14,303
THAT WAS YOUR PLAN, TO
MAKE 'EM THINK I DID IT.
1505
01:21:14,303 --> 01:21:15,871
OH, I BETRAYED YOU?
THAT'S PERFECT.
1506
01:21:15,871 --> 01:21:18,374
OH, MAN, YOU GET AWAY
WITH EVERYTHING!
1507
01:21:18,374 --> 01:21:19,242
WHAT IS THAT?
1508
01:21:19,242 --> 01:21:20,609
YOU'RE NOT GONNA
GET AWAY WITH IT
1509
01:21:20,609 --> 01:21:21,610
THIS TIME, MAN!
1510
01:21:21,610 --> 01:21:22,611
WHOO, HOO! HEH HEH.
1511
01:21:22,611 --> 01:21:23,612
GET INSIDE.
1512
01:21:23,612 --> 01:21:25,748
FREAK.
YOU'RE A FREAK.
1513
01:21:25,748 --> 01:21:29,618
YEAH, I'M A FREAK.
I'M CRAZY!
1514
01:21:29,618 --> 01:21:30,954
I'M A MENACE!
IS THAT RIGHT?
1515
01:21:30,954 --> 01:21:31,955
TRAVIS--
1516
01:21:31,955 --> 01:21:32,956
GET INSIDE!
1517
01:21:32,956 --> 01:21:33,957
WHAT'S THE POINT
OF THIS?
1518
01:21:33,957 --> 01:21:34,958
GET INSIDE!
1519
01:21:34,958 --> 01:21:35,959
WHAT'S THE POINT OF THIS?
1520
01:21:35,959 --> 01:21:37,093
I'M NOT GOIN' TO JAIL.
1521
01:21:37,093 --> 01:21:38,361
THEY GOT NO CASE.
THEY HAVE NO CASE.
1522
01:21:38,361 --> 01:21:41,097
THAT'S WHY
YOU'RE RUNNIN', RIGHT?
1523
01:21:41,097 --> 01:21:43,066
I'M TELLING YOU,
1524
01:21:43,066 --> 01:21:44,800
IN THE HANDS OF
A REALLY EXPENSIVE LAWYER,
1525
01:21:44,800 --> 01:21:46,402
IT'LL ALL GO TO SHIT,
TRAVIS.
1526
01:21:48,204 --> 01:21:50,806
DERRICK! TRAVIS, I SAW HIM.
HE--HE HAS A GUN.
1527
01:21:50,806 --> 01:21:52,275
YEAH, THANKS FOR
THE NEWS FLASH, JONES.
1528
01:21:52,275 --> 01:21:54,377
SHUT UP.
1529
01:21:54,377 --> 01:21:55,178
SIT DOWN!
1530
01:21:55,178 --> 01:21:56,345
TRAVIS,
WHAT ARE YOU DOING?
1531
01:21:56,345 --> 01:21:57,913
HE WAS GONNA GET AWAY
WITH IT.
1532
01:21:57,913 --> 01:21:59,548
I DIDN'T DO ANYTHING,
YOU PSYCHO.
1533
01:21:59,548 --> 01:22:01,184
DERRICK, SHUT UP.
1534
01:22:01,184 --> 01:22:02,351
TRAVIS,
GIVE ME THE GUN.
1535
01:22:02,351 --> 01:22:04,287
HE KILLED HER.
YOU KNOW HE KILLED HER.
1536
01:22:04,287 --> 01:22:05,921
TRAVIS, I KNOW
IF YOU SHOOT HIM,
1537
01:22:05,921 --> 01:22:07,156
THEY'RE GONNA
ARREST YOU.
1538
01:22:07,156 --> 01:22:09,725
TRAVIS, ARE YOU
LISTENING TO ME?
1539
01:22:09,725 --> 01:22:11,060
PUT IT DOWN!
1540
01:22:11,060 --> 01:22:14,330
NO. THEN HE WILL
GET AWAY WITH IT.
1541
01:22:16,132 --> 01:22:18,601
WELL, THEN LET HIM.
1542
01:22:24,340 --> 01:22:28,444
TRAVIS, WE DON'T NEED TO BE
A PART OF THIS ANYMORE.
1543
01:22:29,778 --> 01:22:32,081
I KNOW YOU.
1544
01:22:32,915 --> 01:22:35,351
YOU CAN BE BETTER
THAN HE IS.
1545
01:22:37,253 --> 01:22:39,855
TRAVIS,
PUT IT DOWN.
1546
01:22:39,855 --> 01:22:41,624
COME ON.
1547
01:22:55,938 --> 01:22:57,140
[GUNSHOT]
1548
01:23:01,977 --> 01:23:04,180
Jones: TRAVIS.
1549
01:23:11,854 --> 01:23:13,656
TRAVIS, CALL SOMEBODY.
1550
01:23:27,770 --> 01:23:30,873
911, TRAVIS.
1551
01:23:30,873 --> 01:23:32,075
TRAVIS!
1552
01:23:35,044 --> 01:23:36,445
LOOK AT ME.
YOU'RE GONNA BE OK.
1553
01:23:36,445 --> 01:23:39,648
IT'S OK. IT'S OK.
IT'S OK. IT'S OK.
1554
01:23:39,648 --> 01:23:41,250
BREATHE. BREATHE.
1555
01:23:43,586 --> 01:23:44,853
SHIT.
1556
01:23:44,853 --> 01:23:46,722
YEAH, WE NEED AN AMBULANCE.
SOMEONE'S BEEN SHOT.
1557
01:23:46,722 --> 01:23:48,257
AM I GONNA BE OK?
1558
01:23:48,257 --> 01:23:52,195
YEAH, ABSOLUTELY.
NO, ABSOLUTELY.
1559
01:23:52,195 --> 01:23:55,064
ABSOLUTELY. COME ON.
BREATHE. OK?
1560
01:23:55,064 --> 01:23:58,467
NO, NO. NO! COME ON.
COME ON, JONES.
1561
01:23:58,467 --> 01:24:01,870
COME ON. COME ON.
COME ON. JONES?
1562
01:24:01,870 --> 01:24:04,673
JONES? JONES?
1563
01:24:08,744 --> 01:24:11,780
THE COPS ARE DOWNSTAIRS.
THEY PROBABLY HEARD THE SHOT.
1564
01:24:11,780 --> 01:24:13,116
THEY'RE PROBABLY ON
THEIR WAY UP RIGHT NOW.
1565
01:24:13,116 --> 01:24:14,983
WAIT!
1566
01:24:14,983 --> 01:24:18,954
WAIT. WHAT ARE WE
GONNA TELL THE COPS?
1567
01:24:18,954 --> 01:24:20,489
WE GOTTA GET OUR
STORIES STRAIGHT.
1568
01:24:20,489 --> 01:24:22,958
OUR STORY? WHAT'S
THE MATTER WITH YOU?
1569
01:24:22,958 --> 01:24:24,293
TRAVIS!
1570
01:24:24,293 --> 01:24:26,095
WE JUST, UH--
WE JUST GOTTA TELL 'EM
1571
01:24:26,095 --> 01:24:27,496
WHAT HAPPENED.
'CAUSE, UH--
1572
01:24:27,496 --> 01:24:29,232
THIS WAS--
THIS WAS AN ACCIDENT.
1573
01:24:29,232 --> 01:24:30,333
NO, MAN, YOU KNOW
WHAT I'M GONNA DO?
1574
01:24:30,333 --> 01:24:31,434
I SHOULD TELL 'EM
YOU KILLED HER.
1575
01:24:31,434 --> 01:24:32,635
THAT'S WHAT I SHOULD DO.
1576
01:24:32,635 --> 01:24:33,436
DAMN IT, TRAVIS!
1577
01:24:33,436 --> 01:24:34,437
DON'T BE NUTS NOW,
ALL RIGHT?
1578
01:24:34,437 --> 01:24:35,438
WE JUST GOTTA TELL 'EM
THAT--
1579
01:24:35,438 --> 01:24:36,639
TELL 'EM WHAT,
THE TRUTH?
1580
01:24:36,639 --> 01:24:37,973
WHY? YOU DON'T!
1581
01:24:37,973 --> 01:24:39,242
LYING, RAPING NAOMI!
1582
01:24:39,242 --> 01:24:40,509
ALL RIGHT,
ALL RIGHT, WAIT!
1583
01:24:40,509 --> 01:24:41,510
IF YOU WANT ME
TO TELL THE COPS
1584
01:24:41,510 --> 01:24:43,579
EVERYTHING I DID,
I WILL.
1585
01:24:43,579 --> 01:24:45,181
BUT YOU GOTTA TELL 'EM
THAT I DIDN'T KILL JONES.
1586
01:24:45,181 --> 01:24:46,649
I'M GONNA LET 'EM IN.
1587
01:24:46,649 --> 01:24:48,451
SHIT!
1588
01:24:48,451 --> 01:24:51,287
ALL RIGHT!
I RAPED NAOMI!
1589
01:24:51,287 --> 01:24:52,388
AND THAT BITCH
DESERVED IT,
1590
01:24:52,388 --> 01:24:55,924
BUT I DIDN'T KILL
ANYBODY!
1591
01:24:55,924 --> 01:24:57,793
[TAPE REWINDING]
1592
01:24:57,793 --> 01:24:58,861
I RAPED NAOMI!
1593
01:24:58,861 --> 01:25:00,829
AND THAT BITCH
DESERVED IT,
1594
01:25:00,829 --> 01:25:03,199
BUT I DIDN'T
KILL ANYBODY!
1595
01:25:10,406 --> 01:25:13,276
WILL WONDERS NEVER CEASE?
1596
01:25:13,276 --> 01:25:17,180
DERRICK WEBB
TELLS THE TRUTH.
1597
01:25:39,635 --> 01:25:41,604
WHAT IS THIS?
1598
01:25:50,279 --> 01:25:52,315
HELLO, DERRICK.
1599
01:25:54,517 --> 01:25:56,252
NAOMI.
1600
01:25:59,087 --> 01:26:01,089
YOU KNOW, WHEN JONES
BROUGHT THIS TO US,
1601
01:26:01,089 --> 01:26:03,226
I NEVER THOUGHT
IT WOULD WORK.
1602
01:26:03,226 --> 01:26:04,460
AND THE OTHER NIGHT,
1603
01:26:04,460 --> 01:26:06,295
WHEN YOU WERE POUNDING
THE SHIT OUT OF ME,
1604
01:26:06,295 --> 01:26:08,264
I THOUGHT TO MYSELF,
THIS HAD BETTER WORK.
1605
01:26:08,264 --> 01:26:10,266
BUT YOU KNOW WHAT?
1606
01:26:10,266 --> 01:26:12,568
IT WAS WORTH IT.
BECAUSE IT WORKED BETTER
1607
01:26:12,568 --> 01:26:15,704
THAN I COULD HAVE
EVER POSSIBLY IMAGINED.
1608
01:26:17,506 --> 01:26:20,343
WHO'S THE VICTIM NOW?
1609
01:26:22,144 --> 01:26:23,579
DERRICK,
THIS IS MATT CURTIS.
1610
01:26:23,579 --> 01:26:27,049
HE DOES A LITTLE DRIVING
FOR NAOMI'S DAD.
1611
01:26:27,049 --> 01:26:30,619
THIS IS MARK.
HE'S IN MY CALC CLASS.
1612
01:26:41,297 --> 01:26:43,466
THANKS FOR YOUR HELP,
PROFESSOR.
1613
01:26:45,100 --> 01:26:47,436
SEE YOU AT THE PLAZA.
1614
01:26:51,674 --> 01:26:53,309
IT TURNS OUT,
JUST THIS ONCE,
1615
01:26:53,309 --> 01:26:55,478
I DID LIE BETTER THAN YOU.
1616
01:26:57,045 --> 01:27:00,048
WHAT ARE PEOPLE GONNA THINK?
WHAT--
1617
01:27:00,816 --> 01:27:03,652
WHAT ARE THEY GONNA SAY
ABOUT ME?
1618
01:27:03,652 --> 01:27:06,689
IT'S ONLY WORDS.
HOW BAD CAN IT BE?
1619
01:27:11,727 --> 01:27:14,730
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
1620
01:27:14,730 --> 01:27:17,733
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
1621
01:27:17,733 --> 01:27:24,640
* THERE'S AN EMPTY PLACE
INSIDE THAT IS HURTING ME *
1622
01:27:24,640 --> 01:27:30,913
* A PLACE THAT KEEPS
MY HEART OUT ON ITS OWN *
1623
01:27:30,913 --> 01:27:36,118
* AN EMPTY LUNG THAT WON'T
GIVE THE WIND TO SPEAK AT ME *
1624
01:27:36,118 --> 01:27:39,522
* HOW FAR CAN I BE *
1625
01:27:39,522 --> 01:27:43,926
* FROM HOME? *
1626
01:27:43,926 --> 01:27:50,032
* WHY YOU GOTTA BE
SO MEAN TO ME? *
1627
01:27:50,032 --> 01:27:56,605
* WHY YOU GOTTA DRAG ME DOWN
JUST TO MAKE ME SEE? *
1628
01:27:56,605 --> 01:27:59,007
* YOU KNOW
I DON'T LISTEN GOOD *
1629
01:27:59,007 --> 01:28:02,845
* AND I'M ALWAYS IN NEED *
1630
01:28:02,845 --> 01:28:08,984
* WHY YOU GOTTA BE
SO MEAN TO ME? *
1631
01:28:08,984 --> 01:28:16,359
* DO YOU THINK THAT IT GOT UP
AND LEFT FOR GOOD THIS TIME? *
1632
01:28:16,359 --> 01:28:21,864
* A CROWD OF FACELESS
STRANGERS MOVIN' ON *
1633
01:28:21,864 --> 01:28:27,970
* A FEELING THAT YOU LEFT IT
ALL BEHIND YOU NOW *
1634
01:28:27,970 --> 01:28:31,907
* THAT IT DOESN'T
HURT SOMEHOW *
1635
01:28:31,907 --> 01:28:34,910
* TO KNOW *
1636
01:29:00,903 --> 01:29:07,743
* SO OPEN UP THE BOOK
THAT YOU KEEP DEEP INSIDE *
1637
01:29:07,743 --> 01:29:14,349
* LET THE PAGES
YELLOW IN THE SUN *
1638
01:29:14,349 --> 01:29:19,354
* SHOW THEM THAT YOU'RE NOT
AFRAID TO LET THEM SEE *
1639
01:29:19,354 --> 01:29:23,158
* HOW FAR YOU CAN BE *
1640
01:29:23,158 --> 01:29:27,596
* FROM HOME *
1641
01:29:27,596 --> 01:29:33,636
* WHY YOU GOTTA BE
SO MEAN TO ME? *
1642
01:29:33,636 --> 01:29:40,008
* WHY YOU GOTTA DRAG ME DOWN
JUST TO MAKE ME SEE? *
1643
01:29:40,008 --> 01:29:45,948
* YOU KNOW I DON'T LISTEN GOOD
AND I'M ALWAYS IN NEED *
1644
01:29:45,948 --> 01:29:51,754
* WHY YOU GOTTA BE
SO MEAN TO ME? *
1645
01:29:51,754 --> 01:29:58,393
* WHY YOU GOTTA BE?
WHY YOU GOTTA BE? *
1646
01:29:58,393 --> 01:30:04,700
* WHY YOU GOTTA BE?
WHY YOU GOTTA BE? *
1647
01:30:04,700 --> 01:30:10,973
* WHY YOU GOTTA BE
SO MEAN TO ME? *
1648
01:30:10,973 --> 01:30:14,009
* OHH *
105447
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