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1
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♪♪
2
00:00:15,102 --> 00:00:16,233
FIRE!
3
00:00:16,233 --> 00:00:17,365
[ EXPLOSION ]
4
00:00:17,365 --> 00:00:18,496
YEAH!
5
00:00:21,934 --> 00:00:24,372
[ GROANING ]
6
00:00:24,372 --> 00:00:25,634
[ WHINES ]
7
00:00:27,244 --> 00:00:29,768
I DON'T KNOW WHAT'S WRONG
WITH ME.
8
00:00:29,768 --> 00:00:32,032
I'M DOWN AND LEFT
ON EVERY SHOT.
9
00:00:32,032 --> 00:00:33,424
HERE, LET ME TAKE A LOOK.
10
00:00:36,036 --> 00:00:39,735
TRY BENDING YOUR ELBOW
A LITTLE BIT.
11
00:00:39,735 --> 00:00:43,173
MAYBE SLIDE YOUR HAND BACK
A HALF INCH OR SO.
12
00:00:43,173 --> 00:00:45,436
[ GUNSHOT ]
13
00:00:47,482 --> 00:00:54,576
♪ WHOA, MY LOVE ♪
14
00:00:54,576 --> 00:00:57,231
♪ MY DARLING ♪
15
00:00:57,231 --> 00:00:58,536
[ GUNSHOT ]
16
00:00:58,536 --> 00:01:00,973
♪ I'VE HUNGERED
FOR YOUR TOUCH ♪
17
00:01:00,973 --> 00:01:03,237
[ GUNSHOT, ELECTRICITY FIZZLES ]
18
00:01:04,673 --> 00:01:08,155
[ MAN GROANS ]
19
00:01:08,155 --> 00:01:10,853
NO, I CAN'T DO THIS.
20
00:01:10,853 --> 00:01:12,637
YOU'RE GREAT AT THIS.
YOUR TONGUE TOUCHED
21
00:01:12,637 --> 00:01:13,943
THE HANGY THING
IN THE BACK OF MY THROAT.
22
00:01:13,943 --> 00:01:15,466
NO, GEILS.
23
00:01:15,466 --> 00:01:16,902
I MEAN, I CAN'T GET CLOSE
TO ANOTHER PARTNER.
24
00:01:16,902 --> 00:01:18,513
TRIBECA, AFTER ALL
WE'VE BEEN THROUGH,
25
00:01:18,513 --> 00:01:20,384
YOU CAN'T TELL ME YOU DON'T HAVE
FEELINGS FOR ME.
26
00:01:20,384 --> 00:01:23,257
[ SIGHS ]
27
00:01:23,257 --> 00:01:27,739
♪♪
28
00:01:28,653 --> 00:01:31,787
[ CHUCKLES ]
29
00:01:31,787 --> 00:01:34,224
I DON'T HAVE FEELINGS
FOR YOU.
30
00:01:34,224 --> 00:01:39,099
YOU'RE JUST NEVER GONNA LET
ANYONE IN THE REST OF YOUR LIFE?
31
00:01:39,099 --> 00:01:40,796
SEE YOU AROUND, PARTNER.
32
00:01:40,796 --> 00:01:43,364
ADIOS, PARTNER.
33
00:01:43,364 --> 00:01:45,409
LATER, ANGIE.
34
00:01:53,504 --> 00:01:57,378
[ MICHAEL JACKSON'S
"THRILLER" PLAYS ]
35
00:01:57,378 --> 00:02:00,859
[ ZOMBIES GROANING ]
36
00:02:00,859 --> 00:02:02,078
[ WHIMPERS ]
37
00:02:04,472 --> 00:02:08,215
♪ IT'S PLAIN TO SEE
THAT YOU ALREADY♪
38
00:02:08,215 --> 00:02:10,652
HEY, WHY THE LONG FACE?
39
00:02:10,652 --> 00:02:12,393
I WAS A FORCEPS BABY.
40
00:02:12,393 --> 00:02:14,786
HEY, WHERE'S THE NORMAL
BARTENDER, REGULAR PETE?
41
00:02:14,786 --> 00:02:16,092
YEAH, HE HAD THE NIGHT OFF.
42
00:02:16,092 --> 00:02:17,572
I'VE NEVER KNOWN HIM
TO TAKE THE NIGHT OFF.
43
00:02:17,572 --> 00:02:18,877
THAT'S WHY
WE CALLED HIM PETE.
44
00:02:18,877 --> 00:02:21,315
WAIT, I REMEMBER.
HE DIED.
45
00:02:21,315 --> 00:02:22,751
OH, WOW, THAT'S SAD.
46
00:02:22,751 --> 00:02:24,056
HOW ABOUT A DRINK?
47
00:02:24,056 --> 00:02:25,623
IN HONOR OF REGULAR PERT.
48
00:02:25,623 --> 00:02:27,277
PETE, REGULAR PETE.
49
00:02:27,277 --> 00:02:29,540
YEAH, RIGHT,
THAT'S WHAT I SAID.
50
00:02:30,672 --> 00:02:32,500
Angie:
DROWNING YOUR SORROWS?
51
00:02:32,500 --> 00:02:34,632
YEAH, I GOT FEELINGS
FOR MY PARTNER,
52
00:02:34,632 --> 00:02:36,504
BUT SHE DOESN'T WANT
TO RECIP--
53
00:02:36,504 --> 00:02:38,245
HEY.
54
00:02:38,245 --> 00:02:40,856
LOOK, YOU DON'T THINK
I WANT TO RECIP?
55
00:02:40,856 --> 00:02:44,294
OF COURSE, I WANT TO RECIP,
BUT YOU DON'T UNDERSTAND.
56
00:02:44,294 --> 00:02:45,861
I'VE HAD 236 PARTNERS,
57
00:02:45,861 --> 00:02:48,820
AND I'VE FALLEN IN LOVE WITH
EVERY SINGLE ONE OF THEM.
58
00:02:48,820 --> 00:02:50,909
THAT'S SO NORMAL.
59
00:02:50,909 --> 00:02:53,260
AND SOMETHING BAD HAS HAPPENED
TO EVERY SINGLE ONE OF THEM.
60
00:02:53,260 --> 00:02:55,697
SO, THE ODDS OF SOMETHING
HAPPENING TO ME ARE ZERO.
61
00:02:55,697 --> 00:02:58,090
IF I EVER LOST YOU --
62
00:02:58,090 --> 00:03:00,397
NOTHING'S GONNA HAPPEN
TO ME, KID.
63
00:03:00,397 --> 00:03:01,746
I SWEAR.
64
00:03:01,746 --> 00:03:04,314
OKAY.
65
00:03:04,314 --> 00:03:06,621
LET'S DO THIS.
66
00:03:06,621 --> 00:03:09,189
I FEEL LIKE A PRINCESS IN
AN OLD-FASHIONED FAIRY TALE.
67
00:03:09,189 --> 00:03:10,494
[ CHUCKLES ]
68
00:03:10,494 --> 00:03:13,715
WAIT, LET ME JUST GO
DRAIN THE LIZARD.
69
00:03:18,154 --> 00:03:20,809
HERE YOU GO, GEILS,
ON THE HOUSE.
70
00:03:22,506 --> 00:03:24,769
THANKS.
71
00:03:27,598 --> 00:03:29,948
[ Echoing ] HEY, HOW DID YOU
KNOW MY NAME?
72
00:03:29,948 --> 00:03:32,081
MY NAME, MY NAME.
73
00:03:32,081 --> 00:03:34,083
MY NAME.
74
00:03:34,083 --> 00:03:36,738
MY NAME, MY NAME.
75
00:03:36,738 --> 00:03:41,046
YOU BETTER STOP SPINNING.
YOU'RE GONNA MAKE YOURSELF SICK.
76
00:03:41,046 --> 00:03:44,659
THANKS.
HEY, HOW DID YOU KNOW MY --
77
00:03:45,834 --> 00:03:47,444
IT WAS THE SMOKING DRINK.
78
00:03:50,491 --> 00:03:54,146
ALL RIGHT, GEILS,
GET READY FOR SOME --
79
00:04:00,849 --> 00:04:04,244
[ SCREAMING ]
80
00:04:04,244 --> 00:04:07,508
♪♪
81
00:04:09,336 --> 00:04:11,512
SOMETHING'S HAPPENED TO GEILS.
I KNOW IT.
82
00:04:11,512 --> 00:04:13,992
LET'S NOT JUMP
TO ANY CONCLUSIONS.
83
00:04:13,992 --> 00:04:15,820
SOMEBODY ORDER
A BODY BAG?
84
00:04:15,820 --> 00:04:17,692
NO, NO, NO, NO, NO.
85
00:04:17,692 --> 00:04:21,435
MAYBE GEILS JUST WENT HOME
TO SLEEP OFF HIS HANGOVER.
86
00:04:21,435 --> 00:04:23,045
HE WOULD NEVER
JUST LEAVE LIKE THAT.
87
00:04:23,045 --> 00:04:24,394
I'M GONNA TRY
HIS PHONE AGAIN.
88
00:04:24,394 --> 00:04:26,396
[ PHONE RINGS ]
89
00:04:26,396 --> 00:04:27,745
GEILS' PHONE.
90
00:04:27,745 --> 00:04:29,356
HEY, IT'S TRIBECA.
HAVE YOU SEEN HIM?
91
00:04:29,356 --> 00:04:32,272
NO, NO WORD SINCE LAST TIME
YOU CALLED FIVE MINUTES AGO.
92
00:04:32,272 --> 00:04:33,621
ALL RIGHT, I'M SORRY.
I'M JUST WORRIED.
93
00:04:33,621 --> 00:04:35,797
IT'S OKAY.[ PHONE RINGS ]
94
00:04:35,797 --> 00:04:37,668
OH,
MY BIG PHONE'S RINGING.
95
00:04:37,668 --> 00:04:39,061
TRIBECA.
96
00:04:39,061 --> 00:04:41,368
MAN:
Hello, Detective Tribeca.
97
00:04:41,368 --> 00:04:42,847
I HAVE A FRIEND OF YOURS
98
00:04:42,847 --> 00:04:44,371
THAT WOULD VERY MUCH
LIKE TO SEE YOU AGAIN.
99
00:04:44,371 --> 00:04:46,503
HE'S GOT GEILS.
100
00:04:46,503 --> 00:04:48,462
TRACE THIS CALL.
TRACE THIS CALL.
101
00:04:48,462 --> 00:04:49,767
WHO IS THIS?
102
00:04:49,767 --> 00:04:51,203
I don't want to use
my real name.
103
00:04:51,203 --> 00:04:52,944
Just call me
Wilson Phillips.
104
00:04:52,944 --> 00:04:55,556
WAIT, NO,
THAT IS MY REAL NAME.
105
00:04:55,556 --> 00:04:57,384
JUST CALL ME WILSON P.
106
00:04:57,384 --> 00:04:59,864
You listen to me,
Wilson P.
107
00:04:59,864 --> 00:05:01,823
IF YOU TOUCH A HAIR
ON MY PARTNER'S HEAD --
108
00:05:01,823 --> 00:05:04,391
NO, NO, NO, YOU LISTEN TO ME,
DETECTIVE!
109
00:05:04,391 --> 00:05:05,957
If I do not get $1,000
110
00:05:05,957 --> 00:05:08,699
in nonsequential coffee
gift cards in 2 hours,
111
00:05:08,699 --> 00:05:10,440
THE BOMB STRAPPED TO YOUR
PARTNER WILL EXPLODE.
112
00:05:10,440 --> 00:05:12,964
HOW WE DOING
ON THIS TRACE?
113
00:05:12,964 --> 00:05:14,705
KEEP TALKING?
114
00:05:14,705 --> 00:05:17,839
SO, UH, WILSON P.,
WHAT DO YOU LIKE TO DO
115
00:05:17,839 --> 00:05:20,537
WHEN YOU'RE NOT
KIDNAPPING PEOPLE?
116
00:05:20,537 --> 00:05:21,843
[ LAUGHS ]
117
00:05:21,843 --> 00:05:23,453
NICE TRY.
118
00:05:23,453 --> 00:05:26,064
I LOVE SPORTS, ESPECIALLY STUFF
IN THE WATER.
119
00:05:26,064 --> 00:05:27,675
Snorkel, paddle board.DO WE HAVE IT?
120
00:05:27,675 --> 00:05:29,851
Sometimes I just lay
on the beach,
121
00:05:29,851 --> 00:05:31,722
LET THE BIRDS EAT THE BREAD
OFF MY NAKED BODY.
122
00:05:31,722 --> 00:05:32,897
That's really interesting.
123
00:05:32,897 --> 00:05:34,203
TELL ME MORE.
124
00:05:34,203 --> 00:05:36,118
Time's up, Detective!
125
00:05:36,118 --> 00:05:37,641
IS WHAT I WILL SAY
IN TWO HOURS
126
00:05:37,641 --> 00:05:38,947
IF YOU DO NOT GET ME
WHAT I WANT.
127
00:05:38,947 --> 00:05:40,078
Goodbye.
128
00:05:40,078 --> 00:05:42,037
AND GOD BLESS.
129
00:05:42,037 --> 00:05:43,995
HOW DID WE DO
ON THE TRACE?
130
00:05:43,995 --> 00:05:46,476
HUH?
DID WE GET THE TRACE?
131
00:05:46,476 --> 00:05:48,304
YOU WANTED ME
TO TRACE A CALL?
132
00:05:48,304 --> 00:05:49,827
OH!
GIRL, I WAS JAMMING.
133
00:05:49,827 --> 00:05:52,526
DAMN IT!♪ THEY'RE BACK STABBERS♪
134
00:05:52,526 --> 00:05:55,398
THERE ARE OVER
15 WILSON PHILLIPSES
135
00:05:55,398 --> 00:05:56,965
IN THE STATE
OF CALIFORNIA.
136
00:05:56,965 --> 00:05:58,575
WE HAVE COPS TRACKING THEM,
137
00:05:58,575 --> 00:05:59,968
BUT WE'LL NEVER GET TO ALL
OF THEM IN TWO HOURS.
138
00:05:59,968 --> 00:06:01,230
WELL, LUCKILY, EVERY CALL
139
00:06:01,230 --> 00:06:02,884
THAT COMES INTO THE PRECINCT
IS RECORDED.
140
00:06:02,884 --> 00:06:04,973
DID YOU AND EDELWEISS GET
ANYTHING FROM THE CALL?
141
00:06:04,973 --> 00:06:07,671
UNFORTUNATELY, DR. EDELWEISS
IS AT A FORENSICS CONFERENCE
142
00:06:07,671 --> 00:06:10,021
IN ISTANBUL, BUT I WAS ABLE
TO REACH HIM ON SKYPE.
143
00:06:11,936 --> 00:06:14,809
HELLO, DR. EDELWEISS.
144
00:06:16,506 --> 00:06:19,117
DR. EDELWEISS?
145
00:06:21,163 --> 00:06:22,512
THERE'S A BIT
OF A TIME DELAY.
146
00:06:27,038 --> 00:06:29,084
LET'S JUST GET STARTED.
147
00:06:29,084 --> 00:06:31,391
LISTEN TO THE AUDIO
FROM THE PHONE CALL.
148
00:06:31,391 --> 00:06:33,001
IF I DO NOT GET $1,000
149
00:06:33,001 --> 00:06:35,220
IN NON-SEQUENTIAL COFFEE
GIFT CARDS IN TWO HOURS,
150
00:06:35,220 --> 00:06:37,701
THE BOMB STRAPPED TO YOUR
PARTNER WILL EXPLODE.
151
00:06:37,701 --> 00:06:39,355
THAT'S HIM.
152
00:06:39,355 --> 00:06:41,749
THAT'S WHAT I THOUGHT, TOO,
BUT THERE'S MORE.
153
00:06:41,749 --> 00:06:43,490
WATCH WHAT HAPPENS
WHEN WE --
154
00:06:43,490 --> 00:06:45,753
AH, THERE YOU ARE, TRIBECA.
HOW ARE YOU?
155
00:06:45,753 --> 00:06:47,407
IT'S BEEN A TOUGH DAY,
BUT YOU KNOW,
156
00:06:47,407 --> 00:06:48,799
JUST TRYING
TO STAY OPTIMISTIC.
157
00:06:58,505 --> 00:07:01,986
WATCH WHAT HAPPENS WHEN I STRIP
OUT WILSON P.'s VOICE.
158
00:07:01,986 --> 00:07:04,859
[ CHATTER]
159
00:07:04,859 --> 00:07:07,905
THEN I TAKE OUT
ANY OTHER VOICES.
160
00:07:07,905 --> 00:07:10,168
[ CLANKING]WHICH LEADS --
161
00:07:10,168 --> 00:07:13,302
YES, I WAS VERY CONCERNED
WHEN I HEARD ABOUT GEILS,
162
00:07:13,302 --> 00:07:14,825
BUT DON'T WORRY.
163
00:07:14,825 --> 00:07:17,001
THIS TECHNOLOGY
IS ABSOLUTELY AMAZING.
164
00:07:17,001 --> 00:07:18,699
I MEAN, HERE I AM IN THE --
165
00:07:23,355 --> 00:07:26,184
SO, IF WE TAKE OUT EVERYTHING
BUT THE BACKGROUND NOISE...
166
00:07:26,184 --> 00:07:28,317
[ STATIC]
167
00:07:28,317 --> 00:07:30,101
WAIT A SECOND.
168
00:07:30,101 --> 00:07:32,408
THE GUY ASKED
FOR COFFEE GIFT CARDS,
169
00:07:32,408 --> 00:07:34,062
WHICH MUST MEAN HE LIKES --
170
00:07:34,062 --> 00:07:35,716
OVERPRICED COFFEE.SHITTY, LAST-MINUTE GIFTS.
171
00:07:35,716 --> 00:07:38,283
THAT'S SOMEONE STEAMING MILK.
THAT'S IN A COFFEE SHOP.
172
00:07:38,283 --> 00:07:39,850
THERE'S THOUSANDS
IN THE CITY.
173
00:07:39,850 --> 00:07:41,852
WE'LL JUST NEVER
NARROW IT DOWN IN TIME.
174
00:07:41,852 --> 00:07:44,594
HANG ON, MAYBE I CAN PULL UP
SOME OF THE BACKGROUND NOISES.
175
00:07:44,594 --> 00:07:48,903
Woman: I HAVE TO SAY, COFFEE
COMMUNE AT 1287 BEVERLY DRIVE
176
00:07:48,903 --> 00:07:50,295
IS MY FAVORITE COFFEE SHOP
IN TOWN.
177
00:07:50,295 --> 00:07:52,515
THAT'S RIGHT AROUND
THE CORNER.
178
00:07:52,515 --> 00:07:53,995
WE'RE THERE EVERY DAY.
179
00:07:53,995 --> 00:07:56,737
HE KNOWS US.
180
00:08:00,305 --> 00:08:04,092
...ISTANBUL, AND IT'S AS IF I'M
STANDING RIGHT NEXT TO YOU.
181
00:08:04,092 --> 00:08:06,007
SO, SCHOLLS,
WHAT ARE WE LOOKING AT?
182
00:08:12,709 --> 00:08:15,799
♪♪
183
00:08:17,497 --> 00:08:19,020
WHAT CAN I GET YOU?
A CUVANISTA? SQUAT WIPE?
184
00:08:19,020 --> 00:08:20,848
DOUBLE DARK?
185
00:08:20,848 --> 00:08:22,850
I'M DETECTIVE TANNER.
THIS IS DETECTIVE HOFFMAN.
186
00:08:22,850 --> 00:08:24,416
WE NEED TO ASK YOU
A FEW QUESTIONS.
187
00:08:24,416 --> 00:08:26,114
SERIOUSLY, MAN?
THIS IS MY BUSIEST TIME.
188
00:08:26,114 --> 00:08:28,203
AT LEAST ORDER SOMETHING.
I GOT A WHOLE LINE HERE.
189
00:08:28,203 --> 00:08:30,205
FINE, JUST A COFFEE.
190
00:08:30,205 --> 00:08:31,946
I DON'T KNOW
WHAT THAT IS.
191
00:08:31,946 --> 00:08:33,643
COME ON,
AN ITALIAN LONG?
192
00:08:33,643 --> 00:08:36,080
A PERKY PONY?
A KANSAS CITY MUDSTORM?
193
00:08:36,080 --> 00:08:37,212
[ BARKS ]
194
00:08:37,212 --> 00:08:38,953
COMING RIGHT UP.
195
00:08:38,953 --> 00:08:41,477
WE'RE TRYING TO TRACK DOWN
ONE OF YOUR CUSTOMERS.
196
00:08:41,477 --> 00:08:43,044
YOU RECOGNIZE THIS VOICE?
197
00:08:43,044 --> 00:08:45,046
Man:
IF I DO NOT GET $1,000
198
00:08:45,046 --> 00:08:48,223
IN NON-SEQUENTIAL COFFEE
GIFT CARDS IN TWO HOURS...
199
00:08:48,223 --> 00:08:50,268
YEAH, I REMEMBER HIM.
200
00:08:50,268 --> 00:08:52,183
NICE GUY, GOOD TIPPER.
201
00:08:52,183 --> 00:08:55,317
HINT, HINT.
ARE WE DONE HERE?
202
00:08:55,317 --> 00:08:57,275
A COP'S LIFE
IS AT STAKE HERE!
203
00:08:57,275 --> 00:09:00,365
NOW, BEFORE I TAPE YOUR MOUTH
TO THAT MILK STEAMER...
204
00:09:00,365 --> 00:09:01,932
GO ON.
205
00:09:01,932 --> 00:09:04,326
...WHAT ELSE YOU KNOW
ABOUT THIS GUY?
206
00:09:04,326 --> 00:09:05,675
I DON'T KNOW.
207
00:09:05,675 --> 00:09:07,634
HE'S 6'2", THIN,
LIGHT BLOND HAIR.
208
00:09:07,634 --> 00:09:09,070
THINK!
209
00:09:09,070 --> 00:09:11,246
I'VE GOT THIS MUG
HE USED YESTERDAY
210
00:09:11,246 --> 00:09:12,813
WITH HIS FINGERPRINTS
ON IT!
211
00:09:12,813 --> 00:09:14,510
I AM LOSING PATIENCE.
212
00:09:14,510 --> 00:09:16,294
I-I-I THINK HE LEFT
HIS DRIVER'S LICENSE HERE.
213
00:09:16,294 --> 00:09:17,992
YOU WANT ME TO GO CHECK
THE LOST AND FOUND?
214
00:09:17,992 --> 00:09:20,560
YOU ARE STEPPING
ON MY LAST NERVE.
215
00:09:20,560 --> 00:09:22,953
I DON'T KNOW.
HE -- HE -- HE RIDES A BIKE?
216
00:09:22,953 --> 00:09:26,348
LIVES WITHIN
BIKING DISTANCE.
217
00:09:26,348 --> 00:09:28,350
WE'RE DONE HERE.
218
00:09:28,350 --> 00:09:29,873
WELL, HE COMES IN EVERY DAY
AT 11:00.
219
00:09:29,873 --> 00:09:31,396
IF YOU WAIT LIKE
SIX MORE MINUTES --
220
00:09:31,396 --> 00:09:33,355
I'D QUIT
WHILE YOU'RE AHEAD.
221
00:09:39,796 --> 00:09:41,972
ALL RIGHT, WE FOUND FIVE
WILSON PHILLIPSES
222
00:09:41,972 --> 00:09:44,192
WITHIN BIKING DISTANCE
OF THE COFFEE SHOP,
223
00:09:44,192 --> 00:09:45,585
AND WE'RE GETTING SEARCH
WARRANTS FOR EACH ONE,
224
00:09:45,585 --> 00:09:46,934
BUT WE NEED TO BUY
A LITTLE TIME.
225
00:09:46,934 --> 00:09:49,371
SO, MAYBE WE HOLD
A PRESS CONFERENCE,
226
00:09:49,371 --> 00:09:50,764
TRY AND DRAW THE GUY OUT.
227
00:09:50,764 --> 00:09:52,722
GOOD THINKING.
228
00:09:52,722 --> 00:09:55,769
TRIBECA, I KNOW YOU AND GEILS
WERE TIGHT.
229
00:09:55,769 --> 00:09:56,987
WE ARE GONNA FIND HIM...
230
00:09:56,987 --> 00:09:58,772
BUP, BUP, BUP, BUP, BUP!
231
00:09:58,772 --> 00:10:00,643
IT'S NOT JUST THAT.
THE WAY WE LEFT THINGS WAS --
232
00:10:00,643 --> 00:10:01,775
WAS IT?
KIND OF.
233
00:10:01,775 --> 00:10:03,472
I SEE.
YOU KNOW, SOMETIMES --
234
00:10:03,472 --> 00:10:04,865
I KNOW,
BUT IT'S HARD BECAUSE --
235
00:10:04,865 --> 00:10:06,649
I GET IT.
I'VE BEEN THERE.
236
00:10:06,649 --> 00:10:08,390
THANKS, LIEUTENANT,
YOU ALWAYS KNOW WHAT TO --I DO.
237
00:10:08,390 --> 00:10:11,785
GOD. GEILS COULD BE HANGING ON
BY A THREAD, OR, WORSE,
238
00:10:11,785 --> 00:10:13,830
HE COULD BE IN THE EARLY STAGES
OF STOCKHOLM SYNDROME.
239
00:10:13,830 --> 00:10:15,310
EVEN WORSE THAN THAT,
240
00:10:15,310 --> 00:10:16,833
HE COULD BE DEVELOPING A BOND
WITH HIS CAPTOR.
241
00:10:16,833 --> 00:10:18,139
[ DING! ]
242
00:10:18,139 --> 00:10:21,185
HONEY!
MUFFINS ARE READY!
243
00:10:23,797 --> 00:10:25,537
I MADE YOU SOME
LOW-SODIUM MUFFINS
244
00:10:25,537 --> 00:10:28,149
BECAUSE I KNOW YOUR BLOOD
PRESSURE'S AN ISSUE RIGHT NOW.
245
00:10:28,149 --> 00:10:29,498
MAYBE LATER.
246
00:10:29,498 --> 00:10:31,979
OKAY, MAYBE LATER.
247
00:10:34,503 --> 00:10:36,244
WHAT'D YOU DO THAT FOR?
248
00:10:36,244 --> 00:10:38,638
I DON'T KNOW.
MAYBE I'LL TELL YOU LATER.
249
00:10:38,638 --> 00:10:40,204
CAN WE NOT
DO THIS RIGHT NOW?
250
00:10:40,204 --> 00:10:41,815
I'M TRYING
TO RUN A KIDNAPPING.
251
00:10:41,815 --> 00:10:44,600
YOU ALWAYS DO THIS.
YOU TAKE ON EVERYTHING YOURSELF.
252
00:10:44,600 --> 00:10:46,602
[ SIGHS ]
I GOT TO GO OUT.
253
00:10:46,602 --> 00:10:48,560
OH, GREAT, YOUR ANSWER
TO EVERYTHING.
254
00:10:48,560 --> 00:10:50,737
YOU KNOW WHAT?
I HOPE THIS BOMB EXPLODES.
255
00:10:50,737 --> 00:10:52,564
DON'T EVEN JOKE
ABOUT THAT.
256
00:10:52,564 --> 00:10:54,654
OKAY, I'M SORRY.
257
00:10:56,525 --> 00:10:58,875
I'M SORRY, TOO.
258
00:10:58,875 --> 00:11:00,616
HEY,
IS THAT TRIBECA ON TV?
259
00:11:00,616 --> 00:11:02,705
Angie:
WE ARE WORKING VERY HARD.
260
00:11:02,705 --> 00:11:04,576
WE ARE TRACKING EVERY LEAD,
261
00:11:04,576 --> 00:11:06,927
AND WE ARE CONFIDENT THAT
WE WILL FIND DETECTIVE GEILS
262
00:11:06,927 --> 00:11:09,930
AND BRING THIS KIDNAPPER
TO JUSTICE.
263
00:11:09,930 --> 00:11:11,845
AT THIS POINT,
I'LL TAKE SOME QUESTIONS.
264
00:11:11,845 --> 00:11:13,107
[ ALL SHOUTING "QUESTION!" ]
265
00:11:13,107 --> 00:11:14,586
YES?
266
00:11:14,586 --> 00:11:16,153
WHERE SHOULD I TAKE THE IN-LAWS
TO DINNER?
267
00:11:16,153 --> 00:11:19,069
EVERYONE LIKES ITALIAN.
YES?
268
00:11:19,069 --> 00:11:20,244
WHO ARE YOU WEARING?
269
00:11:20,244 --> 00:11:22,464
LADY COP BY VALENTINO.
270
00:11:22,464 --> 00:11:25,423
FORMER CABINET MEMBER
STEPHEN CHU WON A NOBEL PRIZE
271
00:11:25,423 --> 00:11:27,991
FOR CAPTURING ATOMS
WITH THESE LIGHT BEAMS.
272
00:11:27,991 --> 00:11:30,124
WHAT ARE LASERS?
273
00:11:30,124 --> 00:11:33,344
AND HERE'S MY MESSAGE
TO THE KIDNAPPER.
274
00:11:33,344 --> 00:11:36,957
YOU THINK YOU'RE PRETTY SLICK
KIDNAPPING MY PARTNER.
275
00:11:36,957 --> 00:11:38,262
THANKS, I DO.
276
00:11:38,262 --> 00:11:39,437
I'M NOT FINISHED.
277
00:11:39,437 --> 00:11:41,744
OH, SORRY, GO AHEAD.
278
00:11:41,744 --> 00:11:43,137
YOU MESSED
WITH THE WRONG COP.
279
00:11:43,137 --> 00:11:45,313
AND, GEILS,
IF YOU'RE LISTENING,
280
00:11:45,313 --> 00:11:46,401
JUST KNOW
THAT I WILL NOT REST.
281
00:11:46,401 --> 00:11:47,924
I KNOW, ANGIE.
282
00:11:47,924 --> 00:11:49,404
WILL SOMEBODY
JUST LET ME FINISH?
283
00:11:49,404 --> 00:11:50,710
OH, SORRY, GO AHEAD.
284
00:11:50,710 --> 00:11:51,972
UNTIL I FIND YOU.
285
00:11:51,972 --> 00:11:53,364
I GUESS
I WAS PRETTY MUCH DONE.
286
00:11:53,364 --> 00:11:54,801
NO FURTHER QUESTIONS.
287
00:11:54,801 --> 00:11:58,239
WE GOT THE ADDRESS.
LET'S BOUNCE.
288
00:12:03,548 --> 00:12:04,898
ALL RIGHT, TAKE HIM DOWN!
289
00:12:04,898 --> 00:12:07,552
TRY NOT TO LET GEILS EXPLODE.
290
00:12:08,553 --> 00:12:09,903
WHAT THE HELL?
291
00:12:11,513 --> 00:12:12,949
LOOK AT THAT RACK.
292
00:12:12,949 --> 00:12:15,212
CHARLIE, DON'T.
293
00:12:15,212 --> 00:12:16,344
IT'S A BOOBY TRAP!
294
00:12:16,344 --> 00:12:18,085
[ BEEPING ]
295
00:12:18,085 --> 00:12:20,348
[ EXPLOSION ]
296
00:12:26,093 --> 00:12:30,184
HE DIED
DOING WHAT HE LOVED.
297
00:12:30,184 --> 00:12:31,359
[ SIGHS ]
298
00:12:31,359 --> 00:12:33,274
[ PHONE RINGING ]
299
00:12:41,543 --> 00:12:42,718
HELLO?
300
00:12:42,718 --> 00:12:44,154
MAN:
Nice try, Detective.
301
00:12:44,154 --> 00:12:45,808
How stupid
do you think I am?
302
00:12:45,808 --> 00:12:48,202
DO YOU REALLY THINK I WOULD BE
AT MY HOME ADDRESS?
303
00:12:48,202 --> 00:12:49,377
Why are you doing this?
304
00:12:49,377 --> 00:12:50,770
GEILS NEVER HURT ANYBODY.
305
00:12:50,770 --> 00:12:52,467
OH, I'M SORRY.
AM I WASTING YOUR TIME?
306
00:12:52,467 --> 00:12:55,035
AM I THREATENING TO TAKE AWAY
SOMETHING YOU CARE ABOUT?
307
00:12:55,035 --> 00:12:56,688
WELL, NOW YOU KNOW
HOW IT FEELS.
308
00:12:56,688 --> 00:12:59,648
TWO WEEKS AGO,
COFFEE COMMUNE.
309
00:13:03,434 --> 00:13:05,349
[ SIGHS ]
310
00:13:07,047 --> 00:13:08,700
HEY, CAN I GET A SMALL --
311
00:13:08,700 --> 00:13:11,094
SIR, WE'RE GONNA NEED YOU
TO STEP ASIDE. POLICE BUSINESS.
312
00:13:11,094 --> 00:13:13,401
SURE, I -- I -- I'M KIND OF
IN A HURRY, SO --
313
00:13:13,401 --> 00:13:14,794
YEAH, WE'LL BE QUICK.
314
00:13:14,794 --> 00:13:17,971
OKAY.
KIND OF A LARGE ORDER HERE.
315
00:13:17,971 --> 00:13:20,408
LET ME GET 37 CAPPUCCINOS,
316
00:13:20,408 --> 00:13:23,454
20 WHOLE MILK,
11 NONFAT, 2 WITH --
317
00:13:23,454 --> 00:13:25,152
WHAT IS THAT,
ARMIN MIST?
318
00:13:25,152 --> 00:13:27,719
ARMIN MIST?
ALMOND MILK.
319
00:13:27,719 --> 00:13:29,634
ALMOND MILK?
THAT'S A -- OH, MY GOD,
320
00:13:29,634 --> 00:13:31,201
YOUR HANDWRITING
IS TERRIBLE.
321
00:13:31,201 --> 00:13:32,333
WHAT'S THIS ABOMINATION?
322
00:13:32,333 --> 00:13:33,769
CRAB CAKE.
323
00:13:33,769 --> 00:13:35,510
CR--
I CAN'T EVEN READ THAT.
324
00:13:35,510 --> 00:13:37,077
CROISSANT,
IT'S CROISSANT.
325
00:13:37,077 --> 00:13:39,079
[ LAUGHS ] IT'S CROISSANT.LOOKS LIKE CUMMERBUND.
326
00:13:39,079 --> 00:13:40,950
I'M REALLYIN A HURRY, GUYS.
327
00:13:40,950 --> 00:13:42,560
SWEAR TO GOD,
WE'RE ALMOST DONE.
328
00:13:42,560 --> 00:13:44,780
THE DETECTIVE HERE WOULD LIKE
TWO CUMMERBUNDS.
329
00:13:44,780 --> 00:13:46,608
WOULD YOU LIKE A TOP HAT WITH
THAT, MAYBE SOME CUFFLINKS?
330
00:13:46,608 --> 00:13:49,350
I GET IT, I GET IT.
MY HANDWRITING IS TERRIBLE.
331
00:13:49,350 --> 00:13:50,917
TERRIBLE?
332
00:13:50,917 --> 00:13:52,005
IT LOOKS LIKE YOU WROTE IT
ON A ROLLER COASTER.
333
00:13:52,005 --> 00:13:53,310
OKAY,
ALL I WANT IS A SMALL --
334
00:13:53,310 --> 00:13:54,877
DON'T WORRY, SIR.
335
00:13:54,877 --> 00:13:57,488
WE'LL GET YOU TO YOUR GYM CLASS
ON TIME, OKAY?
336
00:13:57,488 --> 00:13:59,099
[ LAUGHTER ]
337
00:13:59,099 --> 00:14:01,057
HEY, WHILE WE'RE HERE,
WHAT'S THE ORIGIN OF COFFEE?
338
00:14:01,057 --> 00:14:02,885
I'VE ALWAYS WANTED TO KNOW --
339
00:14:02,885 --> 00:14:04,321
YOU REALLY HIT THE NAIL ON THE
HEAD WITH THAT ONE, TRIBECA,
340
00:14:04,321 --> 00:14:07,281
EXCEPT I WASN'T
A GYM TEACHER YET.
341
00:14:07,281 --> 00:14:10,110
I WAS ON MY WAY
TO A GYM-TEACHER JOB INTERVIEW.
342
00:14:10,110 --> 00:14:11,851
GETTING THE PICTURE?
343
00:14:11,851 --> 00:14:13,591
[ SIGHS ]
344
00:14:13,591 --> 00:14:16,856
BUT I MISSED IT BECAUSE OF YOU
AND YOUR STUPID COFFEES
345
00:14:16,856 --> 00:14:18,596
AND YOUR STUPID HANDWRITING.
346
00:14:18,596 --> 00:14:20,294
MY LIFE IS RUINED.
347
00:14:20,294 --> 00:14:21,817
MY WIFE LEFT ME.
348
00:14:21,817 --> 00:14:24,515
MY KIDS RAN AWAY
AND MARRIED EACH OTHER, SO NOW,
349
00:14:24,515 --> 00:14:26,256
I'm taking away
your boyfriend.
350
00:14:26,256 --> 00:14:28,955
WE'RE NOT TOGETHER.
WE'LL NEVER BE TOGETHER, OKAY?
351
00:14:28,955 --> 00:14:31,479
[ PHONE CLATTERS ]
352
00:14:31,479 --> 00:14:33,263
He's just my partner,
that's it.
353
00:14:33,263 --> 00:14:34,830
LOOK, WE'LL MAKE AMENDS
WHEN WE NEED TO,
354
00:14:34,830 --> 00:14:36,745
BUT YOU NEED
TO LET GEILS GO.
355
00:14:36,745 --> 00:14:40,923
I WILL FORGET EVERYTHING IF YOU
JUST GIVE ME A SIMPLE APOLOGY.
356
00:14:40,923 --> 00:14:43,273
NEVER.
YOU'RE INSANE.
357
00:14:43,273 --> 00:14:44,666
I'M GONNA FIND YOU --
358
00:14:44,666 --> 00:14:46,102
YOU WILL NEVER FIND ME!
359
00:14:46,102 --> 00:14:47,887
I'M A TRAINED GYM TEACHER.
360
00:14:47,887 --> 00:14:49,758
DO YOU KNOW HOW MANY SWEATSUITS
THERE ARE IN THE WORLD?
361
00:14:49,758 --> 00:14:51,325
Every time you walk
down the street,
362
00:14:51,325 --> 00:14:52,804
and you see someone
in a sweatsuit,
363
00:14:52,804 --> 00:14:54,589
YOU'LL WONDER,
"HEY, IS THAT HIM?
364
00:14:54,589 --> 00:14:55,895
Is that him?"
365
00:14:55,895 --> 00:14:57,026
IS THAT HIM?
366
00:14:57,026 --> 00:14:58,941
Got to go.
367
00:14:58,941 --> 00:15:02,553
LIEUTENANT,
WE FOUND GEILS.
368
00:15:02,553 --> 00:15:05,121
SEND IN EVERYBODY!
369
00:15:11,301 --> 00:15:16,916
[ SIRENS WAILING ]
370
00:15:16,916 --> 00:15:18,526
GO, GO!
371
00:15:18,526 --> 00:15:19,744
COVER THE BACK!
372
00:15:19,744 --> 00:15:20,963
[ ICE CREAM TRUCK MUSIC
PLAYING ]
373
00:15:20,963 --> 00:15:23,879
[ LOUD SALSA MUSIC PLAYING ]
374
00:15:23,879 --> 00:15:26,273
[ SUSPENSEFUL MUSIC PLAYS ]
375
00:15:26,273 --> 00:15:29,276
[ TRACTOR ENGINE REVS ]
376
00:15:33,367 --> 00:15:35,891
[ RADIO CHATTER ]
377
00:15:41,549 --> 00:15:43,594
Man:
GO, GO, GO, GO, GO!
378
00:15:43,594 --> 00:15:45,901
WILSON PHILLIPS!
379
00:15:45,901 --> 00:15:47,642
WE HAVE YOU SURROUNDED.
380
00:15:47,642 --> 00:15:50,732
COME OUT OF THE HOUSE
WITH YOUR HANDS UP,
381
00:15:50,732 --> 00:15:53,430
AND DO NOT BLOW UP
DETECTIVE GEILS!
382
00:15:53,430 --> 00:15:54,736
ALL RIGHT, EVERYBODY,
LOOK ALIVE.
383
00:15:54,736 --> 00:15:56,129
HE'S A GYM TEACHER.
384
00:15:56,129 --> 00:15:58,566
WE HAVE NO IDEA
WHAT HE'S CAPABLE OF.
385
00:15:58,566 --> 00:16:01,482
OHH. DAMN IT!
I'M OUT.
386
00:16:01,482 --> 00:16:02,831
TRIBECA, TAKE OVER.
387
00:16:02,831 --> 00:16:05,834
OHH! [ MUTTERS ]
388
00:16:05,834 --> 00:16:09,490
LISTEN, PHILLIPS,
WE KNOW YOU'RE HURTING,
389
00:16:09,490 --> 00:16:12,623
BUT THAT'S NO REASON TO TAKE IT
OUT ON POOR JAY GEILS.
390
00:16:12,623 --> 00:16:15,626
SURE, HE MAY NOT BE THE SHARPEST
TOOL IN THE SHED,
391
00:16:15,626 --> 00:16:16,932
HIS APARTMENT'S A DUMP,
392
00:16:16,932 --> 00:16:19,152
AND HE'S THE WORST DRIVER
OF ALL TIME.
393
00:16:19,152 --> 00:16:20,849
HAVE YOU EVER SEEN
A 9-POINT TURN?
394
00:16:20,849 --> 00:16:21,981
I HAVE.
395
00:16:21,981 --> 00:16:23,721
[ BOTH LAUGH ]
396
00:16:23,721 --> 00:16:26,594
COME TO THINK OF IT,
I HAVE NO GOOD REASON
397
00:16:26,594 --> 00:16:28,248
TO HAVE FEELINGS FOR HIM,
398
00:16:28,248 --> 00:16:30,467
BUT DAMN IT...
399
00:16:34,863 --> 00:16:37,866
...I LOVE HIM.
400
00:16:37,866 --> 00:16:39,302
[ POUNDING ]
401
00:16:39,302 --> 00:16:41,478
TRIBECA!
402
00:16:41,478 --> 00:16:42,784
GEILS!
403
00:16:42,784 --> 00:16:44,525
WILSON, YOU GOT
TO TURN YOURSELF IN.
404
00:16:44,525 --> 00:16:46,614
I AM NOT
GOING TO PRISON.
405
00:16:46,614 --> 00:16:49,269
YOU KNOW WHAT PRISONS HAVE?
GYMS.
406
00:16:49,269 --> 00:16:52,489
AND EVERY GREAT GYM TEACHER
HAS SPENT TIME IN PRISON.
407
00:16:56,711 --> 00:16:58,626
I'M COMING OUT!
408
00:16:58,626 --> 00:17:00,454
OKAY, REMEMBER,
HE'S THE ONLY ONE
409
00:17:00,454 --> 00:17:02,325
WHO KNOWS HOW TO DISARM
THE BOMB,
410
00:17:02,325 --> 00:17:04,240
SO WHATEVER YOU DO,
HOLD YOUR FIRE.
411
00:17:04,240 --> 00:17:05,981
OKAY?
412
00:17:05,981 --> 00:17:07,156
HEY.
413
00:17:09,941 --> 00:17:12,814
SORRY, MR. WILSON.
414
00:17:12,814 --> 00:17:14,250
OH, MY GOD, THE BOMB.
415
00:17:14,250 --> 00:17:15,512
GEILS, HOW MUCH TIME LEFT?
416
00:17:15,512 --> 00:17:17,732
1 MINUTE LEFT!
417
00:17:17,732 --> 00:17:20,300
EVERYBODY GET OUT OF HERE.
SAVE YOURSELF.
418
00:17:20,300 --> 00:17:21,605
NO CAN DO.
419
00:17:21,605 --> 00:17:24,130
TANNER, SEND IN THE ROBOT.
420
00:17:24,130 --> 00:17:27,176
[ SUSPENSEFUL MUSIC PLAYS ]
421
00:17:57,119 --> 00:17:59,556
[ SUSPENSEFUL MUSIC STOPS ]
422
00:18:11,090 --> 00:18:14,441
[ SUSPENSEFUL MUSIC RESUMES ]
423
00:18:17,531 --> 00:18:20,925
[ POWERING DOWN ]
424
00:18:21,404 --> 00:18:23,798
[ SUSPENSEFUL MUSIC STOPS ]
425
00:18:23,798 --> 00:18:26,105
[ SIGHS ]
426
00:18:28,281 --> 00:18:32,415
DAMN! SORRY.
IT RAN OUT OF JUICE.
427
00:18:32,415 --> 00:18:34,591
ANYBODY GOT 12 "C" BATTERIES
ON 'EM?
428
00:18:34,591 --> 00:18:36,985
GEILS, I'M COMING.
429
00:18:38,247 --> 00:18:40,858
TRIBECA, WHAT THE HELL
ARE YOU DOING?!
430
00:18:40,858 --> 00:18:42,164
[ SUSPENSEFUL MUSIC PLAYS ]
431
00:18:42,164 --> 00:18:43,905
WAIT A MINUTE,
AM I BACK IN?
432
00:18:43,905 --> 00:18:46,603
YOU SHOULDN'T BE IN HERE.
THIS BOMB'S GONNA GO OFF.
433
00:18:46,603 --> 00:18:48,257
SAVE YOURSELF.
434
00:18:48,257 --> 00:18:50,651
SAVE MYSELF FOR WHAT?
ANOTHER PARTNER?
435
00:18:50,651 --> 00:18:52,392
I DON'T WANT
A NEW PARTNER.
436
00:18:52,392 --> 00:18:54,829
IT'S YOU AND ME
FOR THE LONG HAUL, GEILS.
437
00:18:54,829 --> 00:18:56,744
I MEAN,
SURE, THINGS COULD CHANGE.
438
00:18:56,744 --> 00:18:58,006
OUR JOBS ARE DANGEROUS,
439
00:18:58,006 --> 00:18:59,921
BUT I JUST WANT
TO LET MY GUARD DOWN
440
00:18:59,921 --> 00:19:01,401
AND BE VULNERABLE
441
00:19:01,401 --> 00:19:03,490
AND SPEND TIME WITH SOMEONE
I REALLY CARE ABOUT.
442
00:19:03,490 --> 00:19:05,622
YOU KNOW, I'VE BEEN THINKING
A LOT LATELY ABOUT LIFE,
443
00:19:05,622 --> 00:19:06,841
AND IT'S REALLY SHORT.
444
00:19:06,841 --> 00:19:08,451
I JUST REALLY WANT TO --
445
00:19:08,451 --> 00:19:09,844
TRIBECA, 42 SECONDS.
446
00:19:09,844 --> 00:19:11,150
RIGHT, RIGHT, OKAY.
447
00:19:11,150 --> 00:19:13,282
HERE GOES NOTHING.
448
00:19:19,680 --> 00:19:20,985
[ EXHALES SHARPLY ]
449
00:19:20,985 --> 00:19:23,379
ALL RIGHT, LET'S SEE
WHAT WE GOT HERE.
450
00:19:23,379 --> 00:19:26,556
[ SUSPENSEFUL MUSIC PLAYS ]
451
00:19:39,395 --> 00:19:41,615
Woman: HELLO, YOU HAVE REACHED
TECH SUPPORT
452
00:19:41,615 --> 00:19:43,225
FOR THE ALL-AMERICAN
BOMB COMPANY.
453
00:19:43,225 --> 00:19:45,096
THERE ARE SIX BOMBS
AHEAD OF YOU.
454
00:19:45,096 --> 00:19:47,751
YOUR BOMB IS IMPORTANT TO US.
PLEASE STAY ON THE --
455
00:19:47,751 --> 00:19:50,014
[ PHONE BEEPS ][ SIGHS ]
456
00:19:50,014 --> 00:19:51,538
OKAY, I'M JUST GONNA SHUT
MY EYES AND CUT ONE.
457
00:19:51,538 --> 00:19:53,975
YEAH, WAIT, WHAT?
MAYBE WE KEEP BRAINSTORMING.
458
00:19:53,975 --> 00:19:56,412
GEILS?
459
00:19:58,109 --> 00:19:59,937
I DO, TOO.
460
00:19:59,937 --> 00:20:01,765
[ BOMB BEEPING ]
461
00:20:01,765 --> 00:20:03,419
5 SECONDS.
462
00:20:05,552 --> 00:20:08,555
[ ROMANTIC MUSIC PLAYS ]
463
00:20:34,755 --> 00:20:36,365
4 SECONDS.
464
00:20:36,365 --> 00:20:39,890
[ BEEPING CONTINUES ]
32164
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