All language subtitles for The.Trip.S04E01_English

ROB: Sing, goddess,

Achilles' rage, black murderess

that cost the Greeks incalculable pain,

pitched countless souls of heroes
into Hades' dark.

Left their bodies to rot as corpses

for dogs and birds.

Did you learn that last night?

(SIGHS)

- There's not a lot here is…
- No.

… there really
when you think about it.

STEVE: No, it's not like the film.

It was all sandy beaches, wasn't it?

Greeks were camped here for 10 years.

- Too long, isn't it?
- Too long to camp.

ROB: I can do a week, tops.

- In the Lake District?
- Yeah, with a pillow.

I won't camp without a pillow.

STEVE: I had a bad dream last night.

ROB: Oh, was it a portent?

I don't know. Just… It was bad.

I had a portent once.
And no groundsheet.

Stick your head out more.

Find your light.

That's it. Do an "a-ha."

- A-ha!
- Got it.

(DOG BARKING)

ROB: I like this.
This is quite a shady spot.

STEVE: Yes, I don't know
if you wanna sit in direct sunlight.

ROB: Never.
I never sit in direct sunlight.

- These are the starters.
- Thank you.

Okay, fresh tomato soup,

with fresh basil from our garden.

Lovely. Thank you.

This is beetroot, artichoke and fava.

- Thank you.
- Marvellous.

And this, baked zucchini,

zucchini flowers and mushroom.

- Enjoy your lunch, sir.
- Thank you very much indeed.

- Notice he addressed all that to me.
- Yeah. Why… Why is that?

Because I think
he thinks that I'm your carer.

And in many ways I am.

- Cheers?
- Cheers.

- Here's to an enjoyable excursion.
- Yeah. Mmm.

- Mmm. Bellissimo.
- Mmm-hmm-hmm-hmm.

It's very odd, isn't it, to start

a trip to Greece in Turkey?

It was The Observer's idea,

erm, to retrace the steps
of, erm, Odysseus,

in the Odyssey,
so that's what we're doing.

Ten-year odyssey in six days.

It's ambitious, Steve.

It might sound ambitious,

but if you think of Ulysses
by James Joyce…

Thanks for telling me the author.
I'd never have known.

I'm just putting the information
out there in case you don't.

I don't want, you know…

It's like me saying
Harry Potter by JK Rowling.

I wouldn't put Harry Potter
and Ulysses in the same…

In the same camp.
Apart from they're both "books."

Harry Potter has sold
truckloads of books.

Yeah, but the thing is,
I don't measure success by units sold.

You're obviously telling me
the figures for your TV shows.

- I… Yes, but it's not… It's just…
- And the consolidated ones at that.

- Yes.
- 'Cause the actual time of viewing

aren't impressive. But you do tell me
the consolidated figures.

It's nice to be liked, but you shouldn't
go out there trying to be liked.

(SIZZLING)

If you think that
we have been doing these trips

for nearly 10 years, then I suppose,

in a macro sense, we've been
on this odyssey for 10 years.

- Yeah?
- Is it 10 years?

Yeah. It is.

Since The Lakes.

Hmm.

A bit of Richard Gere there.

- Just looking off.
- Oh.

- Yeah, lovely.
- (SMIRKS)

Yeah. And you're looking
more like him as well.

(SCOFFS) That's good.

No, I wasn't being serious.
I was joking.

- Oh.
- You look nothing like him.

Ah. (CHUCKLES)

My God, you lapped that compliment up,
didn't you? Look at that.

Well, it's not unreasonable.
I… (STUTTERING)

I mean, I'm wearing my years
reasonably well.

Yeah, but in no way
do you resemble Richard Gere.

- Okay, I don't resemble…
- You look like a great Steve Coogan.

- 'Cause you're looking terrific.
- And I'm happy with that.

- More than happy.
- You clutched at Richard Gere.

I look better as I get older.

- Yes, you do. Yes, you do.
- Lots of women say that.

I've got a man who's gonna say it.
I'm saying it.

- You look better older.
- Oh, thank you.

You were unpalatable as a young man.

(GRINDER WHIRRING)

What's this?

If I'm not mistaken,
it's a Penguin Classic.

- And it's by Harry Stottle.
- I know Harry, yeah.

I know all the Stottles.

Poetics. Listen to this.

"Epic poetry and the composition
of tragedy as well as comedy

"and the arts of poetry and music

"are all imitations.

"Imitation comes naturally
to human beings

"and so does the universal pleasure

"in imitation."

- Erm…
- Not my words.

The words of Harry Stottle.

Ancient Greek culture,

very similar to Welsh culture.
Very oral.

Tradition of handing stories down.

I think more than, say, Manchester,
in Wales, as in Ancient Greece,

we speak the stories.
With the Bard telling poetry.

No, we don't need
to hand stories down in Manchester

'cause we can read and write.

Whereas the vast majority of Wales
is illiterate.

- Is that what you're saying?
- Oh, no.

It's the comparison of Wales
with Ancient Greece.

- And what you're saying is…
- I think that's legitimate.

… Socrates, Plato,
Aristotle, Max Boyce…

It's an oral tradition of handing
things down. It's storytelling.

It's sitting around the fire,
it's sitting…

Sitting on the edge of the chair.

(MIMICS RONNIE CORBETT) It's not the one

about the chap
that goes into the Colosseum

- to face the lions.
- When Aristotle

celebrated the art of imitation,

I don't think he was referring to
dodgy Ronnie Corbett impressions.

That's a dodgy Ronnie Corbett
impression, is it? Is it really, Steve?

- Is it dodgy?
- (EXHALES)

- (LAUGHS)
- Are we really gonna do

Ronnie Corbett impressions.

Ten years on.

What better place to pay tribute to him.

- What, than Turkey?
- (LAUGHS)

(MIMICS RONNIE CORBETT)
If I'm going to be remembered,

I would very much like it
to be somewhere in Turkey.

A place that meant so much
to Ronnie B and myself.

(CHURCH BELLS RINGING)

So much of art and acting is imitation.

Nothing wrong with it.
You did a fantastic imitation,

er, of Stan Laurel in Stan & Ollie.

It was superb.

- Mmm.
- One of the best imitations

I've ever seen.

I'm not sure it's an imitation,
that's the thing.

No, it's not an imitation.

- It is a great imitation.
- (CHUCKLES) I can't take it.

You see,
I don't like the word "imitation."

I watched it on a BAFTA screener.

I only paused it three times
to go to the kitchen.

And that, in our house, that's good.

Okay, well, yeah. But you see,
imitation is something I regard as…

- It's not just imitation.
- It isn't an imitation.

- Bloody brilliant.
- I was saying… Thank you.

I think it's impressionistic.

You had… You had this.

Yeah? You had the pause.
You know the pause?

- You did that beautifully.
- (MIMICS STAN LAUREL) I certainly did.

(MIMICS OLIVER HARDY) Mmm.
Now, why don't you

just stop sitting there
and help me? Mmm.

(MIMICS) Well, I… I'd try, but I…
I don't know what you want me to do.

Stan Laurel and Tom Hardy. Ready?

(MIMICS TOM HARDY) Why don't you come
and help me instead of sitting there?

I can't hear what you're saying, Tom.
You always mumble your lines.

Unh.

(IN NORMAL VOICE) I'm not into that.
I'm a bit like Tony Hopkins.

- In so far as…
- In what sense?

- Er… The…
- Both had issues with drink?

Er, well, yes.

But that's not what I meant. Er…

- Struggled to form long relationships?
- Again, true,

- but it's not what I'm talking about.
- Okay.

What I'm talking about
is actually the craft of,

- er, taking the external things…
- Yes?

… and looking at yourself in the mirror
and thinking, "I know who that is."

And then finding that as a way back
inside the characters

to find some inner truth.

Just accept the compliment.

I was watching you

and I forgot about you.

- And it was blessed relief.
- (LAUGHS)

And you know what? My wife said, "Rob…

- (SNORTING)
- "… it's like a weight

"has been lifted from your shoulders."

She said she'd not seen me
look that happy

since we went to see
Bruce Springsteen on Broadway.

Thank you.
Well, I mean, I'll take that…

Who will you do next?

Do?

Impressions are everywhere.
Look at the Oscars.

Christian Bale was Dick Cheney,
that's an impression.

Steve Carell was Donald Rumsfeld,
that's an impression.

Gary Oldman as Churchill,
that's an impression.

- Yes, yes.
- Erm, John Hurt…

(MIMICS) I'm not an elephant.

I'm not an elephant.

- You sound like someone else though.
- (CONTINUES MIMICKING) I know.

- Who do I sound like?
- (MIMICS) I'm not an elephant.

I'm not an elephant.
I've just got a very large trunk.

And quite large feet and tusks.

I'm an elephant.
No, I'm not an elephant. Ooh.

No wonder you call me the Elephant Man.

I've just called myself an elephant.

It sounds like sort of
a CBeebies version

of The Elephant Man, what you're doing.

- (HUMMING)
- (MIMICS) I'm not an elephant.

I'm not an elephant.
I'm just a human being.

(IN NORMAL VOICE)
Give me the more real imitation now.

- Do what you did with Stan.
- (MIMICS) I am not an animal.

I am a human being.

You remembered the lisp at the end.

I… (CHUCKLES)

Do you realise you were wrong?
You saved it.

Yeah, because
I was concentrating on the truth

- rather than just an imitation.
- Yeah.

Sometimes that means that
the imitation falls by the wayside

because you're trying to get to
something deeper or more profound.

Mine…
Mine are life-enhancing celebratory.

Yours are more accurate.

Were you to do a mineral deposit study,

- more accurate.
- I would say, yours are celebratory.

But mine sometimes reveal
the rather unattractive side of people,

and that ultimately
can be more poignant.

That's just you
bringing a lot of yourself to them.

ROB: Oh. Thank you very much.

Lovely. Really nice.

I'm being bitten.

It doesn't help that we're under a tree.

Insects love to be under trees.

- Do you know why?
- I went out on my land recently…

- Yeah.
- … to sit under a tree…

- Thirty-six acres, isn't it?
- Thirty-eight.

And I went to sit
under a tree just to…

- To think? Just to think.
- Well, no.

No, no, to read a book, actually.
I put a blanket down,

just 'cause, you know, this tree,
and I sat under it and started to read

and loads of flies started
hovering over my head.

- That'll happen, yeah.
- So I just got up

and just went back in the house.

- I had this idea that…
- Steve Coogan, ladies and gentlemen.

- Wonderful stories from Steve.
- (CHUCKLING)

And there will be more from him
at the same time next week

you must do that one about the flies
under the…

Under the tree.
I mean, it's wonderful stuff.

A friend said he saw you
at a Lord's Taverners doing that

and had the room in the palm
of his hand, that's what he said.

- Wonderful story.
- (CHUCKLES)

The new Ustinov.

(CONTINUES CHUCKLING)

Steve Coogan.

"Have you heard that story
Steve's telling?"

"No, what is it?"

"Oh, he's at the house…
You know the house in Sussex?"

"Yeah?" "Well, he took a book out…"

"No, go on." "He wanted to read,

"and he went out, he's got 38 acres."
"Yes."

"He finds a tree,
puts a blanket down…"

"Oh, it's idyllic."

"… and flies gather above his head,

- "he went back in the house."
- (LAUGHS)

I mean, he's… Oh, god.

God. And some people say
he's just Alan Partridge.

- He's not.
- (CONTINUES CHUCKLING)

- There's whole other sides to him.
- Ah.

- Sorry, sir. Your main courses.
- Oh, lovely!

- Very nice.
- Thank you.

- Lamb chops.
- Chops, chop, chop.

- With mint sauce.
- ROB: Looks lovely!

Sir.

- Enjoy your lunch, sir.
- That's lovely. Thank you very much.

- You like lamb, don't you?
- I do. I love lamb.

Lamb's very good

because, erm, it doesn't lend itself
to intensive farming

so if you can't make an organic choice,
lamb's a safe bet.

Steve Coogan speaking earlier today
at the British Farm Council.

Well, reaction has been swift.

Michael Gove
is at the Ministry of Agriculture.

(SPEAKING INDISTINCTLY)

(SPEAKING TURKISH)

My publisher wants me to use
the Odyssey as a peg

on which to hang my odyssey
through life of the media and…

Isn't that what you wrote
when we were in Spain?

A version of that, yeah,
but, erm, it was successful.

So they want a sort of a variation
on the theme.

I do think as you get older,

it's inevitable you repeat yourself.

This is the fourth time we've been
on one of these little jaunts.

Well, originality is overrated,

'cause everything
is derivative of something.

The greatest poem in the Roman empire
was a rip-off of the Odyssey.

- So…
- Which one?

- The Aeneid.
- Oh.

Whereas the Odyssey is about
Odysseus fleeing Troy to go home,

erm, the Aeneid is about a Trojan

fleeing the city, er,
with his father and his son.

- Where was his wife?
- (INAUDIBLE)

He just lost her along the way.

Shit happens.

But on the plus side,
he went on to found Rome,

so, lose a wife, found an empire.

STEVE: This feels like
a kind of interrogation…

- (ROB LAUGHS)
- … sitting like this.

(ROB CACKLES)

- Your dessert, sir.
- Thank you.

It's custard with kunefe
with black mulberry sauce.

Thank you very much.
Could we have the bill, please?

- Okay, sir.
- Thank you very much.

If it was an interrogation,
this would be very…

This would be the nice part
before the nasty, wouldn't it?

- "Let's have some dessert." (CHUCKLES)
- We, we'd…

Wanna make this
as pleasant as possible, so…

STEVE: Oh, great.
Yeah, what do you want to know?

Mmm. Lovely, isn't it?

Mmm, lovely combination of textures.

- (MOBILE RINGING)
- This is not…

This is not too light.

- But it's light.
- Hello?

EMMA: Hey, Steve.

Just calling to check
everything's okay.

Everything is wonderful.

- I'm here with Rob Brydon…
- Hello.

… but apart from that,
it's all wonderful.

Hi. Hi, Rob, how are you doing?

All is well. He's not gone missing.
I'm keeping an eye on him.

- What are you talking about?
- Good.

In Morocco, she was very worried
when you went off the grid.

Yeah?

She was going to call the authorities,

all the newspapers,

"British comic goes missing."

Er, "British actor."

"British actor, writer, producer
goes missing."

British actor goes missing.
Friends say, "We had no idea

- "the mental turmoil he was under."
- (EXHALES)

We spoke to his close friend Rob Brydon.

Well, I must say…

Spoke to his… His associate.

We spoke to his dear confidant,
Rob Brydon…

His sometime collaborator.

We spoke to popular entertainer
Rob Brydon…

Light… Light entertainer Rob Brydon.

We spoke to popular light entertainer
and confidant

- of troubled star, Rob Brydon…
- Troubled TV funny man.

… who said, I had no idea Steve

- was suffering in the way he was.
- (SIGHS)

We didn't know he was suffering,

but then we realised
he'd spent six days with Rob Brydon

and things started
to fall into place then.

- We think this might be a cry for help.
- Guys? I've got to go, guys.

Sorry, I've got to go.

Just to let you know that your boat
is gonna be leaving Assos at 2:30.

So, you've got to get to
Assos to the boat by 2:30, okay?

Your Range Rover will be
waiting for you when you arrive…

- Get our asses in the boat when?
- … in Lesbos.

Wonderful. Looking forward to it,
sweetheart. Ta-ta.

Fab. All right. See you.

- Did you understand any of that?
- No.

Range Rover waiting for us at Lesbos.

What did happen to you in Morocco?
Where were you?

- She was properly worried.
- I got… I ran out of petrol

and I fell asleep in the car
for the night

and the next day, I was rescued
by some very kindly Moroccan men

who took me to an oasis

where I spent a couple of nights
recuperating and then I flew home.

But did I tell you about the time
I was trapped in the Lake District

- in my Range Rover on a landslide.
- Yes. Yeah.

And I had to spend the night there
and survived on nuts and berries.

You have told me. Have I told you
about when I was in a private jet

with George Clooney,
I thought it was going to crash?

And it crossed my mind

that I would barely
register a mention in the press.

It'd be, "George Clooney
and three others perish."

If me, you and George Clooney
were in a private jet…

Oh, neither of us
would have got a mention.

Of course I would. It would be
Steve Coogan and George Clooney.

Do you think the Daily Mail are gonna
lead with you ahead of Clooney?

No, of course not.
The Guardian might, no, uh…

The Guardian wouldn't.

Anyway, what were you doing
in a private jet with Clooney?

Serving him.

(CHUCKLING) I was going to
a charity event in Edinburgh with him.

- Ah!
- Sir.

This is water custard
with mulberry and almonds.

- Watery custard? Thank you.
- Yes.

Thank you. And the bill.
Thank you very much indeed.

Thank you. Lovely.

Watery custard?

- Sounds like a euphemism.
- Nah, for what?

For, er…

Looks a bit like, erm…

- I'm not sure about this.
- (SLURPS)

(IN IRISH ACCENT) All right. Well, you
join us in the leafy enclave of Adatepe

where we say Steven Coogan,

- would you like to play Guess The Bill?
- Nope.

(IN NORMAL VOICE) Soulless. Good Lord.

One thousand and forty-six.

(IN IRISH ACCENT) But remember,
that of course is in the Turkish lira.

So the question for you,
Steve Coogan, is this…

Is 1,046 Turkish lira roughly £120,

er, £130,

or £150?

Can I say, Steve, it's lovely
to have you back on the show.

You're looking very buff.

You could be in Boyzone so you could.

Coming from a leprechaun
as it appears to be who I'm speaking to,

- erm, I'd say that was very good.
- Thank you, Steve.

Thank you so much.

Erm, £120.

You're saying it's £120…
No helping now from the studio audience.

And I know that you've said
anything that you win tonight

you want to go to
your favourite charitable foundation,

the Steve Coogan Home Renovation Fund.

The actual amount

- that 1,046 Turkish lira…
- (CLEARS THROAT)

Please don't clear the throat
when I'm talking, is…

(CONTINUES IN IRISH ACCENT)
Roughly £130.

- What did you say?
- £120.

You lose, Steve. From beautiful Turkey,

we say a thank you and a good night.

Wave.

To who?

(ENGINE REVVING)

ROB:
This is what UNESCO says about Assos.

In antiquity, its hilltop location

made Assos
an easily defensible port city.

The oldest Doric temple of Asia Minor,

the Temple of Athena at Assos,

is located at the top of the acropolis.

(SEAGULL SQUAWKING)

STEVE: That's Lesbos.

That's the border
between Asia and Europe.

ROB: It's close, isn't it?

Yeah, I could swim that.

You could not.

It's only like Byron swimming

the Hellespont from, you know,
Asia to Europe in Istanbul.

That's why all the refugees
come this way 'cause it's so easy.

They don't swim it. They do it in boats.

Yeah, very little boats.

Byron said
of all the things he'd achieved,

swimming the Hellespont was the thing
that made him most proud.

Well, fair enough.

ROB: What would you say was the thing
you were most proud of?

STEVE: Er, my seven BAFTAs.

ROB: Hmm.
I think for me, it'd be my children.

STEVE: Yeah, well,
'cause you haven't got any BAFTAs.

ROB: Though you have got children,
which is interesting.

(SEAGULL SQUAWKING)

ROB: (MIMICS FLETCHER CHRISTIAN)
Now, William,

some of the men are not happy.
There are rumblings.

(MIMICS WILLIAM BLIGH)
Oh, there are rumblings, are there?

You tell the men that we will sail
around the Cape of Good Hope

and we will sail around the horn.

(IN NORMAL VOICE) I think
if the weather was this nice,

they would have been a lot more relaxed.

(MIMICS) They're loving it, Bill.
They really are.

(MIMICS) Well, thank you very much,
er, Fletcher.

You don't mind if I call you Fletcher,
do you?

- ROB: Call me Fletch if you like.
- Thank you.

I'll call you Fletch.

- ROB: Can I call you Bill?
- Yeah, of course you can.

No, I'd rather call you Mr Christian.

ROB: Not Fletch?

(SHIP HORN HONKING)

(CAR HORN HONKING)

MAN: A-ha!

(CHUCKLES) He said, "A-ha!"

STEVE: Who is that?

MAN: A-ha!

ROB: A-ha! (LAUGHS)

You've had a huge drive then.

DRIVER: Yeah, it was a monster, really.

ROB: Are you flying back now?
DRIVER: Yeah.

- It's Steve. Oh, my God.
- DRIVER: Here are the keys.

ROB: Thank you.

DRIVER: Yeah, enjoy.
STEVE: Full tank?

Tank is full and it's a hybrid,

- so you've got the…
- Steve?

STEVE: Good to know.
DRIVER: I've got a plane to catch.

STEVE: All right, good. That's good.

ROB: Safe flight. Cheers. Bye-bye.

Steve, how are you? This is Kareem.

Do you remember me?
We worked together in Mykonos.

I play the refugees in the beach.

Okay.

- Do you remember me?
- Refugee?

- Yes.
- How are you?

- I am Kareem. How are you?
- Hi. Very good.

- I'm good. How are you?
- Good, good. Good.

- Yeah, really good.
- So good to see you.

- Hiya, Rob.
- Rob.

Nice to meet you. I'm Kareem.

- Hello.
- That's, er…

What are you doing here?

Er, well, it's not a holiday.
We're with…

Actually working with… We're retracing
the steps of, er, Odysseus,

you know, going from Troy to Ithaca.

What about you?
Are you still with the refugees?

I'm working with the refugees still.

- What, there are refugees still here?
- Yes. Yes. Yes.

- Thousands of refugees. Yes.
- Thousands?

You know, maybe I need a lift.

Maybe it could be so good for you
to come and see.

It's very good for your odyssey.

ROB: I'm sorry. Now?
KAREEM: Yes.

I would love to, but we've got to…
Where are we going next?

- We've got to…
- You know what?

We're not so busy that we can't spare
enough time to drop him off.

That's what odysseys are all about.
Well, hop in the car.

It'll be good for Rob
to see a refugee camp too.

- You're going to see a refugee camp now.
- Yeah.

- It'd be good for me see a refugee camp.
- Thank you guys for the lift.

- Thanks, Steve.
- STEVE: No worries.

KAREEM: It's a really nice car, Steve.

Thanks. It's not mine. It's, erm…

It was loaned to me for this…

- (SOFTLY) Us. To us.
- … thing we're doing. Well, to us.

I mean, it's a hybrid,
so it's half electric.

So it kind of cushions the impacts
that a monster gas guzzler would have.

That's important to you, isn't it?

- Well, it is.
- All of the environmental thing.

- But, er…
- Steve has nine cars, Kareem.

- Nine cars.
- Nine cars, yeah.

- Oh, so good, man.
- That's…

- That's irrelevant.
- How many of them are electric?

- I have an electric car.
- Yeah.

We're writing an article…

- I'm writing an article for…
- I'm writing an article.

Rob is. I'm…

(CHUCKLES) Steve doesn't
have time to actually write it.

He's got a lot of weighty thoughts.

- Well, I do write…
- He's got to service his cars.

I mean, that takes a lot of his time.

Anyhow, so… So what's been going on?

What…
What are you up to at the moment?

I'm here now to set up a cultural event.

It's a musical and dance.

- Really?
- We do some music courses,

music therapy.

- They do some teaching.
- Fantastic.

Some community building, inclusion.

- Great.
- KAREEM: Here we are.

This is a small city.

STEVE: Gosh.

So, what's this barbed wire for?
Is it some…

ROB: Looks like a prison camp.

Is that to stop people getting in
or stop them getting out?

KAREEM: Obviously of this camp
is really prison.

It's a lot more established
than I would have expected.

ROB: Really nice to meet you.
Good luck with everything.

Hope it all works out.

KAREEM: All right, goodbye.

- Oh, Steve.
- Hey, man.

KAREEM: Thank you very much.
STEVE: Okay, thank you. Yeah.

I'm coming to Britain.
I hope to see you there.

- You've got my e-mail, so…
- Yes. I will contact you.

Thank you. Do the turning here.

I will go inside.

Well, that was sobering.

(SOFTLY) Imagine living in that.

- (NORMAL) For years and years and years.
- Hmm.

Well, it's just like the Greeks, er,
camped outside Troy,

best part of 10 years.

Too long. I've said it before,
I'll say it again.

That's too long for camping.

ROB: A nice guy.

STEVE: Er, yes. He's…
Yeah, well, erm…

Yeah, he's a very nice bloke.
I mean, I know him.

We worked together last year on a film.

- He said.
- He played a sort of version of himself.

You didn't remember him, did you?

What? Of course I remembered him.

I bloody worked with him
for a month at least,

so of course I remembered him.

Well, maybe not at first,
but eventually, yeah.

I mean, "Hey, how are you doing?"
You know, and…

What's his name?

What's his name?

I'm not gonna be tested by you asking
me, "What's his name? What's his name?"

ROB: I'm not testing you. I'm just
interested to see what's his name?

(EXHALES)

- Khaled.
- Oh, jeez. (CHUCKLES SOFTLY)

It's Kareem.

- (CHUCKLES SOFTLY)
- Okay, I got the first syllable right.

Oh, well done. (CONTINUES CHUCKLING)

(SEAGULLS SQUAWKING)

STEVE: You know where the word
"lesbian" comes from? Mr Bond.

Yes, well, it's from the island.
From Lesbos.

Yes, but the island of Lesbos

existed before the term "lesbian."

- "Lesbian" probably…
- Yes, hence lesbian comes from…

- From the island of Lesbos.
- That's what I said.

All right, okay.
I was just making sure you know.

Sappho was the priestess
who wrote erotic poetry

to all these women she loved

and was obsessed with.

And she was the most celebrated poet,

not lesbian, but the most
celebrated poets in ancient Greece.

And she was a woman.
And she was a lesbian.

Sappho's poetry was accompanied
by the lyre, L-Y-R-E,

- you know, those ones that…
- The little guitar.

- Yeah, the little guitar…
- Played by the cherub.

- Played by the cherubs. Well done.
- Yes.

And that's where the word
"lyric" comes from.

- Words to a lyre.
- Right.

- Lyrics.
- Yes.

It's a shame we're getting the ferry.

I would like to stay
in the Hotel Lesbian

as I'm sure you would.

I think… (CHUCKLES)

Come, come, Mr Bond,
you like staying in the Hotel Lesbian

just as much as I do?
(SNORTS)

If I can get my head down
in the Lesbian,

- I'm more than happy.
- (CHUCKLING)

Welcome to the Hotel Lesbian.
You can check out anytime you like,

- but you can never leave.
- STEVE: You can never leave.

(SHIP HORN HONKING)

ROB: ♪ Sailing

♪ I am sailing

♪ Home again

♪ Across the sea

(CLEARS THROAT)

♪ I am sailing

♪ Stormy waters

♪ To be near you

♪ To be free ♪

When I was in Australia,
there was a 25-year-old girl on the crew

who'd never heard of Rod Stewart.

Never heard those two words
in that order.

So when I used to go out with a girl,

I used to say,
"Remember this, and remember that."

And now I just go, "When I was young,
we used to do this."

(SHIP HORN HONKING)

ROB: ♪ I am sailing

♪ I am sailing

BOTH: ♪ Home again

♪ Across the sea

♪ I am sailing

♪ Stormy waters

♪ To be near you

♪ To be free

♪ Oh, Lord, to be near you

♪ To be free

♪ Oh, Lord, to be near you

♪ To be free ♪