All language subtitles for the.baker.and.the.beauty.us.s01e09.720p.web.h264-tbs-eng

‐ Previously on
"The Baker and the Beauty"...

‐ It's time for us to expand.
This is our chance, Papi.

‐ I only have one condition.

We call the café Mari's.

The price of the renovation
has doubled.

What if we reopen those doors
and nobody comes back?

‐ Thomas Gold.

‐ A couple of my readers
forwarded me

some of your videos.

I think there might be
an opportunity

for us to work together.

‐ Well, you're nothing special.

Your voice is nothing special
and you don't look like a star.

‐ Come and see him live,
then decide.

‐ Okay.
I'll come.

As your date.

[upbeat Latin music]

♪ ♪

‐ Stop me when I'm wrong.

Noa broke it off,

then you begged her
to get back together.

She said no,

then she asked you not to come
to this event

and yet you still came.

Don't lose that smile,
superstar.

‐ Like you helped me
in Puerto Rico.

‐ We were together then.
We're not now.

‐ I have never been happier

than I was when I was with you.

‐ But you're going to Morocco
for three months

and my family needs me here.

I never realized
how much I enjoyed normal life

until I left it.

But I'm back now...

where I belong.

♪ ♪

[Allie X's "Devil I Know"]

[cool pop music]

‐ ♪ Mm, mm‐mm, mm‐mm ♪

‐ It's not good enough.

It's not exciting enough.

It's not innovative enough.

My board almost replaced me
over a tabloid story.

This is supposed to remind them
why I can't be replaced.

‐ ♪ Guess that's the price
that you pay ♪

♪ When you're in love ♪

‐ Throw it out and start again.

‐ ♪ Baby, you're the devil
I know ♪

♪ I know ♪

♪ Baby, I'm the devil now ♪

‐ That was unbelievable.
‐ I can't believe we did that.

‐ What are we gonna tell
everybody?
‐ We tell absolutely no one.

‐ We can't just pretend‐‐
‐ We pretend‐‐

both: Like it never happened.

[knocking at door]
‐ Vanessa.

both: Daniel?

‐ Oh, my‐‐
‐ No, no, no.

No, no, no, no, no, no, no.
What the hell's he doing here?

‐ [sarcastically]
I invited him for coffee.

How the hell should I know?
Go hide in the bathroom!

Coming!

‐ Where's the bathroom?
Where's the bath‐‐okay.

[tense music]

‐ Hey, Daniel.
What are you doing here?

‐ I'm so sorry to bug you
during an open house.

I tried calling
but your phone was off.

I figured you'd be here.

‐ Oh, yeah.
I just have to focus.

‐ Can I come in?

Do you remember Thomas Gold?

The food critic?
‐ Yeah.

‐ He just offered me a job
making videos

for the "Miami Journal"
website.

‐ What?
Daniel, that's amazing.

‐ I know.

He gave me this offer letter

and asked me
if I had representation.

I figured
since you handle Mateo...

‐ Yeah, of course.
‐ Oh, thank you.

I thought you'd be weird
about it.

‐ Weird?
Why would it be weird?

I'll read it
and get back to you.

But I just have some work to do
right now, so if you could‐‐

‐ Wait. Wait.

Isn't that the same outfit
you wore

for Natalie's quinceañera
last night?

♪ ♪

‐ Um...

‐ Oh.

Did you and the producer‐‐

‐ That is none of your
business, Daniel Garcia.

‐ You're right.
I'm sorry.

I'll let you get to it‐‐him‐‐

‐ Wh‐‐bye. Bye.
Uh‐‐

♪ ♪

‐ Mateo.

♪ ♪

‐ [laughs]

I have to admit, that was
tremendo party last night.

‐ [laughs]

Yes, it was.

And the after‐party wasn't bad
either, Papi.

both: Mm.

‐ Mm‐mm.
‐ [laughs]

[shop bell dings]

Ooh.

‐ I'm sorry,
we don't open till next week.

‐ Excuse me.
Can we help you?

‐ Uh, hi.

I'm looking for the owners
of Rafael's Bakery.

‐ You found them, but we're
closed for renovation.

‐ Well, I‐‐I hear
you make a mean pastelito.

But I'm actually not here
for that.

My name is Rick Jameson.

I'm a real estate developer
and, um...

I'm interested in buying
your property.

♪ ♪

[upbeat Latin music]

♪ ♪

‐ [exhales]

Well, that was fun.
‐ Inspirational.

In a Mussolini sort of way.

‐ Do you have anything
constructive to say?

‐ Look, it doesn't take
Sigmund Freud

to figure out
why you were angry,

but that doesn't mean
you should take it out

on everyone who works here.

‐ Everything I said was true.

‐ It's not what you said.

It is how you said it.

‐ I've always known
baker boy was an idiot,

but never in a million years
did I imagine

that he'd be stupid enough‐‐

‐ Look, what he said last night
is what I said three weeks ago.

He doesn't wanna change
his life,

I don't wanna change mine.

Period.
End of story.

Next.

‐ [sighs]

Noa...

I love you.

Which is why
I don't wanna stand here

and watch you do the same thing
you always do.

Pretending that you're okay,

partying around town,

throwing yourself in your work
so much that‐‐

‐ I have a company to run,
Lewis,

and a movie I need to be
preparing for.

‐ Neither of which
are as important

as learning how to deal
with this.

Because until you do,

you are gonna be stuck
in the same cycle

over and over again.

Jumping from person to person,

never figuring out
what you really want.

Trust me.

I've been down that road.

It's a cul‐de‐sac.

Built a house on it, for one.

You'll never get
those years back.

‐ Wow, one good date
with Trevor

and suddenly
you're an intimacy expert.

‐ Wow.

[low, tense music]

♪ ♪

‐ Lewis.

♪ ♪

Probably shouldn't have said
that.

‐ Mm‐mm.

He's right.

You have this pattern.

‐ Oh, my God.
Not you too.

‐ Ever since I've known you,
since we were in high school.

Even with Colin.

The trouble didn't start
when he was cheating.

It started before that,

when he proposed to you
and you said no.

And then your walls go up
overnight.

♪ ♪

‐ Sell the bakery?

‐ It's not just the bakery.

It's the café, the building,
it's‐‐it's everything.

‐ How much are we talking here?

‐ Well, we don't know

because we decided
not to entertain any offers

until we spoke to all of you
first.

‐ You'd really consider
selling?

‐ We're not sure,

but with you kids growing up
and moving on with your lives,

this is an opportunity for your
mother and me to ask ourselves,

is there something else
we wanna do with our life?

‐ We know it's a lot
to take in.

‐ Well,
speaking of new opportunities,

Thomas Gold offered me a job

making videos
for the "Miami Journal" online.

‐ Wow!
‐ What?

‐ Oh, my goodness
‐ Good for you!

‐ That's amazing.
‐ Congratulations, papi.

Wow!

‐ And their website gets
hundreds of thousands of hits

and I get to do
what I've already been doing,

but with a real crew
and a real paycheck.

So even though the idea
of selling the bakery is crazy,

I‐‐

with me taking this new job,

I feel like
it's not my decision to make.

‐ Okay.
Mateo, what about you?

‐ They better pay extra

for that state‐of‐the‐art
recording studio you made me.

How much did those egg crates
cost you, you know?

‐ Listen, you guys do not
have to decide right now.

‐ Well, I will.

The answer is no.

Absolutely not, okay?

You're not selling.
‐ Sweetie‐‐

‐ Newsflash,
this isn't just a business.

This is our home.
Where would we live?

‐ Wait a minute.
We're just talking, okay?

‐ Yeah.
‐ Are you sure?

Because it sounds like
you're halfway to doing.

And by doing, I mean making
the biggest mistake

of all of our lives.

‐ ...was the same
as what we're spending here.

‐ Mm‐hmm.
‐ We can't‐‐

Unbelievable.

‐ Oh, no.

‐ We tell her
to not repeat her patterns,

and she does this.

It's like she's literally
throwing it in our faces.

‐ Mr. Davis, of course.

Noa is expecting you.
This way.

‐ Colin.

‐ Hey.

‐ Hi.

‐ You look great.

‐ Thank you.

‐ Congratulations on the movie.

‐ You made the introduction.

You look uncomfortable.

‐ I didn't expect you to call
after Puerto Rico‐‐

‐ Let's‐‐
let's not revisit that.

‐ Actually, can we?

I think it might be
my last chance to apologize.

You'd asked me not to go,

and I went
and I acted like an idiot,

and I'm sorry.

I didn't wanna believe
it was really over.

[heartfelt music]

♪ ♪

‐ That's the benefit
of hindsight.

♪ ♪

‐ Yeah.

So are you gonna tell me
why you called?

♪ ♪

‐ Have you eaten yet?

‐ [whispering]
Mateo...

‐ Vanessa.

‐ Natalie?
What are you doing here?

‐ I need your help.

Is that Mateo's necklace?

‐ What?
No.

I mean, yeah.
[laughs]

He‐‐he left it here.

You know, when he was doing
his whole MC Cubano thing.

But here, give it back to him.

‐ Do you know the real estate
developer Rick Jameson?

I tried Googling him

and all I could find
was some random stuff

and then a weird LinkedIn page.

‐ There's a reason for that.

He likes to keep a low profile,
right?

He wants to make you believe
he's small‐time

to hide the fact
that he's very well connected

and has very deep pockets.

[suspicious music]

Why?

‐ He works for a billion‐dollar
real estate trust

called Cooper and Sons.

They pay guys like Jameson
to act as intermediaries

to see if he can get them
a better price.

‐ Trying to make a good deal
doesn't make them bad people.

‐ No, but what they do

once they get your property
does.

They go into neighborhoods,
remove the local businesses,

and bring in national chains.

So not only would we be
giving up our business,

our home,

our bakery would be replaced

by some soulless
hipster coffee bar

that you could find
in any mini‐mall

in the country.

‐ So Piper and Lewis tell me
that I like to put walls up

when people get too close.

So it's true then.

‐ I mean, Noa,
when we first broke up,

I wasn't even sure
that you noticed.

I just assumed
that you weren't that into me.

And then we got back together,
I‐‐

I sorta realized that it's
part of the price we pay

for being who we are.

‐ I was just really hoping

that this time would be
different.

‐ Is this about the baker?

‐ This is about me.

[heartfelt music]

‐ Noa, look.

I mean, I think
it's almost impossible

for people like us
to be in a relationship

with a normal person.

♪ ♪

Hey, just because it didn't
work out with this guy,

doesn't mean that there's
something wrong with you.

And you've wanted to be
an actor your entire life.

My advice is focus on that.

And you don't need to wait
for the filming

to go to Morocco.

You should just go, now, today.

‐ Now?
‐ Yeah.

Just go.

I mean, how are you supposed to
become someone else

when everywhere you look,
you see Noa Hamilton?

Noa Hamilton, Noa Hamilton.
[both laugh]

Just go.
Take a risk. Get lost.

♪ ♪

‐ So you think Mom and Pop
would really sell the bakery?

‐ Yeah, well, if they do,

you got a sick job
waiting for you.

‐ I thought Vanessa hooked you
up with that producer guy.

‐ Oh, yeah, Marlowe St. John.

Yeah, but one studio session
doesn't guarantee a career.

‐ Dude,
Vanessa believes in you.

And so do we.

‐ Thanks.

‐ You know, none of this
would happen without Noa.

Thomas Gold, my videos,
the expansion‐‐

‐ Oh, yeah.

So what happened?

Last night, Noa.

You two looked really good.

‐ She wanted to try again
and I said no.

‐ Why?

‐ [sighs]

That's the irony.

Last night, I told her
how much I love my life

the way it was.

But now,
with this new job opportunity,

it's possible that my life
could change anyway,

so now I'm wondering
if I made a mistake

by saying no to her.

‐ Well, I'm no expert,
but I would imagine that...

the right woman
makes you better.

Makes you walk
a little bit taller.

Makes you feel
like anything's possible.

Now, that doesn't mean
that when you meet her,

the circumstances are ideal

and that can get really tricky,
but I would hope

those could be overcome...

♪ ♪

If she's the one.

♪ ♪

[elevator dings]

‐ I should get back to work.

‐ Yeah.

It was really good to see you.
Clear the air.

‐ I think I'm gonna take you up
on your advice

and go to Morocco early.

I'm kind of excited.

I haven't had an adventure
on my own in a while.

‐ You know, I don't have to be
in London

till the end of the month.

‐ Colin.
‐ I know.

But it just made me think
about you and me, you know?

Before the world got to us.

[elevator dings]

‐ Those were good days.

[dramatic music]

♪ ♪

[dramatic music]

‐ Leave soon?
How soon?

‐ As soon as possible.
Tonight.

‐ [sighs]
God.

Let me guess, you got this idea
from Colin, right?

You've lost your mind.
She's lost her mind.

‐ Well, actually,
if you think about it,

it makes perfect sense.

‐ Noa, you cannot just leave.

‐ All the travel arrangements
are already in place.

Really, the only reason for me
to stay

is if you or Piper say
that there's something

that I must handle myself here.

‐ Oh, you mean
like the therapy session

that you should be running to
right now?

‐ Okay, Noa...

Noa, hey.
‐ [sniffles]

‐ This morning, you were biting
people's heads off

and now you're running out
the door.

‐ Noa, this is exactly what
I was telling you not to do.

‐ Daniel broke my heart.

Is that what you want me
to say?

He broke my heart,

and three weeks of therapy
is not gonna fix this.

So please, guys,

let me move on.

Let me focus on a dream

that I can actually make
happen.

♪ ♪

‐ I'll go.

[bell dings]

‐ You expect to get by me
with that face?

‐ Just a lot going on.

Sometimes, it's hard
to figure out what's real.

‐ That's easy.

Family.

‐ I went to see Noa
to tell her about my new gig.

‐ I see.

‐ And she was with her ex.

‐ Ah.

‐ When I see them,
they look right together.

Me and her, we don't.

‐ Sometimes, you gotta listen
to your heart, mijo.

Not your head.

Even if it seems
completely wrong.

Like me getting in front of
that camera of yours.

But it feels about time
we share

some of the Garcia magic
with the world wide web.

Come on, it'll help
with your new job.

‐ You're ready
to show the world

how you make
your pastelitos magníficos?

‐ No, no, no, no, no, no.

I have something better.

Hello.

I am Rafael Garcia,
Daniel's father,

and today, we're making

my family's fabled
tocinillo el cielo,

or heavenly custard.

‐ I've made this dessert
hundreds of times,

but I never got it right
because my dad refuses to share

the "secret ingredient."

‐ After today, it will be
a secret no more.

Vámanos!

‐ Pop, you're good.

‐ Well, you think you got
your talent from nowhere?

[Luis Fonsi, Sebastián Yatra,
and Nicky Jam's
"Date La Vuelta"]

[upbeat Latin pop]

‐ [singing in Spanish]

♪ ♪

‐ So now what?

‐ One hour of baking,
one hour of cooling,

and then we'll see
if we captured the magic

or not.

‐ ♪ Don't try to deny
what you feel ♪

♪ Or tell yourself
it isn't real ♪

♪ I know you're afraid
'cause you've been burned ♪

♪ But that heart of yours
I know, I know ♪

♪ I will earn ♪

[laughs]
‐ Someone's inspired.

‐ You like it?
‐ Actually, yeah, I do.

I can feel the passion in it.

‐ Thanks.

‐ Oh, hey, I almost forgot.

Vanessa told me
to give this to you.

She said you left it.

Why is your face doing that?

‐ What is my face doing?

What's your face doing?

I wouldn't read too much into‐‐
shh!

‐ Did you and Vanessa‐‐
oh, my God, no, no, no, no, no!

No‐‐how?
You‐‐

‐ It just happened, all right?

We had too much to drink,
the mood was right,

and we made love.

‐ [gags]
‐ I know. I know!

I know.
I am such a bad brother!

‐ Cain is a bad brother.

You are the worst brother
in the world.

‐ [sniffles]

‐ Wait, do you like her?

‐ Yeah, I do.

I'm crazy about her.

I think she likes me too.

‐ What are you gonna do?

‐ I don't know.

‐ What's funny is
you two actually make sense.

[heartfelt music]

‐ We do?

♪ ♪

‐ Here's my advice.

Tell her how you feel.

If she feels the same way,
you go to Daniel.

And if she doesn't,

then you take this
to your grave.

♪ ♪

‐ Oy.
[bell dings]

Your father will let you know
when it's ready.

A minute too soon
and it's all for nothing.

‐ Ah.
Thought I heard voices in here.

‐ Mr. Jameson?

Hi.
This is my son Daniel.

‐ Pleasure.
‐ Same.

‐ Did you not get our message?

‐ I did.
‐ Oh.

So what are you doing here?

‐ Well, I'm here

because I wouldn't be very good
at my job

if I took no for an answer.

‐ Look, Mr. Jameson,
don't take this personally.

I know you and your company
are used to getting your way

and you think
that money can buy everything,

but you're wrong.

It can't buy history

and you can't buy community,

so we're not interested.

‐ Humor me.

I did my research.

I know how to make things
worth your while.

If you take our offer,

even after paying off
every single debt,

you will have enough money
to change your lives forever.

[dramatic music]

♪ ♪

‐ What did I miss?

[dramatic music]

‐ I told you about Cooper
so you wouldn't sell,

not so that you'd pump them
for the next offer.

‐ Mamita, nobody pumped.

It turns out telling a buyer
to shove it

is a great bargaining
technique.

‐ That's right.
‐ [laughs]

‐ Well, it's nice to know
that for enough zeroes,

our integrity is for sale.

‐ Ay.
‐ Natalie, watch your tone.

♪ ♪

‐ You know, when people ask me
about our place,

I tell them how special it is.

Waking up every morning
to the smell of fresh pastries,

walking outside
and seeing a line of people

just waiting to try
our family's food,

people who have become
our friends.

But maybe
that just doesn't matter

to you guys anymore.

♪ ♪

[phone ringing]

[line ringing]

‐ Hi, you've reached
Vanessa Carmen Sanchez.

Please leave a message.

‐ Go away.

‐ Yeah, we both know
that's not gonna happen.

Move over.

Listen, I know

that the change we're
considering is a big change,

but that's part of life.

‐ This one doesn't have to be.

‐ Mamita, in a couple of years,
you're going away to college.

‐ Yeah, but I always thought

that no matter where I went
or what I did,

I'd always have this place
to come back to.

It's‐‐it's home.

‐ Sweetie,
this is just a building.

Home is wherever we are
together.

‐ But that's just it.

We're not gonna be
all together.

‐ Listen, bakery or no bakery,
Little Havana or Princeton,

however many roofs
we live under,

we will always be together.

‐ You don't know that.

‐ Oh, yes, I do.

'Cause we're Garcias

and you didn't get that family
that goes away, remember?

You got the family
that smothers.

And I'm gonna smother you
forever and ever.

‐ Knock knock.

You think I'm gonna let you go
to Morocco

without making sure
you've got everything you need?

You don't know me.

‐ I'm sorry I was so horrible
this morning.

‐ Aw.

Oh, honey.

You...

were only medium horrible.

‐ [laughs]

‐ Come on.
You have a flight to catch.

[sighs]

I'm sorry I can't go with you.

‐ No, don't be sorry.

You have your treatments.

‐ Ugh.

‐ Plus, I told you
if you don't get better,

I'm gonna kill you.

‐ [laughs]

[heartfelt music]

Hey, so what time is the car
coming to pick you up?

‐ 8:00, from the office.
Why?

‐ No, no reason.

I thought maybe I'd drive you.

‐ You, drive me to the airport?
[scoffs]

‐ I wanted points for offering.

‐ This is gonna be the best
tocinillo you've ever had.

Get your camera ready.
[laughs]

‐ If you guys actually decide
to sell,

I'm really gonna miss
this place.

It's the end of an era.

‐ And the start of a new one.

Everyone ready
for a taste of heaven?

‐ Yes, we are!

‐ That's what they used
to call me in high school.

‐ Chilled and timed
to the minute, folks.

Here we go.

The moment of truth.

You know what?

‐ Mijo, why'd you put
the camera away?

This is the best part.

‐ That's why
I put the camera down.

So I can experience this
with my family.

[Morat's "No Termino"]

‐ You ready?

[upbeat Latin pop]

‐ [singing in Spanish]

‐ Oh!
‐ [inhales sharply]

[all cheering]

‐ Thank you, but this is not
a beauty contest, eh?

Let's taste.
‐ [laughs]

‐ Looks good.

‐ Mmm, thank you.
‐ Pop.

♪ ♪

‐ Sí.
‐ Mmm.

[all mmm‐ing]

‐ Wow, Pop.

You didn't time anything,
didn't measure anything.

How'd you know it was gonna
come out like that?

‐ I didn't.

Truth is half of the time,
it falls apart.

But if we never try something

because we're afraid
it wouldn't turn out perfectly,

we wouldn't live.

‐ That's good, Pop.

Real subtle.
[laughter]

‐ Doesn't mean he's wrong.
‐ That's right.

‐ I appreciate what you guys
are trying to do

but the Noa Hamilton chapter
of my life is over.

[phone ringing]

Hello?
‐ Baker Boy, don't talk.

Just listen.

Noa's going to Morocco.

‐ I know.
‐ Shush!

What part of "don't talk"
do you not understand?

She's leaving tonight.

Tonight.

The car is picking her up
at the office at 8:00,

which would be fine,
except for one problem:

she is in love with you.

‐ I don't know what to say.

‐ You do know what to say.

You just need to get in
the car and come and say it.

‐ I saw her today with Colin.

‐ She's not in love
with Colin.

‐ But the two of them
make sense.

‐ Since when does love
make sense?

‐ You guys have been listening?

‐ Yes, of course.
‐ Duh.
‐ Obviously.

‐ I'm your mother.
‐ Lewis?

Who are you talking to?

‐ Piper.
It was a work thing.

Nothing for you to worry about.

[heartfelt music]

‐ She's going to Morocco.
‐ So stop her.

‐ Pop, you are the one
that said it.

She makes my life crazy.
She makes it impossible.

‐ But she makes your life.

‐ Daniel, if there's one thing
you must not do,

it's to leave
the words "I love you" unheard

because they were unsaid.

Hmm?

‐ Bro,

just tell her you love her.

I would.

I'll get the truck.

♪ ♪

‐ Noa, I'm gonna bring your bag
down to the car.

Noa?

Oh, God.

I leave you alone
for five minutes and‐‐

♪ ♪

[tense music]

♪ ♪

‐ Kay, we got this.
Oh!

‐ Don't you answer your phone?

‐ It was on silent.
Why? We're here early.

‐ Well, she left already.

‐ What?
Why didn't you stop her?

‐ She snuck away.
She hates good‐byes.

She joined the Navarro College
cheerleaders.

What does it matter?

You've gotta get
to the airport.

‐ What's her flight?

‐ Do I look like a travel agent
to you?

‐ Well‐‐
‐ Who are you?

‐ I'm his younger‐‐

‐ It's the nonstop
to Casablanca

but you'll never get past
security without a ticket.

‐ I got you.
I got you.

I will spot you... $0.

‐ Okay.

You guys have room
in that tank for one more?

‐ Oh.
[engine turns over]

‐ Don't touch me.
‐ Do you need help?

‐ Don't‐‐stop touching me.
‐ Sorry‐‐okay, okay.

[phone ringing]

‐ Mateo, stop calling.

Hello?

What the hell do you want?

‐ Vanessa.

Look, I wanted to apologize
for last night.

And explain.

‐ This should be rich.

‐ ♪ 'Cause I'm a
Calle Ocho guy ♪

♪ Oh, oh ♪

♪ A little ma‐‐ ♪

♪ 'Cause I'm a Calle Ocho ♪

‐ Are you gonna answer that
or am I?

‐ ♪ 'Cause I'm
a Calle Ocho guy ♪

‐ Oh, for God's sakes.
‐ Yo! Hey!

‐ Oh.
‐ Mateo?

‐ Sorry.
‐ Mateo!

‐ Vanessa.
‐ You told him to Google me?

‐ You know,
now's not a good time.

‐ You called me
a vindictive soup slinger!

‐ Hey, I did not call you that.

‐ So what, this was all a part
of your big plan?

Make him believe I'm crazy
so you could have sex with me?

‐ Oh.
both: What?

‐ Am I on speaker?
Where are you?

‐ I'm leaving my own body.

‐ Hey, Vanessa.

♪ ♪

‐ It's...

as bad as it sounds.

‐ You had sex with her?
Last night?

[tires squeal]

‐ No, no, no.

We don't have time
for fratricide right now, okay?

‐ Outside, now.

‐ I'm sure it'll be fine.

Oh, good, a street fight.
We're right on schedule.

‐ Daniel‐‐
‐ Come on.

Make a joke.

Make a funny excuse.

Say something, Mateo!

Are you serious about her?

‐ What?

‐ I really hurt Vanessa

and I don't want that
to happen to her again.

So what I wanna know
is are you serious about her?

‐ God, I am.

[heartfelt music]

And I'm sorry that it's weird
and I'm sorry that it's bad

and I swear that I‐‐

I didn't even notice her
until you guys broke up.

But then I saw her.

I really saw her.

And I tried.

I tried to stop thinking
about her.

I was trying to stop feeling‐‐

♪ ♪

But it's like gravity, bro.

When I fall,
I fall towards her.

♪ ♪

Look, just say the word

and it's over.

♪ ♪

‐ Don't screw this up.

‐ What?

‐ You two make as much sense
as me and Noa, so...

[system beeps]

Go get her.

‐ What, you mean now?
‐ Yeah, she sounded pretty mad.

And a phone call's
not gonna cut it with Vanessa,

so go.

♪ ♪

‐ I love you.

‐ I love you too.

‐ Uh, sorry to destroy
the touching moment

with my retching,

but we literally have a plane
to catch.

‐ Go.

♪ ♪

[bell dings]

♪ ♪

[heartfelt music]

♪ ♪

‐ Vanessa,
I know you're mad at me

and you have every right to be.

I just wanted‐‐

♪ ♪

I want you to hear me out.

[pop ballad]

♪ Don't try to deny
what you feel ♪

♪ Or tell yourself
it isn't real ♪

♪ I know you're afraid
'cause you've been burned ♪

♪ But that heart of yours
I know, I know ♪

♪ I will earn ♪

♪ Yeah, you're the Meghan
to my Harry ♪

♪ You're my princesa ♪

♪ You're my prince‐e‐esa ♪

♪ Prince‐e‐esa ♪

♪ ♪

It's my new song.

I wrote it about you.

‐ I like it.

I can see why you're so excited
about it.

‐ Thanks.
‐ Yeah.

You got something there.

‐ Marlowe.
[laughs]

Didn't know you'd be here.

Got a two for one deal.
[laughs]

‐ Seriously.

It's got heart, a good hook.

‐ Thank you.

‐ Songwriting might be
one of your strong suits.

When you come in on Monday,

I'm gonna introduce you
to some of my artists.

[somber music]

‐ [laughs]
That'd be‐‐that'd be great.

♪ ♪

‐ Yeah, I like it.

‐ See you Monday.

♪ ♪

‐ Enjoy my dad's tocinillo.
It might be his last.

‐ Aren't you
going to have some?

‐ Sadly, even gorging myself
on this heavenly custard

doesn't seem to lift
my spirits.

‐ Wow.

Mmm.

That's amazing.

‐ I know, right?

‐ I have an idea.

You ever notice how when
you think about the future,

most of the time,
it's about what could go wrong?

Like, since you found out
about the offer,

have you even tried to imagine
one good thing

that could happen?

‐ Ugh.
‐ [laughs]

‐ Can you even do that?

Okay, that sounds like
cheating.

‐ For example, two words:

new car.

‐ New car.

You think?
‐ For sure!

‐ Okay.
I like this.

‐ Mm‐hmm.
‐ What else?

New laptop.

‐ You're such a nerd.
[both laugh]

‐ And apparently
very materialistic

but let's not stop now.

‐ Well, your parents...

‐ Could finally slow down
a bit.

Probably wouldn't be
as stressed.

My dad wouldn't have to wake up
at 2:00 a. m. every morning.

And my mom would get to see him
a lot more.

‐ Yeah.
Stuff like that.

[jet engines roaring]

[tires squeaking]

‐ Sorry, sorry, sorry, sorry,
sorry, sorry, sorry, sorry.

Sorry. Sorry.
Sorry, sorry, sorry.

[tense music]

Damn it.

Of course we get the longest
escalator that's ever‐‐

do you have your passport?

‐ Fourth time you've asked me.

‐ Excuse me, can we go, please?

Stupid guy in love here.
Let's go.

Excuse me.
Sorry, sorry.

Excuse me. Sorry.
‐ Yep.

‐ Yep, yep, yep, yep, sorry.
‐ Excuse me.

[both breathing heavily]

Hello.

One ticket for the 11:00 flight
to Casablanca.

‐ Make it two.

You don't think
I'm gonna trust you

to fix this thing on your own,
do you?

We wouldn't be in this scenario

if you'd come to your senses
24 hours ago.

‐ I'm sorry, we're not allowed
to sell tickets

this close to departure.

‐ Right,
but I'm a platinum flyer, so‐‐

‐ And your name is?

‐ Lewis.

Wilbur Lewis.

‐ Your name is Wilbur?

‐ Don't say another word.

[Freedom Fry's "Everybody
Thinks the Love is Gone"]

‐ No thank you.

[somber ballad]

‐ ♪ Can't we make amends? ♪

♪ Can't we make up
something? ♪

♪ Talking to my friends ♪

♪ But they say
we got nothing ♪

♪ Now you're the only shoulder
that I wanna cry on ♪

♪ How come everybody thinks
that the love is gone? ♪

‐ Final boarding for Trans‐Air
flight 775 to Casablanca

departing from gate C3.

‐ Let's just go.
Come on, dude. Come on.

Come on, come on, come on.
‐ What about our shoes?

‐ ♪ Tell me where we stand ♪

♪ Can't you tell me
something? ♪

♪ Was sleeping at the wheel ♪

♪ But we shouldn't be driving
at night ♪

♪ You're the only shoulder
that I wanna cry on ♪

‐ Oh, no, this isn't suspicious
at all.

‐ ♪ Everybody thinks ♪

♪ That we're just
falling apart ♪

‐ Oh, no, no. Wait.
‐ Wait! Wait!

‐ No, don't you dare.
Don't close that door.

Don't close that door! Don't.
‐ Wait, wait, wait.

No, no, no.
‐ I'm sorry.

The flight is closed.
‐ Well, unclose it.

‐ There's nothing I can do,
sir.

It's FAA regulations.

♪ ♪

‐ ♪ Everybody thinks ♪

♪ That we're just
falling apart ♪

‐ What happened?

Where's Daniel?

‐ He hasn't answered his phone.

‐ I don't know.

I left him with Lewis.

They're on the way
to the airport

to try to stop Noa
from boarding.

‐ Hey, are you okay?

‐ Yeah.
Just wiped out.

True love is tiring.

‐ No, no, no, no, no, no.

We have something to discuss.
Sit down.

[heartfelt music]

‐ Okay.
Here we go.

What‐‐are you kidding?
No.

Does that look like cranberry
Testoni sheepskin suede

that costs more than your car?

No.

Keep looking.

Where‐‐where are you going?

Okay, now that just offends me.

‐ When all is said and done,

we're Garcias.

And when it comes
to our future,

it's not just about
your mother and me.

We want you to have a say too.

both: Well‐‐

‐ You go.
‐ I'll go.

I say we sell.

I know I've been all kinds
of terrible today, but...

it's just because I love
our life here so much.

And I'm scared.

But fear isn't a reason
to walk away.

It's a reason to push forward.

♪ ♪

‐ I think
when something is right,

you feel it in your body.

In your bones.

Our bakery and our new café,

it just seems right to me.

I think we should turn down
the money and stay.

♪ ♪

‐ Well, if today taught me
anything,

it's that if you love someone,
or something,

you fight for it.

It may not always work,
but if you leave,

then you can never get it back.

So I vote...

we stay.

‐ Okay.

Well, I can't believe
I'm saying this right now

because I'm the one who wanted
the expansion,

but I vote that we sell.

I think it's time
for a new adventure, Papi.

‐ It's a tie then.
‐ Mm‐hmm.

‐ We need Daniel.

[James Arthur's
"Falling like the Stars"]

[romantic acoustic ballad]

‐ ♪ I swear to God,
when I come home ♪

♪ I'm gonna hold you
so close ♪

♪ I swear to God,
when I come home ♪

♪ I'll never let go ♪

[phone ringing]

♪ Like a river, I flow ♪

‐ Noa?
‐ Hey.

We need to talk.

‐ Okay, let's talk,
but aren't you on the plane?

‐ [voice echoing]
Wait, is that you?

Daniel, is that you?

Daniel!
‐ Noa!

‐ What are you doing here?

[laughs]

‐ I came to stop you.

What are you doing here?

‐ I got off the plane.
Wait.

You came to stop me?

‐ And to tell you
that I love you.

That feels so good to say.

‐ ♪ And I'm not scared ♪

♪ To say those words ♪

♪ With you, I'm safe ♪

‐ I love you too.

‐ ♪ We're falling
like the stars ♪

♪ We're falling in love ♪

‐ I was such an idiot‐‐
‐ I shouldn't have given up‐‐

‐ Last night.
‐ Without a fight.

‐ [laughs]
‐ [squeals]

Oh, my God, the last two weeks
felt so wrong!

‐ Like we were making
such a big mistake.

‐ I know.

‐ ♪ 'Cause without you, babe ♪

♪ I lose my way ♪

‐ So what now?

‐ ♪ Oh, I'm in love ♪

♪ Oh, I'm in love ♪

♪ Oh, I'm in love ♪

♪ Oh, I'm in love ♪

‐ Voicemail again?
‐ Mm‐hmm.

‐ Well, the flight left
40 minutes ago, so...

‐ Hello!

‐ Daniel!
[laughter]

Noa!
Oh, my God!

[laughter]

Papi, you found her!
‐ Guys!

[all talking at once]

‐ Daniel, glad you're back.

We need your help
to make a decision.
‐ Yeah.

‐ That's funny because
we just made a pretty big one.

‐ What?
‐ [speaking Spanish]

‐ What?
‐ What's funny?

‐ [speaking Spanish]

‐ Oh.
‐ Go ahead, tell 'em.

‐ We're getting married!

[both laughing]

‐ ♪ We're falling
like the stars ♪

♪ We're falling in love ♪