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[ LAUGHTER ]
[ BIRDS CHIRPING ]
[ CHILDREN PLAYING ]
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[ CHEERING ]
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[ INDISTINCT CONVERSATIONS ]
>> FIGHT, MUSTANGS!
LET'S FIGHT!
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>> FIGHT, MUSTANGS!
LET'S FIGHT!
>> COME ON, CROWD! RED!
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LET'S FIGHT!
>> COME ON, CROWD! RED!
>> FIGHT, MUSTANGS!
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>> COME ON, CROWD! RED!
>> FIGHT, MUSTANGS!
LET'S FIGHT!
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>> FIGHT, MUSTANGS!
LET'S FIGHT!
>> COME ON, CROWD! RED!
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LET'S FIGHT!
>> COME ON, CROWD! RED!
>> FIGHT, MUSTANGS!
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>> COME ON, CROWD! RED!
>> FIGHT, MUSTANGS!
LET'S FIGHT!
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>> FIGHT, MUSTANGS!
LET'S FIGHT!
>> COME ON, RED!
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LET'S FIGHT!
>> COME ON, RED!
>> FIGHT, MUSTANGS!
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>> COME ON, RED!
>> FIGHT, MUSTANGS!
LET'S FIGHT!
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>> FIGHT, MUSTANGS!
LET'S FIGHT!
YEAH!
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LET'S FIGHT!
YEAH!
[ ALL CHEERING ]
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YEAH!
[ ALL CHEERING ]
[ INDISTINCT CONVERSATIONS ]
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>> HEY, MICHAEL.
SPARE SOME CHANGE?
>> WHAT?
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SPARE SOME CHANGE?
>> WHAT?
>> I'M THE ONE ASKING THE
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>> WHAT?
>> I'M THE ONE ASKING THE
QUESTIONS NOW, FUCK FACE!
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>> I'M THE ONE ASKING THE
QUESTIONS NOW, FUCK FACE!
>> THIS WAS MICHAEL RAY?
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QUESTIONS NOW, FUCK FACE!
>> THIS WAS MICHAEL RAY?
>> YEAH, MICHAEL RAY.
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>> THIS WAS MICHAEL RAY?
>> YEAH, MICHAEL RAY.
>> NOT FAST ENOUGH.
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>> YEAH, MICHAEL RAY.
>> NOT FAST ENOUGH.
>> WHAT WENT THROUGH YOUR MIND
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>> NOT FAST ENOUGH.
>> WHAT WENT THROUGH YOUR MIND
AS YOU PULLED THE TRIGGER?
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>> WHAT WENT THROUGH YOUR MIND
AS YOU PULLED THE TRIGGER?
>> I THOUGHT THERE'D BE MORE
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AS YOU PULLED THE TRIGGER?
>> I THOUGHT THERE'D BE MORE
BLOOD.
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[ BIRDS CHIRPING ]
[ HORN HONKS ]
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[ HORN BLARING ]
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>> STREAMING LIVE, IT'S TIME TO
CHECK YOUR MORALS AT THE DOOR,
'CAUSE IT'S THE
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CHECK YOUR MORALS AT THE DOOR,
'CAUSE IT'S THE
"LAX MORALES SHOW."
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'CAUSE IT'S THE
"LAX MORALES SHOW."
>> THE QUESTION I'VE BEEN
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"LAX MORALES SHOW."
>> THE QUESTION I'VE BEEN
HEARING IS -- WHAT THE HELL ARE
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>> THE QUESTION I'VE BEEN
HEARING IS -- WHAT THE HELL ARE
WE GONNA DO WITH THESE KIDS?
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HEARING IS -- WHAT THE HELL ARE
WE GONNA DO WITH THESE KIDS?
WE'VE GIVEN YOU A FAST-FOOD,
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WE GONNA DO WITH THESE KIDS?
WE'VE GIVEN YOU A FAST-FOOD,
DOWNSIZED, TECHNO-DRIVEN WORLD,
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WE'VE GIVEN YOU A FAST-FOOD,
DOWNSIZED, TECHNO-DRIVEN WORLD,
AND IT'S COLD AND YOU CAN'T MAKE
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DOWNSIZED, TECHNO-DRIVEN WORLD,
AND IT'S COLD AND YOU CAN'T MAKE
ANY SENSE OF IT.
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AND IT'S COLD AND YOU CAN'T MAKE
ANY SENSE OF IT.
SO, KIDS, LET'S TAKE SOME CALLS.
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ANY SENSE OF IT.
SO, KIDS, LET'S TAKE SOME CALLS.
HI. WHAT'S YOUR NAME?
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SO, KIDS, LET'S TAKE SOME CALLS.
HI. WHAT'S YOUR NAME?
>> HI. MY NAME'S SANDY.
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HI. WHAT'S YOUR NAME?
>> HI. MY NAME'S SANDY.I JUST CAUGHT MY BEST FRIEND
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>> HI. MY NAME'S SANDY.I JUST CAUGHT MY BEST FRIENDSEXTING MY BOYFRIEND.
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I JUST CAUGHT MY BEST FRIENDSEXTING MY BOYFRIEND.>> [ CHUCKLES ]
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SEXTING MY BOYFRIEND.>> [ CHUCKLES ]WELL, THAT BLOWS.
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>> ISA, WHAT ARE YOU HEARING?DO WE HAVE A NEW BODY COUNT?
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DO WE HAVE A NEW BODY COUNT?>> 39 STUDENTS, 2 TEACHERS, ANDA POLICE OFFICER WERE SHOT TODAY
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>> 39 STUDENTS, 2 TEACHERS, ANDA POLICE OFFICER WERE SHOT TODAYBEFORE HERMAN HOWARDS WAS
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A POLICE OFFICER WERE SHOT TODAYBEFORE HERMAN HOWARDS WASAPPREHENDED AT 12:40 P.M.
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BEFORE HERMAN HOWARDS WASAPPREHENDED AT 12:40 P.M.WHAT DO YOU REMEMBER OF THE
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APPREHENDED AT 12:40 P.M.WHAT DO YOU REMEMBER OF THESHOOTING?
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WHAT DO YOU REMEMBER OF THESHOOTING?>> [ Crying ] JUST SHOOTING.
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SHOOTING?>> [ Crying ] JUST SHOOTING.THERE WASN'T ANYONE AROUND.
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>> [ Crying ] JUST SHOOTING.THERE WASN'T ANYONE AROUND.>> ALL OF THE DOORS WERE LOCKED.
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THERE WASN'T ANYONE AROUND.>> ALL OF THE DOORS WERE LOCKED.EVERYONE WAS JUST RUNNING FROM
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>> ALL OF THE DOORS WERE LOCKED.EVERYONE WAS JUST RUNNING FROMINSIDE, TRYING TO GET OUT.
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EVERYONE WAS JUST RUNNING FROMINSIDE, TRYING TO GET OUT.>> I-I TRIED DIALING MY PHONE,
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INSIDE, TRYING TO GET OUT.>> I-I TRIED DIALING MY PHONE,BUT MY HANDS WERE SHAKING S-SO
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>> I-I TRIED DIALING MY PHONE,BUT MY HANDS WERE SHAKING S-SOBAD, I JUST COULDN'T.
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BUT MY HANDS WERE SHAKING S-SOBAD, I JUST COULDN'T.>> I'M WITH THE VICE PRINCIPAL
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BAD, I JUST COULDN'T.>> I'M WITH THE VICE PRINCIPALOF THE SCHOOL.
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>> I'M WITH THE VICE PRINCIPALOF THE SCHOOL.AND I'D LIKE TO ASK YOU, DO YOU
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OF THE SCHOOL.AND I'D LIKE TO ASK YOU, DO YOUHAVE ANY MESSAGE FOR THE
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AND I'D LIKE TO ASK YOU, DO YOUHAVE ANY MESSAGE FOR THEPARENTS?
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HAVE ANY MESSAGE FOR THEPARENTS?>> YES, UH, WE'RE WORKING AS
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PARENTS?>> YES, UH, WE'RE WORKING ASFAST AS WE POSSIBLY CAN TO GET
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>> YES, UH, WE'RE WORKING ASFAST AS WE POSSIBLY CAN TO GETYOU BACK TOGETHER WITH YOUR
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FAST AS WE POSSIBLY CAN TO GETYOU BACK TOGETHER WITH YOURCHILDREN.
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YOU BACK TOGETHER WITH YOURCHILDREN.>> [ Voice breaking ] THIS
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CHILDREN.>> [ Voice breaking ] THISMORNING, WHEN I DROPPED HIM OFF
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>> [ Voice breaking ] THISMORNING, WHEN I DROPPED HIM OFFAT SCHOOL, WE WERE TALKING ABOUT
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MORNING, WHEN I DROPPED HIM OFFAT SCHOOL, WE WERE TALKING ABOUTMY MOM'S BIRTHDAY DINNER, AND HE
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AT SCHOOL, WE WERE TALKING ABOUTMY MOM'S BIRTHDAY DINNER, AND HEWAS GONNA HELP PLAN IT.
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MY MOM'S BIRTHDAY DINNER, AND HEWAS GONNA HELP PLAN IT.BUT NOT ANYMORE.
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WAS GONNA HELP PLAN IT.BUT NOT ANYMORE.>> DID YOU THINK THAT SOMETHING
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BUT NOT ANYMORE.>> DID YOU THINK THAT SOMETHINGLIKE HERMAN HOWARDS WAS
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LIKE HERMAN HOWARDS WASPOSSIBLE?
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>> I JUST THOUGHT HE WAS MAD,REAL ANGRY AT SOMETHING, BUT I
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REAL ANGRY AT SOMETHING, BUT IDIDN'T KNOW HE WAS GONNA SHOOT
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DIDN'T KNOW HE WAS GONNA SHOOTTHE WHOLE SCHOOL UP.
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THE WHOLE SCHOOL UP.[ INDISTINCT SHOUTING ]
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[ INDISTINCT SHOUTING ]>> PLEASE LET ME THROUGH.>> MRS. HOWARDS, DO YOU HAVE ANY
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>> PLEASE LET ME THROUGH.>> MRS. HOWARDS, DO YOU HAVE ANYIDEA WHY HERMAN MIGHT DO
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>> MRS. HOWARDS, DO YOU HAVE ANYIDEA WHY HERMAN MIGHT DOSOMETHING LIKE THIS?
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IDEA WHY HERMAN MIGHT DOSOMETHING LIKE THIS?>> HERMAN IS A HAPPY, HEALTHY
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SOMETHING LIKE THIS?>> HERMAN IS A HAPPY, HEALTHYTEENAGER WITH A PROMISING
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>> HERMAN IS A HAPPY, HEALTHYTEENAGER WITH A PROMISINGFUTURE.
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TEENAGER WITH A PROMISINGFUTURE.>> I DON'T KNOW WHAT'S WRONG
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FUTURE.>> I DON'T KNOW WHAT'S WRONGWITH HIS MOTHER, BUT IT'S GOT TO
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>> I DON'T KNOW WHAT'S WRONGWITH HIS MOTHER, BUT IT'S GOT TOBE SOMETHING FOR HER NOT TO SEE
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WITH HIS MOTHER, BUT IT'S GOT TOBE SOMETHING FOR HER NOT TO SEETHE SIGNS.
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BE SOMETHING FOR HER NOT TO SEETHE SIGNS.>> MRS. HOWARDS, YOUR SON WAS
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THE SIGNS.>> MRS. HOWARDS, YOUR SON WASJUST ARRESTED FOR SHOOTING OVER
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>> MRS. HOWARDS, YOUR SON WASJUST ARRESTED FOR SHOOTING OVER40 PEOPLE.
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JUST ARRESTED FOR SHOOTING OVER40 PEOPLE.>> NO. LET ME GO INSIDE.
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40 PEOPLE.>> NO. LET ME GO INSIDE.[ INDISTINCT SHOUTING ]
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>> NO. LET ME GO INSIDE.[ INDISTINCT SHOUTING ]>> I DON'T KNOW.
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[ INDISTINCT SHOUTING ]>> I DON'T KNOW.SOME PEOPLE ARE JUST ANGRY.
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>> I DON'T KNOW.SOME PEOPLE ARE JUST ANGRY.THAT'S THE WAY IT IS.
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SOME PEOPLE ARE JUST ANGRY.THAT'S THE WAY IT IS.>> YEAH, I-I TALKED TO HIM.
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THAT'S THE WAY IT IS.>> YEAH, I-I TALKED TO HIM.I MEAN, THE KID WAS PRETTY MUCH
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>> YEAH, I-I TALKED TO HIM.I MEAN, THE KID WAS PRETTY MUCHALL [BLEEP] UP.
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I MEAN, THE KID WAS PRETTY MUCHALL [BLEEP] UP.>> HOW DID HE GET THE GUNS?
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ALL [BLEEP] UP.>> HOW DID HE GET THE GUNS?>> DID YOUR HUSBAND KEEP GUNS IN
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>> HOW DID HE GET THE GUNS?>> DID YOUR HUSBAND KEEP GUNS INTHE HOME?
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>> DID YOUR HUSBAND KEEP GUNS INTHE HOME?>> I-I'M DIVORCED.
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THE HOME?>> I-I'M DIVORCED.>> HOW DID YOUR SON GET THE PIPE
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>> I-I'M DIVORCED.>> HOW DID YOUR SON GET THE PIPEBOMBS?
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>> HOW DID YOUR SON GET THE PIPEBOMBS?>> I CAN'T UNDERSTAND WHY HE
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BOMBS?>> I CAN'T UNDERSTAND WHY HEWOULD DO SUCH A THING.
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>> I CAN'T UNDERSTAND WHY HEWOULD DO SUCH A THING.>> MRS. HOWARDS!
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>> MRS. HOWARDS!>> ONE MORE STATEMENT!
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>> REPUBLICAN SENATOR JOAN COXISSUED THIS STATEMENT TO THE
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ISSUED THIS STATEMENT TO THEPRESS THIS MORNING.
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PRESS THIS MORNING.[ INDISTINCT SHOUTING ]
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[ INDISTINCT SHOUTING ]>> HERMAN HOWARDS IS NOT ACOMMON CRIMINAL.
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>> HERMAN HOWARDS IS NOT ACOMMON CRIMINAL.HE IS A TERRORIST.
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COMMON CRIMINAL.HE IS A TERRORIST.>> HE'S A TROUBLED CHILD IN
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HE IS A TERRORIST.>> HE'S A TROUBLED CHILD INDESPERATE NEED OF PSYCHIATRIC
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DESPERATE NEED OF PSYCHIATRICTREATMENT.
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YOU KNOW, I THINK THERE AREREASONS FOR THESE TYPE OF
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REASONS FOR THESE TYPE OFACTIONS, AND WE NEED TO FIGURE
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ACTIONS, AND WE NEED TO FIGUREOUT THOSE REASONS TO MAKE SURE
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OUT THOSE REASONS TO MAKE SURETHAT THESE KIND OF TRAGEDIES
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THAT THESE KIND OF TRAGEDIESDON'T HAPPEN AGAIN.
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DON'T HAPPEN AGAIN.>> HE IS A MONSTER AND HE SHOULD
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>> HE IS A MONSTER AND HE SHOULDBE TREATED AS ONE.
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BE TREATED AS ONE.[ INDISTINCT SHOUTING ]
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THANK YOU ALL VERY MUCH.GOD BLESS AMERICA.
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GOD BLESS AMERICA.[ CAMERA SHUTTERS CLICKING ]
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>> THERE REMAINS NO CLEAR MOTIVEFOR THESE KILLINGS.
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FOR THESE KILLINGS.[ GIRL SCREAMING ]
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[ GIRL SCREAMING ]DISTURBING.YOU'RE WATCHING "CHET CHAT."
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DISTURBING.YOU'RE WATCHING "CHET CHAT."WE'LL BE RIGHT BACK.
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YOU'RE WATCHING "CHET CHAT."WE'LL BE RIGHT BACK.>> YEAH, YOU'RE THE ONE THAT'S
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WE'LL BE RIGHT BACK.>> YEAH, YOU'RE THE ONE THAT'SDISTURBING, DUDE.
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YEAH, YOU KNOW IT.
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HA! NICE.[ BEEP ]
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[SCREAMING]
>> I WANT TO TELL MY STORY ONYOUR SHOW.
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>> I WANT TO TELL MY STORY ONYOUR SHOW.>>POLICE! PUT YOUR WEAPON DO!
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>>THE RESPONDING DEPUTIESARRIVED ON THE SCENE AND COULDHEAR SHOTS STILL BEING FIRED
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ARRIVED ON THE SCENE AND COULDHEAR SHOTS STILL BEING FIREDWITHIN THE SCHOOL.
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HEAR SHOTS STILL BEING FIREDWITHIN THE SCHOOL.THOSE DEPUTIES ALSO REPORTED
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WITHIN THE SCHOOL.THOSE DEPUTIES ALSO REPORTEDEXPLOSIONS INSIDE THE BUILDING.
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THOSE DEPUTIES ALSO REPORTEDEXPLOSIONS INSIDE THE BUILDING.THERE ARE MANY FATALITIES.
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>>HE SHOT A GIRL.THERE WERE BOMBS AND SHOTGUNS
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THERE WERE BOMBS AND SHOTGUNSGOING OFF.
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GOING OFF.AND THEN HE ASKED IF WE ALL
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AND THEN HE ASKED IF WE ALLWANTED TO DIE.
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WANTED TO DIE.PEOPLE STARTED RUNNING AND
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PEOPLE STARTED RUNNING ANDSCREAMING.
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SCREAMING.I'M SURE THAT EVERYONE...
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I'M SURE THAT EVERYONE...>> IT'S TERRIBLE, ISN'T IT?
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>> IT'S TERRIBLE, ISN'T IT?>>...WATCHING IS FEELING THE
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>>...WATCHING IS FEELING THEPAIN OF ALL THE FAMILIES...
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PAIN OF ALL THE FAMILIES...>> IF YOU COULD SIGN HERE FOR
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>> IF YOU COULD SIGN HERE FORME, PLEASE, SIR.
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ME, PLEASE, SIR.>> THOMAS JOSEPH KING!
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>> THOMAS JOSEPH KING!YOU BUMP INTO THAT MAN ONE MORE
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YOU BUMP INTO THAT MAN ONE MORETIME...
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TIME...>>THIS IS ISA LUZ REPORTING
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>>THIS IS ISA LUZ REPORTINGLIVE FROM
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LIVE FROMWEST BROOME HIGH SCHOOL.
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WEST BROOME HIGH SCHOOL.>> WHY DON'T YOU TAKE A SEAT
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>> WHY DON'T YOU TAKE A SEATOVER THERE.
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OVER THERE.YOUR CAR WILL BE READY IN A
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YOUR CAR WILL BE READY IN AMOMENT.
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MOMENT.THANKS.
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THANKS.>> JUST WAIT TILL WE GET HOME.
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>> JUST WAIT TILL WE GET HOME.YOU'RE GONNA BE SORRY I EVERGAVE BIRTH TO YOU.
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YOU'RE GONNA BE SORRY I EVERGAVE BIRTH TO YOU.>> MAMA! MAMA!
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GAVE BIRTH TO YOU.>> MAMA! MAMA![ TELEPHONE RINGING ]
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>> MAMA! MAMA![ TELEPHONE RINGING ]>> YOU'RE GONNA GO AND SAVE THE
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[ TELEPHONE RINGING ]>> YOU'RE GONNA GO AND SAVE THEWORLD ALL BY YOURSELF, HUH?
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>> I GUESS...OR I COULD SELLOUT, LIKE CHET.>> [ LAUGHS ]
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OUT, LIKE CHET.>> [ LAUGHS ]YOU'RE SO BAD.
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>> [ LAUGHS ]YOU'RE SO BAD.YOU KNOW, YOU'RE LUCKY YOU GOT
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YOU'RE SO BAD.YOU KNOW, YOU'RE LUCKY YOU GOTSUCH A HOT GIRLFRIEND.
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YOU KNOW, YOU'RE LUCKY YOU GOTSUCH A HOT GIRLFRIEND.>> THAT'S DEFINITELY A BONUS.
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SUCH A HOT GIRLFRIEND.>> THAT'S DEFINITELY A BONUS.>> [ LAUGHS ]
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>> THAT'S DEFINITELY A BONUS.>> [ LAUGHS ]LAX, THIS STORY IS IMPORTANT.
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>> [ LAUGHS ]LAX, THIS STORY IS IMPORTANT.IT CAN PUT YOU IN THE GAME.
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LAX, THIS STORY IS IMPORTANT.IT CAN PUT YOU IN THE GAME.YOU'RE GONNA COME BACK TO ME IN
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IT CAN PUT YOU IN THE GAME.YOU'RE GONNA COME BACK TO ME INONE PIECE.
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YOU'RE GONNA COME BACK TO ME INONE PIECE.>> I PROMISE.
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ONE PIECE.>> I PROMISE.>> YOUR CAR, SIR.
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>> I PROMISE.>> YOUR CAR, SIR.>> [ CLEARS THROAT ]
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>> YOUR CAR, SIR.>> [ CLEARS THROAT ]THANK YOU.
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[ BIRDS CHIRPING ]
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>> DID YOU KNOW HERMAN?>> YES, ACTUALLY, HE WAS IN OURSCIENCE CLASS.
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>> YES, ACTUALLY, HE WAS IN OURSCIENCE CLASS.>> BUT HE WAS SO, LIKE, WEIRD.
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SCIENCE CLASS.>> BUT HE WAS SO, LIKE, WEIRD.>> HE NEVER REALLY TALKED.
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>> BUT HE WAS SO, LIKE, WEIRD.>> HE NEVER REALLY TALKED.HE WAS ALWAYS QUIET AND STUFF.
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>> HE NEVER REALLY TALKED.HE WAS ALWAYS QUIET AND STUFF.>> I DON'T REALLY REMEMBER HIM,
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HE WAS ALWAYS QUIET AND STUFF.>> I DON'T REALLY REMEMBER HIM,BUT I DO REMEMBER HE WAS WEIRD.
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>> I DON'T REALLY REMEMBER HIM,BUT I DO REMEMBER HE WAS WEIRD.>> HI, MR. MORALES.
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BUT I DO REMEMBER HE WAS WEIRD.>> HI, MR. MORALES.I GOT YOUR CALL.
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>> HI, MR. MORALES.I GOT YOUR CALL.UH, LET ME SHOW YOU WHERE SOME
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I GOT YOUR CALL.UH, LET ME SHOW YOU WHERE SOMEOF THE STUDENTS ARE, OKAY?
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UH, LET ME SHOW YOU WHERE SOMEOF THE STUDENTS ARE, OKAY?>> UM, JUST GIVE ME A SECOND?
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OF THE STUDENTS ARE, OKAY?>> UM, JUST GIVE ME A SECOND?>> IT SEEMS LIKE SOMETHING LIKE
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>> UM, JUST GIVE ME A SECOND?>> IT SEEMS LIKE SOMETHING LIKEHERMAN WAS...
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>> IT SEEMS LIKE SOMETHING LIKEHERMAN WAS...>> HE WAS VERY STOIC AND HE
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HERMAN WAS...>> HE WAS VERY STOIC AND HEJUST -- HE NEVER REACTED.
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>> HE WAS VERY STOIC AND HEJUST -- HE NEVER REACTED.>> CAN I TALK TO YOU FOR A
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JUST -- HE NEVER REACTED.>> CAN I TALK TO YOU FOR AMINUTE?
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>> I'M SORRY. YOU WERE SAYING?>> UH, YEAH.WELL, NO, I NEVER PICTURED
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>> UH, YEAH.WELL, NO, I NEVER PICTUREDHERMAN DOING THIS.
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WELL, NO, I NEVER PICTUREDHERMAN DOING THIS.>> HERMAN WAS ALWAYS ALONE.
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HERMAN DOING THIS.>> HERMAN WAS ALWAYS ALONE.>> YEAH, AT LUNCH, HE WOULD
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>> HERMAN WAS ALWAYS ALONE.>> YEAH, AT LUNCH, HE WOULDALWAYS SIT ALONE.
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>> YEAH, AT LUNCH, HE WOULDALWAYS SIT ALONE.>> DO YOU REMEMBER ANYONE
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ALWAYS SIT ALONE.>> DO YOU REMEMBER ANYONEPICKING ON HIM?
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>> DO YOU REMEMBER ANYONEPICKING ON HIM?>> All: YES.
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[ CAMERA WHIRS ]
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[ CELL DOORS CLOSING ]>> HELLO, HERMAN.
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[ CLEARS THROAT ]UH, S-SHOULD WE BEGIN?
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IS EVERYTHING ALL RIGHT?
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YOU DO WANT TO BE ON THE SHOW,RIGHT?
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>> WHY DID YOU BASH THAT BLACKKID WITH A BAT BACK IN GEORGIA?
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>> WHERE DID YOU HEAR THAT?
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WHY DON'T WE START BY YOU SAYINGYOUR NAME, HMM?
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[ CROWD CHANTING ]
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[ CELL DOORS CLOSING ]
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>> THIS FREAK, HOWARDS -- HESENT CLIPS OF THE MASSACRE TO
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SENT CLIPS OF THE MASSACRE TOTHAT EVEN CRAZIER LIBERAL
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THAT EVEN CRAZIER LIBERALBLOGGER LAX MORALES.
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BLOGGER LAX MORALES.NOW, BELIEVE IT OR NOT, MORALES
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NOW, BELIEVE IT OR NOT, MORALESPLANS TO BROADCAST AN INTERVIEW
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PLANS TO BROADCAST AN INTERVIEWWITH THIS CRIMINAL.
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WITH THIS CRIMINAL.IF THIS LEFT-WING NUTJOB HAS ANY
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IF THIS LEFT-WING NUTJOB HAS ANYINTENTION OF GIVING THIS KID A
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INTENTION OF GIVING THIS KID APLATFORM TO PREACH HIS INSANITY,
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PLATFORM TO PREACH HIS INSANITY,HIS SICK, TWISTED BELIEFS, THEN
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HIS SICK, TWISTED BELIEFS, THENI THINK THAT MORALES OUGHT TO BE
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I THINK THAT MORALES OUGHT TO BEEXECUTED RIGHT NEXT TO HOWARDS.
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>> [ LAUGHS ]NO.>> UH, CAN I GET A SCOTCH?
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NO.>> UH, CAN I GET A SCOTCH?>> HEY, AREN'T YOU THAT MORALS
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>> UH, CAN I GET A SCOTCH?>> HEY, AREN'T YOU THAT MORALSGUY?
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>> HEY, AREN'T YOU THAT MORALSGUY?>> IT'S, UH, MORALES.
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GUY?>> IT'S, UH, MORALES.BUT, YEAH.
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>> IT'S, UH, MORALES.BUT, YEAH.>> KEEP THE CHANGE.
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BUT, YEAH.>> KEEP THE CHANGE.>> COME ON. ONE DRINK. COME ON.
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>> HOW WAS YOUR FIRST DAYWITH -- WITH HERMAN?>> YOU SHOULD KNOW BETTER THAN
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WITH -- WITH HERMAN?>> YOU SHOULD KNOW BETTER THANTHAT.
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>> YOU SHOULD KNOW BETTER THANTHAT.>> BETTER THAN WHAT?
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THAT.>> BETTER THAN WHAT?>> ASKING A FELLOW JOURNALIST
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>> BETTER THAN WHAT?>> ASKING A FELLOW JOURNALISTABOUT HIS -- HIS EXCLUSIVE.
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>> ASKING A FELLOW JOURNALISTABOUT HIS -- HIS EXCLUSIVE.>> OH, I'M SORRY.
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ABOUT HIS -- HIS EXCLUSIVE.>> OH, I'M SORRY.I THOUGHT YOU WERE JUST A
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>> OH, I'M SORRY.I THOUGHT YOU WERE JUST ABLOGGER.
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I THOUGHT YOU WERE JUST ABLOGGER.>> [ CHUCKLES ] OUCH.
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BLOGGER.>> [ CHUCKLES ] OUCH.>> PEOPLE ARE SAYING THIS IS
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>> [ CHUCKLES ] OUCH.>> PEOPLE ARE SAYING THIS ISGONNA BE YOUR CAPOTE MOMENT.
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>> PEOPLE ARE SAYING THIS ISGONNA BE YOUR CAPOTE MOMENT.YOU'RE FAMOUS NOW.
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GONNA BE YOUR CAPOTE MOMENT.YOU'RE FAMOUS NOW.WOW.
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I WANT TO KNOW WHAT HAPPENED.I KNOW YOU LEFT ME TO DO A PIECEON THE KLAN IN GEORGIA, AND YOU
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I KNOW YOU LEFT ME TO DO A PIECEON THE KLAN IN GEORGIA, AND YOUSAID YOU WERE GONNA COME BACK TO
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ON THE KLAN IN GEORGIA, AND YOUSAID YOU WERE GONNA COME BACK TOME IN ONE PIECE.
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SAID YOU WERE GONNA COME BACK TOME IN ONE PIECE.NOT A PHONE CALL, NOTHING.
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ME IN ONE PIECE.NOT A PHONE CALL, NOTHING.HOW COULD YOU DO THAT TO ME?
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NOT A PHONE CALL, NOTHING.HOW COULD YOU DO THAT TO ME?>> I COULDN'T COME BACK.
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HOW COULD YOU DO THAT TO ME?>> I COULDN'T COME BACK.>> WHY NOT?
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>> I COULDN'T COME BACK.>> WHY NOT?>> JUST COULDN'T.
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>> WHY NOT?>> JUST COULDN'T.>> I LOVED YOU, AND YOU SAID YOU
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>> JUST COULDN'T.>> I LOVED YOU, AND YOU SAID YOULOVED ME BACK.
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>> I LOVED YOU, AND YOU SAID YOULOVED ME BACK.AND EVEN AFTER ALL THIS TIME,
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LOVED ME BACK.AND EVEN AFTER ALL THIS TIME,YOU STILL CAN'T GIVE ME A REASON
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AND EVEN AFTER ALL THIS TIME,YOU STILL CAN'T GIVE ME A REASONWHY YOU NEVER CAME BACK TO ME?
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YOU STILL CAN'T GIVE ME A REASONWHY YOU NEVER CAME BACK TO ME?NOT A PHONE CALL, NOT AN E-MAIL,
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WHY YOU NEVER CAME BACK TO ME?NOT A PHONE CALL, NOT AN E-MAIL,NOTHING.
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NOT A PHONE CALL, NOT AN E-MAIL,NOTHING.>> I'M SORRY.
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NOTHING.>> I'M SORRY.I NEVER, EVER STOPPED LOVING
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>> I'M SORRY.I NEVER, EVER STOPPED LOVINGYOU.
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>> [ SIGHS ]>> ♪ WHERE ARE YOU NOW?♪ WHERE ARE YOU NOW?
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[ COUNTRY MUSIC PLAYS ][ LAUGHTER ]>> SO, THIS COLORED BOY -- HE
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[ LAUGHTER ]>> SO, THIS COLORED BOY -- HECOMES UP ON US.
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STARES ME STRAIGHT IN THE FACEAND SAYS, "YOU THINK YOU'REBETTER THAN ME?"
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AND SAYS, "YOU THINK YOU'REBETTER THAN ME?"SO I SPAT AT HIM.
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BETTER THAN ME?"SO I SPAT AT HIM.>> [ CHUCKLES ]
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SO I SPAT AT HIM.>> [ CHUCKLES ]RIGHT IN HIS FACE.
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>> [ CHUCKLES ]RIGHT IN HIS FACE.>> [ LAUGHS ]
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RIGHT IN HIS FACE.>> [ LAUGHS ]>> SO, UM, TELL ME SOMETHING,
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>> [ LAUGHS ]>> SO, UM, TELL ME SOMETHING,DOUGIE-DOG -- HOW YOU EXPECT ME
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>> SO, UM, TELL ME SOMETHING,DOUGIE-DOG -- HOW YOU EXPECT METO MAKE YOU CAPTAIN WHEN YOU'RE
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DOUGIE-DOG -- HOW YOU EXPECT METO MAKE YOU CAPTAIN WHEN YOU'REFACED WITH AN OPPORTUNITY TO
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TO MAKE YOU CAPTAIN WHEN YOU'REFACED WITH AN OPPORTUNITY TOSHOW THE COLORED WHY THE WHITE
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FACED WITH AN OPPORTUNITY TOSHOW THE COLORED WHY THE WHITERACE IS SUPERIOR, AND ALL YOU
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SHOW THE COLORED WHY THE WHITERACE IS SUPERIOR, AND ALL YOUCAN DO IS WASTE YOUR SPIT IN HIS
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RACE IS SUPERIOR, AND ALL YOUCAN DO IS WASTE YOUR SPIT IN HISFACE?
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CAN DO IS WASTE YOUR SPIT IN HISFACE?DUMB KIDS.
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FACE?DUMB KIDS.THAT'S WHAT YOU ARE, BOTH OF
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DUMB KIDS.THAT'S WHAT YOU ARE, BOTH OFYOU -- DUMB KIDS.
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THAT'S WHAT YOU ARE, BOTH OFYOU -- DUMB KIDS.>> UH, EXCUSE ME, MR. GALL?
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YOU -- DUMB KIDS.>> UH, EXCUSE ME, MR. GALL?>> WHAT?
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>> UH, EXCUSE ME, MR. GALL?>> WHAT?>> I-I'VE BEEN WAITING A LONG
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>> WHAT?>> I-I'VE BEEN WAITING A LONGTIME TO MEET YOU, AND, UM, I
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>> I-I'VE BEEN WAITING A LONGTIME TO MEET YOU, AND, UM, IDIDN'T THINK I'D GET A BETTER
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TIME TO MEET YOU, AND, UM, IDIDN'T THINK I'D GET A BETTEROPPORTUNITY THAN RIGHT NOW.
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DIDN'T THINK I'D GET A BETTEROPPORTUNITY THAN RIGHT NOW.>> WHY DO YOU WANT TO TALK TO
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OPPORTUNITY THAN RIGHT NOW.>> WHY DO YOU WANT TO TALK TOME, YANKEE?
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>> WHY DO YOU WANT TO TALK TOME, YANKEE?>> WELL, IT'S, UH...
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ME, YANKEE?>> WELL, IT'S, UH...IT'S, UH -- IT'S YOUR BOOK.
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>> WELL, IT'S, UH...IT'S, UH -- IT'S YOUR BOOK.I'VE BEEN READING IT.
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IT'S, UH -- IT'S YOUR BOOK.I'VE BEEN READING IT.I THINK YOU JUST MIGHT BE A
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I'VE BEEN READING IT.I THINK YOU JUST MIGHT BE APROPHET.
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>> [ CHUCKLES ]THAT SO?>> ♪ BUT THOSE PREDICTIONS DON'T
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THAT SO?>> ♪ BUT THOSE PREDICTIONS DON'TTAKE NO GENIUS ♪
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>> ♪ BUT THOSE PREDICTIONS DON'TTAKE NO GENIUS ♪>> SO, WHAT CAN I DO FOR YOU,
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TAKE NO GENIUS ♪>> SO, WHAT CAN I DO FOR YOU,BOY?
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>> SO, WHAT CAN I DO FOR YOU,BOY?>> YOU COULD START BY SIGNING MY
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BOY?>> YOU COULD START BY SIGNING MYBOOK.
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>> YOU COULD START BY SIGNING MYBOOK.>> [ CHUCKLES ]
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BOOK.>> [ CHUCKLES ]WHAT'S YOUR NAME, SON?
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>> [ CHUCKLES ]WHAT'S YOUR NAME, SON?>> IT'S VIC, SIR.
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WHAT'S YOUR NAME, SON?>> IT'S VIC, SIR.>> VIC. [ CHUCKLES ]
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>> IT'S VIC, SIR.>> VIC. [ CHUCKLES ]MY CELEBRITY.
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>> VIC. [ CHUCKLES ]MY CELEBRITY.[ LAUGHS ]
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MY CELEBRITY.[ LAUGHS ]>> LAX.
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[ LAUGHS ]>> LAX.>> [ GASPS ]
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[ HANDCUFFS CLICK ]
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[ CAMERA WHIRS ]>> W-WHAT'S THAT ON YOUR SHIRT?>> IT'S A DODO BIRD.
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>> W-WHAT'S THAT ON YOUR SHIRT?>> IT'S A DODO BIRD.>> WHY ARE YOU WEARING A DODO
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>> IT'S A DODO BIRD.>> WHY ARE YOU WEARING A DODOBIRD ON YOUR SHIRT?
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>> WHY ARE YOU WEARING A DODOBIRD ON YOUR SHIRT?>> BECAUSE THEY LOOK STUPID, BUT
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BIRD ON YOUR SHIRT?>> BECAUSE THEY LOOK STUPID, BUTTHEY'RE ACTUALLY REALLY SMART.
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>> BECAUSE THEY LOOK STUPID, BUTTHEY'RE ACTUALLY REALLY SMART.>> OH. THAT'S COOL.
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THEY'RE ACTUALLY REALLY SMART.>> OH. THAT'S COOL.>> WELL, IT SOUNDS LIKE I GOT
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>> OH. THAT'S COOL.>> WELL, IT SOUNDS LIKE I GOTTHE SEAL OF APPROVAL.
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>> WELL, IT SOUNDS LIKE I GOTTHE SEAL OF APPROVAL.SHOULD WE BEGIN?
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THE SEAL OF APPROVAL.SHOULD WE BEGIN?>> WELL, HOW MUCH MONEY DO I GET
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SHOULD WE BEGIN?>> WELL, HOW MUCH MONEY DO I GETFOR TALKING TO YOU?
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>> WELL, HOW MUCH MONEY DO I GETFOR TALKING TO YOU?>> YOU DON'T GET ANY MONEY.
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FOR TALKING TO YOU?>> YOU DON'T GET ANY MONEY.THE MONEY GOES TO THE FAMILIES
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>> YOU DON'T GET ANY MONEY.THE MONEY GOES TO THE FAMILIESOF THE VICTIMS.
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THE MONEY GOES TO THE FAMILIESOF THE VICTIMS.BESIDES, I THOUGHT YOU WANTED TO
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OF THE VICTIMS.BESIDES, I THOUGHT YOU WANTED TOTELL YOUR STORY.
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BESIDES, I THOUGHT YOU WANTED TOTELL YOUR STORY.>> YEAH, THIS IS PART OF MY
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TELL YOUR STORY.>> YEAH, THIS IS PART OF MYSTORY.
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>> YEAH, THIS IS PART OF MYSTORY.HOW MUCH?
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STORY.HOW MUCH?>> I DON'T KNOW WHAT THE
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HOW MUCH?>> I DON'T KNOW WHAT THESTANDARD RATE FOR A STORY LIKE
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>> I DON'T KNOW WHAT THESTANDARD RATE FOR A STORY LIKEYOURS WOULD BE.
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STANDARD RATE FOR A STORY LIKEYOURS WOULD BE.>> THAT'S 'CAUSE THERE ARE NO
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YOURS WOULD BE.>> THAT'S 'CAUSE THERE ARE NOSTANDARDS FOR WHAT I'VE DONE.
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>> THAT'S 'CAUSE THERE ARE NOSTANDARDS FOR WHAT I'VE DONE.>> COME ON.
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STANDARDS FOR WHAT I'VE DONE.>> COME ON.HERMAN, YOU KILLED 42 PEOPLE.
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>> COME ON.HERMAN, YOU KILLED 42 PEOPLE.SOMEWHERE IN THE WORLD, THAT
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HERMAN, YOU KILLED 42 PEOPLE.SOMEWHERE IN THE WORLD, THATHAPPENS EVERY WEEK.
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SOMEWHERE IN THE WORLD, THATHAPPENS EVERY WEEK.WHAT MAKES YOU SO SPECIAL?
349
00:18:12,625 --> 00:18:14,425
HAPPENS EVERY WEEK.WHAT MAKES YOU SO SPECIAL?>> I'M JUST A 16-YEAR-OLD KID
350
00:18:14,427 --> 00:18:15,927
WHAT MAKES YOU SO SPECIAL?>> I'M JUST A 16-YEAR-OLD KIDBORN INTO A WHITE, MIDDLE-CLASS
351
00:18:15,929 --> 00:18:16,527
>> I'M JUST A 16-YEAR-OLD KIDBORN INTO A WHITE, MIDDLE-CLASSFAMILY.
352
00:18:16,529 --> 00:18:18,196
BORN INTO A WHITE, MIDDLE-CLASSFAMILY.I'M NOT SOME BROKE ARAB SUCKER
353
00:18:18,198 --> 00:18:19,664
FAMILY.I'M NOT SOME BROKE ARAB SUCKERWHO GREW UP KICKING PEBBLES AND
354
00:18:19,666 --> 00:18:21,165
I'M NOT SOME BROKE ARAB SUCKERWHO GREW UP KICKING PEBBLES ANDTHINKS HE'S GONNA BECOME A
355
00:18:21,167 --> 00:18:22,667
WHO GREW UP KICKING PEBBLES ANDTHINKS HE'S GONNA BECOME AMARTYR WHEN HE GROWS UP AND LAY
356
00:18:22,669 --> 00:18:23,768
THINKS HE'S GONNA BECOME AMARTYR WHEN HE GROWS UP AND LAY99 VIRGINS IN HEAVEN.
357
00:18:23,770 --> 00:18:25,369
MARTYR WHEN HE GROWS UP AND LAY99 VIRGINS IN HEAVEN.I MEAN, IF THAT'S HEAVEN, THEN
358
00:18:25,371 --> 00:18:26,704
99 VIRGINS IN HEAVEN.I MEAN, IF THAT'S HEAVEN, THENISLAM IS EVEN MORE FUCKED UP
359
00:18:26,706 --> 00:18:27,772
I MEAN, IF THAT'S HEAVEN, THENISLAM IS EVEN MORE FUCKED UPTHAN CHRISTIANITY IS.
360
00:18:27,774 --> 00:18:28,873
ISLAM IS EVEN MORE FUCKED UPTHAN CHRISTIANITY IS.>> ARE YOU RELIGIOUS?
361
00:18:28,875 --> 00:18:29,707
THAN CHRISTIANITY IS.>> ARE YOU RELIGIOUS?>> GOD IS DEAD.
362
00:18:29,709 --> 00:18:30,508
>> ARE YOU RELIGIOUS?>> GOD IS DEAD.>> [ CHUCKLES ]
363
00:18:30,510 --> 00:18:31,542
>> GOD IS DEAD.>> [ CHUCKLES ]WHERE'D YOU READ THAT?
364
00:18:31,544 --> 00:18:32,877
>> [ CHUCKLES ]WHERE'D YOU READ THAT?>> SOMETHING I FIGURED OUT.
365
00:18:32,879 --> 00:18:34,545
WHERE'D YOU READ THAT?>> SOMETHING I FIGURED OUT.>> YOU WANT TO TALK ABOUT YOUR
366
00:18:34,547 --> 00:18:37,548
>> SOMETHING I FIGURED OUT.>> YOU WANT TO TALK ABOUT YOURSISTER?
367
00:18:37,550 --> 00:18:40,718
>> YOU WANT TO TALK ABOUT YOURSISTER?>> NO, I DON'T.
368
00:18:40,720 --> 00:18:41,886
SISTER?>> NO, I DON'T.>> DID YOU GET PICKED ON AT
369
00:18:41,888 --> 00:18:44,255
>> NO, I DON'T.>> DID YOU GET PICKED ON ATSCHOOL, HERMAN?
370
00:18:44,257 --> 00:18:45,423
>> DID YOU GET PICKED ON ATSCHOOL, HERMAN?>> WHAT'S THAT GOT TO DO WITH
371
00:18:45,425 --> 00:18:46,190
SCHOOL, HERMAN?>> WHAT'S THAT GOT TO DO WITHGOD BEING DEAD?
372
00:18:46,192 --> 00:18:46,757
>> WHAT'S THAT GOT TO DO WITHGOD BEING DEAD?>> IT DOESN'T.
373
00:18:46,759 --> 00:18:47,925
GOD BEING DEAD?>> IT DOESN'T.IT HAS TO DO WITH YOU KILLING
374
00:18:47,927 --> 00:18:48,860
>> IT DOESN'T.IT HAS TO DO WITH YOU KILLINGTHESE PEOPLE, THOUGH.
375
00:18:48,862 --> 00:18:50,328
IT HAS TO DO WITH YOU KILLINGTHESE PEOPLE, THOUGH.>> WHY -- WHAT DID THEY TELL YOU
376
00:18:50,330 --> 00:18:50,895
THESE PEOPLE, THOUGH.>> WHY -- WHAT DID THEY TELL YOUAT THAT SCHOOL?
377
00:18:50,897 --> 00:18:51,896
>> WHY -- WHAT DID THEY TELL YOUAT THAT SCHOOL?>> DID YOU?
378
00:18:51,898 --> 00:18:55,900
AT THAT SCHOOL?>> DID YOU?DID YOU GET PICKED ON?
379
00:18:55,902 --> 00:18:59,437
>> DID YOU?DID YOU GET PICKED ON?[ KEYBOARD CLACKING ]
380
00:18:59,439 --> 00:19:00,538
DID YOU GET PICKED ON?[ KEYBOARD CLACKING ][ DOOR OPENS ]
381
00:19:00,540 --> 00:19:01,772
[ KEYBOARD CLACKING ][ DOOR OPENS ]>> HELLO, HERMAN.
382
00:19:01,774 --> 00:19:04,775
[ DOOR OPENS ]>> HELLO, HERMAN.HOW YOU DOING, BUDDY?
383
00:19:04,777 --> 00:19:06,777
>> HELLO, HERMAN.HOW YOU DOING, BUDDY?OH, YOU'RE PLAYING GAMES AGAIN.
384
00:19:06,779 --> 00:19:09,780
HOW YOU DOING, BUDDY?OH, YOU'RE PLAYING GAMES AGAIN.[ KEYBOARD CLACKING ]
385
00:19:09,782 --> 00:19:11,649
OH, YOU'RE PLAYING GAMES AGAIN.[ KEYBOARD CLACKING ]LET'S GO PLAY.
386
00:19:11,651 --> 00:19:12,216
[ KEYBOARD CLACKING ]LET'S GO PLAY.>> NO.
387
00:19:12,218 --> 00:19:12,950
LET'S GO PLAY.>> NO.>> NO. SERIOUSLY.
388
00:19:12,952 --> 00:19:13,851
>> NO.>> NO. SERIOUSLY.NO, YOU'RE FINE.
389
00:19:13,853 --> 00:19:15,453
>> NO. SERIOUSLY.NO, YOU'RE FINE.LET'S PLAY, UH -- LET'S PLAY A
390
00:19:15,455 --> 00:19:16,320
NO, YOU'RE FINE.LET'S PLAY, UH -- LET'S PLAY ANEW GAME, OKAY?
391
00:19:16,322 --> 00:19:16,988
LET'S PLAY, UH -- LET'S PLAY ANEW GAME, OKAY?ALL RIGHT?
392
00:19:16,990 --> 00:19:17,989
NEW GAME, OKAY?ALL RIGHT?>> [ GRUNTS ]
393
00:19:17,991 --> 00:19:21,359
ALL RIGHT?>> [ GRUNTS ]>> YOU LIKE THAT?
394
00:19:21,361 --> 00:19:23,361
>> [ GRUNTS ]>> YOU LIKE THAT?COME ON. COME ON. YOU GONNA CRY?
395
00:19:23,363 --> 00:19:23,828
>> YOU LIKE THAT?COME ON. COME ON. YOU GONNA CRY?PANSY.
396
00:19:23,830 --> 00:19:25,396
COME ON. COME ON. YOU GONNA CRY?PANSY.>> GUYS, GUYS, COME ON.
397
00:19:25,398 --> 00:19:25,997
PANSY.>> GUYS, GUYS, COME ON.LET'S GO.
398
00:19:25,999 --> 00:19:26,964
>> GUYS, GUYS, COME ON.LET'S GO.>> [ LAUGHS ]
399
00:19:26,966 --> 00:19:27,832
LET'S GO.>> [ LAUGHS ]>> COME ON.
400
00:19:27,834 --> 00:19:30,368
>> [ LAUGHS ]>> COME ON.>> COME ON.
401
00:19:30,370 --> 00:19:31,702
>> COME ON.>> COME ON.>> YOU GOT TO MAN UP ONE OF
402
00:19:31,704 --> 00:19:32,770
>> COME ON.>> YOU GOT TO MAN UP ONE OFTHESE DAYS, HERMAN.
403
00:19:32,772 --> 00:19:34,338
>> YOU GOT TO MAN UP ONE OFTHESE DAYS, HERMAN.>> [ BREATHING DEEPLY ]
404
00:19:34,340 --> 00:19:43,548
>> WOULD YOU HAVE THOUGHT TO DOWHAT YOU DID IF THEY DIDN'T DOIT IN COLUMBINE FIRST?
405
00:19:43,550 --> 00:19:44,515
WHAT YOU DID IF THEY DIDN'T DOIT IN COLUMBINE FIRST?>> YEAH, BUT THEY DID.
406
00:19:44,517 --> 00:19:45,650
IT IN COLUMBINE FIRST?>> YEAH, BUT THEY DID.>> BUT PRETEND THEY DIDN'T.
407
00:19:45,652 --> 00:19:46,450
>> YEAH, BUT THEY DID.>> BUT PRETEND THEY DIDN'T.>> OH, COME ON.
408
00:19:46,452 --> 00:19:47,451
>> BUT PRETEND THEY DIDN'T.>> OH, COME ON.THEY BECAME REAL FAMOUS
409
00:19:47,453 --> 00:19:47,919
>> OH, COME ON.THEY BECAME REAL FAMOUSAFTERWARDS.
410
00:19:47,921 --> 00:19:49,287
THEY BECAME REAL FAMOUSAFTERWARDS.EVERYBODY KNOWS WHO THEY ARE
411
00:19:49,289 --> 00:19:49,554
AFTERWARDS.EVERYBODY KNOWS WHO THEY ARENOW.
412
00:19:49,556 --> 00:19:50,721
EVERYBODY KNOWS WHO THEY ARENOW.>> DO YOU THINK OF THEM AS
413
00:19:50,723 --> 00:19:51,289
NOW.>> DO YOU THINK OF THEM ASHEROES?
414
00:19:51,291 --> 00:19:52,590
>> DO YOU THINK OF THEM ASHEROES?>> THEY SAID "FUCK YOU" TO THE
415
00:19:52,592 --> 00:19:53,024
HEROES?>> THEY SAID "FUCK YOU" TO THEASSHOLES.
416
00:19:53,026 --> 00:19:54,525
>> THEY SAID "FUCK YOU" TO THEASSHOLES.AFTER THAT, THE FREAKS STARTED
417
00:19:54,527 --> 00:19:55,526
ASSHOLES.AFTER THAT, THE FREAKS STARTEDGETTING SOME RESPECT.
418
00:19:55,528 --> 00:19:56,861
AFTER THAT, THE FREAKS STARTEDGETTING SOME RESPECT.BUT NOW THAT I'VE HIT THE SCENE,
419
00:19:56,863 --> 00:19:57,862
GETTING SOME RESPECT.BUT NOW THAT I'VE HIT THE SCENE,I GIVE THEM A WEAPON.
420
00:19:57,864 --> 00:19:59,363
BUT NOW THAT I'VE HIT THE SCENE,I GIVE THEM A WEAPON.THEY'LL BE RUNNING THE SCHOOLS.
421
00:19:59,365 --> 00:20:00,698
I GIVE THEM A WEAPON.THEY'LL BE RUNNING THE SCHOOLS.>> SO YOU THINK YOU'RE PART OF A
422
00:20:00,700 --> 00:20:01,766
THEY'LL BE RUNNING THE SCHOOLS.>> SO YOU THINK YOU'RE PART OF AREVOLUTION, IS THAT IT?
423
00:20:01,768 --> 00:20:02,533
>> SO YOU THINK YOU'RE PART OF AREVOLUTION, IS THAT IT?>> YOU'LL SEE.
424
00:20:02,535 --> 00:20:03,768
REVOLUTION, IS THAT IT?>> YOU'LL SEE.KIDS ALL OVER THE COUNTRY ARE
425
00:20:03,770 --> 00:20:04,936
>> YOU'LL SEE.KIDS ALL OVER THE COUNTRY AREGONNA START DOING WHAT I DID
426
00:20:04,938 --> 00:20:06,270
KIDS ALL OVER THE COUNTRY AREGONNA START DOING WHAT I DIDUNTIL YOU ASSHOLES FINALLY
427
00:20:06,272 --> 00:20:07,438
GONNA START DOING WHAT I DIDUNTIL YOU ASSHOLES FINALLYREALIZE THAT WE'RE HERE.
428
00:20:07,440 --> 00:20:08,272
UNTIL YOU ASSHOLES FINALLYREALIZE THAT WE'RE HERE.WE MATTER, LAX.
429
00:20:08,274 --> 00:20:09,674
REALIZE THAT WE'RE HERE.WE MATTER, LAX.>> WHAT ABOUT THE KIDS YOU SHOT
430
00:20:09,676 --> 00:20:10,474
WE MATTER, LAX.>> WHAT ABOUT THE KIDS YOU SHOTIN COLD BLOOD?
431
00:20:10,476 --> 00:20:11,676
>> WHAT ABOUT THE KIDS YOU SHOTIN COLD BLOOD?ARE THEY NOT PART OF YOUR
432
00:20:11,678 --> 00:20:13,844
IN COLD BLOOD?ARE THEY NOT PART OF YOURREVOLUTION?
433
00:20:13,846 --> 00:20:15,513
ARE THEY NOT PART OF YOURREVOLUTION?YOU SURE DON'T SPEAK LIKE THE
434
00:20:15,515 --> 00:20:16,647
REVOLUTION?YOU SURE DON'T SPEAK LIKE THEAVERAGE 16-YEAR-OLD.
435
00:20:16,649 --> 00:20:18,416
YOU SURE DON'T SPEAK LIKE THEAVERAGE 16-YEAR-OLD.>> DIDN'T I JUST EXPLAIN THIS TO
436
00:20:18,418 --> 00:20:21,752
AVERAGE 16-YEAR-OLD.>> DIDN'T I JUST EXPLAIN THIS TOYOU?
437
00:20:21,754 --> 00:20:23,454
>> DIDN'T I JUST EXPLAIN THIS TOYOU?>> DO KIDS STILL, UH -- STILL
438
00:20:23,456 --> 00:20:24,522
YOU?>> DO KIDS STILL, UH -- STILLPLAY "THE HUNT"?
439
00:20:24,524 --> 00:20:25,723
>> DO KIDS STILL, UH -- STILLPLAY "THE HUNT"?>> YEAH, OF COURSE.
440
00:20:25,725 --> 00:20:27,625
PLAY "THE HUNT"?>> YEAH, OF COURSE.>> WELL, WHAT WOULD YOU SAY THE
441
00:20:27,627 --> 00:20:28,960
>> YEAH, OF COURSE.>> WELL, WHAT WOULD YOU SAY THEPOINT OF THAT GAME IS?
442
00:20:28,962 --> 00:20:29,927
>> WELL, WHAT WOULD YOU SAY THEPOINT OF THAT GAME IS?[GUNFIRE]
443
00:20:29,929 --> 00:20:31,662
POINT OF THAT GAME IS?[GUNFIRE]
[ INDISTINCT SHOUTING]
444
00:20:31,664 --> 00:20:32,964
[GUNFIRE]
[ INDISTINCT SHOUTING]
>> WELL, YOU TRY TO SHOOT
445
00:20:32,966 --> 00:20:34,432
[ INDISTINCT SHOUTING]
>> WELL, YOU TRY TO SHOOT
EVERYBODY AND GET LOTS OF
446
00:20:34,434 --> 00:20:34,865
>> WELL, YOU TRY TO SHOOT
EVERYBODY AND GET LOTS OF
POINTS.
447
00:20:34,867 --> 00:20:36,500
EVERYBODY AND GET LOTS OF
POINTS.
>> WHAT ABOUT "POST SHOOTER"?
448
00:20:36,502 --> 00:20:37,702
POINTS.
>> WHAT ABOUT "POST SHOOTER"?
DO YOU PLAY THAT GAME?
449
00:20:37,704 --> 00:20:38,736
>> WHAT ABOUT "POST SHOOTER"?
DO YOU PLAY THAT GAME?
>> YEAH, I OWN IT.
450
00:20:38,738 --> 00:20:40,338
DO YOU PLAY THAT GAME?
>> YEAH, I OWN IT.
>> IT'S PRETTY HARD TO FIND,
451
00:20:40,340 --> 00:20:40,871
>> YEAH, I OWN IT.
>> IT'S PRETTY HARD TO FIND,
THAT GAME.
452
00:20:40,873 --> 00:20:43,407
>> IT'S PRETTY HARD TO FIND,
THAT GAME.
>> YEAH, IT IS.
453
00:20:43,409 --> 00:20:44,709
THAT GAME.
>> YEAH, IT IS.
>> I'VE NEVER PLAYED THAT ONE.
454
00:20:44,711 --> 00:20:45,543
>> YEAH, IT IS.
>> I'VE NEVER PLAYED THAT ONE.
HOW DO YOU PLAY?
455
00:20:45,545 --> 00:20:46,844
>> I'VE NEVER PLAYED THAT ONE.
HOW DO YOU PLAY?
>> YOU GO INTO THE POST OFFICE
456
00:20:46,846 --> 00:20:48,412
HOW DO YOU PLAY?
>> YOU GO INTO THE POST OFFICE
ONE DAY AND YOU'VE HAD ENOUGH OF
457
00:20:48,414 --> 00:20:50,014
>> YOU GO INTO THE POST OFFICE
ONE DAY AND YOU'VE HAD ENOUGH OF
PEOPLE'S CRAP AND YOU SHOOT
458
00:20:50,016 --> 00:20:51,849
ONE DAY AND YOU'VE HAD ENOUGH OF
PEOPLE'S CRAP AND YOU SHOOT
EVERYBODY UNTIL THEY'RE ALL
459
00:20:51,851 --> 00:20:52,483
PEOPLE'S CRAP AND YOU SHOOT
EVERYBODY UNTIL THEY'RE ALL
GONE.
460
00:20:52,485 --> 00:20:53,884
EVERYBODY UNTIL THEY'RE ALL
GONE.
>> SOUNDS PRETTY EASY.
461
00:20:53,886 --> 00:20:55,419
GONE.
>> SOUNDS PRETTY EASY.
>> THERE'S A TIME LIMIT.
462
00:20:55,421 --> 00:20:56,854
>> SOUNDS PRETTY EASY.
>> THERE'S A TIME LIMIT.
AND YOU GET MORE POINTS FOR
463
00:20:56,856 --> 00:20:58,522
>> THERE'S A TIME LIMIT.
AND YOU GET MORE POINTS FOR
SHOOTING PEOPLE IN THE FACE THAN
464
00:20:58,524 --> 00:20:59,957
AND YOU GET MORE POINTS FOR
SHOOTING PEOPLE IN THE FACE THAN
YOU DO THE LEGS, STOMACH, OR THE
465
00:20:59,959 --> 00:21:01,058
SHOOTING PEOPLE IN THE FACE THAN
YOU DO THE LEGS, STOMACH, OR THE
BACK OF THE HEAD.
466
00:21:01,060 --> 00:21:01,759
YOU DO THE LEGS, STOMACH, OR THE
BACK OF THE HEAD.
>> WOW.
467
00:21:01,761 --> 00:21:03,561
BACK OF THE HEAD.
>> WOW.
DO YOU, UH -- DO YOU SHOOT UP
468
00:21:03,563 --> 00:21:04,962
>> WOW.
DO YOU, UH -- DO YOU SHOOT UP
WOMEN AND CHILDREN, TOO?
469
00:21:04,964 --> 00:21:06,797
DO YOU, UH -- DO YOU SHOOT UP
WOMEN AND CHILDREN, TOO?
>> I...ACTUALLY THINK YOU GET
470
00:21:06,799 --> 00:21:08,099
WOMEN AND CHILDREN, TOO?
>> I...ACTUALLY THINK YOU GET
LESS POINTS FOR THEM.
471
00:21:08,101 --> 00:21:09,967
>> I...ACTUALLY THINK YOU GET
LESS POINTS FOR THEM.
>> THAT'S NICE.
472
00:21:09,969 --> 00:21:11,102
LESS POINTS FOR THEM.
>> THAT'S NICE.
>> YEAH.
473
00:21:11,104 --> 00:21:12,637
>> THAT'S NICE.
>> YEAH.
[ GUNFIRE]
474
00:21:12,639 --> 00:21:14,639
>> YEAH.
[ GUNFIRE]
[ CHAIN SAW WHIRRING]
475
00:21:14,641 --> 00:21:16,040
[ GUNFIRE]
[ CHAIN SAW WHIRRING]
>> DOES YOUR MOM, UH -- WHAT
476
00:21:16,042 --> 00:21:17,708
[ CHAIN SAW WHIRRING]
>> DOES YOUR MOM, UH -- WHAT
DOES SHE -- WHAT DOES SHE THINK
477
00:21:17,710 --> 00:21:19,410
>> DOES YOUR MOM, UH -- WHAT
DOES SHE -- WHAT DOES SHE THINK
OF YOU PLAYING GAMES LIKE THIS?
478
00:21:19,412 --> 00:21:20,945
DOES SHE -- WHAT DOES SHE THINK
OF YOU PLAYING GAMES LIKE THIS?
>> I DON'T THINK SHE KNOWS ABOUT
479
00:21:20,947 --> 00:21:21,445
OF YOU PLAYING GAMES LIKE THIS?
>> I DON'T THINK SHE KNOWS ABOUT
IT.
480
00:21:21,447 --> 00:21:22,913
>> I DON'T THINK SHE KNOWS ABOUT
IT.
>> WELL, SHE BOUGHT THEM FOR
481
00:21:22,915 --> 00:21:23,981
IT.
>> WELL, SHE BOUGHT THEM FOR
YOU, DIDN'T SHE?
482
00:21:23,983 --> 00:21:25,783
>> WELL, SHE BOUGHT THEM FOR
YOU, DIDN'T SHE?
>> NO, I DOWNLOADED IT OFF THE
483
00:21:25,785 --> 00:21:26,350
YOU, DIDN'T SHE?
>> NO, I DOWNLOADED IT OFF THE
WEB.
484
00:21:26,352 --> 00:21:27,685
>> NO, I DOWNLOADED IT OFF THE
WEB.
>> HMM, DO YOU THINK THAT
485
00:21:27,687 --> 00:21:29,520
WEB.
>> HMM, DO YOU THINK THAT
PLAYING GAMES, UH, LIKE THE ONES
486
00:21:29,522 --> 00:21:31,088
>> HMM, DO YOU THINK THAT
PLAYING GAMES, UH, LIKE THE ONES
YOU'RE PLAYING -- THEY NUMB YOU
487
00:21:31,090 --> 00:21:32,623
PLAYING GAMES, UH, LIKE THE ONES
YOU'RE PLAYING -- THEY NUMB YOU
TO VIOLENCE?
488
00:21:32,625 --> 00:21:33,724
YOU'RE PLAYING -- THEY NUMB YOU
TO VIOLENCE?
>> I DON'T UNDERSTAND THE
489
00:21:33,726 --> 00:21:34,358
TO VIOLENCE?
>> I DON'T UNDERSTAND THE
QUESTION.
490
00:21:34,360 --> 00:21:35,559
>> I DON'T UNDERSTAND THE
QUESTION.
>> DO THEY MAKE IT EASIER FOR
491
00:21:35,561 --> 00:21:36,761
QUESTION.
>> DO THEY MAKE IT EASIER FOR
YOU TO GO IN YOUR SCHOOL AND
492
00:21:36,763 --> 00:21:37,628
>> DO THEY MAKE IT EASIER FOR
YOU TO GO IN YOUR SCHOOL AND
SHOOT YOUR PEERS?
493
00:21:37,630 --> 00:21:38,429
YOU TO GO IN YOUR SCHOOL AND
SHOOT YOUR PEERS?
>> [ CHUCKLES ]
494
00:21:38,431 --> 00:21:39,597
SHOOT YOUR PEERS?
>> [ CHUCKLES ]
UH, YEAH, OF COURSE IT DID.
495
00:21:39,599 --> 00:21:40,898
>> [ CHUCKLES ]
UH, YEAH, OF COURSE IT DID.
HOW DO YOU THINK I BECAME SUCH A
496
00:21:40,900 --> 00:21:41,565
UH, YEAH, OF COURSE IT DID.
HOW DO YOU THINK I BECAME SUCH A
GOOD SHOT?
497
00:21:41,567 --> 00:21:43,768
HOW DO YOU THINK I BECAME SUCH A
GOOD SHOT?
[ SCREAMING ]
498
00:21:43,770 --> 00:21:56,847
I REMEMBER, AT ONE POINT, THIS
GIRL WAS RUNNING RIGHT TOWARDS
THE DOOR.
499
00:21:56,849 --> 00:21:57,682
GIRL WAS RUNNING RIGHT TOWARDS
THE DOOR.
[ GUNSHOT ]
500
00:21:57,684 --> 00:22:00,851
THE DOOR.
[ GUNSHOT ]
50 FEET AWAY.
501
00:22:00,853 --> 00:22:03,554
[ GUNSHOT ]
50 FEET AWAY.
[ IMITATES GUNSHOT ]
502
00:22:03,556 --> 00:22:06,057
50 FEET AWAY.
[ IMITATES GUNSHOT ]
>> SO, IT WAS A GAME.
503
00:22:06,059 --> 00:22:07,124
[ IMITATES GUNSHOT ]
>> SO, IT WAS A GAME.
>> IT'S ALL A GAME, LAX.
504
00:22:07,126 --> 00:22:08,526
>> SO, IT WAS A GAME.
>> IT'S ALL A GAME, LAX.
I MEAN, WASN'T IT A GAME WHEN
505
00:22:08,528 --> 00:22:09,827
>> IT'S ALL A GAME, LAX.
I MEAN, WASN'T IT A GAME WHEN
YOU BASHED THAT KID WITH A BAT?
506
00:22:09,829 --> 00:22:10,928
I MEAN, WASN'T IT A GAME WHEN
YOU BASHED THAT KID WITH A BAT?
>> IT'S NOT MY INTERVIEW.
507
00:22:10,930 --> 00:22:12,063
YOU BASHED THAT KID WITH A BAT?
>> IT'S NOT MY INTERVIEW.
WHY DON'T YOU STAY FOCUSED.
508
00:22:12,065 --> 00:22:13,531
>> IT'S NOT MY INTERVIEW.
WHY DON'T YOU STAY FOCUSED.
>> YEAH, DOWN IN GEORGIA, WHEN
509
00:22:13,533 --> 00:22:14,799
WHY DON'T YOU STAY FOCUSED.
>> YEAH, DOWN IN GEORGIA, WHEN
YOU BASHED THAT KID -- DID THAT
510
00:22:14,801 --> 00:22:15,900
>> YEAH, DOWN IN GEORGIA, WHEN
YOU BASHED THAT KID -- DID THAT
SEEM REAL TO YOU?
511
00:22:15,902 --> 00:22:17,601
YOU BASHED THAT KID -- DID THAT
SEEM REAL TO YOU?
>> THAT'S NOT WHAT HAPPENED.
512
00:22:17,603 --> 00:22:18,569
SEEM REAL TO YOU?
>> THAT'S NOT WHAT HAPPENED.
>> OH, REALLY?
513
00:22:18,571 --> 00:22:20,471
>> THAT'S NOT WHAT HAPPENED.
>> OH, REALLY?
WELL, THE THREE PEOPLE THAT WERE
514
00:22:20,473 --> 00:22:22,807
>> OH, REALLY?
WELL, THE THREE PEOPLE THAT WERE
THERE SAID YOU DID.
515
00:22:22,809 --> 00:22:25,142
WELL, THE THREE PEOPLE THAT WERE
THERE SAID YOU DID.
>> [ CLEARS THROAT ]
516
00:22:25,144 --> 00:22:26,844
THERE SAID YOU DID.
>> [ CLEARS THROAT ]
WHERE DID YOU HEAR THAT?
517
00:22:26,846 --> 00:22:28,879
>> [ CLEARS THROAT ]
WHERE DID YOU HEAR THAT?
>> TheKKK.com, GEORGIA FACTION,
518
00:22:28,881 --> 00:22:30,047
WHERE DID YOU HEAR THAT?
>> TheKKK.com, GEORGIA FACTION,
WHEN YOU WON THAT AWARD.
519
00:22:30,049 --> 00:22:31,582
>> TheKKK.com, GEORGIA FACTION,
WHEN YOU WON THAT AWARD.
THEY HAD A FEW THINGS TO SAY
520
00:22:31,584 --> 00:22:32,450
WHEN YOU WON THAT AWARD.
THEY HAD A FEW THINGS TO SAY
ABOUT YOU, LAX.
521
00:22:32,452 --> 00:22:33,818
THEY HAD A FEW THINGS TO SAY
ABOUT YOU, LAX.
>> WHAT ELSE DO YOU THINK YOU
522
00:22:33,820 --> 00:22:37,855
ABOUT YOU, LAX.
>> WHAT ELSE DO YOU THINK YOU
KNOW ABOUT ME, HERMAN?
523
00:22:37,857 --> 00:22:44,862
DO YOU FIND IT A HABIT TO SURF
HATE SITES?
IS THAT WHAT YOU DO?
524
00:22:44,864 --> 00:22:46,097
HATE SITES?
IS THAT WHAT YOU DO?
>> I HAVE RESPECT FOR ANYBODY
525
00:22:46,099 --> 00:22:47,598
IS THAT WHAT YOU DO?
>> I HAVE RESPECT FOR ANYBODY
WHO IS WILLING TO STAND UP FOR
526
00:22:47,600 --> 00:22:48,199
>> I HAVE RESPECT FOR ANYBODY
WHO IS WILLING TO STAND UP FOR
THEIR BELIEFS.
527
00:22:48,201 --> 00:22:49,734
WHO IS WILLING TO STAND UP FOR
THEIR BELIEFS.
AND, BESIDES, PEOPLE'S WEBSITES
528
00:22:49,736 --> 00:22:50,901
THEIR BELIEFS.
AND, BESIDES, PEOPLE'S WEBSITES
ARE WHERE YOU REALLY LEARN
529
00:22:50,903 --> 00:22:51,435
AND, BESIDES, PEOPLE'S WEBSITES
ARE WHERE YOU REALLY LEARN
STUFF.
530
00:22:51,437 --> 00:22:52,703
ARE WHERE YOU REALLY LEARN
STUFF.
THE WEB IS THE TRUTH, THE WAY
531
00:22:52,705 --> 00:22:53,637
STUFF.
THE WEB IS THE TRUTH, THE WAY
PEOPLE REALLY ARE.
532
00:22:53,639 --> 00:22:54,872
THE WEB IS THE TRUTH, THE WAY
PEOPLE REALLY ARE.
YOU SHOULD KNOW THAT BY NOW,
533
00:22:54,874 --> 00:22:56,207
PEOPLE REALLY ARE.
YOU SHOULD KNOW THAT BY NOW,
LAX.
534
00:22:56,209 --> 00:22:57,541
YOU SHOULD KNOW THAT BY NOW,
LAX.
LAX MORALES.
535
00:22:57,543 --> 00:22:58,676
LAX.
LAX MORALES.
[ CHUCKLES ]
536
00:22:58,678 --> 00:23:00,644
LAX MORALES.
[ CHUCKLES ]
IT SOUNDS PUERTO RICAN.
537
00:23:00,646 --> 00:23:01,946
[ CHUCKLES ]
IT SOUNDS PUERTO RICAN.
IT REALLY DOES.
538
00:23:01,948 --> 00:23:02,847
IT SOUNDS PUERTO RICAN.
IT REALLY DOES.
>> IT'S MEXICAN.
539
00:23:02,849 --> 00:23:03,948
IT REALLY DOES.
>> IT'S MEXICAN.
I'M AN EIGHTH MEXICAN.
540
00:23:03,950 --> 00:23:05,483
>> IT'S MEXICAN.
I'M AN EIGHTH MEXICAN.
YOU WANT TO KILL ME NOW, TOO?
541
00:23:05,485 --> 00:23:06,817
I'M AN EIGHTH MEXICAN.
YOU WANT TO KILL ME NOW, TOO?
>> NO, I JUST -- I JUST THINK
542
00:23:06,819 --> 00:23:11,822
YOU WANT TO KILL ME NOW, TOO?
>> NO, I JUST -- I JUST THINK
IT'S FUNNY.
543
00:23:11,824 --> 00:23:14,558
>> NO, I JUST -- I JUST THINK
IT'S FUNNY.
I THINK WE'RE DONE FOR TODAY.
544
00:23:14,560 --> 00:23:20,731
[ CAMERA CLOSES ]
545
00:23:20,733 --> 00:23:37,581
[ CELL DOOR CLOSES ]
[ HEAVY-METAL MUSIC PLAYING ]
546
00:23:37,583 --> 00:23:47,224
>> WHAT DO YOU THINK?
>> I THINK HE'S BEING TREATED
LIKE THE DAMN GUEST OF HONOR.
547
00:23:47,226 --> 00:23:49,093
>> I THINK HE'S BEING TREATED
LIKE THE DAMN GUEST OF HONOR.
>> HMM, SOMEONE SHOULD DO
548
00:23:49,095 --> 00:23:50,661
LIKE THE DAMN GUEST OF HONOR.
>> HMM, SOMEONE SHOULD DO
SOMETHING ABOUT IT.
549
00:23:50,663 --> 00:23:53,664
>> HMM, SOMEONE SHOULD DO
SOMETHING ABOUT IT.
>> YEAH, YOU CAN SAY THAT AGAIN.
550
00:23:53,666 --> 00:23:55,533
SOMETHING ABOUT IT.
>> YEAH, YOU CAN SAY THAT AGAIN.
>> SOMEONE SHOULD DO SOMETHING
551
00:23:55,535 --> 00:23:57,201
>> YEAH, YOU CAN SAY THAT AGAIN.
>> SOMEONE SHOULD DO SOMETHING
ABOUT IT.
552
00:23:57,203 --> 00:24:09,013
>> YOU KNOW WHAT I THINK?
I THINK YOU'RE A DAMN NIGGER
LOVER.
553
00:24:09,015 --> 00:24:09,880
I THINK YOU'RE A DAMN NIGGER
LOVER.
>> WHAT?
554
00:24:09,882 --> 00:24:12,883
LOVER.
>> WHAT?
>> I SAID...I THINK VIC BISHOP
555
00:24:12,885 --> 00:24:16,220
>> WHAT?
>> I SAID...I THINK VIC BISHOP
IS A GODDAMN NIGGER LOVER!
556
00:24:16,222 --> 00:24:18,756
>> I SAID...I THINK VIC BISHOP
IS A GODDAMN NIGGER LOVER!
WHAT DO YOU SAY TO THAT?
557
00:24:18,758 --> 00:24:19,824
IS A GODDAMN NIGGER LOVER!
WHAT DO YOU SAY TO THAT?
COME ON!
558
00:24:19,826 --> 00:24:22,693
WHAT DO YOU SAY TO THAT?
COME ON!
[ INDISTINCT SHOUTING ]
559
00:24:22,695 --> 00:24:33,037
>> STOP!
I SAID, STOP!
WHAT THE HELL IS GOING ON?
560
00:24:33,039 --> 00:24:35,739
I SAID, STOP!
WHAT THE HELL IS GOING ON?
>> VIC WAS BEATING THE PISS OUT
561
00:24:35,741 --> 00:24:36,273
WHAT THE HELL IS GOING ON?
>> VIC WAS BEATING THE PISS OUT
OF J.C.
562
00:24:36,275 --> 00:24:37,041
>> VIC WAS BEATING THE PISS OUT
OF J.C.
>> WHY?
563
00:24:37,043 --> 00:24:39,109
OF J.C.
>> WHY?
>> HE CALLED VIC A NIGGER LOVER.
564
00:24:39,111 --> 00:24:41,645
>> WHY?
>> HE CALLED VIC A NIGGER LOVER.
>> VIC, IN MY OFFICE NOW.
565
00:24:41,647 --> 00:24:43,013
>> HE CALLED VIC A NIGGER LOVER.
>> VIC, IN MY OFFICE NOW.
NOW, VIC.
566
00:24:43,015 --> 00:25:06,570
NOW, I SEEN THE WAY YOU BEAT ON
J.C. THERE.
I HEARD WHAT HE CALLED YOU.
567
00:25:06,572 --> 00:25:08,138
J.C. THERE.
I HEARD WHAT HE CALLED YOU.
DON'T YOU THINK THAT WAS A
568
00:25:08,140 --> 00:25:09,673
I HEARD WHAT HE CALLED YOU.
DON'T YOU THINK THAT WAS A
LITTLE BIT EXCESSIVE?
569
00:25:09,675 --> 00:25:10,641
DON'T YOU THINK THAT WAS A
LITTLE BIT EXCESSIVE?
>> I SNAPPED.
570
00:25:10,643 --> 00:25:12,810
LITTLE BIT EXCESSIVE?
>> I SNAPPED.
IT WON'T HAPPEN AGAIN.
571
00:25:12,812 --> 00:25:15,980
>> I SNAPPED.
IT WON'T HAPPEN AGAIN.
>> SNAPPED. BULLSHIT.
572
00:25:15,982 --> 00:25:17,248
IT WON'T HAPPEN AGAIN.
>> SNAPPED. BULLSHIT.
[ CHUCKLES ]
573
00:25:17,250 --> 00:25:19,917
>> SNAPPED. BULLSHIT.
[ CHUCKLES ]
WHEN SOMEONE INSULT YOU, YOU
574
00:25:19,919 --> 00:25:22,086
[ CHUCKLES ]
WHEN SOMEONE INSULT YOU, YOU
SHOW THEM WHAT HAPPENS.
575
00:25:22,088 --> 00:25:23,754
WHEN SOMEONE INSULT YOU, YOU
SHOW THEM WHAT HAPPENS.
I RESPECT THAT.
576
00:25:23,756 --> 00:25:26,757
SHOW THEM WHAT HAPPENS.
I RESPECT THAT.
[ LAUGHS ]
577
00:25:26,759 --> 00:25:29,260
I RESPECT THAT.
[ LAUGHS ]
I GOT BIG PLANS, VIC.
578
00:25:29,262 --> 00:25:31,795
[ LAUGHS ]
I GOT BIG PLANS, VIC.
THAT DAY WE ALWAYS DREADED HAS
579
00:25:31,797 --> 00:25:32,796
I GOT BIG PLANS, VIC.
THAT DAY WE ALWAYS DREADED HAS
FINALLY COME.
580
00:25:32,798 --> 00:25:34,598
THAT DAY WE ALWAYS DREADED HAS
FINALLY COME.
WHO WOULD HAVE EVER THOUGHT
581
00:25:34,600 --> 00:25:36,166
FINALLY COME.
WHO WOULD HAVE EVER THOUGHT
THERE'D BE A NIGGER IN THE
582
00:25:36,168 --> 00:25:37,101
WHO WOULD HAVE EVER THOUGHT
THERE'D BE A NIGGER IN THE
WHITE HOUSE?
583
00:25:37,103 --> 00:25:37,935
THERE'D BE A NIGGER IN THE
WHITE HOUSE?
[ SPITS ]
584
00:25:37,937 --> 00:25:39,270
WHITE HOUSE?
[ SPITS ]
WE MUST ALL BE CRAZY.
585
00:25:39,272 --> 00:25:41,272
[ SPITS ]
WE MUST ALL BE CRAZY.
DO YOU KNOW THE MINORITIES MAKE
586
00:25:41,274 --> 00:25:42,940
WE MUST ALL BE CRAZY.
DO YOU KNOW THE MINORITIES MAKE
UP 53% OF THIS COUNTRY'S
587
00:25:42,942 --> 00:25:43,874
DO YOU KNOW THE MINORITIES MAKE
UP 53% OF THIS COUNTRY'S
POPULATION?
588
00:25:43,876 --> 00:25:45,976
UP 53% OF THIS COUNTRY'S
POPULATION?
AND THEY'RE DRIVING WHITE PEOPLE
589
00:25:45,978 --> 00:25:46,710
POPULATION?
AND THEY'RE DRIVING WHITE PEOPLE
OFF LAND.
590
00:25:46,712 --> 00:25:48,245
AND THEY'RE DRIVING WHITE PEOPLE
OFF LAND.
AND MOST GOOD WHITE FOLKS DON'T
591
00:25:48,247 --> 00:25:50,781
OFF LAND.
AND MOST GOOD WHITE FOLKS DON'T
EVEN KNOW THE DIFFERENCE.
592
00:25:50,783 --> 00:25:52,650
AND MOST GOOD WHITE FOLKS DON'T
EVEN KNOW THE DIFFERENCE.
SO WHAT WE GONNA DO ABOUT THAT,
593
00:25:52,652 --> 00:25:54,818
EVEN KNOW THE DIFFERENCE.
SO WHAT WE GONNA DO ABOUT THAT,
VIC?
594
00:25:54,820 --> 00:25:59,690
SO WHAT WE GONNA DO ABOUT THAT,
VIC?
THERE'S A STORM COMING.
595
00:25:59,692 --> 00:26:02,693
VIC?
THERE'S A STORM COMING.
WE GOT CHAPTERS IN SEVEN
596
00:26:02,695 --> 00:26:04,628
THERE'S A STORM COMING.
WE GOT CHAPTERS IN SEVEN
COUNTIES IN EACH OF THESE
597
00:26:04,630 --> 00:26:05,229
WE GOT CHAPTERS IN SEVEN
COUNTIES IN EACH OF THESE
STATES.
598
00:26:05,231 --> 00:26:07,665
COUNTIES IN EACH OF THESE
STATES.
AND WHEN GEORGIA STRIKES, THERE
599
00:26:07,667 --> 00:26:09,733
STATES.
AND WHEN GEORGIA STRIKES, THERE
WILL BE IDENTICAL STRIKES IN
600
00:26:09,735 --> 00:26:11,001
AND WHEN GEORGIA STRIKES, THERE
WILL BE IDENTICAL STRIKES IN
EACH ONE OF THESE.
601
00:26:11,003 --> 00:26:13,037
WILL BE IDENTICAL STRIKES IN
EACH ONE OF THESE.
AND THESE STRIKES WILL INSPIRE
602
00:26:13,039 --> 00:26:14,939
EACH ONE OF THESE.
AND THESE STRIKES WILL INSPIRE
PEOPLE TO STAND UP AND FACE
603
00:26:14,941 --> 00:26:17,074
AND THESE STRIKES WILL INSPIRE
PEOPLE TO STAND UP AND FACE
WHAT'S BEEN COMING SINCE LINCOLN
604
00:26:17,076 --> 00:26:18,943
PEOPLE TO STAND UP AND FACE
WHAT'S BEEN COMING SINCE LINCOLN
PISSED ON THE CONSTITUTION AND
605
00:26:18,945 --> 00:26:20,811
WHAT'S BEEN COMING SINCE LINCOLN
PISSED ON THE CONSTITUTION AND
DECLARED WAR ON US.
606
00:26:20,813 --> 00:26:24,982
PISSED ON THE CONSTITUTION AND
DECLARED WAR ON US.
NOW, ARE YOU READY, SON?
607
00:26:24,984 --> 00:26:26,817
DECLARED WAR ON US.
NOW, ARE YOU READY, SON?
>> FUCK YEAH, I'M READY.
608
00:26:26,819 --> 00:26:28,819
NOW, ARE YOU READY, SON?
>> FUCK YEAH, I'M READY.
THAT'S WHY I CAME HERE, SIR.
609
00:26:28,821 --> 00:26:31,322
>> FUCK YEAH, I'M READY.
THAT'S WHY I CAME HERE, SIR.
>> WELL...I GOT SOMETHING I GOT
610
00:26:31,324 --> 00:26:36,193
THAT'S WHY I CAME HERE, SIR.
>> WELL...I GOT SOMETHING I GOT
TO SAY TO YOU.
611
00:26:36,195 --> 00:26:37,328
>> WELL...I GOT SOMETHING I GOT
TO SAY TO YOU.
CONGRATULATIONS.
612
00:26:37,330 --> 00:26:39,263
TO SAY TO YOU.
CONGRATULATIONS.
YOU'RE THE NEW CAPTAIN OF THE
613
00:26:39,265 --> 00:26:41,265
CONGRATULATIONS.
YOU'RE THE NEW CAPTAIN OF THE
B.O.A.S.S.
614
00:26:41,267 --> 00:26:45,436
YOU'RE THE NEW CAPTAIN OF THE
B.O.A.S.S.
NOW, YOU SAY IT WITH ME.
615
00:26:45,438 --> 00:26:46,971
B.O.A.S.S.
NOW, YOU SAY IT WITH ME.
>> Both: THE BROTHERHOOD OF
616
00:26:46,973 --> 00:26:49,340
NOW, YOU SAY IT WITH ME.
>> Both: THE BROTHERHOOD OF
AMERICA S.S.
617
00:26:49,342 --> 00:27:05,923
>> HOW'S IT FEEL, SON?
>> HOW YOU FEELING, LAX?
LAX?
618
00:27:05,925 --> 00:27:06,924
>> HOW YOU FEELING, LAX?
LAX?
HELLO?
619
00:27:06,926 --> 00:27:07,891
LAX?
HELLO?
>> OH.
620
00:27:07,893 --> 00:27:09,193
HELLO?
>> OH.
[ CLEARS THROAT ]
621
00:27:09,195 --> 00:27:11,428
>> OH.
[ CLEARS THROAT ]
>> MEMORIES CAN REALLY FUCK WITH
622
00:27:11,430 --> 00:27:12,896
[ CLEARS THROAT ]
>> MEMORIES CAN REALLY FUCK WITH
YOU, CAN'T THEY?
623
00:27:12,898 --> 00:27:14,765
>> MEMORIES CAN REALLY FUCK WITH
YOU, CAN'T THEY?
>> YEAH.
624
00:27:14,767 --> 00:27:16,333
YOU, CAN'T THEY?
>> YEAH.
>> I BLOCK THEM OUT WITH MUSIC.
625
00:27:16,335 --> 00:27:17,034
>> YEAH.
>> I BLOCK THEM OUT WITH MUSIC.
>> YEAH?
626
00:27:17,036 --> 00:27:18,402
>> I BLOCK THEM OUT WITH MUSIC.
>> YEAH?
WHAT'S YOUR FAVORITE BAND?
627
00:27:18,404 --> 00:27:19,436
>> YEAH?
WHAT'S YOUR FAVORITE BAND?
>> I LIKE EMINEM.
628
00:27:19,438 --> 00:27:20,104
WHAT'S YOUR FAVORITE BAND?
>> I LIKE EMINEM.
>> WHY?
629
00:27:20,106 --> 00:27:21,839
>> I LIKE EMINEM.
>> WHY?
>> BECAUSE HE IS ALL FUCKED UP
630
00:27:21,841 --> 00:27:23,273
>> WHY?
>> BECAUSE HE IS ALL FUCKED UP
IN THE HEAD AND HE'S GOT THE
631
00:27:23,275 --> 00:27:24,274
>> BECAUSE HE IS ALL FUCKED UP
IN THE HEAD AND HE'S GOT THE
BALLS TO SAY IT.
632
00:27:24,276 --> 00:27:26,276
IN THE HEAD AND HE'S GOT THE
BALLS TO SAY IT.
>> YES, HE DOES.
633
00:27:26,278 --> 00:27:29,446
BALLS TO SAY IT.
>> YES, HE DOES.
SO, WHAT, UH -- WHAT WENT
634
00:27:29,448 --> 00:27:31,982
>> YES, HE DOES.
SO, WHAT, UH -- WHAT WENT
THROUGH YOUR HEAD THAT MORNING?
635
00:27:31,984 --> 00:27:33,851
SO, WHAT, UH -- WHAT WENT
THROUGH YOUR HEAD THAT MORNING?
>> THE MORNING I DID IT?
636
00:27:33,853 --> 00:27:34,485
THROUGH YOUR HEAD THAT MORNING?
>> THE MORNING I DID IT?
>> YEAH.
637
00:27:34,487 --> 00:27:36,186
>> THE MORNING I DID IT?
>> YEAH.
>> THAT WAS A MONDAY.
638
00:27:36,188 --> 00:27:37,755
>> YEAH.
>> THAT WAS A MONDAY.
[ BIRDS CHIRPING ]
639
00:27:37,757 --> 00:27:38,956
>> THAT WAS A MONDAY.
[ BIRDS CHIRPING ]
I HATE MONDAYS.
640
00:27:38,958 --> 00:27:39,990
[ BIRDS CHIRPING ]
I HATE MONDAYS.
I HAD A TEST THAT DAY.
641
00:27:39,992 --> 00:27:41,258
I HATE MONDAYS.
I HAD A TEST THAT DAY.
>> ARE YOU SAYING THAT IF YOU
642
00:27:41,260 --> 00:27:42,826
I HAD A TEST THAT DAY.
>> ARE YOU SAYING THAT IF YOU
DIDN'T HAVE A TEST, YOU WOULDN'T
643
00:27:42,828 --> 00:27:43,394
>> ARE YOU SAYING THAT IF YOU
DIDN'T HAVE A TEST, YOU WOULDN'T
HAVE DONE IT?
644
00:27:43,396 --> 00:27:44,895
DIDN'T HAVE A TEST, YOU WOULDN'T
HAVE DONE IT?
>> DON'T PUT WORDS IN MY MOUTH.
645
00:27:44,897 --> 00:27:46,196
HAVE DONE IT?
>> DON'T PUT WORDS IN MY MOUTH.
WHAT I WAS IMPLYING WAS THAT I
646
00:27:46,198 --> 00:27:47,731
>> DON'T PUT WORDS IN MY MOUTH.
WHAT I WAS IMPLYING WAS THAT I
MAY NOT HAVE DONE IT THAT DAY,
647
00:27:47,733 --> 00:27:49,033
WHAT I WAS IMPLYING WAS THAT I
MAY NOT HAVE DONE IT THAT DAY,
BUT THERE WAS NO WAY IN HELL
648
00:27:49,035 --> 00:27:50,367
MAY NOT HAVE DONE IT THAT DAY,
BUT THERE WAS NO WAY IN HELL
THOSE PEOPLE WEREN'T GONNA GET
649
00:27:50,369 --> 00:27:53,237
BUT THERE WAS NO WAY IN HELL
THOSE PEOPLE WEREN'T GONNA GET
WHAT THEY DESERVED.
650
00:27:53,239 --> 00:27:55,939
THOSE PEOPLE WEREN'T GONNA GET
WHAT THEY DESERVED.
[ BIRDS CHIRPING ]
651
00:27:55,941 --> 00:27:59,109
WHAT THEY DESERVED.
[ BIRDS CHIRPING ]
[ SCHOOL BELL RINGS ]
652
00:27:59,111 --> 00:28:00,744
[ BIRDS CHIRPING ]
[ SCHOOL BELL RINGS ]
>> WHAT DID YOU DO FIRST?
653
00:28:00,746 --> 00:28:02,479
[ SCHOOL BELL RINGS ]
>> WHAT DID YOU DO FIRST?
>> I WAITED TILL EVERYONE WAS AT
654
00:28:02,481 --> 00:28:03,747
>> WHAT DID YOU DO FIRST?
>> I WAITED TILL EVERYONE WAS AT
SECOND PERIOD.
655
00:28:03,749 --> 00:28:05,349
>> I WAITED TILL EVERYONE WAS AT
SECOND PERIOD.
THEN I WENT AROUND AND PUT
656
00:28:05,351 --> 00:28:07,217
SECOND PERIOD.
THEN I WENT AROUND AND PUT
CHAINS AND LOCKS ON ALL THE
657
00:28:07,219 --> 00:28:07,985
THEN I WENT AROUND AND PUT
CHAINS AND LOCKS ON ALL THE
EXITS.
658
00:28:07,987 --> 00:28:09,953
CHAINS AND LOCKS ON ALL THE
EXITS.
SECOND PERIOD IS WHEN THE
659
00:28:09,955 --> 00:28:11,955
EXITS.
SECOND PERIOD IS WHEN THE
SECURITY GUARDS TAKE THEIR
660
00:28:11,957 --> 00:28:13,824
SECOND PERIOD IS WHEN THE
SECURITY GUARDS TAKE THEIR
BREAK.
661
00:28:13,826 --> 00:28:15,225
SECURITY GUARDS TAKE THEIR
BREAK.
THEN I WENT TO THE COMPUTER LAB
662
00:28:15,227 --> 00:28:16,760
BREAK.
THEN I WENT TO THE COMPUTER LAB
AND I TOLD MY FRIEND TIMMY TO
663
00:28:16,762 --> 00:28:18,128
THEN I WENT TO THE COMPUTER LAB
AND I TOLD MY FRIEND TIMMY TO
CHANGE THE MESSAGE OF THE DAY,
664
00:28:18,130 --> 00:28:23,000
AND I TOLD MY FRIEND TIMMY TO
CHANGE THE MESSAGE OF THE DAY,
TO MAKE THE PEP RALLY EARLIER.
665
00:28:23,002 --> 00:28:24,768
CHANGE THE MESSAGE OF THE DAY,
TO MAKE THE PEP RALLY EARLIER.
AND THEN I WENT TO MY LOCKER AND
666
00:28:24,770 --> 00:28:26,236
TO MAKE THE PEP RALLY EARLIER.
AND THEN I WENT TO MY LOCKER AND
I GOT MY GUNS AND PIPE BOMBS.
667
00:28:26,238 --> 00:28:27,838
AND THEN I WENT TO MY LOCKER AND
I GOT MY GUNS AND PIPE BOMBS.
>> WHERE'D YOU GET THE PIPE
668
00:28:27,840 --> 00:28:28,539
I GOT MY GUNS AND PIPE BOMBS.
>> WHERE'D YOU GET THE PIPE
BOMBS?
669
00:28:28,541 --> 00:28:30,174
>> WHERE'D YOU GET THE PIPE
BOMBS?
>> I MADE THEM.
670
00:28:30,176 --> 00:28:31,775
BOMBS?
>> I MADE THEM.
>> WOW. WAS IT EASY?
671
00:28:31,777 --> 00:28:33,777
>> I MADE THEM.
>> WOW. WAS IT EASY?
>> IT WAS ONCE I, UH, GOOGLED
672
00:28:33,779 --> 00:28:34,778
>> WOW. WAS IT EASY?
>> IT WAS ONCE I, UH, GOOGLED
THE INSTRUCTIONS.
673
00:28:34,780 --> 00:28:36,046
>> IT WAS ONCE I, UH, GOOGLED
THE INSTRUCTIONS.
I GOT HALF THE STUFF AT A
674
00:28:36,048 --> 00:28:37,414
THE INSTRUCTIONS.
I GOT HALF THE STUFF AT A
HARDWARE STORE AND I GOT THE
675
00:28:37,416 --> 00:28:38,882
I GOT HALF THE STUFF AT A
HARDWARE STORE AND I GOT THE
OTHER HALF AT ANOTHER STORE.
676
00:28:38,884 --> 00:28:39,983
HARDWARE STORE AND I GOT THE
OTHER HALF AT ANOTHER STORE.
>> WHAT ABOUT THE GUNS?
677
00:28:39,985 --> 00:28:41,385
OTHER HALF AT ANOTHER STORE.
>> WHAT ABOUT THE GUNS?
>> A GUY I KNOW THAT WORKS AT A
678
00:28:41,387 --> 00:28:42,953
>> WHAT ABOUT THE GUNS?
>> A GUY I KNOW THAT WORKS AT A
MalMart DOWNTOWN SOLD IT TO ME.
679
00:28:42,955 --> 00:28:44,354
>> A GUY I KNOW THAT WORKS AT A
MalMart DOWNTOWN SOLD IT TO ME.
>> WOW, DON'T YOU HAVE TO BE 18,
680
00:28:44,356 --> 00:28:45,923
MalMart DOWNTOWN SOLD IT TO ME.
>> WOW, DON'T YOU HAVE TO BE 18,
THOUGH, TO BUY GUNS IN AMERICA?
681
00:28:45,925 --> 00:28:47,324
>> WOW, DON'T YOU HAVE TO BE 18,
THOUGH, TO BUY GUNS IN AMERICA?
>> DO YOU HAVE ANY IDEA HOW MANY
682
00:28:47,326 --> 00:28:49,326
THOUGH, TO BUY GUNS IN AMERICA?
>> DO YOU HAVE ANY IDEA HOW MANY
PEOPLE OWN GUNS IN AMERICA?
683
00:28:49,328 --> 00:28:51,161
>> DO YOU HAVE ANY IDEA HOW MANY
PEOPLE OWN GUNS IN AMERICA?
I'LL TELL YOU -- IT SCARES ME.
684
00:28:51,163 --> 00:28:53,063
PEOPLE OWN GUNS IN AMERICA?
I'LL TELL YOU -- IT SCARES ME.
THERE ARE MORE WAYS OF GETTING A
685
00:28:53,065 --> 00:28:54,865
I'LL TELL YOU -- IT SCARES ME.
THERE ARE MORE WAYS OF GETTING A
GUN AND BEING UNDER 18 THAN I
686
00:28:54,867 --> 00:28:55,499
THERE ARE MORE WAYS OF GETTING A
GUN AND BEING UNDER 18 THAN I
CAN COUNT.
687
00:28:55,501 --> 00:28:57,534
GUN AND BEING UNDER 18 THAN I
CAN COUNT.
EVERYONE AND THEIR BROTHER HAS A
688
00:28:57,536 --> 00:28:58,102
CAN COUNT.
EVERYONE AND THEIR BROTHER HAS A
GUN.
689
00:28:58,104 --> 00:28:59,169
EVERYONE AND THEIR BROTHER HAS A
GUN.
>> [ CHUCKLES ]
690
00:28:59,171 --> 00:29:00,838
GUN.
>> [ CHUCKLES ]
IT'S "EVERYONE AND THEIR
691
00:29:00,840 --> 00:29:01,205
>> [ CHUCKLES ]
IT'S "EVERYONE AND THEIR
MOTHER."
692
00:29:01,207 --> 00:29:01,572
IT'S "EVERYONE AND THEIR
MOTHER."
>> WHAT?
693
00:29:01,574 --> 00:29:02,940
MOTHER."
>> WHAT?
>> THAT'S WHERE IT COMES FROM.
694
00:29:02,942 --> 00:29:03,907
>> WHAT?
>> THAT'S WHERE IT COMES FROM.
EVERYONE HAS A MOTHER.
695
00:29:03,909 --> 00:29:05,142
>> THAT'S WHERE IT COMES FROM.
EVERYONE HAS A MOTHER.
EVERYONE DOESN'T HAVE A BROTHER.
696
00:29:05,144 --> 00:29:06,243
EVERYONE HAS A MOTHER.
EVERYONE DOESN'T HAVE A BROTHER.
SO IT'S "EVERYONE AND THEIR
697
00:29:06,245 --> 00:29:06,810
EVERYONE DOESN'T HAVE A BROTHER.
SO IT'S "EVERYONE AND THEIR
MOTHER."
698
00:29:06,812 --> 00:29:08,979
SO IT'S "EVERYONE AND THEIR
MOTHER."
>> WHATEVER.
699
00:29:08,981 --> 00:29:10,314
MOTHER."
>> WHATEVER.
>> YOU ARE AWARE THAT EVERYONE
700
00:29:10,316 --> 00:29:11,315
>> WHATEVER.
>> YOU ARE AWARE THAT EVERYONE
HAS A MOTHER, RIGHT?
701
00:29:11,317 --> 00:29:12,182
>> YOU ARE AWARE THAT EVERYONE
HAS A MOTHER, RIGHT?
>> JESUS CHRIST.
702
00:29:12,184 --> 00:29:13,550
HAS A MOTHER, RIGHT?
>> JESUS CHRIST.
YOU ASK THE STUPIDEST QUESTIONS.
703
00:29:13,552 --> 00:29:15,085
>> JESUS CHRIST.
YOU ASK THE STUPIDEST QUESTIONS.
I THOUGHT YOU WERE SUPPOSED TO
704
00:29:15,087 --> 00:29:16,220
YOU ASK THE STUPIDEST QUESTIONS.
I THOUGHT YOU WERE SUPPOSED TO
BE SOME HOT-SHOT REPORTER.
705
00:29:16,222 --> 00:29:17,521
I THOUGHT YOU WERE SUPPOSED TO
BE SOME HOT-SHOT REPORTER.
THIS IS A VERY IMPORTANT STORY,
706
00:29:17,523 --> 00:29:18,155
BE SOME HOT-SHOT REPORTER.
THIS IS A VERY IMPORTANT STORY,
YOU KNOW.
707
00:29:18,157 --> 00:29:19,389
THIS IS A VERY IMPORTANT STORY,
YOU KNOW.
YOU'RE NOT GONNA HAVE A BIGGER
708
00:29:19,391 --> 00:29:19,857
YOU KNOW.
YOU'RE NOT GONNA HAVE A BIGGER
ONE.
709
00:29:19,859 --> 00:29:21,024
YOU'RE NOT GONNA HAVE A BIGGER
ONE.
>> LET'S CUT TO THE CHASE.
710
00:29:21,026 --> 00:29:22,292
ONE.
>> LET'S CUT TO THE CHASE.
YOU ARE AWARE THAT EVERYONE HAS
711
00:29:22,294 --> 00:29:23,560
>> LET'S CUT TO THE CHASE.
YOU ARE AWARE THAT EVERYONE HAS
A MOTHER AND A FATHER WHEN YOU
712
00:29:23,562 --> 00:29:24,962
YOU ARE AWARE THAT EVERYONE HAS
A MOTHER AND A FATHER WHEN YOU
SHOT THOSE KIDS IN THE FACE,
713
00:29:24,964 --> 00:29:26,130
A MOTHER AND A FATHER WHEN YOU
SHOT THOSE KIDS IN THE FACE,
RIGHT?
714
00:29:26,132 --> 00:29:26,563
SHOT THOSE KIDS IN THE FACE,
RIGHT?
>> NO.
715
00:29:26,565 --> 00:29:27,364
RIGHT?
>> NO.
>> REALLY?
716
00:29:27,366 --> 00:29:29,266
>> NO.
>> REALLY?
YOU DIDN'T THINK THAT ANYONE HAD
717
00:29:29,268 --> 00:29:31,135
>> REALLY?
YOU DIDN'T THINK THAT ANYONE HAD
A MOTHER AND A FATHER THAT CARED
718
00:29:31,137 --> 00:29:32,002
YOU DIDN'T THINK THAT ANYONE HAD
A MOTHER AND A FATHER THAT CARED
ABOUT THEM?
719
00:29:32,004 --> 00:29:32,436
A MOTHER AND A FATHER THAT CARED
ABOUT THEM?
>> NO.
720
00:29:32,438 --> 00:29:33,270
ABOUT THEM?
>> NO.
>> WHY NOT?
721
00:29:33,272 --> 00:29:34,605
>> NO.
>> WHY NOT?
[ INDISTINCT CONVERSATIONS ]
722
00:29:34,607 --> 00:29:37,007
>> WHY NOT?
[ INDISTINCT CONVERSATIONS ]
[ LAUGHTER ]
723
00:29:37,009 --> 00:29:53,190
[ INDISTINCT CONVERSATIONS ]
[ LAUGHTER ]
[ BIRDS CHIRPING ]
724
00:29:53,192 --> 00:29:54,191
[ LAUGHTER ]
[ BIRDS CHIRPING ]
WHAT ABOUT YOUR MOTHER?
725
00:29:54,193 --> 00:29:55,392
[ BIRDS CHIRPING ]
WHAT ABOUT YOUR MOTHER?
WHAT WOULD HAVE HAPPENED TO HER
726
00:29:55,394 --> 00:29:56,260
WHAT ABOUT YOUR MOTHER?
WHAT WOULD HAVE HAPPENED TO HER
IF YOU WERE KILLED?
727
00:29:56,262 --> 00:29:57,528
WHAT WOULD HAVE HAPPENED TO HER
IF YOU WERE KILLED?
>> WELL, IT WOULD HAVE TAKEN HER
728
00:29:57,530 --> 00:29:58,962
IF YOU WERE KILLED?
>> WELL, IT WOULD HAVE TAKEN HER
A FEW DAYS TO REALIZE I WAS EVEN
729
00:29:58,964 --> 00:29:59,596
>> WELL, IT WOULD HAVE TAKEN HER
A FEW DAYS TO REALIZE I WAS EVEN
GONE.
730
00:29:59,598 --> 00:30:01,031
A FEW DAYS TO REALIZE I WAS EVEN
GONE.
>> COME ON.
731
00:30:01,033 --> 00:30:02,232
GONE.
>> COME ON.
>> NO, LAX.
732
00:30:02,234 --> 00:30:04,268
>> COME ON.
>> NO, LAX.
I GO THREE, FOUR DAYS WITHOUT
733
00:30:04,270 --> 00:30:05,469
>> NO, LAX.
I GO THREE, FOUR DAYS WITHOUT
EVEN SEEING HER.
734
00:30:05,471 --> 00:30:06,236
I GO THREE, FOUR DAYS WITHOUT
EVEN SEEING HER.
>> WHY?
735
00:30:06,238 --> 00:30:08,338
EVEN SEEING HER.
>> WHY?
>> WELL, WE DON'T HAVE A WHOLE
736
00:30:08,340 --> 00:30:09,640
>> WHY?
>> WELL, WE DON'T HAVE A WHOLE
LOT TO TALK ABOUT.
737
00:30:09,642 --> 00:30:13,510
>> WELL, WE DON'T HAVE A WHOLE
LOT TO TALK ABOUT.
I MEAN, SHE WORKS ALL THE TIME.
738
00:30:13,512 --> 00:30:14,878
LOT TO TALK ABOUT.
I MEAN, SHE WORKS ALL THE TIME.
AND I HAVE MY LIFE.
739
00:30:14,880 --> 00:30:16,580
I MEAN, SHE WORKS ALL THE TIME.
AND I HAVE MY LIFE.
>> YEAH, BUT YOUR LIFE CONSISTS
740
00:30:16,582 --> 00:30:18,248
AND I HAVE MY LIFE.
>> YEAH, BUT YOUR LIFE CONSISTS
OF PLAYING VIDEO GAMES AND
741
00:30:18,250 --> 00:30:19,383
>> YEAH, BUT YOUR LIFE CONSISTS
OF PLAYING VIDEO GAMES AND
MAKING PIPE BOMBS.
742
00:30:19,385 --> 00:30:21,919
OF PLAYING VIDEO GAMES AND
MAKING PIPE BOMBS.
I MEAN, DIDN'T SHE HAVE A CLUE?
743
00:30:21,921 --> 00:30:26,590
MAKING PIPE BOMBS.
I MEAN, DIDN'T SHE HAVE A CLUE?
>> SHE'S A BUSY LADY.
744
00:30:26,592 --> 00:30:28,959
I MEAN, DIDN'T SHE HAVE A CLUE?
>> SHE'S A BUSY LADY.
WHAT ABOUT YOUR FATHER?
745
00:30:28,961 --> 00:30:29,893
>> SHE'S A BUSY LADY.
WHAT ABOUT YOUR FATHER?
>> I'M OUT OF HERE!
746
00:30:29,895 --> 00:30:31,128
WHAT ABOUT YOUR FATHER?
>> I'M OUT OF HERE!
>> I'M NOT GONNA PUT UP WITH
747
00:30:31,130 --> 00:30:31,662
>> I'M OUT OF HERE!
>> I'M NOT GONNA PUT UP WITH
THIS ANYMORE.
748
00:30:31,664 --> 00:30:33,230
>> I'M NOT GONNA PUT UP WITH
THIS ANYMORE.
I SWEAR TO GOD, IF YOU LEAVE ONE
749
00:30:33,232 --> 00:30:34,565
THIS ANYMORE.
I SWEAR TO GOD, IF YOU LEAVE ONE
MORE TIME, DON'T EVER COME BACK!
750
00:30:34,567 --> 00:30:35,365
I SWEAR TO GOD, IF YOU LEAVE ONE
MORE TIME, DON'T EVER COME BACK!
>> DON'T WORRY!
751
00:30:35,367 --> 00:30:36,333
MORE TIME, DON'T EVER COME BACK!
>> DON'T WORRY!
I'M NOT COMING BACK!
752
00:30:36,335 --> 00:30:37,901
>> DON'T WORRY!
I'M NOT COMING BACK!
>> THEN YOU GO AHEAD -- YOU TELL
753
00:30:37,903 --> 00:30:38,335
I'M NOT COMING BACK!
>> THEN YOU GO AHEAD -- YOU TELL
THE KIDS!
754
00:30:38,337 --> 00:30:39,102
>> THEN YOU GO AHEAD -- YOU TELL
THE KIDS!
YOU TELL THEM!
755
00:30:39,104 --> 00:30:40,003
THE KIDS!
YOU TELL THEM!
>> YOU TELL THEM!
756
00:30:40,005 --> 00:30:40,637
YOU TELL THEM!
>> YOU TELL THEM!
YOU WANTED THEM!
757
00:30:40,639 --> 00:30:43,373
>> YOU TELL THEM!
YOU WANTED THEM!
[ CLOCK TICKING ]
758
00:30:43,375 --> 00:31:03,560
>> HE LIVES IN CHICAGO WITH HIS
NEW WIFE.
>> DID YOU CALL YOUR MOTHER THAT
759
00:31:03,562 --> 00:31:04,294
NEW WIFE.
>> DID YOU CALL YOUR MOTHER THAT
MORNING?
760
00:31:04,296 --> 00:31:05,028
>> DID YOU CALL YOUR MOTHER THAT
MORNING?
>> WHAT?
761
00:31:05,030 --> 00:31:06,430
MORNING?
>> WHAT?
>> THE MORNING WITH YOUR
762
00:31:06,432 --> 00:31:08,365
>> WHAT?
>> THE MORNING WITH YOUR
SISTER -- DID YOU CALL YOUR MOM?
763
00:31:08,367 --> 00:31:10,133
>> THE MORNING WITH YOUR
SISTER -- DID YOU CALL YOUR MOM?
>> DID IT FEEL GOOD WHEN YOU
764
00:31:10,135 --> 00:31:11,468
SISTER -- DID YOU CALL YOUR MOM?
>> DID IT FEEL GOOD WHEN YOU
TOOK THAT BAT TO THAT BOY'S
765
00:31:11,470 --> 00:31:12,035
>> DID IT FEEL GOOD WHEN YOU
TOOK THAT BAT TO THAT BOY'S
HEAD?
766
00:31:12,037 --> 00:31:13,570
TOOK THAT BAT TO THAT BOY'S
HEAD?
>> I'M ASKING THE QUESTIONS, NOT
767
00:31:13,572 --> 00:31:14,104
HEAD?
>> I'M ASKING THE QUESTIONS, NOT
YOU.
768
00:31:14,106 --> 00:31:14,504
>> I'M ASKING THE QUESTIONS, NOT
YOU.
>> NO.
769
00:31:14,506 --> 00:31:15,339
YOU.
>> NO.
>> "NO" WHAT?
770
00:31:15,341 --> 00:31:17,507
>> NO.
>> "NO" WHAT?
>> NO, I DIDN'T CALL HER.
771
00:31:17,509 --> 00:31:18,275
>> "NO" WHAT?
>> NO, I DIDN'T CALL HER.
>> WHY NOT?
772
00:31:18,277 --> 00:31:19,943
>> NO, I DIDN'T CALL HER.
>> WHY NOT?
>> BECAUSE I DIDN'T THINK OF IT.
773
00:31:19,945 --> 00:31:21,178
>> WHY NOT?
>> BECAUSE I DIDN'T THINK OF IT.
WHAT WOULD SHE HAVE DONE,
774
00:31:21,180 --> 00:31:21,578
>> BECAUSE I DIDN'T THINK OF IT.
WHAT WOULD SHE HAVE DONE,
ANYWAY?
775
00:31:21,580 --> 00:31:23,146
WHAT WOULD SHE HAVE DONE,
ANYWAY?
>> WELL, I IMAGINE SHE WOULD
776
00:31:23,148 --> 00:31:24,081
ANYWAY?
>> WELL, I IMAGINE SHE WOULD
HAVE RUSHED HOME.
777
00:31:24,083 --> 00:31:25,515
>> WELL, I IMAGINE SHE WOULD
HAVE RUSHED HOME.
>> YOU REALLY DON'T GET IT, DO
778
00:31:25,517 --> 00:31:26,016
HAVE RUSHED HOME.
>> YOU REALLY DON'T GET IT, DO
YOU?
779
00:31:26,018 --> 00:31:27,017
>> YOU REALLY DON'T GET IT, DO
YOU?
>> DON'T GET WHAT?
780
00:31:27,019 --> 00:31:28,285
YOU?
>> DON'T GET WHAT?
>> I'M DONE TALKING TO YOU
781
00:31:28,287 --> 00:31:31,455
>> DON'T GET WHAT?
>> I'M DONE TALKING TO YOU
TODAY, OKAY?
782
00:31:31,457 --> 00:31:33,156
>> I'M DONE TALKING TO YOU
TODAY, OKAY?
[ CAMERA BEEPS ]
783
00:31:33,158 --> 00:31:34,892
TODAY, OKAY?
[ CAMERA BEEPS ]
>> WHATEVER.
784
00:31:34,894 --> 00:31:48,672
[ DOOR CLOSES ]
785
00:31:48,674 --> 00:32:05,522
[ DOOR CLOSES ]
786
00:32:05,524 --> 00:32:30,580
>> YOU'RE QUITTING.
IS THAT WHAT IT IS?
LAX...THIS STORY IS IMPORTANT
787
00:32:30,582 --> 00:32:31,548
IS THAT WHAT IT IS?
LAX...THIS STORY IS IMPORTANT
FOR YOU.
788
00:32:31,550 --> 00:32:34,084
LAX...THIS STORY IS IMPORTANT
FOR YOU.
IT'S IMPORTANT TO ALL OF US.
789
00:32:34,086 --> 00:32:37,421
FOR YOU.
IT'S IMPORTANT TO ALL OF US.
I'D KILL TO BE IN YOUR SHOES.
790
00:32:37,423 --> 00:32:40,157
IT'S IMPORTANT TO ALL OF US.
I'D KILL TO BE IN YOUR SHOES.
THIS KID IS GONNA BE EXECUTED ON
791
00:32:40,159 --> 00:32:40,624
I'D KILL TO BE IN YOUR SHOES.
THIS KID IS GONNA BE EXECUTED ON
TV.
792
00:32:40,626 --> 00:32:42,159
THIS KID IS GONNA BE EXECUTED ON
TV.
YOU KNOW WHAT THAT MEANS?
793
00:32:42,161 --> 00:32:45,162
TV.
YOU KNOW WHAT THAT MEANS?
YOU NEED THIS.
794
00:32:45,164 --> 00:32:46,196
YOU KNOW WHAT THAT MEANS?
YOU NEED THIS.
YOU NEED THIS.
795
00:32:46,198 --> 00:32:48,065
YOU NEED THIS.
YOU NEED THIS.
I MEAN, YOUR ONLINE SHOW IS,
796
00:32:48,067 --> 00:32:49,566
YOU NEED THIS.
I MEAN, YOUR ONLINE SHOW IS,
LIKE -- IT'S FINE, OKAY?
797
00:32:49,568 --> 00:32:51,501
I MEAN, YOUR ONLINE SHOW IS,
LIKE -- IT'S FINE, OKAY?
IT'S ALL RIGHT, BUT -- BUT YOU
798
00:32:51,503 --> 00:32:53,503
LIKE -- IT'S FINE, OKAY?
IT'S ALL RIGHT, BUT -- BUT YOU
CAN DO SO MUCH MORE.
799
00:32:53,505 --> 00:32:55,505
IT'S ALL RIGHT, BUT -- BUT YOU
CAN DO SO MUCH MORE.
YOU CAN DO -- YOU --
800
00:32:55,507 --> 00:32:58,075
CAN DO SO MUCH MORE.
YOU CAN DO -- YOU --
>> WHAT DO YOU KNOW?
801
00:32:58,077 --> 00:33:24,434
>> WHILE THE PARENTS OF THE
FORMERLY PEACEFUL COMMUNITY OF
WEST BROOME GRIEVE THE TRAGIC
802
00:33:24,436 --> 00:33:26,570
FORMERLY PEACEFUL COMMUNITY OF
WEST BROOME GRIEVE THE TRAGIC
LOSS OF THEIR CHILDREN, PARENTS
803
00:33:26,572 --> 00:33:28,672
WEST BROOME GRIEVE THE TRAGIC
LOSS OF THEIR CHILDREN, PARENTS
ALL ACROSS SUBURBAN AMERICA ARE
804
00:33:28,674 --> 00:33:30,841
LOSS OF THEIR CHILDREN, PARENTS
ALL ACROSS SUBURBAN AMERICA ARE
WONDERING IF THEIR TOWN IS GONNA
805
00:33:30,843 --> 00:33:31,708
ALL ACROSS SUBURBAN AMERICA ARE
WONDERING IF THEIR TOWN IS GONNA
BE NEXT.
806
00:33:31,710 --> 00:33:39,349
[ BIRDS CHIRPING ]
>> THEY ALL BLAME ME.
EVERY LAST ONE OF THEM LOOKS AT
807
00:33:39,351 --> 00:33:41,284
>> THEY ALL BLAME ME.
EVERY LAST ONE OF THEM LOOKS AT
ME LIKE IT'S MY FAULT, AS IF I
808
00:33:41,286 --> 00:33:43,320
EVERY LAST ONE OF THEM LOOKS AT
ME LIKE IT'S MY FAULT, AS IF I
TOLD HIM TO DO IT, AS IF I NEVER
809
00:33:43,322 --> 00:33:45,255
ME LIKE IT'S MY FAULT, AS IF I
TOLD HIM TO DO IT, AS IF I NEVER
GAVE HIM ANY GUIDANCE, AS IF I
810
00:33:45,257 --> 00:33:46,223
TOLD HIM TO DO IT, AS IF I NEVER
GAVE HIM ANY GUIDANCE, AS IF I
WANTED THIS.
811
00:33:46,225 --> 00:33:47,824
GAVE HIM ANY GUIDANCE, AS IF I
WANTED THIS.
>> NO, I'M NOT BLAMING YOU.
812
00:33:47,826 --> 00:33:49,292
WANTED THIS.
>> NO, I'M NOT BLAMING YOU.
I'M JUST TRYING TO GIVE YOU AN
813
00:33:49,294 --> 00:33:50,627
>> NO, I'M NOT BLAMING YOU.
I'M JUST TRYING TO GIVE YOU AN
OPPORTUNITY TO TELL YOUR SIDE OF
814
00:33:50,629 --> 00:33:51,261
I'M JUST TRYING TO GIVE YOU AN
OPPORTUNITY TO TELL YOUR SIDE OF
THE STORY.
815
00:33:51,263 --> 00:33:52,195
OPPORTUNITY TO TELL YOUR SIDE OF
THE STORY.
THAT -- THAT'S ALL.
816
00:33:52,197 --> 00:33:54,331
THE STORY.
THAT -- THAT'S ALL.
>> HE WAS MY LITTLE BOY ONCE.
817
00:33:54,333 --> 00:33:56,533
THAT -- THAT'S ALL.
>> HE WAS MY LITTLE BOY ONCE.
HE WAS MY LITTLE BOY WHO HAD A
818
00:33:56,535 --> 00:33:57,601
>> HE WAS MY LITTLE BOY ONCE.
HE WAS MY LITTLE BOY WHO HAD A
SWEET SMILE.
819
00:33:57,603 --> 00:33:59,469
HE WAS MY LITTLE BOY WHO HAD A
SWEET SMILE.
WE WERE A HAPPY FAMILY.
820
00:33:59,471 --> 00:34:01,705
SWEET SMILE.
WE WERE A HAPPY FAMILY.
MY HUSBAND LEFT WHEN HERMAN WAS
821
00:34:01,707 --> 00:34:03,273
WE WERE A HAPPY FAMILY.
MY HUSBAND LEFT WHEN HERMAN WAS
8, JULIA WAS 5.
822
00:34:03,275 --> 00:34:05,642
MY HUSBAND LEFT WHEN HERMAN WAS
8, JULIA WAS 5.
HERMAN'S WHOLE CONCEPT OF THE
823
00:34:05,644 --> 00:34:08,311
8, JULIA WAS 5.
HERMAN'S WHOLE CONCEPT OF THE
WORLD WAS RIPPED AWAY FROM HIM.
824
00:34:08,313 --> 00:34:09,846
HERMAN'S WHOLE CONCEPT OF THE
WORLD WAS RIPPED AWAY FROM HIM.
IT'S NOT MY FAULT.
825
00:34:09,848 --> 00:34:11,314
WORLD WAS RIPPED AWAY FROM HIM.
IT'S NOT MY FAULT.
I DIDN'T LEAVE.
826
00:34:11,316 --> 00:34:13,483
IT'S NOT MY FAULT.
I DIDN'T LEAVE.
FRANK AND I HAD A DECENT SEX
827
00:34:13,485 --> 00:34:14,484
I DIDN'T LEAVE.
FRANK AND I HAD A DECENT SEX
LIFE.
828
00:34:14,486 --> 00:34:16,053
FRANK AND I HAD A DECENT SEX
LIFE.
IT WAS GOOD.
829
00:34:16,055 --> 00:34:25,695
YOU THINK I'M A COLD WOMAN, THAT
I DON'T CARE WHAT HAPPENED TO
ALL THOSE CHILDREN?
830
00:34:25,697 --> 00:34:28,131
I DON'T CARE WHAT HAPPENED TO
ALL THOSE CHILDREN?
NO ONE UNDERSTANDS UNTIL THEY'RE
831
00:34:28,133 --> 00:34:30,467
ALL THOSE CHILDREN?
NO ONE UNDERSTANDS UNTIL THEY'RE
PUT IN THIS POSITION.
832
00:34:30,469 --> 00:34:33,470
NO ONE UNDERSTANDS UNTIL THEY'RE
PUT IN THIS POSITION.
LOOK, I'M NOT A DOCTOR.
833
00:34:33,472 --> 00:34:36,173
PUT IN THIS POSITION.
LOOK, I'M NOT A DOCTOR.
MY OFFICIAL STATEMENT IS THAT
834
00:34:36,175 --> 00:34:38,842
LOOK, I'M NOT A DOCTOR.
MY OFFICIAL STATEMENT IS THAT
I DON'T KNOW WHY HE DID IT.
835
00:34:38,844 --> 00:34:40,477
MY OFFICIAL STATEMENT IS THAT
I DON'T KNOW WHY HE DID IT.
ALL I KNOW IS THAT ONE MINUTE,
836
00:34:40,479 --> 00:34:41,878
I DON'T KNOW WHY HE DID IT.
ALL I KNOW IS THAT ONE MINUTE,
HE'S HAPPY, AND THEN THE NEXT
837
00:34:41,880 --> 00:34:43,246
ALL I KNOW IS THAT ONE MINUTE,
HE'S HAPPY, AND THEN THE NEXT
MINUTE, HE'S DEPRESSED.
838
00:34:43,248 --> 00:34:44,648
HE'S HAPPY, AND THEN THE NEXT
MINUTE, HE'S DEPRESSED.
THE NEXT MINUTE, I'M ASKING A
839
00:34:44,650 --> 00:34:46,183
MINUTE, HE'S DEPRESSED.
THE NEXT MINUTE, I'M ASKING A
FRIEND ABOUT A DOCTOR -- YOU
840
00:34:46,185 --> 00:34:47,651
THE NEXT MINUTE, I'M ASKING A
FRIEND ABOUT A DOCTOR -- YOU
KNOW WHICH KIND -- AND BEFORE I
841
00:34:47,653 --> 00:34:49,186
FRIEND ABOUT A DOCTOR -- YOU
KNOW WHICH KIND -- AND BEFORE I
BLINK, HE'S GONE COMPLETELY
842
00:34:49,188 --> 00:34:50,921
KNOW WHICH KIND -- AND BEFORE I
BLINK, HE'S GONE COMPLETELY
INSANE, MY CHILD.
843
00:34:50,923 --> 00:34:52,522
BLINK, HE'S GONE COMPLETELY
INSANE, MY CHILD.
[ CHUCKLES ]
844
00:34:52,524 --> 00:34:55,392
INSANE, MY CHILD.
[ CHUCKLES ]
DO YOU HAVE ANY CHILDREN?
845
00:34:55,394 --> 00:34:58,261
[ CHUCKLES ]
DO YOU HAVE ANY CHILDREN?
>> NO.
846
00:34:58,263 --> 00:35:01,431
DO YOU HAVE ANY CHILDREN?
>> NO.
>> I DIDN'T THINK SO.
847
00:35:01,433 --> 00:35:03,166
>> NO.
>> I DIDN'T THINK SO.
>> WHAT DO YOU, UM, DO FOR WORK
848
00:35:03,168 --> 00:35:04,634
>> I DIDN'T THINK SO.
>> WHAT DO YOU, UM, DO FOR WORK
NOW THAT FRANK ISN'T AROUND?
849
00:35:04,636 --> 00:35:05,902
>> WHAT DO YOU, UM, DO FOR WORK
NOW THAT FRANK ISN'T AROUND?
>> I'M VICE PRESIDENT OF
850
00:35:05,904 --> 00:35:07,537
NOW THAT FRANK ISN'T AROUND?
>> I'M VICE PRESIDENT OF
MARKETING AT COMPUNET'S MAIN
851
00:35:07,539 --> 00:35:08,371
>> I'M VICE PRESIDENT OF
MARKETING AT COMPUNET'S MAIN
BRANCH HERE.
852
00:35:08,373 --> 00:35:09,873
MARKETING AT COMPUNET'S MAIN
BRANCH HERE.
EIGHT YEARS SINCE FRANK LEFT.
853
00:35:09,875 --> 00:35:11,575
BRANCH HERE.
EIGHT YEARS SINCE FRANK LEFT.
>> VICE PRESIDENT OF MARKETING
854
00:35:11,577 --> 00:35:13,210
EIGHT YEARS SINCE FRANK LEFT.
>> VICE PRESIDENT OF MARKETING
AT COMPUNET JUST AFTER EIGHT
855
00:35:13,212 --> 00:35:13,610
>> VICE PRESIDENT OF MARKETING
AT COMPUNET JUST AFTER EIGHT
YEARS.
856
00:35:13,612 --> 00:35:14,945
AT COMPUNET JUST AFTER EIGHT
YEARS.
THAT'S PRETTY IMPRESSIVE.
857
00:35:14,947 --> 00:35:16,613
YEARS.
THAT'S PRETTY IMPRESSIVE.
>> I MADE IT MY TOP PRIORITY.
858
00:35:16,615 --> 00:35:18,281
THAT'S PRETTY IMPRESSIVE.
>> I MADE IT MY TOP PRIORITY.
>> DID, UH -- DID HERMAN GIVE
859
00:35:18,283 --> 00:35:19,850
>> I MADE IT MY TOP PRIORITY.
>> DID, UH -- DID HERMAN GIVE
YOU ANY CLUES AS TO WHAT HE WAS
860
00:35:19,852 --> 00:35:20,484
>> DID, UH -- DID HERMAN GIVE
YOU ANY CLUES AS TO WHAT HE WAS
UP TO?
861
00:35:20,486 --> 00:35:21,451
YOU ANY CLUES AS TO WHAT HE WAS
UP TO?
>> NO. NOTHING.
862
00:35:21,453 --> 00:35:22,886
UP TO?
>> NO. NOTHING.
>> DID YOU, UH, MONITOR HIS
863
00:35:22,888 --> 00:35:24,688
>> NO. NOTHING.
>> DID YOU, UH, MONITOR HIS
INTERNET USAGE OR KEEP HIM FROM
864
00:35:24,690 --> 00:35:26,490
>> DID YOU, UH, MONITOR HIS
INTERNET USAGE OR KEEP HIM FROM
WATCHING R-RATED MOVIES, MAYBE?
865
00:35:26,492 --> 00:35:28,225
INTERNET USAGE OR KEEP HIM FROM
WATCHING R-RATED MOVIES, MAYBE?
>> IF I HAD FORBID THOSE KINDS
866
00:35:28,227 --> 00:35:29,826
WATCHING R-RATED MOVIES, MAYBE?
>> IF I HAD FORBID THOSE KINDS
OF MOVIES IN MY HOUSE, HE WOULD
867
00:35:29,828 --> 00:35:31,595
>> IF I HAD FORBID THOSE KINDS
OF MOVIES IN MY HOUSE, HE WOULD
HAVE GONE TO A FRIEND'S HOUSE,
868
00:35:31,597 --> 00:35:33,330
OF MOVIES IN MY HOUSE, HE WOULD
HAVE GONE TO A FRIEND'S HOUSE,
AND I WOULD HAVE SEEN HIM EVEN
869
00:35:33,332 --> 00:35:33,730
HAVE GONE TO A FRIEND'S HOUSE,
AND I WOULD HAVE SEEN HIM EVEN
LESS.
870
00:35:33,732 --> 00:35:35,732
AND I WOULD HAVE SEEN HIM EVEN
LESS.
SAME DEAL WITH THE INTERNET.
871
00:35:35,734 --> 00:35:37,601
LESS.
SAME DEAL WITH THE INTERNET.
IF YOU HAD A KID, YOU'D KNOW
872
00:35:37,603 --> 00:35:41,938
SAME DEAL WITH THE INTERNET.
IF YOU HAD A KID, YOU'D KNOW
THAT.
873
00:35:41,940 --> 00:35:43,540
IF YOU HAD A KID, YOU'D KNOW
THAT.
YOU KNOW, I APOLOGIZE.
874
00:35:43,542 --> 00:35:45,375
THAT.
YOU KNOW, I APOLOGIZE.
I HAVE TO KEEP THE CURTAINS
875
00:35:45,377 --> 00:35:47,244
YOU KNOW, I APOLOGIZE.
I HAVE TO KEEP THE CURTAINS
CLOSED BECAUSE THE CAMERAMEN
876
00:35:47,246 --> 00:35:48,845
I HAVE TO KEEP THE CURTAINS
CLOSED BECAUSE THE CAMERAMEN
KEEP POPPING UP TO TAKE A SHOT.
877
00:35:48,847 --> 00:35:50,647
CLOSED BECAUSE THE CAMERAMEN
KEEP POPPING UP TO TAKE A SHOT.
THE FIRST TIME A FLASH SUDDENLY
878
00:35:50,649 --> 00:35:52,482
KEEP POPPING UP TO TAKE A SHOT.
THE FIRST TIME A FLASH SUDDENLY
WENT OFF IN MY BEDROOM AT NIGHT,
879
00:35:52,484 --> 00:35:53,984
THE FIRST TIME A FLASH SUDDENLY
WENT OFF IN MY BEDROOM AT NIGHT,
I NEARLY HAD A HEART ATTACK.
880
00:35:53,986 --> 00:35:54,751
WENT OFF IN MY BEDROOM AT NIGHT,
I NEARLY HAD A HEART ATTACK.
[ LAUGHS ]
881
00:35:54,753 --> 00:35:56,987
I NEARLY HAD A HEART ATTACK.
[ LAUGHS ]
YESTERDAY, I THREW A FRYING PAN
882
00:35:56,989 --> 00:35:58,388
[ LAUGHS ]
YESTERDAY, I THREW A FRYING PAN
AT ONE OF THEM.
883
00:35:58,390 --> 00:36:01,758
YESTERDAY, I THREW A FRYING PAN
AT ONE OF THEM.
I'M NOT KIDDING.
884
00:36:01,760 --> 00:36:12,669
WHEN IS THIS NIGHTMARE GONNA
END?
I JUST WANT TO WAKE UP.
885
00:36:12,671 --> 00:36:15,672
END?
I JUST WANT TO WAKE UP.
I WANT TO WAKE UP, WAKE UP, WAKE
886
00:36:15,674 --> 00:36:19,843
I JUST WANT TO WAKE UP.
I WANT TO WAKE UP, WAKE UP, WAKE
UP, WAKE UP, WAKE UP, WAKE UP!
887
00:36:19,845 --> 00:36:21,578
I WANT TO WAKE UP, WAKE UP, WAKE
UP, WAKE UP, WAKE UP, WAKE UP!
>> I SHOULD GO.
888
00:36:21,580 --> 00:36:23,480
UP, WAKE UP, WAKE UP, WAKE UP!
>> I SHOULD GO.
>> OH, NO. NO, NO.
889
00:36:23,482 --> 00:36:24,548
>> I SHOULD GO.
>> OH, NO. NO, NO.
DON'T GO.
890
00:36:24,550 --> 00:36:25,815
>> OH, NO. NO, NO.
DON'T GO.
[ CHUCKLES ]
891
00:36:25,817 --> 00:36:27,450
DON'T GO.
[ CHUCKLES ]
AS PATHETIC AS IT SOUNDS...
892
00:36:27,452 --> 00:36:28,919
[ CHUCKLES ]
AS PATHETIC AS IT SOUNDS...
I DON'T HAVE ANYBODY ELSE TO
893
00:36:28,921 --> 00:36:29,619
AS PATHETIC AS IT SOUNDS...
I DON'T HAVE ANYBODY ELSE TO
TALK TO.
894
00:36:29,621 --> 00:36:31,354
I DON'T HAVE ANYBODY ELSE TO
TALK TO.
THE OFFICE TOLD ME NOT TO COME
895
00:36:31,356 --> 00:36:32,923
TALK TO.
THE OFFICE TOLD ME NOT TO COME
IN, YOU KNOW, BECAUSE THE PRESS
896
00:36:32,925 --> 00:36:34,491
THE OFFICE TOLD ME NOT TO COME
IN, YOU KNOW, BECAUSE THE PRESS
IS HOUNDING THE BUILDING.
897
00:36:34,493 --> 00:36:36,493
IN, YOU KNOW, BECAUSE THE PRESS
IS HOUNDING THE BUILDING.
SOMETHING ABOUT THEIR IMAGE.
898
00:36:36,495 --> 00:36:38,662
IS HOUNDING THE BUILDING.
SOMETHING ABOUT THEIR IMAGE.
FRANK WON'T HAVE ANYTHING TO DO
899
00:36:38,664 --> 00:36:39,829
SOMETHING ABOUT THEIR IMAGE.
FRANK WON'T HAVE ANYTHING TO DO
WITH ME.
900
00:36:39,831 --> 00:36:42,999
FRANK WON'T HAVE ANYTHING TO DO
WITH ME.
HE SAYS IT'S MY FAULT.
901
00:36:43,001 --> 00:36:44,901
WITH ME.
HE SAYS IT'S MY FAULT.
MY FRIENDS -- THEY WON'T SPEAK
902
00:36:44,903 --> 00:36:46,903
HE SAYS IT'S MY FAULT.
MY FRIENDS -- THEY WON'T SPEAK
TO ME BECAUSE, YOU KNOW, THEY'RE
903
00:36:46,905 --> 00:36:48,738
MY FRIENDS -- THEY WON'T SPEAK
TO ME BECAUSE, YOU KNOW, THEY'RE
ALSO FRIENDS OF THE VICTIMS.
904
00:36:48,740 --> 00:36:50,574
TO ME BECAUSE, YOU KNOW, THEY'RE
ALSO FRIENDS OF THE VICTIMS.
AND THERE'S ONLY ONE ME, AND
905
00:36:50,576 --> 00:36:52,709
ALSO FRIENDS OF THE VICTIMS.
AND THERE'S ONLY ONE ME, AND
THEN THERE'S 50 OF THEM.
906
00:36:52,711 --> 00:36:54,344
AND THERE'S ONLY ONE ME, AND
THEN THERE'S 50 OF THEM.
YOU DO THE MATH.
907
00:36:54,346 --> 00:36:56,846
THEN THERE'S 50 OF THEM.
YOU DO THE MATH.
IT'S A LOGICAL EQUATION.
908
00:36:56,848 --> 00:36:57,914
YOU DO THE MATH.
IT'S A LOGICAL EQUATION.
>> EXCUSE ME?
909
00:36:57,916 --> 00:36:59,983
IT'S A LOGICAL EQUATION.
>> EXCUSE ME?
>> YOU KNOW, LOGICAL EQUATIONS
910
00:36:59,985 --> 00:37:01,785
>> EXCUSE ME?
>> YOU KNOW, LOGICAL EQUATIONS
FOR REAL-LIFE SCENARIOS.
911
00:37:01,787 --> 00:37:03,053
>> YOU KNOW, LOGICAL EQUATIONS
FOR REAL-LIFE SCENARIOS.
THAT'S WHAT I DO.
912
00:37:03,055 --> 00:37:05,388
FOR REAL-LIFE SCENARIOS.
THAT'S WHAT I DO.
YOU KNOW, THAT'S WHAT I DID FOR
913
00:37:05,390 --> 00:37:05,989
THAT'S WHAT I DO.
YOU KNOW, THAT'S WHAT I DID FOR
A LIVING.
914
00:37:05,991 --> 00:37:07,691
YOU KNOW, THAT'S WHAT I DID FOR
A LIVING.
>> IT SOUNDS INTERESTING.
915
00:37:07,693 --> 00:37:09,459
A LIVING.
>> IT SOUNDS INTERESTING.
>> MOST OF IT WAS BULLSHIT.
916
00:37:09,461 --> 00:37:10,994
>> IT SOUNDS INTERESTING.
>> MOST OF IT WAS BULLSHIT.
>> DO YOU WANT TO TALK ABOUT
917
00:37:10,996 --> 00:37:12,629
>> MOST OF IT WAS BULLSHIT.
>> DO YOU WANT TO TALK ABOUT
WHAT HAPPENED WITH JULIA?
918
00:37:12,631 --> 00:37:14,030
>> DO YOU WANT TO TALK ABOUT
WHAT HAPPENED WITH JULIA?
WAS HERMAN HOME WHEN THAT
919
00:37:14,032 --> 00:37:15,899
WHAT HAPPENED WITH JULIA?
WAS HERMAN HOME WHEN THAT
HAPPENED?
920
00:37:15,901 --> 00:37:17,434
WAS HERMAN HOME WHEN THAT
HAPPENED?
>> I DON'T THINK I WANT TO TALK
921
00:37:17,436 --> 00:37:18,301
HAPPENED?
>> I DON'T THINK I WANT TO TALK
TO YOU ANYMORE.
922
00:37:18,303 --> 00:37:19,336
>> I DON'T THINK I WANT TO TALK
TO YOU ANYMORE.
>> I DIDN'T MEAN TO --
923
00:37:19,338 --> 00:37:20,570
TO YOU ANYMORE.
>> I DIDN'T MEAN TO --
>> YOU GET OUT OF MY HOUSE.
924
00:37:20,572 --> 00:37:21,504
>> I DIDN'T MEAN TO --
>> YOU GET OUT OF MY HOUSE.
>> I'M SORRY. I --
925
00:37:21,506 --> 00:37:23,707
>> YOU GET OUT OF MY HOUSE.
>> I'M SORRY. I --
>> GET OUT.
926
00:37:23,709 --> 00:37:35,919
YOU KNOW, MAYBE YOU CAN ANSWER A
QUESTION FOR ME...MR. MORALES.
IT'S A LOGICAL EQUATION I CAN'T
927
00:37:35,921 --> 00:37:37,487
QUESTION FOR ME...MR. MORALES.
IT'S A LOGICAL EQUATION I CAN'T
SEEM TO CRACK.
928
00:37:37,489 --> 00:37:40,357
IT'S A LOGICAL EQUATION I CAN'T
SEEM TO CRACK.
IF YOU TAKE ONE WOMAN LIVING IN
929
00:37:40,359 --> 00:37:42,726
SEEM TO CRACK.
IF YOU TAKE ONE WOMAN LIVING IN
THE MIDDLE OF AMERICA, BREAK HER
930
00:37:42,728 --> 00:37:45,061
IF YOU TAKE ONE WOMAN LIVING IN
THE MIDDLE OF AMERICA, BREAK HER
FAMILY APART, FORCE HER TO WORK
931
00:37:45,063 --> 00:37:47,330
THE MIDDLE OF AMERICA, BREAK HER
FAMILY APART, FORCE HER TO WORK
HARDER TO GET AHEAD IN HER
932
00:37:47,332 --> 00:37:50,500
FAMILY APART, FORCE HER TO WORK
HARDER TO GET AHEAD IN HER
CAREER THAN ANY MAN WOULD, FORCE
933
00:37:50,502 --> 00:37:52,669
HARDER TO GET AHEAD IN HER
CAREER THAN ANY MAN WOULD, FORCE
HER TO LIVE WITH THE KNOWLEDGE
934
00:37:52,671 --> 00:37:54,704
CAREER THAN ANY MAN WOULD, FORCE
HER TO LIVE WITH THE KNOWLEDGE
THAT HER DAUGHTER WAS KILLED
935
00:37:54,706 --> 00:37:56,973
HER TO LIVE WITH THE KNOWLEDGE
THAT HER DAUGHTER WAS KILLED
WHILE SHE WAS AT WORK, TRYING TO
936
00:37:56,975 --> 00:38:00,510
THAT HER DAUGHTER WAS KILLED
WHILE SHE WAS AT WORK, TRYING TO
MAKE MONEY TO PAY FOR FOOD, AND
937
00:38:00,512 --> 00:38:03,680
WHILE SHE WAS AT WORK, TRYING TO
MAKE MONEY TO PAY FOR FOOD, AND
THEN HAVE HER SON LOSE HIS MIND
938
00:38:03,682 --> 00:38:08,385
MAKE MONEY TO PAY FOR FOOD, AND
THEN HAVE HER SON LOSE HIS MIND
AND MASSACRE 42 PEOPLE, MASSACRE
939
00:38:08,387 --> 00:38:11,087
THEN HAVE HER SON LOSE HIS MIND
AND MASSACRE 42 PEOPLE, MASSACRE
CHILDREN, AND MAKE SURE THAT
940
00:38:11,089 --> 00:38:13,957
AND MASSACRE 42 PEOPLE, MASSACRE
CHILDREN, AND MAKE SURE THAT
NOBODY TALKS TO HER, NOBODY
941
00:38:13,959 --> 00:38:16,926
CHILDREN, AND MAKE SURE THAT
NOBODY TALKS TO HER, NOBODY
LISTENS TO HER, AND THEN FIRE
942
00:38:16,928 --> 00:38:19,929
NOBODY TALKS TO HER, NOBODY
LISTENS TO HER, AND THEN FIRE
HER -- IN AN EQUATION LIKE THAT,
943
00:38:19,931 --> 00:38:22,832
LISTENS TO HER, AND THEN FIRE
HER -- IN AN EQUATION LIKE THAT,
HOW LONG WOULD IT BE UNTIL SHE
944
00:38:22,834 --> 00:38:26,002
HER -- IN AN EQUATION LIKE THAT,
HOW LONG WOULD IT BE UNTIL SHE
WOULD GO COMPLETELY INSANE ALL
945
00:38:26,004 --> 00:38:30,540
HOW LONG WOULD IT BE UNTIL SHE
WOULD GO COMPLETELY INSANE ALL
ALONE IN HERE?
946
00:38:30,542 --> 00:38:33,076
WOULD GO COMPLETELY INSANE ALL
ALONE IN HERE?
ALL ALONE IN HERE.
947
00:38:33,078 --> 00:38:51,761
[ CRICKETS CHIRPING ]
948
00:38:51,763 --> 00:39:01,438
[ COUNTRY MUSIC PLAYS ]
>> GALL'S LOOKING TO START A
WAR.
949
00:39:01,440 --> 00:39:02,105
>> GALL'S LOOKING TO START A
WAR.
>> A WAR?
950
00:39:02,107 --> 00:39:04,174
WAR.
>> A WAR?
>> I GOT EVERYTHING YOU NEED TO
951
00:39:04,176 --> 00:39:06,042
>> A WAR?
>> I GOT EVERYTHING YOU NEED TO
PUT HIM AWAY -- PAPERWORK,
952
00:39:06,044 --> 00:39:07,811
>> I GOT EVERYTHING YOU NEED TO
PUT HIM AWAY -- PAPERWORK,
PHOTOGRAPHS, DATES, EVERYTHING.
953
00:39:07,813 --> 00:39:09,512
PUT HIM AWAY -- PAPERWORK,
PHOTOGRAPHS, DATES, EVERYTHING.
>> ARE YOU AWARE OF THE RISKS
954
00:39:09,514 --> 00:39:10,947
PHOTOGRAPHS, DATES, EVERYTHING.
>> ARE YOU AWARE OF THE RISKS
YOU'D BE TAKING BY SUPPLYING
955
00:39:10,949 --> 00:39:11,748
>> ARE YOU AWARE OF THE RISKS
YOU'D BE TAKING BY SUPPLYING
THOSE DOCUMENTS?
956
00:39:11,750 --> 00:39:12,916
YOU'D BE TAKING BY SUPPLYING
THOSE DOCUMENTS?
>> WHAT'S THE WORST THAT CAN
957
00:39:12,918 --> 00:39:13,483
THOSE DOCUMENTS?
>> WHAT'S THE WORST THAT CAN
HAPPEN?
958
00:39:13,485 --> 00:39:15,652
>> WHAT'S THE WORST THAT CAN
HAPPEN?
I CAN DIE?
959
00:39:15,654 --> 00:39:17,454
HAPPEN?
I CAN DIE?
>> THERE ARE A LOT WORSE THINGS
960
00:39:17,456 --> 00:39:19,122
I CAN DIE?
>> THERE ARE A LOT WORSE THINGS
IN THIS WORLD THAT CAN HAPPEN TO
961
00:39:19,124 --> 00:39:20,090
>> THERE ARE A LOT WORSE THINGS
IN THIS WORLD THAT CAN HAPPEN TO
YOU THAN DYING.
962
00:39:20,092 --> 00:39:21,791
IN THIS WORLD THAT CAN HAPPEN TO
YOU THAN DYING.
THE ONES YOU LOVE WILL BE IN
963
00:39:21,793 --> 00:39:23,960
YOU THAN DYING.
THE ONES YOU LOVE WILL BE IN
DANGER.
964
00:39:23,962 --> 00:39:26,830
THE ONES YOU LOVE WILL BE IN
DANGER.
>> PROMISE ME.
965
00:39:26,832 --> 00:39:27,697
DANGER.
>> PROMISE ME.
>> PLEASE.
966
00:39:27,699 --> 00:39:29,566
>> PROMISE ME.
>> PLEASE.
>> AAH!
967
00:39:29,568 --> 00:39:31,101
>> PLEASE.
>> AAH!
>> GET HIM!
968
00:39:31,103 --> 00:39:41,878
[ GASPS ]
[ KNOCK ON DOOR ]
ISA.
969
00:39:41,880 --> 00:39:44,881
[ KNOCK ON DOOR ]
ISA.
>> [ GROANS ]
970
00:39:44,883 --> 00:39:46,049
ISA.
>> [ GROANS ]
[ KNOCK ON DOOR ]
971
00:39:46,051 --> 00:39:51,921
>> [ GROANS ]
[ KNOCK ON DOOR ]
>> ISA, IT'S -- IT'S LAX.
972
00:39:51,923 --> 00:39:57,627
[ KNOCK ON DOOR ]
>> ISA, IT'S -- IT'S LAX.
ISA, I NEED TO TALK TO YOU.
973
00:39:57,629 --> 00:39:59,662
>> ISA, IT'S -- IT'S LAX.
ISA, I NEED TO TALK TO YOU.
ISA.
974
00:39:59,664 --> 00:40:09,506
>> [ SIGHS ]
975
00:40:09,508 --> 00:40:26,823
>> I DON'T KNOW WHAT I'M DOING.
976
00:40:26,825 --> 00:40:33,663
SO, WHAT'S YOUR FAVORITE MOVIE,
HERMAN?
>> THAT'S TOUGH.
977
00:40:33,665 --> 00:40:34,898
HERMAN?
>> THAT'S TOUGH.
>> DON'T YOU DARE SAY
978
00:40:34,900 --> 00:40:36,733
>> THAT'S TOUGH.
>> DON'T YOU DARE SAY
"NATURAL BORN KILLERS," EITHER.
979
00:40:36,735 --> 00:40:37,634
>> DON'T YOU DARE SAY
"NATURAL BORN KILLERS," EITHER.
>> [ LAUGHS ]
980
00:40:37,636 --> 00:40:39,235
"NATURAL BORN KILLERS," EITHER.
>> [ LAUGHS ]
THAT'S AN AWESOME MOVIE, BUT I
981
00:40:39,237 --> 00:40:41,237
>> [ LAUGHS ]
THAT'S AN AWESOME MOVIE, BUT I
GUESS MY ALL-TIME FAVORITE...
982
00:40:41,239 --> 00:40:43,072
THAT'S AN AWESOME MOVIE, BUT I
GUESS MY ALL-TIME FAVORITE...
WOULD HAVE TO BE "KIDS."
983
00:40:43,074 --> 00:40:44,007
GUESS MY ALL-TIME FAVORITE...
WOULD HAVE TO BE "KIDS."
>> "KIDS"?
984
00:40:44,009 --> 00:40:46,009
WOULD HAVE TO BE "KIDS."
>> "KIDS"?
WELL, THAT'S UNEXPECTED. WHY?
985
00:40:46,011 --> 00:40:47,510
>> "KIDS"?
WELL, THAT'S UNEXPECTED. WHY?
>> WELL, FOR ONE THING, THAT'S
986
00:40:47,512 --> 00:40:48,578
WELL, THAT'S UNEXPECTED. WHY?
>> WELL, FOR ONE THING, THAT'S
REALLY WHAT IT'S LIKE.
987
00:40:48,580 --> 00:40:49,813
>> WELL, FOR ONE THING, THAT'S
REALLY WHAT IT'S LIKE.
I MEAN, KIDS DO THINGS THAT
988
00:40:49,815 --> 00:40:51,181
REALLY WHAT IT'S LIKE.
I MEAN, KIDS DO THINGS THAT
PARENTS DON'T HAVE A CLUE ABOUT,
989
00:40:51,183 --> 00:40:52,682
I MEAN, KIDS DO THINGS THAT
PARENTS DON'T HAVE A CLUE ABOUT,
AND THEY DON'T WANT TO HAVE A
990
00:40:52,684 --> 00:40:53,283
PARENTS DON'T HAVE A CLUE ABOUT,
AND THEY DON'T WANT TO HAVE A
CLUE ABOUT IT.
991
00:40:53,285 --> 00:40:54,284
AND THEY DON'T WANT TO HAVE A
CLUE ABOUT IT.
>> LIKE WHAT?
992
00:40:54,286 --> 00:40:55,985
CLUE ABOUT IT.
>> LIKE WHAT?
>> LIKE SCREWING WITHOUT
993
00:40:55,987 --> 00:40:57,954
>> LIKE WHAT?
>> LIKE SCREWING WITHOUT
CONDOMS, SMOKING POT, DRINKING
994
00:40:57,956 --> 00:40:59,889
>> LIKE SCREWING WITHOUT
CONDOMS, SMOKING POT, DRINKING
40s, TAKING "X," YOU NAME IT.
995
00:40:59,891 --> 00:41:01,658
CONDOMS, SMOKING POT, DRINKING
40s, TAKING "X," YOU NAME IT.
>> THAT MOVIE'S ABOUT KIDS
996
00:41:01,660 --> 00:41:03,593
40s, TAKING "X," YOU NAME IT.
>> THAT MOVIE'S ABOUT KIDS
GROWING UP IN NEW YORK IN THE
997
00:41:03,595 --> 00:41:03,960
>> THAT MOVIE'S ABOUT KIDS
GROWING UP IN NEW YORK IN THE
'90s.
998
00:41:03,962 --> 00:41:05,528
GROWING UP IN NEW YORK IN THE
'90s.
YOU THINK KIDS ARE LIKE THAT
999
00:41:05,530 --> 00:41:06,095
'90s.
YOU THINK KIDS ARE LIKE THAT
EVERYWHERE?
1000
00:41:06,097 --> 00:41:07,730
YOU THINK KIDS ARE LIKE THAT
EVERYWHERE?
>> KIDS ARE THE SAME ALL OVER,
1001
00:41:07,732 --> 00:41:08,097
EVERYWHERE?
>> KIDS ARE THE SAME ALL OVER,
LAX.
1002
00:41:08,099 --> 00:41:09,799
>> KIDS ARE THE SAME ALL OVER,
LAX.
WE ALWAYS DO WHAT YOU THINK
1003
00:41:09,801 --> 00:41:11,601
LAX.
WE ALWAYS DO WHAT YOU THINK
WE'RE INCAPABLE OF DOING UNTIL
1004
00:41:11,603 --> 00:41:12,302
WE ALWAYS DO WHAT YOU THINK
WE'RE INCAPABLE OF DOING UNTIL
YOU NOTICE US.
1005
00:41:12,304 --> 00:41:13,870
WE'RE INCAPABLE OF DOING UNTIL
YOU NOTICE US.
BUT THAT'S NOT WHY IT'S MY
1006
00:41:13,872 --> 00:41:14,804
YOU NOTICE US.
BUT THAT'S NOT WHY IT'S MY
FAVORITE MOVIE.
1007
00:41:14,806 --> 00:41:15,672
BUT THAT'S NOT WHY IT'S MY
FAVORITE MOVIE.
>> WHY, THEN?
1008
00:41:15,674 --> 00:41:16,940
FAVORITE MOVIE.
>> WHY, THEN?
>> IT'S BECAUSE THE MAIN
1009
00:41:16,942 --> 00:41:19,008
>> WHY, THEN?
>> IT'S BECAUSE THE MAIN
CHARACTER SAYS, "WHAT'S UP?"
1010
00:41:19,010 --> 00:41:20,944
>> IT'S BECAUSE THE MAIN
CHARACTER SAYS, "WHAT'S UP?"
>> OH. WHAT'S UP, HERMAN?
1011
00:41:20,946 --> 00:41:21,878
CHARACTER SAYS, "WHAT'S UP?"
>> OH. WHAT'S UP, HERMAN?
>> [ LAUGHS ]
1012
00:41:21,880 --> 00:41:23,813
>> OH. WHAT'S UP, HERMAN?
>> [ LAUGHS ]
SEE, WHEN YOU'RE A KID, YOU HAVE
1013
00:41:23,815 --> 00:41:25,682
>> [ LAUGHS ]
SEE, WHEN YOU'RE A KID, YOU HAVE
TO FIND THAT ONE THING THAT YOU
1014
00:41:25,684 --> 00:41:27,083
SEE, WHEN YOU'RE A KID, YOU HAVE
TO FIND THAT ONE THING THAT YOU
CARE ABOUT AND STICK TO IT,
1015
00:41:27,085 --> 00:41:28,651
TO FIND THAT ONE THING THAT YOU
CARE ABOUT AND STICK TO IT,
'CAUSE THAT'S ALL YOU GOT.
1016
00:41:28,653 --> 00:41:31,154
CARE ABOUT AND STICK TO IT,
'CAUSE THAT'S ALL YOU GOT.
>> WHAT'S YOUR ONE THING?
1017
00:41:31,156 --> 00:41:32,589
'CAUSE THAT'S ALL YOU GOT.
>> WHAT'S YOUR ONE THING?
>> I DON'T KNOW.
1018
00:41:32,591 --> 00:41:34,657
>> WHAT'S YOUR ONE THING?
>> I DON'T KNOW.
I'LL TELL YOU WHEN I GROW UP.
1019
00:41:34,659 --> 00:41:36,993
>> I DON'T KNOW.
I'LL TELL YOU WHEN I GROW UP.
[ LAUGHS ]
1020
00:41:36,995 --> 00:41:38,995
I'LL TELL YOU WHEN I GROW UP.
[ LAUGHS ]
YOU KNOW WHAT I MISS MORE THAN
1021
00:41:38,997 --> 00:41:40,864
[ LAUGHS ]
YOU KNOW WHAT I MISS MORE THAN
ANYTHING?
1022
00:41:40,866 --> 00:41:42,565
YOU KNOW WHAT I MISS MORE THAN
ANYTHING?
>> WHAT'S THAT?
1023
00:41:42,567 --> 00:41:43,299
ANYTHING?
>> WHAT'S THAT?
>> MY XBOX.
1024
00:41:43,301 --> 00:41:45,301
>> WHAT'S THAT?
>> MY XBOX.
MAN, IF I COULD JUST GET THAT
1025
00:41:45,303 --> 00:41:47,237
>> MY XBOX.
MAN, IF I COULD JUST GET THAT
ONE MORE GAME IN, I WOULD BE
1026
00:41:47,239 --> 00:41:50,240
MAN, IF I COULD JUST GET THAT
ONE MORE GAME IN, I WOULD BE
HAPPY.
1027
00:41:50,242 --> 00:41:52,242
ONE MORE GAME IN, I WOULD BE
HAPPY.
[ SIGHS ]
1028
00:41:52,244 --> 00:41:53,810
HAPPY.
[ SIGHS ]
[ BIRDS CHIRPING ]
1029
00:41:53,812 --> 00:42:02,185
>> YOU FOLLOW POLITICS AT ALL?
>> NO.
>> DO YOU KNOW WHO YOUR GOVERNOR
1030
00:42:02,187 --> 00:42:03,720
>> NO.
>> DO YOU KNOW WHO YOUR GOVERNOR
IS?
1031
00:42:03,722 --> 00:42:04,220
>> DO YOU KNOW WHO YOUR GOVERNOR
IS?
>> NO.
1032
00:42:04,222 --> 00:42:06,222
IS?
>> NO.
>> DOES ANYONE IN YOUR SCHOOL
1033
00:42:06,224 --> 00:42:06,890
>> NO.
>> DOES ANYONE IN YOUR SCHOOL
KNOW?
1034
00:42:06,892 --> 00:42:08,358
>> DOES ANYONE IN YOUR SCHOOL
KNOW?
>> THEY KNOW WHO I AM.
1035
00:42:08,360 --> 00:42:09,792
KNOW?
>> THEY KNOW WHO I AM.
>> WELL, FOR NOW.
1036
00:42:09,794 --> 00:42:11,961
>> THEY KNOW WHO I AM.
>> WELL, FOR NOW.
>> FOREVER.
1037
00:42:11,963 --> 00:42:13,296
>> WELL, FOR NOW.
>> FOREVER.
>> WHAT'S THE WORST THING THAT
1038
00:42:13,298 --> 00:42:17,000
>> FOREVER.
>> WHAT'S THE WORST THING THAT
EVER HAPPENED TO YOU IN SCHOOL?
1039
00:42:17,002 --> 00:42:21,170
>> WHAT'S THE WORST THING THAT
EVER HAPPENED TO YOU IN SCHOOL?
>> THAT'S A HARD QUESTION.
1040
00:42:21,172 --> 00:42:23,172
EVER HAPPENED TO YOU IN SCHOOL?
>> THAT'S A HARD QUESTION.
[ SCHOOL BELL RINGS ]
1041
00:42:23,174 --> 00:42:26,042
>> THAT'S A HARD QUESTION.
[ SCHOOL BELL RINGS ]
[ URINATING ]
1042
00:42:26,044 --> 00:42:28,077
[ SCHOOL BELL RINGS ]
[ URINATING ]
>> OH! YOU'RE KILLING ME, DUDE.
1043
00:42:28,079 --> 00:42:29,279
[ URINATING ]
>> OH! YOU'RE KILLING ME, DUDE.
THIS IS HORRIBLE.
1044
00:42:29,281 --> 00:42:31,114
>> OH! YOU'RE KILLING ME, DUDE.
THIS IS HORRIBLE.
YOU HAVE TO GO TO THE PARTY
1045
00:42:31,116 --> 00:42:32,282
THIS IS HORRIBLE.
YOU HAVE TO GO TO THE PARTY
TONIGHT.
1046
00:42:32,284 --> 00:42:33,149
YOU HAVE TO GO TO THE PARTY
TONIGHT.
OH.
1047
00:42:33,151 --> 00:42:38,021
TONIGHT.
OH.
[ ZIPPER CLOSES ]
1048
00:42:38,023 --> 00:42:39,889
OH.
[ ZIPPER CLOSES ]
HELLO, HERMAN.
1049
00:42:39,891 --> 00:42:41,791
[ ZIPPER CLOSES ]
HELLO, HERMAN.
ANY, UH, SPARE CHANGE?
1050
00:42:41,793 --> 00:42:43,993
HELLO, HERMAN.
ANY, UH, SPARE CHANGE?
>> HEY, JUST LEAVE ME ALONE,
1051
00:42:43,995 --> 00:42:44,694
ANY, UH, SPARE CHANGE?
>> HEY, JUST LEAVE ME ALONE,
MAN.
1052
00:42:44,696 --> 00:42:47,697
>> HEY, JUST LEAVE ME ALONE,
MAN.
>> JUST LEAVE YOU ALONE?
1053
00:42:47,699 --> 00:42:49,866
MAN.
>> JUST LEAVE YOU ALONE?
NOT TODAY.
1054
00:42:49,868 --> 00:42:50,833
>> JUST LEAVE YOU ALONE?
NOT TODAY.
>> [ COUGHS, GAGS ]
1055
00:42:50,835 --> 00:42:51,301
NOT TODAY.
>> [ COUGHS, GAGS ]
>> BITCH.
1056
00:42:51,303 --> 00:42:52,835
>> [ COUGHS, GAGS ]
>> BITCH.
>> LISTEN, LET'S DO THIS SO WE
1057
00:42:52,837 --> 00:42:54,070
>> BITCH.
>> LISTEN, LET'S DO THIS SO WE
DON'T HAVE TO LISTEN TO HIM
1058
00:42:54,072 --> 00:42:55,004
>> LISTEN, LET'S DO THIS SO WE
DON'T HAVE TO LISTEN TO HIM
BITCH AND MOAN.
1059
00:42:55,006 --> 00:42:55,705
DON'T HAVE TO LISTEN TO HIM
BITCH AND MOAN.
COME ON.
1060
00:42:55,707 --> 00:42:57,140
BITCH AND MOAN.
COME ON.
COME ON, TAKE A DEEP BREATH,
1061
00:42:57,142 --> 00:42:57,774
COME ON.
COME ON, TAKE A DEEP BREATH,
FAGGOT.
1062
00:42:57,776 --> 00:42:58,641
COME ON, TAKE A DEEP BREATH,
FAGGOT.
>> [ COUGHS ]
1063
00:42:58,643 --> 00:43:01,811
FAGGOT.
>> [ COUGHS ]
>> TAKE A NICE, DEEP BREATH.
1064
00:43:01,813 --> 00:43:03,746
>> [ COUGHS ]
>> TAKE A NICE, DEEP BREATH.
>> WHAT IN THE DEVIL DO YOU BOYS
1065
00:43:03,748 --> 00:43:04,948
>> TAKE A NICE, DEEP BREATH.
>> WHAT IN THE DEVIL DO YOU BOYS
THINK YOU'RE DOING?!
1066
00:43:04,950 --> 00:43:05,815
>> WHAT IN THE DEVIL DO YOU BOYS
THINK YOU'RE DOING?!
>> NOTHING.
1067
00:43:05,817 --> 00:43:07,116
THINK YOU'RE DOING?!
>> NOTHING.
>> [ BREATHING DEEPLY ]
1068
00:43:07,118 --> 00:43:07,850
>> NOTHING.
>> [ BREATHING DEEPLY ]
>> RIGHT?
1069
00:43:07,852 --> 00:43:09,152
>> [ BREATHING DEEPLY ]
>> RIGHT?
>> WHAT ARE YOUR NAMES?
1070
00:43:09,154 --> 00:43:10,320
>> RIGHT?
>> WHAT ARE YOUR NAMES?
>> [ VOMITS, SPITS ]
1071
00:43:10,322 --> 00:43:11,854
>> WHAT ARE YOUR NAMES?
>> [ VOMITS, SPITS ]
>> MICHAEL.
1072
00:43:11,856 --> 00:43:13,022
>> [ VOMITS, SPITS ]
>> MICHAEL.
>> MICHAEL.
1073
00:43:13,024 --> 00:43:15,124
>> MICHAEL.
>> MICHAEL.
>> MICHAEL AND MICHAEL WHAT?
1074
00:43:15,126 --> 00:43:16,025
>> MICHAEL.
>> MICHAEL AND MICHAEL WHAT?
>> GREEN.
1075
00:43:16,027 --> 00:43:17,260
>> MICHAEL AND MICHAEL WHAT?
>> GREEN.
>> MICHAEL RAY.
1076
00:43:17,262 --> 00:43:19,362
>> GREEN.
>> MICHAEL RAY.
>> IS THAT THEIR REAL NAMES,
1077
00:43:19,364 --> 00:43:21,064
>> MICHAEL RAY.
>> IS THAT THEIR REAL NAMES,
HERMAN?
1078
00:43:21,066 --> 00:43:24,067
>> IS THAT THEIR REAL NAMES,
HERMAN?
LET ME SEE SOME I.D.
1079
00:43:24,069 --> 00:43:25,435
HERMAN?
LET ME SEE SOME I.D.
DO YOU BOYS REALIZE HOW MANY
1080
00:43:25,437 --> 00:43:27,036
LET ME SEE SOME I.D.
DO YOU BOYS REALIZE HOW MANY
DIFFERENT STRAINS OF BACTERIA
1081
00:43:27,038 --> 00:43:28,438
DO YOU BOYS REALIZE HOW MANY
DIFFERENT STRAINS OF BACTERIA
RESIDE IN THOSE TOILET BOWLS?
1082
00:43:28,440 --> 00:43:30,106
DIFFERENT STRAINS OF BACTERIA
RESIDE IN THOSE TOILET BOWLS?
IF HERMAN INHALED ENOUGH WATER,
1083
00:43:30,108 --> 00:43:31,407
RESIDE IN THOSE TOILET BOWLS?
IF HERMAN INHALED ENOUGH WATER,
HE COULD HAVE BEEN KILLED.
1084
00:43:31,409 --> 00:43:33,643
IF HERMAN INHALED ENOUGH WATER,
HE COULD HAVE BEEN KILLED.
DO YOU UNDERSTAND?
1085
00:43:33,645 --> 00:43:43,686
YOU TWO GO TO THE PRINCIPAL'S
OFFICE AND TELL HER WHAT YOU'VE
DONE.
1086
00:43:43,688 --> 00:43:45,154
OFFICE AND TELL HER WHAT YOU'VE
DONE.
YOU SHOULD BE ASHAMED TO CALL
1087
00:43:45,156 --> 00:43:46,756
DONE.
YOU SHOULD BE ASHAMED TO CALL
YOURSELVES BROOME STUDENTS.
1088
00:43:46,758 --> 00:43:48,224
YOU SHOULD BE ASHAMED TO CALL
YOURSELVES BROOME STUDENTS.
PICKING ON A BOY YOUNGER THAN
1089
00:43:48,226 --> 00:43:49,092
YOURSELVES BROOME STUDENTS.
PICKING ON A BOY YOUNGER THAN
YOU?
1090
00:43:49,094 --> 00:43:50,960
PICKING ON A BOY YOUNGER THAN
YOU?
NOW!
1091
00:43:50,962 --> 00:43:52,829
YOU?
NOW!
STRAIGHT TO THE OFFICE.
1092
00:43:52,831 --> 00:43:54,697
NOW!
STRAIGHT TO THE OFFICE.
I'LL BE RIGHT THERE.
1093
00:43:54,699 --> 00:43:56,366
STRAIGHT TO THE OFFICE.
I'LL BE RIGHT THERE.
>> [ BREATHING DEEPLY ]
1094
00:43:56,368 --> 00:44:09,312
>> YOU'RE A SOPHOMORE, RIGHT,
HERMAN?
I REMEMBER WHEN I WAS YOUR AGE.
1095
00:44:09,314 --> 00:44:11,347
HERMAN?
I REMEMBER WHEN I WAS YOUR AGE.
THE OLDER BOYS WOULD DO THE SAME
1096
00:44:11,349 --> 00:44:13,349
I REMEMBER WHEN I WAS YOUR AGE.
THE OLDER BOYS WOULD DO THE SAME
THING TO ME.
1097
00:44:13,351 --> 00:44:15,018
THE OLDER BOYS WOULD DO THE SAME
THING TO ME.
DON'T WORRY ABOUT IT.
1098
00:44:15,020 --> 00:44:17,220
THING TO ME.
DON'T WORRY ABOUT IT.
IN A FEW YEARS, THINGS LIKE THAT
1099
00:44:17,222 --> 00:44:19,222
DON'T WORRY ABOUT IT.
IN A FEW YEARS, THINGS LIKE THAT
WILL ALL BE FOND MEMORIES OF
1100
00:44:19,224 --> 00:44:20,156
IN A FEW YEARS, THINGS LIKE THAT
WILL ALL BE FOND MEMORIES OF
HIGH SCHOOL.
1101
00:44:20,158 --> 00:44:22,125
WILL ALL BE FOND MEMORIES OF
HIGH SCHOOL.
YOU'LL PROBABLY BE FRIENDS WITH
1102
00:44:22,127 --> 00:44:23,393
HIGH SCHOOL.
YOU'LL PROBABLY BE FRIENDS WITH
THOSE BOYS NEXT YEAR.
1103
00:44:23,395 --> 00:44:25,328
YOU'LL PROBABLY BE FRIENDS WITH
THOSE BOYS NEXT YEAR.
I KNOW IT SOUNDS CRAZY, BUT SOME
1104
00:44:25,330 --> 00:44:27,030
THOSE BOYS NEXT YEAR.
I KNOW IT SOUNDS CRAZY, BUT SOME
OF THE GREATEST FRIENDSHIPS
1105
00:44:27,032 --> 00:44:29,198
I KNOW IT SOUNDS CRAZY, BUT SOME
OF THE GREATEST FRIENDSHIPS
START AS FIGHTS.
1106
00:44:29,200 --> 00:44:30,933
OF THE GREATEST FRIENDSHIPS
START AS FIGHTS.
ME AND MY BEST FRIEND, WHEN WE
1107
00:44:30,935 --> 00:44:31,801
START AS FIGHTS.
ME AND MY BEST FRIEND, WHEN WE
FIRST MET...
1108
00:44:31,803 --> 00:44:32,435
ME AND MY BEST FRIEND, WHEN WE
FIRST MET...
[ CHUCKLES ]
1109
00:44:32,437 --> 00:44:35,972
FIRST MET...
[ CHUCKLES ]
>> HEY, MR. PHELPS?
1110
00:44:35,974 --> 00:44:39,475
[ CHUCKLES ]
>> HEY, MR. PHELPS?
CAN I PLEASE GO?
1111
00:44:39,477 --> 00:44:42,011
>> HEY, MR. PHELPS?
CAN I PLEASE GO?
>> SURE. OKAY.
1112
00:44:42,013 --> 00:44:45,381
CAN I PLEASE GO?
>> SURE. OKAY.
>> THANK YOU.
1113
00:44:45,383 --> 00:45:06,335
[ INDISTINCT SHOUTING ]
1114
00:45:06,337 --> 00:45:18,815
>> THE DOMESTIC-TERRORISM
TRIBUNAL CONVENES THIS AFTERNOON
TO DECIDE THE FATE OF
1115
00:45:18,817 --> 00:45:19,549
TO DECIDE THE FATE OF
HERMAN HOWARDS.
1116
00:45:19,551 --> 00:45:22,552
>> AND IT IS MY FIRM BELIEF THAT
HIS EXECUTION OUGHT TO BE
1117
00:45:22,554 --> 00:45:24,320
HIS EXECUTION OUGHT TO BE
TELEVISED NATIONALLY SO THAT
1118
00:45:24,322 --> 00:45:26,189
TELEVISED NATIONALLY SO THAT
AMERICA'S CHILDREN CAN WITNESS
1119
00:45:26,191 --> 00:45:27,957
AMERICA'S CHILDREN CAN WITNESS
FIRSTHAND WHAT HAPPENS WHEN YOU
1120
00:45:27,959 --> 00:45:29,459
FIRSTHAND WHAT HAPPENS WHEN YOU
DISREGARD THE VALUE OF LIFE.
1121
00:45:29,461 --> 00:45:31,227
DISREGARD THE VALUE OF LIFE.
>> WHAT KIND OF MESSAGE DOES IT
1122
00:45:31,229 --> 00:45:32,862
>> WHAT KIND OF MESSAGE DOES IT
SEND THE REST OF THE WORLD IF
1123
00:45:32,864 --> 00:45:34,397
SEND THE REST OF THE WORLD IF
AMERICA STARTS EXECUTING ITS OWN
1124
00:45:34,399 --> 00:45:35,098
AMERICA STARTS EXECUTING ITS OWN
CHILDREN?
1125
00:45:35,100 --> 00:45:36,566
CHILDREN?
>> NOW, I HAVE TO SAY THAT THE
1126
00:45:36,568 --> 00:45:39,836
>> NOW, I HAVE TO SAY THAT THE
SPEED WITH WHICH THIS CASE HAS
MOVED IS NOTHING SHORT OF
1127
00:45:39,838 --> 00:45:40,803
MOVED IS NOTHING SHORT OF
EXTRAORDINARY.
1128
00:45:40,805 --> 00:45:44,240
NOW, THERE ARE SOME WHO FEEL
THAT THIS IS A BASTARDIZATION OF
1129
00:45:44,242 --> 00:45:46,109
THAT THIS IS A BASTARDIZATION OF
THE SYSTEM, WE SHOULDN'T ALLOW
1130
00:45:46,111 --> 00:45:47,110
THE SYSTEM, WE SHOULDN'T ALLOW
IT.
1131
00:45:47,112 --> 00:45:49,112
IT.
I DON'T THINK THAT THOSE WORDS
1132
00:45:49,114 --> 00:45:51,147
I DON'T THINK THAT THOSE WORDS
ARE COMING FROM THE FAMILIES OF
1133
00:45:51,149 --> 00:45:52,048
ARE COMING FROM THE FAMILIES OF
THE VICTIMS.
1134
00:45:52,050 --> 00:45:53,883
THE VICTIMS.
THE NEXT TIME THAT YOUR HEART
1135
00:45:53,885 --> 00:45:55,218
THE NEXT TIME THAT YOUR HEART
GOES OUT TO POOR, POOR
1136
00:45:55,220 --> 00:45:57,353
GOES OUT TO POOR, POOR
HERMAN HOWARDS, I WANT YOU TO
1137
00:45:57,355 --> 00:45:59,822
HERMAN HOWARDS, I WANT YOU TO
TAKE A MINUTE AND I WANT YOU TO
1138
00:45:59,824 --> 00:46:02,492
TAKE A MINUTE AND I WANT YOU TO
IMAGINE THAT IT WAS YOUR CHILD
1139
00:46:02,494 --> 00:46:05,361
IMAGINE THAT IT WAS YOUR CHILD
THAT HE BRUTALLY MURDERED FOR NO
1140
00:46:05,363 --> 00:46:06,229
THAT HE BRUTALLY MURDERED FOR NO
REASON.
1141
00:46:06,231 --> 00:46:08,564
REASON.
AND THEN I WANT YOU TO IMAGINE
1142
00:46:08,566 --> 00:46:10,566
AND THEN I WANT YOU TO IMAGINE
WHAT YOU WOULD WANT DONE TO THAT
1143
00:46:10,568 --> 00:46:12,268
WHAT YOU WOULD WANT DONE TO THAT
LITTLE MANIAC.
1144
00:46:12,270 --> 00:46:14,437
LITTLE MANIAC.
THINK ABOUT IT.
1145
00:46:14,439 --> 00:46:15,972
THINK ABOUT IT.
YOU'RE WATCHING "CHET CHAT."
1146
00:46:15,974 --> 00:46:17,507
YOU'RE WATCHING "CHET CHAT."
WE'LL BE RIGHT BACK.
1147
00:46:17,509 --> 00:46:38,861
[ CHAINS RATTLING ]
>> WELL, LOOKEE WHAT WE HAVE
HERE.
1148
00:46:38,863 --> 00:46:41,030
>> WELL, LOOKEE WHAT WE HAVE
HERE.
HOW YOU DOING, BUDDY?
1149
00:46:41,032 --> 00:46:43,533
HERE.
HOW YOU DOING, BUDDY?
[ LAUGHS ]
1150
00:46:43,535 --> 00:46:47,236
HOW YOU DOING, BUDDY?
[ LAUGHS ]
VIC.
1151
00:46:47,238 --> 00:46:49,405
[ LAUGHS ]
VIC.
GET OVER HERE.
1152
00:46:49,407 --> 00:46:54,944
VIC.
GET OVER HERE.
YEAH.
1153
00:46:54,946 --> 00:46:55,912
GET OVER HERE.
YEAH.
BEAT THE BOY.
1154
00:46:55,914 --> 00:46:56,879
YEAH.
BEAT THE BOY.
>> YEAH! WHOO!
1155
00:46:56,881 --> 00:46:58,514
BEAT THE BOY.
>> YEAH! WHOO!
>> THAT LITTLE PIECE OF SHIT?
1156
00:46:58,516 --> 00:46:59,882
>> YEAH! WHOO!
>> THAT LITTLE PIECE OF SHIT?
HE AIN'T WORTH IT.
1157
00:46:59,884 --> 00:47:01,250
>> THAT LITTLE PIECE OF SHIT?
HE AIN'T WORTH IT.
>> WHOA, WHOA, WHOA, WHOA.
1158
00:47:01,252 --> 00:47:02,919
HE AIN'T WORTH IT.
>> WHOA, WHOA, WHOA, WHOA.
YOUR LOYALTY'S UNDER QUESTION
1159
00:47:02,921 --> 00:47:03,486
>> WHOA, WHOA, WHOA, WHOA.
YOUR LOYALTY'S UNDER QUESTION
HERE, VIC.
1160
00:47:03,488 --> 00:47:04,487
YOUR LOYALTY'S UNDER QUESTION
HERE, VIC.
>> THAT'S RIGHT.
1161
00:47:04,489 --> 00:47:07,490
HERE, VIC.
>> THAT'S RIGHT.
>> NOW, YOU BEAT THIS BOY OR
1162
00:47:07,492 --> 00:47:09,458
>> THAT'S RIGHT.
>> NOW, YOU BEAT THIS BOY OR
IT'LL BE YOUR YANKEE ASS TIED UP
1163
00:47:09,460 --> 00:47:10,459
>> NOW, YOU BEAT THIS BOY OR
IT'LL BE YOUR YANKEE ASS TIED UP
ON THE GROUND.
1164
00:47:10,461 --> 00:47:12,195
IT'LL BE YOUR YANKEE ASS TIED UP
ON THE GROUND.
AND THAT'S THE GOD'S HONEST
1165
00:47:12,197 --> 00:47:14,063
ON THE GROUND.
AND THAT'S THE GOD'S HONEST
TRUTH.
1166
00:47:14,065 --> 00:47:37,954
[ HEART BEATING ]
1167
00:47:37,956 --> 00:47:54,604
>> [ SCREAMING ]
>> GET IN THERE!
1168
00:47:54,606 --> 00:48:10,653
>> GO, GO, GO, GO!
>> GET IN THERE!
>> WHOO! WHOO!
1169
00:48:10,655 --> 00:48:12,021
>> GET IN THERE!
>> WHOO! WHOO!
>> VIC, COME ON.
1170
00:48:12,023 --> 00:48:12,955
>> WHOO! WHOO!
>> VIC, COME ON.
>> COME ON.
1171
00:48:12,957 --> 00:48:14,624
>> VIC, COME ON.
>> COME ON.
>> WHOO!
1172
00:48:14,626 --> 00:48:24,300
>> YOU KNOW WHERE YOU'RE GOING
FOR WHAT YOU DID TO ME, DON'T
YOU, VIC?
1173
00:48:24,302 --> 00:48:41,083
[ BREATHES DEEPLY ]
>> YOU'RE A SUPERSTAR.
YES, YOU ARE.
1174
00:48:41,085 --> 00:48:43,252
>> YOU'RE A SUPERSTAR.
YES, YOU ARE.
YES, YOU ARE.
1175
00:48:43,254 --> 00:48:46,455
YES, YOU ARE.
YES, YOU ARE.
GOOD NIGHT, SUPERSTAR.
1176
00:48:46,457 --> 00:48:56,165
>> [ BREATHES DEEPLY ]
1177
00:48:56,167 --> 00:49:17,153
SO, LET'S TALK ABOUT WHAT
HAPPENED THAT DAY.
>> WHAT?
1178
00:49:17,155 --> 00:49:18,621
HAPPENED THAT DAY.
>> WHAT?
>> YOU ROUNDED UP EVERYONE IN
1179
00:49:18,623 --> 00:49:19,555
>> WHAT?
>> YOU ROUNDED UP EVERYONE IN
THE GYMNASIUM.
1180
00:49:19,557 --> 00:49:21,290
>> YOU ROUNDED UP EVERYONE IN
THE GYMNASIUM.
THEN WHAT HAPPENED?
1181
00:49:21,292 --> 00:49:30,533
>> AFTER I SHOT MICHAEL RAY AND
THAT GIRL, I RAN UP ON TOP OF
THE BLEACHERS AND I PULLED OUT
1182
00:49:30,535 --> 00:49:32,234
THAT GIRL, I RAN UP ON TOP OF
THE BLEACHERS AND I PULLED OUT
MY UZI AND I FIRED A COUPLE
1183
00:49:32,236 --> 00:49:33,736
THE BLEACHERS AND I PULLED OUT
MY UZI AND I FIRED A COUPLE
SHOTS INTO THE CEILING AND I
1184
00:49:33,738 --> 00:49:35,104
MY UZI AND I FIRED A COUPLE
SHOTS INTO THE CEILING AND I
TOLD EVERYONE TO GET DOWN.
1185
00:49:35,106 --> 00:49:35,604
SHOTS INTO THE CEILING AND I
TOLD EVERYONE TO GET DOWN.
[ GUNFIRE ]
1186
00:49:35,606 --> 00:49:37,139
TOLD EVERYONE TO GET DOWN.
[ GUNFIRE ]
THEY KNEW WHAT WAS GOING ON, BUT
1187
00:49:37,141 --> 00:49:38,407
[ GUNFIRE ]
THEY KNEW WHAT WAS GOING ON, BUT
THEY HEARD THE SHOTS AND THEY
1188
00:49:38,409 --> 00:49:39,508
THEY KNEW WHAT WAS GOING ON, BUT
THEY HEARD THE SHOTS AND THEY
GOT DOWN.
1189
00:49:39,510 --> 00:49:41,310
THEY HEARD THE SHOTS AND THEY
GOT DOWN.
I DECIDED TO CALL
1190
00:49:41,312 --> 00:49:43,646
GOT DOWN.
I DECIDED TO CALL
PAUL SCHREWBER, THE CAPTAIN OF
1191
00:49:43,648 --> 00:49:44,814
I DECIDED TO CALL
PAUL SCHREWBER, THE CAPTAIN OF
THE FOOTBALL TEAM.
1192
00:49:44,816 --> 00:49:48,684
PAUL SCHREWBER, THE CAPTAIN OF
THE FOOTBALL TEAM.
"PAUL, TODAY IS YOUR LUCKY DAY.
1193
00:49:48,686 --> 00:49:51,053
THE FOOTBALL TEAM.
"PAUL, TODAY IS YOUR LUCKY DAY.
SINCE YOU'RE SO VALUABLE TO THIS
1194
00:49:51,055 --> 00:49:52,788
"PAUL, TODAY IS YOUR LUCKY DAY.
SINCE YOU'RE SO VALUABLE TO THIS
SCHOOL, YOU ACTUALLY GET TO
1195
00:49:52,790 --> 00:49:53,389
SINCE YOU'RE SO VALUABLE TO THIS
SCHOOL, YOU ACTUALLY GET TO
LIVE.
1196
00:49:53,391 --> 00:49:55,257
SCHOOL, YOU ACTUALLY GET TO
LIVE.
SO, WOULD YOU BE SO KIND AS TO
1197
00:49:55,259 --> 00:49:57,159
LIVE.
SO, WOULD YOU BE SO KIND AS TO
COME UP HERE AND TAKE A BOW AND
1198
00:49:57,161 --> 00:49:58,594
SO, WOULD YOU BE SO KIND AS TO
COME UP HERE AND TAKE A BOW AND
GET THE FUCK OUT OF MY GYM?"
1199
00:49:58,596 --> 00:50:00,229
COME UP HERE AND TAKE A BOW AND
GET THE FUCK OUT OF MY GYM?"
HE BEGAN TO WALK TOWARDS THE
1200
00:50:00,231 --> 00:50:01,397
GET THE FUCK OUT OF MY GYM?"
HE BEGAN TO WALK TOWARDS THE
DOOR.
1201
00:50:01,399 --> 00:50:02,765
HE BEGAN TO WALK TOWARDS THE
DOOR.
THEN WHEN HE GOT CLOSER, HE
1202
00:50:02,767 --> 00:50:03,733
DOOR.
THEN WHEN HE GOT CLOSER, HE
STARTED RUNNING.
1203
00:50:03,735 --> 00:50:05,301
THEN WHEN HE GOT CLOSER, HE
STARTED RUNNING.
"PAUL, YOU FORGOT TO TAKE A
1204
00:50:05,303 --> 00:50:06,802
STARTED RUNNING.
"PAUL, YOU FORGOT TO TAKE A
BOW."
1205
00:50:06,804 --> 00:50:09,805
"PAUL, YOU FORGOT TO TAKE A
BOW."
SO I SHOT HIM IN THE KNEE.
1206
00:50:09,807 --> 00:50:11,407
BOW."
SO I SHOT HIM IN THE KNEE.
I PULLED OUT ONE OF MY PIPE
1207
00:50:11,409 --> 00:50:13,142
SO I SHOT HIM IN THE KNEE.
I PULLED OUT ONE OF MY PIPE
BOMBS FROM MY BACK POCKET AND I
1208
00:50:13,144 --> 00:50:14,710
I PULLED OUT ONE OF MY PIPE
BOMBS FROM MY BACK POCKET AND I
SAID, "THE NEXT PERSON WHO MOVES
1209
00:50:14,712 --> 00:50:16,445
BOMBS FROM MY BACK POCKET AND I
SAID, "THE NEXT PERSON WHO MOVES
WITHOUT ME TELLING THEM TO GETS
1210
00:50:16,447 --> 00:50:19,448
SAID, "THE NEXT PERSON WHO MOVES
WITHOUT ME TELLING THEM TO GETS
THIS UP THEIR ASS."
1211
00:50:19,450 --> 00:50:23,452
WITHOUT ME TELLING THEM TO GETS
THIS UP THEIR ASS."
[ ALL SOBBING ]
1212
00:50:23,454 --> 00:50:27,156
THIS UP THEIR ASS."
[ ALL SOBBING ]
I WALKED OVER TO PAUL.
1213
00:50:27,158 --> 00:50:29,358
[ ALL SOBBING ]
I WALKED OVER TO PAUL.
HIS BONE WAS STICKING OUT.
1214
00:50:29,360 --> 00:50:30,526
I WALKED OVER TO PAUL.
HIS BONE WAS STICKING OUT.
[ CHUCKLES ]
1215
00:50:30,528 --> 00:50:32,862
HIS BONE WAS STICKING OUT.
[ CHUCKLES ]
AND HE WAS CRYING.
1216
00:50:32,864 --> 00:50:34,864
[ CHUCKLES ]
AND HE WAS CRYING.
SO I TOLD HIM TO SHUT UP AND I
1217
00:50:34,866 --> 00:50:36,432
AND HE WAS CRYING.
SO I TOLD HIM TO SHUT UP AND I
SHOT HIM IN THE GUT.
1218
00:50:36,434 --> 00:50:38,367
SO I TOLD HIM TO SHUT UP AND I
SHOT HIM IN THE GUT.
>> IT SOUNDS LIKE YOU HATED HIM.
1219
00:50:38,369 --> 00:50:40,269
SHOT HIM IN THE GUT.
>> IT SOUNDS LIKE YOU HATED HIM.
HE MUST HAVE HAD QUITE AN EFFECT
1220
00:50:40,271 --> 00:50:41,604
>> IT SOUNDS LIKE YOU HATED HIM.
HE MUST HAVE HAD QUITE AN EFFECT
ON YOU.
1221
00:50:41,606 --> 00:50:45,608
HE MUST HAVE HAD QUITE AN EFFECT
ON YOU.
>> I JUST WANTED HIM TO SHUT UP.
1222
00:50:45,610 --> 00:50:46,776
ON YOU.
>> I JUST WANTED HIM TO SHUT UP.
>> THEN WHAT HAPPENED?
1223
00:50:46,778 --> 00:50:49,145
>> I JUST WANTED HIM TO SHUT UP.
>> THEN WHAT HAPPENED?
[ SCREAMING ]
1224
00:50:49,147 --> 00:50:52,648
>> THEN WHAT HAPPENED?
[ SCREAMING ]
>> GET DOWN!
1225
00:50:52,650 --> 00:50:54,650
[ SCREAMING ]
>> GET DOWN!
>> HERMAN, PLEASE.
1226
00:50:54,652 --> 00:50:56,619
>> GET DOWN!
>> HERMAN, PLEASE.
>> MR. PHELPS CAME TOWARDS ME
1227
00:50:56,621 --> 00:50:57,386
>> HERMAN, PLEASE.
>> MR. PHELPS CAME TOWARDS ME
SLOWLY.
1228
00:50:57,388 --> 00:51:00,389
>> MR. PHELPS CAME TOWARDS ME
SLOWLY.
>> PUT THE GUN DOWN.
1229
00:51:00,391 --> 00:51:01,390
SLOWLY.
>> PUT THE GUN DOWN.
>> HERMAN.
1230
00:51:01,392 --> 00:51:05,261
>> PUT THE GUN DOWN.
>> HERMAN.
>> I DON'T WANT TO KILL YOU.
1231
00:51:05,263 --> 00:51:10,599
>> HERMAN.
>> I DON'T WANT TO KILL YOU.
>> GIVE ME THE GUN.
1232
00:51:10,601 --> 00:51:12,201
>> I DON'T WANT TO KILL YOU.
>> GIVE ME THE GUN.
>> I HAD TO SHOOT.
1233
00:51:12,203 --> 00:51:14,336
>> GIVE ME THE GUN.
>> I HAD TO SHOOT.
HE WOULD HAVE GRABBED ME IF I
1234
00:51:14,338 --> 00:51:14,837
>> I HAD TO SHOOT.
HE WOULD HAVE GRABBED ME IF I
DIDN'T.
1235
00:51:14,839 --> 00:51:16,505
HE WOULD HAVE GRABBED ME IF I
DIDN'T.
I CLIPPED HIM RIGHT IN THE
1236
00:51:16,507 --> 00:51:17,406
DIDN'T.
I CLIPPED HIM RIGHT IN THE
COLLARBONE.
1237
00:51:17,408 --> 00:51:19,341
I CLIPPED HIM RIGHT IN THE
COLLARBONE.
YOU KNOW, HE WAS AN ALL-RIGHT
1238
00:51:19,343 --> 00:51:21,343
COLLARBONE.
YOU KNOW, HE WAS AN ALL-RIGHT
TEACHER, MAN.
1239
00:51:21,345 --> 00:51:23,345
YOU KNOW, HE WAS AN ALL-RIGHT
TEACHER, MAN.
I MEAN, HE ACTUALLY GAVE A FUCK,
1240
00:51:23,347 --> 00:51:27,216
TEACHER, MAN.
I MEAN, HE ACTUALLY GAVE A FUCK,
KIND OF.
1241
00:51:27,218 --> 00:51:28,884
I MEAN, HE ACTUALLY GAVE A FUCK,
KIND OF.
ARE THERE ANY OTHER TEACHERS IN
1242
00:51:28,886 --> 00:51:30,152
KIND OF.
ARE THERE ANY OTHER TEACHERS IN
THIS ROOM?
1243
00:51:30,154 --> 00:51:32,555
ARE THERE ANY OTHER TEACHERS IN
THIS ROOM?
IF YOU'RE A TEACHER, WOULD YOU
1244
00:51:32,557 --> 00:51:34,557
THIS ROOM?
IF YOU'RE A TEACHER, WOULD YOU
BE SO KIND AS TO COME UP HERE
1245
00:51:34,559 --> 00:51:35,758
IF YOU'RE A TEACHER, WOULD YOU
BE SO KIND AS TO COME UP HERE
AND TAKE A BOW?
1246
00:51:35,760 --> 00:51:38,160
BE SO KIND AS TO COME UP HERE
AND TAKE A BOW?
I KNEW THAT MS. CRIBB WAS THERE.
1247
00:51:38,162 --> 00:51:39,595
AND TAKE A BOW?
I KNEW THAT MS. CRIBB WAS THERE.
NOBODY CAME FORWARD.
1248
00:51:39,597 --> 00:51:41,831
I KNEW THAT MS. CRIBB WAS THERE.
NOBODY CAME FORWARD.
SO I CALLED UP THREE PEOPLE THAT
1249
00:51:41,833 --> 00:51:44,200
NOBODY CAME FORWARD.
SO I CALLED UP THREE PEOPLE THAT
WERE LAYING RIGHT DOWN IN FRONT
1250
00:51:44,202 --> 00:51:44,733
SO I CALLED UP THREE PEOPLE THAT
WERE LAYING RIGHT DOWN IN FRONT
OF ME.
1251
00:51:44,735 --> 00:51:46,368
WERE LAYING RIGHT DOWN IN FRONT
OF ME.
SUSAN, GET UP HERE!
1252
00:51:46,370 --> 00:51:48,571
OF ME.
SUSAN, GET UP HERE!
IT WAS SUSAN, THIS BITCHY GIRL
1253
00:51:48,573 --> 00:51:50,239
SUSAN, GET UP HERE!
IT WAS SUSAN, THIS BITCHY GIRL
THAT NOBODY LIKED...
1254
00:51:50,241 --> 00:51:51,740
IT WAS SUSAN, THIS BITCHY GIRL
THAT NOBODY LIKED...
JAMES, FOLLOW HER! COME ON!
1255
00:51:51,742 --> 00:51:52,908
THAT NOBODY LIKED...
JAMES, FOLLOW HER! COME ON!
...JAMES HANKLEY...
1256
00:51:52,910 --> 00:51:53,642
JAMES, FOLLOW HER! COME ON!
...JAMES HANKLEY...
MOVE IT!
1257
00:51:53,644 --> 00:51:55,344
...JAMES HANKLEY...
MOVE IT!
...THE EDITOR OF THE SCHOOL
1258
00:51:55,346 --> 00:51:57,213
MOVE IT!
...THE EDITOR OF THE SCHOOL
NEWSPAPER...
1259
00:51:57,215 --> 00:51:58,881
...THE EDITOR OF THE SCHOOL
NEWSPAPER...
MARSHA, GET UP HERE!
1260
00:51:58,883 --> 00:52:01,884
NEWSPAPER...
MARSHA, GET UP HERE!
...AND MARSHA DIXON.
1261
00:52:01,886 --> 00:52:03,752
MARSHA, GET UP HERE!
...AND MARSHA DIXON.
[ KEYBOARD CLACKING ]
1262
00:52:03,754 --> 00:52:35,484
>> HELLO, HERMAN.
>> UH, H-HI, MARSHA.
>> WHAT ARE YOU DOING?
1263
00:52:35,486 --> 00:52:36,986
>> UH, H-HI, MARSHA.
>> WHAT ARE YOU DOING?
>> OH, I'M JUST MAKING A PROGRAM
1264
00:52:36,988 --> 00:52:37,753
>> WHAT ARE YOU DOING?
>> OH, I'M JUST MAKING A PROGRAM
FOR A GAME.
1265
00:52:37,755 --> 00:52:38,587
>> OH, I'M JUST MAKING A PROGRAM
FOR A GAME.
>> A GAME?
1266
00:52:38,589 --> 00:52:40,356
FOR A GAME.
>> A GAME?
>> YEAH, LIKE A VIDEO GAME.
1267
00:52:40,358 --> 00:52:41,624
>> A GAME?
>> YEAH, LIKE A VIDEO GAME.
YOU EVER PLAYED ONE?
1268
00:52:41,626 --> 00:52:43,626
>> YEAH, LIKE A VIDEO GAME.
YOU EVER PLAYED ONE?
>> NO, I'VE -- I'VE NEVER PLAYED
1269
00:52:43,628 --> 00:52:45,294
YOU EVER PLAYED ONE?
>> NO, I'VE -- I'VE NEVER PLAYED
A VIDEO GAME BEFORE.
1270
00:52:45,296 --> 00:52:46,362
>> NO, I'VE -- I'VE NEVER PLAYED
A VIDEO GAME BEFORE.
[ CHUCKLES ]
1271
00:52:46,364 --> 00:52:47,563
A VIDEO GAME BEFORE.
[ CHUCKLES ]
DUH. OF COURSE.
1272
00:52:47,565 --> 00:52:48,364
[ CHUCKLES ]
DUH. OF COURSE.
>> DUH?
1273
00:52:48,366 --> 00:52:49,365
DUH. OF COURSE.
>> DUH?
>> STOP IT.
1274
00:52:49,367 --> 00:52:50,499
>> DUH?
>> STOP IT.
>> STOP WHAT?
1275
00:52:50,501 --> 00:52:52,401
>> STOP IT.
>> STOP WHAT?
>> STOP MAKING FUN OF ME.
1276
00:52:52,403 --> 00:52:53,736
>> STOP WHAT?
>> STOP MAKING FUN OF ME.
>> I WASN'T MAKING FUN OF YOU.
1277
00:52:53,738 --> 00:52:54,670
>> STOP MAKING FUN OF ME.
>> I WASN'T MAKING FUN OF YOU.
>> YES, YOU WERE.
1278
00:52:54,672 --> 00:52:55,538
>> I WASN'T MAKING FUN OF YOU.
>> YES, YOU WERE.
>> NO, I WASN'T.
1279
00:52:55,540 --> 00:52:56,472
>> YES, YOU WERE.
>> NO, I WASN'T.
>> YES, YOU WERE.
1280
00:52:56,474 --> 00:52:57,506
>> NO, I WASN'T.
>> YES, YOU WERE.
>> NO...
1281
00:52:57,508 --> 00:52:59,341
>> YES, YOU WERE.
>> NO...
ALL RIGHT, I WAS.
1282
00:52:59,343 --> 00:53:02,511
>> NO...
ALL RIGHT, I WAS.
I JUST -- I JUST DIDN'T...
1283
00:53:02,513 --> 00:53:03,279
ALL RIGHT, I WAS.
I JUST -- I JUST DIDN'T...
>> WHAT?
1284
00:53:03,281 --> 00:53:05,247
I JUST -- I JUST DIDN'T...
>> WHAT?
>> I JUST DIDN'T EXPECT "DUH" TO
1285
00:53:05,249 --> 00:53:06,782
>> WHAT?
>> I JUST DIDN'T EXPECT "DUH" TO
BE A WORD THAT CAME OUT OF
1286
00:53:06,784 --> 00:53:08,284
>> I JUST DIDN'T EXPECT "DUH" TO
BE A WORD THAT CAME OUT OF
MARSHA DIXON'S MOUTH.
1287
00:53:08,286 --> 00:53:10,286
BE A WORD THAT CAME OUT OF
MARSHA DIXON'S MOUTH.
>> WHY NOT?
1288
00:53:10,288 --> 00:53:12,454
MARSHA DIXON'S MOUTH.
>> WHY NOT?
>> I DON'T KNOW.
1289
00:53:12,456 --> 00:53:13,822
>> WHY NOT?
>> I DON'T KNOW.
>> SO, DO YOU DO THIS ALL THE
1290
00:53:13,824 --> 00:53:14,990
>> I DON'T KNOW.
>> SO, DO YOU DO THIS ALL THE
TIME, MAKE VIDEO GAMES?
1291
00:53:14,992 --> 00:53:16,625
>> SO, DO YOU DO THIS ALL THE
TIME, MAKE VIDEO GAMES?
>> YOU'RE NOT GONNA BE LAUGHING
1292
00:53:16,627 --> 00:53:18,294
TIME, MAKE VIDEO GAMES?
>> YOU'RE NOT GONNA BE LAUGHING
WHEN I'M RICH AND FAMOUS BECAUSE
1293
00:53:18,296 --> 00:53:18,994
>> YOU'RE NOT GONNA BE LAUGHING
WHEN I'M RICH AND FAMOUS BECAUSE
OF THIS GAME.
1294
00:53:18,996 --> 00:53:20,863
WHEN I'M RICH AND FAMOUS BECAUSE
OF THIS GAME.
>> YOU REALLY THINK YOU CAN SELL
1295
00:53:20,865 --> 00:53:21,397
OF THIS GAME.
>> YOU REALLY THINK YOU CAN SELL
IT?
1296
00:53:21,399 --> 00:53:22,731
>> YOU REALLY THINK YOU CAN SELL
IT?
>> OH, YEAH, DEFINITELY.
1297
00:53:22,733 --> 00:53:24,366
IT?
>> OH, YEAH, DEFINITELY.
>> NO WAY. THAT'S AWESOME.
1298
00:53:24,368 --> 00:53:25,601
>> OH, YEAH, DEFINITELY.
>> NO WAY. THAT'S AWESOME.
[ SCHOOL BELL RINGS ]
1299
00:53:25,603 --> 00:53:26,302
>> NO WAY. THAT'S AWESOME.
[ SCHOOL BELL RINGS ]
>> YEAH.
1300
00:53:26,304 --> 00:53:27,937
[ SCHOOL BELL RINGS ]
>> YEAH.
>> LIKE, HOW MUCH COULD YOU GET
1301
00:53:27,939 --> 00:53:28,904
>> YEAH.
>> LIKE, HOW MUCH COULD YOU GET
IF YOU SOLD IT?
1302
00:53:28,906 --> 00:53:30,539
>> LIKE, HOW MUCH COULD YOU GET
IF YOU SOLD IT?
>> ENOUGH TO BE ONE OF THE
1303
00:53:30,541 --> 00:53:32,041
IF YOU SOLD IT?
>> ENOUGH TO BE ONE OF THE
YOUNGEST BILLIONAIRES AROUND.
1304
00:53:32,043 --> 00:53:33,842
>> ENOUGH TO BE ONE OF THE
YOUNGEST BILLIONAIRES AROUND.
>> I DIDN'T EVEN KNOW YOU COULD
1305
00:53:33,844 --> 00:53:36,545
YOUNGEST BILLIONAIRES AROUND.
>> I DIDN'T EVEN KNOW YOU COULD
TALK.
1306
00:53:36,547 --> 00:53:37,980
>> I DIDN'T EVEN KNOW YOU COULD
TALK.
>> THAT'S BECAUSE YOU'VE NEVER
1307
00:53:37,982 --> 00:53:39,281
TALK.
>> THAT'S BECAUSE YOU'VE NEVER
TALKED TO ME BEFORE.
1308
00:53:39,283 --> 00:53:40,382
>> THAT'S BECAUSE YOU'VE NEVER
TALKED TO ME BEFORE.
>> DON'T GET SNOTTY.
1309
00:53:40,384 --> 00:53:42,384
TALKED TO ME BEFORE.
>> DON'T GET SNOTTY.
[ LAUGHS ]
1310
00:53:42,386 --> 00:53:43,052
>> DON'T GET SNOTTY.
[ LAUGHS ]
I GOT TO GO.
1311
00:53:43,054 --> 00:53:44,687
[ LAUGHS ]
I GOT TO GO.
>> WHAT ARE YOU DOING FRIDAY
1312
00:53:44,689 --> 00:53:45,588
I GOT TO GO.
>> WHAT ARE YOU DOING FRIDAY
AFTER SCHOOL?
1313
00:53:45,590 --> 00:53:46,422
>> WHAT ARE YOU DOING FRIDAY
AFTER SCHOOL?
>> NOTHING.
1314
00:53:46,424 --> 00:53:47,756
AFTER SCHOOL?
>> NOTHING.
WE -- WE COULD SEE A MO--
1315
00:53:47,758 --> 00:53:48,824
>> NOTHING.
WE -- WE COULD SEE A MO--
>> WHAT THE HELL?!
1316
00:53:48,826 --> 00:53:49,792
WE -- WE COULD SEE A MO--
>> WHAT THE HELL?!
>> I DON'T KNOW.
1317
00:53:49,794 --> 00:53:51,427
>> WHAT THE HELL?!
>> I DON'T KNOW.
LET'S -- LET'S TALK ABOUT IT
1318
00:53:51,429 --> 00:53:51,827
>> I DON'T KNOW.
LET'S -- LET'S TALK ABOUT IT
LATER.
1319
00:53:51,829 --> 00:53:53,362
LET'S -- LET'S TALK ABOUT IT
LATER.
>> OKAY.
1320
00:53:53,364 --> 00:53:54,730
LATER.
>> OKAY.
>> OH, MY GOD.
1321
00:53:54,732 --> 00:53:57,032
>> OKAY.
>> OH, MY GOD.
WERE YOU REALLY TALKING TO
1322
00:53:57,034 --> 00:53:58,400
>> OH, MY GOD.
WERE YOU REALLY TALKING TO
FREAK SHOW?
1323
00:53:58,402 --> 00:53:58,968
WERE YOU REALLY TALKING TO
FREAK SHOW?
>> YEAH.
1324
00:53:58,970 --> 00:54:00,869
FREAK SHOW?
>> YEAH.
>> EW. WHAT ARE YOU? INTO HIM?
1325
00:54:00,871 --> 00:54:01,804
>> YEAH.
>> EW. WHAT ARE YOU? INTO HIM?
[ LAUGHTER ]
1326
00:54:01,806 --> 00:54:02,671
>> EW. WHAT ARE YOU? INTO HIM?
[ LAUGHTER ]
>> NO. EW.
1327
00:54:02,673 --> 00:54:04,006
[ LAUGHTER ]
>> NO. EW.
I-I JUST WANTED TO HEAR WHAT HIS
1328
00:54:04,008 --> 00:54:05,407
>> NO. EW.
I-I JUST WANTED TO HEAR WHAT HIS
VOICE SOUNDED LIKE TO SEE IF
1329
00:54:05,409 --> 00:54:06,642
I-I JUST WANTED TO HEAR WHAT HIS
VOICE SOUNDED LIKE TO SEE IF
HE'S THE ONE LEAVING ME DIRTY
1330
00:54:06,644 --> 00:54:07,076
VOICE SOUNDED LIKE TO SEE IF
HE'S THE ONE LEAVING ME DIRTY
MESSAGES.
1331
00:54:07,078 --> 00:54:07,710
HE'S THE ONE LEAVING ME DIRTY
MESSAGES.
>> MM-HMM.
1332
00:54:07,712 --> 00:54:08,644
MESSAGES.
>> MM-HMM.
>> DIRTY MESSAGES?
1333
00:54:08,646 --> 00:54:08,978
>> MM-HMM.
>> DIRTY MESSAGES?
>> UGH!
1334
00:54:08,980 --> 00:54:10,312
>> DIRTY MESSAGES?
>> UGH!
>> FRETARD IS LEAVING YOU
1335
00:54:10,314 --> 00:54:10,746
>> UGH!
>> FRETARD IS LEAVING YOU
MESSAGES?
1336
00:54:10,748 --> 00:54:11,447
>> FRETARD IS LEAVING YOU
MESSAGES?
[ LAUGHTER ]
1337
00:54:11,449 --> 00:54:12,781
MESSAGES?
[ LAUGHTER ]
OKAY, SEE YOU LATER, FREAK SHOW.
1338
00:54:12,783 --> 00:54:16,986
[ LAUGHTER ]
OKAY, SEE YOU LATER, FREAK SHOW.
>> WHATEVER.
1339
00:54:16,988 --> 00:54:29,798
>> ♪ I'LL NEVER GIVE UP, FULL
STEAM AHEAD ♪
♪ UNTIL I BLOW UP OR THROW UP
1340
00:54:29,800 --> 00:54:30,966
STEAM AHEAD ♪
♪ UNTIL I BLOW UP OR THROW UP
♪ UNTIL THE WORLD GET TOW UP
1341
00:54:30,968 --> 00:54:32,501
♪ UNTIL I BLOW UP OR THROW UP
♪ UNTIL THE WORLD GET TOW UP
♪ LET'S CELEBRATE THE OMEGA,
1342
00:54:32,503 --> 00:54:34,003
♪ UNTIL THE WORLD GET TOW UP
♪ LET'S CELEBRATE THE OMEGA,
WHEN WE MAKE THIS...BLOW UP ♪
1343
00:54:34,005 --> 00:54:36,005
♪ LET'S CELEBRATE THE OMEGA,
WHEN WE MAKE THIS...BLOW UP ♪
♪ MAKING HATERS HOLD UP
1344
00:54:36,007 --> 00:54:37,706
WHEN WE MAKE THIS...BLOW UP ♪
♪ MAKING HATERS HOLD UP
♪ RUN UP, GET SWOLE UP
1345
00:54:37,708 --> 00:54:39,041
♪ MAKING HATERS HOLD UP
♪ RUN UP, GET SWOLE UP
>> ♪ IF HATERS WANT SOME,
1346
00:54:39,043 --> 00:54:40,743
♪ RUN UP, GET SWOLE UP
>> ♪ IF HATERS WANT SOME,
TELL THEM COME GET SOME ♪
1347
00:54:40,745 --> 00:54:42,444
>> ♪ IF HATERS WANT SOME,
TELL THEM COME GET SOME ♪
♪ THEY MIGHT WIN AT SOME BUT
1348
00:54:42,446 --> 00:54:43,612
TELL THEM COME GET SOME ♪
♪ THEY MIGHT WIN AT SOME BUT
LOSE AT THIS ONE ♪
1349
00:54:43,614 --> 00:54:45,614
♪ THEY MIGHT WIN AT SOME BUT
LOSE AT THIS ONE ♪
♪ OTHERS TRY AND THEY LOST AND
1350
00:54:45,616 --> 00:54:46,115
LOSE AT THIS ONE ♪
♪ OTHERS TRY AND THEY LOST AND
GOT NONE ♪
1351
00:54:46,117 --> 00:54:47,483
♪ OTHERS TRY AND THEY LOST AND
GOT NONE ♪
♪ SO COME AND GET SOME,
1352
00:54:47,485 --> 00:54:48,851
GOT NONE ♪
♪ SO COME AND GET SOME,
YOU'RE ALWAYS WELCOME ♪
1353
00:54:48,853 --> 00:54:53,622
♪ IF HATERS WANT SOME,
TELL THEM COME GET SOME ♪
♪ THEY MIGHT WIN AT SOME BUT
1354
00:54:53,624 --> 00:54:54,957
TELL THEM COME GET SOME ♪
♪ THEY MIGHT WIN AT SOME BUT
LOSE AT THIS ONE ♪
1355
00:54:54,959 --> 00:54:56,959
♪ THEY MIGHT WIN AT SOME BUT
LOSE AT THIS ONE ♪
♪ OTHERS TRY AND THEY LOST AND
1356
00:54:56,961 --> 00:54:57,660
LOSE AT THIS ONE ♪
♪ OTHERS TRY AND THEY LOST AND
GOT NONE ♪
1357
00:54:57,662 --> 00:54:58,994
♪ OTHERS TRY AND THEY LOST AND
GOT NONE ♪
♪ SO COME AND GET SOME,
1358
00:54:58,996 --> 00:54:59,995
GOT NONE ♪
♪ SO COME AND GET SOME,
YOU'RE ALWAYS WELCOME ♪
1359
00:54:59,997 --> 00:55:00,996
♪ SO COME AND GET SOME,
YOU'RE ALWAYS WELCOME ♪
>> ♪ YOUR RISE TO THE TOP, IT
1360
00:55:00,998 --> 00:55:01,864
YOU'RE ALWAYS WELCOME ♪
>> ♪ YOUR RISE TO THE TOP, IT
WON'T LAST LONG ♪
1361
00:55:01,866 --> 00:55:03,399
>> ♪ YOUR RISE TO THE TOP, IT
WON'T LAST LONG ♪
♪ DRIVE-BY WITH A MICROPHONE
1362
00:55:03,401 --> 00:55:04,900
WON'T LAST LONG ♪
♪ DRIVE-BY WITH A MICROPHONE
♪ UPROOT YOUR RESIDENTS AND MAKE
1363
00:55:04,902 --> 00:55:06,068
♪ DRIVE-BY WITH A MICROPHONE
♪ UPROOT YOUR RESIDENTS AND MAKE
IT MY OTHER HOME ♪
1364
00:55:06,070 --> 00:55:07,603
♪ UPROOT YOUR RESIDENTS AND MAKE
IT MY OTHER HOME ♪
♪ WATCH ME CUT HER QUICK, AND I
1365
00:55:07,605 --> 00:55:08,937
IT MY OTHER HOME ♪
♪ WATCH ME CUT HER QUICK, AND I
LEAVE HER WIDE OPEN ♪
1366
00:55:08,939 --> 00:55:10,639
♪ WATCH ME CUT HER QUICK, AND I
LEAVE HER WIDE OPEN ♪
♪ GET ALL DOWN HER THROAT AND
1367
00:55:10,641 --> 00:55:11,507
LEAVE HER WIDE OPEN ♪
♪ GET ALL DOWN HER THROAT AND
COMMENCE TO CHOKING ♪
1368
00:55:11,509 --> 00:55:13,008
♪ GET ALL DOWN HER THROAT AND
COMMENCE TO CHOKING ♪
♪ I'M NOT JOKING, I'M PIMPING SO
1369
00:55:13,010 --> 00:55:14,376
COMMENCE TO CHOKING ♪
♪ I'M NOT JOKING, I'M PIMPING SO
MUCH MONEY OUT THIS ♪
1370
00:55:14,378 --> 00:55:15,377
♪ I'M NOT JOKING, I'M PIMPING SO
MUCH MONEY OUT THIS ♪
♪ SHE MAY BE A DIKE,
1371
00:55:15,379 --> 00:55:17,379
MUCH MONEY OUT THIS ♪
♪ SHE MAY BE A DIKE,
REALIZING...IS WHAT SHE LIKE ♪
1372
00:55:17,381 --> 00:55:18,380
♪ SHE MAY BE A DIKE,
REALIZING...IS WHAT SHE LIKE ♪
♪ SO WE CAN FIGHT
1373
00:55:18,382 --> 00:55:19,882
REALIZING...IS WHAT SHE LIKE ♪
♪ SO WE CAN FIGHT
♪ THROW OUT YOUR SHOULDERS
1374
00:55:19,884 --> 00:55:21,417
♪ SO WE CAN FIGHT
♪ THROW OUT YOUR SHOULDERS
♪ SHOW THESE...NO LOVE
1375
00:55:21,419 --> 00:55:22,918
♪ THROW OUT YOUR SHOULDERS
♪ SHOW THESE...NO LOVE
♪ RUN UP, GET SWOLE UP
1376
00:55:22,920 --> 00:55:24,620
♪ SHOW THESE...NO LOVE
♪ RUN UP, GET SWOLE UP
>> ♪ IF HATERS WANT SOME,
1377
00:55:24,622 --> 00:55:25,954
♪ RUN UP, GET SWOLE UP
>> ♪ IF HATERS WANT SOME,
TELL THEM COME GET SOME ♪
1378
00:55:25,956 --> 00:55:27,489
>> ♪ IF HATERS WANT SOME,
TELL THEM COME GET SOME ♪
♪ THEY MIGHT WIN AT SOME BUT
1379
00:55:27,491 --> 00:55:28,824
TELL THEM COME GET SOME ♪
♪ THEY MIGHT WIN AT SOME BUT
LOSE AT THIS ONE ♪
1380
00:55:28,826 --> 00:55:30,826
♪ THEY MIGHT WIN AT SOME BUT
LOSE AT THIS ONE ♪
♪ OTHERS TRY AND THEY LOST AND
1381
00:55:30,828 --> 00:55:31,527
LOSE AT THIS ONE ♪
♪ OTHERS TRY AND THEY LOST AND
GOT NONE ♪
1382
00:55:31,529 --> 00:55:32,861
♪ OTHERS TRY AND THEY LOST AND
GOT NONE ♪
♪ SO COME AND GET SOME,
1383
00:55:32,863 --> 00:55:34,563
GOT NONE ♪
♪ SO COME AND GET SOME,
YOU'RE ALWAYS WELCOME ♪
1384
00:55:34,565 --> 00:55:35,898
♪ SO COME AND GET SOME,
YOU'RE ALWAYS WELCOME ♪
♪ IF HATERS WANT SOME,
1385
00:55:35,900 --> 00:55:37,433
YOU'RE ALWAYS WELCOME ♪
♪ IF HATERS WANT SOME,
TELL THEM COME GET SOME ♪
1386
00:55:37,435 --> 00:55:38,934
♪ IF HATERS WANT SOME,
TELL THEM COME GET SOME ♪
♪ THEY MIGHT WIN AT SOME BUT
1387
00:55:38,936 --> 00:55:40,102
TELL THEM COME GET SOME ♪
♪ THEY MIGHT WIN AT SOME BUT
LOSE AT THIS ONE ♪
1388
00:55:40,104 --> 00:55:42,104
♪ THEY MIGHT WIN AT SOME BUT
LOSE AT THIS ONE ♪
♪ OTHERS TRY AND THEY LOST AND
1389
00:55:42,106 --> 00:55:42,971
LOSE AT THIS ONE ♪
♪ OTHERS TRY AND THEY LOST AND
GOT NONE ♪
1390
00:55:42,973 --> 00:55:44,506
♪ OTHERS TRY AND THEY LOST AND
GOT NONE ♪
♪ SO COME AND GET SOME,
1391
00:55:44,508 --> 00:55:45,674
GOT NONE ♪
♪ SO COME AND GET SOME,
YOU'RE ALWAYS WELCOME ♪
1392
00:55:45,676 --> 00:55:46,842
♪ SO COME AND GET SOME,
YOU'RE ALWAYS WELCOME ♪
>> ♪ STILL HATING ON ME CALLING
1393
00:55:46,844 --> 00:55:47,543
YOU'RE ALWAYS WELCOME ♪
>> ♪ STILL HATING ON ME CALLING
ME TRIFE ♪
1394
00:55:47,545 --> 00:55:48,877
>> ♪ STILL HATING ON ME CALLING
ME TRIFE ♪
♪ WELL, BABY, THAT'S MY LIFE
1395
00:55:48,879 --> 00:55:50,412
ME TRIFE ♪
♪ WELL, BABY, THAT'S MY LIFE
♪ TAKE ME BACK, I'LL DO THE SAME
1396
00:55:50,414 --> 00:55:51,080
♪ WELL, BABY, THAT'S MY LIFE
♪ TAKE ME BACK, I'LL DO THE SAME
THING TWICE ♪
1397
00:55:51,082 --> 00:55:52,614
♪ TAKE ME BACK, I'LL DO THE SAME
THING TWICE ♪
♪ IT DON'T MATTER HOW YOU ROCK
1398
00:55:52,616 --> 00:55:53,115
THING TWICE ♪
♪ IT DON'T MATTER HOW YOU ROCK
YOUR ICE ♪
1399
00:55:53,117 --> 00:55:54,650
♪ IT DON'T MATTER HOW YOU ROCK
YOUR ICE ♪
♪ I GOT HEAT TO MELT GREASE AND
1400
00:55:54,652 --> 00:55:55,984
YOUR ICE ♪
♪ I GOT HEAT TO MELT GREASE AND
SEPARATE FACT FROM ALL
1401
00:55:55,986 --> 00:55:56,685
♪ I GOT HEAT TO MELT GREASE AND
SEPARATE FACT FROM ALL
DISBELIEF ♪
1402
00:55:56,687 --> 00:55:58,020
SEPARATE FACT FROM ALL
DISBELIEF ♪
♪ SURPRISED TO SEE THE END OF
1403
00:55:58,022 --> 00:56:00,422
DISBELIEF ♪
♪ SURPRISED TO SEE THE END OF
YOUR PARADISE COME TO LIFE ♪
1404
00:56:00,424 --> 00:56:08,664
>> I WANT YOU, MARSHA.
I'VE ALWAYS WANTED YOU.
I WANT YOU SO BAD.
1405
00:56:08,666 --> 00:56:11,166
I'VE ALWAYS WANTED YOU.
I WANT YOU SO BAD.
SO, SO, SO, SO BAD.
1406
00:56:11,168 --> 00:56:12,167
I WANT YOU SO BAD.
SO, SO, SO, SO BAD.
>> ♪ THREE BLIND MICE
1407
00:56:12,169 --> 00:56:13,535
SO, SO, SO, SO BAD.
>> ♪ THREE BLIND MICE
♪ DON'T KNOW YOUR LEFT FROM YOUR
1408
00:56:13,537 --> 00:56:14,036
>> ♪ THREE BLIND MICE
♪ DON'T KNOW YOUR LEFT FROM YOUR
RIGHT ♪
1409
00:56:14,038 --> 00:56:15,204
♪ DON'T KNOW YOUR LEFT FROM YOUR
RIGHT ♪
♪ GOT TO KEEP IT TIGHT LIKE A
1410
00:56:15,206 --> 00:56:16,572
RIGHT ♪
♪ GOT TO KEEP IT TIGHT LIKE A
VIRGIN, FIRST NIGHT ♪
1411
00:56:16,574 --> 00:56:18,574
♪ GOT TO KEEP IT TIGHT LIKE A
VIRGIN, FIRST NIGHT ♪
>> I WANT YOU SO BAD.
1412
00:56:18,576 --> 00:56:21,744
VIRGIN, FIRST NIGHT ♪
>> I WANT YOU SO BAD.SO, SO, SO, SO BAD.
1413
00:56:21,746 --> 00:56:24,747
>> I WANT YOU SO BAD.SO, SO, SO, SO BAD.[ LAUGHTER ]
1414
00:56:24,749 --> 00:56:30,119
SO, SO, SO, SO BAD.[ LAUGHTER ]>> OKAY.
1415
00:56:30,121 --> 00:56:33,122
[ LAUGHTER ]>> OKAY.GOOD NIGHT, SUPERSTAR.
1416
00:56:33,124 --> 00:56:34,056
>> OKAY.GOOD NIGHT, SUPERSTAR.>> AWW.
1417
00:56:34,058 --> 00:56:35,557
GOOD NIGHT, SUPERSTAR.>> AWW.>> [ LAUGHS ]
1418
00:56:35,559 --> 00:56:38,894
>> AWW.>> [ LAUGHS ][ COMPUTER BEEPS ]
1419
00:56:38,896 --> 00:56:41,230
>> [ LAUGHS ][ COMPUTER BEEPS ]>> ♪ YOU WON'T KNOW ME ANY
1420
00:56:41,232 --> 00:56:42,598
[ COMPUTER BEEPS ]>> ♪ YOU WON'T KNOW ME ANYLONGER ♪
1421
00:56:42,600 --> 00:56:44,767
>> ♪ YOU WON'T KNOW ME ANYLONGER ♪♪ YOUR WORDS ONLY MAKE ME
1422
00:56:44,769 --> 00:56:47,469
LONGER ♪♪ YOUR WORDS ONLY MAKE MESTRONGER ♪
1423
00:56:47,471 --> 00:56:48,904
♪ YOUR WORDS ONLY MAKE MESTRONGER ♪>> YEAH, I JUST SAW IT.
1424
00:56:48,906 --> 00:56:50,239
STRONGER ♪>> YEAH, I JUST SAW IT.>>I WANT YOU SO BAD.
1425
00:56:50,241 --> 00:56:51,206
>> YEAH, I JUST SAW IT.>>I WANT YOU SO BAD.>> [ LAUGHS ]
1426
00:56:51,208 --> 00:56:53,175
>>I WANT YOU SO BAD.>> [ LAUGHS ]IT'S GONE VIRAL.
1427
00:56:53,177 --> 00:56:55,811
>> [ LAUGHS ]IT'S GONE VIRAL.>>SO, SO, SO, SO BAD.
1428
00:56:55,813 --> 00:56:59,815
IT'S GONE VIRAL.>>SO, SO, SO, SO BAD.>> THAT WAS SO FUNNY.
1429
00:56:59,817 --> 00:57:01,517
>>SO, SO, SO, SO BAD.>> THAT WAS SO FUNNY.>> UH-OH.
1430
00:57:01,519 --> 00:57:03,185
>> THAT WAS SO FUNNY.>> UH-OH.[ LAUGHTER ]
1431
00:57:03,187 --> 00:57:14,830
OOH, YOU GONNA CRY?[ SCHOOL BELL RINGS ]OH, WHAT A POOR LITTLE BABY.
1432
00:57:14,832 --> 00:57:16,498
[ SCHOOL BELL RINGS ]OH, WHAT A POOR LITTLE BABY.>> ALL RIGHT, PEOPLE, WE HAVE
1433
00:57:16,500 --> 00:57:17,733
OH, WHAT A POOR LITTLE BABY.>> ALL RIGHT, PEOPLE, WE HAVECLASSES TO GET TO, YES?
1434
00:57:17,735 --> 00:57:19,201
>> ALL RIGHT, PEOPLE, WE HAVECLASSES TO GET TO, YES?LET'S GET THERE.
1435
00:57:19,203 --> 00:57:20,969
CLASSES TO GET TO, YES?LET'S GET THERE.>> "GET TO CLASS."
1436
00:57:20,971 --> 00:57:22,538
LET'S GET THERE.>> "GET TO CLASS."[ LAUGHS ]
1437
00:57:22,540 --> 00:57:54,970
>> [ WHIMPERS ]>> OINK!SQUEAL!
1438
00:57:54,972 --> 00:57:59,975
>> OINK!SQUEAL!>> JESUS, PLEASE PROTECT ME.
1439
00:57:59,977 --> 00:58:04,847
SQUEAL!>> JESUS, PLEASE PROTECT ME.JESUS, PLEASE PROTECT ME.
1440
00:58:04,849 --> 00:58:10,853
>> JESUS, PLEASE PROTECT ME.JESUS, PLEASE PROTECT ME.JESUS, PLEASE PROTECT ME!
1441
00:58:10,855 --> 00:58:15,557
JESUS, PLEASE PROTECT ME.JESUS, PLEASE PROTECT ME!>> NOT TODAY.
1442
00:58:15,559 --> 00:58:17,159
JESUS, PLEASE PROTECT ME!>> NOT TODAY.I MADE DAMN SURE TO GO IN THERE
1443
00:58:17,161 --> 00:58:18,694
>> NOT TODAY.I MADE DAMN SURE TO GO IN THEREAND KILL MORE PEOPLE THAN
1444
00:58:18,696 --> 00:58:19,595
I MADE DAMN SURE TO GO IN THEREAND KILL MORE PEOPLE THANANYBODY ELSE.
1445
00:58:19,597 --> 00:58:21,563
AND KILL MORE PEOPLE THANANYBODY ELSE.YOU WANT TO KNOW WHY, LAX?
1446
00:58:21,565 --> 00:58:23,565
ANYBODY ELSE.YOU WANT TO KNOW WHY, LAX?BECAUSE I HAD TO RESET THE
1447
00:58:23,567 --> 00:58:24,266
YOU WANT TO KNOW WHY, LAX?BECAUSE I HAD TO RESET THEPRECEDENT.
1448
00:58:24,268 --> 00:58:26,301
BECAUSE I HAD TO RESET THEPRECEDENT.I WASN'T GONNA SETTLE FOR SOME
1449
00:58:26,303 --> 00:58:30,172
PRECEDENT.I WASN'T GONNA SETTLE FOR SOMERINKY-DINKY SHIT, LAX.
1450
00:58:30,174 --> 00:58:32,708
I WASN'T GONNA SETTLE FOR SOMERINKY-DINKY SHIT, LAX.BUT I WAS NEVER GOING TO KILL
1451
00:58:32,710 --> 00:58:35,711
RINKY-DINKY SHIT, LAX.BUT I WAS NEVER GOING TO KILLJAMES HANKLEY.
1452
00:58:35,713 --> 00:58:37,346
BUT I WAS NEVER GOING TO KILLJAMES HANKLEY.I WANTED HIM TO LIVE SO HE COULD
1453
00:58:37,348 --> 00:58:39,081
JAMES HANKLEY.I WANTED HIM TO LIVE SO HE COULDWRITE ABOUT ME IN HIS PRECIOUS
1454
00:58:39,083 --> 00:58:41,783
I WANTED HIM TO LIVE SO HE COULDWRITE ABOUT ME IN HIS PRECIOUSSCHOOL PAPER.
1455
00:58:41,785 --> 00:58:44,953
WRITE ABOUT ME IN HIS PRECIOUSSCHOOL PAPER.[ ALL CRYING ]
1456
00:58:44,955 --> 00:58:46,855
SCHOOL PAPER.[ ALL CRYING ]>> [ BREATHING DEEPLY ]
1457
00:58:46,857 --> 00:58:47,656
[ ALL CRYING ]>> [ BREATHING DEEPLY ]>> NO!
1458
00:58:47,658 --> 00:58:52,327
>> [ BREATHING DEEPLY ]>> NO!STOP, HERMAN, STOP!
1459
00:58:52,329 --> 00:58:54,029
>> NO!STOP, HERMAN, STOP!>> I SHOT MS. CRIBB IN THE
1460
00:58:54,031 --> 00:58:57,199
STOP, HERMAN, STOP!>> I SHOT MS. CRIBB IN THEMOUTH.
1461
00:58:57,201 --> 00:58:59,735
>> I SHOT MS. CRIBB IN THEMOUTH.HAVE YOU SEEN HER?
1462
00:58:59,737 --> 00:59:01,803
MOUTH.HAVE YOU SEEN HER?>> NO, I HAVEN'T SEEN HER.
1463
00:59:01,805 --> 00:59:03,939
HAVE YOU SEEN HER?>> NO, I HAVEN'T SEEN HER.>> YEAH, BUT HAVE YOU HEARD
1464
00:59:03,941 --> 00:59:04,873
>> NO, I HAVEN'T SEEN HER.>> YEAH, BUT HAVE YOU HEARDANYTHING?
1465
00:59:04,875 --> 00:59:07,042
>> YEAH, BUT HAVE YOU HEARDANYTHING?>> WELL, I HEARD THEY HAD TO
1466
00:59:07,044 --> 00:59:09,378
ANYTHING?>> WELL, I HEARD THEY HAD TOAMPUTATE HER JAW...WHAT'S LEFT
1467
00:59:09,380 --> 00:59:11,747
>> WELL, I HEARD THEY HAD TOAMPUTATE HER JAW...WHAT'S LEFTOF IT.
1468
00:59:11,749 --> 00:59:15,617
AMPUTATE HER JAW...WHAT'S LEFTOF IT.SHE HAS TO BE FED INTRAVENOUSLY.
1469
00:59:15,619 --> 00:59:20,789
LET'S TAKE A LITTLE BREAK.
1470
00:59:20,791 --> 00:59:34,736
[ WATER DRIPPING ]
1471
00:59:34,738 --> 00:59:48,383
THESE POSTERS LOOK REALLY GOOD,SEAN.>> YOU DID A GOOD JOB, VIC.
1472
00:59:48,385 --> 00:59:49,685
SEAN.>> YOU DID A GOOD JOB, VIC.YOU'RE A GOOD MAN.
1473
00:59:49,687 --> 00:59:51,119
>> YOU DID A GOOD JOB, VIC.YOU'RE A GOOD MAN.COME AND TAKE THESE FILES.
1474
00:59:51,121 --> 00:59:52,788
YOU'RE A GOOD MAN.COME AND TAKE THESE FILES.YOU MAKE SURE YOU KNOW EVERY
1475
00:59:52,790 --> 00:59:53,789
COME AND TAKE THESE FILES.YOU MAKE SURE YOU KNOW EVERYDETAIL IN THEM.
1476
00:59:53,791 --> 00:59:55,290
YOU MAKE SURE YOU KNOW EVERYDETAIL IN THEM.[ INDISTINCT SHOUTING ]
1477
00:59:55,292 --> 00:59:56,291
DETAIL IN THEM.[ INDISTINCT SHOUTING ][ GUNSHOT ]
1478
00:59:56,293 --> 00:59:58,060
[ INDISTINCT SHOUTING ][ GUNSHOT ]WHAT THE HELL'S GOING ON?
1479
00:59:58,062 --> 00:59:59,761
[ GUNSHOT ]WHAT THE HELL'S GOING ON?VIC, GIVE ME THE FILES.
1480
00:59:59,763 --> 01:00:01,930
WHAT THE HELL'S GOING ON?VIC, GIVE ME THE FILES.GIVE ME THE FILES!
1481
01:00:01,932 --> 01:00:02,698
VIC, GIVE ME THE FILES.GIVE ME THE FILES!>> FBI!
1482
01:00:02,700 --> 01:00:03,865
GIVE ME THE FILES!>> FBI!>> NOBODY MOVE!
1483
01:00:03,867 --> 01:00:05,767
>> FBI!>> NOBODY MOVE!>> HANDS BEHIND YOUR HEAD!
1484
01:00:05,769 --> 01:00:07,169
>> NOBODY MOVE!>> HANDS BEHIND YOUR HEAD!>> DON'T MOVE, GALL!
1485
01:00:07,171 --> 01:00:08,904
>> HANDS BEHIND YOUR HEAD!>> DON'T MOVE, GALL!>> PUT THAT GUN DOWN!
1486
01:00:08,906 --> 01:00:10,005
>> DON'T MOVE, GALL!>> PUT THAT GUN DOWN!>> [ GROANS ]
1487
01:00:10,007 --> 01:00:12,207
>> PUT THAT GUN DOWN!>> [ GROANS ]YOU DON'T KNOW HOW THIS WORKS,
1488
01:00:12,209 --> 01:00:12,874
>> [ GROANS ]YOU DON'T KNOW HOW THIS WORKS,BOY!
1489
01:00:12,876 --> 01:00:14,710
YOU DON'T KNOW HOW THIS WORKS,BOY!YOU DON'T KNOW HOW THIS WORKS!
1490
01:00:14,712 --> 01:00:16,111
BOY!YOU DON'T KNOW HOW THIS WORKS!I'M GONNA SEE YOU AGAIN!
1491
01:00:16,113 --> 01:00:17,846
YOU DON'T KNOW HOW THIS WORKS!I'M GONNA SEE YOU AGAIN!DON'T YOU WORRY YOUR PRETTY
1492
01:00:17,848 --> 01:00:18,847
I'M GONNA SEE YOU AGAIN!DON'T YOU WORRY YOUR PRETTYLITTLE HEAD ABOUT THAT.
1493
01:00:18,849 --> 01:00:19,848
DON'T YOU WORRY YOUR PRETTYLITTLE HEAD ABOUT THAT.>> YOU'RE UNDER ARREST,
1494
01:00:19,850 --> 01:00:20,282
LITTLE HEAD ABOUT THAT.>> YOU'RE UNDER ARREST,SEAN GALL.
1495
01:00:20,284 --> 01:00:20,983
>> YOU'RE UNDER ARREST,SEAN GALL.>> FUCK YOU!
1496
01:00:20,985 --> 01:00:22,217
SEAN GALL.>> FUCK YOU!>> YOU HAVE THE RIGHT TO REMAIN
1497
01:00:22,219 --> 01:00:22,818
>> FUCK YOU!>> YOU HAVE THE RIGHT TO REMAINSILENT.
1498
01:00:22,820 --> 01:00:24,319
>> YOU HAVE THE RIGHT TO REMAINSILENT.ANYTHING YOU SAY CAN AND WILL BE
1499
01:00:24,321 --> 01:00:25,921
SILENT.ANYTHING YOU SAY CAN AND WILL BEHELD AGAINST YOU IN A COURT OF
1500
01:00:25,923 --> 01:00:26,254
ANYTHING YOU SAY CAN AND WILL BEHELD AGAINST YOU IN A COURT OFLAW.
1501
01:00:26,256 --> 01:00:27,856
HELD AGAINST YOU IN A COURT OFLAW.YOU HAVE THE RIGHT TO SPEAK TO
1502
01:00:27,858 --> 01:00:28,457
LAW.YOU HAVE THE RIGHT TO SPEAK TOAN ATTORNEY.
1503
01:00:28,459 --> 01:00:29,858
YOU HAVE THE RIGHT TO SPEAK TOAN ATTORNEY.IF YOU CANNOT AFFORD AN
1504
01:00:29,860 --> 01:00:31,326
AN ATTORNEY.IF YOU CANNOT AFFORD ANATTORNEY, ONE WILL BE APPOINTED
1505
01:00:31,328 --> 01:00:31,994
IF YOU CANNOT AFFORD ANATTORNEY, ONE WILL BE APPOINTEDFOR YOU.
1506
01:00:31,996 --> 01:00:33,462
ATTORNEY, ONE WILL BE APPOINTEDFOR YOU.DO YOU UNDERSTAND THE RIGHTS AS
1507
01:00:33,464 --> 01:00:34,930
FOR YOU.DO YOU UNDERSTAND THE RIGHTS ASI HAVE READ THEM TO YOU?
1508
01:00:34,932 --> 01:00:36,098
DO YOU UNDERSTAND THE RIGHTS ASI HAVE READ THEM TO YOU?>> YOU'RE A DEAD MAN.
1509
01:00:36,100 --> 01:00:37,899
I HAVE READ THEM TO YOU?>> YOU'RE A DEAD MAN.I TELL YOU SOMETHING, VIC -- YOU
1510
01:00:37,901 --> 01:00:39,401
>> YOU'RE A DEAD MAN.I TELL YOU SOMETHING, VIC -- YOUGOT THE TASTE OF BLOOD IN YOUR
1511
01:00:39,403 --> 01:00:40,068
I TELL YOU SOMETHING, VIC -- YOUGOT THE TASTE OF BLOOD IN YOURMOUTH.
1512
01:00:40,070 --> 01:00:42,070
GOT THE TASTE OF BLOOD IN YOURMOUTH.THAT AIN'T EVER GONNA GO BACK TO
1513
01:00:42,072 --> 01:00:45,941
MOUTH.THAT AIN'T EVER GONNA GO BACK TOWHAT IT WAS, BROTHER.
1514
01:00:45,943 --> 01:00:56,752
[ WIND HOWLING ]
1515
01:00:56,754 --> 01:01:09,197
>> DO YOU THINK I'M AFRAID OFDYING, LAX?>> YEAH. YEAH, I DO.
1516
01:01:09,199 --> 01:01:11,099
DYING, LAX?>> YEAH. YEAH, I DO.>> WHY DO YOU SAY THAT?
1517
01:01:11,101 --> 01:01:13,468
>> YEAH. YEAH, I DO.>> WHY DO YOU SAY THAT?>> 'CAUSE YOU WEREN'T MAN ENOUGH
1518
01:01:13,470 --> 01:01:15,070
>> WHY DO YOU SAY THAT?>> 'CAUSE YOU WEREN'T MAN ENOUGHTO DO YOURSELF IN, LIKE ALL YOUR
1519
01:01:15,072 --> 01:01:15,470
>> 'CAUSE YOU WEREN'T MAN ENOUGHTO DO YOURSELF IN, LIKE ALL YOURHEROES.
1520
01:01:15,472 --> 01:01:17,039
TO DO YOURSELF IN, LIKE ALL YOURHEROES.>> HEY, I'M PREPARED TO PAY THE
1521
01:01:17,041 --> 01:01:18,073
HEROES.>> HEY, I'M PREPARED TO PAY THEPRICE FOR WHAT I DID.
1522
01:01:18,075 --> 01:01:19,307
>> HEY, I'M PREPARED TO PAY THEPRICE FOR WHAT I DID.I THINK THAT TAKES WAY MORE
1523
01:01:19,309 --> 01:01:20,909
PRICE FOR WHAT I DID.I THINK THAT TAKES WAY MOREBALLS THAN JUST OFFING YOURSELF.
1524
01:01:20,911 --> 01:01:22,077
I THINK THAT TAKES WAY MOREBALLS THAN JUST OFFING YOURSELF.>> WHAT ABOUT KARMA?
1525
01:01:22,079 --> 01:01:23,445
BALLS THAN JUST OFFING YOURSELF.>> WHAT ABOUT KARMA?>> YOU KNOW WHAT I THINK?
1526
01:01:23,447 --> 01:01:25,247
>> WHAT ABOUT KARMA?>> YOU KNOW WHAT I THINK?I THINK WHEN YOU DIE, IT'S GAME
1527
01:01:25,249 --> 01:01:28,250
>> YOU KNOW WHAT I THINK?I THINK WHEN YOU DIE, IT'S GAMEOVER, NOTHING, BLACKNESS.
1528
01:01:28,252 --> 01:01:29,317
I THINK WHEN YOU DIE, IT'S GAMEOVER, NOTHING, BLACKNESS.>> WHAT ABOUT RESET?
1529
01:01:29,319 --> 01:01:30,919
OVER, NOTHING, BLACKNESS.>> WHAT ABOUT RESET?>> WHEN YOU HIT THE RESET, THE
1530
01:01:30,921 --> 01:01:32,187
>> WHAT ABOUT RESET?>> WHEN YOU HIT THE RESET, THEGAME YOU'VE PLAYED BEFORE
1531
01:01:32,189 --> 01:01:33,855
>> WHEN YOU HIT THE RESET, THEGAME YOU'VE PLAYED BEFOREDOESN'T HAVE SHIT TO DO WITH THE
1532
01:01:33,857 --> 01:01:35,390
GAME YOU'VE PLAYED BEFOREDOESN'T HAVE SHIT TO DO WITH THENEXT ONE, AND ALL THE CHARACTERS
1533
01:01:35,392 --> 01:01:36,792
DOESN'T HAVE SHIT TO DO WITH THENEXT ONE, AND ALL THE CHARACTERSJUST COME BACK TO LIFE.
1534
01:01:36,794 --> 01:01:38,226
NEXT ONE, AND ALL THE CHARACTERSJUST COME BACK TO LIFE.>> THAT'S NOT HOW IT WORKS IN
1535
01:01:38,228 --> 01:01:38,827
JUST COME BACK TO LIFE.>> THAT'S NOT HOW IT WORKS INREALITY.
1536
01:01:38,829 --> 01:01:40,195
>> THAT'S NOT HOW IT WORKS INREALITY.ONCE A KID DIES, HE DOESN'T COME
1537
01:01:40,197 --> 01:01:40,962
REALITY.ONCE A KID DIES, HE DOESN'T COMEBACK TO LIFE.
1538
01:01:40,964 --> 01:01:42,330
ONCE A KID DIES, HE DOESN'T COMEBACK TO LIFE.>> DO YOU WANT TO HEAR WHAT ELSE
1539
01:01:42,332 --> 01:01:43,865
BACK TO LIFE.>> DO YOU WANT TO HEAR WHAT ELSEHAPPENED OR NOT?
1540
01:01:43,867 --> 01:01:47,202
>> DO YOU WANT TO HEAR WHAT ELSEHAPPENED OR NOT?>> SURE. SURE.
1541
01:01:47,204 --> 01:01:48,870
HAPPENED OR NOT?>> SURE. SURE.>> EH, WHERE WAS I?
1542
01:01:48,872 --> 01:01:50,939
>> SURE. SURE.>> EH, WHERE WAS I?RIGHT, SO, I-I SHOT SUSAN,
1543
01:01:50,941 --> 01:01:51,540
>> EH, WHERE WAS I?RIGHT, SO, I-I SHOT SUSAN,BUT --
1544
01:01:51,542 --> 01:01:53,542
RIGHT, SO, I-I SHOT SUSAN,BUT -->> YOU SAID THAT ALREADY,
1545
01:01:53,544 --> 01:01:54,242
BUT -->> YOU SAID THAT ALREADY,HERMAN.
1546
01:01:54,244 --> 01:01:55,877
>> YOU SAID THAT ALREADY,HERMAN.>> FUCK. WHAT -- I DON'T
1547
01:01:55,879 --> 01:01:57,479
HERMAN.>> FUCK. WHAT -- I DON'TREMEMBER WHAT HAPPENED NEXT.
1548
01:01:57,481 --> 01:01:59,347
>> FUCK. WHAT -- I DON'TREMEMBER WHAT HAPPENED NEXT.I THINK I STARTED FIRING INTO
1549
01:01:59,349 --> 01:02:00,182
REMEMBER WHAT HAPPENED NEXT.I THINK I STARTED FIRING INTOTHE CRO...
1550
01:02:00,184 --> 01:02:00,882
I THINK I STARTED FIRING INTOTHE CRO...NO, NO.
1551
01:02:00,884 --> 01:02:02,784
THE CRO...NO, NO.THAT HAPPENEDAFTER THE POLICE
1552
01:02:02,786 --> 01:02:03,885
NO, NO.THAT HAPPENEDAFTER THE POLICE
CAME THROUGH THE DOOR.
1553
01:02:03,887 --> 01:02:05,220
THAT HAPPENEDAFTER THE POLICE
CAME THROUGH THE DOOR.
YEAH, THE POLICE CAME THROUGH
1554
01:02:05,222 --> 01:02:06,455
CAME THROUGH THE DOOR.
YEAH, THE POLICE CAME THROUGH
THE DOOR, AND EVERYONE WAS
1555
01:02:06,457 --> 01:02:08,090
YEAH, THE POLICE CAME THROUGH
THE DOOR, AND EVERYONE WAS
SCREAMING BECAUSE I THREW A PIPE
1556
01:02:08,092 --> 01:02:09,891
THE DOOR, AND EVERYONE WAS
SCREAMING BECAUSE I THREW A PIPE
BOMB RIGHT IN THE MIDDLE OF THE
1557
01:02:09,893 --> 01:02:11,460
SCREAMING BECAUSE I THREW A PIPE
BOMB RIGHT IN THE MIDDLE OF THE
CROWD, AND EVERYBODY SCATTERED.
1558
01:02:11,462 --> 01:02:12,294
BOMB RIGHT IN THE MIDDLE OF THE
CROWD, AND EVERYBODY SCATTERED.
[ SCREAMING ]
1559
01:02:12,296 --> 01:02:13,995
CROWD, AND EVERYBODY SCATTERED.
[ SCREAMING ]
AND EVERYONE WAS RUNNING TOWARDS
1560
01:02:13,997 --> 01:02:15,363
[ SCREAMING ]
AND EVERYONE WAS RUNNING TOWARDS
THE DOOR AND THE POLICE CAME
1561
01:02:15,365 --> 01:02:16,898
AND EVERYONE WAS RUNNING TOWARDS
THE DOOR AND THE POLICE CAME
INTO THE GYM AND I WAS JUST
1562
01:02:16,900 --> 01:02:18,366
THE DOOR AND THE POLICE CAME
INTO THE GYM AND I WAS JUST
RUNNING AROUND, SHOOTING PEOPLE
1563
01:02:18,368 --> 01:02:19,901
INTO THE GYM AND I WAS JUST
RUNNING AROUND, SHOOTING PEOPLE
LEFT AND RIGHT.
1564
01:02:19,903 --> 01:02:25,407
RUNNING AROUND, SHOOTING PEOPLE
LEFT AND RIGHT.
[ CHUCKLES ]
1565
01:02:25,409 --> 01:02:27,409
LEFT AND RIGHT.
[ CHUCKLES ]
THERE WERE ONLY THREE COPS AT
1566
01:02:27,411 --> 01:02:29,411
[ CHUCKLES ]
THERE WERE ONLY THREE COPS AT
FIRST, AND I WAS ABLE TO PICK
1567
01:02:29,413 --> 01:02:31,546
THERE WERE ONLY THREE COPS AT
FIRST, AND I WAS ABLE TO PICK
THEM OFF RIGHT WHEN THEY STORMED
1568
01:02:31,548 --> 01:02:32,848
FIRST, AND I WAS ABLE TO PICK
THEM OFF RIGHT WHEN THEY STORMED
THE GYM.
1569
01:02:32,850 --> 01:02:35,517
THEM OFF RIGHT WHEN THEY STORMED
THE GYM.
THEY ONLY GOT ONE DOOR OPEN.
1570
01:02:35,519 --> 01:02:36,451
THE GYM.
THEY ONLY GOT ONE DOOR OPEN.
[ SCREAMING ]
1571
01:02:36,453 --> 01:02:38,386
THEY ONLY GOT ONE DOOR OPEN.
[ SCREAMING ]
EVERYONE WAS TRYING TO GET OUT.
1572
01:02:38,388 --> 01:02:39,855
[ SCREAMING ]
EVERYONE WAS TRYING TO GET OUT.
NO COPS COULD GET IN.
1573
01:02:39,857 --> 01:02:43,024
EVERYONE WAS TRYING TO GET OUT.
NO COPS COULD GET IN.
IT WAS ANARCHY.
1574
01:02:43,026 --> 01:02:44,226
NO COPS COULD GET IN.
IT WAS ANARCHY.
I RAN UP BEHIND MARSHA.
1575
01:02:44,228 --> 01:02:45,894
IT WAS ANARCHY.
I RAN UP BEHIND MARSHA.
I PUT A .45 RIGHT TO HER BACK,
1576
01:02:45,896 --> 01:02:47,329
I RAN UP BEHIND MARSHA.
I PUT A .45 RIGHT TO HER BACK,
AND I SAID, "ARE YOU READY TO
1577
01:02:47,331 --> 01:02:48,497
I PUT A .45 RIGHT TO HER BACK,
AND I SAID, "ARE YOU READY TO
DIE, PROM QUEEN?"
1578
01:02:48,499 --> 01:02:50,332
AND I SAID, "ARE YOU READY TO
DIE, PROM QUEEN?"
THEN I SHOT SOMEONE WHO WAS
1579
01:02:50,334 --> 01:02:52,367
DIE, PROM QUEEN?"
THEN I SHOT SOMEONE WHO WAS
RUNNING TOWARDS THE DOOR.
1580
01:02:52,369 --> 01:02:54,369
THEN I SHOT SOMEONE WHO WAS
RUNNING TOWARDS THE DOOR.
>> [ Crying ] NO, NO, NO.
1581
01:02:54,371 --> 01:02:56,404
RUNNING TOWARDS THE DOOR.
>> [ Crying ] NO, NO, NO.
PLEASE, HERMAN, PLEASE.
1582
01:02:56,406 --> 01:02:57,339
>> [ Crying ] NO, NO, NO.
PLEASE, HERMAN, PLEASE.
PLEASE.
1583
01:02:57,341 --> 01:02:59,608
PLEASE, HERMAN, PLEASE.
PLEASE.
PLEASE DON'T DO THIS TO ME,
1584
01:02:59,610 --> 01:03:00,509
PLEASE.
PLEASE DON'T DO THIS TO ME,
HERMAN.
1585
01:03:00,511 --> 01:03:02,210
PLEASE DON'T DO THIS TO ME,
HERMAN.
I'LL DO ANYTHING.
1586
01:03:02,212 --> 01:03:04,379
HERMAN.
I'LL DO ANYTHING.
I'LL DO ANYTHING, HERMAN.
1587
01:03:04,381 --> 01:03:05,380
I'LL DO ANYTHING.
I'LL DO ANYTHING, HERMAN.
PLEASE.
1588
01:03:05,382 --> 01:03:08,049
I'LL DO ANYTHING, HERMAN.
PLEASE.
I WANT TO SEE MY MOM AGAIN.
1589
01:03:08,051 --> 01:03:11,086
PLEASE.
I WANT TO SEE MY MOM AGAIN.
I WANT TO SEE MY LITTLE BROTHER.
1590
01:03:11,088 --> 01:03:13,955
I WANT TO SEE MY MOM AGAIN.
I WANT TO SEE MY LITTLE BROTHER.
PLEASE, HERMAN, PLEASE.
1591
01:03:13,957 --> 01:03:30,305
>> ISN'T THAT FUNNY?
SHE WAS ASHAMED TO BE TALKING TO
ME BEFORE THAT.
1592
01:03:30,307 --> 01:03:32,040
SHE WAS ASHAMED TO BE TALKING TO
ME BEFORE THAT.
DO YOU KNOW WHAT IT'S LIKE TO
1593
01:03:32,042 --> 01:03:33,542
ME BEFORE THAT.
DO YOU KNOW WHAT IT'S LIKE TO
HAVE THAT KIND OF POWER, LAX?
1594
01:03:33,544 --> 01:03:35,277
DO YOU KNOW WHAT IT'S LIKE TO
HAVE THAT KIND OF POWER, LAX?
>> WE'RE NOT INTERVIEWING ME,
1595
01:03:35,279 --> 01:03:35,944
HAVE THAT KIND OF POWER, LAX?
>> WE'RE NOT INTERVIEWING ME,
HERMAN.
1596
01:03:35,946 --> 01:03:37,345
>> WE'RE NOT INTERVIEWING ME,
HERMAN.
>> [ CLEARS THROAT ]
1597
01:03:37,347 --> 01:03:39,447
HERMAN.
>> [ CLEARS THROAT ]
WE HAVE TO TAKE HIM TO HIS CELL
1598
01:03:39,449 --> 01:03:41,016
>> [ CLEARS THROAT ]
WE HAVE TO TAKE HIM TO HIS CELL
NOW.
1599
01:03:41,018 --> 01:04:08,643
>> SO, WHAT'D YOU DO NEXT?
>> I WAS OUT OF CONTROL.
I BASHED HER NOSE IN WITH THE
1600
01:04:08,645 --> 01:04:10,445
>> I WAS OUT OF CONTROL.
I BASHED HER NOSE IN WITH THE
BUTT OF MY GUN AND I LEFT HER
1601
01:04:10,447 --> 01:04:11,446
I BASHED HER NOSE IN WITH THE
BUTT OF MY GUN AND I LEFT HER
THERE TO BLEED.
1602
01:04:11,448 --> 01:04:12,414
BUTT OF MY GUN AND I LEFT HER
THERE TO BLEED.
>> WHY'S THAT?
1603
01:04:12,416 --> 01:04:14,282
THERE TO BLEED.
>> WHY'S THAT?
>> BECAUSE I WANTED HER TO LEARN
1604
01:04:14,284 --> 01:04:16,184
>> WHY'S THAT?
>> BECAUSE I WANTED HER TO LEARN
WHAT LIFE'S LIKE WHEN YOU'RE NOT
1605
01:04:16,186 --> 01:04:18,186
>> BECAUSE I WANTED HER TO LEARN
WHAT LIFE'S LIKE WHEN YOU'RE NOT
THE PRETTIEST GIRL AT SCHOOL.
1606
01:04:18,188 --> 01:04:20,121
WHAT LIFE'S LIKE WHEN YOU'RE NOT
THE PRETTIEST GIRL AT SCHOOL.
>> SO YOU'RE A TEACHER, IS THAT
1607
01:04:20,123 --> 01:04:20,455
THE PRETTIEST GIRL AT SCHOOL.
>> SO YOU'RE A TEACHER, IS THAT
IT?
1608
01:04:20,457 --> 01:04:22,190
>> SO YOU'RE A TEACHER, IS THAT
IT?
>> PEOPLE NEEDED A FUCKING
1609
01:04:22,192 --> 01:04:26,528
IT?
>> PEOPLE NEEDED A FUCKING
LESSON.
1610
01:04:26,530 --> 01:04:28,396
>> PEOPLE NEEDED A FUCKING
LESSON.
[ SCREAMING ]
1611
01:04:28,398 --> 01:04:33,869
[ INDISTINCT SHOUTING ]
1612
01:04:33,871 --> 01:05:15,343
>> HELLO, HERMAN.
>> HOW CAN YOU BE HERE?
>> WHY DIDN'T YOU COME LET HIM
1613
01:05:15,345 --> 01:05:16,745
>> HOW CAN YOU BE HERE?
>> WHY DIDN'T YOU COME LET HIM
HELP ME, HERMAN?
1614
01:05:16,747 --> 01:05:18,346
>> WHY DIDN'T YOU COME LET HIM
HELP ME, HERMAN?
>> I WAS SCARED.
1615
01:05:18,348 --> 01:05:20,982
HELP ME, HERMAN?
>> I WAS SCARED.
>> YOU KNOW WHERE YOU'RE GOING,
1616
01:05:20,984 --> 01:05:24,152
>> I WAS SCARED.
>> YOU KNOW WHERE YOU'RE GOING,
HERMAN, DON'T YOU?
1617
01:05:24,154 --> 01:05:26,054
>> YOU KNOW WHERE YOU'RE GOING,
HERMAN, DON'T YOU?
DO YOU THINK I'M GOING TO TELL
1618
01:05:26,056 --> 01:05:26,454
HERMAN, DON'T YOU?
DO YOU THINK I'M GOING TO TELL
YOU?
1619
01:05:26,456 --> 01:05:27,756
DO YOU THINK I'M GOING TO TELL
YOU?
YOU'RE GOING TO HELL.
1620
01:05:27,758 --> 01:05:29,391
YOU?
YOU'RE GOING TO HELL.
>> JULIA, I LOVE YOU.
1621
01:05:29,393 --> 01:05:31,459
YOU'RE GOING TO HELL.
>> JULIA, I LOVE YOU.
HONESTLY, I WAS SO SAD WHEN YOU
1622
01:05:31,461 --> 01:05:33,461
>> JULIA, I LOVE YOU.
HONESTLY, I WAS SO SAD WHEN YOU
DIED, I JUST -- I DIDN'T HAVE
1623
01:05:33,463 --> 01:05:35,030
HONESTLY, I WAS SO SAD WHEN YOU
DIED, I JUST -- I DIDN'T HAVE
ANYONE I COULD SHOW.
1624
01:05:35,032 --> 01:05:36,298
DIED, I JUST -- I DIDN'T HAVE
ANYONE I COULD SHOW.
>> I HURT, HERMAN.
1625
01:05:36,300 --> 01:05:37,666
ANYONE I COULD SHOW.
>> I HURT, HERMAN.
I HURT ALL THE TIME.
1626
01:05:37,668 --> 01:05:39,534
>> I HURT, HERMAN.
I HURT ALL THE TIME.
>> YEAH, BUT THAT'S NOT MY
1627
01:05:39,536 --> 01:05:40,168
I HURT ALL THE TIME.
>> YEAH, BUT THAT'S NOT MY
FAULT.
1628
01:05:40,170 --> 01:05:41,269
>> YEAH, BUT THAT'S NOT MY
FAULT.
I DIDN'T KILL YOU.
1629
01:05:41,271 --> 01:05:42,637
FAULT.
I DIDN'T KILL YOU.
>> I KNOW WHY YOU DID IT,
1630
01:05:42,639 --> 01:05:43,305
I DIDN'T KILL YOU.
>> I KNOW WHY YOU DID IT,
HERMAN.
1631
01:05:43,307 --> 01:05:45,106
>> I KNOW WHY YOU DID IT,
HERMAN.
>> WHY? WHY DID I DO IT, JULIA?
1632
01:05:45,108 --> 01:05:45,607
HERMAN.
>> WHY? WHY DID I DO IT, JULIA?
TELL ME.
1633
01:05:45,609 --> 01:05:47,142
>> WHY? WHY DID I DO IT, JULIA?
TELL ME.
>> I'M IN HELL, HERMAN.
1634
01:05:47,144 --> 01:05:48,576
TELL ME.
>> I'M IN HELL, HERMAN.
>> YEAH, BUT YOU NEVER DID
1635
01:05:48,578 --> 01:05:49,577
>> I'M IN HELL, HERMAN.
>> YEAH, BUT YOU NEVER DID
ANYTHING WRONG.
1636
01:05:49,579 --> 01:05:50,578
>> YEAH, BUT YOU NEVER DID
ANYTHING WRONG.
>> YODID.
1637
01:05:50,580 --> 01:05:52,580
ANYTHING WRONG.
>> YODID.
>> WHAT?
1638
01:05:52,582 --> 01:05:55,583
>> YODID.
>> WHAT?
NO. I'M SORRY, JULIA.
1639
01:05:55,585 --> 01:05:57,052
>> WHAT?
NO. I'M SORRY, JULIA.
I SHOULD HAVE GONE OUTSIDE.
1640
01:05:57,054 --> 01:05:58,153
NO. I'M SORRY, JULIA.
I SHOULD HAVE GONE OUTSIDE.
I REALLY SHOULD HAVE.
1641
01:05:58,155 --> 01:05:59,020
I SHOULD HAVE GONE OUTSIDE.
I REALLY SHOULD HAVE.
>> POOR HERMAN.
1642
01:05:59,022 --> 01:06:01,022
I REALLY SHOULD HAVE.
>> POOR HERMAN.
>> WAIT, JULIA. DON'T GO.
1643
01:06:01,024 --> 01:06:03,191
>> POOR HERMAN.
>> WAIT, JULIA. DON'T GO.
WAIT. TELL ME WHY I DID IT.
1644
01:06:03,193 --> 01:06:06,394
>> WAIT, JULIA. DON'T GO.
WAIT. TELL ME WHY I DID IT.
JULIA, WAIT.
1645
01:06:06,396 --> 01:06:20,809
>> THE VERDICT CAME IN TODAY ON
THE PEOPLE vs. HERMAN HOWARDS.
HOWARDS WILL BE THE FIRST MINOR
1646
01:06:20,811 --> 01:06:22,811
THE PEOPLE vs. HERMAN HOWARDS.
HOWARDS WILL BE THE FIRST MINOR
EXECUTED BY ELECTRIC CHAIR IN
1647
01:06:22,813 --> 01:06:24,679
HOWARDS WILL BE THE FIRST MINOR
EXECUTED BY ELECTRIC CHAIR IN
THE UNITED STATES OF AMERICA.
1648
01:06:24,681 --> 01:06:26,681
EXECUTED BY ELECTRIC CHAIR IN
THE UNITED STATES OF AMERICA.
NOW, THE BIGGER CONTROVERSY,
1649
01:06:26,683 --> 01:06:28,817
THE UNITED STATES OF AMERICA.
NOW, THE BIGGER CONTROVERSY,
HOWEVER, IS WHETHER OR NOT THIS
1650
01:06:28,819 --> 01:06:31,186
NOW, THE BIGGER CONTROVERSY,
HOWEVER, IS WHETHER OR NOT THIS
EXECUTION IS GONNA BE TELEVISED.
1651
01:06:31,188 --> 01:06:33,188
HOWEVER, IS WHETHER OR NOT THIS
EXECUTION IS GONNA BE TELEVISED.
JOINING US VIA SATELLITE, WE
1652
01:06:33,190 --> 01:06:34,823
EXECUTION IS GONNA BE TELEVISED.
JOINING US VIA SATELLITE, WE
HAVE REPUBLICAN SENATOR JOAN COX
1653
01:06:34,825 --> 01:06:36,558
JOINING US VIA SATELLITE, WE
HAVE REPUBLICAN SENATOR JOAN COX
AND CHILDREN'S REPRESENTATIVE
1654
01:06:36,560 --> 01:06:37,492
HAVE REPUBLICAN SENATOR JOAN COX
AND CHILDREN'S REPRESENTATIVE
LYLE FERGUSON.
1655
01:06:37,494 --> 01:06:39,294
AND CHILDREN'S REPRESENTATIVE
LYLE FERGUSON.
I'D LIKE TO WELCOME YOU BOTH TO
1656
01:06:39,296 --> 01:06:40,095
LYLE FERGUSON.
I'D LIKE TO WELCOME YOU BOTH TO
THE SHOW.
1657
01:06:40,097 --> 01:06:42,097
I'D LIKE TO WELCOME YOU BOTH TO
THE SHOW.
SENATOR COX, WHAT SAY YOU OF THE
1658
01:06:42,099 --> 01:06:42,664
THE SHOW.
SENATOR COX, WHAT SAY YOU OF THE
VERDICT?
1659
01:06:42,666 --> 01:06:44,632
SENATOR COX, WHAT SAY YOU OF THE
VERDICT?
>> I THINK THAT THE GOOD PEOPLE
1660
01:06:44,634 --> 01:06:46,267
VERDICT?
>> I THINK THAT THE GOOD PEOPLE
OF THIS TOWN, STATE, AND COUNTRY
1661
01:06:46,269 --> 01:06:47,469
>> I THINK THAT THE GOOD PEOPLE
OF THIS TOWN, STATE, AND COUNTRY
HAVE THE RIGHT TO SEE FOR
1662
01:06:47,471 --> 01:06:48,770
OF THIS TOWN, STATE, AND COUNTRY
HAVE THE RIGHT TO SEE FOR
THEMSELVES AND TO SHOW THEIR
1663
01:06:48,772 --> 01:06:50,438
HAVE THE RIGHT TO SEE FOR
THEMSELVES AND TO SHOW THEIR
CHILDREN WHAT HAPPENS WHEN YOU
1664
01:06:50,440 --> 01:06:51,773
THEMSELVES AND TO SHOW THEIR
CHILDREN WHAT HAPPENS WHEN YOU
GIVE IN TO THE URGE TOWARDS
1665
01:06:51,775 --> 01:06:54,142
GIVE IN TO THE URGE TOWARDS
>> WHAT SAY YOU, MR. FERGUSON?
1666
01:06:54,144 --> 01:06:55,543
>> WHAT SAY YOU, MR. FERGUSON?
>> WHAT THE SENATOR AND YOU,
1667
01:06:55,545 --> 01:06:59,547
>> WHAT THE SENATOR AND YOU,
MR. CLARKSON, ARE ACTUALLY
SAYING IS A LIFE FOR A LIFE.
1668
01:06:59,549 --> 01:07:00,682
MR. CLARKSON, ARE ACTUALLY
SAYING IS A LIFE FOR A LIFE.
AND IF WE ALL LIVE BY THAT
1669
01:07:00,684 --> 01:07:02,117
SAYING IS A LIFE FOR A LIFE.
AND IF WE ALL LIVE BY THAT
PRINCIPLE, WHAT DOES THAT MAKE
1670
01:07:02,119 --> 01:07:02,550
AND IF WE ALL LIVE BY THAT
PRINCIPLE, WHAT DOES THAT MAKE
THE WORLD?
1671
01:07:02,552 --> 01:07:03,752
PRINCIPLE, WHAT DOES THAT MAKE
THE WORLD?
>> SAFE, MR. FERGUSON.
1672
01:07:03,754 --> 01:07:05,320
THE WORLD?
>> SAFE, MR. FERGUSON.
THAT'S WHAT THAT MAKES THE
1673
01:07:05,322 --> 01:07:06,187
>> SAFE, MR. FERGUSON.
THAT'S WHAT THAT MAKES THE
WORLD.
1674
01:07:06,189 --> 01:07:30,578
>> SO, YOUR SISTER WAS KILLED,
RIGHT?
>> RIGHT.
1675
01:07:30,580 --> 01:07:32,614
RIGHT?
>> RIGHT.
>> WERE YOU CLOSE TO HER?
1676
01:07:32,616 --> 01:07:34,482
>> RIGHT.
>> WERE YOU CLOSE TO HER?
>> WE HAD OUR MOMENTS.
1677
01:07:34,484 --> 01:07:37,652
>> WERE YOU CLOSE TO HER?
>> WE HAD OUR MOMENTS.
>> WHAT WAS SHE LIKE?
1678
01:07:37,654 --> 01:07:41,189
>> WE HAD OUR MOMENTS.
>> WHAT WAS SHE LIKE?
>> SHE WAS LIKE MY BEST FRIEND.
1679
01:07:41,191 --> 01:07:42,624
>> WHAT WAS SHE LIKE?
>> SHE WAS LIKE MY BEST FRIEND.
>> YOU GUYS, UH, PLAY TOGETHER
1680
01:07:42,626 --> 01:07:43,691
>> SHE WAS LIKE MY BEST FRIEND.
>> YOU GUYS, UH, PLAY TOGETHER
AND STUFF LIKE THAT?
1681
01:07:43,693 --> 01:07:45,360
>> YOU GUYS, UH, PLAY TOGETHER
AND STUFF LIKE THAT?
>> YOU KNOW, I DON'T THINK IT'S
1682
01:07:45,362 --> 01:07:46,861
AND STUFF LIKE THAT?
>> YOU KNOW, I DON'T THINK IT'S
NICE TO TALK TO A STRANGER ABOUT
1683
01:07:46,863 --> 01:07:48,596
>> YOU KNOW, I DON'T THINK IT'S
NICE TO TALK TO A STRANGER ABOUT
DEAD PEOPLE YOU CARED ABOUT.
1684
01:07:48,598 --> 01:07:50,231
NICE TO TALK TO A STRANGER ABOUT
DEAD PEOPLE YOU CARED ABOUT.
>> SO YOU CARED ABOUT HER.
1685
01:07:50,233 --> 01:07:51,733
DEAD PEOPLE YOU CARED ABOUT.
>> SO YOU CARED ABOUT HER.
>> YEAH, SHE WAS MY SISTER.
1686
01:07:51,735 --> 01:07:52,867
>> SO YOU CARED ABOUT HER.
>> YEAH, SHE WAS MY SISTER.
OF COURSE I DID.
1687
01:07:52,869 --> 01:07:54,869
>> YEAH, SHE WAS MY SISTER.
OF COURSE I DID.
>> DID YOU CALL YOUR MOM WHEN IT
1688
01:07:54,871 --> 01:07:56,371
OF COURSE I DID.
>> DID YOU CALL YOUR MOM WHEN IT
HAPPENED?
1689
01:07:56,373 --> 01:07:57,439
>> DID YOU CALL YOUR MOM WHEN IT
HAPPENED?
>> NO.
1690
01:07:57,441 --> 01:07:58,239
HAPPENED?
>> NO.
>> WHY NOT?
1691
01:07:58,241 --> 01:07:59,541
>> NO.
>> WHY NOT?
>> I DIDN'T THINK OF IT.
1692
01:07:59,543 --> 01:08:01,142
>> WHY NOT?
>> I DIDN'T THINK OF IT.
>> YOU DIDN'T THINK OF IT?
1693
01:08:01,144 --> 01:08:02,710
>> I DIDN'T THINK OF IT.
>> YOU DIDN'T THINK OF IT?
>> YOU REALLY DON'T UNDERSTAND,
1694
01:08:02,712 --> 01:08:03,378
>> YOU DIDN'T THINK OF IT?
>> YOU REALLY DON'T UNDERSTAND,
DO YOU?
1695
01:08:03,380 --> 01:08:04,813
>> YOU REALLY DON'T UNDERSTAND,
DO YOU?
>> WELL, HELP ME UNDERSTAND,
1696
01:08:04,815 --> 01:08:05,480
DO YOU?
>> WELL, HELP ME UNDERSTAND,
HERMAN.
1697
01:08:05,482 --> 01:08:06,714
>> WELL, HELP ME UNDERSTAND,
HERMAN.
>> IT WASN'T MY FAULT.
1698
01:08:06,716 --> 01:08:11,719
HERMAN.
>> IT WASN'T MY FAULT.
I DIDN'T DO ANYTHING.
1699
01:08:11,721 --> 01:08:15,590
>> IT WASN'T MY FAULT.
I DIDN'T DO ANYTHING.
[ GUNFIRE, EXPLOSIONS]
1700
01:08:15,592 --> 01:08:36,678
>> COME OUTSIDE AND PLAY.
>> NO, I'M GOOD.
DON'T GO TOO FAR.
1701
01:08:36,680 --> 01:08:37,679
>> NO, I'M GOOD.
DON'T GO TOO FAR.
>> I KNOW.
1702
01:08:37,681 --> 01:08:39,581
DON'T GO TOO FAR.
>> I KNOW.
>> NO, JULIA, I MEAN IT.
1703
01:08:39,583 --> 01:08:42,450
>> I KNOW.
>> NO, JULIA, I MEAN IT.
DON'T GO TOO FAR.
1704
01:08:42,452 --> 01:08:53,628
[ TIRES SCREECH ]
[ JULIA SCREAMS ]
[ THUD ]
1705
01:08:53,630 --> 01:08:54,662
[ JULIA SCREAMS ]
[ THUD ]
>> SOMEONE CALL 911.
1706
01:08:54,664 --> 01:08:56,297
[ THUD ]
>> SOMEONE CALL 911.
>> IT'S GAIL HOWARDS' DAUGHTER!
1707
01:08:56,299 --> 01:08:57,632
>> SOMEONE CALL 911.
>> IT'S GAIL HOWARDS' DAUGHTER!
>> SHE'S IN MY SCIENCE CLASS!
1708
01:08:57,634 --> 01:08:58,867
>> IT'S GAIL HOWARDS' DAUGHTER!
>> SHE'S IN MY SCIENCE CLASS!
>> WAIT. DON'T TOUCH HER.
1709
01:08:58,869 --> 01:08:59,901
>> SHE'S IN MY SCIENCE CLASS!
>> WAIT. DON'T TOUCH HER.
>> I DIDN'T SEE HER.
1710
01:08:59,903 --> 01:09:00,935
>> WAIT. DON'T TOUCH HER.
>> I DIDN'T SEE HER.
>> DON'T TOUCH HER.
1711
01:09:00,937 --> 01:09:01,803
>> I DIDN'T SEE HER.
>> DON'T TOUCH HER.
CALL 911 QUICK.
1712
01:09:01,805 --> 01:09:05,974
>> DON'T TOUCH HER.
CALL 911 QUICK.
>> CALL IT!
1713
01:09:05,976 --> 01:09:07,842
CALL 911 QUICK.
>> CALL IT!
[ Dialing ]
1714
01:09:07,844 --> 01:09:11,713
>> CALL IT!
[ Dialing ]
[ Ringing ]
1715
01:09:11,715 --> 01:09:12,914
[ Dialing ]
[ Ringing ]
>> Hello, you've reached
1716
01:09:12,916 --> 01:09:14,382
[ Ringing ]
>> Hello, you've reachedGail Howards at Compunet.
1717
01:09:14,384 --> 01:09:15,783
>> Hello, you've reachedGail Howards at Compunet.I can't get to my phone right
1718
01:09:15,785 --> 01:09:17,452
Gail Howards at Compunet.I can't get to my phone rightnow, but please leave your name
1719
01:09:17,454 --> 01:09:18,753
I can't get to my phone rightnow, but please leave your nameand number or feel free to
1720
01:09:18,755 --> 01:09:19,554
now, but please leave your nameand number or feel free toe-mail me at
1721
01:09:19,556 --> 01:09:22,423
and number or feel free toe-mail me atghowards@compunet.com or try
1722
01:09:22,425 --> 01:09:24,759
e-mail me atghowards@compunet.com or trythe office at 555-6808.
1723
01:09:24,761 --> 01:09:26,761
ghowards@compunet.com or trythe office at 555-6808.Thank you.
1724
01:09:26,763 --> 01:09:30,298
the office at 555-6808.Thank you.[ KNOCK ON DOOR ]
1725
01:09:30,300 --> 01:09:31,332
Thank you.[ KNOCK ON DOOR ][ Ringing ]
1726
01:09:31,334 --> 01:09:33,001
[ KNOCK ON DOOR ][ Ringing ]>>Hello, welcome to the
1727
01:09:33,003 --> 01:09:34,936
[ Ringing ]>>Hello, welcome to theCompunet phone answering
1728
01:09:34,938 --> 01:09:35,937
>>Hello, welcome to theCompunet phone answeringsystem.
1729
01:09:35,939 --> 01:09:37,305
Compunet phone answeringsystem.>> HELLO? HELLO?
1730
01:09:37,307 --> 01:09:38,473
system.>> HELLO? HELLO?IS ANYBODY HOME?
1731
01:09:38,475 --> 01:09:40,441
>> HELLO? HELLO?IS ANYBODY HOME?>>The following is a list of
1732
01:09:40,443 --> 01:09:41,976
IS ANYBODY HOME?>>The following is a list ofoptions to maximize the
1733
01:09:41,978 --> 01:09:43,745
>>The following is a list ofoptions to maximize theefficiency of your call.
1734
01:09:43,747 --> 01:09:45,914
options to maximize theefficiency of your call.>> HELLO? PLEASE ANSWER.
1735
01:09:45,916 --> 01:09:48,516
efficiency of your call.>> HELLO? PLEASE ANSWER.ANYBODY HOME? HELLO?
1736
01:09:48,518 --> 01:09:50,685
>> HELLO? PLEASE ANSWER.ANYBODY HOME? HELLO?[ KNOCK ON DOOR ]
1737
01:09:50,687 --> 01:09:52,620
ANYBODY HOME? HELLO?[ KNOCK ON DOOR ]>>...press 2.
1738
01:09:52,622 --> 01:09:55,490
[ KNOCK ON DOOR ]>>...press 2.>> MRS. HOWARDS? ANYBODY HOME?
1739
01:09:55,492 --> 01:09:57,492
>>...press 2.>> MRS. HOWARDS? ANYBODY HOME?[ SIREN WAILS ]
1740
01:09:57,494 --> 01:09:59,527
>> MRS. HOWARDS? ANYBODY HOME?[ SIREN WAILS ]>> [ BREATHING HEAVILY ]
1741
01:09:59,529 --> 01:10:22,550
>> [Echoing ] We know your timeis valuable.[ SIREN WAILS ]
1742
01:10:22,552 --> 01:10:25,520
is valuable.[ SIREN WAILS ]Your estimated wait time is 17
1743
01:10:25,522 --> 01:10:26,721
[ SIREN WAILS ]Your estimated wait time is 17min--
1744
01:10:26,723 --> 01:10:41,703
[GUNFIRE, EXPLOSIONS]
1745
01:10:41,705 --> 01:11:02,357
>> I DIDN'T DO ANYTHING.
I-I DIDN'T DO ANYTHING.
>> YEAH. WHAT COULD YOU HAVE
1746
01:11:02,359 --> 01:11:03,558
I-I DIDN'T DO ANYTHING.
>> YEAH. WHAT COULD YOU HAVE
DONE?
1747
01:11:03,560 --> 01:11:14,502
>> YOU HAVEN'T BEEN SLEEPING,
HMM?
>> ARE YOU INTERVIEWING ME NOW?
1748
01:11:14,504 --> 01:11:15,770
HMM?
>> ARE YOU INTERVIEWING ME NOW?
>> LAX, IT'S OKAY.
1749
01:11:15,772 --> 01:11:17,105
>> ARE YOU INTERVIEWING ME NOW?
>> LAX, IT'S OKAY.
YOU CAN TALK TO ME.
1750
01:11:17,107 --> 01:11:19,040
>> LAX, IT'S OKAY.
YOU CAN TALK TO ME.
COME ON, YOU HAVE TO TALK TO
1751
01:11:19,042 --> 01:11:20,041
YOU CAN TALK TO ME.
COME ON, YOU HAVE TO TALK TO
SOMEONE.
1752
01:11:20,043 --> 01:11:22,277
COME ON, YOU HAVE TO TALK TO
SOMEONE.
IS IT JEROME JOHNSON?
1753
01:11:22,279 --> 01:11:32,687
>> I DREAM ABOUT THAT KID EVERY
NIGHT.
HE ASKS ME HOW I -- HOW I LIVE
1754
01:11:32,689 --> 01:11:34,856
NIGHT.
HE ASKS ME HOW I -- HOW I LIVE
WITH MYSELF, AND I LIE TO HIM
1755
01:11:34,858 --> 01:11:36,724
HE ASKS ME HOW I -- HOW I LIVE
WITH MYSELF, AND I LIE TO HIM
EVERY SINGLE TIME.
1756
01:11:36,726 --> 01:11:39,360
WITH MYSELF, AND I LIE TO HIM
EVERY SINGLE TIME.
AND HE JUST LAUGHS AND SAYS
1757
01:11:39,362 --> 01:11:41,496
EVERY SINGLE TIME.
AND HE JUST LAUGHS AND SAYS
HE'LL SEE ME TOMORROW.
1758
01:11:41,498 --> 01:11:44,999
AND HE JUST LAUGHS AND SAYS
HE'LL SEE ME TOMORROW.
AND HERMAN -- EVERY TIME I TALK
1759
01:11:45,001 --> 01:11:46,734
HE'LL SEE ME TOMORROW.
AND HERMAN -- EVERY TIME I TALK
TO HIM, I START THINKING THAT --
1760
01:11:46,736 --> 01:11:48,002
AND HERMAN -- EVERY TIME I TALK
TO HIM, I START THINKING THAT --
>> YOU DON'T THINK HE'S A
1761
01:11:48,004 --> 01:11:49,704
TO HIM, I START THINKING THAT --
>> YOU DON'T THINK HE'S A
VICTIM.
1762
01:11:49,706 --> 01:11:52,707
>> YOU DON'T THINK HE'S A
VICTIM.
HE KILLED 42 PEOPLE.
1763
01:11:52,709 --> 01:11:56,044
VICTIM.
HE KILLED 42 PEOPLE.
>> HE'S JUST A DISTURBED KID,
1764
01:11:56,046 --> 01:11:57,845
HE KILLED 42 PEOPLE.
>> HE'S JUST A DISTURBED KID,
JUST LIKE WE ALL ARE.
1765
01:11:57,847 --> 01:11:59,147
>> HE'S JUST A DISTURBED KID,
JUST LIKE WE ALL ARE.
>> OH, COME ON.
1766
01:11:59,149 --> 01:12:01,516
JUST LIKE WE ALL ARE.
>> OH, COME ON.
I THINK YOU'VE HAD A LOT TO
1767
01:12:01,518 --> 01:12:03,117
>> OH, COME ON.
I THINK YOU'VE HAD A LOT TO
DRINK, AND YOU NEED TO GET SOME
1768
01:12:03,119 --> 01:12:03,751
I THINK YOU'VE HAD A LOT TO
DRINK, AND YOU NEED TO GET SOME
SLEEP.
1769
01:12:03,753 --> 01:12:04,485
DRINK, AND YOU NEED TO GET SOME
SLEEP.
COME ON.
1770
01:12:04,487 --> 01:12:05,386
SLEEP.
COME ON.
>> ALL RIGHT.
1771
01:12:05,388 --> 01:12:07,722
COME ON.
>> ALL RIGHT.
>> UNH-UNH-UNH-UNH.
1772
01:12:07,724 --> 01:12:12,727
>> ALL RIGHT.
>> UNH-UNH-UNH-UNH.
>> ♪ BEGINS YOUR STORY'S END
1773
01:12:12,729 --> 01:12:14,896
>> UNH-UNH-UNH-UNH.
>> ♪ BEGINS YOUR STORY'S END
♪ THESE SKIES
1774
01:12:14,898 --> 01:12:17,899
>> ♪ BEGINS YOUR STORY'S END
♪ THESE SKIES
♪ WE FLY
1775
01:12:17,901 --> 01:12:25,907
♪ THESE SKIES
♪ WE FLY
♪ CAN WRITE YOUR STORY'S END
1776
01:12:25,909 --> 01:12:29,077
♪ WE FLY
♪ CAN WRITE YOUR STORY'S END
>> LAX.
1777
01:12:29,079 --> 01:12:32,113
♪ CAN WRITE YOUR STORY'S END
>> LAX.
>> ♪ COME WITH ME
1778
01:12:32,115 --> 01:13:30,872
>> DON'T.
1779
01:13:30,874 --> 01:13:43,985
>> [ CRYING ]
1780
01:13:43,987 --> 01:14:01,269
>> [ Chanting ] KILLING PEOPLE
DOES NOT STOP...
1781
01:14:01,271 --> 01:14:02,670
DOES NOT STOP...
>> WELCOME BACK.
1782
01:14:02,672 --> 01:14:04,572
>> WELCOME BACK.
IF YOU'RE JUST JOINING US,
1783
01:14:04,574 --> 01:14:06,641
IF YOU'RE JUST JOINING US,
TODAY'S EXECUTION IS THE FIRST
1784
01:14:06,643 --> 01:14:08,543
TODAY'S EXECUTION IS THE FIRST
EVER BROADCAST LIVE IN AMERICA.
1785
01:14:08,545 --> 01:14:10,511
EVER BROADCAST LIVE IN AMERICA.
AND FROM WHAT THEY'RE TELLING ME
1786
01:14:10,513 --> 01:14:13,614
AND FROM WHAT THEY'RE TELLING ME
RIGHT NOW, THIS WILL BE THE
HIGHEST-VIEWED EVENT IN
1787
01:14:13,616 --> 01:14:14,816
RIGHT NOW, THIS WILL BE THE
HIGHEST-VIEWED EVENT IN
TELEVISION HISTORY.
1788
01:14:14,818 --> 01:14:19,520
HIGHEST-VIEWED EVENT IN
TELEVISION HISTORY.
74% OF ALL SETS ARE TUNED IN AS
1789
01:14:19,522 --> 01:14:21,189
TELEVISION HISTORY.
74% OF ALL SETS ARE TUNED IN AS
HERMAN HOWARDS IS STRAPPED DOWN
1790
01:14:21,191 --> 01:14:22,757
74% OF ALL SETS ARE TUNED IN AS
HERMAN HOWARDS IS STRAPPED DOWN
TO THE ELECTRIC CHAIR.
1791
01:14:22,759 --> 01:14:26,794
>> [ Chanting ] KILLING PEOPLE
DOES NOT STOP PEOPLE FROM
KILLING PEOPLE!
1792
01:14:26,796 --> 01:14:28,162
DOES NOT STOP PEOPLE FROM
KILLING PEOPLE!
KILLING PEOPLE DOES NOT STOP
1793
01:14:28,164 --> 01:14:29,697
KILLING PEOPLE!
KILLING PEOPLE DOES NOT STOP
PEOPLE FROM KILLING PEOPLE!
1794
01:14:29,699 --> 01:14:31,199
KILLING PEOPLE DOES NOT STOP
PEOPLE FROM KILLING PEOPLE!
[ CAMERA WHIRS ]
1795
01:14:31,201 --> 01:14:32,967
PEOPLE FROM KILLING PEOPLE!
[ CAMERA WHIRS ]
>> YOU'RE A SMART KID, HERMAN.
1796
01:14:32,969 --> 01:14:34,535
[ CAMERA WHIRS ]
>> YOU'RE A SMART KID, HERMAN.
WHY DIDN'T YOU JUST GO TO
1797
01:14:34,537 --> 01:14:36,003
>> YOU'RE A SMART KID, HERMAN.
WHY DIDN'T YOU JUST GO TO
COLLEGE, MAKE FRIENDS THERE?
1798
01:14:36,005 --> 01:14:37,972
WHY DIDN'T YOU JUST GO TO
COLLEGE, MAKE FRIENDS THERE?
>> WELL, IT WORKED, DIDN'T IT?
1799
01:14:37,974 --> 01:14:39,073
COLLEGE, MAKE FRIENDS THERE?
>> WELL, IT WORKED, DIDN'T IT?
>> WHAT WORKED?
1800
01:14:39,075 --> 01:14:40,975
>> WELL, IT WORKED, DIDN'T IT?
>> WHAT WORKED?
>> YOU'RE HERE, AREN'T YOU?
1801
01:14:40,977 --> 01:14:42,710
>> WHAT WORKED?
>> YOU'RE HERE, AREN'T YOU?
>> YOU DID IT FOR THIS?
1802
01:14:42,712 --> 01:14:44,745
>> YOU'RE HERE, AREN'T YOU?
>> YOU DID IT FOR THIS?
>> IT WAS THE ONLY WAY TO MAKE
1803
01:14:44,747 --> 01:14:46,714
>> YOU DID IT FOR THIS?
>> IT WAS THE ONLY WAY TO MAKE
ANYBODY PAY ATTENTION TO ME.
1804
01:14:46,716 --> 01:14:48,049
>> IT WAS THE ONLY WAY TO MAKE
ANYBODY PAY ATTENTION TO ME.
>> YOU'RE GONNA BE KILLED.
1805
01:14:48,051 --> 01:14:50,651
ANYBODY PAY ATTENTION TO ME.
>> YOU'RE GONNA BE KILLED.
YOU INFLICTED PAIN ON INNOCENT
1806
01:14:50,653 --> 01:14:51,552
>> YOU'RE GONNA BE KILLED.
YOU INFLICTED PAIN ON INNOCENT
PEOPLE.
1807
01:14:51,554 --> 01:14:53,888
YOU INFLICTED PAIN ON INNOCENT
PEOPLE.
YOU AFFECTED HUNDREDS OF LIVES.
1808
01:14:53,890 --> 01:14:55,323
PEOPLE.
YOU AFFECTED HUNDREDS OF LIVES.
YOU THREW YOUR OWN LIFE AWAY.
1809
01:14:55,325 --> 01:14:56,757
YOU AFFECTED HUNDREDS OF LIVES.
YOU THREW YOUR OWN LIFE AWAY.
WHY? TO BE ON THIS SHOW?
1810
01:14:56,759 --> 01:14:57,925
YOU THREW YOUR OWN LIFE AWAY.
WHY? TO BE ON THIS SHOW?
>> WHAT ABOUT MY LIFE?
1811
01:14:57,927 --> 01:14:58,793
WHY? TO BE ON THIS SHOW?
>> WHAT ABOUT MY LIFE?
NOBODY CARES.
1812
01:14:58,795 --> 01:15:00,294
>> WHAT ABOUT MY LIFE?
NOBODY CARES.
NOBODY WOULD EVER LISTEN TO ME.
1813
01:15:00,296 --> 01:15:01,963
NOBODY CARES.
NOBODY WOULD EVER LISTEN TO ME.
>> WHY WOULD ANYBODY LISTEN TO
1814
01:15:01,965 --> 01:15:02,296
NOBODY WOULD EVER LISTEN TO ME.
>> WHY WOULD ANYBODY LISTEN TO
YOU?
1815
01:15:02,298 --> 01:15:03,898
>> WHY WOULD ANYBODY LISTEN TO
YOU?
>> YOU SHOULD CARE ABOUT ME.
1816
01:15:03,900 --> 01:15:05,633
YOU?
>> YOU SHOULD CARE ABOUT ME.
>> YOU'RE ABOUT TO BE A FOOTNOTE
1817
01:15:05,635 --> 01:15:07,001
>> YOU SHOULD CARE ABOUT ME.
>> YOU'RE ABOUT TO BE A FOOTNOTE
ON A LONG LIST OF FORGOTTEN
1818
01:15:07,003 --> 01:15:07,635
>> YOU'RE ABOUT TO BE A FOOTNOTE
ON A LONG LIST OF FORGOTTEN
FOOTNOTES.
1819
01:15:07,637 --> 01:15:08,803
ON A LONG LIST OF FORGOTTEN
FOOTNOTES.
>> GOOGLE ME IN 20 YEARS, LAX,
1820
01:15:08,805 --> 01:15:09,871
FOOTNOTES.
>> GOOGLE ME IN 20 YEARS, LAX,
AND WE'LL SEE WHO'S RIGHT.
1821
01:15:09,873 --> 01:15:11,072
>> GOOGLE ME IN 20 YEARS, LAX,
AND WE'LL SEE WHO'S RIGHT.
>> NO ONE'S GONNA REMEMBER YOUR
1822
01:15:11,074 --> 01:15:13,608
AND WE'LL SEE WHO'S RIGHT.
>> NO ONE'S GONNA REMEMBER YOUR
NAME.
1823
01:15:13,610 --> 01:15:14,876
>> NO ONE'S GONNA REMEMBER YOUR
NAME.
MAYBE WE SHOULD JUST TAKE YOU
1824
01:15:14,878 --> 01:15:16,110
NAME.
MAYBE WE SHOULD JUST TAKE YOU
OUT AND LOCK YOU UP AND THROW
1825
01:15:16,112 --> 01:15:16,878
MAYBE WE SHOULD JUST TAKE YOU
OUT AND LOCK YOU UP AND THROW
AWAY THE KEY.
1826
01:15:16,880 --> 01:15:18,179
OUT AND LOCK YOU UP AND THROW
AWAY THE KEY.
>> I DIDN'T THINK YOU'D BE THE
1827
01:15:18,181 --> 01:15:19,714
AWAY THE KEY.
>> I DIDN'T THINK YOU'D BE THE
ONE TO ADVOCATE TREATING A MINOR
1828
01:15:19,716 --> 01:15:20,314
>> I DIDN'T THINK YOU'D BE THE
ONE TO ADVOCATE TREATING A MINOR
LIKE AN ADULT.
1829
01:15:20,316 --> 01:15:21,983
ONE TO ADVOCATE TREATING A MINOR
LIKE AN ADULT.
>> IF YOU'RE OLD ENOUGH TO PLAN
1830
01:15:21,985 --> 01:15:23,684
LIKE AN ADULT.
>> IF YOU'RE OLD ENOUGH TO PLAN
AND CARRY OUT AN ATTACK AND KILL
1831
01:15:23,686 --> 01:15:25,086
>> IF YOU'RE OLD ENOUGH TO PLAN
AND CARRY OUT AN ATTACK AND KILL
39 CHILDREN AND THREE ADULTS,
1832
01:15:25,088 --> 01:15:26,721
AND CARRY OUT AN ATTACK AND KILL
39 CHILDREN AND THREE ADULTS,
THEN YOU'RE OLD ENOUGH TO KNOW
1833
01:15:26,723 --> 01:15:28,155
39 CHILDREN AND THREE ADULTS,
THEN YOU'RE OLD ENOUGH TO KNOW
WHAT KIND OF A PERSON IT TAKES
1834
01:15:28,157 --> 01:15:29,657
THEN YOU'RE OLD ENOUGH TO KNOW
WHAT KIND OF A PERSON IT TAKES
TO DO SOMETHING LIKE THIS.
1835
01:15:29,659 --> 01:15:30,124
WHAT KIND OF A PERSON IT TAKES
TO DO SOMETHING LIKE THIS.
>> YEAH?
1836
01:15:30,126 --> 01:15:31,592
TO DO SOMETHING LIKE THIS.
>> YEAH?
WHAT KIND OF PERSON, LAX?
1837
01:15:31,594 --> 01:15:32,059
>> YEAH?
WHAT KIND OF PERSON, LAX?
TELL ME.
1838
01:15:32,061 --> 01:15:33,794
WHAT KIND OF PERSON, LAX?
TELL ME.
>> AN EVIL PERSON, HERMAN.
1839
01:15:33,796 --> 01:15:35,763
TELL ME.
>> AN EVIL PERSON, HERMAN.
>> WERE YOU EVIL WHEN YOU BASHED
1840
01:15:35,765 --> 01:15:37,031
>> AN EVIL PERSON, HERMAN.
>> WERE YOU EVIL WHEN YOU BASHED
THAT KID WITH A BAT?
1841
01:15:37,033 --> 01:15:39,033
>> WERE YOU EVIL WHEN YOU BASHED
THAT KID WITH A BAT?
>> YES. YES, I WAS. I HAD TO BE.
1842
01:15:39,035 --> 01:15:40,167
THAT KID WITH A BAT?
>> YES. YES, I WAS. I HAD TO BE.
I-I WAS SAVING LIVES.
1843
01:15:40,169 --> 01:15:41,802
>> YES. YES, I WAS. I HAD TO BE.
I-I WAS SAVING LIVES.
IT WAS ONE KID TO DIE TO SAVE
1844
01:15:41,804 --> 01:15:42,336
I-I WAS SAVING LIVES.
IT WAS ONE KID TO DIE TO SAVE
THOUSANDS.
1845
01:15:42,338 --> 01:15:43,638
IT WAS ONE KID TO DIE TO SAVE
THOUSANDS.
THAT'S WHY I DID IT.
1846
01:15:43,640 --> 01:15:45,072
THOUSANDS.
THAT'S WHY I DID IT.
THAT'S WHY I ALLOWED MYSELF TO
1847
01:15:45,074 --> 01:15:45,673
THAT'S WHY I DID IT.
THAT'S WHY I ALLOWED MYSELF TO
DO IT.
1848
01:15:45,675 --> 01:15:47,108
THAT'S WHY I ALLOWED MYSELF TO
DO IT.
WHY DID YOU ALLOW YOURSELF TO
1849
01:15:47,110 --> 01:15:48,075
DO IT.
WHY DID YOU ALLOW YOURSELF TO
BECOME SO EVIL?
1850
01:15:48,077 --> 01:15:49,610
WHY DID YOU ALLOW YOURSELF TO
BECOME SO EVIL?
>> BECAUSE IT FELT GOOD!
1851
01:15:49,612 --> 01:15:51,112
BECOME SO EVIL?
>> BECAUSE IT FELT GOOD!
BECAUSE FOR ONE MOMENT IN MY
1852
01:15:51,114 --> 01:15:52,914
>> BECAUSE IT FELT GOOD!
BECAUSE FOR ONE MOMENT IN MY
NOTHING LIFE, I ACTUALLY GOT TO
1853
01:15:52,916 --> 01:15:54,715
BECAUSE FOR ONE MOMENT IN MY
NOTHING LIFE, I ACTUALLY GOT TO
KNOW WHAT IT FEELS LIKE TO HAVE
1854
01:15:54,717 --> 01:15:55,149
NOTHING LIFE, I ACTUALLY GOT TO
KNOW WHAT IT FEELS LIKE TO HAVE
POWER.
1855
01:15:55,151 --> 01:15:57,118
KNOW WHAT IT FEELS LIKE TO HAVE
POWER.
>> YOU DID IT TO FEEL POWERFUL?
1856
01:15:57,120 --> 01:15:58,819
POWER.
>> YOU DID IT TO FEEL POWERFUL?
>> I KNOW YOU UNDERSTAND.
1857
01:15:58,821 --> 01:16:01,689
>> YOU DID IT TO FEEL POWERFUL?
>> I KNOW YOU UNDERSTAND.
YOU TASTED IT.
1858
01:16:01,691 --> 01:16:03,824
>> I KNOW YOU UNDERSTAND.
YOU TASTED IT.
>> YOU THINK WE'RE ALIKE?
1859
01:16:03,826 --> 01:16:06,060
YOU TASTED IT.
>> YOU THINK WE'RE ALIKE?
WE'RE NOT THE SAME, HERMAN.
1860
01:16:06,062 --> 01:16:08,062
>> YOU THINK WE'RE ALIKE?
WE'RE NOT THE SAME, HERMAN.
PEOPLE SHOULD CARE ABOUT YOU?
1861
01:16:08,064 --> 01:16:09,730
WE'RE NOT THE SAME, HERMAN.
PEOPLE SHOULD CARE ABOUT YOU?
YOU DON'T DESERVE THAT.
1862
01:16:09,732 --> 01:16:11,699
PEOPLE SHOULD CARE ABOUT YOU?
YOU DON'T DESERVE THAT.
YOU DON'T EVEN DESERVE TO DIE,
1863
01:16:11,701 --> 01:16:12,233
YOU DON'T DESERVE THAT.
YOU DON'T EVEN DESERVE TO DIE,
HERMAN.
1864
01:16:12,235 --> 01:16:14,201
YOU DON'T EVEN DESERVE TO DIE,
HERMAN.
YOU DON'T DESERVE RECOGNITION.
1865
01:16:14,203 --> 01:16:15,870
HERMAN.
YOU DON'T DESERVE RECOGNITION.
YOU DON'T DESERVE PITY.
1866
01:16:15,872 --> 01:16:17,838
YOU DON'T DESERVE RECOGNITION.
YOU DON'T DESERVE PITY.
YOU SURE AS FUCK DON'T DESERVE
1867
01:16:17,840 --> 01:16:18,272
YOU DON'T DESERVE PITY.
YOU SURE AS FUCK DON'T DESERVE
LOVE.
1868
01:16:18,274 --> 01:16:19,740
YOU SURE AS FUCK DON'T DESERVE
LOVE.
>> DON'T SAY THAT!
1869
01:16:19,742 --> 01:16:20,808
LOVE.
>> DON'T SAY THAT!
>> WHAT? LOVE?
1870
01:16:20,810 --> 01:16:22,643
>> DON'T SAY THAT!
>> WHAT? LOVE?
YOU THINK YOU DESERVE LOVE?
1871
01:16:22,645 --> 01:16:23,244
>> WHAT? LOVE?
YOU THINK YOU DESERVE LOVE?
>> YEAH.
1872
01:16:23,246 --> 01:16:25,346
YOU THINK YOU DESERVE LOVE?
>> YEAH.
>> AFTER EVERYTHING YOU DID, YOU
1873
01:16:25,348 --> 01:16:27,181
>> YEAH.
>> AFTER EVERYTHING YOU DID, YOU
THINK YOU DESERVE LOVE?
1874
01:16:27,183 --> 01:16:27,848
>> AFTER EVERYTHING YOU DID, YOU
THINK YOU DESERVE LOVE?
WHY?
1875
01:16:27,850 --> 01:16:28,950
THINK YOU DESERVE LOVE?
WHY?
>> BECAUSE --
1876
01:16:28,952 --> 01:16:30,651
WHY?
>> BECAUSE --
>> BECAUSE WHY?
1877
01:16:30,653 --> 01:16:31,852
>> BECAUSE --
>> BECAUSE WHY?
I'D LIKE TO KNOW.
1878
01:16:31,854 --> 01:16:32,820
>> BECAUSE WHY?
I'D LIKE TO KNOW.
WHY, HERMAN?
1879
01:16:32,822 --> 01:16:34,655
I'D LIKE TO KNOW.
WHY, HERMAN?
WHY WOULD YOU DESERVE LOVE?
1880
01:16:34,657 --> 01:16:35,189
WHY, HERMAN?
WHY WOULD YOU DESERVE LOVE?
SAY IT!
1881
01:16:35,191 --> 01:16:37,124
WHY WOULD YOU DESERVE LOVE?
SAY IT!
>> BECAUSE I'M A HUMAN BEING,
1882
01:16:37,126 --> 01:16:39,827
SAY IT!
>> BECAUSE I'M A HUMAN BEING,
LIKE THE REST OF THEM!
1883
01:16:39,829 --> 01:16:44,699
>> BECAUSE I'M A HUMAN BEING,
LIKE THE REST OF THEM!
I'M A HUMAN BEING, TOO.
1884
01:16:44,701 --> 01:16:47,735
LIKE THE REST OF THEM!
I'M A HUMAN BEING, TOO.
[ SOBBING ]
1885
01:16:47,737 --> 01:17:20,201
I'M -- I'M SORRY.
I'M SORRY.
I'M SO SORRY.
1886
01:17:20,203 --> 01:17:52,733
TELL MY MOTHER I LOVE HER.
>> YEAH.
1887
01:17:52,735 --> 01:18:12,053
>> [ Chanting ] KILLING PEOPLE
DOES NOT STOP...
>> LET'S GO LIVE TO ISA LUZ, WHO
1888
01:18:12,055 --> 01:18:13,120
DOES NOT STOP...
>> LET'S GO LIVE TO ISA LUZ, WHO
IS STANDING BY WITH
1889
01:18:13,122 --> 01:18:14,221
>> LET'S GO LIVE TO ISA LUZ, WHO
IS STANDING BY WITH
SENATOR JOAN COX.
1890
01:18:14,223 --> 01:18:16,090
IS STANDING BY WITH
SENATOR JOAN COX.
>> WOULD YOU SHARE YOUR THOUGHTS
1891
01:18:16,092 --> 01:18:17,958
SENATOR JOAN COX.
>> WOULD YOU SHARE YOUR THOUGHTS
ABOUT TONIGHT'S EVENTS WITH US?
1892
01:18:17,960 --> 01:18:19,193
>> WOULD YOU SHARE YOUR THOUGHTS
ABOUT TONIGHT'S EVENTS WITH US?
>> AMERICA WILL BE WATCHING
1893
01:18:19,195 --> 01:18:20,761
ABOUT TONIGHT'S EVENTS WITH US?
>> AMERICA WILL BE WATCHING
TONIGHT, AND THEY WILL SEE THAT
1894
01:18:20,763 --> 01:18:21,796
>> AMERICA WILL BE WATCHING
TONIGHT, AND THEY WILL SEE THAT
THE GOVERNMENT OF THE
1895
01:18:21,798 --> 01:18:23,164
TONIGHT, AND THEY WILL SEE THAT
THE GOVERNMENT OF THE
UNITED STATES WILL NOT ALLOW OUR
1896
01:18:23,166 --> 01:18:24,432
THE GOVERNMENT OF THE
UNITED STATES WILL NOT ALLOW OUR
CHILDREN TO BE IN DANGER ANY
1897
01:18:24,434 --> 01:18:25,299
CHILDREN TO BE IN DANGER ANY
LONGER.
1898
01:18:25,301 --> 01:18:29,904
KILLING PEOPLE MAY NOT STOP
PEOPLE FROM KILLING PEOPLE, BUT
1899
01:18:29,906 --> 01:18:32,039
PEOPLE FROM KILLING PEOPLE, BUT
SEEING THE EXECUTION LIVE SURE
1900
01:18:32,041 --> 01:18:33,174
SEEING THE EXECUTION LIVE SURE
AS HECK WILL.
1901
01:18:33,176 --> 01:18:34,909
AS HECK WILL.
>> THANK YOU, SENATOR.
1902
01:18:34,911 --> 01:18:41,415
>> THANK YOU, SENATOR.
MORE THAN 3/4 OF THE NATION HAVE
THEIR EYES ON THE SCREEN AS W--
1903
01:18:41,417 --> 01:18:44,118
MORE THAN 3/4 OF THE NATION HAVE
THEIR EYES ON THE SCREEN AS W--
WHAT?
1904
01:18:44,120 --> 01:18:48,389
THEIR EYES ON THE SCREEN AS W--
WHAT?
THEY'RE READY.
1905
01:18:48,391 --> 01:18:52,093
WHAT?
THEY'RE READY.
THIS IS IT.
1906
01:18:52,095 --> 01:18:57,231
THEY'RE READY.
THIS IS IT.
[ SEA GULLS SQUAWKING ]
1907
01:18:57,233 --> 01:18:58,966
THIS IS IT.
[ SEA GULLS SQUAWKING ]
[ WATER SPLASHING ]
1908
01:18:58,968 --> 01:19:29,296
WE ARE JUST ABOUT TO WITNESS THE
EXE...
I -- CUT IT. I CAN'T DO IT.
1909
01:19:29,298 --> 01:19:31,165
EXE...
I -- CUT IT. I CAN'T DO IT.
[ CLOCK TICKING ]
1910
01:19:31,167 --> 01:20:05,199
>> [ BREATHING RAPIDLY ]
1911
01:20:05,201 --> 01:20:17,478
[ TICKING CONTINUES ]
1912
01:20:17,480 --> 01:20:26,453
>> HERMAN HOWARDS, YOU'RE ABOUT
TO BE EXECUTED BY MEANS OF THE
ELECTRIC CHAIR.
1913
01:20:26,455 --> 01:20:29,023
TO BE EXECUTED BY MEANS OF THE
ELECTRIC CHAIR.
DO YOU HAVE ANY LAST WORDS?
1914
01:20:29,025 --> 01:20:52,880
[ TICKING CONTINUES ]
1915
01:20:52,882 --> 01:21:32,319
>> WHAT'S UP, HERMAN?>> [LAUGHS ]
SEE, WHEN YOU'RE A KID, YOU
1916
01:21:32,321 --> 01:21:34,154
>> [LAUGHS ]
SEE, WHEN YOU'RE A KID, YOUHAVE TO FIND THAT ONE THING
1917
01:21:34,156 --> 01:21:36,056
SEE, WHEN YOU'RE A KID, YOUHAVE TO FIND THAT ONE THINGTHAT YOU CARE ABOUT AND STICK
1918
01:21:36,058 --> 01:21:37,725
HAVE TO FIND THAT ONE THINGTHAT YOU CARE ABOUT AND STICKTO IT, 'CAUSE THAT'S ALL YOU
1919
01:21:37,727 --> 01:21:38,592
THAT YOU CARE ABOUT AND STICKTO IT, 'CAUSE THAT'S ALL YOUGOT.
1920
01:21:38,594 --> 01:21:40,961
TO IT, 'CAUSE THAT'S ALL YOUGOT.>>WHAT'S YOUR ONE THING?
1921
01:21:40,963 --> 01:21:42,029
GOT.>>WHAT'S YOUR ONE THING?>>I DON'T KNOW.
1922
01:21:42,031 --> 01:21:43,631
>>WHAT'S YOUR ONE THING?>>I DON'T KNOW.I'LL HAVE TO TELL YOU WHEN I
1923
01:21:43,633 --> 01:21:44,398
>>I DON'T KNOW.I'LL HAVE TO TELL YOU WHEN IGROW UP.
1924
01:21:44,400 --> 01:21:46,267
I'LL HAVE TO TELL YOU WHEN IGROW UP.[LAUGHS]
1925
01:21:46,269 --> 01:21:55,609
>> SOME PEOPLE SEEM TO THINK
THAT THE QUESTION IS, "WHAT THE
HELL ARE WE GONNA DO WITH THESE
1926
01:21:55,611 --> 01:21:56,477
THAT THE QUESTION IS, "WHAT THE
HELL ARE WE GONNA DO WITH THESE
KIDS?"
1927
01:21:56,479 --> 01:21:57,711
HELL ARE WE GONNA DO WITH THESE
KIDS?"
WELL, THEY'RE WRONG.
1928
01:21:57,713 --> 01:21:59,613
KIDS?"
WELL, THEY'RE WRONG.
THE REAL QUESTION IS, "WHAT THE
1929
01:21:59,615 --> 01:22:01,382
WELL, THEY'RE WRONG.
THE REAL QUESTION IS, "WHAT THE
HELL ARE WE GONNA DO WITH US
1930
01:22:01,384 --> 01:22:02,449
THE REAL QUESTION IS, "WHAT THE
HELL ARE WE GONNA DO WITH US
ADULTS?"
1931
01:22:02,451 --> 01:22:05,286
HELL ARE WE GONNA DO WITH US
ADULTS?"
SO, TODAY, TAKE YOUR EYES OFF
1932
01:22:05,288 --> 01:22:07,221
ADULTS?"
SO, TODAY, TAKE YOUR EYES OFF
THE COMPUTER SCREEN, LOG OUT,
1933
01:22:07,223 --> 01:22:09,290
SO, TODAY, TAKE YOUR EYES OFF
THE COMPUTER SCREEN, LOG OUT,
UNPLUG, GO OUTSIDE, AND EXERCISE
1934
01:22:09,292 --> 01:22:10,624
THE COMPUTER SCREEN, LOG OUT,
UNPLUG, GO OUTSIDE, AND EXERCISE
YOUR RIGHT TO BREATHE.
1935
01:22:10,626 --> 01:22:12,559
UNPLUG, GO OUTSIDE, AND EXERCISE
YOUR RIGHT TO BREATHE.
YOU'RE STILL ALLOWED TO DO THAT,
1936
01:22:12,561 --> 01:22:13,360
YOUR RIGHT TO BREATHE.
YOU'RE STILL ALLOWED TO DO THAT,
YOU KNOW.
1937
01:22:13,362 --> 01:22:15,496
YOU'RE STILL ALLOWED TO DO THAT,
YOU KNOW.
TAKE A MOMENTARY BREAK FROM,
1938
01:22:15,498 --> 01:22:17,498
YOU KNOW.
TAKE A MOMENTARY BREAK FROM,
"BUY THIS, SELL THAT, FEEL
1939
01:22:17,500 --> 01:22:18,165
TAKE A MOMENTARY BREAK FROM,
"BUY THIS, SELL THAT, FEEL
THIS."
1940
01:22:18,167 --> 01:22:19,600
"BUY THIS, SELL THAT, FEEL
THIS."
BUT DO IT AFTER THE SHOW,
1941
01:22:19,602 --> 01:22:21,502
THIS."
BUT DO IT AFTER THE SHOW,
BECAUSE TODAY, WE'RE GONNA TALK
1942
01:22:21,504 --> 01:22:23,237
BUT DO IT AFTER THE SHOW,
BECAUSE TODAY, WE'RE GONNA TALK
ABOUT WHAT HAPPENS WHEN YOU
1943
01:22:23,239 --> 01:22:25,239
BECAUSE TODAY, WE'RE GONNA TALK
ABOUT WHAT HAPPENS WHEN YOU
DEVALUE HUMAN LIFE.
1944
01:22:25,241 --> 01:22:27,441
ABOUT WHAT HAPPENS WHEN YOU
DEVALUE HUMAN LIFE.
OKAY, LET'S TAKE SOME CALLS.
1945
01:22:27,443 --> 01:23:16,056
>> ♪ WHAT DID YOU SEE IN YOUR
WORLD TODAY? ♪
1946
01:23:16,058 --> 01:23:18,058
WORLD TODAY? ♪
♪ THE GUY NEXT DOOR, SOME KIDS
1947
01:23:18,060 --> 01:23:18,726
♪ THE GUY NEXT DOOR, SOME KIDS
AT PLAY ♪
1948
01:23:18,728 --> 01:23:22,096
AT PLAY ♪
♪ NO, YOU DIDN'T SEE ME
1949
01:23:22,098 --> 01:23:25,432
♪ NO, YOU DIDN'T SEE ME
♪ YOU DIDN'T SEE ME
1950
01:23:25,434 --> 01:23:27,768
♪ YOU DIDN'T SEE ME
♪ WHAT DID YOU SEE WHEN YOU WENT
1951
01:23:27,770 --> 01:23:28,769
♪ WHAT DID YOU SEE WHEN YOU WENT
OUTSIDE? ♪
1952
01:23:28,771 --> 01:23:30,771
OUTSIDE? ♪
♪ THE FRIENDLY SUN, A BLOOMING
1953
01:23:30,773 --> 01:23:31,472
♪ THE FRIENDLY SUN, A BLOOMING
BRIDE ♪
1954
01:23:31,474 --> 01:23:34,641
BRIDE ♪
♪ NO, YOU DIDN'T SEE ME
1955
01:23:34,643 --> 01:23:37,678
♪ NO, YOU DIDN'T SEE ME
♪ NO, YOU NEVER SEE ME
1956
01:23:37,680 --> 01:23:57,564
♪ HE WHO HEARD ME CRYING
♪ JUMPED INTO MY SOUL
1957
01:23:57,566 --> 01:24:00,567
♪ JUMPED INTO MY SOUL
♪ TOLD ME I'D BE GREAT SOMEDAY
1958
01:24:00,569 --> 01:24:03,570
♪ TOLD ME I'D BE GREAT SOMEDAY
♪ IF I COULD TAKE CONTROL
1959
01:24:03,572 --> 01:24:07,274
♪ IF I COULD TAKE CONTROL
♪ SAID I'D GO OUT IN GLORY
1960
01:24:07,276 --> 01:24:10,277
♪ SAID I'D GO OUT IN GLORY
♪ I'D GO OUT WITH FAME
1961
01:24:10,279 --> 01:24:11,779
♪ I'D GO OUT WITH FAME
♪ THE WHOLE WORLD WOULD
1962
01:24:11,781 --> 01:24:13,313
♪ THE WHOLE WORLD WOULD
REMEMBER ♪
1963
01:24:13,315 --> 01:24:19,486
REMEMBER ♪
♪ THEY'D FINALLY KNOW MY NAME
1964
01:24:19,488 --> 01:24:21,655
♪ THEY'D FINALLY KNOW MY NAME
♪ SO, WHAT DID YOU SEE IN YOUR
1965
01:24:21,657 --> 01:24:23,357
♪ SO, WHAT DID YOU SEE IN YOUR
WORLD TODAY? ♪
1966
01:24:23,359 --> 01:24:25,359
WORLD TODAY? ♪
♪ THE GUY NEXT DOOR, SOME KIDS
1967
01:24:25,361 --> 01:24:26,226
♪ THE GUY NEXT DOOR, SOME KIDS
AT PLAY ♪
1968
01:24:26,228 --> 01:24:29,396
AT PLAY ♪
♪ NO, YOU DIDN'T SEE ME
1969
01:24:29,398 --> 01:24:32,733
♪ NO, YOU DIDN'T SEE ME
♪ YOU DIDN'T SEE ME
1970
01:24:32,735 --> 01:24:34,601
♪ YOU DIDN'T SEE ME
♪ WHAT DID YOU SEE WITH YOUR
1971
01:24:34,603 --> 01:24:35,769
♪ WHAT DID YOU SEE WITH YOUR
PREJUDICED EYES? ♪
1972
01:24:35,771 --> 01:24:38,138
PREJUDICED EYES? ♪
♪ THIS EMPTY SPACE, A CLOUDLESS
1973
01:24:38,140 --> 01:24:38,806
♪ THIS EMPTY SPACE, A CLOUDLESS
SKY ♪
1974
01:24:38,808 --> 01:24:42,176
SKY ♪
♪ NO, YOU DIDN'T SEE ME
1975
01:24:42,178 --> 01:24:45,512
♪ NO, YOU DIDN'T SEE ME
♪ YOU DON'T WANT TO SEE ME
1976
01:24:45,514 --> 01:24:47,514
♪ YOU DON'T WANT TO SEE ME
♪ IF THE WALLS COULD TALK
1977
01:24:47,516 --> 01:24:48,682
♪ IF THE WALLS COULD TALK
TODAY ♪
1978
01:24:48,684 --> 01:24:51,685
TODAY ♪
♪ YOU MIGHT UNDERSTAND
1979
01:24:51,687 --> 01:24:53,854
♪ YOU MIGHT UNDERSTAND
♪ THIS GRIEF AND PAIN I HIDE
1980
01:24:53,856 --> 01:24:55,222
♪ THIS GRIEF AND PAIN I HIDE
BEHIND ♪
1981
01:24:55,224 --> 01:24:58,225
BEHIND ♪
♪ WILL IT EVER END?
1982
01:24:58,227 --> 01:25:01,562
♪ WILL IT EVER END?
♪ THOUGHT I'D GO OUT IN GLORY
1983
01:25:01,564 --> 01:25:04,431
♪ THOUGHT I'D GO OUT IN GLORY
♪ I'D GO OUT WITH FAME
1984
01:25:04,433 --> 01:25:06,433
♪ I'D GO OUT WITH FAME
♪ THE WHOLE WORLD WOULD
1985
01:25:06,435 --> 01:25:07,601
♪ THE WHOLE WORLD WOULD
REMEMBER ♪
1986
01:25:07,603 --> 01:25:10,771
REMEMBER ♪
♪ THE WORLD WOULD KNOW MY NAME
1987
01:25:10,773 --> 01:25:12,773
♪ THE WORLD WOULD KNOW MY NAME
♪ BRING BACK THE ROPE, THE
1988
01:25:12,775 --> 01:25:17,478
♪ BRING BACK THE ROPE, THE
PRAYER, THE HEROES ♪
1989
01:25:17,480 --> 01:25:19,346
PRAYER, THE HEROES ♪
♪ BRING BACK THE ROPE, THE
1990
01:25:19,348 --> 01:25:23,517
♪ BRING BACK THE ROPE, THE
PRAYER, THE HEROES ♪
1991
01:25:23,519 --> 01:25:25,519
PRAYER, THE HEROES ♪
♪ BRING BACK THE ROPE, THE
1992
01:25:25,521 --> 01:25:29,389
♪ BRING BACK THE ROPE, THE
PRAYER, THE HEROES ♪
1993
01:25:29,391 --> 01:25:32,259
PRAYER, THE HEROES ♪
♪ BRING BACK THE ROPE, THE
1994
01:25:32,261 --> 01:25:39,600
♪ BRING BACK THE ROPE, THE
PRAYER, THE HEROES ♪
1995
01:25:39,602 --> 01:25:42,936
PRAYER, THE HEROES ♪
♪ HERE I SIT AN INVISIBLE GUY
1996
01:25:42,938 --> 01:25:45,639
♪ HERE I SIT AN INVISIBLE GUY
♪ NO ONE HEARS MY VOICE, NO ONE
1997
01:25:45,641 --> 01:25:46,974
♪ NO ONE HEARS MY VOICE, NO ONE
HEARS ME CRY ♪
1998
01:25:46,976 --> 01:25:49,977
HEARS ME CRY ♪
♪ 'CAUSE YOU DIDN'T SEE ME
1999
01:25:49,979 --> 01:25:55,849
♪ 'CAUSE YOU DIDN'T SEE ME
♪ 'CAUSE YOU NEVER SAW ME
2000
01:25:55,851 --> 01:26:14,468
>> ♪ MAKE THE WORLD LOVE AGAIN
♪ I'M ONLY HUMAN
2001
01:26:14,470 --> 01:26:16,336
♪ I'M ONLY HUMAN
♪ NO ONE CAN UNDO IT
2002
01:26:16,338 --> 01:26:19,673
♪ NO ONE CAN UNDO IT
♪ I WAS MADE TO BE WHO I AM
2003
01:26:19,675 --> 01:26:21,375
♪ I WAS MADE TO BE WHO I AM
♪ MY STAR WILL SHINE ITS
2004
01:26:21,377 --> 01:26:22,242
♪ MY STAR WILL SHINE ITS
BRIGHTEST ♪
2005
01:26:22,244 --> 01:26:23,911
BRIGHTEST ♪
♪ WHEN DARKNESS IS AROUND US
2006
01:26:23,913 --> 01:26:25,779
♪ WHEN DARKNESS IS AROUND US
♪ BEAUTY'S SO MUCH DEEPER THAN
2007
01:26:25,781 --> 01:26:26,780
♪ BEAUTY'S SO MUCH DEEPER THAN
SKIN ♪
2008
01:26:26,782 --> 01:26:30,951
SKIN ♪
♪ IF YOU'RE OUT THERE
2009
01:26:30,953 --> 01:26:34,655
♪ IF YOU'RE OUT THERE
♪ AND YOU FEEL SCARED
2010
01:26:34,657 --> 01:26:38,525
♪ AND YOU FEEL SCARED
♪ IF YOU NEED AN HONEST ANSWER
2011
01:26:38,527 --> 01:26:42,529
♪ IF YOU NEED AN HONEST ANSWER
♪ I'LL BE RIGHT HERE
2012
01:26:42,531 --> 01:26:46,400
♪ I'LL BE RIGHT HERE
♪ 'CAUSE I AM NOT THE TYPE
2013
01:26:46,402 --> 01:26:47,734
♪ 'CAUSE I AM NOT THE TYPE
♪ I THINK WERE ALL THE SAME
2014
01:26:47,736 --> 01:26:50,270
♪ I THINK WERE ALL THE SAME
♪ IT'S WHAT YOU GOT INSIDE
2015
01:26:50,272 --> 01:26:54,274
♪ IT'S WHAT YOU GOT INSIDE
♪ ME AND YOU CAN MAKE A MOVE
2016
01:26:54,276 --> 01:26:56,276
♪ ME AND YOU CAN MAKE A MOVE
♪ IF WE STAND FOR OUR FEELINGS
2017
01:26:56,278 --> 01:26:58,278
♪ IF WE STAND FOR OUR FEELINGS
AND FIGHT ♪
2018
01:26:58,280 --> 01:27:01,949
AND FIGHT ♪
♪ 'CAUSE SOMETHING AIN'T RIGHT
2019
01:27:01,951 --> 01:27:05,953
♪ 'CAUSE SOMETHING AIN'T RIGHT
♪ SO LET'S START TONIGHT
2020
01:27:05,955 --> 01:27:08,956
♪ SO LET'S START TONIGHT
♪ TOGETHER, WE'LL MEND
2021
01:27:08,958 --> 01:27:12,659
♪ TOGETHER, WE'LL MEND
♪ MAKE THE WORLD LOVE AGAIN
2022
01:27:12,661 --> 01:27:14,995
♪ MAKE THE WORLD LOVE AGAIN
♪ WE'LL MAKE IT LOVE AGAIN
2023
01:27:14,997 --> 01:27:16,863
♪ WE'LL MAKE IT LOVE AGAIN
♪ MAKE IT LOVE AGAIN
2024
01:27:16,865 --> 01:27:19,032
♪ MAKE IT LOVE AGAIN
♪ WE'LL MAKE IT LOVE, LOVE
2025
01:27:19,034 --> 01:27:20,734
♪ WE'LL MAKE IT LOVE, LOVE
♪ MAKE IT LOVE AGAIN
2026
01:27:20,736 --> 01:27:24,071
♪ MAKE IT LOVE AGAIN
♪ MAKE THE WORLD LOVE AGAIN
2027
01:27:24,073 --> 01:27:27,307
♪ MAKE THE WORLD LOVE AGAIN
♪ WE'LL MAKE IT LOVE, LOVE
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