All language subtitles for Golden Years part4

There's either something
in the janitor's file

to indicate where
they're headed,

or Crewes thinks there is.

He's trying to wipe them out,
all of them,

before we have a chance
to get them.

You have hard copy on
the janitor's file, don't you?

Tell me you have hard copy.

Hard copy
on the janitor's file?

Uh, why--?
Why would I have

a hard copy
on the janitor's file?

You don't.

I don't.

Never mind.

Don't talk. Just sit down at one
of those computer terminals.

Get Central Records
in Washington.

If we're lucky, very lucky,

we may be able
to get to that file

before Crewes has a chance
to send it to data heaven.

But how do you know
that Crewes--?

I know, I know.

If you ever intend
to have children,

get me that file.

( dial tone humming )

( sighs )

Major Moreland,
either that file gets deleted,

or you do.

Well, um, if you put
the order in writing,

General Crewes,
I suppose.

( clears throat )

Uh-- Uh--

Burton, if you screw this up...

( sighs )

Should have it
in writing, but...

"When Major Moreland deleted

"Harlan Williams' files
from Central Records,

"he was following my orders.

Signed, General Crewes."

There.
Are you satisfied, major?

Yes.

Now, if you could just date it.

I'll date it later!
Just do it!

All right. All right.

( keyboard clicking )

( computer beeps )

But what if Crewes
is trying to get in? Uh...

I better lock it out
before I delete it.

It's better to be safe.

What--? What--?

What's today's--?
Today's code term?

Today's word.
Uh, today's word.

It's, uh...
Something, something.

Uh...

Uh...

Something to do with birds.
Something to do with, uh...

Today's word is, uh...

ALL:
Sparrow Hawk!

Go back.
"Sparrow Hawk" has two R's.

Two R's.

A-R-R-O-W.

What is going on here?
And who the hell are you?

Just a minute.

No, don't move, mister.

Listen, I am authorized
to be here, okay?

( beeps )
Yes! Come on.

( beeps )

( beeping )

No. No, no, no.

Look, look, look, look.

I need to see some
identification, okay?

Now, do you see this red border
around this badge,

my meddling friend?

Do you see that?

Yes, sir, and if you'd been
wearing it in the first place,

you'd have saved us both
a lot of trouble.

I'm sorry
to have bothered you.

Not half as sorry as I am.

Uh, sir,

do you know
where everybody else is?

No, not at all.

But I do know one thing.

Sir?

I wish I were with them.

( computer beeping )

Well, it's done.

Good. Let's go, major,
we got places to go.

Where?
Chicago.

The Windy City,
that toddling town.

I can't go to Chicago.

This is our
square-dancing night.

My wife would kill me.

No, she won't,
but I know who might.

How you gonna explain
to Jude Andrews

why you deleted
vital information

he's so desperate
to get his hands on?

Oh, no. Heh.

No, this isn't gonna
do you any good.

The Department of the Interior

will have a complete file
on Williams.

All I'm trying to do is
to tie Jude Andrews up

long enough to give us
a good head start.

And we'll need one.

But...

I have-- I--
I have your orders.

I have your written orders.

Just how much difference

do you think
this little piece of paper

is gonna make to that psycho?

( tires squealing )

Afternoon, Major Moreland.

Are you all right?

Yes, heh, I'm fine.

May I have your keys,
sir?

What for? Heh.

I need to look in the trunk.

What for?

I'm just following orders, sir.

( trunk squeaks open )

Everything seems
to be in order, sir.

It does?

I suggest you get moving
while you can, sir.

Thank you, son.

( engine starts )

( sighs )

Comes a time
in every man's life...

( sighs )

What is happening to him,
Miss Spann?

I mean...

Oh...

How can he be getting younger
like he is?

Do you think
you could call me Terry?

Yeah, all right.
I guess I could do that.

The experiments that Toddhunter
has been running

and the particle accelerator
that he designed...

had something
to do with regeneration.

( sighs )

I don't understand.

He found a way
to turn back the clock.

To make living tissues
get younger.

Something all the night creams
in the world can't do.

And that's what's happening
to Harlan?

( sighs )

( country music playing
over radio )

♪ You know that I've loved you
Since I met you ♪

( yawns )

♪ And I know that you... ♪

Uh, seems like we're making
some good time, mister.

Just past midnight and we're
already across the state line.

You doze off? Hey, mister.

Hey, mister.

( static over radio )

( radio stations
changing rapidly )

What the hell's going on here?

Oh, come on.

( panting )

What's going on?

Oh, no.

( exhales )

( mystical theme playing )

( mouths ):
What the--?

MAN 1:
What's going on?

MAN 2:
It was dark a second ago.

MAN 3:
I don't believe this.
What's happening?

MAN 4:
Look.

MAN 5:
Give us this day
our daily bread...

Oh, man, it--

Oh, come on, guy,
don't tell me you missed this.

The dashboard went all crazy,
the sun came back up.

Hey, mister, wake up.
Come on, wake up.

Come on--

This guy's full of green light.

( rumbling )

WOMAN:
Oh, my God. Oh, no.

We gotta get out of here.
We've got to get out of here.

It's him.
It's all 'cause of him.

I swear,
these used to be bigger.

MAN ( over radio ):
We interrupt this program

to bring you
this special bulletin.

A minor earthquake
has been reported

in northeastern Illinois.

According to local reports,
it was a minor tremor.

No injuries were reported,

but power in the area was
disrupted for about 15 minutes.

Thanks.

And now back to more music
on your favorite radio station.

( rock music resumes
over radio )

You sure
you're all right?

Yes, I'm-- I'm just tired.

I'm very tired.

We should get
on the bus.

I want to call Francie.

Oh, there really isn't time.
We have to go.

I'm gonna call my daughter.

Gina, the more time
we spend standing here,

the more chance there is
of someone spotting us.

We'll be there in an hour.

( sighs )

Please.

I'll give you
one of my cupcakes.

All right.

( both chuckle )

Hang on.
It's only an hour.

( suspenseful theme playing )

DRIVER ( over intercom ):
This is Chicago.

Please check the overhead racks
and be sure to take

all your personal belongings
with you.

Oh...

We'll wait.

I thought you said
we were in a hurry.

I'll tell you when.

What are you looking for?

A way to get out of here.

What's the matter
with the door?

Do you see that man?

I'm almost positive
he's Shop.

Excuse me, fellas.

Yes, ma'am?

Do you think you could
do me a favor?

Sure.

Do you see that man reading
the newspaper over there?

Uh-huh.

MAN:
Hey, buddy. How you doing?

I'd like to have a talk
with you over here, huh?

Let go of me.
Get out of the way.

Hey, I heard you hit a lady.

How 'bout I hit you, bozo?
Let go of me!

He's got a gun!
He's got a gun. Call the police!

I am the police!
There's an ID in my pocket.

Hold him.
Police!

Come on.

All right?

Let go!

Hold up.
He is. He's a cop, man.

I'm sorry, sir,
but that lady on the--

On the bus over there,
she said you were--

The lady on the bus?

( sighs )

Come on. What did you do,
die on me or what?

Hurry up. Come on.

WOMAN: I'm sorry--
Yes, yes, let me hear it.

I'm sorry I took so long,

but I have the address
for you now.

Burton!
Francesca Williams.

Now, are you absolutely sure
it's her?

It's got to be her,

because I've got a medical
insurance notation

that says she's blind.

Okay, what's that address?

I should caution you

that we're definitely not
suppose to have access

Let's go!
to those records.

Would you just give me
the damn address, please?

It's 895 Clerk Street.

Got it.

What's the word?

The word is
that Francesca Williams

lives at 895 Clerk Street.

That's where they're going.

So are we. Let's go.

Francie?
It's your mom. Open up.

I guess she's at work.

Do you have that number?

No. She changes jobs a lot.

Will you excuse me?

Keep an eye out, will you?

You're not going to break
in here?

After you.

Where did you learn
to do that?

TERRY:
Graduate school.

Why did you turn off
the light?

I just don't want anything
to look different,

just in case...

Do you think Francie turns on
the light when she comes in?

I know she does.

Fine.

She wants everybody to know

that there's somebody
just like them living here.

Besides, it keeps
the burglars away.

Well, I'm going to look
in the kitchen

and see if there's anything
to eat.

Ha.

Oh, yes, this certainly
is Francie's apartment.

No food.

Oh, I'm too tired to eat.

You take the bedroom,
I'll take the couch.

I think I'll wait up
for Harlan.

He may not show tonight.

He's not due until tomorrow.

He'll be here.

What if he got tired,
stopped off someplace?

You need some sleep.

We all do.

Well, I'll make myself
a cup of tea,

and after I've had my tea,
I'll go to bed.

You promise?

I promise.

Francie likes fresh air
at night.

( dramatic theme playing )

Oh, please, God,

okay?

Please.

( sighs )

Would you say that again?
I didn't quite understand you.

MAN:
I said, as of
this evening's test run,

we're through Level 4

and we've achieved
80 percent power.

Yes.

I need authorization from
Jude Andrews before we continue.

So, what is the problem?

He's not here.

So, what's the problem?

We can't continue
without his consent.

We'll have to stop
at Level 4.

We're not stopping anything.

Get back to your post at once.

That is a direct order,
mister.

Will someone assume
Mr. Yaniger's position

at the control board?

With all due respect, doctor,

none of us really wants
to disobey Mr. Andrews' orders.

What about my orders?

Who do you think is running
this show anyway?

Jude Andrews is, sir.

Mr. Yaniger,

get back to your post
or get out.

I don't have time
for this.

Please, Dr. Toddhunter,

we're also concerned
for our personal safety.

This is mutiny, sir,
plain and simple,

and I will see you hanged
for it.

I'm only following orders.

Set me adrift in the middle

of my most important voyage,
will you?

That's not the case, sir.

Well, I can cross the darkness
on my own, thank you very much.

Unassisted, unfettered
by your petty loyalties

and your treasonous behavior.

Shove off.

What?
You heard me.

Get out.

Now. Get out.

All of you.

Clear this room at once.

Get out.
Get out of my sight.

Your lack of courage
disgusts me.

Get out. Out.

You're all a bunch
of fraidy cats.

Get out. Out.

This is my experiment.

My experiment.

My experiment!

My experiment!

Mine!

( door opens )

( suspenseful theme playing )

( dog barks )
( door closes )

Who's there?

I know someone's there.
You'd better speak up.

This is a trained attack dog.

I'm ready when he is.

Who? Who are you?

Francie, honey, it's Mama.

Mom!

BOTH:
Oh!

Oh, baby,
am I glad to see you.

FRANCIE:
What are you doing here?

Uh, sorry we didn't
call first.

Who are you?

I'm Terry Lynn Spann,

the head of Security
where your dad works.

Is Dad here?

Dad's on his way.

What's going on, Mom?

There are some people

who are trying to find
your mother and father,

and I'm trying to stop them
from doing that.

Are you in some kind
of trouble?

It's really hard to explain
what's been going on, so--

I am not talking to you, lady.
I am talking to my mother.

She can speak
for herself.

Are you in some kind
of trouble, Mom?

Well, we haven't
done anything wrong,

if that's what you mean.

But we did steal a car.

You stole a car?

GINA:
Actually,
it was a hearse.

You stole a hearse.

( indistinct radio chatter )

MAN:
Mr. Andrews,
I can't tell you how much

we're looking forward
to working--

Where's the car?

Outside.

Do you know
where this is?

Yes, sir.
How far?

About, uh, 40 minutes,
I'd say.

You get us there
in half an hour. Let's go.

( barks )

Whitney.

Find out who it is.

( sighs )

( knocking at door )

Who is it?

HARLAN:
Open up, it's your dad.

( gasps )

Daddy.

Francie.

( dog whimpers )

Hello, Whitney.

Where's your mother?

She's here.
She got here last night.

Thank God she's all right.
How are you doing?

I'm fine, Dad.
What the hell is going on?

I'll tell you later.

GINA:
Oh, thank God.

( Gina chuckles )

I didn't sleep
a wink.

I told you I'd be here.

Well, Terry...

how we doing?

Pretty good for now,

but I don't think
we should push our luck.

We can't stay here
much longer.

Well, we're not leaving until
everybody has something to eat.

TERRY:
I'll give her a hand.

You all right, Dad?

I'm fine, Francie.

Just, uh...

Something's happening to me.

Dad, it's your face.

It's everything, Francie.

Seems I'm getting younger.

What?
You're kidding?

( quietly ):
No, I'm not.

Dad...

( dramatic theme playing )

The plane's Shop.

How can you tell?

Damn pilot's taking up
two parking places.

That's what autopilot's
made for.

Didn't you know that?

No. You're kidding, right?

Well, what do you think those
stewardesses are doing up there,

flying the plane?

Yeah, but, I mean,
how can they--?

Excuse me.

It's easy. I could show you.
Excuse me.

Who owns that small jet?

Is there
a problem?

No. I wanted to talk
to the pilot.

I'm the pilot.
What do you wanna talk about?

Your passenger list.

That's classified information,
general.

Classified, is it?

You know
what this is?

I'd say that's a pretty
persuasive argument

to declassify
some information, sir.

Smart boy.
Now, who did you bring in?

Jude Andrews.

And an operations officer
by the name of, uh, Burton.

They were met
by two other agents here.

That's it?

That's it.

Could you get that thing
out of my face?

Please?

If he moves, shoot him.

What?

( knocking on door )

Get back.

Wait.

( knocking on door )

Now.

Who is it?

It's Crewes.
Open up.

( tense theme playing )

( door unlocking )

Louis. Boy, am I happy
to see you.

It's mutual.
Who's this guy?

That's General Crewes.

What are you doing here?

Just lending a hand,
Mrs. Williams.

How'd you find us?

Doesn't matter. We have
to leave here right away.

Jude Andrews knows
you're here too.

I'm surprised
he isn't here already.

Okay, let's go,
let's move out.

Uh, we'll steal a car
from the garage.

You don't have to do that.
I've got a car we can use.

CREWES:
You do?

Yeah, if it's there.
It belongs to my neighbor.

She's always losing her keys
so she gave me a spare set.

You mind if I drive?
Let's go.

It's the second car
from the end.

( tires squealing )

Go, go, go.

Go. Go!

( action theme playing )

( doors opening, closing )

( footsteps )

( gunshots )

( gunshots )

Go.

( clicking )

This is too easy.

( growling )

Whitney! Whitney!

Whitney! Whitney!

( gunshots )

( gunshot, dog whimpers )

Whitney!

( gunshots )

Give it up, Terry,
it's over.

I want the old man,
and I want you.

Everybody else can go.

I'll get
the son of a bitch.

Francie, listen to me,
can you make it

to your friend's car
in the dark?

What are you
talking about?

For me it's always dark.
What are you gonna do?

You cover me,
I'm gonna blow out the lights.

She'll lead us
to the car.

And I'm gonna
follow up the rear.

FRANCIE:
Give me your hand, Dad.

Hold your fire.

Very good, Terry.

Very smart.

I can still hear you.

I don't have to see you
to stop you.

Just hit a leg.

Or maybe a kneecap.

( yells )

( car starts )

( tires squealing )

BURTON:
Go, man. Go!

Jude!

( car starts )

We have to get rid
of this car.

Wait here. Louis and I will be
back in ten minutes.

You give us ten minutes.

If we don't come back,
you're on your own.

I want you
to cover the city.

Bus terminals, bridges,

airport, everything.

It's being done.

I want you to call
the Chicago station chief.

Have him alert all the agents
on the blue list.

What's that?

Hypes. Whores.
Aging hippies.

You'd be surprised how useful
some of them can be.

( dramatic theme playing )

CREWES:
I say we make a run
for the airport.

( groans )

And then what?

Well, then we climb
on the plane, take off.

Then what?

And then we get airborne
and I'll think of something.

Tsk. We need to think
of something now.

We're not gonna get
a second chance.

You know that.

We need some time.

We need a safe place
to stay overnight.

All right.
Thanks.

Yeah.

Okay.

( sighs )

Okay.

I-- I know a place
we can stay,

at least for tonight.

A-- A safe house.

It's not polite
to eavesdrop.

I wasn't. You talk too loud,
and my hearing's too good.

Am I supposed
to trust you now?

Heh.
You don't have a choice.

( sighs )

( indistinct chatter )

How's it going?

Hey, Tom,
what's going on?

You should be
a grandfather now.

CREWES:
What do you call this?

It's a recipe I invented.

TERRY:
It's good.

Cap'n Trips.

Sybil,
I was thinking,

why don't they head up to the
border and find Harry Dobson?

He went back to Australia.
You want some more, Terry?

No, thanks,
but it's good.

How's your arm?

It's better,
thank you.

Ah. Would you like
some more?

Um, no, thank you.
I have had about all I can eat.

CREWES:
I'll try some more
of this tofu stuff.

It's terrific.

Don't you think the seaweed
gives it a wonderful flavor?

Don't say a word.

( quietly ):
I think I'll get some pizza.
You interested?

( quietly ):
I'm with you.

GINA:
No, we'll not.

FRANCIE:
What about that guy in Colorado
who had the cabin?

He got busted by the feds
last year.

Besides,
he didn't do ID.

You're gonna need
new ID.

FRANCIE:
I know. Richard Rogers.

Yeah, R2 can do.

He lives in Wisconsin
on a farm,

he can make you
a driver's license,

passport, credit cards...

you name it.

I'll go on ahead
and I'll get things started.

Uh, can I use your phone?
We don't have one,

but there's one
down the street.

I better call Moreland,

let him know
we won't be back till later.

I'll get someone
to make the call for you.

Cap'n Trips?
Yeah?

You mind making that call?
No problem.

TERRY:
Wait a minute, Louis.

Moreland will panic
if he doesn't hear your voice.

Yeah, I better make it myself.
Where's the nearest pay phone?

I'll show you.

( quietly ):
Hey. No anchovies.

TERRY:
Louis, you can't go
dressed like that.

( dramatic theme playing )

Tick, tick,
tick, tick.

Tick, tick. Tick, tick.
Tick, tick.

( humming )

Hm.

Mm-hm.

Click. Click.
Click, click, click.

COMPUTER:
Dual-control
security access keys

must be initiated within
0.5 seconds of each other

to activate the system.

Please, try again.

( sighs )

( pop music playing
over headphones )

( loudly ):
Oh, sorry, Dr. Toddhunter.

I didn't think
anyone was in here.

That's all right.

What's your name?

I didn't see you in here.

What is your name?

What is your name?

Billy DeLois, sir.

I've got a job for you,
Billy DeLois.

Come with me.

Yeah, this is 4027.

You beeped me.
What's up?

Really?

You ain't gonna
believe this,

but I'm out getting a pizza for
the old man Williams right now.

Well, we're gonna be
a little longer, that's all.

How long?

Overnight.

What?
You mean, I have to--

I have to stay here
overnight?

That's the safest place
for you to be.

Yeah, the blond too.
Yeah.

Great buns.

( chuckles )

Yeah, the military guy
is here with me now.

( sighs )

Making a call.

What do you want me to do?

What's the telephone number
there in case

I need to reach you?

I'm calling
from a pay phone.

Yeah, yeah, but where are you?
Heh. What's the address?

I don't know.

Are you, uh, in the city?

Uh, yes, major, uh--
Listen, I gotta go now.

I-I'll call you in the morning,
let you know our plans.

Yep.
What time?

Early.
Hang in there.

I'll try.

Look, uh--
Here you go.

I-I, uh-- I did exactly
what you told me, huh?

I tried to do exactly
what you told me, huh?

I tried. I tried.

( laughs )

You know,
I'm a team player.

Huh?
A team player.

You make sure you tell
Mr. Andrews that, won't you?

You'll tell him, uh,

Major Moreland,
team player, huh?

Okay?

( laughs )

Now, can I--?
Can I get you guys a snack?

( ominous theme playing )

Time to observe...

the results
of the experiment...

( snaps )

firsthand.

( snaps )

Are you ready, Billy?

All right.

Let's get this show
on the road.

All right, Billy.

Now. Do it now.

( machinery whirring )

TODDHUNTER:
It works.

It works!

( laughing )

It works. It works.

Destroying federal property is
a serious crime, major.

This cannot
go unpunished.

Yeah, well, I was forced
to do that, don't you see that?

Huh? I didn't--
I didn't wanna come along.

I didn't want to destroy
those computer files.

Why didn't you get out
of the plane

and call for help
when he left you?

Well, I-- I-I wanted to.

I-- I wanted to, see, but--
And I was going to--

Ah! Heh. Thank you.

I was going to, but--
But your men showed up.

That's-- That's--
See, I really-- I really was.

I was going to,
and then your men showed up

and I couldn't decide
who to call.

Ha! T-that's all.
That's what happened.

I'll bet.

I got Dr. Toddhunter
on the line for you.

Don't go away.

Thanks.

I got some good news
for you.

We found the old man.

One of your blue agents
called in.

Just the old man?

No, no,
all of them.

We've got the stakeout
on the house right now.

All right,
I wanna move at first light.

Arrange for backup.
Feds and locals.

I want the city plans
for the whole block.

What for?

Okay,
I-I'll get 'em.

Dr. Toddhunter.

Just a second.
I wanna take him along with us.

We might need him later.

Dr. Toddhunter.

What do you want?
I'm busy.

Is everything
all right there?

Fine. What do you want?

I want you to pull the plug.
Shut down till I get back.

I'm sorry,
I can't do that.

( chuckles )

It's not like you have
a choice, doc.

Yes, I do.

I'm here and you're there.
Do you not see that?

Billy, throw
the next three switches.

Do it now, Billy.

Uh, I'm sorry,
I have to go now.

You want the janitor?

You have him?

Yeah, I got him.

Swear on your mother's grave.

( chuckles )

I'll swear on
your father's grave.

How's that?

You leave my father
out of this.

Come on, doc...

you want the old man
to experiment on?

I can't bring him
back to a lab

that's a smoking hole
in the ground.

Bastard.

The party's over, Billy.

For now.

Come in.

What's up?

You know, Louis,
those beads really bring out

the color in your eyes.

Is that what you wanted
to talk about?

Have a seat.

Oh!

Waterbed. Never been
on one of these things.

You know, there's a lot you
missed by spending your youth

in the Iron Triangle
rather than Haight-Ashbury.

Yeah, well, maybe someday
I'll find out what I missed.

Yeah, maybe.

So, what about
the airport?

I don't wanna go near
the airport.

I don't like the way
Moreland sounded.

I think you want to just keep
wearing these clothes.

Sybil has an old van
we can use.

If we stick
to the back roads,

we can be in Wisconsin
in two days.

And after we meet up
with Francie and get new IDs?

Leave the country.

Yeah.

You know,
this is really comfortable.

I checked out
the rest of the house.

There's a basement

and an access
to an old unused storm drain.

It's there
if we need it.

You never stop thinking,
do you?

No.

That's why
I'm still alive

after being partners
with Jude Andrews.

I wouldn't worry
about this.

We'll make it.

I hope you're right.

If we don't
make it, Louis,

this could be the end
of a beautiful friendship.

( suspenseful theme playing )

( dramatic theme playing )

Let's dance, Gina.

Yes. Slow.

It still feels
like Coney Island for me.

For me too.

MAN:
Yo, yo, yo. Yo, outside!

Hey, ho, whoa!
Good, good. Good, man.

Okay, guys,
let's go, okay.

Pay him.

Thanks, man. Heh.

It really is great to see
my tax dollars at work.

Far out.

Sign for it.

Sign for it?

( laughs )

Would you sign it? Come on.
I love you guys.

Get out of my face.

Where's Moreland?

We're using a house across the
street from them as com center.

He's there,
but he is not a happy camper.

( sarcastically ):
Breaks my heart.

Did you get those city plans
I asked for?

Uh, I'm--
I'm working on 'em, yeah.

You know, time is--
Very short.

To quote
the good doctor,

"Do you not see this?"

I'm-- I'm sorry,
Mr. Andrews,

I'm not getting
what you're saying.

Do you get this?
Ah! Ah.

Do you get it?
Ah! Yeah. Ah.

Do you get it now?
Okay, okay.

Do you get it?
Yes.

Ow! Ah!
Do you finally get it?

Get me those plans,
Burton.

Or next time,
I'll twist something else

that's attached
to your body.

( gasps )

Do you understand?

Yes. Yes, sir.

Well, should we get up,
Mother?

In a minute.

I wanna lie here
a little longer.

I wanna be held.

I wanna feel you
close to me.

Whatever happens,

I have always loved you,
Harlan Ethan Williams.

And I've always loved you,
Gina, but...

when you start talking
like that,

I feel a goose
walking over my grave.

( grunts )

It's not a goose.

It's that man...

Andrews.

If he's not
the devil's right hand,

he's the devil himself.

Now, stop, or you'll just
get yourself upset.

No, I won't.

I'm finished
with that.

But there is something
I wanna say,

and don't you stop me.

I won't.

How many times have
we made love, Harl?

Since 1941, I--

I don't know exactly, Gina,

but I guess if we had
a buck for each time,

we could buy
a Mercedes-Benz.

Yes.

A lot of times.
Mm.

A lot of love.

But this time was different.

You felt it too,
didn't you?

Don't, Gina.
Please, don't.

No, listen to me now.

Nothing ever really ends, Harl.

I don't know
if I believe

in the heaven
that my mother believed in,

but I do believe that--

That nothing
ever really ends.

Remember when
we were on the road

and I said that you were one
of the people on the ship

and I was one
of the people on the pier?

Well, someday,
we're both gonna be on the ship.

We'll be together again.

I know it, I feel it.

Hush, Gina. Please.

But till that time...

I'll be with you...

in your memories
and in your heart.

I will...

won't I?

( quietly ):
Yes.

I love you,
Gina.

Oh, I love you too.

So, so much.

Yeah. Yeah, that's right.
You heard me.

I want those plans here
in the next five minutes,

or I will personally pull
your ears down

and tie them up
under your chair!

That's right,
you got it.

You know, if I wasn't afraid
that he would...

track me down
and find me,

I would just clear the hell out
of here, man, just disappear.

I haven't, uh--

I haven't seen
any paperwork on this.

No, not a scrap.

Ha. This place
is a zoo.

It's the damn zoo.

I-- I can't use--
I can't get bypass--

Bypass normal channels.

And I haven't seen a--
Haven't seen a--

Haven't seen a budget!

Who the hell's that?

Who the hell is paying
for these men, huh?

I mean, who the hell's paying
for these men?!

I-- I haven't seen any, uh--
I haven't seen any...

ammunition invoices.

No, no, no, no.

No, no, no, no, no, no.

I'm not gonna-- I'm not gonna
bite the bullet on this one.

I'm not gonna bite
the bullet on this one,

and I can tell you that!

MORELAND:
Attention!

I want everyone's attention!

Gentlemen, without rules,
what have you got, huh?!

You got chaos!

You have got the jungle!

Now...

I'm gonna put a stop
to this.

As you were, soldier.

Hey, hey, hey, hey!

I told you,
you gotta call it off!

There is absolutely
no requisition

for this kind of fieldwork!

Do you hear me?!

Who's that
in the street?

There is absolutely
no authorization...

Looks like we just ran out
of time, Louis.

Come on,
let's get going.

What's going on here?

TERRY:
Something big, something bad.

( Moreland yelling
indistinctly )

I'll get him,
I'll get him.

MORELAND: Nothing of this sort!
Burton!

Most irregular.

Sharpshooters only.
I don't want the old man hit.

This is it.

Let's get dressed.

I think we gotta
get outta here now.

I didn't go to Canada
for ten years

to come back, get blasted
by these Chicago pigs, I mean...

We're surrounded.
It doesn't look good, does it?

What do you think
they're gonna do to us?

I don't think anybody should do
anything until we talk to them.

Right.

You see what happens
when we don't get

a consensus about
who crashes here?

These people are prepared
to commit violent acts.

We didn't start it, son.

Hey, man, this place is open
to anyone in need.

You know the rules.
No firearms.

He's right.
Francie knows better.

If you knew you was gonna
come here,

you shouldn't have
brought guns.

I'm sorry, but getting trapped
inside an old house

with a bunch
of granola heads

wasn't exactly
on my daily calendar,

it just sorta happened.

Why are
the police here?

It's none
of your business.

MAN:
I'm afraid it is.

You have put all of us
in jeopardy.

The police don't want us.
They certainly don't want me.

I'm gonna go out there
and negotiate with them

to let us go.

I don't recommend that.

I don't wanna see
a lot of people get hurt.

We can settle this
without violence,

but if that's what you choose
as a form of discussion,

you can do it
yourselves.

After we're all gone.

Sybil?

Everybody stay here
where you'll be safe.

We'll be all right.
Don't worry.

They'll listen to reason.

Why don't you all chant
and hold hands

while we're outside?

Let's get outta here.
It's gonna be a bloodbath.

( sighing ):
Tell me about it.

ALL ( chanting ):
Om...

Hold your fire.

You on the first floor,
come on out,

nobody's gonna hurt ya.

Ready?

ALL:
Ready.

Come on out,
we can talk about this.

Who's in charge here?

I am.

What's your name?

Jude Andrews.

Hey, Jude.

I'm Tom.

I want you to let myself
and my friends go.

Send out the old man
and the young woman.

Nobody has to get hurt.

I can't do that.

Whatever problem you have
with them,

you must settle
for yourself.

I'm not the one with
the problem here, Tommy Boy.

You are.

You're starting
to get on my nerves.

No, we don't want
any violence here.

You said
we could talk.

Talk's over.

Take 'em out.

( woman screaming )

WOMAN:
They shot them!

( people screaming )

MAN: Hey!
WOMAN: Tom!

Hey, you.

( car splutters )
I'm sorry,

they can't find the city--
What's his name?

BURTON:
Cap'n Trips.

Trips!

( people screaming )

( rock theme playing )

All right...

smoke 'em up.

Man, we're done!
You can say that again.

Let's grab Harlan
and get the hell out of here!

I hope that tunnel's open!

TERRY:
Come on.
Let's get outta here.

I don't think
Gina's able to.

No, I told you,
I'm all right.

What are we waiting for?

Come on, follow me.
Keep low.

( tense theme playing )

Where's the old man?

Get him outta here.

They just got here,
just this second.

I don't know if you
still need 'em, or...

You think
they're still in there?

No, they're gone.

Where are we going?
After them.

( groans )

I got to sit
a spell.

No, we can't stop.

We have to keep going.
No.

She's not well.
It's not gonna take them long

to figure out
we're not in the house.

Harlan, you go on without me,
please.

No, I won't!
We'll sit a minute.

( Gina panting )

We'll sit a minute.

Where's Louis?

He was
right behind me.

Louis?

Louis?

Louis?!
Drop it.

MAN ( over radio ):
Com center.

Andrews here.

What's your status, Andrews?

I've got 'em.
Come pick us up.

10-4.

( dramatic theme playing )

Harlan?

Gina.

ANDREWS:
Get away from him!

Hold on to me, Gina.

I said get away from him,
or I'll blow your brains out.

What's happening?

Don't let go,
no matter what.

Let go.

I can't see you, Gina.

Don't be frightened, Gina,

you're coming with me.

Let go!

You're coming with me.

( chuckles )

Well, I'll be damned.

CREWES: Terry!
Well,
I'll be damned.

Terry!

I took a wrong turn.

Luckily,
I heard your shouting.

Where's Harlan
and Gina?

Oh, God.

Do you believe
people get

a second chance
in this world, Louis?

What?

I think they do.

I think we just did.

Ah. Come on,
let's get outta here.

They're gonna come
looking for him soon.

Terry.

( somber theme playing )

Do you wanna go non-reg
for a minute?

What for?

Maybe for the rest
of our lives?

( siren wailing in distance )

( upbeat rock theme playing )