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Henry:
WHY ARE WE HERE AGAIN?
4
00:00:18,252 --> 00:00:20,188
Rudy:
INSPIRATION.
5
00:00:21,689 --> 00:00:24,292
Henry:
SERIOUSLY, WHY ARE WE HERE?
6
00:00:24,292 --> 00:00:26,160
Rudy:
CLEARS MY HEAD.
7
00:00:30,664 --> 00:00:33,033
Henry:
WE'RE WRITING
A CHILDREN'S BOOK.
8
00:00:33,033 --> 00:00:34,635
Rudy:
SHH! IT'S STARTING.
9
00:00:34,635 --> 00:00:39,673
( languid harmonica music
playing )
10
00:00:39,673 --> 00:00:40,941
Henry: "THE SAILOR"?
11
00:00:40,941 --> 00:00:42,343
Rudy: KNOCK IT OFF.
12
00:00:46,514 --> 00:00:48,516
Henry: DO YOU THINK
THAT'S THE SAILOR?
13
00:00:48,516 --> 00:00:49,683
Rudy: SHH.
14
00:00:49,683 --> 00:00:52,486
Henry: WAIT, I'M--
I'M TRYING TO FOLLOW IT.
15
00:00:56,790 --> 00:00:58,992
COME ON,
BEAT IT, SISTER.
16
00:00:58,992 --> 00:01:01,362
I AIN'T GOT NO TIME
FOR NO HOOKERS.
17
00:01:01,362 --> 00:01:04,132
I SHOULD BE INSULTED.
I'M NOT A HOOKER.
18
00:01:09,503 --> 00:01:10,738
Rudy: HEY!
19
00:01:13,341 --> 00:01:16,210
CAN I TAKE YOUR COAT,
CAPTAIN?
20
00:01:16,210 --> 00:01:19,213
LOOK, BABY,
I AIN'T NO CAPTAIN.
21
00:01:19,913 --> 00:01:22,183
I'M AN ABLE-BODIED SEAMAN.
22
00:01:22,916 --> 00:01:24,017
ABLE
23
00:01:24,017 --> 00:01:25,819
Henry: OH, MY GOD.
GOT IT.
24
00:01:25,819 --> 00:01:29,490
TODAY WE'LL FIND OUT
JUST HOW ABLE-BODIED
YOU REALLY ARE.
25
00:01:29,490 --> 00:01:31,159
Henry:
WHAT IS HAPPENING?
26
00:01:31,159 --> 00:01:33,261
Rudy: SHUT UP.
YOU'RE WRECKING IT.
27
00:01:33,261 --> 00:01:35,363
Henry:
THAT'S IMPOSSIBLE.
28
00:01:36,029 --> 00:01:39,167
TAKE OFF YOUR CLOTHES.
29
00:01:39,167 --> 00:01:42,736
KINDA REMIND ME OF A WOMAN
WHO I MET IN MY LAST
PORT OF CALL...
30
00:01:42,736 --> 00:01:44,104
HONG KONG.
31
00:01:44,104 --> 00:01:46,039
BOY, DID SHE HAVE
THE PRETTIEST CU--
32
00:01:47,875 --> 00:01:49,177
COME ON! JESUS!
33
00:01:52,813 --> 00:01:55,649
Henry:
YOU COULD STILL
GET A GIRL LIKE THAT.
34
00:01:55,649 --> 00:01:57,785
YOU THINK SO?
35
00:01:57,785 --> 00:01:58,886
MMM.
36
00:01:58,886 --> 00:02:00,388
Woman: OOH.
37
00:02:00,388 --> 00:02:01,722
OH, GODDAMN IT, HENRY!
38
00:02:01,722 --> 00:02:03,991
YOU'RE NOT EVEN WATCHING
THE GODDAMN MOVIE.
39
00:02:03,991 --> 00:02:05,559
I THINK WE'VE SEEN
THIS ONE BEFORE.
40
00:02:05,559 --> 00:02:09,096
HENRY, WILL YOU
COME AND SIT HERE
LIKE A NORMAL PERSON?
41
00:02:09,096 --> 00:02:10,631
IT'S DEFEATIST,
WHAT YOU'RE DOING.
42
00:02:10,631 --> 00:02:13,133
YOU'RE DEFEATING
THE WHOLE POINT OF
WHAT WE GOT GOING HERE.
43
00:02:13,133 --> 00:02:14,668
Man:
SHUT THE FUCK UP, MAN!
44
00:02:14,668 --> 00:02:16,337
YOU SHUT UP!
45
00:02:16,337 --> 00:02:18,372
GODDAMN PERVERT.
46
00:02:23,244 --> 00:02:25,346
I DON'T UNDERSTAND WHY
YOU THINK THIS WOULD HELP.
47
00:02:25,346 --> 00:02:27,348
JUST WATCH THE MOVIE.
48
00:02:28,015 --> 00:02:29,950
Woman: DO IT TO ME.
49
00:02:29,950 --> 00:02:31,252
MMM.
50
00:02:31,252 --> 00:02:33,120
OH, DO I NEED
A CLOSE-UP OF THAT.
51
00:02:33,120 --> 00:02:35,122
UGH.
OH, YEAH.
52
00:02:35,122 --> 00:02:36,757
OH.
53
00:02:36,757 --> 00:02:38,459
OH, GOOD LORD.
54
00:02:38,459 --> 00:02:39,227
OH.
55
00:02:39,227 --> 00:02:40,861
Woman: MMM.
56
00:02:40,861 --> 00:02:43,531
TOUCH MY BEAVER.
57
00:02:47,535 --> 00:02:49,870
OOH. AH.
58
00:02:50,771 --> 00:02:52,806
LET'S GO. LET'S GO!
59
00:02:55,776 --> 00:02:58,145
A BEAVER. IT'S A WINNER.
60
00:02:58,145 --> 00:03:00,681
I MEAN, WHAT KID
DOESN'T LIKE BEAVERS?
61
00:03:00,681 --> 00:03:04,017
I GOT THAT THING
THAT I GET WHEN I GET
A FEELING ABOUT SOMETHING.
62
00:03:04,017 --> 00:03:05,185
"MUFF THE BEAVER"?
63
00:03:05,185 --> 00:03:07,288
NAH. TOO ON THE NOSE.
64
00:03:07,288 --> 00:03:08,889
"MARTY THE BEAVER"?
65
00:03:11,225 --> 00:03:12,893
"MARTY THE BEAVER."
66
00:03:13,894 --> 00:03:15,529
HEY.
67
00:03:17,598 --> 00:03:20,934
Henry: THIS GUY IS SO
NOT GONNA GO FOR THIS.
68
00:03:22,035 --> 00:03:24,805
PESSIMIST SON OF A BITCH.
69
00:03:24,805 --> 00:03:28,342
MR. PLANCK WILL
BE WITH YOU IN JUST
ONE MINUTE, GENTLEMEN.
70
00:03:37,885 --> 00:03:41,522
ALLISON EITHER
WANTS ME TO MOVE INTO
THE LIVING ROOM TO SLEEP,
71
00:03:41,522 --> 00:03:44,758
OR SHE WANTS TO GET ENGAGED.
72
00:03:45,493 --> 00:03:47,295
YEAH, WELL,
THAT'S THE THING.
73
00:03:48,729 --> 00:03:51,198
THE REASON PEOPLE
GET TOGETHER NOW IS...
74
00:03:51,198 --> 00:03:56,670
BECAUSE THEY THINK
THEY'RE LOOKING FOR
SIMILARLY BROKEN PEOPLE.
75
00:03:56,670 --> 00:04:00,207
WE COMMUNICATE NOWADAYS
THROUGH-- THROUGH DAMAGE.
76
00:04:00,207 --> 00:04:03,444
BUT, FORTUNATELY FOR YOU,
SHE'S FAKE-DAMAGED,
77
00:04:03,444 --> 00:04:06,013
AND SHE'S GONNA LEAVE YOU
AND HAVE A BETTER LIFE
78
00:04:06,013 --> 00:04:10,384
WITH SOME DOPE LIKE HER
WHO JUST PRETENDS TO BE
ALL FUCKED UP.
79
00:04:11,785 --> 00:04:15,323
GIRLS ONLY LIKE
THE REALLY FUCKED-UP GUY
FOR THE FIRST FEW MONTHS.
80
00:04:15,323 --> 00:04:18,592
THEY PREFER...
YOU KNOW, FAKE-BROKEN.
81
00:04:18,592 --> 00:04:20,328
COMPLICATED, BUT LIKE...
82
00:04:20,328 --> 00:04:23,564
TALK-ABOUT-IT-
OVER-CHARDONNAY
COMPLICATED.
83
00:04:25,999 --> 00:04:27,568
OOH.
84
00:04:28,702 --> 00:04:29,603
LIFE.
85
00:04:29,603 --> 00:04:31,639
DON'T START. LIFE'S FINE.
86
00:04:32,673 --> 00:04:35,776
LIFE IS NOTHING
BUT THE ECHO OF JOY
87
00:04:35,776 --> 00:04:39,847
DISAPPEARING INTO
THE GREAT CHASM OF MISERY.
88
00:04:42,049 --> 00:04:43,951
YOU'VE HAD BETTER.
89
00:04:43,951 --> 00:04:47,655
LIFE IS NOTHING
BUT THE OCCASIONAL
BURST OF LAUGHTER
90
00:04:47,655 --> 00:04:51,058
RISING ABOVE
THE INTERMINABLE WAIL
OF GRIEF.
91
00:04:51,058 --> 00:04:52,125
THAT'S MY FAVORITE.
92
00:04:52,125 --> 00:04:53,927
IT LIVES IN TRUTH,
THAT'S WHY.
93
00:04:53,927 --> 00:04:57,465
Henry: HE'S-- HE'S NOT
NECESSARILY A "BAD" BEAVER.
Rudy: NAH.
94
00:04:57,465 --> 00:04:59,567
AND HE'S NOT REALLY
A "GOOD" BEAVER EITHER.
95
00:04:59,567 --> 00:05:01,402
HE'S AN EDGY KIND OF BEAVER.
96
00:05:01,402 --> 00:05:03,303
NO, NO. MORE HE'S--
HE'S LIKE A...
97
00:05:03,303 --> 00:05:06,139
A BEAVER WITH AN EDGE.
98
00:05:06,139 --> 00:05:07,975
ALL RIGHT, LET'S SEE.
99
00:05:07,975 --> 00:05:09,610
SHOW HIM.
100
00:05:13,180 --> 00:05:15,015
ALL RIGHT, HOW'S THIS?
101
00:05:15,015 --> 00:05:16,417
THAT'S THE ACTUAL BEAVER?
102
00:05:16,417 --> 00:05:18,619
YEAH, THIS IS...
THIS IS MARTY.
103
00:05:19,319 --> 00:05:21,054
MM
104
00:05:24,992 --> 00:05:26,427
BEAVERS MAKE DAMS.
105
00:05:26,427 --> 00:05:28,295
YES, I-- I'M AWARE.
106
00:05:28,295 --> 00:05:29,663
I DIDN'T KNOW THAT.
107
00:05:29,663 --> 00:05:30,831
MM-HMM.
108
00:05:30,831 --> 00:05:32,633
YEAH, THERE-- THERE'S
A THAW IN-- IN THE SNOW,
109
00:05:32,633 --> 00:05:35,536
AND IT DOESN'T LOOK
AS IF THE DAM IS GONNA HOLD.
110
00:05:35,536 --> 00:05:40,708
SO, MARTY, IN A SELFLESS
EFFORT TO SAVE THE POND,
111
00:05:40,708 --> 00:05:43,343
BREAKS INTO
EVERY HOUSE IN TOWN.
112
00:05:43,343 --> 00:05:44,612
BREAKS IN?
113
00:05:44,612 --> 00:05:48,782
NO, HE-- HE GNAWS IN.
HE-- HE'S A BEAVER.
114
00:05:50,918 --> 00:05:55,523
ALL RIGHT, SO, UM--
SO, HE DRAGS THE TREES
BACK TO THE STREAM.
115
00:05:55,523 --> 00:05:58,459
MEANWHILE, THE PEOPLE
FROM THE TOWN COME UP,
116
00:05:58,459 --> 00:05:59,860
AND THEY-- THEY--
117
00:05:59,860 --> 00:06:03,464
THEY'RE FIXIN' TO MAKE
SOME BEAVER STEW.
118
00:06:03,464 --> 00:06:06,199
BUT COOLER HEADS PREVAIL.
119
00:06:06,199 --> 00:06:08,368
Henry:
SOMEONE STAB ME IN THE EAR.
120
00:06:08,368 --> 00:06:12,440
THEY PLUG THE TREES
INTO THE DAM AND CALL IT
A CHRISTMAS DAM.
121
00:06:12,440 --> 00:06:15,743
AND ALL CHRISTMAS DAY,
THE PEOPLE FROM THE TOWN--
122
00:06:15,743 --> 00:06:18,846
THEY MAKE THE BIGGEST
AND THE STRONGEST DAM
123
00:06:18,846 --> 00:06:20,614
THAT THE BEAVERS
HAVE EVER SEEN.
124
00:06:20,614 --> 00:06:23,383
IT KILLED US
TO WRITE THAT LAST PART,
125
00:06:23,383 --> 00:06:25,252
BUT WE... YOU KNOW,
NEED THE MONEY.
126
00:06:25,252 --> 00:06:26,720
HE'S GOT
THREE ALIMONY PAYMENTS,
127
00:06:26,720 --> 00:06:28,255
AND I GOT A GIRLFRIEND
WE'VE DECIDED
128
00:06:28,255 --> 00:06:29,623
I NEED TO PUT
IN ANOTHER APARTMENT,
129
00:06:29,623 --> 00:06:30,991
BUT THAT'S-- THAT'S REALLY
130
00:06:30,991 --> 00:06:34,094
MORE OF A MENTAL NECESSITY
THAN A PHYSICAL ONE.
131
00:06:34,094 --> 00:06:36,997
I HAVE TO GET ON THE FLOOR
SOMETIMES TO FEEL SAFE.
132
00:06:38,298 --> 00:06:43,937
SOMETIMES I PUT HEAVY OBJECTS
ON ME WHEN I FEEL ANXIOUS.
133
00:06:43,937 --> 00:06:46,740
GENTLEMEN, THANK YOU
FOR YOUR TIME.
COCKSUCKER.
134
00:06:46,740 --> 00:06:48,809
AND I WANT IT READY
FOR A CHRISTMAS RELEASE.
135
00:06:48,809 --> 00:06:51,111
I TOLD YOU
HE WOULD LIKE IT.
136
00:06:51,111 --> 00:06:52,312
WE'RE DEALING WITH
137
00:06:52,312 --> 00:06:55,683
THE BEST
IN THE BUSINESS
ON THIS ONE.
138
00:06:55,683 --> 00:06:57,317
Rudy: YOU JUST
HAVE TO MOVE OUT.
139
00:06:57,317 --> 00:06:58,619
Allison:
I DON'T UNDERSTAND.
140
00:06:58,619 --> 00:07:00,087
Rudy: WE'RE TRYIN'
TO WRITE A BOOK HERE,
141
00:07:00,087 --> 00:07:02,122
AND THINGS CAN GET
PRETTY GODDAMN UGLY.
142
00:07:02,122 --> 00:07:03,190
ME, I LIKE TO--
143
00:07:03,190 --> 00:07:04,825
I LIKE TO ROAM
AROUND A PLACE,
144
00:07:04,825 --> 00:07:06,860
LIKE MIDDLE-OF-THE-NIGHT
TYPE OF THING.
145
00:07:06,860 --> 00:07:09,530
NAKED, EVEN. BUT I DON'T
WANNA FEEL SELF-CONSCIOUS.
146
00:07:09,530 --> 00:07:12,432
IT COULD GET REAL SMALL
IN HERE PRETTY FAST.
147
00:07:12,432 --> 00:07:13,801
GREAT.
148
00:07:15,002 --> 00:07:17,638
Henry: CHRISTMAS...
THAT'S 15 WEEKS AWAY.
149
00:07:17,638 --> 00:07:20,073
YOU GUYS FUCKING
REHEARSE THIS SHIT?
150
00:07:20,073 --> 00:07:21,341
HI, BABY.
151
00:07:21,341 --> 00:07:25,746
UGH! WILL YOU TAKE
THE FUCKING BOOKS OFF
AND STAND UP?
152
00:07:27,581 --> 00:07:29,683
I GUESS I COULD, BUT...
153
00:07:29,683 --> 00:07:33,887
UM, I THINK I'D
SORTA FEEL KIND OF UNSAFE.
154
00:07:33,887 --> 00:07:35,556
YOU'RE FUCKED.
155
00:07:40,594 --> 00:07:42,362
Allison:
FUCK YOU TOO, RUDY.
156
00:08:10,924 --> 00:08:16,029
SORRY, MAN.
I'M FEELING...
JUST NOT...
157
00:08:16,029 --> 00:08:18,031
I UNDERSTAND.
158
00:08:26,907 --> 00:08:29,476
I THINK I HAVE
BAD CHEMICALS IN MY HEAD.
159
00:08:29,476 --> 00:08:31,745
OH, DON'T GO
BLAMING YOUR BRAIN AGAIN.
160
00:08:31,745 --> 00:08:33,013
IT'S NOT HIS FAULT.
161
00:08:33,013 --> 00:08:36,516
YOU THINK IT IS,
AND YOUR BRAIN BELIEVES YOU.
162
00:08:40,287 --> 00:08:42,255
THEY ONLY EAT BREAD.
163
00:08:42,255 --> 00:08:43,490
NONSENSE.
164
00:08:43,490 --> 00:08:44,958
GENOA SALAMI,
IT'S THE BEST IN THE WORLD--
165
00:08:44,958 --> 00:08:47,628
THEY WOULD'VE INVENTED IT
IF THEY COULD'VE.
166
00:08:48,461 --> 00:08:49,630
SHIT'S GONNA KILL YOU.
167
00:08:49,630 --> 00:08:53,533
YEAH, WELL,
TELL ME WHEN I'M DEAD.
168
00:08:53,533 --> 00:08:55,736
WILL DO.
169
00:09:03,176 --> 00:09:04,344
WHO'S THIS?
170
00:09:04,344 --> 00:09:09,116
UH... RED SUIT, FAT ASS,
BEST FRIENDS ARE REINDEER,
171
00:09:09,116 --> 00:09:10,918
BONES MRS. CLAUS.
172
00:09:10,918 --> 00:09:12,219
AND WHAT'S HAPPENING HERE?
173
00:09:12,219 --> 00:09:16,223
UH... SANTA'S SLEIGH
RUNS OVER MARTY'S TAIL.
174
00:09:16,223 --> 00:09:20,861
MARTY JUMPS UP,
BITES HIM IN THE CROTCH,
GIVES HIM THE CLAP.
175
00:09:31,839 --> 00:09:33,874
HEY, YOU ALL RIGHT?
176
00:09:36,343 --> 00:09:38,178
YEAH. THIS HEADACHE.
177
00:09:41,048 --> 00:09:44,184
LET'S GET THIS BOOK DONE.
NO MORE JOKES.
178
00:09:44,184 --> 00:09:46,253
YEAH, SURE, SURE.
179
00:09:57,931 --> 00:10:00,668
Man on P.A.: THIS IS
THE FINAL APPEARANCE FOR
HENRY ROTH AND RUDY HOLT,
180
00:10:00,668 --> 00:10:03,603
BEST-SELLING AUTHORS
OF THE MUST-HAVE
CHILDREN'S BOOK
181
00:10:03,603 --> 00:10:05,072
MARTY THE BEAVER.
182
00:10:05,072 --> 00:10:09,042
BE SURE AND GET YOUR
CHRISTMAS COPY SIGNED TODAY.
183
00:10:09,042 --> 00:10:11,278
I CAN'T TELL YOU HOW MUCH
SHE JUST LOVED YOUR BOOK.
184
00:10:11,278 --> 00:10:12,646
OH, GREAT.
185
00:10:15,382 --> 00:10:17,617
Woman:
HER NAME'S CASSIDY.
186
00:10:18,318 --> 00:10:19,486
HAVE A NICE LIFE.
187
00:10:19,486 --> 00:10:21,354
SHE'S ONLY BEEN
WITH US FOR SIX MONTHS.
188
00:10:21,354 --> 00:10:23,256
SHE'S ADOPTED.
189
00:10:26,660 --> 00:10:28,929
SO, HOW ARE YA,
SWEETHEART?
190
00:10:28,929 --> 00:10:30,630
I SEE YOU'RE A KNICKS FAN.
191
00:10:30,630 --> 00:10:31,932
YEAH, YOU WANNA
BUY HER A DRINK,
192
00:10:31,932 --> 00:10:33,667
TAKE HER SOMEWHERE QUIET?
193
00:10:37,637 --> 00:10:39,239
YOU EVER BEEN
TO A BASKETBALL GAME?
194
00:10:39,239 --> 00:10:42,175
YOU SEE, 'CAUSE
MARTY THE BEAVER
WAS JUST HERE,
195
00:10:42,175 --> 00:10:45,512
AND HE TOLD ME
TO GIVE SOMEONE
CALLED, UH--
196
00:10:45,512 --> 00:10:48,415
CASSIDY--
SOME KNICKS TICKETS.
197
00:10:48,415 --> 00:10:50,450
HE MUST HAVE MEANT YOU.
198
00:10:50,450 --> 00:10:52,319
HEY, DICK,
ONE OF THOSE WAS MINE.
199
00:10:52,319 --> 00:10:54,822
DON'T BE A PIECE OF SHIT.
200
00:10:56,724 --> 00:10:58,158
THERE WE GO.
201
00:11:05,165 --> 00:11:08,902
ARE THESE REALLY FROM--
FROM MARTY THE BEAVER?
202
00:11:09,669 --> 00:11:10,938
ABSOLUTELY, YES.
203
00:11:18,045 --> 00:11:20,680
IF MARTY THE BEAVER
REALLY EXISTED,
204
00:11:20,680 --> 00:11:21,949
AND IF HE REALLY HAD TICKETS
205
00:11:21,949 --> 00:11:23,851
TO THE KNICKS-PACERS GAME
ON FRIDAY NIGHT,
206
00:11:23,851 --> 00:11:27,420
THE ONLY WAY HE'D
GIVE 'EM UP IS IF HE WAS
TOO HIGH TO GET TO THE GAME
207
00:11:27,420 --> 00:11:31,424
OR HIS FAT, LAZY BEAVER ASS
COULDN'T FIT IN THE SEAT.
208
00:11:37,765 --> 00:11:39,299
SANTA CLAUS DOESN'T EXIST.
209
00:11:41,268 --> 00:11:42,803
"BEAVER" CAN
ALSO MEAN "VAGINA."
210
00:11:42,803 --> 00:11:44,037
OH!
OKAY!
211
00:11:44,037 --> 00:11:46,206
CASSIDY!
UH-- UH-- ENJOY THE GAME.
212
00:11:46,206 --> 00:11:49,877
COME HERE.
WHAT THE FUCK
IS WRONG WITH YOU?
213
00:11:49,877 --> 00:11:52,746
YOU JUST--
YOU JUST CAN'T LET
YOUR CRAP CHILDHOOD
214
00:11:52,746 --> 00:11:54,647
BE A PASS TO SHIT
ON EVERYONE ELSE.
215
00:11:54,647 --> 00:11:56,817
WELL, EVERY OTHER KID
IS GONNA BE CRUSHED
216
00:11:56,817 --> 00:11:58,218
WHEN THEY FIND OUT THAT
THERE'S NO SANTA CLAUS.
217
00:11:58,218 --> 00:11:59,920
SHE'S NOW
WAY AHEAD OF THE GAME,
218
00:11:59,920 --> 00:12:04,291
AND AS A BONUS,
SHE NOW HAS ANOTHER WORD
FOR HER PEE-PEE.
219
00:12:11,098 --> 00:12:14,101
( giant monster
roars on television )
220
00:12:24,711 --> 00:12:26,446
HELLO?
221
00:12:46,366 --> 00:12:48,268
IT... LOOKS GREAT, MAN.
222
00:12:50,503 --> 00:12:52,439
WELL, IT KEEPS ME OCCUPIED.
223
00:12:53,640 --> 00:12:56,376
HEY, YOU KNOW, I'VE BEEN
TALKING TO PLANCK ABOUT IT...
224
00:12:56,376 --> 00:12:59,312
THE BOOK'S ON, UH, PRE-ORDER
FOR ABOUT 100,000 COPIES.
225
00:12:59,312 --> 00:13:02,282
OH, THAT'S GREAT.
YEAH, IT IS. IT'S GREAT.
226
00:13:03,183 --> 00:13:04,284
I, UH...
227
00:13:06,653 --> 00:13:10,090
I, UH... I CAN'T SEE
OUTTA MY LEFT EYE.
228
00:13:13,060 --> 00:13:14,995
WELL, IT'S THE TREATMENT.
229
00:13:22,502 --> 00:13:27,707
HUH. I KEEP THINKIN'
ABOUT THINGS, YOU KNOW?
230
00:13:27,707 --> 00:13:31,544
HOW... I WAS THINKING...
231
00:13:33,113 --> 00:13:35,415
IF I CLOSE MY GOOD EYE...
232
00:13:36,283 --> 00:13:40,387
I SEE THIS--
THIS BRIGHT LIGHT.
233
00:13:41,421 --> 00:13:47,060
AND, UH, I-- I KNOW
HOW IT SOUNDS, BUT IT...
234
00:13:47,928 --> 00:13:50,463
IT'S ACTUALLY VERY BEAUTIFUL.
235
00:13:56,569 --> 00:13:58,906
I, UH...
236
00:13:58,906 --> 00:14:00,473
I FEEL A LITTLE--
A LITTLE SICK.
237
00:14:00,473 --> 00:14:02,775
COULD YOU
JUST LOWER THE BED
A LITTLE BIT, PLEASE?
238
00:14:02,775 --> 00:14:04,544
OH, YEAH. SURE.
239
00:14:14,721 --> 00:14:16,189
YEAH, THAT'S GOOD.
240
00:14:26,399 --> 00:14:28,501
YOU KNOW, HENRY...
241
00:14:28,501 --> 00:14:31,638
I WOULDN'T TRADE PLACES
WITH YOU FOR ANYTHING.
242
00:14:36,643 --> 00:14:39,012
I DON'T WANNA LEAVE
KNOWING THAT MY ONLY LEGACY
243
00:14:39,012 --> 00:14:42,382
IS A MISERABLE
PIECE OF SHIT LIKE YOU.
244
00:14:42,382 --> 00:14:45,185
HEY, COME-- COME ON.
IT'S ALL RIGHT, DON'T--
I UNDERSTAND.
245
00:14:45,185 --> 00:14:47,654
I'M COMPLETELY LUCID,
ASSHOLE.
246
00:14:48,956 --> 00:14:50,223
MAYBE I...
247
00:14:50,223 --> 00:14:53,026
MAYBE I SHOULD'VE
HAD SOME FUCKIN' KIDS.
248
00:14:54,894 --> 00:14:57,530
I'D HAVE BEEN BETTER
THAN YOUR MOM.
249
00:14:57,530 --> 00:15:00,267
IT'S SHITTY
WHAT SHE DID TO YOU.
YOU NEED TO KNOW THAT.
250
00:15:00,267 --> 00:15:01,668
YOU WANT A PILLOW
OR SOMETHIN'?
251
00:15:01,668 --> 00:15:05,138
FINISH THE DAMN BOOK,
FIND YOURSELF A NICE GIRL.
252
00:15:05,138 --> 00:15:07,207
A GIRL?
YEAH.
253
00:15:07,207 --> 00:15:09,276
NOT A GIRL, A NICE GIRL.
254
00:15:09,276 --> 00:15:11,411
THAT'S-- THAT'S EVEN WORSE.
255
00:15:11,411 --> 00:15:13,546
YEAH, FOR HER.
256
00:15:13,546 --> 00:15:15,382
AND DON'T SIGH
THAT STUPID SIGH OF YOURS
257
00:15:15,382 --> 00:15:17,784
AND SAY, "LIFE,
YOU KNOW WHAT LIFE IS?"
258
00:15:17,784 --> 00:15:19,886
JUST STOP DOING THAT.
259
00:15:19,886 --> 00:15:22,289
DON'T DO IT, THEN, OKAY?
260
00:15:22,289 --> 00:15:25,658
YEAH, WELL, YOU KNOW,
YOU GOT A TUMOR IN YOUR HEAD
261
00:15:25,658 --> 00:15:30,097
THAT'S TAKING UP
MORE REAL ESTATE
THAN YOUR BRAIN, SO...
262
00:15:38,038 --> 00:15:39,472
IT'S A JOKE.
263
00:15:39,472 --> 00:15:40,807
YEAH, I KNOW.
264
00:15:47,114 --> 00:15:49,016
YOU'LL BE FINE.
265
00:15:53,553 --> 00:15:55,522
I KNOW.
266
00:16:45,705 --> 00:16:47,174
HENRY.
267
00:16:49,776 --> 00:16:52,212
OH, GOD.
268
00:17:01,154 --> 00:17:03,456
I'M NOT CRYING.
269
00:17:04,791 --> 00:17:07,094
NOT IN FRONT OF YOU.
270
00:17:08,861 --> 00:17:10,863
YOU WERE SAYING?
271
00:17:10,863 --> 00:17:14,967
I THINK IT MIGHT BE TIME
272
00:17:14,967 --> 00:17:19,706
TO THINK ABOUT
JUMPING BACK IN.
273
00:17:20,973 --> 00:17:22,275
FINDING ANOTHER ILLUSTRATOR.
274
00:17:22,275 --> 00:17:25,145
RUDY WASN'T JUST
ANOTHER ILLUSTRATOR.
275
00:17:27,480 --> 00:17:32,885
HENRY, WE HAVE
TO PUBLISH IN A MONTH.
276
00:17:32,885 --> 00:17:34,887
IT'S A CONTRACTUAL...
277
00:17:34,887 --> 00:17:37,090
IT'S AN UPSTAIRS THING,
278
00:17:37,090 --> 00:17:38,991
THOSE BASTARDS
UPSTAIRS IN LEGAL.
279
00:17:38,991 --> 00:17:42,695
YOU KNOW, I HAD
A HUGE FIGHT WITH THEM.
280
00:17:42,695 --> 00:17:46,566
HENRY, YOU KNOW I HAVE
A HOUSE AT THE BEACH
IN SAG HARBOR.
281
00:17:46,566 --> 00:17:48,368
DON'T BE AN ASSHOLE.
282
00:17:48,368 --> 00:17:51,304
AND YOU JUST STAY THERE
AS LONG AS YOU LIKE,
283
00:17:51,304 --> 00:17:54,707
AND RELAX, AND MAKE IT
A PART OF YOUR GRIEVING.
284
00:17:54,707 --> 00:17:55,808
HENRY?
285
00:18:00,380 --> 00:18:01,814
SHIT.
286
00:18:13,092 --> 00:18:15,228
KEEP WORKING AT IT.
287
00:18:16,696 --> 00:18:18,097
Planck: HELLO.
288
00:18:18,097 --> 00:18:19,732
Men: 'MORNING, MR. PLANCK.
289
00:18:22,235 --> 00:18:26,173
AMERICAN KIDS
CAN RECOGNIZE THIS FACE
290
00:18:26,173 --> 00:18:28,375
BEFORE THE PRESIDENT'S.
291
00:18:28,375 --> 00:18:33,012
YOU KNOW, OUR ILLUSTRATOR
RUDY HOLT HAS PASSED AWAY.
292
00:18:33,012 --> 00:18:35,948
IT'S SO AWFUL.
THE CHILDREN WILL
MISS HIM THE MOST.
293
00:18:35,948 --> 00:18:37,150
UH, WRONG.
294
00:18:37,150 --> 00:18:38,918
SHAREHOLDERS
WILL MISS HIM THE MOST,
295
00:18:38,918 --> 00:18:40,520
THEN ME,
THEN THE CHILDREN.
296
00:18:40,520 --> 00:18:43,490
THAT'S TRUE.
CAN WE SEE, PLEASE?
297
00:18:44,157 --> 00:18:45,825
THANK YOU.
298
00:18:47,093 --> 00:18:50,163
ALL RIGHT, NOT VERY GOOD.
299
00:18:50,163 --> 00:18:52,599
THAT ONE'S REALLY AWFUL.
300
00:18:52,599 --> 00:18:54,701
REALLY BAD.
301
00:18:56,669 --> 00:18:58,405
ALL RIGHT, HMM.
302
00:18:58,405 --> 00:19:00,773
OH, CRAP.
303
00:19:02,209 --> 00:19:03,710
OOH, I'M SORRY,
I'M THINKING OUT LOUD.
304
00:19:17,824 --> 00:19:23,095
GENTLEMEN, SUCCESS
IN THIS BUSINESS
IS 99% PERSEVERANCE
305
00:19:23,095 --> 00:19:25,164
AND 1% TALENT.
306
00:19:25,164 --> 00:19:28,568
CONGRATULATIONS.
YOU'RE 99% THERE.
307
00:19:31,170 --> 00:19:33,506
YEAH, I'M NOT REALLY
GOOD WITH MATH.
308
00:19:33,506 --> 00:19:35,542
HE WANTS US TO GO.
OKAY.
309
00:19:40,613 --> 00:19:43,350
I CAN RESCUE A COMPANY
FROM BANKRUPTCY...
310
00:19:44,317 --> 00:19:46,786
I CAN QUOTE
CHAUCER AND PROUST,
311
00:19:46,786 --> 00:19:49,256
AND I CAN MAKE
A TERRIFIC GOOSE REDUCTION.
312
00:19:49,256 --> 00:19:51,324
ASK ME TO DRAW A FROG.
313
00:19:51,324 --> 00:19:53,660
YOU SEE, MISS RILEY,
THERE ARE THINGS
THAT YOU CAN DO
314
00:19:53,660 --> 00:19:56,296
THAT I CAN'T DO,
AND VICE VERSA.
315
00:19:57,397 --> 00:20:00,400
THIS IS HENRY ROTH'S
TELEPHONE NUMBER.
316
00:20:04,136 --> 00:20:06,439
I'M SORRY, MR. PLANCK...
317
00:20:07,607 --> 00:20:08,441
WHAT'S...?
318
00:20:08,441 --> 00:20:09,909
WHAT'S THAT?
YEAH.
319
00:20:09,909 --> 00:20:12,345
UH... THAT'S A FROG.
320
00:20:13,913 --> 00:20:15,214
YOU SEE?
321
00:20:50,082 --> 00:20:52,251
THEY ONLY EAT BREAD.
322
00:20:52,251 --> 00:20:53,486
NONSENSE.
323
00:20:53,486 --> 00:20:55,522
GENOA SALAMI,
IT'S THE BEST
IN THE WORLD--
324
00:20:55,522 --> 00:20:57,357
THEY WOULD'VE INVENTED IT
IF THEY COULD'VE.
325
00:20:57,357 --> 00:20:59,559
THAT SHIT'S GONNA KILL YOU.
326
00:20:59,559 --> 00:21:03,396
YEAH, WELL, TELL IT TO ME
WHEN I'M DEAD.
327
00:21:05,632 --> 00:21:06,899
I AM.
328
00:21:06,899 --> 00:21:09,569
WHAT?
329
00:21:09,569 --> 00:21:12,739
I'M TELLING IT TO YOU
WHEN YOU'RE DEAD.
330
00:21:12,739 --> 00:21:16,242
NO, THAT'S NOT WHAT HAPPENED.
331
00:21:16,242 --> 00:21:19,011
I SAID, "TELL IT TO ME
WHEN I'M DEAD,"
332
00:21:19,011 --> 00:21:20,246
AND YOU SAID, "WILL DO,"
333
00:21:20,246 --> 00:21:22,114
THEN YOU OFFERED ME
A CIGARETTE.
334
00:21:22,114 --> 00:21:24,050
I'M IMPROVISING, OKAY?
ROLL WITH IT.
335
00:21:24,050 --> 00:21:25,485
ALL RIGHT.
336
00:21:29,255 --> 00:21:31,358
PLANCK WANTS ME
TO RIGHT ANOTHER BOOK.
337
00:21:31,358 --> 00:21:33,393
GOOD.
I'M NOT GONNA DO IT.
338
00:21:33,393 --> 00:21:35,895
GOT NO CHOICE, PAL,
MY DYING WISH.
339
00:21:35,895 --> 00:21:38,331
WHEN YOU SAID THAT,
YOU WERE THINKING
WITH A TUMOR.
340
00:21:41,734 --> 00:21:42,969
SCREW YOU.
341
00:21:42,969 --> 00:21:44,070
FIFTEEN FUCKIN' YEARS
342
00:21:44,070 --> 00:21:45,938
I PUT UP WITH
YOUR NASTY BULLSHIT.
343
00:21:45,938 --> 00:21:47,374
FUCK IT.
344
00:21:50,443 --> 00:21:52,612
YOU THINK PEOPLE WANNA DIE?
345
00:21:52,612 --> 00:21:54,614
I HAD A GREAT TIME
BEING ALIVE.
346
00:21:54,614 --> 00:21:56,516
I FUCKING LOVED IT.
347
00:21:57,183 --> 00:21:58,585
I LOVED WOMEN.
348
00:21:58,585 --> 00:22:01,554
I TOLD A HOOKER ONCE
THAT I LOVED HER,
349
00:22:01,554 --> 00:22:03,490
AND GODDAMN IT,
I MEANT IT.
350
00:22:03,490 --> 00:22:04,957
AND I LOVED YOU,
351
00:22:04,957 --> 00:22:08,194
BUT MOST OF ALL,
EVEN MORE THAN YOU,
352
00:22:08,194 --> 00:22:10,630
I LOVED BEING ALIVE.
353
00:22:12,599 --> 00:22:15,568
NOW, YOU BETTER FIND SOMEONE
TO BE HAPPY WITH, HENRY,
354
00:22:15,568 --> 00:22:18,170
'CAUSE IF YOU KEEP
HANGING AROUND WITH YOU,
355
00:22:18,170 --> 00:22:20,507
YOU'RE GONNA WANNA
KILL YOURSELF.
356
00:22:25,344 --> 00:22:27,680
I WOULDN'T BLAME YOU!
357
00:22:29,348 --> 00:22:31,618
FUCK YOU, MOTHERFUCKER!
358
00:22:31,618 --> 00:22:33,119
ASSHOLE PIECE OF SHIT!
359
00:22:33,119 --> 00:22:34,654
FUCK YOU!
360
00:22:49,235 --> 00:22:50,503
OUT!
361
00:22:50,503 --> 00:22:53,239
JESUS, GOD, DON'T BURST IN
ON ME LIKE THAT.
362
00:22:53,239 --> 00:22:54,641
YOU ARE IN ARREARS.
363
00:22:54,641 --> 00:22:56,743
YOU ARE NO LONGER LIVING
IN ACCORDANCE WITH THE LEASE.
364
00:22:56,743 --> 00:22:58,845
YOU ARE BREAKING
THE LAW, MOTHER.
OUT!
365
00:22:58,845 --> 00:23:02,482
A LAW, EXCUSE ME,
THAT CLEARLY INDICATES
THAT A LANDLORD--
366
00:23:02,482 --> 00:23:03,883
I'M YOUR MOTHER!
367
00:23:03,883 --> 00:23:07,887
A LANDLORD MAY NOT BREAK
THE THRESHOLD OF HER PROPERTY
368
00:23:07,887 --> 00:23:10,490
UNLESS IT'S WITH A WRIT
OF CONSENT FROM A TENANT,
369
00:23:10,490 --> 00:23:11,791
ACCOMPANIED BY
LAW ENFORCEMENT
370
00:23:11,791 --> 00:23:15,528
OR AN OFFICIAL FROM
THE DEPARTMENT OF HOUSING!
371
00:23:20,900 --> 00:23:22,702
OH, GOD.
372
00:23:25,204 --> 00:23:27,073
OH, MY GOD.
373
00:23:29,041 --> 00:23:30,109
ARE YOU GAY?
374
00:23:30,109 --> 00:23:31,578
NO, MOM.
375
00:23:31,578 --> 00:23:33,012
IF YOU ARE, JUST TELL ME.
376
00:23:33,012 --> 00:23:36,182
YOU KNOW, I--
I JUST FOUND A DILDO.
377
00:23:36,182 --> 00:23:38,384
IT'S A VIBRATOR, MOM.
378
00:23:38,384 --> 00:23:43,556
I'M STILL TRYING TO FIGURE OUT
WHY WAS THE POOR THING FROZEN?
379
00:23:43,556 --> 00:23:45,357
IT WASN'T FROZEN,
IT WAS HIDDEN.
380
00:23:45,357 --> 00:23:46,859
DON'T AVOID THE GAY QUESTION.
381
00:23:46,859 --> 00:23:50,129
OKAY, TEA.
DO YOU WANT SOME TEA?
382
00:23:50,997 --> 00:23:52,465
YEAH.
383
00:23:52,465 --> 00:23:55,067
WHY HAVEN'T YOU CALLED HIM?
384
00:23:55,067 --> 00:23:56,903
HE LOOKED AT MY SKETCHBOOK
385
00:23:56,903 --> 00:23:59,906
AND TOLD ME
TO KEEP WORKING AT IT.
386
00:23:59,906 --> 00:24:02,141
WELL, HAVE YOU
KEPT WORKING AT IT?
387
00:24:02,141 --> 00:24:04,076
YEAH, OF COURSE.
388
00:24:04,076 --> 00:24:06,679
A LOT. LOOK.
389
00:24:08,615 --> 00:24:10,082
OH, THAT'S AWFUL, HONEY.
390
00:24:10,082 --> 00:24:12,451
I HATE CARTOONS.
THEY'RE ABSOLUTELY SINISTER.
391
00:24:12,451 --> 00:24:13,620
PLEASE.
392
00:24:13,620 --> 00:24:15,187
I CAN'T STAND THEM.
393
00:24:15,187 --> 00:24:17,156
THANK YOU, MOM.
394
00:24:22,061 --> 00:24:23,530
I'M SO SORRY, DEAR.
395
00:24:23,530 --> 00:24:24,664
IT'S OKAY.
396
00:24:24,664 --> 00:24:26,966
I'M SORRY, IT'S JUST...
397
00:24:26,966 --> 00:24:29,268
HERE, LET ME
GIVE YOU SOME MONEY.
398
00:24:29,268 --> 00:24:30,503
NO, NO, NO, NO, NO.
399
00:24:30,503 --> 00:24:32,171
NO, NO, PUT YOUR
CHECKBOOK AWAY. STOP.
400
00:24:32,171 --> 00:24:34,707
PLEASE JUST FORGIVE ME
FOR WHAT I JUST SAID.
401
00:24:34,707 --> 00:24:36,509
ALL RIGHT?
WILL YOU DO THAT?
402
00:24:36,509 --> 00:24:38,210
WILL YOU FORGIVE ME?
YEAH.
403
00:24:38,210 --> 00:24:39,612
THANK YOU.
404
00:24:41,247 --> 00:24:42,715
I DON'T KNOW WHAT I'M DOING.
405
00:24:42,715 --> 00:24:47,153
SO, THIS IS GONNA TAKE YOU
TO THE MIDDLE OF THE MONTH,
406
00:24:47,153 --> 00:24:49,856
AND A LITTLE BIT BEYOND IT.
407
00:24:51,257 --> 00:24:53,225
THANK YOU.
408
00:24:54,493 --> 00:24:56,362
THIS IS THE LAST TIME,
THOUGH, HONESTLY.
409
00:24:56,362 --> 00:24:58,998
IF THIS DOESN'T WORK OUT
AND I CAN'T PAY RENT
NEXT MONTH,
410
00:24:58,998 --> 00:25:03,903
THEN I'M GONNA APPLY
TO A FEW LAW SCHOOLS.
411
00:25:06,539 --> 00:25:08,140
YOU KNOW WHAT?
YOU'RE ABSOLUTELY RIGHT.
412
00:25:08,140 --> 00:25:12,444
I HAVE TO START
SHATTERING THIS DREAM,
NOT SUPPORTING IT.
413
00:25:12,444 --> 00:25:14,213
IT IS MORE PRACTICAL.
414
00:25:14,213 --> 00:25:16,616
I'M GIVING YOU
UNTIL THE 20th,
415
00:25:16,616 --> 00:25:18,417
AND THEM I'M GONNA
SEND IN THE MOVERS,
416
00:25:18,417 --> 00:25:20,953
AND I'M GONNA
CHANGE THE LOCK.
417
00:25:22,254 --> 00:25:23,556
OKAY.
418
00:25:37,804 --> 00:25:40,306
HELLO?
419
00:25:41,273 --> 00:25:42,575
PLANCK'S A SOCIOPATH.
420
00:25:42,575 --> 00:25:44,143
HE'S A CROSS-DRESSER.
421
00:25:44,143 --> 00:25:46,045
HE'S A HERMAPHRODITE.
422
00:25:46,045 --> 00:25:47,747
THE GUY'S A EUNUCH.
423
00:25:47,747 --> 00:25:50,750
HE'S A VEGETARIAN
FOR HEALTH REASONS,
NOT ETHICAL ONES.
424
00:25:50,750 --> 00:25:53,586
YOU CAN'T TRUST
ANYTHING THE GUY SAYS.
425
00:25:55,387 --> 00:25:56,555
THERE ARE LESS...
FUCK!
426
00:25:56,555 --> 00:25:57,857
...PATRONIZING WAYS
OF SAYING
427
00:25:57,857 --> 00:25:59,558
I'M NOT GOOD ENOUGH
TO WORK WITH YOU.
428
00:25:59,558 --> 00:26:01,828
I NEVER SAID
YOU WEREN'T GOOD ENOUGH.
429
00:26:01,828 --> 00:26:04,396
YEAH, YOU DID, ACTUALLY.
430
00:26:04,396 --> 00:26:08,635
YOU TOLD ME
TO KEEP WORKING AT IT.
431
00:26:08,635 --> 00:26:10,703
OH, WELL,
IF I DID SAY THAT,
432
00:26:10,703 --> 00:26:12,739
I DIDN'T MEAN WITH ME.
433
00:26:13,773 --> 00:26:16,876
I'M SO SORRY
ABOUT YOUR PARTNER.
434
00:26:17,977 --> 00:26:20,112
WAS HE A REALLY GOOD FRIEND?
435
00:26:20,112 --> 00:26:25,251
NO, HE WAS JUST
A DICK WHO DREW WELL.
436
00:26:25,251 --> 00:26:28,420
I UNDERSTAND
THAT PEOPLE LIKE RUDY
ARE IRREPLACEABLE,
437
00:26:28,420 --> 00:26:30,456
BECAUSE I'VE HAD PEOPLE
LIKE THAT IN MY OWN LIFE,
438
00:26:30,456 --> 00:26:33,760
BUT, HENRY, HONESTLY,
439
00:26:33,760 --> 00:26:36,262
ILLUSTRATING FOR ME
IS JUST A JOB.
440
00:26:36,262 --> 00:26:38,097
IT DOESN'T HAVE TO BE
ANYTHING MORE THAN THAT.
441
00:26:38,097 --> 00:26:42,935
I'M NOT LOOKING FOR FRIENDS,
ESPECIALLY BAD ONES.
442
00:26:46,138 --> 00:26:47,674
SO...
443
00:26:51,143 --> 00:26:54,046
LUCY, HOW'D YOU
GET INTO THE BUSINESS?
444
00:26:56,282 --> 00:26:57,616
THANK YOU.
445
00:26:59,618 --> 00:27:00,920
SO?
446
00:27:05,191 --> 00:27:12,398
UM, I WAS GOING FOR MY PhD
IN ENGLISH LITERATURE,
447
00:27:12,398 --> 00:27:13,532
BUT I HAD THIS BIG BREAKUP--
448
00:27:13,532 --> 00:27:16,168
FALLING OUT--
WITH MY THESIS ADVISOR--
449
00:27:16,168 --> 00:27:17,403
BOYFRIEND.
450
00:27:17,403 --> 00:27:20,072
SO THEN I WENT
TO ART SCHOOL
FOR A LITTLE BIT,
451
00:27:20,072 --> 00:27:23,743
AND THAT WAS
A LONG BLAH STORY,
452
00:27:23,743 --> 00:27:28,247
AND I ENDED UP LEAVING
BECAUSE I HAD TO FIND A JOB.
453
00:27:28,247 --> 00:27:30,249
SO I PICKED CHILDREN'S BOOKS
BECAUSE IT WAS
454
00:27:30,249 --> 00:27:32,719
THE FURTHEST THING FROM
LITERATURE I COULD THINK OF.
455
00:27:32,719 --> 00:27:34,687
OH, I SEE. INTERESTING.
456
00:27:34,687 --> 00:27:36,655
HI, WHAT CAN I
GET YOU GUYS?
457
00:27:36,655 --> 00:27:38,190
NOTHING, GO AHEAD.
458
00:27:38,190 --> 00:27:42,428
UM, I'LL JUST HAVE
A CAESAR SALAD
459
00:27:42,428 --> 00:27:44,230
AND A SIDE
OF MASHED POTATOES.
460
00:27:44,230 --> 00:27:45,698
THANKS.
461
00:27:47,266 --> 00:27:48,367
BULIMIA?
462
00:27:49,235 --> 00:27:50,937
NO, HUNGRY.
463
00:27:50,937 --> 00:27:53,906
YOU SURE? THAT STUFF
COMES BACK UP PRETTY EASILY.
464
00:27:56,242 --> 00:27:57,443
NOW THAT I'M IN,
465
00:27:57,443 --> 00:27:59,846
YOU'RE REALLY GONNA HAVE
TO TRY HARDER THAN THAT
466
00:27:59,846 --> 00:28:02,114
TO KNOCK ME OFF MY GAME.
467
00:28:07,519 --> 00:28:10,256
YOU SEE OUR WAITRESS
OVER THERE?
468
00:28:11,490 --> 00:28:13,425
SHE WANTS TO BE AN ACTRESS.
469
00:28:13,425 --> 00:28:16,763
SHE'S GOT
THAT AIR OF ENTITLEMENT
MIXED WITH DESPERATION.
470
00:28:16,763 --> 00:28:19,065
SHE DOESN'T HAVE
THE LOOKS, THOUGH.
471
00:28:19,065 --> 00:28:20,733
SHE DOESN'T EVEN
HAVE THE TALENT,
472
00:28:20,733 --> 00:28:23,335
BUT, LIKE AN OLD DONKEY,
473
00:28:23,335 --> 00:28:24,336
SHE'S BEEN AT IT SO LONG,
474
00:28:24,336 --> 00:28:27,139
SHE'S NOT FIT
TO TRY TO DO ANYTHING ELSE.
475
00:28:28,908 --> 00:28:30,943
SHE LIES TO HER MOM.
476
00:28:32,144 --> 00:28:34,881
SHE'S EMBARRASSED TO TELL HER
ABOUT LOSING THE JOB
477
00:28:34,881 --> 00:28:36,715
FOR THE BIG
PALMOLIVE COMMERCIAL,
478
00:28:36,715 --> 00:28:38,217
BUT, FINGERS CROSSED,
479
00:28:38,217 --> 00:28:42,288
SHE'S GOT AN AUDITION
FOR BLOCKBUSTER VIDEOS.
480
00:28:46,125 --> 00:28:48,160
SHE HAD AN ABORTION ONCE.
481
00:28:48,160 --> 00:28:50,062
SHE STILL CRIES
ABOUT IT SOMETIMES,
482
00:28:50,062 --> 00:28:52,031
EVEN THOUGH
SHE SAVED THAT THING
483
00:28:52,031 --> 00:28:56,435
FROM AN AGONIZING LIFE
OF EATING LEFTOVER
MASHED POTATOES
484
00:28:56,435 --> 00:28:58,370
AND WATCHING
ITS MOM LOSE JOBS
485
00:28:58,370 --> 00:29:01,207
LIKE
PALMOLIVE COMMERCIALS.
486
00:29:03,943 --> 00:29:06,846
SHE'S GOT ABOUT THREE
OVARIAN EGGS LEFT.
487
00:29:08,815 --> 00:29:11,717
IN ADDITION TO BEING
LESS INTERESTING
488
00:29:11,717 --> 00:29:14,286
AND MUCH LESS ATTRACTIVE...
489
00:29:16,655 --> 00:29:20,259
YOU'RE SO MUCH MORE
PATHETIC THAN SHE IS.
490
00:29:24,964 --> 00:29:27,166
YOU'RE NOT IN.
491
00:29:35,607 --> 00:29:37,509
Lucy: I HATE HENRY ROTH.
492
00:29:37,509 --> 00:29:39,946
I DON'T THINK IT'S POSSIBLE
TO WORK WITH HIM.
493
00:29:39,946 --> 00:29:42,148
I THINK I'D BE MUCH HAPPIER
BACK DOWNSTAIRS.
494
00:29:42,148 --> 00:29:44,316
Planck: THAT IS SO
UNPROFESSIONAL, MISS RILEY.
495
00:29:44,316 --> 00:29:45,885
I'M SHOCKED.
496
00:29:46,785 --> 00:29:48,821
YOU CAN CALL ME
BY MY FIRST NAME.
497
00:29:48,821 --> 00:29:50,356
WELL, OF COURSE I CAN...
498
00:29:50,356 --> 00:29:52,558
LISA.
LUCY.
499
00:29:52,558 --> 00:29:53,993
LIZZIE? LUCY.
LUCY.
500
00:29:53,993 --> 00:29:57,263
LUCY, HENRY ROTH
IS THE ONLY REASON
YOU HAVE A JOB.
501
00:29:57,263 --> 00:30:02,134
$100,000 IF YOU CAN
GET A BOOK OUT OF HIM
BY CHRISTMAS.
502
00:30:02,134 --> 00:30:05,437
I THINK SOMEONE ELSE
WOULD BE MUCH MORE
APPROPRIATE FOR THE JOB.
503
00:30:05,437 --> 00:30:06,839
WONDERFUL.
504
00:30:06,839 --> 00:30:09,241
SO WHY DON'T YOU
CLEAR OUT YOUR THINGS.
505
00:30:09,241 --> 00:30:12,044
I'LL BE ONLY TOO GLAD
TO GIVE YOU A REFERENCE.
506
00:30:15,948 --> 00:30:17,316
MISS RILEY?
507
00:30:17,316 --> 00:30:19,952
LUCY?
508
00:30:19,952 --> 00:30:22,221
A HUNDRED
AND FIFTY THOUSAND DOLLARS.
509
00:30:23,755 --> 00:30:25,157
TWO HUNDRED.
510
00:30:25,824 --> 00:30:27,726
THAT IS MY FINAL OFFER,
511
00:30:27,726 --> 00:30:31,864
AND I WOULD
THINK VERY CAREFULLY
BEFORE WALKING OUT THAT DOOR.
512
00:30:35,834 --> 00:30:37,970
I AM PROSTITUTING MYSELF.
513
00:30:38,637 --> 00:30:41,040
YOUR METHODS ARE YOUR OWN.
514
00:30:42,674 --> 00:30:44,143
WHAT CAN HE TAKE ME FOR?
515
00:30:44,143 --> 00:30:45,912
Man: I CAN FIGHT IT,
BUT IT'S GONNA GET EXPENSIVE.
516
00:30:45,912 --> 00:30:47,079
THERE'S NO GUARANTEE.
517
00:30:47,079 --> 00:30:49,281
WHAT'S YOUR NAME AGAIN?
JAKE.
518
00:30:49,281 --> 00:30:51,650
JAKE. WHAT CAN PLANCK
TAKE ME FOR?
519
00:30:51,650 --> 00:30:54,520
THAT DEPENDS ON WHAT
THEY CAN CONVINCE A JUDGE
A BOOK'S WORTH.
520
00:30:54,520 --> 00:30:56,755
A MILLION, MAYBE.
MAYBE TWO MILLION.
521
00:30:56,755 --> 00:30:58,557
SHIT.
522
00:31:10,702 --> 00:31:13,039
LUCY, NO!
523
00:31:13,039 --> 00:31:15,341
GET THE FUCK OUT OF HERE!
524
00:31:15,341 --> 00:31:17,676
WHO IS HE?
WHAT IS WRONG WITH YOU?
525
00:31:17,676 --> 00:31:19,645
MOM, I THOUGHT HE WAS
GONNA ROB ME, OR RAPE ME...
526
00:31:19,645 --> 00:31:21,413
...OR KILL ME OR SOMETHING!
GATHER YOURSELF.
527
00:31:21,413 --> 00:31:23,549
THIS IS BUSINESS.
DON'T GET HYSTERICAL.
528
00:31:23,549 --> 00:31:27,419
BUT I LIVE THERE!
AND I CAN'T
KEEP FLOATING YOU.
529
00:31:29,088 --> 00:31:31,958
YOURS IS THE ONLY APARTMENT
IN THIS ENTIRE BUILDING
530
00:31:31,958 --> 00:31:33,792
THAT'S STILL PAYING
LAST YEAR'S RENT.
531
00:31:33,792 --> 00:31:36,162
OKAY, I MOVED IN
FOUR MONTHS AGO.
532
00:31:36,162 --> 00:31:41,233
A FOUR-MONTH RIDE THAT HAS
TO COME TO AN END SOMETIME.
533
00:31:41,233 --> 00:31:43,769
I HAVE TO PUSH YOU
FROM THE NEST.
534
00:31:43,769 --> 00:31:46,038
OH, MOM, YOU ARE SO INSANE.
535
00:31:46,038 --> 00:31:47,873
OKAY, OKAY, NO MORE TEARS.
NO MORE TEARS.
536
00:31:47,873 --> 00:31:50,742
OKAY, NOW, I WOULD BE
HAPPY TO SHOW YOU
537
00:31:50,742 --> 00:31:52,478
AN APARTMENT ON FIRST AND A.
538
00:31:52,478 --> 00:31:56,348
IT IS A WALK-UP,
BUT IT'S HALF OF WHATEVER
THEY'RE CHARGING YOU HERE.
539
00:31:56,348 --> 00:31:59,185
WHAT YOU ARE
CHARGING ME, MOM!
540
00:31:59,185 --> 00:32:01,553
DON'T GET PERSONAL!
541
00:32:03,322 --> 00:32:05,291
OH, SHIT.
542
00:32:06,525 --> 00:32:08,127
YOU COULD'VE CALLED.
543
00:32:08,127 --> 00:32:10,997
I'M...
I'M SORRY I DIDN'T CALL.
544
00:32:13,065 --> 00:32:14,766
YOU KNOW, IT'S JUST...
545
00:32:14,766 --> 00:32:18,804
AGONIZING WHEN YOU GET
THESE "WE JUST MOVED
TO NEW YORK" PEOPLE.
546
00:32:18,804 --> 00:32:21,273
Answering Machine:
HEY, IT'S LUCY.
LEAVE ME A MESSAGE.
547
00:32:21,273 --> 00:32:23,175
Jeremy: LUCY, IT'S JEREMY.
548
00:32:23,175 --> 00:32:25,144
UM, I'M IN NEW YORK,
549
00:32:25,144 --> 00:32:28,414
AND... I'M
IN YOUR NEIGHBORHOOD.
550
00:32:29,948 --> 00:32:31,984
AND IT'S BEEN A YEAR,
IT WOULD SEEM,
551
00:32:31,984 --> 00:32:33,685
WHICH IS HARD TO BELIEVE.
552
00:32:34,820 --> 00:32:36,422
UM...
553
00:32:37,256 --> 00:32:39,458
LUCY, LOOK, I'VE BEEN...
554
00:32:39,458 --> 00:32:41,327
THINKING ABOUT THINGS,
AND I'M...
555
00:32:41,327 --> 00:32:44,330
SORT OF WONDERING IF YOU'VE
BEEN THINKING ABOUT THINGS TOO.
556
00:32:44,330 --> 00:32:46,065
I MEAN, I WOULD
COMPLETELY UNDERSTAND
557
00:32:46,065 --> 00:32:48,734
IF YOU NEVER WANT
TO SEE ME AGAIN,
OF COURSE I WOULD, BUT...
558
00:32:48,734 --> 00:32:52,638
I WAS HOPING THAT
WE COULD MAYBE MEET UP.
559
00:32:53,905 --> 00:32:55,807
SO, I HOPE THIS
FINDS YOU WELL.
560
00:32:55,807 --> 00:32:56,975
LOVE TO YOUR MUM.
561
00:32:56,975 --> 00:32:58,444
HELLO, CAROL,
IF YOU'RE THERE.
562
00:32:58,444 --> 00:33:00,912
UM, SO, YEAH,
CALL ME WHEN YOU CAN.
563
00:33:00,912 --> 00:33:02,414
OKAY, THANKS. BYE.
564
00:33:05,251 --> 00:33:07,419
NO.
565
00:33:08,720 --> 00:33:10,189
OH, HONEY.
566
00:33:11,290 --> 00:33:14,960
WHAT MEN DO WHEN THEY
TREAT YOU LIKE SHIT
567
00:33:14,960 --> 00:33:16,995
IS THEY FEEL BAD.
568
00:33:16,995 --> 00:33:19,865
CALL IT ASSHOLE'S REMORSE.
569
00:33:19,865 --> 00:33:21,267
YOU JUST WATCH.
570
00:33:21,267 --> 00:33:24,170
HE'S GONNA MAKE
SOME MEANINGLESS ACT
OF CONTRITION,
571
00:33:24,170 --> 00:33:28,174
ONE WHICH YOU SHOULD
REALLY CONSIDER ACCEPTING.
572
00:33:36,948 --> 00:33:38,384
Rudy: WHAT'S THIS?
573
00:33:38,384 --> 00:33:40,786
I REMEMBERED
YOU LIKED FLOWERS.
574
00:33:43,489 --> 00:33:45,591
SPRING BOUQUET.
575
00:33:57,269 --> 00:34:02,208
DON'T ASK ME WHY,
BUT I'VE ALWAYS BEEN
PARTIAL TO FLOWERS.
576
00:34:02,208 --> 00:34:03,942
YOU WANT TO SEND ME
A VALENTINE'S GIFT,
577
00:34:03,942 --> 00:34:07,846
YOU CAN TAKE
YOUR BOX OF CHOCOLATES
AND STICK IT UP YOUR ASS.
578
00:34:07,846 --> 00:34:09,615
I LIKE FLOWERS.
579
00:34:11,717 --> 00:34:13,352
NICE GIRL, HUH?
580
00:34:14,686 --> 00:34:16,155
I MIGHT WORK WITH HER.
581
00:34:16,155 --> 00:34:17,623
IT'S... UH...
582
00:34:19,225 --> 00:34:21,026
I JUST WANTED
TO APOLOGIZE, TO--
583
00:34:21,026 --> 00:34:22,361
SHE'S LOVELY.
584
00:34:23,162 --> 00:34:25,597
LIKE AN ANTELOPE
IN A JUNKYARD.
585
00:34:29,235 --> 00:34:31,503
I DIDN'T...
I DIDN'T NOTICE.
586
00:34:34,173 --> 00:34:35,507
NOTICE?
587
00:34:39,378 --> 00:34:42,781
GIVE THE FLOWERS
TO ONE OF THE NEIGHBORS.
588
00:34:55,261 --> 00:34:57,863
OKAY,
WE'RE DECLARING A TRUCE.
589
00:34:57,863 --> 00:34:59,331
SAID TRUCE
SHALL BE IN EFFECT
590
00:34:59,331 --> 00:35:01,833
FOR EXACTLY
THREE WEEKS AND FOUR DAYS,
591
00:35:01,833 --> 00:35:03,068
AT THE END OF WHICH TIME
592
00:35:03,068 --> 00:35:04,803
YOU WILL DELIVER TO ME
A COMPLETED BOOK,
593
00:35:04,803 --> 00:35:07,339
THE TOPIC OF WHICH
WILL BE A CHRISTMAS STORY
594
00:35:07,339 --> 00:35:08,774
FEATURING MARTY THE BEAVER.
595
00:35:08,774 --> 00:35:11,577
THIS WILL AVERT LEGAL ACTION
AGAINST MR. HENRY ROTH,
596
00:35:11,577 --> 00:35:14,980
AND ENTITLE
MS. LUCY RILEY
TO A BONUS OF--
597
00:35:14,980 --> 00:35:18,250
OF $5,000.
598
00:35:19,651 --> 00:35:21,787
UM, WOW, YOU REALLY HIT
THE BIG TIME THERE, LUCY.
599
00:35:21,787 --> 00:35:24,223
I'LL BE CHECKING IN
ON YOUR PROGRESS.
600
00:35:24,223 --> 00:35:26,225
WHAT IF WE DON'T MAKE ANY?
601
00:35:26,225 --> 00:35:29,295
I MAY BE FORCED TO HIRE
ANOTHER COLLABORATOR.
602
00:35:31,763 --> 00:35:34,233
Henry: CANCEL ALL
SHRINK APPOINTMENTS,
HAIRCUTS,
603
00:35:34,233 --> 00:35:35,934
HIGHLIGHTINGS, FROSTINGS.
604
00:35:35,934 --> 00:35:37,469
TELL YOUR BOYFRIEND
YOU'RE A DYKE.
605
00:35:37,469 --> 00:35:39,171
IF YOU'VE GOT ANY PETS,
PUT 'EM TO SLEEP,
606
00:35:39,171 --> 00:35:40,839
'CAUSE THE NEXT
THREE WEEKS WE WORK.
607
00:35:42,374 --> 00:35:44,176
I DON'T HAVE A BOYFRIEND.
608
00:35:44,176 --> 00:35:46,312
DON'T COMPLAIN
TO ME ABOUT IT.
609
00:35:54,520 --> 00:35:55,754
HEY!
610
00:35:55,754 --> 00:35:57,389
HEY!
611
00:35:57,389 --> 00:36:00,492
CAN WE JUST GO AHEAD
AND GET THE APOLOGY
OUT OF THE WAY NOW?
612
00:36:00,492 --> 00:36:02,728
YEAH, I DON'T REALLY
DO GREAT AT THOSE.
613
00:36:02,728 --> 00:36:06,131
YOU WERE AWFUL TO SOMEONE
YOU DON'T EVEN KNOW,
TO SAY NOTHING OF ME.
614
00:36:06,131 --> 00:36:07,599
Boy: I WANNA GO
TO THE BATHROOM.
615
00:36:07,599 --> 00:36:09,401
Woman: WOULD YOU SIT DOWN
UNDER THE TABLE LIKE THIS
616
00:36:09,401 --> 00:36:10,469
AND SHUT THE FUCK UP.
617
00:36:10,469 --> 00:36:13,372
OKAY, YOU'RE RIGHT,
I ADMIT IT.
618
00:36:13,372 --> 00:36:15,341
WHAT?
I WAS AWFUL, I APOLOGIZE.
619
00:36:15,341 --> 00:36:17,343
NO. NO, NO, NO, NO, NO.
THAT'S NOT HOW IT WORKS.
620
00:36:17,343 --> 00:36:19,645
YOU CAN'T APOLOGIZE YET.
I'M JUST GETTING STARTED.
621
00:36:19,645 --> 00:36:21,413
OH, JESUS.
622
00:36:21,413 --> 00:36:23,482
OKAY, HEY, YOU KNOW,
WHATEVER YOU WANT.
623
00:36:23,482 --> 00:36:26,652
LOOK, I WAS WRONG,
YOU'RE RIGHT, YOU KNOW?
624
00:36:26,652 --> 00:36:27,753
WHO CARES?
625
00:36:29,455 --> 00:36:32,458
I HAVE TO GO
TO THE BATHROOM!
626
00:36:32,458 --> 00:36:34,293
Woman: ARE YOU CRYING?
SIT DOWN.
627
00:36:34,293 --> 00:36:36,995
YOU LIKE THAT?
YOU WANT THAT
TO HAPPEN AGAIN?
628
00:36:36,995 --> 00:36:38,297
STOP IT.
629
00:36:38,297 --> 00:36:40,165
ARE YOU A LITTLE GIRL,
OR ARE YOU A LITTLE BOY?
630
00:36:40,165 --> 00:36:41,600
JUST ANSWER ME
THAT QUESTION.
631
00:36:41,600 --> 00:36:44,670
DON'T YOU...
SHUT UP. SHUT UP.
632
00:36:44,670 --> 00:36:47,038
I GUESS I SHOULDN'T EXPECT
ANYTHING FROM YOU.
633
00:36:47,038 --> 00:36:49,908
Woman: SUCK THOSE TEARS IN.
SUCK THEM IN RIGHT NOW.
634
00:36:49,908 --> 00:36:51,310
I DON'T KNOW WHY,
635
00:36:51,310 --> 00:36:53,512
BUT I AM IN
A BREAKFASTY KIND OF MOOD.
636
00:36:53,512 --> 00:36:55,681
Woman: YOU JUST WENT
TO THE BATHROOM.
637
00:36:55,681 --> 00:36:57,549
Boy: I WANNA GO
TO THE BATHROOM!
EGGS.
638
00:36:57,549 --> 00:36:59,318
OVER EASY.
639
00:36:59,318 --> 00:37:01,587
OH, JESUS, I...
640
00:37:01,587 --> 00:37:04,222
IF YOU GO OVER THERE,
SHE'S JUST GONNA TAKE
THAT KID HOME
641
00:37:04,222 --> 00:37:06,191
AND BEAT
THE SHIT OUT OF HIM
BECAUSE OF YOU.
642
00:37:06,191 --> 00:37:07,893
YOU WANT THAT?
643
00:37:13,799 --> 00:37:16,502
HEY, I DIDN'T THINK
OF IT THAT WAY.
644
00:37:22,674 --> 00:37:24,543
YOU WANNA GO
SOMEWHERE ELSE?
645
00:37:25,243 --> 00:37:27,279
NO, I'M OKAY.
646
00:37:28,013 --> 00:37:29,315
I DO.
647
00:37:42,594 --> 00:37:43,995
GET OFF.
648
00:37:57,376 --> 00:37:59,711
LACKS A CERTAIN, UM...
649
00:38:00,879 --> 00:38:02,314
WOMAN'S TOUCH.
650
00:38:02,314 --> 00:38:04,416
THERE'S NO WOMAN'S TOUCH
HERE.
651
00:38:05,984 --> 00:38:08,787
THE ONES THAT DID TOUCH
DID SO AT THEIR OWN PERIL.
652
00:38:09,755 --> 00:38:13,392
OKAY, UH,
BEFORE WE CAN, UH...
653
00:38:13,392 --> 00:38:14,693
WORK EFFECTIVELY
WITH ONE ANOTHER,
654
00:38:14,693 --> 00:38:15,927
I THINK WE SHOULD BE
COMFORTABLE.
655
00:38:15,927 --> 00:38:18,797
SO, 10 MINUTES, OKAY?
THEN-- THEN WORK.
656
00:38:18,797 --> 00:38:20,332
OKAY? GO.
657
00:38:24,903 --> 00:38:26,204
OKAY, I'LL START.
658
00:38:26,204 --> 00:38:28,540
UH, I HATE MY MOTHER.
I HATE MY GODDAMN
DEAD FATHER MORE.
659
00:38:28,540 --> 00:38:30,075
RUDY WAS THE ONLY FRIEND
I EVER HAD.
660
00:38:30,075 --> 00:38:32,043
I HAD A GIRLFRIEND ONCE
WHO I USED TO LIKE
TO MASTURBATE TO
661
00:38:32,043 --> 00:38:33,044
MORE THAN HAVE SEX WITH.
662
00:38:33,044 --> 00:38:35,781
CARROTS AND SNAKES
FRIGHTEN ME.
663
00:38:35,781 --> 00:38:36,815
UM...
664
00:38:36,815 --> 00:38:39,017
I'M SUPERSTITIOUS
ABOUT THE NUMBERS...
665
00:38:41,286 --> 00:38:42,721
I CAN ONLY STIR THINGS
COUNTERCLOCKWISE,
666
00:38:42,721 --> 00:38:45,023
AND I KNOW THAT IF I DON'T
SOMETHING BAD WILL HAPPEN.
667
00:38:45,023 --> 00:38:47,025
I TAKE SIZE 11-1/2 SHOE.
668
00:38:49,160 --> 00:38:50,762
I DON'T HAVE
A FAVORITE BOOK.
669
00:38:53,331 --> 00:38:54,633
OH...
670
00:38:56,468 --> 00:38:57,969
WHAT'S CRUCIAL?
671
00:38:59,304 --> 00:39:01,139
OH, I DON'T DRIVE
OR RIDE IN CARS.
672
00:39:01,139 --> 00:39:02,774
STATISTICALLY SPEAKING,
673
00:39:02,774 --> 00:39:04,610
YOU HAVE A 100% CHANCE
OF BEING IN AN ACCIDENT
IN YOUR LIFETIME.
674
00:39:04,610 --> 00:39:06,778
THEY'RE DEATH BOXES.
675
00:39:06,778 --> 00:39:08,447
I GIVE
TO AMNESTY INTERNATIONAL
676
00:39:08,447 --> 00:39:10,682
ON THE OFF CHANCE I'M EVER
IMPRISONED AND TORTURED
677
00:39:10,682 --> 00:39:13,284
FOR MY POLITICAL BELIEFS.
678
00:39:13,284 --> 00:39:16,455
PARADOXICALLY, I HAVE
NO POLITICAL BELIEFS.
679
00:39:16,455 --> 00:39:19,024
LIFE IS PAIN. BLACK KIDS
ARE CUTER THAN WHITE ONES.
680
00:39:19,024 --> 00:39:20,726
WHAT'S IMPORTANT?
681
00:39:23,629 --> 00:39:26,064
I DIDN'T MEAN IT
WHEN I COMPARED YOU
TO OUR WAITRESS.
682
00:39:26,064 --> 00:39:27,666
I WAS ONLY
TRYING TO HURT YOU.
683
00:39:28,767 --> 00:39:30,135
I COULD'VE BEEN
MEANER ABOUT YOUR LOOKS,
684
00:39:30,135 --> 00:39:32,404
AND WHAT I WOULD HAVE SAID
WOULD HAVE MADE YOU CRY.
685
00:39:36,542 --> 00:39:38,143
I HAVE A TOWEL
I CAN'T THROW OUT
686
00:39:38,143 --> 00:39:39,878
'CAUSE IT MAY
HAVE FEELINGS.
687
00:39:44,115 --> 00:39:46,918
WHEN I EJACULATE,
I GO INTO DEEP DEPRESSIONS.
688
00:39:51,557 --> 00:39:53,358
THOUGH BY ANY STANDARD
YOU'RE A NICE PERSON,
689
00:39:53,358 --> 00:39:55,393
I DEEPLY RESENT
HAVING TO WORK WITH YOU.
690
00:39:59,731 --> 00:40:01,500
I LOVE...
691
00:40:01,500 --> 00:40:03,935
JAPANESE MONSTER MOVIES.
692
00:40:06,337 --> 00:40:08,039
GAMERA, SPECIFICALLY.
693
00:40:12,110 --> 00:40:13,712
GAMERA MOVIES?
694
00:40:16,482 --> 00:40:18,684
* GAMERA
695
00:40:19,551 --> 00:40:21,920
* GAMERA
696
00:40:32,163 --> 00:40:36,267
ATTENTION,
EVERYONE, TAKE COVER!
GAMERA IS ATTACKING!
697
00:40:36,267 --> 00:40:37,402
Woman: AN EARTHQUAKE!
698
00:40:37,402 --> 00:40:39,004
NO, NOT AN EARTHQUAKE.
GAMERA!
699
00:40:39,004 --> 00:40:41,272
HE'S COMING, I TELL YOU.
WE'RE NOT GOING ANYWHERE!
700
00:40:41,272 --> 00:40:45,310
I SAY WE SHOULD
STAY HERE AND DANCE!
HOW ABOUT IT?
701
00:40:45,310 --> 00:40:46,778
* GAMERA
702
00:40:46,778 --> 00:40:49,180
ARE YOU SURE YOU HAD
A GIRLFRIEND ONCE?
703
00:40:49,180 --> 00:40:52,250
ARE YOU ALL INSANE?
HURRY, GET OUT OF HERE!
704
00:40:52,250 --> 00:40:54,686
* GAMERA
705
00:40:55,987 --> 00:40:57,589
* GAMERA
706
00:40:57,589 --> 00:41:03,495
SO I HAVE AN EX-BOYFRIEND,
EX-THESIS ADVISOR, JEREMY.
707
00:41:03,495 --> 00:41:06,364
AND WE LIVED TOGETHER FOR,
LIKE, THREE YEARS.
708
00:41:06,364 --> 00:41:08,299
ANYWAY,
HE TOOK A SABBATICAL...
709
00:41:08,299 --> 00:41:11,670
...FROM HIS PROFESSORSH--
710
00:41:13,672 --> 00:41:14,973
YOU LOVED HIM, HE LEFT YOU,
711
00:41:14,973 --> 00:41:17,876
YOU'RE NEVER GONNA
GET OVER HIM...
712
00:41:17,876 --> 00:41:20,612
YOU THOUGHT HE WAS COMPLICATED
BECAUSE HE ONCE GOT A BLOWJOB
713
00:41:20,612 --> 00:41:22,013
FROM A BOY
AT BOARDING SCHOOL.
714
00:41:22,013 --> 00:41:24,583
SEX WITH YOU WAS TIRED,
AND NOW HE'S HAVING A BLAST
715
00:41:24,583 --> 00:41:25,984
BALLING
EVERY WOMAN IN ACADEMIA.
716
00:41:25,984 --> 00:41:27,719
IT'S THE GRIPE
COMING OUT OF YOU
717
00:41:27,719 --> 00:41:30,455
AND ALMOST EVERY OTHER
WOMAN IN THE WORLD.
718
00:41:30,455 --> 00:41:32,157
ONE GUY IS
NOT GONNA TAKE ADVANTAGE.
719
00:41:32,157 --> 00:41:35,827
WOW, I HAD NO IDEA
HOW PREVALENT BLOWJOBS
WERE IN BOYS' SCHOOLS.
720
00:41:38,797 --> 00:41:42,233
WHO ARE YOU CALLING?
ARTHUR PLANCK'S
OFFICE, PLEASE.
721
00:41:42,233 --> 00:41:43,501
HENRY?
722
00:41:43,501 --> 00:41:46,204
YOUR BONUS SICKENS ME.
IT'S A FUCKING DISGRACE.
723
00:41:46,204 --> 00:41:47,839
OH, NO, NO.
724
00:41:47,839 --> 00:41:49,875
NO, DON'T DO THAT.
DON'T DO THAT.
725
00:41:49,875 --> 00:41:51,209
I'M OKAY.
726
00:41:58,984 --> 00:42:01,119
I'M GONNA GIVE YOU
SOME MONEY MYSELF.
727
00:42:28,980 --> 00:42:31,717
RUDY AND I WEREN'T IN IT
FOR THE MONEY EITHER.
728
00:42:35,453 --> 00:42:37,055
JUST THE CHICKS.
729
00:42:46,164 --> 00:42:49,100
Voice: MESSAGE ONE.
730
00:42:49,100 --> 00:42:52,170
HI, IT'S JEREMY.
ARE YOU FREE
TOMORROW MORNING?
731
00:42:52,170 --> 00:42:53,238
NO.
732
00:42:53,238 --> 00:42:55,674
LET ME KNOW. OKAY.
GIVE US A CALL. BYE.
733
00:42:55,674 --> 00:42:58,744
Voice: END OF MESSAGES.
734
00:43:02,080 --> 00:43:05,283
I FINISHED MY BOOK.
IT'S COMING OUT
THIS CHRISTMAS.
735
00:43:05,283 --> 00:43:08,820
ROMANTICISM
FROM CONCEPTION
TO MISCONCEPTION.
736
00:43:08,820 --> 00:43:10,856
MY EDITORS
THINK IT'S GONNA BE
THIS YEAR'S GIFT
737
00:43:10,856 --> 00:43:13,558
FOR THE BIG INTELLECTUAL
SNOB IN YOUR LIFE.
738
00:43:13,558 --> 00:43:16,962
IT'S LIKE,
WHAT TO GET FOR THE MAN
WHO KNOWS EVERYTHING.
739
00:43:17,896 --> 00:43:20,632
I'M VERY HAPPY FOR YOU.
740
00:43:22,701 --> 00:43:24,670
AN ENORMOUS ADVANCE.
741
00:43:25,336 --> 00:43:26,672
FUCK.
742
00:43:27,839 --> 00:43:31,409
AND I'VE... WELL,
I THOUGHT WHAT I SHOULD DO--
743
00:43:31,409 --> 00:43:34,079
WHAT I WANTED TO DO, WAS...
744
00:43:34,079 --> 00:43:35,613
TO USE IT TO START
A LIFE WITH SOMEONE,
745
00:43:35,613 --> 00:43:38,083
AND AS YOU KNOW,
I'M VERY PICKY,
746
00:43:38,083 --> 00:43:40,251
SO I THOUGHT, WHO BETTER
TO START A LIFE WITH--
747
00:43:40,251 --> 00:43:42,320
LUCKY GIRL.
YEAH.
748
00:43:43,922 --> 00:43:45,356
I WANTED TO SHOW YOU
A COPY OF THE BOOK,
749
00:43:45,356 --> 00:43:48,794
A GALLEY, BUT THEY'RE
STILL REVISING THINGS ON IT.
750
00:43:53,765 --> 00:43:55,500
DO YOU KNOW
WHAT THE DEDICATION IS?
751
00:43:55,500 --> 00:43:56,935
NO.
752
00:43:56,935 --> 00:43:59,070
I KNOW YOU DON'T,
BUT GUESS.
753
00:43:59,070 --> 00:44:00,305
I DON'T KNOW.
754
00:44:02,140 --> 00:44:04,142
WELL, IT'S TO YOU.
IT SAYS, "TO LUCY.
755
00:44:04,142 --> 00:44:08,179
MY MUSE, MY INSPIRATION,
MY WINDOW INTO BEAUTY."
756
00:44:12,383 --> 00:44:15,086
WOW.
757
00:44:15,086 --> 00:44:17,756
I FIND IT REALLY FUNNY
THAT YOU HAD TO RUN AWAY
FROM THIS MUSE
758
00:44:17,756 --> 00:44:20,291
TO WRITE THE THING.
759
00:44:26,564 --> 00:44:28,399
WERE YOU WITH SOMEONE?
760
00:44:35,306 --> 00:44:37,242
FUCK.
761
00:44:37,242 --> 00:44:38,944
YES, I WAS.
762
00:44:38,944 --> 00:44:40,278
THERE WAS A GIRL.
763
00:44:40,278 --> 00:44:42,748
HER NAME WAS SIMONE.
IT LASTED A FEW MONTHS.
764
00:44:42,748 --> 00:44:45,784
AND I'M REALLY FUCKING SORRY.
OKAY, ENOUGH.
765
00:44:49,921 --> 00:44:52,623
LUCY, IF YOU ASK ME A QUESTION,
I'M GOING TO ANSWER IT,
766
00:44:52,623 --> 00:44:54,726
AND I'M GOING
TO ANSWER IT HONESTLY.
767
00:44:54,726 --> 00:44:57,829
I TELL YOU,
ASK ME IF I LOVE YOU.
WHY DON'T YOU ASK ME THAT?
768
00:44:57,829 --> 00:44:59,697
ARE YOU AN ASSHOLE?
769
00:44:59,697 --> 00:45:02,868
NOW THAT-- YEAH.
I DON'T ANSWER
RHETORICAL ONES.
770
00:45:06,271 --> 00:45:09,440
WHAT ARE YOU DOING
FRIDAY NIGHT?
771
00:45:09,440 --> 00:45:11,843
WORKING.
772
00:45:11,843 --> 00:45:14,980
SOUNDS DULL.
773
00:45:14,980 --> 00:45:18,349
WHAT ABOUT
THE MARRIAGE OF FIGARO
AT THE MET?
774
00:45:22,153 --> 00:45:24,890
I DON'T KNOW.
CALL ME ON FRIDAY AFTERNOON.
775
00:45:24,890 --> 00:45:26,792
THEY'RE 200 A POP.
776
00:45:26,792 --> 00:45:30,395
WOULD YOU MIND GIVING ME
A BIT MORE INDICATION NOW
IF YOU'RE INTERESTED?
777
00:45:30,395 --> 00:45:32,864
WHY? DOES SIMONE
WANT TO GO?
778
00:45:38,770 --> 00:45:40,638
JUST LET ME
THINK ABOUT IT, OKAY?
779
00:45:40,638 --> 00:45:41,807
I WILL. THANK YOU.
780
00:45:41,807 --> 00:45:43,141
OKAY, THANKS.
781
00:45:43,141 --> 00:45:44,275
HEY...
782
00:45:49,714 --> 00:45:51,216
THANK YOU FOR THE COFFEE.
783
00:45:51,216 --> 00:45:52,317
YEAH, IT'S OKAY.
784
00:46:02,127 --> 00:46:05,030
YOU GO ANYWHERE SPECIAL
FOR INSPIRATION?
785
00:46:09,067 --> 00:46:10,001
YEAH.
786
00:46:10,001 --> 00:46:11,736
YEAH, UM, JEREMY AND I
787
00:46:11,736 --> 00:46:13,438
USED TO RENT A HOUSE
ON THE SHORE.
788
00:46:13,438 --> 00:46:15,340
OH, GOD, NO, NOT THAT KIND
OF INSPIRATION.
789
00:46:15,340 --> 00:46:17,843
I'M TALKING ABOUT, LIKE,
A WHOREHOUSE IN CHINATOWN
OR A TITTY BAR--
790
00:46:17,843 --> 00:46:19,945
YOU KNOW, SOMEWHERE
TO CONNECT YOU TO REALITY.
791
00:46:19,945 --> 00:46:23,081
GOD, IT WAS SO BEAUTIFUL,
THE OCEAN AT NIGHT.
792
00:46:23,081 --> 00:46:26,051
THE SKY WAS FILLED
WITH A MILLION STARS.
793
00:46:27,118 --> 00:46:28,319
I LOVE THE SOUND
OF THE OCEAN,
794
00:46:28,319 --> 00:46:31,389
THE WAY IT SEEMED
TO BREATHE AND...
795
00:46:32,690 --> 00:46:36,327
AND SPEND A FEW HOURS LOOKING
FOR A SHOOTING STAR AND...
796
00:46:36,327 --> 00:46:39,865
THEN MAKE
SOME CORNY WISH ON ONE.
797
00:46:39,865 --> 00:46:41,699
OKAY, I'M GONNA MAKE
A WISH NOW.
798
00:46:41,699 --> 00:46:43,401
I WISH YOU'D STOP TALKING.
799
00:46:45,036 --> 00:46:47,072
WE'VE GOT WORK TO DO,
AND I ASK YOU IF
ANYTHING INSPIRES YOU,
800
00:46:47,072 --> 00:46:48,373
AND YOU START
GOING ON ABOUT YOU
801
00:46:48,373 --> 00:46:50,108
AND YOUR DOPEY BOYFRIEND
AT THE BEACH?
802
00:46:50,108 --> 00:46:52,043
YOU DON'T ALWAYS HAVE TO SAY
THE FIRST SMART-ASS THING
803
00:46:52,043 --> 00:46:53,478
THAT POPS IN YOUR HEAD,
HENRY.
804
00:46:53,478 --> 00:46:55,680
I KNOW THIS PROBABLY
MEANS NOTHING TO YOU,
805
00:46:55,680 --> 00:46:57,082
BUT IT'S REALLY
UNATTRACTIVE.
806
00:46:57,082 --> 00:46:59,417
IT JUST MAKES YOU LOOK
WEAK AND FEARFUL,
807
00:46:59,417 --> 00:47:00,685
NOT CLEVER.
808
00:47:00,685 --> 00:47:02,587
SO FUCKIN' KNOCK IT OFF.
809
00:47:27,378 --> 00:47:32,750
Female Vocalist:
* WE SAILED AWAY
ON A WINTER'S DAY *
810
00:47:32,750 --> 00:47:37,788
* WITH FATE
AS MALLEABLE AS CLAY *
811
00:47:37,788 --> 00:47:42,327
* BUT SHIPS ARE FALLIBLE,
I SAY *
812
00:47:42,327 --> 00:47:47,732
* AND THE NAUTICAL,
LIKE ALL THINGS, FADES *
813
00:47:47,732 --> 00:47:52,037
* AND, OH, MY LOVE
814
00:47:52,037 --> 00:47:55,640
* OH, IT WAS
A FUNNY LITTLE THING *
815
00:47:55,640 --> 00:47:56,975
THANK YOU.
816
00:47:56,975 --> 00:47:58,576
NO BEACH, THOUGH.
817
00:47:59,277 --> 00:48:02,147
I DIDN'T EVEN EXPECT STARS.
818
00:48:02,147 --> 00:48:04,082
ANY GREAT IDEAS FOR THE BOOK?
819
00:48:05,283 --> 00:48:07,385
IT MUST NOT WORK
WITHOUT THE BEACH.
820
00:48:07,385 --> 00:48:08,419
MMM.
821
00:48:08,419 --> 00:48:12,557
* THE SIGHT OF BRIDGES
AND BALLOONS *
822
00:48:12,557 --> 00:48:17,262
* MAKES CALM CANARIES
IRRITABLE *
823
00:48:17,262 --> 00:48:22,767
* AND THEY CAW AND CLAW
ALL AFTERNOON *
824
00:48:22,767 --> 00:48:28,706
* CANARIES AND DIRIGIBLES
825
00:48:28,706 --> 00:48:31,876
* OH, MY LOVE
826
00:48:31,876 --> 00:48:36,114
* OH, IT WAS
A FUNNY LITTLE THING *
827
00:48:38,116 --> 00:48:40,385
* TO BE...
828
00:48:40,385 --> 00:48:42,954
MY BROTHER
USED TO HAVE ONE OF THESE.
829
00:48:42,954 --> 00:48:44,822
Henry: OH, NICE.
830
00:48:44,822 --> 00:48:47,658
HE NEVER, EVER LET ME
LOOK THROUGH IT.
831
00:48:47,658 --> 00:48:50,661
UNLESS MY MOTHER WAS THERE,
THEN HE'D HAVE TO, BUT...
832
00:48:51,529 --> 00:48:53,031
IT KILLED HIM.
833
00:48:53,031 --> 00:48:57,068
HE KIND OF THOUGHT
THE WHOLE UNIVERSE
WAS HIS PERSONAL PROPERTY.
834
00:48:58,036 --> 00:49:01,172
I THINK MOST MEN
SHARE THAT VIEW.
835
00:49:01,172 --> 00:49:03,674
I GOT BINOCULARS.
836
00:49:03,674 --> 00:49:06,377
DO YOU LOOK AT STARS?
837
00:49:06,377 --> 00:49:09,014
PEOPLE'S ROOMS.
838
00:49:09,014 --> 00:49:11,482
RUDY AND I USED TO GO
UP ON THE ROOF.
839
00:49:11,482 --> 00:49:14,152
HE SOUNDS LIKE
QUITE THE FATHER FIGURE.
840
00:49:14,152 --> 00:49:16,487
RUDY WAS NOTHING
LIKE MY FATHER.
841
00:49:20,491 --> 00:49:23,528
Lucy: MY FATHER RAN OFF
WITH HIS SECRETARY.
842
00:49:27,598 --> 00:49:30,468
WHA-- UM, BACK UP.
843
00:49:30,468 --> 00:49:36,874
UM, HE-- HE--
HE RAN OFF WITH HIS SECRETARY?
844
00:49:36,874 --> 00:49:38,809
AH, IT WAS THE '70S.
845
00:49:38,809 --> 00:49:40,611
THAT'S-- THAT'S SO CLICHé.
846
00:49:40,611 --> 00:49:44,149
AT LEAST MINE
HAD THE DECENCY TO DIE.
847
00:49:44,815 --> 00:49:46,317
YOU STILL TALK TO HIM?
848
00:49:47,085 --> 00:49:49,020
NO, NOT MUCH TO SAY.
849
00:49:49,020 --> 00:49:53,424
I COULD THINK
OF A COUPLE OF THINGS.
850
00:49:53,424 --> 00:49:56,727
YEAH, I KNOW YOU COULD.
851
00:49:56,727 --> 00:49:58,296
THANK YOU.
852
00:50:03,801 --> 00:50:07,572
HEY, SORRY I SAID
SOME SHITTY STUFF
ABOUT YOU BEFORE.
853
00:50:07,572 --> 00:50:09,307
IT JUST-- YOU KNOW.
854
00:50:15,012 --> 00:50:16,747
SERIOUSLY.
855
00:50:18,349 --> 00:50:19,750
SORRY.
856
00:50:23,554 --> 00:50:25,223
OKAY.
857
00:50:35,766 --> 00:50:38,536
I COULDN'T WAIT
TILL FRIDAY.
858
00:50:39,837 --> 00:50:41,572
I MEAN,
THIS CAN'T BE IT.
859
00:50:41,572 --> 00:50:43,841
CAN IT REALLY
860
00:50:43,841 --> 00:50:45,943
I REFUSE TO BELIEVE THAT.
861
00:50:49,247 --> 00:50:51,582
WHEN I WROTE THAT YOU WERE
A WINDOW INTO BEAUTY,
862
00:50:51,582 --> 00:50:53,418
I TRULY MEANT IT.
863
00:50:54,885 --> 00:50:57,488
BECAUSE YOU ARE,
YOU'RE MY ONLY WINDOW.
864
00:51:02,560 --> 00:51:05,730
I'LL SEE YOU FRIDAY.
865
00:51:05,730 --> 00:51:10,101
Female Vocalist:
* BIG MONSTER LOVER
866
00:51:11,102 --> 00:51:13,104
* A BIGGER PUSHER-OVER
867
00:51:15,840 --> 00:51:20,511
* STANDS APART
THROUGH MOST WALKS OF LIFE *
868
00:51:20,511 --> 00:51:27,252
* WALKS ALONE
IN MOST WALKS OF LIFE *
869
00:51:37,495 --> 00:51:40,598
Rudy: LET'S NOT
GET IN THE HABIT
OF SLEEPING HERE.
870
00:51:41,899 --> 00:51:43,434
HEY, HENRY.
871
00:51:43,434 --> 00:51:46,237
HENRY, WAKE UP,
OR THEY'LL THROW YOU OUT.
872
00:51:46,237 --> 00:51:48,873
UH, 41. PLAY 41.
873
00:51:48,873 --> 00:51:56,046
AND, UH, 22 AND 50 AND 8.
874
00:51:56,046 --> 00:51:59,250
WHY ARE WE HERE?
WE NEVER WIN.
875
00:51:59,250 --> 00:52:02,153
YOU NEVER WIN,
BECAUSE YOU NEVER PLAY.
876
00:52:02,153 --> 00:52:04,255
ALL YOU DO IS PLAY,
AND ALL YOU DO IS LOSE.
877
00:52:04,255 --> 00:52:05,456
IT'S PATHETIC.
878
00:52:05,456 --> 00:52:08,359
WELL, LOOK,
I DON'T PLAY FOR THE MONEY.
879
00:52:08,359 --> 00:52:10,961
I PLAY FOR THE JOY
IT GIVES ME.
880
00:52:10,961 --> 00:52:13,698
THE PLEASURE I HAVE,
THE THRILL.
881
00:52:16,567 --> 00:52:18,068
THE THRILL?
882
00:52:18,068 --> 00:52:20,338
YOU'RE A PUSSY.
GUESS SO.
883
00:52:20,338 --> 00:52:22,540
LOSER.
BORN THAT WAY.
884
00:52:23,774 --> 00:52:25,476
SHE'S A NICE GIRL.
885
00:52:31,316 --> 00:52:33,251
SHE DESERVES
BETTER THAN HIM.
886
00:52:33,251 --> 00:52:35,186
NOW YOU'RE TALKIN'.
887
00:52:35,186 --> 00:52:36,487
BETTER THAN ME TOO.
888
00:52:36,487 --> 00:52:38,823
YEAH, PROBABLY,
BUT SHE DOESN'T KNOW THAT YET.
889
00:52:40,791 --> 00:52:43,961
I'M STARTING TO LIKE HER.
890
00:52:43,961 --> 00:52:46,631
WELL, SHOW HER
YOU AT YOUR BEST.
891
00:52:48,266 --> 00:52:54,104
I CAN'T.
I DON'T HAVE A BEST.
892
00:52:54,104 --> 00:52:57,308
MY BEST IS AT BEST...
893
00:52:58,008 --> 00:52:59,944
DEPRESSING.
894
00:53:37,014 --> 00:53:38,383
THANKS FOR COMING.
895
00:53:38,383 --> 00:53:40,318
ANYTHING FOR YOU, PAL.
896
00:53:40,318 --> 00:53:42,253
OH, DON'T KISS MY ASS.
IT MAKES ME FEEL WEIRD.
897
00:53:42,253 --> 00:53:44,255
YEAH, ME TOO.
898
00:53:46,857 --> 00:53:48,559
SO WHY AM I HERE?
899
00:53:48,559 --> 00:53:52,797
LUCY CAN'T WORK IN THE CITY.
TOO MANY DISTRACTIONS.
900
00:53:52,797 --> 00:53:54,465
MMM. YOU, PERHAPS.
901
00:53:54,465 --> 00:53:56,801
CAN I STILL USE
THE HOUSE AT THE BEACH?
902
00:53:57,968 --> 00:53:59,069
YEAH.
903
00:53:59,069 --> 00:54:01,071
YEAH, AND THE CAR?
904
00:54:01,071 --> 00:54:03,140
WHAT, DO YOU DRIVE
ALL OF A SUDDEN NOW?
905
00:54:03,140 --> 00:54:04,575
YEAH.
906
00:54:08,346 --> 00:54:09,680
ALL RIGHT.
907
00:54:09,680 --> 00:54:12,717
IT'S IN
THE FOURTH STREET GARAGE.
908
00:54:12,717 --> 00:54:15,520
AND I WANT YOU TO KEEP ME
APPRISED OF YOUR PROGRESS.
909
00:54:17,221 --> 00:54:19,990
EVERY SINGLE DAY.
910
00:54:19,990 --> 00:54:23,428
Don: HE'S AN ACADEMIC.
YOU KNOW, BRITISH.
TOTAL EGGHEAD.
911
00:54:23,428 --> 00:54:24,929
BRILLIANT, THOUGH.
912
00:54:24,929 --> 00:54:26,130
HOW BRILLIANT?
913
00:54:26,130 --> 00:54:28,232
I HAVE HIM IF YOU WANT ME
TO FIX YOU UP WITH HIM.
914
00:54:28,232 --> 00:54:30,234
THAT'S OKAY.
ANYTHING ELSE?
915
00:54:30,234 --> 00:54:32,202
WHAT DO YOU WANT TO KNOW?
916
00:54:32,202 --> 00:54:35,172
JUST, YOU KNOW,
ANY HOBBIES, ANY WEAKNESSES.
917
00:54:35,172 --> 00:54:36,974
YOU KNOW, JUNK LIKE THAT.
918
00:54:36,974 --> 00:54:38,376
UH...
919
00:54:40,378 --> 00:54:43,113
IT'S BEEN
THE LUNCHROOM TALK
AROUND HERE.
920
00:54:43,113 --> 00:54:45,383
HERE, TAKE A GANDER.
HERE HE IS.
921
00:54:49,554 --> 00:54:52,723
JEREMY COTSWOLD STURGES.
922
00:54:53,391 --> 00:54:54,892
OPEN IT UP.
923
00:55:02,132 --> 00:55:03,768
ROMANTIC, RIGHT?
924
00:55:03,768 --> 00:55:05,603
FLIP THE PAGE.
925
00:55:12,042 --> 00:55:13,744
HE'S GOT TWO GIRLS.
926
00:55:13,744 --> 00:55:15,580
CAN'T DECIDE WHO HE WANTS
TO DEDICATE IT TO.
927
00:55:15,580 --> 00:55:17,448
HE'S GONNA WAIT
FOR THE THING TO GO TO PRESS.
928
00:55:17,448 --> 00:55:19,550
TOOL.
929
00:55:20,250 --> 00:55:22,152
ANY WAY I CAN KEEP THIS?
930
00:55:38,469 --> 00:55:39,804
WHY ARE WE DOING THIS?
931
00:55:39,804 --> 00:55:41,672
JESUS! WHY ARE YOU
DOING THAT? OH, MY GOD!
932
00:55:41,672 --> 00:55:43,574
YOU KNOW, I'M GONNA BE HERE
WHEN WE GET THERE.
933
00:55:43,574 --> 00:55:44,875
WE CAN TALK THEN.
934
00:55:44,875 --> 00:55:46,511
WELL, JUST TELL ME
WHY YOU'RE DOING THIS, THEN.
935
00:55:46,511 --> 00:55:48,312
SO YOU CAN HAVE
THE BEACH AND THE STARS,
936
00:55:48,312 --> 00:55:49,914
AND WE CAN WRITE
OUR FUCKIN' BOOK.
937
00:55:49,914 --> 00:55:51,215
THAT'S-- IT'S OKAY.
938
00:55:51,215 --> 00:55:52,850
I THINK IT'S SWEET.
939
00:56:05,663 --> 00:56:06,997
COME ON.
940
00:56:11,168 --> 00:56:12,970
BET HE'D HAVE LIKED YOU.
941
00:56:23,681 --> 00:56:26,751
OLD JEWISH CUSTOM.
IT'S A SYMBOL OF AFFECTION.
942
00:56:29,820 --> 00:56:32,690
HERE YOU GO,
FROM BOTH OF US.
943
00:56:52,276 --> 00:56:54,612
Male Vocalist:
* SAWING
944
00:56:55,746 --> 00:56:59,617
* WITH MY JAW TOOTH DOWN
945
00:57:07,858 --> 00:57:12,863
* GUARDED DOWN UPSIDE FROWN
946
00:57:17,868 --> 00:57:22,473
* I'M-- I'M LOOKING
FOR A PILL *
947
00:57:22,473 --> 00:57:26,744
* SOMETHING
TO EASE MY WILL *
948
00:57:27,478 --> 00:57:30,147
* A KICK IN THE TEETH
949
00:57:31,749 --> 00:57:36,721
* YOU--
YOU MAY NOT REALIZE *
950
00:57:36,721 --> 00:57:40,991
* WHEN IT'S DONE OR WHY
951
00:57:40,991 --> 00:57:44,662
* BUT IT MAY
BE THE BEST THING *
952
00:57:44,662 --> 00:57:48,799
* IT MAY
BE THE BEST THING *
953
00:57:48,799 --> 00:57:54,639
* OOH, IT MAY
BE THE BEST THING *
954
00:57:56,106 --> 00:58:02,580
* OOH, IT MAY
BE THE BEST THING *
955
00:58:07,317 --> 00:58:09,520
* PULSING
956
00:58:10,655 --> 00:58:14,191
* WITH A FAMILIAR PAIN
957
00:58:19,964 --> 00:58:21,265
IT'S CLOCKWISE.
958
00:58:21,265 --> 00:58:22,967
* A COMFORT
959
00:58:25,202 --> 00:58:28,038
OH.
960
00:58:28,038 --> 00:58:30,440
BUT I THOUGHT
YOU ONLY HAD A PROBLEM
STIRRING THINGS CLOCKWISE.
961
00:58:30,440 --> 00:58:32,977
IT'S LONG METAL THINGS
GOING CLOCKWISE.
962
00:58:34,244 --> 00:58:36,280
IT'S OKAY.
963
00:58:36,280 --> 00:58:39,083
* YOU MAY NOT REALIZE
964
00:58:39,083 --> 00:58:40,384
I CAN DO IT.
965
00:58:40,384 --> 00:58:43,754
* WHEN IT DOES AND WHY
966
00:58:43,754 --> 00:58:47,457
* BUT IT MAY
BE THE BEST THING *
967
00:58:47,457 --> 00:58:50,661
* IT MAY
BE THE BEST THING *
968
00:58:51,996 --> 00:58:57,134
* OOH, IT MAY
BE THE BEST THING *
969
00:59:03,107 --> 00:59:04,541
THIS'LL DO.
970
00:59:04,541 --> 00:59:06,010
WEIRD.
971
00:59:19,023 --> 00:59:21,926
HEY, YOU STILL HAVE
THAT STONE I GAVE YOU?
972
00:59:21,926 --> 00:59:22,760
YEAH.
973
00:59:22,760 --> 00:59:24,995
OH, MAN. GOOD.
974
00:59:26,363 --> 00:59:28,165
THIS ONE
LOOKS JUST LIKE IT.
975
00:59:29,299 --> 00:59:30,901
NO. 'CAUSE, SEE, MINE HAS
976
00:59:30,901 --> 00:59:33,604
TWO LITTLE BLUE SPECKS
RIGHT THERE.
977
00:59:34,338 --> 00:59:36,674
KINDA LOOK LIKE EYES.
978
00:59:37,574 --> 00:59:39,076
LIKE, THERE'S
A LITTLE GUY INSIDE,
979
00:59:39,076 --> 00:59:41,345
AND HE HAS
HIS FACE PRESSED UP
AGAINST THE INSIDE,
980
00:59:41,345 --> 00:59:42,446
TRYING TO LOOK OUT.
981
00:59:42,446 --> 00:59:43,748
SEE?
982
00:59:45,482 --> 00:59:46,784
HOW'D HE GET IN THERE?
983
00:59:47,718 --> 00:59:51,021
THERE'S NOT REALLY
A GUY INSIDE THERE.
984
00:59:58,328 --> 00:59:59,664
WHAT?
985
01:00:02,633 --> 01:00:04,635
HEY! NO, NO, NO!
986
01:00:12,176 --> 01:00:13,310
YOU'RE A JERK.
987
01:00:14,244 --> 01:00:16,080
THIS IS MY STONE.
988
01:00:16,080 --> 01:00:18,315
Henry:
THIS IS MY STONE!
989
01:00:57,121 --> 01:01:00,691
HEY, GOT ANYTHING
FOR ME TO DRAW YET?
990
01:01:00,691 --> 01:01:02,126
NOPE.
991
01:01:03,360 --> 01:01:07,164
SO, WHAT IF MARTY GETS
SOME LAME CHRISTMAS GIFT,
992
01:01:07,164 --> 01:01:08,398
SOMETHING...
993
01:01:09,566 --> 01:01:11,902
STUPID, LIKE, UM...
994
01:01:13,370 --> 01:01:14,905
YOUR SHIRT.
995
01:01:15,639 --> 01:01:16,774
AND...
996
01:01:16,774 --> 01:01:18,475
MY EX-GIRLFRIEND
GAVE ME THIS SHIRT.
997
01:01:18,475 --> 01:01:20,044
SO, ANYWAY,
998
01:01:20,044 --> 01:01:21,879
HE'S AT THE DEPARTMENT STORE
THE NEXT DAY
999
01:01:21,879 --> 01:01:23,280
TRYING
TO RETURN THE THING...
1000
01:01:23,280 --> 01:01:24,849
HER FASHION SENSE
WAS THE BEST THING ABOUT HER.
1001
01:01:24,849 --> 01:01:27,451
...WHEN HE BUMPS
INTO HER AT THE CASH REGISTER.
1002
01:01:27,451 --> 01:01:29,186
WHO?
MARTY.
1003
01:01:29,186 --> 01:01:30,520
BUMPS INTO WHO?
1004
01:01:30,520 --> 01:01:31,588
WHOM
1005
01:01:31,588 --> 01:01:32,656
HIS GIRLFRIEND.
1006
01:01:32,656 --> 01:01:34,859
MARTY DOESN'T
HAVE A GIRLFRIEND.
1007
01:01:36,026 --> 01:01:36,894
WHY NOT?
1008
01:01:36,894 --> 01:01:38,562
HE DOESN'T WANT ONE.
1009
01:01:38,562 --> 01:01:40,464
OH.
1010
01:01:42,933 --> 01:01:44,668
IT'S A BIG STEP.
HE'D PROBABLY RUIN HER.
1011
01:01:44,668 --> 01:01:46,837
YEAH, YOU'RE RIGHT.
1012
01:01:46,837 --> 01:01:49,740
SHE'D WANT COMMITMENT,
AND SWEETNESS,
1013
01:01:49,740 --> 01:01:52,843
AND TO BE TREATED
LIKE SHE'S THE ONLY BEAVER
IN THE WHOLE WIDE WORLD,
1014
01:01:52,843 --> 01:01:55,880
AND MARTY'S
NOT READY FOR THAT.
1015
01:01:58,916 --> 01:02:01,018
LET ME THINK ABOUT IT.
1016
01:02:22,973 --> 01:02:26,243
Male Vocalist:
* RIGHT, WRONG, WHAT TO DO
1017
01:02:26,243 --> 01:02:30,915
* SOMEDAY
IT WILL COME TO YOU *
1018
01:02:30,915 --> 01:02:33,683
( telephone
continues ringing )
1019
01:02:33,683 --> 01:02:37,087
* HOT STYLE IN THE END
1020
01:02:37,087 --> 01:02:42,459
* WE NAMED
A SUMMER CAMP FOR YOU *
1021
01:02:46,563 --> 01:02:51,768
* I'VE GOT NOTHING TO SAY
1022
01:02:51,768 --> 01:02:55,172
* I'VE GOT NOTHING TO SAY
1023
01:02:55,172 --> 01:02:58,342
* I'VE GOT NOTHING TO SAY
1024
01:02:58,342 --> 01:03:03,747
* I'VE GOT NOTHING TO SAY
1025
01:03:03,747 --> 01:03:07,017
* WE COULD DRAG YOU DOWN
1026
01:03:07,017 --> 01:03:11,655
* BUT THAT'S
FOR OTHER BANDS TO DO *
1027
01:03:16,560 --> 01:03:21,631
* I'VE GOT NOTHING TO GIVE
1028
01:03:21,631 --> 01:03:24,835
* GOT NO REASON TO LIVE
1029
01:03:24,835 --> 01:03:27,271
* AND I WILL
FIGHT TO SURVIVE *
1030
01:03:27,271 --> 01:03:28,805
* I'VE GOT NOTHING TO HIDE
1031
01:03:28,805 --> 01:03:33,210
* WISH I WASN'T SO SHY
1032
01:03:38,248 --> 01:03:39,349
I CAN'T SLEEP.
1033
01:03:39,349 --> 01:03:43,020
MUST BE THE, UH--
MUST BE THE TIME DIFFERENCE.
1034
01:03:45,289 --> 01:03:46,390
WHAT'S THAT?
1035
01:03:47,657 --> 01:03:49,526
THIS IS SOMETHING
I TOSSED IN THE CAR.
1036
01:03:52,429 --> 01:03:53,697
AND GIFT
1037
01:03:53,697 --> 01:03:55,699
GIFT-WRAPPED
AND TOSSED IN THE CAR.
1038
01:03:55,699 --> 01:03:57,534
OH, MY GOSH.
1039
01:04:04,541 --> 01:04:06,576
OH, MY GOSH.
1040
01:04:06,576 --> 01:04:09,914
YOU CAN GO AHEAD AND OPEN IT.
1041
01:04:11,648 --> 01:04:12,950
OKAY.
1042
01:04:23,427 --> 01:04:25,595
OH, MY GOD!
1043
01:04:26,863 --> 01:04:28,398
WANNA GO TAKE A LOOK?
1044
01:04:33,837 --> 01:04:35,205
WHAT ARE YOU LOOKING FOR?
1045
01:04:35,205 --> 01:04:37,874
SOMETHING DIM AND FUZZY
1046
01:04:37,874 --> 01:04:41,478
AND ALMOST IMPOSSIBLE
TO LOCATE.
1047
01:04:42,712 --> 01:04:44,014
NEBULA?
1048
01:04:46,683 --> 01:04:48,685
I'VE BEEN READIN' UP.
1049
01:04:48,685 --> 01:04:49,886
WOW.
1050
01:04:49,886 --> 01:04:52,456
CLOUDS OF GAS.
STARS ARE BORN IN 'EM.
1051
01:04:52,456 --> 01:04:55,292
TRIP TO THE PLANETARIUM
MADE ME FEEL LIKE AN IDIOT.
1052
01:04:58,362 --> 01:05:01,265
SOMETIMES THE GAS IS A--
IS A--
1053
01:05:01,265 --> 01:05:03,900
A REMNANT OF A SUPERNOVA.
1054
01:05:03,900 --> 01:05:04,969
MM-HMM.
1055
01:05:04,969 --> 01:05:06,336
WHICH IS A STAR
1056
01:05:06,336 --> 01:05:09,373
THAT DIES IN
A PARTICULARLY SPECTACULAR...
1057
01:05:10,074 --> 01:05:12,209
VIOLENT FASHION.
1058
01:05:13,577 --> 01:05:14,979
WOW.
1059
01:05:19,249 --> 01:05:20,917
OKAY.
1060
01:05:20,917 --> 01:05:22,919
OKAY, LOOK RIGHT HERE.
1061
01:05:22,919 --> 01:05:24,288
YEAH?
YEAH.
1062
01:05:26,423 --> 01:05:27,524
OKAY, WHERE?
1063
01:05:27,524 --> 01:05:31,061
OH, YOU HAVE TO SORT OF
MOVE YOUR EYE AROUND
1064
01:05:31,061 --> 01:05:32,496
TO FIND IT.
1065
01:05:33,430 --> 01:05:35,065
OKAY, UM...
1066
01:05:35,065 --> 01:05:39,536
MMM. I DON'T SEE ANYTHING.
1067
01:05:39,536 --> 01:05:41,271
MMM. HOLD ON.
1068
01:05:42,806 --> 01:05:44,674
YEAH, HERE IT IS.
1069
01:05:45,575 --> 01:05:47,277
IT IS...
1070
01:05:47,277 --> 01:05:51,615
IT'S, LIKE, RIGHT ABOVE
THE BIG BLUE STAR.
1071
01:05:51,615 --> 01:05:53,083
YOU'LL SEE.
1072
01:05:53,750 --> 01:05:56,453
I DON'T SEE IT!
1073
01:05:57,754 --> 01:05:59,556
OKAY, HOLD ON, LET ME SEE.
1074
01:05:59,556 --> 01:06:01,391
OH.
1075
01:06:01,391 --> 01:06:02,993
IT'S THERE.
1076
01:06:05,662 --> 01:06:07,998
TRY AGAIN.
DO YOU SEE ANYTHING?
1077
01:06:11,068 --> 01:06:12,536
NO!
1078
01:06:13,403 --> 01:06:14,538
REALLY?
1079
01:06:17,074 --> 01:06:18,875
OH, FUCK!
BIG BLUE STAR!
1080
01:06:18,875 --> 01:06:20,444
OKAY, ANYTHING ELSE?
1081
01:06:20,444 --> 01:06:21,711
UH...
1082
01:06:21,711 --> 01:06:24,181
GET OUT...
A BUNCH OF DIM ONES.
1083
01:06:24,181 --> 01:06:25,715
OKAY, NOW LOOK UP.
1084
01:06:30,887 --> 01:06:35,659
Vocalist:
* AAAHHH
1085
01:06:42,866 --> 01:06:47,571
* AAAHHH
1086
01:06:57,447 --> 01:06:59,616
I CAN'T.
1087
01:06:59,616 --> 01:07:00,717
YES, YOU CAN.
1088
01:07:01,685 --> 01:07:03,087
WE HAVE TO WORK.
1089
01:07:03,087 --> 01:07:05,389
RIGHT NOW?
1090
01:07:05,389 --> 01:07:07,657
LUCY, COME ON, PLEASE.
IT'S GONNA GET...
1091
01:07:07,657 --> 01:07:09,793
VERY COMPLICATED.
1092
01:07:09,793 --> 01:07:13,330
AAAHHH, GOD, IT'S GONNA
GET SO COMPLICATED.
1093
01:07:13,330 --> 01:07:16,566
DO YOU JUST GENUINELY
DISLIKE ME, HENRY?
1094
01:07:18,535 --> 01:07:21,205
A WEEK AGO I DIDN'T GIVE
A RAT'S ASS ABOUT NEBULAS,
1095
01:07:21,205 --> 01:07:23,607
AND NOW I CAN'T GET
ENOUGH OF THEM, 'KAY?
1096
01:07:27,010 --> 01:07:28,612
NEBULAE.
1097
01:07:29,479 --> 01:07:30,480
WHAT?
1098
01:07:30,480 --> 01:07:33,683
IT'S-- IT'S "NEBULAE,"
NOT "NEBULAS."
1099
01:07:33,683 --> 01:07:35,752
OKAY, FINE.
I DON'T CARE ABOUT NEBULAS.
1100
01:07:35,752 --> 01:07:38,288
YOU ACCUSE ME
OF WHATEVER YOU WANT.
I'M PROBABLY GUILTY OF IT:
1101
01:07:38,288 --> 01:07:40,757
CONTRIBUTING TO GLOBAL WARMING
AND KILLING A SQUIRREL ONCE
1102
01:07:40,757 --> 01:07:42,025
AND USING THE WORD "RETARDED"
1103
01:07:42,025 --> 01:07:43,760
AND OCCASIONALLY
MISINTERPRETED BIGOTRY,
1104
01:07:43,760 --> 01:07:45,061
BUT DON'T-- DON'T-- DON'T--
1105
01:07:45,061 --> 01:07:46,896
DON'T-- DON'T-- DON'T--
DON'T-- DON'T--
1106
01:07:46,896 --> 01:07:49,566
ACCUSE ME
OF NOT LIKING YOU.
1107
01:07:50,834 --> 01:07:52,169
'KAY?
1108
01:07:55,139 --> 01:07:56,573
I UNDERSTAND.
1109
01:08:21,498 --> 01:08:27,371
Female Vocalist:
* LOSING THE STAR
WITHOUT A SKY *
1110
01:08:30,106 --> 01:08:35,312
* LOSING THE REASONS WHY
1111
01:08:37,947 --> 01:08:44,321
* LOSING THE CALL
THAT YOU'VE BEEN FAKING *
1112
01:08:44,321 --> 01:08:48,425
* AND I'M NOT KIDDING
1113
01:08:54,598 --> 01:08:59,603
* IT'S DAMNED IF YOU DON'T,
IT'S DAMNED IF YOU DO *
1114
01:09:01,705 --> 01:09:03,106
* BE TRUE
1115
01:09:03,106 --> 01:09:05,275
* 'CAUSE I'LL LOCK YOU UP
1116
01:09:05,275 --> 01:09:08,378
* IN A SAD, SAD TUNE
1117
01:09:11,848 --> 01:09:13,517
* MEN ARE HARD
1118
01:09:13,517 --> 01:09:18,222
* YOU'RE NOT WORTH A THING
1119
01:09:19,989 --> 01:09:21,458
* MEN ARE HARD
1120
01:09:21,458 --> 01:09:26,463
* YOU'RE NOT HIDING
1121
01:09:36,606 --> 01:09:40,076
SO, MAYBE, UM...
1122
01:09:40,076 --> 01:09:42,979
MARTY DOES HAVE
A GIRLFRIEND AFTER ALL.
1123
01:09:42,979 --> 01:09:44,614
NO.
1124
01:09:44,614 --> 01:09:47,451
WELL, YOU KNOW,
HE'S GOT TO START THINKING
ABOUT THE FUTURE.
1125
01:09:48,151 --> 01:09:50,620
YOU MEAN LITTLE BEAVERS?
1126
01:09:52,289 --> 01:09:54,190
NO. MY GOD!
1127
01:09:56,493 --> 01:10:00,564
JESUS!
LET'S NOT GET CRAZY, OKAY?
CAN YOU IMAGINE?
1128
01:10:00,564 --> 01:10:03,166
HE'S STILL NOT
A VERY TRUSTING BEAVER.
1129
01:10:03,166 --> 01:10:04,868
YOU KNOW?
MM-HMM.
1130
01:10:04,868 --> 01:10:06,403
YEAH.
1131
01:10:06,403 --> 01:10:08,438
GIVE HIM SOME TIME TO GET USED
TO HAVING A GIRLFRIEND FIRST.
1132
01:10:08,438 --> 01:10:10,840
OKAY, OKAY, OKAY.
1133
01:10:12,041 --> 01:10:18,214
I'M NOT GONNA STOP YOU
FROM DRAWING A LITTLE BEAVER.
1134
01:10:19,816 --> 01:10:22,252
I JUST CAN'T GUARANTEE
IT'S GONNA BE IN THE BOOK.
1135
01:10:22,252 --> 01:10:25,088
IT'S OKAY. I CAN WAIT.
OKAY.
1136
01:10:25,088 --> 01:10:28,925
BUT I CAN'T START
DRAWING ANYTHING
UNTIL YOU START WRITING.
1137
01:10:31,328 --> 01:10:32,729
RIGHT. OKAY.
1138
01:10:34,864 --> 01:10:37,567
GIVE ME A COUPLE OF HOURS.
1139
01:11:00,457 --> 01:11:02,058
YOU'RE ABOUT TO DRIVE ME
OUT OF MY GOURD.
1140
01:11:02,058 --> 01:11:03,527
Planck:
WELL, I'M SORRY, HENRY.
1141
01:11:03,527 --> 01:11:05,595
YOU DIDN'T KEEP ME INFORMED
OF YOUR PROGRESS.
1142
01:11:05,595 --> 01:11:07,664
WELL, WE'VE BEEN
TOO BUSY WORKING.
1143
01:11:07,664 --> 01:11:09,999
LOOK, SHE'LL FINISH IT
WITH ANOTHER COLLABORATOR.
1144
01:11:09,999 --> 01:11:13,102
THIS IS A DONE DEAL.
THIS IS NONNEGOTIABLE
AT THIS POINT.
1145
01:11:13,102 --> 01:11:15,572
UH-HUH.
HENRY, I AM NOT KIDDING.
1146
01:11:15,572 --> 01:11:17,641
NOW, I EXPECT LUCY
BACK HERE IN THE MORNING
1147
01:11:17,641 --> 01:11:19,376
TO START WORKING
WITH A NEW WRITER.
1148
01:11:19,376 --> 01:11:20,910
WELL, WHAT MAKES YOU THINK
SHE'S GONNA COME BACK?
1149
01:11:20,910 --> 01:11:23,713
HENRY, DON'T APPLY ANY
UNDUE PRESSURE TO THE GIRL.
1150
01:11:23,713 --> 01:11:27,150
HER BONUS IS CONTINGENT UPON
DELIVERING A COMPLETED BOOK,
1151
01:11:27,150 --> 01:11:28,418
WITH OR WITHOUT YOU.
1152
01:11:28,418 --> 01:11:30,019
ARTHUR, SHE DOESN'T
GIVE A FLYING SHIT
1153
01:11:30,019 --> 01:11:31,355
ABOUT 5,000 BUCKS.
1154
01:11:31,355 --> 01:11:36,326
OH, HENRY, HENRY,
IT IS NOT $5,000.
1155
01:11:38,895 --> 01:11:41,030
Henry: HEY, CAN I
TALK TO YOU A SECOND?
1156
01:11:47,704 --> 01:11:49,906
CAN I, UH, SEE THE STONE?
1157
01:11:49,906 --> 01:11:51,007
YEAH.
1158
01:11:57,414 --> 01:11:58,748
HOW MUCH?
1159
01:12:01,184 --> 01:12:02,419
HOW MUCH WHAT?
1160
01:12:02,419 --> 01:12:03,887
HOW
1161
01:12:06,590 --> 01:12:10,460
HOW MUCH DO I ADORE YOU?
1162
01:12:10,460 --> 01:12:14,063
HOW MUCH
IS PLANCK PAYING YOU?
1163
01:12:21,070 --> 01:12:23,640
$200,000.
1164
01:12:32,315 --> 01:12:33,583
YOU KNOW, I COULD HAVE JUST
1165
01:12:33,583 --> 01:12:35,985
WRITTEN YOU A CHECK
AND LEFT IT ON THE PILLOW.
1166
01:12:35,985 --> 01:12:37,053
WHAT?
1167
01:12:37,053 --> 01:12:39,122
OH, NOW I KNOW WHY
YOU CANCELED WITH JEREMY.
1168
01:12:39,122 --> 01:12:40,524
HEY, TELL ME THIS--
1169
01:12:40,524 --> 01:12:42,459
DID YOU TELL HIM
YOU WERE GONNA FUCK ME,
1170
01:12:42,459 --> 01:12:44,994
OR WAS THAT
JUST IMPROVISATION?
1171
01:14:09,178 --> 01:14:11,114
Man on Television:
...MILES FROM NOWHERE.
1172
01:14:11,114 --> 01:14:13,016
Woman on Television:
I KEPT THINKING ABOUT YOU
ALL THE TIME.
1173
01:14:13,016 --> 01:14:13,950
I COULDN'T SLEEP.
1174
01:14:13,950 --> 01:14:15,685
IT WASN'T EASY
FOR ME EITHER.
1175
01:14:15,685 --> 01:14:18,254
KEN, WE'VE GOT A CHANCE
TO BE HAPPY.
1176
01:14:18,254 --> 01:14:19,656
LET'S NOT THROW IT AWAY.
1177
01:14:19,656 --> 01:14:20,924
ARE YOU SURE?
1178
01:14:20,924 --> 01:14:22,626
I DON'T WANT TO BE SURE
OF ANYTHING...
1179
01:14:22,626 --> 01:14:24,561
EXCEPT THAT YOU LOVE ME.
1180
01:14:24,561 --> 01:14:27,296
Man #2: ...MR. LEE FOUGHT
VALIANTLY IN THE FACE
OF THE COWARDLY THUGS,
1181
01:14:27,296 --> 01:14:28,798
WHO MANAGED TO ESCAPE
1182
01:14:28,798 --> 01:14:31,100
WITH LITTLE MORE THAN
A RACK OF CHOCOLATE BARS.
1183
01:14:36,405 --> 01:14:37,574
OH, GOOD LORD.
1184
01:14:37,574 --> 01:14:38,908
WHAT IS IT?
1185
01:14:38,908 --> 01:14:41,377
I'VE DISCOVERED
A BLACK HOLE.
1186
01:14:41,377 --> 01:14:43,479
HA HA HA!
1187
01:14:43,479 --> 01:14:47,050
HEY, I'M NOT DOIN'
TOO WELL HERE.
1188
01:14:48,585 --> 01:14:51,054
SO YOU THOUGHT
SHE WAS THE ONE, HUH?
1189
01:14:54,323 --> 01:14:56,593
YEAH. ONE IN A BILLION.
1190
01:14:56,593 --> 01:14:59,362
WELL, LET'S
NOT GET CARRIED AWAY.
1191
01:14:59,362 --> 01:15:02,932
THE AVERAGE GUY
MEETS ABOUT 900 WOMEN
DURING THE MATING YEARS,
1192
01:15:02,932 --> 01:15:07,937
SO-- SO YOU THOUGHT
SHE WAS THE ONE IN 900.
1193
01:15:08,938 --> 01:15:10,039
I GET IT.
1194
01:15:10,707 --> 01:15:13,810
STILL,
A DEVASTATING BLOW.
1195
01:15:15,879 --> 01:15:17,881
WH
1196
01:15:30,259 --> 01:15:31,460
FUCK.
1197
01:15:31,460 --> 01:15:33,630
WELL, AT LEAST
I STILL GOT YOU.
1198
01:15:43,472 --> 01:15:46,009
HEY, I-- YOU--
1199
01:15:46,009 --> 01:15:48,144
RUDY!
1200
01:16:00,089 --> 01:16:01,557
RUDY!
1201
01:16:31,187 --> 01:16:33,657
HE'S INVULNERABLE.
1202
01:17:33,750 --> 01:17:35,184
ALMOST ALL PROCEEDS.
1203
01:17:35,184 --> 01:17:37,286
Henry: SO, ANY IDEA
WHAT SHE DID WITH HER BONUS?
1204
01:17:37,286 --> 01:17:38,654
YEAH, SHE'S DONATING HER FEE
1205
01:17:38,654 --> 01:17:41,624
TO THE LANDMINE...
SOMETHING SOMETHING...
1206
01:17:41,624 --> 01:17:42,859
CHILDREN'S FUND.
1207
01:17:42,859 --> 01:17:44,593
OH, MY GOD.
YOU SHOULD BE HAPPY.
1208
01:17:44,593 --> 01:17:47,630
NO, THEY'RE
THE ONES THAT HAD ME
DROP THE SUIT AGAINST YOU.
1209
01:17:47,630 --> 01:17:49,498
ARTHUR, UH-- UH-- UH--
1210
01:17:49,498 --> 01:17:51,667
SHE'S GOT
A BOOK SIGNING TOMORROW.
1211
01:17:51,667 --> 01:17:53,036
DON'T BOTHER.
1212
01:17:53,036 --> 01:17:55,504
SHE'S LEAVING FOR LONDON
THE NEXT MORNING. BOOK TOUR.
1213
01:17:55,504 --> 01:17:56,806
WELL, I DON'T--
1214
01:17:56,806 --> 01:17:58,374
I'LL JUST GO TO LONDON.
1215
01:17:58,374 --> 01:18:00,176
NOT HERS. HER BOYFRIEND'S.
1216
01:18:00,176 --> 01:18:04,213
SOME HORRIBLE LITTLE BOOK
ABOUT ROMANTICISM.
1217
01:18:04,213 --> 01:18:07,650
SHE'S GOING WITH HIM.
HER BOYFRIEND?
1218
01:18:07,650 --> 01:18:09,318
YEAH.
YOU'RE TOO LATE, HENRY.
1219
01:18:10,219 --> 01:18:11,320
REALLY.
1220
01:18:16,625 --> 01:18:19,395
Female Vocalist:
* OH NO, OH NO, OH NO
1221
01:18:19,395 --> 01:18:21,330
* OH NO, OH NO
1222
01:18:21,330 --> 01:18:23,767
* OH NO, OH NO, OH NO
1223
01:18:23,767 --> 01:18:26,903
* OH NO
1224
01:18:26,903 --> 01:18:29,538
* OH NO, OH NO, OH NO
1225
01:18:29,538 --> 01:18:31,707
* OH NO, OH NO
1226
01:18:31,707 --> 01:18:34,343
* OH NO, OH NO, OH NO
1227
01:18:34,343 --> 01:18:36,846
* OH NO
1228
01:18:36,846 --> 01:18:39,849
* OH NO, OH NO, OH NO
1229
01:18:39,849 --> 01:18:41,084
* OH NO
1230
01:18:41,084 --> 01:18:43,452
* OH NO, OH NO, OH NO
1231
01:18:43,452 --> 01:18:44,754
* OH NO
1232
01:18:44,754 --> 01:18:46,923
* OH NO, OH NO, OH NO
1233
01:18:46,923 --> 01:18:49,959
* OH NO
1234
01:20:05,801 --> 01:20:08,737
Female Vocalist:
* OH NO, OH NO, OH NO
1235
01:20:08,737 --> 01:20:10,439
* OH NO, OH NO
1236
01:20:10,439 --> 01:20:13,242
* OH NO, OH NO, OH NO
1237
01:20:13,242 --> 01:20:15,979
* OH NO
1238
01:20:15,979 --> 01:20:18,848
* OH NO, OH NO, OH NO
1239
01:20:18,848 --> 01:20:20,683
* OH NO, OH NO
1240
01:20:20,683 --> 01:20:23,419
* OH NO, OH NO, OH NO
1241
01:20:23,419 --> 01:20:26,122
* OH NO
1242
01:20:26,122 --> 01:20:28,992
* OH NO, OH NO, OH NO
1243
01:20:28,992 --> 01:20:30,093
* OH NO
1244
01:20:30,093 --> 01:20:32,428
* OH NO, OH NO, OH NO
1245
01:20:32,428 --> 01:20:33,529
* OH NO
1246
01:20:33,529 --> 01:20:36,365
* OH NO, OH NO, OH NO
1247
01:20:36,365 --> 01:20:39,368
* OH NO
1248
01:22:38,887 --> 01:22:41,390
( indistinct laughter
and chatter )
1249
01:22:41,390 --> 01:22:43,626
( Christmas music
plays faintly )
1250
01:22:49,932 --> 01:22:51,334
Man: HEY!
1251
01:23:02,045 --> 01:23:04,680
Lucy: ...WE BOTH ARE.
WE APPRECIATE YOUR SUPPORT.
1252
01:23:04,680 --> 01:23:06,382
I HOPE YOU LIKE THE BOOK.
1253
01:23:27,470 --> 01:23:28,771
HEY.
1254
01:23:33,609 --> 01:23:35,311
UH...
1255
01:23:39,182 --> 01:23:42,851
I'VE NEVER BEEN GOOD
AT FINDING THINGS.
1256
01:23:42,851 --> 01:23:44,520
I'M REALLY GOOD
AT LOSING THINGS--
1257
01:23:44,520 --> 01:23:47,523
UH, THE REMOTE AND KEYS
AND PARROTS AND PEOPLE I LIKE--
1258
01:23:47,523 --> 01:23:50,393
HENRY, GO AWAY.
1259
01:23:58,367 --> 01:23:59,468
NO.
1260
01:24:00,836 --> 01:24:02,271
COME HERE.
1261
01:24:11,013 --> 01:24:12,415
OH, GOD.
1262
01:24:12,415 --> 01:24:16,252
I'VE SPENT MY WHOLE LIFE
WANTING SOMETHING...
1263
01:24:17,553 --> 01:24:20,156
AND DOING MY VERY BEST
NOT TO FIND IT.
1264
01:24:20,856 --> 01:24:22,158
NEVER...
1265
01:24:23,692 --> 01:24:26,962
EVEN GOING NEAR THE PLACES
IT MIGHT BE,
1266
01:24:26,962 --> 01:24:28,631
AND SUDDENLY...
1267
01:24:28,631 --> 01:24:32,335
I GOT THE GODDAMN THING
PRACTICALLY CHAINED
AROUND MY NECK.
1268
01:24:33,035 --> 01:24:35,704
WHAT ARE YOU TALKING ABOUT?
1269
01:24:35,704 --> 01:24:37,106
YOU. YOU.
YOU'RE THE--
1270
01:24:37,106 --> 01:24:39,608
YOU'RE--
YOU'RE THE GODDAMN THING.
1271
01:24:39,608 --> 01:24:41,043
YOU'RE--
1272
01:24:41,043 --> 01:24:43,146
I MEAN, YOU'RE-- YOU'RE--
1273
01:24:46,449 --> 01:24:49,051
AAAHHH...
I CAN'T DESCRIBE YOU.
1274
01:24:49,051 --> 01:24:50,186
I DON'T-- I DON'T--
1275
01:24:50,186 --> 01:24:52,488
I DON'T WRITE
THAT KIND OF SHIT.
1276
01:24:52,488 --> 01:24:53,656
I WRITE--
1277
01:24:53,656 --> 01:24:56,759
YOU KNOW, THE PEOPLE
WHO WRITE THE REAL BOOKS,
1278
01:24:56,759 --> 01:24:57,860
THE LOVE BOOKS AND THE POEMS
1279
01:24:57,860 --> 01:25:00,163
AND EVEN THOSE STUPID
LITTLE FUCKING NOVELS
1280
01:25:00,163 --> 01:25:02,231
WITH THE HUNKY ASSHOLES
ON THE COVER.
1281
01:25:02,231 --> 01:25:03,932
YOU KNOW-- YOU KNOW
WHAT I'M TALKING ABOUT?
1282
01:25:03,932 --> 01:25:05,734
YOU'RE, LIKE,
PRINCESS SHIT.
1283
01:25:05,734 --> 01:25:08,204
YOU KNOW, FAIRY TALES.
YOU KNOW WHAT I'M SAYING?
1284
01:25:08,204 --> 01:25:09,872
THE MILLION GUYS
ARE AFTER HER,
1285
01:25:09,872 --> 01:25:11,974
AND THEY'RE BLINDED
BY YOUR BEAUTY KIND OF SHIT.
1286
01:25:11,974 --> 01:25:14,343
REAL BIG STUFF, YOU KNOW--
1287
01:25:14,343 --> 01:25:17,380
EVEN WE GOT THE DICK
WHO KIDNAPS YOU
1288
01:25:17,380 --> 01:25:18,614
AND STICKS YOU IN A CAVE
1289
01:25:18,614 --> 01:25:20,983
AND YOU'RE GUARDED
BY A FIVE-HEADED DRAGON,
1290
01:25:20,983 --> 01:25:22,385
AND, YOU KNOW,
THE TALES OF YOUR PLIGHT
1291
01:25:22,385 --> 01:25:23,752
ARE SPREAD
THROUGHOUT THE LAND,
1292
01:25:23,752 --> 01:25:25,854
AND NOW ALL THE GUYS
GO AND PUT ON THEIR SHOES
1293
01:25:25,854 --> 01:25:27,323
SO THEY CAN SEE WHAT'S UP,
1294
01:25:27,323 --> 01:25:31,994
BUT NONE OF THEM HAVE--
HAVE THE BALLS TO SAVE HER,
1295
01:25:31,994 --> 01:25:33,796
EXCEPT FOR ME.
1296
01:25:35,564 --> 01:25:39,702
I WOULD GO THROUGH
ANYTHING FOR YOU.
1297
01:25:41,604 --> 01:25:44,340
AND STILL...
1298
01:25:44,340 --> 01:25:47,710
THERE I WAS, LOOKING
FOR A WAY NOT TO SEE IT.
1299
01:25:47,710 --> 01:25:49,178
ANYTHING.
1300
01:25:53,716 --> 01:25:54,850
MONEY.
1301
01:26:01,257 --> 01:26:03,426
STUPID IDIOT.
1302
01:26:04,993 --> 01:26:06,028
YES.
1303
01:26:06,028 --> 01:26:08,197
YEAH.
1304
01:26:08,197 --> 01:26:11,467
YES, I'M A BIG,
FAT, STUPID IDIOT.
1305
01:26:16,372 --> 01:26:18,841
I HOPE YOU'RE BETTER
TO THE NEXT ONE.
1306
01:26:28,784 --> 01:26:30,219
WAIT.
1307
01:26:31,520 --> 01:26:33,589
LET ME SHOW YOU SOMETHING.
1308
01:26:33,589 --> 01:26:35,324
ALL RIGHT.
1309
01:27:13,862 --> 01:27:15,698
IT WAS EASY TO FIND.
1310
01:27:19,635 --> 01:27:21,570
IT'S THE ONLY ONE LIKE IT.
1311
01:27:29,645 --> 01:27:32,681
YOU BROKE MY HEART,
HENRY.
1312
01:27:37,320 --> 01:27:39,254
I DON'T THINK
THAT YOU CAN...
1313
01:27:39,955 --> 01:27:41,123
TRUST PEOPLE.
1314
01:27:41,123 --> 01:27:43,292
YOU ALWAYS HAVE
TO FIND SOMETHING WRONG.
1315
01:27:46,895 --> 01:27:48,564
I'M JUST-- I'M SORRY.
1316
01:27:54,837 --> 01:27:55,938
I'LL MISS YOU.
1317
01:28:31,774 --> 01:28:33,008
YOU'LL BE FINE.
1318
01:28:37,045 --> 01:28:39,014
WE'LL BOTH BE FINE, RUDY.
1319
01:28:42,485 --> 01:28:44,620
THAT'S LIFE, HENRY.
1320
01:28:45,320 --> 01:28:46,622
YEP.
1321
01:28:49,291 --> 01:28:51,494
YOU KNOW WHAT LIFE IS?
1322
01:28:53,195 --> 01:28:54,897
LIFE IS...
1323
01:28:55,598 --> 01:28:57,132
A HORRIBLE LITTLE GIGGLE
1324
01:28:57,132 --> 01:29:01,103
IN THE MIDST OF A FORCED
DEATH MARCH TOWARDS HELL.
1325
01:29:02,037 --> 01:29:03,506
NO, IT ISN'T.
1326
01:29:05,340 --> 01:29:08,076
AN INTERMINABLE
WAIL OF GRIEF.
1327
01:29:08,076 --> 01:29:09,378
NO.
1328
01:29:13,382 --> 01:29:16,719
LIFE IS A SINGLE
SKIP FOR JOY.
1329
01:29:25,761 --> 01:29:26,995
I KNOW.
1330
01:29:34,403 --> 01:29:36,371
YOU HEAR THAT?
1331
01:29:37,673 --> 01:29:38,774
WHAT?
1332
01:29:40,108 --> 01:29:41,577
LOOK.
1333
01:30:16,912 --> 01:30:19,114
YOU'LL NEVER THROW IT
AWAY AGAIN?
1334
01:30:19,114 --> 01:30:20,415
NEVER.
1335
01:30:23,452 --> 01:30:25,521
IT'S THE ONLY ONE LIKE IT.
1336
01:30:30,459 --> 01:30:31,760
I KNOW.
1337
01:30:47,643 --> 01:30:50,445
Female Vocalist:
* OH NO, OH NO, OH NO
1338
01:30:50,445 --> 01:30:52,347
* OH NO, OH NO
1339
01:30:52,347 --> 01:30:54,950
* OH NO, OH NO, OH NO
1340
01:30:54,950 --> 01:30:57,853
* OH NO
1341
01:30:57,853 --> 01:31:00,455
* OH NO, OH NO, OH NO
1342
01:31:00,455 --> 01:31:02,491
* OH NO, OH NO
1343
01:31:02,491 --> 01:31:05,393
* OH NO, OH NO, OH NO
1344
01:31:05,393 --> 01:31:08,163
* OH NO
1345
01:31:08,163 --> 01:31:10,999
* OH NO, OH NO, OH NO
1346
01:31:10,999 --> 01:31:12,100
* OH NO
1347
01:31:12,100 --> 01:31:14,402
* OH NO, OH NO, OH NO
1348
01:31:14,402 --> 01:31:15,504
* OH NO
1349
01:31:15,504 --> 01:31:18,106
* OH NO, OH NO, OH NO
1350
01:31:18,106 --> 01:31:20,943
* OH NO
1351
01:31:57,179 --> 01:32:00,849
Female Vocalist:
* IN THE CAGE AQUA
1352
01:32:00,849 --> 01:32:04,720
* RUBY-RED PANDA
1353
01:32:04,720 --> 01:32:12,595
* AN INSANE BOY WHO HAVE
CONTROL OF THE WORLD *
1354
01:32:13,228 --> 01:32:15,898
* POWER
1355
01:32:15,898 --> 01:32:18,701
* WILL MEET THE BOY
1356
01:32:18,701 --> 01:32:21,770
* WHY DOES POWER
ALWAYS SEEK THE BOY *
1357
01:32:21,770 --> 01:32:25,207
* WHY DOES POWER
MAKE THE CRAZY BOY *
1358
01:32:25,207 --> 01:32:30,045
* MORE... MORE
1359
01:32:31,179 --> 01:32:35,217
* WAS THE BOY
1360
01:32:35,217 --> 01:32:39,387
* POWERCORD
1361
01:32:39,387 --> 01:32:43,058
* I AM HERE
1362
01:32:44,026 --> 01:32:47,596
* I WILL SELL MY SOUL
TO DEVIL *
1363
01:32:47,596 --> 01:32:51,299
* IF I CAN BE THE TOP
OF THE WORLD *
1364
01:32:52,234 --> 01:32:55,871
* I WILL SELL MY SOUL
TO DEVIL *
1365
01:32:55,871 --> 01:33:00,676
* IF I CAN BE THE TOP
OF THE WORLD *
1366
01:33:00,676 --> 01:33:04,012
* I WILL SELL MY SOUL
TO DEVIL *
1367
01:33:04,012 --> 01:33:07,883
* IF I CAN BE THE TOP
OF THE WORLD *
1368
01:33:09,017 --> 01:33:12,054
* BE THE TOP OF THE WORLD
1369
01:33:13,355 --> 01:33:17,525
* HE WAS FUNNY AND FINE,
SWEET SWEET GOOD BOY *
1370
01:33:17,525 --> 01:33:21,163
* SAID HE LIKED ME
LIKE POWER *
1371
01:33:22,097 --> 01:33:25,100
* DREAMS OF BOY
NOT LIKE BEFORE *
1372
01:33:25,100 --> 01:33:27,335
* OH NO
1373
01:33:27,335 --> 01:33:32,641
* I AM NOT A BOY,
I CANNOT HOLD THE POWERS *
1374
01:33:32,641 --> 01:33:34,009
* HOLD THE POWERS
1375
01:33:34,009 --> 01:33:38,446
* THAT MAN WAS AN ANGEL
IN THE CAB *
1376
01:33:38,446 --> 01:33:43,051
* I DON'T CARRY
HER POWERS *
1377
01:33:43,051 --> 01:33:45,654
* HEART AND SOUL
I KNOW WHAT I WANT *
1378
01:33:45,654 --> 01:33:48,390
* OH NO
1379
01:33:48,390 --> 01:33:50,058
* I AM NOT A BOY
1380
01:33:50,058 --> 01:33:53,395
* I CANNOT HOLD THE POWERS
1381
01:33:53,395 --> 01:33:56,665
* HOLD THE POWER
1382
01:33:58,400 --> 01:34:04,707
* MATCHBOOK SEEKS MATCHBOOK
SEEKS MANIAC *
1383
01:34:04,707 --> 01:34:10,713
* MATCHBOOK SEEKS MATCHBOOK
SEEKS MANIAC *
1384
01:34:10,713 --> 01:34:17,285
* MATCHBOOK SEEKS MATCHBOOK
SEEKS MANIAC *
1385
01:34:25,227 --> 01:34:28,864
* I WILL SELL MY SOUL
TO DEVIL *
1386
01:34:28,864 --> 01:34:32,768
* IF I CAN BE THE TOP
OF THE WORLD *
1387
01:34:33,702 --> 01:34:37,005
* I WILL SELL MY SOUL
TO DEVIL *
1388
01:34:37,005 --> 01:34:40,909
* IF I CAN BE THE TOP
OF THE WORLD *
1389
01:34:41,844 --> 01:34:45,113
* I WILL SELL MY SOUL
TO DEVIL *
1390
01:34:45,113 --> 01:34:48,116
* IF I CAN BE THE TOP
OF THE... *
90278
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