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Mastrelli: This relic has passed through the hands
Of kings and conquerors.
It's been the center of extraordinary claims.
They say it pierced the side of christ,
That it holds inside it a nail from the crucifixion,
That it guarantees its possessor victory in battle.
But what are its real origins?
How has this one object sparked so many stories?
Wrapped in silver, and gold,
And more than 1,000 years of mythmaking,
What is the truth about the spear of destiny?
(dramatic music)
For centuries, the mysteries of the past
Have kept their secrets,
But there are clues cast in gold,
Etched in stone,
Written in blood.
We can unlock them.
Some objects seem to possess an aura of mystery about them.
In central africa they're called fetishes.
In north america, they're called dream catchers.
Back in the day, this papua new guinean mask
Might have brought its owner some serious renown.
Then again there are objects in this world
That inspire an entirely different order of awe
And fascination that give rise to myths and legends
And that extend the power of the past to the present day.
Deep within the kunst historische museum,
Vienna, austria,
Just such a relic is on public display:
A fractured metal lance head.
Bound with silver wire and wrapped in a sheath of gold.
It bears these words:
Lancea et clavus domini
"the spear and nail of our lord."
It's called the spear of destiny
And, according to urban legend,
Adolf hitler once gazed longingly upon it as a child.
Given the power it's said to wield,
Such a myth is unsurprising.
Feather: The spear is endowed with a power
To give someone invincibility in battle.
And that aura grew and grew and grew through history.
Mastrelli: But what is the real story of the spear?
It's a question a team of researchers
And conservators assembled
By the kunst historische museum hopes to answer.
Kirchweger: We decided to do new research on the holy lance.
Mastrelli: They'll scan it for physical clues.
Schreiner: We have here the results of the analysis.
Mastrelli: And examine the evidence from four countries
And 20 centuries in a quest to find the truth.
Dr. Helen bond is an expert on early christianity
And the biblical origins of the spear story.
It's mentioned just once, in the gospel of st. John.
Bond: The story of the lance is only in john's gospel
And that's the only place in the entire new testament
That you get any reference to the lance at all.
Mastrelli: It comes during the crucifixion.
Jesus hangs lifeless on the cross,
And a roman soldier wants to check that he really is dead.
Bond: One of the soldiers pierced his side with his lance,
And immediately blood and water flowed out.
Mastrelli: The spear, because it delivered the last wound
To jesus' body, is said to possess tremendous power.
Bond: People have clearly thought of the lance
As a way to connect them to the death of jesus.
Mastrelli: In the middle ages, hundreds of artifacts
Were venerated for their supposed connection
To the lives of saints
But objects thought to offer a direct,
Physical link to jesus were much rarer.
Bond: There's not really very many relics connected with jesus
But the primary ones as far as the people in the middle ages
Were concerned were those to do with his death.
Mastrelli: Tradition says that the first attempts to gather
And preserve such objects began in the fourth century ce.
That's when the emperor constantine decreed christianity
The official religion of the roman empire
And his mother helena went on a quest
To find relics of the crucifixion
300 years after the fact.
Bond: According to tradition,
His mother helena went to jerusalem
And she was looking around for the place
Where jesus was crucified.
Mastrelli: As a feat of biblical archeology,
It was a remarkable success.
Bond: And as she was digging around,
She found not only fragments of the true cross,
But also nails that were said to have attached jesus
To the cross and also the lance.
Mastrelli: Could two of helena's finds have been incorporated
Into the spear of destiny?
And could either one, or both, be genuine?
Today, new technology offers the chance
To test those claims.
Kirchweger: The last time substantial investigations
Have been taken were in the 1920s,
And of course the possibilities
Are on a totally different level nowadays.
Mastrelli: As curator, dr. Franz kirchweger
Is the latest keeper of the spear.
He has assembled a multi-disciplinary team.
Kirchweger: The holy lance has different layers
Telling a lot about its history.
Mastrelli: The plan is to study each element of the spear,
Not just the spearhead,
But also the central iron pin that divides the blade
And that some say holds crucifixion nails.
But, first, that golden outer layer.
Kirchweger has enlisted the help of an expert
In medieval metals, dr. Birgit buhler.
Buhler: If you look at it from a distance at the letters,
It actually looks quite good quality,
But when you look at it in an optical microscope
You can see the tiny faults.
It looks like someone was not a master
In the high art of engraving.
Mastrelli: This doesn't tell us who the engraver was
Or for whom he worked,
But every individual feature of his style is a clue,
Especially if the same style
Can be found on other engravings.
Buhler: Craftsmanship is always very specialized.
Mastrelli: Remarkably, a comparable engraving does exist.
It's on the base of a magnificent cross
Whose provenance is as clear
As the spear of destiny's is murky.
Buhler: There maybe is a correlation,
And maybe it's the same craftsman.
Mastrelli: In fact, the two pieces are so similar
That buhler is convinced they're from the same time,
If not the same hand.
Moreover, the inscription on the cross
Names the man for whom it was made.
That man was charles iv,
The holy roman emperor and king of bohemia.
In the mid-14th century, he ruled much of central europe
From what is, today, the czech republic.
Rosario: Charles the relic collector,
Well, there was no one like him.
Wherever he went,
He collected any and every relic that was available.
Mastrelli: Indeed, the inscription is far
From the only indication
That the spear spent time in charles' possession.
Charles himself took care of that.
Here, at this top of his castle residence near prague,
He built an extraordinary chapel
To host his vast collection of relics.
Buhler: You open into a world that is just lavish
And beautiful and sparkling.
The walls are set with semi-precious stones
And with embossed gold work.
Above are the 130 paintings, you can see the recesses there,
Each contained a relic of a saint, it was a sacred space.
Mastrelli: This is where he kept the spear of destiny
But it's how he publicly displayed it
That's the most revealing.
Rosario: A special day organized
Which was only for the holy lance
And nail of the lord and that tells us how important
Charles must of thought that this holy lance was.
Mastrelli: Each year,
It was ceremonially carried out of the chapel
And onto a specially -built balcony,
Here it was held up before an adoring crowd.
King charles knew full well the effect it would have.
Rosario: The holy lance
Had been bathed in the very blood of christ
And consequently for the medieval man,
You could get no closer to the divine than that.
The medieval person considered
That he was in the very presence of god at that moment.
Mastrelli: And that, of course, made the person
Who owned this object very important indeed.
Rosario: Anyone who possessed the lance had been chosen by god
To be his representative on earth,
To sit on the highest throne.
Mastrelli: Charles iv had schemed his way to power,
Uniting a divided, unstable kingdom under his sole control.
Part of that success came from convincing his people
He had a god-given right to rule.
And in that situation, the spear was a very powerful weapon.
It's no wonder, perhaps that he had it wrapped in gold.
Rosario: It was a way of self-legitimizing,
Self-aggrandizing,
And for eternity to come.
Charles iv was on one hand deeply religious,
And on the other hand a hard, cold calculating pragmatist.
Mastrelli: King charles clearly grasped that some relics
Can be a source of real political power.
But charles iv lived some 13 centuries after the crucifixion
And had no way of knowing
Whether the spear was genuine or not.
Today, though,
Thanks to the scientific team now on the case,
That's a question that might finally be answered.
An ancient bladed weapon is more than an instrument of war,
It's also a kind of recording device.
Even a cursory examination can tell you a lot
About the history of a sword or a dagger.
Take a look at the cutting edge on this yemeni janbiya.
See the nicks and furrows?
This is a blade that's been in the heat of battle
And has seen some serious action.
Compare it to this sword, you see how smooth it is?
This thing has never even been sharpened
And it's certainly never seen a day in combat.
Dr. Eric szameit is an anthropologist
With a special interest in ancient weaponry.
He's made a study of how bladed weapons
Have evolved down the centuries.
And, using x-ray images,
He's produced a replica of the spear,
As it would have looked, when it was first made.
Szameit: The blade is rather heavy.
Mastrelli: The key fact for him is that this spear
Is designed for hand -to-hand combat.
You could stroke from above
Or you could stroke from the side.
Mastrelli: It's meant to stab, to chop,
And to fend off an enemy's blows.
Szameit: A very dangerous, heavy weapon.
Mastrelli: It's a style of combat
That will certainly take its toll on the blade.
Szameit demonstrates.
(speaking in foreign language)
He has examined the holy lance in microscopic detail,
But neither x-ray nor microscopic analysis
Reveal any damage to the spear.
Szameit: It has no marks that it was damaged during a battle.
This holy spear was never used in real fighting.
Mastrelli: Given its reputation as a powerful weapon,
It's a striking conclusion,
But it's not the only one eric believes he can draw.
While it's not possible for him
To carbon date the age of an iron spearhead,
It is possible to compare iron-working techniques
As they've evolved over time.
And, if he can compare the spear with weapons
Whose age he knows for certain,
He may be able to identify the era in which it was made.
Szameit: We have a type of early roman period spear,
Then we have part of a sword
From the ninth to 10th century.
Mastrelli: Szameit brings all these items
To metallurgist manfred schreiner.
Schreiner: This is an object full of emotion
As the object itself
Has such a history and is full of myth
But when you do the analysis, it's a material
As all kinds of materials are
And it is very, very important to clarify the history
And to clarify the authenticity of the object.
Mastrelli: Until recently,
Determining an object's chemical make up
Would have involved taking samples and causing damage.
Schreiner: It was a kind of challenge for me
To carry out non-destructive investigations
And identify the material
Which is used for this important object.
So, what we are analyzing
Is mainly the surface of the material
Without taking any sample and without changing the object.
Mastrelli: The method schreiner uses today
Is called x-ray fluorescence.
It sends out a tightly focused beam of x-rays,
And what bounces back is the metal's chemical signature.
Schreiner: We have here the result
Of the x-ray fluorescence analysis
Obtained on the object of the first century bc.
And what we clearly can see is that iron of course
Is the main element present
But there is also a high variety of additional elements
Such as zinc, nickel, even lead.
Mastrelli: Next, schreiner focuses the x-ray
On the 10th century sword.
It shows that its purer iron is made using a process
That wasn't available in roman times.
Schreiner: And, of course, again iron is the main component
But the amount of minor components
And trace elements is much, much smaller.
Mastrelli: Finally, manfred compares these results
To what he finds on the holy lance.
And for him, the results are conclusive.
Schreiner: The holy lance
Completely differs from the material
Which was used for roman lances.
It's rather typical and characteristic for lances
Which were produced seven or even 800 years later.
We have to say that the holy lance is not a roman lance.
Mastrelli: If a lance did pierce jesus' side,
It wasn't this one.
Kirchweger: Today we can be absolutely sure
That this spear is nothing to do with the time
And age of christ and the roman period.
Mastrelli: But what about the crucifixion nails
The spear is said to hold?
Could they be the relic's real treasure?
Metallurgist robert feather has devoted years
To studying claims that the spear of destiny
Holds nails from the crucifixion.
What most intrigues him is this row of tiny brass crosses
Somehow pressed into the pin.
Buhler: In the iron itself there are inlaid brass wires,
And this is a decoration technique
Very typical for the early middle ages.
And they are crosses, which are of course
Related to the sacred character of the object.
Feather: The question arises
What were the gold crosses doing on the spear?
And my deduction was that they were placed there
At time that the spear was modified and the pin,
The central pin put in place.
Buhler: The technique is basically
You cut a groove in the object
And then you inlay the wire, you fix it by hammering.
There could be something below it,
There could be some sacred material,
Some tiny fragment of a sacred material
That you want to preserve,
And you mark this spot with a cross,
And you have it under the brass wire.
Mastrelli: And this is exactly what feather
Believes he sees just visible,
Sticking out from beneath the inlaid crosses
A sliver of a different metal.
Feather: I was able to look at the spear
Under high-powered magnification.
I could see distinctly
That there were separate lumps on the pin.
You could see the join,
The lapping of those lumps on the pin.
They had an iron composition
Which was different from the rest of the pin itself.
Mastrelli: Some might argue this is weak evidence.
Why accept a small shard of unknown metal
As the support for the relic's authenticity?
Then again, a 10th century manuscript
Offers astounding support.
Bond: "it has crosses made from the nails
"driven through the hands and feet of our lord
"and redeemer jesus christ.
"they claim this lance belonged to constantine the great,
"son of saint helena,
"the discoverer of the life-giving cross."
Mastrelli: The same helena who, tradition says,
Went to jerusalem
And tracked down relics from the crucifixion.
Feather: Someone went to an awful lot of trouble
To place these pieces of separate metal,
Marking them with the gold-looking cross,
And revering the spear.
But now it's got something additional,
It's got pieces that connect right back to jesus.
Kirchweger: This golden crosses that are set on the pin,
That was probably the starting point
For this belief in the holy lance
As being something transporting relics of christ.
Mastrelli: Whatever lies beneath those tiny crosses,
Dr. Kirchweger's team cannot reach it.
Not without destroying the lance.
Indeed, this may be the very part of the puzzle
That's destined to remain unsolved.
Put together, the spear's many layers form a record
Of extraordinary faith, superstition, and ambition.
Above all, the spear represents a legend so powerful
That even after many hundreds of years,
The stories that surround it continue to grow.
Kirchweger: It's kind of fascinating
That this historic artifact
Still is able to create legends in 20th and 21st century.
Bond: All of this huge amount of speculation and thought
And adoration has been put onto the lance.
And the amazing part about it
Is that it survived those centuries
And it was always venerated by every ruler.
Rosario: Locked inside the spear of destiny
Is at least a millennium of history.
Regardless of its origins, it is a remarkable object.
And while we cannot prove its ultimate authenticity,
The fact that this spear possesses a kind of power
Is as undeniable today as it was true 1,000 years ago.
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