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These are the user uploaded subtitles that are being translated: 1 00:00:10,978 --> 00:00:14,682 *[Ballad of Waterhole No. 3 (Code of the West) by Roger Miller playing] 2 00:00:14,715 --> 00:00:17,685 * I'LL TELL YOU A STORY 3 00:00:17,718 --> 00:00:22,356 * THAT'S NEVER BEEN TOLD 4 00:00:25,693 --> 00:00:28,362 * OF RAPING AND KILLING 5 00:00:28,396 --> 00:00:32,733 * AND GOVERNMENT GOLD 6 00:00:37,671 --> 00:00:42,510 * THE PLACE: ARIZONA 7 00:00:42,543 --> 00:00:45,746 * THE YEAR: '84 8 00:00:48,416 --> 00:00:52,453 * SIT BACK AND I'LL TELL YOU SOME MORE * 9 00:00:55,556 --> 00:01:00,294 * A 30-YEAR CAPTAIN JUST EARNING HIS PAY * 10 00:01:04,365 --> 00:01:09,203 * WAS MOVING A SHIPMENT OF BULLION THAT DAY * 11 00:01:13,174 --> 00:01:18,512 * WHILE MEN WITHOUT HONOR WERE WAITING TO TEST * 12 00:01:18,546 --> 00:01:21,782 * THE UNWRITTEN CODE OF THE WEST * 13 00:01:25,586 --> 00:01:28,222 * IT'S THE CODE OF THE WEST 14 00:01:28,256 --> 00:01:31,825 * YOU MUST HONOR YOUR NEIGHBOR * 15 00:01:33,194 --> 00:01:35,596 * THE CODE OF THE WEST 16 00:01:35,629 --> 00:01:40,601 * TO YOUR OWN SELF BE TRUE 17 00:01:40,634 --> 00:01:43,171 * THE CODE OF THE WEST 18 00:01:43,204 --> 00:01:45,906 * YOU MUST DO UNTO OTHERS 19 00:01:45,939 --> 00:01:48,309 * DO UNTO OTHERS 20 00:01:48,342 --> 00:01:51,845 * BEFORE THEY DO IT UNTO YOU 21 00:01:54,615 --> 00:01:59,587 * THAT'S THE CODE OF THE WEST * 22 00:02:06,960 --> 00:02:08,596 [hammering] 23 00:02:11,265 --> 00:02:13,133 [hammering continues] 24 00:02:18,506 --> 00:02:20,441 WHOA! 25 00:02:31,752 --> 00:02:34,422 (Quinlen) TIME TO CLOSE UP THE SHOP, SHOEMAKER. 26 00:02:42,663 --> 00:02:44,398 ALL RIGHT, COME ON, COME ON. 27 00:02:46,700 --> 00:02:48,536 IN YOUR HOLE, RABBIT. 28 00:02:55,676 --> 00:02:56,744 MEN. 29 00:03:46,026 --> 00:03:47,961 SGT. FOGGERS, WE CAN'T SPARE ANY MEN 30 00:03:47,995 --> 00:03:49,797 TO HELP YOU BECAUSE OF THE WAR GAMES. 31 00:03:49,830 --> 00:03:51,899 BESIDES, THEY'D JUST ATTRACT ATTENTION. 32 00:03:51,932 --> 00:03:55,403 BUT YOU KEEP A WEATHER EYE AND YOU'LL BE RELIEVED AT FIRST LIGHT. 33 00:03:55,436 --> 00:03:56,504 NOW DO YOUR DUTY. 34 00:03:56,537 --> 00:03:57,671 SIR, 35 00:03:57,705 --> 00:03:59,440 THE ARMY'S MY HOME 36 00:03:59,473 --> 00:04:01,842 AND I WOULD PROTECT MY HOME WITH MY LIFE. 37 00:04:09,082 --> 00:04:11,552 I GOT IT. I GOT IT! 38 00:04:11,585 --> 00:04:13,354 [both grunting] 39 00:04:15,423 --> 00:04:16,624 (Quinlen) OW! WATCH YOURSELF! 40 00:04:19,026 --> 00:04:22,530 THAT'S A, A LOT OF GOLD FOR ONE INSIDE MAN TO GUARD. 41 00:04:22,563 --> 00:04:24,932 THAT'S A LOT OF SOLDIER, CORPORAL. 42 00:04:24,965 --> 00:04:27,301 WELL, I, I STILL SAY IT'S A LOT OF GOLD, SIR. 43 00:04:27,335 --> 00:04:30,671 FIRM UP, CORPORAL. WE'RE NOT CIVILIANS. 44 00:04:30,704 --> 00:04:31,872 GIDDYUP. 45 00:04:35,343 --> 00:04:36,410 (Hilb) GET OUT OF THERE. 46 00:04:36,444 --> 00:04:37,478 (Quinlen) QUICK, RABBIT. 47 00:04:39,880 --> 00:04:42,950 * SWEET YELLOW, SWEET YELLOW 48 00:04:42,983 --> 00:04:47,020 * SWEET TANGERINE GOLD 49 00:04:47,054 --> 00:04:51,692 * YOU MAKE A MAN FEVER AND YOU MAKE A MAN BOLD * 50 00:04:53,927 --> 00:04:55,363 OK, BOYS. 51 00:04:55,396 --> 00:04:56,930 THIS IS WHERE WE LOSE EACH OTHER. 52 00:04:56,964 --> 00:04:58,799 WHY DON'T WE BURY THAT SHOEMAKER IN THE SHAFT? 53 00:04:58,832 --> 00:05:00,801 NO, WE CAN'T DO THAT. 54 00:05:00,834 --> 00:05:02,836 HE'S OUR ALIBI IF THINGS GO GOOD. 55 00:05:02,870 --> 00:05:04,037 HE'S AN ALIBI? 56 00:05:04,071 --> 00:05:05,839 YEAH, IT'S HIS TUNNEL, AIN'T IT? 57 00:05:05,873 --> 00:05:08,442 YEAH, BUT THAT DON'T MAKE ME ANY LESS A DESERTER. 58 00:05:08,476 --> 00:05:09,543 [laughing] 59 00:05:09,577 --> 00:05:10,978 YOU AIN'T NO DESERTER. 60 00:05:11,011 --> 00:05:12,079 [laughing] 61 00:05:12,112 --> 00:05:13,547 YOU'RE HIS HOSTAGE. 62 00:05:13,581 --> 00:05:15,449 OH! 63 00:05:15,483 --> 00:05:18,852 YOU CANNOT DISPOSE OF MY LIFE LIKE IT WAS A CHESS PIECE! 64 00:05:18,886 --> 00:05:20,554 OH? 65 00:05:20,588 --> 00:05:23,757 YOU DO EVERYTHING RIGHT AND YOU'VE GOT SOME HOPE. 66 00:05:23,791 --> 00:05:26,927 YOU DO ANYTHING WRONG AND I'LL GUARANTEE YOU PAIN. 67 00:05:26,960 --> 00:05:28,629 DO YOU UNDERSTAND PAIN? 68 00:05:28,662 --> 00:05:29,730 YES. 69 00:05:29,763 --> 00:05:30,764 (Quinlen) OH. 70 00:05:32,766 --> 00:05:33,867 WE'LL DIVVY NOW, HUH? 71 00:05:33,901 --> 00:05:35,469 NAH, NAH, NO. 72 00:05:35,503 --> 00:05:38,706 THE GOLD STAYS WITH ME UNTIL I BURY IT. 73 00:05:38,739 --> 00:05:39,840 IT DOES? 74 00:05:39,873 --> 00:05:40,941 (Quinlen) YEAH, IT DOES. 75 00:05:40,974 --> 00:05:42,142 [growling] 76 00:05:42,175 --> 00:05:43,777 SETTLE DOWN, SETTLE DOWN. 77 00:05:43,811 --> 00:05:45,713 YOU 2 ARE GONNA SPOIL EVERYTHING. 78 00:05:45,746 --> 00:05:47,848 NOW HOW DO WE FIND YOU? 79 00:05:47,881 --> 00:05:49,683 WE'LL MEET IN DOLORES. 80 00:05:49,717 --> 00:05:51,885 AND I'M GONNA TAKE THIS GOLD AND I'M GONNA BURY IT 81 00:05:51,919 --> 00:05:53,487 AND I'M GONNA MAKE A MAP 82 00:05:53,521 --> 00:05:55,489 AND I'M GONNA GET WORD TO YOU LATER. 83 00:05:55,523 --> 00:05:57,024 THAT'S ALL RIGHT WITH ME. 84 00:05:57,057 --> 00:05:59,092 IT'LL BE NICE AND COOL IN DOLORES IN A COUPLE OF WEEKS. 85 00:05:59,126 --> 00:06:00,661 RIGHT, HILB? 86 00:06:00,694 --> 00:06:03,030 I MAY MAKE IT THERE JUST A LITTLE EARLIER. 87 00:06:03,063 --> 00:06:05,899 IF YOU DO, JUST DON'T LET ME SEE YOU. 88 00:06:05,933 --> 00:06:06,967 HUH? 89 00:06:07,000 --> 00:06:08,469 [grunting] 90 00:06:11,772 --> 00:06:14,708 * SO THE TOWN OF DOLORES 91 00:06:14,742 --> 00:06:18,512 * THAT MORNING IN MAY 92 00:06:18,546 --> 00:06:20,414 * WAS IN FOR 93 00:06:20,448 --> 00:06:24,151 * AN INFAMOUS DAY 94 00:06:26,987 --> 00:06:28,989 [horse snorting] 95 00:06:29,022 --> 00:06:30,958 (man #1) DAMN, WE RODE HER ROUGH. 96 00:06:36,530 --> 00:06:38,999 WHOO-HOO! YES, SIR. 97 00:06:39,032 --> 00:06:41,569 YOU'RE NOT PAYING ATTENTION, JAY. 98 00:06:43,236 --> 00:06:46,607 THIS GAME IS CALLED FIND THE BLACK LADY, JAY. 99 00:06:46,640 --> 00:06:48,008 WHERE IS SHE? 100 00:06:51,178 --> 00:06:54,548 YOU'RE NOT WATCHING RIGHT. USE THOSE EYES OF YOURS. HERE WE GO. 101 00:06:57,084 --> 00:06:58,786 PICK HER OUT, JAY. 102 00:07:01,121 --> 00:07:03,491 TURN IT OVER. 103 00:07:03,524 --> 00:07:06,627 [laughing] 104 00:07:06,660 --> 00:07:07,895 [banging on counter] 105 00:07:09,262 --> 00:07:11,499 THAT'S THE LADY RIGHT THERE. 106 00:07:11,532 --> 00:07:13,200 (man #1) WHEN DO THE GIRLIES GET HERE, HUH? 107 00:07:16,537 --> 00:07:20,007 BY GOLLY, YOU'D HAVE WON THAT ONE, SOLDIER, IF YOU'D BEEN PLAYING. 108 00:07:20,040 --> 00:07:23,611 COME ON, JAY. GET IN HERE BEFORE HE COMES AND GETS ME. 109 00:07:25,178 --> 00:07:28,482 I GOT HER THIS TIME, LEWT. 110 00:07:28,516 --> 00:07:32,219 WELL, LET'S MAKE THIS A LITTLE INTERESTING. 111 00:07:32,252 --> 00:07:34,822 SAY, UH, FOR A GLASS OF ICE-COLD MILK? 112 00:07:34,855 --> 00:07:35,923 YOU'RE ON. 113 00:07:39,226 --> 00:07:40,961 HOT DIGGITY DAMN! 114 00:07:40,994 --> 00:07:42,062 YEAH. 115 00:07:42,095 --> 00:07:43,764 [laughing] 116 00:07:43,797 --> 00:07:45,799 JAY, WHAT'S THIS? 117 00:07:45,833 --> 00:07:49,236 I THOUGHT MILK WAS ONLY $3 A GLASS. 118 00:07:49,269 --> 00:07:52,172 IT WAS, UNTIL THE DAIRY GOT RUSTLED. 119 00:07:52,205 --> 00:07:53,173 OH. 120 00:07:59,212 --> 00:08:00,648 WELL... 121 00:08:00,681 --> 00:08:02,049 (man #2) DEAL 'EM UP. 122 00:08:04,084 --> 00:08:06,053 (Cole) LOOK FOR THE LADY. 123 00:08:16,897 --> 00:08:18,165 [grunting] 124 00:08:18,198 --> 00:08:20,067 (Cole) ONE MORE TIME, YOU HEAR? 125 00:08:22,603 --> 00:08:24,572 MR. COLE. 126 00:08:24,605 --> 00:08:25,706 MR. QUINLEN. 127 00:08:25,739 --> 00:08:27,841 NOW, DID YOU TAKE MY WALLET? 128 00:08:27,875 --> 00:08:29,877 I DID. 129 00:08:29,910 --> 00:08:31,945 BEEN HOLDING THAT MARKER OF YOURS SO LONG 130 00:08:31,979 --> 00:08:34,147 THAT THE NAME WAS GETTING FAINT ON IT. 131 00:08:39,286 --> 00:08:42,856 MR. COLE, YOU TOOK TOO MUCH. 132 00:08:42,890 --> 00:08:44,625 I TOOK TOO MUCH? 133 00:08:44,658 --> 00:08:46,860 WELL, SORRY, I ONLY COUNTED IT ONCE. 134 00:08:49,763 --> 00:08:51,965 NOW, IF YOU'D JUST GIVE ME THE $20... 135 00:09:01,041 --> 00:09:04,912 WELL, NOW, LET'S JUST SAY WE'LL CALL THAT INTEREST ON YOUR DEBT. 136 00:09:04,945 --> 00:09:06,580 LET'S SAY WE DON'T! 137 00:09:06,614 --> 00:09:08,015 [glass shattering] 138 00:09:08,048 --> 00:09:10,618 (Quinlen) THAT'S GONNA PAY FOR YOUR FUNERAL, THIEF. 139 00:09:10,651 --> 00:09:14,254 AW, COME ON, DOC. WHAT... WHAT THE HELL? 140 00:09:14,287 --> 00:09:18,191 THE NEXT THING YOU KNOW, WE'LL BE HAVING A SHOOTOUT AT SUNDOWN OR SOMETHING. 141 00:09:18,225 --> 00:09:21,995 YOU SAID IT. YOU HEARD HIM SAY IT. 142 00:09:23,631 --> 00:09:24,698 DOC, WHAT-- 143 00:09:27,735 --> 00:09:29,302 HEY, DOC... 144 00:09:30,938 --> 00:09:32,139 BE THERE. 145 00:09:37,778 --> 00:09:38,746 WHEW. 146 00:09:42,015 --> 00:09:45,185 YOU OPENED YOUR MOUTH TO THE WRONG MAN, LEWT. 147 00:09:45,218 --> 00:09:49,189 HE'LL CUT YOU POCKET-HIGH AS SOON AS YOU START TO REACH. 148 00:09:49,222 --> 00:09:51,692 YEAH, WELL, IT'S, UH... 149 00:09:51,725 --> 00:09:54,995 IT DOES LOOK LIKE I STEPPED IN IT A BIT, DOESN'T IT? 150 00:10:09,710 --> 00:10:12,880 (Cole) FIND THAT LOVELY BLACK YOUNG THING. 151 00:10:16,984 --> 00:10:18,085 DAMN! 152 00:10:19,386 --> 00:10:21,388 WELL, 153 00:10:21,421 --> 00:10:23,056 I'M CLOSING MY LITTLE SHOP, BOYS. 154 00:10:23,090 --> 00:10:24,091 [exclaiming] 155 00:10:24,124 --> 00:10:25,325 HEY, COME ON. 156 00:10:25,358 --> 00:10:27,828 HEY, HERE, HAVE A DRINK, COME ON. 157 00:10:27,861 --> 00:10:28,929 NO. 158 00:10:30,731 --> 00:10:32,165 IT'S NOT MY DAY. 159 00:10:32,199 --> 00:10:34,034 COME ON, GAMBLER. 160 00:10:34,067 --> 00:10:35,803 LET'S PLAY AGAIN, ONE MORE TIME. 161 00:10:37,370 --> 00:10:40,440 [laughing] HOW MUCH YOU GOT THERE? 162 00:10:40,473 --> 00:10:42,676 I GOT $20 OF YOURS. GIVE ME. 163 00:10:42,710 --> 00:10:43,711 NO, NO, NO. 164 00:10:43,744 --> 00:10:45,278 COME ON, GIVE ME. 165 00:10:52,319 --> 00:10:53,754 $60. 166 00:10:56,724 --> 00:10:57,991 HMM. 167 00:10:58,025 --> 00:10:59,760 JAY, WOULD YOU GET ME ABOUT THAT MUCH 168 00:10:59,793 --> 00:11:01,995 OF THAT GOOD STUFF YOU GOT DOWN THERE? 169 00:11:02,029 --> 00:11:03,063 $60. 170 00:11:07,067 --> 00:11:09,402 WELL, WHAT HAVE I GOT TO LOSE? 171 00:11:09,436 --> 00:11:11,304 $60. 172 00:11:11,338 --> 00:11:12,339 [laughing] 173 00:11:17,144 --> 00:11:19,880 NOW, YOU'RE SURE YOU WANT TO DO THIS? 174 00:11:19,913 --> 00:11:20,881 [chuckling] 175 00:11:25,953 --> 00:11:30,157 ALL RIGHT. WATCH FOR THAT LOVELY BLACK THING. 176 00:11:31,524 --> 00:11:33,160 WATCH THE LADY. 177 00:11:57,250 --> 00:12:00,153 (Quinlen) COLE! LEWTON COLE! 178 00:12:02,790 --> 00:12:03,757 [chuckling] 179 00:12:05,425 --> 00:12:07,895 LUCKY IN CARDS, UNLUCKY IN LOVE. 180 00:12:11,498 --> 00:12:13,333 IS THAT WHAT YOU WANT, BOYS? 181 00:12:16,536 --> 00:12:18,471 [Cole sighing] 182 00:12:18,505 --> 00:12:20,340 DON'T SPEND IT ALL IN ONE PLACE, NOW. 183 00:12:33,220 --> 00:12:36,023 (Quinlen) DAMN IT, COLE! GET OUT HERE. 184 00:12:40,060 --> 00:12:41,061 [laughing] 185 00:12:49,837 --> 00:12:50,804 [sniffing] 186 00:12:53,240 --> 00:12:54,842 [sighing] 187 00:12:54,875 --> 00:12:56,409 BUY THE BOYS A DRINK. 188 00:13:26,339 --> 00:13:28,175 (Quinlen) YOU'RE YELLOW, COLE. 189 00:13:29,442 --> 00:13:31,311 LET'S GET ON WITH IT. 190 00:13:38,285 --> 00:13:39,419 [gun cocking] 191 00:13:39,452 --> 00:13:40,453 [gun firing] 192 00:13:40,487 --> 00:13:41,488 [horse neighing] 193 00:14:12,385 --> 00:14:17,290 * YOU DON'T DRAW WITH A STRANGER * 194 00:14:24,497 --> 00:14:28,435 * IF HE'S FASTER THAN YOU 195 00:14:36,509 --> 00:14:40,580 * YOU'VE SUNG YOUR LAST DITTY * 196 00:14:42,615 --> 00:14:45,953 * YOU'VE KISSED YOUR LAST PRETTY * 197 00:14:45,986 --> 00:14:48,956 * AND PLAYED YOUR LAST HAND 198 00:14:48,989 --> 00:14:50,924 * IF YOU DO 199 00:14:54,194 --> 00:14:57,530 [spurs clinking] 200 00:15:11,744 --> 00:15:13,446 [bleating] 201 00:15:27,160 --> 00:15:29,997 * WHEN FATE IS THE DEALER 202 00:15:30,030 --> 00:15:32,966 * YOU RAISE OR YOU CALL 203 00:15:37,337 --> 00:15:42,242 * A CHANCE-TAKING MAN PLAYS THE CARDS AS THEY FALL * 204 00:15:47,014 --> 00:15:51,018 * A MAP WORTH A KILLING 205 00:15:51,051 --> 00:15:54,121 * IS WORTH TRACKING DOWN 206 00:15:58,191 --> 00:16:00,027 * SO OFF 207 00:16:00,060 --> 00:16:03,263 * TO INTEGRITY TOWN 208 00:16:18,711 --> 00:16:22,115 (officer) RIGHT FLANK! FORWARD! 209 00:16:53,846 --> 00:16:56,049 (Copperud) THAT STINKING FLASH POWDER THEY USE 210 00:16:56,083 --> 00:16:59,386 MADE ME ALL SQUINTY-EYED. DO YOU SEE THAT PICTURE? 211 00:16:59,419 --> 00:17:02,455 OF COURSE, THEY DIDN'T DO TOO MUCH BETTER BY OLD TWOSTONES, HERE. 212 00:17:02,489 --> 00:17:04,357 [Copperud laughing] 213 00:17:04,391 --> 00:17:06,526 I SURE DON'T LIKE HIM. 214 00:17:06,559 --> 00:17:09,196 WELL, THEN DON'T VOTE FOR HIM. 215 00:17:09,229 --> 00:17:10,830 YEAH. 216 00:17:10,863 --> 00:17:15,102 NOW THAT RIDERRA GOLD ROBBERY THEY'RE TALKING ABOUT HERE, 217 00:17:15,135 --> 00:17:17,437 IF THEM U.S. MARSHALS WOULD TAKE ANY ADVICE 218 00:17:17,470 --> 00:17:20,673 THEY'D LOOK FOR THAT THERE SHOEMAKER DOWN IN MEXICO. 219 00:17:20,707 --> 00:17:23,643 WHY, THAT ORTIZ GOVERNMENT DOWN THERE THEY'D... 220 00:17:23,676 --> 00:17:26,846 THEY'D MAKE A DEAL FOR YOUR TEETH IF THERE WAS GOLD IN 'EM. 221 00:17:26,879 --> 00:17:30,517 THAT'S ABOUT THE WAY I THINK ABOUT IT, TOO, JOHN. 222 00:17:30,550 --> 00:17:31,584 YOU DID, HUH? 223 00:17:31,618 --> 00:17:32,785 MMM-HMM 224 00:17:32,819 --> 00:17:36,756 I GUESS WE BOTH FIGURED IT RIGHT, THEN. 225 00:17:36,789 --> 00:17:39,359 I JUST WISH THERE WERE SOME BANK ROBBERS UP AROUND HERE 226 00:17:39,392 --> 00:17:41,194 FOR US TO CHASE AFTER. 227 00:17:41,228 --> 00:17:44,197 YOU DONE SCARED THEM ALL AWAY BY BRINGING THEM BACK DEAD. 228 00:17:44,231 --> 00:17:47,634 WELL, THAT'S THE WAY THEY WANTED 'EM: DEAD OR ALIVE. 229 00:17:47,667 --> 00:17:51,504 ON THAT LAST JOB, THOUGH, YOU ONLY BROUGHT BACK HALF THE LOOT. 230 00:17:54,641 --> 00:17:58,311 HALF IS BETTER THAN NONE, AIN'T IT? 231 00:17:58,345 --> 00:18:00,880 YOU KNOW SOMETHIN', TIPPIN? YOU PROBABLY WOULDN'T BELIEVE THIS, 232 00:18:00,913 --> 00:18:03,283 BUT I ONCE HAD A GOLD ROBBERY IN THE WORKS. 233 00:18:03,316 --> 00:18:04,717 I MEAN ME, I WAS GONNA DO IT. 234 00:18:04,751 --> 00:18:06,553 WHAT HAPPENED? 235 00:18:06,586 --> 00:18:09,756 OH, WELL, I HAD TO GIVE IT UP WHEN I WAS ELECTED SHERIFF. 236 00:18:09,789 --> 00:18:12,592 STARTED TO BELIEVE MY OWN SLOGANS. 237 00:18:12,625 --> 00:18:17,697 BUT I'M GONNA TELL YOU, IF THIS JOB WASN'T SO SWEET AND SOFT, WHY, UH, 238 00:18:17,730 --> 00:18:21,268 I MIGHT JUST ELECT TO FOLLOW THE CRIMINAL PROFESSION. 239 00:18:21,301 --> 00:18:23,470 YOU'D BE REAL GOOD, TOO, JOHN. 240 00:18:30,177 --> 00:18:31,544 MUCH OBLIGED. 241 00:18:45,225 --> 00:18:48,495 SHERIFF. HOWDY, SHERIFF. SAY, I'M LOOKIN' FOR A HORSE. 242 00:18:48,528 --> 00:18:49,629 I CAN SEE THAT. 243 00:18:49,662 --> 00:18:51,531 WHOSE HORSE YOU LOOKING FOR? 244 00:18:51,564 --> 00:18:54,601 WELL, UH, MINE WAS PULLED UP LAME YESTERDAY AND I'M, UH, 245 00:18:54,634 --> 00:18:58,638 I'M HEADING OUT FOR A LONG RIDE AND LOOKING FOR A GOOD HORSE. 246 00:18:58,671 --> 00:19:01,608 YEAH, WELL, I AIN'T IN THE HORSE BUSINESS, FRIEND. 247 00:19:01,641 --> 00:19:04,344 THE BEST HORSE IN THE WHOLE COUNTY 248 00:19:04,377 --> 00:19:07,347 IS, UH, IN A BARN OVER AT THE OTHER SIDE OF LONE TREE FORK. 249 00:19:07,380 --> 00:19:09,882 BELONGS TO THE SHERIFF, HERE. AIN'T THAT RIGHT, JOHN? 250 00:19:09,916 --> 00:19:12,685 IF YOU'RE TALKING ABOUT OLD BLUE, HE AIN'T FOR SALE. 251 00:19:12,719 --> 00:19:14,821 TYPING KIND, HUH? GOOD REIN ON HIM? 252 00:19:14,854 --> 00:19:16,623 BEST DAMN REIN IN THE COUNTY. 253 00:19:16,656 --> 00:19:18,525 HE AIN'T FOR SALE, THAT'S ALL. 254 00:19:18,558 --> 00:19:20,427 YOU SEE, IF HE AIN'T FOR SALE, 255 00:19:20,460 --> 00:19:23,196 WHAT THAT MEANS IS THAT HE AIN'T GONNA SELL HIM TO YOU. 256 00:19:23,230 --> 00:19:24,697 AIN'T THAT RIGHT, JOHN? 257 00:19:24,731 --> 00:19:26,766 GOOD SIZE, TOO? 258 00:19:26,799 --> 00:19:28,801 HE'S THE TALLEST, THE STRONGEST, 259 00:19:28,835 --> 00:19:31,604 THE FASTEST, AND THE AIN'T FOR SALE-EST. 260 00:19:31,638 --> 00:19:32,739 DAMN. 261 00:19:35,708 --> 00:19:36,709 WELL... 262 00:19:43,883 --> 00:19:45,485 WHAT THE HELL? 263 00:19:50,457 --> 00:19:54,327 SAY, THAT THERE'S MY "OUT TO LUNCH" SIGN AND I AIN'T OUT TO LUNCH. 264 00:19:54,361 --> 00:19:56,429 IN THE CELL, BOYS. COME ON. 265 00:19:56,463 --> 00:19:59,466 HE'S THE ONE THAT'S ON THE POSTER OUTSIDE, AIN'T THAT RIGHT, JOHN? 266 00:19:59,499 --> 00:20:00,733 HOLD THEM UP NOW. 267 00:20:00,767 --> 00:20:03,803 LEWTON COLE, LEWTON COLE, A CRIMINAL. 268 00:20:03,836 --> 00:20:05,805 AIN'T THAT RIGHT, JOHN? THAT'S HIM. 269 00:20:05,838 --> 00:20:07,607 WHAT'S THIS MEAN, COLE? 270 00:20:07,640 --> 00:20:09,509 MEANS I'LL KNOW WHERE YOU'RE AT WHILE I'M HERE. 271 00:20:09,542 --> 00:20:11,344 WHERE'S THE KEYS? NOW WAIT A MINUTE, BOY. 272 00:20:11,378 --> 00:20:13,012 IF YOU THINK YOU'RE GONNA LOCK ME IN MY OWN ZOO, 273 00:20:13,045 --> 00:20:15,282 YOU'RE BADLY MISTAKEN-- 274 00:20:15,315 --> 00:20:17,284 NOW, A SET OF KEYS IS A SMALL THING TO DIE OVER, DON'T YOU THINK? 275 00:20:17,317 --> 00:20:18,785 I DON'T REMEMBER WHERE THEM KEYS ARE. 276 00:20:18,818 --> 00:20:20,019 YES, SIR, HE DOES REMEMBER. 277 00:20:20,052 --> 00:20:21,554 THAT'S WHAT HE MEANT TO SAY. 278 00:20:21,588 --> 00:20:23,956 THEY'RE RIGHT OVER THERE ON THE HAT RACK. 279 00:20:23,990 --> 00:20:25,758 THANK YOU, DEPUTY. 280 00:20:28,328 --> 00:20:30,897 NOW, COLE, YOU'RE IN A LOT OF TROUBLE AND I'M WARNING YOU 281 00:20:30,930 --> 00:20:34,734 IF YOU DO A THING LIKE THIS, I AIN'T GONNA SHOW YOU NO MERCY. 282 00:20:35,968 --> 00:20:38,505 TAKE OFF YOUR CLOTHES, SHERIFF. 283 00:20:38,538 --> 00:20:40,473 DO WHAT? 284 00:20:40,507 --> 00:20:43,443 TAKE OFF YOUR CLOTHES. 285 00:20:43,476 --> 00:20:46,979 YOU MEAN YOU WANT FOR US TO TAKE OFF EVERYTHING THAT WE GOT ON? 286 00:20:47,013 --> 00:20:49,015 DOWN TO THE LAST SINGLE STITCH. 287 00:20:49,048 --> 00:20:51,050 PUT THEM IN NICE, NEAT LITTLE PILES RIGHT THERE ON THE FLOOR. 288 00:20:51,083 --> 00:20:52,385 (Copperud) COLE, COLE. 289 00:20:53,986 --> 00:20:57,324 WHY ARE YOU DOING THIS TERRIBLE THING TO ME? 290 00:20:58,758 --> 00:21:01,060 WELL, A NAKED SHERIFF MAKES A SLOW POSSE. 291 00:21:01,093 --> 00:21:02,762 DAMN! 292 00:21:05,031 --> 00:21:09,469 TOP OF EVERYTHING ELSE, COLE, YOU'RE CONTRIBUTING TO INDECENT EXPOSURE. 293 00:21:10,537 --> 00:21:11,604 DAMN. 294 00:21:13,706 --> 00:21:14,974 SHERIFF, UH, 295 00:21:18,378 --> 00:21:21,914 BEING FOUND LOCKED NAKED IN YOUR OWN JAIL 296 00:21:23,115 --> 00:21:25,418 IN AN ELECTION YEAR, 297 00:21:25,452 --> 00:21:29,489 NOW, TO BE TOO NOISY ABOUT IT MIGHT BE BAD POLITICS. 298 00:21:29,522 --> 00:21:30,657 DAMN! 299 00:21:30,690 --> 00:21:31,691 [shushing] 300 00:21:32,825 --> 00:21:34,026 [whispering] BYE-BYE. 301 00:21:39,866 --> 00:21:42,369 [exclaiming] 302 00:21:42,402 --> 00:21:44,837 DAMN! DAMN! 303 00:21:47,807 --> 00:21:50,877 HE SURE LEFT US BARE, AIN'T THAT RIGHT, JOHN? 304 00:22:00,620 --> 00:22:03,390 [rooster crowing] 305 00:22:03,423 --> 00:22:04,891 3 MORE EGGS? 306 00:22:08,160 --> 00:22:09,629 FRANCISCO! 307 00:22:12,532 --> 00:22:13,900 FRANCISCO! 308 00:22:17,937 --> 00:22:22,842 * A YELLOW-HAIRED WOMAN IS EARLY TO BLOOM * 309 00:22:24,577 --> 00:22:25,978 FRANCISCO! 310 00:22:26,012 --> 00:22:28,581 * HER LAUGHTER IS ROSES 311 00:22:28,615 --> 00:22:29,816 DAMN! 312 00:22:29,849 --> 00:22:33,486 * HER SMILE IS PERFUME 313 00:22:35,722 --> 00:22:38,625 * BUT THE CHILD OF A LAWMAN 314 00:22:38,658 --> 00:22:41,561 * CAN DIE ON THE VINE 315 00:22:41,594 --> 00:22:46,533 * WITH NO MAN TO TAKE OF HER WINE * 316 00:23:00,580 --> 00:23:02,014 [coins clinking] 317 00:23:17,497 --> 00:23:18,498 [laughing] 318 00:23:19,599 --> 00:23:20,800 WELL... 319 00:23:20,833 --> 00:23:23,169 ALL RIGHT, WHAT ARE YOU DOING HERE? 320 00:23:26,238 --> 00:23:28,007 PUTTING ON MY PANTS. 321 00:23:28,040 --> 00:23:29,609 WELL, WHAT DO YOU WANT? 322 00:23:33,079 --> 00:23:35,114 WELL, I WAS GONNA GET ON THIS BIG BLACK HORSE 323 00:23:35,147 --> 00:23:37,249 AND RIDE HIM OUT OF HERE, BUT... 324 00:23:41,120 --> 00:23:42,955 LOOK, I'M NOT ALONE. 325 00:23:46,025 --> 00:23:50,096 YOU MEAN FRANCISCO? SLEEPING IN THE SHADE. 326 00:23:53,199 --> 00:23:56,503 BESIDES, WHAT'S HE GONNA DO? CHALLENGE ME TO A DUEL? 327 00:23:56,536 --> 00:23:58,771 TAKE A POKE AT ME OR SOMETHING? 328 00:23:58,805 --> 00:24:02,609 I OUTWEIGH HIM. HE MIGHT TAKE A SHOT AT ME 329 00:24:02,642 --> 00:24:04,577 BUT HE DON'T HAVE NO GUN. 330 00:24:04,611 --> 00:24:05,845 WELL, MY DADDY DOES. 331 00:24:05,878 --> 00:24:08,815 AND HE'S THE SHERIFF OF THIS COUNTY. 332 00:24:08,848 --> 00:24:10,817 YEAH, I KNOW. I SEEN HIM. 333 00:24:11,918 --> 00:24:13,886 YOU MUST TAKE AFTER YOUR MAMA. 334 00:24:21,928 --> 00:24:22,895 OH. 335 00:24:29,602 --> 00:24:31,604 YOU'RE GONNA HAVE TO TAKE IT. 336 00:24:37,276 --> 00:24:38,477 [yelling] 337 00:24:42,214 --> 00:24:44,083 [panting] 338 00:24:44,116 --> 00:24:46,719 DON'T MAKE ME. 339 00:24:46,753 --> 00:24:48,621 YOU GOTTA COCK IT TO SHOOT ME. 340 00:24:50,757 --> 00:24:52,725 [laughing] 341 00:24:52,759 --> 00:24:55,595 SEE, NOW IT'S ON SAFETY. YOU GOTTA PULL IT ALL THE WAY BACK. 342 00:25:02,669 --> 00:25:03,670 [grunting] 343 00:25:05,037 --> 00:25:06,305 BASTARD. 344 00:25:06,338 --> 00:25:08,975 NOW I HAD NO CONTROL OVER THAT, HONEY. 345 00:25:09,008 --> 00:25:10,076 OH! 346 00:25:10,109 --> 00:25:11,811 [screaming] 347 00:25:14,146 --> 00:25:15,114 [grunting] 348 00:25:16,182 --> 00:25:18,117 NOW, E-EASY, EASY NOW. 349 00:25:18,150 --> 00:25:21,087 YOU'RE SUPPOSED TO WEAR YOURSELF OUT LOVING, NOT FIGHTING. 350 00:25:21,120 --> 00:25:24,857 NO, YOU CAN'T DO IT THIS WAY. 351 00:25:24,891 --> 00:25:28,260 SLOW, SLOW. EASY. 352 00:25:37,737 --> 00:25:40,940 [neighing] 353 00:25:42,775 --> 00:25:45,211 [rooster crowing] 354 00:25:48,114 --> 00:25:51,017 * IT'S THE CODE OF THE WEST 355 00:25:51,050 --> 00:25:54,787 * YOU DON'T LEAVE FOR TOMORROW * 356 00:25:57,323 --> 00:25:59,826 * THE CODE OF THE WEST 357 00:25:59,859 --> 00:26:03,562 * WHAT CAN BE DONE TODAY 358 00:26:06,365 --> 00:26:09,168 * THE CODE OF THE WEST 359 00:26:09,201 --> 00:26:12,872 * IT'S A TRUE FACT OF LIVING 360 00:26:15,107 --> 00:26:18,144 * WHAT'S SO LOVINGLY GIVEN 361 00:26:18,177 --> 00:26:23,950 * WILL LOVINGLY COME BACK YOUR WAY * 362 00:26:23,983 --> 00:26:25,618 (Copperud) FRANCISCO! 363 00:26:27,987 --> 00:26:29,255 [mule braying] 364 00:26:29,288 --> 00:26:32,792 FRANCISCO! WHERE'S THAT MEXICAN? 365 00:26:32,825 --> 00:26:34,293 FRANCISCO! 366 00:26:35,361 --> 00:26:37,163 (Copperud) FRANCISCO! 367 00:26:37,196 --> 00:26:40,332 FRANCISCO! COME ON, PANCHO, GET UP OUT OF THERE! COME ON! 368 00:26:40,366 --> 00:26:42,234 (Copperud) NOW GET THEM GUNS 369 00:26:42,268 --> 00:26:44,837 AND THAT TACK OFF OF THAT MULE AND GET THEM ON BIG BLUE 370 00:26:44,871 --> 00:26:46,305 AND I WANT BILLEE'S SORREL, TOO. 371 00:26:46,338 --> 00:26:48,340 (Francisco) THE SORREL IS NOT SHOD YET. 372 00:26:48,374 --> 00:26:50,843 (Copperud) ALL RIGHT. I'LL PICK UP A RELIEF HORSE GOING SOUTH. 373 00:26:50,877 --> 00:26:53,412 MY POSSE'S HALFWAY INTO MEXICO BY NOW. 374 00:26:53,445 --> 00:26:54,947 HEY, PATRON. WHAT? 375 00:26:54,981 --> 00:26:56,415 WHERE'D YOU GET THESE CLOTHES? 376 00:26:56,448 --> 00:26:58,084 OH, I GOT THEM AT THE UNDERTAKER'S. 377 00:26:58,117 --> 00:26:59,351 AW, GO ON IN THERE AND GET BIG BLUE. 378 00:26:59,385 --> 00:27:01,253 DADDY, BIG BLUE'S-- 379 00:27:01,287 --> 00:27:04,857 NO, NO, DON'T INTERRUPT ME NOW, BILLEE. I'M ON A CASE. 380 00:27:04,891 --> 00:27:07,660 YOU LOOK LIKE A MESS. WHAT HAPPENED TO YOU? 381 00:27:07,694 --> 00:27:08,995 YOU ALL RIGHT, AIN'T YOU? NO. 382 00:27:09,028 --> 00:27:09,962 WELL, WHAT'S THE MATTER? 383 00:27:09,996 --> 00:27:11,230 I DON'T KNOW. 384 00:27:11,263 --> 00:27:12,799 I AIN'T GOT NO TIME TO FOOL AROUND. 385 00:27:12,832 --> 00:27:14,834 WELL, WAIT A MINUTE. 386 00:27:14,867 --> 00:27:16,669 I THINK HE RAPED ME. 387 00:27:19,171 --> 00:27:20,707 WHO? FRANCISCO? 388 00:27:20,740 --> 00:27:21,741 DADDY! 389 00:27:21,774 --> 00:27:22,842 WELL, WHO THEN? 390 00:27:24,143 --> 00:27:26,012 HE'S BIG AND TALL, 391 00:27:27,079 --> 00:27:28,948 AND MEAN AND CRUEL-- 392 00:27:28,981 --> 00:27:30,850 I DIDN'T SEE NOBODY COMING UP THE ROAD. WHERE'D HE GO? 393 00:27:30,883 --> 00:27:32,018 RIGHT INTO THE DESERT. 394 00:27:32,051 --> 00:27:35,955 PATRON, BLUE, UH, IS GONE! 395 00:27:38,891 --> 00:27:40,259 WHAT DO YOU MEAN, GONE? 396 00:27:40,292 --> 00:27:42,995 I TRIED TO TELL YOU HE TOOK BLUE, TOO. 397 00:27:44,363 --> 00:27:46,465 NO, HE AIN'T GONE. HE--HE... 398 00:27:46,498 --> 00:27:48,434 [birds chirping] 399 00:27:48,467 --> 00:27:51,337 HE TOOK BLUE WITH HIM? HE TOOK THAT HORSE? 400 00:27:54,774 --> 00:27:57,109 AW, BLUE. 401 00:28:00,179 --> 00:28:01,814 HE TOOK THAT... 402 00:28:05,051 --> 00:28:07,319 WAIT A MINUTE. WAIT A MINUTE. 403 00:28:07,353 --> 00:28:10,189 WAIT A MINUTE. 404 00:28:10,222 --> 00:28:14,426 WAS YOUR MAN WEARING A GAMBLER'S COAT AND A LITTLE BROWN VEST? 405 00:28:14,460 --> 00:28:15,461 PART OF THE TIME. 406 00:28:15,494 --> 00:28:18,430 YEAH. COLE. 407 00:28:20,199 --> 00:28:22,401 THAT MAN MUST HATE ME PERSONAL. 408 00:28:22,434 --> 00:28:25,905 WHAT'D HE GO OUT THERE FOR? THERE AIN'T NOTHIN' IN THE DESERT BUT DESERT. 409 00:28:25,938 --> 00:28:28,040 WELL, THAT'S WHERE HE WENT. 410 00:28:28,074 --> 00:28:30,743 ALL RIGHT, GET THAT GEAR ON THAT MULE. 411 00:28:32,211 --> 00:28:35,147 TOOK MY BIG BLUE OUT IN THAT DESERT. 412 00:28:35,181 --> 00:28:37,817 OH, DADDY, IS THAT ALL YOU CARE ABOUT? 413 00:28:37,850 --> 00:28:38,985 NOW, I'LL MAKE IT UP TO YOU. 414 00:28:39,018 --> 00:28:40,286 YOU KNOW, YOU GOTTA REMEMBER, 415 00:28:40,319 --> 00:28:42,321 A MAN PICKS HIS PLEASURE FROM THE NEAREST TREE. 416 00:28:42,354 --> 00:28:43,923 IF YOU WEREN'T MY OWN DAUGHTER, I'D... 417 00:28:43,956 --> 00:28:46,058 I MEAN THERE'S WORSE THINGS. 418 00:28:46,092 --> 00:28:48,427 HE COULD HAVE KILLED YOU. NOW THAT WOULD'VE BEEN WORSE, WOULDN'T IT? 419 00:28:48,460 --> 00:28:49,762 I THINK. 420 00:28:49,796 --> 00:28:50,863 YOU BRING HIM BACK. 421 00:28:50,897 --> 00:28:52,999 YEAH, I'LL BRING HIM BACK. 422 00:28:53,032 --> 00:28:56,002 MY ELECTION TO A THIRD TERM AS SHERIFF DEPENDS ON IT, AND MY HONOR. 423 00:28:56,035 --> 00:28:58,037 YOUR HONOR? 424 00:28:58,070 --> 00:29:00,206 OH, DARLING, I CAN ONLY KEEP MY MIND ON ONE OFFENSE AT A TIME. 425 00:29:00,239 --> 00:29:01,240 UP! 426 00:29:04,210 --> 00:29:05,912 [hens clucking] 427 00:29:30,602 --> 00:29:35,207 * THE DESERT WAS LOSING ITS FIGHT WITH THE SUN * 428 00:29:39,946 --> 00:29:44,884 * AS COLE STOPPED FOR WATER AT HOLE NUMBER 1 * 429 00:29:49,455 --> 00:29:52,491 * JUST WHAT WAS HE CHASING? 430 00:29:52,524 --> 00:29:56,062 * HE'D SURE LIKE TO KNOW 431 00:29:59,398 --> 00:30:03,836 * BUT HE STILL HAD HIM 2 HOLES TO GO * 432 00:30:07,439 --> 00:30:10,276 * THE CODE OF THE WEST 433 00:30:10,309 --> 00:30:13,846 * SHOW YOUR BACKSIDE TO EVIL 434 00:30:16,015 --> 00:30:18,450 * THE CODE OF THE WEST 435 00:30:18,484 --> 00:30:22,021 * GIVE THE DEVIL HIS DUE 436 00:30:24,023 --> 00:30:26,558 * THE CODE OF THE WEST 437 00:30:26,592 --> 00:30:30,096 * YOU GOTTA DO UNTO OTHERS 438 00:30:30,129 --> 00:30:32,431 * DO UNTO OTHERS 439 00:30:32,464 --> 00:30:36,869 * BEFORE THEY DO IT UNTO YOU 440 00:30:40,572 --> 00:30:45,511 * NOW RAPING AND KILLING AIN'T REALLY SO BAD * 441 00:30:48,981 --> 00:30:51,317 * BUT STEALING OLD BLUE 442 00:30:51,350 --> 00:30:54,954 * NOW THAT MADE SHERIFF JOHN MAD * 443 00:30:57,223 --> 00:31:02,561 * YOU DON'T HELP YOURSELF TO THE EGGS IN THE NEST * 444 00:31:02,594 --> 00:31:06,565 * OF A MAN WITH A BADGE ON HIS VEST * 445 00:31:16,108 --> 00:31:18,010 AH, THERE'S 2 WATERHOLES TO GO. 446 00:31:18,044 --> 00:31:19,578 WE'RE GONNA GET HIM AT ONE OF 'EM. 447 00:31:20,980 --> 00:31:22,181 [moaning] 448 00:31:28,087 --> 00:31:29,155 YOU WANT ANY? 449 00:31:29,188 --> 00:31:30,389 [braying] 450 00:31:36,628 --> 00:31:39,231 WELL, IT AIN'T TOO BAD. 451 00:31:39,265 --> 00:31:42,568 IT AIN'T GONNA GET ANY BETTER AT THE NEXT ONE, EITHER. 452 00:31:44,536 --> 00:31:46,205 [braying] 453 00:32:00,552 --> 00:32:05,491 * POOR TUMBLEWEED STUMBLING FROM BOULDER TO STONE * 454 00:32:11,430 --> 00:32:16,402 * YOUR PERMANENT ADDRESS IS "PLACES UNKNOWN" * 455 00:32:23,009 --> 00:32:26,112 * YOU EAT WHEN YOU'RE HUNGRY 456 00:32:27,379 --> 00:32:30,682 * YOU DRINK WHEN YOU'RE DRY 457 00:32:36,722 --> 00:32:40,592 * IF WISHES WERE EAGLES 458 00:32:40,626 --> 00:32:43,129 * YOU'D FLY 459 00:33:19,331 --> 00:33:20,299 [grunting] 460 00:33:33,645 --> 00:33:36,048 [sighing] 461 00:33:41,387 --> 00:33:43,655 * REST YOUR HEAD ON YOUR SADDLE * 462 00:33:43,689 --> 00:33:44,790 DAMN. 463 00:33:49,561 --> 00:33:53,332 * DREAM OF FORTUNE AND FAME 464 00:33:58,437 --> 00:34:02,174 * WHEN THE WIND'S IN THE WILLOW * 465 00:34:02,208 --> 00:34:04,743 * A GIRL HUGS HER PILLOW 466 00:34:04,776 --> 00:34:09,348 * AND WISHES THAT SHE KNEW HIS NAME * 467 00:34:26,565 --> 00:34:28,500 OK, BABY? GOOD BOY. 468 00:34:41,247 --> 00:34:43,249 [hens clucking] 469 00:35:37,836 --> 00:35:39,705 [braying] 470 00:35:41,273 --> 00:35:43,175 [exclaiming] 471 00:35:44,576 --> 00:35:46,878 DAMN, MULE, I WISH YOU HADN'T DONE THAT. 472 00:35:54,253 --> 00:35:57,456 HOLD STILL NOW, MULE. DAMN IT, HOLD STILL! 473 00:36:08,300 --> 00:36:10,402 [birds chirping] 474 00:37:14,600 --> 00:37:17,235 [humming] 475 00:37:34,553 --> 00:37:36,322 UP, SHOW ME THE GOODIES. 476 00:37:40,359 --> 00:37:41,860 [grunting] 477 00:37:51,570 --> 00:37:53,405 MORNING, SHERIFF. 478 00:37:53,439 --> 00:37:55,841 KIND OF COLD IN THERE, AIN'T IT? 479 00:37:55,874 --> 00:37:59,845 WELL, IT'S A LITTLE CHILLY. NOT TOO BAD, THOUGH. 480 00:37:59,878 --> 00:38:02,681 OH, OH, OH, YOU'RE GOING FOR THAT GUN, ARE YOU? 481 00:38:02,714 --> 00:38:04,483 I WISH YOU WOULD GO FOR IT. 482 00:38:04,516 --> 00:38:07,619 PLEASE, GO FOR IT. 483 00:38:07,653 --> 00:38:08,887 WELL, I DON'T NEED TO NOW, SHERIFF. 484 00:38:08,920 --> 00:38:11,323 I GOT ALL OF YOURS. 485 00:38:13,959 --> 00:38:15,060 DAMN. 486 00:38:18,530 --> 00:38:20,599 "PROPERTY OF THE U.S. ARMY." 487 00:38:20,632 --> 00:38:22,668 WHAT'S IN IT? GENERAL GRANT'S HEAD? 488 00:38:22,701 --> 00:38:25,837 IF I GUESS RIGHT, THERE'S BULLION IN THERE. 489 00:38:25,871 --> 00:38:27,839 RIDERRA ROBBERY? 490 00:38:27,873 --> 00:38:31,877 IF IT IS, THERE'S OVER 100 POUNDS OF THAT FINE YELLOW GOLD. 491 00:38:31,910 --> 00:38:33,545 WAIT A MINUTE, WHAT ARE YOU DOING? 492 00:38:33,579 --> 00:38:35,447 I'M TRYING TO GET THIS THING OPEN. 493 00:38:35,481 --> 00:38:37,716 WELL, YOU JUST GET UP OUT OF THERE. I'LL GET IT OPEN. 494 00:38:37,749 --> 00:38:39,651 COME ON, SHERIFF. NOW DO AS I SAY. 495 00:38:39,685 --> 00:38:41,853 GET UP AND MOVE ON OVER THERE. 496 00:38:45,056 --> 00:38:47,626 WHAT THE HELL, SHERIFF. I FOUND IT. I GET... 497 00:38:47,659 --> 00:38:49,428 I GET TO OPEN IT. 498 00:39:14,586 --> 00:39:15,587 [gun firing] 499 00:39:37,643 --> 00:39:39,978 DAMN! IT'S GOLD! 500 00:39:40,011 --> 00:39:42,814 [exclaiming] 501 00:39:47,519 --> 00:39:49,788 DAMN, IT'S HEAVY, ISN'T IT? 502 00:39:49,821 --> 00:39:51,723 OH, MY. 503 00:39:51,757 --> 00:39:52,858 [panting] 504 00:39:52,891 --> 00:39:56,962 [both laughing] 505 00:40:08,173 --> 00:40:09,641 DAMN! 506 00:40:09,675 --> 00:40:11,510 COLE, UH, 507 00:40:11,543 --> 00:40:14,846 WHY DIDN'T YOU SHOOT ME A LITTLE WHILE AGO WITH THAT LITTLE GUN? 508 00:40:16,782 --> 00:40:20,686 WELL, SHERIFF, I NEED PROTECTION. 509 00:40:22,253 --> 00:40:25,190 WELL, THIS HERE GOLD NEEDS MY PROTECTION, TOO. 510 00:40:26,958 --> 00:40:28,460 COME ON, SHERIFF. 511 00:40:28,494 --> 00:40:30,662 OH, NO, BOY, WE'RE GONNA LOAD IT ON MY HORSE. 512 00:40:30,696 --> 00:40:31,797 YOUR HORSE? 513 00:40:31,830 --> 00:40:33,198 YEP. 514 00:40:35,534 --> 00:40:37,068 OH, YES, OF COURSE. 515 00:40:38,937 --> 00:40:42,207 WELL, UH, YOU MIND IF I PUT ON MY DRY BRITCHES? 516 00:40:42,240 --> 00:40:44,876 YOU GO AND PUT ON SOME DRY BRITCHES. 517 00:41:00,559 --> 00:41:01,860 HEY, COLE. 518 00:41:04,830 --> 00:41:07,065 WHAT DO YOU RECKON THEM THIEVES FIGURED THEY COULD GET 519 00:41:07,098 --> 00:41:09,067 FOR THIS GOLD DOWN IN MEXICO? 520 00:41:09,100 --> 00:41:12,871 [laughing] 521 00:41:15,707 --> 00:41:17,108 WHAT'S FUNNY? 522 00:41:18,977 --> 00:41:21,279 WELL, I JUST FEEL GOOD, THAT'S ALL, SHERIFF. 523 00:41:21,312 --> 00:41:23,782 YOU DON'T MIND ME FEELING GOOD, DO YOU? 524 00:41:25,684 --> 00:41:29,154 BUT IN ANSWER TO YOUR LITTLE QUESTION, SHERIFF, 525 00:41:29,187 --> 00:41:32,190 I IMAGINE THOSE THIEVES, UH, 526 00:41:32,223 --> 00:41:35,694 IF THEY GOT ACROSS THE RIVER WITHOUT SINKING TOO DEEP IN THE SAND, 527 00:41:35,727 --> 00:41:39,698 AND, UH, GOT BY THOSE MEXICAN BANDITS, 528 00:41:39,731 --> 00:41:42,634 AND THEY KNEW HOW TO MAKE A DEAL DOWN THERE, 529 00:41:44,035 --> 00:41:47,105 I IMAGINE THOSE THIEVES MIGHT GET IN UPWARDS TO 530 00:41:48,674 --> 00:41:50,141 $100,000. 531 00:41:53,211 --> 00:41:54,713 YOU RECKON? 532 00:41:58,116 --> 00:41:59,651 I RECKON. 533 00:41:59,685 --> 00:42:01,286 NOW WAIT A MINUTE, WAIT A MINUTE THERE. 534 00:42:01,319 --> 00:42:02,520 HUH? 535 00:42:06,091 --> 00:42:09,060 JUST GIVE ME THAT STINGY LITTLE GUN. COME ON. 536 00:42:10,629 --> 00:42:12,263 OH, SHERIFF. 537 00:42:12,297 --> 00:42:14,900 [chuckling] 538 00:42:14,933 --> 00:42:17,769 [laughing] 539 00:42:17,803 --> 00:42:19,204 HOW'S IT LOOK, HUH? 540 00:42:20,606 --> 00:42:22,240 WELL, SHERIFF, 541 00:42:25,944 --> 00:42:29,114 A LITTLE TOUCH OF GOLD ALWAYS LOOKS GOOD ON A MAN. 542 00:42:31,049 --> 00:42:33,985 [laughing] 543 00:42:48,299 --> 00:42:50,301 [grunting] 544 00:42:50,335 --> 00:42:53,171 NOW, I GOT SOMETHING THAT'S GONNA LOOK GOOD ON YOU. 545 00:42:53,204 --> 00:42:54,640 WHAT THE HELL IS THIS, SHERIFF? 546 00:42:54,673 --> 00:42:56,241 OH, COME ON, LOCK THEM UP. 547 00:42:58,176 --> 00:42:59,678 YOU DON'T TRUST ANYBODY, DO YOU? 548 00:42:59,711 --> 00:43:01,346 [laughing] 549 00:43:01,379 --> 00:43:02,848 WHAT'S SO FUNNY? 550 00:43:02,881 --> 00:43:05,316 BECAUSE I FEEL GOOD THAT'S WHAT'S SO FUNNY. 551 00:43:05,350 --> 00:43:07,152 YOU DON'T MIND IF I FEEL GOOD, DO YOU? 552 00:43:07,185 --> 00:43:09,187 NO, BUT MAYBE YOU SHOULDN'T. I JUST MIGHT... 553 00:43:09,220 --> 00:43:10,956 I MIGHT SUE YOU FOR FALSE ARREST. 554 00:43:10,989 --> 00:43:13,959 FAL-- GO AHEAD AND DO IT. 555 00:43:13,992 --> 00:43:18,029 MEANTIME, GO ON OVER THERE AND LEND A HAND WITH THAT GOLD. GO ON. 556 00:43:20,732 --> 00:43:22,067 I DIDN'T BREAK ANY LAW, SHERIFF. 557 00:43:22,100 --> 00:43:23,735 NO? 558 00:43:23,769 --> 00:43:25,804 WHAT ABOUT STEALIN' MY HORSE, EH? 559 00:43:25,837 --> 00:43:28,907 I NEEDED THAT HORSE TO RECOVER THE GOLD. 560 00:43:28,940 --> 00:43:31,376 LOCKING ME IN MY OWN JAIL? 561 00:43:31,409 --> 00:43:32,844 I WANTED YOU BEHIND ME. 562 00:43:32,878 --> 00:43:34,279 [laughing] 563 00:43:34,312 --> 00:43:36,081 MURDER? 564 00:43:36,114 --> 00:43:37,615 SELF-DEFENSE. 565 00:43:40,285 --> 00:43:41,653 RAPING? 566 00:43:45,356 --> 00:43:47,793 ASSAULT WITH A FRIENDLY WEAPON? 567 00:43:53,364 --> 00:43:57,936 * NOW TREAT A GIRL TENDER, SHE'LL PREEN LIKE A BRIDE * 568 00:44:00,171 --> 00:44:02,173 * BUT TAKE HER FOR GRANTED 569 00:44:02,207 --> 00:44:04,843 * AND SHE'LL COME FOR YOUR HIDE * 570 00:44:06,912 --> 00:44:11,382 * SHE'LL SHOOT OFF YOUR HEAD IF YOU LEAVE HER BEHIND * 571 00:44:11,416 --> 00:44:15,386 * AND YOU'LL LOSE YOUR NATURAL MIND * 572 00:44:17,956 --> 00:44:19,457 [laughing] 573 00:44:19,490 --> 00:44:21,960 FORGET ABOUT IT, COLE. JUST FORGET ABOUT IT. 574 00:44:21,993 --> 00:44:23,762 A MAN CAN DREAM, CAN'T HE? 575 00:44:23,795 --> 00:44:26,131 OH, WELL, A MAN CAN DREAM, BUT THERE AIN'T NO USE, 576 00:44:26,164 --> 00:44:28,900 'CAUSE--'CAUSE EVEN IF THEY DON'T STRETCH YOUR NECK, 577 00:44:28,934 --> 00:44:33,004 WHY, YOU'LL PROBABLY BE WEARING A NUMBER INTO THE 20TH CENTURY. 578 00:44:33,038 --> 00:44:35,874 WELL, I GOT A NUMBER FOR YOU SHERIFF: 579 00:44:35,907 --> 00:44:41,079 108 POUNDS OF YELLOW GOLD IN THAT SADDLEBAG. 580 00:44:41,112 --> 00:44:42,948 WHAT ARE YOU SUGGESTING, THAT YOU AND I-- 581 00:44:42,981 --> 00:44:44,750 OH, DID I SUGGEST? 582 00:44:46,985 --> 00:44:51,056 YOU SHOW ME AN HONEST SHERIFF AND I'LL SHOW YOU A MAN WITHOUT MONEY. 583 00:45:05,436 --> 00:45:08,306 [bleating] 584 00:45:08,339 --> 00:45:09,340 [spitting] 585 00:45:12,310 --> 00:45:16,314 NOW A MAN WITH MONEY, HE DON'T TOUCH THE PRINCIPAL. 586 00:45:16,347 --> 00:45:17,916 HE DON'T? 587 00:45:17,949 --> 00:45:20,151 NO. HE LIVES OFF THE INTEREST 588 00:45:20,185 --> 00:45:23,188 AND THERE'LL BE LOTS OF INTEREST. 589 00:45:23,221 --> 00:45:27,458 MAYBE HE'LL SUBSCRIBE TO A LITTLE, UH, RAILROAD STOCK, 590 00:45:27,492 --> 00:45:29,828 OR COTTON FUTURES, 591 00:45:29,861 --> 00:45:33,298 MAYBE SOME, UH, CORN, TOBACCO, SUGAR, WHEAT, 592 00:45:34,966 --> 00:45:37,235 ALL FROM HIS RANCH 593 00:45:37,268 --> 00:45:41,439 WHERE HE'S GOT A FANCY SALOON 594 00:45:41,472 --> 00:45:44,876 AND HIS OWN PRIVATE GAMBLING HALL FOR A WATERING HOLE. 595 00:45:46,845 --> 00:45:50,481 AND ALL THEM SLOE-EYED SENORITAS JUST A-HUNGERIN'. 596 00:45:51,883 --> 00:45:53,384 AFTER MY MONEY. 597 00:45:55,086 --> 00:45:56,254 TRUE, JOHN. 598 00:45:57,856 --> 00:46:00,458 BUT YOU'LL WEAR OUT BEFORE YOU GO BROKE. 599 00:46:03,028 --> 00:46:05,263 [both laughing] 600 00:46:07,999 --> 00:46:10,836 YOU DON'T KNOW HOW SADDLE-SORE I AM. 601 00:46:10,869 --> 00:46:13,872 GODDAMN MULE LIKE TO KILLED ME, WHILE COLE WAS RIDING ON YOU. 602 00:46:13,905 --> 00:46:15,907 COME ON OVER HERE. 603 00:46:15,941 --> 00:46:17,442 [Cole singing] 604 00:46:17,475 --> 00:46:21,512 * I'M GOING BACK, I'M RIDING BACK TO DURANGO * 605 00:46:21,546 --> 00:46:27,585 * WHERE THE SUN GOES DOWN AT NOON * 606 00:46:27,618 --> 00:46:32,223 * OH, GIRLS IN THE WEST ARE THE BEST * 607 00:46:32,257 --> 00:46:33,358 * TO REST WITH 608 00:46:33,391 --> 00:46:37,829 * DURANGO, DURANGO, DURANGO 609 00:46:37,863 --> 00:46:42,400 COTTONSEED CAKE? YOU AIN'T GOT NOTHING IN HERE BUT COW FOOD. 610 00:46:42,433 --> 00:46:45,470 OH, WELL, JUST KEEP DIGGING A LITTLE DEEPER, JOHN. 611 00:46:45,503 --> 00:46:48,874 I PACKED IN KIND OF A HURRY. 612 00:46:48,907 --> 00:46:50,341 WELL, THIS AIN'T MUCH BETTER. 613 00:46:50,375 --> 00:46:52,043 GOOD ENOUGH FOR ME. 614 00:46:58,416 --> 00:47:01,419 IT'S KIND OF PRETTY OUT THERE, AIN'T IT? 615 00:47:01,452 --> 00:47:03,488 THAT'S WHAT IT'S ALL ABOUT. 616 00:47:03,521 --> 00:47:04,389 YEAH. 617 00:47:04,422 --> 00:47:06,391 BEAUTIFUL. 618 00:47:06,424 --> 00:47:09,827 HOW COME, AT YOUR AGE, A FELLOW LIKE YOU AIN'T TIED DOWN YET? 619 00:47:12,097 --> 00:47:14,165 WELL, I WAS. ONCE. 620 00:47:15,433 --> 00:47:17,202 WHAT'D YOU DO TO HER? 621 00:47:19,204 --> 00:47:24,475 WHY I DON'T KNOW, JUST GOT ON SEPARATE TRAINS, I GUESS. 622 00:47:24,509 --> 00:47:25,944 WELL... 623 00:47:27,612 --> 00:47:30,448 THAT THING WITH BILLEE... 624 00:47:30,481 --> 00:47:34,052 OF COURSE, NOT BEING THERE, I'LL NEVER REALLY KNOW, 625 00:47:34,085 --> 00:47:37,022 BUT WHAT WAS THAT ALL ABOUT? 626 00:47:37,055 --> 00:47:39,324 JUST A HASTY LOVE AFFAIR. 627 00:47:39,357 --> 00:47:41,559 NOTHING GOT BRUISED BUT HER PRIDE. 628 00:47:41,592 --> 00:47:44,229 YEAH. UH-HUH. 629 00:47:44,262 --> 00:47:47,598 WELL, YOU SHOULD'VE STAYED TO TALK A BIT. 630 00:47:47,632 --> 00:47:50,335 I ALWAYS TALK ABOUT 5 MINUTES BEFORE I RUN. 631 00:47:50,368 --> 00:47:51,369 UH-HUH. 632 00:47:55,206 --> 00:47:57,175 YOU LEFT HER UPSIDE DOWN. 633 00:47:58,243 --> 00:48:00,178 DON'T THINK ON IT, JOHN. 634 00:48:00,211 --> 00:48:03,114 THINK ABOUT SOMETHING IMPORTANT, 635 00:48:03,148 --> 00:48:05,216 LIKE GETTING OUR GOLD TO MEXICO. 636 00:48:10,688 --> 00:48:12,623 [sighing] 637 00:48:12,657 --> 00:48:14,425 NEED A LIGHT, JOHN? 638 00:48:20,165 --> 00:48:23,434 * OH, THE GIRLS IN THE WEST ARE THE BEST * 639 00:48:24,702 --> 00:48:26,271 * TO REST WITH 640 00:48:28,039 --> 00:48:33,178 * DURANGO, DURANGO, DURANGO 641 00:48:33,211 --> 00:48:36,381 * GOING BACK, RIDING BACK 642 00:48:36,414 --> 00:48:39,117 (both singing) * TO DURANGO 643 00:48:39,150 --> 00:48:44,122 * WHERE THE SUN GOES DOWN AT NOON * 644 00:48:46,591 --> 00:48:49,460 * DURANGO, DURANGO 645 00:49:02,007 --> 00:49:03,741 (Cole) EVER BEEN TO MEXICO? 646 00:49:03,774 --> 00:49:06,144 (Copperud) YEAH. I HAD A LEG OVER THE BORDER ONCE OR TWICE. 647 00:49:06,177 --> 00:49:07,612 YEAH, I BET YOU HAVE. 648 00:49:08,746 --> 00:49:10,148 ALWAYS BEEN WEARING THAT BADGE? 649 00:49:10,181 --> 00:49:11,682 AW, NO, I... 650 00:49:11,716 --> 00:49:14,352 WE RAN COWS AFTER THAT BIG DRY-UP IN '73. 651 00:49:14,385 --> 00:49:16,421 MMM-HMM 652 00:49:16,454 --> 00:49:18,589 IT WAS SO DRY THAT YEAR, THE BUSHES WAS TRAILING THE DOGS AROUND. 653 00:49:18,623 --> 00:49:20,425 [laughing] 654 00:49:20,458 --> 00:49:22,493 YEAH. WE HAD SOME CATTLE 655 00:49:22,527 --> 00:49:25,096 TILL THE GOVERNMENT STARTED TAXING PUBLIC LAND. 656 00:49:25,130 --> 00:49:28,299 WELL, IF IT AIN'T THE DROUGHT, AIN'T THE HOOF-AND-MOUTH, OR BLACKLEG, 657 00:49:28,333 --> 00:49:30,535 IT'S THE DAMN GOVERNMENT THROWING A HOOK INTO EVERYTHING. 658 00:49:30,568 --> 00:49:32,370 YOU KNOW, IT'S SOME DAMN THING, ALWAYS. 659 00:49:32,403 --> 00:49:33,638 YOU'RE RIGHT, THERE, JOHN. LOOK. 660 00:49:33,671 --> 00:49:35,006 WHAT? 661 00:49:38,443 --> 00:49:39,910 HOLD IT! 662 00:49:43,781 --> 00:49:46,184 GET DOWN, QUICK! 663 00:49:46,217 --> 00:49:48,219 RABBIT, GET THEIR GUNS. 664 00:49:48,253 --> 00:49:50,721 CHECK THEIR VESTS AND COATS OUT GOOD. 665 00:50:01,332 --> 00:50:03,334 THAT THERE'S ONLY A WATCH. 666 00:50:04,702 --> 00:50:06,637 IT--IT--IT'S ONLY A WATCH. 667 00:50:06,671 --> 00:50:08,639 I WANT IT! 668 00:50:08,673 --> 00:50:11,409 (Foggers) YOU GOT 50 POUNDS OF GOLD AND YOU WANT A $1 WATCH? 669 00:50:11,442 --> 00:50:13,044 I WANT IT! 670 00:50:15,613 --> 00:50:17,715 DROP THEM GUNS OR I'LL KILL YOU. 671 00:50:17,748 --> 00:50:18,716 [spitting] 672 00:50:21,519 --> 00:50:22,753 HILB! 673 00:50:27,258 --> 00:50:29,460 WHAT'RE YOU DOIN' NOW? 674 00:50:29,494 --> 00:50:33,498 WHAT DO I ALWAYS DO WHEN I COCK MY GUNS? 675 00:50:33,531 --> 00:50:35,700 YOU'RE GOING TO SHOOT EVERYBODY. 676 00:50:35,733 --> 00:50:39,604 THAT'S MURDER. THEY MIGHT SEND US BACK FROM MEXICO FOR THAT. 677 00:50:39,637 --> 00:50:40,805 [grunting] 678 00:50:42,573 --> 00:50:43,774 HE KNOWS EVERYTHING, THAT SHOEMAKER. 679 00:50:43,808 --> 00:50:45,843 (Foggers) WHAT DO WE CARE? 680 00:50:45,876 --> 00:50:49,314 WE'LL BE SWAPPING TEQUILAS WITH ORTIZ AT THE PRESIDENTIAL PALACE. 681 00:50:49,347 --> 00:50:51,249 HE KILLED QUINLEN. 682 00:50:51,282 --> 00:50:53,584 (Foggers) YOU SHOULD THANK HIM. YOU GET A BIGGER CUT. 683 00:50:53,618 --> 00:50:56,654 NOW YOU SEE HOW EVERYTHING WORKS OUT? 684 00:50:56,687 --> 00:50:59,757 NOT THAT IT MATTERS, BUT HOW DID YOU KNOW ABOUT QUINLEN? 685 00:51:01,392 --> 00:51:03,628 GOT TIME FOR A LONG STORY, SERGEANT? 686 00:51:03,661 --> 00:51:06,231 NO. CUFF 'EM. 687 00:51:06,264 --> 00:51:08,233 CUFF 'EM, SHOEMAKER. COME ON! 688 00:51:09,700 --> 00:51:11,102 WHERE IS THE KEY? 689 00:51:11,136 --> 00:51:12,570 IT'S IN THE HATBAND. 690 00:51:13,771 --> 00:51:15,106 ON THEIR ANKLES. 691 00:51:15,140 --> 00:51:16,774 ON THEIR ANKLES, SHOEMAKER! 692 00:51:17,908 --> 00:51:19,544 I'LL GET THE GOLD. 693 00:51:19,577 --> 00:51:20,778 WE'LL DIVVY IT. 694 00:51:20,811 --> 00:51:22,447 WHY NOT? 695 00:51:22,480 --> 00:51:24,315 TURN AROUND, CLOSE. COME ON! 696 00:51:26,351 --> 00:51:28,519 HILB! TIE THEIR HANDS WITH THIS. 697 00:51:28,553 --> 00:51:30,255 (Hilb) RIGHT. 698 00:51:30,288 --> 00:51:33,224 * SWEET YELLOW, SWEET YELLOW 699 00:51:33,258 --> 00:51:37,362 * SWEET TANGERINE GOLD 700 00:51:37,395 --> 00:51:42,200 * YOU MAKE A MAN FEVER, YOU MAKE A MAN BOLD * 701 00:51:43,801 --> 00:51:46,771 * YOU'RE WARM LIKE A WOMAN 702 00:51:46,804 --> 00:51:49,907 * A TREASURE TO HOLD 703 00:51:49,940 --> 00:51:55,613 * SWEET YELLOW, SWEET TANGERINE GOLD * 704 00:51:55,646 --> 00:51:58,683 IT KIND OF MAKES YOUR TONGUE COAT UP, DON'T IT? 705 00:51:59,950 --> 00:52:01,586 [raucous laughter] 706 00:52:01,619 --> 00:52:03,921 YOURS IS STILL ON THE HORSE. 707 00:52:03,954 --> 00:52:05,890 [bugle blowing] 708 00:52:12,497 --> 00:52:13,798 WHAT'S THAT? 709 00:52:13,831 --> 00:52:15,300 MY OLD OUTFIT. 710 00:52:15,333 --> 00:52:16,434 [bleating] 711 00:52:19,704 --> 00:52:20,905 BYE, NOW. 712 00:52:24,975 --> 00:52:26,577 OUR GOLD, HUH? 713 00:52:28,446 --> 00:52:30,415 (Foggers) SHOEMAKER, GET THE MULE. 714 00:52:36,454 --> 00:52:38,723 WE'RE THROUGH WITH HIM, AIN'T WE? 715 00:52:38,756 --> 00:52:40,925 NOW YOU THINK A MINUTE, HILB. 716 00:52:42,760 --> 00:52:44,762 WE LET HIM GO IN MEXICO. 717 00:52:44,795 --> 00:52:47,832 RIGHT. RIGHT. 718 00:52:47,865 --> 00:52:51,569 AS WE SAY IN THE CAVALRY: WITHOUT A HORSE, A MAN'S AFOOT. 719 00:52:53,871 --> 00:52:56,607 * YOU MAKE A MAN FEVER 720 00:52:56,641 --> 00:52:59,644 * YOU MAKE A MAN BOLD 721 00:53:01,312 --> 00:53:05,550 * SWEET YELLOW, SWEET TANGERINE GOLD * 722 00:53:11,489 --> 00:53:12,490 [neighing] 723 00:53:15,460 --> 00:53:17,628 (Cole) AND THERE WAS THIS $20 BILL 724 00:53:17,662 --> 00:53:18,863 WITH A BUNCH OF DOODLING ON IT. 725 00:53:18,896 --> 00:53:21,499 I DIDN'T KNOW WHAT IT WAS 726 00:53:21,532 --> 00:53:23,601 UNTIL OLD QUINLEN MADE IT IMPORTANT 727 00:53:23,634 --> 00:53:25,536 BY NOT LETTING ME GO WITHOUT A SHOOTOUT. 728 00:53:25,570 --> 00:53:28,439 YEAH, SO YOU WENT AND SNEAKED OFF A SHOT AT HIM. 729 00:53:28,473 --> 00:53:30,308 NEVER WOULD'VE MET YOU IF I HADN'T, JOHN. 730 00:53:30,341 --> 00:53:31,909 LET'S TRY TO GET OUR LEGS UP. 731 00:53:31,942 --> 00:53:33,944 [moaning] 732 00:53:33,978 --> 00:53:36,681 THEN YOU RAN OUT OF TOWN AND LET YOURSELF GET ACCUSED OF MURDER. 733 00:53:36,714 --> 00:53:38,449 WHAT'D YOU DO THAT FOR? 734 00:53:38,483 --> 00:53:41,452 I DON'T KNOW, JOHN. I GUESS I WAS-- 735 00:53:41,486 --> 00:53:46,357 I WAS JUST IN A HURRY TO SEE WHAT THIS MAN WAS SO WILLING TO DIE OVER. 736 00:53:46,391 --> 00:53:48,826 LET'S GET UP. 737 00:53:48,859 --> 00:53:51,896 THE WAY IT'S GONNA WORK OUT, YOU'RE GONNA BE A HERO, I SUPPOSE, 738 00:53:51,929 --> 00:53:54,532 AND I'M GONNA BE THE TOWN JACKASS. 739 00:53:54,565 --> 00:53:56,701 DON'T WORRY, WE'LL FIGURE OUT A STORY FOR YOU. 740 00:53:56,734 --> 00:53:58,536 COLE, 741 00:53:58,569 --> 00:54:00,271 WILL YOU GET YOUR DAMN FINGER OUT FROM UNDER THERE 742 00:54:00,305 --> 00:54:02,039 SO I CAN GET UNDER THIS KNOT? 743 00:54:02,072 --> 00:54:03,040 HOW'S THAT? 744 00:54:03,073 --> 00:54:04,842 NO. NO. NO. 745 00:54:04,875 --> 00:54:05,910 OH! 746 00:54:05,943 --> 00:54:07,678 WHAT'RE YOU DOING? 747 00:54:08,813 --> 00:54:09,914 BILLEE! 748 00:54:09,947 --> 00:54:10,915 HELLO, THERE. 749 00:54:13,951 --> 00:54:16,854 WELL, NOW, LOOK AT THAT. 750 00:54:16,887 --> 00:54:19,824 THAT'S SOMETHING YOU DON'T SEE EVERY DAY. 751 00:54:19,857 --> 00:54:22,660 2 BIG MEN, WAY OUT HERE IN THE MIDDLE 752 00:54:22,693 --> 00:54:25,396 OF THE DESERT PLAYING GRAPPLE-FINGER. 753 00:54:25,430 --> 00:54:26,931 HEY, YOU CUT OUT THAT SMART TALK 754 00:54:26,964 --> 00:54:28,799 AND GET OVER HERE AND CUT US LOOSE! 755 00:54:30,768 --> 00:54:32,837 MAYBE. 756 00:54:32,870 --> 00:54:35,473 BILLEE, YOU GET OVER HERE AND CUT US LOOSE NOW! 757 00:54:35,506 --> 00:54:36,707 THAT'S AN ORDER! 758 00:54:36,741 --> 00:54:38,776 [groaning] WHAT DO YOU MEAN BY-- 759 00:54:38,809 --> 00:54:40,311 [moaning] OH, BILLEE! 760 00:54:40,345 --> 00:54:41,912 AND THIS ONE'S FOR YOU. 761 00:54:41,946 --> 00:54:44,682 YOU KNOW, TRUE LOVE WAS NEVER ROSY. 762 00:54:44,715 --> 00:54:47,352 OH, BILLEE, I WISH YOU HADN'T DONE THAT. 763 00:54:47,385 --> 00:54:49,720 I HOPE THAT MAKES YOU FEEL BETTER. 764 00:54:49,754 --> 00:54:52,022 YOU GET OVER HERE AND YOU CUT US LOOSE, NOW. 765 00:54:52,056 --> 00:54:54,492 LOOK, BILLEE, BILLEE, WHERE YOU GOING? 766 00:54:54,525 --> 00:54:57,662 TO FIND ME SOME INDIANS OR SOME RED FIRE ANTS! 767 00:54:57,695 --> 00:54:58,896 NOW WATCH YOUR WORDS. 768 00:54:58,929 --> 00:55:00,798 SHE'S A WOMAN, SHE MIGHT DO IT. 769 00:55:00,831 --> 00:55:02,667 YOU'RE THE KID WITH ALL THE WORDS. WHAT DO I TELL HER? 770 00:55:02,700 --> 00:55:03,868 TELL HER SHE'S PRETTY. 771 00:55:03,901 --> 00:55:04,869 (Copperud) YOU'RE PRETTY, BILLEE! 772 00:55:04,902 --> 00:55:06,371 YOU GOT TO BE HONEST, JOHN. 773 00:55:06,404 --> 00:55:08,506 I'M BEING HONEST. NOW, BILLEE, REALLY! 774 00:55:08,539 --> 00:55:11,876 YOU'RE VERY GOOD-LOOKING UP THERE WHEN YOU'RE MAD THAT WAY! 775 00:55:11,909 --> 00:55:13,077 (Copperud) NOW, BILLEE, LISTEN TO ME. 776 00:55:13,110 --> 00:55:15,346 NOW LISTEN, SEE REASON. 777 00:55:15,380 --> 00:55:18,383 BILLEE, NOW, I PROMISE YOU THIS MAN, BUT I GOTTA HAVE HIM FIRST! 778 00:55:18,416 --> 00:55:19,850 (Copperud) NOW YOU SEE THAT, DON'T YOU? 779 00:55:19,884 --> 00:55:21,886 IT'S A POINT OF HONOR, IT'S MY BOUNDEN DUTY! 780 00:55:21,919 --> 00:55:23,488 BILLEE, LISTEN TO ME! 781 00:55:23,521 --> 00:55:25,823 NOW, I KNOW I'M A FOOL AND A SINNER, BUT I... 782 00:55:25,856 --> 00:55:29,560 IT'S ONLY YOUR OLD DAD HERE YOU'D BE TURNING LOOSE IF YOU DID IT. 783 00:55:29,594 --> 00:55:30,595 BILLEE! 784 00:55:36,501 --> 00:55:38,769 SHE'S COMING, JOHN. YOU DID GOOD. 785 00:55:45,510 --> 00:55:49,414 OH, THAT'S FINE, BILLEE. THAT'S MY GIRL. 786 00:55:49,447 --> 00:55:51,649 NOW, COLE, HAVE YOU GOT A KNIFE SOMEWHERE? 787 00:55:51,682 --> 00:55:54,018 I HAVE. IN MY POCKET, RIGHT THERE. 788 00:55:56,454 --> 00:55:58,823 [birds chirping] 789 00:55:58,856 --> 00:56:00,024 DEEPER. 790 00:56:10,100 --> 00:56:11,836 [moaning] 791 00:56:13,003 --> 00:56:14,171 NOW-- 792 00:56:14,204 --> 00:56:16,707 NO, I'M NOT-- I'M NOT UNCUT YET. 793 00:56:16,741 --> 00:56:18,075 GIVE ME THE KNIFE, BILLEE. 794 00:56:18,108 --> 00:56:19,944 HERE NOW, JUST HOLD ONTO THAT GUN. 795 00:56:25,550 --> 00:56:26,751 THERE. 796 00:56:26,784 --> 00:56:29,554 GO AHEAD, IT WAS WORTH IT. 797 00:56:31,622 --> 00:56:33,858 WHAT'S YOUR NAME, ANYWAY? 798 00:56:33,891 --> 00:56:35,460 OH, BILLEE, QUIT FOOLING AROUND. 799 00:56:35,493 --> 00:56:37,127 HERE, GIVE ME THAT GUN. HERE TAKE THIS. 800 00:56:37,161 --> 00:56:40,130 HIS NAME IS LEWTON COLE. 801 00:56:40,164 --> 00:56:42,066 I THOUGHT YOU KNEW HIM. 802 00:56:43,901 --> 00:56:45,503 [laughing] 803 00:56:49,507 --> 00:56:50,908 [gun firing] 804 00:56:50,941 --> 00:56:52,877 NO. NO, JOHN. 805 00:56:52,910 --> 00:56:54,712 WELL, ALL RIGHT, IT'S YOUR GUN, YOU DO IT. 806 00:56:57,582 --> 00:56:58,883 [gun firing] 807 00:57:00,017 --> 00:57:01,151 [horse neighing] 808 00:57:03,220 --> 00:57:05,790 NOW BILLEE, DON'T JERK THEM REINS AROUND THAT WAY, 809 00:57:05,823 --> 00:57:07,558 YOU'LL GIVE THAT HORSE A LEATHER MOUTH. 810 00:57:07,592 --> 00:57:09,026 NOW BRING HIM OVER HERE. 811 00:57:09,059 --> 00:57:11,829 COME ON NOW, BILLEE. AND GET DOWN OFF THERE. 812 00:57:11,862 --> 00:57:13,898 YOU'RE NOT THE ONLY ONE WHO'LL RIDE THAT HORSE. 813 00:57:13,931 --> 00:57:16,000 NOW COME ON, GET OFF. 814 00:57:16,033 --> 00:57:17,568 COME ON DOWN, BILLEE. 815 00:57:17,602 --> 00:57:19,804 HEY, HEY, PUT ME DOWN! 816 00:57:19,837 --> 00:57:21,706 ALL RIGHT, NOW YOU JUST HOLD ON THERE A MINUTE. 817 00:57:21,739 --> 00:57:23,508 PUT ME DOWN! 818 00:57:23,541 --> 00:57:25,710 (Copperud) GET BILLEE UP BEHIND THE CANTLE, HERE. 819 00:57:26,944 --> 00:57:27,812 DADDY! 820 00:57:27,845 --> 00:57:29,146 THERE. 821 00:57:29,179 --> 00:57:30,748 ALL RIGHT, YOU UP BEHIND, LEWT. COME ON. 822 00:57:30,781 --> 00:57:33,518 UP BEHIND THERE. 823 00:57:33,551 --> 00:57:36,754 [horse neighing] ALL RIGHT, I'LL TRY TO KEEP THE ANIMAL HEADED STRAIGHT. 824 00:57:38,155 --> 00:57:40,057 WHERE WE GOING, JOHN? 825 00:57:40,090 --> 00:57:42,092 (Copperud) INTEGRITY GUARDS THE PASS TO MEXICO, DON'T IT? 826 00:57:42,126 --> 00:57:45,496 WELL, OUR BEST CHANCE IS IF THEY LAY OVER IN INTEGRITY. 827 00:57:45,530 --> 00:57:47,998 (Billee) BUT WHAT ABOUT MY RAPE? 828 00:57:48,032 --> 00:57:50,568 (Copperud) FORGET ABOUT IT. WE'RE AFTER GOLD. 829 00:58:03,748 --> 00:58:07,184 BILLEE, THIS DESERT AT NIGHT REALLY DOES SOMETHING TO ME. 830 00:58:09,687 --> 00:58:10,788 OH. 831 00:58:10,821 --> 00:58:12,557 I SHOULD'VE SHOT YOU BACK THERE. 832 00:58:12,590 --> 00:58:14,091 YOU NEVER WOULD'VE SHOT ME. 833 00:58:14,124 --> 00:58:17,227 RIGHT IN THAT DEEP POCKET. [laughing] 834 00:58:17,261 --> 00:58:18,863 (Cole) WHAT'D YOU WANT ME TO DO, ANYWAY, 835 00:58:18,896 --> 00:58:21,799 BRING YOU CANDIES AND FLOWERS FIRST? 836 00:58:21,832 --> 00:58:24,635 NO, I WANTED YOU TO DO THE DECENT THING. 837 00:58:24,669 --> 00:58:27,104 WHICH IS WHAT? 838 00:58:27,137 --> 00:58:29,774 WELL, IF YOU DON'T KNOW, WHAT'S THE USE OF TALKING? 839 00:58:29,807 --> 00:58:31,576 WHAT DOES THAT MEAN, BILLEE? 840 00:58:31,609 --> 00:58:33,077 THINK ABOUT IT. 841 00:58:35,012 --> 00:58:38,248 OH, NO, WE DON'T WANT TO START THINKING ABOUT IT. 842 00:58:38,282 --> 00:58:41,218 THAT TAKES US TOO FAR AWAY FROM THE POINT OF IT ALL. 843 00:58:43,053 --> 00:58:45,122 WHAT'S THAT MEAN? 844 00:58:45,155 --> 00:58:46,824 THINK ABOUT IT. 845 00:58:50,961 --> 00:58:52,630 OH! 846 00:58:52,663 --> 00:58:55,265 * WELL SHE THOUGHT AND HE THOUGHT * 847 00:58:55,299 --> 00:58:57,635 * AND LIKE IT OR NOT 848 00:59:00,871 --> 00:59:03,140 * THE COLDER SHE ACTED 849 00:59:03,173 --> 00:59:05,810 * THE WARMER HE GOT 850 00:59:07,678 --> 00:59:09,680 [all screaming] 851 00:59:11,649 --> 00:59:14,118 [Billee grunting] 852 00:59:17,922 --> 00:59:21,592 HAS ANYBODY EVER SAID ANYTHING ABOUT YOUR STYLE? 853 00:59:21,626 --> 00:59:23,327 AIN'T THAT AWFUL? 854 00:59:23,360 --> 00:59:25,896 THAT'S YOUR FAULT, COLE. IF YOU HADN'T BEEN DOING 855 00:59:25,930 --> 00:59:28,365 WHAT YOU OUGHT NOT TO, THIS NEVER WOULD'VE HAPPENED. 856 00:59:28,398 --> 00:59:31,836 COME ON, BILLEE, GET OUT FROM UNDER HIM AND LET'S GET GOING. 857 00:59:33,771 --> 00:59:35,039 [Cole laughing] 858 00:59:44,782 --> 00:59:46,283 [horse snuffling] 859 00:59:54,358 --> 00:59:56,126 THE SHOEMAKER GOES WITH ME. 860 00:59:57,795 --> 01:00:00,965 YOU STAY HERE TONIGHT TO PROTECT OUR FLANK. 861 01:00:00,998 --> 01:00:03,067 FROM WHAT? 862 01:00:03,100 --> 01:00:04,769 NOW, HOW DO I KNOW? 863 01:00:04,802 --> 01:00:06,203 BUT I'M NOT TAKING ANY CHANCES, 864 01:00:06,236 --> 01:00:07,805 TOO MANY PEOPLE KNOW ABOUT THIS. 865 01:00:07,838 --> 01:00:09,807 WHAT ARE WE STOPPING FOR? 866 01:00:09,840 --> 01:00:13,678 I WANT TO KNOW WHAT'S AHEAD, AND I KNOW THE PLACE TO FIND OUT. 867 01:00:13,711 --> 01:00:17,682 YOU PICK US UP AT THE MAWSON HOTEL AT 5:00 A.M. 868 01:00:17,715 --> 01:00:19,149 I AIN'T GOT NO WATCH. 869 01:00:20,718 --> 01:00:22,386 THE FIRST LIGHT, THEN. 870 01:00:23,854 --> 01:00:26,423 MMM. 871 01:00:26,456 --> 01:00:27,992 AND NO GUNS. 872 01:00:28,025 --> 01:00:29,794 [snickering] 873 01:00:54,418 --> 01:00:56,086 *[playing organ] 874 01:00:59,023 --> 01:01:00,124 HENRY. 875 01:01:00,157 --> 01:01:01,225 (Foggers) HEY, LAVINIA. 876 01:01:02,760 --> 01:01:04,128 I HAVEN'T SEEN YOU IN QUITE A WHILE. 877 01:01:04,161 --> 01:01:06,163 I'VE BEEN BUSY. 878 01:01:06,196 --> 01:01:08,265 I CAN IMAGINE. OF COURSE, I ONLY KNOW WHAT I READ IN NEWSPAPERS. 879 01:01:08,298 --> 01:01:09,466 WHO'S BEEN AROUND? 880 01:01:09,499 --> 01:01:10,968 NOBODY THAT WOULD INTEREST YOU. 881 01:01:15,505 --> 01:01:17,174 LOOKS LIKE YOU ROBBED THE ARMY. 882 01:01:17,207 --> 01:01:19,043 SHH. 883 01:01:19,076 --> 01:01:20,410 DO I HAVE THE HOUSE FOR THE NIGHT? 884 01:01:20,444 --> 01:01:22,112 YOUR CREDIT SEEMS GOOD. 885 01:01:22,146 --> 01:01:24,348 IT LOOKS KIND OF BARE IN HERE TONIGHT, DOESN'T IT? 886 01:01:24,381 --> 01:01:26,884 THE TOWN COUNCIL'S OUT ON A GALLOP WITH THE SHERIFF. 887 01:01:26,917 --> 01:01:27,918 WHAT SHERIFF? 888 01:01:27,952 --> 01:01:29,219 SHERIFF COPPERUD. 889 01:01:29,253 --> 01:01:31,155 IT HAS NOTHING TO DO WITH YOU, HONEY. 890 01:01:31,188 --> 01:01:33,758 HE'S OUT CHASING A MAN WHO LOCKED HIM IN HIS OWN JAIL. 891 01:01:33,791 --> 01:01:36,126 AND IN A VERY UNUSUAL CONDITION. 892 01:01:38,062 --> 01:01:40,831 ALL RIGHT, GIRLS, 893 01:01:40,865 --> 01:01:43,367 PRESENT ARMS! 894 01:01:43,400 --> 01:01:45,135 [women screaming] 895 01:01:58,148 --> 01:02:00,184 *[Roger Miller scatting] 896 01:02:16,266 --> 01:02:18,335 DAMN! WHAT HAPPENED? 897 01:02:18,368 --> 01:02:20,470 IT'S THAT DAMN CHEAP SADDLE OF YOURS. 898 01:02:20,504 --> 01:02:22,106 ALL RIGHT, COME ON, PICK HER UP, COLE. 899 01:02:22,139 --> 01:02:23,941 THE ACTION'S GETTING AWAY! 900 01:02:23,974 --> 01:02:25,275 GET THE HELL OFF MY LAWN! 901 01:02:25,309 --> 01:02:27,778 OH, HEY, PUT ME DOWN! 902 01:02:27,812 --> 01:02:30,314 (Copperud) COLE, THERE'S OLD BLUE TIED UP BY THE HOTEL. 903 01:02:42,960 --> 01:02:44,461 (Billee) PUT ME DOWN! 904 01:02:44,494 --> 01:02:47,364 PUT HER DOWN, OR SHE'LL WAKE UP THE WHOLE NEIGHBORHOOD. 905 01:02:47,397 --> 01:02:49,566 (Cole) YOU'LL HAVE TO TELL ME WHY YOU NAMED HER BILLEE. 906 01:02:49,599 --> 01:02:52,002 HER MA AND ME WAS TRYING TO MAKE A BOY. 907 01:02:52,036 --> 01:02:54,204 WELL, YOU DIDN'T EVEN COME CLOSE. 908 01:02:54,238 --> 01:02:56,240 WE CAME OUT AHEAD, ANYWAY. 909 01:03:05,582 --> 01:03:07,985 [bell ringing] 910 01:03:08,018 --> 01:03:09,386 WHO'S RIDING THAT BIG BLACK HORSE? 911 01:03:09,419 --> 01:03:10,888 I NEVER WATCH HORSES. 912 01:03:10,921 --> 01:03:12,156 BILLEE, CONSTABLE. 913 01:03:12,189 --> 01:03:14,024 SEEN ANY SIGN OF MY DEPUTY, TIPPIN? 914 01:03:14,058 --> 01:03:15,826 TIPPIN IS WITH YOU AND THE POSSE. 915 01:03:15,860 --> 01:03:17,327 THAT AIN'T FUNNY, GEORGE. 916 01:03:17,361 --> 01:03:18,996 NOW, WHO'S SMITH AND WESSON DOWN HERE? 917 01:03:19,029 --> 01:03:21,131 SMITH'S A BIG FELLOW. WESSON'S A LITTLE ONE. 918 01:03:21,165 --> 01:03:22,532 THEY'RE IN 301 UPSTAIRS. 919 01:03:22,566 --> 01:03:24,134 GIVE ME THE KEY TO 301. COME ON. 920 01:03:25,469 --> 01:03:26,837 ALL RIGHT, NOW LET ME HAVE YOUR GUNS. 921 01:03:26,871 --> 01:03:28,472 GUNS? 922 01:03:28,505 --> 01:03:30,207 YEAH, BANG, BANG. 923 01:03:33,643 --> 01:03:38,315 I'VE GOT ONE OF THE 2 COLTS TAKEN OFF JOHN WESLEY HARDIN 924 01:03:38,348 --> 01:03:40,317 BY CONS. JOHN SELMAN, 925 01:03:40,350 --> 01:03:43,120 AFTER HE SHOT HARDIN BEHIND THE RIGHT EAR 926 01:03:43,153 --> 01:03:46,156 IN THE ACME SALOON IN EL PASO ON A MONDAY AFTERNOON. 927 01:03:46,190 --> 01:03:47,257 COME ON. 928 01:03:48,926 --> 01:03:52,396 THIS .32 CALIBER RIMFIRE HOPKINS AND ALLEN 929 01:03:52,429 --> 01:03:54,564 WAS ALMOST SMUGGLED IN TO BILL LONGLEY 930 01:03:54,598 --> 01:03:57,367 BEFORE THEY HANGED HIM HIGH, OCTOBER 11, 1878 931 01:03:57,401 --> 01:03:59,169 AT GIDDINGS, LEE COUNTY, TEXAS. 932 01:03:59,203 --> 01:04:00,204 DOES IT SHOOT? 933 01:04:00,237 --> 01:04:01,238 BEAUTIFULLY. 934 01:04:01,271 --> 01:04:03,007 THANKS VERY MUCH, GEORGE. 935 01:04:03,040 --> 01:04:04,608 I'LL TRY TO RETURN IT IN THE SAME CONDITION. 936 01:04:04,641 --> 01:04:06,643 GET OUT OF THE WAY THERE, BILLEE. 937 01:04:06,676 --> 01:04:08,078 OH, DADDY! 938 01:04:08,112 --> 01:04:09,279 (Copperud) YOU STAY DOWN HERE. 939 01:04:14,651 --> 01:04:18,155 * WHEN A SHOWDOWN'S A-COMING 940 01:04:20,490 --> 01:04:23,994 * WHEN A SHOOTOUT IS DUE 941 01:04:24,028 --> 01:04:24,995 I FORGOT TO TELL HIM. 942 01:04:25,029 --> 01:04:26,263 WHAT? 943 01:04:26,296 --> 01:04:28,132 THE BIG AND LITTLE ONE CHECKED IN, 944 01:04:28,165 --> 01:04:29,934 STAYED LONG ENOUGH TO SPRUCE UP, THEN WENT RIGHT OUT. 945 01:04:29,967 --> 01:04:31,535 WELL, WHERE'D THEY GO? 946 01:04:31,568 --> 01:04:34,004 WELL, 947 01:04:34,038 --> 01:04:36,006 YOU KNOW... 948 01:04:36,040 --> 01:04:37,041 LAVINIA'S. 949 01:04:37,074 --> 01:04:39,043 DID I MENTION THE SCARY ONE? 950 01:04:43,013 --> 01:04:46,883 * FACE UP TO THE DANGER 951 01:04:48,652 --> 01:04:52,222 * THROW A SLUG IN A STRANGER 952 01:04:52,256 --> 01:04:56,593 * BEFORE HE THROWS ONE INTO YOU * 953 01:05:12,176 --> 01:05:14,644 IF THEY'RE IN THERE, THEY'RE NOT GOING ANYWHERE. 954 01:05:14,678 --> 01:05:17,181 IF THEY ARE IN THERE, THEY'VE GOTTA COME OUT. 955 01:05:17,214 --> 01:05:18,915 (Billee) THEY'RE NOT HERE. 956 01:05:20,250 --> 01:05:21,485 THE BIG ONE AND THE LITTLE ONE 957 01:05:21,518 --> 01:05:23,287 ARE AT YOUR OLD WATERING HOLE. 958 01:05:23,320 --> 01:05:25,956 LAVINIA'S. EXCEPT FOR THE SCARY ONE. 959 01:05:25,990 --> 01:05:30,460 GEORGE SAW HIM COME UP, BUT HE DIDN'T SEE HIM GO OUT. SHH. 960 01:05:30,494 --> 01:05:32,529 HE'S GOTTA BE IN THERE STILL. 961 01:05:32,562 --> 01:05:34,164 WHAT'S THIS LAVINIA'S? 962 01:05:34,198 --> 01:05:36,700 OH, IT'S JUST A LOCAL... I-IT'S KIND OF A CLUB. 963 01:05:36,733 --> 01:05:38,302 OH, YEAH. 964 01:05:38,335 --> 01:05:40,504 HOW COME GEORGE TOLD YOU AND DIDN'T TELL ME? 965 01:05:40,537 --> 01:05:42,339 YOU WERE IN A HURRY. 966 01:05:42,372 --> 01:05:46,343 BILLEE, GO DOWN AND ASK GEORGE FOR THE KEY TO 302. 967 01:05:46,376 --> 01:05:49,046 YOU GO DOWN AND ASK GEORGE FOR THE KEY TO 302. 968 01:05:49,079 --> 01:05:50,580 [gasping] 969 01:05:50,614 --> 01:05:53,417 GO ON DOWN THERE LIKE YOU'RE TOLD AND GET THAT THERE KEY. 970 01:05:58,022 --> 01:06:01,325 OH, SHE SURE MOVES FINE THOUGH, JOHN. 971 01:06:01,358 --> 01:06:03,960 LOOK. OH, COLE, DAMN IT! 972 01:06:05,662 --> 01:06:07,431 [women screaming] 973 01:06:07,464 --> 01:06:10,000 *[music playing] 974 01:06:11,168 --> 01:06:14,304 [all hooting] 975 01:06:14,338 --> 01:06:18,275 HOW DID YOU AND THAT ARMY-HATING SERGEANT GET MIXED UP TOGETHER? 976 01:06:21,478 --> 01:06:24,381 YOU WOULD NOT BELIEVE IT. 977 01:06:24,414 --> 01:06:28,552 THEY USED MY SHOE SHOP TO TUNNEL INTO THE ARMY WAREHOUSE 978 01:06:28,585 --> 01:06:32,056 AND THEN THEY KEPT ME AS A HOSTAGE. 979 01:06:32,089 --> 01:06:33,723 YOU'RE A REAL INNOCENT. 980 01:06:38,162 --> 01:06:41,431 I AM GETTING IDEAS. 981 01:06:41,465 --> 01:06:43,167 DON'T GET RECKLESS, ROBERT. 982 01:06:43,200 --> 01:06:44,234 BEN. 983 01:06:44,268 --> 01:06:46,436 BEN. LAVINIA. 984 01:06:50,507 --> 01:06:53,043 THERE'S HELL OF A DRAFT THROUGH THAT KEYHOLE. 985 01:06:53,077 --> 01:06:55,179 IT'S GIVING ME A TERRIBLE PAIN IN THE EYEBALL. 986 01:06:55,212 --> 01:06:57,047 USE YOUR OTHER EYE, JOHN. (Copperud) YEAH. 987 01:06:57,081 --> 01:07:00,084 BILLEE, GET YOUR DADDY THAT CHAIR OVER THERE, COME ON. 988 01:07:05,089 --> 01:07:06,756 YEAH, THANK YOU VERY MUCH, LEWTON. 989 01:07:06,790 --> 01:07:08,592 (Cole) OH, YOU'RE WELCOME, JOHN. 990 01:07:15,432 --> 01:07:17,101 WHAT'D YOU TELL MY DADDY? 991 01:07:17,134 --> 01:07:18,335 ABOUT WHAT? 992 01:07:20,604 --> 01:07:22,206 YOU KNOW. 993 01:07:22,239 --> 01:07:25,175 OH, THAT. WELL, I TOLD HIM THE TRUTH. 994 01:07:25,209 --> 01:07:26,710 YOU DIDN'T. 995 01:07:26,743 --> 01:07:29,146 I DID. GO OVER AND ASK HIM. 996 01:07:32,782 --> 01:07:34,451 GO ON. ASK HIM. 997 01:07:40,424 --> 01:07:43,827 DADDY, I WANT TO TELL YOU WHAT REALLY HAPPENED. 998 01:07:43,860 --> 01:07:45,529 OH, NOT NOW, BILLEE. 999 01:07:47,264 --> 01:07:49,333 YES, NOW! SHH. 1000 01:07:49,366 --> 01:07:50,567 DADDY, DON'T YOU CARE? 1001 01:07:50,600 --> 01:07:53,137 DOESN'T IT MEAN ANYTHING? 1002 01:07:53,170 --> 01:07:55,239 YOU RECKON HE'S STILL IN THERE? 1003 01:07:55,272 --> 01:07:58,175 WELL, HE'S NOT OUT HERE, JOHN. 1004 01:08:02,312 --> 01:08:04,314 WHAT HAVE YOU DONE TO US? 1005 01:08:05,715 --> 01:08:07,651 I BELIEVED YOUR EYES, NOT YOUR WORDS, BILLEE. 1006 01:08:07,684 --> 01:08:09,386 (Copperud) QUIET. 1007 01:08:12,589 --> 01:08:15,625 ALL RIGHT, IF NOBODY CARES, I DON'T. 1008 01:08:23,433 --> 01:08:24,801 NOT NOW, COLE. 1009 01:08:32,209 --> 01:08:33,810 [sighing] 1010 01:08:35,679 --> 01:08:38,382 [Foggers laughing] 1011 01:08:38,415 --> 01:08:40,550 [women screaming] 1012 01:08:42,886 --> 01:08:44,521 [Foggers hooting] 1013 01:08:50,227 --> 01:08:51,828 (women) BYE-BYE! 1014 01:08:57,601 --> 01:08:59,469 BEN. 1015 01:08:59,503 --> 01:09:01,338 YES? 1016 01:09:01,371 --> 01:09:03,473 I'VE GOT AN IRRESISTIBLE URGE TO TELL YOU 1017 01:09:03,507 --> 01:09:06,210 HOW A NICE GIRL LIKE ME GOT INTO THIS BUSINESS. 1018 01:09:08,945 --> 01:09:12,449 IF IT WOULD MAKE YOU FEEL BETTER TO TALK ABOUT IT. 1019 01:09:19,823 --> 01:09:21,425 AH, THIS AIN'T DOING NO GOOD. 1020 01:09:21,458 --> 01:09:23,327 COME ON, LET'S TAKE HIM. 1021 01:09:23,360 --> 01:09:25,329 GO AHEAD. I MEAN IT, COLE, I'M RUNNING OUT OF PATIENCE. 1022 01:09:25,362 --> 01:09:28,398 YOU GOTTA HAVE SOME FIRST, JOHN. 1023 01:09:28,432 --> 01:09:30,700 NOW WHY DON'T WE JUST WAIT UNTIL WE GET THEM 1024 01:09:30,734 --> 01:09:33,503 ALL IN ONE BUNCH, THEN WE MAKE OUR PLAY, HUH? 1025 01:09:33,537 --> 01:09:35,639 YEAH. 1026 01:09:35,672 --> 01:09:37,541 [both laughing] 1027 01:09:37,574 --> 01:09:39,543 MAYBE YOU BETTER TELL ME ABOUT THAT SALOON 1028 01:09:39,576 --> 01:09:43,347 [laughing] AND LIVING OFF THE INTEREST AGAIN. 1029 01:09:43,380 --> 01:09:45,949 NO TIME FOR DREAMING NOW, JOHN. BESIDES, 1030 01:09:45,982 --> 01:09:48,318 YOU'VE GOT TO GROW YOUR OWN DREAMS. 1031 01:10:02,432 --> 01:10:05,635 IF YOU'RE THINKING ABOUT GIVING ME SOME KIND OF SECOND CARD DEAL... 1032 01:10:05,669 --> 01:10:06,636 OH, JOHN-- 1033 01:10:06,670 --> 01:10:08,438 I WISH YOU WOULDN'T. 1034 01:10:08,472 --> 01:10:10,507 JOHN, I'M NOT DEALING THIS HAND. 1035 01:10:13,510 --> 01:10:14,644 WHO IS? 1036 01:10:17,714 --> 01:10:21,751 WHEN WE FIND THAT OUT, WE'LL KNOW HOW TO PLAY THE GAME, WON'T WE? 1037 01:10:25,855 --> 01:10:28,725 BETTER STICK YOUR EYE BACK INTO THAT KEYHOLE BEFORE THAT 1038 01:10:28,758 --> 01:10:31,628 THING IN THE NEXT ROOM SNEAKS OFF FROM US. 1039 01:10:35,932 --> 01:10:40,304 * YOU GOTTA DO UNTO OTHERS 1040 01:10:40,337 --> 01:10:42,506 * DO UNTO OTHERS 1041 01:10:42,539 --> 01:10:46,443 * BEFORE THEY DO IT UNTO YOU * 1042 01:11:15,505 --> 01:11:16,906 [horse neighing] 1043 01:11:58,915 --> 01:12:00,484 [horse neighing] 1044 01:12:02,852 --> 01:12:05,489 HOLD THESE FOR ME, WILL YOU, GEORGE? 1045 01:12:08,458 --> 01:12:11,728 *[Roger Miller scatting] 1046 01:12:27,110 --> 01:12:28,077 WHAT THE HELL? 1047 01:12:36,653 --> 01:12:38,054 FIFI LA FLAME. 1048 01:12:41,525 --> 01:12:43,092 COLE! COLE! COLE! 1049 01:12:57,507 --> 01:12:59,409 WATCH YOURSELF, MISTER! 1050 01:13:02,779 --> 01:13:03,747 [gun firing] 1051 01:13:09,653 --> 01:13:11,488 WHY DIDN'T YOU STOP HIM? 1052 01:13:11,521 --> 01:13:12,622 YOU GOT MY GUN. 1053 01:13:12,656 --> 01:13:13,623 I KNOW IT. 1054 01:13:24,701 --> 01:13:26,603 [horse neighing] 1055 01:13:28,772 --> 01:13:32,642 MY GOLD! THEY'RE GONNA GET MY GOLD! 1056 01:13:32,676 --> 01:13:33,643 [women screaming] 1057 01:13:37,781 --> 01:13:38,948 MY GOLD! 1058 01:13:54,564 --> 01:13:56,032 HOW DO YOU FEEL? 1059 01:13:57,767 --> 01:13:58,968 RECKLESS! 1060 01:14:01,170 --> 01:14:03,807 A MAN CAN'T EVEN GET A GOOD NIGHT'S SLEEP. 1061 01:14:09,879 --> 01:14:10,980 HILB! 1062 01:14:12,749 --> 01:14:15,652 (Hilb) MY GOLD! THEY'RE GONNA GET MY GOLD. 1063 01:14:17,286 --> 01:14:18,955 [glass breaking] 1064 01:14:37,807 --> 01:14:39,242 [whining] 1065 01:15:11,941 --> 01:15:14,778 WELL, THAT'S IT. I GOT MINE. 1066 01:15:14,811 --> 01:15:17,313 WELL, THAT'S GOOD, JOHN. NOW YOU CAN HELP ME GET MINE. 1067 01:15:17,346 --> 01:15:18,982 OH, GOOD LUCK, COLE. 1068 01:15:19,015 --> 01:15:20,116 JOHN. JOHN. 1069 01:15:21,685 --> 01:15:24,588 HELL, THIS HAND ISN'T OVER YET, IS IT? 1070 01:15:27,591 --> 01:15:30,794 ALL RIGHT, COLE, NOW LISTEN, 1071 01:15:30,827 --> 01:15:32,929 THERE'S A FRONT DOOR THAT WAY, BACK DOOR THAT WAY, 1072 01:15:32,962 --> 01:15:35,665 AND SOME WINDOWS. 1073 01:15:35,699 --> 01:15:38,134 I'VE ALWAYS BEEN RATHER PARTIAL TO FRONT DOORS MYSELF. 1074 01:15:38,167 --> 01:15:40,737 YEAH. ALL RIGHT. 1075 01:15:42,839 --> 01:15:44,073 GO AHEAD. 1076 01:15:46,610 --> 01:15:48,144 [women screaming] 1077 01:15:57,020 --> 01:16:00,824 NO. NO, YOU DON'T! THAT CAN'T BE REPLACED. 1078 01:16:00,857 --> 01:16:03,860 I HOPE YOU REALIZE YOU HAVE TO BUY THE REST OF THIS FURNITURE! 1079 01:16:03,893 --> 01:16:06,362 LISTEN, I'VE ALWAYS PICKED UP MY OWN BROKEN GLASS. 1080 01:16:06,395 --> 01:16:08,698 I DIDN'T THINK YOU'D WANT TO PUT ME OUT OF BUSINESS, 1081 01:16:08,732 --> 01:16:10,366 YOU PUT SO MUCH INTO IT! 1082 01:16:10,399 --> 01:16:13,102 THAT'S RIGHT, I'M ALMOST A PARTNER. 1083 01:16:13,136 --> 01:16:15,739 LISTEN, YOU GOTTA TALK THE SHERIFF OUT OF THIS. 1084 01:16:15,772 --> 01:16:17,240 I CAN ALWAYS TALK HIM INTO THINGS, 1085 01:16:17,273 --> 01:16:19,643 BUT I DON'T KNOW IF I CAN TALK HIM OUT OF THINGS. 1086 01:16:26,315 --> 01:16:29,252 YOU'RE ALMOST AS ANXIOUS AS THE FIRST TIME YOU CAME IN HERE! 1087 01:16:29,285 --> 01:16:32,255 DON'T INTERRUPT ME NOW, LAVINIA, I'M ON A CASE. 1088 01:16:32,288 --> 01:16:34,624 [gun firing] 1089 01:16:34,658 --> 01:16:36,960 *[Roger Miller scatting] 1090 01:16:46,269 --> 01:16:47,671 [bird tweeting] 1091 01:16:48,972 --> 01:16:51,140 YOU SOLICITING FOR THE ORPHANS' FUND AGAIN? 1092 01:16:51,174 --> 01:16:54,043 YOU JUST STAY OUT OF THE WAY. 1093 01:16:54,077 --> 01:16:56,145 WE'VE GOT A REAL LIVE BEAR IN THERE. 1094 01:16:56,179 --> 01:16:58,281 I'VE JUST GOT TO SMOKE HIM OUT. 1095 01:16:58,314 --> 01:17:01,885 YOU TAKE YOURSELF AWFUL SERIOUS, JOHN. 1096 01:17:01,918 --> 01:17:06,089 PEOPLE ELECT SERIOUS MEN TO SHERIFF FOR THEM. 1097 01:17:06,122 --> 01:17:07,857 YOU'VE GOT MY VOTE, YOU'VE GOT MY MONEY, 1098 01:17:07,891 --> 01:17:09,192 AND, I THOUGHT, MY FRIENDSHIP! 1099 01:17:14,263 --> 01:17:16,299 WHAT THE HELL DOES THAT MEAN? 1100 01:17:16,332 --> 01:17:18,902 YOU'RE ABOUT TO SHOOT UP OUR MEAL TICKET! 1101 01:17:18,935 --> 01:17:21,270 (Copperud) IT'S OFFICIAL BUSINESS, LAVINIA. 1102 01:17:21,304 --> 01:17:25,008 I'LL GET THE TOWN COUNCIL TO PAY FOR ANY REFURBISHMENTS. 1103 01:17:25,041 --> 01:17:27,110 YOU'RE AN HONEST MAN, JOHN. 1104 01:17:40,023 --> 01:17:42,258 THAT VASE WAS BROUGHT AROUND THE HORN! 1105 01:17:45,995 --> 01:17:49,733 THIS IS A HOME, NOT JUST A HOUSE, YOU BASTARDS! 1106 01:17:57,006 --> 01:17:58,407 [coughing] 1107 01:17:58,441 --> 01:17:59,408 [coughing] 1108 01:18:01,978 --> 01:18:04,047 [screaming] HEY, WAIT A MINUTE! 1109 01:18:04,080 --> 01:18:05,749 WAIT A MINUTE, UH! 1110 01:18:05,782 --> 01:18:08,151 LET'S TALK A SPELL, SHALL WE? 1111 01:18:08,184 --> 01:18:10,019 ALL RIGHT! 1112 01:18:10,053 --> 01:18:11,354 WHAT DO YOU WANT TO TALK ABOUT? 1113 01:18:11,387 --> 01:18:13,222 TALK ABOUT THAT THERE GOLD. 1114 01:18:13,256 --> 01:18:15,458 WHAT'S YOUR PROPOSITION? 1115 01:18:15,491 --> 01:18:18,261 YOUR LIFE FOR THAT GOLD IS THE PROPOSITION. 1116 01:18:21,264 --> 01:18:22,365 WELL? 1117 01:18:22,398 --> 01:18:24,133 WELL, I'M THINKING ABOUT IT. 1118 01:18:27,170 --> 01:18:29,906 YOU KNOW HOW HARD I HAD TO WORK FOR THAT GOLD? 1119 01:18:30,974 --> 01:18:33,109 [laughing] 1120 01:18:33,142 --> 01:18:34,978 AIN'T THAT TERRIBLE, COLE? 1121 01:18:35,011 --> 01:18:38,047 WHY, IN ANOTHER MINUTE, HE'D HAVE US BELIEVING HE EARNED IT. 1122 01:18:54,898 --> 01:18:57,033 JOHN! 1123 01:18:57,066 --> 01:18:58,467 COME ON OUT FRONT! 1124 01:19:00,269 --> 01:19:01,971 [guns firing] 1125 01:19:11,514 --> 01:19:12,949 WHERE'S THAT THIEF? 1126 01:19:12,982 --> 01:19:14,784 BEHIND THAT WATER TROUGH OUT THERE. 1127 01:19:14,818 --> 01:19:16,519 LET'S BLOW THE DAMN THING UP. 1128 01:19:33,269 --> 01:19:34,537 NOW WAIT A MINUTE, COLE. 1129 01:19:34,570 --> 01:19:36,239 NOW WE AIN'T DOING NO GOOD HERE. 1130 01:19:41,577 --> 01:19:43,346 ONE OF US HAS TO GO AROUND THE BACK 1131 01:19:43,379 --> 01:19:44,981 AND FLUSH HIM THE HELL OUT OF THERE. 1132 01:19:45,014 --> 01:19:46,950 THE OTHER WILL STAY AND PICK HIM OFF. 1133 01:19:46,983 --> 01:19:48,885 SOMEBODY'S GOTTA DO THAT, TOO. 1134 01:19:50,353 --> 01:19:51,787 SOMEBODY? 1135 01:19:53,289 --> 01:19:54,790 WELL, UH, 1136 01:19:56,259 --> 01:19:58,461 WOULD YOU FEEL BETTER IF I WENT AROUND BACK 1137 01:19:58,494 --> 01:20:01,998 AND FLUSHED HIM OUT AND YOU STAYED OUT HERE AND PICKED HIM OFF? 1138 01:20:02,031 --> 01:20:03,366 YEAH, COLE, THANKS VERY MUCH. 1139 01:20:03,399 --> 01:20:05,468 [laughing] YEAH, ALL RIGHT. 1140 01:20:05,501 --> 01:20:06,569 I'LL PICK HIM OFF. 1141 01:20:06,602 --> 01:20:07,937 DO THAT. 1142 01:20:14,177 --> 01:20:18,915 * WHILE BEN WAS PLAYING STEAL THE GOLD AND MAKE YOUR GETAWAY * 1143 01:20:21,317 --> 01:20:26,055 * THE OTHER 3 PLAYED SHOOT-'EM-UP AND TURN ABOUT'S FAIR PLAY * 1144 01:20:28,257 --> 01:20:32,896 * BUT BEN HAD TASTED PAINTED LIPS AND HEARD THE SIREN'S SONG * 1145 01:20:35,264 --> 01:20:39,468 * SO HE COULD HARDLY KEEP FROM GOING WRONG * 1146 01:20:39,502 --> 01:20:44,440 * IT'S THE CODE OF THE WEST, HEED THE WORD OF YOUR SISTERS * 1147 01:20:46,442 --> 01:20:51,347 * THE CODE OF THE WEST, MAKE A LEFT TURN FROM SIN * 1148 01:20:53,917 --> 01:20:58,454 * THE CODE OF THE WEST, KEEP AN EYE ON TEMPTATION * 1149 01:20:58,487 --> 01:21:02,926 * RECITE THE QUOTATION THAT SAYS WHEN SATAN CALLS YOUR NAME * 1150 01:21:02,959 --> 01:21:06,595 * IT DOESN'T MATTER HOW YOU PLAYED THE GAME 'CAUSE ALL HE CARES ABOUT * 1151 01:21:06,629 --> 01:21:08,932 * IS DID YOU WIN 1152 01:21:10,133 --> 01:21:12,068 WHERE IS HE, JOHN? 1153 01:21:12,101 --> 01:21:14,270 HE'S BEHIND THAT THERE TROUGH. 1154 01:21:14,303 --> 01:21:17,573 NO, HE'S NOT. WHERE'D HE GO? 1155 01:21:40,563 --> 01:21:42,431 SERGEANT, GET OUT OF THERE. 1156 01:21:42,465 --> 01:21:44,667 IF YOU'LL JUST GIVE ME-- SHUT UP. 1157 01:21:44,700 --> 01:21:47,103 [mumbling] BE QUIET, SERGEANT. BE QUIET! 1158 01:21:47,136 --> 01:21:48,671 WHERE'S THAT GOLD? 1159 01:21:56,145 --> 01:21:57,913 [women yelling] 1160 01:22:04,087 --> 01:22:09,158 * NOW COLE AND JOHN AND HENRY J. WERE FEELING MIGHTY SAD * 1161 01:22:09,192 --> 01:22:12,328 OH, BLUE! HE'D LET ANYBODY RIDE HIM. 1162 01:22:12,361 --> 01:22:16,532 * TO THINK A LITTLE SACK OF GOLD COULD TURN A GOOD MAN BAD * 1163 01:22:20,069 --> 01:22:24,673 * BUT WHEN YOU PIT THE MEEK AND MILD AGAINST THE BRAVE AND BOLD * 1164 01:22:24,707 --> 01:22:28,144 * THE MEEK INHERIT ALL THE ARMY'S GOLD * 1165 01:22:29,478 --> 01:22:31,047 HEY! 1166 01:22:31,080 --> 01:22:33,582 (Billee) WAIT FOR ME! 1167 01:22:33,616 --> 01:22:37,720 * NOW IN THE MEANTIME, BILLEE GIRL WAS SCHEMING ON HER OWN * 1168 01:22:41,490 --> 01:22:46,029 * SHE KNEW A HEALTHY, SWEET YOUNG THING CAN'T LIVE BY BREAD ALONE * 1169 01:22:49,432 --> 01:22:53,702 * TO PLAY THE TRICKY GAME OF LIFE A WOMAN NEEDS A PLAN * 1170 01:22:53,736 --> 01:22:57,506 * TO PLAY THE GAME OF LOVE SHE NEEDS A MAN * 1171 01:23:10,719 --> 01:23:12,621 [horses neighing] 1172 01:23:18,061 --> 01:23:19,062 THERE, SIR. 1173 01:23:21,364 --> 01:23:23,599 WELL, WHAT HAVE WE HERE? 1174 01:23:28,071 --> 01:23:29,105 CPL. BLYTH. 1175 01:23:29,138 --> 01:23:30,106 SIR. 1176 01:23:32,675 --> 01:23:36,679 PUT SGT. FOGGERS, HENRY J., U.S. CAV., UNDER ARREST IMMEDIATELY. 1177 01:23:36,712 --> 01:23:39,648 (Shipley) HE WAS SUPPOSED TO BE GUARDING THE ARMY'S GOLD. 1178 01:23:39,682 --> 01:23:42,218 SGT. FOGGERS, HENRY J., REPORTING, SIR. 1179 01:23:42,251 --> 01:23:44,687 HE TOOK ME AS A HOSTAGE UNTIL I GOT THE BEST OF HIM. 1180 01:23:44,720 --> 01:23:47,423 THE FOREIGN SHOEMAKER, SIR. 1181 01:23:47,456 --> 01:23:50,293 (Ben) I, UH... THIS IS JUST NOT... 1182 01:23:50,326 --> 01:23:52,661 HE DID? 1183 01:23:52,695 --> 01:23:55,298 WELL, IT FITS. IT WAS HIS TUNNEL. 1184 01:23:59,302 --> 01:24:03,206 SGT. FOGGERS, IF THIS IS TRUE, THE ARMY HAS LOST A DESERTER, 1185 01:24:03,239 --> 01:24:04,573 AND GAINED A HERO. 1186 01:24:04,607 --> 01:24:05,574 (Shipley) CPL. BLYTH! 1187 01:24:05,608 --> 01:24:06,542 (Blyth) SIR! 1188 01:24:08,311 --> 01:24:11,647 ARREST LEWTON COLE FOR THE MURDER OF DOC QUINLEN. 1189 01:24:12,815 --> 01:24:14,783 OH, CAPTAIN. CAPTAIN, SIR. 1190 01:24:16,452 --> 01:24:18,187 SELF-DEFENSE. 1191 01:24:18,221 --> 01:24:20,689 YOU SEE, DOC QUINLEN FOUND OUT THAT I FOUND OUT 1192 01:24:20,723 --> 01:24:24,493 THAT SHOEMAKER AND HIM WAS PLANNING THAT WHOLE GOLD ROBBERY. 1193 01:24:26,229 --> 01:24:28,197 I SEE. 1194 01:24:28,231 --> 01:24:31,467 WELL, I WAS FORCED TO DO IT IN ORDER TO SAVE THE ARMY'S GOLD. 1195 01:24:31,500 --> 01:24:34,537 MR. COLE, IF WHAT YOU SAY IS TRUE, YOU'RE IN FOR A NICE REWARD. 1196 01:24:34,570 --> 01:24:36,505 WELL, THANK YOU, CAPTAIN. 1197 01:24:36,539 --> 01:24:39,142 HONEST JOHN, 1198 01:24:39,175 --> 01:24:42,311 DID ALL THIS TRANSPIRE AS MY SERGEANT AND MR. COLE RELATE? 1199 01:24:42,345 --> 01:24:43,879 AH, YES, UH, CAPTAIN. 1200 01:24:43,912 --> 01:24:45,581 YOU MIGHT SAY THAT THESE MEN WERE ACTING 1201 01:24:45,614 --> 01:24:47,650 AS MY DEPUTIES IN RECOVERING THE GOLD. 1202 01:24:49,785 --> 01:24:53,356 NO REWARD FOR US PROFESSIONALS, EH, JOHN? 1203 01:24:53,389 --> 01:24:56,625 OF COURSE, YOU'LL GET YOUR RECOGNITION COME ELECTION TIME. 1204 01:24:56,659 --> 01:24:57,660 CPL. BLYTH! 1205 01:24:57,693 --> 01:24:58,661 (Blyth) SIR. 1206 01:24:58,694 --> 01:25:00,329 ARREST THE FOREIGNER. 1207 01:25:02,165 --> 01:25:04,767 BUT I--I--I AM INNOCENT. 1208 01:25:04,800 --> 01:25:07,303 I--I--I AM THE ONLY INNOCENT. 1209 01:25:08,471 --> 01:25:09,638 THEY ALL SAY THAT, EH, JOHN? 1210 01:25:09,672 --> 01:25:11,140 YEAH, IT'S SHOCKING. 1211 01:25:12,308 --> 01:25:14,510 I WAS THE HOSTAGE! I-- 1212 01:25:14,543 --> 01:25:16,312 [laughing] AIN'T THAT TERRIBLE, CAPTAIN? 1213 01:25:16,345 --> 01:25:18,181 [laughing] 1214 01:25:19,615 --> 01:25:22,651 IT IS HOPELESS. 1215 01:25:22,685 --> 01:25:24,653 HOPELESS? 1216 01:25:24,687 --> 01:25:27,556 YOU'RE ASKING ME TO DOUBT APPEARANCES? 1217 01:25:28,791 --> 01:25:32,495 THE ARMY, THE LAW, AND PROFESSIONAL... 1218 01:25:34,730 --> 01:25:35,831 ENTERPRISE. 1219 01:25:35,864 --> 01:25:37,500 CPL. BLYTH! SIR. 1220 01:25:37,533 --> 01:25:38,667 HAUL HIM AWAY. 1221 01:25:38,701 --> 01:25:40,636 CAREFUL, HE'S A DANGEROUS MAN. 1222 01:25:43,206 --> 01:25:46,842 NO MAN HAULS BEN AGAJANIAN. 1223 01:25:46,875 --> 01:25:50,379 I WALK FREE, ALONE, THANK YOU. 1224 01:25:50,413 --> 01:25:51,747 FIRST SQUAD. 1225 01:25:55,751 --> 01:25:56,752 [scoffing] 1226 01:26:00,423 --> 01:26:01,390 FOGGERS! 1227 01:26:08,797 --> 01:26:11,667 HENRY J., WHERE'S THE ARMY'S GOLD? 1228 01:26:15,003 --> 01:26:17,540 IT'S IN THE SADDLEBAG, SIR. 1229 01:26:36,592 --> 01:26:38,594 GET THAT SHOEMAKER BACK HERE! 1230 01:26:38,627 --> 01:26:40,529 GET THAT SHOEMAKER BACK HERE! 1231 01:26:45,033 --> 01:26:47,436 WELL, WHAT A PLEASURE TO SEE YOU HERE, MISS BILLEE. 1232 01:26:47,470 --> 01:26:48,937 ARREST THAT MAN. 1233 01:26:50,773 --> 01:26:54,710 OH, NO. IT TURNS OUT IT WAS A CASE OF SELF-DEFENSE. 1234 01:26:54,743 --> 01:26:56,512 I DON'T CARE ABOUT THAT. 1235 01:26:56,545 --> 01:27:00,416 [panting] HE FORCED HIS AFFECTIONS ON ME. 1236 01:27:04,287 --> 01:27:05,288 OH! 1237 01:27:11,427 --> 01:27:13,796 BILLEE, THERE'S NOT A COURT IN THE LAND WHO WOULD CONVICT 1238 01:27:13,829 --> 01:27:15,998 WITH A RAVISHING BEAUTY LIKE YOU FOR A WITNESS. 1239 01:27:16,031 --> 01:27:17,966 AND WHO IN THE JURY WOULDN'T DO THE SAME THING 1240 01:27:18,000 --> 01:27:19,034 IF GIVEN THE CHANCE? 1241 01:27:19,067 --> 01:27:20,636 [laughing] 1242 01:27:23,939 --> 01:27:25,641 MR. BEN AGAJANIAN, 1243 01:27:25,674 --> 01:27:27,676 IT'S MY DUTY TO WARN YOU, SIR, THAT ANYTHING YOU SAY 1244 01:27:27,710 --> 01:27:29,645 WILL BE HELD AGAINST YOU. 1245 01:27:29,678 --> 01:27:32,315 NOW, WHERE'S THE ARMY'S GOLD? 1246 01:27:32,348 --> 01:27:34,550 HE MUST'VE DROPPED IT BETWEEN HERE AND INTEGRITY. 1247 01:27:34,583 --> 01:27:36,985 HE MUST'VE DROPPED IT BETWEEN HERE AND INTEGRITY. 1248 01:27:37,019 --> 01:27:39,955 SGT. FOGGERS, TAKE COMMAND OF YOUR SQUAD. CPL. BLYTH! 1249 01:27:39,988 --> 01:27:42,057 (Shipley) MOUNT UP THE MEN. 1250 01:27:42,090 --> 01:27:44,727 YOU MUST EXCUSE ME. I'VE GOT TO MOVE THE MEN OUT. 1251 01:27:44,760 --> 01:27:47,296 [bugle blowing] 1252 01:27:47,330 --> 01:27:49,398 NOW WAIT A MINUTE. WHERE ARE YOU GOING? 1253 01:27:49,432 --> 01:27:51,600 I JUST THOUGHT I'D GO GET A LITTLE DRINK OF WATER. 1254 01:27:51,634 --> 01:27:54,269 YEAH, WELL, I'M JUST AS THIRSTY AS YOU ARE. 1255 01:28:08,584 --> 01:28:09,752 BEN? 1256 01:28:12,821 --> 01:28:14,490 DO YOU TRUST ME? 1257 01:28:22,698 --> 01:28:27,670 * NOW LEWTON COLE KNEW BILLEE HAD SOME MIGHTY FETCHING WAYS * 1258 01:28:30,973 --> 01:28:35,844 * OLD BEN WOULD TELL HER EVERYTHING AND STILL GET 90 DAYS * 1259 01:28:43,051 --> 01:28:47,923 * BENEATH A ROCK BESIDE THE TRAIL * 1260 01:28:47,956 --> 01:28:50,859 * THAT LEADS TO MEXICO 1261 01:28:53,028 --> 01:28:57,866 * YOU'LL FIND YOURSELF 100 POUNDS OR SO * 1262 01:29:02,705 --> 01:29:06,141 * IT'S THE CODE OF THE WEST 1263 01:29:06,174 --> 01:29:10,012 * EVERY GIRL NEEDS A DOWRY 1264 01:29:11,514 --> 01:29:13,482 NOW I'VE GOT YOU, LEWTON COLE. 1265 01:29:13,516 --> 01:29:16,552 * THE CODE OF THE WEST 1266 01:29:16,585 --> 01:29:20,889 * AND IT DON'T MATTER WHOSE 1267 01:29:23,726 --> 01:29:27,095 * THE CODE OF THE WEST 1268 01:29:27,129 --> 01:29:30,866 * WHEN A GIRL'S PUSHING 20 1269 01:29:30,899 --> 01:29:34,503 * SHE'S GOTTA GIVE PLENTY 1270 01:29:36,439 --> 01:29:40,443 * TO END UP WITH RICE IN HER SHOES * 1271 01:29:47,716 --> 01:29:50,052 (Cole) HELLO, THERE, BILLEE, HONEY. 1272 01:29:50,085 --> 01:29:51,520 YOU! 1273 01:29:52,821 --> 01:29:55,724 WHAT ARE YOU DOING HERE? 1274 01:29:55,758 --> 01:29:57,860 WHY, I'VE JUST COME LOOKING AFTER YOU. 1275 01:30:00,529 --> 01:30:01,997 YOU'RE AFTER THE GOLD. 1276 01:30:02,030 --> 01:30:03,932 OH, WELL, THAT, TOO. BUT, UH, 1277 01:30:06,769 --> 01:30:08,571 WHAT ABOUT PARTNERS? 1278 01:30:10,172 --> 01:30:12,475 WHAT KIND OF PARTNERS? 1279 01:30:12,508 --> 01:30:15,077 WELL, WHAT KIND OF PARTNERS DO YOU HAVE IN MIND? 1280 01:30:18,146 --> 01:30:19,582 FULL-TIME. 1281 01:30:36,532 --> 01:30:38,433 YOU TAKE ME LIKE I AM? 1282 01:31:07,295 --> 01:31:08,463 [bugle blowing] 1283 01:31:18,073 --> 01:31:19,775 [carriage approaching] 1284 01:31:27,215 --> 01:31:30,753 LAVINIA, I THOUGHT YOU WOULD NEVER GET HERE. 1285 01:31:52,841 --> 01:31:57,780 * WELL, COLE HAD A FEW OTHER THINGS LEFT TO DO * 1286 01:31:59,848 --> 01:32:02,918 * HE FLOWERED HIS STETSON 1287 01:32:02,951 --> 01:32:05,688 * AND BOARDED OLD BLUE 1288 01:32:05,721 --> 01:32:09,658 HEY! WAIT A MINUTE. WHERE ARE YOU GOING? 1289 01:32:09,692 --> 01:32:10,893 DURANGO. 1290 01:32:15,330 --> 01:32:18,133 THAT'S THE WAY I AM. BYE-BYE. 1291 01:32:19,635 --> 01:32:22,705 * THE ROUGHER YOU TREAT THEM 1292 01:32:22,738 --> 01:32:25,774 * THE STRONGER THEY GRIEVE 1293 01:32:25,808 --> 01:32:28,611 YOU! YOU! 1294 01:32:29,878 --> 01:32:33,015 * AND THE LONGER THEY WATCH 1295 01:32:33,048 --> 01:32:36,952 * WHEN YOU LEAVE 1296 01:32:39,387 --> 01:32:40,823 (Foggers) WHERE YOU GOING? 1297 01:32:40,856 --> 01:32:41,990 (Copperud) WHERE YOU HEADING? 1298 01:32:43,692 --> 01:32:45,894 WHERE THE HELL IS COLE? 1299 01:32:45,928 --> 01:32:47,029 I THOUGHT HE WAS WITH YOU. 1300 01:32:47,062 --> 01:32:48,196 NO, HE... 1301 01:32:56,639 --> 01:32:59,708 HEY, SHOEMAKER, YOU GOING TO TELL US WHERE THE GOLD IS? 1302 01:33:02,310 --> 01:33:05,013 NOW, JUST WHAT'S THAT THING FOR? 1303 01:33:05,047 --> 01:33:06,649 GO AND GET IT, BEN. 1304 01:33:13,856 --> 01:33:15,891 (Shipley) WHERE IS THE ARMY'S GOLD? 1305 01:33:15,924 --> 01:33:18,661 THE SHOEMAKER KNOWS WHERE IT IS, SIR. 1306 01:33:18,694 --> 01:33:21,029 WHERE DID YOU PUT IT, MISS BILLEE? 1307 01:33:31,139 --> 01:33:33,709 THERE HE IS. THAT'S LEWTON COLE! 1308 01:33:48,891 --> 01:33:53,128 * OLD MEXICO IS JUST AHEAD, SO, GAMBLER, MOVE ALONG * 1309 01:33:58,133 --> 01:34:00,635 MAYBE WE TAKE GOLD TOO SERIOUSLY. 1310 01:34:03,038 --> 01:34:07,142 * THERE AIN'T NOBODY THERE TO CARE IF YOU DID RIGHT OR WRONG * 1311 01:34:08,777 --> 01:34:11,279 WE DON'T TAKE GOLD SERIOUSLY ENOUGH. 1312 01:34:11,313 --> 01:34:14,182 * YOU SHOT A THIEF, YOU FOUND SOME GOLD * 1313 01:34:14,216 --> 01:34:16,084 * YOU STOLE A KISS OR 2 1314 01:34:18,453 --> 01:34:22,190 * AND THE WORLD'S A BETTER PLACE BECAUSE OF YOU * 1315 01:34:25,027 --> 01:34:29,765 * THE CODE OF THE WEST, WHEN YOU'RE DRINKING TEQUILA * 1316 01:34:32,100 --> 01:34:36,839 * THE CODE OF THE WEST, TOAST THE RED, WHITE, AND BLUE * 1317 01:34:38,974 --> 01:34:43,712 * THE CODE OF THE WEST, BE GOOD TO YOUR NEIGHBORS * 1318 01:34:43,746 --> 01:34:48,450 * YOUR NEW NORTHERN NEIGHBORS REMEMBER THEY WERE AWFUL GOOD TO YOU * 1319 01:34:51,153 --> 01:34:56,124 * THAT'S THE CODE OF THE WEST * 1320 01:34:58,226 --> 01:35:00,195 *[Roger Miller scatting] 1321 01:35:16,311 --> 01:35:18,246 * THAT'S THE CODE OF THE WEST * 87407

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