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1
00:00:01,566 --> 00:00:04,787
♪♪
2
00:00:04,787 --> 00:00:06,571
[ ALARM BUZZES ]
3
00:00:11,576 --> 00:00:14,275
[ GRUNTING ]
4
00:00:14,275 --> 00:00:17,408
♪♪
5
00:00:22,065 --> 00:00:23,719
[ GRUNTING ]
6
00:00:32,206 --> 00:00:35,383
[ GRUNTING ]
7
00:00:35,383 --> 00:00:38,429
♪♪
8
00:01:02,932 --> 00:01:04,542
MORNING, ANGIE!
HI, ANGIE.
9
00:01:04,542 --> 00:01:06,327
NICE TO SEE YOU AGAIN.HAVE A NICE DAY.
10
00:01:06,327 --> 00:01:08,851
LOOKING GOOD, ANGIE!
11
00:01:08,851 --> 00:01:11,027
YOU GO GET 'EM, ANGIE TRIBECA.
12
00:01:11,027 --> 00:01:13,029
[ SIREN WAILS ]
13
00:01:13,029 --> 00:01:15,031
[ POLICE RADIO CHATTER ]
14
00:01:15,031 --> 00:01:17,077
♪♪
15
00:01:23,735 --> 00:01:25,955
WHAT DO WE GOT?OH, IT'S A NASTY ONE.
16
00:01:25,955 --> 00:01:28,697
OLD LADY, APPEARS TO BE
IN HER LATE 90s, EARLY 100s.
17
00:01:28,697 --> 00:01:30,742
FOUND HER LYING HERE
NEXT TO THIS BAG OF GROCERIES.
18
00:01:30,742 --> 00:01:32,440
WHAT HAPPENED?
19
00:01:32,440 --> 00:01:33,876
WELL, SHE WAS EITHER
SHOT TO DEATH
20
00:01:33,876 --> 00:01:35,443
OR SMOTHERED
WITH A PILLOW.
21
00:01:35,443 --> 00:01:37,097
I WON'T KNOW FOR SURE
TILL I TAKE HER BACK TO THE LAB
22
00:01:37,097 --> 00:01:38,228
AND CUT HER OPEN.
23
00:01:38,228 --> 00:01:41,013
HELLO.
24
00:01:41,013 --> 00:01:43,625
COULD SOMEONE
PLEASE HELP ME UP?
25
00:01:43,625 --> 00:01:46,236
[ GAGS ]
26
00:01:46,236 --> 00:01:47,672
IS THAT MAN ALL RIGHT?
27
00:01:47,672 --> 00:01:50,458
GET IT OUT, ROOKIE.
YOU'LL GET USED TO IT...
28
00:01:50,458 --> 00:01:52,373
UNFORTUNATELY.
29
00:01:52,373 --> 00:02:02,557
[ OFFICER DAVE SCREAMING ]
30
00:02:02,557 --> 00:02:05,516
♪♪
31
00:02:10,608 --> 00:02:11,696
TANNER, HOFFMAN.
32
00:02:11,696 --> 00:02:13,133
TRIBECA.
33
00:02:13,133 --> 00:02:14,482
LIEUTENANT
WANTS TO SEE YOU.
34
00:02:14,482 --> 00:02:16,048
WHAT'S THIS ABOUT?
35
00:02:16,048 --> 00:02:18,312
I DON'T KNOW,
BUT HE DOESN'T LOOK HAPPY.
36
00:02:18,312 --> 00:02:19,791
HE NEVER LOOKS HAPPY.
37
00:02:19,791 --> 00:02:20,923
YOU'VE GOT THAT RIGHT.
38
00:02:20,923 --> 00:02:25,188
[ BOTH LAUGH ]
39
00:02:25,188 --> 00:02:27,973
YOU WANTED TO SEE ME,
LIEUTENANT?
40
00:02:27,973 --> 00:02:29,801
TRIBECA, I'D LIKE YOU TO MEET
YOUR NEW PARTNER.
41
00:02:29,801 --> 00:02:31,803
THIS IS JAY GEILS.
42
00:02:31,803 --> 00:02:33,370
[ CHUCKLES ]
43
00:02:33,370 --> 00:02:35,807
WITH ALL DUE RESPECT, SIR,
THIS IS STUPID.
44
00:02:35,807 --> 00:02:37,766
I DON'T WANT A PARTNER.
I DON'T NEED A PARTNER.
45
00:02:37,766 --> 00:02:39,159
ALL DUE RESPECT,
TRIBECA,
46
00:02:39,159 --> 00:02:40,551
BUT YOU'VE GOT
YOUR HEAD UP YOUR ASS.
47
00:02:40,551 --> 00:02:41,726
YOU'RE GETTING A PARTNER.
48
00:02:41,726 --> 00:02:43,032
ALL DUE RESPECT,
LIEUTENANT,
49
00:02:43,032 --> 00:02:44,729
BUT I FEEL VERY DISRESPECTED
RIGHT NOW.
50
00:02:44,729 --> 00:02:47,819
ALL DUE RESPECT, DETECTIVE,
BUT I'M IN CHARGE HERE!
51
00:02:47,819 --> 00:02:49,908
ALL DUE RESPECT, NO ONE CARES
ABOUT YOUR FEELINGS.
52
00:02:49,908 --> 00:02:52,084
ALL DUE RESPECT, YOU MAKE
A HORRIBLE FIRST IMPRESSION.
53
00:02:52,084 --> 00:02:54,609
ALL DUE RESPECT, I WILL NEVER
HEAR WHAT YOU HAVE TO SAY
54
00:02:54,609 --> 00:02:56,437
'CAUSE IT'S DUMB.HEY, HEY, HEY!
55
00:02:56,437 --> 00:02:58,482
YOU TWO ARE PARTNERS,
SO YOU BETTER GET USED TO IT!
56
00:02:58,482 --> 00:02:59,875
TRIBECA, GEILS.
57
00:02:59,875 --> 00:03:01,137
GEILS, TRIBECA.
58
00:03:01,137 --> 00:03:03,183
PLEASURE TO MEET YOU.YEAH, RIGHT.
59
00:03:03,183 --> 00:03:05,794
LIEUTENANT, YOU KNOW
THAT PARTNERS NEVER WORK FOR ME.
60
00:03:05,794 --> 00:03:08,666
WELL, MAYBE PARTNER 237
IS THE CHARM.
61
00:03:08,666 --> 00:03:10,929
I'VE GOT A CASE FOR YOU TWO.
THE MAYOR'S BEING BLACKMAILED.
62
00:03:10,929 --> 00:03:12,453
GET DOWN TO CITY HALL.
63
00:03:12,453 --> 00:03:14,063
HE'S EXPECTING YOU
YESTERDAY!
64
00:03:14,063 --> 00:03:15,543
GO!
65
00:03:15,543 --> 00:03:17,197
COULD I CARRY A FOLDER,
TOO?
66
00:03:18,285 --> 00:03:19,764
THANKS.
67
00:03:19,764 --> 00:03:21,549
I'M TOUGH,
BUT I'M FAIR.
68
00:03:22,724 --> 00:03:24,595
Tribeca: THERE'S SOMETHING
YOU SHOULD KNOW ABOUT ME.
69
00:03:24,595 --> 00:03:26,380
I DON'T LIKE PARTNERS,
70
00:03:26,380 --> 00:03:28,251
AND I ESPECIALLY
DON'T LIKE PARTNERS
71
00:03:28,251 --> 00:03:30,166
WHO TRY TO GET PERSONAL,
OKAY?
72
00:03:30,166 --> 00:03:33,561
SO I DON'T WANT TO HEAR ABOUT
YOUR SAD, MESSED-UP CHILDHOOD,
73
00:03:33,561 --> 00:03:35,867
I DON'T CARE ABOUT
YOUR HISTORY OF DEPRESSION,
74
00:03:35,867 --> 00:03:37,173
AND I DEFINITELY
DON'T WANT TO KNOW
75
00:03:37,173 --> 00:03:38,566
ANY OF YOUR PETS' NAMES,
GOT IT?
76
00:03:38,566 --> 00:03:40,045
GOT IT.
77
00:03:40,045 --> 00:03:42,265
...BUT I WAS VOMITING,
AND I HAD DIARRHEA.
78
00:03:42,265 --> 00:03:44,180
AS IF THAT
WEREN'T BAD ENOUGH,
79
00:03:44,180 --> 00:03:45,790
THEY FORGOT TO TELL ME
80
00:03:45,790 --> 00:03:47,792
THAT THE ANTIBIOTICS
GIVES YOU A YEAST INFECTION.
81
00:03:47,792 --> 00:03:49,403
THAT WAS PLEASANT.
82
00:03:49,403 --> 00:03:51,753
FOR THE RECORD, I JUST ASKED YOU
TO ROLL THE WINDOW DOWN.
83
00:03:51,753 --> 00:03:55,104
♪♪
84
00:03:59,978 --> 00:04:01,415
WE'RE HERE
TO SEE THE MAYOR.
85
00:04:01,415 --> 00:04:03,634
WHAT WAS THE NAME OF
YOUR CHILDHOOD PET?
86
00:04:03,634 --> 00:04:04,635
MR. CAT.
87
00:04:04,635 --> 00:04:05,680
ELEANOR ROOSEVELT.
88
00:04:05,680 --> 00:04:06,855
BOXERS OR BRIEFS?
89
00:04:06,855 --> 00:04:08,770
BOXER BRIEFS.
90
00:04:08,770 --> 00:04:11,033
THE MAYOR
WILL SEE YOU NOW.
91
00:04:14,210 --> 00:04:15,472
SOMEONE HAS PHOTOS.
92
00:04:15,472 --> 00:04:16,734
WHAT KIND OF PHOTOS?
93
00:04:16,734 --> 00:04:18,345
COMPROMISING PHOTOS.
94
00:04:18,345 --> 00:04:19,563
DID YOU HUMP A DOLPHIN?
95
00:04:19,563 --> 00:04:20,608
NO.
96
00:04:20,608 --> 00:04:22,349
NO.
97
00:04:22,349 --> 00:04:24,481
NO, I...
98
00:04:24,481 --> 00:04:25,743
NO.
99
00:04:25,743 --> 00:04:28,093
NO, LOOK.
100
00:04:31,314 --> 00:04:33,142
I WAS YOUNG AND STUPID.
101
00:04:33,142 --> 00:04:35,492
SOMEONE TOOK PHOTOS
AND THREATENED TO RUIN MY CAREER
102
00:04:35,492 --> 00:04:37,538
IF I DON'T
PAY THEM $4,000.
103
00:04:37,538 --> 00:04:38,843
I DON'T
HAVE THAT KIND OF MONEY.
104
00:04:38,843 --> 00:04:40,628
WHO COULD HAVE
TAKEN THESE PHOTOS?
105
00:04:40,628 --> 00:04:43,892
THE ONLY ONE I CAN THINK OF
IS MY WIFE AND MY MISTRESS.
106
00:04:43,892 --> 00:04:45,676
THEY'RE THE ONLY ONES THAT HAVE
SEEN ME WITH MY SHIRT OFF.
107
00:04:45,676 --> 00:04:47,591
THAT'S IT?AND EVERY WEDNESDAY,
108
00:04:47,591 --> 00:04:50,333
I POSE NUDE FOR A DRAWING CLASS
AT VERDUGO VALLEY COLLEGE.
109
00:04:50,333 --> 00:04:52,030
LET'S START WITH
THE WIFE.
110
00:04:53,641 --> 00:04:55,730
AFTER THAT, HE SAID,
"ARE YOU SERIOUS?
111
00:04:55,730 --> 00:04:57,384
NO ONE
GETS SYPHILIS ANYMORE."
112
00:04:58,341 --> 00:05:00,778
FOR THE RECORD, I JUST ASKED
IF YOU'D EVER BEEN TO EDMONTON.
113
00:05:04,478 --> 00:05:05,479
[ Scandinavian accent ]
MAY I HELP YOU?
114
00:05:05,479 --> 00:05:06,958
IS MRS. PERRY HOME?
115
00:05:06,958 --> 00:05:09,526
MAY I ASK YOU
TO STATE YOUR BUSINESS?
116
00:05:09,526 --> 00:05:11,963
LISTEN, CHUMP, I'VE HAD
JUST ABOUT ENOUGH OF YOUR LIP.
117
00:05:13,095 --> 00:05:15,402
WELL, THAT WAS
COMPLETELY UNEXPECTED.
118
00:05:16,925 --> 00:05:19,275
OKAY.
I'VE HAD ENOUGH.
119
00:05:19,275 --> 00:05:20,537
[ CHUCKLES ]
120
00:05:21,538 --> 00:05:23,235
TITTY TWISTER.
121
00:05:23,235 --> 00:05:24,236
OOH!
122
00:05:24,236 --> 00:05:26,413
AAH!
123
00:05:27,892 --> 00:05:29,241
MRS. PERRY.
124
00:05:29,241 --> 00:05:30,982
YES.
TRIBECA. L.A.P.D.
125
00:05:30,982 --> 00:05:32,854
CAN I HAVE A MOMENT
OF YOUR TIME?
126
00:05:32,854 --> 00:05:34,421
PLEASE, COME IN.
127
00:05:39,600 --> 00:05:42,211
MY HUSBAND IS A COMPLICATED MAN,
DETECTIVE.
128
00:05:42,211 --> 00:05:44,561
THOSE TATTOOS
ARE A PART OF WHO HE WAS,
129
00:05:44,561 --> 00:05:46,563
NOT WHO HE IS NOW.
130
00:05:46,563 --> 00:05:49,305
OH.
EXCUSE MY RUDENESS.
131
00:05:49,305 --> 00:05:50,524
WOULD YOU
LIKE SOME TEA?
132
00:05:50,524 --> 00:05:52,613
NO, THANK YOU.
I'M FINE, MA'AM.
133
00:05:52,613 --> 00:05:54,005
CREAM-FILLED DOUGHNUT?
134
00:05:54,005 --> 00:05:55,442
NO, THANK YOU.
135
00:05:55,442 --> 00:05:57,269
BABY-BACK RIBS?
136
00:05:57,269 --> 00:05:58,880
THEY'RE FROM A PIG.
137
00:05:58,880 --> 00:06:00,708
JUST A TOUCH EARLY
IN THE MORNING FOR ME,
138
00:06:00,708 --> 00:06:03,841
THANK YOU, MA'AM.
OKAY.
139
00:06:03,841 --> 00:06:05,408
ARE YOU SURE?
140
00:06:05,408 --> 00:06:06,844
PRETTY SURE.
141
00:06:06,844 --> 00:06:08,716
THEY'RE HERE
IF YOU NEED THEM.
THANK YOU.
142
00:06:08,716 --> 00:06:11,588
WHO WOULD TRY TO
EXTORT MONEY FROM MY HUSBAND?
143
00:06:11,588 --> 00:06:13,851
OH, I DON'T KNOW.
WHAT ABOUT YOU?
144
00:06:13,851 --> 00:06:16,637
[ SCOFFS ]
DON'T BE SILLY.
145
00:06:16,637 --> 00:06:18,987
I HAVE ACCESS TO
ALL OF MY HUSBAND'S ACCOUNTS.
146
00:06:18,987 --> 00:06:21,163
WHY WOULD I WANT TO
BLACKMAIL HIM?
147
00:06:21,163 --> 00:06:23,252
DO YOU LOVE YOUR HUSBAND,
MRS. PERRY?
148
00:06:23,252 --> 00:06:25,123
I MOST CERTAINLY
DO NOT.
149
00:06:25,123 --> 00:06:29,040
HOW DARE YOU ACCUSE ME
OF LOVING MY HUSBAND.
150
00:06:29,040 --> 00:06:30,041
GYRO?
151
00:06:30,041 --> 00:06:31,391
OOH!
152
00:06:35,438 --> 00:06:37,527
HERE'S WHAT
I DON'T UNDERSTAND.
153
00:06:37,527 --> 00:06:38,746
WHAT'S THAT?
154
00:06:38,746 --> 00:06:40,574
IF YOU CAN'T STAND
YOUR HUSBAND,
155
00:06:40,574 --> 00:06:42,358
WHY STAY MARRIED TO HIM?
156
00:06:42,358 --> 00:06:44,752
WE HAVE AN ARRANGEMENT,
DETECTIVE.
157
00:06:44,752 --> 00:06:46,406
HE HAS HIS PLAYTHINGS.
158
00:06:46,406 --> 00:06:47,972
I HAVE MINE.
159
00:06:47,972 --> 00:06:51,628
SO YOU GET LUGE,
HE HAS HIS MISTRESS.
160
00:06:51,628 --> 00:06:53,935
OH, NO, NO, NO.
161
00:06:53,935 --> 00:06:56,503
I HAVE MY PLAYTHINGS.
162
00:06:58,374 --> 00:07:00,942
HE'S GOT A MISTRESS?
ARE YOU SHITTING ME?!
163
00:07:00,942 --> 00:07:02,683
I SHIT YOU NOT, MA'AM.
164
00:07:02,683 --> 00:07:04,554
[ CRYING ]
165
00:07:06,208 --> 00:07:08,036
WELL,
THAT WENT NOWHERE FAST.
166
00:07:08,036 --> 00:07:10,212
LET'S SEE WHAT WE CAN
GET OUT OF THE MISTRESS.
167
00:07:10,212 --> 00:07:11,735
[ GRUNTING ]
168
00:07:17,654 --> 00:07:20,091
OH, I KNOW THE MAYOR.
OH, YES.
169
00:07:20,091 --> 00:07:21,484
INTIMATELY.
170
00:07:21,484 --> 00:07:22,877
WHEN'S THE LAST TIME
YOU SAW HIM?
171
00:07:22,877 --> 00:07:24,618
[ INHALES ]
172
00:07:24,618 --> 00:07:25,619
WHO?
173
00:07:25,619 --> 00:07:26,620
THE MAYOR.
174
00:07:26,620 --> 00:07:28,665
NEVER HEARD OF HIM.
175
00:07:29,666 --> 00:07:31,668
SOMEONE'S TRYING TO
TAKE ADVANTAGE
176
00:07:31,668 --> 00:07:33,844
OF HIS
PHYSICAL ATTRIBUTES.
177
00:07:33,844 --> 00:07:37,892
OH, I TOOK ADVANTAGE OF HIS
PHYSICAL ATTRIBUTES MANY TIMES,
178
00:07:37,892 --> 00:07:39,589
IF YOU KNOW
WHAT I MEAN.
179
00:07:39,589 --> 00:07:41,852
APPARENTLY, THERE ARE
PHOTOS OF HIS BODY ART,
180
00:07:41,852 --> 00:07:43,811
PHOTOS THAT COULD
DESTROY HIM.
181
00:07:43,811 --> 00:07:45,421
OH, I'VE ALREADY
DESTROYED HIM --
182
00:07:45,421 --> 00:07:48,946
WITH HAVING SEX WITH HIM,
IF YOU CATCH MY DRIFT.
183
00:07:48,946 --> 00:07:51,906
I DID IT WITH HIM.
HE DID IT WITH ME.
184
00:07:51,906 --> 00:07:55,649
IF YOU UNDERSTAND
MY MEANIN'.
185
00:07:55,649 --> 00:07:57,041
[ INHALES ]
186
00:07:57,041 --> 00:07:59,391
YOU THINK IT'S SMOKE,
BUT IT'S VAPOR.
187
00:07:59,391 --> 00:08:02,873
WE'RE LOOKING INTO EVERYONE
WHO HAD THE OPPORTUNITY
188
00:08:02,873 --> 00:08:04,309
TO SEE HIS TATTOOS.
189
00:08:04,309 --> 00:08:06,616
OH, I SAW HIS TATTOOS,
ALL RIGHT --
190
00:08:06,616 --> 00:08:07,922
AND HIS PEE PEE --
191
00:08:07,922 --> 00:08:09,837
IF YOU KNOW
WHERE I'M COMING FROM.
192
00:08:09,837 --> 00:08:13,884
HIS BATHING-SUIT AREA
WITHOUT THE BATHING SUIT.
193
00:08:13,884 --> 00:08:16,147
I THINK YOU'RE LYING.I THINK YOU'RELYING.
194
00:08:16,147 --> 00:08:17,888
YOU'RE A LIAR.NO, I'M NOT.
195
00:08:17,888 --> 00:08:19,586
YOU NEVER
HAD AN AFFAIR WITH THE MAYOR.
196
00:08:19,586 --> 00:08:20,848
YES, I DID.
197
00:08:20,848 --> 00:08:24,373
IT WAS SORDID AND RAUNCHY
AND WET.
198
00:08:24,373 --> 00:08:27,376
THAT DEVICE MAKES YOU SEEM LIKE
A HEALTH-CONSCIOUS PERSON.
199
00:08:27,376 --> 00:08:29,291
[ INHALES ]
200
00:08:29,291 --> 00:08:31,293
DESCRIBE
HIS LOWER-BACK TATTOO.
201
00:08:31,293 --> 00:08:33,600
WHAT DO YOU CALL IT?
A SHAMROCK.
202
00:08:33,600 --> 00:08:36,559
NO, UH, IT'S A BUTTERFLY
WITH IVY.
203
00:08:36,559 --> 00:08:38,387
WRONG!IT'S A LITTLE UNICORN...
204
00:08:38,387 --> 00:08:39,780
NO....WITH A RAINBOW --
205
00:08:39,780 --> 00:08:40,824
NO.
NO, IT'S NOT THAT.
206
00:08:40,824 --> 00:08:42,086
NO, NO,
I KNOW IT'S NOT.
207
00:08:42,086 --> 00:08:44,045
IT'S A --
IT'S A PUPPY DOG.
208
00:08:44,045 --> 00:08:45,220
WANT TO TRY AGAIN?
209
00:08:45,220 --> 00:08:46,700
IT'S A DIAMOND.
NOPE.
210
00:08:46,700 --> 00:08:47,701
IT'S A FLAME.
NOPE.
211
00:08:47,701 --> 00:08:48,963
IT'S AN EYETOOTH.
212
00:08:48,963 --> 00:08:50,442
WAS THERE AN EYETOOTH?I DON'T KNOW.
213
00:08:50,442 --> 00:08:51,879
IT'S A BUDDHA.NO.NO.
214
00:08:51,879 --> 00:08:53,054
IT'S A FOUR-LEAF CLOVER.
215
00:08:53,054 --> 00:08:54,359
WRONG!
THEY'RE ALL WRONG!
216
00:08:54,359 --> 00:08:56,187
IT'S A MATCHBOX CAR.YOU'RE WRONG.
217
00:08:56,187 --> 00:08:58,320
IT'S A PICTURE OF A SHEEP
WITH THE WORDS...
218
00:08:58,320 --> 00:08:59,974
Both:
"THAT'S WHAT SHEEP SAID."
219
00:08:59,974 --> 00:09:02,977
FINE.
FINE. HE'S NOT MY LOVER.
220
00:09:02,977 --> 00:09:05,196
I THINK
WE'RE DONE HERE.
221
00:09:05,196 --> 00:09:07,329
BUT WE DID MAKE OUT ONCE
IN HIGH SCHOOL.
222
00:09:07,329 --> 00:09:10,332
THANK YOU FOR YOUR TIME,
MS. VIVARQUAR.
223
00:09:10,332 --> 00:09:11,899
I'M GONNA GET ONE OF THOSE
FOR MY NEPHEW.
224
00:09:11,899 --> 00:09:13,596
HE'S 8.
HE'LL LOVE IT.
225
00:09:13,596 --> 00:09:15,424
HE WENT TO SECOND BASE!
226
00:09:15,424 --> 00:09:17,295
[ DOOR OPENS ]WITH ME!
227
00:09:17,295 --> 00:09:19,907
I DON'T GET IT.
228
00:09:19,907 --> 00:09:21,952
WHY WOULD SHE LIE ABOUT HAVING
AN AFFAIR WITH THE MAYOR?
229
00:09:21,952 --> 00:09:23,345
WELL,
IT'S SIMPLE, REALLY.
230
00:09:23,345 --> 00:09:24,868
THE MAYOR IS
A MAN WITH SOMETHING TO HIDE.
231
00:09:24,868 --> 00:09:26,653
RIGHT,
HIS WEIRD TATTOOS.
232
00:09:26,653 --> 00:09:28,132
RIGHT, SO HE NEEDS
SOMETHING ELSE,
233
00:09:28,132 --> 00:09:29,481
SOMETHING TO
THROW PEOPLE OFF.
234
00:09:29,481 --> 00:09:32,267
A SECOND SECRET.
EXACTLY.
235
00:09:32,267 --> 00:09:34,008
SO HE ASKS
HIS HIGH-SCHOOL GIRLFRIEND
236
00:09:34,008 --> 00:09:35,879
TO POSE AS HIS MISTRESS.
237
00:09:35,879 --> 00:09:38,012
TO CREATE A DIVERSION.
238
00:09:38,012 --> 00:09:40,580
A SMOKE SCREEN.
239
00:09:40,580 --> 00:09:43,234
WHICH KEEPS
THE REAL SECRET...
240
00:09:43,234 --> 00:09:45,585
UNDER WRAPS.
241
00:09:45,585 --> 00:09:48,588
♪♪
242
00:09:53,593 --> 00:09:56,030
[ SIGHS ]
243
00:09:58,293 --> 00:10:01,339
♪♪
244
00:10:08,477 --> 00:10:09,957
I...
245
00:10:09,957 --> 00:10:11,219
THINK WE SHOULD GO.
246
00:10:13,830 --> 00:10:15,179
[ SEAT BELTS CLICK ]
247
00:10:15,179 --> 00:10:18,226
♪♪
248
00:10:24,362 --> 00:10:26,190
LET ME HELP YOU
WITH THAT.
249
00:10:27,714 --> 00:10:28,976
Dr. Scholls:
INTERESTING.
250
00:10:28,976 --> 00:10:31,021
WHAT?
WELL,
THIS BLACKMAIL NOTE.
251
00:10:31,021 --> 00:10:33,241
WHEN I PLACE IT
UNDER THE MAGNIFYING GLASS,
252
00:10:33,241 --> 00:10:34,895
THE PRINT
BECOMES MUCH LARGER,
253
00:10:34,895 --> 00:10:36,374
BUT THEN
WHEN I TAKE IT AWAY,
254
00:10:36,374 --> 00:10:37,898
IT'S IMMEDIATELY
SMALL AGAIN.
255
00:10:37,898 --> 00:10:39,464
HMM.
256
00:10:39,464 --> 00:10:42,032
GOOD NIGHT, MARGARET.
257
00:10:43,120 --> 00:10:44,731
AH. DR. EDELWEISS.
258
00:10:44,731 --> 00:10:46,558
SCHOLLS.
TRIBECA.
259
00:10:46,558 --> 00:10:47,559
DOCTOR.
260
00:10:47,559 --> 00:10:48,952
AND?
261
00:10:48,952 --> 00:10:50,562
JAY GEILS.
I'M NEW.
262
00:10:51,955 --> 00:10:54,915
AS YOU CAN SEE,
I CAN'T EXACTLY SHAKE YOUR HAND.
263
00:10:54,915 --> 00:10:56,394
OF COURSE.
I'M SO SORRY.
264
00:10:56,394 --> 00:10:59,180
OH, DON'T BE SORRY.
YOU DIDN'T DO IT.
265
00:10:59,180 --> 00:11:01,008
OR DID YOU?
266
00:11:01,008 --> 00:11:03,314
DOCTOR, THIS IS THE BLACKMAIL
NOTE I WAS TALKING TO YOU ABOUT.
267
00:11:03,314 --> 00:11:05,142
ANY PRINTS?NO, I WIPED THEM ALL OFF.
268
00:11:05,142 --> 00:11:07,667
LET'S TAKE A CLOSER LOOK,
SHALL WE?
269
00:11:08,755 --> 00:11:09,843
THANK YOU, SCHOLLS.
270
00:11:09,843 --> 00:11:11,409
MM-HMM.
271
00:11:11,409 --> 00:11:14,456
♪♪
272
00:11:17,459 --> 00:11:19,417
[ MACHINE WHIRRING ]
273
00:11:19,417 --> 00:11:22,464
♪♪
274
00:11:52,320 --> 00:11:55,366
♪♪
275
00:12:04,158 --> 00:12:06,247
MAGNIFY.
276
00:12:07,727 --> 00:12:09,119
ENLARGE.
277
00:12:10,642 --> 00:12:12,732
MAKE LOOK BIG.
278
00:12:12,732 --> 00:12:14,516
HMM.
279
00:12:14,516 --> 00:12:15,822
INTERESTING.
280
00:12:15,822 --> 00:12:17,475
WHAT IS IT?
THE LETTERS.
281
00:12:17,475 --> 00:12:19,782
NOW, IF YOU LOOK AT THE T's,
THE WAY THEY'RE CROSSED,
282
00:12:19,782 --> 00:12:21,871
IN THAT HARSH,
HAPHAZARD MANNER,
283
00:12:21,871 --> 00:12:23,481
THIS INDICATES
SOMEONE WHO'S DESPERATE.
284
00:12:23,481 --> 00:12:25,353
AND THE B's AND THE D's,
THEY TELL ME
285
00:12:25,353 --> 00:12:28,617
THAT THIS IS SOMEONE WHO IS
IN RATHER DIRE FINANCIAL NEED.
286
00:12:28,617 --> 00:12:30,140
WOW.
287
00:12:30,140 --> 00:12:32,142
YES, AND LOOK AT
THE SPACES BETWEEN THE WORDS,
288
00:12:32,142 --> 00:12:34,754
THOSE SMALL,
UNGENEROUS SPACES.
289
00:12:34,754 --> 00:12:36,407
THEY'RE TELLING ME
THAT THIS PERSON
290
00:12:36,407 --> 00:12:38,322
HAS NO RESPECT
FOR AUTHORITY.
291
00:12:38,322 --> 00:12:39,628
SO LET ME
GET THIS CLEAR.
292
00:12:39,628 --> 00:12:41,021
WHAT YOU'RE SAYING
IS THAT
293
00:12:41,021 --> 00:12:44,285
THIS IS A NOTE
WRITTEN BY AN INDIVIDUAL
294
00:12:44,285 --> 00:12:48,158
WHO IS DESPERATE ENOUGH TO
BLACKMAIL THE MAYOR FOR MONEY.
295
00:12:50,552 --> 00:12:51,858
WELL, THAT'S A BIT OF
A SIMPLIFICATION,
296
00:12:51,858 --> 00:12:53,381
BUT, YES, I SUPPOSE SO.
297
00:12:53,381 --> 00:12:56,427
♪♪
298
00:13:01,606 --> 00:13:02,694
UNH!
299
00:13:06,829 --> 00:13:08,744
IT'S NOT THE WIFE.HOW DO YOU KNOW?
300
00:13:08,744 --> 00:13:11,442
OH!BECAUSE SHE HAS NOTHING TO GAIN.
SHE'S SET.
301
00:13:11,442 --> 00:13:12,966
WELL,
WHAT ABOUT THE MISTRESS?
302
00:13:12,966 --> 00:13:15,142
[ GRUNTS ]
SHE'S NOT EVEN THE MISTRESS.
303
00:13:15,142 --> 00:13:18,493
WHO TOOK
THOSE PICTURES?!
304
00:13:18,493 --> 00:13:21,409
I DON'T KNOW.
305
00:13:21,409 --> 00:13:23,498
I FEEL LIKE
WE'RE MISSING SOMETHING.
306
00:13:23,498 --> 00:13:24,673
JUST DOESN'T ADD UP.
307
00:13:24,673 --> 00:13:26,936
SHLD UH GU TRU DA KOWA?
308
00:13:26,936 --> 00:13:29,112
YOU KNOW WHAT, GEILS?
309
00:13:29,112 --> 00:13:30,374
YOU MAY BE
ON TO SOMETHING.
310
00:13:32,333 --> 00:13:35,336
♪♪
311
00:13:37,599 --> 00:13:42,299
RECOGNIZE THE ARCH OF THE BACK
AND THE FRAMEWORK OF THE BODY.
312
00:13:42,299 --> 00:13:44,127
PROFESSOR LAMEREAU,
313
00:13:44,127 --> 00:13:46,869
TWO DETECTIVES FROM THE POLICE
DEPARTMENT ARE HERE TO SEE YOU.
314
00:13:46,869 --> 00:13:48,523
[ DOOR CLOSES ]HOW CAN I HELP YOU
TWO DETECTIVES?
315
00:13:48,523 --> 00:13:51,134
PROFESSOR, WE ARE IN THE PROCESS
OF INVESTIGATING...
316
00:13:51,134 --> 00:13:54,485
I KEEP TELLING YOU PEOPLE,
IT WAS A SCUBA-GEAR MALFUNCTION.
317
00:13:54,485 --> 00:13:55,530
I LOVED HER.
318
00:13:55,530 --> 00:13:56,966
...AN EXTORTION PLOT.
319
00:13:56,966 --> 00:13:58,881
OH.
320
00:13:58,881 --> 00:14:01,362
I UNDERSTAND WHY YOU THINK
THAT I MIGHT HAVE
321
00:14:01,362 --> 00:14:03,016
SOMETHING TO DO WITH
ALL OF THIS,
322
00:14:03,016 --> 00:14:05,627
BUT REST ASSURED, OUR
FIGURE MODELS ARE TREATED
323
00:14:05,627 --> 00:14:08,282
WITH THE UTMOST DIGNITY
AND RESPECT.
324
00:14:08,282 --> 00:14:11,502
THE HUMAN BODY IS
A MIRACULOUS CANVAS, DETECTIVE.
325
00:14:12,808 --> 00:14:15,855
IT'S A SHAME THAT YOU DON'T
PUT YOUR NATURAL ATTRIBUTES
326
00:14:15,855 --> 00:14:17,639
TO BETTER USE
FOR THE SAKE OF ART.
327
00:14:17,639 --> 00:14:20,729
I DON'T PRANCE AROUND NUDE
FOR MONEY.
328
00:14:20,729 --> 00:14:21,861
NOT ANYMORE.
329
00:14:21,861 --> 00:14:24,080
PITY.
SUCH A WASTE.
330
00:14:24,080 --> 00:14:25,647
HEY!
YES?
331
00:14:25,647 --> 00:14:27,083
I KNOW
WHAT YOU'RE IMPLYING.
332
00:14:27,083 --> 00:14:30,086
IF YOU'LL EXCUSE ME,
I HAVE TO GET BACK TO CLASS.
333
00:14:30,086 --> 00:14:32,959
DON'T PLAN ON TAKING
ANY OUT-OF-STATE TRIPS
IN THE NEAR FUTURE.
334
00:14:32,959 --> 00:14:35,918
I HAVE TO BE IN PHOENIX
FOR A WEDDING ON THE 14th.NOT HAPPENING.
335
00:14:35,918 --> 00:14:39,008
THEN, ON THE 24th,
IT'S MY GRANDMOTHER'S BIRTHDAY.NO WAY.
336
00:14:39,008 --> 00:14:41,010
I HAVE TICKETS TO THE
HARLEM GLOBETROTTERS IN OCTOBER.
337
00:14:41,010 --> 00:14:43,230
THOSE TICKETS
ARE REALLY HARD TO GET.
338
00:14:43,230 --> 00:14:45,319
FINE, LAMEREAU,
YOU CAN GO.
339
00:14:45,319 --> 00:14:47,103
BUT DON'T GO AND DO
ANYTHING STUPID.
340
00:14:47,103 --> 00:14:49,714
I WOULDN'T THINK OF IT.
341
00:14:49,714 --> 00:14:51,194
WE'LL BE IN TOUCH.
342
00:14:54,894 --> 00:14:55,982
I THINK
HE'S HIDING SOMETHING.
343
00:14:55,982 --> 00:14:57,070
ABSOLUTELY.
344
00:14:57,070 --> 00:14:58,419
GOT TO
GET CLOSER TO HIM.
345
00:14:58,419 --> 00:15:00,073
BUT HOW?
HOW DO WE GET CLOSER TO HIM?
346
00:15:00,073 --> 00:15:02,292
EXCUSE ME. DO YOU KNOW
WHERE THE ART SCHOOL IS?
347
00:15:02,292 --> 00:15:04,207
I'M LATE FOR
FIGURE DRAWING CLASS.
348
00:15:04,207 --> 00:15:05,905
I'M A NUDE MODEL.
349
00:15:05,905 --> 00:15:08,908
I THINK
I JUST GOT AN IDEA.
350
00:15:12,128 --> 00:15:13,390
WHAT IS IT?
351
00:15:21,921 --> 00:15:23,139
YOU'RE LATE.
352
00:15:29,406 --> 00:15:32,496
[ BREATHES DEEPLY ]
353
00:15:34,107 --> 00:15:35,282
TRIBECA,
CAN YOU HEAR ME?
354
00:15:35,282 --> 00:15:36,936
I'm in position.Good.
355
00:15:36,936 --> 00:15:39,068
HEY, WHERE DID YOU
PUT YOUR WIRE, ANYWAY?
356
00:15:39,068 --> 00:15:41,288
That's not important.
357
00:15:41,288 --> 00:15:42,680
Let's just say
we should probably
358
00:15:42,680 --> 00:15:43,725
throw it out
when we're done.
359
00:15:43,725 --> 00:15:45,074
SO IT'S IN YOUR BUM.
360
00:15:46,293 --> 00:15:48,730
ALL RIGHT, KEEP YOUR EYE OUT
FOR ANYTHING SUSPICIOUS.
361
00:15:48,730 --> 00:15:49,861
Copy.
362
00:15:49,861 --> 00:15:51,167
NICE.
363
00:15:53,561 --> 00:15:55,171
YES.
364
00:15:55,171 --> 00:15:57,260
GOOD.
365
00:15:57,260 --> 00:15:59,393
GOOD!
366
00:15:59,393 --> 00:16:03,005
REMEMBER THAT
THE HUMAN BODY IS A TEMPLE.
367
00:16:03,005 --> 00:16:06,356
IT'S A FORM TO BE
HONORED AND CELEBRATED.
368
00:16:06,356 --> 00:16:09,446
LOOK UPON TODAY'S VENUS.
SHE IS GLORIOUS.
369
00:16:09,446 --> 00:16:13,537
SHE IS AS SHE WAS CREATED,
HER SKIN SMOOTH AND UNADORNED.
370
00:16:13,537 --> 00:16:17,106
SHE IS NOT ALTERED OR PIERCED...
371
00:16:17,106 --> 00:16:19,239
OR TATTOOED.
372
00:16:19,239 --> 00:16:20,718
HOLD ON.
WHAT DID HE SAY?
373
00:16:20,718 --> 00:16:23,373
DISGUSTING,
DIRTY TATTOOS.
374
00:16:23,373 --> 00:16:26,898
INK, ELECTRONICALLY EMBEDDED
IN THE SKIN -- SO GROSS.
375
00:16:26,898 --> 00:16:28,726
I JUST HATE THEM
SO MUCH.
376
00:16:28,726 --> 00:16:31,816
I WOULD GO TO GREAT LENGTHS
TO EMBARRASS THOSE WITH TATTOOS,
377
00:16:31,816 --> 00:16:35,516
ESPECIALLY MILDLY OFFENSIVE
TATTOOS OR BAD-JOKE TATTOOS.
378
00:16:35,516 --> 00:16:37,822
YOU KNOW, LIKE SOMETHING PRINTED
ON A MUG AT SPENCER'S GIFTS.
379
00:16:37,822 --> 00:16:40,477
KIND OF FUNNY IN THE STORE,
BUT LATER ON,
380
00:16:40,477 --> 00:16:43,219
IT'S SOMETHING YOUR FRIENDS
THINK IS REALLY LAME.
381
00:16:43,219 --> 00:16:45,134
TRIBECA, WE GOT HIM.
GO IN FOR THE KILL.
382
00:16:45,134 --> 00:16:46,744
TELL ME, PROFESSOR,
383
00:16:46,744 --> 00:16:49,965
WOULD YOU EVER BLACKMAIL
SOMEONE WITH TATTOOS?
384
00:16:49,965 --> 00:16:51,662
WELL, IF HE WERE
IN A POSITION OF POWER
385
00:16:51,662 --> 00:16:55,144
AND I COULD STAND TO MAKE
A COOL $4,000, YOU BET.
386
00:16:55,144 --> 00:16:58,887
WELL, IT LOOKS LIKE
THE HARLEM GLOBETROTTERS
387
00:16:58,887 --> 00:17:01,237
ARE GONNA HAVE TO FIND
SOMEONE ELSE IN THEIR AUDIENCE
388
00:17:01,237 --> 00:17:04,284
TO THROW CONFETTI ON
INSTEAD OF WATER.
389
00:17:04,284 --> 00:17:06,895
YOUR BLACKMAILING DAYS
ARE OVER.
390
00:17:06,895 --> 00:17:09,637
YOU WON'T GET VERY FAR
WITHOUT THIS.
391
00:17:09,637 --> 00:17:10,725
YOU'LL NEVER
TAKE ME ALIVE!
392
00:17:10,725 --> 00:17:11,856
HE'S
COMING YOUR DIRECTION!
393
00:17:11,856 --> 00:17:12,944
I GOT HIM.
394
00:17:15,251 --> 00:17:16,948
UH...
395
00:17:19,255 --> 00:17:22,258
♪♪
396
00:17:52,071 --> 00:17:55,074
♪♪
397
00:18:24,886 --> 00:18:27,932
♪♪
398
00:18:46,690 --> 00:18:48,344
UNH!
399
00:18:48,344 --> 00:18:51,652
YOU'RE UNDER ARREST
FOR SUSPICION OF EXTORTION.
400
00:18:51,652 --> 00:18:53,393
HIS AESTHETIC
WAS OFFENSIVE TO ME.
401
00:18:53,393 --> 00:18:54,916
I WANTED TO EMBARRASS HIM.
402
00:18:54,916 --> 00:18:56,831
WELL, THEN WHY DIDN'T YOU
JUST BULLY HIM ON FACEBOOK
403
00:18:56,831 --> 00:18:59,050
OR INSTAGRAM
LIKE ANY DECENT HUMAN BEING?
404
00:18:59,050 --> 00:19:01,096
WELL, I WAS GOING TO DO THAT,
AFTER I GOT THE MONEY.
405
00:19:01,096 --> 00:19:02,532
WELL,
WHERE YOU'RE GOING,
406
00:19:02,532 --> 00:19:04,404
YOU WON'T HAVE TO
WORRY ABOUT THAT ANYMORE.
407
00:19:04,404 --> 00:19:07,972
YOUR OWN LITTLE SLICE OF HELL
CALLED MINIMUM-SECURITY PRISON.
408
00:19:07,972 --> 00:19:09,974
GET READY, 'CAUSE
FOR THE NEXT SEVEN MONTHS,
409
00:19:09,974 --> 00:19:12,107
YOU'LL BE MAKING PONCHOS
AND PLAYING MAHJONG.
410
00:19:12,107 --> 00:19:14,501
IT'S A COMPLICATED
CHINESE DOMINOS GAME.
411
00:19:14,501 --> 00:19:15,937
GOOD LUCK
FIGURING THAT ONE OUT.
412
00:19:15,937 --> 00:19:17,982
AAH!
413
00:19:20,202 --> 00:19:22,596
EASY! EASY. OW.
414
00:19:22,596 --> 00:19:24,032
YOU KNOW WHAT, TRIBECA?
415
00:19:24,032 --> 00:19:27,992
YOU'RE NOTHING BUT A...
DUMB JERK.
416
00:19:27,992 --> 00:19:29,994
STICKS AND STONES...
417
00:19:29,994 --> 00:19:32,345
AND PUPPY-DOG TAILS.
418
00:19:36,436 --> 00:19:38,351
INTERESTING FIRST DAY.
419
00:19:38,351 --> 00:19:40,918
YEAH.
420
00:19:40,918 --> 00:19:42,485
SORRY ABOUT EARLIER.
421
00:19:42,485 --> 00:19:43,878
I JUST --
422
00:19:43,878 --> 00:19:45,836
I HAVEN'T HAD MUCH LUCK
WITH PARTNERS.
423
00:19:45,836 --> 00:19:48,187
HEY, I GET IT.
424
00:19:50,189 --> 00:19:52,103
LISTEN, IF YOU'RE NOT
DOING ANYTHING,
425
00:19:52,103 --> 00:19:55,977
I -- I THOUGHT MAYBE WE COULD
GRAB A BEER OR SOMETHING.
426
00:19:55,977 --> 00:19:57,674
I MEAN, YOU DO DRINK BEER,
DON'T YOU?
427
00:19:57,674 --> 00:19:59,937
I DON'T DRINK BEER.
I RENT IT.
428
00:19:59,937 --> 00:20:02,331
[ BOTH LAUGH ]
429
00:20:13,995 --> 00:20:16,215
YEAH, OKAY. SURE.
430
00:20:20,131 --> 00:20:23,483
SO, DOES THIS MEAN
WE'RE, UH, PARTNERS NOW?
431
00:20:23,483 --> 00:20:26,050
YEAH. WHY NOT?
432
00:20:26,050 --> 00:20:27,835
PARTNERS.
433
00:20:27,835 --> 00:20:29,358
YO! TRIBECA!
434
00:20:30,925 --> 00:20:32,883
LIEUTENANT
WANTS TO SEE YOU.OKAY.
435
00:20:35,190 --> 00:20:36,452
CUT THAT
WITH A KNIFE.
436
00:20:38,628 --> 00:20:39,760
RAIN CHECK.
437
00:20:39,760 --> 00:20:41,196
YEAH.
438
00:20:41,196 --> 00:20:43,720
[ SIGHS,
CLEARS THROAT ]
439
00:20:43,720 --> 00:20:45,809
YOU OKAY WITH
THIS PARTNER THING?
440
00:20:46,723 --> 00:20:49,465
YEAH, I THINK I AM.
441
00:20:49,465 --> 00:20:52,468
I, UH -- I ACTUALLY HAVE
A PRETTY GOOD FEELING ABOUT IT.
442
00:20:52,468 --> 00:20:54,818
COOL.
443
00:20:54,818 --> 00:20:56,080
ME TOO.
444
00:20:56,080 --> 00:20:57,343
I'LL SEE YOU LATER.
445
00:20:57,343 --> 00:20:59,693
OKAY, COOL.
446
00:20:59,693 --> 00:21:02,652
[ ELEVATOR BELL DINGS ]
447
00:21:02,652 --> 00:21:04,654
AAH!
448
00:21:04,654 --> 00:21:06,047
[ BODY THUDS ]
449
00:21:08,310 --> 00:21:11,705
OH, CRAP!
SOMEBODY CALL 911!
30564
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