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Good evening, Mrs. Flintstone.
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I'm Stoney Curtis, your slave boy.
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Stoney C-C-Curtis?
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Stoney Curtis!
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[screaming]
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slam
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Stoney Curtis.
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Stoney Curtis.
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Stoney Curtis.
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Stoney Curtis.
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Stoney Curtis.
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'Stoney Curtis.'
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Betty, get over here.
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It's Stoney Curtis.
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[theme song]
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[squawking]
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Yabba-dabba-doo!
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? Flintstones meet the Flintstones ?
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? They're the modern Stone Age family ?
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? From the town of Bedrock ?
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? They're a page right out of history ?
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? Let's ride with the family down the street ?
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? Through the courtesy of Fred's two feet ?
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? When you're with the Flintstones ?
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? Have a yabba-dabba-doo time ?
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? A dabba-doo time ?
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? We'll have a gay old time ??
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[piano music]
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Isn't he gorgeous, Betty?
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Absolutely dreamy.
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Read the headlines again, Wilma.
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With pleasure.
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'"Stoney Curtis, famous Hollyrock movie star'
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'"checks in at Sandstone Hotel'
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"this morning.
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"New movie, entitled "Slave Boy"
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Will be filmed, here in Bedrock."
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Wilma, why don't we go down and see him in person?
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Great idea.
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Fred can drop us off on his way to work.
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Which reminds me.
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Fred!
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Breakfast is ready.
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Be right there, Wilma.
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I'm just combing my hair.
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[instrumental music]
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Hmm..
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There, that's better.
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Now I'm my normal, well-groomed self.
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Good morning, girls.
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Mind if I have a look at the paper while I eat?
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Mmm. That's what I call a real he-man.
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What get's me is that cute little nose.
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(Betty) 'It's that manly chin that always appealed to me.'
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[chuckling]
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(Wilma) 'And those crazy, long lashes.'
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And the color of those eyes.
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Did you ever see such a deep green?
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[Fred chuckling]
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They, uh, happen to be
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Robin's egg blue.
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(Wilma) 'Green.'
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Wilma, don't you think I know
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the color of my own eyes?
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Your eyes?
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Did you think we were talking about you?
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Well, weren't you?
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[laughing]
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Oh, Fred..
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...we were talking about Stoney Curtis.
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Look at the back of your newspaper.
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Oh, you mean Stoney Curtis, the actor.
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Yeah, he ain't so hot.
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Take away his makeup, and what do you got?
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(Betty) 'I don't know.'
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(Wilma) 'But I'll take it.'
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Ah, these Hollyrock guys
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sure got you fooled.
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Sittin' round the swimmin' pool all day
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waited on hand and foot.
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Why, a good day's work would kill 'em.
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- Is that so? - 'Yeah.'
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And this picture of Stoney Curtis
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don't you know it's retouched?
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If you saw him in person
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he'd be nothin'.
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Well, we'd like to go and look at some of that nothin'.
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So we thought you and Barney wouldn't mind
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dropping us off at the Sandstone Hotel.
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It's on your way to work.
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Okay, okay.
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But all it's gonna do, is make you appreciate me more.
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Stoney Curtis. Ah..
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Imagine, Barney, goin' all the way downtown
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to look at a movie star.
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Well, uh, he is kinda good-lookin', Fred.
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Uh, cute little nose
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manly chin
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crazy, long lashes
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deep green eyes.
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Oh, knock it off.
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[laughing]
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There's the hotel, Fred.
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You can drop us at the corner.
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Okay, but I'm sure disappointed in you girls.
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Wilma, will you look at that.
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'Why, every woman in Bedrock must be here'
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to see Stoney Curtis.
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And here he is.
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[jazz music]
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Come on, Betty, let's get up close.
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[screaming]
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Please!
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It's a Stoney, attack.
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Yoo-hoo, Stoney.
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He's adorable!
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[screaming]
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Oh, boy.
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Girls, please.
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Will you hold it for a minute.
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And listen, my director
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Rocco Hemminger
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has an announcement to make.
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In celebration of Stoney's new picture, "Slave Boy"
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we are going to have a lucky sweepstakes.
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The winner will have Stoney
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as their personal slave boy for one day.
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[women screaming]
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We left you cards in the lobby, girls.
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And good luck.
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Did you hear that, Wilma?
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What are we waiting for? Let's fill out a card.
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[band music]
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Easy, Mildred.
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That's a heavy rock.
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Alright, let's go.
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thud
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Boy, what a long day this is.
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That slave driver, boss of mine
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waits till the last second
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before he'll blow that whistle.
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Ten, nine
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eight, seven
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six, five
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four, three
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two, one.
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[squawking]
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Quittin' time!
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Yabba-dabba-doo!
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Goodnight, Mildred.
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Oh, goodnight, Freddie.
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Hi, Barney.
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Sorry to keep you waiting
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but that miserable boss of mine
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that tight-wad, Mr. Slate
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'wouldn't think of lettin' you quit'
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'a half a second before five o'clock.'
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'I'm tellin' you, Barney'
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'he's the meanest, most--'
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Ixnay, Ed-fray.
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I-it's Mr. Ate-slay.
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Huh? W-what-what?
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Hello, Flintstone.
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Mr. Slate. Ha ha ha.
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Hiya, boss.
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Uh, we was j-just talkin' about you.
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Yes, I know.
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Phone call for you..
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...slave!
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Uh, thanks, Mr. Slate.
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Like I was sayin', Barney
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Mr. Slate's a swell boss.
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Thoughtful, kind, easygoin', generous--
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Knock it off, Flintstone
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and answer that phone.
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Y-y-yes, sir.
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H-h-hello.
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Flintstone speakin'.
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[indistinct]
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Who? Rocco Hemminger?
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That's right, Flintstone.
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The famous Hollyrock director.
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Congratulations.
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You won the sweepstakes.
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You get Stoney Curtis
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to work for you as your slave boy.
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Who, me?
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What are you talkin' about?
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(Rocco on phone) 'Your wife had the winning ticket.'
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'But we haven't been able to contact her.'
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'Would you please stop by the hotel'
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'and pick up Mr. Curtis?'
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Nothin' doin'! I don't want no slave boy, or..
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[chuckling]
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Hey, wait a minute.
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You mean he's gotta work for me?
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He's gotta do whatever I say?
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That's right, he's your slave boy.
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Just like in the movie we're making.
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You got yourself a deal, pal.
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I will be right over.
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Gee, Fred, you sure are lucky.
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Imagine havin' Stoney Curtis
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as your own slave boy, for a whole day.
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[chuckling] This is gonna be rich, Barn.
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Wilma thinks this Stoney Curtis
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is such a great guy.
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I'm gonna show her what a washout
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these Hollyrock stars really are.
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Oh, uh, I don't know, Fred.
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I always heard he's a pretty nice guy.
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Uh, you've been readin' too many movie magazines.
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Well, looks like we lost out on the sweepstake tickets, Betty.
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But to pick up my spirits
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I bought a jar of that new beauty mud.
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It's supposed to bring out the new you.
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I'll be satisfied if it just hides some of the old me.
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[engine revving]
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Oh-ho. I hear Fred's car pulling up.
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Talk to you later, Betty.
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- Nice meeting you, Barney. - Uh, likewise, Mr. Stoney.
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Uh, my pleasure.
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- See you in the mornin', Fred. - Right.
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Nice guy, huh?
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Yeah.
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And I'll tell you somethin', Curtis
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he ain't no phony.
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Now, uh, shall we go inside?
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Sure, but shouldn't we have called your wife
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to let her know about me.
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What for? You're nothin' special.
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Come on.
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Hey, Wilma.
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I'm home.
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(Wilma) 'Coming, Fred.'
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Dinner is almost..
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...ready.
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Good evening, Mrs. Flintstone.
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I'm Stoney Curtis, your slave boy.
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Stoney C-C-Curtis.
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Stoney Curtis!
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[screaming]
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slam
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Stoney Curtis.
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Stoney Curtis.
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Stoney Curtis.
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Stoney Curtis.
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Stoney Curtis.
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'Stoney Curtis.'
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Betty, get over here.
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It's Stoney Curtis.
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Ah, good evening, Frederick.
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Frederick?
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And Mr. Curtis.
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What a pleasant surprise.
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(Fred) 'Wait a cotton-pickin'-minute!'
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What is this pleasant surprise stuff?
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You saw us here a minute ago.
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Oh, that must have been the maid.
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Come in, Mr. Cutis, come in.
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Thank you, Mrs. Flintstone.
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[instrumental music]
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(Fred) 'Wilma!'
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Oops.
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Sorry, Fred.
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[grunting]
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Nice place you have here, Mrs. Flintstone.
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Oh, my, nothing really.
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What?
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Oh, uh, would you care for some hors d'oeuvres?
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[ringing bell]
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Oh, Yvette.
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Yvette? Who's Yvette.
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Oui, madame. You called?
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(Wilma) 'Yes, will you please serve the hors d'oeuvres?'
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Oui, madame.
277
00:10:32,000 --> 00:10:34,000
What's goin' on here?
278
00:10:34,000 --> 00:10:36,000
That's not Yvette, that's Betty.
279
00:10:36,000 --> 00:10:38,000
You're confused, Frederick.
280
00:10:38,000 --> 00:10:41,000
Betty is the upstairs maid.
281
00:10:41,000 --> 00:10:42,000
Upstairs maid?
282
00:10:42,000 --> 00:10:45,000
We don't have an upstairs maid.
283
00:10:45,000 --> 00:10:47,000
We don't even have an upstairs!
284
00:10:47,000 --> 00:10:50,000
Oh, Frederick, you're so droll.
285
00:10:50,000 --> 00:10:52,000
[laughing]
286
00:10:53,000 --> 00:10:54,000
Droll?
287
00:10:54,000 --> 00:10:55,000
Look, Wilma, I wanna talk to you.
288
00:10:56,000 --> 00:10:59,000
Will you excuse us for a minute, slave boy?
289
00:10:59,000 --> 00:11:02,000
Sure. Go right ahead.
290
00:11:02,000 --> 00:11:04,000
Alright, Wilma, now, what is this all about?
291
00:11:04,000 --> 00:11:06,000
Why is Betty making believe she's our maid
292
00:11:06,000 --> 00:11:08,000
and why are you puttin' on all these hors d'oeuvres?
293
00:11:08,000 --> 00:11:12,000
I'm just trying to have things nice for Stoney Curtis.
294
00:11:12,000 --> 00:11:13,000
Isn't he dreamy?
295
00:11:14,000 --> 00:11:17,000
Well, I won't have all this phony baloney goin' on
296
00:11:17,000 --> 00:11:19,000
in my house just to impress a movie actor.
297
00:11:19,000 --> 00:11:22,000
Oh, it's just this one time, Fred.
298
00:11:22,000 --> 00:11:24,000
He seems real nice.
299
00:11:24,000 --> 00:11:26,000
The deal is he's our slave for a day.
300
00:11:26,000 --> 00:11:28,000
So I'm gonna put him to work.
301
00:11:28,000 --> 00:11:30,000
Probably for the first time in his life.
302
00:11:30,000 --> 00:11:33,000
Then you'll see what spoiled soppies
303
00:11:33,000 --> 00:11:35,000
these Hollyrock guys really are.
304
00:11:38,000 --> 00:11:40,000
Oh, slave boy
305
00:11:40,000 --> 00:11:43,000
when you get the rocks moved and the garage cleaned
306
00:11:43,000 --> 00:11:45,000
you can start building the new wall.
307
00:11:46,000 --> 00:11:48,000
Yes, sahib. I hear and obey.
308
00:11:48,000 --> 00:11:50,000
After that, take a knock off
309
00:11:50,000 --> 00:11:52,000
for some bread and water for ten minutes.
310
00:11:52,000 --> 00:11:54,000
Oh, Flintstone, you're all heart.
311
00:11:55,000 --> 00:11:56,000
[laughing]
312
00:11:57,000 --> 00:12:00,000
Poor Stoney, Fred's really taking advantage of him.
313
00:12:00,000 --> 00:12:04,000
Oh, sometimes Fred makes me so mad.
314
00:12:04,000 --> 00:12:07,000
I'm gonna put a stop to this nonsense.
315
00:12:08,000 --> 00:12:11,000
Really, Stoney, I'm so embarrassed.
316
00:12:11,000 --> 00:12:13,000
Fred is just being stubborn.
317
00:12:13,000 --> 00:12:16,000
Oh, I don't mind. The deal was for me to be a slave boy.
318
00:12:16,000 --> 00:12:18,000
But Fred is carrying things too far.
319
00:12:18,000 --> 00:12:21,000
I want you to stop working right now.
320
00:12:21,000 --> 00:12:23,000
'You mean you don't want me to be a slave anymore?'
321
00:12:23,000 --> 00:12:24,000
Right.
322
00:12:24,000 --> 00:12:27,000
Well, then I'll just have to talk ol' Fred out of it.
323
00:12:27,000 --> 00:12:28,000
How?
324
00:12:28,000 --> 00:12:30,000
You just leave it to me, Wilma.
325
00:12:34,000 --> 00:12:36,000
A thousand pardons, master.
326
00:12:36,000 --> 00:12:37,000
'How high should I make the wall?'
327
00:12:37,000 --> 00:12:40,000
Oh, don't matter, couple three feet is okay.
328
00:12:41,000 --> 00:12:43,000
As you command, master.
329
00:12:46,000 --> 00:12:48,000
Wait a minute, say that again.
330
00:12:48,000 --> 00:12:51,000
I said a couple three feet high is okay.
331
00:12:52,000 --> 00:12:55,000
Beautiful. Such diction.
332
00:12:55,000 --> 00:12:57,000
Obviously, you've appeared on the stage.
333
00:12:57,000 --> 00:12:59,000
Who, me?
334
00:12:59,000 --> 00:13:01,000
Come on, now, don't hold back on me.
335
00:13:01,000 --> 00:13:03,000
I know a highly trained voice when I hear it.
336
00:13:03,000 --> 00:13:05,000
[chuckles]
337
00:13:05,000 --> 00:13:09,000
Well, now, that you mentioned it, I was in a play once
338
00:13:09,000 --> 00:13:10,000
'in drama school.'
339
00:13:10,000 --> 00:13:12,000
I knew it. I knew it.
340
00:13:12,000 --> 00:13:14,000
You've got actor written all over you.
341
00:13:14,000 --> 00:13:15,000
No kidding.
342
00:13:15,000 --> 00:13:17,000
As a matter of fact, there's a part in my movie
343
00:13:17,000 --> 00:13:19,000
you'd be perfect for it.
344
00:13:19,000 --> 00:13:21,000
Oh, but you'll never consider it.
345
00:13:21,000 --> 00:13:22,000
I better get back to work.
346
00:13:22,000 --> 00:13:25,000
No, no, no, wait a minute.
347
00:13:25,000 --> 00:13:28,000
Wait, well, what's so less about a part for me?
348
00:13:28,000 --> 00:13:31,000
Well, I can talk about it now. I got to get back to work.
349
00:13:31,000 --> 00:13:35,000
Oh, forget it, pal, that was just a gag.
350
00:13:35,000 --> 00:13:36,000
Eh, tell me, Mr. Curtis
351
00:13:36,000 --> 00:13:39,000
you really think I could be in your movie?
352
00:13:39,000 --> 00:13:42,000
You report on the set tomorrow morning, Fred.
353
00:13:42,000 --> 00:13:43,000
See you then.
354
00:13:44,000 --> 00:13:47,000
Yabba dabba doo!
355
00:13:47,000 --> 00:13:49,000
Hey, Wilma!
356
00:13:49,000 --> 00:13:51,000
I was wrong about Stoney, baby.
357
00:13:51,000 --> 00:13:53,000
He's a swell guy.
358
00:13:53,000 --> 00:13:57,000
Well, I'm glad you finally realized how wrong you are.
359
00:13:57,000 --> 00:14:00,000
Yes. Stoney convinced me I'm in the wrong business.
360
00:14:00,000 --> 00:14:04,000
Tomorrow morning, I begin a whole new career.
361
00:14:04,000 --> 00:14:06,000
'What? What are you talking about?'
362
00:14:06,000 --> 00:14:10,000
Tomorrow, Wilma, a star is born.
363
00:14:10,000 --> 00:14:12,000
And don't you worry, my dear.
364
00:14:12,000 --> 00:14:15,000
No matter how famous I become, it won't spoil me.
365
00:14:16,000 --> 00:14:20,000
I'm gonna be the same sweet Fred Flintstone
366
00:14:20,000 --> 00:14:21,000
you know and love.
367
00:14:23,000 --> 00:14:25,000
Isn't it thrilling, Barney?
368
00:14:25,000 --> 00:14:27,000
Fred's going to be an actor.
369
00:14:27,000 --> 00:14:31,000
[laughs] Stoney is giving him a small part just for a gag.
370
00:14:31,000 --> 00:14:34,000
Well, I wish Fred would come out of the house already
371
00:14:34,000 --> 00:14:35,000
so I can wish him luck.
372
00:14:35,000 --> 00:14:38,000
I'll be late for work and that's no gag.
373
00:14:38,000 --> 00:14:40,000
(Fred) 'Good morning, Bernard.'
374
00:14:40,000 --> 00:14:42,000
Holy mackerel.
375
00:14:42,000 --> 00:14:44,000
(Fred) 'And how are you, Mrs. Rubble'
376
00:14:44,000 --> 00:14:47,000
and you, my adorable wife?
377
00:14:47,000 --> 00:14:50,000
It's a beautiful morning, if I do say so myself.
378
00:14:50,000 --> 00:14:51,000
(Wilma) 'Fred, what on earth'
379
00:14:52,000 --> 00:14:54,000
'are you dressed up like that for?'
380
00:14:54,000 --> 00:14:56,000
Have you forgotten, buttercup?
381
00:14:56,000 --> 00:14:58,000
My new career starts today.
382
00:14:58,000 --> 00:15:01,000
Fred Flintstone, working man is no more.
383
00:15:01,000 --> 00:15:05,000
Say hello to Fred Flintstone, m-movie star.
384
00:15:05,000 --> 00:15:07,000
Movie star?
385
00:15:07,000 --> 00:15:10,000
Stoney said it was just a small part.
386
00:15:10,000 --> 00:15:12,000
Just to introduce me to my public, Wilma.
387
00:15:13,000 --> 00:15:15,000
After that women will mob me.
388
00:15:15,000 --> 00:15:18,000
'They'll clamor for my autograph, flockin' my hair.'
389
00:15:18,000 --> 00:15:19,000
'But don't worry, honey'
390
00:15:19,000 --> 00:15:23,000
the screams of the adoring mobs won't turn my hip.
391
00:15:23,000 --> 00:15:25,000
I intend to be a simple
392
00:15:25,000 --> 00:15:27,000
unspoilt movie god.
393
00:15:27,000 --> 00:15:30,000
- Movie god? - Yes, Wilma.
394
00:15:30,000 --> 00:15:33,000
A new life beckons and we have to get ready for it.
395
00:15:33,000 --> 00:15:37,000
I've already turned in my resignation at the quarry.
396
00:15:37,000 --> 00:15:39,000
- You quit your job? - 'And I'm selling the house.'
397
00:15:39,000 --> 00:15:42,000
You mean, you're gonna move? Where?
398
00:15:42,000 --> 00:15:44,000
To Hollyrock, of course
399
00:15:44,000 --> 00:15:46,000
where us movie gods live.
400
00:15:46,000 --> 00:15:48,000
So long, Wilma, I don't wanna keep them waiting
401
00:15:48,000 --> 00:15:49,000
the first day, you know.
402
00:15:50,000 --> 00:15:53,000
Fred, just a minute. I want to talk to you.
403
00:15:53,000 --> 00:15:56,000
No time, Wilma. My public awaits.
404
00:15:57,000 --> 00:15:58,000
vroom
405
00:15:58,000 --> 00:16:00,000
Oh, this is awful.
406
00:16:00,000 --> 00:16:04,000
I better call Stoney and prepare him for this.
407
00:16:05,000 --> 00:16:07,000
No, he hasn't arrived yet, Wilma.
408
00:16:07,000 --> 00:16:09,000
- Is something wrong? - Wrong?
409
00:16:09,000 --> 00:16:13,000
I'll say, he's quit his job and wants to move to Hollyrock.
410
00:16:13,000 --> 00:16:15,000
He thinks he is a movie star.
411
00:16:15,000 --> 00:16:18,000
Please, Stoney, you've got to do something.
412
00:16:18,000 --> 00:16:21,000
Alright, Wilma, don't worry, I'll take care of it.
413
00:16:22,000 --> 00:16:24,000
Rocco, I want you to do me a favor.
414
00:16:24,000 --> 00:16:26,000
How much will it cost me?
415
00:16:26,000 --> 00:16:28,000
Nothing, Rocco, nothing.
416
00:16:28,000 --> 00:16:30,000
I want you to make Fred Flintstone my understudy.
417
00:16:30,000 --> 00:16:33,000
Understudy? Are you out of your mind?
418
00:16:33,000 --> 00:16:35,000
Take it easy, Rocco.
419
00:16:35,000 --> 00:16:36,000
He wants to be an actor and Mrs. Flintstone
420
00:16:37,000 --> 00:16:38,000
wants me to discourage him.
421
00:16:38,000 --> 00:16:40,000
Now, here's the plan. You go..
422
00:16:43,000 --> 00:16:46,000
Understudy? Yeah, of course, I can handle it.
423
00:16:46,000 --> 00:16:50,000
And, uh, maybe I could do the same for you someday, Stoney.
424
00:16:50,000 --> 00:16:53,000
Uh, you are the director, I presumpt.
425
00:16:53,000 --> 00:16:56,000
I think my profile has been at my full fledged, don't you?
426
00:16:56,000 --> 00:16:59,000
(Rocco) Yes, it is only a half as frightening.
427
00:16:59,000 --> 00:17:02,000
You better report to wardrobe and get your costume, Fred.
428
00:17:02,000 --> 00:17:03,000
We're ready to shoot.
429
00:17:03,000 --> 00:17:05,000
Right, Stoney baby. And you know something?
430
00:17:05,000 --> 00:17:08,000
For a guy who's gonna lose his job to me
431
00:17:08,000 --> 00:17:10,000
you're okay.
432
00:17:12,000 --> 00:17:14,000
Alright, Stoney, we're all set.
433
00:17:14,000 --> 00:17:16,000
Roll 'em.
434
00:17:16,000 --> 00:17:20,000
Ah, Your Royal Highness, I know I'm only a slave boy
435
00:17:20,000 --> 00:17:22,000
but I cannot resist your beauty.
436
00:17:22,000 --> 00:17:24,000
Kiss me, slave boy.
437
00:17:24,000 --> 00:17:27,000
(Rocco) 'Cut. Understudy, you're on.'
438
00:17:27,000 --> 00:17:28,000
Who, me?
439
00:17:28,000 --> 00:17:31,000
Right, Fred, you pick up where I left off.
440
00:17:31,000 --> 00:17:34,000
But-but-but you were about to kiss her.
441
00:17:34,000 --> 00:17:36,000
Ah-huh, that's your job. Go ahead.
442
00:17:38,000 --> 00:17:40,000
Hm, Wilma won't like this.
443
00:17:40,000 --> 00:17:42,000
Hey, he he, do you mind?
444
00:17:42,000 --> 00:17:45,000
Of course, not, silly. It's in the script.
445
00:17:46,000 --> 00:17:49,000
Come on, Flintstone, we got a picture to shoot.
446
00:17:49,000 --> 00:17:51,000
Start acting.
447
00:17:51,000 --> 00:17:53,000
'Roll 'em.'
448
00:17:53,000 --> 00:17:56,000
Kiss me, slave boy.
449
00:17:56,000 --> 00:17:58,000
Ah-huh.
450
00:17:58,000 --> 00:18:02,000
You, a slave boy, dare kiss the queen.
451
00:18:02,000 --> 00:18:03,000
bam
452
00:18:03,000 --> 00:18:05,000
crash
453
00:18:05,000 --> 00:18:06,000
thump
454
00:18:06,000 --> 00:18:08,000
Alright, cut.
455
00:18:08,000 --> 00:18:10,000
You were great, Fred. Sensational.
456
00:18:10,000 --> 00:18:13,000
- I was? - 'Mm-hmm. Real hard.'
457
00:18:13,000 --> 00:18:14,000
'Like you were really hurt.'
458
00:18:14,000 --> 00:18:18,000
Oh, it was nothing. Just good acting.
459
00:18:19,000 --> 00:18:22,000
Ooh, boy, what a wallop that guy has.
460
00:18:24,000 --> 00:18:26,000
I don't like it, slave boy.
461
00:18:26,000 --> 00:18:29,000
The king's guards can be anywhere in these hills.
462
00:18:29,000 --> 00:18:30,000
I am not afraid.
463
00:18:30,000 --> 00:18:33,000
I've got to deliver this message for the queen.
464
00:18:33,000 --> 00:18:36,000
'It's your life. Good luck, slave boy.'
465
00:18:36,000 --> 00:18:40,000
Cut. Okay, understudy, get in there.
466
00:18:41,000 --> 00:18:44,000
It's your life. Good luck, slave boy.
467
00:18:44,000 --> 00:18:48,000
There he is. There is slave boy. Let him have it.
468
00:18:50,000 --> 00:18:51,000
Yikes!
469
00:18:51,000 --> 00:18:52,000
Help!
470
00:18:52,000 --> 00:18:54,000
thud
471
00:18:54,000 --> 00:18:56,000
Cut. Print it.
472
00:18:56,000 --> 00:18:57,000
You're a natural, Fred.
473
00:18:57,000 --> 00:19:00,000
'I can see you're cut out for this easy life.'
474
00:19:00,000 --> 00:19:02,000
Oh, boy.
475
00:19:04,000 --> 00:19:07,000
Slave boy, you're about to meet your end.
476
00:19:07,000 --> 00:19:09,000
Ha ha, you don't frighten me.
477
00:19:09,000 --> 00:19:11,000
We'll see how you feel when the ferocious trucadorus
478
00:19:12,000 --> 00:19:13,000
enters the arena.
479
00:19:13,000 --> 00:19:15,000
Trucadorus, huh? Only one, huh?
480
00:19:15,000 --> 00:19:18,000
'Alright, we'll make it three.'
481
00:19:18,000 --> 00:19:21,000
Cut. Get in there, Flintstone, and make it look good.
482
00:19:21,000 --> 00:19:23,000
Ah, be.. Yes, sir.
483
00:19:23,000 --> 00:19:25,000
Make it look good, he says.
484
00:19:27,000 --> 00:19:28,000
This is your big scene, Fred.
485
00:19:28,000 --> 00:19:30,000
But-but now, what do I do?
486
00:19:30,000 --> 00:19:33,000
Just stand here and look brave. See you later, Fred.
487
00:19:34,000 --> 00:19:36,000
Alright. Roll 'em.
488
00:19:36,000 --> 00:19:38,000
Let the trucadoruses in.
489
00:19:42,000 --> 00:19:45,000
What the..
490
00:19:45,000 --> 00:19:48,000
Help! Help!
491
00:19:51,000 --> 00:19:52,000
thud
492
00:19:52,000 --> 00:19:54,000
Great, Fred, great.
493
00:19:54,000 --> 00:19:55,000
Now, in the next scene, you really act.
494
00:19:56,000 --> 00:19:58,000
You meet the man-eating crocodile.
495
00:19:58,000 --> 00:20:00,000
Man eating crocodiles?
496
00:20:00,000 --> 00:20:01,000
Hold it, Stoney. Hold it.
497
00:20:02,000 --> 00:20:04,000
I-I've been thinking about this acting business
498
00:20:05,000 --> 00:20:06,000
and it's not for me.
499
00:20:06,000 --> 00:20:10,000
I'm too rugged for this soft life.
500
00:20:10,000 --> 00:20:13,000
I understand, Fred. Come on, I'll take you home.
501
00:20:16,000 --> 00:20:18,000
I owe you an apology, Stoney.
502
00:20:18,000 --> 00:20:22,000
You're not a spoilt softy after all, you're a regular guy.
503
00:20:22,000 --> 00:20:24,000
And I am no actor.
504
00:20:24,000 --> 00:20:27,000
Thanks, Fred. I didn't mean it to be so rough on you.
505
00:20:27,000 --> 00:20:30,000
No, I'm glad it was. Knocked some sense into me.
506
00:20:30,000 --> 00:20:33,000
'All I know is if my boss'll take me back'
507
00:20:33,000 --> 00:20:35,000
'I'll be glad to be plain old Fred Flintstone'
508
00:20:35,000 --> 00:20:37,000
'and live right here in Bedrock.'
509
00:20:37,000 --> 00:20:40,000
I'm afraid it's not gonna be quite that easy, Fred.
510
00:20:40,000 --> 00:20:43,000
- Huh? - A man bought our house today.
511
00:20:43,000 --> 00:20:46,000
He's bringing his wife over tonight to look at it.
512
00:20:46,000 --> 00:20:50,000
- He can't do that. - Gee, I'm afraid he can.
513
00:20:50,000 --> 00:20:53,000
I signed a contract with a real estate agent this morning
514
00:20:53,000 --> 00:20:55,000
and told him I wanted immediate action.
515
00:20:55,000 --> 00:20:58,000
Oh, Fred, what will we do?
516
00:20:58,000 --> 00:21:00,000
I don't wanna move.
517
00:21:00,000 --> 00:21:02,000
Wait a minute. You said he's coming over tonight?
518
00:21:02,000 --> 00:21:04,000
- 'Uh-huh.' - Hm.
519
00:21:04,000 --> 00:21:08,000
I did a scene in a movie once. It just might work.
520
00:21:08,000 --> 00:21:10,000
- Wanna give it a try? - You bet.
521
00:21:10,000 --> 00:21:12,000
- Anything. - Okay.
522
00:21:12,000 --> 00:21:14,000
Now, here's your chance to be an actor, Fred.
523
00:21:16,000 --> 00:21:19,000
Oh, I love it, really, it's just perfect.
524
00:21:19,000 --> 00:21:20,000
Then we'll take it.
525
00:21:20,000 --> 00:21:22,000
And don't try to weasel out, Flintstone.
526
00:21:22,000 --> 00:21:25,000
We got the signed contract you left with the agent.
527
00:21:25,000 --> 00:21:28,000
Weasel out? Me? Not on your life.
528
00:21:28,000 --> 00:21:30,000
I'm all packed and ready to move right now.
529
00:21:30,000 --> 00:21:31,000
[doorbell dinging]
530
00:21:31,000 --> 00:21:33,000
I'll get it.
531
00:21:33,000 --> 00:21:34,000
[door opening]
532
00:21:34,000 --> 00:21:37,000
Oh, Hello, there.
533
00:21:37,000 --> 00:21:38,000
Hiya, Wilma baby?
534
00:21:38,000 --> 00:21:40,000
Tiger.
535
00:21:40,000 --> 00:21:42,000
Who's that?
536
00:21:42,000 --> 00:21:46,000
Valentino Amoro. Our next door neighbor.
537
00:21:46,000 --> 00:21:47,000
He's just a neighbor?
538
00:21:47,000 --> 00:21:49,000
Yeah, friend of the wife.
539
00:21:49,000 --> 00:21:52,000
I'll introduce you right after they break it up.
540
00:21:52,000 --> 00:21:56,000
Say, who is this enchantress?
541
00:21:56,000 --> 00:21:58,000
Been holding out on your old pal, huh?
542
00:21:58,000 --> 00:22:01,000
Uh, this is Mrs. Rockindorff.
543
00:22:01,000 --> 00:22:04,000
She's gonna be your new neighbor, Valentino.
544
00:22:04,000 --> 00:22:06,000
Well, well, well.
545
00:22:06,000 --> 00:22:07,000
How charming.
546
00:22:08,000 --> 00:22:10,000
And your first name, my little dove?
547
00:22:10,000 --> 00:22:12,000
Ma-Ma-Ma...Mabel.
548
00:22:12,000 --> 00:22:13,000
Oh, lovely.
549
00:22:13,000 --> 00:22:17,000
Tell me, Mabel, do you believe in the good neighbor policy?
550
00:22:18,000 --> 00:22:19,000
You say he lives next door?
551
00:22:19,000 --> 00:22:21,000
Yeah! He's an artist.
552
00:22:21,000 --> 00:22:23,000
He's home all day.
553
00:22:23,000 --> 00:22:26,000
Oh, Fred, I can't leave.
554
00:22:26,000 --> 00:22:27,000
I just couldn't stand it.
555
00:22:28,000 --> 00:22:30,000
My whole life is here. Oh!
556
00:22:30,000 --> 00:22:32,000
[crying]
557
00:22:32,000 --> 00:22:34,000
She must really like this house.
558
00:22:34,000 --> 00:22:38,000
Uh, let's just say she digs the neighborhood.
559
00:22:38,000 --> 00:22:41,000
Mabel, my dear, may I show you the garden?
560
00:22:41,000 --> 00:22:43,000
- By moonlight? - Love to.
561
00:22:43,000 --> 00:22:45,000
[laughing]
562
00:22:45,000 --> 00:22:48,000
Just a minute, it's kinda dark out there.
563
00:22:48,000 --> 00:22:49,000
(Valentino) 'Of course.'
564
00:22:49,000 --> 00:22:52,000
I'd love to paint your picture someday
565
00:22:52,000 --> 00:22:54,000
'if I could get some fire-proof canvas.'
566
00:22:54,000 --> 00:22:57,000
I see now, why your wife doesn't wanna leave here.
567
00:22:57,000 --> 00:22:59,000
Uh, yeah, tell you what, Rockindorff
568
00:22:59,000 --> 00:23:01,000
I'll knock off a thousand bucks.
569
00:23:01,000 --> 00:23:03,000
Mabel, come back here.
570
00:23:03,000 --> 00:23:06,000
I'll make it 2,000, your wife will love it here.
571
00:23:08,000 --> 00:23:10,000
That's what I'm afraid of. The deal's off, Flintstone.
572
00:23:10,000 --> 00:23:13,000
I wouldn't take this house if you gave it to me for nothing.
573
00:23:13,000 --> 00:23:16,000
Hey, Mabel...let's go home.
574
00:23:18,000 --> 00:23:20,000
Ooh! Fred, it worked.
575
00:23:20,000 --> 00:23:22,000
Yabba dabba doo!
576
00:23:22,000 --> 00:23:25,000
[laughing] Oh, thanks to Stoney, we have our house back.
577
00:23:27,000 --> 00:23:31,000
I gotta admit. You two did a great job of acting.
578
00:23:31,000 --> 00:23:34,000
- 'I'm proud of you.' - Oh, thanks, Stoney.
579
00:23:34,000 --> 00:23:35,000
We'll always be grateful.
580
00:23:35,000 --> 00:23:38,000
So long, folks, See you in the movies.
581
00:23:38,000 --> 00:23:40,000
So long, Stoney.
582
00:23:40,000 --> 00:23:43,000
Fred, did you hear what he said?
583
00:23:43,000 --> 00:23:45,000
Huh? What do you mean?
584
00:23:45,000 --> 00:23:49,000
He said I did a great acting job.
585
00:23:49,000 --> 00:23:50,000
So?
586
00:23:50,000 --> 00:23:51,000
So I was thinking
587
00:23:52,000 --> 00:23:55,000
maybe there's a part for me in his next picture.
588
00:23:55,000 --> 00:23:56,000
Are you kiddin'?
589
00:23:56,000 --> 00:23:59,000
Oh, Stoney, just a minute.
590
00:23:59,000 --> 00:24:01,000
I wanna talk to you.
591
00:24:01,000 --> 00:24:03,000
Wilma, come back here.
592
00:24:04,000 --> 00:24:06,000
Now, cut it out, Wilma.
593
00:24:06,000 --> 00:24:09,000
No more actors in this house.
594
00:24:09,000 --> 00:24:12,000
Wi-i-ilma-a-a-a!
595
00:24:15,000 --> 00:24:17,000
[theme song]
596
00:24:18,000 --> 00:24:20,000
? Flintstones meet the Flintstones ?
597
00:24:20,000 --> 00:24:24,000
? They're the modern Stone Age family ?
598
00:24:24,000 --> 00:24:26,000
? From the town of Bedrock ?
599
00:24:27,000 --> 00:24:30,000
? They're a page right out of history ?
600
00:24:30,000 --> 00:24:33,000
? Someday maybe Fred will win the fight ?
601
00:24:33,000 --> 00:24:36,000
? Then that cat will stay out for the night ?
602
00:24:36,000 --> 00:24:39,000
? When you're with the Flintstones ?
603
00:24:39,000 --> 00:24:41,000
? Have a yabba-dabba-doo time ?
604
00:24:41,000 --> 00:24:42,000
? A dabba-doo time ?
605
00:24:43,000 --> 00:24:45,000
? We'll have a gay old time ?
606
00:24:52,000 --> 00:24:55,000
? We'll have a gay old time ?
607
00:24:55,000 --> 00:24:58,000
Wilma-a-a-a!
608
00:24:58,050 --> 00:25:02,600
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