Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,153 --> 00:00:05,157
[♪]
2
00:00:07,000 --> 00:00:13,074
Advertise your product or brand here
contact www.OpenSubtitles.org today
3
00:00:21,173 --> 00:00:22,090
-I DON'T GET IT.-NO.
4
00:00:22,132 --> 00:00:23,175
YOU'RE BREAKINGTHE RULE.
5
00:00:23,216 --> 00:00:24,342
I'M DOING THE RIGHT THING.
6
00:00:24,384 --> 00:00:26,136
I'M THE OLDESTAND I'M IN CHARGE.
7
00:00:26,178 --> 00:00:28,096
WELL, YOU'RE NOT DOINGA VERY GOOD JOB OF IT.
8
00:00:28,138 --> 00:00:29,347
JUST TRUST ME.
9
00:00:30,348 --> 00:00:32,350
HI, MR. EVERETT!
10
00:00:32,350 --> 00:00:35,395
WELL, HEY,IT'S PEGGY, MARY LOU AND BUNNY.
11
00:00:35,437 --> 00:00:36,479
MY FAVORITE FAMILY.
12
00:00:36,521 --> 00:00:37,355
WHAT CAN I DO YA FOR?
13
00:00:37,355 --> 00:00:39,148
HOW MUCH TO MAIL THISTO DENVER?
14
00:00:39,190 --> 00:00:40,942
IT HAS TO GET THERE FAST.
15
00:00:40,983 --> 00:00:42,569
WELL... LET ME SEE.
16
00:00:44,111 --> 00:00:45,738
SO HOW ARE YOU ALLGETTING ALONG THESE DAYS?
17
00:00:47,114 --> 00:00:48,783
[MARY LOU]: TWO OF THE COWSWOULDN'T GET UP THIS MORNING.
18
00:00:48,825 --> 00:00:50,076
I THINKIT'S MILK FEVER...
19
00:00:50,117 --> 00:00:51,118
BUT THE OTHER COWSARE FINE.
20
00:00:51,160 --> 00:00:52,203
WE'VE GOT PLENTY OF MILK
21
00:00:52,244 --> 00:00:53,621
AND SOME REAL GOODCHEESE THIS WEEK.
22
00:00:53,621 --> 00:00:55,247
WELL, I WILL JUSTHAVE TO STOP BY
23
00:00:55,289 --> 00:00:57,208
AND SOME REAL GOODAND PICK ME UP SOME.WEEK.
24
00:00:57,208 --> 00:00:58,751
DID YOU WANT TO SEND THATFIRST CLASS?
25
00:00:58,793 --> 00:00:59,752
YES.
26
00:00:59,794 --> 00:01:02,839
OKAY, THAT'LL BE $5.78.
27
00:01:04,381 --> 00:01:06,508
IS THERE A...SIXTH CLASS?
28
00:01:09,053 --> 00:01:10,096
LET ME SEE.
29
00:01:13,724 --> 00:01:14,683
HOW MUCH YOU GOT?
30
00:01:14,725 --> 00:01:16,393
$2.05.
31
00:01:16,435 --> 00:01:17,978
BY GOLLY, THAT'S GONNA DO IT.
32
00:01:18,019 --> 00:01:19,646
AND WITH TWO CENTSTO SPARE.
33
00:01:23,567 --> 00:01:25,277
ALL DONE!OUGHTA BE THERE BY FRIDAY!
34
00:01:27,321 --> 00:01:28,572
THANK YOU.
35
00:01:28,572 --> 00:01:31,032
BUNNY, GIVEMR. EVERETT A NICKEL.
36
00:01:31,032 --> 00:01:32,075
[MR. EVERETT]: THANK YOU.
37
00:01:35,286 --> 00:01:38,081
BUNNY, GIVEMR. EVEAND THIS...EL.
38
00:01:38,081 --> 00:01:39,040
IS FOR YOU.
39
00:01:39,040 --> 00:01:40,250
BUNNY, GIVE[MARY LOU]:MR. EVEAND THIS..THANK YOU.
40
00:01:40,250 --> 00:01:41,334
IS AND CAN YOU PLEASE
41
00:01:41,376 --> 00:01:42,753
MARK IT "FRAGILE"?
42
00:01:42,753 --> 00:01:43,837
WILL DO.
43
00:01:45,213 --> 00:01:46,547
WHAT DO YOU GOT IN HERE ANYWAY?
44
00:01:48,008 --> 00:01:49,384
HOPE.
45
00:01:51,386 --> 00:01:55,265
[♪]
46
00:02:00,103 --> 00:02:03,148
♪ IT'S NO SECRETI DON'T CARE ♪
47
00:02:03,148 --> 00:02:05,858
♪ GONNA SHOUT IT OUTEVERYWHERE ♪
48
00:02:05,900 --> 00:02:07,193
♪ I LOVE MY BABY ♪I DON'T CARE ♪
49
00:02:07,235 --> 00:02:11,447
♪ HOT, COLD, FAST OR SLOW ♪
50
00:02:11,447 --> 00:02:12,698
♪ I LOVE MY BABY ♪
51
00:02:12,740 --> 00:02:14,784
♪ GONNA TELL EVERYBODY I KNOW ♪
52
00:02:14,784 --> 00:02:17,036
[♪]
53
00:02:17,036 --> 00:02:20,540
♪♪ IN THE EVENING, IN MY BED ♪♪
54
00:02:20,540 --> 00:02:22,917
♪ I HEAR VOICES IN MY HEAD ♪
55
00:02:22,917 --> 00:02:24,418
♪♪ I♪ THEY SAY, "NEVER... ♪D ♪♪
56
00:02:24,459 --> 00:02:26,295
♪♪ NEVER EVER LET HER GO" ♪♪
57
00:02:26,295 --> 00:02:28,673
[♪]
58
00:02:28,714 --> 00:02:29,715
♪ I LOVE MY BABY ♪
59
00:02:29,757 --> 00:02:33,343
♪ GONNA TELL EVERYBODY I KNOW ♪
60
00:02:33,385 --> 00:02:35,220
♪ WELL, I LOVE MY BABY ♪
61
00:02:35,220 --> 00:02:37,807
♪ GOTTA TELL EVERYBODY I KNOW ♪
62
00:02:37,807 --> 00:02:40,475
♪ WELL, I [♪]E MY BABY ♪
63
00:02:40,475 --> 00:02:43,145
♪ OTHER WOMENDON'T MEAN A THING TO ME ♪
64
00:02:43,145 --> 00:02:45,147
♪ WELL, I [♪]E MY BABY ♪
65
00:02:45,189 --> 00:02:46,231
♪ YOU CAN PICK 'EM ALL UP ♪DON'T MEAN A THING TO ME ♪
66
00:02:46,273 --> 00:02:49,651
♪ DROP 'EM ALL IN THE SEA ♪
67
00:02:49,651 --> 00:02:50,860
[♪]
68
00:02:50,902 --> 00:02:52,321
♪ DROP 'EM ALL IN THE SEA ♪♪ IF I GOT NO MONEY ♪
69
00:02:52,321 --> 00:02:53,488
♪ SHE DON'T CARE ♪
70
00:02:53,530 --> 00:02:54,989
♪ DROP 'EM ALL IN THE SEA ♪♪ SHE'LL OPEN UP♪ HER POCKET BOOK ♪ ♪
71
00:02:55,031 --> 00:02:56,157
♪ AND PAY MY FARE ♪
72
00:02:56,200 --> 00:02:57,992
♪ I KNOW SHE LOVES ME ♪
73
00:02:58,034 --> 00:02:59,994
♪ UP, DOWN, HIGH OR LOW ♪
74
00:02:59,994 --> 00:03:02,205
[♪]
75
00:03:02,246 --> 00:03:03,331
♪ U♪ I LOVE MY BABY ♪OW ♪
76
00:03:03,331 --> 00:03:06,375
♪ GOTTA TELL EVERYBODY I KNOW ♪
77
00:03:06,418 --> 00:03:07,877
♪ I'LL SAY IT AGAIN ♪
78
00:03:07,919 --> 00:03:09,045
♪ I LOVE MY BABY ♪
79
00:03:09,087 --> 00:03:10,088
♪ GONNA TELL ALL Y'ALLTHAT I KNOW ♪
80
00:03:10,129 --> 00:03:11,214
-OH, ARE YOU FINISHED?-YES.
81
00:03:14,676 --> 00:03:17,386
OH, I LOVE THIS!
82
00:03:18,680 --> 00:03:20,014
I KNOWJUST WHERE THIS SHOULD GO.
83
00:03:20,056 --> 00:03:22,558
OH, I BELIEVEIT IS ALREADY THERE.
84
00:03:24,060 --> 00:03:25,644
I THOUGHT YOU LIKED ANTIQUES.
85
00:03:25,686 --> 00:03:26,980
I DO.
86
00:03:27,021 --> 00:03:29,648
TRUE ANTIQUES HAVE CHARACTER...
87
00:03:29,690 --> 00:03:30,942
AND PROVENANCE...
88
00:03:30,984 --> 00:03:31,859
PROVENANCE?
89
00:03:31,859 --> 00:03:32,735
A HISTORY.
90
00:03:32,776 --> 00:03:34,278
YES, A STORY, A PEDIGREE.
91
00:03:34,320 --> 00:03:36,739
BUT JUNK IS, WELL, JUST...
92
00:03:36,780 --> 00:03:38,199
TRASH WAITINGTO BE MADE
93
00:03:38,199 --> 00:03:39,992
INTO TREASURE.
94
00:03:40,033 --> 00:03:41,202
TRUST ME, THIS'LL LOOK GREAT
95
00:03:41,202 --> 00:03:43,704
ON ONE OF THOSE BLANK WALLSTHAT YOU KEEP STARING AT.
96
00:03:43,704 --> 00:03:47,040
TRUSI DON'T SEE THE POINTEATIN DECORATING A TEMPORARY SPACE.
97
00:03:48,291 --> 00:03:50,794
ON OLIVER, YOU'RE GOINGALLSTHATO HAVE TO FACE IT AT.
98
00:03:50,836 --> 00:03:52,505
SOONER OR LATER--
99
00:03:52,546 --> 00:03:56,174
THE OLD DLO SPACE IS NOWTHE NEW ONLINE SHIPPING ROOM.
100
00:03:56,216 --> 00:03:57,384
WE'RE NOT GOING BACK THERE.
101
00:04:01,722 --> 00:04:05,934
[♪]
102
00:04:12,815 --> 00:04:13,650
HMM...
103
00:04:13,650 --> 00:04:16,736
NOW, HOW DID I HAVE THIS BEFORE?
104
00:04:16,736 --> 00:04:17,862
HUM...
105
00:04:17,904 --> 00:04:19,697
HMM...
106
00:04:22,117 --> 00:04:23,951
UH... LET'S SEE.
107
00:04:26,246 --> 00:04:29,582
OH! HOW ABOUT...
108
00:04:29,582 --> 00:04:31,083
HERE?
109
00:04:31,083 --> 00:04:33,210
YOU WANT TO HANG ITWITHOUT ANYTHING IN IT?
110
00:04:33,252 --> 00:04:34,211
[SHANE]: RIGHT!
111
00:04:34,253 --> 00:04:35,463
IT'S VERY AVANT-GARDE.
112
00:04:35,505 --> 00:04:36,381
WHOEVER'S LOOKING AT IT
113
00:04:36,423 --> 00:04:38,090
WILL SEEWHATEVER THEY WANT TO SEE.
114
00:04:38,090 --> 00:04:41,052
I WOULD LIKE TO SEEA PICTURE IN IT.
115
00:04:41,093 --> 00:04:43,971
[SHANE]: YOU SAID YOU WANTEDTO BREAK OUT AND TRY NEW THINGS.
116
00:04:43,971 --> 00:04:44,847
I DID.
117
00:04:44,889 --> 00:04:46,432
[SHANE]: YOU SAIDYES, YOU DID.TO BREAK OUT AND TRY NEW THINGS.
118
00:04:46,432 --> 00:04:48,392
AT LEASTLET ME GET IT CENTERED.
119
00:04:49,811 --> 00:04:50,561
OH!
120
00:04:50,602 --> 00:04:51,478
DID YOU KNOW
121
00:04:51,520 --> 00:04:52,646
THAT FOUR OUT OF FIVEPOST OFFICE BRIDES
122
00:04:52,688 --> 00:04:54,899
MARRY OUTSIDEOF THEIR OWN ZIP CODE?
123
00:04:56,108 --> 00:04:58,110
IT'S A NEW WORLD, RITA.
124
00:04:58,152 --> 00:04:59,111
BELIEVE ITOR NOT,
125
00:04:59,111 --> 00:05:00,404
THERE'S NOTHING PENDINGIN THE PENDING BOX
126
00:05:00,446 --> 00:05:02,031
AND ALL THE BULK MAILVE ITHAS BEEN DEBULKED,NOT,
127
00:05:02,073 --> 00:05:03,574
SO IT LOOKS...
128
00:05:03,615 --> 00:05:04,491
LIKE A LIGHT DAY.
129
00:05:04,491 --> 00:05:07,494
WELL, I SUGGEST WE TAKEAN EARLY LUNCH!
130
00:05:07,494 --> 00:05:09,996
OH! WELL, RAMONLIGHT DAY.BOUGHT A NEW RESTAURANT.
131
00:05:10,038 --> 00:05:11,790
IT'S VERY COOL AND VERY CHIC.AN EARLY LUNCH!
132
00:05:11,832 --> 00:05:13,875
IT'S CALLED "BISTRO RAMON."
133
00:05:13,917 --> 00:05:16,545
WE COULD GO THERE.
134
00:05:16,587 --> 00:05:18,213
WHAT'S THE MATTERWITH THE MAILBOX GRILLE?
135
00:05:18,254 --> 00:05:19,840
NEW HORIZONS, OLIVER.
136
00:05:19,840 --> 00:05:22,133
JUST LET ME HANG THIS,AND THEN WE CAN...
137
00:05:22,133 --> 00:05:24,761
NEPERHAPSONS, OLIVER.WE SHOULD MEASURE FIRST
138
00:05:24,803 --> 00:05:26,555
AND THEN WE CAN FIND--
139
00:05:27,723 --> 00:05:28,890
OOH!
140
00:05:32,978 --> 00:05:34,145
...FIND THE STUD.
141
00:05:35,230 --> 00:05:36,397
OH...
142
00:05:41,152 --> 00:05:42,528
[NORMAN]: HUH!
143
00:05:42,570 --> 00:05:44,030
THERE'S A NEW HORIZON.
144
00:06:04,759 --> 00:06:07,553
WOW. WHAT IS THIS?SOME SORT OF SECRET ROOM?
145
00:06:08,471 --> 00:06:09,805
I HAVE NO IDEA.
146
00:06:09,847 --> 00:06:11,390
LOOKS LIKETHAT WATER LEAK'S
147
00:06:11,432 --> 00:06:13,518
GOTTEN INTO EVERYTHING.
148
00:06:13,518 --> 00:06:15,269
I WONDER.
149
00:06:15,310 --> 00:06:16,896
[SHANE]: OLIVER...
150
00:06:16,896 --> 00:06:21,566
THERE'S UNDELIVEREDMAIL HERE FROM 1999.
151
00:06:21,566 --> 00:06:23,360
ALL THE ZIP CODESARE ALL ADDRESSED TO...
152
00:06:23,360 --> 00:06:25,320
THERE'S UNDELIVEREDMAIL HERE FRO82474..
153
00:06:25,362 --> 00:06:26,781
HOW DID YOU KNOW?
154
00:06:28,740 --> 00:06:29,867
THIS...
155
00:06:29,909 --> 00:06:32,995
IS THE LOST MAILBAGOF HARRY SNAPP.
156
00:06:33,037 --> 00:06:34,538
[RITA]: HE'S REAL?
157
00:06:34,579 --> 00:06:35,747
I ALWAYS THOUGHTHE WAS JUST A LEGEND.
158
00:06:35,789 --> 00:06:36,748
[OLIVER]: OH, YES.
159
00:06:36,790 --> 00:06:38,000
WHO'S HARRY SNAPP?
160
00:06:38,000 --> 00:06:39,918
HARRY WAS A MAIL CARRIER,
161
00:06:39,959 --> 00:06:41,420
SOMETHING OFWHO'A DISAGREEABLE LONER,
162
00:06:41,461 --> 00:06:44,464
WHO SUDDENLY DISAPPEAREDABOUT 18 YEARS AGO.
163
00:06:44,506 --> 00:06:45,549
YEAH. POSTAL LORE HAS IT
164
00:06:45,590 --> 00:06:46,966
THAT HE WOULD SPENDHIS LUNCH HOURS
165
00:06:47,008 --> 00:06:48,302
HIDING SOMEWHEREIN THIS BUILDING,
166
00:06:48,343 --> 00:06:51,596
SCRATCHING OFF LOTTERY TICKETSAND ENTERING MAGAZINE CONTESTS.
167
00:06:51,596 --> 00:06:54,641
AND THEN ONE DAY,HE JUST DIDN'T SHOW UP.
168
00:06:55,349 --> 00:06:57,101
SCRATCHING OFF "YOU MAY ALREADYAND ENTERING MABE A WINNER...".
169
00:06:57,143 --> 00:07:00,438
SOUNDS LIKE HE FINALLYHIT THE JACKPOT.
170
00:07:01,731 --> 00:07:04,233
THEY NEVER FOUNDHIS LAST DELIVERY.
171
00:07:04,233 --> 00:07:06,152
'TIL NOW.
172
00:07:06,194 --> 00:07:10,239
IT'S MOSTLY JUST WATERLOGGEDRIGHT NOW,
173
00:07:10,281 --> 00:07:12,366
AND, WELL, MAGAZINESAND JUNK MAIL
174
00:07:12,366 --> 00:07:14,285
AND THE OCCASIONAL...
175
00:07:19,832 --> 00:07:20,708
AND, WELL, MAGAZINESWOW!ND JUNK MAIL
176
00:07:20,708 --> 00:07:23,044
...ANTIQUE PORCELAIN VASE.
177
00:07:25,088 --> 00:07:27,631
AND, WELL, MAGAZINESNO, JUST THE WALL.
178
00:07:27,673 --> 00:07:31,093
STRUCTURAL DAMAGE?
179
00:07:31,093 --> 00:07:32,135
DEFINE DAMAGE...
180
00:07:32,178 --> 00:07:34,930
ANY SIGN OF AN ADDRESS?
181
00:07:34,930 --> 00:07:36,640
NO. THE POSTMARKAND ADDRESS ARE GONE.
182
00:07:36,682 --> 00:07:39,893
THEN, WE ARE NOW OBLIGATEDTO RETURN IT TO THE SENDER.
183
00:07:39,935 --> 00:07:40,811
SENDERS.
184
00:07:40,853 --> 00:07:42,187
THERE'S A PARTIAL RETURN:
185
00:07:42,187 --> 00:07:45,107
"PEGGY, MARY LOU, AND BUNNY..."
186
00:07:45,107 --> 00:07:48,193
SOMETHING "COUNTY ROAD..."THSOMETHING, SOMETHING.N:
187
00:07:48,235 --> 00:07:50,445
WELL, FACILITIES"PEGGY, AND MAINTENANCEUNNY..."
188
00:07:50,445 --> 00:07:52,030
CAN HAVE A CREW HEREBY THE 13TH.
189
00:07:52,072 --> 00:07:53,115
EXCELLENT.
190
00:07:54,324 --> 00:07:55,408
NEXT YEAR.
191
00:07:56,785 --> 00:07:58,286
WELL, THEN WE SHALL
192
00:07:58,328 --> 00:08:00,288
TAKE MATTERSINTO OUR OWN HANDS.
193
00:08:00,330 --> 00:08:01,248
OH, MY.
194
00:08:01,289 --> 00:08:02,665
[OLIVER CHUCKLES]
195
00:08:02,707 --> 00:08:04,001
UH, NORMAN!
196
00:08:04,042 --> 00:08:05,710
EXTRACTION KIT, PLEASE.
197
00:08:06,669 --> 00:08:09,131
CAREFUL. IT'S WATERLOGGED,IT MAY DISINTEGRATE.
198
00:08:21,809 --> 00:08:24,437
NORMAN, HANDWRITING?
199
00:08:24,479 --> 00:08:26,564
IT'S DATED 18 YEARS AGO
200
00:08:26,606 --> 00:08:28,024
AND WRITTEN WITHA FOUNTAIN PEN,
201
00:08:28,065 --> 00:08:31,277
BUT THE HANDWRITINGIS ADOLESCENT FEMALE,
202
00:08:31,277 --> 00:08:33,029
10, MAYBE 11 YEARS OLD.
203
00:08:33,070 --> 00:08:36,783
BUT THEA CHILD WHO VALUESIS ADOLETHE WRITTEN WORD.
204
00:08:36,783 --> 00:08:38,785
WELL, WHY DON'T I START?
205
00:08:41,662 --> 00:08:42,496
BUT THEA CHILD WHO VALUESIS ADOLETHE"DEAR SIR,ORD.
206
00:08:42,538 --> 00:08:44,540
I AM SENDING YOU THIS VASE
207
00:08:44,581 --> 00:08:46,000
BECAUSE WE REALLY NEEDTO SELL IT.
208
00:08:46,042 --> 00:08:47,168
WHEN I CALLED YOU LAST YEAR,
209
00:08:47,168 --> 00:08:49,753
YOU SAID YOU THOUGHTMAYBE IT WAS WORTH SOME MONEY,
210
00:08:49,795 --> 00:08:50,837
BUT YOU'D HAVE TO SEE IT FIRST,
211
00:08:50,837 --> 00:08:52,423
SO HERE IT IS.
212
00:08:52,464 --> 00:08:54,675
YOU ALSO SAID YOU WOULD HAVEBUT YTO KNOW HOW OLD IT ISIRST,
213
00:08:54,716 --> 00:08:57,261
AND WHERE WE GOT ITAND THE WHOLE STORY OF IT.
214
00:08:57,303 --> 00:08:59,221
SO HERE IT GOES.
215
00:08:59,263 --> 00:09:00,514
WE LIVE ON A FARM.
216
00:09:00,514 --> 00:09:01,807
IT IS VERY HARD WORK
217
00:09:01,848 --> 00:09:04,601
AND HARDLY ANYBODYHAS A REAL FARM ANYMORE.
218
00:09:04,643 --> 00:09:06,520
BUT MY MOM SAYS THAT'S THE WAYWE'VE ALWAYS DONE IT
219
00:09:06,562 --> 00:09:08,146
AND THAT'S WHY OUR MILKIS THE BEST,
220
00:09:08,146 --> 00:09:09,356
AND THAT NOTHING BEATS
221
00:09:09,398 --> 00:09:12,108
AND THHAPPY COWSUR MILKAND HARD WORK AND HOPE.
222
00:09:12,108 --> 00:09:13,902
BUT THAT'S WHERETHE VASE COMES IN,
223
00:09:13,944 --> 00:09:15,529
AND THHAPPY COWSUR MILKBECAUSE TIMES ARE BAD AGAIN
224
00:09:15,529 --> 00:09:17,573
AND WE ARE ALMOSTOUT OF HOPE NOW.
225
00:09:17,614 --> 00:09:19,032
WE ARE A FAMILY OF FARMERS.
226
00:09:19,074 --> 00:09:20,701
OUR FAMILY HAS BEEN RAISING COWS
227
00:09:20,701 --> 00:09:22,744
AND SELLING MILKAND MAKING CHEESE
228
00:09:22,786 --> 00:09:25,997
FOR MORE THAN A HUNDRED YEARS.
229
00:09:26,039 --> 00:09:28,041
THE WOMEN IN OUR FAMILYALWAYS HAVE GIRLS,
230
00:09:28,083 --> 00:09:29,584
AND THEY ALL GROW UPTO BE FARMERS,
231
00:09:29,625 --> 00:09:31,377
EXCEPT EVERY ONCE IN A WHILE,
232
00:09:31,419 --> 00:09:34,840
A GIRL GETS BORNWHO JUST WANTS ADVENTURE.
233
00:09:34,881 --> 00:09:37,968
THAT WASGREAT-GRANDMOTHER BETTY.
234
00:09:41,054 --> 00:09:42,597
WHEN WORLD WAR II STARTED,
235
00:09:42,638 --> 00:09:43,889
GREAT-GRANDMA BETTYLEFT THE FARM
236
00:09:43,931 --> 00:09:45,766
AND JOINEDTHE WOMEN'S ARMY CORPS.
237
00:09:45,808 --> 00:09:47,477
EVERYBODY UNDERSTOOD
238
00:09:47,518 --> 00:09:50,230
WHY BETTY RAN OFFTO JOIN THE WAR,
239
00:09:50,271 --> 00:09:53,148
BUT ALL THE WOMEN IN OUR FAMILYARE FARM FOLK,
240
00:09:53,190 --> 00:09:54,942
AND MAYBE THEY WANDER SOMETIMES,
241
00:09:54,984 --> 00:09:58,112
BUT SOONER OR LATER,THEY ALL COME HOME.
242
00:10:01,365 --> 00:10:02,742
WHEN BETTY WENT TO WAR,
243
00:10:02,742 --> 00:10:04,910
SHE GOT MARRIEDTO AN ARMY CAPTAIN.
244
00:10:04,952 --> 00:10:06,411
AND THE MAN WHO MARRIED THEM
245
00:10:06,411 --> 00:10:09,498
GAVE THEM THIS VASEAS A WEDDING PRESENT.
246
00:10:09,498 --> 00:10:12,918
SHE DIDN'T BRINGHER HUSBAND HOME.
247
00:10:12,918 --> 00:10:14,419
GAVE THEM THIS VASEAS JUST THE VASE.ENT.
248
00:10:14,461 --> 00:10:15,504
AND A BABY.
249
00:10:15,504 --> 00:10:18,632
THAT BABYWAS OUR GRANDMA ISABEL.
250
00:10:18,632 --> 00:10:21,593
FIVE GENERATIONSHAVE LIVED ON THIS FARM,
251
00:10:21,593 --> 00:10:22,928
THAT BABYWAS WITH THIS VASE,BEL.
252
00:10:22,928 --> 00:10:26,348
AND WE ALL BELIEVED WHATGREAT-GRANDMA BETTY HAD SAID,
253
00:10:26,390 --> 00:10:29,434
THAT THE VASE WAS PROBABLY WORTHWAS A LOT OF MONEY.BEL.
254
00:10:29,434 --> 00:10:34,689
SHE CALLED ITOUR "JUST-IN-CASE-VASE."
255
00:10:34,731 --> 00:10:35,774
WE COULD ONLY SELL IT
256
00:10:35,774 --> 00:10:38,109
IF WE REALLY, REALLYDIDN'T HAVE A CHOICE--
257
00:10:38,109 --> 00:10:39,110
WE BUT IF WE WEREL IT
258
00:10:39,152 --> 00:10:42,989
THE STRONG AMERICAN WOMENDWE WERE RAISED TO BE,
259
00:10:43,031 --> 00:10:45,324
WE WOULD ALWAYSTHINK OF SOMETHING ELSE
260
00:10:45,367 --> 00:10:46,618
BEFORE IT CAME TO THAT.
261
00:10:46,618 --> 00:10:48,662
AND WE ALWAYS DID.
262
00:10:50,955 --> 00:10:53,583
ONE YEAR, WE PRACTICALLY LOSTA WHOLE HERD OF JERSEYS
263
00:10:53,625 --> 00:10:55,084
TO A COW EPIDEMIC.
264
00:10:55,084 --> 00:10:56,502
SOMETIMES, A BAD YEAR
265
00:10:56,502 --> 00:10:58,421
MEANT WE JUST ATEEGGS AND PEANUT BUTTER
266
00:10:58,462 --> 00:10:59,756
SOAND CANS OF SOUP,AR
267
00:10:59,798 --> 00:11:01,632
SO THE COWS COULD HAVE HAY,
268
00:11:01,674 --> 00:11:03,968
BUT THEY NEVER SOLD THE VASE.
269
00:11:03,968 --> 00:11:05,636
[SINGING]
270
00:11:05,636 --> 00:11:08,431
SOMETIMES, THERE WERETORNADOS, AND DROUGHTS,
271
00:11:08,431 --> 00:11:10,391
AND BLIZZARDS, AND FLOODS.
272
00:11:10,433 --> 00:11:12,143
SOMETSOMETIMES,E WEREWE HAD TO TRADE STUFF AWAY--
273
00:11:12,185 --> 00:11:14,770
BUT WE NEVER SOLD THE VASE.
274
00:11:17,148 --> 00:11:18,316
BUT SIX MONTHS AGO,
275
00:11:18,316 --> 00:11:22,069
DADDY DIED IN A TRACTOR ACCIDENTIN THE WEST PASTURE,
276
00:11:23,153 --> 00:11:26,657
AND THAT'S WHYWE ARE IN TROUBLE NOW.
277
00:11:26,657 --> 00:11:30,285
OUR MOM AND DADREALLY, REALLY...
278
00:11:30,328 --> 00:11:31,662
LOVED EACH OTHER,
279
00:11:31,662 --> 00:11:34,247
AND...
280
00:11:40,671 --> 00:11:43,674
OUR MOM AND DADREALLY, REALLY LOVED EACH OTHER,
281
00:11:43,716 --> 00:11:47,010
AND SHE'S STILL SO SAD,SHE CAN'T GET OUT OF BED,
282
00:11:47,010 --> 00:11:49,179
AND PEGGY AND I ARE TRYINGTO TAKE CARE OF BUNNY
283
00:11:49,221 --> 00:11:50,180
AND SHE'S STILL SO SAD,SHE CAAND THE COWSOF BED,
284
00:11:50,180 --> 00:11:51,473
AND GO TO SCHOOL
285
00:11:51,514 --> 00:11:53,266
AND...
286
00:11:53,308 --> 00:11:56,144
TRADE MILKTO PAY THE BILLS.
287
00:11:56,186 --> 00:11:57,062
THEN LAST WEEK,
288
00:11:57,104 --> 00:11:58,438
A LADY CAMEFROM THE SOCIAL SERVICES
289
00:11:58,438 --> 00:12:00,983
AND ASKED WHERE OUR MOTHER WAS.
290
00:12:01,024 --> 00:12:02,400
A LADY CAMEWE TOLD HER SHE WAS SLEEPING
291
00:12:02,442 --> 00:12:03,943
AND SHE SAIDSHE'D BE BACK NEXT WEEK.
292
00:12:03,985 --> 00:12:06,196
SO IF WE CAN JUST SELL THE VASE,
293
00:12:06,238 --> 00:12:07,155
WE CAN PAY THE BILLS,
294
00:12:07,197 --> 00:12:08,198
AND MAMA WILL FEEL BETTER
295
00:12:08,240 --> 00:12:09,991
BEFORE SOMEBODY COMESTO TAKE US AWAY."
296
00:12:18,375 --> 00:12:19,501
WELL, THAT'S ALL THERE IS.
297
00:12:19,501 --> 00:12:21,878
I HOPE THAT THEY'RE--
298
00:12:21,878 --> 00:12:23,129
WELL,THEY'RE STILL...E IS.
299
00:12:26,674 --> 00:12:27,717
HOW OLD WOULD SHE BE NOW?
300
00:12:27,717 --> 00:12:29,886
OH, ABOUT 28?
301
00:12:29,886 --> 00:12:30,970
MS. MCINERNEY,ULD SHE BE NOW?
302
00:12:31,012 --> 00:12:32,096
WOULD YOU DOSOME RESEARCH ABOUT 28?
303
00:12:32,138 --> 00:12:34,974
ON 100-YEAR-OLDFAMILY FARMS IN THE AREA?
304
00:12:34,974 --> 00:12:37,894
NORMAN, LET'SCLEAN UP THAT MESS
305
00:12:37,935 --> 00:12:39,854
ON 100-YEAND FIGURE OUTFAMIWHAT TO DO WITH THE ROOM.
306
00:12:39,896 --> 00:12:42,523
AND RITA, WILL YOUTAKE PHOTOGRAPHS OF THE VASE,
307
00:12:42,523 --> 00:12:43,524
AND MAKE A FEW COPIES,
308
00:12:43,565 --> 00:12:45,276
AND THEN LOCK THE VASE AWAYTAKE PHOIN THE SAFE?THE VASE,
309
00:12:45,317 --> 00:12:48,529
WHEREVER THE SAFE IS NOW.
310
00:12:48,570 --> 00:12:50,489
GOT IT.
311
00:12:51,907 --> 00:12:54,493
IF THE VASE TRULY ISFROM EUROPE,
312
00:12:54,535 --> 00:12:56,453
THEN I DOUBT WE'LL BE ABLETO TRACE IT
313
00:12:56,495 --> 00:12:57,913
BACK TO SOME DAIRY FARM IN--
314
00:12:57,954 --> 00:13:00,081
I'M ASSUMING COLORADO...
315
00:13:00,081 --> 00:13:02,584
IF IT WAS MISADDRESSEDAND RETURNED TO SENDER,
316
00:13:02,584 --> 00:13:04,836
THEN MARY LOU WOULDI'M ASSNEVER HAVE HEARD BACK
317
00:13:04,878 --> 00:13:06,379
IF IT WAS MISADDRESSEDAND RETFROM "DEAR SIR."
318
00:13:06,422 --> 00:13:09,257
SO WHOEVER"DEAR SIR" IS,
319
00:13:09,257 --> 00:13:11,718
I'M SURE SHE CALLED HIMOR WROTE HIM AGAIN
320
00:13:11,718 --> 00:13:13,428
TO TRY TO TRACK IT DOWN?
321
00:13:13,469 --> 00:13:16,139
I'M SURE SHE CALLED HIMAN ART DEALER, PERHAPS?IN
322
00:13:16,181 --> 00:13:17,265
THERE CAN'T BETHAT MANY IN DENVER.
323
00:13:17,307 --> 00:13:18,224
OH, WELL,
324
00:13:18,266 --> 00:13:20,226
THERE'S 87 IN DENVER PROPER.
325
00:13:20,268 --> 00:13:22,062
IN METRO-DENVER...
326
00:13:22,103 --> 00:13:23,271
POINT TAKEN, RITA.
327
00:13:23,313 --> 00:13:25,106
THEN LET'S NARROW THAT DOWN
328
00:13:25,106 --> 00:13:27,650
TO EUROPEANPORCELAIN SPECIALISTS.
329
00:13:29,569 --> 00:13:30,946
YOU GUYS REMEMBERMY COUSIN SERGE?
330
00:13:30,946 --> 00:13:31,946
[SHANE]: SERGE?
331
00:13:31,946 --> 00:13:34,615
THE ONE WHO ENTEREDA MONASTERY IN MINNESOTA?
332
00:13:34,615 --> 00:13:36,784
THE LITTLE BROTHERSOF PERPETUAL FROST. YEAH.
333
00:13:38,328 --> 00:13:40,871
HE'S RELEVANTTO THIS CONVERSATION BECAUSE...
334
00:13:40,871 --> 00:13:42,122
BECAUSE HE HASA TWIN, IGOR!
335
00:13:42,122 --> 00:13:44,083
HE'SAND HE'S THETO THIS CONVEASSOCIATE DIRECTOR
336
00:13:44,124 --> 00:13:45,335
OF DECORATIVE ARTS
337
00:13:45,335 --> 00:13:47,337
AT THE COLORADO MUSEUMOF FINE ARTS!
338
00:13:47,378 --> 00:13:50,005
HE ALWAYS LIKED BOWLS AND POTS.
339
00:13:50,005 --> 00:13:52,467
AND THEY'VE GOTLOTS OF POTS THERE.
340
00:13:52,467 --> 00:13:54,384
OH, LOOK.S LIKED BOWLS AND POTS.
341
00:14:01,308 --> 00:14:03,686
THEY USED IT FOR PACKING.
342
00:14:05,145 --> 00:14:07,147
"PERSEPHONE,3/4 BUCKET.
343
00:14:07,147 --> 00:14:08,190
DIDN'T DRINK.
344
00:14:08,232 --> 00:14:09,233
"PERSEPHONE,SEEMS DEHYDRATED.
345
00:14:09,274 --> 00:14:11,735
VENUS, WOULDN'T PASTURE.
346
00:14:11,776 --> 00:14:14,321
PENELOPE,MINERVA, ELECTRA..."
347
00:14:15,447 --> 00:14:16,323
SEEMS LIKE SOME SORT
348
00:14:16,365 --> 00:14:18,742
OF COW DIARY, I THINK.
349
00:14:18,783 --> 00:14:19,826
OH.
350
00:14:19,868 --> 00:14:23,747
IT SAYS"SEE ATTACHED VET PRESCRIPTION."
351
00:14:24,789 --> 00:14:27,584
WELL, MAYBE THE NAME OF THE VETCAN HELP US LOCATE THE FARM.
352
00:14:29,544 --> 00:14:31,296
THE SECOND PAGE IS MISSING.IT MUST HAVE FALLEN APART.
353
00:14:31,338 --> 00:14:32,756
THOUGH IT LOOKS LIKE
354
00:14:32,756 --> 00:14:33,840
IT WAS STUCK TOGETHERLONG ENOUGH
355
00:14:33,840 --> 00:14:35,759
FOR SOME IMPRESSIONSTO GET TRANSFERRED.E
356
00:14:35,800 --> 00:14:38,011
I MIGHT BE ABLETO PULL SOMETHING OFF OF THAT
357
00:14:38,052 --> 00:14:39,012
IF I HAD A BIGGER LAB
358
00:14:39,012 --> 00:14:41,681
AND A LASERAND A SPECTRAL-IMAGING SYSTEM.
359
00:14:41,681 --> 00:14:46,185
BUT THE BUDGET ONLY APPROVEDA PAPER SHREDDER THIS YEAR.
360
00:14:46,185 --> 00:14:48,521
WELL, THERE MUST BEAND SOME GOVERNMENT AGENCYTEM.
361
00:14:48,521 --> 00:14:50,439
TO WHOM WE CAN TURN.
362
00:14:50,481 --> 00:14:51,399
WHAT ABOUT DALE
363
00:14:51,440 --> 00:14:52,400
AT THE STATE DIVISIONOF INVESTIGATIONS?
364
00:14:52,400 --> 00:14:54,235
AH.
365
00:14:54,277 --> 00:14:56,029
AT WELL, THERE'S--IONTHERE'S A THOUGHT.
366
00:14:56,029 --> 00:14:58,865
SHE'S STILLA SPECIAL AGENT THERE, RIGHT?
367
00:14:58,907 --> 00:15:00,616
A VERY SPECIAL AGENT.
368
00:15:00,658 --> 00:15:01,951
[OLIVER]: I'M GOINGTO GIVE HER A CALL RIGHT NOW.
369
00:15:06,539 --> 00:15:08,291
DO YOU REALLY THINKIT'S A GOOD IDEA
370
00:15:08,332 --> 00:15:09,292
FOR OLIVER TO BE...
371
00:15:09,333 --> 00:15:11,377
REACHING OUT TO DALE?
372
00:15:11,419 --> 00:15:12,628
[SHANE]: OH, ABSOLUTELY.
373
00:15:14,004 --> 00:15:15,839
AND YOU GO WITH HIM.
374
00:15:15,881 --> 00:15:16,924
AH.
375
00:15:18,342 --> 00:15:19,635
[NORMAN]:AND SHE'S REALLY SMART.
376
00:15:19,677 --> 00:15:20,719
SHE HAS A PHOTOGRAPHIC MEMORY,
377
00:15:20,761 --> 00:15:21,929
AND SHE WASMISS SPECIAL DELIVERY,
378
00:15:21,970 --> 00:15:23,055
AND WE LIKE THE SAME THINGS,
379
00:15:23,055 --> 00:15:24,264
AND THE SAME MUSIC,
380
00:15:24,306 --> 00:15:25,933
AND THE SAME BOOKSAND EVERYTHING.
381
00:15:25,974 --> 00:15:26,892
SO WHEN'S THE WEDDING?
382
00:15:26,934 --> 00:15:28,143
WELL, IT'S STILL PRETTY NEW.
383
00:15:28,143 --> 00:15:29,144
I HAVEN'T EVEN MET HER FAMILY.
384
00:15:29,186 --> 00:15:31,271
JUST WAIT TILL THEY MEET OURS.
385
00:15:33,023 --> 00:15:34,191
WELL, THE STYLE
386
00:15:34,232 --> 00:15:37,652
CERTAINLY SEEMS TO BE18TH-CENTURY ROCOCO.
387
00:15:37,652 --> 00:15:41,782
SO IT'S EITHER QUITE VALUABLE...
388
00:15:41,824 --> 00:15:43,909
CERTAINLY SEEMS TO BEOR AN EXCELLENT REPRODUCTION.
389
00:15:43,909 --> 00:15:45,077
WE'RE NOTACTUALLY INTERESTED
390
00:15:45,077 --> 00:15:46,244
IN THE VALUE.
391
00:15:46,286 --> 00:15:47,245
WE'RE NOTI AM, KINDA.INTERESTED
392
00:15:47,245 --> 00:15:48,997
WE'RE LOOKING FOR
393
00:15:48,997 --> 00:15:50,748
AN ART DEALERIN THE DENVER AREA
394
00:15:50,748 --> 00:15:53,168
THAT MIGHT HAVE SPECIALIZEDIN 18TH-CENTURY PORCELAINOR
395
00:15:53,210 --> 00:15:54,752
AND BEEN INTERESTED
396
00:15:54,752 --> 00:15:56,171
IN BUYING OR SELLINGSOMETHING LIKE THIS
397
00:15:56,213 --> 00:15:57,297
18 YEARS AGO.
398
00:15:58,423 --> 00:15:59,591
WELL, THERE AREN'TA LOT OF THOSE AROUND HERE,
399
00:15:59,591 --> 00:16:00,508
BUT I CAN TRY
400
00:16:00,550 --> 00:16:02,260
TO PUT A LISTTOGETHER FOR YOU.
401
00:16:02,260 --> 00:16:03,135
THAT WOULD BE GREAT.
402
00:16:03,177 --> 00:16:04,346
TO PUT A LISTTOGETHETHANK YOU SO MUCH.
403
00:16:04,387 --> 00:16:06,180
JUST A QUICK QUESTION.
404
00:16:06,222 --> 00:16:09,767
IF WE WERE INTERESTEDIN THE VALUE OF THE VASE,
405
00:16:09,809 --> 00:16:12,520
WHAT WOULD BE A BALLPARK FIGURE?
406
00:16:12,562 --> 00:16:14,772
WELL, IF IT'S GENUINE,
407
00:16:14,814 --> 00:16:17,524
AND IT HASA VERIFIABLE PROVENANCE,
408
00:16:17,524 --> 00:16:20,152
IT COULD BE WORTH A GREAT DEAL.
409
00:16:23,114 --> 00:16:24,031
AND IT HASA VE500 OR 600 MAYBE?CE,
410
00:16:24,073 --> 00:16:26,784
OH, NO.NOT THAT MUCH.
411
00:16:26,784 --> 00:16:27,785
250...
412
00:16:27,827 --> 00:16:29,453
OH, NO.$300,000.NOT THAT MUCH.
413
00:16:31,622 --> 00:16:32,748
[GASPS FOR AIR]
414
00:16:37,586 --> 00:16:38,670
[OLIVER]:IF DALE CAN HELP US OUT,
415
00:16:38,712 --> 00:16:40,339
PERHAPS I'LL SEE ANOTHER FARM.
416
00:16:40,381 --> 00:16:41,340
I'VE ONLY BEEN TO ONE--
417
00:16:41,382 --> 00:16:43,634
ONCE, WHEN I WAS A BOY SCOUT.
418
00:16:45,051 --> 00:16:46,052
RITA?
419
00:16:46,845 --> 00:16:48,347
OH, I'M SORRY.
420
00:16:48,389 --> 00:16:50,307
SORRY. I WAS JUSTTHINKING ABOUT DALE.
421
00:16:51,308 --> 00:16:52,142
DALE?
422
00:16:52,183 --> 00:16:55,396
I IMAGINE SHE'LL BEBACK ANY MINUTE.
423
00:16:55,437 --> 00:16:56,772
YOU KNOW, I...
424
00:16:56,813 --> 00:16:58,106
I ALWAYS WONDERED IF...
425
00:16:59,399 --> 00:17:01,317
YOU TWO HAD BEEN A...
426
00:17:01,317 --> 00:17:02,653
"THING."
427
00:17:02,653 --> 00:17:04,696
A "THING"?
428
00:17:06,031 --> 00:17:07,615
"WELL...
429
00:17:07,658 --> 00:17:10,160
YOU KNOW,WE'VE ALWAYS BEEN GOOD FRIENDS,
430
00:17:10,160 --> 00:17:12,829
BUT THERE...
431
00:17:12,871 --> 00:17:16,582
MIGHT HAVE BEEN A TIMEWE'VE ALWAWHERE I...OD FRIENDS,
432
00:17:16,624 --> 00:17:18,960
BUT SHE DIDN'T...
433
00:17:19,002 --> 00:17:22,130
BUT THEN SHE...
434
00:17:22,172 --> 00:17:26,717
BUT THEN I WAS...
435
00:17:26,717 --> 00:17:28,428
DO YOU MINDIF WE CHANGE THE SUBJECT?
436
00:17:28,469 --> 00:17:29,720
BNO. SURE. OKAY..
437
00:17:31,556 --> 00:17:32,682
OH! MY PARENTSARE DRIVING THEIR RV
438
00:17:32,682 --> 00:17:34,517
UP FROM ALBUQUERQUETO MEET NORMAN TODAY!
439
00:17:34,517 --> 00:17:35,476
-REALLY?-MM-HMM.
440
00:17:35,476 --> 00:17:36,852
-DOES NORMAN KNOW?ETO MEET -NO.AN TODAY!
441
00:17:36,852 --> 00:17:37,853
-REALLY?IT'S SHORT NOTICE,
442
00:17:37,853 --> 00:17:39,939
AND MY PARENTSARE VERY SPONTANEOUS.
443
00:17:39,980 --> 00:17:41,023
AND IF I TOLD NORMAN,
444
00:17:41,023 --> 00:17:43,025
HE WOULD GETTHAT TUMMY THING HE GETS,
445
00:17:43,025 --> 00:17:44,527
YOU KNOW,
446
00:17:44,527 --> 00:17:45,570
WHEN HE'S TERRIFIED.
447
00:17:45,570 --> 00:17:46,445
YES.
448
00:17:46,445 --> 00:17:49,114
UNREMITTINGCONVULSIVE STOMACH SYNDROME.
449
00:17:49,156 --> 00:17:50,866
YES.YOU KNOW HIM SO WELL.
450
00:17:52,702 --> 00:17:54,036
ANYWAYS, I JUST THOUGHT
451
00:17:54,036 --> 00:17:55,620
IF I DIDN'T GIVE HIM TIMETO THINK ABOUT IT,
452
00:17:55,620 --> 00:17:57,331
THEN HE WOULDN'T HAVE TIME TO...
453
00:17:57,372 --> 00:17:58,373
IF I DIDN'T GIVE HIM TIMETO THCONVULSE. IT,
454
00:17:59,083 --> 00:18:00,417
THAT'S VERY THOUGHTFUL, RITA.
455
00:18:02,419 --> 00:18:03,712
THANK YOU.
456
00:18:06,090 --> 00:18:08,050
SO, SPECTRAL IMAGINGIS GOING TO TAKE SIX WEEKS.
457
00:18:08,050 --> 00:18:09,884
BUT I DO HAVE A FRIENDIN DIGITAL RESONANCE
458
00:18:09,926 --> 00:18:11,970
WHO WAS ABLETO PULL A FEW WORDS--
459
00:18:12,011 --> 00:18:12,929
"ANTIBIOTICS,"
460
00:18:12,971 --> 00:18:13,888
"APPETITE,"
461
00:18:13,930 --> 00:18:15,349
NOTHING THAT HELPFUL EXCEPT...
462
00:18:15,349 --> 00:18:16,558
A PARTIAL PHONE NUMBER!
463
00:18:16,558 --> 00:18:17,559
NOTHING THAT HELPOH, WONDERFUL.
464
00:18:17,559 --> 00:18:18,560
A PARTIAMM-HMM. NUMBER!
465
00:18:18,602 --> 00:18:20,604
AND THE PREFIX AND AREA CODEMATCHES BYERS COUNTY...
466
00:18:20,604 --> 00:18:24,399
OH, WELL,THAT NARROWS IT DOWN, AT LEAST.
467
00:18:24,399 --> 00:18:25,442
AND THE PREFIX AND AREA CODEMATCHETHANK YOU VERY MUCH.
468
00:18:25,484 --> 00:18:26,568
OH, WELL,THAT NARROWS ISO HAPPY TO HELP.
469
00:18:27,694 --> 00:18:29,529
-HOW'S NORMAN?-WE'RE ENGAGED!
470
00:18:29,529 --> 00:18:31,573
OH, THAT'S... WONDERFUL.
471
00:18:31,573 --> 00:18:32,574
-HOW'S NORMAN?-WECONGRATS!ED!
472
00:18:32,574 --> 00:18:33,492
THANKS.
473
00:18:33,533 --> 00:18:35,660
AND... AND...
474
00:18:35,702 --> 00:18:37,704
HOW IS SHANE?
475
00:18:37,746 --> 00:18:39,538
WELL, THINGS ARE GOOD.
476
00:18:39,580 --> 00:18:41,249
SHE'S GOOD.
477
00:18:41,290 --> 00:18:43,417
I'M GOOD.
478
00:18:46,420 --> 00:18:47,505
I'LL JUST MEET YOU OUTSIDE.
479
00:18:49,090 --> 00:18:50,216
-SURE.-BYE.
480
00:18:53,261 --> 00:18:55,679
OLIVER, IT'S OKAY TO SAY IT.
481
00:18:55,721 --> 00:18:57,848
YOU AND SHANE ARE...
482
00:18:59,642 --> 00:19:01,269
A "THING."
483
00:19:01,269 --> 00:19:02,270
AN EARLY THING.
484
00:19:02,270 --> 00:19:04,772
I FIGURED.
485
00:19:04,813 --> 00:19:05,981
AND, YOU KNOW WHAT, IT'S--
486
00:19:06,023 --> 00:19:07,149
I'M REALLY HAPPY FOR YOU.
487
00:19:08,191 --> 00:19:10,444
I THINK YOU NEEDSOMEBODY LIKE SHANE
488
00:19:10,486 --> 00:19:12,237
TO SHAKE YOU UP A LITTLE.
489
00:19:12,279 --> 00:19:14,031
DO YOU THINK I NEED SHAKING UP?
490
00:19:14,072 --> 00:19:16,199
ABSOLUTELY. YES.
491
00:19:17,159 --> 00:19:18,911
YOU AND I, WE...
492
00:19:18,911 --> 00:19:20,412
WE SOLVE OUR PROBLEMS
493
00:19:20,453 --> 00:19:23,707
BY KNOWING WHERE THE LINES AREAND FOLLOWING THE RULES.
494
00:19:24,875 --> 00:19:26,794
AND SHANE...
495
00:19:26,794 --> 00:19:29,212
WELL...
496
00:19:29,212 --> 00:19:31,423
SHE COLORS OUTSIDE THE LINES,
497
00:19:31,423 --> 00:19:34,342
IF YOU KNOWWELL...WHAT I MEAN.
498
00:19:34,384 --> 00:19:37,137
BUT IF YOU PUTSHE CTHE TWO TOGETHER...INES,
499
00:19:37,137 --> 00:19:38,346
YOU'VE GOT...
500
00:19:39,347 --> 00:19:40,473
A MESS?
501
00:19:41,975 --> 00:19:45,312
OR MAYBE SOMETHING BEAUTIFUL.
502
00:19:52,485 --> 00:19:56,072
[♪]
503
00:19:56,113 --> 00:19:57,824
WHERE'S RITA?
504
00:19:57,824 --> 00:19:59,241
OH, SHE'S ON HER WAY,
505
00:19:59,283 --> 00:20:02,829
SHE STOPPED BY THE DLOTO DROP OFF A PIECE OF EVIDENCE.
506
00:20:02,870 --> 00:20:04,664
EVIDENCE?
507
00:20:04,664 --> 00:20:06,583
SO YOU REALLY ARELIKE DETECTIVES.
508
00:20:06,624 --> 00:20:08,209
YES.
509
00:20:08,250 --> 00:20:09,460
BUT POSTAL.
510
00:20:09,460 --> 00:20:12,213
AND YOU'RE RITA'S BOSS?
511
00:20:12,254 --> 00:20:14,381
WELL, WE'RE ALLMORE LIKE COLLEAGUES.
512
00:20:14,381 --> 00:20:16,926
MS. MCINERNEY AND I,AND NORMAN AND...
513
00:20:16,968 --> 00:20:18,845
WELL, WE'RE ALLWHAT'S THE DEAL WITH NORM?
514
00:20:18,845 --> 00:20:22,556
HE'S A GOOD MANAND A DEAR FRIEND.
515
00:20:24,058 --> 00:20:26,518
I WOULD TRUST HIM WITH MY LIFE,MR. HAYWITH.
516
00:20:26,560 --> 00:20:27,894
YOU CAN CALL ME BILL.
517
00:20:27,894 --> 00:20:29,563
OH!
518
00:20:29,605 --> 00:20:32,316
I HAD AN UNCLE BILL..
519
00:20:32,358 --> 00:20:33,275
WILLIAM O'TOOLE--
520
00:20:33,275 --> 00:20:35,194
NO, "BILL" IS SHORT FOR "BILBO."
521
00:20:35,194 --> 00:20:37,112
YOU KNOW,LIKE INTHE HOBBIT.
522
00:20:40,115 --> 00:20:41,867
YOU HAVE TO ADDTHE GOAT'S MILK FIRST,
523
00:20:41,867 --> 00:20:43,034
THEN THE WHEY,
524
00:20:43,034 --> 00:20:44,411
YOU HAVE TO ADDAND THE CACTUS ROOT. FIRST,
525
00:20:44,453 --> 00:20:45,412
HMM.
526
00:20:45,454 --> 00:20:47,498
I'M A LITTLE SHORTON GOAT'S MILK.
527
00:20:47,539 --> 00:20:48,373
ALMOND MILK!
528
00:20:48,373 --> 00:20:49,249
GOATS, ALMONDS--
529
00:20:49,290 --> 00:20:50,751
THEY'RE ALL GOD'S CHILDREN,ALMRIGHT?LK!
530
00:20:50,792 --> 00:20:54,880
SO THIS IS A POPULAR COCKTAILIN ALBUQUERQUE YOU SAY?
531
00:20:54,880 --> 00:20:55,839
OH, YES.
532
00:20:55,839 --> 00:20:57,382
IT'S CALLED AN "AREA 51."
533
00:20:58,258 --> 00:20:59,259
YOU DON'T KNOWWHAT'S IN THERE,YES.
534
00:20:59,300 --> 00:21:00,176
BUT ONE DRINK,
535
00:21:00,218 --> 00:21:02,012
AND YOU KNOW SOMETHING WEIRDIS GOING ON.
536
00:21:03,221 --> 00:21:04,055
OH...
537
00:21:04,055 --> 00:21:06,724
AND THEN I MET EVELYN--SUNNY--
538
00:21:06,766 --> 00:21:08,268
AND WE DECIDEDTO CHANGE OUR NAMES
539
00:21:08,309 --> 00:21:10,645
THE SUMMER OF '69.
540
00:21:10,686 --> 00:21:12,897
EVERYTHING CHANGED IN '69.
541
00:21:12,897 --> 00:21:14,065
HOW IS IT
542
00:21:14,107 --> 00:21:16,859
YOU CAME TO CHOOSETHE NAME "SUNNY,"
543
00:21:16,901 --> 00:21:17,902
MRS. HAYWITH?
544
00:21:17,943 --> 00:21:19,028
WELL...
545
00:21:19,070 --> 00:21:21,697
WE MET DURINGTHE SUMMER OF LOVE IN '67,
546
00:21:21,739 --> 00:21:22,865
WHEN I WAS EVELYN,
547
00:21:22,907 --> 00:21:24,284
AND FOR AWHILE,
548
00:21:24,325 --> 00:21:26,452
I WAS "MYSTIC HARMONY..."
549
00:21:26,494 --> 00:21:29,163
AND IN '69,WE WENT TO WOODSTOCK,
550
00:21:29,204 --> 00:21:31,916
AND IT RAINED AND RAINED--
551
00:21:31,916 --> 00:21:34,460
AND WE DIDN'T SEEBLUE SKIES FOR DAYS.
552
00:21:34,460 --> 00:21:37,004
AND FINALLY,BILLY SAID ONE MORNING,
553
00:21:37,046 --> 00:21:39,214
"THE ONLY SUNRISE SEEWE'RE GOING TO SEE TODAYAYS.
554
00:21:39,256 --> 00:21:41,341
IS THE SUN IN YOUR EYES.
555
00:21:42,426 --> 00:21:44,428
AND I BECAME "SUNRISE."
556
00:21:44,428 --> 00:21:45,387
SUNRISE.
557
00:21:45,429 --> 00:21:46,722
SUNNY!
558
00:21:46,764 --> 00:21:47,765
THAT'S WONDERFUL.
559
00:21:47,807 --> 00:21:50,017
YOU SEE, NOW THERE REALLY ISA SUNRISE IN THERE.
560
00:21:50,059 --> 00:21:51,185
TAKE THEM OFF.
561
00:21:52,102 --> 00:21:52,978
SEE THAT LITTLE--
562
00:21:52,978 --> 00:21:54,939
SEE THAT LITTLE GOLD FLECKRIGHT THERE?
563
00:21:58,358 --> 00:21:59,401
SEE THAT LITTLE--SEE?
564
00:22:01,278 --> 00:22:02,279
-[NORMAN]: OLIVER!-NORMAN!
565
00:22:02,279 --> 00:22:03,363
OLIVER, YOU'RE NEVERGOING TO GUESS--
566
00:22:03,405 --> 00:22:04,448
[RITA]: NORMAN!
567
00:22:04,448 --> 00:22:06,116
-[WHIRS AND CRUNCHES]-[RITA]: I WANT YOU TO...
568
00:22:06,158 --> 00:22:07,201
[WHIRRING AND CRUNCHING]
569
00:22:07,242 --> 00:22:09,536
...MEET MY PARENTS.
570
00:22:18,211 --> 00:22:19,963
OH, YOU'RE JUSTSO ADORABLE...
571
00:22:21,339 --> 00:22:23,299
WHAT I CAN SEE OF YOU.
572
00:22:23,299 --> 00:22:24,258
I'M REALLY SORRY
573
00:22:24,300 --> 00:22:25,719
THAT I BLENDEDYOUR GLASSES, MRS. HAYWITH.
574
00:22:25,760 --> 00:22:26,678
[BILL]: HEY, SUNNY,
575
00:22:26,720 --> 00:22:29,013
THEY'VE GOT THE BYRDSON HERE.
576
00:22:29,055 --> 00:22:30,473
THE BEATLES, THE MONKEES,
577
00:22:30,473 --> 00:22:31,766
THE TURTLES...
578
00:22:31,808 --> 00:22:33,309
[LAUGHS] THE ANIMALS.
579
00:22:33,309 --> 00:22:35,353
ALL THE MUSICAL SPECIESOF THE '60S!
580
00:22:36,312 --> 00:22:37,313
IS THAT A JOKE?
581
00:22:37,313 --> 00:22:39,190
MAYBE.
582
00:22:39,232 --> 00:22:41,734
SO, YOU'RE FROM NEW MEXICO!
583
00:22:41,734 --> 00:22:43,652
[NORMAN]: LAND OF ENCHANTMENT.
584
00:22:43,694 --> 00:22:46,239
SOME ENCHANTINGLAND DEVELOPERFROM NEW MEXICO!
585
00:22:46,280 --> 00:22:47,573
WANTS TO TURNOUR RV PARK
586
00:22:47,615 --> 00:22:50,326
INTO WALLY'S WACKYWAFFLE WORLD.
587
00:22:50,368 --> 00:22:53,829
YOU KNOW, WE'RE SO THRILLEDFOR NORMAN AND RITA.
588
00:22:53,829 --> 00:22:57,082
NORMAN ACTUALLY REMINDS MEOF A SMALL WOODLAND CREATURE.
589
00:22:57,124 --> 00:22:58,208
YOU KNOW, WE'RE SO THRILLEDFOR NTHANK YOU.RITA.
590
00:22:58,251 --> 00:22:59,167
[RITA]: ALL RIGHT,
591
00:22:59,167 --> 00:23:01,003
SO I FOUND A GLASSES PLACEDOWN THE STREET
592
00:23:01,044 --> 00:23:02,505
THAT'S OPEN 'TIL 5:00.
593
00:23:02,546 --> 00:23:04,882
PERFECT.
594
00:23:04,882 --> 00:23:06,133
[SUNNY]: NOW, HONEY,LEMME SEE THAT RING.
595
00:23:08,636 --> 00:23:10,345
THE RING THAT NORMAN GOT ME?
596
00:23:10,387 --> 00:23:12,180
WELL, WHO ELSEWOULD GIVE YOU ONE?
597
00:23:12,222 --> 00:23:13,849
[RITA LAUGHING] RIGHT.
598
00:23:13,849 --> 00:23:16,184
WELL...
599
00:23:16,226 --> 00:23:18,771
HE HASN'T GIVENME IT YET.
600
00:23:18,812 --> 00:23:19,730
I HAVE IT.
601
00:23:19,772 --> 00:23:20,773
I BOUGHT IT.
602
00:23:20,814 --> 00:23:22,190
I JUST, UH...
603
00:23:22,190 --> 00:23:23,025
I PUT ITIN MY PANTS.
604
00:23:23,025 --> 00:23:24,026
I MEAN, I PUT IT
605
00:23:24,026 --> 00:23:25,485
IN MY PANT POCKET,
606
00:23:25,527 --> 00:23:27,029
AND THEN I CHANGED MY PANTS
607
00:23:27,029 --> 00:23:28,906
WHEN I WENT TO SEE RITATO GIVE IT TO HER,
608
00:23:28,906 --> 00:23:30,365
AND THEN WHEN I GOT HOME,I WAS SO HAPPY,
609
00:23:30,407 --> 00:23:31,533
WHEN I WENT TO SEE RITATO GII FORGOT,HER,
610
00:23:31,533 --> 00:23:32,742
AND I SENT ALL MY PANTSTO THE LAUNDRY THE NEXT DAY--
611
00:23:32,784 --> 00:23:34,619
WELL, NOT ALL MY PANTS,OF COURSE!
612
00:23:34,661 --> 00:23:35,745
[EVERYONE LAUGHING]
613
00:23:37,705 --> 00:23:39,124
WE'VE CONTACTEDTHE LAUNDRY SERVICE
614
00:23:39,166 --> 00:23:42,335
AND THERE'S BEENA RATHER EXTENSIVE SEARCH
615
00:23:42,335 --> 00:23:43,711
OVER THE LAST FEW WEEKS...
616
00:23:43,711 --> 00:23:45,880
AND THERE'S BEENA RATSO, IT'S LOST?SEARCH
617
00:23:45,880 --> 00:23:47,715
[SHANE]: NO. NO.
618
00:23:47,715 --> 00:23:49,050
NO, NO, NO, NO, NO.
619
00:23:49,050 --> 00:23:50,092
WE'RE FAIRLY CERTAIN
620
00:23:50,134 --> 00:23:51,886
THAT IT'S SOMEWHEREAT TONY'S TIP TOP CLEANERS.
621
00:23:52,845 --> 00:23:55,222
[NORMAN]: YEAH. I GO THEREA LOT TO LOOK AROUND.
622
00:23:55,222 --> 00:23:56,766
[RITA]: NORMAN DESCRIBED ITTO ME, DADDY,
623
00:23:56,808 --> 00:23:59,686
AND IT SOUNDS VERY BEAUTIFUL.
624
00:23:59,727 --> 00:24:00,687
IT'S IN THE SHAPE OF AN OWL.
625
00:24:00,728 --> 00:24:03,147
AN OWL!OH, HOW PRECIOUS?
626
00:24:03,147 --> 00:24:04,231
HONEY, YOU'VE ALWAYS LOVED OWLS.
627
00:24:04,231 --> 00:24:06,025
BILLY, HASN'T SHE ALWAYSOH,LOVED OWLS?US?
628
00:24:06,067 --> 00:24:07,651
YES.
629
00:24:09,445 --> 00:24:11,113
WILL YOU EXCUSE ME A MOMENT?
630
00:24:11,155 --> 00:24:12,573
I HAVE TO WALK AROUND A LITTLE.
631
00:24:13,407 --> 00:24:14,533
[SUNNY]: OF COURSE, DARLING.
632
00:24:16,118 --> 00:24:17,203
IS HE OKAY?
633
00:24:17,244 --> 00:24:18,829
YEAH. YEAH. IT'S JUST USUALLYHE'S A LITTLE MORE....
634
00:24:18,829 --> 00:24:19,871
[OLIVER]: ENGAGING.HE JUST...
635
00:24:19,913 --> 00:24:22,666
YEAH. YEAHSOMETIMESST USUALLYWHEN HE'S SURPRISED, HE...
636
00:24:22,708 --> 00:24:24,251
HE GETS THE ERKS.
637
00:24:24,251 --> 00:24:25,877
ERKS?
638
00:24:25,919 --> 00:24:28,297
UNREMITTINGCONVULSIVE STOMACH SYNDROME.
639
00:24:28,297 --> 00:24:30,507
YOU'RE MARRYINGA GUY WHO CONVULSES?
640
00:24:33,302 --> 00:24:35,721
HEY, WHAT'S--CONVULSIWHAT'S THAT?YNDROME.
641
00:24:36,597 --> 00:24:37,889
[BILL]: OH, NOTHING.
642
00:24:37,931 --> 00:24:38,932
COME ON, SUNNY.
643
00:24:38,974 --> 00:24:41,434
LET'S... ORDER YOUR GLASSES.
644
00:24:43,311 --> 00:24:44,605
[SUNNY]: WE'LL SEE YOU LATER.
645
00:24:44,605 --> 00:24:45,939
[RITA]: OKAY.
646
00:24:45,939 --> 00:24:47,565
THIS WAY, THIS WAY.E YOU LATER.
647
00:24:51,903 --> 00:24:54,239
MAYBE I SHOULD HAVE GIVENNORMAN A LITTLE MORE NOTICE.
648
00:24:54,280 --> 00:24:55,281
OH, I DON'T THINK
649
00:24:55,281 --> 00:24:57,700
YOU COULD HAVE PREPAREDANYONE FOR THIS, RITA.
650
00:24:58,451 --> 00:25:00,328
[SHANE'S CELL PHONE RINGS]
651
00:25:02,288 --> 00:25:03,623
SHANE MCINERNEY.
652
00:25:03,623 --> 00:25:04,958
YES, HI!
653
00:25:04,958 --> 00:25:06,584
OKAY.
654
00:25:06,584 --> 00:25:08,336
CAN YOU SEND THOSE TO ME?
655
00:25:08,336 --> 00:25:11,172
GREAT. THANKS.THANKS SO MUCH, IGOR.
656
00:25:11,964 --> 00:25:14,800
WELL, NORMAN'S COUSINCHAS SOME LEADS FOR US.E?
657
00:25:14,842 --> 00:25:16,176
OH. GREAT.
658
00:25:28,481 --> 00:25:30,941
[SHANE]: WE HAVEONE MORE LEFT ON THIS STREET.
659
00:25:42,661 --> 00:25:43,871
SO THIS IS THE VASE?
660
00:25:43,913 --> 00:25:45,414
WOW.
661
00:25:45,455 --> 00:25:46,916
NO WONDER SHE WANTED IT BACK.
662
00:25:47,832 --> 00:25:49,584
WAY BACK IN '99 OR SO,
663
00:25:49,626 --> 00:25:51,295
MY DAD STARTED GETTINGCALLS AND LETTERS
664
00:25:51,295 --> 00:25:52,337
FROM THIS LITTLE GIRL,
665
00:25:52,379 --> 00:25:54,173
WHO SAID THAT SHE'D SENT USCA VASE TO SELL.S
666
00:25:54,173 --> 00:25:56,341
DAD DIDN'T KNOWANYTHING ABOUT IT,
667
00:25:56,383 --> 00:25:58,343
BUT SHE SWORE SHE'D SENT IT.
668
00:25:59,344 --> 00:26:01,513
LOOKS LIKE IT GOT LOSTIN THE MAIL AFTER ALL.
669
00:26:01,555 --> 00:26:02,764
WE ARE TRYING TO CORRECT THAT.
670
00:26:02,764 --> 00:26:04,140
HE SAID SHE'D CALLEVERY WEEK,
671
00:26:04,140 --> 00:26:06,059
WE ARAND THEN EVERY MONTH,HAT.
672
00:26:06,100 --> 00:26:07,060
HE SAID SHE'D CALLAND THEN EVERY COUPLE OF YEARS,
673
00:26:07,060 --> 00:26:08,812
UNTIL THE CALLSJUST KIND OF STOPPED.
674
00:26:08,853 --> 00:26:09,979
HE SAID SHE'D CALLADID SHE EVER LEAVE A NUMBER?S,
675
00:26:12,982 --> 00:26:14,484
ACTUALLY, YEAH,
676
00:26:14,526 --> 00:26:18,029
AND DAD KEPT IT PINNED UPBEHIND THE COUNTER FOREVER,
677
00:26:18,071 --> 00:26:20,114
BUT WHEN I TOOK THIS PLACE OVER,
678
00:26:20,156 --> 00:26:21,282
I SORT OF CLEANED HOUSE.
679
00:26:22,533 --> 00:26:23,910
[SHANE]:WE HAVE A PARTIAL PHONE NUMBER
680
00:26:23,952 --> 00:26:25,369
FROM THE SAME AREA.
681
00:26:25,369 --> 00:26:26,495
IS THERE ANY CHANCE
682
00:26:26,537 --> 00:26:29,373
THAT YOU MIGHT REMEMBERTHE AREA CODE OR THE PREFIX?
683
00:26:30,708 --> 00:26:31,792
PROBABLY NOT.
684
00:26:31,792 --> 00:26:32,877
IT WAS UP THEREFOR SO LONG,
685
00:26:32,877 --> 00:26:34,212
IT WAS JUST KIND OFPART OF THE WALLPAPER,
686
00:26:34,253 --> 00:26:36,297
IT WAS UP THEREFOR SOYOU KNOW?
687
00:26:36,339 --> 00:26:40,134
WAIT, ISN'T THIS THE AREA CODEFOR BYERS COUNTY?
688
00:26:40,176 --> 00:26:41,385
YES. YES, IT IS.
689
00:26:42,386 --> 00:26:43,846
EDGEWOOD'S IN BYERS COUNTY,ISN'T IT?
690
00:26:43,887 --> 00:26:44,888
[OLIVER]: EDGEWOOD. YES.
691
00:26:44,888 --> 00:26:47,558
OKAY, BECAUSE I DOREMEMBER MY DAD SAYING,
692
00:26:47,558 --> 00:26:49,643
"THAT KIDFROM EDGEWOOD CALLED AGAIN."
693
00:26:50,853 --> 00:26:52,187
DOES THAT HELP?
694
00:26:52,229 --> 00:26:53,647
VERY MUCH.
695
00:26:54,523 --> 00:26:56,567
I'D REALLY LIKE TO KNOWHOW A KID FROM EDGEWOOD
696
00:26:56,609 --> 00:26:59,277
MANAGED TO GET AHOLDOF SOMETHING LIKE THAT.
697
00:27:00,529 --> 00:27:01,614
WELL, ALL WE CAN TELL YOU
698
00:27:01,655 --> 00:27:04,241
IS THAT IT HADA VERY LOVING HOME.
699
00:27:04,241 --> 00:27:05,367
WELL...
700
00:27:05,408 --> 00:27:07,327
TAKE GOOD CARE OF THAT VASE.
701
00:27:07,327 --> 00:27:08,662
IT PROBABLY BELONGS IN A MUSEUM.
702
00:27:08,704 --> 00:27:10,789
AND IF YOU DO FIND THE OWNER,
703
00:27:10,831 --> 00:27:12,457
AND SHE IS STILL INTERESTED,
704
00:27:12,499 --> 00:27:14,501
WE'LL BUY THATIN A NEW YORK MINUTE.
705
00:27:17,004 --> 00:27:17,963
[OLIVER]:MY DAD'S COMING IN TODAY
706
00:27:17,963 --> 00:27:19,797
TO SEE WHAT WE CAN DOABOUT THAT ROOM
707
00:27:19,839 --> 00:27:22,217
[OLIVER]:YOU SMASHED YOUR WAY INTO.AY
708
00:27:22,217 --> 00:27:23,260
[SHANE]: DON'T YOU MEAN
709
00:27:23,301 --> 00:27:26,263
"THE ROOMYOINTO WHICH I SMASHED MY WAY"?
710
00:27:26,304 --> 00:27:29,307
OR HAVE I FINALLYBROKEN YOU DOWN
711
00:27:29,349 --> 00:27:32,435
AND RUINED YOUR LOVE AFFAIRWITH THE ENGLISH LANGUAGE?
712
00:27:32,435 --> 00:27:34,771
I CAN'T IMAGINE YOURUINING ANYTHING.
713
00:27:36,814 --> 00:27:39,233
ANYWAY, RITA'S PARENTSARE DROPPING BY TODAY,
714
00:27:39,275 --> 00:27:41,361
SO THAT'S PERFECT.
715
00:27:41,403 --> 00:27:43,738
WHAT IS PERFECT?
716
00:27:43,780 --> 00:27:45,448
DID YOU NOTICE YESTERDAY
717
00:27:45,448 --> 00:27:46,783
MR. HAYWITH HAD
718
00:27:46,824 --> 00:27:48,701
A PRESENT THATDID YOHE WANTED TO GIVE,
719
00:27:48,743 --> 00:27:50,286
AND THEN AFTERHE MET NORMAN,
720
00:27:50,327 --> 00:27:52,664
HE DECIDEDNOT TO GIVE IT?
721
00:27:52,705 --> 00:27:55,082
MR. HAYWITHDOESN'T LIKE NORMAN.
722
00:27:55,124 --> 00:27:56,751
WELL, EVERYONELIKES NORMAN.
723
00:27:56,793 --> 00:27:59,503
NORMAN ISN'T ENGAGEDTO EVERYONE'S DAUGHTER.
724
00:27:59,545 --> 00:28:00,797
JUST BILL'S.
725
00:28:00,797 --> 00:28:01,798
AND EVERY FATHER
726
00:28:01,839 --> 00:28:03,340
WANTS WHAT'S BESTFOR THEIR DAUGHTER.
727
00:28:03,382 --> 00:28:04,884
NORMAN IS THE BEST.
728
00:28:04,926 --> 00:28:06,593
NORMAN IS WHAT'SBEST FOR RITA
729
00:28:06,635 --> 00:28:08,762
BECAUSE HE GETS HER.
730
00:28:08,804 --> 00:28:09,888
AND RITA GETS HIM.
731
00:28:09,930 --> 00:28:10,972
BUT MR. HAYWITHDOESN'T GET THAT
732
00:28:10,972 --> 00:28:12,558
BECAUSE HE DOESN'TGET NORMAN,
733
00:28:12,599 --> 00:28:13,809
AND HE'S NOTGOING TO GET THAT
734
00:28:13,809 --> 00:28:14,935
WITHOUT HELP.
735
00:28:14,976 --> 00:28:16,853
SO I HAVE AN IDEA.
736
00:28:18,855 --> 00:28:20,482
PERFECT.
737
00:28:20,482 --> 00:28:22,818
YES, MAY I SPEAK WITHTHE POSTMASTER, PLEASE?
738
00:28:23,694 --> 00:28:27,280
YES, I'M CALLING FROMTHE USPS DLO IN DENVER.
739
00:28:27,322 --> 00:28:30,451
MAY I ASK HOW LONG YOU'VE WORKEDAT THE EDGEWOOD BRANCH?
740
00:28:30,492 --> 00:28:32,828
AND THIS ISTHE UNATTACHED OBJECTS AREA,
741
00:28:32,828 --> 00:28:34,037
WHERE THE CONTENTS
742
00:28:34,079 --> 00:28:35,163
HAVE BECOME SEPARATEDFROM THEIR ADDRESS
743
00:28:35,163 --> 00:28:37,082
AND THEY REQUIRESPECIAL HANDLING.
744
00:28:37,123 --> 00:28:37,999
[RITA]: OH, YEAH.
745
00:28:37,999 --> 00:28:40,752
NORMAN IS VERY GOODAT SPECIAL HANDLING.
746
00:28:43,671 --> 00:28:45,173
-IS THAT A GUITAR?-[RITA]: OH, YEAH.
747
00:28:45,173 --> 00:28:46,341
YOU WOULDN'T BELIEVE
748
00:28:46,341 --> 00:28:47,592
WHAT PEOPLE PUT IN THE MAILWITH JUST A STAMP.
749
00:28:47,633 --> 00:28:48,509
COCONUTS, BRICKS--VE
750
00:28:48,509 --> 00:28:51,637
NORMAN EVEN DELIVEREDA GIANT BEAR ONCE.
751
00:28:51,679 --> 00:28:52,973
OH, STUFFED.
752
00:28:52,973 --> 00:28:54,015
I REALLY MISS THAT BEAR...
753
00:28:54,015 --> 00:28:55,391
[OLIVER]: GOOD NEWS.
754
00:28:55,433 --> 00:28:58,019
WE MAY HAVE A LEADI REON OUR DAIRY FARM.R...
755
00:28:58,019 --> 00:29:00,313
THE EDGEWOOD POSTMASTERIS EXPECTING US AT 2:00.
756
00:29:00,355 --> 00:29:01,272
WONDERFUL.
757
00:29:01,314 --> 00:29:02,565
OH, DID YOU KNOW
758
00:29:02,607 --> 00:29:03,774
THAT EDGEWOOD, COLORADO
759
00:29:03,816 --> 00:29:04,734
IS THE SITE OF
760
00:29:04,775 --> 00:29:05,860
THE SMALLEST MUSEUMIN THE STATE?
761
00:29:05,901 --> 00:29:07,237
THE INTERNATIONAL MUSEUMOF BARBED WIRE.
762
00:29:07,237 --> 00:29:09,405
16 SQUARE FEET.WELL WORTH THE DRIVE.
763
00:29:11,657 --> 00:29:13,993
THE INRITA, HOW FARUSEUMWOULD THAT DRIVE BE?
764
00:29:14,034 --> 00:29:15,035
OH, UM...
765
00:29:15,077 --> 00:29:17,455
87.5 MILES,WITHOUT THE TOLL ROADS.
766
00:29:17,497 --> 00:29:19,039
[NORMAN]: THERE ISN'TMUCH WE COULD DO AROUND HERE
767
00:29:19,039 --> 00:29:20,290
WITHOUT RITA.
768
00:29:20,332 --> 00:29:22,084
WHERE DID SHE GETHER PHOTOGRAPHIC MEMORY?
769
00:29:22,126 --> 00:29:23,168
[SUNNY]: WELL, HER GRANDMOTHER
770
00:29:23,210 --> 00:29:25,630
MEMORIZED THE ENTIRE1972 FEDERAL TAX CODE,
771
00:29:25,630 --> 00:29:27,131
SO I GUESS IT RUNSIN THE FAMILY.
772
00:29:27,172 --> 00:29:28,674
MEMORIZED THE ENTIRE1972 F[LAUGHING] CODE,
773
00:29:30,550 --> 00:29:32,052
DO YOU LIKEKIDS, NORMAN?
774
00:29:32,052 --> 00:29:33,220
OH, YES.
775
00:29:33,220 --> 00:29:34,429
I WAS ONE ONCE.
776
00:29:34,471 --> 00:29:35,973
I LIKED IT.
777
00:29:37,141 --> 00:29:39,393
IS THERE ANY INSANITYIN YOUR FAMILY, NORMAN?
778
00:29:39,393 --> 00:29:40,936
UM...
779
00:29:42,021 --> 00:29:43,230
IS THERE ANY INSANITY[MR. O'TOOLE]: ANYBODY HERE?N?
780
00:29:43,272 --> 00:29:46,108
THE CLEAN-UP COMMITTEEHAS ARRIVED!
781
00:29:46,150 --> 00:29:47,692
MR. O'TOOLE!
782
00:29:47,734 --> 00:29:49,778
WELCOME, WELCOME!
783
00:29:49,778 --> 00:29:52,614
RITA'S WEIRD HIPPIE PARENTSARE VISITING
784
00:29:52,656 --> 00:29:54,157
AND NORMAN BROKEHER MOTHER'S GLASSES
785
00:29:54,198 --> 00:29:55,575
AND HER FATHERDOESN'T LIKE HIM. HELP!
786
00:29:55,617 --> 00:29:57,243
GOT IT.
787
00:29:57,286 --> 00:29:58,412
[OLIVER]: DAD!
788
00:29:58,453 --> 00:29:59,788
THESE ARERITA'S PARENTS,
789
00:29:59,829 --> 00:30:01,289
SUNNY AND BILL HAYWITH.
790
00:30:01,330 --> 00:30:02,290
THIS IS JOSEPH O'TOOLE.
791
00:30:02,331 --> 00:30:04,751
BILL! JUST CALL ME JOE.
792
00:30:04,793 --> 00:30:05,919
AND SUNNY!
793
00:30:05,919 --> 00:30:07,045
LOVELY TO MEET YOU!
794
00:30:07,045 --> 00:30:08,129
SAME HERE.CONGRATULATIONS!
795
00:30:08,129 --> 00:30:10,339
WHEN I HEARD THE NEWSLOVELY TABOUT THESE TWO,
796
00:30:10,381 --> 00:30:11,841
SAME HERE.I GOTTA TELL YOU...TIONS!
797
00:30:11,883 --> 00:30:13,802
HEY! HENDRIX!
798
00:30:13,843 --> 00:30:15,261
WERE YOUAT THAT CONCERT?
799
00:30:15,261 --> 00:30:16,262
FRONT ROW.
800
00:30:16,262 --> 00:30:18,389
WERE YOUNO KIDDING! ME, TOO!NCERT?
801
00:30:18,431 --> 00:30:19,223
F[LAUGHS].
802
00:30:19,265 --> 00:30:20,558
[SUNNY]: FOR HEAVEN'S SAKES!
803
00:30:20,599 --> 00:30:22,018
YOU'RE PRACTICALLY FAMILY!
804
00:30:23,144 --> 00:30:24,145
CAN YOU HANDLE A DRILL, BILL?
805
00:30:24,187 --> 00:30:26,647
I BUILD FURNITUREIN ALBUQUERQUE. YES.
806
00:30:26,689 --> 00:30:28,107
[SUNNY]: I WEAVE.
807
00:30:28,107 --> 00:30:29,108
I'M A WEAVER.
808
00:30:29,108 --> 00:30:31,110
WELL, PERFECT!
809
00:30:31,152 --> 00:30:32,945
WHADDYA SAY WE OLD PEACENIKS
810
00:30:32,945 --> 00:30:34,488
SHOW THESE KIDSHOW IT'S DONE,
811
00:30:34,530 --> 00:30:35,823
IF YOU'VE GOTA LITTLE TIME?
812
00:30:35,864 --> 00:30:37,241
NORMAN, WHY DON'T YOUJUST TELL US
813
00:30:37,283 --> 00:30:38,284
WHERE YOU WANT US TO START?
814
00:30:38,326 --> 00:30:39,202
OH, WELL...
815
00:30:39,202 --> 00:30:40,953
I THOUGHT WE COULD CLEAN UPTHE NEW ROOM
816
00:30:40,994 --> 00:30:42,538
AND TURN IT INTOA NICE OFFICE FOR RITA.
817
00:30:42,580 --> 00:30:43,456
AW!
818
00:30:43,456 --> 00:30:44,540
[OLIVER]:AN EXCELLENT IDEA, NORMAN.
819
00:30:44,582 --> 00:30:45,458
BRILLIANT.
820
00:30:45,499 --> 00:30:46,667
AND MAYBE A MEDITATION SPACE?
821
00:30:46,667 --> 00:30:47,710
HMM!
822
00:30:49,127 --> 00:30:50,212
AND MYEAH, I'M THINKINGSPACE?
823
00:30:50,253 --> 00:30:53,173
A WATERFALL OF HANGING BEADSTO DIVIDE THE SPACE UP.
824
00:30:53,215 --> 00:30:55,342
OLIVER WOULD LOVE THAT.
825
00:30:55,342 --> 00:30:57,552
[JOE]: WELL, I THINKWE HAVE A PLAN.
826
00:30:57,595 --> 00:30:58,971
OLIRITA, DO YOU MINDAT.
827
00:30:59,012 --> 00:31:00,097
IF I STEALYOUR FOLKS FOR AWHILE?
828
00:31:00,138 --> 00:31:01,014
[RITA]: PLEASE!
829
00:31:01,056 --> 00:31:03,308
I MEAN, OF COURSE.OF COURSE.
830
00:31:03,308 --> 00:31:04,559
GREAT!
831
00:31:04,601 --> 00:31:06,561
I MEAYOU GUYS,RSE.GO DELIVER SOMETHING!
832
00:31:06,603 --> 00:31:07,645
WE'LL... WE'VE GOT THIS.
833
00:31:07,645 --> 00:31:09,982
FOLLOW ME. COME ON.
834
00:31:10,023 --> 00:31:11,524
THIS WAY?
835
00:31:11,566 --> 00:31:14,569
THEY'RE SO GREAT, AREN'T THEY?
836
00:31:18,490 --> 00:31:19,991
[MR. EVERETT]:HERE IT IS RIGHT HERE.
837
00:31:20,032 --> 00:31:21,159
SIGN THERE, AND YEAH.
838
00:31:22,160 --> 00:31:23,161
THANK YOU.
839
00:31:28,333 --> 00:31:29,166
MR. EVERETT?
840
00:31:29,208 --> 00:31:32,879
AH, I'M GUESSINGYOU MUST BE MR. O'TOOLE?
841
00:31:32,920 --> 00:31:34,589
YES, AND THESE AREMY ASSOCIATES.
842
00:31:35,840 --> 00:31:37,341
WHAT CANI DO YOU FOR?
843
00:31:37,341 --> 00:31:39,176
WELL, WE ARE ATTEMPTINGTO DELIVER AN OBJECT
844
00:31:39,218 --> 00:31:40,177
THAT MAY HAVE SHIPPED
845
00:31:40,177 --> 00:31:41,387
FROM THIS POST OFFICE18 YEARS AGO.
846
00:31:41,428 --> 00:31:43,723
OH, I CANHARDLY REMEMBER
847
00:31:43,765 --> 00:31:45,850
WHAT WE SHIPPEDYESTERDAY!
848
00:31:45,892 --> 00:31:47,018
DO YOU KNOW WHO SHIPPED IT?
849
00:31:47,059 --> 00:31:48,394
IT'S A SMALL COMMUNITY.I DON'T FORGET MY NEIGHBORS.
850
00:31:48,435 --> 00:31:49,896
[SHANE]: WE ONLY HAVEFIRST NAMES.
851
00:31:49,937 --> 00:31:52,023
PEGGY, MARY LOU...
852
00:31:52,023 --> 00:31:52,982
AND BUNNY.
853
00:31:52,982 --> 00:31:54,025
YEAH. THE KELLSER FAMILY....
854
00:31:54,025 --> 00:31:55,026
OH, YOU KNOW THEM?NY.
855
00:31:55,026 --> 00:31:56,485
YEBEEN AROUND FOREVER.LY....
856
00:31:56,527 --> 00:31:58,320
OH, YOU ARE THEY STILL A FAMILY?
857
00:31:58,362 --> 00:32:01,032
YEAH, THE FAMILY'SDOWN ON COUNTY ROAD 119.
858
00:32:01,032 --> 00:32:01,948
CAN'T MISS IT.
859
00:32:01,948 --> 00:32:03,992
AND THEY STILLLIVE ON THE FARM?
860
00:32:04,035 --> 00:32:05,619
WELL...N'T MISS IT.
861
00:32:05,661 --> 00:32:07,829
AT LEAST UNTIL SATURDAY.
862
00:32:31,561 --> 00:32:34,731
[♪]
863
00:32:42,948 --> 00:32:44,074
WOW.
864
00:32:45,075 --> 00:32:46,076
[NORMAN]: HELLO?
865
00:32:47,743 --> 00:32:49,120
[SHANE]: HELLO?
866
00:32:49,162 --> 00:32:50,080
WOW.
867
00:32:50,080 --> 00:32:52,415
"COLORADO CAMEMBERT."I WANT TO TRY THAT.
868
00:32:52,415 --> 00:32:53,499
COOL.
869
00:32:53,541 --> 00:32:55,585
OH, NORMAN, LOOK.
870
00:32:55,626 --> 00:32:56,961
YES. IT'S LIKE BEING HEREA HUNDRED YEARS AGO.
871
00:32:57,920 --> 00:33:00,423
THIS SEEMS LIKEYOUR KIND OF PLACE.
872
00:33:03,133 --> 00:33:05,177
ARE YOU GOING STEADY?
873
00:33:05,219 --> 00:33:06,261
OH!
874
00:33:06,261 --> 00:33:08,388
UH...
875
00:33:08,431 --> 00:33:09,765
OH!WE ARE!
876
00:33:09,765 --> 00:33:10,766
WE'RE ENGAGED!
877
00:33:10,766 --> 00:33:12,101
CAN I SEE YOUR RING?
878
00:33:13,185 --> 00:33:14,436
WE'RE UH...ED!
879
00:33:14,436 --> 00:33:15,354
THAT'S A LONG STORY.
880
00:33:15,354 --> 00:33:17,439
I PUT THE RINGIN MY POCKET
881
00:33:17,439 --> 00:33:19,859
AND THEN I LOST IT..
882
00:33:19,900 --> 00:33:21,610
WAS THERE A HOLE?
883
00:33:21,651 --> 00:33:22,737
A WHAT?
884
00:33:22,778 --> 00:33:23,946
I HAD CHICKEN FEED
885
00:33:23,946 --> 00:33:25,280
IN MY POCKET ONE TIME,
886
00:33:25,322 --> 00:33:26,448
BUT THERE WASI A HOLE IN MY POCKET,
887
00:33:26,490 --> 00:33:28,700
AND THE SEEDS WENTALL OVER THE FLOOR.
888
00:33:28,742 --> 00:33:30,660
OH... HUH.
889
00:33:30,702 --> 00:33:32,621
-WANNA SEE THE COWS?-OH...
890
00:33:32,621 --> 00:33:34,206
OH...
891
00:33:34,206 --> 00:33:35,624
WELL, YOU KNOW,WE WOULD LOVE TO,
892
00:33:35,665 --> 00:33:38,252
BUT WE REALLY NEEDTO TALK TO YOUR MOM.
893
00:33:38,293 --> 00:33:41,255
MY MOM DROVE TO THE DRUGSTORE,BUT SHE'LL BE RIGHT BACK.
894
00:33:41,296 --> 00:33:42,964
YOU CAN MEET AUNT BUNNY.
895
00:33:43,006 --> 00:33:45,008
SHE'S RIGHT ON THE WAYTO THE COWS.
896
00:33:45,967 --> 00:33:47,636
OH. GOOD.
897
00:33:47,677 --> 00:33:49,846
WELL, WE'LL JUST STAY HEREAND WAIT FOR YOUR MOM.
898
00:33:49,888 --> 00:33:51,473
WHAT DID YOU SAYHER NAME WAS AGAIN?
899
00:33:51,473 --> 00:33:52,807
PEGGY.
900
00:33:52,807 --> 00:33:54,142
I'M ABBY.
901
00:33:56,144 --> 00:33:57,270
OKAY...
902
00:34:02,817 --> 00:34:04,277
AND THIS IS SOOKIE.
903
00:34:04,318 --> 00:34:08,197
SHE'S VERY STUBBORN.SHE LIKES TO BE MILKED LAST.
904
00:34:08,239 --> 00:34:11,075
AND ARABELLEIS ALWAYS WANDERING OFF.
905
00:34:12,243 --> 00:34:13,577
POLLY'S REALLY SWEET,
906
00:34:13,619 --> 00:34:14,996
BUT SHE HAS TO BE THE FIRSTONE OUT OF THE PARLOR
907
00:34:15,038 --> 00:34:18,166
OR SHE'LL STAYIN THERE ALL NIGHT.
908
00:34:18,166 --> 00:34:21,419
UH... YOU ALLOW POLLYTO SLEEP IN YOUR LIVING ROOM?
909
00:34:22,878 --> 00:34:24,046
OR SHE'LL STAYNO, SILLY! ALL NIGHT.
910
00:34:24,046 --> 00:34:25,756
THE PARLORIS WHERE THE COWS GET MILKED.
911
00:34:27,258 --> 00:34:28,301
OR SHE'LL STAYSILLY. SILLY! ALL NIGHT.
912
00:34:30,344 --> 00:34:31,929
YOU CAN PET HER IF YOU WANT.
913
00:34:44,692 --> 00:34:45,984
[OLIVER]:CAREFUL OF YOUR FOOT THERE.
914
00:34:46,026 --> 00:34:47,527
[ABBY]: IT'S ALL RIGHT.
915
00:34:48,570 --> 00:34:49,529
[COW BELLS JINGLING]
916
00:34:49,529 --> 00:34:50,948
THERE'S AUNT BUNNY!
917
00:34:50,989 --> 00:34:52,449
RACE YOU TO THE FARMHOUSE!
918
00:35:01,499 --> 00:35:04,669
[SHANE]:I AM VERY PROUD OF YOU.
919
00:35:04,711 --> 00:35:06,129
I KNOW THAT WASN'T EASY
920
00:35:06,171 --> 00:35:07,380
AND ALL YOU WANT TO DO
921
00:35:07,380 --> 00:35:10,592
IS WASH YOUR HANDSRIGHT NOW, RIGHT?
922
00:35:10,633 --> 00:35:12,135
WAS I THAT OBVIOUS?
923
00:35:12,177 --> 00:35:13,720
NO.
924
00:35:13,761 --> 00:35:15,555
I JUST...
925
00:35:15,555 --> 00:35:17,139
KNOW YOU THAT WELL.
926
00:35:23,563 --> 00:35:25,815
MS. MCINERNEY?I JUST...
927
00:35:25,815 --> 00:35:27,775
WOULD YOU LIKE TO GOSTEADY WITH ME?
928
00:35:27,817 --> 00:35:30,820
MS. MCINERNEY?WHY, MR. O'TOOLE!
929
00:35:30,820 --> 00:35:33,489
THIS IS ALLSO VERY SUDDEN!
930
00:35:36,826 --> 00:35:38,244
MS. MCINERNEYOH, YOU'RE SERIOUS?
931
00:35:38,244 --> 00:35:40,579
NO, NO.
932
00:35:40,621 --> 00:35:42,248
I MEAN...
933
00:35:42,248 --> 00:35:44,250
WELL... I...
934
00:35:45,209 --> 00:35:48,045
I TOLD DALEWE WERE "A THING."
935
00:35:49,588 --> 00:35:51,215
"A THING."
936
00:35:51,257 --> 00:35:52,299
IS THAT...
937
00:35:52,299 --> 00:35:54,843
IS THAT DIFFERENTTHAN GOING STEADY?
938
00:35:54,885 --> 00:35:56,303
I'M NOT SURE.IS THAT...
939
00:36:07,063 --> 00:36:10,942
[♪]
940
00:36:10,942 --> 00:36:12,528
AUNT BUNNY SAYSYOU CAN SIT ON THE PORCH
941
00:36:12,569 --> 00:36:13,570
AND SHE'LL MAKESOME LEMONADE.
942
00:36:13,612 --> 00:36:16,072
I'LL GO GET YOUR FRIENDS.
943
00:36:16,114 --> 00:36:17,616
OH! I FORGOT TO MENTION
944
00:36:17,616 --> 00:36:19,993
THAT POLLY LIKES TO HEAR MUSICWHEN SHE HAS HER BABIES,
945
00:36:20,035 --> 00:36:21,536
SO DON'T FORGET TO SING TO HER.
946
00:36:24,956 --> 00:36:26,207
OH, NO.
947
00:36:26,249 --> 00:36:29,627
SHE... SHE THINKS WE'REHERE TO BUY THE PLACE.
948
00:36:45,935 --> 00:36:47,978
[BIRDS TWITTERING]
949
00:36:48,020 --> 00:36:49,355
[SHANE]: LISTEN TO THAT.
950
00:36:57,447 --> 00:37:00,450
THIS MUST BEWHAT HEAVEN IS LIKE.
951
00:37:01,992 --> 00:37:03,368
I HOPE NOT.
952
00:37:03,410 --> 00:37:04,662
IT'S TOO MUCH WORK.
953
00:37:04,662 --> 00:37:05,663
OH, MY GOODNESS.
954
00:37:05,663 --> 00:37:06,538
IT'S TOO MUCHHELLO!
955
00:37:06,538 --> 00:37:09,499
[SHANE]: YOU MUST BEOH, ABBY'S GRANDMOTHER?
956
00:37:09,499 --> 00:37:10,500
IT'S TOO MTHAT'S RIGHT.
957
00:37:10,542 --> 00:37:12,252
[SHANE]: YOU MUST BEKIM KELLSER.ABBY'S GRANDMOTHER?
958
00:37:12,252 --> 00:37:14,671
ABBY SAYS YOUR NAME IS O'TOOLE?
959
00:37:14,671 --> 00:37:15,464
[SHANE]: YOU MUST BEKIM KELLSER.YES, OLIVER O'TOOLE.
960
00:37:15,464 --> 00:37:16,799
THIS IS MS. MCINERNEY.
961
00:37:16,841 --> 00:37:17,967
[SI'M AFRAID MUST BEKIM KELLSER.YEYOUR GRANDDAUGHTER
962
00:37:18,008 --> 00:37:18,926
THINKS WE'RE HERE
963
00:37:18,926 --> 00:37:20,177
ABOUT THE SALEOF YOUR FARM,
964
00:37:20,177 --> 00:37:21,303
THIBUT WE'RE NOT.
965
00:37:21,345 --> 00:37:22,887
OH.
966
00:37:22,887 --> 00:37:24,389
ACTUALLY,THAT'S A BREATH OF FRESH AIR.
967
00:37:25,557 --> 00:37:27,684
WHAT BRINGS YOU HERE, THEN?
968
00:37:27,726 --> 00:37:29,186
WE ARE FROMTHE DEAD LETTER OFFICE
969
00:37:29,228 --> 00:37:30,312
OF THE U.S. POSTAL SERVICE.
970
00:37:30,354 --> 00:37:31,271
WE FOUND SOMETHING
971
00:37:31,313 --> 00:37:32,231
YOUR CHILDRENMAY HAVE MAILED
972
00:37:32,231 --> 00:37:35,066
TO A DENVER ART DEALER18 YEARS AGO.
973
00:37:37,235 --> 00:37:38,236
YOUR CHILDRENTHE VASE?HAVE MAILED
974
00:37:38,278 --> 00:37:39,195
YES.
975
00:37:39,195 --> 00:37:41,280
IT IS SAFE ANDIN GOOD CONDITION.
976
00:37:41,322 --> 00:37:42,782
WE JUST HAVEA FEW DETAILS
977
00:37:42,782 --> 00:37:43,992
THAT WE NEEDTO CLEAR UP FIRST.
978
00:37:45,368 --> 00:37:47,370
DO YOU BELIEVE IN GOD,HAVEMR. O'TOOLE?EW DETAILS
979
00:37:47,370 --> 00:37:49,288
I DO.
980
00:37:49,330 --> 00:37:52,541
GOOD, BECAUSE YOU JUST MIGHT BETHE ANSWER TO OUR PRAYERS.
981
00:37:59,173 --> 00:38:00,716
[KIM]: APPARENTLY, THEY'D SENTTHE VASE TO AN ART DEALER
982
00:38:00,759 --> 00:38:03,177
MARY LOU HAD FOUNDIN THE PHONE BOOK.
983
00:38:03,219 --> 00:38:04,053
IT TOOK A LOT OF COURAGE
984
00:38:04,095 --> 00:38:05,889
FOR THEM TO ADMITWHAT THEY'D DONE.
985
00:38:07,348 --> 00:38:09,100
BUT MARY LOU TOOK THE BLAME,
986
00:38:09,100 --> 00:38:12,061
AND ALL SHE SAIDIN HER DEFENSE WAS...
987
00:38:12,061 --> 00:38:14,313
WAS THAT SHE WAS TRYINGBUT MTO SAVE THE FAMILY.AME,
988
00:38:15,564 --> 00:38:17,566
THAT'S THE DAY I GOT OUT OF BED,
989
00:38:17,608 --> 00:38:18,859
I GOT MY ACT TOGETHER,
990
00:38:18,901 --> 00:38:20,569
AND I NEVER LOOKED BACK,
991
00:38:20,611 --> 00:38:23,322
I NEVER CAREDIF I EVER SAW THAT VASE AGAIN.
992
00:38:23,364 --> 00:38:24,365
UNTIL NOW.
993
00:38:24,407 --> 00:38:25,741
'CAUSE WEHAVE TO MOVE.
994
00:38:25,783 --> 00:38:28,702
[KIM]: I NEVER THOUGHTI'D HEAR MYSELF SAY THIS,
995
00:38:28,702 --> 00:38:34,542
BUT IF THERE WAS EVER A TIMEI WAS TEMPTED TO SELL THAT VASE,
996
00:38:34,583 --> 00:38:36,334
[KIM]: I NEVER THOUGHTI'IT WOULD'VE BEEN NOW.S,
997
00:38:36,376 --> 00:38:38,587
BUT I DIDN'T HAVE IT TO SELL.
998
00:38:38,587 --> 00:38:41,924
AND THEN YOU FOLKSCOME UP THE ROAD.
999
00:38:41,965 --> 00:38:47,888
SO IF IT REALLY ISWORTH SOME MONEY,
1000
00:38:47,930 --> 00:38:50,849
THERE WOULDN'T BEA BETTER TIME TO FIND THAT OUT.
1001
00:38:50,891 --> 00:38:56,021
WELL, IT WILL NEEDTO BE APPRAISED, OF COURSE,
1002
00:38:56,063 --> 00:38:57,105
AND WE DO HAVE SOME INDICATION
1003
00:38:57,105 --> 00:39:00,275
THAT IT MAY BE WORTHQUITE A GREAT DEAL...
1004
00:39:01,609 --> 00:39:03,027
...IF IT IS GENUINE.
1005
00:39:04,028 --> 00:39:06,406
AND, OF COURSE,WE'LL HAVE TO COME UP WITH
1006
00:39:06,448 --> 00:39:09,200
SOME SORT OF WAYTO AUTHENTICATE OWNERSHIP.
1007
00:39:09,242 --> 00:39:10,327
THERE AREN'T ANY RECEIPTS.
1008
00:39:10,327 --> 00:39:12,579
IT WAS A WEDDING GIFTTO MY GRANDMOTHER.
1009
00:39:12,620 --> 00:39:13,955
THERE AREN'WE HAVE A PICTURE.
1010
00:39:13,955 --> 00:39:15,039
THAT'S RIGHT!
1011
00:39:15,081 --> 00:39:17,792
ABBY, WOULD YOU GO FINDTHAT OLD SCRAPBOOK, PLEASE?
1012
00:39:17,834 --> 00:39:19,293
MM-HMM.
1013
00:39:20,294 --> 00:39:21,879
A PHOTO WOULD BE GREAT,
1014
00:39:21,921 --> 00:39:25,216
AND THEN WE WOULD JUSTHAVE SOME FORMS TO BE SIGNED
1015
00:39:25,257 --> 00:39:26,425
BY ALL THREE SENDERS.
1016
00:39:26,467 --> 00:39:27,760
WHAT DO YOU MEAN, ALL THREE?
1017
00:39:27,802 --> 00:39:29,887
WELL, THE BOX WAS MARKED"RETURN TO SENDER,"
1018
00:39:29,929 --> 00:39:30,972
AND IN THE CASE
1019
00:39:31,013 --> 00:39:33,140
OF SOMETHINGSO POTENTIALLY VALUABLE,
1020
00:39:33,182 --> 00:39:35,517
WE WOULD NEEDTHE SIGNATURES
1021
00:39:35,559 --> 00:39:37,811
OF ALL THREE NAMESON THE RETURN ADDRESS.
1022
00:39:40,564 --> 00:39:42,108
PEGGY, MARY LOU, AND BUNNY.
1023
00:39:47,529 --> 00:39:50,907
WE HAVEN'T SEEN MARY LOUFOR OVER TWO YEARS.
1024
00:40:04,170 --> 00:40:06,923
[OLIVER]: MARY LOUHAS QUITE A WAY WITH WORDS.
1025
00:40:06,965 --> 00:40:08,508
SHE WROTE A BEAUTIFUL LETTER.
1026
00:40:09,551 --> 00:40:11,261
YEAH, SHE DID.
1027
00:40:11,302 --> 00:40:14,014
IF IT'S NOT SWEET ENOUGH,YOU CAN PUT IN MORE SUGAR.
1028
00:40:15,098 --> 00:40:16,516
-IT'S JUST RIGHT THERE.-THANK YOU.
1029
00:40:16,557 --> 00:40:18,935
IF YOU PUT INTOO MUCH AT FIRST,
1030
00:40:18,977 --> 00:40:19,811
YOU CAN'T FIX IT,
1031
00:40:19,853 --> 00:40:21,229
BUT YOU CAN ALWAYS PUT IN MORE.
1032
00:40:21,271 --> 00:40:23,314
THAT'S JUST THE WAYI MAKE IT, TOO.
1033
00:40:29,195 --> 00:40:30,196
PEGGY!
1034
00:40:34,242 --> 00:40:35,160
PEGGY!
1035
00:40:35,201 --> 00:40:36,369
GUESS WHAT!
1036
00:40:36,411 --> 00:40:38,579
THE MAIL PEOPLEFOUND OUR VASE!
1037
00:40:43,167 --> 00:40:44,043
[PEGGY]: SO YOU'RE SAYING
1038
00:40:44,043 --> 00:40:45,169
THERE'S ACTUALLYSOMEONE IN DENVER
1039
00:40:45,169 --> 00:40:46,587
WITH AN OFFER TO BUY IT?
1040
00:40:46,629 --> 00:40:48,338
THER[OLIVER]:LLYI BELIEVE THE EXACT QUOTE WAS
1041
00:40:48,381 --> 00:40:50,257
"IN A NEW YORK MINUTE."
1042
00:40:50,257 --> 00:40:51,551
WELL, THEN IT MUST BEWORTH SOMETHING.
1043
00:40:51,592 --> 00:40:54,512
[OLIVER]: IF IT'S AUTHENTICAND NOT A REPRODUCTION.
1044
00:40:54,554 --> 00:40:55,763
AN AUTHENTIC WHAT?
1045
00:40:55,805 --> 00:40:57,682
[SHANE]:WE'RE NOT ACTUALLY SURE,
1046
00:40:57,723 --> 00:40:59,266
BUT OUR FRIEND AT THE MUSEUM
1047
00:40:59,308 --> 00:41:02,019
SAID IT COULD DATEFROM THE 1700S.
1048
00:41:02,061 --> 00:41:02,937
WOW.
1049
00:41:02,978 --> 00:41:05,480
AND THEN THERE'S THE MATTEROF OWNERSHIP.
1050
00:41:05,522 --> 00:41:07,024
WELL, IT'S OURS.
1051
00:41:07,066 --> 00:41:08,525
THAT PICTURE WILL PROVE IT.
1052
00:41:08,567 --> 00:41:09,860
[OLIVER]: NEVERTHELESS,THE RETURN ADDRESS INDICATES
1053
00:41:09,902 --> 00:41:12,779
THAT THE VASE WAS MAILEDBY THREE INDIVIDUALS,
1054
00:41:12,821 --> 00:41:15,699
SO WE REQUIRE A SIGNATUREFROM ALL THREE
1055
00:41:15,740 --> 00:41:16,908
IN ORDER TO RELEASE IT.
1056
00:41:16,950 --> 00:41:17,951
[BUNNY]:WELL, I'LL SIGN SOMETHING.
1057
00:41:17,951 --> 00:41:22,164
BUNNY, THEY NEEDYOU AND ME AND MARY LOU.
1058
00:41:24,458 --> 00:41:26,293
LEAVE IT TO HERTO COMPLICATE THINGS FOR US,
1059
00:41:26,335 --> 00:41:27,586
EVEN WHEN SHE'S NOT HERE.
1060
00:41:27,586 --> 00:41:28,795
PEGGY...
1061
00:41:30,505 --> 00:41:32,882
IS THERE A WAY THATWE COULD CONTACT MARY LOU?
1062
00:41:32,882 --> 00:41:34,759
WELL, SHE'S REALLY BUSY.
1063
00:41:34,801 --> 00:41:37,471
IS TH[PEGGY]: WE SEND EMAILSWE COTHAT NEVER GO THROUGH.
1064
00:41:37,512 --> 00:41:39,055
WE SEND LETTERS TO A P.O. BOX
1065
00:41:39,097 --> 00:41:41,515
THAT SHE'S NEVER IN THE COUNTRYTO CHECK.
1066
00:41:41,558 --> 00:41:44,102
SHE SENDS US POSTCARDS,FRUIT BASKETS.
1067
00:41:45,269 --> 00:41:48,106
NO, SHE HASN'T QUITE THOUGHTTO SEND US AN ACTUAL ADDRESS.
1068
00:41:48,106 --> 00:41:51,692
AND EVEN IF SHE DIDGET A LETTER THAT WE SENT HER,
1069
00:41:51,734 --> 00:41:53,319
NO,AND EVEN IF SHE STOPPEDHTTO S"FOLLOWING HER HEART"ESS.
1070
00:41:53,361 --> 00:41:54,445
LONG ENOUGH TO READ IT,
1071
00:41:54,487 --> 00:41:56,489
AND EVENIF SHE DID SIGN YOUR PAPERS,
1072
00:41:56,530 --> 00:41:58,782
AND EVEN IFSHE MANAGED TO SEND IT BACK,
1073
00:41:58,824 --> 00:42:02,078
I DOUBT ANY OF THAT WOULD HAPPENIN TIME FOR US TO SELL THE VASE
1074
00:42:02,120 --> 00:42:03,037
AND GET THE MONEY
1075
00:42:03,079 --> 00:42:04,622
SO THAT WE CAN PAY OUR TAXESAND OUR BILLS
1076
00:42:04,663 --> 00:42:06,207
AND SAVE OUR FARMHOUSE
1077
00:42:06,249 --> 00:42:07,916
AND LET OUR MOTHER DIE IN PEACE!
1078
00:42:13,464 --> 00:42:14,548
[ABBY]: I FOUND IT!
1079
00:42:15,799 --> 00:42:17,300
[NORMAN]: COULD YOUSHOW IT TO US?
1080
00:42:17,343 --> 00:42:19,428
MAYBE INSIDE,WHILE THE GROWN-UPS ARE TALKING.
1081
00:42:21,680 --> 00:42:23,056
WOW. THAT LOOKS OLD.
1082
00:42:25,643 --> 00:42:26,769
[BUNNY]:OKAY. BYE.
1083
00:42:26,810 --> 00:42:27,895
[KIM]: OKAY. THANKS, BUNNY.
1084
00:42:29,521 --> 00:42:32,816
[KIM]: PEGGY, OUR PROBLEMSARE NOT THEIR PROBLEMS.
1085
00:42:32,858 --> 00:42:34,484
THEY'RE JUST TRYING TO HELP.
1086
00:42:34,526 --> 00:42:37,905
AND FOR THE RECORD,YOU ALL FOLLOWED YOUR HEART.
1087
00:42:37,946 --> 00:42:39,072
YOU FOLLOWED YOUR HEART,
1088
00:42:39,072 --> 00:42:40,532
AND WHEN YOUR HEART GOT BROKEN,
1089
00:42:40,573 --> 00:42:42,159
YOU BROUGHT ALL THE PIECESYOU FOLBACK HERE, HEART,
1090
00:42:42,159 --> 00:42:44,411
AND THIS PLACEPUT YOU BACK TOGETHER AGAIN.
1091
00:42:46,079 --> 00:42:48,623
YOU BUNNY HAS FOLLOWEDECESHER SWEET, LITTLE HEART,
1092
00:42:48,665 --> 00:42:50,875
EVEN IF IT ONLY GOESAS FAR AS THE BACK FENCE.
1093
00:42:52,043 --> 00:42:55,130
BUT SHE LOVES THE ANIMALSAND THE PEACE
1094
00:42:55,172 --> 00:42:56,506
AND IT MAKES HER HAPPY.
1095
00:42:57,632 --> 00:42:58,841
AND YOU'D DO WELL, MISSY,
1096
00:42:58,841 --> 00:42:59,842
TO FIND A WAY
1097
00:42:59,842 --> 00:43:01,553
TO MAKE THAT KIND OF PEACEAND WITH YOUR SISTER.SSY,
1098
00:43:03,638 --> 00:43:05,432
I APOLOGIZE.
1099
00:43:06,891 --> 00:43:08,851
IT'S BEEN A TOUGH...
1100
00:43:08,851 --> 00:43:11,187
WE UNDERSTAND.
1101
00:43:11,187 --> 00:43:12,313
IOKAY.EEN A TOUGH...
1102
00:43:20,154 --> 00:43:22,698
WE UNDERPEGGY ACTS ANGRY,
1103
00:43:22,698 --> 00:43:24,575
BUT, REALLY, SHE JUST MISSESHER LITTLE SISTER.
1104
00:43:24,616 --> 00:43:29,038
THEY WERE SO CLOSEWEUNTIL THAT VASE WENT MISSING,
1105
00:43:29,038 --> 00:43:31,040
AND THINGS CHANGED.
1106
00:43:31,082 --> 00:43:33,292
MAYBE NOW...
1107
00:43:37,629 --> 00:43:39,340
DO YOU DRIVE A STICKSHIFT,MR. O'TOOLE?
1108
00:43:41,133 --> 00:43:42,551
OH...
1109
00:43:42,593 --> 00:43:44,220
WELL, I'M...
1110
00:43:44,220 --> 00:43:45,721
I'M A BIT RUSTY.
1111
00:43:45,721 --> 00:43:46,805
WELI CAN....
1112
00:43:46,847 --> 00:43:48,307
-YEAH?-MM-HMM.
1113
00:43:48,349 --> 00:43:50,183
-YEAH?-MM-HMM.
1114
00:43:53,645 --> 00:43:56,857
[KIM]:IT DOESN'T KILL YOU RIGHT AWAY.
1115
00:43:56,898 --> 00:43:58,734
BUT IT KILLS YOU.
1116
00:43:58,734 --> 00:44:00,986
AND THERE'S NO CURE.
1117
00:44:01,027 --> 00:44:02,946
EVEN IF WE COULD FINDTHE RIGHT DOCTOR,
1118
00:44:02,946 --> 00:44:06,992
AND THE RIGHT TREATMENTTO SLOW IT DOWN,
1119
00:44:07,033 --> 00:44:08,827
EVEN IF WE COULD FINDSOONER OR LATER,,
1120
00:44:08,869 --> 00:44:12,372
THE BONE MARROW JUST STOPSMAKING RED BLOOD CELLS.
1121
00:44:12,413 --> 00:44:17,919
AND SOME FANCY, EXPENSIVE VASEISN'T GOING TO CHANGE THAT.
1122
00:44:17,919 --> 00:44:19,837
BUT, IF IT'S TRUE,
1123
00:44:19,879 --> 00:44:22,298
IF WE COULD SELL IT,
1124
00:44:22,340 --> 00:44:25,385
AND POSTPONE THE AUCTION,
1125
00:44:25,385 --> 00:44:27,303
IT SURE WOULD BE NICE
1126
00:44:27,345 --> 00:44:28,513
TO BE LOOKING AT ALL THIS
1127
00:44:28,554 --> 00:44:31,098
WHEN MY TIME COMES.
1128
00:44:31,140 --> 00:44:33,684
IT IS A TRULY BEAUTIFUL PLACE.
1129
00:44:33,726 --> 00:44:36,729
ABBY SAYS
1130
00:44:36,729 --> 00:44:38,814
THAT SOOKIE IS STUBBORN,
1131
00:44:38,856 --> 00:44:40,650
POLLY LIKES TO STAYIN THE PARLOR,ABBY SAYS
1132
00:44:40,691 --> 00:44:43,193
AND, WELL,ARABELLE LIKES TO WANDER.
1133
00:44:44,403 --> 00:44:46,030
THAT'S JUST WHO THEY ARE.
1134
00:44:46,071 --> 00:44:47,489
THEY'RE ALL DIFFERENT.
1135
00:44:49,449 --> 00:44:50,660
MARY LOU ALWAYS--
1136
00:44:50,701 --> 00:44:53,954
ALWAYS HAD CRAZY IDEASGROWING UP.
1137
00:44:53,954 --> 00:44:56,957
AND ALWAYS MANAGEDTO MAKE THEM WORK.
1138
00:44:56,999 --> 00:44:58,125
THAT'S WHY IT WAS SO HARD ON HER
1139
00:44:58,167 --> 00:45:01,128
WHEN HER BIGGEST DREAMDISAPPEARED IN THE U.S. MAIL.
1140
00:45:01,170 --> 00:45:03,422
WE ARE SO SORRY ABOUT THAT.
1141
00:45:03,463 --> 00:45:04,756
IT MADE US STRONGER.
1142
00:45:04,798 --> 00:45:07,967
AND IT MADE MARY LOUDETERMINED TO PROVE HERSELF.
1143
00:45:07,967 --> 00:45:08,968
SHE WENT TO COLLEGE,
1144
00:45:08,968 --> 00:45:12,722
SHE WORKED FOR A NEWSPAPERDETEAND A RADIO STATION,ELF.
1145
00:45:12,722 --> 00:45:15,058
AND NOW SHE RUNSSHAROUND THE WORLD,,
1146
00:45:15,099 --> 00:45:18,102
SHE WORKED FOR A NEWSPAPERDEFOLLOWING WAR AFTER WAR,F.
1147
00:45:18,144 --> 00:45:19,354
AND TELLS STORIES
1148
00:45:19,396 --> 00:45:21,648
ABOUT FOLKSWHO'RE FIGHTING TO SURVIVE
1149
00:45:21,690 --> 00:45:23,483
IN A LOT WORSE CIRCUMSTANCESTHAN OURS.
1150
00:45:23,483 --> 00:45:26,403
WHEN WAS THE LAST TIMEYOU SAW HER?
1151
00:45:26,445 --> 00:45:28,237
THREE CHRISTMASES AGO.
1152
00:45:29,989 --> 00:45:31,074
SHE AND PEGGY
1153
00:45:31,115 --> 00:45:33,451
GOT INTO AN ARGUMENT ABOUT SOMETHING SILLY,
1154
00:45:33,492 --> 00:45:34,869
AS USUAL,
1155
00:45:34,911 --> 00:45:36,663
AND IT ENDED UP WHERE THINGS ALWAYS ENDS UP.
1156
00:45:36,705 --> 00:45:37,789
I CAME BACK.
1157
00:45:37,831 --> 00:45:39,916
WHAT DO YOU WANT FROM ME?I'M NOT A FARMER, OKAY?
1158
00:45:39,916 --> 00:45:40,959
OH, YES. WELL,THAT IS THE TRUTH!
1159
00:45:41,000 --> 00:45:42,668
WHA-IF YOU HAD BEEN...ME?I'M-YOU'RE JEALOUS.KAY?
1160
00:45:42,668 --> 00:45:44,170
OH, GREAT,WE'RE BACK TO THE VASE!
1161
00:45:44,170 --> 00:45:45,171
[PEGGY]: YES!
1162
00:45:45,171 --> 00:45:46,755
[MARY LOU]:WI'M SORRY, I'M SORRY,!
1163
00:45:46,797 --> 00:45:48,007
AND I'M SORRY!
1164
00:45:48,049 --> 00:45:49,968
I WAS A 10-YEAR-OLD KID.
1165
00:45:51,010 --> 00:45:52,345
I CAN'T KEEP COMING BACK HERE
1166
00:45:52,386 --> 00:45:55,848
JUST TO BE PUT ON TRIALOVER AND OVER AGAIN.
1167
00:45:56,890 --> 00:45:58,309
I'M OUT OF HERE.
1168
00:46:01,187 --> 00:46:03,021
[KIM]:AND NOW THERE'S ALWAYS A REASON
1169
00:46:03,021 --> 00:46:05,274
WHY SHE CAN'T MAKE IT BACK HERE.
1170
00:46:05,316 --> 00:46:06,191
SHE'S ALWAYS...
1171
00:46:06,191 --> 00:46:07,275
"EMBEDDED" WITH SOME TROOPS
1172
00:46:07,318 --> 00:46:10,112
IN SOME COMBAT ZONE SOMEWHERE.
1173
00:46:12,239 --> 00:46:14,783
DOES SHE EVEN KNOWYOU'VE BEEN SICK?
1174
00:46:17,703 --> 00:46:18,829
I... I DON'T KNOW.
1175
00:46:20,163 --> 00:46:21,331
I DON'T EVEN KNOW WHERE SHE IS.
1176
00:46:26,795 --> 00:46:28,338
IT'S SO...
1177
00:46:28,338 --> 00:46:30,173
IT'S SO PEACEFUL HERE.
1178
00:46:31,133 --> 00:46:32,592
IT'YEAH...
1179
00:46:32,634 --> 00:46:34,636
THIS IS MY FAVORITE TIME OF DAY.
1180
00:46:35,720 --> 00:46:38,348
WHEN THE COWSCOME HOME FOR THE NIGHT.
1181
00:46:38,390 --> 00:46:39,932
THE SUN STARTS TO SET,
1182
00:46:39,974 --> 00:46:42,810
THE EVENING COMES,
1183
00:46:42,852 --> 00:46:46,689
AND SOMEHOW, THEY JUST KNOWIT'S TIME TO COME HOME.
1184
00:46:48,275 --> 00:46:50,610
SOMEDAY, SO WILL I.
1185
00:46:50,610 --> 00:46:52,695
I JUST HOPE WE'RE ALL TOGETHERWHEN I DO.
1186
00:47:00,745 --> 00:47:02,329
[KIM]: I LOVE THAT ONE.
1187
00:47:02,371 --> 00:47:03,414
OH, LOOK AT THAT.
1188
00:47:03,414 --> 00:47:05,291
THERE'S MY GRANDMOTHERBEFORE SHE ENLISTED.
1189
00:47:05,332 --> 00:47:06,375
[PEGGY]:I'M STILL NOT CLEAR
1190
00:47:06,417 --> 00:47:09,295
EXACTLY HOW YOU GUYS AREALL INVOLVED IN THIS.
1191
00:47:09,336 --> 00:47:11,923
[KIM]: THIS IS HERWHEN SHE WAS A BABY.
1192
00:47:11,923 --> 00:47:13,299
[RITA]: OH, WOW.SHE'S VERY PRETTY.
1193
00:47:13,340 --> 00:47:14,884
SHE LOOKS A LOT LIKE MARY LOU.
1194
00:47:14,926 --> 00:47:16,177
OH.
1195
00:47:17,845 --> 00:47:20,097
SO, CAN YOU MAKEAN EXCEPTION?
1196
00:47:20,139 --> 00:47:23,725
I MEAN, WE CAN PROVETHAT THE VASE IS OURS,
1197
00:47:23,725 --> 00:47:25,144
AND YOU HAVE ME AND BUNNY,
1198
00:47:25,186 --> 00:47:27,354
AND THAT'S TWO PROVEOUT OF THREE SIGNATURES.
1199
00:47:27,396 --> 00:47:30,107
YES. HOWEVER,
1200
00:47:30,107 --> 00:47:33,444
THE ACCOMPANYING LETTERWAS WRITTEN BY MARY LOU.
1201
00:47:35,111 --> 00:47:36,655
I UNDERSTANDTHE URGENCY.
1202
00:47:36,697 --> 00:47:39,157
THIS IS OBVIOUSLY...
1203
00:47:39,199 --> 00:47:42,453
AN UNUSUALSET OF CIRCUMSTANCES, BUT--
1204
00:47:42,453 --> 00:47:43,745
OKAY.
1205
00:47:43,787 --> 00:47:45,246
AN UNUSUALSET OF CII GET IT.ES, BUT--
1206
00:47:47,373 --> 00:47:48,291
BUT...
1207
00:47:48,333 --> 00:47:50,627
CAN YOU HELP USTRACK DOWN MARY LOU?
1208
00:47:52,087 --> 00:47:55,048
WELL, FROM WHAT I HEAR,
1209
00:47:55,090 --> 00:47:58,551
MARY LOU COULD BE ANYWHEREIN THE WORLD RIGHT NOW.
1210
00:47:58,593 --> 00:48:00,762
BUT YOU FOUND US.
1211
00:48:00,804 --> 00:48:01,847
YOU MUST BE GOOD.
1212
00:48:03,014 --> 00:48:04,432
I'VE GOT A CARD.
1213
00:48:10,480 --> 00:48:14,317
SHE'S AN ASSOCIATE NEWS PRODUCERAT A NEWS AGENCY IN NEW YORK.
1214
00:48:14,317 --> 00:48:16,986
SHE'S NEVER ACTUALLY THERE,BUT IT'S A START.
1215
00:48:18,821 --> 00:48:19,822
COULD YOU JUST TRY?
1216
00:48:21,031 --> 00:48:22,408
PLEASE?
1217
00:48:23,243 --> 00:48:26,078
EVEN IF IT ENDS UP BEINGTOO LATE FOR THE AUCTION,
1218
00:48:26,120 --> 00:48:28,706
THE TRUTH IS...
1219
00:48:28,748 --> 00:48:32,585
IT MIGHT JUST BE ENOUGHTO BRING MARY LOU HOME...
1220
00:48:32,627 --> 00:48:33,753
IN TIME FOR MOM.
1221
00:48:36,171 --> 00:48:37,131
[KIM]: OH, HERE IT IS.
1222
00:48:37,172 --> 00:48:39,216
[RITA]: OLIVER, LOOK!
1223
00:48:40,050 --> 00:48:42,344
THIS IS BETTYON HER WEDDING DAY.
1224
00:48:42,344 --> 00:48:44,346
THERE SHE IS,
1225
00:48:44,388 --> 00:48:46,181
THERE'S HER HUSBAND,OHOLDING THE VASE,.
1226
00:48:46,181 --> 00:48:48,225
AND THEIR COMMANDING OFFICERWHO MARRIED THEM.
1227
00:48:48,267 --> 00:48:50,519
THE ONE WHO GAVETHEM THE VASE.
1228
00:48:50,560 --> 00:48:51,686
WHERE WAS THAT TAKEN?
1229
00:48:51,728 --> 00:48:53,563
FRANCE.
1230
00:48:53,605 --> 00:48:54,523
SHE WAS STATIONED IN LONDON
1231
00:48:54,564 --> 00:48:57,026
AND ALLIED HEADQUARTERSIN PARIS.
1232
00:48:57,067 --> 00:48:58,027
[RITA]: WOW.
1233
00:48:58,027 --> 00:49:00,195
IMAGINE BEINGIN THE MIDDLE OF ALL THAT.
1234
00:49:00,195 --> 00:49:01,446
YEAH.
1235
00:49:01,488 --> 00:49:02,656
SHE WAS QUITEA CHARACTER.
1236
00:49:02,656 --> 00:49:03,990
TO TELL YOU THE TRUTH,
1237
00:49:04,032 --> 00:49:05,409
SHE WAS QUITEA CHARAI ALWAYS SUSPECTED
1238
00:49:05,450 --> 00:49:06,951
SHE'D EXAGGERATEDTHE VALUE OF THE VASE
1239
00:49:06,993 --> 00:49:09,704
JUST TO GIVE US SOME HOPE.
1240
00:49:09,704 --> 00:49:12,749
WOULDN'T IT BE SOMETHINGIF IT TURNS OUT SHE'S RIGHT?
1241
00:49:12,791 --> 00:49:14,959
YES. YES, IT WOULD.
1242
00:49:16,378 --> 00:49:17,629
SO, IS THAT WHAT YOU NEEDED?
1243
00:49:17,671 --> 00:49:19,964
YOU KNOW, WE...
1244
00:49:20,006 --> 00:49:21,716
WE'LL HAVE TO COMPARE THIS VASE
1245
00:49:21,758 --> 00:49:24,052
WITH THE ONE WE HAVEAT THE OFFICE.
1246
00:49:24,093 --> 00:49:25,511
COULD WE TAKE THIS WITH US?
1247
00:49:25,553 --> 00:49:28,056
OR PERHAPS GET A COPY OF IT?
1248
00:49:28,097 --> 00:49:29,057
I HAVE A COPIER IN THE BACK.
1249
00:49:29,057 --> 00:49:30,349
PERFECT.
1250
00:49:30,391 --> 00:49:31,517
I HAVEHERE, SWEETHEART.BACK.
1251
00:49:31,559 --> 00:49:32,560
THANKS.
1252
00:49:34,728 --> 00:49:35,771
WE NEED TO LEAVE.
1253
00:49:35,814 --> 00:49:36,814
HEY!
1254
00:49:37,731 --> 00:49:38,732
I MILKED MY FIRST COW!
1255
00:49:38,732 --> 00:49:40,818
OH! WOW!
1256
00:49:43,654 --> 00:49:45,281
WE MIGHT HAVE A PROBLEM.
1257
00:49:50,911 --> 00:49:53,080
[BILL, SUNNY AND JOE SINGING]:♪ ...BEFORE YOU CALL HIM A MAN ♪
1258
00:49:53,080 --> 00:49:58,210
♪ AND HOW MANY SEASMUST A WHITE DOVE SAIL ♪
1259
00:49:58,251 --> 00:50:02,840
♪ BEFORE SHE CAN SLEEPIN THE SAND? ♪
1260
00:50:02,881 --> 00:50:08,428
♪ YES, AND HOW MANY TIMESMUST THE CANNON BALLS FLY ♪
1261
00:50:08,470 --> 00:50:13,058
♪ BEFORE THEY AREFOREVER BANNED? ♪
1262
00:50:13,100 --> 00:50:18,814
♪ THE ANSWER, MY FRIENDIS BLOWING IN THE WIND ♪
1263
00:50:18,856 --> 00:50:23,944
♪ THE ANSWERIS BLOWING IN THE WIND ♪
1264
00:50:23,944 --> 00:50:24,945
ALL RIGHT.
1265
00:50:24,945 --> 00:50:27,155
OH, HEY!
1266
00:50:27,155 --> 00:50:28,240
BRAVO!
1267
00:50:28,281 --> 00:50:30,325
WELCOME TO THE FLOWER POWERSING-ALONG HOUR!
1268
00:50:30,367 --> 00:50:32,535
[SUNNY]: I'M NOT A LOT OF HELP'TIL I GET NEW GLASSES,
1269
00:50:32,577 --> 00:50:33,911
SO I'M THE MUSE.
1270
00:50:33,953 --> 00:50:35,330
[OLIVER]: IT'S CLEARLY WORKING.
1271
00:50:35,330 --> 00:50:37,290
WOW!
1272
00:50:37,290 --> 00:50:38,583
[OLIVELOOK AT THIS PLACE!RKING.
1273
00:50:41,961 --> 00:50:43,463
IT'S COMING ALONG, RIGHT?
1274
00:50:44,297 --> 00:50:45,382
WE NEED YOUR EXPERTISEWITH SOMETHING.
1275
00:50:45,423 --> 00:50:46,341
DO YOU MIND?
1276
00:50:46,383 --> 00:50:47,467
[JOE]: SURE.
1277
00:50:50,177 --> 00:50:51,471
GREAT SONG.
1278
00:50:51,471 --> 00:50:52,429
RITA SAYS THAT
1279
00:50:52,472 --> 00:50:53,681
SHE USED TO SING THAT
1280
00:50:53,723 --> 00:50:54,807
TO HER IMAGINARYCHILDHOOD FRIEND,
1281
00:50:54,849 --> 00:50:56,267
HUDSON.
1282
00:50:56,267 --> 00:50:57,977
HUDSON THE INVISIBLE OWL.
1283
00:50:59,145 --> 00:51:00,021
SHE TOLD YOU ABOUT HUDSON?ON.
1284
00:51:00,021 --> 00:51:02,523
OH, YEAH.WE TELL EACH OTHER EVERYTHING.
1285
00:51:04,776 --> 00:51:06,152
SHE TOLD YOUOH!OUT HUDSON?ON.
1286
00:51:06,152 --> 00:51:08,279
I BROUGHT YOUSOME FRESH RAW MILK.
1287
00:51:08,320 --> 00:51:10,156
MILKED IT MYSELF.
1288
00:51:10,156 --> 00:51:11,865
I KNOW YOU LIKEHEALTHY THINGS, SO.
1289
00:51:11,908 --> 00:51:14,826
CAME FROM A COWNAMED PETULA. YUM!
1290
00:51:14,868 --> 00:51:15,911
THANKS.
1291
00:51:18,164 --> 00:51:20,249
I'LL PUT ITIN THE FRIDGE.
1292
00:51:23,043 --> 00:51:25,629
THAT WAS SO THOUGHTFUL OF HIM,WASN'T IT, BILL?
1293
00:51:27,130 --> 00:51:28,924
HE MILKED IT HIMSELF!
1294
00:51:28,965 --> 00:51:30,342
BILL?
1295
00:51:35,681 --> 00:51:37,558
[JOE]: WELL, IT'S POSSIBLE.
1296
00:51:37,599 --> 00:51:38,975
[SHANE]: ALL WE KNOW
1297
00:51:39,017 --> 00:51:41,352
IS THAT SHE BROUGHT IT BACKFROM FRANCE AFTER THE WAR.
1298
00:51:41,394 --> 00:51:43,104
[JOE]: IT LOOKS LIKETHE SAME VASE.
1299
00:51:43,146 --> 00:51:45,523
BUT EVEN IF IT WAS A GIFT,
1300
00:51:45,565 --> 00:51:46,692
IF IT COMES THROUGH THIS OFFICE,
1301
00:51:46,733 --> 00:51:49,569
YOU'RE OBLIGATED TO CONFIRMWHAT YOU'RE DELIVERING.
1302
00:51:49,610 --> 00:51:51,612
[NORMAN]: REGULATION 87K,PARAGRAPH B.
1303
00:51:51,654 --> 00:51:52,989
"THE MAIL RECOVERY AGENT
1304
00:51:53,031 --> 00:51:55,408
MUST PURSUEALL AVENUES OF IDENTIFICATION,
1305
00:51:55,450 --> 00:51:58,536
RESTITUTION, AND REPATRIATION."
1306
00:51:58,578 --> 00:52:01,539
NORMAN IS VERY GOODAT RULES AND REGULATIONS.
1307
00:52:01,539 --> 00:52:02,457
THIS IS SO EXCITING
1308
00:52:02,498 --> 00:52:03,666
TO BE RIGHTIN THE MIDDLE OF THE ACTION.
1309
00:52:03,708 --> 00:52:05,543
NORMALLY, I WOULDN'T SHAREPOSTAL BUSINESS,
1310
00:52:05,543 --> 00:52:06,502
BUT, FRANKLY,
1311
00:52:06,544 --> 00:52:08,879
I NEED SOME FEEDBACKON HOW BEST TO PROCEED.
1312
00:52:08,921 --> 00:52:11,048
WELL, THE VASE IS WORTHA LOT OF MONEY, RIGHT?
1313
00:52:11,048 --> 00:52:12,800
MOST LIKELY.
1314
00:52:12,842 --> 00:52:14,927
AND THE PEOPLE IT BELONGS TOREALLY NEED THE MONEY?
1315
00:52:14,969 --> 00:52:16,721
REALLY, REALLY NEED IT.
1316
00:52:16,762 --> 00:52:21,476
THE QUESTION IS,DOES IT REALLY BELONG TO THEM?
1317
00:52:21,517 --> 00:52:23,436
WELL, WHEN I SAWTHE FRENCH FLAG IN THE PICTURE,
1318
00:52:23,436 --> 00:52:25,688
I REMEMBERED A COURSE I TOOKIN COLLEGE
1319
00:52:25,730 --> 00:52:28,065
ABOUT THE ART THAT WENT MISSINGTHE FDURING WORLD WAR II.CTURE,
1320
00:52:29,274 --> 00:52:32,277
SOME OF IT WAS STOLENDURING THE GERMAN OCCUPATION
1321
00:52:32,319 --> 00:52:34,905
FROM MUSEUMS OR PRIVATE HOMES,
1322
00:52:34,905 --> 00:52:37,366
AND THEN IT WAS SOLD,OR TRADED,
1323
00:52:37,407 --> 00:52:38,408
OR HIDDEN AWAY.
1324
00:52:38,408 --> 00:52:41,036
NOW, SOME OF ITHAS BEEN RECOVERED AND RETURNED,
1325
00:52:41,078 --> 00:52:44,581
BUT THERE'S A LOT OF ITTHAT'S STILL OUT THERE,
1326
00:52:44,623 --> 00:52:46,416
AND PEOPLE ARE LOOKING FOR IT.
1327
00:52:47,251 --> 00:52:50,545
FAMILY HEIRLOOMS,OLD MASTERPIECES...
1328
00:52:50,587 --> 00:52:51,755
AND YOU THINK THIS COULD BE
1329
00:52:51,755 --> 00:52:54,133
ONE OF THOSESTOLEN PIECES OF ART?
1330
00:52:54,133 --> 00:52:56,593
WELL, IF IT'S FROM EUROPEAFTER THE WAR
1331
00:52:56,593 --> 00:52:59,596
AND IT'S AS VALUABLEAS WE THINK IT COULD BE,
1332
00:52:59,638 --> 00:53:02,307
THEN THERE'SA VERY, VERY GOOD CHANCE
1333
00:53:02,349 --> 00:53:05,727
THAT IT BELONGEDTO ANOTHER FAMILY...
1334
00:53:05,727 --> 00:53:06,895
THAT IT WAS TAKEN FROM.
1335
00:53:10,439 --> 00:53:13,192
THAND WHO KNOWSDWHAT HAPPENED TO THEM.
1336
00:53:21,993 --> 00:53:24,037
[BILL]: LET'S GO GAS UPTHE STARCRUISER.
1337
00:53:24,078 --> 00:53:25,496
WE'RE BACK AT IT AGAIN TOMORROW?
1338
00:53:25,538 --> 00:53:26,831
YOU GOT IT.
1339
00:53:27,957 --> 00:53:29,792
-GOODNIGHT.-GOODNIGHT.
1340
00:53:29,792 --> 00:53:32,045
-GOODNIGHT.-GOODNIGHT, NORMAN, DEAR.
1341
00:53:33,046 --> 00:53:34,463
-GOODNIGHT, DADDY.-GOODNIGHT, SWEETIE.
1342
00:53:34,505 --> 00:53:36,590
MR. HAYWITH,DON'T FORGET YOUR...
1343
00:53:37,591 --> 00:53:39,302
OH...
1344
00:53:39,302 --> 00:53:40,469
MILK.
1345
00:53:45,974 --> 00:53:47,184
OH...[SIGHS]
1346
00:53:49,853 --> 00:53:54,567
[♪]
1347
00:53:58,195 --> 00:54:00,155
SIR, I DIRECTA GOVERNMENT TASK FORCE
1348
00:54:00,155 --> 00:54:01,990
THAT IS QUITE FAMILIARWITH THE...
1349
00:54:02,032 --> 00:54:04,451
[♪]
1350
00:54:04,492 --> 00:54:07,162
GREAT. THANK YOU SO MUCH.
1351
00:54:09,331 --> 00:54:12,000
IT'S VALUEDAT OVER HALF A MILLION.
1352
00:54:12,000 --> 00:54:13,460
[RITA]: WOW.
1353
00:54:13,501 --> 00:54:14,419
IT'S VALUED[OLIVER]: ...OF COURSE,
1354
00:54:14,461 --> 00:54:15,503
IT IS QUITE FAMILIAR
1355
00:54:15,503 --> 00:54:17,130
WITH THE MANAGEMENTOF SENSITIVE MATERIAL,
1356
00:54:17,172 --> 00:54:18,756
AND I CAN ASSURE YOU THAT...
1357
00:54:18,798 --> 00:54:25,012
ALRIGHT, THEN PLEASE TRANSFER METO THE INTERNATIONAL DESK.
1358
00:54:25,012 --> 00:54:29,016
[♪]
1359
00:54:35,231 --> 00:54:37,149
THANK YOU.
1360
00:54:37,191 --> 00:54:39,527
SO?
1361
00:54:39,527 --> 00:54:40,820
MARY LOU'S NEWS CREW
1362
00:54:40,862 --> 00:54:42,780
IS EMBEDDEDWITH AN UNDISCLOSED COMBAT UNIT
1363
00:54:42,822 --> 00:54:45,032
IN AN UNDISCLOSED COUNTRY,
1364
00:54:45,032 --> 00:54:48,160
SHOOTING FOOTAGEFOR A TELEVISION NEWS SPECIAL.
1365
00:54:48,202 --> 00:54:50,705
DOES SHE HAVEAN UNDISCLOSED PHONE NUMBER?
1366
00:54:50,747 --> 00:54:54,208
SHE COMMUNICATES OCCASIONALLYTHROUGH SATELLITE CONFERENCING,
1367
00:54:54,250 --> 00:54:57,003
BUT SOMETIMES,THAT DOESN'T EVEN WORK.
1368
00:54:57,044 --> 00:54:58,754
OLIVER, THAT'SNOT GOING TO HELP.
1369
00:54:58,796 --> 00:55:00,131
THE AUCTIONIS IN THREE DAYS.
1370
00:55:02,591 --> 00:55:04,635
HOWEVER...
1371
00:55:04,676 --> 00:55:07,971
THE NEWS DIRECTOR WAS WILLINGTO TRY ANOTHER CALL,
1372
00:55:07,971 --> 00:55:10,224
IF I CAN MAKE IT TO NEW YORK.
1373
00:55:11,808 --> 00:55:16,062
MS. MCINERNEY, WOULD YOU BOOK METOA FLIGHT TONIGHT?,
1374
00:55:16,062 --> 00:55:17,022
SURE.
1375
00:55:17,063 --> 00:55:18,732
IF IT DOESN'T FALL UNDERTHE TASK FORCE BUDGET,
1376
00:55:18,732 --> 00:55:20,942
I'LL COVER ITWITH THE O'TOOLE FOUNDATION.
1377
00:55:23,194 --> 00:55:25,196
IF IT DYOU ARE NOT UNDERGOING TO BELIEVE THIS!
1378
00:55:25,238 --> 00:55:27,574
MR. BENSHAN SAYSIT'S AT LEAST 200 YEARS OLD.
1379
00:55:27,574 --> 00:55:29,242
AND IT WAS PROBABLY MADEFOR A DUKE,
1380
00:55:29,242 --> 00:55:31,494
OR A PRINCE,OR A KING IN AUSTRIA.
1381
00:55:31,537 --> 00:55:34,414
[NORMAN]: AND IT WAS PROBABLYGIVEN TO A LOYAL SUBJECT
1382
00:55:34,414 --> 00:55:35,999
AND HANDED DOWNTHROUGH THE GENERATIONS TO...
1383
00:55:36,041 --> 00:55:37,625
[NORMAN]: A-TO...?AS PROBABLYGI-[NORMAN]: SOMEBODY.CT
1384
00:55:37,668 --> 00:55:39,294
BUT IT'S DEFINITELY WORTHAT LEAST A FARM
1385
00:55:39,335 --> 00:55:41,504
AND A FEW YEARS' WORTH OF STATEAND LOCAL PROPERTY TAXES.
1386
00:55:41,546 --> 00:55:43,673
SO HE CALLED A COLLECTOR WHO...
1387
00:55:43,673 --> 00:55:44,757
-WANTS TO BUY IT!-WANTS TO BUY IT!
1388
00:55:44,757 --> 00:55:45,675
SO HE CA[RITA LAUGHING]R WHO...
1389
00:55:45,716 --> 00:55:47,343
-OH, LET'S GO TELL MY PARENTS!-WA-OH, OKAY! IT!
1390
00:55:49,179 --> 00:55:51,181
I CAN BOOK YOU ONA REDEYE THAT LEAVES TONIGHT
1391
00:55:51,222 --> 00:55:53,933
AND RETURNS...
1392
00:55:53,933 --> 00:55:55,060
AS SOON AS I'M ABLE.
1393
00:55:59,605 --> 00:56:02,983
OH! YOU GUYSHAVE GOT TO SEE THIS.
1394
00:56:03,025 --> 00:56:04,068
WHERE DID OLIVER GO?
1395
00:56:04,109 --> 00:56:05,445
HOLD ON.
1396
00:56:07,613 --> 00:56:09,239
UM...
1397
00:56:09,281 --> 00:56:11,909
DO YOU MIND IF I TAKE OFFAND WORK FROM HOME?
1398
00:56:11,951 --> 00:56:14,704
IT'S GONNA BE A LONG NIGHT.
1399
00:56:14,745 --> 00:56:16,539
NO, NO, OF COURSE NOT.
1400
00:56:16,581 --> 00:56:18,207
WE'LL BE FINE.
1401
00:56:18,248 --> 00:56:19,625
-GOODNIGHT.-'NIGHT.
1402
00:56:30,970 --> 00:56:32,304
SAY "SPECIAL DELIVERY!"
1403
00:56:32,304 --> 00:56:34,514
SPECIAL DELIVERY!
1404
00:56:34,556 --> 00:56:36,183
[CAMERA SHUTTER CLICKS]RY!"
1405
00:56:36,183 --> 00:56:37,559
HEY!
1406
00:56:37,601 --> 00:56:40,729
I THOUGHT WE COULD ALL MEET UPFOR DINNER AT RAMON'S LATER.!"
1407
00:56:40,729 --> 00:56:42,272
I JUST NEED TO RUNAN ERRAND FIRST.
1408
00:56:42,314 --> 00:56:43,315
I THOUGHT WE COULD ALL MEET UPFOR DIOH, LET ME GUESS.ATER.!"
1409
00:56:43,315 --> 00:56:45,609
YOU'RE GONNA STOP BYTHE TIP TOP CLEANERS?
1410
00:56:45,650 --> 00:56:47,319
I THOUGHT WE COULD ALL MEET UPFOR DIOH, LUH, NO.UESS.ATER.!"
1411
00:56:47,319 --> 00:56:48,820
BUT I SHOULD RUN.
1412
00:56:48,820 --> 00:56:50,029
I THOUGHT WE COULD ALL MEET UPFOR DTHEY CLOSE AT 5:00.TER.!"
1413
00:56:50,071 --> 00:56:51,197
JOE, WILL YOU JOIN USFOR DINNER?
1414
00:56:51,240 --> 00:56:52,282
I'D LOVE TO,
1415
00:56:52,324 --> 00:56:54,158
BUT I HAVE AN APPOINTMENTWITH MY ACCOUNTANT.
1416
00:56:54,158 --> 00:56:55,034
RAINCHECK?
1417
00:56:55,076 --> 00:56:57,036
SURE. HERE, LET ME HELP YOU.
1418
00:56:58,538 --> 00:56:59,873
THANKS.
1419
00:57:05,169 --> 00:57:06,254
YOU COMING, DADDY?
1420
00:57:08,923 --> 00:57:10,424
YOU GO AHEAD.I'LL CATCH UP.
1421
00:57:11,760 --> 00:57:12,761
DADDY.
1422
00:57:14,012 --> 00:57:15,513
[SIGHS]
1423
00:57:15,554 --> 00:57:16,931
LOOK...
1424
00:57:16,973 --> 00:57:18,057
I KNOW YOU DON'T LIKE NORMAN.
1425
00:57:18,099 --> 00:57:21,435
I NEVER SAID I DIDN'T LIKE HIM.
1426
00:57:21,477 --> 00:57:22,520
I DON'T GET HIM.
1427
00:57:23,896 --> 00:57:25,939
WELL, YOU WOULDIF YOU TRIED.
1428
00:57:25,982 --> 00:57:27,275
YOU JUSTDON'T WANT TO.
1429
00:57:27,316 --> 00:57:29,943
EVERY SINCEYOU GUYS GOT HERE,
1430
00:57:29,985 --> 00:57:32,780
ALL HE'S DONEIS TRIED TO BE NICE.
1431
00:57:32,821 --> 00:57:34,157
THE ERRAND HE'S GOING ONRIGHT NOW
1432
00:57:34,198 --> 00:57:35,824
IS TO PICK UP MOM'S GLASSES.
1433
00:57:35,824 --> 00:57:38,369
HE INVITED YOU FOR DINNER.
1434
00:57:38,369 --> 00:57:39,287
IS TO PICKI MEAN... GLASSES.
1435
00:57:39,328 --> 00:57:41,622
HE MILKED A COW.
1436
00:57:42,748 --> 00:57:44,625
HE LOST YOUR ENGAGEMENT RING.
1437
00:57:44,625 --> 00:57:46,084
WHAT DOES THAT SAY ABOUT A GUY?
1438
00:57:48,128 --> 00:57:49,046
HE LOST YOUR ENGAGEMI'M SORRY,
1439
00:57:49,046 --> 00:57:52,716
IT'S JUST-- IT'S NOTWHAT I IMAGINED FOR YOU.
1440
00:57:56,553 --> 00:57:59,681
YOU WANT TO KNOWWHAT I IMAGINED FOR ME, DADDY?
1441
00:57:59,723 --> 00:58:06,813
SOMEBODY SWEET AND KINDAND GENEROUS AND UNSELFISH.
1442
00:58:06,854 --> 00:58:08,565
SOMEBODY WHO'S RIGHT THERE
1443
00:58:08,606 --> 00:58:11,901
TO PITCH IN AND HELPWHEN YOU NEED IT,
1444
00:58:11,943 --> 00:58:14,904
SOMEBODY WHO THINKSTHAT I MAKE SENSE,
1445
00:58:14,946 --> 00:58:17,240
NO MATTER WHAT I SAY.
1446
00:58:18,575 --> 00:58:20,202
SOMEBODY WHO DOESN'T CARETHAT I WEAR GLASSES
1447
00:58:20,243 --> 00:58:24,247
BECAUSE HE SEES THE WORLDTHE SAME WAY I DO
1448
00:58:24,247 --> 00:58:27,792
AND HE ALWAYS TRIES TO FINDSOMETHING BEAUTIFUL IN IT.
1449
00:58:29,085 --> 00:58:32,630
HE'S EXACTLYWHAT I IMAGINED, DADDY.
1450
00:58:37,509 --> 00:58:39,428
BECAUSE I IMAGINEDSOMEBODY LIKE YOU.
1451
00:58:50,772 --> 00:58:52,733
FORGOT MY KEYS.
1452
00:58:56,070 --> 00:58:58,280
DID YOU HEAR ANY OF THAT?
1453
00:58:58,280 --> 00:58:59,865
SURE DID.
1454
00:58:59,906 --> 00:59:01,283
AND I'M THINKING
1455
00:59:01,283 --> 00:59:04,328
MAYBE YOU'RE THE ONEWHO NEEDS THE GLASSES.
1456
00:59:15,964 --> 00:59:19,300
[RAMON]: MRS. HAYWITH!YOUR GLASSES!
1457
00:59:19,342 --> 00:59:23,138
I SEE YOU ARE ONCE AGAINA WOMAN OF GREAT VISION!
1458
00:59:23,179 --> 00:59:24,264
OH, RAMON!
1459
00:59:24,305 --> 00:59:26,808
YOU'RE... SO...
1460
00:59:26,850 --> 00:59:28,476
...SO RAMON.
1461
00:59:28,476 --> 00:59:32,230
I HAVE A VERY SPECIAL TABLEFOR MY LITTLE POSTAL FAMILY.
1462
00:59:32,230 --> 00:59:33,982
IT WILL BE READYIN A FEW MINUTES.
1463
00:59:35,775 --> 00:59:38,069
SO, ANYWAY, I LOOKED ACROSSFOR THE WASHINGTON MALL,ILY.
1464
00:59:38,111 --> 00:59:39,237
AND THERE HE WAS,
1465
00:59:39,279 --> 00:59:41,239
HANDING A DAISYTO A NATIONAL GUARDSMAN,
1466
00:59:41,281 --> 00:59:42,282
AND I JUST KNEW.
1467
00:59:42,323 --> 00:59:43,616
SAME WITH ME!
1468
00:59:43,658 --> 00:59:45,160
IT WAS LOVE AT FIRST SIGHT.
1469
00:59:45,160 --> 00:59:47,370
OF COURSE, WE HADA LOT OF THINGS TO WORK OUT.
1470
00:59:47,412 --> 00:59:49,747
THE WAR, WATERGATE,
1471
00:59:49,789 --> 00:59:51,166
THE BEATLES BREAKING UP...
1472
00:59:51,207 --> 00:59:52,250
VERY HARD.
1473
00:59:52,292 --> 00:59:53,668
OH, YEAH.
1474
00:59:53,668 --> 00:59:55,586
AND, OF COURSE,THERE WAS THE MOON LANDING.
1475
00:59:55,586 --> 00:59:57,338
I WAS FOR, BILLY WAS AGAINST...
1476
00:59:57,338 --> 00:59:59,006
AND, OF COURSE,THEREOH, INTERESTING.NDING.
1477
00:59:59,048 --> 01:00:02,092
LOOK, HE'S A GOOD MAN, NORMAN..
1478
01:00:02,092 --> 01:00:03,969
HE'S JUST A SAD DAD RIGHT NOW.
1479
01:00:04,011 --> 01:00:04,970
LOOK, HWHAT DO YOU MEAN?ORMAN..
1480
01:00:05,012 --> 01:00:07,848
HE USED TO BE HER HERO.
1481
01:00:07,848 --> 01:00:10,475
NOW SHE HAS TWO.
1482
01:00:13,520 --> 01:00:14,521
I WISH OLIVER WAS HERE.
1483
01:00:14,521 --> 01:00:16,190
HE KNOWS HOW TO HANDLETHESE THINGS.
1484
01:00:17,232 --> 01:00:18,567
SO DO YOU.
1485
01:00:20,694 --> 01:00:22,863
WELL, I DON'T THINKHE'S COMING.
1486
01:00:25,199 --> 01:00:26,241
HE MAY SURPRISE YOU.
1487
01:00:27,659 --> 01:00:29,578
OR WE'LL SURPRISE HIM.
1488
01:00:37,836 --> 01:00:39,713
[BILL CHUCKLES]
1489
01:00:42,507 --> 01:00:46,010
SAY, THAT WASA SHORT DINNER.
1490
01:00:46,010 --> 01:00:48,638
I, UH...CANCELED IT.
1491
01:00:50,557 --> 01:00:51,390
SAY, THAT WASWELL, SEE, I...A SHORT DINNER.
1492
01:00:51,390 --> 01:00:55,353
WANTED US ALL TOGETHERFOR A REASON,
1493
01:00:55,353 --> 01:00:58,231
BUT OLIVER HAD TO LEAVE,
1494
01:00:58,272 --> 01:01:00,316
WANTED US ALL TOGETHERAND JOE HAD AN APPOINTMENT,
1495
01:01:00,358 --> 01:01:01,860
AND SHANE HAD...
1496
01:01:01,901 --> 01:01:03,611
ANYWAYS,
1497
01:01:03,652 --> 01:01:05,404
THINGS DON'T ALWAYS END UPTHE WAY WE PLAN.
1498
01:01:05,404 --> 01:01:09,158
YOU PUT ALL YOUR HOPEINTO A VASE,
1499
01:01:09,158 --> 01:01:10,451
AND IT GETS LOSTIN THE MAIL.
1500
01:01:10,493 --> 01:01:14,247
YOU YOU PUT A NAIL IN A WALL,IAND THE WHOLE THING FALLS DOWN.
1501
01:01:14,247 --> 01:01:15,748
YOU FALL IN LOVE
1502
01:01:15,748 --> 01:01:17,750
WITH THE MOST AMAZINGWOMAN IN THE WORLD.
1503
01:01:17,750 --> 01:01:19,668
YOU BUY HER A RING,
1504
01:01:19,710 --> 01:01:21,462
YOU PUT IT IN YOUR POCKET,
1505
01:01:21,504 --> 01:01:23,005
AND IT DISAPPEARS.
1506
01:01:23,005 --> 01:01:25,299
YOU THINKYOU KNOW WHAT HAPPENED.
1507
01:01:25,341 --> 01:01:28,386
THEN ONE DAY,AA LIGHT GOES ON,.
1508
01:01:28,427 --> 01:01:30,388
AND YOU REALIZE
1509
01:01:30,429 --> 01:01:32,305
THAT IT FELLTHROUGH A HOLE IN YOUR PANTS,
1510
01:01:32,348 --> 01:01:33,432
AND GOT KICKED UNDER THE BED,
1511
01:01:33,474 --> 01:01:36,309
AND YOU FIND IT WEEKS LATERIN YOUR SNOWBOOT.
1512
01:01:36,351 --> 01:01:37,811
[GASPS] OH!
1513
01:01:37,811 --> 01:01:40,648
[NORMAN]: YOU KNOW,A MIRACLE LIKE THAT,
1514
01:01:40,648 --> 01:01:42,733
YOU WANT TO SHARE ITWITH EVERYBODY YOU LOVE
1515
01:01:42,733 --> 01:01:44,484
[NORMAN]: YOU KNOW,A MIRAOVER A NICE DINNER...
1516
01:01:44,526 --> 01:01:46,695
YOU WANT TO SHARE ITWITH EVERYBTOGETHER...E
1517
01:01:46,737 --> 01:01:49,907
BUT LIKE I SAID,
1518
01:01:49,948 --> 01:01:52,575
SOMETIMES PLANS CHANGE,
1519
01:01:52,617 --> 01:01:53,451
AND I DON'T THINK
1520
01:01:53,493 --> 01:01:54,577
THAT I CAN LET ANOTHER MINUTEGO BY
1521
01:01:54,577 --> 01:01:57,205
WITHOUT DOING THIS, SO...
1522
01:02:01,209 --> 01:02:02,127
THAT I CAN LET ANOTHER MINUTEGO BYRITA?
1523
01:02:02,127 --> 01:02:04,087
MM-HMM?
1524
01:02:04,129 --> 01:02:05,630
THIS RING LOOKS LIKE AN OWL,
1525
01:02:05,630 --> 01:02:07,632
NOT JUST 'CAUSEI KNOW THAT YOU LIKE OWLS,
1526
01:02:07,632 --> 01:02:10,385
BUT...
1527
01:02:10,385 --> 01:02:11,928
NBECAUSE OWLSSEI KNOARE BEAUTIFUL...OWLS,
1528
01:02:13,305 --> 01:02:15,348
AND WISE,BUT...LIKE YOU.
1529
01:02:16,683 --> 01:02:19,143
THEY'RE SMARTLIKE YOU,
1530
01:02:19,185 --> 01:02:22,564
AND THEY ARE SO BRAVE.
1531
01:02:22,564 --> 01:02:23,773
IT DOESN'T MATTERHOW DARK IT GETS,
1532
01:02:23,815 --> 01:02:26,275
THEY JUST KEEP FLYINGANTHROUGH THE NIGHT,E.
1533
01:02:26,317 --> 01:02:31,072
BECAUSE THEY CAN SEEWHAT NOBODY ELSE CAN...
1534
01:02:33,532 --> 01:02:35,451
AND SO DO YOU,
1535
01:02:35,492 --> 01:02:38,537
PROBABLY BECAUSESOMEONE ELSE WHO'S WISE
1536
01:02:38,579 --> 01:02:41,916
AND SMART AND BRAVE...
1537
01:02:43,292 --> 01:02:44,335
TAUGHT YOU HOW...
1538
01:02:48,714 --> 01:02:52,426
AND NOW I GET TO FLYRIGHT ALONGSIDE YOU FOREVER...
1539
01:02:54,720 --> 01:02:57,889
AND I AM SO GRATEFUL FOR THAT.
1540
01:03:04,771 --> 01:03:06,940
WITH THIS OWL RING,
1541
01:03:06,982 --> 01:03:08,900
I THEE...
1542
01:03:08,942 --> 01:03:10,193
ENGAGE YOU.
1543
01:03:10,193 --> 01:03:11,528
[LAUGHING]
1544
01:03:15,616 --> 01:03:17,200
MM...
1545
01:03:20,411 --> 01:03:21,872
I LOVE YOU.
1546
01:03:23,373 --> 01:03:24,582
[LAUGHING]
1547
01:03:24,582 --> 01:03:25,666
OKAY.
1548
01:03:30,922 --> 01:03:32,173
[NICE JOB.
1549
01:03:32,215 --> 01:03:33,383
THANKS.
1550
01:03:34,925 --> 01:03:35,885
THANK YOU.
1551
01:03:35,926 --> 01:03:37,762
THANK YOU!
1552
01:03:37,803 --> 01:03:39,389
I LOVE YOU!
1553
01:03:42,725 --> 01:03:43,726
[WOMAN]: I GUESSIF YOU FLEW ALL THIS WAY,
1554
01:03:43,768 --> 01:03:44,852
IT MUST BE IMPORTANT.
1555
01:03:44,894 --> 01:03:45,978
IT IS.
1556
01:03:48,564 --> 01:03:49,815
OKAY, MR. O'TOOLE.
1557
01:03:49,857 --> 01:03:50,733
IF SHE'S ON SCHEDULE,
1558
01:03:50,733 --> 01:03:52,818
SHE SHOULD BE UPIN ABOUT 30 SECONDS.
1559
01:03:52,860 --> 01:03:53,944
THANK YOU.
1560
01:03:53,986 --> 01:03:54,987
IT'S A CHOPPY FEED,
1561
01:03:55,029 --> 01:03:56,614
AND YOU ONLY HAVEA FEW MINUTES
1562
01:03:56,656 --> 01:03:57,782
BEFORE THE SATELLITE PASSES,
1563
01:03:57,823 --> 01:03:59,491
SO IF YOU COULD KEEP IT SHORT,THAT WOULD BE GREAT.
1564
01:04:01,118 --> 01:04:03,037
HERE WE GO.
1565
01:04:03,078 --> 01:04:04,579
GIVE ME SOME CONTRAST.
1566
01:04:06,248 --> 01:04:08,292
HEY, YOU GUYS. YOU THERE?
1567
01:04:08,333 --> 01:04:09,626
GOT YOU LOUD AND CLEAR, M.L. YOUOKAY?
1568
01:04:09,668 --> 01:04:10,544
[MARY LOU]:YEAH.
1569
01:04:10,585 --> 01:04:12,212
I GOT THE B-ROLL YOU WANTED.
1570
01:04:12,254 --> 01:04:13,422
WE'RE JUST WRAPPING UP HERE,
1571
01:04:13,422 --> 01:04:14,756
AND THEN WE'RE HEADING STATESIDE.
1572
01:04:14,798 --> 01:04:16,716
CHECK.IT'S UPLOADING.RAPPING UP HERE,
1573
01:04:16,758 --> 01:04:18,760
COMING THROUGH NOW.
1574
01:04:18,760 --> 01:04:20,762
YOU GOT A VISITORFROM THE POST OFFICE.
1575
01:04:20,804 --> 01:04:22,181
THE WHAT?
1576
01:04:22,222 --> 01:04:26,268
UH, THE UNITED STATESPOSTAL SERVICE, MS. KELLSER.
1577
01:04:26,268 --> 01:04:27,311
IT IS A LONG STORY,
1578
01:04:27,352 --> 01:04:30,939
BUT WE'VE LOCATED THE VASEYOU MAILED 18 YEARS AGO
1579
01:04:30,939 --> 01:04:33,275
TO A MR. SAMBENSHAN IN DENVER.
1580
01:04:33,275 --> 01:04:34,734
YOU'RE KIDDING ME.
1581
01:04:34,776 --> 01:04:35,569
I'M NOT.
1582
01:04:35,610 --> 01:04:37,946
UM, IT'S INGOOD CONDITION,
1583
01:04:37,946 --> 01:04:41,115
AND IT'S POSSIBLY WORTHA GREAT DEAL OF MONEY.
1584
01:04:41,157 --> 01:04:43,076
WOW!
1585
01:04:43,117 --> 01:04:44,285
THIS IS LIKE...
1586
01:04:44,285 --> 01:04:47,831
THIS IS LIKE THE ULTIMATE DO-OVER.
1587
01:04:47,872 --> 01:04:49,958
WHEN I WAS A KID, I MESSED UP BIG TIME,...
1588
01:04:49,958 --> 01:04:51,626
AND I LOST THAT THING,
1589
01:04:51,626 --> 01:04:53,336
AND I NEVER REALLY FORGAVE MYSELF.
1590
01:04:54,420 --> 01:04:56,047
I DON'T THINK MY FAMILY DID, EITHER.
1591
01:04:56,047 --> 01:04:57,966
WELL, I CAN'T SPEAKFOR THEM,
1592
01:04:57,966 --> 01:04:59,884
I DON'T THIBUT THEY CERTAINLY ESEEMED PLEASED.
1593
01:04:59,926 --> 01:05:01,802
YOU SAW THEM?
1594
01:05:01,802 --> 01:05:02,929
HOW ARE THEY?
1595
01:05:04,472 --> 01:05:05,556
UH, MS. KELLSER,
1596
01:05:05,598 --> 01:05:07,058
WE NEED A SIGNED CONSENT
1597
01:05:07,100 --> 01:05:08,309
TO RELEASE THE VASE
1598
01:05:08,351 --> 01:05:10,018
AND RETURN IT TO YOUAND YOUR FAMILY.
1599
01:05:10,018 --> 01:05:10,978
YEAH.
1600
01:05:10,978 --> 01:05:13,147
JUST SEND ME SOMETHING IT TO YOU IN CARE OF THE NEWSROOM,ILY.
1601
01:05:13,189 --> 01:05:15,274
AND I'LL SIGN IT AND SEND IT RIGHT BACK.
1602
01:05:15,316 --> 01:05:18,068
UNFORTUNATELY, WE'RE UNDERAN URGENT TIME CONSTRAINT.
1603
01:05:18,110 --> 01:05:19,570
UNDER THE CIRCUMSTANCES,
1604
01:05:19,570 --> 01:05:21,822
I CAN ACCEPTA VERBAL CONSENT,
1605
01:05:21,822 --> 01:05:23,324
UNDEIF YOU ARE AMENABLE.
1606
01:05:23,324 --> 01:05:24,241
AMENABLE?
1607
01:05:24,282 --> 01:05:26,660
YEAH, I'M AMENABLE.
1608
01:05:26,702 --> 01:05:28,161
GO FOR IT,
1609
01:05:28,203 --> 01:05:29,830
AND, UM,
1610
01:05:29,830 --> 01:05:32,833
CAN YOU GIVE MY MOM AND MY SISTERS MY LOVE?
1611
01:05:32,875 --> 01:05:36,336
AND TELL ABBY AUNTIE MOO SAYS HI.
1612
01:05:36,378 --> 01:05:37,963
I WILL.
1613
01:05:38,005 --> 01:05:39,256
THANKS.
1614
01:05:39,297 --> 01:05:40,673
UH, MS. KELLSER!
1615
01:05:40,673 --> 01:05:41,549
YEAH, YEAH?
1616
01:05:41,549 --> 01:05:45,262
UH, I WAS TOLDTHAT SOONER OR LATER,
1617
01:05:45,303 --> 01:05:48,098
ALL THE KELLSER WOMENFOLLOW THEIR HEARTS BACK HOME.
1618
01:05:48,140 --> 01:05:51,851
IF IT'S AT ALL POSSIBLE...
1619
01:05:51,893 --> 01:05:55,772
PERHAPS YOU SHOULD...MAKE THAT SOONER.
1620
01:05:55,813 --> 01:05:58,483
WHY? WHAT'S GOING ON?
1621
01:05:58,525 --> 01:06:01,819
UH, WELL, UM...
1622
01:06:01,861 --> 01:06:02,904
YOUR FAMILY IS...
1623
01:06:02,945 --> 01:06:05,156
YOUR MOTHER'S NOT..
1624
01:06:05,197 --> 01:06:06,366
HELLO?
1625
01:06:06,366 --> 01:06:08,326
HELLO, CAN YOU...?
1626
01:06:08,368 --> 01:06:10,495
[STATIC]
1627
01:06:11,954 --> 01:06:14,416
WE'RE OUT OF RANGE.
1628
01:06:25,009 --> 01:06:27,511
[DALE]: GREAT.APPRECIATE IT.
1629
01:06:35,186 --> 01:06:37,939
[DALE]: WELL...
1630
01:06:37,980 --> 01:06:39,523
INTERPOL,GERMAN RESTITUTION FILES...
1631
01:06:39,565 --> 01:06:40,857
IT'S ALL THERE.
1632
01:06:40,857 --> 01:06:43,069
I WAS HOPINGI WAS WRONG.
1633
01:06:43,069 --> 01:06:44,195
IT'S WELL,HERE.
1634
01:06:44,236 --> 01:06:46,113
MOST PEOPLE WOULDN'T EVENHAVE MADE THE CONNECTION.
1635
01:06:46,155 --> 01:06:47,823
I GUESS...I DON'T KNOW...
1636
01:06:47,864 --> 01:06:49,200
I JUST...
1637
01:06:49,241 --> 01:06:51,827
THINK OUTSIDE THE BOX...
1638
01:06:51,868 --> 01:06:54,580
WHICH IS A GOOD THING!
1639
01:06:54,580 --> 01:06:57,248
ONLY THING IS,NOW YOU'RE STUCK WITH THE TRUTH.
1640
01:06:59,710 --> 01:07:01,545
YEAH, AND NOWWE HAVE FIND A WAY
1641
01:07:01,587 --> 01:07:04,339
TO BREAK ITTO THE KELLSERS.
1642
01:07:04,380 --> 01:07:05,340
YOU'LL FIND IT.
1643
01:07:05,381 --> 01:07:07,593
YOU AND OLIVER.
1644
01:07:07,593 --> 01:07:09,761
YOU'LL DO JUST FINE.
1645
01:07:14,975 --> 01:07:16,642
[KIM]: I'D FORGOTTENWHAT IT LOOKED LIKE.
1646
01:07:16,684 --> 01:07:17,602
[OLIVER]:WELL, WE WERE HOPING
1647
01:07:17,602 --> 01:07:18,644
IT WAS WORTHA GREAT DEAL OF MONEY,
1648
01:07:18,686 --> 01:07:20,271
FOR YOUR SAKE,AND IT IS.
1649
01:07:20,313 --> 01:07:21,814
UM, HOWEVER...
1650
01:07:23,108 --> 01:07:25,943
WE ALSO FOUND OUTTHAT IT'S QUITE RARE,
1651
01:07:25,943 --> 01:07:26,944
AND MR. BENSHAN
1652
01:07:26,944 --> 01:07:30,615
WE ALHAS AN ARDENT COLLECTORTHATOF 18TH-CENTURY PORCELAIN
1653
01:07:30,656 --> 01:07:32,950
WHO MADE AN OFFERAND MTO ACQUIRE IT FROM YOU
1654
01:07:32,950 --> 01:07:34,827
ONCE YOU WERETO TAKE POSSESSION.
1655
01:07:34,869 --> 01:07:37,997
ONCE WE "WERE"TO TAKE POSSESSION?
1656
01:07:37,997 --> 01:07:39,790
DOES THAT MEANYOU DIDN'T FIND MARY LOU?
1657
01:07:39,790 --> 01:07:41,584
ONCE WE "WERE"UH, ACTUALLY, I DID.
1658
01:07:41,626 --> 01:07:43,628
DOES THAT MEANI SAW HER BRIEFLYND MARY LOU?
1659
01:07:43,669 --> 01:07:44,795
ON A VIDEO CONFERENCE CALL.
1660
01:07:44,795 --> 01:07:47,757
DID SHE ASK ABOUT US,OR THE FARM, OR ANYTHING?
1661
01:07:47,798 --> 01:07:48,633
OH, YES.
1662
01:07:48,633 --> 01:07:50,635
WE DIDN'T HAVE MUCH TIMETO ELABORATE,
1663
01:07:50,635 --> 01:07:52,094
BUT YES.
1664
01:07:53,137 --> 01:07:54,138
MRS. KELLSER,
1665
01:07:54,138 --> 01:07:55,848
AH...
1666
01:07:55,848 --> 01:07:59,727
IN THE COURSEOF PROCESSING THIS RETURN,
1667
01:07:59,769 --> 01:08:01,728
WE'VE DISCOVERED A LITTLE BITABOUT THE PROVENANCE
1668
01:08:01,771 --> 01:08:03,022
OF THIS VASE.
1669
01:08:03,063 --> 01:08:05,983
WELL, IF IT MEANSTHAT IT'S WORTH A LOT OF MONEY,
1670
01:08:06,025 --> 01:08:08,152
THAT COULD REALLY SOLVEOUR PROBLEMS, RIGHT?
1671
01:08:09,819 --> 01:08:11,655
WELL, UM...
1672
01:08:11,655 --> 01:08:13,032
THE VASE WAS CREATED
1673
01:08:13,073 --> 01:08:15,325
FOR A MEMBEROF THE AUSTRIAN ROYAL FAMILY
1674
01:08:15,325 --> 01:08:17,577
IN 1748,
1675
01:08:17,619 --> 01:08:19,163
AND IT STAYEDWITH THAT FAMILY
1676
01:08:19,163 --> 01:08:22,832
UNTIL IT WAS GIVEN, IRONICALLY,AS A WEDDING GIFT,
1677
01:08:22,832 --> 01:08:24,668
TO A VERY PROMINENTPOLITICAL FAMILY
1678
01:08:24,668 --> 01:08:26,002
IN FRANKFURT, GERMANY
1679
01:08:26,002 --> 01:08:27,003
TO A VERY PROMINENTNAMED RUBEL.MILY
1680
01:08:27,003 --> 01:08:29,839
IT REMAINEDIN THE RUBEL FAMILY'S POSSESSION
1681
01:08:29,881 --> 01:08:32,341
FOR THE NEXT 72 YEARS,
1682
01:08:32,341 --> 01:08:34,886
PASSED DOWNFROM FATHER TO SON
1683
01:08:34,928 --> 01:08:38,848
UNTIL 1939,WHEN, UM...
1684
01:08:40,934 --> 01:08:42,143
[OLIVER CLEARSHIS THROAT]
1685
01:08:42,143 --> 01:08:46,022
WHEN THE, UH, FAMILY HOME
1686
01:08:46,064 --> 01:08:48,482
[OLIVER CLEARSAND ITS ENTIRE CONTENTSHROAT]
1687
01:08:48,524 --> 01:08:50,651
WERE CONFISCATED,
1688
01:08:50,693 --> 01:08:56,699
AND ALL BUT ONE MEMBEROF THE RUBEL FAMILY...
1689
01:08:56,699 --> 01:08:57,992
UH, DISAPPEARED.
1690
01:08:58,034 --> 01:08:59,660
MY LORD.
1691
01:08:59,702 --> 01:09:00,619
[SHANE]:YES, THAT, UM...
1692
01:09:00,661 --> 01:09:04,457
THAT PERSONWAS JOHANN RUBEL,
1693
01:09:04,498 --> 01:09:05,624
A TEENAGER AT THE TIME,
1694
01:09:05,666 --> 01:09:08,419
WHO MANAGEDTO ESCAPE TO FRANCE
1695
01:09:08,419 --> 01:09:10,504
WITH NOTHINGBUT THE CLOTHES ON HIS BACK
1696
01:09:10,504 --> 01:09:13,382
WHO MANAGEDAND A FAMILY PHOTOGRAPH.
1697
01:09:17,761 --> 01:09:18,554
WITH NOTHINGAFTER THE WAR,S ON HIS BACK
1698
01:09:18,596 --> 01:09:20,388
HE MADE HIS WAYTO THE UNITED STATES.
1699
01:09:20,388 --> 01:09:22,057
HE WORKED HIS WAYTHROUGH COLLEGE,
1700
01:09:22,057 --> 01:09:24,017
HE STARTED A FAMILY,
1701
01:09:24,017 --> 01:09:25,310
AND HE SPENT HIS FREE TIME
1702
01:09:25,352 --> 01:09:27,813
SEARCHINGFOR HIS LOST RELATIVES.
1703
01:09:28,772 --> 01:09:31,316
THE ONLY RECORDTHAT HE FOUND
1704
01:09:31,358 --> 01:09:34,194
WAS AN INVENTORY OF EVERYTHINGTAKEN BY THE GERMANS
1705
01:09:34,194 --> 01:09:36,696
FROM HIS CHILDHOOD HOME.
1706
01:09:36,738 --> 01:09:37,614
WAS AN INVENTORY OF EVERYTHINGUM...TAKEN BY THE GERMANS
1707
01:09:37,655 --> 01:09:40,242
THE VASEWAS PART OF A SHIPMENT
1708
01:09:40,242 --> 01:09:42,160
INTENDEDFOR THE PRIVATE COLLECTION
1709
01:09:42,160 --> 01:09:44,912
OF A GERMAN OFFICERIN FRANCE,
1710
01:09:44,954 --> 01:09:48,416
BUT THE SHIPMENTWENT MISSING,TE COLLECTION
1711
01:09:48,458 --> 01:09:51,461
AND THE VASEFOUND ITS WAY TO FRANCE,
1712
01:09:51,503 --> 01:09:55,423
AND EVENTUALLYTO THE AMERICAN OFFICER,
1713
01:09:55,465 --> 01:09:57,425
AND INTO BETTY'S HANDS.
1714
01:09:57,467 --> 01:09:59,761
MR. RUBEL IS NOWIN HIS 90S,
1715
01:09:59,802 --> 01:10:01,804
AND, UM...
1716
01:10:03,431 --> 01:10:06,433
AND WE THOUGHT YOU MIGHT WANTSEE TO SEE THE VASE...
1717
01:10:06,433 --> 01:10:07,560
ONE MORE TIME.
1718
01:10:08,269 --> 01:10:10,146
AND WE THOUGHT YOU MIGHT WANTSEE TO SAY GOODBYE....
1719
01:10:13,274 --> 01:10:14,566
[PEGGY]: SO WE'VE LOST IT?
1720
01:10:14,608 --> 01:10:16,485
I DON'T BELIEVE THIS.
1721
01:10:16,527 --> 01:10:17,945
I UNDERSTANDTHIS MUST BE
1722
01:10:17,945 --> 01:10:20,281
A DIFFICULT BLOW...
1723
01:10:20,281 --> 01:10:21,407
BUT...
1724
01:10:21,448 --> 01:10:23,784
THERE HAS TO BE A POINTWHEN YOU HAVE IT FOR SO LONG,
1725
01:10:23,784 --> 01:10:24,743
IT JUST...
1726
01:10:24,785 --> 01:10:26,662
IT'S YOURS!
1727
01:10:26,662 --> 01:10:27,914
I MEAN, IT WAS A GIFTTO OUR FAMILY.
1728
01:10:27,914 --> 01:10:30,874
WE DID NOT STEAL THIS.OURS!
1729
01:10:30,916 --> 01:10:32,959
I MEAN, IT WAS A GIFTNO, WE DIDN'T,Y.
1730
01:10:33,001 --> 01:10:34,503
BUT THAT DOESN'T MEANIT BELONGS TO US.
1731
01:10:36,172 --> 01:10:40,634
I'D RATHER LOSE THIS FARMTHAN LOSE MY SOUL, PEGGY.
1732
01:10:43,595 --> 01:10:47,558
I'D IMAGINEDYOU MIGHT SAY THAT.
1733
01:10:49,976 --> 01:10:52,479
WE ARE SO VERY SORRY.
1734
01:10:54,397 --> 01:10:55,982
PLEASE TELL MR. RUBEL
1735
01:10:55,982 --> 01:10:58,777
IT WAS AN HONORTO HAVE A PIECE OF HIS FAMILY
1736
01:10:58,777 --> 01:11:00,486
LIVING WITH USFOR A WHILE.
1737
01:11:00,486 --> 01:11:02,238
IT WAS AN HONORTO HAVE A PIECE OFI'LL TELL HIM.
1738
01:11:04,908 --> 01:11:06,827
LIVING WITH USSO WHAT DO WE DO NOW?
1739
01:11:07,994 --> 01:11:09,620
WE'LL GET UPIN THE MORNING
1740
01:11:09,662 --> 01:11:11,414
AND AUCTION OFF OUR FARM
1741
01:11:11,456 --> 01:11:12,916
AND PAY OFF OUR BILLS,
1742
01:11:12,958 --> 01:11:14,750
AND YOU'LL CLOSE THINGS UP,
1743
01:11:14,792 --> 01:11:16,586
AND I'LL TAKE MY MEDICINE...
1744
01:11:18,379 --> 01:11:20,673
AND WE'LL TEACH ABBYHOW A KELLSER WOMAN LIVES...
1745
01:11:24,177 --> 01:11:25,553
AND HOW SHE LEAVES.
1746
01:11:35,730 --> 01:11:37,482
HI, MAMA!
1747
01:11:37,523 --> 01:11:39,399
HI, HONEY.
1748
01:11:51,161 --> 01:11:53,831
I LOVE IT!SUCH AN ELEGANT PARADOX.
1749
01:11:53,873 --> 01:11:59,294
A WORLD OF POSSIBILITYINSIDE A SIMPLE FRAME.
1750
01:11:59,336 --> 01:12:03,257
SO VERY SHANEAND OVILEAR.
1751
01:12:03,298 --> 01:12:05,175
SUCH A THOUGHTFUL GIFT.
1752
01:12:05,217 --> 01:12:07,802
IT WAS "OVILEAR'S" IDEA.
1753
01:12:08,720 --> 01:12:09,888
[BILL]:HEY, RAMON,
1754
01:12:09,929 --> 01:12:11,723
ANOTHER ROUND OF AREA 51,PLEASE.
1755
01:12:11,723 --> 01:12:12,724
OF COURSE!
1756
01:12:12,724 --> 01:12:13,725
ANOTHER ROUND OF[BILL]:1,PLEASE.THANKS, MAN.
1757
01:12:13,725 --> 01:12:14,768
EXCUSE ME.
1758
01:12:16,603 --> 01:12:17,896
ANOTHER ROUND OF[BILL]:1,PLEASE.TH"OVILEAR?"
1759
01:12:17,896 --> 01:12:19,439
OVILEAR.
1760
01:12:20,565 --> 01:12:21,816
ANOTHER ROUND OF[BILL]:1,[LAUGHS]PLEASE.TH"OVILEAR?"
1761
01:12:21,858 --> 01:12:24,653
WHAT IS THIS?
1762
01:12:24,694 --> 01:12:26,112
IT'S FROM YOUR DAD.
1763
01:12:27,321 --> 01:12:28,364
OH...
1764
01:12:31,325 --> 01:12:32,285
OH...
1765
01:12:33,494 --> 01:12:34,746
HUDSON!
1766
01:12:39,167 --> 01:12:40,209
OH...
1767
01:12:43,254 --> 01:12:45,214
THANK YOU, DAD.
1768
01:12:48,884 --> 01:12:49,927
LOOK!
1769
01:12:51,387 --> 01:12:52,596
HUDSON THE INVISIBLE OWL?
1770
01:12:52,596 --> 01:12:53,931
WELL,ONE DAY WHEN SHE WAS SIX,
1771
01:12:53,972 --> 01:12:56,434
SHE DIDN'T WANT HUDSONTO BE INVISIBLE ANYMORE,
1772
01:12:56,434 --> 01:12:59,144
SO I WENT TO THE TOY STORE,AND I MADE HIM VISIBLE.
1773
01:12:59,187 --> 01:13:00,771
SHE DIDN'T WANT HUDSONTO BE INVISMM.E ANYMORE,
1774
01:13:00,813 --> 01:13:03,106
FOUND HIM IN THE ATTICA COUPLE OF WEEKS AGO.
1775
01:13:03,148 --> 01:13:04,608
I JUST THOUGHTSHE SHOULD HAVE IT,
1776
01:13:04,650 --> 01:13:06,902
SO THAT...
1777
01:13:06,944 --> 01:13:08,612
WELL, YOU KNOW.
1778
01:13:10,280 --> 01:13:11,865
YOU TRYTO TEACH YOUR KIDS TO LOVE,
1779
01:13:11,865 --> 01:13:13,450
AND THEN YOU TURN INTO A JERK
1780
01:13:13,450 --> 01:13:14,952
WHEN THEY FINALLY GO OUTTO TEACIN THE WORLDTO LOVE,
1781
01:13:14,952 --> 01:13:16,286
AND DO IT.
1782
01:13:16,286 --> 01:13:18,080
WHEN THEY FINALLY GO OUTTO TEACIN THE WORLD[CHUCKLES]
1783
01:13:19,206 --> 01:13:21,709
I'M SORRYI WAS SO TOUGH ON YOU.
1784
01:13:23,877 --> 01:13:25,963
I'M SORRY I BLENDEDYOUR WIFE'S BIFOCALS.
1785
01:13:26,004 --> 01:13:28,381
IT WOULDN'T HAVE BEENTHE FIRST TIME.
1786
01:13:28,423 --> 01:13:30,217
[LAUGHING]
1787
01:13:30,258 --> 01:13:31,634
HEY, YOU GUYS.
1788
01:13:31,676 --> 01:13:32,760
HI, HONEY.
1789
01:13:35,888 --> 01:13:37,515
SO?
1790
01:13:37,557 --> 01:13:38,475
SO?
1791
01:13:38,475 --> 01:13:40,768
OH, I GOT A PRESENTFOR YOU, TOO.
1792
01:13:40,810 --> 01:13:42,312
[KEYS JINGLING]
1793
01:13:43,813 --> 01:13:45,273
[RITA GASPS, LAUGHS]
1794
01:13:46,274 --> 01:13:47,442
YOU'RE GIVING US AN RV?
1795
01:13:47,484 --> 01:13:50,027
SORT OF LIKEA HONEYMOON PRESENT.
1796
01:13:50,069 --> 01:13:51,529
WE'RE THINKING OFGETTING OFF THE ROAD
1797
01:13:51,571 --> 01:13:53,698
AND SETTLING DOWNAROUND HERE.
1798
01:13:53,698 --> 01:13:54,782
OH!
1799
01:13:54,824 --> 01:13:55,825
AND SETTLING DOWNMAYBE FIND OURSELVES
1800
01:13:55,825 --> 01:13:58,786
A NICE ROCKY MOUNTAINGEOPONIC COLLECTIVE,
1801
01:13:58,828 --> 01:14:00,538
GET BACK TO OUR ROOTS.
1802
01:14:01,664 --> 01:14:02,915
YOU WERE FARMERS?
1803
01:14:02,957 --> 01:14:04,709
OH, YEAH.WE LIVED OFF THE LAND.
1804
01:14:04,751 --> 01:14:07,086
WE GREW EVERYTHINGOURSELVES.
1805
01:14:07,128 --> 01:14:08,629
IT WAS COMPOST HEAVEN.
1806
01:14:09,505 --> 01:14:12,174
COMPOST HEAVEN.
1807
01:14:12,174 --> 01:14:14,176
[LAUGHS]
1808
01:14:14,176 --> 01:14:16,303
[LAUGHING]OST HEAVEN.
1809
01:14:17,513 --> 01:14:18,347
[GAVEL BANGS]
1810
01:14:18,347 --> 01:14:19,890
[AUCTIONEER]:LADIES AND GENTLEMEN,
1811
01:14:19,932 --> 01:14:22,976
WE WILL BEGIN THE BIDDINGAT $265,000.
1812
01:14:23,019 --> 01:14:24,186
[FAST AUCTION PATTER]$265,000. DO I HAVE 270?
1813
01:14:24,186 --> 01:14:27,022
I'VE GOT 265, I'VE GOT 270,DO I HAVE 275?
1814
01:14:27,022 --> 01:14:28,857
275, I'VE GOT 275.DO I HAVE 280?
1815
01:14:28,899 --> 01:14:30,609
280, I'VE GOT 280.280.
1816
01:14:30,609 --> 01:14:31,735
DO I HAVE 300?DO I GOT 280?
1817
01:14:31,735 --> 01:14:33,612
2GOT 300. GOT 300.DO I HAVE 310? 310.
1818
01:14:33,612 --> 01:14:35,113
THANK YOU, SIR.I'VE GOT 310.
1819
01:14:35,155 --> 01:14:36,573
2GOT 300. GOT 300.310, DO I HAVE 320?
1820
01:14:36,573 --> 01:14:38,074
I'VE GOT 310.I'VE GOT 320 OVER THERE.
1821
01:14:38,116 --> 01:14:39,910
320. DO I HAVE 330?310, DO3...AVE 320?
1822
01:14:39,951 --> 01:14:41,495
330 FROM THE GENTLEMANIN THE BACK.
1823
01:14:41,495 --> 01:14:42,788
GOT 330.HOW ABOUT 340?
1824
01:14:42,829 --> 01:14:45,123
33I'VE GOT 330, 330.ANDO I HAVE 340? 340.
1825
01:14:45,165 --> 01:14:46,542
FROM THE GENTLEMAN IN THE FRONT.THANK YOU, SIR.
1826
01:14:46,583 --> 01:14:48,084
WE'VE GOT 340.INTO A 345.
1827
01:14:48,126 --> 01:14:49,544
GOT 340.DO I HAVE 345?
1828
01:14:49,544 --> 01:14:51,546
WE GOT 340 GOING ONCE,GOING TWICE...
1829
01:14:51,587 --> 01:14:53,173
[MAN'S VOICE]:400.
1830
01:14:53,214 --> 01:14:55,717
[AUCTIONEER]: $400,000FROM THE GENTLEMAN IN THE BACK!
1831
01:14:55,759 --> 01:14:57,052
NOW $400,000.DO I HAVE FOUR AND FIVE?
1832
01:14:57,093 --> 01:14:59,554
$400,000 GOING ONCE,$400,000 GOING TWICE...
1833
01:14:59,595 --> 01:15:00,847
SOLD...
1834
01:15:00,889 --> 01:15:03,183
[BANGS GAVEL]TO THE GENTLEMAN IN THE BACK.
1835
01:15:11,566 --> 01:15:13,984
[KIM]: I'M NOT SUREI UNDERSTAND WHAT JUST HAPPENED.
1836
01:15:14,026 --> 01:15:15,403
MRS. KELLSER,YOU'RE NOT JUST LOOKING
1837
01:15:15,445 --> 01:15:16,612
AT THE DEAD LETTER OFFICETASK FORCE
1838
01:15:16,654 --> 01:15:18,072
OF THE UNITED STATESPOSTAL OFFICE.
1839
01:15:18,072 --> 01:15:19,907
WE ALSO COMPRISETHE EXECUTIVE COMMITTEE
1840
01:15:19,907 --> 01:15:21,992
OF THE BOARD OF TRUSTEESOF THE O'TOOLE FOUNDATION.
1841
01:15:22,034 --> 01:15:23,869
IT'S A PHILANTHROPICORGANIZATIONE COMMITTEE
1842
01:15:23,911 --> 01:15:25,287
BEGUN WITH FUNDSGIVEN TO ME
1843
01:15:25,329 --> 01:15:26,831
BY A FATHER I NEVER KNEW,
1844
01:15:26,831 --> 01:15:29,249
WHOSE UNUSUAL SUCCESSRESULTED
1845
01:15:29,291 --> 01:15:31,085
IN A RATHER REMARKABLE FORTUNE,
1846
01:15:31,126 --> 01:15:33,253
OF WHICH I AM THE CUSTODIAN.
1847
01:15:33,253 --> 01:15:34,254
SO, YOU'RE RICH?
1848
01:15:34,254 --> 01:15:35,255
WELL...
1849
01:15:35,297 --> 01:15:36,256
OH, YEAH.
1850
01:15:36,298 --> 01:15:37,883
[LAUGHING]
1851
01:15:38,634 --> 01:15:40,510
MRS. KELLSER?
1852
01:15:40,510 --> 01:15:43,347
WITH YOUR PERMISSION,OF COURSE,
1853
01:15:43,388 --> 01:15:45,432
THE O'TOOLE FOUNDATION. KELLSER?
1854
01:15:45,474 --> 01:15:48,352
WOULD LIKE TO HELP YOUPUT THE KELLSER FAMILY FARM
1855
01:15:48,393 --> 01:15:50,770
INTO A LIVING LANDSCONSERVANCY,
1856
01:15:50,812 --> 01:15:53,773
AND THIS WOULD GUARANTEE,OF COURSE,
1857
01:15:53,773 --> 01:15:55,109
THAT IT COULD NEVER
1858
01:15:55,150 --> 01:15:57,527
AND THIS WOULD GUARANTEE,BE SOLD OR DEVELOPED.
1859
01:15:58,695 --> 01:15:59,654
WOW.
1860
01:15:59,696 --> 01:16:02,407
[PEGGY]:THANK YOU...
1861
01:16:02,449 --> 01:16:04,075
UM...BUT WHAT'S THE CATCH?
1862
01:16:04,117 --> 01:16:05,369
[KIM]:OH, PEGGY,
1863
01:16:05,369 --> 01:16:07,996
FOR ONCE,STOP BEING SO SUSPICIOUS.
1864
01:16:07,996 --> 01:16:09,331
[KIM]:[RITA]: WELL,OH,THERE IS ACTUALLY A CATCH.
1865
01:16:09,373 --> 01:16:11,791
FOR THE FARM TO STAYAS IT IS,G SO SUSPICIOUS.
1866
01:16:11,833 --> 01:16:13,627
IT HAS TO REMAIN A SUSTAINABLEAND WORKABLE FARM
1867
01:16:13,668 --> 01:16:17,130
AND HAS TO EXPANDINTO AN EDUCATION CENTER
1868
01:16:17,171 --> 01:16:19,173
THAT TEACHESRESPONSIBLE AGRICULTURE.
1869
01:16:20,216 --> 01:16:21,134
OKAY.
1870
01:16:21,175 --> 01:16:23,511
UM, WE HAVE NO IDEAHOW TO TEACH ANY OF THAT.
1871
01:16:23,552 --> 01:16:24,971
[NORMAN]:SO WE'VE FOUND
1872
01:16:25,013 --> 01:16:26,597
A VERY INTERESTINGAND LOVELY COUPLE
1873
01:16:26,639 --> 01:16:30,309
WHO'VE AGREED TO BUILDAND RUN THE EDUCATION CENTER.
1874
01:16:30,351 --> 01:16:31,477
THEY'RE ACTUALLY MY PARENTS!
1875
01:16:31,519 --> 01:16:32,979
[LAUGHING]
1876
01:16:32,979 --> 01:16:34,230
BUT THEY KNOWALL SORTS OF THINGS
1877
01:16:34,272 --> 01:16:35,982
ABOUT EXPERIMENTAL FARMING.
1878
01:16:36,024 --> 01:16:37,483
SO, YOU'REBUYING THE FARM,
1879
01:16:37,525 --> 01:16:38,817
BUT YOU'RE NOTBUYING THE FARM?
1880
01:16:38,817 --> 01:16:40,819
EXACTLY.
1881
01:16:40,861 --> 01:16:42,488
BUT YOU'RE NOTTHE O'TOOLE FOUNDATION
1882
01:16:42,488 --> 01:16:44,740
HAS ASSUMEDALL FINANCIAL RESPONSIBILITY,
1883
01:16:44,740 --> 01:16:46,992
AND YOU ARE FREETO LIVE HERE...
1884
01:16:46,992 --> 01:16:49,370
HAS ASSUMEDALL FINWELL, UNTIL...IBILITY,
1885
01:16:49,412 --> 01:16:50,663
AND YOU ARE FREEUNTIL THE COWS COME HOME.
1886
01:17:00,338 --> 01:17:02,132
[SHANE]: THE VASEIS ON ITS WAY HOME.
1887
01:17:02,174 --> 01:17:05,511
MR. RUBEL SENT YOU AN EMAIL.
1888
01:17:09,682 --> 01:17:11,224
[CAR HORN HONKING]
1889
01:17:22,945 --> 01:17:24,696
MARY LOU![LAUGHS]
1890
01:17:27,240 --> 01:17:28,158
YOU CAME BACK!
1891
01:17:28,200 --> 01:17:29,534
I KNEW YOU'D COME!
1892
01:17:29,534 --> 01:17:31,078
[MARY LOU]:I WAS WORRIED ABOUT YOU GUYS,
1893
01:17:31,119 --> 01:17:33,496
AND I MISSED MY BABY SISTER.
1894
01:17:33,538 --> 01:17:34,914
[BUNNY]: I MISSED YOU, TOO.
1895
01:17:37,959 --> 01:17:39,210
MAMA!
1896
01:17:39,210 --> 01:17:40,545
WHAT'S GOING ON?
1897
01:17:40,587 --> 01:17:43,631
EVERYTHING,BUT WE'RE OKAY.
1898
01:17:43,673 --> 01:17:44,882
WHAT'S THIS FOR?
1899
01:17:45,758 --> 01:17:48,761
TAKING WALKSAROUND THE FARM,
1900
01:17:48,803 --> 01:17:51,889
WHICH I PLAN TO DOFOR A NICE, LONG TIME...
1901
01:17:51,889 --> 01:17:53,725
AND I PLANTO TAKE SOME OF THOSE WALKS
1902
01:17:53,725 --> 01:17:55,893
WITH YOU.
1903
01:17:55,935 --> 01:17:58,688
I'M SO SORRYIT TOOK ME SO LONG TO GET HOME.
1904
01:17:58,730 --> 01:18:00,689
[KIM]:OH, BUT YOU DID...
1905
01:18:02,691 --> 01:18:04,485
AND IT'S STILL HERE FOR YOU.
1906
01:18:11,951 --> 01:18:14,161
HEY.
1907
01:18:19,082 --> 01:18:20,417
THE VASE IS BACK?
1908
01:18:20,417 --> 01:18:21,335
YEAH...
1909
01:18:21,377 --> 01:18:22,753
AND IT'S GONE AGAIN.
1910
01:18:22,753 --> 01:18:23,629
WHAT?
1911
01:18:23,670 --> 01:18:25,005
WE DIDN'T NEED IT.
1912
01:18:25,046 --> 01:18:26,256
WE NEVER NEEDED IT.
1913
01:18:26,256 --> 01:18:28,675
WHEN ARE YOU TWO GOINGTO GET THAT THROUGH YOUR HEADS?
1914
01:18:30,093 --> 01:18:31,512
WE JUST NEEDED EACH OTHER.
1915
01:18:31,553 --> 01:18:36,016
NOTHING BEATS HARD WORK,HAPPY COWS, AND HOPE, RIGHT?
1916
01:18:36,057 --> 01:18:37,392
[LAUGHING]
1917
01:18:38,894 --> 01:18:41,021
SO, WHAT HAPPENED?
1918
01:18:42,522 --> 01:18:44,482
OH, WELL...
1919
01:18:48,945 --> 01:18:50,947
"MY DEAR MADAME KELLSER...
1920
01:18:50,947 --> 01:18:52,949
I CANNOT BEGINTO EXPRESS MY JOY
1921
01:18:52,949 --> 01:18:55,911
WHEN I WAS INFORMED TODAYOF YOUR KIND UNDERSTANDING,
1922
01:18:55,952 --> 01:18:57,828
BUT I AM DEEPLY GRATEFULFOR YOUR WILLINGNESS
1923
01:18:57,828 --> 01:19:00,748
TO SAY GOODBYETO OUR FAMILY TREASURE,
1924
01:19:00,790 --> 01:19:04,169
AND I'M SO TOUCHED TO HEARTHAT WHILE IT WAS IN YOUR CARE,
1925
01:19:04,169 --> 01:19:06,837
IT WAS A SOURCE OF HOPEAND INSPIRATION
1926
01:19:06,879 --> 01:19:08,298
AND I'M SO TOUCHED TO HEARTHATO YOU AND YOUR CHILDREN.RE,
1927
01:19:08,298 --> 01:19:11,759
THE RETURN OF THE VASEWAS A NOBLE AND RIGHTEOUS ACT
1928
01:19:11,759 --> 01:19:13,469
AND I'M SO TOUCHED TO HEARTHATTHAT SHALL BE BLESSED.N.RE,
1929
01:19:13,469 --> 01:19:15,137
THE RETURN OF THE VASEWAS APLEASE, BE ASSUREDUS ACT
1930
01:19:15,137 --> 01:19:17,598
THAT IT SHALL BE PLACEDIN A PROPER MUSEUM
1931
01:19:17,640 --> 01:19:21,143
TWITH A LETTER TRACINGITS EXTRAORDINARY PROVENANCE,
1932
01:19:21,143 --> 01:19:23,395
FROM A GREAT CASTLEIN AUSTRIA..."
1933
01:19:23,437 --> 01:19:25,648
[MR RUBEL]:TO A LITTLE FARM IN AMERICA,
1934
01:19:25,648 --> 01:19:28,483
TO REMIND FUTURE GENERATIONS OF A TIME AND A PEOPLE
1935
01:19:28,525 --> 01:19:31,278
THAT MUST NEVER BE FORGOTTEN.
1936
01:19:31,278 --> 01:19:32,654
I SHALL NOT FORGET YOU,
1937
01:19:32,697 --> 01:19:36,491
AND I SEND MY BEST WISHES THAT M TO YOUR FAMILY.GOTTEN.
1938
01:19:36,533 --> 01:19:38,953
MAY YOU CHERISH EVERY MOMENT YOU HAVE TOGETHER
1939
01:19:38,953 --> 01:19:41,205
FOR AS LONG AS YOU LIVE.
1940
01:19:41,246 --> 01:19:44,624
MAY YO RESPECTFULLY,Y MOMENT Y JOHANN RUBEL.ER
1941
01:19:44,666 --> 01:19:46,001
[SHANE]:I WISH WE'D BEEN THERE
1942
01:19:46,043 --> 01:19:47,794
WHEN HE PUT THAT RINGON HER FINGER.
1943
01:19:47,836 --> 01:19:49,171
OH, I DON'T KNOW.
1944
01:19:49,171 --> 01:19:50,339
I THINK...
1945
01:19:50,339 --> 01:19:52,882
I THINK HE JUSTNEEDED TO GO SOLO.
1946
01:19:52,924 --> 01:19:54,133
[SHANE]: MAYBE SO,
1947
01:19:54,176 --> 01:19:58,137
BUT GOING SOLOISN'T ALWAYS EASY, THOUGH.
1948
01:20:00,014 --> 01:20:02,266
ARE YOU SAYINGYOU MISSED ME?
1949
01:20:06,646 --> 01:20:07,856
YOU WERE ONLY GONE
1950
01:20:07,897 --> 01:20:09,899
FOR ONE DAY,
1951
01:20:09,941 --> 01:20:11,359
BUT...
1952
01:20:11,359 --> 01:20:14,195
IT DID GIVE MESOME TIME TO THINK.
1953
01:20:14,195 --> 01:20:15,822
ABOUT?
1954
01:20:15,864 --> 01:20:18,532
WELL, LIKE, UH...
1955
01:20:18,574 --> 01:20:22,161
WHAT ONE DOES TO GOFROM BEING "A THING"
1956
01:20:22,203 --> 01:20:25,706
TO "GOING STEADY,"YOU KNOW.
1957
01:20:25,706 --> 01:20:27,083
UH, I DON'T KNOW.
1958
01:20:27,083 --> 01:20:29,961
ARE THERE REALLY"GOING STEADY" RULES?
1959
01:20:29,961 --> 01:20:32,296
OH... SEVERAL.I LOOKED IT UP.UH, I DON'T KNOW.
1960
01:20:32,338 --> 01:20:33,172
ARE THERE REALLY"GOHMM.STEADY" RULES?
1961
01:20:33,172 --> 01:20:35,341
YEAH. PRETTYSERIOUS STUFF.
1962
01:20:35,383 --> 01:20:37,050
ARE THERE REALLYSTUFF LIKE...OHMM.STEADY" RULES?
1963
01:20:37,050 --> 01:20:40,388
NO HANGING PICTURE FRAMESWITH ANYBODY BUT ME.
1964
01:20:40,429 --> 01:20:42,055
I CAN PRETTY MUCHGUARANTEE THAT.
1965
01:20:42,097 --> 01:20:45,559
NO HANGING ANY BEAD DIVIDERSWITHOUT PRIOR APPROVAL.
1966
01:20:45,559 --> 01:20:49,229
HMM. I THINKI CAN PROBABLY LIVE WITH THAT.
1967
01:20:52,983 --> 01:20:54,735
AND...
1968
01:20:54,777 --> 01:20:58,530
WHEN RITA AND NORMANGET MARRIED,
1969
01:20:58,572 --> 01:21:02,367
YOU HAVE TO DANCETHE FIRST DANCE WITH...
1970
01:21:02,409 --> 01:21:03,451
ME.
1971
01:21:07,539 --> 01:21:10,292
I ONLY DANCE WITH YOU.
1972
01:21:11,305 --> 01:21:17,235
Support us and become VIP member
to remove all ads from www.OpenSubtitles.org
135485
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish (Latin American)
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof