All language subtitles for Living Single - S04 E05 - Moi the Jury (480p - HULU Web-DL)

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,302 --> 00:00:04,337 NOT GUILTY... NOT GUILTY... 2 00:00:04,404 --> 00:00:06,072 NOT GUILTY... NOT GUILTY... 3 00:00:06,139 --> 00:00:08,241 NOT GUILTY... NOT GUILTY... 4 00:00:08,308 --> 00:00:09,510 ( sighs ) 5 00:00:09,576 --> 00:00:10,844 GUILTY. 6 00:00:14,447 --> 00:00:16,349 WHAT? 7 00:00:16,416 --> 00:00:18,685 SARAH McQUEEN IS GUILTY. 8 00:00:18,752 --> 00:00:23,156 AND APPARENTLY, I AM THE ONLY SANE PERSON ON THIS JURY. 9 00:00:23,223 --> 00:00:25,258 GOOD. THEN WE CAN ALL PLEAD INSANITY 10 00:00:25,325 --> 00:00:27,728 WHEN WE KILL YOU. 11 00:00:27,794 --> 00:00:29,696 DAMN STRAIGHT. I'VE HAD MARRIAGES 12 00:00:29,763 --> 00:00:32,432 THAT DIDN'T TAKE AS LONG AS THIS DELIBERATION. 13 00:00:32,498 --> 00:00:37,504 CONSIDERING YOUR LITTLE ATTITUDE, I'M NOT SURPRISED. 14 00:00:37,571 --> 00:00:39,439 WELL, ANOTHER DAY SHOT. 15 00:00:39,506 --> 00:00:41,642 LET'S GO HOME, KICK THE DOG 16 00:00:41,708 --> 00:00:43,376 AND RECONVENE TOMORROW MORNING. 17 00:00:43,443 --> 00:00:46,680 UNLESS ONE OF US GETS HIT BY A BUS. 18 00:00:46,747 --> 00:00:48,481 AND REMEMBER THE JUDGE'S ADMONITION 19 00:00:48,549 --> 00:00:50,851 NOT TO DISCUSS THE CASE WITH ANYONE. 20 00:00:50,917 --> 00:00:52,619 EVEN IF YOUR FAMILY WONDERS 21 00:00:52,686 --> 00:00:56,723 WHY YOU HAVEN'T BEEN TO YOUR WIFE'S GRAVE LATELY? 22 00:00:59,492 --> 00:01:01,902 IT AIN'T LIKE SHE GOING ANYWHERE. 23 00:01:04,337 --> 00:01:05,806 ♪ WE ARE LIVING ♪ 24 00:01:05,872 --> 00:01:06,873 ♪ HEY ♪ 25 00:01:06,940 --> 00:01:09,676 ♪ SINGLE ♪ 26 00:01:09,743 --> 00:01:11,411 ♪ OOH, IN A '90s KIND OF WORLD ♪ 27 00:01:11,477 --> 00:01:13,914 ♪ I'M GLAD I GOT MY GIRLS ♪ 28 00:01:13,980 --> 00:01:15,248 ♪ KEEP YOUR HEAD UP ♪ ♪ WHAT? ♪ 29 00:01:15,315 --> 00:01:16,458 ♪ KEEP YOUR HEAD UP ♪ ♪ THAT'S RIGHT ♪ 30 00:01:16,482 --> 00:01:17,560 ♪ WHENEVER THIS LIFE GETS TOUGH ♪ 31 00:01:17,584 --> 00:01:18,719 ♪ YOU GOT TO FIGHT WITH ♪ 32 00:01:18,785 --> 00:01:19,720 ♪ MY HOMEGIRL STANDING TO MY LEFT ♪ 33 00:01:19,786 --> 00:01:20,921 ♪ AND MY RIGHT ♪ 34 00:01:20,987 --> 00:01:22,656 ♪ TRUE BLUE, IT'S TIGHT LIKE GLUE ♪ 35 00:01:22,723 --> 00:01:24,424 ♪ CHECK, CHECK, CHECK IT OUT ♪ 36 00:01:24,490 --> 00:01:25,926 ♪ CHECK, CHECK, CHECK IT OUT ♪ 37 00:01:25,992 --> 00:01:29,395 ♪ WE ARE LIVING SINGLE. ♪ 38 00:01:29,462 --> 00:01:31,382 [Captioning sponsored by FOX BROADCASTING COMPANY 39 00:01:31,406 --> 00:01:32,874 [and WARNER BROS. TELEVISION] 40 00:01:36,102 --> 00:01:37,538 OH, I KNOW, HAROLD, I KNOW. 41 00:01:37,604 --> 00:01:41,107 SOMETIMES, LIFE DOESN'T COOPERATE WITH OUR PLANS 42 00:01:41,174 --> 00:01:44,878 BUT REMEMBER, DISAPPOINTMENT ENDS IN OINTMENT. 43 00:01:48,414 --> 00:01:49,950 AND YOU KNOW WHAT? 44 00:01:50,016 --> 00:01:51,484 OINTMENT HEALS. 45 00:01:52,519 --> 00:01:56,422 WHAT'S CONFUCIUS JACKSON UP TO? 46 00:01:56,489 --> 00:01:58,592 HA HA. 47 00:01:58,659 --> 00:02:00,794 "ACTORS HELPING ACTORS." 48 00:02:00,861 --> 00:02:04,738 IT'S A CRISIS HOT LINE FOR UNEMPLOYED ACTORS. 49 00:02:04,805 --> 00:02:09,342 SHOULDN'T SHE BE ON THE OTHER END OF THAT PHONE CALL? 50 00:02:09,409 --> 00:02:10,711 SHOULDN'T YOU BE 51 00:02:10,777 --> 00:02:13,179 ON THE OTHER SIDE OF THE STREET? 52 00:02:13,246 --> 00:02:14,915 MY BABY IS MORE THAN QUALIFIED 53 00:02:14,981 --> 00:02:16,550 TO MAN THOSE PHONES, OKAY? 54 00:02:16,617 --> 00:02:19,452 SHE HAD AN HOUR AND A HALF OF INTENSIVE TRAINING 55 00:02:19,519 --> 00:02:23,089 PLUS A REFRESHER COURSE IN PHONE HYGIENE. 56 00:02:23,156 --> 00:02:26,292 REMEMBER, IT TAKES 52 MUSCLES TO FROWN 57 00:02:26,359 --> 00:02:28,194 AND ONLY 19 TO SMILE. 58 00:02:28,261 --> 00:02:29,930 NOW, YOU DO THE HAPPY MATH. 59 00:02:29,996 --> 00:02:31,231 PEACE OUT. 60 00:02:32,298 --> 00:02:35,368 SO HOW'S HAROLD DOING, MY CURVACEOUS COUNSELOR? 61 00:02:35,435 --> 00:02:36,770 NOT BAD, NOT BAD. 62 00:02:36,837 --> 00:02:39,139 HE STILL THINKS EVERYBODY'S OUT TO GET HIM 63 00:02:39,205 --> 00:02:41,608 BUT HE'S BEGINNING TO TRUST HIS CAT AGAIN. 64 00:02:41,675 --> 00:02:42,743 Kyle: HEY, REGINE. 65 00:02:42,809 --> 00:02:43,944 HOW'S JURY DUTY? 66 00:02:44,010 --> 00:02:46,279 KYLE, NOW, YOU KNOW I CAN'T TALK ABOUT IT 67 00:02:46,346 --> 00:02:48,014 AND BESIDES, I ALREADY TOLD YOU ALL: 68 00:02:48,081 --> 00:02:50,116 I'M ON SOME BORING OLD TRIAL 69 00:02:50,183 --> 00:02:52,318 THAT NOBODY WOULD BE INTERESTED IN. 70 00:02:52,385 --> 00:02:55,689 MM. I GUESS THEY MATCH THE CASE WITH THE JUROR. 71 00:02:55,756 --> 00:02:58,559 TOO BAD YOU AIN'T ON THAT SARAH McQUEEN CASE. 72 00:02:58,625 --> 00:03:01,635 MAYBE YOU COULD STRAIGHTEN OUT THAT IDIOT JUROR 73 00:03:01,702 --> 00:03:03,369 THAT'S HOLDING UP 74 00:03:03,436 --> 00:03:04,538 THE DAD‐GONE VERDICT! 75 00:03:06,540 --> 00:03:07,841 I‐IDIOT...? 76 00:03:07,908 --> 00:03:09,843 WELL, NOW, WHY DO YOU THINK 77 00:03:09,910 --> 00:03:12,813 THAT SHE'S... OR HE'S... AN IDIOT? 78 00:03:12,879 --> 00:03:13,879 WELL, REPORTEDLY 79 00:03:13,914 --> 00:03:15,716 SOMEONE ON THAT JURY IS CONVINCED 80 00:03:15,782 --> 00:03:17,317 THAT KINDHEARTED OLD WOMAN 81 00:03:17,383 --> 00:03:19,786 COULD BURN DOWN HER OWN HOUSE. 82 00:03:19,853 --> 00:03:22,288 EVEN THE PROSECUTOR ENDED HIS CLOSING ARGUMENT WITH: 83 00:03:22,355 --> 00:03:25,491 "ON THE OTHER HAND, I COULD BE WRONG." 84 00:03:25,559 --> 00:03:29,095 Overton: WHO AMONG US DIDN'T GROW UP LOVING SARAH McQUEEN. 85 00:03:29,162 --> 00:03:32,766 IN HERE COMES MRS. BENCHLEY, GET OUT THE WAY. 86 00:03:32,833 --> 00:03:34,267 Kyle: MRS. BENCHLEY. 87 00:03:34,334 --> 00:03:35,969 AN ARSONIST. YEAH. 88 00:03:36,036 --> 00:03:37,904 AND WHEEZY JEFFERSON SHOT J. F. K. 89 00:03:37,971 --> 00:03:39,640 Khadijah: OOH, WHEEZY JEFFERSON! 90 00:03:39,706 --> 00:03:41,441 ( laughing and talking at once ) 91 00:03:41,508 --> 00:03:43,777 YOU GUYS, NOW, SARAH McQUEEN. 92 00:03:43,844 --> 00:03:45,746 IS THE WOMAN ACCUSED OF THE CRIME. 93 00:03:45,812 --> 00:03:46,747 MRS. BENCHLEY 94 00:03:46,813 --> 00:03:48,682 IS JUST A CHARACTER SHE PLAYS. 95 00:03:48,749 --> 00:03:51,017 DON'T CONFUSE THE ACTOR WITH THE ROLE. 96 00:03:51,084 --> 00:03:52,018 YEAH. 97 00:03:52,085 --> 00:03:53,353 TELL THAT TO TOOTIE. 98 00:03:56,790 --> 00:03:59,225 THAT'S WHAT I'M TALKING ABOUT... 99 00:04:00,834 --> 00:04:02,402 NO, NO, NO, REGINE. 100 00:04:02,468 --> 00:04:04,137 SHE REALLY IS SWEET. 101 00:04:04,204 --> 00:04:05,572 WHEN I INTERVIEWED HER 102 00:04:05,639 --> 00:04:07,641 SHE BROUGHT A MARBLE CAKE... 103 00:04:07,708 --> 00:04:08,909 AND GET THIS... 104 00:04:08,975 --> 00:04:12,178 HAD HER THREE ADOPTED CAMBODIAN ORPHANS SING 105 00:04:12,245 --> 00:04:14,848 "I WILL SURVIVE." 106 00:04:16,750 --> 00:04:18,652 SARAH McQUEEN IS GUILTY! 107 00:04:18,719 --> 00:04:21,588 OR COULD BE GUILTY... 108 00:04:21,655 --> 00:04:22,923 I WOULDN'T KNOW. 109 00:04:22,989 --> 00:04:25,225 ( Woodenly ): I'M NOT ON THAT JURY. 110 00:04:28,895 --> 00:04:30,396 STOP LOOKING AT ME. 111 00:04:31,932 --> 00:04:35,602 LOOK, THERE'S NOT ONE SOLID PIECE OF EVIDENCE 112 00:04:35,669 --> 00:04:37,904 LINKING SARAH McQUEEN TO THE CRIME. 113 00:04:37,971 --> 00:04:41,842 PLUS... 15 PEOPLE TESTIFIED ON HER BEHALF 114 00:04:41,908 --> 00:04:46,179 INCLUDING THE ENTIRE CAST OF MY MOTHER, THE BOAT. 115 00:04:46,246 --> 00:04:47,848 WHEN THE FIRE BROKE OUT 116 00:04:47,914 --> 00:04:51,217 McQUEEN WAS ON A RED CROSS PLANE TO BOSNIA. 117 00:04:51,284 --> 00:04:56,222 DELIVERING MEDICAL SUPPLIES AND HOMEMADE PEANUT BRITTLE. 118 00:04:56,289 --> 00:04:59,359 AND YOU CALL THAT AN ALIBI? 119 00:05:00,767 --> 00:05:03,804 I HAVE YET TO HEAR ONE GOOD REASON 120 00:05:03,870 --> 00:05:05,672 WHY SARAH McQUEEN IS GUILTY. 121 00:05:05,739 --> 00:05:09,643 I HAVE GIVEN YOU SEVERAL, AND HERE COMES ANOTHER: 122 00:05:09,710 --> 00:05:12,646 WHEN WAS THE LAST TIME AN INNOCENT WOMAN 123 00:05:12,713 --> 00:05:16,717 WORE NUDE PANTYHOSE TWO SHADES DARKER THAN HER OWN COMPLEXION? 124 00:05:23,857 --> 00:05:26,226 HOMEGIRL IS HIDING SOMETHING. 125 00:05:27,528 --> 00:05:29,129 LIVER SPOTS. 126 00:05:29,195 --> 00:05:31,164 SHE'S 73. 127 00:05:31,231 --> 00:05:35,536 SHE BURNED DOWN HER HOUSE FOR THE INSURANCE MONEY! 128 00:05:35,602 --> 00:05:38,739 YOU HEARD THE PROSECUTOR SAY THAT SHE HASN'T WORKED 129 00:05:38,805 --> 00:05:42,075 SINCE SHE STARRED IN WHOOPS, I'M THE PRESIDENT. 130 00:05:43,443 --> 00:05:46,179 YOU KNOW, SOMETIMES, THE JURORS IN A CASE‐‐ 131 00:05:46,246 --> 00:05:48,682 THEY FORM A REAL BOND AMONGST THEMSELVES 132 00:05:48,749 --> 00:05:51,017 AND AFTERWARDS, THEY GET TOGETHER 133 00:05:51,084 --> 00:05:52,819 TO TALK OVER OLD TIMES 134 00:05:52,886 --> 00:05:55,556 AND SHARE NEW EXPERIENCES... BUT NOT ON THIS CASE 135 00:05:55,622 --> 00:05:56,957 BECAUSE I HATE YOU. 136 00:05:59,025 --> 00:06:00,801 I SECOND. 137 00:06:00,867 --> 00:06:02,636 LET'S VOTE ON THAT. HANDS? 138 00:06:05,672 --> 00:06:07,173 Overton: OKAY, BABY GIRL. 139 00:06:07,240 --> 00:06:09,042 LET'S TEST IT OUT. 140 00:06:09,109 --> 00:06:10,043 OKAY. 141 00:06:10,110 --> 00:06:11,745 RING, RING. 142 00:06:11,812 --> 00:06:13,179 ACTORS HELPING ACTORS. 143 00:06:13,246 --> 00:06:15,048 WHAT IS YOUR CRISIS? 144 00:06:16,583 --> 00:06:18,384 ( Chiding tone ): OH, NOW, SYNCLAIRE. 145 00:06:18,451 --> 00:06:21,321 DON'T PLAY WITH A LOADED PHONE IN THE HOUSE. 146 00:06:21,387 --> 00:06:22,989 KHADIJAH, THIS IS NOT A JOKE. 147 00:06:23,056 --> 00:06:24,791 HAROLD IS ONE OF MY DAILY CALLERS. 148 00:06:24,858 --> 00:06:27,027 I HAVEN'T HEARD FROM HIM SINCE WEDNESDAY. 149 00:06:27,093 --> 00:06:28,595 WELL, MAYBE HE FOUND A JOB. 150 00:06:28,662 --> 00:06:30,463 OR MAYBE HIS PHONE GOT CUT OFF. 151 00:06:30,531 --> 00:06:32,198 OR MAYBE HE KILLED HIMSELF. 152 00:06:33,767 --> 00:06:36,069 OH, COME ON! 153 00:06:36,136 --> 00:06:38,505 LIKE YOU GUYS WEREN'T THINKING THAT. 154 00:06:39,940 --> 00:06:41,207 YEAH, MAYBE SO 155 00:06:41,274 --> 00:06:43,877 BUT WE WERE ABLE TO SNAP OUR MOUTHS SHUT 156 00:06:43,944 --> 00:06:46,513 BEFORE SOMETHING STUPID CAME TUMBLING OUT. 157 00:06:46,580 --> 00:06:49,415 BUSTED AGAIN! ALL RIGHT, SO, WHAT IS IT? 158 00:06:49,482 --> 00:06:51,051 SHOES OR SHIRT? 159 00:06:51,117 --> 00:06:53,053 EH... SHIRT. 160 00:06:55,355 --> 00:06:56,690 WELL, HELLO, MADAM JUROR. 161 00:06:56,757 --> 00:06:59,425 HAVE YOU DISCHARGED YOUR CIVIC DUTY TODAY? 162 00:06:59,492 --> 00:07:00,934 NO. STILL DELIBERATING. 163 00:07:01,001 --> 00:07:02,368 THOSE ROCK HEADS. 164 00:07:02,435 --> 00:07:04,905 YOU GOT AN IDIOT HOLDOUT ON YOUR JURY TOO? 165 00:07:04,971 --> 00:07:06,306 YOU KNOW, FOLKS 166 00:07:06,372 --> 00:07:09,009 THERE ARE OTHER THINGS GOING ON IN THE WORLD 167 00:07:09,075 --> 00:07:11,111 BESIDES JURIES, HUH? 168 00:07:11,177 --> 00:07:14,815 MAD COW DISEASE‐‐ AREN'T THE COWS STILL MAD? 169 00:07:19,820 --> 00:07:21,622 STOP LOOKING AT ME. 170 00:07:21,688 --> 00:07:23,690 YOU GUYS, I HAVE SOMETHING 171 00:07:23,757 --> 00:07:26,226 I HAVE GOT TO GET OFF MY CHEST. 172 00:07:26,292 --> 00:07:27,227 ( laughs ) 173 00:07:27,293 --> 00:07:28,629 STOP THAT. 174 00:07:30,664 --> 00:07:34,467 NOW, IF I TELL YOU, SWEAR IT WILL GO NO FURTHER. 175 00:07:34,535 --> 00:07:35,802 OH, OF COURSE, REGINE. 176 00:07:35,869 --> 00:07:37,470 WE'LL EVEN DO A PINKY SWEAR. 177 00:07:37,538 --> 00:07:38,805 NOW, HOLD ON, MAMA. 178 00:07:38,872 --> 00:07:42,142 LET'S SEE WHAT SHE GOT FIRST. 179 00:07:44,645 --> 00:07:46,513 I AM ON THE... 180 00:07:48,248 --> 00:07:50,617 VERGE OF BUYING A NEW DRESS. 181 00:07:52,619 --> 00:07:54,955 HOW DO YOU LIVE WITH YOURSELF? 182 00:07:58,625 --> 00:07:59,893 I DON'T KNOW, MAN. 183 00:07:59,960 --> 00:08:02,002 I DON'T KNOW. 184 00:08:02,068 --> 00:08:03,103 LISTEN. 185 00:08:03,169 --> 00:08:04,505 IF YOU'RE GOING TO MAKE 186 00:08:04,571 --> 00:08:06,439 MACARONI AND CHEESE OUT OF A BOX 187 00:08:06,507 --> 00:08:08,408 YOUR BEST BET IS COUNT MACULAS. 188 00:08:08,474 --> 00:08:10,410 PLEASE! COUNT MACULA WOULDN'T KNOW CHEESE 189 00:08:10,476 --> 00:08:13,814 IF A MAD COW DELIVERED IT TO HIM. 190 00:08:13,880 --> 00:08:16,983 SEE, REGINE? I WORKED IN YOUR TOPIC. 191 00:08:17,050 --> 00:08:19,686 I'M THE HOLDOUT JUROR ON THE McQUEEN CASE! 192 00:08:21,387 --> 00:08:22,956 YOU KNOW, WHEN I MAKE 193 00:08:23,023 --> 00:08:25,158 MY FAMOUS BARKER MACARONI AND FROMAGE 194 00:08:25,225 --> 00:08:27,928 I USE ONLY THE FINEST AGED CHEDDAR 195 00:08:27,994 --> 00:08:29,663 WITH JUST A HINT OF GOUDA, AND THEN YOU... 196 00:08:29,730 --> 00:08:32,866 DID YOU HEAR WHAT I SAID? 197 00:08:34,067 --> 00:08:38,104 I'M THE IDIOT HOLDOUT THAT WANTS McQUEEN LOCKED UP. 198 00:08:38,171 --> 00:08:39,105 WHAT? 199 00:08:39,172 --> 00:08:40,073 YOU'RE JOKING, RIGHT? 200 00:08:40,140 --> 00:08:41,474 YOU'RE... 201 00:08:41,542 --> 00:08:42,743 THE IDIOT? 202 00:08:44,611 --> 00:08:47,180 THAT'S WHAT EVERYBODY IS SAYING ABOUT ME! 203 00:08:47,247 --> 00:08:49,349 I'M ON THIS BIG, CONTROVERSIAL CASE 204 00:08:49,415 --> 00:08:51,685 AND I CAN'T EVEN DEFEND MYSELF. 205 00:08:51,752 --> 00:08:54,454 I CAN'T EVEN GET ON THE COVER OF PEOPLE. 206 00:08:55,989 --> 00:08:58,892 FREAK THAT. YOU'RE NOT EVEN SUPPOSED TO DISCUSS THE CASE. 207 00:08:58,959 --> 00:09:00,961 YOU WANT ME DEAD, IS THAT IT? 208 00:09:01,027 --> 00:09:06,439 YOU JUST WANT ME TO EXPLODE TRYING TO HOLD THIS JUICE IN. 209 00:09:06,507 --> 00:09:09,442 YEAH, WELL, IT SEEMS THE JUICE IS LOOSE. 210 00:09:12,846 --> 00:09:15,081 ALL RIGHT, I... 211 00:09:15,148 --> 00:09:16,950 I'M NOT GOING TO TELL ANYBODY ELSE. 212 00:09:17,017 --> 00:09:19,820 JUST MY IMMEDIATE, INTIMATE 213 00:09:19,886 --> 00:09:22,556 CIRCLE OF TRUSTED FRIENDS. 214 00:09:22,623 --> 00:09:24,424 AND MAX. 215 00:09:24,490 --> 00:09:27,127 AND THE JUDGE. 216 00:09:27,193 --> 00:09:29,062 WHAT YOU TALKING ABOUT? 217 00:09:29,129 --> 00:09:30,664 YOU VIOLATED HIS ORDERS. 218 00:09:30,731 --> 00:09:33,399 NOW, EITHER YOU TELL THE JUDGE WHAT YOU'VE DONE 219 00:09:33,466 --> 00:09:35,335 OR AS AN OFFICER OF THE COURT 220 00:09:35,401 --> 00:09:36,637 I AM OBLIGATED TO DO IT. 221 00:09:36,703 --> 00:09:37,904 I MEAN IT. 222 00:09:46,412 --> 00:09:48,181 LAST NIGHT 223 00:09:48,248 --> 00:09:51,552 ONE OF THE JURORS INFORMED ME THAT SHE DISCUSSED THE CASE 224 00:09:51,618 --> 00:09:52,853 OUTSIDE THE JURY ROOM. 225 00:09:52,919 --> 00:09:54,254 OH, GOD! NO! WHO? 226 00:09:54,320 --> 00:09:56,757 WHAT THE HELL! 227 00:09:56,823 --> 00:09:59,893 ( Gavel pounding ) 228 00:09:59,960 --> 00:10:03,537 LET ME FIRST SAY THAT SUCH UNSOLICITED HONESTY 229 00:10:03,604 --> 00:10:06,172 IS BOTH RARE AND REFRESHING... 230 00:10:07,508 --> 00:10:10,476 ESPECIALLY CONSIDERING THE HEINOUS NATURE 231 00:10:10,544 --> 00:10:12,112 OF HER TRANSGRESSION. 232 00:10:12,178 --> 00:10:13,914 THIS TIME 233 00:10:13,980 --> 00:10:17,217 I WOULD LIKE TO ASK THAT THE JUROR COME FORWARD. 234 00:10:19,620 --> 00:10:21,788 YOU BETTER GET ON UP THERE, GIRL. 235 00:10:24,124 --> 00:10:26,326 MISS HUNTER! 236 00:10:26,392 --> 00:10:29,295 DON'T MAKE ME USE THE MAGIC HAMMER. 237 00:10:30,797 --> 00:10:33,266 OH, IF SHE KNEW THEY'RE NOT GOING TO LET HER 238 00:10:33,333 --> 00:10:35,468 TAKE ALL THEM WIGS TO THE BIG HOUSE. 239 00:10:37,904 --> 00:10:40,173 I WISH I HAD THE POWER 240 00:10:40,240 --> 00:10:43,343 TO SENTENCE A CITIZEN TO SHAME. 241 00:10:43,409 --> 00:10:44,945 BUT, ALAS 242 00:10:45,011 --> 00:10:46,847 I DO NOT. 243 00:10:48,414 --> 00:10:51,151 COULD I GO NOW? 244 00:10:51,217 --> 00:10:52,485 JUST ONE MORE THING. 245 00:10:52,553 --> 00:10:54,320 I FIND YOU IN CONTEMPT OF COURT 246 00:10:54,387 --> 00:10:55,689 AND SENTENCE YOU TO... 247 00:10:55,756 --> 00:10:57,290 EXCUSE ME, YOUR HONOR! 248 00:10:57,357 --> 00:11:00,400 MAXINE SHAW, PUBLIC DEFENDER AND PARK SLOPE ALDERWOMAN. 249 00:11:00,466 --> 00:11:02,869 YES, MISS SHAW. 250 00:11:02,936 --> 00:11:05,138 I'D LIKE TO POINT OUT THAT THE JUROR IS A SOLID CITIZEN 251 00:11:05,205 --> 00:11:06,339 WITH COMMUNITY... 252 00:11:06,406 --> 00:11:08,709 MISS SHAW! YOU ARE AN OFFICER OF THE COURT 253 00:11:08,775 --> 00:11:11,277 AND A PUBLIC OFFICIAL AND YOU'RE TELLING ME 254 00:11:11,344 --> 00:11:14,114 THAT YOU KNOW THIS SIMPLETON? 255 00:11:15,682 --> 00:11:20,320 I REQUEST MY NAME AND COMMENTS BE STRICKEN FROM THE RECORD. 256 00:11:20,386 --> 00:11:22,455 YOU SAVE YOURSELF, GIRL. 257 00:11:22,523 --> 00:11:23,803 DON'T YOU GO DOWN WITH THAT SHIP! 258 00:11:23,827 --> 00:11:26,627 YOU KNOW IT'LL SINK! 259 00:11:26,693 --> 00:11:30,096 I HEREBY DISCHARGE YOU FROM THIS JURY... 260 00:11:30,163 --> 00:11:32,032 ( exclamations of relief ) 261 00:11:32,098 --> 00:11:35,068 AND SENTENCE YOU TO 50 HOURS OF COMMUNITY SERVICE. 262 00:11:35,135 --> 00:11:38,304 I HAVE MADE ARRANGEMENTS FOR YOU TO BAKE BREAD 263 00:11:38,371 --> 00:11:41,241 WITH THE BROTHERS OF SEBASTIAN MONASTERY. 264 00:11:41,307 --> 00:11:43,710 THEY HAVE TAKEN A VOW OF SILENCE. 265 00:11:43,777 --> 00:11:46,246 THE STATE CAN'T SEEM TO GET YOU TO SHUT UP. 266 00:11:46,312 --> 00:11:49,716 PERHAPS GOD CAN. 267 00:11:49,783 --> 00:11:51,718 NOW, IF THE REMAINING JURORS 268 00:11:51,785 --> 00:11:53,219 ALONG WITH THE ALTERNATE 269 00:11:53,286 --> 00:11:56,523 WOULD EXCUSE THEMSELVES AND BEGIN DELIBERATION. 270 00:11:56,590 --> 00:11:59,693 I FEEL SORRY FOR THE POOR ALTERNATE THAT HAS TO CONTEND 271 00:11:59,760 --> 00:12:01,467 WITH THIS GROUP OF ROCK HEADS. 272 00:12:01,535 --> 00:12:03,103 YOUR HONOR! 273 00:12:03,169 --> 00:12:04,738 WE'VE REACHED A VERDICT. 274 00:12:04,805 --> 00:12:08,408 WE FIND SARAH McQUEEN NOT GUILTY. 275 00:12:09,375 --> 00:12:12,278 NO! NO! IT'S A MISTAKE! 276 00:12:12,345 --> 00:12:13,413 IT'S A MISTAKE! 277 00:12:13,479 --> 00:12:16,550 Y'ALL CHECK UNDER HER WIG FOR MATCHES! 278 00:12:16,617 --> 00:12:18,384 IT'S A MISTAKE! 279 00:12:18,451 --> 00:12:21,688 SARAH McQUEEN... GOD IS WATCHING YOU. 280 00:12:21,755 --> 00:12:24,057 ( Gavel pounding ) 281 00:12:24,124 --> 00:12:26,560 OH, HEY, KYLE. 282 00:12:26,627 --> 00:12:29,996 TELL ME WHAT YOU THINK OF THIS DRESS RIGHT HERE. 283 00:12:30,063 --> 00:12:34,635 FRANKLY, I NEVER PICTURED YOU IN ANYTHING BACKLESS. 284 00:12:34,701 --> 00:12:37,403 IT'S A WEDDING DRESS FOR SYNCLAIRE, OKAY? 285 00:12:37,470 --> 00:12:39,773 OH, IN THAT CASE, I SUGGEST SOMETHING SHORT 286 00:12:39,840 --> 00:12:41,007 TO SHOW OFF HER LEGS. 287 00:12:41,074 --> 00:12:43,209 AND TO REDUCE THE LIKELIHOOD OF TRIPPING. 288 00:12:43,276 --> 00:12:44,911 OH! 289 00:12:44,978 --> 00:12:48,014 OBIE! I FOUND HAROLD! 290 00:12:48,081 --> 00:12:51,151 HOW DID YOU MANAGE THAT, MY PRECIOUS PRIVATE EYE? 291 00:12:51,217 --> 00:12:53,019 WELL, THE LAST TIME HE CALLED 292 00:12:53,086 --> 00:12:54,487 HE SAID HE WAS DROWNING 293 00:12:54,555 --> 00:12:57,558 HIS SORROWS IN A HOT LINK AND PASTRAMI SANDWICH. 294 00:12:57,624 --> 00:12:59,960 SO YOU FOUND HIM IN AN EMERGENCY ROOM 295 00:13:00,026 --> 00:13:01,768 GETTING HIS STOMACH PUMPED? 296 00:13:01,835 --> 00:13:04,204 KYLE, LET THE MYSTERY UNFOLD. 297 00:13:04,270 --> 00:13:05,806 HEY, HEY, HEY. 298 00:13:05,872 --> 00:13:09,042 I REMEMBER THAT HAROLD LIVED DOWNTOWN NEAR THE "F" TRAIN. 299 00:13:09,109 --> 00:13:14,881 SO I GO DOWN THERE AND I FIND BIG MAMA'S HOT LINK HEAVEN. 300 00:13:14,948 --> 00:13:16,950 NOW BIG MAMA NOT ONLY KNEW HIM 301 00:13:17,017 --> 00:13:19,185 SHE RENTED HIM THE ROOM UPSTAIRS. 302 00:13:19,252 --> 00:13:22,422 DAMN! APARTMENT ABOVE HOT LINK HEAVEN 303 00:13:22,488 --> 00:13:25,091 GOT TO BE ONE GREASY STAIRCASE. 304 00:13:25,158 --> 00:13:26,993 SO, HE WASN'T AT HOME 305 00:13:27,060 --> 00:13:28,094 BUT HIS NEIGHBORS SAID 306 00:13:28,161 --> 00:13:30,330 HE HAD GONE OUT TO GET SOME AIR. 307 00:13:30,396 --> 00:13:31,732 PROBABLY TO ESCAPE THE STENCH 308 00:13:31,798 --> 00:13:34,635 OF ROASTING SWINE. 309 00:13:34,701 --> 00:13:37,838 I GO TO A NEARBY PARK AND WHO DO YOU THINK 310 00:13:37,904 --> 00:13:41,407 IS SITTING ON A BENCH EATING A HOT LINK SALAD? 311 00:13:41,474 --> 00:13:44,044 THE ARTIST FORMERLY KNOWN AS PRINCE? 312 00:13:46,513 --> 00:13:48,715 NO! HAROLD! 313 00:13:48,782 --> 00:13:50,342 WHEN HE REALIZED WHAT I HAD GONE THROUGH 314 00:13:50,366 --> 00:13:52,619 HE SAID HE WOULD PUT ALL HIS DESPAIR 315 00:13:52,686 --> 00:13:55,455 BEHIND HIM AND START LIVING FOR TODAY. 316 00:13:55,522 --> 00:13:58,692 ALL RIGHT, SYNCLAIRE, YOU KNOW, THAT'S BRILLIANT SLEUTHING. 317 00:13:58,759 --> 00:14:01,201 TELL ME SOMETHING, WHERE ARE YOUR SUNGLASSES? 318 00:14:01,267 --> 00:14:03,870 YOU KNOW, FUNNY YOU SHOULD ASK THAT. 319 00:14:03,937 --> 00:14:06,507 I'VE BEEN LOOKING FOR THEM ALL DAY! 320 00:14:06,573 --> 00:14:08,875 THAT'S AMAZING. 321 00:14:13,279 --> 00:14:15,549 I AM AN INTERNATIONAL JOKE. 322 00:14:15,616 --> 00:14:19,853 A CAMERA CREW HAS FOLLOWED ME INTO THE LADIES ROOM. 323 00:14:19,920 --> 00:14:21,888 AND A SPANISH COUPLE CAME UP TO ME... 324 00:14:21,955 --> 00:14:22,989 TWO TOURISTS... 325 00:14:23,056 --> 00:14:25,158 'CAUSE THEY WANTED TO TAKE A PICTURE 326 00:14:25,225 --> 00:14:26,960 WITH SENORITA BLABBERMOUTH. 327 00:14:27,027 --> 00:14:28,294 HEY, YOU GUYS DON'T THINK 328 00:14:28,361 --> 00:14:30,496 I HAVE A PROBLEM, DO YOU? 329 00:14:35,368 --> 00:14:37,170 WELL, REGINE, YOU FAM. 330 00:14:37,237 --> 00:14:41,407 SO, YOU KNOW, IT'S NOT FAIR FOR YOU TO ASK A QUESTION 331 00:14:41,474 --> 00:14:44,277 LIKE THAT, POINT BLANK AND EXPECT AN ANSWER. 332 00:14:44,344 --> 00:14:48,782 REGINE, YOU'RE A GOSSIPY, DIRT DEALING, HUMAN BULLHORN. 333 00:14:48,849 --> 00:14:52,152 WE'RE NOT THAT CLOSE. 334 00:14:52,218 --> 00:14:56,122 I CAN'T BELIEVE YOU PEOPLE AGREE WITH THOSE IDIOTS OUT THERE! 335 00:14:56,189 --> 00:14:59,259 OH, REGINE... IT'S NOT YOUR FAULT. 336 00:14:59,325 --> 00:15:02,202 YOU CAN'T HELP YOURSELF. 337 00:15:02,268 --> 00:15:04,605 YOU LIKE A BLABAHOLIC. 338 00:15:07,107 --> 00:15:10,176 I HAVE TO GO UPSTAIRS AND FIND AN OUTFIT 339 00:15:10,243 --> 00:15:13,880 THAT'S APPROPRIATE FOR BAKING BREAD WITH MONKS. 340 00:15:13,947 --> 00:15:16,883 DON'T FORGET YOUR PUSHUP BRA. 341 00:15:16,950 --> 00:15:18,351 OH, YES, MAX, SURE. 342 00:15:18,418 --> 00:15:22,022 I'M JUST GOING TO STRUT AROUND A GROUP OF CELIBATE MEN 343 00:15:22,088 --> 00:15:25,258 WHO HAVEN'T SEEN A WOMAN OF MY CHARMS IN YEARS. 344 00:15:31,297 --> 00:15:33,366 HEY! THIS COULD BE FUN! 345 00:15:35,468 --> 00:15:36,670 NOW, KHADIJAH 346 00:15:36,737 --> 00:15:39,305 THIS IS THE DRESS I WAS THINKING ABOUT FOR YOU 347 00:15:39,372 --> 00:15:41,908 EXCEPT WITH A DOUBLE RUFFLE AROUND THE WAIST. 348 00:15:41,975 --> 00:15:43,076 NOT UNLESS IT COMES 349 00:15:43,143 --> 00:15:45,512 WITH A MATCHING BAG TO PUT OVER MY HEAD! 350 00:15:45,579 --> 00:15:46,913 ( Doorbell rings ) 351 00:15:49,816 --> 00:15:51,117 GOOD EVENING. I'M LOOKING 352 00:15:51,184 --> 00:15:52,352 FOR SYNCLAIRE JAMES? 353 00:15:52,418 --> 00:15:54,020 WHY, I'M SYNCLAIRE JAMES. 354 00:15:54,087 --> 00:15:56,389 HI. I'M PATRICK O'MALLEY. I WORK WITH HAROLD. 355 00:15:56,456 --> 00:15:58,625 OH, YES, ALL RIGHT! COME IN AND SIT DOWN! 356 00:15:58,692 --> 00:16:02,135 I WANTED TO TELL YOU WHAT A GREAT THING YOU DID FOR HAL 357 00:16:02,202 --> 00:16:04,370 LIFTING UP HIS SPIRITS AND ALL. 358 00:16:04,437 --> 00:16:07,273 OH, THAT'S WHAT ACTORS HELPING ACTORS 359 00:16:07,340 --> 00:16:08,374 IS ALL ABOUT. 360 00:16:08,441 --> 00:16:10,110 ACTORS HELPING ACTORS. 361 00:16:10,176 --> 00:16:12,312 I WISH THEY HAD A HOT LINE FOR BRIDESMAIDS 362 00:16:12,378 --> 00:16:13,547 IN BOOTY‐ASS RUFFLES. 363 00:16:13,614 --> 00:16:14,981 WE WASH WINDOWS TOGETHER 364 00:16:15,048 --> 00:16:18,184 AND I HADN'T SEEN HIM IN A WHILE AND I GOT WORRIED. 365 00:16:18,251 --> 00:16:21,287 THEN THE OTHER DAY, HE SHOWED UP WITH A SMILE ON HIS FACE 366 00:16:21,354 --> 00:16:24,257 AND SAID HE WAS GOING TO FOCUS ON THE POSITIVE THINGS 367 00:16:24,324 --> 00:16:25,759 IN LIFE... BECAUSE OF YOU. 368 00:16:25,826 --> 00:16:27,260 BECAUSE OF ME? 369 00:16:27,327 --> 00:16:29,896 THEN WE GOT ON THE PLATFORM AND STARTED OUR WAY 370 00:16:29,963 --> 00:16:31,164 UP TO THE 62nd FLOOR. 371 00:16:31,231 --> 00:16:33,634 HE STARTED TO DANCE FOR JOY AND HE SHOUTED OUT 372 00:16:33,700 --> 00:16:35,802 "I'VE GOT LIFE, LIFE DOESN'T HAVE ME!" 373 00:16:35,869 --> 00:16:38,071 HEY, THAT'S ONE OF YOUR HOT LINE MOTTOS 374 00:16:38,138 --> 00:16:39,472 ISN'T IT, BABE? 375 00:16:39,540 --> 00:16:42,308 REMINDS US THAT WE ARE IN CHARGE OF OUR OWN DESTINIES. 376 00:16:42,375 --> 00:16:45,178 THEN HE SLIPPED AND FELL TO HIS DEATH. 377 00:16:45,245 --> 00:16:46,813 WHAT? 378 00:16:46,880 --> 00:16:47,914 ARE YOU SURE? 379 00:16:47,981 --> 00:16:49,783 WELL, THEY TOOK HIM AWAY 380 00:16:49,850 --> 00:16:51,652 IN TWO AMBULANCES, SO... 381 00:16:51,718 --> 00:16:56,456 THAT MUST HAVE BEEN ONE HELL OF A CHALK OUTLINE. 382 00:16:56,523 --> 00:16:57,524 I'M SORRY, BABY. 383 00:16:57,591 --> 00:16:59,860 I GUESS IT WAS HAROLD'S TIME. 384 00:16:59,926 --> 00:17:01,668 DON'T BE TOO SAD. 385 00:17:01,735 --> 00:17:04,671 WELL, IT'S FUNNY. I DO FEEL SAD. 386 00:17:04,738 --> 00:17:07,874 BUT I ALSO FEEL STRANGELY ELATED. 387 00:17:07,941 --> 00:17:11,612 I MEAN, MAYBE BECAUSE OF ME, HAROLD IS MEETING HIS MAKER 388 00:17:11,678 --> 00:17:13,880 WITH A SMILE ON HIS FACE. 389 00:17:13,947 --> 00:17:15,081 AND TO THINK 390 00:17:15,148 --> 00:17:16,717 WHEN HAROLD TOLD ME ABOUT YOU 391 00:17:16,783 --> 00:17:17,918 I DIDN'T BELIEVE HIM. 392 00:17:17,984 --> 00:17:21,154 YOU AIN'T ALONE, BUDDY. 393 00:17:21,221 --> 00:17:24,691 LISTEN, CAN I CALL YOU SOMETIME IF I'M FEELING DOWN? 394 00:17:24,758 --> 00:17:27,227 OH, ARE YOU AN OUT‐OF‐WORK ACTOR TOO? 395 00:17:27,293 --> 00:17:29,896 EXOTIC DANCER. I KIND OF LET MYSELF GO. 396 00:17:29,963 --> 00:17:31,431 CALL ME! 397 00:17:34,601 --> 00:17:37,470 GOSH! I REALLY FEEL LIKE I HAVE A PURPOSE, YOU KNOW? 398 00:17:37,538 --> 00:17:39,405 LIKE I'M JUST BURSTING WITH LIFE. 399 00:17:39,472 --> 00:17:41,474 OH! 400 00:17:44,410 --> 00:17:46,513 OBIE? 401 00:17:46,580 --> 00:17:49,983 WANT TO GO UP TO YOUR PLACE? 402 00:17:50,050 --> 00:17:53,019 UM, SWEETNESS, A MAN IS DEAD. 403 00:17:53,086 --> 00:17:55,455 I'M NOT IN THE MOOD. 404 00:17:56,590 --> 00:18:00,567 I, UH, SHAVED MY LEGS THIS MORNING. 405 00:18:02,603 --> 00:18:03,937 LET'S MOSEY. 406 00:18:04,004 --> 00:18:05,371 LET'S GO! 407 00:18:05,438 --> 00:18:07,608 ISN'T LIFE WONDERFUL? 408 00:18:13,279 --> 00:18:16,382 WHAT THE HELL IS WRONG WITH THEM? 409 00:18:16,449 --> 00:18:19,252 SOMEBODY DIED. 410 00:18:19,319 --> 00:18:21,387 WELL, THEY HAD A BETTER DAY THAN I DID. 411 00:18:21,454 --> 00:18:26,960 KHADIJAH, EVEN IN A MONASTERY, I COULD NOT KEEP MY TRAP SHUT. 412 00:18:28,228 --> 00:18:29,996 I WAS BAKING BREAD WITH THIS MONK 413 00:18:30,063 --> 00:18:31,932 WHEN I TOLD HIM HE WAS WAY TOO FINE 414 00:18:31,998 --> 00:18:35,569 TO BE DRESSED LIKE A SACK OF POTATOES. 415 00:18:35,636 --> 00:18:37,904 NEXT THING I KNOW, I'M OUTSIDE 416 00:18:37,971 --> 00:18:40,306 WITH A SANDAL PRINT ON MY BEHIND. 417 00:18:42,208 --> 00:18:45,679 YOU MACKED A MONK? 418 00:18:45,746 --> 00:18:49,182 THERE IS A SPECIAL PLACE IN HELL FOR YOU. 419 00:18:50,651 --> 00:18:53,720 LET'S FACE IT, I'VE BEEN A BLABBERMOUTH MY WHOLE LIFE. 420 00:18:53,787 --> 00:18:56,790 DID YOU KNOW THAT MY FIRST WORDS WERE "DA DA"? 421 00:18:56,857 --> 00:18:58,992 NO, NOT BECAUSE I RECOGNIZED HIM 422 00:18:59,059 --> 00:19:03,403 BUT BECAUSE MOMMY WANTED TO KNOW WHO SPILLED JUICE ON THE CARPET. 423 00:19:03,469 --> 00:19:06,540 THAT'S NOT REALLY BEING A BLABBERMOUTH. 424 00:19:06,607 --> 00:19:11,211 THAT'S MORE LIKE A TATTLETALE, STOOL PIGEON, A SNITCH. 425 00:19:11,277 --> 00:19:12,679 A RAT FINK. 426 00:19:12,746 --> 00:19:14,615 THE POINT IS... 427 00:19:16,750 --> 00:19:20,220 THE POINT IS, I NEVER OUTGREW IT. 428 00:19:20,286 --> 00:19:23,724 AND NOW, UNDERNEATH ALL MY STYLE AND GRACE 429 00:19:23,790 --> 00:19:26,292 I AM STILL THIS INSECURE LITTLE GIRL. 430 00:19:26,359 --> 00:19:28,862 IT'S LIKE I NEED TO STILL SAY: 431 00:19:28,929 --> 00:19:30,864 "I KNOW SOMETHING YOU DON'T KNOW." 432 00:19:30,931 --> 00:19:33,066 JUST TO FEEL IMPORTANT. 433 00:19:33,133 --> 00:19:35,001 THAT'S PATHETIC. 434 00:19:38,071 --> 00:19:41,007 ALL RIGHT, REGINE, LET'S GET THIS OVER WITH. 435 00:19:41,074 --> 00:19:44,545 SARAH McQUEEN WAS CAUGHT RED‐HANDED SETTING FIRE. 436 00:19:44,611 --> 00:19:45,912 TO A 7‐ELEVEN. 437 00:19:45,979 --> 00:19:47,280 WHAT? NO! 438 00:19:47,347 --> 00:19:49,115 THE GUY GAVE HER THE WRONG CHANGE 439 00:19:49,182 --> 00:19:51,885 SO SHE GRABBED THE "JERRY'S KIDS" DONATION BUCKET 440 00:19:51,952 --> 00:19:53,920 FILLED IT WITH LIGHTER FLUID, LIT IT 441 00:19:53,987 --> 00:19:55,922 HURLED IT AT A COMIC BOOK CAROUSEL. 442 00:19:55,989 --> 00:19:59,025 THE PLACE WENT UP LIKE A TORCH. THERE WERE NO INJURIES. 443 00:20:00,293 --> 00:20:02,703 MRS. BENCHLEY DON'T PLAY! 444 00:20:02,769 --> 00:20:05,171 YEAH, HER HUSBAND SAID SHE'D BEEN SUFFERING 445 00:20:05,238 --> 00:20:08,108 FROM DEPRESSION EVER SINCE THEY VOTED ANGELA LANSBURY 446 00:20:08,174 --> 00:20:09,576 "SEXIEST SENIOR CITIZEN." 447 00:20:09,643 --> 00:20:11,845 YOU KNOW, THAT JURY SHOULD HAVE LISTENED 448 00:20:11,912 --> 00:20:14,214 TO YOU. 449 00:20:14,280 --> 00:20:16,049 OH... 450 00:20:16,116 --> 00:20:17,951 OH, THANK GOD. 451 00:20:19,119 --> 00:20:22,288 I ALMOST THOUGHT SOMETHING WAS WRONG WITH ME! 452 00:20:24,791 --> 00:20:27,794 BUT NOW I KNOW THAT GOD HAS PUT ME 453 00:20:27,861 --> 00:20:30,831 AND MY BIG MOUTH HERE FOR A REASON. 454 00:20:30,897 --> 00:20:34,568 TO PISS OFF MONKS? 455 00:20:34,635 --> 00:20:36,469 NO, FOR REAL, KHADIJAH! 456 00:20:36,537 --> 00:20:39,072 SOME PEOPLE ARE JUST MEANT TO BLAB. 457 00:20:39,139 --> 00:20:43,343 I AM A PURVEYOR OF INFORMATION. 458 00:20:43,409 --> 00:20:45,579 A DIVA OF DISH. 459 00:20:47,581 --> 00:20:53,053 A GABRIEL OF GOSSIP FOR ALL WHO HEAR MY TRUMPET. 460 00:20:54,655 --> 00:20:57,023 HEY, MAX. YOU KNOW HOW YOU'VE BEEN SPORTING 461 00:20:57,090 --> 00:20:58,491 THESE PONYTAILS? 462 00:20:58,559 --> 00:21:00,260 WELL, YOUR GIRL KHADIJAH SAID 463 00:21:00,326 --> 00:21:02,268 ALL YOU NEEDED WAS SOME FRECKLES 464 00:21:02,335 --> 00:21:05,639 AND YOU'D LOOK LIKE AN URBAN PIPPI LONGSTOCKING. 465 00:21:09,275 --> 00:21:11,044 KHADIJAH, WHAT'S UP WITH THAT? 466 00:21:11,111 --> 00:21:12,045 UH, UH, UH. 467 00:21:12,112 --> 00:21:13,880 NOW, BEFORE YOU GET TOO UPSET 468 00:21:13,947 --> 00:21:17,618 REMEMBER, THE OTHER DAY, YOU SAID KHADIJAH'S LATEST HAIRDO 469 00:21:17,684 --> 00:21:20,053 LOOKED LIKE ESCAPE TO WITCH MOUNTAIN. 470 00:21:23,123 --> 00:21:24,725 UM, EXCUSE ME. 471 00:21:24,791 --> 00:21:27,127 WHY ARE YOU SPILLING ALL OF THIS DIRT? 472 00:21:29,295 --> 00:21:31,297 IT'S WHAT I DO. 473 00:21:40,807 --> 00:21:44,778 [Captioned by The Caption Center WGBH Educational Foundation] 33663

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