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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:11,045 --> 00:00:14,248 CAPTIONING MADE POSSIBLE BY WARNER BROS. 4 00:00:20,154 --> 00:00:23,157 [BELL TOLLING] 5 00:00:23,157 --> 00:00:26,360 [PIGEONS COOING] 6 00:00:29,163 --> 00:00:32,766 HA HA HA HA HA! 7 00:00:32,766 --> 00:00:34,768 OH... 8 00:00:34,768 --> 00:00:37,371 HA! HA HA HA HA! 9 00:00:58,392 --> 00:01:00,394 OH... 10 00:01:03,531 --> 00:01:05,833 [WHISPERS] Take off your clothes. 11 00:01:05,833 --> 00:01:07,135 WHAT? 12 00:01:11,605 --> 00:01:14,808 I SAID, TAKE OFF YOUR CLOTHES. 13 00:01:24,618 --> 00:01:27,955 BUT YOU SAW EVERYTHING LAST NIGHT. 14 00:01:27,955 --> 00:01:30,824 MM, BUT I NEED TO CHECK SOMETHING. 15 00:01:30,824 --> 00:01:32,426 SHH. 16 00:01:35,829 --> 00:01:37,831 ONLY FOR 3 SECONDS. 17 00:01:56,850 --> 00:01:58,252 THE BASTARD. 18 00:01:58,252 --> 00:02:00,988 HOW DOES HE DO IT? 19 00:02:00,988 --> 00:02:03,391 1...2... 20 00:02:03,391 --> 00:02:05,726 3. 21 00:02:20,874 --> 00:02:25,078 I'VE GOT TO GO. 22 00:02:25,078 --> 00:02:27,415 DON'T YOU EVER SPEND THE NIGHT 23 00:02:27,415 --> 00:02:29,583 AT THE WOMAN'S PLACE? 24 00:02:32,486 --> 00:02:33,887 NEVER. 25 00:02:35,689 --> 00:02:39,893 WHAT ABOUT WHEN A WOMAN IS AT YOUR PLACE? 26 00:02:41,895 --> 00:02:45,899 I TELL HER I GET INSOMNIA... 27 00:02:45,899 --> 00:02:47,701 ANYTHING. 28 00:02:47,701 --> 00:02:51,505 BESIDES, I HAVE A VERY NARROW BED. 29 00:02:54,708 --> 00:02:57,911 ARE YOU AFRAID OF WOMEN, DOCTOR? 30 00:03:01,315 --> 00:03:02,916 OF COURSE. 31 00:03:06,920 --> 00:03:09,323 I REALLY LIKE YOU, TOMAS. 32 00:03:09,323 --> 00:03:12,926 YOU ARE THE COMPLETE OPPOSITE OF KITSCH. 33 00:03:12,926 --> 00:03:15,329 IN THE KINGDOM OF KITSCH, 34 00:03:15,329 --> 00:03:17,331 YOU WOULD BE... 35 00:03:17,331 --> 00:03:18,932 A MONSTER. 36 00:03:20,934 --> 00:03:22,936 NO, WAIT. 37 00:03:22,936 --> 00:03:25,539 SABINA, I'VE GOT TO GO. 38 00:03:25,539 --> 00:03:26,940 AH! 39 00:03:26,940 --> 00:03:28,542 HA HA HA! 40 00:03:36,550 --> 00:03:38,352 OH... 41 00:03:38,352 --> 00:03:40,554 OH...OH... 42 00:03:42,356 --> 00:03:44,958 NO, WAIT. WAIT. 43 00:03:56,970 --> 00:03:58,972 HA HA! 44 00:03:58,972 --> 00:04:00,974 NOW. WHAT AM I? 45 00:04:00,974 --> 00:04:02,976 HA HA HA HA! 46 00:04:02,976 --> 00:04:05,313 GRRR...A MONSTER. 47 00:04:05,313 --> 00:04:07,581 HA HA HA! 48 00:05:36,069 --> 00:05:37,671 ROOM 6. 49 00:06:06,500 --> 00:06:10,103 [HUMMING WITH BAND] 50 00:06:14,475 --> 00:06:16,544 HERE WE GO. 51 00:06:18,946 --> 00:06:20,948 [DRILLING] 52 00:06:20,948 --> 00:06:23,951 [HUMMING] 53 00:06:49,376 --> 00:06:52,580 [WHISTLING] 54 00:08:14,061 --> 00:08:15,829 [SPLASH] 55 00:08:54,101 --> 00:08:58,839 [SPEAKING CZECH] 56 00:09:14,121 --> 00:09:16,123 OH! OH... 57 00:09:24,531 --> 00:09:26,734 AH... 58 00:09:29,536 --> 00:09:32,740 [GROANING] 59 00:09:39,546 --> 00:09:41,548 OH... 60 00:09:41,548 --> 00:09:43,283 OH! 61 00:10:20,420 --> 00:10:23,791 [CLASSICAL MUSIC PLAYS] 62 00:10:59,626 --> 00:11:01,829 [COUGHING] 63 00:11:28,388 --> 00:11:30,357 OH, COGNAC. 64 00:11:49,542 --> 00:11:51,344 CAN YOU CHARGE IT TO MY ROOM? 65 00:11:51,344 --> 00:11:52,880 YES, OF COURSE. 66 00:11:55,282 --> 00:11:56,884 OH, THAT'S FUNNY. 67 00:11:59,286 --> 00:12:01,488 YOU'RE IN ROOM 6. 68 00:12:01,488 --> 00:12:03,190 SO? 69 00:12:03,190 --> 00:12:07,795 AND MY SHIFT FINISHES AT 6:00. 70 00:12:09,496 --> 00:12:11,498 AND AT 6:00, 71 00:12:11,498 --> 00:12:14,501 I HAVE TO BE BACK IN PRAGUE. 72 00:12:17,237 --> 00:12:18,505 WELL... 73 00:12:20,908 --> 00:12:22,709 AROUND 6:00. 74 00:12:22,709 --> 00:12:24,511 [BELL TOLLS] 75 00:12:48,268 --> 00:12:50,270 OH, I'LL BE BACK. 76 00:12:50,270 --> 00:12:51,471 WAIT. 77 00:12:51,471 --> 00:12:53,473 WAIT. 78 00:12:59,813 --> 00:13:05,552 [SINGING] 79 00:13:08,021 --> 00:13:13,660 * LO LO LO * 80 00:13:13,660 --> 00:13:16,563 * LO LO LO LO LO... * 81 00:13:41,588 --> 00:13:43,924 YOU KNOW, THIS IS MY BENCH. 82 00:13:43,924 --> 00:13:45,292 YOUR BENCH? 83 00:13:45,292 --> 00:13:47,594 YES, I COME HERE EVERY DAY TO READ, 84 00:13:47,594 --> 00:13:49,596 TO THIS SAME BENCH. 85 00:13:49,596 --> 00:13:51,865 ISN'T THAT FUNNY? 86 00:13:53,600 --> 00:13:55,535 YES. 87 00:13:57,604 --> 00:13:59,406 WHAT ARE YOU READING? 88 00:13:59,406 --> 00:14:02,209 ANNA KARENINA, BY TOLSTOY. 89 00:14:03,210 --> 00:14:05,012 OH, YES, 90 00:14:05,012 --> 00:14:07,214 THAT ANNA KARENINA. 91 00:14:07,214 --> 00:14:09,049 YEAH. 92 00:14:11,151 --> 00:14:13,620 I WOULD HAVE COME EARLIER, 93 00:14:13,620 --> 00:14:17,024 BUT...MY MOTHER... 94 00:14:17,024 --> 00:14:19,626 YOU LIVE WITH YOUR MOTHER? 95 00:14:29,036 --> 00:14:32,039 WELL, I'VE CHECKED OUT OF MY ROOM. 96 00:14:32,039 --> 00:14:34,041 ARE YOU LEAVING? 97 00:14:34,041 --> 00:14:36,243 YES, IT'S GETTING LATE. 98 00:14:37,644 --> 00:14:40,047 I JUST CAME FOR AN OPERATION. 99 00:14:40,047 --> 00:14:43,650 A COLLEAGUE OF MINE WAS SUPPOSED TO COME, 100 00:14:43,650 --> 00:14:46,219 BUT HE INJURED HIMSELF, SO... 101 00:14:54,928 --> 00:14:55,963 WELL... 102 00:14:55,963 --> 00:14:58,865 MAYBE I'LL COME BACK SOMETIME. 103 00:14:58,865 --> 00:15:01,969 WHY WOULD YOU COME BACK HERE? 104 00:15:01,969 --> 00:15:04,204 IT'S SO BORING. 105 00:15:08,575 --> 00:15:10,377 NOBODY HERE READS. 106 00:15:10,377 --> 00:15:12,579 NOBODY HERE DISCUSSES ANYTHING. 107 00:15:12,579 --> 00:15:14,581 YOU KNOW WHAT I MEAN? 108 00:15:15,715 --> 00:15:17,985 YES. 109 00:15:17,985 --> 00:15:20,187 YES, I DO. 110 00:15:22,990 --> 00:15:24,591 WELL. 111 00:15:25,993 --> 00:15:28,195 [STARTS ENGINE] 112 00:15:29,596 --> 00:15:31,598 NICE TO MEET YOU. 113 00:15:31,598 --> 00:15:33,600 GOOD-BYE. 114 00:15:41,874 --> 00:15:45,212 [BELLS TOLLING] 115 00:16:01,628 --> 00:16:03,230 TOMAS. 116 00:16:07,034 --> 00:16:08,268 TOMAS. 117 00:16:58,085 --> 00:17:01,288 ARE YOU ONLY SEARCHING FOR PLEASURE? 118 00:17:03,090 --> 00:17:06,093 OR IS EVERY WOMAN A NEW LAND 119 00:17:06,093 --> 00:17:10,297 WHOSE SECRETS YOU WANT TO DISCOVER? 120 00:17:16,503 --> 00:17:20,707 YOU WANT TO KNOW WHAT SHE'S GOING TO SAY 121 00:17:20,707 --> 00:17:22,709 WHEN SHE MAKES LOVE? 122 00:17:22,709 --> 00:17:25,112 OR HOW SHE WILL SMILE? 123 00:17:25,112 --> 00:17:27,714 HOW SHE WILL WHISPER? 124 00:17:27,714 --> 00:17:30,783 GROAN...SCREAM? 125 00:17:35,922 --> 00:17:42,162 MAYBE THE VERY SMALLEST... UNIMAGINABLE DETAILS... 126 00:17:45,532 --> 00:17:48,735 TINY THINGS THAT MAKE ONE WOMAN 127 00:17:48,735 --> 00:17:51,138 TOTALLY UNLIKE ANY OTHER. 128 00:17:51,138 --> 00:17:54,474 WHAT'S MY DETAIL, DOCTOR? 129 00:18:01,148 --> 00:18:03,350 YOUR HAT, SABINA. 130 00:18:26,173 --> 00:18:28,375 THE HAT... 131 00:18:32,179 --> 00:18:34,781 COMES FROM MY GRANDFATHER'S... 132 00:18:34,781 --> 00:18:36,783 GRANDFATHER. 133 00:18:40,187 --> 00:18:45,458 HE LIVED A LONG, LONG TIME AGO. 134 00:18:56,203 --> 00:18:58,605 A LONG TIME AGO. 135 00:19:06,213 --> 00:19:07,814 TOMAS. 136 00:19:07,814 --> 00:19:10,817 WHAT ARE YOU LOOKING AT? 137 00:19:13,820 --> 00:19:15,422 YOUR EYES. 138 00:19:35,141 --> 00:19:36,643 [KNOCK ON DOOR] 139 00:19:40,780 --> 00:19:42,715 [KNOCK ON DOOR] 140 00:19:57,764 --> 00:19:58,765 HELLO. 141 00:19:58,765 --> 00:19:59,932 HELLO. 142 00:20:02,835 --> 00:20:04,937 SO... 143 00:20:04,937 --> 00:20:06,072 YOU ARE IN PRAGUE. 144 00:20:06,072 --> 00:20:08,074 I JUST ARRIVED. 145 00:20:08,074 --> 00:20:10,076 I HAVE FRIENDS TO SEE. 146 00:20:10,076 --> 00:20:12,845 I'M HERE ON SOME BUSINESS. 147 00:20:12,845 --> 00:20:14,714 MM-HMM. 148 00:20:16,483 --> 00:20:19,686 I'M LOOKING FOR ANOTHER JOB. 149 00:20:19,686 --> 00:20:21,954 HA... 150 00:20:22,955 --> 00:20:24,891 WHY DON'T YOU COME IN? 151 00:20:24,891 --> 00:20:27,093 ARE YOU ALONE? 152 00:20:27,093 --> 00:20:28,961 YEAH. 153 00:20:51,851 --> 00:20:53,853 TAKE OFF YOUR CLOTHES. 154 00:20:58,591 --> 00:20:59,592 ACHOO! 155 00:21:01,661 --> 00:21:02,662 ACHOO! 156 00:21:02,662 --> 00:21:03,930 EXCUSE ME. 157 00:21:03,930 --> 00:21:08,267 I MUST HAVE CAUGHT A COLD ON THE TRAIN. 158 00:21:08,267 --> 00:21:12,138 PERHAPS I BETTER TAKE A LOOK AT YOU. 159 00:21:12,138 --> 00:21:13,740 COME HERE. 160 00:21:32,759 --> 00:21:34,627 MY HANDS COLD? 161 00:21:38,064 --> 00:21:40,166 I'M VERY TICKLISH. 162 00:21:40,166 --> 00:21:42,369 DOES IT HURT THERE? 163 00:21:46,172 --> 00:21:47,774 LOOK UP. 164 00:21:47,774 --> 00:21:48,775 DOWN. 165 00:21:48,775 --> 00:21:50,777 LEFT. 166 00:21:50,777 --> 00:21:51,778 RIGHT. 167 00:21:51,778 --> 00:21:52,945 HA HA... 168 00:21:58,785 --> 00:22:00,387 DON'T WORRY. 169 00:22:01,788 --> 00:22:03,790 I'M A DOCTOR. 170 00:22:07,193 --> 00:22:09,195 A BIT HIGHER. 171 00:22:09,195 --> 00:22:11,664 THAT'S IT. 172 00:22:14,801 --> 00:22:16,202 BREATHE. 173 00:22:16,202 --> 00:22:18,805 [BREATHES DEEPLY] 174 00:22:20,206 --> 00:22:21,808 AGAIN. 175 00:22:27,213 --> 00:22:28,815 COUGH. 176 00:22:30,216 --> 00:22:31,751 THAT'S FINE. 177 00:22:36,823 --> 00:22:38,825 UP WE GO. 178 00:22:50,236 --> 00:22:52,238 EVERYTHING LOOKS FINE. 179 00:22:52,238 --> 00:22:54,441 FINE. 180 00:23:05,284 --> 00:23:07,454 OPEN YOUR MOUTH. 181 00:23:09,255 --> 00:23:10,857 TONGUE. 182 00:23:13,325 --> 00:23:15,261 AH! MMM... 183 00:23:15,261 --> 00:23:17,464 OOH! 184 00:23:17,464 --> 00:23:20,867 MMM! MM! 185 00:23:30,877 --> 00:23:32,479 AH! 186 00:24:00,907 --> 00:24:02,308 AAH! 187 00:24:02,308 --> 00:24:04,310 AAH! 188 00:24:04,310 --> 00:24:06,312 AAH! 189 00:24:06,312 --> 00:24:08,380 AAH! 190 00:24:08,380 --> 00:24:10,783 [RINGING] 191 00:25:41,540 --> 00:25:43,009 Girl: HI. 192 00:26:06,398 --> 00:26:07,800 TOMAS? 193 00:26:07,800 --> 00:26:09,802 THEY CALLED FROM GENEVA. 194 00:26:09,802 --> 00:26:12,805 THEY ARE STILL OFFERING YOU THAT JOB. 195 00:26:12,805 --> 00:26:15,407 WHY SHOULD I GO TO GENEVA? 196 00:26:15,407 --> 00:26:17,409 EVERYTHING'S FINE HERE. 197 00:26:17,409 --> 00:26:19,211 WELL...I HOPE SO. 198 00:26:19,211 --> 00:26:21,814 YOU THINK THE RUSSIANS WON'T INTERFERE? 199 00:26:21,814 --> 00:26:24,216 THINK ABOUT WHAT HAPPENED IN HUNGARY. 200 00:26:24,216 --> 00:26:27,219 THEY COULDN'T. THE WORLD WOULDN'T ALLOW IT. 201 00:26:27,219 --> 00:26:30,422 BESIDES, WE HAVE SOCIALISM WITH A HUMAN FACE. 202 00:26:30,422 --> 00:26:32,424 WHO COULD BE AGAINST IT? 203 00:26:32,424 --> 00:26:34,426 AH, MY PATIENT IS HERE. 204 00:26:34,426 --> 00:26:36,829 WHICH ONE? PIGS ARE NOT ALLOWED. 205 00:26:36,829 --> 00:26:39,832 I TOLD HIM TO WAIT IN THE TRUCK. 206 00:26:39,832 --> 00:26:42,635 BUT WE WILL MAKE AN EXCEPTION. 207 00:26:43,836 --> 00:26:46,839 HELLO, DOCTOR. YOU ARE NOT ANGRY WITH ME 208 00:26:46,839 --> 00:26:48,841 BECAUSE I BROUGHT MEPHISTO? 209 00:26:48,841 --> 00:26:51,443 LOOK, DOCTOR, A GIFT FOR YOU. 210 00:26:51,443 --> 00:26:52,845 WONDERFUL. 211 00:26:52,845 --> 00:26:55,047 OH, THANK YOU! HMM. 212 00:26:55,047 --> 00:26:58,050 SO...PAVEL. 213 00:26:58,050 --> 00:26:59,451 HA HA! 214 00:26:59,451 --> 00:27:01,453 WE OPERATED A MONTH AGO. 215 00:27:01,453 --> 00:27:02,454 YEAH. 216 00:27:02,454 --> 00:27:04,056 ANY PAINS? 217 00:27:04,056 --> 00:27:04,857 NO. 218 00:27:04,857 --> 00:27:06,458 DIZZINESS? HEADACHES? 219 00:27:06,458 --> 00:27:07,593 NO. 220 00:27:07,593 --> 00:27:10,462 GOOD. YOU CAN GET BACK TO YOUR FARM. 221 00:27:10,462 --> 00:27:12,865 WE JUST NEED A SMALL PROCEDURE 222 00:27:12,865 --> 00:27:15,201 TO REPLACE THE BONE FLAP. 223 00:27:25,878 --> 00:27:30,482 WHAT TIME SHALL I EXPECT YOUR VISIT TONIGHT? 224 00:27:30,482 --> 00:27:32,885 AH... 225 00:27:32,885 --> 00:27:37,089 I'M SORRY, I CAN'T MAKE IT TONIGHT. 226 00:27:37,089 --> 00:27:38,490 TOO BAD. 227 00:27:38,490 --> 00:27:42,494 UM...HOW ABOUT TOMORROW AFTERNOON? 228 00:27:42,494 --> 00:27:45,097 TOMORROW NIGHT. 229 00:27:47,499 --> 00:27:49,902 SO WHAT I HEARD WAS RIGHT. 230 00:27:49,902 --> 00:27:52,504 SOMEBODY HAS MOVED INTO YOUR PLACE. 231 00:27:52,504 --> 00:27:53,906 NO. 232 00:27:53,906 --> 00:27:57,109 I HAVE MY SPIES. GOOD-BYE, DOCTOR. 233 00:28:10,656 --> 00:28:12,424 AH... 234 00:28:33,145 --> 00:28:36,148 [TICKING] 235 00:28:40,152 --> 00:28:42,154 AH... 236 00:28:42,154 --> 00:28:43,555 AH... 237 00:28:43,555 --> 00:28:45,758 AH... 238 00:28:53,165 --> 00:28:55,134 IT'S NOT HERE. 239 00:28:55,134 --> 00:28:58,070 YOU MUST HAVE COME WITHOUT YOUR SOCK. 240 00:28:58,070 --> 00:29:01,841 HOW COULD I HAVE COME WITHOUT IT? 241 00:29:01,841 --> 00:29:04,210 I WOULDN'T WEAR ONLY ONE SOCK. 242 00:29:04,210 --> 00:29:07,679 YOU'VE BEEN ABSENT-MINDED LATELY, ALWAYS IN A HURRY. 243 00:29:07,679 --> 00:29:09,982 ALWAYS LOOKING AT YOUR WATCH. 244 00:29:13,820 --> 00:29:17,023 I'LL LEND YOU ONE OF MY STOCKINGS. 245 00:29:42,248 --> 00:29:45,484 YOU WANT ME TO PUT THIS ON? 246 00:29:45,484 --> 00:29:47,920 IT'S COLD OUT, DOCTOR. 247 00:29:50,322 --> 00:29:52,324 MM-HMM. 248 00:30:15,147 --> 00:30:17,950 YOU THINK I'M DOING SOMETHING SILLY. 249 00:30:19,751 --> 00:30:22,889 MAYBE. HOW CAN I KNOW? 250 00:30:24,756 --> 00:30:27,359 WHAT ARE WE TALKING ABOUT? 251 00:30:28,895 --> 00:30:31,563 TEREZA. 252 00:30:36,535 --> 00:30:38,404 IF I HAD TWO LIVES... 253 00:30:38,404 --> 00:30:42,008 WITH ONE, I'D HAVE HER STAY AT MY PLACE. 254 00:30:42,008 --> 00:30:45,011 WITH THE OTHER, I'D KICK HER OUT. 255 00:30:45,011 --> 00:30:48,014 THEN I'D COMPARE AND SEE WHICH WAS BEST. 256 00:30:48,014 --> 00:30:50,616 BUT WE ONLY LIVE ONCE. 257 00:30:52,618 --> 00:30:55,287 LIFE'S SO LIGHT... 258 00:30:55,287 --> 00:30:59,225 LIKE AN OUTLINE WE CAN'T EVER... 259 00:30:59,225 --> 00:31:00,626 FILL IN... 260 00:31:00,626 --> 00:31:03,029 OR CORRECT... 261 00:31:03,029 --> 00:31:05,031 MAKE ANY BETTER. 262 00:31:05,031 --> 00:31:06,532 IT'S FRIGHTENING. 263 00:31:06,532 --> 00:31:11,437 SHE'S LOOKING FOR SOMETHING TO DO HERE IN PRAGUE, AND I... 264 00:31:13,639 --> 00:31:15,041 NOW... 265 00:31:15,041 --> 00:31:19,078 YOU WANT ME TO HELP HER? 266 00:31:19,078 --> 00:31:21,447 SHE IS NOT QUALIFIED FOR ANYTHING, 267 00:31:21,447 --> 00:31:23,449 BUT SHE TAKES BEAUTIFUL PICTURES. 268 00:31:23,449 --> 00:31:26,652 I WAS WONDERING IF YOU MIGHT... 269 00:31:26,652 --> 00:31:28,054 YOU MEAN... 270 00:31:28,054 --> 00:31:31,223 YOU WANT ME TO HELP YOU. 271 00:32:02,721 --> 00:32:05,291 COME ON IN, TEREZA. 272 00:32:09,095 --> 00:32:11,097 LET'S HAVE SOME TEA. 273 00:32:11,097 --> 00:32:13,699 YES. WHY DON'T YOU FIX IT? 274 00:32:15,467 --> 00:32:17,069 YEAH, SURE. 275 00:32:20,606 --> 00:32:22,408 HEE HEE! 276 00:32:35,721 --> 00:32:38,157 IT'S VERY MESSY AROUND HERE. 277 00:32:38,157 --> 00:32:42,961 I ALWAYS TRY NOT TO GET TOO ATTACHED TO A PLACE, 278 00:32:42,961 --> 00:32:44,730 TO OBJECTS. 279 00:32:48,134 --> 00:32:50,569 OR TO PEOPLE. 280 00:32:50,569 --> 00:32:51,737 HMM. 281 00:32:54,973 --> 00:32:57,176 TEREZA, COME OVER HERE. 282 00:32:59,545 --> 00:33:03,749 I WANT TO SHOW YOU SOME PICTURES. 283 00:33:06,752 --> 00:33:08,754 YOU KNOW MAN RAY? 284 00:33:08,754 --> 00:33:10,356 NO. 285 00:33:12,758 --> 00:33:14,360 I LIKE... 286 00:33:15,761 --> 00:33:18,764 I LIKE THIS ONE VERY MUCH. 287 00:33:20,766 --> 00:33:22,368 MMM. 288 00:33:27,173 --> 00:33:30,776 THIS IS LEE MILLER. 289 00:33:30,776 --> 00:33:32,411 SHE'S SO... 290 00:33:33,779 --> 00:33:36,014 SHE'S SO BEAUTIFUL. 291 00:33:38,184 --> 00:33:40,586 TOMAS SAYS YOU'RE A PHOTOGRAPHER. 292 00:33:40,586 --> 00:33:44,123 WELL, I LIKE TO TAKE PICTURES, BUT... 293 00:33:44,123 --> 00:33:47,793 TAKE PICTURES OF WHAT'S GOING ON IN THE STREETS. 294 00:33:47,793 --> 00:33:50,096 I'LL HELP GET THEM PUBLISHED. 295 00:33:50,096 --> 00:33:51,797 THANKS, SABINA. 296 00:33:51,797 --> 00:33:54,600 I LOVE THOSE PICTURES. 297 00:33:54,600 --> 00:33:57,403 THEY WERE TRYING SOMETHING DIFFERENT. 298 00:33:58,804 --> 00:34:01,407 SEARCHING FOR A NEW BEAUTY. 299 00:34:03,809 --> 00:34:05,411 YES. 300 00:34:08,214 --> 00:34:09,815 SOMETHING HIGHER. 301 00:34:13,219 --> 00:34:16,088 HERE'S THE TEA I MADE. 302 00:34:36,041 --> 00:34:38,444 Tereza: AAAH. AAAH. 303 00:34:42,248 --> 00:34:44,850 WHAT IS IT? TEREZA? 304 00:34:51,857 --> 00:34:53,859 OH, I HAD A DREAM. 305 00:35:04,270 --> 00:35:06,872 I WAS AT HER PLACE. 306 00:35:08,474 --> 00:35:09,875 SABINA'S. 307 00:35:09,875 --> 00:35:12,110 IN HER STUDIO... 308 00:35:12,110 --> 00:35:15,481 AND YOU WERE MAKING LOVE TO HER. 309 00:35:17,183 --> 00:35:20,286 IN THAT BIG BED OF HERS. 310 00:35:22,087 --> 00:35:25,090 YOU MADE ME STAND BY A WALL 311 00:35:25,090 --> 00:35:27,693 AND NOT MOVE AT ALL. 312 00:35:30,095 --> 00:35:32,698 YOU MADE ME WATCH. 313 00:35:41,106 --> 00:35:43,909 AND I HAD SUCH PAIN FROM SEEING YOU 314 00:35:43,909 --> 00:35:49,014 THAT I STARTED TO PIERCE NEEDLES UNDER MY FINGERNAILS 315 00:35:49,014 --> 00:35:51,483 TO STOP THE PAIN IN MY HEART. 316 00:35:53,118 --> 00:35:55,321 IT HURT SO MUCH. 317 00:35:58,123 --> 00:36:01,427 WHY DID YOU DO IT TO ME? 318 00:36:05,130 --> 00:36:07,433 IT WAS JUST A DREAM. 319 00:36:14,740 --> 00:36:16,242 TRY TO SLEEP. 320 00:36:16,242 --> 00:36:18,244 TRY TO SLEEP. 321 00:36:18,244 --> 00:36:19,845 I CAN'T SLEEP. 322 00:36:19,845 --> 00:36:22,248 YES, YOU CAN. COME HERE. 323 00:36:22,248 --> 00:36:24,450 I CAN'T FALL ASLEEP. 324 00:36:29,255 --> 00:36:31,257 YOU CAN SLEEP. 325 00:36:31,257 --> 00:36:33,459 SLEEP IN MY ARMS. 326 00:36:38,264 --> 00:36:40,466 LIKE A BABY BIRD. 327 00:36:45,271 --> 00:36:47,873 LIKE A BROOM... 328 00:36:47,873 --> 00:36:51,277 AMONG BROOMS... 329 00:36:51,277 --> 00:36:55,213 IN A BROOM CLOSET. 330 00:37:01,887 --> 00:37:04,490 LIKE A TINY PARROT. 331 00:37:09,295 --> 00:37:11,497 LIKE A WHISTLE. 332 00:37:13,899 --> 00:37:16,902 LIKE A LITTLE SONG. 333 00:37:20,306 --> 00:37:24,310 A SONG SUNG BY A FOREST... 334 00:37:24,310 --> 00:37:27,513 WITHIN A FOREST... 335 00:37:29,315 --> 00:37:33,519 A THOUSAND YEARS AGO. 336 00:37:39,224 --> 00:37:43,362 [HEY JUDE SUNG IN CZECH] 337 00:38:39,985 --> 00:38:40,986 OH! 338 00:38:42,388 --> 00:38:43,989 [ANNOUNCER TALKING IN CZECH] 339 00:38:43,989 --> 00:38:47,593 [BAND PLAYS THAT'LL BE THE DAY] 340 00:39:03,809 --> 00:39:08,847 LOOK! THEY ARE HERE! TEREZA'S PICTURES! 341 00:39:08,847 --> 00:39:10,849 TWO FULL PAGES! 342 00:39:10,849 --> 00:39:11,817 THANKS, SABINA! 343 00:39:11,817 --> 00:39:15,587 CONGRATULATIONS! THEY'RE GREAT. 344 00:39:16,422 --> 00:39:18,023 TEREZA, THIS IS MY COLLEAGUE JIRI, 345 00:39:18,023 --> 00:39:20,025 AND THIS IS THE CHIEF. 346 00:39:20,025 --> 00:39:21,627 I'M PLEASED. HELLO. 347 00:39:22,828 --> 00:39:27,633 WONDERFUL! YOU'VE REALLY CAPTURED A NEW SPIRIT HERE. 348 00:39:28,834 --> 00:39:32,438 YOU CAN SEE HOW EVERYTHING IS CHANGING. 349 00:39:32,438 --> 00:39:35,507 NOT EVERYTHING. LOOK OVER THERE. 350 00:39:35,507 --> 00:39:37,509 OUR COMRADES WITH THE RUSSIANS. 351 00:39:38,444 --> 00:39:42,047 SOME PEOPLE NEVER CHANGE. 352 00:39:42,047 --> 00:39:45,984 SOME PEOPLE ARE ALWAYS SCOUNDRELS. 353 00:39:45,984 --> 00:39:47,786 HOW CAN YOU TELL? 354 00:39:47,786 --> 00:39:51,490 DOES IT SHOW IN A MAN'S FACE? 355 00:39:51,490 --> 00:39:54,092 CAN WE JUDGE BY A MAN'S FACE 356 00:39:54,092 --> 00:39:56,294 IF HE IS A SCOUNDREL? 357 00:39:56,294 --> 00:39:58,730 LET'S LOOK AT THEM AND SEE. 358 00:40:02,534 --> 00:40:04,135 SCOUNDREL. 359 00:40:04,135 --> 00:40:05,537 SCOUNDREL. 360 00:40:05,537 --> 00:40:07,238 SCOUNDREL. 361 00:40:07,238 --> 00:40:10,141 SCOUNDREL. 362 00:40:10,141 --> 00:40:11,543 SCOUNDREL. 363 00:40:11,543 --> 00:40:13,679 SCOUNDREL. SCOUNDREL. 364 00:40:13,679 --> 00:40:15,581 DEFINITELY. NO DOUBT. 365 00:40:17,282 --> 00:40:18,884 WE KNOW YOU. 366 00:40:18,884 --> 00:40:20,752 SCOUNDRELS. 367 00:40:25,824 --> 00:40:28,760 WHAT WOULD YOU SAY ABOUT TOMAS? 368 00:40:28,760 --> 00:40:30,228 HMMM. 369 00:40:30,228 --> 00:40:31,863 HE'S DEFINITELY SCOUNDREL. 370 00:40:31,863 --> 00:40:33,164 WHY? 371 00:40:34,766 --> 00:40:36,568 WHY? 372 00:40:36,568 --> 00:40:38,870 IS IT THE MOUTH? 373 00:40:40,171 --> 00:40:41,573 THE SLY EYES? 374 00:40:41,573 --> 00:40:44,342 NO, IT'S CAREFULLY HIDDEN... 375 00:40:44,342 --> 00:40:45,744 IN THE BRAIN. 376 00:40:45,744 --> 00:40:49,581 SUCH THINGS ARE HIDDEN IN ALL OF OUR BRAINS. 377 00:40:49,581 --> 00:40:51,583 SO WHAT MAKES THE DIFFERENCE? 378 00:40:51,583 --> 00:40:53,585 MAYBE ONLY ONE MILLIONTH PART. 379 00:40:53,585 --> 00:40:55,386 MAYBE THERE IS NO DIFFERENCE. 380 00:40:55,386 --> 00:40:59,825 THESE MEN DON'T EVEN KNOW IF THEY'RE SCOUNDRELS OR NOT. 381 00:41:12,604 --> 00:41:14,606 ARE YOU SERIOUS? 382 00:41:14,606 --> 00:41:17,609 MORE THAN 100,000 PEOPLE WERE IMPRISONED, TORTURED, 383 00:41:17,609 --> 00:41:20,211 EXECUTED IN THEIR REGIME. 384 00:41:20,211 --> 00:41:22,881 AND NOW, THESE MEN CRY OUT 385 00:41:22,881 --> 00:41:25,817 THAT THEY DIDN'T KNOW ANYTHING... 386 00:41:27,018 --> 00:41:31,523 THAT THEY WERE MISLED OR MANIPULATED. 387 00:41:31,523 --> 00:41:34,125 THAT THEY WERE...INNOCENT. 388 00:41:34,125 --> 00:41:35,527 NOT INNOCENT, 389 00:41:35,527 --> 00:41:37,629 BUT, UM... 390 00:41:37,629 --> 00:41:39,565 UNAWARE, PERHAPS. 391 00:41:39,565 --> 00:41:42,701 THEY HAD TO KNOW WHAT THEY WERE DOING. 392 00:41:42,701 --> 00:41:44,836 OTHERWISE, IT'S UNTHINKABLE. 393 00:41:44,836 --> 00:41:48,039 IT DOESN'T MATTER WHETHER THEY KNEW OR NOT. 394 00:41:56,414 --> 00:41:59,651 BOO! BOO!BOO! 395 00:42:12,163 --> 00:42:15,834 [SINGING IN RUSSIAN] 396 00:42:17,769 --> 00:42:20,371 I'VE BEEN THINKING ABOUT OEDIPUS. 397 00:42:20,371 --> 00:42:22,373 GOOD KING OEDIPUS. 398 00:42:22,373 --> 00:42:24,209 IS SLEEPING WITH YOUR MOTHER 399 00:42:24,209 --> 00:42:25,844 THE SAME SORT OF CRIME? 400 00:42:28,780 --> 00:42:32,984 WHEN OEDIPUS REALIZED THAT HE HAD KILLED HIS FATHER-- 401 00:42:32,984 --> 00:42:34,953 UNKNOWINGLY... 402 00:42:34,953 --> 00:42:36,955 UNKNOWINGLY KILLED HIS FATHER... 403 00:42:36,955 --> 00:42:39,858 AND WAS SLEEPING WITH HIS MOTHER... 404 00:42:39,858 --> 00:42:42,093 AND THAT BECAUSE OF HIS CRIMES 405 00:42:42,093 --> 00:42:44,095 PLAGUES WERE RAVAGING HIS CITY, 406 00:42:44,095 --> 00:42:48,099 HE COULDN'T BEAR THE SIGHT OF WHAT HE'D DONE. 407 00:42:48,099 --> 00:42:52,303 HE PLUCKED OUT HIS OWN EYES AND LEFT. 408 00:42:52,303 --> 00:42:54,706 HE DID NOT FEEL INNOCENT. 409 00:42:54,706 --> 00:42:58,309 HE FELT HE HAD TO PUNISH HIMSELF. 410 00:42:58,309 --> 00:43:00,311 BUT... 411 00:43:00,311 --> 00:43:02,648 OUR LEADERS, UNLIKE OEDIPUS, 412 00:43:02,648 --> 00:43:06,117 THEY FELT THEY WERE INNOCENT. 413 00:43:06,117 --> 00:43:11,623 AND WHEN THE ATROCITIES OF THE STALINIST PERIOD BECAME KNOWN, 414 00:43:11,623 --> 00:43:13,725 THEY CRIED, "WE DIDN'T KNOW! 415 00:43:13,725 --> 00:43:16,728 "WE WEREN'T AWARE OF WHAT WAS GOING ON. 416 00:43:16,728 --> 00:43:18,730 OUR CONSCIENCE IS CLEAR." 417 00:43:18,730 --> 00:43:21,232 BUT THE IMPORTANT DIFFERENCE IS... 418 00:43:25,737 --> 00:43:28,139 THEY STAYED IN POWER. 419 00:43:28,139 --> 00:43:31,342 AND THEY SHOULD HAVE PLUCKED THEIR EYES OUT. 420 00:43:35,213 --> 00:43:37,015 ALL I'M SAYING IS THAT 421 00:43:37,015 --> 00:43:39,217 MORALITY HAS CHANGED SINCE OEDIPUS. 422 00:43:39,217 --> 00:43:41,352 [MUSIC BECOMES JAZZIER] 423 00:44:19,991 --> 00:44:21,392 COME ON. 424 00:44:21,392 --> 00:44:22,393 YES! 425 00:44:24,395 --> 00:44:26,798 WHY DON'T YOU WRITE IT DOWN? 426 00:44:26,798 --> 00:44:28,800 I'M NOT A WRITER. 427 00:44:28,800 --> 00:44:32,203 IT WILL BE PUBLISHED. OUR POLITICS ARE IN IT. 428 00:44:32,203 --> 00:44:35,907 I DON'T REALLY CARE ABOUT POLITICS. 429 00:44:40,211 --> 00:44:43,749 WHAT DO YOU CARE ABOUT? 430 00:45:07,839 --> 00:45:10,041 IS SOMETHING BOTHERING YOU? 431 00:45:10,041 --> 00:45:11,442 NO. WHY? 432 00:45:18,850 --> 00:45:20,451 WHAT'S WRONG? 433 00:45:20,451 --> 00:45:21,519 NOTHING. 434 00:45:21,519 --> 00:45:22,854 NO... 435 00:45:22,854 --> 00:45:27,458 WHEN I WATCHED YOU DANCING WITH ANOTHER MAN... 436 00:45:28,860 --> 00:45:31,930 I THOUGHT TO MYSELF, "HE COULD BE HER LOVER." 437 00:45:34,665 --> 00:45:36,935 YOU ARE JEALOUS. 438 00:45:38,003 --> 00:45:40,171 NO, I'M NOT JEALOUS. 439 00:45:40,171 --> 00:45:41,739 YOU ARE. 440 00:45:41,739 --> 00:45:43,474 I'M NOT. 441 00:45:43,474 --> 00:45:45,476 I'M NOT JEALOUS, TEREZA. 442 00:45:45,476 --> 00:45:47,178 HE'S JEALOUS. 443 00:45:47,178 --> 00:45:49,480 NO, HE ISN'T. WHO'S HE? 444 00:45:49,480 --> 00:45:50,882 * HE'S JEALOUS * 445 00:45:50,882 --> 00:45:52,283 I'M NOT JEALOUS. 446 00:45:52,283 --> 00:45:54,485 * HE'S JEALOUS, HE'S JEALOUS * 447 00:45:54,485 --> 00:45:56,487 WHATEVER YOU SAY, TEREZA. 448 00:45:56,487 --> 00:45:58,089 YOU'RE JEALOUS. 449 00:45:58,089 --> 00:45:59,490 I'M NOT. 450 00:45:59,490 --> 00:46:00,892 YES, YOU ARE. 451 00:46:00,892 --> 00:46:02,493 YOU'RE JEALOUS. 452 00:46:02,493 --> 00:46:03,895 I'M NOT JEALOUS. 453 00:46:03,895 --> 00:46:05,296 YOU'RE JEALOUS. 454 00:46:05,296 --> 00:46:07,165 * DOO BE DOO BE DOO BE DOO * 455 00:46:07,165 --> 00:46:08,499 NO! 456 00:46:08,499 --> 00:46:10,101 YOU ARE! 457 00:46:10,101 --> 00:46:11,502 I'M NOT. 458 00:46:11,502 --> 00:46:13,104 YOU ARE! 459 00:46:13,104 --> 00:46:14,305 LET GO! 460 00:46:14,305 --> 00:46:17,108 I WON'T LET GO! YOU'RE JEALOUS! 461 00:46:17,108 --> 00:46:18,509 YOU ARE! 462 00:46:18,509 --> 00:46:20,511 I'M NOT! 463 00:46:20,511 --> 00:46:22,513 NO! NO! NO! 464 00:46:22,513 --> 00:46:26,384 NO! NO! NO! HA HA HA HA! 465 00:46:26,384 --> 00:46:28,519 WILL YOU MARRY ME? 466 00:46:28,519 --> 00:46:30,121 WHAT? NO! 467 00:46:30,121 --> 00:46:31,122 YES! 468 00:46:31,122 --> 00:46:32,123 NO! 469 00:46:32,123 --> 00:46:32,924 YES! 470 00:46:32,924 --> 00:46:34,692 YES. NO. 471 00:46:34,692 --> 00:46:36,627 NO. YES. 472 00:46:36,627 --> 00:46:38,396 YES? HA! 473 00:46:38,396 --> 00:46:39,865 BE MY WITNESS? 474 00:46:39,865 --> 00:46:41,332 OF COURSE! 475 00:46:41,332 --> 00:46:44,335 I'LL HAVE TO BUY MEPHISTO A BLACK TIE. 476 00:46:44,335 --> 00:46:47,873 DID YOU HEAR, MEPHISTO? A BLACK TIE. 477 00:46:49,941 --> 00:46:51,542 MY DEAR FIANCES, 478 00:46:51,542 --> 00:46:53,744 I AM WELCOMING YOU 479 00:46:53,744 --> 00:46:57,548 FROM THE DEEP BOTTOM OF MY HEART 480 00:46:57,548 --> 00:46:59,951 ON THIS VERY SPECIAL DAY 481 00:46:59,951 --> 00:47:06,357 WHEN YOU FREELY DECIDED TO BE LEGALLY MAN AND WIFE. 482 00:47:06,357 --> 00:47:11,562 I SUPPOSE THAT BOTH OF YOU KNOW YOUR DUTIES 483 00:47:11,562 --> 00:47:14,132 IN SUPPORTING EACH OTHER, 484 00:47:14,132 --> 00:47:17,135 AND I AM SURE BOTH OF YOU KNOW 485 00:47:17,135 --> 00:47:19,337 YOUR OWN MEDICAL RECORDS? 486 00:47:20,972 --> 00:47:23,374 I HAVE TO TELL YOU THIS. 487 00:47:23,374 --> 00:47:28,279 DON'T THINK A LIFE IS A WALK ON A SUNNY MEADOW. 488 00:47:28,279 --> 00:47:31,382 LIFE ISN'T A WALK ON A SUNNY MEADOW, 489 00:47:31,382 --> 00:47:36,254 AND LIFE ISN'T A WALK ON A ROSE GARDEN. 490 00:47:36,254 --> 00:47:42,593 OUR SOCIALIST COUNTRY HAS DONE MUCH FOR YOU. 491 00:47:42,593 --> 00:47:46,331 NOW IT'S UP TO YOU. 492 00:47:46,331 --> 00:47:48,199 [SQUEALING] 493 00:47:48,199 --> 00:47:49,467 SHH. 494 00:47:49,467 --> 00:47:51,369 SHH! 495 00:47:53,939 --> 00:47:56,674 I MAKE YOU LAUGH? 496 00:47:56,674 --> 00:47:58,543 NO...NO. 497 00:47:58,543 --> 00:48:00,145 [SQUEALING] 498 00:48:00,145 --> 00:48:01,012 SHH! 499 00:48:01,012 --> 00:48:04,082 YOU ARE LAUGHING AT ME? 500 00:48:05,616 --> 00:48:07,752 I'M SORRY. I'M SORRY. 501 00:48:07,752 --> 00:48:09,620 [SQUEALING] 502 00:48:10,521 --> 00:48:12,457 I REFUSE TO GO ON. 503 00:48:12,457 --> 00:48:16,161 IN THIS COUNTRY, IS NOTHING SACRED ANYMORE? 504 00:48:16,161 --> 00:48:18,896 IF YOU CAN'T BE SERIOUS, 505 00:48:18,896 --> 00:48:21,632 YOU DON'T DESERVE TO BE MARRIED! 506 00:48:21,632 --> 00:48:24,369 [SINGING IN CZECH] 507 00:49:05,410 --> 00:49:06,811 MMM! 508 00:49:06,811 --> 00:49:09,214 LET'S TAKE ONE, TOMAS. 509 00:49:09,214 --> 00:49:12,617 IT WILL MAKE US HAPPY. 510 00:49:12,617 --> 00:49:14,552 CHOOSE ONE. 511 00:49:17,422 --> 00:49:19,024 THIS ONE. 512 00:49:20,225 --> 00:49:22,227 HEY! 513 00:49:22,227 --> 00:49:25,163 MY NEPHEW FROM THE COUNTRY'S HERE! 514 00:49:28,633 --> 00:49:29,834 UNCLE! 515 00:49:29,834 --> 00:49:31,436 HEY! 516 00:49:36,241 --> 00:49:39,110 [SPEAKING IN CZECH] 517 00:49:39,110 --> 00:49:41,246 LET'S CALL HIM TOLSTOY. 518 00:49:41,246 --> 00:49:43,248 WHEN I FIRST MET YOU, 519 00:49:43,248 --> 00:49:45,450 YOU WERE READING TOLSTOY. 520 00:49:49,254 --> 00:49:51,456 IT CAN'T BE TOLSTOY. 521 00:49:51,456 --> 00:49:52,857 IT'S A GIRL. 522 00:49:52,857 --> 00:49:54,259 IT'S A GIRL! 523 00:49:54,259 --> 00:49:57,462 HOW ABOUT ANNA KARENINA? 524 00:49:59,664 --> 00:50:02,867 IT DOESN'T LOOK AT ALL LIKE ANNA KARENINA. 525 00:50:02,867 --> 00:50:04,869 LOOK. IT'S A MAN'S FACE. 526 00:50:04,869 --> 00:50:07,472 IT LOOKS MORE LIKE ANNA'S HUSBAND. 527 00:50:10,875 --> 00:50:13,244 LET'S CALL HER KARENIN. 528 00:50:35,900 --> 00:50:37,302 KARENIN. 529 00:50:37,302 --> 00:50:40,105 COME ON, KARENIN. LET'S GO HOME. 530 00:50:47,912 --> 00:50:50,348 HEH HEH HEH... 531 00:50:56,321 --> 00:50:58,523 I LIKE IT VERY MUCH. 532 00:50:58,523 --> 00:51:00,658 KING OEDIPUS. 533 00:51:00,658 --> 00:51:03,328 IT'S A VERY GOOD IDEA. 534 00:51:03,328 --> 00:51:08,333 AND WITH THOSE CHANGES, WE CAN PUBLISH NEXT WEEK. 535 00:51:08,333 --> 00:51:12,137 EVA, WILL YOU TYPE THIS, PLEASE? 536 00:51:21,078 --> 00:51:24,549 NOW WE CAN PUBLISH A PIECE LIKE THIS. 537 00:51:24,549 --> 00:51:26,083 IT'S FANTASTIC. 538 00:51:26,083 --> 00:51:27,652 THINK ABOUT IT. 539 00:51:27,652 --> 00:51:30,755 COMPLETE REHABILITATION OF THE PEOPLE WHO WERE PROSECUTED. 540 00:51:30,755 --> 00:51:33,624 COMPLETE FREEDOM OF SPEECH, OF THE PRESS, 541 00:51:33,624 --> 00:51:36,361 EMANCIPATION FROM THE RUSSIANS. 542 00:51:36,361 --> 00:51:37,928 THAT'S ALL WE WANTED. 543 00:51:37,928 --> 00:51:42,367 AND YOU THINK THE RUSSIANS WILL LET US EMANCIPATE? 544 00:51:42,367 --> 00:51:44,569 WHAT CAN THEY DO? 545 00:51:44,569 --> 00:51:46,371 NOTHING, DOCTOR. 546 00:51:46,371 --> 00:51:50,175 NOTHING, NOTHING, NOTHING! 547 00:51:52,577 --> 00:51:53,978 KEEP ON WRITING. 548 00:51:53,978 --> 00:51:56,581 THANKS, BUT SURGERY'S EASIER. 549 00:53:52,697 --> 00:53:54,699 [KARENIN CRIES] 550 00:54:42,447 --> 00:54:44,649 TAKE ME TO THEM. 551 00:54:46,150 --> 00:54:47,752 OH, YOU'RE AWAKE. 552 00:54:53,157 --> 00:54:55,159 TAKE ME TO THEM. 553 00:54:55,159 --> 00:54:56,761 TO WHOM? 554 00:54:58,028 --> 00:54:59,997 TO THE OTHER WOMEN. 555 00:55:04,569 --> 00:55:08,573 TAKE ME TO THEM WHEN YOU MAKE LOVE TO THEM. 556 00:55:08,573 --> 00:55:11,175 I'LL UNDRESS THEM FOR YOU. 557 00:55:11,175 --> 00:55:13,378 I'D LIKE TO. 558 00:55:17,181 --> 00:55:18,783 REALLY. 559 00:55:19,984 --> 00:55:23,988 I'LL GIVE THEM A BATH AND BRING THEM TO YOU. 560 00:55:23,988 --> 00:55:26,591 I'LL DO ANYTHING YOU LIKE. 561 00:55:26,591 --> 00:55:30,795 OTHER WOMEN'S BODIES WILL BE OUR PLAYTHINGS. 562 00:55:35,600 --> 00:55:38,603 TEREZA, WHAT ARE YOU TALKING ABOUT? 563 00:55:40,605 --> 00:55:43,207 I KNOW YOU SEE OTHER WOMEN. 564 00:55:43,207 --> 00:55:44,609 I KNOW IT! 565 00:55:44,609 --> 00:55:47,845 YOU CAN'T HIDE IT FROM ME. 566 00:55:55,620 --> 00:55:58,623 EVERY DAY, I TRY TO TELL MYSELF, 567 00:55:58,623 --> 00:56:00,825 "WELL, IT'S NOTHING." 568 00:56:03,628 --> 00:56:05,229 "IT'S NOT IMPORTANT. 569 00:56:05,229 --> 00:56:07,632 "HE'S JUST PLAYING AROUND. 570 00:56:07,632 --> 00:56:09,634 "HE CAN'T RESIST IT. 571 00:56:09,634 --> 00:56:11,636 "BUT HE LOVES ME. 572 00:56:11,636 --> 00:56:13,838 "I'M SURE ABOUT THAT. 573 00:56:13,838 --> 00:56:15,440 HE LOVES ME." 574 00:56:16,841 --> 00:56:18,843 "HE LOVES ME!" 575 00:56:21,245 --> 00:56:23,848 BUT I CAN'T STAND IT. 576 00:56:23,848 --> 00:56:25,249 I TRIED HARD. 577 00:56:25,249 --> 00:56:26,651 I JUST CAN'T. 578 00:56:26,651 --> 00:56:30,120 TAKE ME TO THEM. DON'T LEAVE ME ALONE! 579 00:56:30,120 --> 00:56:31,656 TEREZA, CALM DOWN. 580 00:56:31,656 --> 00:56:33,658 STOP TALKING. TRY TO SLEEP. 581 00:56:33,658 --> 00:56:35,660 YOU NEED SOME SLEEP NOW. 582 00:56:35,660 --> 00:56:38,429 I DON'T WANT TO SLEEP. 583 00:56:42,933 --> 00:56:44,969 YOU'RE TIRED OF ME. 584 00:56:44,969 --> 00:56:47,772 I KNOW THAT. 585 00:56:49,273 --> 00:56:52,276 [RING RING] 586 00:56:52,276 --> 00:56:54,545 I CAN SEE IT IN YOUR EYES. 587 00:56:54,545 --> 00:56:56,914 [RING RING] 588 00:57:00,685 --> 00:57:03,888 ARF! ARF! ARF! ARF! ARF! ARF! 589 00:57:03,888 --> 00:57:06,691 [RING RING] 590 00:57:09,894 --> 00:57:11,295 HELLO. 591 00:57:11,295 --> 00:57:12,897 YES. 592 00:57:14,298 --> 00:57:15,299 WHAT? 593 00:57:15,299 --> 00:57:16,601 TEREZA! 594 00:57:16,601 --> 00:57:18,903 [ENGINE ROARS] 595 00:57:30,581 --> 00:57:32,182 HERE THEY COME! 596 00:57:34,819 --> 00:57:36,521 ARF ARF! 597 00:57:39,724 --> 00:57:41,492 TEREZA, STAY THERE. 598 00:57:41,492 --> 00:57:42,693 KARENIN! 599 00:59:20,024 --> 00:59:22,026 [CHANTING] 600 00:59:35,072 --> 00:59:36,340 Sabina: TOMAS! 601 00:59:36,340 --> 00:59:37,341 TOMAS! 602 00:59:41,979 --> 00:59:44,314 I'M GOING TO SWITZERLAND. 603 00:59:44,314 --> 00:59:45,315 WHAT? 604 00:59:45,315 --> 00:59:47,317 TO GENEVA. 605 00:59:47,317 --> 00:59:49,019 GOOD LUCK. 606 00:59:50,054 --> 00:59:51,521 GOOD LUCK. 607 00:59:51,521 --> 00:59:52,923 BE CAREFUL. 608 00:59:59,630 --> 01:00:01,632 [MACHINE GUN FIRE] 609 01:00:01,632 --> 01:00:03,000 AAH! AAH! 610 01:00:03,000 --> 01:00:04,101 AAH! AAH! 611 01:00:21,151 --> 01:00:23,954 [SINGING IN CZECH] 612 01:01:10,334 --> 01:01:12,402 [BELLS TOLLING] 613 01:01:21,411 --> 01:01:24,148 [VIOLIN PLAYING] 614 01:01:38,428 --> 01:01:40,898 [SINGING IN CZECH] 615 01:02:23,173 --> 01:02:24,474 [CRASH] 616 01:02:55,705 --> 01:02:57,507 [SIRENS] 617 01:03:20,397 --> 01:03:22,532 [EXPLOSION] 618 01:03:33,944 --> 01:03:36,146 [EXPLOSIONS] 619 01:03:42,953 --> 01:03:44,955 WHAT COUNTRY ARE YOU FROM? 620 01:03:44,955 --> 01:03:46,790 THE NETHERLANDS. 621 01:03:46,790 --> 01:03:48,893 GOOD. TAKE THESE. 622 01:03:52,262 --> 01:03:54,398 HAVE THEM PUBLISHED, PLEASE. 623 01:03:57,701 --> 01:03:58,936 TEREZA! 624 01:04:16,653 --> 01:04:17,754 TEREZA! 625 01:04:17,754 --> 01:04:19,556 IDI! 626 01:04:20,724 --> 01:04:22,292 IDI! 627 01:04:22,292 --> 01:04:23,460 IDI! 628 01:04:23,460 --> 01:04:24,594 IDI! TEREZA! 629 01:04:28,798 --> 01:04:31,936 HAVE YOU GONE MAD? 630 01:04:38,408 --> 01:04:42,179 DON'T YOU REALIZE THAT WE LOVE YOU? 631 01:04:46,816 --> 01:04:49,853 THAT WE ALWAYS LOVED YOU? 632 01:04:49,853 --> 01:04:52,990 THAT WE CAME TO PROTECT YOU? 633 01:04:52,990 --> 01:04:55,425 TO PROTECT? 634 01:04:57,661 --> 01:04:59,563 TO PROTECT US FROM WHAT? 635 01:05:03,433 --> 01:05:06,937 DID YOU GIVE YOUR PICTURES TO FOREIGNERS? 636 01:05:09,839 --> 01:05:11,841 YES, I DID. 637 01:05:11,841 --> 01:05:14,378 YOU REALIZE YOU COULD BE SHOT FOR THAT?! 638 01:05:24,654 --> 01:05:28,458 THEY ARE IDENTIFYING PEOPLE FROM OUR PHOTOGRAPHS. 639 01:05:28,458 --> 01:05:30,460 [SPEAKING CZECH] 640 01:05:35,632 --> 01:05:37,734 IS IT YOUR CAMERA? 641 01:05:37,734 --> 01:05:38,735 NO. 642 01:05:38,735 --> 01:05:40,170 I'M SURE IT'S YOURS. 643 01:05:40,170 --> 01:05:42,306 WHO IS THIS MAN? 644 01:05:44,874 --> 01:05:46,643 WHO IS THIS MAN? 645 01:05:46,643 --> 01:05:48,979 NEVER SEEN HIM BEFORE. 646 01:05:48,979 --> 01:05:50,880 IT'S YOU! 647 01:05:50,880 --> 01:05:51,881 NO. 648 01:05:51,881 --> 01:05:53,317 IT'S YOU! 649 01:05:53,317 --> 01:05:54,318 NO. 650 01:05:54,318 --> 01:05:56,620 IT'S YOU. 651 01:06:01,625 --> 01:06:02,726 NO. 652 01:06:08,798 --> 01:06:10,067 NO. 653 01:06:11,301 --> 01:06:12,336 NO. 654 01:06:13,503 --> 01:06:14,604 NO. 655 01:06:34,958 --> 01:06:36,860 [CROWD CHANTING] 656 01:06:36,860 --> 01:06:38,295 NO! 657 01:06:39,496 --> 01:06:41,131 NO! NO! 658 01:06:46,270 --> 01:06:47,271 NO! 659 01:06:48,872 --> 01:06:50,074 NO! 660 01:08:42,986 --> 01:08:44,654 GOOD LUCK. 661 01:08:44,654 --> 01:08:46,390 YOU, TOO. 662 01:09:10,079 --> 01:09:13,483 THE INVASION OF OUR COUNTRY 663 01:09:13,483 --> 01:09:17,086 CONSTITUTES A CLEAR ACT OF AGGRESSION 664 01:09:17,086 --> 01:09:19,856 AGAINST AN INDEPENDENT COUNTRY. 665 01:09:19,856 --> 01:09:24,093 OUR CZECH PEOPLE HAD THE RIGHT AND THE DUTY 666 01:09:24,093 --> 01:09:27,497 TO FIGHT AGAINST THE AGGRESSOR. 667 01:09:27,497 --> 01:09:31,201 PEOPLE WHO DON'T HAVE THE COURAGE TO FIGHT 668 01:09:31,201 --> 01:09:33,203 WITH ARMS IN THEIR HANDS 669 01:09:33,203 --> 01:09:35,505 DO NOT DESERVE FREEDOM. 670 01:09:35,505 --> 01:09:38,808 SO WHY DID YOU EMIGRATE? 671 01:09:38,808 --> 01:09:40,477 GO BACK AND FIGHT. 672 01:09:40,477 --> 01:09:43,580 IT'S EASY TO TELL OTHER PEOPLE TO FIGHT. 673 01:09:46,616 --> 01:09:47,684 [SIGH] 674 01:09:49,519 --> 01:09:52,922 ONE DAY, EVERYBODY WILL BE ASKED, 675 01:09:52,922 --> 01:09:56,760 "WHAT DID YOU DO AGAINST THE COMMUNIST REGIME?" 676 01:10:06,970 --> 01:10:09,005 EXCUSE ME. 677 01:10:09,005 --> 01:10:10,974 EXCUSE ME. 678 01:10:10,974 --> 01:10:13,543 I WANTED TO ASK YOU SOMETHING. 679 01:10:13,543 --> 01:10:16,546 WELL, WHAT DO YOU WANT TO ASK? 680 01:10:16,546 --> 01:10:19,249 WHY DID YOU DO THAT BACK THERE? 681 01:10:19,249 --> 01:10:23,019 WHY DO YOU WANT TO KNOW? WHO ARE YOU? 682 01:10:23,019 --> 01:10:25,021 MY NAME IS FRANZ. 683 01:10:25,021 --> 01:10:27,757 I CAME TO THAT MEETING TO LISTEN. 684 01:10:29,293 --> 01:10:32,262 NO, NO, I'M NOT FROM THE POLICE. 685 01:10:32,262 --> 01:10:35,299 I'M A PROFESSOR AT THE UNIVERSITY. 686 01:10:40,837 --> 01:10:43,973 I HAVE NOTHING IN COMMON WITH THESE PEOPLE. 687 01:10:43,973 --> 01:10:46,976 THE ONLY THINGS HOLDING THEM TOGETHER ARE DEFEATS 688 01:10:46,976 --> 01:10:50,179 AND THE REPROACHES THEY ADDRESS TO ONE ANOTHER. 689 01:10:50,179 --> 01:10:52,582 IT'S HARD TO BE IN EXILE. 690 01:10:52,582 --> 01:10:54,318 PEOPLE FEEL ABANDONED. 691 01:10:54,318 --> 01:10:56,720 THEY FEEL A LACK OF UNDERSTANDING. 692 01:10:56,720 --> 01:10:58,988 THEY FEEL AT A LOSS, LONELY. 693 01:10:58,988 --> 01:11:01,991 YOUR COUNTRY'S OCCUPIED. ARE YOU INDIFFERENT TO THAT? 694 01:11:01,991 --> 01:11:05,028 I CAN'T STAND POINTING FINGERS AND RAISED FISTS. 695 01:11:05,028 --> 01:11:08,398 SO WHAT DO YOU WANT TO DO? 696 01:11:13,870 --> 01:11:17,341 I WANT TO GO TO LUNCH. I'M HUNGRY. 697 01:11:20,344 --> 01:11:22,546 [MUSIC PLAYS FAINTLY] 698 01:11:28,318 --> 01:11:30,520 HA HA HA! 699 01:11:31,588 --> 01:11:34,591 WHEN I WAS A STUDENT IN PARIS, 700 01:11:34,591 --> 01:11:36,593 I LIKED THE DEMONSTRATIONS, 701 01:11:36,593 --> 01:11:39,195 THE MARCHES, THE CROWDS, THE SHOUTING. 702 01:11:39,195 --> 01:11:41,598 I LIKED TO BE PART OF IT. 703 01:11:41,598 --> 01:11:44,834 THE WHOLE WORLD LOOKED LIKE A GRAND MARCH-- 704 01:11:44,834 --> 01:11:47,604 EVER ONWARD TO A BETTER WORLD. 705 01:11:47,604 --> 01:11:50,807 ME, TOO. I MARCHED EVERY YEAR. 706 01:11:50,807 --> 01:11:51,641 REALLY? 707 01:11:51,641 --> 01:11:54,411 YES, BUT I WAS FORCED TO MARCH. 708 01:11:54,411 --> 01:11:55,745 EVERYBODY WAS. 709 01:11:55,745 --> 01:11:59,516 THE MAY DAY PARADE-- THE GIRLS DRESSED THE SAME. 710 01:11:59,516 --> 01:12:01,985 EVERYBODY SMILING, EVERYBODY THROWING FLOWERS. 711 01:12:03,252 --> 01:12:04,721 MMM. 712 01:12:06,656 --> 01:12:09,058 I COULD NEVER KEEP IN STEP. 713 01:12:09,058 --> 01:12:12,696 THE GIRLS BEHIND ME WOULD STEP ON MY HEELS. 714 01:12:12,696 --> 01:12:14,263 HA HA HA! 715 01:12:14,263 --> 01:12:15,865 HA HA HA! 716 01:12:23,072 --> 01:12:26,309 WHAT HAPPENED TO YOUR COUNTRY IS A TRAGEDY. 717 01:12:26,309 --> 01:12:28,678 YOU THINK SO? 718 01:12:28,678 --> 01:12:31,881 OF COURSE. THERE WAS HOPE. 719 01:12:31,881 --> 01:12:33,417 THEY KILLED IT. 720 01:12:33,417 --> 01:12:36,720 YOU'RE NOT GOING TO BECOME BORING, ARE YOU? 721 01:12:41,691 --> 01:12:42,759 WAITER? 722 01:12:47,030 --> 01:12:49,098 CAN YOU STOP THAT NOISE? 723 01:12:49,098 --> 01:12:50,567 NOISE? 724 01:12:52,301 --> 01:12:55,405 YES--WHAT YOU CALL MUSIC. 725 01:12:55,405 --> 01:12:57,907 I'LL HAVE TO ASK THE MANAGER. 726 01:12:59,576 --> 01:13:02,912 EVERYWHERE MUSIC'S TURNING INTO NOISE. 727 01:13:05,314 --> 01:13:06,583 LOOK. 728 01:13:06,583 --> 01:13:09,318 THESE PLASTIC FLOWERS... 729 01:13:09,318 --> 01:13:11,888 THEY EVEN PUT THEM IN WATER. 730 01:13:11,888 --> 01:13:13,623 HA HA HA! 731 01:13:13,623 --> 01:13:15,892 AND LOOK OUT THERE. 732 01:13:18,061 --> 01:13:19,829 THOSE BUILDINGS-- 733 01:13:19,829 --> 01:13:23,332 THE UGLIFICATION OF THE WORLD. 734 01:13:23,332 --> 01:13:26,135 THE ONLY PLACE WE CAN FIND BEAUTY 735 01:13:26,135 --> 01:13:29,539 IS IF ITS PERSECUTORS HAVE OVERLOOKED IT. 736 01:13:32,341 --> 01:13:34,544 IT'S A PLANETARY PROCESS... 737 01:13:36,746 --> 01:13:39,616 AND I CAN'T STAND IT. 738 01:13:42,351 --> 01:13:44,353 IS ANYTHING WRONG? 739 01:13:44,353 --> 01:13:47,957 WRONG? NO. EVERYTHING IS FINE. 740 01:13:49,358 --> 01:13:51,595 WELL, IT'S JUST THAT NOISE. 741 01:13:51,595 --> 01:13:53,497 COULD YOU STOP IT? 742 01:13:53,497 --> 01:13:56,365 IT SOUNDS LIKE DIRTY WATER. 743 01:13:56,365 --> 01:13:58,034 I'M SORRY, SIR. 744 01:13:58,034 --> 01:14:00,770 THE OTHER CUSTOMERS DO LIKE THIS NOISE. 745 01:14:00,770 --> 01:14:05,809 HOW CAN THEY EAT FOOD AND LISTEN TO SHIT? 746 01:14:10,379 --> 01:14:11,781 WELL, IN THAT CASE, 747 01:14:11,781 --> 01:14:16,553 WE'LL LOOK FOR A PLACE WITH BETTER TASTE. 748 01:14:20,990 --> 01:14:23,192 THANK YOU. 749 01:14:31,400 --> 01:14:33,069 WELL... 750 01:14:33,069 --> 01:14:36,272 I HOPE YOU DIDN'T MIND LEAVING THAT PLACE. 751 01:14:36,272 --> 01:14:38,141 JUST THE OPPOSITE. 752 01:14:38,141 --> 01:14:40,677 I LIKE TO LEAVE PLACES. 753 01:14:40,677 --> 01:14:42,979 I LIKE TO LEAVE. 754 01:14:42,979 --> 01:14:45,014 HA HA HA! 755 01:14:45,014 --> 01:14:46,950 SO... 756 01:14:46,950 --> 01:14:50,086 I HOPE YOU'RE NOT HAVING A BAD TIME. 757 01:14:50,086 --> 01:14:51,955 OH, NOT AT ALL, NO. 758 01:14:51,955 --> 01:14:55,592 I HAVE A TRAIN TO CATCH IN AN HOUR. 759 01:14:55,592 --> 01:14:59,028 YOU TRAVEL BY TRAIN? 760 01:14:59,028 --> 01:15:01,030 ALWAYS. 761 01:15:01,030 --> 01:15:03,032 I LOVE TRAINS. 762 01:15:03,032 --> 01:15:05,034 THEY ARE SO EROTIC. 763 01:15:35,464 --> 01:15:38,968 BY THE WAY, MY WIFE OWNS AN ART GALLERY. 764 01:15:38,968 --> 01:15:41,470 MAYBE SHE COULD HELP YOU. 765 01:15:41,470 --> 01:15:43,640 OH, YOU ARE MARRIED? 766 01:15:46,075 --> 01:15:47,210 YES. 767 01:15:56,485 --> 01:15:58,988 WATCH OUT! 768 01:15:58,988 --> 01:16:00,924 BE CAREFUL. 769 01:16:20,509 --> 01:16:21,845 MMM. 770 01:16:23,512 --> 01:16:25,749 HA HA HA! 771 01:16:53,242 --> 01:16:54,711 UHH. 772 01:16:54,711 --> 01:16:56,746 OH. OH. 773 01:17:13,562 --> 01:17:15,264 [WHIMPERS] 774 01:17:16,565 --> 01:17:18,167 [WHIMPERS] 775 01:17:23,439 --> 01:17:24,741 AHEM. 776 01:17:27,811 --> 01:17:30,179 Tereza: WELL, WELCOME TO GENEVA. 777 01:17:34,984 --> 01:17:37,320 WELL, THAT'S GOOD WORK, 778 01:17:37,320 --> 01:17:39,588 BUT IT'S TOO LATE. 779 01:17:39,588 --> 01:17:41,124 RUSSIANS IN PRAGUE-- 780 01:17:41,124 --> 01:17:43,592 WE'VE SEEN THESE EVERYWHERE. 781 01:17:43,592 --> 01:17:46,129 THE EVENTS ARE TOO REMOTE NOW. 782 01:17:46,129 --> 01:17:47,864 IT'S OVER. 783 01:17:47,864 --> 01:17:51,400 BUT THERE, NOTHING IS OVER. 784 01:17:51,400 --> 01:17:55,238 EVERYBODY STILL DEMANDS THAT THE RUSSIANS LEAVE. 785 01:17:55,238 --> 01:17:59,943 THERE ARE STRIKES ALL OVER THE COUNTRY, AND PROTESTS, 786 01:17:59,943 --> 01:18:04,580 BUT HERE, NOBODY SEEMS TO CARE ANYMORE. 787 01:18:04,580 --> 01:18:06,515 HERE'S THE STORY 788 01:18:06,515 --> 01:18:08,517 ABOUT THE NUDISTS IN FRANCE. 789 01:18:08,517 --> 01:18:10,519 OH, THANK YOU. 790 01:18:10,519 --> 01:18:12,521 WAIT. JUST HAVE A LOOK-- 791 01:18:12,521 --> 01:18:14,323 SUPERB PHOTOGRAPHS OF PRAGUE. 792 01:18:14,323 --> 01:18:17,526 IT'S A PITY WE'RE JUST GETTING THEM NOW. 793 01:18:17,526 --> 01:18:19,662 [TELEPHONE RINGS] 794 01:18:19,662 --> 01:18:21,330 HAVE A LOOK AT MINE. 795 01:18:21,330 --> 01:18:24,834 THEY HAVE NOTHING TO DO WITH YOURS. 796 01:18:37,546 --> 01:18:39,282 NOT AT ALL. 797 01:18:39,282 --> 01:18:42,051 THEY ARE THE SAME. 798 01:18:42,051 --> 01:18:44,353 NOTHING'S WRONG WITH THE BODY. 799 01:18:44,353 --> 01:18:46,756 IT'S NORMAL... 800 01:18:46,756 --> 01:18:49,025 AND EVERYTHING NORMAL IS BEAUTIFUL. 801 01:18:51,027 --> 01:18:55,999 YOU HAVE A TERRIFIC SENSE OF THE FEMALE BODY. 802 01:18:57,666 --> 01:19:00,203 THESE PROVOCATIVE POSES. 803 01:19:00,203 --> 01:19:03,272 YOU'D BE A TOPNOTCH FASHION PHOTOGRAPHER. 804 01:19:03,272 --> 01:19:05,809 YOU OUGHT TO GET YOURSELF A MODEL, 805 01:19:05,809 --> 01:19:07,543 MAKE A PORTFOLIO FOR AGENCIES. 806 01:19:07,543 --> 01:19:12,148 I'LL INTRODUCE YOU TO THE EDITOR OF OUR GARDEN SECTION. 807 01:19:12,148 --> 01:19:13,416 YEAH, SURE. 808 01:19:13,416 --> 01:19:16,886 THEY ALWAYS NEED SHOTS OF CACTUSES AND ROSES. 809 01:19:16,886 --> 01:19:18,754 CACTUSES? 810 01:19:20,356 --> 01:19:21,757 NO. 811 01:19:21,757 --> 01:19:23,326 YOU'RE TOO KIND, REALLY, 812 01:19:23,326 --> 01:19:27,230 BUT I'D RATHER BE A WAITRESS OR STAY HOME. 813 01:19:27,230 --> 01:19:31,367 BUT WILL YOU BE FULFILLED SITTING AT HOME? 814 01:19:32,701 --> 01:19:34,904 [GROWLING] 815 01:19:36,305 --> 01:19:38,307 ARF ARF! 816 01:19:39,575 --> 01:19:42,011 WHAT AM I GOING TO DO, 817 01:19:42,011 --> 01:19:46,850 TAKE PICTURES OF NAKED WOMEN? 818 01:19:51,254 --> 01:19:55,058 WHY DOES EVERYBODY WANT PICTURES OF NAKED WOMEN? 819 01:19:55,058 --> 01:19:59,162 ARE THEY THAT INTERESTING? 820 01:19:59,162 --> 01:20:00,196 HMM? 821 01:20:18,547 --> 01:20:19,883 BLAH! 822 01:20:22,351 --> 01:20:23,719 SEE YOU LATER. 823 01:20:23,719 --> 01:20:25,889 ARE YOU WORKING THIS AFTERNOON? 824 01:20:25,889 --> 01:20:30,493 YES, I'LL BE BACK LATE. WILL YOU BE ALL RIGHT? 825 01:20:30,493 --> 01:20:32,495 YES, I SUPPOSE SO. 826 01:20:36,365 --> 01:20:37,600 GOOD. 827 01:21:47,170 --> 01:21:50,573 COME WITH ME TO AMSTERDAM IN 2 DAYS. 828 01:21:50,573 --> 01:21:52,575 I'VE SEEN AMSTERDAM. 829 01:21:52,575 --> 01:21:54,777 YOU HAVE? 830 01:21:54,777 --> 01:21:57,113 A FRIEND OF MINE ONCE SENT ME 831 01:21:57,113 --> 01:21:59,115 A POST CARD FROM THERE. 832 01:21:59,115 --> 01:22:01,584 IT'S TAPED UP OVER MY TOILET. 833 01:22:01,584 --> 01:22:03,586 HAVEN'T YOU NOTICED? 834 01:22:07,991 --> 01:22:09,525 TELL ME, FRANZ... 835 01:22:09,525 --> 01:22:13,129 WHY DO YOU ALWAYS TAKE ME TO ANOTHER CITY? 836 01:22:13,129 --> 01:22:16,599 WHY WON'T YOU MAKE LOVE TO ME IN GENEVA? 837 01:22:16,599 --> 01:22:18,134 I TOLD YOU. 838 01:22:18,134 --> 01:22:20,003 TELL ME AGAIN. 839 01:22:20,003 --> 01:22:23,406 BECAUSE I COULDN'T GO TO BED WITH MY WIFE. 840 01:22:23,406 --> 01:22:26,609 YOU COULDN'T GO FROM ONE BED TO ANOTHER? 841 01:22:26,609 --> 01:22:28,611 THAT'S RIGHT. 842 01:22:28,611 --> 01:22:30,013 WHY? 843 01:22:30,013 --> 01:22:33,616 I FEEL IT WOULD BE HUMILIATING TO MY WIFE, 844 01:22:33,616 --> 01:22:35,618 TO ME, AND TO YOU. 845 01:22:37,420 --> 01:22:39,622 IT MIGHT SEEM RIDICULOUS, 846 01:22:39,622 --> 01:22:42,225 BUT THAT'S THE WAY IT IS. 847 01:22:43,026 --> 01:22:45,028 I HAVE TO GO. 848 01:22:45,028 --> 01:22:46,229 UM-HMM. 849 01:22:48,631 --> 01:22:50,633 SAY YOU'LL COME WITH ME. 850 01:22:52,901 --> 01:22:55,238 I'LL COME WITH YOU. 851 01:24:00,103 --> 01:24:02,305 IT'S GOOD TO SEE YOU. 852 01:24:10,579 --> 01:24:13,116 HOW ARE YOU? 853 01:24:13,116 --> 01:24:14,317 FINE. 854 01:24:15,451 --> 01:24:17,320 I'M FINE. 855 01:24:19,122 --> 01:24:21,124 DID TEREZA COME WITH YOU? 856 01:24:21,124 --> 01:24:22,991 OF COURSE. 857 01:24:22,991 --> 01:24:25,128 GOOD. HOW IS SHE? 858 01:24:25,128 --> 01:24:28,131 SHE'S...SO-SO. SHE'S OK. 859 01:24:28,131 --> 01:24:30,333 SHE'S LOOKING FOR A JOB. 860 01:24:32,135 --> 01:24:35,138 GOOD. I'D LIKE TO SEE HER SOMETIME. 861 01:24:35,138 --> 01:24:37,140 OF COURSE. WHAT ABOUT YOU? 862 01:24:37,140 --> 01:24:38,741 FINE. 863 01:24:38,741 --> 01:24:40,476 I'M FINE. 864 01:24:40,476 --> 01:24:42,010 GOOD. 865 01:24:42,010 --> 01:24:44,012 I MET ANOTHER MAN. 866 01:24:44,012 --> 01:24:45,148 UH-HUH. 867 01:24:45,148 --> 01:24:48,284 HE'S THE BEST MAN I'VE EVER MET. 868 01:24:48,284 --> 01:24:50,353 HA HA HA! OH. 869 01:24:52,054 --> 01:24:55,691 HE'S BRIGHT, HANDSOME, GOOD... 870 01:24:57,760 --> 01:24:59,762 AND HE'S CRAZY ABOUT ME. 871 01:24:59,762 --> 01:25:00,896 GOOD. 872 01:25:00,896 --> 01:25:02,765 AND HE'S MARRIED. 873 01:25:02,765 --> 01:25:04,933 GOOD. 874 01:25:04,933 --> 01:25:07,836 THERE'S ONLY ONE THING. 875 01:25:11,440 --> 01:25:13,776 HE DOESN'T LIKE MY HAT. 876 01:25:20,583 --> 01:25:22,251 YOUR HAT. 877 01:25:23,286 --> 01:25:28,023 YOUR HAT MAKES ME WANT TO CRY, SABINA. 878 01:25:28,023 --> 01:25:30,393 HA HA HA! 879 01:25:40,969 --> 01:25:42,305 SO... 880 01:25:43,806 --> 01:25:46,642 I'LL CALL YOU. 881 01:25:46,642 --> 01:25:49,412 I'LL SEE YOU SOON. 882 01:26:32,255 --> 01:26:34,457 HA HA HA HA! 883 01:26:35,858 --> 01:26:37,125 OH... 884 01:26:37,125 --> 01:26:39,462 AH... 885 01:26:42,631 --> 01:26:44,867 [CAMERA SHUTTER CLICKS] 886 01:26:53,876 --> 01:26:55,478 NAKED WOMEN. 887 01:27:02,285 --> 01:27:03,886 [RING] 888 01:27:05,488 --> 01:27:07,290 YES? 889 01:27:07,290 --> 01:27:08,891 OH, IT'S YOU! 890 01:27:10,158 --> 01:27:11,694 YES. 891 01:27:11,694 --> 01:27:12,695 WHAT? 892 01:27:12,695 --> 01:27:16,665 SOME WOMAN SAID THAT I SHOULD DO SOME... 893 01:27:18,066 --> 01:27:19,368 SOME NUDE SHOTS. 894 01:27:19,368 --> 01:27:21,437 NUDE SHOTS? 895 01:27:21,437 --> 01:27:23,539 YEAH, NUDE SHOTS. 896 01:27:28,644 --> 01:27:30,513 FOR THAT, 897 01:27:30,513 --> 01:27:33,015 WE'D BETTER HAVE A DRINK FIRST. 898 01:27:39,355 --> 01:27:41,557 TAKE A GLASS. 899 01:28:20,663 --> 01:28:24,600 [GULPING] 900 01:28:37,413 --> 01:28:39,615 HOW IS TOMAS? 901 01:28:39,615 --> 01:28:41,617 FINE. 902 01:28:44,420 --> 01:28:46,622 HAVEN'T YOU SEEN HIM? 903 01:28:46,622 --> 01:28:48,023 NO. 904 01:29:42,478 --> 01:29:46,081 [CLICKING] 905 01:31:17,172 --> 01:31:19,174 LOOK AT ME. 906 01:31:31,186 --> 01:31:32,521 LOOK UP. 907 01:31:32,521 --> 01:31:33,889 LOOK UP. 908 01:31:43,966 --> 01:31:47,469 [THUNDER] 909 01:31:47,469 --> 01:31:50,606 [RAIN PATTERING] 910 01:31:50,606 --> 01:31:53,809 [CAMERA CLICKING] 911 01:33:21,296 --> 01:33:23,298 TAKE OFF YOUR CLOTHES. 912 01:33:27,302 --> 01:33:28,303 WHAT? 913 01:33:29,304 --> 01:33:31,306 NOW IT'S MY TURN. 914 01:33:32,574 --> 01:33:35,177 I DON'T LIKE TO BE NAKED. 915 01:33:35,177 --> 01:33:37,312 I... 916 01:33:37,312 --> 01:33:39,614 TAKE OFF YOUR CLOTHES. 917 01:33:40,916 --> 01:33:42,317 WAIT. 918 01:34:04,740 --> 01:34:06,574 AH! OH! 919 01:34:06,574 --> 01:34:08,777 HA... 920 01:34:09,577 --> 01:34:11,146 AH! 921 01:34:17,352 --> 01:34:20,355 HA HA HA... 922 01:34:24,359 --> 01:34:25,360 AH! 923 01:34:25,360 --> 01:34:27,362 NO! NO! 924 01:34:27,362 --> 01:34:28,964 [CLICK] 925 01:34:45,781 --> 01:34:47,149 [CLICK] 926 01:35:47,309 --> 01:35:49,444 LOOK AT ME, TEREZA. 927 01:36:12,367 --> 01:36:15,470 [BREATHING DEEPLY] 928 01:37:05,921 --> 01:37:08,256 HA HA HA HA... 929 01:37:08,256 --> 01:37:10,292 HA HA HA HA... 930 01:37:13,528 --> 01:37:16,531 HA HA HA HA! 931 01:37:16,531 --> 01:37:19,534 HA HA HA HA! 932 01:37:30,545 --> 01:37:32,680 [DOOR OPENS] 933 01:37:32,680 --> 01:37:34,149 AH! 934 01:37:35,350 --> 01:37:36,418 HA HA HA HA! 935 01:37:36,418 --> 01:37:38,020 HA HA HA HA HA! 936 01:37:40,889 --> 01:37:43,291 TEREZA, MEET FRANZ. 937 01:37:45,693 --> 01:37:46,895 AH! 938 01:37:47,729 --> 01:37:49,731 SHE'S A FRIEND FROM PRAGUE, 939 01:37:49,731 --> 01:37:51,433 ANOTHER CRAZY CHICK. 940 01:37:51,433 --> 01:37:52,968 HA HA! 941 01:37:52,968 --> 01:37:54,970 SHE'S MODELING FOR ME. 942 01:37:54,970 --> 01:37:58,706 OR I AM FOR HER, OR SOMETHING. 943 01:37:58,706 --> 01:38:00,909 I'VE LEFT HER. 944 01:38:04,646 --> 01:38:05,981 WHAT? 945 01:38:07,582 --> 01:38:09,952 I'VE LEFT MY WIFE. 946 01:38:11,786 --> 01:38:14,089 I'VE LEFT MY WIFE. 947 01:38:15,590 --> 01:38:17,659 WHAT DID SHE SAY? 948 01:38:19,995 --> 01:38:21,997 "DON'T FORGET YOUR TUXEDO." 949 01:38:21,997 --> 01:38:23,999 SHE EVEN HELPED ME PACK. 950 01:38:23,999 --> 01:38:26,001 WE'RE STILL FRIENDS, I THINK. 951 01:38:26,001 --> 01:38:30,005 I HAVE TO GO HOME TO GET SOME MORE THINGS-- 952 01:38:30,005 --> 01:38:32,007 MY BOOKS, MY TUXEDO... 953 01:38:32,007 --> 01:38:35,610 AND I WANT TO MAKE SURE SHE'S ALL RIGHT. 954 01:38:35,610 --> 01:38:37,445 WE DIDN'T ARGUE. 955 01:38:37,445 --> 01:38:39,547 I KNOW YOU AGREE. 956 01:38:39,547 --> 01:38:44,152 WE HAVE TO LIVE IN A GLASS HOUSE WITH NO SECRETS. 957 01:38:44,152 --> 01:38:46,888 WE COULDN'T LIVE IN LIES ANYMORE. 958 01:38:46,888 --> 01:38:49,557 WE HAVE TO LIVE IN TRUTH. 959 01:38:49,557 --> 01:38:53,728 SABINA, WOULD YOU MIND 960 01:38:53,728 --> 01:38:55,763 IF I STAYED HERE FOR A WHILE? 961 01:38:55,763 --> 01:38:59,234 IF IT'S NO IMPOSITION. 962 01:39:00,635 --> 01:39:03,638 UNTIL I GET MY BEARINGS. 963 01:39:05,640 --> 01:39:09,711 IF IT'S ALL RIGHT, I'LL... 964 01:39:09,711 --> 01:39:12,047 I'LL COME BACK TOMORROW... 965 01:39:12,047 --> 01:39:14,016 AND, UH... 966 01:39:28,263 --> 01:39:29,664 OH... 967 01:39:30,665 --> 01:39:32,000 OH, GOD. 968 01:39:32,967 --> 01:39:35,370 HA HA HA... 969 01:39:35,370 --> 01:39:37,239 HA HA... 970 01:40:11,206 --> 01:40:12,807 GOOD-BYE, TEREZA. 971 01:40:12,807 --> 01:40:15,077 SEE YOU AGAIN, I'M SURE. 972 01:40:35,230 --> 01:40:37,432 LISTEN, TEREZA... 973 01:40:48,243 --> 01:40:51,246 I WANT YOU TO LEAVE NOW. 974 01:40:51,246 --> 01:40:54,449 I HAVE THINGS I MUST DO. 975 01:41:14,469 --> 01:41:16,070 SABINA? 976 01:42:35,417 --> 01:42:38,152 MAYBE I SHOULD HAVE STAYED. 977 01:42:39,354 --> 01:42:41,556 STOP RUNNING. 978 01:42:43,958 --> 01:42:46,160 STOP LEAVING. 979 01:42:48,363 --> 01:42:51,699 FRANZ WAS SUCH A GOOD MAN. 980 01:42:51,699 --> 01:42:55,303 SO... 981 01:42:55,303 --> 01:42:57,705 WHAT ARE YOU GOING TO DO NOW? 982 01:42:57,705 --> 01:42:59,774 LEAVE. 983 01:42:59,774 --> 01:43:02,176 HA HA HA HA... 984 01:43:03,578 --> 01:43:05,580 AH, SABINA. 985 01:43:06,981 --> 01:43:08,983 I DON'T KNOW. 986 01:43:08,983 --> 01:43:10,985 I'LL GO TO... 987 01:43:10,985 --> 01:43:13,187 PARIS, MAYBE. 988 01:43:16,391 --> 01:43:18,593 OR TO AMERICA. 989 01:43:19,661 --> 01:43:21,929 COME TO ME. 990 01:43:32,006 --> 01:43:34,509 YOU WANT TO SEE AMERICA? 991 01:43:37,011 --> 01:43:38,946 HMM? 992 01:43:40,615 --> 01:43:41,983 SOMETIME. 993 01:43:57,265 --> 01:44:01,469 MAYBE I'M SEEING YOU FOR THE LAST TIME. 994 01:44:07,742 --> 01:44:09,344 MAYBE. 995 01:44:25,026 --> 01:44:27,028 KARENIN. 996 01:44:27,028 --> 01:44:28,630 [WHISTLES] 997 01:44:45,847 --> 01:44:48,450 [TEREZA'S VOICE] "TOMAS, I KNOW 998 01:44:48,450 --> 01:44:52,720 "I'M SUPPOSED TO HELP YOU, BUT I CAN'T. 999 01:44:52,720 --> 01:44:55,390 "INSTEAD OF BEING YOUR SUPPORT, 1000 01:44:55,390 --> 01:44:57,392 "I'M YOUR WEIGHT. 1001 01:44:57,392 --> 01:45:00,795 "LIFE IS VERY HEAVY TO ME, 1002 01:45:00,795 --> 01:45:05,867 AND IT IS SO LIGHT TO YOU." 1003 01:45:08,202 --> 01:45:11,706 "I CAN'T BEAR THIS LIGHTNESS, THIS FREEDOM. 1004 01:45:11,706 --> 01:45:14,409 "I'M NOT STRONG ENOUGH. 1005 01:45:14,409 --> 01:45:17,278 "IN PRAGUE, 1006 01:45:17,278 --> 01:45:20,415 "I ONLY NEEDED YOU FOR LOVE. 1007 01:45:20,415 --> 01:45:22,083 "IN SWITZERLAND, 1008 01:45:22,083 --> 01:45:26,654 "I WAS DEPENDENT ON YOU FOR EVERYTHING. 1009 01:45:26,654 --> 01:45:31,626 "WHAT WOULD HAPPEN IF YOU ABANDONED ME? 1010 01:45:33,027 --> 01:45:34,829 "I'M WEAK. 1011 01:45:34,829 --> 01:45:40,101 "I'M GOING BACK TO THE COUNTRY OF THE WEAK. 1012 01:45:40,101 --> 01:45:42,036 GOOD-BYE." 1013 01:45:51,846 --> 01:45:55,049 "I'M SORRY, BUT I'VE TAKEN KARENIN." 1014 01:45:57,051 --> 01:45:59,053 [KNOCK ON DOOR] 1015 01:46:09,597 --> 01:46:11,799 AND YOUR CAMERA. 1016 01:46:39,093 --> 01:46:41,095 HA HA HA! 1017 01:46:42,497 --> 01:46:44,098 AH, COGNAC? 1018 01:47:11,993 --> 01:47:13,728 HA HA HA! 1019 01:49:07,642 --> 01:49:09,577 [POUNDS ON HOOD] 1020 01:49:21,488 --> 01:49:23,691 [HELICOPTER] 1021 01:50:09,403 --> 01:50:11,605 [TRUMPETS PLAY DOLEFULLY] 1022 01:51:26,380 --> 01:51:28,382 [KNOCK ON DOOR] 1023 01:51:28,382 --> 01:51:31,385 [WHIMPERING] 1024 01:52:05,619 --> 01:52:07,755 ARE YOU ALL RIGHT? 1025 01:52:10,557 --> 01:52:12,559 YES, FINE. 1026 01:52:12,559 --> 01:52:14,428 AND KARENIN? 1027 01:52:16,563 --> 01:52:18,165 FINE, TOO. 1028 01:52:21,568 --> 01:52:24,505 WHAT ARE YOU GOING TO DO HERE? 1029 01:52:27,574 --> 01:52:29,777 I'LL FIND SOMETHING. 1030 01:53:45,652 --> 01:53:47,654 OH, TOMAS. 1031 01:53:47,654 --> 01:53:49,991 TOMAS. 1032 01:53:51,658 --> 01:53:53,660 TOMAS. 1033 01:53:53,660 --> 01:53:56,130 TOMAS. 1034 01:53:57,664 --> 01:53:59,700 OH... 1035 01:53:59,700 --> 01:54:02,269 OH! 1036 01:54:02,269 --> 01:54:05,272 OH... 1037 01:54:05,272 --> 01:54:08,275 OH... 1038 01:54:16,117 --> 01:54:18,052 I REALLY DON'T LIKE TO DO THIS. 1039 01:54:18,052 --> 01:54:20,955 I SHOULDN'T HAVE TO DO THIS. 1040 01:54:20,955 --> 01:54:23,991 YOU REMEMBER THE ARTICLE 1041 01:54:23,991 --> 01:54:26,560 YOU WROTE ABOUT KING OEDIPUS? 1042 01:54:26,560 --> 01:54:28,062 HOW THE COMMUNIST LEADERS 1043 01:54:28,062 --> 01:54:30,231 SHOULD HAVE PUT OUT THEIR EYES? 1044 01:54:30,231 --> 01:54:32,366 YES, I'D ALMOST FORGOTTEN. 1045 01:54:34,135 --> 01:54:36,437 WELL, THEY HAVEN'T. 1046 01:54:38,372 --> 01:54:40,975 THEY'VE PREPARED THIS LITTLE LETTER... 1047 01:54:40,975 --> 01:54:42,977 SORT OF RETRACTION. 1048 01:54:42,977 --> 01:54:44,979 SAY YOU GOT IT WRONG, 1049 01:54:44,979 --> 01:54:47,481 YOU REALLY DIDN'T UNDERSTAND... 1050 01:54:47,481 --> 01:54:49,583 YOU SIGN. THAT'S ALL. 1051 01:54:50,985 --> 01:54:53,254 DON'T MISUNDERSTAND. 1052 01:54:53,254 --> 01:54:56,390 THEY'RE NOT ASKING FOR A PUBLIC DECLARATION. 1053 01:54:56,390 --> 01:54:58,993 THEY'RE JUST PRUDENT BUREAUCRATS. 1054 01:54:58,993 --> 01:55:01,028 THEY'VE GIVEN ME THEIR WORD. 1055 01:55:01,028 --> 01:55:04,331 THEY WON'T PUBLISH ANYTHING. 1056 01:55:06,000 --> 01:55:10,771 I NEED YOU, TOMAS. 1057 01:55:10,771 --> 01:55:14,808 I HOPE I CAN KEEP YOU. 1058 01:55:14,808 --> 01:55:16,210 YOU'RE NOT A WRITER, JOURNALIST, 1059 01:55:16,210 --> 01:55:19,013 SAVIOR OF THE COUNTRY, 1060 01:55:19,013 --> 01:55:22,416 YOU'RE A DOCTOR. A SCIENTIST. 1061 01:55:22,416 --> 01:55:27,588 THIS ARTICLE'S SO TERRIBLY IMPORTANT TO YOU? 1062 01:55:29,823 --> 01:55:31,692 IT COULDN'T BE LESS IMPORTANT. 1063 01:55:55,649 --> 01:55:57,251 HI, TOMAS. 1064 01:55:57,251 --> 01:55:58,252 HI. 1065 01:56:06,960 --> 01:56:08,862 TOMAS. 1066 01:56:08,862 --> 01:56:10,897 HELLO, JIRI! 1067 01:56:10,897 --> 01:56:13,067 IT'S NICE TO SEE YOU BACK. 1068 01:56:13,067 --> 01:56:14,068 HOW ARE YOU? 1069 01:56:14,068 --> 01:56:16,370 THANKS, FINE. 1070 01:56:16,370 --> 01:56:21,975 SO...ARE YOU GOING TO SIGN THE...THING? 1071 01:56:21,975 --> 01:56:23,810 WHAT THING? 1072 01:56:23,810 --> 01:56:26,847 MMM...YOUR, UM... 1073 01:56:26,847 --> 01:56:29,050 RETRACTION. 1074 01:56:30,851 --> 01:56:34,255 WHAT DO YOU KNOW ABOUT MY RETRACTION? 1075 01:56:35,856 --> 01:56:37,858 HAVE YOU READ IT? 1076 01:56:37,858 --> 01:56:39,260 NO. 1077 01:56:39,260 --> 01:56:42,463 BUT YOU KNOW HOW THINGS WORK. 1078 01:56:45,266 --> 01:56:49,470 WHO TOLD YOU I HAD AGREED TO GO ALONG WITH IT? 1079 01:56:55,876 --> 01:56:57,578 SEE YOU. 1080 01:56:57,578 --> 01:56:59,480 HA HA HA HA... 1081 01:57:19,900 --> 01:57:22,303 I SUPPOSE A LOT OF THEM 1082 01:57:22,303 --> 01:57:24,305 HAVE SIGNED THESE LETTERS. 1083 01:57:24,305 --> 01:57:26,307 THEY'RE KEPT ON FILE. 1084 01:57:26,307 --> 01:57:29,910 THEY KNOW THEY CAN BE PUBLISHED AT ANY MOMENT, 1085 01:57:29,910 --> 01:57:32,313 SO THEY KEEP QUIET, SEE? 1086 01:57:32,313 --> 01:57:34,915 THEY CAN'T SAY ANYTHING ANYMORE. 1087 01:57:34,915 --> 01:57:37,651 THEY ACCEPT EVERYTHING. 1088 01:57:40,721 --> 01:57:45,126 COWARDICE SLOWLY BECOMES A RULE OF LIFE. 1089 01:57:46,927 --> 01:57:49,330 YES, I HAVE THE FEELING 1090 01:57:49,330 --> 01:57:53,534 THAT EVERYONE WOULD BE VERY HAPPY TO SEE ME SIGN. 1091 01:57:53,534 --> 01:57:55,536 EVERYONE BUT ME. 1092 01:58:41,982 --> 01:58:45,186 SO...WHAT CAN I DO FOR YOU? 1093 01:58:46,387 --> 01:58:51,458 THERE IS NOTHING YOU CAN DO FOR ME, DOCTOR. 1094 01:58:51,458 --> 01:58:56,263 I REPRESENT THE MINISTRY OF THE INTERIOR. 1095 01:58:58,799 --> 01:59:03,237 EVERYBODY AT THE MINISTRY REGRETS SEEING YOU HERE. 1096 01:59:03,237 --> 01:59:07,274 YOU ARE ONE OF OUR BEST BRAIN SPECIALISTS. 1097 01:59:07,274 --> 01:59:08,875 AND JUST BETWEEN US-- 1098 01:59:08,875 --> 01:59:11,278 MAYBE I SHOULDN'T SAY IT-- 1099 01:59:11,278 --> 01:59:15,282 WE DON'T ALL AGREE WITH THE DRASTIC TACTICS 1100 01:59:15,282 --> 01:59:18,285 THAT ARE REMOVING OUR TOP SPECIALISTS 1101 01:59:18,285 --> 01:59:20,754 FROM THEIR POSTS. 1102 01:59:21,222 --> 01:59:24,591 ONE CAN ONLY BE SORRY ABOUT ALL THIS. 1103 01:59:26,993 --> 01:59:28,662 MAY I? 1104 01:59:28,662 --> 01:59:30,264 PLEASE. 1105 01:59:32,866 --> 01:59:36,069 YOU HAD A VERY GOOD POSITION IN GENEVA, 1106 01:59:36,069 --> 01:59:38,472 AND YOU CAME BACK TO OUR COUNTRY. 1107 01:59:38,472 --> 01:59:41,475 WE VERY MUCH APPRECIATE YOUR HAVING RETURNED, 1108 01:59:41,475 --> 01:59:44,478 BUT YOUR PLACE IS AT THE OPERATING TABLE. 1109 01:59:44,478 --> 01:59:46,813 I COULDN'T AGREE MORE. 1110 01:59:46,813 --> 01:59:48,482 EVERYBODY AGREES. 1111 01:59:48,482 --> 01:59:51,952 THEN... TELL ME, DOCTOR... 1112 01:59:51,952 --> 01:59:53,887 DO YOU REALLY THINK 1113 01:59:53,887 --> 01:59:58,459 THAT COMMUNISTS SHOULD PLUCK OUT THEIR OWN EYES? 1114 02:00:00,093 --> 02:00:03,096 YOU, WHO HAVE HEALED SO MANY PEOPLE? 1115 02:00:03,096 --> 02:00:05,098 THAT WASN'T WHAT I MEANT. 1116 02:00:05,098 --> 02:00:07,501 BUT THAT'S HOW EVERYONE UNDERSTOOD IT. 1117 02:00:07,501 --> 02:00:10,504 AND WE CAN ONLY REGRET IT. 1118 02:00:10,504 --> 02:00:13,507 HOW CAN YOU LET PEOPLE THINK 1119 02:00:13,507 --> 02:00:15,509 THAT YOU, A DOCTOR, 1120 02:00:15,509 --> 02:00:20,447 WANT TO DEPRIVE HUMAN BEINGS OF THEIR RIGHT TO SEE? 1121 02:00:23,216 --> 02:00:25,218 MAYBE SOMEONE INSPIRED THIS ARTICLE? 1122 02:00:25,218 --> 02:00:26,953 NO, NO ONE. 1123 02:00:26,953 --> 02:00:28,955 DID YOU KNOW THE PUBLISHERS? 1124 02:00:28,955 --> 02:00:29,956 NO. 1125 02:00:29,956 --> 02:00:31,358 YOU NEVER SPOKE? 1126 02:00:31,358 --> 02:00:35,329 ONCE, THEY ASKED ME OVER TO DISCUSS THE ARTICLE. 1127 02:00:35,329 --> 02:00:37,998 WHO WAS IT YOU TALKED TO? 1128 02:00:37,998 --> 02:00:40,133 ONE OF THE EDITORS. 1129 02:00:40,133 --> 02:00:42,336 WHAT WAS HIS NAME? 1130 02:00:53,747 --> 02:00:56,983 I DON'T REMEMBER. 1131 02:00:56,983 --> 02:00:58,952 I'VE NO IDEA. 1132 02:01:01,555 --> 02:01:04,991 WHAT DID HE LOOK LIKE? 1133 02:01:04,991 --> 02:01:06,660 I CAN'T REMEMBER. 1134 02:01:06,660 --> 02:01:10,331 TELL ME THE TRUTH, DOCTOR. 1135 02:01:12,766 --> 02:01:14,568 HE WAS TALL... 1136 02:01:14,568 --> 02:01:18,372 WITH...SHORT, BLOND HAIR. 1137 02:01:25,178 --> 02:01:27,781 A LITTLE STOOPED, HMM? 1138 02:01:28,782 --> 02:01:30,183 PERHAPS. 1139 02:01:30,183 --> 02:01:34,020 AND HOW DID HE REACT? 1140 02:01:34,020 --> 02:01:36,189 WHAT DID HE SAY EXACTLY? 1141 02:01:36,189 --> 02:01:39,793 HE ASKED ME TO MAKE SOME CHANGES. 1142 02:01:39,793 --> 02:01:41,595 SO... 1143 02:01:41,595 --> 02:01:47,401 YOU MIGHT HAVE BEEN MANIPULATED, DOCTOR. 1144 02:01:48,802 --> 02:01:50,203 USED. 1145 02:01:50,203 --> 02:01:52,606 WHETHER YOU MEANT TO OR NOT, 1146 02:01:52,606 --> 02:01:55,041 YOUR ARTICLE CONTRIBUTED TO 1147 02:01:55,041 --> 02:01:57,411 THE ANTI-COMMUNIST HYSTERIA. 1148 02:01:58,979 --> 02:02:03,817 NOBODY REQUIRES A DOCTOR TO UNDERSTAND POLITICS. 1149 02:02:09,089 --> 02:02:15,228 OF COURSE, WE CAN'T ALLOW A POLITICALLY SUSPICIOUS MAN 1150 02:02:15,228 --> 02:02:17,831 TO OPERATE ON BRAINS. 1151 02:02:21,735 --> 02:02:25,839 WE HAVE HERE ANOTHER DECLARATION. 1152 02:02:28,642 --> 02:02:31,845 I WOULD ADVISE YOU TO SIGN. 1153 02:02:39,252 --> 02:02:41,455 "THIS TEMPORARY ERROR..." 1154 02:02:43,056 --> 02:02:47,461 "DUE TO BAD INFLUENCES FROM SO-CALLED INTELLECTUALS..." 1155 02:02:48,662 --> 02:02:51,665 "DOESN'T IN ANY WAY PUT IN DOUBT 1156 02:02:51,665 --> 02:02:54,668 "MY FAITHFULNESS TO THE COMMUNIST PARTY 1157 02:02:54,668 --> 02:02:58,071 OR MY ADMIRATION FOR THE SOVIET UNION." 1158 02:02:58,071 --> 02:03:01,274 OF COURSE, DOCTOR, IT'S ONLY A PROPOSITION, 1159 02:03:01,274 --> 02:03:02,676 A FIRST DRAFT. 1160 02:03:02,676 --> 02:03:05,679 IF THERE IS SOMETHING YOU WANT TO CHANGE... 1161 02:03:05,679 --> 02:03:08,482 AFTER ALL, IT'S YOUR STATEMENT. 1162 02:03:10,684 --> 02:03:13,887 JUST A PAPER TO KEEP IN THEIR FILES. 1163 02:03:13,887 --> 02:03:15,288 IT'S NOTHING. 1164 02:03:15,288 --> 02:03:17,691 JUST IN CASE SOMEONE REPROACHES THEM 1165 02:03:17,691 --> 02:03:20,494 FOR LETTING YOU WORK HERE. 1166 02:04:41,775 --> 02:04:44,978 GOOD EVENING, EXCELLENCY. 1167 02:04:53,386 --> 02:04:55,789 WHY DO THEY CALL HIM EXCELLENCY? 1168 02:04:55,789 --> 02:05:00,093 HE WAS AN AMBASSADOR IN VIENNA...BEFORE. 1169 02:05:00,093 --> 02:05:01,528 OH. 1170 02:05:16,009 --> 02:05:18,011 GIVE ME A COGNAC. 1171 02:05:21,014 --> 02:05:23,016 AH. HA. 1172 02:05:23,016 --> 02:05:25,218 ARE YOU 18? 1173 02:05:25,218 --> 02:05:27,520 YES. 1174 02:05:27,520 --> 02:05:30,857 MAY I SEE YOUR IDENTIFICATION CARD? 1175 02:05:34,427 --> 02:05:35,629 HAAA. 1176 02:05:35,629 --> 02:05:37,030 UGH! DRUNK. 1177 02:05:38,632 --> 02:05:41,034 GIVE ME A DRINK. 1178 02:05:44,004 --> 02:05:45,672 GIVE ME A DRINK. 1179 02:05:48,274 --> 02:05:50,811 ALL RIGHT. 1180 02:05:50,811 --> 02:05:53,546 YOU HAVE BEAUTIFUL LEGS! 1181 02:05:54,748 --> 02:05:58,151 I WATCHED YOU IN THE STREET. 1182 02:06:08,361 --> 02:06:09,630 UGH. 1183 02:06:23,376 --> 02:06:24,444 OW! 1184 02:06:24,444 --> 02:06:27,480 STAY HERE. I WANT TO LOOK AT YOU. 1185 02:06:27,480 --> 02:06:29,249 I LOVE YOU! 1186 02:06:29,249 --> 02:06:31,117 OHHH! 1187 02:06:32,318 --> 02:06:34,655 TSK, TSK, TSK. 1188 02:06:56,342 --> 02:06:57,744 MADAME. 1189 02:06:57,744 --> 02:07:02,215 YOU HAVE NO RIGHT TO SERVE ALCOHOL TO MINORS. 1190 02:07:02,215 --> 02:07:04,017 THAT WAS LEMONADE. 1191 02:07:04,017 --> 02:07:06,820 DO YOU THINK I DID NOT SEE 1192 02:07:06,820 --> 02:07:09,690 WHAT ELSE YOU PUT INTO HIS LEMONADE? 1193 02:07:09,690 --> 02:07:11,825 WHAT ARE YOU TALKING ABOUT? 1194 02:07:11,825 --> 02:07:15,228 I'VE BEEN WATCHING YOU FOR SOME TIME NOW. 1195 02:07:15,228 --> 02:07:18,431 THEN BE GRATEFUL YOU'RE WATCHING A BEAUTY, 1196 02:07:18,431 --> 02:07:20,433 AND KEEP YOUR MOUTH SHUT. 1197 02:07:20,433 --> 02:07:22,435 YOU STAY OUT OF THIS. 1198 02:07:22,435 --> 02:07:25,638 WHAT BUSINESS IS IT OF YOURS? 1199 02:07:27,841 --> 02:07:31,377 AND WHAT BUSINESS IS IT OF YOURS, MY FRIEND? 1200 02:07:35,448 --> 02:07:37,050 WELL... 1201 02:07:51,698 --> 02:07:53,133 THANKS. 1202 02:07:54,701 --> 02:07:56,236 DON'T MENTION IT. 1203 02:07:56,236 --> 02:07:59,439 THAT MAN COMES HERE ALL THE TIME. 1204 02:07:59,439 --> 02:08:00,841 HE'S... 1205 02:08:00,841 --> 02:08:03,243 HE'S TERRIBLY UNPLEASANT. 1206 02:08:03,243 --> 02:08:07,280 PROMISE ME YOU WON'T THINK ABOUT HIM ANYMORE. 1207 02:08:09,049 --> 02:08:10,984 I PROMISE. 1208 02:08:12,252 --> 02:08:15,856 I LIKE HEARING YOU MAKE ME PROMISES. 1209 02:08:15,856 --> 02:08:18,658 WHAT IS A BEAUTIFUL GIRL LIKE YOU 1210 02:08:18,658 --> 02:08:20,794 DOING IN THIS TERRIBLE PART OF PRAGUE? 1211 02:08:20,794 --> 02:08:23,029 WHAT ARE YOU DOING HERE? 1212 02:08:23,029 --> 02:08:26,499 I'M LIVING HERE. I'M AN ENGINEER. 1213 02:08:26,499 --> 02:08:30,036 I JUST STOPPED HERE BY CHANCE. 1214 02:08:37,978 --> 02:08:40,781 I LIVE VERY NEAR HERE. 1215 02:09:26,226 --> 02:09:28,028 [TAPPING] 1216 02:09:28,028 --> 02:09:30,230 YOU'RE A DOCTOR, AREN'T YOU? 1217 02:09:30,230 --> 02:09:31,631 YES. 1218 02:09:31,631 --> 02:09:34,034 MAY I SEE YOU FOR A MOMENT? 1219 02:09:34,034 --> 02:09:36,036 I HAVE WINDOWS TO DO. 1220 02:09:36,036 --> 02:09:38,238 OH, DON'T WORRY ABOUT IT. 1221 02:09:38,238 --> 02:09:39,639 COME. 1222 02:09:39,639 --> 02:09:41,241 COME IN. 1223 02:09:45,645 --> 02:09:47,447 DON'T WORRY ABOUT THE WINDOW. 1224 02:09:47,447 --> 02:09:51,251 I'LL TELL THEM ALL THE WORK HAS BEEN DONE. 1225 02:09:53,653 --> 02:09:56,056 A GLASS OF WINE? 1226 02:09:57,257 --> 02:09:59,926 THANK YOU. THAT WOULD BE VERY NICE. 1227 02:09:59,926 --> 02:10:01,995 SIT DOWN. 1228 02:10:09,069 --> 02:10:12,072 I'VE HEARD SO MUCH ABOUT YOU. 1229 02:10:12,072 --> 02:10:15,075 WHEN I SAW YOU, I SAID TO MYSELF, 1230 02:10:15,075 --> 02:10:17,944 "WHAT A COINCIDENCE. 1231 02:10:17,944 --> 02:10:20,780 HE'S THE ONE WHO CAN HELP ME." 1232 02:10:20,780 --> 02:10:23,884 OF COURSE, I'LL PAY FOR THE CONSULTATION. 1233 02:10:25,685 --> 02:10:28,955 I'VE HAD A PAIN IN MY BACK 1234 02:10:28,955 --> 02:10:30,924 FOR A FEW MONTHS, 1235 02:10:30,924 --> 02:10:33,559 AND I WOULD LIKE TO GET 1236 02:10:33,559 --> 02:10:35,561 YOUR OPINION ABOUT IT. 1237 02:10:50,110 --> 02:10:52,378 TAKE OFF YOUR CLOTHES. 1238 02:11:15,735 --> 02:11:17,337 EVERYTHING? 1239 02:11:18,738 --> 02:11:21,174 EVERYTHING. 1240 02:12:20,400 --> 02:12:22,802 IT'S, UH... 1241 02:12:22,802 --> 02:12:24,404 HERE. 1242 02:12:48,428 --> 02:12:50,430 [SNIFFING] 1243 02:13:00,440 --> 02:13:02,442 [SOBBING] 1244 02:13:05,245 --> 02:13:07,447 WHAT'S THE MATTER? 1245 02:13:09,249 --> 02:13:11,451 TELL ME WHAT'S WRONG. 1246 02:13:11,451 --> 02:13:13,053 WHAT'S WRONG? 1247 02:13:14,454 --> 02:13:16,256 WHAT'S WRONG? 1248 02:13:16,256 --> 02:13:19,925 YOU FORGOT TO WASH YOUR HAIR. 1249 02:13:19,925 --> 02:13:22,862 WHAT ARE YOU TALKING ABOUT, TEREZA? 1250 02:13:22,862 --> 02:13:25,865 YOUR HAIR SMELLS OF A-- 1251 02:13:25,865 --> 02:13:27,467 WHAT? 1252 02:13:28,668 --> 02:13:31,071 OF ANOTHER WOMAN'S SEX! 1253 02:13:36,276 --> 02:13:40,280 I THOUGHT YOU HAD COME BACK HERE FOR ME. 1254 02:13:40,280 --> 02:13:43,283 I DID COME BACK HERE FOR YOU, TEREZA. 1255 02:13:43,283 --> 02:13:46,486 THEN WHY DO YOU KEEP SEEING OTHER WOMEN? 1256 02:13:47,887 --> 02:13:50,890 I DON'T KNOW WHAT TO SAY TO YOU. 1257 02:13:50,890 --> 02:13:52,692 I KNOW, I KNOW. 1258 02:13:52,692 --> 02:13:55,295 YOU'VE EXPLAINED IT A THOUSAND TIMES. 1259 02:13:55,295 --> 02:13:57,297 A THOUSAND TIMES. 1260 02:13:57,297 --> 02:14:00,300 THERE IS LOVE AND THERE IS SEX. 1261 02:14:00,300 --> 02:14:03,303 SEX IS ENTERTAINMENT, LIKE FOOTBALL. 1262 02:14:03,303 --> 02:14:06,106 I KNOW IT'S LIGHT. 1263 02:14:07,307 --> 02:14:10,310 I WISH I COULD BELIEVE YOU, BUT... 1264 02:14:10,310 --> 02:14:12,312 HOW CAN SOMEONE MAKE LOVE 1265 02:14:12,312 --> 02:14:14,314 WITHOUT BEING IN LOVE? 1266 02:14:14,314 --> 02:14:16,516 I JUST DON'T KNOW. 1267 02:14:19,519 --> 02:14:21,521 LET ME TRY. 1268 02:14:23,923 --> 02:14:25,325 OH, NO. 1269 02:14:25,325 --> 02:14:28,528 YOU'D REJECT ME IF I TRIED. 1270 02:14:32,932 --> 02:14:36,136 I WISH I COULD BE LIKE YOU... 1271 02:14:37,537 --> 02:14:39,539 INSENSITIVE... 1272 02:14:41,807 --> 02:14:43,543 STRONG... 1273 02:14:44,944 --> 02:14:46,546 STRONG. 1274 02:14:50,950 --> 02:14:53,553 [VOICES ARGUING IN CZECH] 1275 02:15:36,596 --> 02:15:38,298 OH, HELLO. 1276 02:15:38,298 --> 02:15:39,899 I JUST TRIED-- 1277 02:15:39,899 --> 02:15:41,501 COME IN. 1278 02:15:45,905 --> 02:15:47,907 IT'S A VERY SIMPLE PLACE. 1279 02:15:47,907 --> 02:15:49,909 I HOPE YOU DON'T MIND. 1280 02:15:49,909 --> 02:15:51,911 NO, NOT AT ALL. 1281 02:15:51,911 --> 02:15:54,514 ALL THESE BOOKS ARE YOURS? 1282 02:15:54,514 --> 02:15:55,915 YES. 1283 02:15:55,915 --> 02:15:58,518 WHAT DO YOU WANT TO DRINK? 1284 02:15:58,518 --> 02:15:59,519 ANYTHING. 1285 02:15:59,519 --> 02:16:00,320 WINE? 1286 02:16:00,320 --> 02:16:02,087 NO. COFFEE? 1287 02:16:02,087 --> 02:16:04,524 OK. I'LL GO FIX SOME. 1288 02:16:39,959 --> 02:16:42,562 SHALL I TAKE YOUR COAT? 1289 02:16:42,562 --> 02:16:43,963 YES. 1290 02:16:49,969 --> 02:16:51,571 SIT DOWN. 1291 02:16:51,571 --> 02:16:52,972 THANK YOU. 1292 02:17:03,383 --> 02:17:05,985 I'M VERY GLAD YOU CAME HERE. 1293 02:17:11,391 --> 02:17:13,993 I DIDN'T WANT TO COME HERE. 1294 02:17:16,362 --> 02:17:18,598 OF COURSE NOT. 1295 02:17:32,612 --> 02:17:34,447 [CREAKING] 1296 02:17:38,017 --> 02:17:39,452 [CREAKING] 1297 02:17:39,452 --> 02:17:42,021 THERE IS SOMEBODY HERE, 1298 02:17:42,021 --> 02:17:44,757 BEHIND THAT CURTAIN. 1299 02:17:47,026 --> 02:17:49,429 YOU'RE BEING SILLY. 1300 02:17:49,429 --> 02:17:51,831 DRAW ASIDE THE CURTAIN. 1301 02:17:51,831 --> 02:17:54,900 I TOLD YOU-- YOU'RE BEING SILLY. 1302 02:17:54,900 --> 02:18:00,272 WHY DON'T YOU DRAW ASIDE THE CURTAIN, PLEASE? 1303 02:18:23,062 --> 02:18:25,465 LOOK. NOTHING. 1304 02:18:25,465 --> 02:18:27,667 AND OVER HERE. 1305 02:19:21,120 --> 02:19:24,123 I CAN FEEL THAT YOU WANT IT. 1306 02:19:57,156 --> 02:19:59,759 WHAT ARE YOU LOOKING AT? 1307 02:21:08,227 --> 02:21:10,229 BUT BE CAREFUL. 1308 02:21:11,497 --> 02:21:14,366 IT WAS VERY WELL SET UP-- 1309 02:21:14,366 --> 02:21:17,637 A YOUNG, PROVOCATIVE DRUNKARD, 1310 02:21:17,637 --> 02:21:20,640 THEN THE OTHER ONE, 1311 02:21:20,640 --> 02:21:23,042 THE ONE WHO ATTACKED YOU. 1312 02:21:23,042 --> 02:21:29,949 THEN THE THIRD ONE, WHO GAINED YOUR CONFIDENCE 1313 02:21:29,949 --> 02:21:32,217 JUST BECAUSE HE TOOK YOUR SIDE. 1314 02:21:33,686 --> 02:21:35,354 THE ENGINEER? 1315 02:21:35,354 --> 02:21:38,891 THE SO-CALLED ENGINEER. 1316 02:21:41,093 --> 02:21:43,495 WHY DO YOU LOOK AFRAID? 1317 02:21:43,495 --> 02:21:45,565 YOU HAVE NOTHING TO BE AFRAID OF. 1318 02:21:45,565 --> 02:21:48,701 BUT I WENT TO SEE HIM, 1319 02:21:48,701 --> 02:21:50,803 AT HIS PLACE, 1320 02:21:50,803 --> 02:21:54,506 WITH MY DOG AND A FRIEND. 1321 02:21:54,506 --> 02:21:57,376 HE OFFERED US SOME--SOME COFFEE. 1322 02:21:57,376 --> 02:22:00,913 HOW DO YOU KNOW IT WAS HIS PLACE? 1323 02:22:00,913 --> 02:22:05,818 THEY HAVE A LOT OF PLACES THEY CAN USE. 1324 02:22:08,921 --> 02:22:12,124 PRETTY CHEAP PLACE FOR AN ENGINEER. 1325 02:22:13,525 --> 02:22:16,161 YOU KNOW WHAT THEY DO 1326 02:22:16,161 --> 02:22:18,130 WITH FOREIGN DIPLOMATS? 1327 02:22:18,130 --> 02:22:20,399 A BEAUTIFUL GIRL, 1328 02:22:20,399 --> 02:22:22,401 AN APARTMENT, 1329 02:22:22,401 --> 02:22:24,536 A HIDDEN CAMERA. 1330 02:22:24,536 --> 02:22:28,574 THEN THEY BLACKMAIL THE POOR MAN. 1331 02:22:29,541 --> 02:22:34,079 AND HE DOES WHAT HE IS TOLD TO DO. 1332 02:22:40,352 --> 02:22:43,222 THAT'S VIENNA IN '61. 1333 02:22:43,222 --> 02:22:45,891 THAT'S ME THERE, 1334 02:22:45,891 --> 02:22:48,861 JUST BEHIND KENNEDY AND KHRUSCHEV. 1335 02:22:48,861 --> 02:22:52,665 I'M IN THE BACK. YOU CAN HARDLY SEE ME. 1336 02:22:52,665 --> 02:22:55,868 ARE YOU SURE HE WAS FROM THE POLICE? 1337 02:22:55,868 --> 02:22:58,070 I'M NOT SURE OF ANYTHING. 1338 02:22:58,070 --> 02:23:01,674 ANYBODY CAN BE FROM THE POLICE. 1339 02:23:01,674 --> 02:23:04,076 [LAUGHTER] 1340 02:23:04,076 --> 02:23:07,880 MAYBE YOUR ENGINEER IS A REAL ENGINEER. 1341 02:23:07,880 --> 02:23:09,281 AH! 1342 02:23:10,983 --> 02:23:12,885 WHO KNOWS? 1343 02:23:16,288 --> 02:23:18,023 THEY KNOW. 1344 02:23:21,093 --> 02:23:25,364 AND NOW THEY HAVE WHAT THEY WANTED. 1345 02:23:31,704 --> 02:23:33,906 NOW YOU ARE AFRAID. 1346 02:23:50,289 --> 02:23:52,324 [CRYING SOFTLY] 1347 02:24:38,370 --> 02:24:40,372 TOMAS. 1348 02:24:45,377 --> 02:24:48,380 I DON'T WANT TO STAY HERE. 1349 02:24:48,380 --> 02:24:50,783 I WANT TO GO AWAY, 1350 02:24:50,783 --> 02:24:52,985 TO LEAVE. 1351 02:24:53,786 --> 02:24:55,387 TO LEAVE? 1352 02:24:57,990 --> 02:24:59,124 AGAIN? 1353 02:25:05,798 --> 02:25:08,133 WE LEFT HERE ONCE. 1354 02:25:08,133 --> 02:25:11,036 WE WERE IN SWITZERLAND. THEN WE LEFT SWITZERLAND. 1355 02:25:11,036 --> 02:25:14,239 NOW YOU WANT TO LEAVE AGAIN. WHY? 1356 02:25:14,239 --> 02:25:16,041 I DON'T UNDERSTAND. 1357 02:25:16,041 --> 02:25:18,277 PRAGUE HAS GROWN SO UGLY. 1358 02:25:18,277 --> 02:25:20,245 [CRYING] 1359 02:25:20,245 --> 02:25:21,847 NO. 1360 02:25:24,049 --> 02:25:26,251 I KNOW THERE'S ANOTHER REASON. 1361 02:25:26,251 --> 02:25:29,789 [FOOTSTEPS] 1362 02:25:29,789 --> 02:25:31,256 OH... 1363 02:25:34,326 --> 02:25:36,996 PLEASE TELL ME. 1364 02:25:38,663 --> 02:25:40,665 I WANT TO LEAVE. 1365 02:25:40,665 --> 02:25:43,268 I WANT TO LEAVE. 1366 02:25:46,071 --> 02:25:48,874 THEY'VE TAKEN OUR PASSPORTS. 1367 02:25:52,077 --> 02:25:55,080 THERE'S NOWHERE WE CAN GO. 1368 02:25:55,080 --> 02:25:57,883 WE CAN'T GO ANYWHERE. 1369 02:26:02,287 --> 02:26:04,289 MAYBE WE CAN. 1370 02:26:15,600 --> 02:26:17,837 [HUMMING] 1371 02:26:32,551 --> 02:26:34,386 HA HA HA! 1372 02:26:34,386 --> 02:26:35,787 [SNORTS] 1373 02:26:35,787 --> 02:26:38,790 MEPHISTO IS BIG NOW. HUH? LOOK, LOOK. 1374 02:26:38,790 --> 02:26:40,259 LOOK, KARENIN. 1375 02:26:40,259 --> 02:26:41,994 MEPHISTO'S HERE. 1376 02:26:52,404 --> 02:26:53,805 AH! 1377 02:26:53,805 --> 02:26:55,407 PHOOEY. 1378 02:26:55,407 --> 02:26:58,810 HA HA HA HA HA! 1379 02:26:58,810 --> 02:27:01,013 [COW MOOING] 1380 02:27:07,219 --> 02:27:11,390 KARENIN PREFERS MEPHISTO TO DOGS. 1381 02:27:11,390 --> 02:27:13,292 SHE THINKS OTHER DOGS ARE SILLY. 1382 02:27:13,292 --> 02:27:14,759 [SNORT] 1383 02:27:14,759 --> 02:27:16,428 HA HA... 1384 02:27:19,899 --> 02:27:23,035 DO YOU KNOW WHY I LOVE MEPHISTO? 1385 02:27:23,035 --> 02:27:25,037 BECAUSE HE'S VERY BRIGHT, 1386 02:27:25,037 --> 02:27:27,506 BUT AT THE SAME TIME, 1387 02:27:27,506 --> 02:27:30,042 HE DOESN'T KNOW ANYTHING. 1388 02:27:31,243 --> 02:27:33,845 AFTER ALL, HE DOESN'T KNOW 1389 02:27:33,845 --> 02:27:36,848 THAT LIFE IS IMPOSSIBLE HERE NOW. 1390 02:27:37,849 --> 02:27:40,385 NOTHING LEFT HERE. 1391 02:27:40,385 --> 02:27:42,454 THE CHURCH IS GONE. 1392 02:27:43,923 --> 02:27:47,259 NO PLACE TO DRINK BEER NOW. 1393 02:27:52,264 --> 02:27:55,334 IT'S GOOD... VERY GOOD. 1394 02:27:56,868 --> 02:27:58,270 [SLURP] 1395 02:27:58,270 --> 02:28:01,907 IF YOU TWO EVER CHANGE YOUR MIND... 1396 02:28:03,808 --> 02:28:07,746 IT WON'T BE EASY TO LEAVE. 1397 02:28:07,746 --> 02:28:10,549 WE'LL NEVER LEAVE. 1398 02:28:47,119 --> 02:28:49,188 ARF! ARF! ARF! 1399 02:29:21,353 --> 02:29:23,622 [MOO] 1400 02:29:34,633 --> 02:29:35,634 YAH! 1401 02:29:35,634 --> 02:29:36,968 HA HA HA! 1402 02:29:36,968 --> 02:29:40,172 CAN I HELP YOU? 1403 02:29:40,972 --> 02:29:42,441 UH! 1404 02:29:45,844 --> 02:29:47,312 HA HA HA! 1405 02:29:47,312 --> 02:29:48,980 AAH! 1406 02:29:48,980 --> 02:29:50,182 AH! 1407 02:29:52,784 --> 02:29:56,121 [MOOING] 1408 02:30:01,526 --> 02:30:02,927 [COWBELLS RINGING] 1409 02:30:02,927 --> 02:30:05,864 LOOK AT KARENIN. 1410 02:30:05,864 --> 02:30:07,599 I DON'T LIKE THE WAY SHE'S RUNNING. 1411 02:30:07,599 --> 02:30:09,534 YES, YOU'RE RIGHT. 1412 02:30:10,802 --> 02:30:13,172 [WHISTLES] 1413 02:30:13,172 --> 02:30:15,240 KARENIN, COME ON. 1414 02:30:15,240 --> 02:30:17,409 COME ON. COME ON, GIRL. 1415 02:30:17,409 --> 02:30:19,010 COME ON. 1416 02:30:19,010 --> 02:30:20,345 COME ON. 1417 02:30:20,345 --> 02:30:23,615 LET'S HAVE A LOOK AT HER. 1418 02:30:23,615 --> 02:30:25,550 [WHIMPERING] 1419 02:30:26,951 --> 02:30:29,454 WHAT IS THAT? 1420 02:30:31,956 --> 02:30:33,958 IT'S FROM THE VET. 1421 02:30:33,958 --> 02:30:36,561 IT'S THE RESULT OF THE TESTS. 1422 02:30:36,561 --> 02:30:38,563 WHAT DID THEY SAY? 1423 02:30:40,565 --> 02:30:42,167 CANCER. 1424 02:30:47,906 --> 02:30:50,975 OH, LOOK AT THAT. LOOK AT IT. 1425 02:30:50,975 --> 02:30:53,778 OH, IT SMELLS SO GOOD. LOOK. 1426 02:30:53,778 --> 02:30:56,047 COME ON, KARENIN. 1427 02:30:56,047 --> 02:30:58,049 LOOK, TEREZA LOVES IT, TOO. 1428 02:30:58,049 --> 02:31:00,051 OH, LOOK AT THAT. 1429 02:31:00,051 --> 02:31:01,653 OH, OH... 1430 02:31:01,653 --> 02:31:03,255 GRR. 1431 02:31:08,660 --> 02:31:11,663 MM...MMM... 1432 02:31:11,663 --> 02:31:13,298 MMM... 1433 02:31:13,298 --> 02:31:15,066 OH, SHE'S SMILING. 1434 02:31:15,066 --> 02:31:16,468 OH, KARENIN, 1435 02:31:16,468 --> 02:31:19,804 IT'S SO GOOD TO SEE YOU EAT AGAIN. 1436 02:31:29,080 --> 02:31:32,351 I WAS FORCED TO LOVE MY MOTHER. 1437 02:31:35,354 --> 02:31:38,290 BUT NOT TO LOVE THIS DOG. 1438 02:31:40,091 --> 02:31:42,827 YOU KNOW, TOMAS... 1439 02:31:46,097 --> 02:31:49,100 MAYBE...MAYBE I LOVE HER MORE 1440 02:31:49,100 --> 02:31:51,303 THAN I LOVE YOU. 1441 02:31:52,704 --> 02:31:54,306 NOT MORE. 1442 02:31:55,507 --> 02:31:58,377 I MEAN IN A BETTER WAY. 1443 02:31:58,377 --> 02:32:01,313 I'M NOT JEALOUS OF HER. 1444 02:32:02,647 --> 02:32:06,718 I DON'T WANT HER TO BE DIFFERENT. 1445 02:32:10,121 --> 02:32:13,725 I DON'T ASK HER FOR ANYTHING BACK. 1446 02:32:19,130 --> 02:32:22,033 I DON'T THINK WE SHOULD WAIT. 1447 02:32:22,033 --> 02:32:24,969 [KARENIN WHIMPERS] 1448 02:32:24,969 --> 02:32:29,874 IF WE DO, SHE'LL HAVE TO GO THROUGH TERRIBLE PAIN. 1449 02:32:34,446 --> 02:32:35,847 YEAH. 1450 02:32:35,847 --> 02:32:38,850 YOU SHOULD DO IT YOURSELF. 1451 02:32:38,850 --> 02:32:40,452 YEAH. 1452 02:33:30,902 --> 02:33:32,304 LOOK. 1453 02:33:32,304 --> 02:33:34,306 SHE'S SMILING. 1454 02:33:34,306 --> 02:33:36,508 SHE'S SMILING. 1455 02:33:50,322 --> 02:33:54,526 JUST HOLD HER AND TALK TO HER. 1456 02:34:02,334 --> 02:34:04,336 DON'T BE SCARED. 1457 02:34:04,336 --> 02:34:06,938 DON'T BE SCARED, KARENIN. 1458 02:34:08,740 --> 02:34:10,942 YOU WON'T FEEL ANY PAIN THERE. 1459 02:34:10,942 --> 02:34:13,545 IT'LL BE BEAUTIFUL THERE. 1460 02:34:14,646 --> 02:34:17,349 YOU'LL HAVE COWS TO CHASE. 1461 02:34:17,349 --> 02:34:19,217 [KARENIN WHIMPERS] 1462 02:34:19,217 --> 02:34:21,953 AND MEPHISTO WILL BE THERE. 1463 02:34:21,953 --> 02:34:23,955 MEPHISTO WILL BE THERE. 1464 02:34:23,955 --> 02:34:26,925 DON'T BE SCARED. 1465 02:34:31,363 --> 02:34:33,832 DON'T BE SCARED. 1466 02:34:33,832 --> 02:34:36,301 DON'T BE SCARED. 1467 02:34:38,970 --> 02:34:40,972 DON'T BE SCARED. 1468 02:36:25,677 --> 02:36:28,480 AAAH! 1469 02:36:28,480 --> 02:36:31,082 [SPEAKING CZECH] 1470 02:36:31,082 --> 02:36:33,317 TOMAS! 1471 02:36:33,317 --> 02:36:35,353 TOMAS! 1472 02:36:35,353 --> 02:36:37,889 AAH... 1473 02:36:37,889 --> 02:36:39,090 WHAT HAPPENED? 1474 02:36:39,090 --> 02:36:40,492 SHOULDER. 1475 02:36:40,492 --> 02:36:42,494 NOW, LIE DOWN. LIE DOWN. 1476 02:36:42,494 --> 02:36:44,496 ARRRR... 1477 02:36:44,496 --> 02:36:47,098 NOT THIS WAY. COME ON! 1478 02:36:47,098 --> 02:36:49,100 TURN AROUND. 1479 02:36:51,503 --> 02:36:53,505 ALL RIGHT, LET GO. 1480 02:36:53,505 --> 02:36:55,106 LET GO! 1481 02:36:55,106 --> 02:36:57,108 HOLD THAT ARM. 1482 02:36:57,108 --> 02:36:58,510 ERRR... 1483 02:36:58,510 --> 02:37:00,912 YOU'VE DISLOCATED YOUR SHOULDER, 1484 02:37:00,912 --> 02:37:05,016 AND I'M GOING TO PUT IT BACK FOR YOU. 1485 02:37:05,016 --> 02:37:07,118 IT'S GOING TO HURT. 1486 02:37:07,118 --> 02:37:09,120 YAAAH! 1487 02:37:09,120 --> 02:37:11,122 YOU READY? 1488 02:37:11,122 --> 02:37:13,525 AAGGGHH! 1489 02:37:13,525 --> 02:37:15,527 AND AGAIN. 1490 02:37:15,527 --> 02:37:17,529 OORRRHH! 1491 02:37:17,529 --> 02:37:20,131 ONE MORE TIME. COME ON. 1492 02:37:20,131 --> 02:37:21,132 AH! 1493 02:37:28,740 --> 02:37:30,141 WHEW. 1494 02:37:31,543 --> 02:37:33,745 DO YOU FEEL BETTER? 1495 02:37:51,295 --> 02:37:54,766 YOUR WIFE IS DAMN BEAUTIFUL TODAY. 1496 02:37:54,766 --> 02:37:57,902 YOU DUMB IDIOT. TEREZA IS ALWAYS PRETTY. 1497 02:37:57,902 --> 02:37:59,470 YES, I KNOW, 1498 02:37:59,470 --> 02:38:01,740 BUT ESPECIALLY TODAY. 1499 02:38:01,740 --> 02:38:03,742 SEEING YOU IN THIS DRESS 1500 02:38:03,742 --> 02:38:06,878 MAKES ME WANT TO DANCE WITH YOU. 1501 02:38:06,878 --> 02:38:09,614 YES! LET'S ALL GO AND DANCE! 1502 02:38:09,614 --> 02:38:11,215 SURE, BUT WHERE? 1503 02:38:11,215 --> 02:38:12,984 I KNOW WHERE. 1504 02:38:12,984 --> 02:38:15,353 WE CAN GO TO MILOS' TAVERN. 1505 02:38:15,353 --> 02:38:17,556 IT'S 40 KILOMETERS AWAY. 1506 02:38:17,556 --> 02:38:18,957 I'LL DRIVE. 1507 02:38:18,957 --> 02:38:20,358 I'LL DRINK. 1508 02:38:20,358 --> 02:38:23,094 AND WE'LL TAKE YOU AND MEPHISTO, 1509 02:38:23,094 --> 02:38:25,096 THE DANCING PIG. 1510 02:38:25,096 --> 02:38:26,497 [SNORTS] 1511 02:38:26,497 --> 02:38:28,900 AND ALL THE WOMEN WILL FAINT 1512 02:38:28,900 --> 02:38:33,371 WHEN THEY GET AN EYEFUL OF THOSE 2 PIGS 1513 02:38:33,371 --> 02:38:36,374 WALKING IN TOGETHER. HA HA HA! 1514 02:38:36,374 --> 02:38:37,976 YAI! 1515 02:38:42,313 --> 02:38:44,382 LET'S GO! 1516 02:38:44,382 --> 02:38:47,385 [THUNDER] 1517 02:38:47,385 --> 02:38:52,624 [SINGING IN CZECH] 1518 02:39:09,307 --> 02:39:14,613 [PIANIST AND VIOLINIST PLAY SENTIMENTAL JOURNEY] 1519 02:39:43,241 --> 02:39:45,644 [MEPHISTO SQUEALS] 1520 02:39:45,644 --> 02:39:48,847 HA HA HA HA! 1521 02:39:48,847 --> 02:39:52,383 [YELLING IN CZECH] 1522 02:39:52,383 --> 02:39:53,618 SHH! 1523 02:39:53,618 --> 02:39:55,654 SHH! 1524 02:39:55,654 --> 02:39:57,188 NO PIGS ALLOWED. 1525 02:39:57,188 --> 02:39:59,123 AH, COME ON! 1526 02:39:59,123 --> 02:40:01,993 HE'S WEARING A TIE! 1527 02:40:01,993 --> 02:40:06,064 NO. EVERYONE WHO COMES HERE MUST ORDER A DRINK. 1528 02:40:06,064 --> 02:40:07,666 ONLY ONE? 1529 02:40:07,666 --> 02:40:09,668 DID YOU HEAR THAT, MEPHISTO? 1530 02:40:09,668 --> 02:40:11,269 HA HA HA HA! 1531 02:40:11,269 --> 02:40:13,271 WINE FOR EVERYBODY 1532 02:40:13,271 --> 02:40:15,273 AND BEER FOR HIM... 1533 02:40:15,273 --> 02:40:16,675 [SNORTS] 1534 02:40:16,675 --> 02:40:20,078 A LARGE ONE. MAKE IT A PILSNER. 1535 02:40:20,078 --> 02:40:22,613 WHEN MEPHISTO DRINK WINE, 1536 02:40:22,613 --> 02:40:25,516 HE GOES CRAZY. 1537 02:40:25,516 --> 02:40:27,351 HA HA HA HA! 1538 02:40:27,351 --> 02:40:29,353 HA HA HA! 1539 02:40:42,767 --> 02:40:46,971 [APPLAUSE AS SONG ENDS] 1540 02:40:48,372 --> 02:40:51,242 THERE'S NO GIRLS FOR ME... 1541 02:40:53,377 --> 02:40:55,379 EXCEPT YOU, TEREZA. 1542 02:40:55,379 --> 02:40:58,382 [MUSICIANS PLAY] 1543 02:41:14,398 --> 02:41:16,701 TOMAS... 1544 02:41:16,701 --> 02:41:18,636 NO, NO, I CAN'T DRINK. 1545 02:41:18,636 --> 02:41:19,804 AH... 1546 02:41:19,804 --> 02:41:22,406 I MUST NOT. I'M DRIVING. 1547 02:41:22,406 --> 02:41:24,408 HO HO HO! DRIVING. 1548 02:41:24,408 --> 02:41:26,410 LISTEN. 1549 02:41:28,446 --> 02:41:30,815 WHY NOT SPEND THE NIGHT HERE, 1550 02:41:30,815 --> 02:41:33,051 YOU AND TEREZA? 1551 02:41:33,051 --> 02:41:36,187 YOU TAKE THE TRUCK TOMORROW. 1552 02:41:38,422 --> 02:41:39,758 AH. 1553 02:41:47,398 --> 02:41:49,700 [MEPHISTO SQUEALS] 1554 02:41:51,102 --> 02:41:53,371 HEY! 1555 02:41:53,371 --> 02:41:56,507 [SPEAKING CZECH] 1556 02:41:56,507 --> 02:41:58,109 HA HA HA! 1557 02:41:58,109 --> 02:42:00,411 [BURPING] 1558 02:42:03,514 --> 02:42:05,116 YA-HA! 1559 02:42:22,600 --> 02:42:24,803 [SEAGULLS CALLING] 1560 02:43:13,584 --> 02:43:15,186 NICE. 1561 02:43:29,333 --> 02:43:30,935 [WHISTLING] 1562 02:43:37,208 --> 02:43:39,878 EXCUSE ME. 1563 02:43:45,616 --> 02:43:47,018 HEY, SAM. 1564 02:43:47,018 --> 02:43:52,656 I GOT A SPECIAL DELIVERY FOR YOU FROM EUROPE. 1565 02:43:52,656 --> 02:43:54,625 I'LL SEE YOU, SABINA. 1566 02:43:54,625 --> 02:43:57,028 SEE YOU. 1567 02:44:21,052 --> 02:44:24,255 [BELL RINGS IN DISTANCE] 1568 02:44:24,255 --> 02:44:26,257 WHAT IS IT? 1569 02:44:27,658 --> 02:44:29,860 BAD NEWS? 1570 02:44:33,064 --> 02:44:35,266 SOME FRIENDS DIED. 1571 02:44:40,471 --> 02:44:44,675 THEY WERE COMING BACK FROM SPENDING THE NIGHT 1572 02:44:44,675 --> 02:44:47,078 IN SOME SMALL HOTEL THERE, 1573 02:44:47,078 --> 02:44:49,981 GONE THERE TO DANCE, AND THEY... 1574 02:44:49,981 --> 02:44:54,085 IT WAS RAINING, AND... 1575 02:44:54,085 --> 02:44:57,288 THE BRAKES ON THEIR TRUCK DIDN'T WORK. 1576 02:45:00,091 --> 02:45:02,293 THEY WERE KILLED INSTANTLY. 1577 02:45:06,697 --> 02:45:08,299 I WAS... 1578 02:45:14,105 --> 02:45:16,707 I WAS THEIR CLOSEST FRIEND. 1579 02:45:16,707 --> 02:45:19,310 SORRY. DAMN SHAME. 1580 02:45:21,512 --> 02:45:24,715 COME TO OUR PLACE FOR DINNER TONIGHT, 1581 02:45:24,715 --> 02:45:27,318 IF YOU FEEL UP TO IT. 1582 02:45:52,243 --> 02:45:56,247 [MUSICIANS PLAY TANGO] 1583 02:47:58,035 --> 02:47:59,637 TOMAS... 1584 02:48:04,642 --> 02:48:06,644 WHAT ARE YOU THINKING? 1585 02:48:11,849 --> 02:48:15,253 I'M THINKING HOW HAPPY I AM. 1586 02:48:50,754 --> 02:48:53,757 CAPTIONING MADE POSSIBLE BY WARNER BROS. 1587 02:48:53,757 --> 02:48:56,560 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1588 02:48:56,560 --> 02:48:59,897 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 90202

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