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These are the user uploaded subtitles that are being translated: 1 00:00:01,366 --> 00:00:05,700 ♪♪ 2 00:00:05,733 --> 00:00:08,600 [ Suspenseful music plays ] 3 00:00:08,633 --> 00:00:10,733 ♪♪ 4 00:00:10,766 --> 00:00:12,800 THOMPSON: Horses. 5 00:00:12,833 --> 00:00:14,433 [ Snorts ] 6 00:00:14,466 --> 00:00:20,800 No other animal has done more for us. 7 00:00:20,833 --> 00:00:23,000 They're bigger, 8 00:00:23,033 --> 00:00:26,166 stronger, 9 00:00:26,200 --> 00:00:28,066 and faster than we are. 10 00:00:28,100 --> 00:00:30,433 [ Poignant tune plays ] 11 00:00:30,466 --> 00:00:32,800 And, not so long ago, 12 00:00:32,833 --> 00:00:35,266 all horses were wild. 13 00:00:35,300 --> 00:00:38,433 [ Neighing ] 14 00:00:38,466 --> 00:00:43,800 So how did this huge animal end up as our companion? 15 00:00:43,833 --> 00:00:45,966 [ Grumbling ] 16 00:00:46,000 --> 00:00:48,600 My name is Niobe Thompson. 17 00:00:48,633 --> 00:00:50,933 I'm an anthropologist 18 00:00:50,966 --> 00:00:53,100 [chuckling] and I just love horses. 19 00:00:53,133 --> 00:00:54,733 [ Whinnying ] 20 00:00:54,766 --> 00:00:56,966 I've discovered that's something I share 21 00:00:57,000 --> 00:00:59,266 with people all over the world. 22 00:00:59,300 --> 00:01:03,800 [ Triumphant music climbs ] 23 00:01:03,833 --> 00:01:08,400 So I wonder: What makes horses and humans 24 00:01:08,433 --> 00:01:11,700 so perfect for each other? 25 00:01:11,733 --> 00:01:16,366 Come with me on a journey around the world 26 00:01:16,400 --> 00:01:18,700 and back in time 27 00:01:18,733 --> 00:01:22,333 to the origins of this magnificent creature. 28 00:01:22,366 --> 00:01:25,333 ♪♪ 29 00:01:25,366 --> 00:01:28,266 [ Theme plays ] 30 00:01:28,300 --> 00:01:37,600 ♪♪ 31 00:01:37,633 --> 00:01:44,500 ♪♪ 32 00:01:47,200 --> 00:01:50,133 [ Portentous chorale plays ] 33 00:01:50,166 --> 00:01:52,366 THOMPSON: A horse in motion 34 00:01:52,400 --> 00:01:55,366 [ Neighing ] is poetry. 35 00:01:55,400 --> 00:01:59,533 We call them the aristocrat of animals 36 00:01:59,566 --> 00:02:02,066 for a reason. 37 00:02:02,100 --> 00:02:05,033 Their beauty is hypnotizing. 38 00:02:05,066 --> 00:02:06,933 [ Suspenseful music plays ] 39 00:02:06,966 --> 00:02:10,800 But there's more to a horse than meets the eye. 40 00:02:10,833 --> 00:02:15,066 Like their unparalleled speed. 41 00:02:15,100 --> 00:02:19,433 A horse can gallop twice the speed of humans, 42 00:02:19,466 --> 00:02:21,833 with a rider on its back. 43 00:02:21,866 --> 00:02:22,933 [ Suspenseful chord strikes ] 44 00:02:22,966 --> 00:02:25,400 ♪♪ 45 00:02:25,433 --> 00:02:29,066 No horse is bigger than this. 46 00:02:29,100 --> 00:02:33,466 A Belgian draft horse can pull 4 tons. 47 00:02:33,500 --> 00:02:35,933 ♪♪ 48 00:02:35,966 --> 00:02:37,333 But that isn't all. 49 00:02:37,366 --> 00:02:39,366 [ Suspenseful music climbs ] 50 00:02:39,400 --> 00:02:40,766 [ Performer vocalizing tender tune ] 51 00:02:40,800 --> 00:02:45,066 The body of a horse works in some very strange ways. 52 00:02:45,100 --> 00:02:51,100 ♪♪ 53 00:02:51,133 --> 00:02:53,633 Horses have enormous eyes... 54 00:02:53,666 --> 00:02:54,933 [ Neighs ] 55 00:02:54,966 --> 00:02:58,533 ...the biggest eyes of any animal on land. 56 00:02:58,566 --> 00:02:59,966 [ Huffs ] 57 00:03:00,000 --> 00:03:05,166 In daylight, horses see almost as well as humans. 58 00:03:05,200 --> 00:03:07,700 But, at night, they see better. 59 00:03:07,733 --> 00:03:09,500 ♪♪ 60 00:03:09,533 --> 00:03:13,600 They have almost 360° vision. 61 00:03:13,633 --> 00:03:16,800 They have only two blind spots: 62 00:03:16,833 --> 00:03:20,566 just behind and directly in front. 63 00:03:20,600 --> 00:03:23,500 ♪♪ 64 00:03:23,533 --> 00:03:24,900 But, even here, [ Neighs ] 65 00:03:24,933 --> 00:03:29,033 horses have a kind of second sight. 66 00:03:29,066 --> 00:03:34,066 Like a human hand, their lips are loaded with nerve endings. 67 00:03:34,100 --> 00:03:37,100 [ Grumbling ] 68 00:03:37,133 --> 00:03:39,233 Their whiskers are so sensitive, 69 00:03:39,266 --> 00:03:43,200 they can detect what their eyes can't see. 70 00:03:43,233 --> 00:03:45,000 [ Grumbling ] 71 00:03:45,033 --> 00:03:47,466 ♪♪ 72 00:03:47,500 --> 00:03:50,866 Like beavers, their teeth never stop growing. 73 00:03:50,900 --> 00:03:53,166 ♪♪ 74 00:03:53,200 --> 00:03:55,133 [ Ominous chord strikes ] 75 00:03:55,166 --> 00:03:58,433 And, at the end of their long, thin legs, 76 00:03:58,466 --> 00:04:02,133 horses have shock absorbers. 77 00:04:02,166 --> 00:04:03,366 [chuckling] They're called 78 00:04:03,400 --> 00:04:04,600 hooves. 79 00:04:04,633 --> 00:04:06,100 ♪♪ 80 00:04:06,133 --> 00:04:10,066 These natural gifts add up to an incredible animal. 81 00:04:10,100 --> 00:04:11,833 [ Triumphant music plays ] 82 00:04:11,866 --> 00:04:14,400 But the most amazing thing of all 83 00:04:14,433 --> 00:04:16,899 is they give those gifts 84 00:04:16,933 --> 00:04:18,466 to us. 85 00:04:18,500 --> 00:04:20,133 ♪♪ 86 00:04:20,166 --> 00:04:24,866 When I ride my horse, I forget how much bigger he is than me. 87 00:04:24,900 --> 00:04:26,766 ♪♪ 88 00:04:26,800 --> 00:04:29,266 He's just so eager to please. 89 00:04:29,300 --> 00:04:31,033 ♪♪ 90 00:04:31,066 --> 00:04:33,866 So how did Nature create 91 00:04:33,900 --> 00:04:35,900 such a perfect partner? 92 00:04:35,933 --> 00:04:39,233 ♪♪ 93 00:04:39,266 --> 00:04:42,633 What are the origins of the horse? 94 00:04:42,666 --> 00:04:44,666 [ Suspenseful music plays ] 95 00:04:44,700 --> 00:04:51,300 It's a story that began 45 million years back in time. 96 00:04:51,333 --> 00:04:53,866 The Eocene. 97 00:04:53,900 --> 00:04:56,066 Dinosaurs had gone extinct. 98 00:04:56,100 --> 00:04:57,966 [ Birds twittering ] 99 00:04:58,000 --> 00:05:02,933 Tiny primates, our ancestors, had emerged. 100 00:05:02,966 --> 00:05:07,200 And so had the earliest horse. 101 00:05:07,233 --> 00:05:09,566 [ Whimsical sting plays ] 102 00:05:09,600 --> 00:05:13,600 Few traces remain of that ancient world. 103 00:05:13,633 --> 00:05:18,200 The best place to find them is this abandoned mine in Germany, 104 00:05:18,233 --> 00:05:20,566 called Grube Messel. 105 00:05:20,600 --> 00:05:22,966 Evolutionary biologist Martin Fischer 106 00:05:23,000 --> 00:05:26,700 began his career digging for fossils here. 107 00:05:26,733 --> 00:05:28,966 It was a good choice. 108 00:05:29,000 --> 00:05:33,433 This is the world's richest source of Eocene fossils. 109 00:05:33,466 --> 00:05:35,600 FISCHER: It's beautiful. -THOMPSON: Is that a alligator 110 00:05:35,633 --> 00:05:36,933 or a...? -FISCHER: It's a fish. 111 00:05:36,966 --> 00:05:39,200 THOMPSON: It's a fish? -FISCHER: It's a fish. 112 00:05:39,233 --> 00:05:40,933 THOMPSON: Nearby is a museum, 113 00:05:40,966 --> 00:05:43,466 built to hold the discoveries from below. 114 00:05:43,500 --> 00:05:46,166 ♪♪ 115 00:05:46,200 --> 00:05:48,400 FISCHER: These are all original fossils. 116 00:05:48,433 --> 00:05:50,733 100% original. 117 00:05:50,766 --> 00:05:53,666 THOMPSON: This is the treasure room. 118 00:05:53,700 --> 00:05:57,666 It holds some of the most perfectly preserved fossils 119 00:05:57,700 --> 00:05:59,933 ever discovered. 120 00:05:59,966 --> 00:06:02,133 Crocodiles. 121 00:06:02,166 --> 00:06:03,500 Birds. 122 00:06:03,533 --> 00:06:04,833 Even bats, 123 00:06:04,866 --> 00:06:08,433 with their wing tissues still visible. 124 00:06:08,466 --> 00:06:10,766 And the crown jewel: 125 00:06:10,800 --> 00:06:13,733 a 40-million-year-old fossil 126 00:06:13,766 --> 00:06:16,266 of Dawn Horse. 127 00:06:16,300 --> 00:06:21,066 A creature like 128 00:06:21,066 --> 00:06:21,100 this 129 00:06:21,100 --> 00:06:23,333 Amazing! I've never seen 130 00:06:23,366 --> 00:06:25,433 such a well-preserved fossil from this era. 131 00:06:25,466 --> 00:06:27,166 FISCHER: Yeah. It's just wonderful. 132 00:06:27,200 --> 00:06:30,700 But, we have special permission to take it up, 133 00:06:30,733 --> 00:06:34,333 to see it some very close, and I can explain the anatomy. 134 00:06:34,366 --> 00:06:36,566 THOMPSON: Oh, it's heavy! -FISCHER: It's heavy. 135 00:06:36,600 --> 00:06:38,533 Okay. 136 00:06:38,566 --> 00:06:40,733 THOMPSON: The fossil is so complete, 137 00:06:40,766 --> 00:06:44,366 we can even see its last meal: 138 00:06:44,400 --> 00:06:46,866 grapes. 139 00:06:46,900 --> 00:06:50,500 Dawn Horse was a fruit eater. 140 00:06:50,533 --> 00:06:52,733 FISCHER: It's perfectly preserved in here 141 00:06:52,766 --> 00:06:56,400 and we have the four toes in the front. 142 00:06:56,433 --> 00:06:59,333 You see these huge canines here. 143 00:06:59,366 --> 00:07:01,200 It looks like a dog. -THOMPSON: It really does. 144 00:07:01,233 --> 00:07:02,633 I mean, this looks like a meat eater to me. 145 00:07:02,666 --> 00:07:05,000 FISCHER: [laughs] If you ask yourself 146 00:07:05,033 --> 00:07:10,066 why today's stallions have a canine, the answer is here. 147 00:07:10,100 --> 00:07:12,400 THOMPSON: But, still, Martin, I look at this animal. 148 00:07:12,433 --> 00:07:13,500 I mean, it's tiny. 149 00:07:13,533 --> 00:07:16,400 It has these big, padded feet. 150 00:07:16,433 --> 00:07:20,166 I just don't see 151 00:07:20,166 --> 00:07:20,200 anything of the horse in this fossil. 152 00:07:20,200 --> 00:07:21,666 FISCHER: I totally agree. 153 00:07:21,700 --> 00:07:27,000 And, actually, this horse never thought of becoming a horse. 154 00:07:27,033 --> 00:07:31,566 Like always in my life, I wanted to see things moving 155 00:07:31,600 --> 00:07:35,466 and I would love to see this horse moving. 156 00:07:35,500 --> 00:07:36,666 THOMPSON: Martin made his name 157 00:07:36,700 --> 00:07:41,000 by showing us how animals 158 00:07:41,000 --> 00:07:41,033 really 159 00:07:41,033 --> 00:07:44,166 from the inside out. 160 00:07:44,200 --> 00:07:47,433 Dogs. 161 00:07:47,466 --> 00:07:48,533 Cats. 162 00:07:48,566 --> 00:07:51,400 ♪♪ 163 00:07:51,433 --> 00:07:52,800 Even lizards. 164 00:07:52,833 --> 00:07:57,033 ♪♪ 165 00:07:57,066 --> 00:07:59,666 But with Dawn Horse, he's tackling something 166 00:07:59,700 --> 00:08:02,533 much more difficult. 167 00:08:02,566 --> 00:08:05,466 Using what he's learned about 168 00:08:05,466 --> 00:08:05,500 living 169 00:08:05,500 --> 00:08:08,433 Martin is going to rebuild Dawn Horse, 170 00:08:08,466 --> 00:08:10,733 bone by bone, 171 00:08:10,766 --> 00:08:14,566 and, then, bring her to life. 172 00:08:14,600 --> 00:08:19,633 It's the very definition of an educated guess. 173 00:08:19,666 --> 00:08:21,566 FISCHER: We can show you a first attempt. 174 00:08:21,600 --> 00:08:23,400 THOMPSON: You've got some of the bones in movement now? 175 00:08:23,433 --> 00:08:24,466 FISCHER: Yeah. 176 00:08:24,500 --> 00:08:25,666 THOMPSON: Yeah, I'd love to see that. 177 00:08:25,700 --> 00:08:28,266 Wow. Okay, so, there's a sense of life there. 178 00:08:28,300 --> 00:08:30,900 Those legs seem to be moving realistically to me. 179 00:08:30,933 --> 00:08:32,233 FISCHER: That's the point. -THOMPSON: Even though there's 180 00:08:32,266 --> 00:08:33,766 nothing attached to those legs, -FISCHER: [Laughing] 181 00:08:33,799 --> 00:08:36,000 THOMPSON: there's no animal above them, the legs are moving. 182 00:08:36,033 --> 00:08:37,299 How long is it going to take you 183 00:08:37,333 --> 00:08:39,866 to get to the full, moving animal? 184 00:08:39,900 --> 00:08:41,533 FISCHER: I would guess that -- 185 00:08:41,566 --> 00:08:44,366 What you would say, another three months? 186 00:08:44,400 --> 00:08:45,433 MAN: [Laughing] 187 00:08:45,466 --> 00:08:46,800 FISCHER: Two to four months? 188 00:08:46,833 --> 00:08:48,033 Simply difficult. 189 00:08:48,066 --> 00:08:49,633 THOMPSON: Okay, Martin, well, I'm gonna come back 190 00:08:49,666 --> 00:08:51,900 in three months and we'll see how far you've gotten. 191 00:08:51,933 --> 00:08:53,700 How 'bout that? -FISCHER: Okay. 192 00:08:53,733 --> 00:08:55,700 Sirs, no more weekend, 193 00:08:55,733 --> 00:08:58,066 [ Laughter ] no holidays, no nothing. 194 00:08:58,100 --> 00:09:01,433 Doing all this work, it 195 00:09:01,433 --> 00:09:01,466 is 196 00:09:01,466 --> 00:09:02,700 That's science. 197 00:09:02,733 --> 00:09:06,066 It's sailing to an unknown island 198 00:09:06,100 --> 00:09:09,566 and our island, in the moment, is Dawn Horse. 199 00:09:09,600 --> 00:09:13,300 This is what an explorer or a scientist does 200 00:09:13,333 --> 00:09:14,933 and it's great fun. 201 00:09:14,966 --> 00:09:17,766 ♪♪ 202 00:09:17,800 --> 00:09:21,066 THOMPSON: All Martin's hard work finally pays off. 203 00:09:21,100 --> 00:09:24,266 [ Whimsical tune plays ] 204 00:09:24,300 --> 00:09:30,100 He can now reveal how Dawn Horse's bones fit together. 205 00:09:30,133 --> 00:09:31,800 [ Clacking ] 206 00:09:31,833 --> 00:09:39,933 ♪♪ 207 00:09:39,966 --> 00:09:42,666 And how this creature moved. 208 00:09:42,700 --> 00:09:48,300 ♪♪ 209 00:09:48,333 --> 00:09:51,933 Unlike a horse, sh 210 00:09:51,933 --> 00:09:51,966 e 211 00:09:51,966 --> 00:09:58,066 ♪♪ 212 00:09:58,100 --> 00:10:00,533 She could turn and corner. 213 00:10:00,566 --> 00:10:05,200 ♪♪ 214 00:10:05,233 --> 00:10:07,100 Dawn Horse didn't gallop. 215 00:10:07,133 --> 00:10:08,466 She scampered. 216 00:10:08,500 --> 00:10:10,033 ♪♪ 217 00:10:10,066 --> 00:10:12,533 [ Snort ] 218 00:10:12,566 --> 00:10:17,866 Compared to horses today, she was tiny, 219 00:10:17,900 --> 00:10:19,433 a vulnerable animal. 220 00:10:19,466 --> 00:10:21,300 ♪♪ 221 00:10:21,333 --> 00:10:22,600 Desperate for cover. 222 00:10:22,633 --> 00:10:23,933 ♪♪ 223 00:10:23,966 --> 00:10:26,233 [ Insects chirping ] 224 00:10:26,266 --> 00:10:29,933 It's true this creature was nothing like the horse we know. 225 00:10:29,966 --> 00:10:32,766 [ Suspenseful music plays ] 226 00:10:32,800 --> 00:10:38,333 But she was a perfect reflection of her own tropical world. 227 00:10:38,366 --> 00:10:40,500 There were dangerous predators. 228 00:10:40,533 --> 00:10:42,300 [ Neighs ] 229 00:10:42,333 --> 00:10:44,400 But also places to hide. 230 00:10:44,433 --> 00:10:47,500 ♪♪ 231 00:10:47,533 --> 00:10:51,033 Dawn Horse was built to survive in dense forests. 232 00:10:51,066 --> 00:10:52,900 [ Ethereal vocals play ] But I wonder: 233 00:10:52,933 --> 00:10:54,766 How did this 234 00:10:54,800 --> 00:10:56,933 evolve into 235 00:10:56,933 --> 00:10:56,966 this? 236 00:10:56,966 --> 00:11:00,733 [ Ominous music climbs ] 237 00:11:00,766 --> 00:11:03,133 What on Earth happened to horses? 238 00:11:03,166 --> 00:11:06,766 [ Suspenseful music plays ] 239 00:11:06,800 --> 00:11:09,666 Well, the answer is: 240 00:11:09,700 --> 00:11:10,866 Earth happened. 241 00:11:10,900 --> 00:11:13,366 [ Portentous chorale plays ] 242 00:11:13,400 --> 00:11:16,233 Early horses were perfectly suited to their world, 243 00:11:16,266 --> 00:11:20,500 full of dense, lush forests, full of cover from predators. 244 00:11:20,533 --> 00:11:22,233 I'm only a few feet away from you, 245 00:11:22,266 --> 00:11:25,000 but look how easy it is for me to hide. 246 00:11:25,033 --> 00:11:28,033 And look at all the succulent leaves: 247 00:11:28,066 --> 00:11:30,600 a herbivore's feast! 248 00:11:30,633 --> 00:11:32,700 This was a greenhouse world. 249 00:11:32,733 --> 00:11:37,233 It stayed hot for millions of years and, in all that time, 250 00:11:37,266 --> 00:11:39,666 Dawn Horse hardly changed at all. 251 00:11:39,700 --> 00:11:42,800 And then, about 18 million years ago, 252 00:11:42,833 --> 00:11:44,400 the Earth began to cool. 253 00:11:44,433 --> 00:11:46,500 ♪♪ 254 00:11:46,533 --> 00:11:48,200 With the cooling climate, 255 00:11:48,233 --> 00:11:50,800 tropical forests began to disappear. 256 00:11:50,833 --> 00:11:53,833 [ Birds chirping ] 257 00:11:53,866 --> 00:11:56,233 A cooler world was also a drier world 258 00:11:56,266 --> 00:11:59,866 and, now, early horses were challenged to adapt. 259 00:11:59,900 --> 00:12:02,200 As new kinds of horse emerged, 260 00:12:02,233 --> 00:12:06,566 to survive the cooling climate, new plants also appeared 261 00:12:06,600 --> 00:12:09,666 and the result was that large parts of the planet 262 00:12:09,700 --> 00:12:14,733 were covered by an entirely new habitat: 263 00:12:14,766 --> 00:12:16,000 grasslands! 264 00:12:16,033 --> 00:12:19,200 [ Triumphant chorale climbs ] 265 00:12:19,233 --> 00:12:25,800 ♪♪ 266 00:12:25,833 --> 00:12:29,766 Grasses were Nature's answer to this cooler, drier world. 267 00:12:29,800 --> 00:12:33,433 ♪♪ 268 00:12:33,466 --> 00:12:35,133 Pound for pound, 269 00:12:35,166 --> 00:12:37,600 grass isn't 270 00:12:37,600 --> 00:12:37,633 nearly 271 00:12:37,633 --> 00:12:40,900 as the fruits and nuts of the Eocene forest, 272 00:12:40,933 --> 00:12:45,666 but this was now the habitat horses chose 273 00:12:45,700 --> 00:12:47,000 and it's amazing, 274 00:12:47,033 --> 00:12:51,133 just how much 275 00:12:51,133 --> 00:12:51,166 this 276 00:12:51,166 --> 00:12:53,633 [ Snuffling ] 277 00:12:53,666 --> 00:12:57,633 Blades of grass are like sandpaper on teeth. 278 00:12:57,666 --> 00:12:59,700 ♪♪ 279 00:12:59,733 --> 00:13:02,666 So horses' heads became longer, to make room 280 00:13:02,700 --> 00:13:05,800 for rows of molars that never stop growing. 281 00:13:05,833 --> 00:13:07,900 [ Snorting ] 282 00:13:07,933 --> 00:13:12,000 Their enormous eyes moved up their long heads, 283 00:13:12,033 --> 00:13:15,066 perfect for spotting danger while eating. 284 00:13:15,100 --> 00:13:16,700 ♪♪ 285 00:13:16,733 --> 00:13:20,533 Horses even developed a special kind of stomach, 286 00:13:20,566 --> 00:13:24,900 able to quickly digest grasses and immediately run. 287 00:13:24,933 --> 00:13:26,666 ♪♪ 288 00:13:26,700 --> 00:13:28,433 No cow can do that. 289 00:13:28,466 --> 00:13:31,566 ♪♪ 290 00:13:31,600 --> 00:13:36,100 Horses now lived in a world without cover. 291 00:13:36,133 --> 00:13:40,566 Keeping a distance from predators was critical, 292 00:13:40,600 --> 00:13:43,733 so horses had to get faster. 293 00:13:43,766 --> 00:13:48,066 ♪♪ 294 00:13:48,100 --> 00:13:53,733 As horses grew, their legs became longer and thinner, 295 00:13:53,766 --> 00:13:56,966 the legs of a runner. 296 00:13:57,000 --> 00:13:59,000 [ Neighing ] 297 00:13:59,033 --> 00:14:02,066 ♪♪ 298 00:14:02,100 --> 00:14:05,900 But the most amazing change of all 299 00:14:05,933 --> 00:14:07,900 was in their toes. 300 00:14:07,933 --> 00:14:10,933 ♪♪ 301 00:14:10,966 --> 00:14:13,333 They lost them all. 302 00:14:13,366 --> 00:14:14,733 Except one. 303 00:14:14,766 --> 00:14:18,500 [ Crackling ] 304 00:14:18,533 --> 00:14:21,400 Martin Fisher helps me understand. 305 00:14:21,433 --> 00:14:22,800 FISCHER: Remember the Dawn Horse? 306 00:14:22,833 --> 00:14:24,133 Four in the front 307 00:14:24,166 --> 00:14:25,466 THOMPSON: Yeah. -FISCHER: and three in the back. 308 00:14:25,500 --> 00:14:27,300 THOMPSON: That's right. The phalanges, the finger bones. 309 00:14:27,333 --> 00:14:31,266 FISCHER: This is the upper arm and this is the lower arm. 310 00:14:31,300 --> 00:14:33,066 That's the wrist joint. 311 00:14:33,100 --> 00:14:36,333 These are the bones here. -THOMPSON: Mm-hmm. 312 00:14:36,366 --> 00:14:38,333 FISCHER: And this is the finger. 313 00:14:38,366 --> 00:14:39,800 THOMPSON: The finger. Amazing. 314 00:14:39,833 --> 00:14:43,266 And they stand on the end of that finger and run on it. 315 00:14:43,300 --> 00:14:44,800 I mean, that's incredible. -FISCHER: That's the point. 316 00:14:44,833 --> 00:14:46,600 THOMPSON: And you say running. 317 00:14:46,633 --> 00:14:48,300 How does this structure 318 00:14:48,333 --> 00:14:50,733 make running more efficient or faster? 319 00:14:50,766 --> 00:14:54,900 FISCHER: The lesser surface you have, the lesser friction you have. 320 00:14:54,933 --> 00:14:58,266 The lesser friction you have, the faster you can go. 321 00:14:58,300 --> 00:15:00,200 THOMPSON: Right. Stands to reason. 322 00:15:00,233 --> 00:15:02,866 So it makes sense that you would go up on one toe 323 00:15:02,900 --> 00:15:05,100 and have a delicate connection to the Earth. 324 00:15:05,133 --> 00:15:07,333 FISCHER: This is really an extreme adaptation. 325 00:15:07,366 --> 00:15:08,733 THOMPSON: The epitome of a runner. 326 00:15:08,766 --> 00:15:13,000 ♪♪ 327 00:15:13,033 --> 00:15:16,733 Standing on a single toe, the horse sits far out 328 00:15:16,766 --> 00:15:21,000 on the end of its evolutionary branch: 329 00:15:21,033 --> 00:15:25,100 an animal built to run, 330 00:15:25,133 --> 00:15:27,400 specialized for speed. 331 00:15:27,433 --> 00:15:29,533 ♪♪ 332 00:15:29,566 --> 00:15:32,800 Millions of years after it evolved, 333 00:15:32,833 --> 00:15:38,133 that extraordinary ability has us bewitched. 334 00:15:38,166 --> 00:15:42,733 ♪♪ 335 00:15:42,766 --> 00:15:47,300 In the modern world, machines do the work horses once did, 336 00:15:47,333 --> 00:15:49,533 but our fascination with the running horse 337 00:15:49,566 --> 00:15:51,100 hasn't ebbed at all. 338 00:15:51,133 --> 00:15:54,066 ♪♪ 339 00:15:54,100 --> 00:15:55,700 For good reason. 340 00:15:55,733 --> 00:15:59,500 There's no other animal on Earth that can carry a human 341 00:15:59,533 --> 00:16:01,200 this fast. 342 00:16:01,233 --> 00:16:02,866 ♪♪ 343 00:16:02,900 --> 00:16:06,000 It just shouldn't be possible. 344 00:16:06,033 --> 00:16:09,933 How does this huge mammal practically fly? 345 00:16:12,200 --> 00:16:14,633 [ Birds chirping ] 346 00:16:14,666 --> 00:16:19,300 If you want to understand just why horses are so fast, 347 00:16:19,333 --> 00:16:23,300 Kentucky is a good place to start. 348 00:16:23,333 --> 00:16:25,166 David Lambert has spent a lifetime 349 00:16:25,200 --> 00:16:27,700 studying the thoroughbred, 350 00:16:27,733 --> 00:16:32,133 breaking down the physics and chemistry of a running horse. 351 00:16:34,700 --> 00:16:38,900 I've pulled David away from his work to help me understand, 352 00:16:38,933 --> 00:16:43,133 with the help of a special, slow-motion camera. 353 00:16:43,166 --> 00:16:44,466 There we go. So we'll be able to see the footage 354 00:16:44,500 --> 00:16:46,566 on this monitor as the horse runs by. 355 00:16:46,600 --> 00:16:47,866 LAMBERT: Perfect. Yeah. Let's do it. 356 00:16:47,900 --> 00:16:50,866 [ Hooves thudding ] 357 00:16:50,900 --> 00:16:52,533 THOMPSON: Hoh! -LAMBERT: [Laughing] 358 00:16:52,566 --> 00:16:54,066 THOMPSON: Honestly, all I see is a blur 359 00:16:54,100 --> 00:16:55,866 LAMBERT: Yes. Yes. -THOMPSON: of moving parts as he goes past. 360 00:16:55,900 --> 00:16:58,833 If we take that run-past and slow it down a little bit, 361 00:16:58,866 --> 00:17:01,466 tell me what you're seeing there in the body. 362 00:17:01,500 --> 00:17:03,166 LAMBERT: So let's look as he puts his foot 363 00:17:03,200 --> 00:17:04,733 onto the ground, right there, 364 00:17:04,766 --> 00:17:07,066 and, now, he's loading that tendon and that ligament, 365 00:17:07,099 --> 00:17:10,000 and it's bouncing and throwing the leg forward. 366 00:17:10,033 --> 00:17:12,500 That leg's being thrown by elastic, stored energy, 367 00:17:12,533 --> 00:17:14,233 not by muscle. 368 00:17:14,266 --> 00:17:16,099 And it's like a catapult. 369 00:17:16,133 --> 00:17:18,900 The size of the forces just throw those bones 370 00:17:18,933 --> 00:17:22,066 out there and back again and onto the next stride. 371 00:17:22,099 --> 00:17:23,133 THOMPSON: So that's very efficient, 372 00:17:23,166 --> 00:17:24,966 when those elastics give 373 00:17:25,000 --> 00:17:26,766 the energy back to the horse. -LAMBERT: Yes. 374 00:17:26,800 --> 00:17:28,500 Yes, without that elastic energy, 375 00:17:28,533 --> 00:17:31,766 he'd have to have legs which were 100 pounds in weight, 376 00:17:31,800 --> 00:17:34,300 just in muscle, to move his big body. 377 00:17:34,333 --> 00:17:35,933 [ Suspenseful music plays ] 378 00:17:35,966 --> 00:17:38,166 We're dealing here with a very heavy animal. 379 00:17:38,200 --> 00:17:40,600 1,000 pounds, 1,100, 1,200 pounds. 380 00:17:40,633 --> 00:17:43,066 [ Snorts ] As that weight descends, 381 00:17:43,100 --> 00:17:46,600 it loads up all the soft tissues in that limb. 382 00:17:46,633 --> 00:17:48,366 The load is suddenly released 383 00:17:48,400 --> 00:17:52,033 and, then, the leg is simply propelled out into space, 384 00:17:52,066 --> 00:17:56,633 driven by stored, elastic energy. 385 00:17:56,666 --> 00:17:58,300 It's happening all over the horse's body: 386 00:17:58,333 --> 00:18:02,033 along his back, on his hind legs. 387 00:18:02,066 --> 00:18:04,633 When he gets going, he's going so fast 388 00:18:04,666 --> 00:18:06,633 and there is so much stored energy, 389 00:18:06,666 --> 00:18:09,266 it reaches a point where it's beyond control. 390 00:18:09,300 --> 00:18:17,200 ♪♪ 391 00:18:17,233 --> 00:18:20,433 ♪♪ 392 00:18:20,466 --> 00:18:23,533 When you compare him to all the other mammalian species, 393 00:18:23,566 --> 00:18:26,033 he kind of stands alone, 394 00:18:26,066 --> 00:18:29,266 in terms of his size and his speed. 395 00:18:29,300 --> 00:18:32,200 He's out there on a little pinnacle all on his own. 396 00:18:32,233 --> 00:18:41,666 ♪♪ 397 00:18:41,700 --> 00:18:43,066 THOMPSON: You know, I've noticed one thing: 398 00:18:43,100 --> 00:18:45,766 When we're listening to the training horses as they go past, 399 00:18:45,800 --> 00:18:48,733 you hear this enormous breath, every stride. 400 00:18:48,766 --> 00:18:50,933 It sounds like they're struggling for breath. 401 00:18:50,966 --> 00:18:54,400 LAMBERT: Their stride is linked, one-to-one, to their breathing. 402 00:18:54,433 --> 00:18:57,000 When the horse runs, he must breathe out 403 00:18:57,033 --> 00:18:58,833 when his front legs hit the ground 404 00:18:58,866 --> 00:19:01,533 and he can only breathe in when he's up in the air. 405 00:19:01,566 --> 00:19:02,700 [ Suspenseful chord strikes ] 406 00:19:02,733 --> 00:19:06,733 ♪♪ 407 00:19:06,766 --> 00:19:08,766 When 408 00:19:08,766 --> 00:19:08,800 we 409 00:19:08,800 --> 00:19:09,866 He's not doing that. 410 00:19:09,900 --> 00:19:11,800 His ribs are locked closed 411 00:19:11,833 --> 00:19:14,666 and when he puts his weight on his front legs like that, 412 00:19:14,700 --> 00:19:17,400 the weight and the momentum of his viscera 413 00:19:17,433 --> 00:19:19,400 is pushing against the diaphragm 414 00:19:19,433 --> 00:19:22,100 and creating like a big piston inside his body, 415 00:19:22,133 --> 00:19:24,000 so it pushes the air out -THOMPSON: I see. 416 00:19:24,033 --> 00:19:25,333 LAMBERT: and then, when he comes up in the air, 417 00:19:25,366 --> 00:19:28,200 the viscera drop back and it sucks the air in. 418 00:19:28,233 --> 00:19:31,600 So he's a big piston, doing this. 419 00:19:31,633 --> 00:19:34,566 THOMPSON: Front legs down, breathe out. 420 00:19:34,600 --> 00:19:36,566 Up in the air, breathe in. 421 00:19:36,600 --> 00:19:40,200 ♪♪ 422 00:19:40,233 --> 00:19:42,833 LAMBERT: And that creates certain limitations. 423 00:19:42,866 --> 00:19:44,700 The faster he goes, 424 00:19:44,733 --> 00:19:46,566 the less time he's got to breathe. 425 00:19:46,600 --> 00:19:48,133 THOMPSON: It sounds to me like it's not -- 426 00:19:48,166 --> 00:19:50,700 It's not like breath holding, but it is like suffocation. 427 00:19:50,733 --> 00:19:52,633 LAMBERT: It would be suffocation for you and I, 428 00:19:52,666 --> 00:19:54,366 but, again, the horse is different. 429 00:19:54,400 --> 00:19:58,233 His body has adapted to tolerate this unique situation 430 00:19:58,266 --> 00:19:59,900 that allows him to keep going 431 00:19:59,933 --> 00:20:03,300 far 432 00:20:03,300 --> 00:20:03,333 longer than you or I could keep going. 433 00:20:03,333 --> 00:20:05,600 ♪♪ 434 00:20:05,633 --> 00:20:08,900 We don't think of racing, the first step of a race, 435 00:20:08,933 --> 00:20:13,100 as being the first event in asphyxiation. 436 00:20:13,133 --> 00:20:17,700 If you or I were to run, we can't drop our oxygen level. 437 00:20:17,733 --> 00:20:19,966 It's too painful. 438 00:20:20,000 --> 00:20:23,533 A horse, however, doesn't seem to have those same restraints. 439 00:20:23,566 --> 00:20:26,833 He'll take all the last, little drop of oxygen 440 00:20:26,866 --> 00:20:31,200 and drain it all out, right to the very, very last drop. 441 00:20:31,233 --> 00:20:34,466 ♪♪ 442 00:20:34,500 --> 00:20:36,533 He's at a point, at the end of a race, 443 00:20:36,566 --> 00:20:40,633 which would render you or I unconscious. 444 00:20:40,666 --> 00:20:42,966 For some people, it would almost kill them. 445 00:20:43,000 --> 00:20:45,033 It's extraordinarily severe. 446 00:20:45,066 --> 00:20:47,533 ♪♪ 447 00:20:47,566 --> 00:20:51,566 THOMPSON: Severe for us, but not for a horse. 448 00:20:51,600 --> 00:20:53,600 ♪♪ 449 00:20:53,633 --> 00:20:56,433 That ability, to run on very little oxygen, 450 00:20:56,466 --> 00:21:00,966 is a gift of evolution and in the past, 451 00:21:01,000 --> 00:21:04,700 it kept wild horses alive as they outran their predators. 452 00:21:04,733 --> 00:21:06,566 [ Whinnying ] 453 00:21:06,600 --> 00:21:09,333 All horses can do it. 454 00:21:09,366 --> 00:21:11,866 But some can do it better. 455 00:21:11,900 --> 00:21:14,200 ♪♪ 456 00:21:14,233 --> 00:21:17,300 Tapeta Farm, in Maryland. 457 00:21:17,333 --> 00:21:22,333 A kind of exclusive, private school for thoroughbreds 458 00:21:22,366 --> 00:21:27,133 and the home of legendary trainer Michael Dickinson. 459 00:21:27,166 --> 00:21:30,966 Owners send Michael their most promising horses 460 00:21:31,000 --> 00:21:34,533 and he tells 461 00:21:34,533 --> 00:21:34,566 them 462 00:21:34,566 --> 00:21:37,533 [ 463 00:21:37,533 --> 00:21:37,566 Static crackles 464 00:21:37,566 --> 00:21:39,600 THOMPSON: He works closely with David, 465 00:21:39,633 --> 00:21:41,733 who's spent a lifetime building a system 466 00:21:41,766 --> 00:21:45,000 to predict how fast a horse will run. 467 00:21:45,033 --> 00:21:46,500 [ Neighing in distance ] 468 00:21:46,533 --> 00:21:47,866 [ Whinnying ] 469 00:21:47,900 --> 00:21:49,966 SPEAKER: Easy, girl. 470 00:21:50,000 --> 00:21:51,900 THOMPSON: Today, David and Michael 471 00:21:51,933 --> 00:21:56,033 are taking three horses out for testing. 472 00:21:56,066 --> 00:21:57,533 He needs these horses 473 00:21:57,566 --> 00:22:01,633 to sustain 45 miles an hour 474 00:22:01,666 --> 00:22:03,633 for a 475 00:22:03,633 --> 00:22:03,666 full 476 00:22:03,666 --> 00:22:07,466 That's twice as fast as humans have 477 00:22:07,466 --> 00:22:13,400 ever 478 00:22:13,400 --> 00:22:14,500 DICKINSON: Perfect. 479 00:22:24,500 --> 00:22:26,500 [ 480 00:22:26,500 --> 00:22:26,533 Crackle 481 00:22:26,533 --> 00:22:29,400 My one-acre road. 482 00:22:29,433 --> 00:22:31,033 So they all went all right, didn't they? 483 00:22:31,066 --> 00:22:32,800 [ Grumbling ] 484 00:22:32,833 --> 00:22:34,633 Did nothing wrong, did he? 485 00:22:34,666 --> 00:22:38,200 THOMPSON: A hard gallop is punishing. 486 00:22:38,233 --> 00:22:42,833 But it turns out, the cost is even higher than I thought. 487 00:22:42,866 --> 00:22:44,000 [ Neighing ] 488 00:22:44,033 --> 00:22:47,433 LAMBERT: When a horse tries to run flat out, 489 00:22:47,466 --> 00:22:49,833 he's so big and he's going so fast, 490 00:22:49,866 --> 00:22:51,533 so there's a price to pay for that. 491 00:22:51,566 --> 00:22:54,300 The blood gets more and more acidic all the time. 492 00:22:54,333 --> 00:22:57,100 The carbon dioxide in his blood builds up and up 493 00:22:57,133 --> 00:22:59,233 and up and up and gets really high. 494 00:22:59,266 --> 00:23:01,266 THOMPSON: These are all things that, when we're running 495 00:23:01,300 --> 00:23:03,266 or we're swimming, feel really painful, 496 00:23:03,300 --> 00:23:04,366 and tell us to stop, -LAMBERT: Yes, 497 00:23:04,400 --> 00:23:05,533 yes, exactly. -THOMPSON: like a brake 498 00:23:05,566 --> 00:23:07,033 on our effort. -LAMBERT: Yes, yes, exactly. 499 00:23:07,066 --> 00:23:09,966 And horses switch those brakes off. 500 00:23:10,000 --> 00:23:11,233 [ Neighs, snorts ] 501 00:23:11,266 --> 00:23:12,833 It's not altogether surprising 502 00:23:12,866 --> 00:23:14,733 that horses should be able to do this 503 00:23:14,766 --> 00:23:16,333 because there are other animals. 504 00:23:16,366 --> 00:23:17,466 Seals, when they dive. 505 00:23:17,500 --> 00:23:18,933 He can go down into the water 506 00:23:18,966 --> 00:23:22,866 and swim around for a long time without having to breathe. 507 00:23:22,900 --> 00:23:24,833 Essentially, it's the same process. 508 00:23:24,866 --> 00:23:26,800 [ Huffing ] 509 00:23:26,833 --> 00:23:30,866 THOMPSON: So when 510 00:23:30,866 --> 00:23:30,900 we 511 00:23:30,900 --> 00:23:34,133 something different happens in a horse. 512 00:23:34,166 --> 00:23:39,133 It begins to metabolize energy without oxygen. 513 00:23:39,166 --> 00:23:44,833 Human 514 00:23:44,833 --> 00:23:44,866 can 515 00:23:44,866 --> 00:23:50,033 LAMBERT: Some of the byproducts of this process are euphoric. 516 00:23:50,066 --> 00:23:53,600 He's feeling positive; he's feeling energized. 517 00:23:53,633 --> 00:23:55,200 Basically, he's high. 518 00:23:55,233 --> 00:23:57,700 So the typical picture that a person would have 519 00:23:57,733 --> 00:23:59,266 of a thoroughbred racehorse 520 00:23:59,300 --> 00:24:03,433 is that bouncing, lively, snorting animal. 521 00:24:03,466 --> 00:24:07,066 All of that is coming from this euphoria they're feeling, 522 00:24:07,100 --> 00:24:09,533 having gone to a level of fatigue 523 00:24:09,566 --> 00:24:11,533 that we couldn't even tolerate. 524 00:24:11,566 --> 00:24:12,800 THOMPSON: The physiology of the horse 525 00:24:12,833 --> 00:24:15,166 is set up to sacrifice everything 526 00:24:15,200 --> 00:24:16,366 for a run. -LAMBERT: Mm-hmm, absolutely. 527 00:24:16,400 --> 00:24:18,066 THOMPSON: Can you think of another animal 528 00:24:18,100 --> 00:24:20,200 that would do that for us? -LAMBERT: No, no, it's amazing. 529 00:24:20,233 --> 00:24:22,400 [ Suspenseful music plays ] 530 00:24:22,433 --> 00:24:25,200 [ Ethereal vocals join ] 531 00:24:25,233 --> 00:24:27,666 ♪♪ 532 00:24:27,700 --> 00:24:32,566 All those things that we feel when we're around a racehorse: 533 00:24:32,600 --> 00:24:35,066 courage, admiration. 534 00:24:35,100 --> 00:24:36,866 ♪♪ 535 00:24:36,900 --> 00:24:40,200 There's something special about these animals 536 00:24:40,233 --> 00:24:41,666 because they've endured. 537 00:24:41,700 --> 00:24:43,466 ♪♪ 538 00:24:43,500 --> 00:24:46,200 [ Snuffling ] 539 00:24:46,233 --> 00:24:49,533 ♪♪ 540 00:24:49,566 --> 00:24:52,966 And there's something unbelievably trusting 541 00:24:53,000 --> 00:24:57,533 about the way they will respond to the care of the humans 542 00:24:57,566 --> 00:24:59,533 and come around and do it again. 543 00:24:59,566 --> 00:25:04,833 ♪♪ 544 00:25:04,866 --> 00:25:06,433 THOMPSON: Horses take us to speeds 545 00:25:06,466 --> 00:25:09,700 we could 546 00:25:09,700 --> 00:25:09,733 never 547 00:25:09,733 --> 00:25:11,900 [ Triumphant chorale plays ] 548 00:25:11,933 --> 00:25:19,633 Yet, without a human in sight, horses still love to run. 549 00:25:19,666 --> 00:25:21,200 It's just their nature. 550 00:25:21,233 --> 00:25:22,833 ♪♪ 551 00:25:22,866 --> 00:25:24,500 [ Neighs ] 552 00:25:24,533 --> 00:25:27,366 So I wonder, in the horse's past, 553 00:25:27,400 --> 00:25:31,500 was their amazing speed how they survived? 554 00:25:31,533 --> 00:25:33,033 ♪♪ 555 00:25:33,066 --> 00:25:37,133 Only one animal can answer th 556 00:25:37,133 --> 00:25:37,166 at 557 00:25:37,166 --> 00:25:38,400 [ Neighs ] 558 00:25:38,433 --> 00:25:41,333 ♪♪ 559 00:25:41,366 --> 00:25:44,166 Deep in Mongolia's Gobi Desert, 560 00:25:44,200 --> 00:25:47,133 there's a cousin of the modern horse, 561 00:25:47,166 --> 00:25:50,366 very different than the animal 562 00:25:50,366 --> 00:25:50,400 we 563 00:25:50,400 --> 00:25:51,566 We call them 564 00:25:51,600 --> 00:25:53,633 Przewalski horses. 565 00:25:55,200 --> 00:25:57,000 Incredible. 566 00:25:57,033 --> 00:25:58,566 It's gorgeous! 567 00:25:58,600 --> 00:26:01,033 Right down there is a green valley 568 00:26:01,066 --> 00:26:03,800 running right along the sands of the Gobi Desert 569 00:26:03,833 --> 00:26:05,766 and, somewhere in that valley 570 00:26:05,800 --> 00:26:09,733 is the closest living relative of the horse. 571 00:26:09,766 --> 00:26:13,100 This species went extinct in the wild, 572 00:26:13,133 --> 00:26:14,800 but, now, it's back. 573 00:26:14,833 --> 00:26:17,666 [ Suspenseful music plays ] 574 00:26:17,700 --> 00:26:19,400 ♪♪ 575 00:26:19,433 --> 00:26:20,533 [ Birds tweeting ] 576 00:26:20,566 --> 00:26:23,200 [ Tender tune plays ] 577 00:26:23,233 --> 00:26:27,666 ♪♪ 578 00:26:27,700 --> 00:26:30,200 [ Snorts, grumbles ] 579 00:26:30,233 --> 00:26:33,333 ♪♪ 580 00:26:33,366 --> 00:26:34,466 [ Snorts ] 581 00:26:34,500 --> 00:26:36,966 A stallion group. 582 00:26:37,000 --> 00:26:38,966 [ Whinnying ] 583 00:26:39,000 --> 00:26:41,366 No mares in sight. 584 00:26:41,400 --> 00:26:45,566 For now, this is play-fighting. 585 00:26:45,600 --> 00:26:47,100 Rehearsal. 586 00:26:47,133 --> 00:26:48,200 [ Snorts ] 587 00:26:48,233 --> 00:26:52,333 ♪♪ 588 00:26:52,366 --> 00:26:55,000 The Przewalski horse is so rare, 589 00:26:55,033 --> 00:26:57,900 I've only ever seen them in pictures. 590 00:26:57,933 --> 00:27:02,433 At one point, there were only 12 animals left, 591 00:27:02,466 --> 00:27:04,766 all of 592 00:27:04,766 --> 00:27:04,800 them 593 00:27:04,800 --> 00:27:06,833 [ Whinnies ] 594 00:27:06,866 --> 00:27:11,100 Few people believed these horses would ever return to the wild. 595 00:27:11,133 --> 00:27:13,666 [ Whinnying ] 596 00:27:13,700 --> 00:27:16,800 They're here today because of 597 00:27:16,800 --> 00:27:16,833 this 598 00:27:16,833 --> 00:27:20,400 conservation biologist Claudia Feh. 599 00:27:20,433 --> 00:27:22,600 For decades, Claudia fought 600 00:27:22,633 --> 00:27:26,033 to bring a handful out of captivity 601 00:27:26,066 --> 00:27:29,933 and, eventually, back to their native habitat. 602 00:27:29,966 --> 00:27:33,933 Now, there are 67 in her reserve. 603 00:27:33,966 --> 00:27:37,966 Most of 604 00:27:37,966 --> 00:27:38,000 them 605 00:27:38,000 --> 00:27:39,700 [ Whinnying, snorting ] 606 00:27:39,733 --> 00:27:43,366 Claudia's project is a fragile success. 607 00:27:43,400 --> 00:27:45,766 ♪♪ 608 00:27:45,800 --> 00:27:49,266 Because the Przewalski lives in the closest thing there is 609 00:27:49,300 --> 00:27:53,700 to the original home of horses, I think they can tell me 610 00:27:53,733 --> 00:27:57,000 how horses survived be 611 00:27:57,000 --> 00:27:57,033 fore 612 00:27:57,033 --> 00:28:01,800 ♪♪ 613 00:28:01,833 --> 00:28:06,633 At dawn, Claudia takes me out to find the biggest herd. 614 00:28:06,666 --> 00:28:10,666 To survive, wild horses need a big territory, 615 00:28:10,700 --> 00:28:16,533 but that means they can be very hard to find, even for Claudia. 616 00:28:16,566 --> 00:28:20,133 Yep. I don't see a thing. 617 00:28:20,166 --> 00:28:21,866 FEH: I see many things, but no horse. 618 00:28:21,900 --> 00:28:22,866 [ Laughter ] 619 00:28:22,900 --> 00:28:26,566 -[Speaking local language] 620 00:28:26,600 --> 00:28:27,800 [ Clicking ] 621 00:28:27,833 --> 00:28:32,633 -They're in the sandy part. Very strange. 622 00:28:32,666 --> 00:28:35,300 Usually, when they are in unusual places, 623 00:28:35,333 --> 00:28:37,433 something happened in the night. 624 00:28:37,466 --> 00:28:40,766 Either there were stallion problems, stallion fights, 625 00:28:40,800 --> 00:28:42,300 or wolf attacks. 626 00:28:44,566 --> 00:28:47,000 [ Birds chirping ] 627 00:28:47,033 --> 00:28:52,333 THOMPSON: Just a generation ago, all Przewalskis lived in zoos. 628 00:28:52,366 --> 00:28:57,500 But out here, nothing is protecting them from predators. 629 00:28:57,533 --> 00:29:00,333 The Mongolian wolf is a constant threat. 630 00:29:00,366 --> 00:29:02,600 [ Snorting ] 631 00:29:02,633 --> 00:29:06,600 So is it speed that keeps these horses alive? 632 00:29:06,633 --> 00:29:09,666 Or is it something else? 633 00:29:09,700 --> 00:29:12,166 FEH: I choose the animals in such a way 634 00:29:12,200 --> 00:29:13,966 that they would be compatible 635 00:29:14,000 --> 00:29:17,466 because I really hoped that they would form a herd again. 636 00:29:17,500 --> 00:29:21,533 The big herds are much more efficient against predators. 637 00:29:21,566 --> 00:29:22,600 [ Whinnying ] 638 00:29:22,633 --> 00:29:24,566 Horses' typical predators are wolves. 639 00:29:24,600 --> 00:29:26,166 They hunt in packs. 640 00:29:26,200 --> 00:29:27,666 I've seen wolf attacks. 641 00:29:27,700 --> 00:29:32,266 The whole herd gathered together and the stallions attacked. 642 00:29:32,300 --> 00:29:33,433 THOMPSON: The stallions 643 00:29:33,433 --> 00:29:33,466 attacked? 644 00:29:33,466 --> 00:29:35,066 FEH: Attacked. They attacked; tried to bite 645 00:29:35,100 --> 00:29:37,033 and tried to kick them with their forelegs. 646 00:29:37,066 --> 00:29:40,100 So you have cooperative predators and cooperative prey. 647 00:29:40,133 --> 00:29:41,833 THOMPSON: So the fact that they're being predated 648 00:29:41,866 --> 00:29:46,900 by groups of wolves has forced ho 649 00:29:46,900 --> 00:29:46,933 rses 650 00:29:46,933 --> 00:29:49,933 FEH: They do have a sort of real cooperation. 651 00:29:49,966 --> 00:29:52,333 They know what task sharing is 652 00:29:52,366 --> 00:29:54,866 in the highly complex social herds. 653 00:29:54,900 --> 00:29:56,433 [ Snorting ] 654 00:29:56,466 --> 00:29:58,566 [ Poignant tune plays ] 655 00:29:58,600 --> 00:30:02,000 THOMPSON: But not all herds are the same. 656 00:30:02,033 --> 00:30:03,866 There are bachelor groups, 657 00:30:03,900 --> 00:30:08,000 a collection of stallions without mates; 658 00:30:08,033 --> 00:30:09,966 and there are family groups, 659 00:30:10,000 --> 00:30:13,266 mares and foals, with a single stallion. 660 00:30:13,300 --> 00:30:16,266 ♪♪ 661 00:30:16,300 --> 00:30:19,633 The bonding behavior is constant. 662 00:30:19,666 --> 00:30:21,766 Mutual grooming. 663 00:30:21,800 --> 00:30:24,666 Subtle hierarchy displays. 664 00:30:24,700 --> 00:30:26,800 And, sometimes, not so subtle. 665 00:30:26,833 --> 00:30:28,266 [ Whinnying ] 666 00:30:28,300 --> 00:30:30,666 ♪♪ 667 00:30:30,700 --> 00:30:33,566 The horses are constantly negotiating 668 00:30:33,600 --> 00:30:35,866 for a rung on the ladder. 669 00:30:35,900 --> 00:30:38,733 Each horse has its place. 670 00:30:38,766 --> 00:30:41,633 Hierarchy gives the herd strength 671 00:30:41,666 --> 00:30:45,733 and ensures only the fittest stallions get to mate. 672 00:30:45,766 --> 00:30:47,500 ♪♪ 673 00:30:47,533 --> 00:30:49,533 But I'm surprised to learn 674 00:30:49,566 --> 00:30:54,400 it isn't just the toughest stallions who rise to the top. 675 00:30:54,433 --> 00:30:57,666 FEH: The dominance hierarchy in horses is not based on size. 676 00:30:57,700 --> 00:30:59,500 It's not based on physical strength. 677 00:30:59,533 --> 00:31:00,966 It's mental strength. 678 00:31:01,000 --> 00:31:02,733 It's personality. 679 00:31:02,766 --> 00:31:04,000 THOMPSON: It's recognizing character. 680 00:31:04,033 --> 00:31:05,666 You recognize the character of the leader. 681 00:31:05,700 --> 00:31:07,800 FEH: Yeah. And I think that translates 682 00:31:07,833 --> 00:31:10,733 to the horse-human relationship because, obviously, 683 00:31:10,766 --> 00:31:13,866 if you ride a horse, I mean, the horses are, what, 684 00:31:13,900 --> 00:31:16,700 about ten times heavier or five times heavier? 685 00:31:16,733 --> 00:31:18,566 So how can we ride a horse, 686 00:31:18,600 --> 00:31:21,033 being so much smaller, and dominate the horse? 687 00:31:21,066 --> 00:31:23,066 It's mental. 688 00:31:23,100 --> 00:31:24,133 [ Snorts ] 689 00:31:24,166 --> 00:31:31,200 ♪♪ 690 00:31:31,233 --> 00:31:34,733 THOMPSON: These wild horses can fight and run. 691 00:31:34,766 --> 00:31:36,400 But, according to Claudia, 692 00:31:36,433 --> 00:31:38,833 that isn't 693 00:31:38,833 --> 00:31:38,866 really why they're still here. 694 00:31:38,866 --> 00:31:40,866 ♪♪ 695 00:31:40,900 --> 00:31:44,433 For them, survival is about working together, 696 00:31:44,466 --> 00:31:48,066 about social life. 697 00:31:48,100 --> 00:31:51,033 Perhaps that's why they accept Claudia 698 00:31:51,066 --> 00:31:52,966 almost like one of the herd. 699 00:31:53,000 --> 00:31:55,933 ♪♪ 700 00:31:55,966 --> 00:32:00,366 Left to themselves, horses build a community. 701 00:32:00,400 --> 00:32:06,166 And, just like for us, it's the community that protects them. 702 00:32:06,200 --> 00:32:10,066 FEH: I try to help them have a more natural life. 703 00:32:10,100 --> 00:32:13,166 Horses do not need to be ridden, you know? [laughs] 704 00:32:13,200 --> 00:32:15,033 They don't need us. 705 00:32:15,066 --> 00:32:18,300 They are independent, happy to be independent. 706 00:32:18,333 --> 00:32:20,233 ♪♪ 707 00:32:20,266 --> 00:32:22,133 THOMPSON: This amazing spectacle, 708 00:32:22,166 --> 00:32:26,133 truly wild horses living without humans, 709 00:32:26,166 --> 00:32:28,866 it's like a vision from the past 710 00:32:28,900 --> 00:32:32,400 with a message about horses today. 711 00:32:32,433 --> 00:32:35,766 It turns out, speed and power aren't so important 712 00:32:35,800 --> 00:32:39,600 as the quality they share with 713 00:32:39,600 --> 00:32:39,633 us: 714 00:32:39,633 --> 00:32:41,333 a social mind. 715 00:32:41,366 --> 00:32:44,933 [ Grumbling ] 716 00:32:44,966 --> 00:32:47,966 And, everywhere we see horses today, 717 00:32:48,000 --> 00:32:51,566 we see that social mind at work. 718 00:32:51,600 --> 00:32:54,333 What the Przewalski horses do in the wild, 719 00:32:54,366 --> 00:32:57,666 our own horses do in our fields, 720 00:32:57,700 --> 00:33:00,700 if we only let them be themselves. 721 00:33:06,266 --> 00:33:10,733 It's amazing how eager horses are to please. 722 00:33:10,766 --> 00:33:15,366 Without a language in common, that's like mind-reading, 723 00:33:15,400 --> 00:33:17,066 an incredible ability 724 00:33:17,100 --> 00:33:20,233 that English animal psychologist Karen McComb 725 00:33:20,266 --> 00:33:23,633 is trying to understand. 726 00:33:23,666 --> 00:33:26,466 At a riding stable, Karen's researchers 727 00:33:26,500 --> 00:33:29,133 are preparing for a day of horse testing. 728 00:33:29,166 --> 00:33:31,433 For Karen, this is science. 729 00:33:31,466 --> 00:33:34,700 But, for the horses, [chuckling] it's play. 730 00:33:34,733 --> 00:33:36,366 McCOMB: I mean, anyone who's worked with horses, 731 00:33:36,400 --> 00:33:38,666 they sense this enormous personality 732 00:33:38,700 --> 00:33:41,000 that differs from individual to individual. 733 00:33:41,033 --> 00:33:42,966 No one has looked at that it an animal. 734 00:33:43,000 --> 00:33:45,733 We're used to the way humans express emotion, 735 00:33:45,766 --> 00:33:47,233 but, actually, horses 736 00:33:47,266 --> 00:33:51,866 are making these very subtle facial movements 737 00:33:51,900 --> 00:33:54,666 and have an incredibly mobile face 738 00:33:54,700 --> 00:33:59,800 and they are expressing emotions as well. 739 00:33:59,833 --> 00:34:02,466 What we really want to do 740 00:34:02,500 --> 00:34:06,966 is work out what the emotional life of horses really is, 741 00:34:07,000 --> 00:34:11,400 what their emotional world is really like. 742 00:34:11,433 --> 00:34:14,100 THOMPSON: To build her library of horse emotions, 743 00:34:14,133 --> 00:34:17,400 Karen has designed a set of experiments to trigger them. 744 00:34:17,433 --> 00:34:19,466 [ Whimsical tune plays ] 745 00:34:19,500 --> 00:34:24,933 She plays recorded horse talk and observes the response. 746 00:34:24,966 --> 00:34:26,133 [ Rumbling nearby ] 747 00:34:26,166 --> 00:34:29,233 Startled and afraid. [ Cheeping ] 748 00:34:29,266 --> 00:34:31,033 Or curious. 749 00:34:31,066 --> 00:34:33,300 ♪♪ 750 00:34:33,333 --> 00:34:36,933 She shows them photographs of horses 751 00:34:36,966 --> 00:34:38,199 and of humans. 752 00:34:38,233 --> 00:34:39,333 [ Neighing nearby ] 753 00:34:39,366 --> 00:34:42,000 ♪♪ 754 00:34:42,033 --> 00:34:43,600 Toffee likes this one. 755 00:34:43,633 --> 00:34:44,699 [ Neighing nearby ] 756 00:34:44,733 --> 00:34:47,100 [ Snorting ] 757 00:34:47,133 --> 00:34:49,100 This one isn't so popular. 758 00:34:49,133 --> 00:34:53,699 ♪♪ 759 00:34:53,733 --> 00:34:56,366 Karen's team has made the surprising discovery 760 00:34:56,400 --> 00:35:02,400 that horses have 17 different facial expressions. 761 00:35:02,433 --> 00:35:05,500 That's three more than chimpanzees 762 00:35:05,533 --> 00:35:07,933 and 763 00:35:07,933 --> 00:35:07,966 one 764 00:35:07,966 --> 00:35:09,933 [ Neighing nearby ] 765 00:35:09,966 --> 00:35:12,366 They're subtle. 766 00:35:12,400 --> 00:35:15,366 But, by playing the images back, Karen can show me 767 00:35:15,400 --> 00:35:19,033 what the untrained eye might miss. 768 00:35:19,066 --> 00:35:21,100 McCOMB: He's sniffing the ground, ostensibly, 769 00:35:21,133 --> 00:35:22,566 and you'd think, "Ooh, he's just sniffing the ground. 770 00:35:22,600 --> 00:35:23,700 Another horse was in here." 771 00:35:23,733 --> 00:35:26,933 But stop. Actually, that sniffing the ground 772 00:35:26,966 --> 00:35:29,733 again occurs consistently in response 773 00:35:29,766 --> 00:35:31,933 to something that's a 774 00:35:31,933 --> 00:35:31,966 bit more negative, 775 00:35:31,966 --> 00:35:34,666 so that he's unsure about this. 776 00:35:34,700 --> 00:35:36,500 Humans do that as well, you know. 777 00:35:36,533 --> 00:35:38,700 When we're a bit uncomfortable, we might scratch ourselves 778 00:35:38,733 --> 00:35:40,300 or we glance away from something. 779 00:35:40,333 --> 00:35:44,500 Just gives us a little bit of time to adjust. 780 00:35:44,533 --> 00:35:46,266 [ Birds chirping ] [ Hooves thudding ] 781 00:35:46,300 --> 00:35:47,733 [ Snorting ] So, now, this'll be interesting. 782 00:35:47,766 --> 00:35:50,733 Look at what part of the face he's gonna go to. 783 00:35:50,766 --> 00:35:52,666 Look, he's going towards the -- -THOMPSON: Right to the mouth. 784 00:35:52,700 --> 00:35:54,233 McCOMB: The mouth, yeah. 785 00:35:54,266 --> 00:35:56,500 And sometimes they go right up to the eyes. Yeah. 786 00:35:56,533 --> 00:35:59,766 It's interesting, that sweep between the mouth and the eyes. 787 00:35:59,800 --> 00:36:01,866 It's almost as if they understand 788 00:36:01,900 --> 00:36:03,100 that the mouth and the eyes 789 00:36:03,133 --> 00:36:05,566 are the most significant bit of the human face. 790 00:36:05,600 --> 00:36:10,166 They have enough understanding to interpret, 791 00:36:10,200 --> 00:36:13,166 not only emotion in the faces of their own species, 792 00:36:13,200 --> 00:36:15,666 but emotion in 793 00:36:15,666 --> 00:36:15,700 our 794 00:36:15,700 --> 00:36:17,400 [ Birds chirping ] [ Hooves thudding ] 795 00:36:17,433 --> 00:36:19,500 THOMPSON: It makes sense that horses use emotions 796 00:36:19,533 --> 00:36:21,666 [ Neighing nearby ] to communicate with each other. 797 00:36:21,700 --> 00:36:26,933 But what fascinates me is they can read 798 00:36:26,933 --> 00:36:26,966 our 799 00:36:26,966 --> 00:36:28,200 [ Huffing ] 800 00:36:28,233 --> 00:36:32,000 McCOMB: They're capable of putting together 801 00:36:32,033 --> 00:36:36,566 the sort of representation of the person with the emotion. 802 00:36:36,600 --> 00:36:41,833 To me, that shows a very acute emotional awareness. 803 00:36:41,866 --> 00:36:44,833 I mean, that means, really, horses are eavesdropping 804 00:36:44,866 --> 00:36:46,900 on the human world all the time. 805 00:36:46,933 --> 00:36:49,166 [ Neighing nearby ] [ Snorts ] 806 00:36:49,200 --> 00:36:52,133 THOMPSON: Horses are mind-readers. 807 00:36:52,166 --> 00:36:54,000 But that's not all. 808 00:36:54,033 --> 00:36:57,866 Karen is also interested in another quality: 809 00:36:57,900 --> 00:36:59,900 curiosity. 810 00:36:59,933 --> 00:37:01,566 [ Neighing ] 811 00:37:01,600 --> 00:37:02,700 So this is interesting. 812 00:37:02,733 --> 00:37:03,933 Leanne is going to do 813 00:37:03,966 --> 00:37:06,333 what she calls a novel-object test, 814 00:37:06,366 --> 00:37:08,966 which means walking into a paddock full of horses 815 00:37:09,000 --> 00:37:11,033 with a great, big beach ball 816 00:37:11,066 --> 00:37:14,300 and leaving it there and observing what the horses do. 817 00:37:14,333 --> 00:37:15,666 Will they run away from it 818 00:37:15,700 --> 00:37:17,600 or will they come and investigate it? 819 00:37:17,633 --> 00:37:19,333 -[Neighing] -[Snorts] 820 00:37:19,366 --> 00:37:22,166 McCOMB: Horses are naturally very inquisitive. 821 00:37:22,200 --> 00:37:23,600 [ Neighing nearby ] 822 00:37:23,633 --> 00:37:25,766 We're also trying to see where 823 00:37:25,800 --> 00:37:29,733 personality fits into the whole thing. 824 00:37:29,766 --> 00:37:33,966 For example, how bold an individual is, versus shy. 825 00:37:35,833 --> 00:37:39,466 It's these differences, which we also see in humans, 826 00:37:39,500 --> 00:37:45,866 that are going to be the stuff of their emotional lives, too. 827 00:37:45,900 --> 00:37:47,566 [ Grumbling ] 828 00:37:47,600 --> 00:37:48,966 THOMPSON: With these tests, 829 00:37:49,000 --> 00:37:55,533 Karen is able to identify outgoing horses and introverts, 830 00:37:55,566 --> 00:37:58,166 just like we see in humans. 831 00:37:58,200 --> 00:38:02,066 Popular horses like to spend time with other horses. 832 00:38:02,100 --> 00:38:04,866 But the horse standing at the edge of the field 833 00:38:04,900 --> 00:38:08,100 might prefer human company. 834 00:38:08,133 --> 00:38:09,533 -[Neighing] -[Snorts] 835 00:38:09,566 --> 00:38:12,333 McCOMB: Children who don't fit in will turn to their pets, 836 00:38:12,366 --> 00:38:14,266 but it's quite interesting [chuckling] that horses 837 00:38:14,300 --> 00:38:17,333 that don't quite fit in will also turn to humans. 838 00:38:17,366 --> 00:38:18,466 [ Neighing nearby ] [ Snorting ] 839 00:38:18,500 --> 00:38:20,433 And our tests are actually showing that. 840 00:38:20,466 --> 00:38:23,366 [ Tender tune plays ] [ Rumbling ] 841 00:38:23,400 --> 00:38:26,466 THOMPSON: These experiments paint a picture 842 00:38:26,500 --> 00:38:34,533 of an intensely social, curious, emotionally alive creature. 843 00:38:34,566 --> 00:38:38,933 If we pay attention, we can read a horse's mind 844 00:38:38,966 --> 00:38:41,300 and they can read ours. 845 00:38:41,333 --> 00:38:43,066 [ Neigh nearby ] 846 00:38:43,100 --> 00:38:44,466 ♪♪ 847 00:38:44,500 --> 00:38:46,966 And, wherever we bring horses to work, 848 00:38:47,000 --> 00:38:49,666 mind-reading is just part of the job. 849 00:38:49,700 --> 00:38:52,200 [ Lowing ] 850 00:38:52,233 --> 00:38:55,000 On the eastern slopes of the Rocky Mountains, 851 00:38:55,033 --> 00:39:00,133 horsepower still means just what it always has. 852 00:39:00,166 --> 00:39:03,700 Working cattle is one of the most demanding jobs 853 00:39:03,733 --> 00:39:10,433 a human can ask a horse to do, and that's why cowboys created 854 00:39:10,466 --> 00:39:11,766 the quarter horse... 855 00:39:11,800 --> 00:39:13,100 [ Snorts ] 856 00:39:13,133 --> 00:39:15,000 ...a remarkable breed, 857 00:39:15,033 --> 00:39:19,766 combining endurance, agility, 858 00:39:19,800 --> 00:39:21,633 power... 859 00:39:21,666 --> 00:39:23,400 ANDERSON: Whoa. -THOMPSON: ...and smarts. 860 00:39:23,433 --> 00:39:24,500 ANDERSON: [Whistles] 861 00:39:27,100 --> 00:39:29,333 [ Birds chirping ] 862 00:39:29,366 --> 00:39:31,733 [ Smooching ] 863 00:39:31,766 --> 00:39:32,866 THOMPSON: In horse country, 864 00:39:32,900 --> 00:39:36,100 Jimmy Anderson is a bit of a legend. 865 00:39:36,133 --> 00:39:40,300 They say he can read a horse's mind. 866 00:39:40,333 --> 00:39:42,833 But maybe it's the other way around. 867 00:39:42,866 --> 00:39:44,133 [ Snorting ] 868 00:39:44,166 --> 00:39:46,100 Either way, he seems to have 869 00:39:46,133 --> 00:39:48,800 a secret language with his horse, 870 00:39:48,833 --> 00:39:52,066 a gelding called Maverick. -ANDERSON: Up. [cluck] 871 00:39:52,100 --> 00:39:54,900 Up. [cluck] 872 00:39:54,933 --> 00:39:56,133 He likes sittin'. 873 00:39:56,166 --> 00:39:58,833 [ Laughing ] 874 00:39:58,866 --> 00:39:59,933 Whoa. 875 00:39:59,966 --> 00:40:02,066 [ Birds chirping ] 876 00:40:02,100 --> 00:40:04,133 THOMPSON: People who are not working with horses 877 00:40:04,166 --> 00:40:05,533 the way you work with horses, 878 00:40:05,566 --> 00:40:06,733 they're just seeing the tip of the iceberg. 879 00:40:06,766 --> 00:40:09,100 There's a whole animal they haven't discovered. 880 00:40:09,133 --> 00:40:10,700 ANDERSON: The person really doesn't see 881 00:40:10,733 --> 00:40:12,033 and look at that horse. 882 00:40:12,066 --> 00:40:14,400 They just kind a treat it like a motorbike. 883 00:40:14,433 --> 00:40:16,533 THOMPSON: And a motorbike is not a smart animal. 884 00:40:16,566 --> 00:40:18,000 [ Laughter ] Not compared to a horse. 885 00:40:18,033 --> 00:40:19,133 ANDERSON: Not compared to a horse. 886 00:40:19,166 --> 00:40:20,300 That is so true. 887 00:40:20,333 --> 00:40:21,733 [ Lowing ] 888 00:40:21,766 --> 00:40:25,233 THOMPSON: Cutting calves is standard ranch work. 889 00:40:25,266 --> 00:40:28,033 But, it 890 00:40:28,033 --> 00:40:28,066 fascinates 891 00:40:28,066 --> 00:40:32,233 In nature, wild horses were chased by predators. 892 00:40:32,266 --> 00:40:36,300 So how does Jimmy get Maverick to do 893 00:40:36,300 --> 00:40:36,333 this? 894 00:40:36,333 --> 00:40:40,933 It's the behavior of a sheepdog, not a horse. 895 00:40:40,966 --> 00:40:44,400 When you're cutting, are you giving Maverick directions 896 00:40:44,433 --> 00:40:45,666 to go right and left? 897 00:40:45,700 --> 00:40:47,066 ANDERSON: It's happenin' too fast. 898 00:40:47,100 --> 00:40:49,133 If you're trying to give them directions 899 00:40:49,166 --> 00:40:51,833 to go right and left, most times, you're late. 900 00:40:51,866 --> 00:40:55,266 When I drop my hand, that's signaling to him, 901 00:40:55,300 --> 00:40:58,066 "Okay, now it's your turn, your responsibility. 902 00:40:58,100 --> 00:40:59,966 Take over." -THOMPSON: Takes over. 903 00:41:00,000 --> 00:41:01,200 ANDERSON: Yeah. -THOMPSON: Knows what to do. 904 00:41:01,233 --> 00:41:02,400 ANDERSON: Knows what to do. They just look 905 00:41:02,433 --> 00:41:04,033 after that. Yeah. -THOMPSON: That's incredible. 906 00:41:04,066 --> 00:41:05,933 ANDERSON: That's kind of the exciting part, 907 00:41:05,966 --> 00:41:08,933 is how smart these horses are. 908 00:41:08,966 --> 00:41:11,333 You can really train a horse to do anything. 909 00:41:11,366 --> 00:41:13,300 We could train it to fetch, if we wanted. 910 00:41:13,333 --> 00:41:17,700 THOMPSON: Horses are so smart, they can learn to do things 911 00:41:17,733 --> 00:41:21,300 that go 912 00:41:21,300 --> 00:41:21,333 completely against their nature. 913 00:41:21,333 --> 00:41:23,533 But it takes training. 914 00:41:23,566 --> 00:41:26,933 We used to call it breaking a horse. 915 00:41:26,966 --> 00:41:28,866 But that isn't it at all. 916 00:41:28,900 --> 00:41:31,533 ♪♪ 917 00:41:31,566 --> 00:41:32,966 ANDERSON: In the past, when we've talked 918 00:41:33,000 --> 00:41:36,366 about colt starting and colt breaking, that's what it was. 919 00:41:36,400 --> 00:41:39,233 They wanted to get a job done, 920 00:41:39,266 --> 00:41:43,333 kinda just force everything onto this horse. 921 00:41:43,366 --> 00:41:46,466 They expected the horse to jump; they expected the horse to rear, 922 00:41:46,500 --> 00:41:48,433 they expected 'im to buck, 923 00:41:48,466 --> 00:41:51,233 because there was no relationship. 924 00:41:51,266 --> 00:41:53,066 Talk about breaking the spirit. 925 00:41:53,100 --> 00:41:55,233 And, now, it's almost the opposite 926 00:41:55,266 --> 00:41:56,633 of what we're wanting now. 927 00:41:56,666 --> 00:42:02,600 We want that spirit; we want that heart; we want that desire. 928 00:42:02,633 --> 00:42:04,566 THOMPSON: I'm here to see Jimmy start 929 00:42:04,600 --> 00:42:06,933 a two-year-old colt called Shiver. 930 00:42:06,966 --> 00:42:10,833 Until now, Shiver's only seen humans from a distance. 931 00:42:10,866 --> 00:42:12,266 He's never been ridden. 932 00:42:12,300 --> 00:42:13,733 [ Neighing ] 933 00:42:13,766 --> 00:42:15,100 [ Huffs ] 934 00:42:15,133 --> 00:42:16,333 [ Neighing ] 935 00:42:16,366 --> 00:42:18,133 ANDERSON: Now, what I'm gonna do is 936 00:42:18,166 --> 00:42:22,633 start workin' myself a 937 00:42:22,633 --> 00:42:22,666 little 938 00:42:22,666 --> 00:42:24,200 THOMPSON: I've come for the week, 939 00:42:24,233 --> 00:42:27,966 but Jimmy figures he'll get a saddle on sooner than that. 940 00:42:28,000 --> 00:42:31,066 [ Neighing ] 941 00:42:31,100 --> 00:42:33,566 That seems a little optimistic to me. 942 00:42:33,600 --> 00:42:35,466 [ Neighing ] 943 00:42:35,500 --> 00:42:36,566 ANDERSON: And so... 944 00:42:39,233 --> 00:42:40,300 he's tryin'... 945 00:42:40,333 --> 00:42:44,200 [ Snorts, huffing ] 946 00:42:44,233 --> 00:42:46,700 There. 947 00:42:46,733 --> 00:42:49,566 The-e-re we go. 948 00:42:49,600 --> 00:42:51,700 You'll hear me talk about two eyes. 949 00:42:51,733 --> 00:42:53,500 THOMPSON: Mm-hmm. -ANDERSON: When that horse 950 00:42:53,533 --> 00:42:56,266 can start to give me them two eyes, 951 00:42:56,300 --> 00:42:59,200 he also gives me his focus. 952 00:42:59,233 --> 00:43:00,466 [ Huffs ] 953 00:43:07,033 --> 00:43:09,066 [ Snorts ] Ni-i-i-ce. 954 00:43:11,966 --> 00:43:14,733 He 955 00:43:14,733 --> 00:43:14,766 really 956 00:43:14,766 --> 00:43:16,733 THOMPSON: If he can't take that touch, he won't take a saddle. 957 00:43:16,766 --> 00:43:18,733 ANDERSON: [chuckling] No. We're getting him used 958 00:43:18,766 --> 00:43:20,433 to an external pressure. 959 00:43:20,466 --> 00:43:23,100 Tap this hind end 960 00:43:23,133 --> 00:43:27,833 and have him yield that hind end. 961 00:43:27,866 --> 00:43:29,933 Nice. 962 00:43:29,966 --> 00:43:32,100 Tap this hind end... 963 00:43:32,133 --> 00:43:35,866 [ Huffing ] 964 00:43:35,900 --> 00:43:37,233 The-e-re. 965 00:43:37,266 --> 00:43:38,366 Nice. 966 00:43:40,666 --> 00:43:42,666 I'm gonna come up here, 967 00:43:42,700 --> 00:43:44,766 see if I can't get some pettin' in there. 968 00:43:44,800 --> 00:43:46,533 [ Huffing ] 969 00:43:46,566 --> 00:43:47,633 [ Grumbles ] 970 00:43:49,666 --> 00:43:52,766 THOMPSON: Jimmy knows horses are prey animals. 971 00:43:52,800 --> 00:43:54,866 Dogs are always looking for supper, 972 00:43:54,900 --> 00:43:58,033 but horses are looking for 973 00:43:58,033 --> 00:43:58,066 safety. 974 00:43:58,066 --> 00:44:01,266 And that need is Jimmy's magic key. 975 00:44:01,300 --> 00:44:02,533 [ Grumbling ] 976 00:44:02,566 --> 00:44:05,133 ANDERSON: When I look at horses that are spooky, 977 00:44:05,166 --> 00:44:08,633 if he's away from the herd, he doesn't have a leader. 978 00:44:08,666 --> 00:44:11,266 When you get that trust and that confidence 979 00:44:11,300 --> 00:44:12,933 and that relationship with a horse, 980 00:44:12,966 --> 00:44:16,333 I mean, really, sky is the limit of what you can do. 981 00:44:16,366 --> 00:44:18,633 [ Huffing ] 982 00:44:22,333 --> 00:44:26,133 When I start a colt, it's never a competition. 983 00:44:26,166 --> 00:44:30,100 It's more of a partnership and a relationship 984 00:44:30,133 --> 00:44:34,133 that we can start to get workin' together. 985 00:44:34,166 --> 00:44:37,133 I'm gonna come up here and, now, with the rope, 986 00:44:37,166 --> 00:44:39,833 I'm gonna move them hindquarters. 987 00:44:39,866 --> 00:44:41,333 Move those hindquarters. 988 00:44:41,366 --> 00:44:43,266 Move those hindquarters. 989 00:44:43,300 --> 00:44:44,433 Nice. 990 00:44:46,900 --> 00:44:48,100 [ Snorts ] 991 00:44:48,133 --> 00:44:52,300 [ Grumbling ] 992 00:44:52,333 --> 00:44:55,000 THOMPSON: How do you know how far to take it and when to stop? 993 00:44:55,033 --> 00:44:56,466 ANDERSON: You know, we're lookin' 994 00:44:56,500 --> 00:44:58,800 at the expression in his face, 995 00:44:58,833 --> 00:45:01,366 lookin' at that tightness through his neck. 996 00:45:01,400 --> 00:45:03,733 He's tellin' me, "Jim, you can do more," 997 00:45:03,766 --> 00:45:06,033 or "Jim, I'm gettin' too worried. 998 00:45:06,066 --> 00:45:07,166 I can't take this." 999 00:45:07,200 --> 00:45:08,633 So that's where I'm just 1000 00:45:08,666 --> 00:45:14,433 readin' 1001 00:45:14,433 --> 00:45:14,466 him 1002 00:45:14,466 --> 00:45:17,300 And so, when I can go through this 1003 00:45:17,333 --> 00:45:21,833 with him not gettin' worried and just no big deal, 1004 00:45:21,866 --> 00:45:24,766 that's when it's gonna tell me he's ready to saddle. 1005 00:45:24,800 --> 00:45:26,600 [ Neighing ] 1006 00:45:26,633 --> 00:45:28,866 [ Grumbling ] 1007 00:45:30,633 --> 00:45:32,600 Now, he's gettin' good with the tarp. 1008 00:45:42,366 --> 00:45:43,833 Ni-i-i-ce. 1009 00:45:43,866 --> 00:45:45,366 Good boy. 1010 00:45:45,400 --> 00:45:47,300 THOMPSON: So what are you doin' now, Jim? 1011 00:45:47,333 --> 00:45:49,833 ANDERSON: I'm just bringin' Maverick in. 1012 00:45:49,866 --> 00:45:53,100 Maverick's gonna give him a little bit of confidence 1013 00:45:53,133 --> 00:45:54,966 as I put the saddle on. 1014 00:46:00,333 --> 00:46:02,000 THOMPSON: And that's the first time? 1015 00:46:02,033 --> 00:46:04,133 ANDERSON: That's the first time, right there, yeah. 1016 00:46:11,000 --> 00:46:12,366 [ Neighing ] 1017 00:46:12,400 --> 00:46:15,433 [ Grumbling ] 1018 00:46:15,466 --> 00:46:17,500 [ Whinnying ] 1019 00:46:17,533 --> 00:46:18,533 [ Grumbles ] 1020 00:46:18,566 --> 00:46:21,133 And that is totally okay with me. 1021 00:46:21,166 --> 00:46:22,966 He kinda got worried. 1022 00:46:23,000 --> 00:46:25,266 He had to deal with it that way a little bit. 1023 00:46:25,300 --> 00:46:27,333 That's totally okay. 1024 00:46:27,366 --> 00:46:30,066 Yeah. There, he moved his feet, 1025 00:46:30,100 --> 00:46:34,166 kinda tightened up, but come back. 1026 00:46:34,200 --> 00:46:37,100 And so, the next thing that I'm workin' here -- 1027 00:46:37,133 --> 00:46:43,266 see, every time he stops, I want him to start to look for me. 1028 00:46:53,600 --> 00:46:55,300 The-e-e-re we go. 1029 00:46:55,333 --> 00:46:56,466 Ni-i-i-ce. 1030 00:46:56,500 --> 00:46:58,766 [ Birds squawking ] 1031 00:46:58,800 --> 00:47:01,566 That's what I wanna see. 1032 00:47:01,600 --> 00:47:05,066 That focus, that lookin' to me for that answer. 1033 00:47:05,100 --> 00:47:06,400 THOMPSON: [chuckling] He's come a long way since morning. 1034 00:47:06,433 --> 00:47:07,733 ANDERSON: He's come a long ways, yeah. 1035 00:47:12,100 --> 00:47:13,633 [ Snuffling ] 1036 00:47:13,666 --> 00:47:15,266 [ Birds chirping ] 1037 00:47:20,000 --> 00:47:25,000 I need to get him used to me jumpin' up and down here 'cause, 1038 00:47:25,033 --> 00:47:26,333 if I wanna get on him... 1039 00:47:29,300 --> 00:47:30,533 [ Grumbling ] 1040 00:47:33,033 --> 00:47:35,366 [ Grumbling ] 1041 00:47:35,400 --> 00:47:37,266 Really, really good changes here. 1042 00:47:49,900 --> 00:47:52,266 [ Clucking ] 1043 00:47:52,300 --> 00:47:53,666 [ Grumbles ] 1044 00:47:53,700 --> 00:47:56,666 [ Poignant tune plays ] 1045 00:47:56,700 --> 00:48:03,266 ♪♪ 1046 00:48:03,300 --> 00:48:08,066 ♪♪ 1047 00:48:08,100 --> 00:48:09,466 THOMPSON: Just amazing. 1048 00:48:09,500 --> 00:48:11,166 Completely calm. 1049 00:48:11,200 --> 00:48:14,566 ♪♪ 1050 00:48:14,600 --> 00:48:16,500 ANDERSON: [Clucking] 1051 00:48:16,533 --> 00:48:17,833 ♪♪ 1052 00:48:17,866 --> 00:48:19,966 My partner's helpin' me. 1053 00:48:20,000 --> 00:48:21,766 THOMPSON: [Laughing] 1054 00:48:21,800 --> 00:48:28,033 ANDERSON: [ Smooching ] 1055 00:48:28,066 --> 00:48:29,100 Yeah. 1056 00:48:29,133 --> 00:48:30,733 [ Smooching ] 1057 00:48:30,766 --> 00:48:34,000 ♪♪ 1058 00:48:34,033 --> 00:48:36,533 [ Clucking ] -[Snorts] 1059 00:48:36,566 --> 00:48:39,700 [ Smooching ] 1060 00:48:39,733 --> 00:48:40,900 ♪♪ 1061 00:48:40,933 --> 00:48:42,600 [ Smooching ] -[Whinnies] 1062 00:48:42,633 --> 00:48:46,400 [ Smooching ] 1063 00:48:46,433 --> 00:48:56,366 ♪♪ 1064 00:48:56,400 --> 00:48:58,566 Nice. 1065 00:48:58,600 --> 00:48:59,633 THOMPSON: That was just superb. 1066 00:48:59,666 --> 00:49:01,133 That was incredible to watch. 1067 00:49:01,166 --> 00:49:02,900 ANDERSON: Good boy. You know, 1068 00:49:02,933 --> 00:49:06,133 couldn't have asked for a better first day. 1069 00:49:06,166 --> 00:49:08,866 Good boy. 1070 00:49:08,900 --> 00:49:10,166 And here he is. 1071 00:49:10,200 --> 00:49:11,833 For the first time. 1072 00:49:11,866 --> 00:49:13,333 THOMPSON: He's your best friend now, isn't he? 1073 00:49:13,366 --> 00:49:14,900 ANDERSON: Yeah. 1074 00:49:14,933 --> 00:49:19,000 When I take the halter off, what I want to see is 1075 00:49:19,033 --> 00:49:21,533 him not leavin' me. 1076 00:49:21,566 --> 00:49:23,400 [ Birds chirping ] 1077 00:49:23,433 --> 00:49:25,300 [ Whistles ] 1078 00:49:25,333 --> 00:49:28,966 His focus isn't there. 1079 00:49:29,000 --> 00:49:30,200 [ Grumbling ] Ni-i-i-ce. 1080 00:49:30,233 --> 00:49:33,200 Perfect. See? And I wanna be hooked up to these, 1081 00:49:33,233 --> 00:49:34,933 not through a rope -THOMPSON: Yeah. 1082 00:49:34,966 --> 00:49:37,300 ANDERSON: or through manhandlin' or forcin', 1083 00:49:37,333 --> 00:49:38,733 through their mind. 1084 00:49:38,766 --> 00:49:41,933 ♪♪ 1085 00:49:41,966 --> 00:49:43,433 THOMPSON: In a single morning, 1086 00:49:43,466 --> 00:49:46,866 Jimmy and Shiver have found a common language. 1087 00:49:46,900 --> 00:49:48,800 ♪♪ 1088 00:49:48,833 --> 00:49:51,800 It's truly incredible, what we can do together 1089 00:49:51,833 --> 00:49:54,466 when a horse agrees to trust in us. 1090 00:49:54,500 --> 00:49:57,366 ♪♪ 1091 00:49:57,400 --> 00:50:00,666 After all, we sit on a horse's back 1092 00:50:00,700 --> 00:50:04,833 exactly where a wolf would've leapt up to attack. 1093 00:50:04,866 --> 00:50:09,200 It shows us: horses judge humans 1094 00:50:09,233 --> 00:50:12,366 and some of us pass the test. 1095 00:50:12,400 --> 00:50:15,633 ANDERSON: Horses are really amazing, 1096 00:50:15,666 --> 00:50:17,966 [ Lowing ] how much they will be a partner 1097 00:50:18,000 --> 00:50:21,033 and they try a crazy amount 1098 00:50:21,066 --> 00:50:24,966 and I wanna try that same amount back for them. 1099 00:50:25,000 --> 00:50:26,100 [ Lowing ] 1100 00:50:26,133 --> 00:50:28,466 When they give me that much trust, 1101 00:50:28,500 --> 00:50:32,466 I can never let anythin' bad happen to 'em. 1102 00:50:32,500 --> 00:50:35,900 When I lay Maverick down in the arena, 1103 00:50:35,933 --> 00:50:39,566 he has given me his trust. 1104 00:50:39,600 --> 00:50:43,000 Maverick knows I won't let somethin' happen to him. 1105 00:50:43,033 --> 00:50:51,766 ♪♪ 1106 00:50:51,800 --> 00:50:53,833 THOMPSON: The more time I spend with horses, 1107 00:50:53,866 --> 00:50:57,900 the more I understand what a gift they are. 1108 00:50:57,933 --> 00:51:01,800 A body loaded with the most amazing physical attributes, 1109 00:51:01,833 --> 00:51:06,866 yet, also, a mind that connects with our own. 1110 00:51:06,900 --> 00:51:11,966 That's 1111 00:51:11,966 --> 00:51:12,000 what makes our partnership unique. 1112 00:51:12,000 --> 00:51:15,100 But I wonder: How did it all begin? 1113 00:51:16,633 --> 00:51:19,333 [ Suspenseful music plays ] 1114 00:51:19,366 --> 00:51:21,200 In the final episode, 1115 00:51:21,233 --> 00:51:24,733 travel back in time and discover how horses 1116 00:51:24,766 --> 00:51:26,400 sparked the beginning 1117 00:51:26,433 --> 00:51:27,600 of art. 1118 00:51:27,633 --> 00:51:29,966 FLOSS: These guys had a spiritual connection 1119 00:51:30,000 --> 00:51:31,533 with these animals. 1120 00:51:31,566 --> 00:51:32,833 Join me on a journey 1121 00:51:32,866 --> 00:51:36,866 into the incredible world of horses today 1122 00:51:36,900 --> 00:51:40,500 and be amazed at their diversity. 1123 00:51:40,533 --> 00:51:41,966 ♪♪ 1124 00:51:42,000 --> 00:51:45,300 [ Neighing ] From the coldest place on Earth 1125 00:51:45,333 --> 00:51:47,800 to the hottest, 1126 00:51:47,833 --> 00:51:51,066 and even to an uninhabited island 1127 00:51:51,100 --> 00:51:54,000 where horses rely for survival 1128 00:51:54,033 --> 00:51:55,600 on seals. 1129 00:51:55,633 --> 00:51:57,666 [ Poignant tune plays ] And learn why, 1130 00:51:57,700 --> 00:51:59,233 no matter what, 1131 00:51:59,266 --> 00:52:02,033 horses are here to stay. 1132 00:52:02,066 --> 00:52:04,000 RED CROW: We are still on our horses, 1133 00:52:04,033 --> 00:52:05,900 just like our forefathers. 1134 00:52:05,933 --> 00:52:07,266 It's our way of life. 1135 00:52:07,300 --> 00:52:09,166 [ Music climbs ] 1136 00:52:12,700 --> 00:52:14,200 THOMPSON: From their incredible power and speed 1137 00:52:14,233 --> 00:52:16,533 to their intelligent and social nature, 1138 00:52:16,566 --> 00:52:20,166 it's no surprise we built our world with horsepower. 1139 00:52:20,200 --> 00:52:22,166 ANDERSON: When you get that trust with a horse, 1140 00:52:22,200 --> 00:52:24,500 sky is the limit of what you can do. 1141 00:52:24,533 --> 00:52:27,200 THOMPSON: But how did we shape this remarkable creature 1142 00:52:27,233 --> 00:52:30,766 into the 350 breeds that exist today? 1143 00:52:30,800 --> 00:52:34,200 Let's take a global tour of the most fascinating members 1144 00:52:34,233 --> 00:52:36,133 of the modern horse club. 1145 00:52:36,166 --> 00:52:40,100 [ Suspenseful music plays ] 1146 00:52:46,166 --> 00:52:56,066 ♪♪ 1147 00:52:56,100 --> 00:53:06,133 ♪♪ 1148 00:53:06,166 --> 00:53:13,700 ♪♪ 1149 00:53:13,733 --> 00:53:17,133 To learn more about what you've se 1150 00:53:17,133 --> 00:53:17,166 en on this "Nature" program, 1151 00:53:17,166 --> 00:53:19,466 visit pbs.org. 1152 00:53:19,500 --> 00:53:28,033 ♪♪ 81028

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