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1
00:00:02,219 --> 00:00:04,874
Tribeca: ALL RIGHT,
SEND THEM IN.
2
00:00:10,445 --> 00:00:12,316
NOW,
IS THERE ANYONE
3
00:00:12,316 --> 00:00:14,318
WHO LOOKS LIKE THE PERSON
WHO ROBBED YOU?
4
00:00:14,318 --> 00:00:18,801
WELL, THE ONE ON THE LEFT
LOOKS FAMILIAR.
5
00:00:18,801 --> 00:00:21,673
AND I SEE HER
EVERY MORNING.
6
00:00:21,673 --> 00:00:24,807
ANYBODY ELSE
YOU RECOGNIZE, MA'AM?
7
00:00:24,807 --> 00:00:26,330
[ EXHALES SHARPLY ]
8
00:00:26,330 --> 00:00:28,941
ARE YOU SURE
THEY CAN'T SEE US?
9
00:00:28,941 --> 00:00:30,508
Geils: NO, MA'AM.
ABSOLUTELY NOT.
10
00:00:30,508 --> 00:00:33,816
Atkins: TRIBECA, GEILS,
MY OFFICE NOW!
11
00:00:33,816 --> 00:00:35,774
COMING, LIEUTENANT.
12
00:00:35,774 --> 00:00:37,689
AND MAKE IT SNAPPY!
13
00:00:37,689 --> 00:00:48,396
[ SCREAMING ]
14
00:00:49,832 --> 00:00:51,007
WHAT'S GOING ON?
15
00:00:51,007 --> 00:00:53,618
GRAB A SEAT. [ SIGHS ]
16
00:00:53,618 --> 00:00:56,056
A VENTRILOQUIST
HAS BEEN MURDERED.
17
00:00:56,056 --> 00:00:57,622
OH, MY GOD.
WHICH ONE?
18
00:00:57,622 --> 00:00:59,189
WHICH ONE?LIKE, HIS NAME?
19
00:00:59,189 --> 00:01:01,626
WHO KNOWS THE NAME
OF ANY VENTRILOQUIST?
20
00:01:01,626 --> 00:01:04,020
[ Chuckling ] RIGHT.
NOT ME. I MEAN...
21
00:01:04,020 --> 00:01:05,761
VICTIM'S NAME
WAS ALAN PARSONS.
22
00:01:05,761 --> 00:01:07,676
ALAN PARSONS?!
WHO?
23
00:01:07,676 --> 00:01:09,373
HE WAS AN ALL-AMERICAN
AT SYRACUSE,
24
00:01:09,373 --> 00:01:12,159
AND HE WON VENTRILOQUIST
OF THE YEAR LAST YEAR.
25
00:01:12,159 --> 00:01:14,509
AND THE YEAR BEFORE.
26
00:01:14,509 --> 00:01:16,859
I THINK.
I MEAN, WHO IS THIS GUY?
27
00:01:16,859 --> 00:01:18,252
WE'LL GET RIGHT ON IT,
LIEUTENANT.
28
00:01:18,252 --> 00:01:22,038
Woman: HE SAW MY FACE!
HE SAW MY FACE!
29
00:01:22,038 --> 00:01:25,085
♪♪
30
00:01:27,826 --> 00:01:31,134
Dr. Scholls:
WE GOT TWO BODIES --
A BIG ONE AND A SMALL ONE.
31
00:01:31,134 --> 00:01:33,441
[ GAGGING ]
32
00:01:33,441 --> 00:01:34,790
LOOK AT HIM.
33
00:01:34,790 --> 00:01:37,097
SO PEACEFUL.
34
00:01:40,317 --> 00:01:41,710
WHOEVER DID THIS
STARTED WITH PARSONS
35
00:01:41,710 --> 00:01:43,364
AND THEN MOVED ON
TO LANCE THE DUMMY.
36
00:01:43,364 --> 00:01:44,495
THEY LANCED THE DUMMY?
37
00:01:44,495 --> 00:01:46,018
NO, NO. LANCE
IS THE DUMMY'S NAME.
38
00:01:46,018 --> 00:01:47,150
THEY JUST KNOCKED HIM
TO THE FLOOR.
39
00:01:47,150 --> 00:01:48,543
PARSONS WAS HAMMERED.
40
00:01:48,543 --> 00:01:50,762
DRUNK ON THE JOB?NO. BLUNT-FORCE TRAUMA.
41
00:01:50,762 --> 00:01:52,373
WE THINK HE WAS GUTTED.
42
00:01:52,373 --> 00:01:54,636
EVISCERATION?
NO, NO.
ABOUT THE PERFORMANCE.
43
00:01:54,636 --> 00:01:56,072
IT WAS
A REAL TOUGH CROWD.
44
00:01:56,072 --> 00:01:57,900
WAS HE CLOSE TO ANYONE?
WAS HE MARRIED?
45
00:01:57,900 --> 00:02:00,598
UH, YES,
MR. PARSONS WAS MARRIED TO A...
46
00:02:00,598 --> 00:02:02,644
[ INHALES SHARPLY ]
47
00:02:04,254 --> 00:02:08,519
HANG ON.
I HAVE IT HERE.
48
00:02:08,519 --> 00:02:10,478
MRS. PARSONS.
HMM.
49
00:02:16,092 --> 00:02:17,659
MM.[ GEARSHIFT CLICKS ]
50
00:02:17,659 --> 00:02:20,140
LOOKS LIKE THE PRESS
IS ALREADY SNIFFING AROUND.
51
00:02:20,140 --> 00:02:21,924
[ ALL SNIFFING ]
52
00:02:21,924 --> 00:02:25,145
WOW, THAT IS A NICE HOUSE
FOR A VENTRILOQUIST.
YEAH.
53
00:02:25,145 --> 00:02:27,930
I ALWAYS PICTURED THEM
HUDDLED AROUND A TRASH-CAN FIRE
54
00:02:27,930 --> 00:02:28,844
WITH FINGERLESS GLOVES.
55
00:02:28,844 --> 00:02:30,280
ARE YOU JOKING?
56
00:02:30,280 --> 00:02:32,804
THESE GUYS TALK
WITHOUT MOVING THEIR MOUTHS.
57
00:02:32,804 --> 00:02:35,764
I MEAN, LOOK AT MY DUMB
OLD MOUTH MOVING AS I'M TALKING.
58
00:02:35,764 --> 00:02:37,940
THESE GUYS HAVE
A GIFT FROM GOD.
59
00:02:37,940 --> 00:02:40,203
WHOA, WHOA, WHOA.
60
00:02:40,203 --> 00:02:43,380
IF THERE'S SOMETHING PERSONAL
GOING ON WITH YOU AND THIS CASE,
61
00:02:43,380 --> 00:02:45,121
YOU NEED TO TELL ME NOW.
62
00:02:45,121 --> 00:02:47,341
THERE'S NOTHING GOING ON.
63
00:02:47,341 --> 00:02:50,474
NO, NOT EVEN WITH A HEAD COCK.
THERE'S NOTHING GOING ON.
64
00:02:50,474 --> 00:02:53,085
GEILS, TRUST ME, OKAY?
65
00:02:53,085 --> 00:02:56,393
YOU NEED TO LET IT GO,
OR IT'LL EAT YOU ALIVE.
66
00:02:56,393 --> 00:02:58,656
WELL, I DON'T WANT
TO TALK ABOUT IT.
67
00:02:58,656 --> 00:03:00,658
BUT I DON'T WANT
TO BE EATEN ALIVE, EITHER.
68
00:03:03,966 --> 00:03:06,142
[ SIGHS ]
69
00:03:06,142 --> 00:03:08,623
ALL RIGHT, BUT IF YOU SHARE THIS
WITH A SOUL,
70
00:03:08,623 --> 00:03:11,365
I'LL TELL EVERY COP IN
THE PRECINCT THAT YOU'RE A GIRL.
71
00:03:11,365 --> 00:03:14,672
YOU HAVE MY WORD.
72
00:03:17,371 --> 00:03:20,635
I WAS 12 YEARS OLD.
73
00:03:20,635 --> 00:03:24,987
BUT ALL I COULD THINK ABOUT
WAS THE TIME I WAS 7 YEARS OLD.
74
00:03:24,987 --> 00:03:26,554
IT WAS MY BIRTHDAY,
75
00:03:26,554 --> 00:03:29,731
AND MY PARENTS GOT ME
A SPECIAL PRESENT.
76
00:03:29,731 --> 00:03:32,603
IT WAS A REAL HUMDINGER.
77
00:03:32,603 --> 00:03:34,779
IT WAS
A VENTRILOQUIST DUMMY,
78
00:03:34,779 --> 00:03:37,956
AND EVERYONE KNEW THAT HUMDINGER
MADE THE BEST ONES.
79
00:03:37,956 --> 00:03:39,567
WELL, WHAT DO YOU WANT
TO DO TODAY?
80
00:03:39,567 --> 00:03:41,830
WELL, WE CAN GO ON
A WATER SLIDE.
81
00:03:41,830 --> 00:03:43,397
I PRACTICED
DAY AND NIGHT.NO, I DON'T WANT
TO GO ON A WATER SLIDE.
82
00:03:43,397 --> 00:03:44,789
YOU'LL GET MESSED UP.
83
00:03:44,789 --> 00:03:48,750
I HAD VENTRILOQUISM POSTERS,
TRADING CARDS.
84
00:03:48,750 --> 00:03:50,969
I KNEW THE STATS
OF ALL THE BEST V-QUISTS.
85
00:03:50,969 --> 00:03:53,450
THAT'S WHAT US INSIDERS
CALLED THEM.
86
00:03:53,450 --> 00:03:56,497
THEN CAME THE NIGHT
OF THE BIG TALENT SHOW.
87
00:03:56,497 --> 00:03:58,194
I WAS
A BUNDLE OF NERVES.
88
00:03:58,194 --> 00:04:00,414
I KNEW THAT THE AUDIENCE
WAS FULL OF SCOUTS,
89
00:04:00,414 --> 00:04:03,852
SO I HAD TO GIVE AN
ABSOLUTELY PERFECT PERFORMANCE.
90
00:04:03,852 --> 00:04:09,466
LADIES AND GENTLEMEN,
OUR VERY OWN JAY GEILS.
91
00:04:09,466 --> 00:04:12,121
[ CHEERS AND APPLAUSE ]
92
00:04:15,951 --> 00:04:18,693
HOW YOU DOING TODAY,
BUDDY?
93
00:04:18,693 --> 00:04:23,175
MY LAWYER SAYS I DON'T HAVE
TO ANSWER THAT QUESTION.
94
00:04:23,175 --> 00:04:24,960
[ AUDIENCE BOOING ]I JUST COULDN'T MASTER
NOT MOVING MY LIPS.
95
00:04:24,960 --> 00:04:27,658
I TOLD MYSELF
IT DOESN'T MATTER,
96
00:04:27,658 --> 00:04:30,139
BUT IT TURNS OUT
THAT'S A BIG PART OF IT.
97
00:04:30,139 --> 00:04:34,056
I NEVER PUT MY HAND
INSIDE OF ANYTHING AGAIN.
98
00:04:34,056 --> 00:04:35,797
MM.
99
00:04:35,797 --> 00:04:37,233
YOU WANT A DOG?
100
00:04:37,233 --> 00:04:38,539
THERE'S A GREAT PLACE
AROUND THE CORNER.
101
00:04:38,539 --> 00:04:40,541
DID YOU LISTEN
TO ANYTHING I SAID?
102
00:04:40,541 --> 00:04:43,413
YOU'RE HUMILIATED,
AND YOUR DREAMS WERE CRUSHED.
103
00:04:43,413 --> 00:04:45,067
IT HAPPENS
TO THE BEST OF US.
104
00:04:45,067 --> 00:04:46,155
YOU GOT TO MOVE ON.
105
00:04:47,287 --> 00:04:49,724
YOU EVER HAVE A DREAM?
106
00:04:49,724 --> 00:04:51,900
♪♪
107
00:04:56,644 --> 00:04:57,471
[ CAT YOWLS ]
108
00:04:58,776 --> 00:05:00,735
NO.
109
00:05:11,093 --> 00:05:13,182
OH, MY GOD.
110
00:05:13,182 --> 00:05:15,010
AGAIN, DOREEN,
I'M SO SORRY,
111
00:05:15,010 --> 00:05:16,577
AND IF THERE'S...THAT'S FISHER PRICE,
112
00:05:16,577 --> 00:05:18,318
THE WORLD'S
MOST FAMOUS VENTRILOQUIST.
113
00:05:18,318 --> 00:05:19,841
HE ONCE DID AN ENTIRE SHOW
114
00:05:19,841 --> 00:05:22,844
WITH A HORNETS' NEST
IN HIS MOUTH.
115
00:05:22,844 --> 00:05:26,195
MR. PRICE, DETECTIVE GEILS.
IT'S A GREAT HONOR.
116
00:05:26,195 --> 00:05:27,805
PLEASURE TO MEET YOU,
DETECTIVE.
117
00:05:27,805 --> 00:05:29,981
[ High-pitched voice ]
THE PLEASURE IS ALL MINE.
118
00:05:32,854 --> 00:05:34,551
CAN I HELP YOU?
119
00:05:34,551 --> 00:05:37,815
HI, MRS. PARSONS.
WE ARE DETECTIVES FROM L.A.P.D.
120
00:05:37,815 --> 00:05:39,208
WE'RE SORRY
TO DISTURB YOU
121
00:05:39,208 --> 00:05:40,949
AT WHAT MUST BE
A VERY DIFFICULT TIME.
122
00:05:40,949 --> 00:05:42,559
THANK YOU.
123
00:05:42,559 --> 00:05:44,169
PLUS,
I DON'T KNOW IF YOU'RE AWARE,
124
00:05:44,169 --> 00:05:45,649
BUT MY HUSBAND JUST DIED.
125
00:05:45,649 --> 00:05:47,085
YES.
YES, WE HEARD.
126
00:05:47,085 --> 00:05:48,783
ALSO, LANCE AND I
WERE VERY CLOSE,
127
00:05:48,783 --> 00:05:51,394
SO I LOST MY HUSBAND
AND I LOST MY BEST FRIEND.
128
00:05:51,394 --> 00:05:52,787
LANCE
WAS YOUR BEST FRIEND?
129
00:05:52,787 --> 00:05:54,789
NO. LANCE WAS
MY HUSBAND'S BEST FRIEND.
130
00:05:54,789 --> 00:05:56,486
MY BEST FRIEND
WAS RITA ZZYZPLX.
131
00:05:56,486 --> 00:05:57,487
HOW DO YOU SPELL THAT?
132
00:05:57,487 --> 00:05:58,532
R-I-T-A.
133
00:05:58,532 --> 00:05:59,707
THANK YOU.
134
00:06:00,882 --> 00:06:02,449
OKAY.
WE'RE DONE HERE.
135
00:06:02,449 --> 00:06:03,841
ACTUALLY,
WE JUST STARTED.
136
00:06:03,841 --> 00:06:05,016
NO, I'M TALKING ABOUT
THE PART WHERE I ASK HER
137
00:06:05,016 --> 00:06:06,409
TO SPELL
HER BEST FRIEND'S NAME.
138
00:06:06,409 --> 00:06:07,454
AH, YEAH, THAT.
WE'RE DONE WITH THAT.
139
00:06:07,454 --> 00:06:08,759
MY MISTAKE.
140
00:06:08,759 --> 00:06:10,021
PLEASE, WON'T YOU COME IN
AND SIT DOWN
141
00:06:10,021 --> 00:06:11,153
ON MY OFF-WHITE
LINEN SECTIONAL?
142
00:06:14,156 --> 00:06:16,680
Tribeca: MRS. PARSONS,
AS I'M SURE YOU'RE AWARE,
143
00:06:16,680 --> 00:06:20,467
82% OF MURDERS ARE COMMITTED
BY SOMEONE CLOSE TO THE VICTIM.
144
00:06:20,467 --> 00:06:22,164
WELL, WOULDN'T THEY HAVE TO
BE CLOSE TO THEM
145
00:06:22,164 --> 00:06:23,121
IN ORDER TO MURDER THEM?
146
00:06:23,121 --> 00:06:25,428
SHE'S GOOD.
MM.
147
00:06:25,428 --> 00:06:26,908
I HATE TO ASK YOU THIS,
148
00:06:26,908 --> 00:06:29,737
BUT WERE THERE ANY OTHER WOMEN
IN THE PICTURE?
149
00:06:29,737 --> 00:06:31,434
OH, JUST THOSE TWO.
150
00:06:31,434 --> 00:06:34,132
BET THAT MADE YOU
PRETTY MAD, HUH?
151
00:06:34,132 --> 00:06:35,438
LOOK, I KNOW WHAT
YOU'RE INSINUATING,
152
00:06:35,438 --> 00:06:36,918
BUT LET ME SET
THE RECORD STRAIGHT.
153
00:06:38,310 --> 00:06:39,834
SORRY. I HAVE O.C.D.
154
00:06:39,834 --> 00:06:41,401
THIS HAS BEEN DRIVING ME CRAZY
THIS WHOLE TIME.
155
00:06:41,401 --> 00:06:43,011
5, 6, 7, 8, 9, 10,
156
00:06:43,011 --> 00:06:46,406
NOSE, NOSE, NOSE,
EARS, EYES, AND GO.
157
00:06:46,406 --> 00:06:48,059
LOOK, I MARRIED
A VENTRILOQUIST.
158
00:06:48,059 --> 00:06:51,280
I WAS VERY AWARE OF
WHAT I WAS GETTING MYSELF INTO.
159
00:06:51,280 --> 00:06:53,108
I KNEW I'D BE DEALING WITH
THE MISTRESSES
160
00:06:53,108 --> 00:06:55,023
AND THE LONG HOURS
AND THE DRUGS.
161
00:06:55,023 --> 00:06:56,851
BUT I LOVED MY HUSBAND.
162
00:06:56,851 --> 00:07:00,158
AND MORE THAN THAT, I LOVED
BEING A VENTRILOQUIST'S WIFE.
163
00:07:00,158 --> 00:07:03,161
THANK YOU FOR YOUR TIME
AND FOR ANSWERING OUR QUESTIONS.
164
00:07:03,161 --> 00:07:05,381
PLEASE LET ME KNOW IF THERE'S
ANYTHING I CAN DO TO HELP.
165
00:07:05,381 --> 00:07:07,818
I JUST REALLY HOPE THAT YOU
CATCH THE ANIMAL THAT DID THIS.
166
00:07:07,818 --> 00:07:09,124
THANK YOU, MA'AM,
167
00:07:09,124 --> 00:07:10,865
BUT WE THINK
IT WAS A HUMAN WHO DID IT.
168
00:07:10,865 --> 00:07:12,649
All: GOOD DAY.
169
00:07:12,649 --> 00:07:13,824
JINX.
170
00:07:13,824 --> 00:07:15,304
NOSE, NOSE, NOSE,
EARS, EYES...
171
00:07:15,304 --> 00:07:16,523
[ SNIFFS, FARTS ]
172
00:07:16,523 --> 00:07:17,437
AND GO.
173
00:07:19,874 --> 00:07:20,875
WHAT -- JUST --
174
00:07:29,971 --> 00:07:32,452
HEY. I HEARD WE CAUGHT A WITNESS
IN THE VENTRILOQUIST MURDER.
175
00:07:32,452 --> 00:07:36,412
YEAH. I'M ABOUT TO GO TAKE
A RUN AT HIM RIGHT NOW.
176
00:07:36,412 --> 00:07:37,848
HEY, YOU WANT
A SNICKERS BAR?
177
00:07:37,848 --> 00:07:39,589
TWO CAME OUT OF THE MACHINE
BY MISTAKE.
178
00:07:39,589 --> 00:07:42,679
WOW. THAT MUST BE
DOUBLY SATISFYING.
IT IS.
179
00:07:42,679 --> 00:07:44,942
SNICKERS REALLY SATISFIES.
180
00:07:44,942 --> 00:07:46,378
SNICKERS REALLY SATISFIES.
181
00:07:46,378 --> 00:07:48,685
DO THEY REALLY SATISFY?THEY REALLY SATISFY.
182
00:07:48,685 --> 00:07:50,992
SNICKERS REALLY SATISFIES.
183
00:07:50,992 --> 00:07:53,473
I'M GONNA GET MY SATISFY ON
WITH A SNICKERS.
184
00:07:53,473 --> 00:07:54,909
GOOD LUCK IN THERE.ALL RIGHT.
185
00:08:01,045 --> 00:08:03,134
YOU THINK
THIS IS A GAME?
186
00:08:03,134 --> 00:08:05,267
[ SCOFFS ]
THIS ISN'T A GAME.
187
00:08:05,267 --> 00:08:08,749
THISIS A GAME.
188
00:08:08,749 --> 00:08:12,579
THIS IS LIFE.
YOU ARE LOOKING AT LIFE.
189
00:08:12,579 --> 00:08:15,756
AND IF YOU DON'T START TALKING,
I PROMISE YOU...
190
00:08:15,756 --> 00:08:18,367
YOU'RE GONNA BE
IN REAL TROUBLE.
191
00:08:20,151 --> 00:08:23,981
CANDY LAND,
CHUTES AND LADDERS, MONOPOLY.
192
00:08:23,981 --> 00:08:25,853
I COULD DO THIS ALL DAY.
193
00:08:25,853 --> 00:08:27,202
BUT I'M GONNA TELL YOU SOMETHING
RIGHT NOW --
194
00:08:27,202 --> 00:08:30,379
IF YOU DON'T GIVE ME
SOMETHING...
195
00:08:30,379 --> 00:08:32,163
YOU'RE GONNA BE SORRY.
196
00:08:32,163 --> 00:08:35,863
AND I'M GONNA SHUT DOWN
THIS WHOLE OPERATION.
197
00:08:37,255 --> 00:08:38,909
AND IF YOU THINK
I'M GONNA BACK DOWN
198
00:08:38,909 --> 00:08:40,345
[LAUGHS]
199
00:08:40,345 --> 00:08:45,481
BROTHER, I AM ONE HUNGRY,
HUNGRY HIPPO.
200
00:08:45,481 --> 00:08:46,613
YOU HEAR ME?
201
00:08:46,613 --> 00:08:48,615
[ CHUCKLES ]
AND YOU --
202
00:08:48,615 --> 00:08:53,141
YOU'RE ABOUT TO GO KERPLUNK.
203
00:08:53,141 --> 00:08:54,446
[ BOX CLATTERS ]
204
00:08:54,446 --> 00:08:56,623
GNIP GNOP!
205
00:08:56,623 --> 00:08:58,625
HE ISN'T TALKING.
206
00:09:06,154 --> 00:09:07,851
ANYTHING NEW IN
THE VENTRILOQUIST CASE?
207
00:09:07,851 --> 00:09:09,374
PARSONS DIED
FROM A GUNSHOT WOUND,
208
00:09:09,374 --> 00:09:10,854
BUT THERE'S NO WEAPON
209
00:09:10,854 --> 00:09:13,596
AND NOT A LOT OF PRINTS
OR DNA TO GO ON.
210
00:09:13,596 --> 00:09:16,033
BUT LOOK WHAT I FOUND
ON LANCE THE DUMMY.
211
00:09:17,948 --> 00:09:20,081
WHAT ARE THOSE SCRATCHES?
DEFENSIVE WOUNDS?
212
00:09:20,081 --> 00:09:21,952
WHOEVER DID THIS
IS LOOKING AT THE BUSINESS END
213
00:09:21,952 --> 00:09:23,824
OF A NASTY SPLINTER.
214
00:09:23,824 --> 00:09:25,782
ALL RIGHT,
I'M GONNA CUT INTO HIM,
215
00:09:25,782 --> 00:09:27,610
SO IF YOU'RE SQUEAMISH,
LOOK AWAY.
216
00:09:27,610 --> 00:09:29,743
IT'S NOT MY FIRST RODEO.
217
00:09:29,743 --> 00:09:31,832
THIS ISN'T A RODEO.
THIS IS AN AUTOPSY.
218
00:09:31,832 --> 00:09:33,703
THERE IS A RODEO IN TOWN,
THOUGH,
219
00:09:33,703 --> 00:09:35,139
IF YOU WANT
TO GO WITH ME LATER.
220
00:09:37,141 --> 00:09:41,058
[ SAW BUZZING ]
221
00:09:49,284 --> 00:09:51,808
ALL RIGHT, LET'S CHECK
THE CONTENTS OF THE STOMACH.
222
00:09:53,723 --> 00:09:55,116
OHH.
223
00:09:55,116 --> 00:09:57,597
LOOKS LIKE SOMEONE
HAD A LAST MEAL.
224
00:09:57,597 --> 00:09:58,989
THUMB DRIVE.
225
00:10:05,909 --> 00:10:07,519
IT'S A MANUSCRIPT.
226
00:10:07,519 --> 00:10:10,044
CAN YOU OPEN IT?NO. IT'S ENCRYPTED.
227
00:10:10,044 --> 00:10:11,175
CHILD'S PLAY.
228
00:10:11,175 --> 00:10:13,830
GEILS, SCHOLLS,
229
00:10:13,830 --> 00:10:16,528
I SPENT 10 YEARS WITH MI-5
AS THEIR TOP CODE-BREAKER
230
00:10:16,528 --> 00:10:18,618
AND THEN TWO YEARS IN
THE KITCHEN AS A DISHWASHER.
231
00:10:18,618 --> 00:10:19,880
WHAT DO WE HAVE HERE?
232
00:10:19,880 --> 00:10:20,881
[ GRUNTS ]
233
00:10:20,881 --> 00:10:22,534
AH.
234
00:10:23,492 --> 00:10:24,972
[ SIGHS ]
235
00:10:24,972 --> 00:10:27,583
[ CASTS THUD ]
236
00:10:27,583 --> 00:10:29,150
AH, YES.
237
00:10:29,150 --> 00:10:32,153
A VERY COMPLICATED
SOUTH KOREAN MILITARY CODE.
238
00:10:32,153 --> 00:10:34,851
THERE ARE OVER
9 BILLION POSSIBLE PERMU--
239
00:10:34,851 --> 00:10:36,636
[ COMPUTER BEEPS ]OH, I'M IN.
240
00:10:36,636 --> 00:10:38,420
OH, GOD.
241
00:10:38,420 --> 00:10:41,728
"A VENTRILOQUIST SPEAKS: THE
BOOK THAT COULD GET ME KILLED,"
242
00:10:41,728 --> 00:10:43,077
BY ALAN PARSONS.
243
00:10:43,077 --> 00:10:46,080
IT'S A 1,200-PAGE
AMATEUR MEMOIR.
244
00:10:46,080 --> 00:10:47,734
SOMEONE'S GONNA
HAVE TO COMB OVER
245
00:10:47,734 --> 00:10:50,214
EVERY OVER-DRAMATIC MEMORY,
EVERY CLUMSY METAPHOR,
246
00:10:50,214 --> 00:10:51,651
TRYING TO FIND
SOME SORT OF CLUE
247
00:10:51,651 --> 00:10:54,523
AS TO WHY
THIS MAN WAS KILLED.
248
00:11:00,877 --> 00:11:02,574
I'M GONNA MISS THE RODEO.
249
00:11:04,968 --> 00:11:07,536
HEY, TANNER, ANY RED FLAGS
IN PARSONS' FINANCES?
250
00:11:07,536 --> 00:11:09,843
WE'RE LOOKING FOR A REASON
SOMEONE WOULD WANT HIM DEAD.
251
00:11:09,843 --> 00:11:11,192
NOT MUCH.
252
00:11:11,192 --> 00:11:13,803
I MEAN, WE CAN
GIVE YOU WHAT WE GOT.
253
00:11:13,803 --> 00:11:16,414
OKAY. NO, DON'T PRINT.
JUST ATTACH THE PDF.
254
00:11:16,414 --> 00:11:18,112
[ DOG GROANS ]NO. DON'T DO THAT.
255
00:11:18,112 --> 00:11:19,853
NO, NO, NO.
DON'T CANCEL IT NOW.
256
00:11:19,853 --> 00:11:21,942
IT'S GOING DOWN TO
THE DOWNSTAIRS PRINTER.
257
00:11:21,942 --> 00:11:23,030
[ TELEPHONE RINGS ]JAY GEILS HERE.
258
00:11:23,030 --> 00:11:24,553
DR. SCHOLLS:
It's Monica Scholls.
259
00:11:24,553 --> 00:11:27,556
I just found something
interesting in the book.
260
00:11:27,556 --> 00:11:28,992
THANK GOD.
WHERE ARE YOU?
261
00:11:28,992 --> 00:11:31,038
Where I always read --
in a bubble bath.
262
00:11:31,038 --> 00:11:33,170
[ DOG GROWLS ]
263
00:11:37,435 --> 00:11:39,307
LIEUTENANT,
WHAT ARE YOU DOING HERE?
264
00:11:39,307 --> 00:11:41,439
THIS IS THE ONLY PLACE
I GET CELL SERVICE.
265
00:11:41,439 --> 00:11:42,919
THAT'S A STAPLER.
266
00:11:42,919 --> 00:11:44,921
HOLLY,
WHERE IS MY CELLPHONE?!
267
00:11:44,921 --> 00:11:47,881
I'LL JUST TEXT HER.
268
00:11:47,881 --> 00:11:50,710
THAT'S A CALCULATOR.DAMN IT!
269
00:11:50,710 --> 00:11:52,450
WHAT'S IN THE BOOK?
270
00:11:52,450 --> 00:11:54,975
PARSONS REVEALS ALL THE SECRETS
BEHIND VENTRILOQUISM.
271
00:11:54,975 --> 00:11:56,585
[ SCOFFS ]
THAT KNOWLEDGE IS SACRED.
272
00:11:56,585 --> 00:11:59,283
ISN'T IT JUST NOT MOVING --ZIP IT, TANNER.
273
00:11:59,283 --> 00:12:00,937
WHOEVER DID THIS
ALREADY KILLED ONEMAN.
274
00:12:00,937 --> 00:12:02,678
THERE'S A WHOLE CHAPTER
IN HERE
275
00:12:02,678 --> 00:12:04,985
ON HOW HIS MENTOR PASSED DOWN
ALL HIS SECRETS TO HIM.
276
00:12:04,985 --> 00:12:06,943
WHO'S HIS MENTOR?UH...
277
00:12:06,943 --> 00:12:08,423
DAMN.
THERE'S SOME WATER ON THE PAGE.
278
00:12:08,423 --> 00:12:09,729
I CAN'T QUITE MAKE IT OUT.
279
00:12:09,729 --> 00:12:11,382
LET ME HELP YOU.[ MEN MURMURING ]
280
00:12:11,382 --> 00:12:13,733
I THINK THAT'S A --
I THINK THAT'S A "G."
281
00:12:13,733 --> 00:12:15,517
NO. THAT'S A "J."YOU SURE?
282
00:12:15,517 --> 00:12:17,475
OR A 5.THE BUBBLES ARE --
283
00:12:17,475 --> 00:12:19,173
THERE'S SO MANY
THAT YOU CAN'T SEE ANY--IT'S AN "F."
284
00:12:19,173 --> 00:12:22,654
FISHER PRICE.
MY HERO.
285
00:12:22,654 --> 00:12:27,181
WELL, IT LOOKS LIKE YOUR HERO
JUST BECAME OUR PRIME SUSPECT.
286
00:12:28,660 --> 00:12:30,575
AW.
WHAT?
287
00:12:30,575 --> 00:12:31,838
REALLY?THAT'S DISAPPOINTING.
288
00:12:38,714 --> 00:12:41,412
WOW.
LOOK AT THIS PLACE.
289
00:12:41,412 --> 00:12:44,328
Man: CAN I HELP YOU?Tribeca: WE HAVE AN APPOINTMENT
WITH MR. PRICE.
290
00:12:46,853 --> 00:12:49,594
[ FEMALE DUMMIES GIGGLING ]
291
00:12:54,730 --> 00:12:56,514
Hey, hey.
Psst.
292
00:12:56,514 --> 00:12:57,689
What?
293
00:12:58,647 --> 00:13:00,388
LOOK AT THE RACK
ON THAT ONE!
294
00:13:00,388 --> 00:13:02,694
WALTER, NO, NO.[ LAUGHS ]
295
00:13:02,694 --> 00:13:04,261
SORRY.
HE'S DRUNK.
296
00:13:04,261 --> 00:13:05,828
WON'T YOU
SIT DOWN?
297
00:13:07,438 --> 00:13:09,397
Tribeca: LADIES.
298
00:13:09,397 --> 00:13:11,094
[ GIGGLING CONTINUES ]
299
00:13:14,184 --> 00:13:16,621
I HOPE THERE'S BEEN A BREAK
IN THE PARSONS CASE.
300
00:13:16,621 --> 00:13:18,188
SUCH A TRAGEDY.
301
00:13:18,188 --> 00:13:19,711
ACTUALLY, WE HAVE HAD
A LITTLE BREAKTHROUGH.
302
00:13:19,711 --> 00:13:21,713
IT TURNS OUT THAT PARSONS
WAS WRITING A BOOK
303
00:13:21,713 --> 00:13:24,716
EXPOSING ALL THE SECRETS
OF VENTRILOQUISM...MM.
304
00:13:24,716 --> 00:13:26,675
...SPECIFICALLY,
YOUR SECRETS.[ GAGS ]
305
00:13:27,589 --> 00:13:28,764
DID WE CATCH YOU
OFF-GUARD?
306
00:13:28,764 --> 00:13:29,852
NOT AT ALL.
307
00:13:29,852 --> 00:13:31,811
I WAS AWARE OF THE BOOK.
308
00:13:31,811 --> 00:13:32,855
DID IT BOTHER YOU?
309
00:13:32,855 --> 00:13:34,248
OF COURSE NOT.
310
00:13:34,248 --> 00:13:35,727
KNOWING HOW TO MAKE SAUSAGE
311
00:13:35,727 --> 00:13:37,860
DOESN'T MAKE YOU
A MASTER SAUSAGE MAN.
312
00:13:37,860 --> 00:13:40,645
BESIDES,
NO ONE CAN DO WHAT I DO.
313
00:13:40,645 --> 00:13:42,212
OR SHOULD I SAY...
314
00:13:42,212 --> 00:13:44,127
WHAT WE DO.
315
00:13:44,127 --> 00:13:45,563
♪ LA LA LA ♪
316
00:13:45,563 --> 00:13:47,000
♪ LA LA LA ♪
317
00:13:47,000 --> 00:13:48,088
♪ LA LA ♪
318
00:13:48,088 --> 00:13:51,787
Both:
♪ LA-A-A-A ♪
319
00:13:51,787 --> 00:13:55,182
HEY.
YOU'RE A CHICK?
I HAD NO IDEA.
320
00:13:55,182 --> 00:13:56,966
[ LAUGHS ]
'CAUSE YOU THINK IT'S COMING --HEY!
321
00:13:56,966 --> 00:13:58,446
WHERE DO YOU GET YOUR HAIR CUT,
A SALON SCHOOL?
322
00:13:58,446 --> 00:14:00,491
OH, YOU DON'T WANT TO PLAY
WITH ME, OLD MAN.
323
00:14:00,491 --> 00:14:03,146
[ GURGLING ]HEY, AREN'T YOU THAT LITTLE BOY
IN "INDIANA JONES"?
324
00:14:03,146 --> 00:14:05,714
LOOK, MR. PRICE, YOU'VE
ALWAYS BEEN A HERO OF MINE,
325
00:14:05,714 --> 00:14:07,498
BUT IF THERE'S ANYTHING
YOU WANT TO TELL US,
326
00:14:07,498 --> 00:14:08,804
NOW'S THE TIME
TO COME CLEAN.
327
00:14:08,804 --> 00:14:10,850
I HAVE NOTHING TO HIDE,
DETECTIVE.
328
00:14:10,850 --> 00:14:12,982
YES, I WAS CONCERNED
ABOUT THE BOOK,
329
00:14:12,982 --> 00:14:14,766
BUT I'M NOT A MURDERER.
330
00:14:14,766 --> 00:14:17,291
I NOTICE THERE'S
A BAND-AID ON YOUR FINGER.
331
00:14:17,291 --> 00:14:20,163
WOULD THAT BE COVERING
A SPLINTER?
332
00:14:20,163 --> 00:14:21,556
IT'S NOT UNUSUAL
333
00:14:21,556 --> 00:14:23,253
FOR A VENTRILOQUIST
TO GET A SPLINTER.
334
00:14:23,253 --> 00:14:24,907
THE DUMMIES
ARE MADE OF WOOD.
335
00:14:24,907 --> 00:14:26,735
WOULD YOU MIND IF I TOOK A LOOK
AT YOUR SPLINTER?
336
00:14:26,735 --> 00:14:28,389
I'D BE HAPPY
TO SHOW YOU MY SPLINTER
337
00:14:28,389 --> 00:14:30,434
IF YOU'D BE HAPPY
TO SHOW ME A WARRANT.
338
00:14:30,434 --> 00:14:33,307
ANY WARRANT OR ONE
THAT'S SPECIFIC TO THIS CASE?
339
00:14:34,743 --> 00:14:36,310
THAT'S WHAT I THOUGHT.
340
00:14:36,310 --> 00:14:38,573
IF YOU'LL EXCUSE US...WE HAVE TO GO PACK.
341
00:14:38,573 --> 00:14:40,662
AFTER TONIGHT'S
SOLD-OUT SHOW...
342
00:14:40,662 --> 00:14:42,882
WE'RE LEAVING
ON A 50-COUNTRY TOUR.
343
00:14:42,882 --> 00:14:45,232
AND ALL OF THEM
ARE OUTSIDE OF AMERICA.
344
00:14:45,232 --> 00:14:47,321
WE'RE GONNA TAKE YOU DOWN,
PRICE,
345
00:14:47,321 --> 00:14:48,844
AND YOUR LITTLE DUMMY,
TOO.
346
00:14:48,844 --> 00:14:50,585
I'D LIKE
TO SEE YOU TRY.
347
00:14:50,585 --> 00:14:52,152
OH, YOU WANT TO GO?
348
00:14:52,152 --> 00:14:53,588
YOU WANT A PIECE OF THIS?[ INDISTINCT SHOUTING ]
349
00:14:53,588 --> 00:14:55,590
I WILL TAKE YOU,
YOU LITTLE...NO! NO!
350
00:14:55,590 --> 00:14:57,157
...BITCH!THAT WAS A GREAT BACK-AND-FORTH,
REALLY CONVINCING.
351
00:14:57,157 --> 00:14:58,375
LITTLE BITCH!
352
00:14:58,375 --> 00:14:59,507
HOW DO YOU MAKE
THE "P" SOUND?
353
00:14:59,507 --> 00:15:00,769
THE "P" STOP.
THE "P" STOP.
354
00:15:00,769 --> 00:15:02,553
[ INDISTINCT SHOUTING ]
355
00:15:02,553 --> 00:15:04,381
[ SPEAKING INDISTINCTLY ]
356
00:15:04,381 --> 00:15:05,513
A SPLINTER?
357
00:15:05,513 --> 00:15:07,254
A SPLINTER?!
358
00:15:07,254 --> 00:15:08,516
IT'S TOO THIN!
359
00:15:08,516 --> 00:15:10,213
WE KNOW HE DID IT.
360
00:15:10,213 --> 00:15:12,259
THE BOOK WOULD HAVE RUINED HIM,
SO HE ICED PARSONS.
361
00:15:12,259 --> 00:15:13,738
ICED PARSONS?
362
00:15:13,738 --> 00:15:15,566
I COULD GO
FOR AN ICED PARSONS.
363
00:15:15,566 --> 00:15:17,655
HOLLY,
BRING ME AN ICED PARSONS!
364
00:15:17,655 --> 00:15:19,309
LET'S HAUL PRICE IN HERE,
365
00:15:19,309 --> 00:15:20,789
GET THAT SPLINTER OUT,
MATCH IT TO THE DEAD DUMMY,
366
00:15:20,789 --> 00:15:22,312
AND PUT HIM AWAY.
367
00:15:22,312 --> 00:15:24,619
WE'VE GOT TO GET TICKETS
TO THAT SHOW TONIGHT.
368
00:15:24,619 --> 00:15:26,838
GET TICKETS TO THE FISHER PRICE
SHOW THE NIGHT OF?
369
00:15:26,838 --> 00:15:29,015
OKAY,
THAT SHOULD BE EASY.
370
00:15:29,015 --> 00:15:30,799
UH, HELLO,
TICKET PEOPLE?
371
00:15:30,799 --> 00:15:32,279
COULD I GET TWO TICKETS
TO THE SHOW
372
00:15:32,279 --> 00:15:33,933
THAT'S BEEN SOLD-OUT
FOR FOUR YEARS?
373
00:15:33,933 --> 00:15:35,151
LET ME CHECK THAT
FOR YOU, SIR.
374
00:15:35,151 --> 00:15:37,110
NO. I'M SORRY, SIR.
375
00:15:37,110 --> 00:15:39,460
THAT SHOW
IS COMPLETELY SOLD OUT.WELL, THANK YOU FOR CHECKING.
376
00:15:39,460 --> 00:15:40,765
IS THERE ANYTHING ELSE
YOU WANT ME TO LOOK UP?
377
00:15:40,765 --> 00:15:43,029
NO, THAT'S IT.
[ LAUGHS ]
378
00:15:43,029 --> 00:15:45,596
Have a great weekend.YOU TOO.
379
00:15:45,596 --> 00:15:47,685
I TOLD YOU.
IT'S IMPOSSIBLE.
380
00:15:47,685 --> 00:15:50,993
GEILS,
YOU'RE A VENTRILOQUIST.THAT WAS PRIVATE.
381
00:15:50,993 --> 00:15:53,561
WE'LL SNEAK IN BACKSTAGE,
AND WE'LL PRETEND
WE'RE THE OPENING ACT.
382
00:15:53,561 --> 00:15:56,477
WAS. I WASA VENTRILOQUIST.
THERE'S A BIG DIFFERENCE.
383
00:15:56,477 --> 00:15:58,087
WHAT?
YOU'RE A VENTRILOQUIST?
384
00:15:58,087 --> 00:16:00,350
WELL, SHE'S A GIRL!OH, YOU ARE A DEAD MAN!
385
00:16:00,350 --> 00:16:01,699
YOU ARE!
YOU PEE SITTING DOWN!HEY! HEY!
386
00:16:01,699 --> 00:16:03,788
YOU WANT TO GO?HEY!
387
00:16:03,788 --> 00:16:05,529
I WILL TAKE YOU DOWN
RIGHT NOW!
YOU'RE A GIRL,
BUT THAT'S MY SECRET.
388
00:16:05,529 --> 00:16:07,705
KNOCK IT OFF, YOU TWO!
HEY! STOP!
389
00:16:07,705 --> 00:16:09,142
I SWEAR TO GOD!
390
00:16:09,142 --> 00:16:11,187
S-- QUIET!
391
00:16:11,187 --> 00:16:14,495
STOP TALKING NOW!
392
00:16:16,062 --> 00:16:19,195
ZIP IT! QUIET!
393
00:16:21,284 --> 00:16:22,416
NO MORE FIGHTING!
394
00:16:23,112 --> 00:16:25,506
IF THERE IS A WAY
TO TIE PRICE TO THIS MURDER,
395
00:16:25,506 --> 00:16:26,724
I WANT IT TO HAPPEN.
396
00:16:26,724 --> 00:16:28,422
AND I ALWAYS GET WHAT I WANT.
397
00:16:28,422 --> 00:16:30,424
WE DIDN'T HAVE
AN ICED PARSONS.
398
00:16:30,424 --> 00:16:32,730
WOULD YOU SETTLE FOR
A LUKEWARM GLASS OF WATER?
399
00:16:34,515 --> 00:16:35,733
SO EXASPERATED!
400
00:16:41,174 --> 00:16:42,740
Geils: IT'S CLOSED.
LET'S GO.
401
00:16:42,740 --> 00:16:44,742
CAN I HELP YOU?
402
00:16:44,742 --> 00:16:46,483
WE'RE THE OPENING ACT.
403
00:16:46,483 --> 00:16:48,094
[ Laughing ]
YEAH, RIGHT.
404
00:16:48,094 --> 00:16:49,269
WE ARE.
405
00:16:49,269 --> 00:16:51,662
OH. SORRY ABOUT
THE INQUISITION.
406
00:16:51,662 --> 00:16:53,838
WE GET A LOT OF CRAZIES.
407
00:16:53,838 --> 00:16:54,839
[ Chanting ] Fisher Price.
408
00:16:54,839 --> 00:16:57,451
Fisher Price.
409
00:16:57,451 --> 00:16:59,801
Fisher Price.
410
00:16:59,801 --> 00:17:02,238
Fisher Price.
411
00:17:02,238 --> 00:17:04,240
Fisher Price.
412
00:17:04,240 --> 00:17:06,199
Fisher Price.
413
00:17:06,199 --> 00:17:07,330
Fisher Price.HEY, GUYS, LET'S GO.
414
00:17:07,330 --> 00:17:08,418
YOU'RE THE OPENING ACT,
RIGHT?
415
00:17:08,418 --> 00:17:09,463
NO.
YES.
416
00:17:09,463 --> 00:17:11,160
YOU'RE ON IN 30 SECONDS.
417
00:17:11,160 --> 00:17:13,510
[ CROWD CHANTING
"FISHER PRICE" ]
418
00:17:20,213 --> 00:17:21,736
DUDE, YOU GOT THIS.
419
00:17:21,736 --> 00:17:23,390
DUDE, I DO NOT HAVE THIS.DUDE.
420
00:17:23,390 --> 00:17:24,869
DUDE.
DUDE.
421
00:17:24,869 --> 00:17:27,350
NO.
DUDE,
I KNOW YOU CAN DO THIS.
422
00:17:27,350 --> 00:17:28,873
HOW?
BECAUSE YOU'VE
ALREADY DONE IT.
423
00:17:28,873 --> 00:17:30,397
I WAS HUMILIATED.
424
00:17:30,397 --> 00:17:33,008
BUT YOU HAD THE GUTS
TO PUT YOURSELF OUT THERE...
425
00:17:33,008 --> 00:17:36,229
WHICH IS MORE THAN I CAN SAY
FOR SOMEONE ELSE I KNOW.
426
00:17:36,229 --> 00:17:38,318
[ CROWD CHANTING "ANGIE" ]Woman: ANGIE,
YOU'RE ON RIGHT NOW.
427
00:17:38,318 --> 00:17:39,797
UH, I HAVE TO GO.
428
00:17:39,797 --> 00:17:41,408
I LEFT THE STOVE ON
IN THE DOLLHOUSE.
429
00:17:43,888 --> 00:17:44,976
YOU.
430
00:17:44,976 --> 00:17:46,500
I DIDN'T MAKE IT BACK IN TIME,
431
00:17:46,500 --> 00:17:48,284
AND MY DOLLHOUSE BURNT
TO THE GROUND.
432
00:17:48,284 --> 00:17:51,374
THE POINT IS, I DIDN'T PUT
MYSELF OUT THERE, BUT YOU DID.
433
00:17:51,374 --> 00:17:52,854
THAT'S ALL
THAT REALLY MATTERS.
434
00:17:52,854 --> 00:17:54,812
Stage Manager:
OPENING ACT, PLACES.
435
00:17:54,812 --> 00:17:56,597
SO BOSSY.
HEY.
436
00:17:59,991 --> 00:18:02,516
[ CHUCKLES ]
437
00:18:02,516 --> 00:18:04,561
[ CHANTING CONTINUES ]
438
00:18:04,561 --> 00:18:06,868
[ APPLAUSE ]
439
00:18:21,012 --> 00:18:23,754
Geils,
I believe in you.
440
00:18:23,754 --> 00:18:25,452
I can't.
You can do it.
441
00:18:25,452 --> 00:18:27,454
I can't.
You can do it.
442
00:18:27,454 --> 00:18:30,674
Now, just stick your hand
up my back and make me talk.
443
00:18:30,674 --> 00:18:33,112
Not --
not there.
444
00:18:33,112 --> 00:18:34,939
No, no, no.
Uh, no. Oh. Oh.
445
00:18:34,939 --> 00:18:35,940
[ CLEARS THROAT ]
446
00:18:35,940 --> 00:18:37,942
Okay.
447
00:18:37,942 --> 00:18:40,467
SO, ANGIE,
HOW YOU DOING TONIGHT?
448
00:18:43,557 --> 00:18:44,906
PRETTY GOOD.
449
00:18:44,906 --> 00:18:47,082
[ CHEERS AND APPLAUSE ]
450
00:18:55,612 --> 00:18:58,267
[ AUDIENCE GASPS ]
451
00:19:01,836 --> 00:19:03,359
ANGIE, TALK TO ME.
452
00:19:03,359 --> 00:19:05,013
I'M OKAY.
453
00:19:05,013 --> 00:19:07,624
I'M WEARING
A BULLETPROOF BUSTIER.
454
00:19:07,624 --> 00:19:08,756
[ Breathing heavily ]
YOU SHOULD GO GET PRICE.
455
00:19:08,756 --> 00:19:10,105
NO WAY.
456
00:19:10,105 --> 00:19:11,933
A V-QUIST
NEVER LEAVES HIS DUMMY.
457
00:19:11,933 --> 00:19:15,415
HEY. I'M NO DUMMY.
I'M YOUR PARTNER.
458
00:19:15,415 --> 00:19:17,373
NOW GO GET HIM.
[ SIGHS ]
459
00:19:17,373 --> 00:19:19,332
ALL RIGHT, PRICE,
DROP THE GUN.
460
00:19:19,332 --> 00:19:21,160
OR HAVE WALTER
DROP THE GUN.
461
00:19:21,160 --> 00:19:23,249
OR YOU DROP WALTER, AND THEN
WALTER CAN DROP THE GUN.
462
00:19:23,249 --> 00:19:25,990
IN ANY OF THESE SCENARIOS,
I WANT THE GUN OUT OF THERE.
463
00:19:25,990 --> 00:19:28,210
[ AUDIENCE MURMURS ]
464
00:19:29,124 --> 00:19:31,170
PUT THE GUN DOWN, PRICE.
I'M WARNING YOU.
465
00:19:31,170 --> 00:19:33,346
YOU DON'T HAVE THE GUTS,
DETECTIVE.
466
00:19:33,346 --> 00:19:35,174
I SAW
YOUR PATHETIC SHOW.
467
00:19:35,174 --> 00:19:37,698
YOU'LL NEVER WORK
AS A VENTRILOQUIST.
468
00:19:37,698 --> 00:19:41,310
MAYBE NOT,
BUT NEITHER WILL YOU...
469
00:19:41,310 --> 00:19:43,921
'CAUSE YOU FORGOT
THE MOST IMPORTANT RULE.
470
00:19:48,230 --> 00:19:50,580
KEEP YOUR MOUTH SHUT.
471
00:19:52,626 --> 00:19:55,019
CUFF HIM, BOYS.[ AUDIENCE MURMURING ]
472
00:19:55,019 --> 00:19:58,501
[ HANDCUFFS CLICKING ]
473
00:19:58,501 --> 00:20:02,026
LADIES AND GENTLEMEN,
DETECTIVE JAY GEILS!
474
00:20:02,026 --> 00:20:03,854
[ CHEERS AND APPLAUSE ]
475
00:20:18,869 --> 00:20:21,611
JUST FINISHED
THE PRICE REPORT.
476
00:20:21,611 --> 00:20:23,483
WANT TO GET A BEER?
477
00:20:23,483 --> 00:20:24,745
YEAH, SURE.
478
00:20:26,660 --> 00:20:29,097
HEY, WHAT WAS YOUR DREAM,
ANYWAY?
479
00:20:29,097 --> 00:20:30,272
OH, IT WAS STUPID.
480
00:20:36,974 --> 00:20:39,629
I WONDER
IF I'LL EVER SEE HER AGAIN.
481
00:20:39,629 --> 00:20:41,240
READY?
482
00:20:41,240 --> 00:20:44,634
♪♪
34198
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