Original subtitles

SYNCLAIRE, I LOVE THE WAY THE SUNLIGHT

MAKES YOUR FACE GLOW.

BEAUTIFUL WOMAN, BE MY BRIDE.

OH, I'M FLATTERED, BUT NO.

AND IT'S ACTUALLY "COMBINATION SKIN."

AIN'T GOT NOTHIN' TO DO WITH THE SUN, DADDY.

KHADIJAH, I'VE BEEN WANTING TO GET THIS OFF MY CHEST

FOR A LONG TIME‐‐ I CAN'T LIVE WITHOUT YOU.

BIG‐BONED GIRL, MARRY ME!

GET UP, JERK CHICKEN.

YOU KNOW NOBODY PROPOSES TO KHADIJAH

BUT ME AROUND HERE.

HEY, SAVE YOUR THREATS UNTIL YOUR VOICE CHANGES, BO‐BO BOY.

IVAN, GO GROW SOME FACIAL HAIR.

RUSSELL, YOU JUST GROW.

NOW, LET ME GUESS.

DOES THIS PROPOSAL HAVE SOMETHING TO DO

WITH YOUR LITTLE IMMIGRATION PROBLEM?

WELL, YES.

MY WORK VISA HAS EXPIRED

AND I'M IN DANGER OF BEING DEPORTED.

THEY SENT THE RENEWAL FORM TO MY OLD ADDRESS.

WHY DIDN'T YOU JUST SEND OUT CHANGE OF ADDRESS CARDS?

THEN I'D GET ALL THOSE DAMN BILLS.

LOOK, KHADIJAH, IF I DON'T FIND SOMEONE TO MARRY

IN THE NEXT 48 HOURS

I'LL BE SHIPPED BACK TO KINGSTON.

COULD YOU MENTION ME

TO YOUR BUSTY, POUTY ROOMMATE REGINE?

TRUST ME, YOU'D RATHER BE DEPORTED.

♪ WE ARE LIVING ♪

♪ HEY ♪

♪ SINGLE ♪

♪ OOH, IN A '90s KIND OF WORLD ♪

♪ I'M GLAD I GOT MY GIRLS ♪

♪ KEEP YOUR HEAD UP ♪ ♪ WHAT? ♪

♪ KEEP YOUR HEAD UP ♪ ♪ THAT'S RIGHT ♪

♪ WHENEVER THIS LIFE GETS TOUGH ♪

♪ YOU GOT TO FIGHT WITH ♪

♪ MY HOMEGIRL STANDING TO MY LEFT ♪

♪ AND MY RIGHT ♪

♪ TRUE BLUE, IT'S TIGHT LIKE GLUE ♪

♪ CHECK, CHECK, CHECK IT OUT ♪

♪ CHECK, CHECK, CHECK IT OUT ♪

♪ WE ARE LIVING SINGLE. ♪

[Captioning sponsored by FOX BROADCASTING COMPANY

[and WARNER BROS. TELEVISION]

OOH, MICHELLE, YOU ALMOST HAD THE PICTURE.

NOW J. J. AND WILLONA ARE ALL SQUIGGLY.

YEAH, BUT FLORIDA NEVER LOOKED BETTER.

HOW ABOUT... NOW?

PERFECT!

OH! OH! WE'VE BEEN WATCHING SALLY JESSY RAPHAEL ALL ALONG.

SORRY YOU HAD TO COME OUT FOUR TIMES THIS MONTH.

OH, NO PROBLEM.

I LIKE THE TENANTS HERE.

WELL, FEEL FREE TO TAKE THEM WITH YOU.

YOU KNOW, KYLE, IT'S NOT EVERY DAY

I MEET SOMEONE WHO KNOWS HIS WAY AROUND A PAIR OF WIRE CUTTERS

AND HAS A GOOD SENSE OF HUMOR.

WELL, PEOPLE DO SAY I HAVE A DRY WIT.

LIKE A FREAKIN' DESERT.

I'M GOING TO THE GUGGENHEIM TOMORROW.

IT'S THE LAST DAY OF THE CLAES OLDENBURG EXHIBIT.

WOULD YOU LIKE TO COME WITH?

UM... AS MUCH AS I AM INSPIRED BY HIS GIANT NAUGAHYDE BURGERS

I'M SORRY, I MUST DECLINE.

IF YOU CHANGE YOUR MIND...

GIVE ME A CALL.

HEY, BROTHER

SHE WAS SETTING IT OUT, WASN'T SHE, SHORTY?

SHE DID EVERYTHING BUT STRIP NAKED

AND DO THE HOOCHIE‐MAMA DANCE.

AND KYLE DID EVERYTHING BUT OPEN HIS SHIRT

AND SHOW HER HIS ONE CHEST HAIR.

COME ON, MAX.

ALL I DID WAS HAND THE LADY A FEW TOOLS

AND LET MY NATURAL CHARM SHINE THROUGH.

KYLE, SAVE YOUR BREATH.

YOU CAN FLIRT WITH HER

YOU CAN CALL HER, YOU CAN GO OUT WITH HER‐‐

I DON'T CARE.

WAIT. I'M TRYING TO HAVE A RELATIONSHIP WITH YOU

AND YOU'RE TELLING ME TO GO OUT WITH ANOTHER WOMAN.

WHAT ARE YOU NOW, MY PIMP?

I'M CERTAINLY NOT YOUR WARDEN.

YOU'RE FREE TO GO.

MAXINE, DO NOT PLAY GAMES WITH ME, BECAUSE I WILL GO.

I'M NOT PLAYING ANY GAMES.

I REALLY DON'T CARE.

ALL RIGHT, FINE.

THAT'S RIGHT.

HEY, WHAT'S UP, MAN?

PRETTY TONY OVER THERE JUST SENT ME ON A RUN.

BOSS LADY, I KNOW YOU'LL BE CRUSHED

BUT I'M WITHDRAWING MY MARRIAGE PROPOSAL.

I UNDERSTAND.

NO WOMAN, NO CRY, HUH?

I DO, HOWEVER, HAVE ANOTHER PROPOSAL.

DOES IT INVOLVE PAYING BACK THE $20 YOU OWE ME?

PLEASE. THIS IS NO TIME FOR JOKES.

ALL YOU HAVE TO DO IS TELL AN IMMIGRATION AGENT

THAT I'M ESSENTIAL TO FLAVOR.

AND THERE'S NO AMERICAN WHO CAN REPLACE ME.

SO YOU WANT ME TO LIE.

JUST EMBELLISH THE TRUTH

UNTIL IT MEANS SOMETHING COMPLETELY DIFFERENT.

IT'S THE AMERICAN WAY.

I DON'T KNOW, RUSSELL.

PLEASE, KHADIJAH.

I WORK VERY HARD FOR YOU.

DON'T SEND ME BACK TO JAMAICA.

IT'S TOO DAMN HOT!

WELL, YOU ARE A GOOD MUSIC EDITOR...

AND YOU DO GET ME ALL THAT FREE INCENSE.

ALL RIGHT, I'LL DO IT.

GOOD, BECAUSE THE IMMIGRATION AGENT IS HERE.

WELL, WHAT IF I WERE TO SAY NO?

THEN THIS WOULD BE A VERY AWKWARD MEETING.

MR. MONTEGO, I'M AGENT TANAKA FROM THE I. N. S.

AGENT TANAKA, THIS IS KHADIJAH JAMES

MY PROUD SPONSOR.

GO AHEAD, MS. JAMES.

TELL AGENT TANAKA HOW ESSENTIAL I AM.

OH, YEAH.

BOY, ESSENTIAL.

ESSENTIAL...

IRREPLACEABLE RUSSELL.

CONVINCING ARGUMENT.

BUT REGULATIONS DICTATE

I OBSERVE MR. MONTEGO IN THE WORKPLACE.

( Beep )

LOOKS LIKE WE'RE GOING TO HAVE TO CUT THIS PARTY SHORT.

WE'RE RAIDING A SYNTHETIC HAIR SWEATSHOP

ON THE LOWER EAST SIDE.

WE'LL CONTINUE THIS TOMORROW MORNING AT 8:30.

RUSSELL, THIS COULD BE A PROBLEM.

YOU'RE TELLING ME.

MY COUSIN MANAGES THAT SWEATSHOP.

DEEBA? THEY'RE COMING, MAN.

HEY, YOU GUYS, CANCEL YOUR PLANS FOR SATURDAY NIGHT.

WE ARE GOING TO SEE BRIAN McKNIGHT.

COURTESY OF MOI.

Khadijah: THAT SHOW'S BEEN.

SOLD OUT FOR WEEKS.

HOW'D YOU GET TICKETS?

I GOT THE TICKETS FROM NATHAN

WHO PLAYS THE CONNIVING PROCTOLOGIST ON THE SOAP.

HE EVEN GAVE ME AN EXTRA TICKET TO SCALP.

WHY BOTHER SCALPING IT?

I'M SURE MAX HAS ANOTHER WOMAN

SHE WANTS TO FORCE KYLE TO GO OUT WITH.

OH, YES! TONIGHT IS KYLE'S DATE

WITH THE CABLE LADY.

SO WHAT DID YOU THINK, MAX?

SHE GOING TO GIVE BROTHER SOME FREE "SHOWTIME"?

YOU KNOW, I WOULDN'T EXPECT YOU TO UNDERSTAND THE COMPLEXITIES

OF MY RELATIONSHIP WITH KYLE.

LET HIM TASTE THE FORBIDDEN FRUIT.

THEN HE'LL SEE HOW SWEET IT IS AT HOME.

YEAH, BUT IF I KNOW KYLE

FORBIDDEN'S HIS FAVORITE FLAVOR.

MAX, LET'S KEEP IT REAL.

WE BOTH KNOW YOU DIDN'T WANT KYLE

TO GO OUT WITH THAT WOMAN.

YOU TRIED TO PLAY IT ALL COOL

AND GOT YOUR FACE CRACKED.

YEAH! WHAT IF MICHELLE AND KYLE HIT IT OFF?

PLEASE. ONCE YOU GO MAX, YOU NEVER GO BACK.

YOU'RE TRYING TO TELL ME YOU DON'T GIVE A DAMN?

I COULDN'T BE LESS PRESSED.

( Door closes )

KYLE'S HOME.

OH, HEY, KYLE!

YOU'RE LOOKING... YOU'RE LOOKING SHARP THERE.

OH, YEAH!

YOU HAD YOUR LITTLE DATE WITH YOUR LITTLE FRIEND.

UH‐HUH.

HOW'D IT GO?

WELL, IT TURNS OUT SHE'S NOT AS INSIGHTFUL AS I HAD HOPED.

SHE SPENT AN HOUR LOOKING AT THE WALL

THINKING IT WAS AN ABSTRACT PAINTING.

OH...

SO WHAT ARE YOU GUYS?

WHAT ARE YOU, "BUDDIES" OR...?

NO, I DON'T THINK SO.

BUT I WILL SAY IT WAS REFRESHING BEING WITH SOMEONE

WHO WASN'T AFRAID TO TELL ME THAT SHE ENJOYED MY COMPANY.

SHE ENJOYED A BLANK WALL, KYLE‐‐

HOW GOOD CAN YOU FEEL?

IT WAS ALSO REFRESHING BEING WITH SOMEONE

WHO DIDN'T CONSTANTLY TAKE POTSHOTS AT ME.

WELL, GIVE HER TIME.

TO KNOW YOU IS TO DIS YOU.

YOU KNOW, WOMAN, YOU...

YOU MAKE IT IMPOSSIBLE TO TALK TO YOU.

EVERYTHING IS A TUG‐OF‐WAR.

KYLE, WHAT DO YOU WANT?

I WANT A WOMAN WHO IS AFFECTIONATE.

I WANT A WOMAN WHO HAS A PICTURE OF ME IN HER APARTMENT.

I WANT A WOMAN

WHO DOES NOT SEND ME OUT ON DATES WITH OTHER WOMEN.

I DO HAVE PICTURES OF YOU.

THEY MAKE WONDERFUL COASTERS.

YOU KNOW...

YOU HAVE NEVER TAKEN ME OR THIS RELATIONSHIP SERIOUSLY.

OH, COME ON, COME ON, COME ON.

GET OFF OF IT, KYLE.

YOU DON'T WANT A GIRLFRIEND

YOU WANT A PSYCHIATRIST WHO'S GOOD IN BED.

"LISTEN TO MY PROBLEMS."

"LISTEN TO MY PROB‐LEMS..."

WELL, HEY, LOOK, IF I DON'T MAKE YOU HAPPY

THEN WHY ARE YOU WITH ME?

GOOD POINT.

SO WHY DON'T WE JUST SAY I AM NO LONGER WITH YOU?

WHAT DOES THAT MEAN?

WE'RE THROUGH. IT'S OVER. DON'T WANT YOU. BYE‐BYE.

( Sighs )

I CAN'T BELIEVE THEY BROKE UP.

I CAN'T BELIEVE THEY WERE EVER TOGETHER.

THIS NEVER WOULD HAVE HAPPENED

IF THEY HAD TO FOLLOW MY LOVE AGENDA.

THREE MONTHS TO HOLD HANDS, SIX MONTHS FOR A HUG

A YEAR FOR A KISS.

HEY, BY THE TURN OF THE CENTURY

THEY'D HAVE BEEN JUMPING THE BROOM.

NOW, HOW COULD THEY JUMP THE BROOM

IF SHE'S ALWAYS RIDING IT?

YOU KNOW, I'VE GOT TO GET THEM BACK TOGETHER.

I FEEL LIKE THIS IS MY FAULT.

WHY?

I DON'T KNOW.

I HAVE A GENERAL GUILT ABOUT THINGS, YOU KNOW.

OH. GOOD, OVERTON, YOU'RE STILL HERE.

LOOK, I'VE BROUGHT BACK

KYLE'S PRECIOUS FRAGILE BELONGINGS.

AW, DANG, GIRL, THAT'S MY CLEVELAND BROWNS MUG

AND IT'S BROKEN.

WELL, THAT'S ALL RIGHT.

THEY'RE LEAVING CLEVELAND ANYWAY.

GIRL, YOU OKAY?

YEAH, I'M ALL RIGHT, BUT HIM...

LOOK.

CHECK THIS OUT.

KYLE WAS TOO HIGH‐MAINTENANCE ANYWAY.

I MEAN, ALWAYS TRYING TO GET CLOSE.

YEAH, WE ALL KNOW HOW MUCH YOU HATE THAT.

EXACTLY.

I MEAN, I HAD TO SEE HIM.

I HAD TO TALK TO HIM.

IT'S LIKE HAVING A DAMN SECOND JOB.

( Knock at door )

HEY, IS...?

LOOK, LOOK.

KYLE'S HERE. KYLE'S HERE.

AND LOOK. MAXINE IS HERE.

REUNITED. DOESN'T IT FEEL SO GOOD?

SWAY WITH ME.

I'LL JUST GO.

LOOK.

HERE'S YOUR STUFF.

AND JUST MAKE SURE THAT I GET BACK

EVERY SINGLE ITEM

I EVER LEFT IN YOUR APARTMENT.

CERTAINLY.

I'LL FED‐EX YOUR TOOTHBRUSH.

WHAT ABOUT MY TOOTHPASTE?

IT HARDENED AND BROKE.

"HARDENED AND BROKE."

I DON'T BUY THAT, MAN.

HE BETTER FIND MY TOOTHPASTE.

THANKS.

THANK YOU VERY MUCH.

ALL RIGHT, EVERYBODY, THAT WAS SECURITY.

AGENT TANAKA'S ON HER WAY UP.

PLACES, EVERYBODY!

PERFECT!

( Clears throat )

NICE PICTURE OF YOU.

OH. THAT OLD THING.

IT'S NOT CONSTANTLY WINNING THAT EMBARRASSES ME.

IT'S WHEN THEY CARRY ME AROUND ON THEIR SHOULDERS.

IT'S LIKE HOISTING A LITTLE JAMAICAN ANGEL.

RUSSELL, DO YOU HAVE THE LATEST RECORD REVIEWS?

KHADIJAH, THEY'RE CALLED CDs NOW.

MY FRIEND, YOU ARE TRULY INDISPENSABLE.

ALL RIGHT, BOSS, I'M READY FOR MY NEXT ASSIGNMENT.

OH, GOOD.

I NEED YOU TO RUN TO MANHATTAN

AND PICK UP SOME PHOTOS AT THIS ADDRESS.

OH, NO PROBLEM.

ONLY...

I WISH I KNEW HOW TO GET THERE.

MY FRIEND, TAKE THE TWO TRAIN TO BROADWAY

THEN CATCH THE FOUR GOING UPTOWN.

GET OFF ON BLEECKER AND GO TWO BLOCKS NORTH.

OR YOU COULD TAKE THE FOUR STRAIGHT TO BROADWAY.

THAT'S A LOT QUICKER.

YOU KNOW WHAT I'M SAYING?

OH, BUT RUSSELL PROPOSES A MORE SCENIC ROUTE

THAT'S SURE TO LIFT MY SPIRITS.

THANKS, RUSSELL.

YOU'RE THE MAN.

I DON'T NEED TO SEE ANY MORE.

THEN I CAN STAY?

UNTIL YOUR PLANE LEAVES.

I'VE ENJOYED YOUR LITTLE SKETCH

BUT THERE'S NO REASON

FOR YOUR CO‐WORKERS TO EMBARRASS THEMSELVES ANY FURTHER.

YOU WILL BE RECEIVING AN OFFICIAL DEPORTATION NOTICE

WITHIN THE NEXT 24 HOURS.

BUT, BUT, UH...

I‐I‐IF RUSSELL LEAVES, HOW WOULD WE EVER PUT OUT

THE PATOIS EDITION OF FLAVOR?

PATOIS EDITION?

YES, THAT'S RIGHT.

KHADIJAH IS EXPANDING OUR MARKET BASE

BY DISTRIBUTING FLAVOR IN THE WEST INDIES.

RIGHT, KHADIJAH?

RIGHT.

I'M EXPANDING OUR MARKET BASE

BY DISTRIBUTING FLAVOR IN THE WEST INDIES.

A MAGAZINE IN PATOIS?

IT'S THE LANGUAGE OF JAMAICA.

ME LOOK 'PON YOU, WOMAN, AND ME LIKE HOW YOU STAY.

GAL, COME HOME BY ME.

I COOK YOU UP SOME ACKEE AND SALT FISH.

THEN WE CAN YAM IT DOWN.

RUSSELL

ARE YOU TALKING DIRTY TO AGENT TANAKA?

NOT REALLY.

LOOSELY TRANSLATED

HE THINKS I GOT IT GOIN' ON.

MY EX‐BOYFRIEND WAS JAMAICAN.

SOMETIMES I WISH I HADN'T DEPORTED HIM.

SO, YOU DO HAVE A HEART.

WHAT DO YOU SAY? WHAT DO YOU SAY?

WELL, IT APPEARS

THAT MR. MONTEGO'S CONTRIBUTION TO FLAVOR.

IS INDEED INDISPENSABLE.

YES!

I'LL PROCESS YOUR PAPERWORK

AS SOON AS I GET THAT PATOIS EDITION.

♪ HOORAY! ♪

♪ WE SAVED RUSSELL, WE SAVED RUSSELL ♪

♪ COME NOW. ♪

OH, YES!

WEREN'T YOU LISTENING?

OF COURSE. I'M JUST IGNORING THE FACT

THAT WE CAN'T ACTUALLY AFFORD A PATOIS EDITION.

WE DON'T HAVE TO.

I'LL GET MY COUSIN RIGHT ON IT.

THE ONE WHO RUNS THE SWEATSHOP?

NOT ANYMORE.

THANKS TO AGENT TANAKA

HE'S RUNNING A PRISON PRINT SHOP.

Regine: COME ON, MAX, MOVE.

Max: SORRY. SORRY.

YOU SUPPOSED TO BE THERE?

Synclaire: YEAH. HE HAS MY TICKET.

Max: THAT'S MY SEAT.

ALL RIGHT. FORGET IT.

OH, MY GOD.

E‐E‐EXCUSE ME, BUT WOULD

ONE OF YOU MIND SWITCHING SEATS WITH ME?

HELL NO. MM‐MMM.

MOVE IT OR LOSE IT.

MY ELBOW WAS HERE FIRST.

IF MY ELBOW DOESN'T GO THERE

IT'LL DEFINITELY GO SOMEPLACE YOU WON'T ENJOY.

HEY. YOU'RE THE SCALPER WHO SOLD ME MY TICKET.

WOW. WE CAN ALMOST SEE THE STAGE.

I'M THE BIGGEST BRIAN McKNIGHT FAN.

ON THE PLANET!

STOP TOUCHING ME.

IF YOU WOULD SIT LIKE A LADY, I WOULDN'T HAVE TO.

DON'T MAKE ME COME DOWN THERE.

I BELIEVE IT'S BEAUTIFUL

THAT THE TWO OF YOU ARE TALKING AGAIN.

GET THE HELL OFF! SHUT UP!

Announcer: Ladies and gentlemen, Brian McKnight!

♪ WHOO‐HOO ♪

♪ AHH‐OH. ♪

IT'S BRIAN, GIRL!

IT'S BRIAN!

WELL, GOOD EVENING, EVERYONE

AND WELCOME TO A NIGHT OF LOVE.

All: WHOO!

TURN UP THE HEAT, BABY.

NOW, I WANT TO TELL ALL THE MEN OUT THERE

THAT A GOOD WOMAN IS HARD TO FIND.

Max: THANK YOU.

BUT YOU CAN FIND AN EVIL ONE LURKING IN ANY ALLEY.

KYLE, IF YOU WANT TO INSULT ME

JUST REMIND ME I USED TO SLEEP WITH YOU!

THAT'S NOTHING COMPARED TO THE HORROR

OF WAKING UP WITH YOU.

SHH.

WATCH THE SHOW.

McKnight: I'M NOT FEELING THE LOVE.

FROM THAT COUPLE IN THE CHEAP SEATS.

OKAY, GREAT.

YOU PHILISTINE.

THIS IS SO EMBARRASSING.

LOOK, YOU PUT THE ASS IN EMBARRASS.

LET ME TELL YOU SOMETHING

YOU SOCIALLY INEPT SALAMANDER...

DO YOU WANT A PIECE OF ME, KYLE?!

THAT'S HOW THIS NIGHTMARE BEGAN.

LOVEBIRDS, COME WITH ME.

GET OFF ME, MAN!

HEY, LOOK AT THAT.

TWO FREE SEATS OPENED UP EVEN CLOSER TO BRIAN.

OUT OF MY WAY.

OH, OH.

OW!

OFFICER, IF YOU WANT TO USE YOUR TASER ON HIM

I PROMISE NOT TO TELL ANYONE.

YOUR I. D., PLEASE.

WHAT?

I DON'T HAVE TO DO THAT.

I KNOW MY RIGHTS.

YOU'RE RIGHT. I'LL JUST CALL A COP

AND HE CAN ARREST YOU FOR DISTURBING THE PEACE.

HERE, FASCIST.

MAY I HAVE YOUR I. D., SIR, AND YOUR NAME?

KYLE BARKER, AGE 30, PROFESSIONAL BLOWHARD.

AND JUST WHY DO YOU NEED THIS INFORMATION?

FOR OUR RIFFRAFF FILES.

THAT WAY IF WE EVER CATCH YOU HERE AGAIN

WE CAN ARREST YOU FOR TRESPASSING.

MA'AM, CAN YOU

STRAIGHTEN UP, PLEASE?

THERE'S ONLY SO MUCH YOU CAN ASK OF QUASIMODO.

SIR?

I'LL BE RIGHT BACK

AND IF YOU WANT TO KILL EACH OTHER

DON'T BLEED ON MY DESK.

WOMAN, YOU...

YOU ARE A CURSE.

I MEAN, I AM NOT ONLY MISSING MY FAVORITE SINGER

NOW I AM BEING COUNTED AMONG THE RIFFRAFF.

HE'S A GOOD PHOTOGRAPHER THOUGH.

HE'S CAPTURED YOUR GOAT‐LIKE ESSENCE.

KYLE, THAT'S YOU.

OH, DEAR GOD, IT IS.

BOY, WE MADE ONE FREAKY COUPLE, DIDN'T WE?

( laughing )

HOW DID A FEW NIGHTS OF CARNAL PLEASURE

END IN THIS ABYSS?

WELL, I GUESS YOU LET YOUR EMOTIONS GET INVOLVED.

WELL, EXCUSE ME, TIN MAN, BUT I HAVE A HEART.

YEAH, I KNOW, AND YOU WEAR IT RIGHT ON YOUR SLEEVE.

OKAY, KYLE, COME ON.

DON'T START TALKING ABOUT FEELINGS AGAIN.

THAT'S WHAT DAYTIME TV IS FOR.

YOU KNOW, MAXINE, ALL THIS TIME WE HAVE BEEN TOGETHER

AND I STILL DO NOT UNDERSTAND YOU.

I MEAN, WHAT, WHAT DO YOU CARE ABOUT?

FOOD, SHELTER, MY CAREER AND GOOD SEX.

WELL, I GUESS I GAVE YOU MORE CREDIT

THAN I SHOULD HAVE.

OH.

I GUESS YOU'LL RUN THROUGH A MEADOW

IN YOUR NEXT RELATIONSHIP.

YEAH, MAYBE.

OKAY, JUST SIGN RIGHT HERE

AND YOU'RE FREE TO LEAVE THE PREMISES.

EXCUSE ME.

I HAVE A QUICK WARDROBE CHANGE

AND I LOCKED MYSELF OUT OF MY DRESSING ROOM.

AREN'T YOU THAT LOUD, ANGRY COUPLE?

YEAH, WE USED TO BE.

YES. UM, SORRY FOR THE DISTURBANCE.

DON'T WORRY ABOUT IT.

NO PROBLEM.

MAKE SURE THEY DON'T MAKE IT BACK INTO THE CONCERT.

YES, SIR, MR. McKNIGHT.

WHOO!

ALL RIGHT, THEN.

WELL, I GUESS I'VE HAD ENOUGH EXCITEMENT

FOR ONE... ONE EVENING.

SO, DO YOU NEED A RIDE HOME?

YES.

YES. THAT'S WHY I'LL BE TAKING A CAB.

SUIT YOURSELF.

HMM.

WELL...

GOOD NIGHT, MAXINE.

HMM.

THAT'S ALL, FOLKS.

LIVING SINGLE WILL BE RIGHT BACK.

WELL SOMEONE'S GOTTA PROTECT WOMEN'S RIGHTS.

ALL THIS WOMEN'S RIGHTS STUFF JUST PROVES ONE THING.

WHAT?

YOU WANT ME.

♪ TWO HEARTS ♪

♪ TWO HEARTS THAT BEAT AS ONE ♪

♪ OUR LIVES HAVE JUST BEGUN ♪

♪ FOREVER ♪

♪ OHH ♪

♪ I'LL HOLD YOU CLOSE IN MY ARMS ♪

♪ I CAN'T RESIST YOUR CHARMS ♪

♪ AND LOVE ♪

♪ OH, LOVE ♪

♪ I'LL BE A FOOL FOR YOU ♪

♪ I'M SURE ♪

♪ YOU KNOW I DON'T MIND ♪

♪ OH, YOU KNOW I DON'T MIND ♪

♪ 'CAUSE YOU ♪

♪ YOU MEAN THE WORLD TO ME ♪

♪ OH ♪

♪ I KNOW ♪ ♪ I KNOW ♪

♪ I FOUND ♪ ♪ I FOUND ♪

♪ IN YOU ♪

♪ MY ENDLESS LOVE. ♪

[Captioned by The Caption Center WGBH Educational Foundation]