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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,500 --> 00:00:05,000 I'm on this forward path, I'm focused. 2 00:00:05,083 --> 00:00:06,417 It's like no job... 3 00:00:08,208 --> 00:00:09,250 no man... 4 00:00:11,083 --> 00:00:13,500 All of this sounds bad, but it's actually really good. 5 00:00:13,583 --> 00:00:14,583 It's good vibes only. 6 00:00:16,709 --> 00:00:19,125 Girl, this is awesome. You made this happen. 7 00:00:19,208 --> 00:00:20,792 Enjoy, it's hype in there. Blat! 8 00:00:20,875 --> 00:00:23,000 -Blat! Blat! 9 00:00:23,083 --> 00:00:24,750 On God, this party is lit! 10 00:00:50,834 --> 00:00:52,000 >> Eureka O'Hara: LADIES AND 11 00:00:52,083 --> 00:00:54,208 GENTLEMEN, WE'RE BEGINNING OUR 12 00:00:54,291 --> 00:00:54,792 FINAL DESCENT INTO BRANSON, 13 00:00:54,875 --> 00:00:55,041 MISSOURI. 14 00:00:55,125 --> 00:00:55,709 PLEASE MAKE SURE YOUR SEAT-BACKS 15 00:00:55,792 --> 00:00:56,375 AND TRAY TABLES ARE IN THEIR 16 00:00:56,458 --> 00:00:58,000 FULL UPRIGHT AND LOCKED 17 00:00:58,083 --> 00:00:59,834 POSITION. 18 00:00:59,917 --> 00:01:03,250 OH, BOY. 19 00:01:11,834 --> 00:01:13,083 >> Bob The Drag Queen: I GUESS 20 00:01:13,166 --> 00:01:14,834 TSA WENT THROUGH OUR SHIT 21 00:01:14,917 --> 00:01:15,125 AND THINGS. 22 00:01:15,208 --> 00:01:15,959 OH, BUT THAT IS NOT YOUR SHOE. 23 00:01:16,041 --> 00:01:16,709 >> Shangela: THAT'S MY SHOE. 24 00:01:16,792 --> 00:01:19,000 >> Bob The Drag Queen: THIS IS 25 00:01:19,083 --> 00:01:21,333 MOVING TOO... 26 00:01:21,417 --> 00:01:23,834 >> Shangela: MY SHOE. 27 00:01:29,041 --> 00:01:30,208 COME ON, BOB. 28 00:01:30,291 --> 00:01:32,291 >> Bob The Drag Queen: I'M THE 29 00:01:32,375 --> 00:01:34,375 ONE WITH THESE LAZY BITCHES. 30 00:01:34,458 --> 00:01:37,667 IT'S FINE WHEN I TRAVEL WITH 31 00:01:37,750 --> 00:01:38,333 THE LAZY MOTHERFUCKERS. 32 00:01:38,417 --> 00:01:41,959 IS THERE A CONCIERGE? 33 00:01:50,625 --> 00:01:54,875 HEY, BRANSON, HEY. 34 00:01:58,458 --> 00:02:01,500 WE ARE IN BRANSON, MISSOURI. 35 00:02:01,583 --> 00:02:02,667 THAT'S RIGHT, HONEY, 36 00:02:02,750 --> 00:02:04,166 THE WHOLESOME CHRISTIAN 37 00:02:04,250 --> 00:02:07,375 LAS VEGAS OF THE MIDWEST. 38 00:02:07,458 --> 00:02:09,166 >> YOU'RE A GUY. 39 00:02:09,250 --> 00:02:09,834 >> Bob The Drag Queen: 40 00:02:09,917 --> 00:02:10,333 WHAT'S YOUR NAME, BABY? 41 00:02:10,417 --> 00:02:10,792 WHO, ME? 42 00:02:10,875 --> 00:02:11,542 >> YEAH. 43 00:02:11,625 --> 00:02:12,250 >> Bob The Drag Queen: MAYBE 44 00:02:12,333 --> 00:02:13,333 YOU'RE A GUY? 45 00:02:13,417 --> 00:02:13,875 MAYBE WE'RE ALL GUYS. 46 00:02:13,959 --> 00:02:14,667 >> Shangela: YOU CAUGHT HIM. 47 00:02:14,750 --> 00:02:15,000 YOU CAUGHT HIM. 48 00:02:15,083 --> 00:02:16,000 OH, NO, I'M NOT A GUY. 49 00:02:16,083 --> 00:02:16,375 >> YOU'RE A GIRL. 50 00:02:16,458 --> 00:02:16,959 >> Shangela: THANK YOU VERY 51 00:02:17,041 --> 00:02:17,291 MUCH, BUT NO. 52 00:02:17,375 --> 00:02:18,750 >> YOU'RE NOT EITHER? 53 00:02:18,834 --> 00:02:19,959 >> Shangela: NO, NO, NO, NO. 54 00:02:20,041 --> 00:02:20,959 THIS IS A COSTUME. 55 00:02:21,041 --> 00:02:21,500 >> Eureka O'Hara: OBVIOUSLY 56 00:02:21,583 --> 00:02:22,208 A WOMAN. 57 00:02:22,291 --> 00:02:25,000 NOW I'M CLEARLY A WOMAN. 58 00:02:25,750 --> 00:02:27,000 >> Bob The Drag Queen: THIS 59 00:02:27,083 --> 00:02:28,333 JUST LIKE, RANDOM AREA IN 60 00:02:28,417 --> 00:02:30,542 THE MIDDLE OF NOWHERE, WHERE YOU 61 00:02:30,625 --> 00:02:31,875 HAVE ALL OF THESE ATTRACTIONS. 62 00:02:31,959 --> 00:02:33,333 CHRISTIAN BANDS AND CHRISTIAN 63 00:02:33,417 --> 00:02:36,125 CHORUS LINES, WHOLESOME FAMILY 64 00:02:36,208 --> 00:02:38,291 FRIENDLY SHOWS. 65 00:02:38,375 --> 00:02:40,333 HELLO, HOW ARE YOU ALL DOING? 66 00:02:40,417 --> 00:02:41,542 HELLO, HI. 67 00:02:41,625 --> 00:02:42,875 HELLO. 68 00:02:42,959 --> 00:02:43,959 >> Eureka O'Hara: OH, SO WE'RE 69 00:02:44,041 --> 00:02:45,000 DOING A DRAG SHOW AND WE'VE 70 00:02:45,083 --> 00:02:46,709 ACTUALLY GOTTEN SOME LOCALS HERE 71 00:02:46,792 --> 00:02:47,542 TO DO THE DRAG SHOW WITH US. 72 00:02:47,625 --> 00:02:48,208 AND WE NEED YOU ALL TO COME AND 73 00:02:48,291 --> 00:02:48,834 SUPPORT. 74 00:02:48,917 --> 00:02:53,709 >> I THINK IT'D BE GREAT THOUGH. 75 00:02:53,792 --> 00:02:55,458 >> Eureka O'Hara: HI. 76 00:02:55,834 --> 00:02:56,583 HE'S LIKE, "WHAT IN THE WORLD?" 77 00:02:56,667 --> 00:02:57,417 >> Bob The Drag Queen: WE LOOK 78 00:02:57,500 --> 00:02:57,792 ALMOST LIKE A -- 79 00:02:57,875 --> 00:02:59,083 >> Shangela: BOB, YOU MAKE 80 00:02:59,166 --> 00:02:59,709 TOO MUCH MONEY TO SIT UP HERE 81 00:02:59,792 --> 00:03:10,834 AND HAVE SOCKS IN YOUR CHEST. 82 00:03:10,917 --> 00:03:11,625 >> Bob The Drag Queen: SOCKS 83 00:03:11,709 --> 00:03:12,083 ARE THE BEST TITTIES. 84 00:03:12,166 --> 00:03:12,709 I SAID IT. 85 00:03:12,792 --> 00:03:13,250 HELLO, SIR, HOW ARE YOU? 86 00:03:13,333 --> 00:03:13,750 >> YOU GUYS HAVE TO MOVE 87 00:03:13,834 --> 00:03:14,166 FROM THE PREMISES. 88 00:03:14,250 --> 00:03:14,709 THE COPS HAVE BEEN CALLED. 89 00:03:14,792 --> 00:03:15,333 >> Bob The Drag Queen: OH, WORK. 90 00:03:15,417 --> 00:03:15,959 ALL RIGHT, WE'RE ABOUT TO MOVE. 91 00:03:16,041 --> 00:03:16,583 >> Eureka O'Hara: WAIT, THEY 92 00:03:16,667 --> 00:03:16,959 CALLED THE POLICE? 93 00:03:17,041 --> 00:03:17,500 ON WHO? 94 00:03:17,583 --> 00:03:18,959 >> YOU GUYS HAVE TO MOVE 95 00:03:19,041 --> 00:03:21,333 FROM THE PREMISES. 96 00:03:25,542 --> 00:03:26,792 >> Tanner: GROWING UP, IT WASN'T 97 00:03:26,875 --> 00:03:28,000 TILL LATER THAT I REALIZED THAT 98 00:03:28,083 --> 00:03:28,959 BRANSON WAS, LIKE, 99 00:03:29,041 --> 00:03:30,291 A ONE-OF-A-KIND THING. 100 00:03:30,375 --> 00:03:34,250 YOU KNOW, THAT'S THE SHOWS. 101 00:03:34,333 --> 00:03:38,000 MY EARLIEST MEMORIES OF LIKE, 102 00:03:38,083 --> 00:03:42,583 GETTING INTO MUSICAL THEATER 103 00:03:42,667 --> 00:03:43,083 WAS ACTUALLY MY MOTHER. 104 00:03:43,166 --> 00:03:43,625 SHE WOULD LISTEN TO THE CAST 105 00:03:43,709 --> 00:03:44,500 RECORDING OF "WICKED" AND I FELL 106 00:03:44,583 --> 00:03:47,083 IN LOVE WITH THAT STINKING SHOW. 107 00:03:47,166 --> 00:03:48,417 AND EVER SINCE THEN I'VE BEEN 108 00:03:48,500 --> 00:03:52,709 TRYING TO PURSUE THAT. 109 00:03:52,792 --> 00:03:54,792 I STRUGGLED WITH SAME SEX 110 00:03:54,875 --> 00:03:56,542 ATTRACTION THROUGHOUT 111 00:03:56,625 --> 00:03:58,458 MY ENTIRE LIFE. 112 00:03:58,542 --> 00:04:00,000 SO I CAME OUT MY JUNIOR OF HIGH 113 00:04:00,083 --> 00:04:01,709 SCHOOL AND MY FAMILY WAS VERY 114 00:04:01,792 --> 00:04:05,959 SUPPORTIVE AND I HAD A VERY EASY 115 00:04:06,041 --> 00:04:12,458 COMING OUT. 116 00:04:12,542 --> 00:04:13,208 BUT NOW I ULTIMATELY IDENTIFY 117 00:04:13,291 --> 00:04:15,125 AS A CHRISTIAN, I DON'T IDENTIFY 118 00:04:15,208 --> 00:04:26,125 AS QUEER. 119 00:04:26,208 --> 00:04:31,250 TO SOMEONE LIKE MY MOTHER WHO 120 00:04:31,333 --> 00:04:32,667 ISN'T NECESSARILY WHAT YOU WOULD 121 00:04:32,750 --> 00:04:33,250 CALL A BELIEVER, IT'S REALLY 122 00:04:33,333 --> 00:04:33,583 HARD FOR HER. 123 00:04:33,667 --> 00:04:37,959 I KNOW THAT SHE DOESN'T 124 00:04:38,041 --> 00:04:38,834 UNDERSTAND THAT YOU KNOW, 125 00:04:38,917 --> 00:04:39,458 THIS IS WHAT GOD'S WORD SAYS. 126 00:04:39,542 --> 00:04:42,417 BUT I KNOW GOD'S GOT IT. 127 00:04:47,125 --> 00:04:49,583 OH, MY GOSH, IT'S SUCH AN HONOR. 128 00:04:49,667 --> 00:04:50,250 >> Bob The Drag Queen: OH, IT'S 129 00:04:50,333 --> 00:04:56,250 NICE TO MEET YOU. 130 00:04:56,333 --> 00:04:56,875 YOU DID A REALLY GOOD JOB. 131 00:04:56,959 --> 00:04:57,917 >> Tanner: THANK YOU. 132 00:04:58,000 --> 00:04:58,208 OH, MY GOSH. 133 00:04:58,291 --> 00:04:58,834 >> Bob The Drag Queen: HOW LONG 134 00:04:58,917 --> 00:04:59,542 HAVE YOU BEEN BACK IN BRANSON? 135 00:04:59,625 --> 00:05:00,417 >> Tanner: ABOUT, PROBABLY ABOUT 136 00:05:00,500 --> 00:05:00,875 A YEAR AND A HALF NOW. 137 00:05:00,959 --> 00:05:01,458 LIKE, WHEN I LIVED UP IN 138 00:05:01,542 --> 00:05:02,583 SPRINGFIELD, I WAS LIVING THIS 139 00:05:02,667 --> 00:05:03,166 EXTREMELY LIKE, ALL OVER THE 140 00:05:03,250 --> 00:05:03,542 PLACE LIFE. 141 00:05:03,625 --> 00:05:05,250 I WAS PART OF THE HOMOSEXUAL 142 00:05:05,333 --> 00:05:06,834 COMMUNITY AND MY DRUG HABITS 143 00:05:06,917 --> 00:05:08,166 AND MY ALCOHOL HABITS WERE 144 00:05:08,250 --> 00:05:10,917 REALLY GETTING OUT OF CONTROL, 145 00:05:11,000 --> 00:05:14,792 TO THE POINT THAT IT WAS 146 00:05:14,875 --> 00:05:16,583 DESTROYING MY LIFE. 147 00:05:16,667 --> 00:05:17,208 IT FINALLY CLICKED ONE DAY THAT 148 00:05:17,291 --> 00:05:19,709 IT WAS REALLY HURTING PEOPLE, 149 00:05:19,792 --> 00:05:25,208 SO I DECIDED LIKE, TO QUIT COLD 150 00:05:25,291 --> 00:05:26,417 TURKEY AND I PRAYED FOR THE 151 00:05:26,500 --> 00:05:26,917 FIRST TIME IN SO LONG. 152 00:05:27,000 --> 00:05:28,417 AND I JUST FELT THIS KIND OF 153 00:05:28,500 --> 00:05:30,667 EASE OFF ME AND I FELT LIKE, 154 00:05:30,750 --> 00:05:31,250 OKAY, EVERYTHING'S GONNA BE 155 00:05:31,333 --> 00:05:36,417 OKAY. 156 00:05:36,500 --> 00:05:38,166 EVERYTHING'S GONNA BE GOOD. 157 00:05:38,250 --> 00:05:41,458 THEN I HAD TO COME TO CALMS WITH 158 00:05:41,542 --> 00:05:45,917 BEING GAY AND FOLLOWING CHRIST 159 00:05:46,000 --> 00:05:46,542 AND I ULTIMATELY, I HAD TO GO 160 00:05:46,625 --> 00:05:49,542 THE BIBLE ROUTE. 161 00:05:49,625 --> 00:05:50,417 >> Bob The Drag Queen: WHEN YOU 162 00:05:50,500 --> 00:05:55,542 WERE IN SPRINGFIELD, DID YOU 163 00:05:55,625 --> 00:05:56,125 IDENTIFY AS A QUEER? 164 00:05:56,208 --> 00:05:56,500 >> Tanner: YES. 165 00:05:56,583 --> 00:05:57,125 >> Bob The Drag Queen: BUT YOU 166 00:05:57,208 --> 00:05:57,458 DON'T ANYMORE? 167 00:05:57,542 --> 00:05:57,792 >> Tanner: NO. 168 00:05:57,875 --> 00:05:58,625 >> Bob The Drag Queen: AND HOW'S 169 00:05:58,709 --> 00:05:59,000 THAT BEEN? 170 00:05:59,083 --> 00:05:59,625 IS THAT LIKE A DAILY STRUGGLE? 171 00:05:59,709 --> 00:06:02,291 >> Tanner: IT'S SOMETHING I 172 00:06:02,375 --> 00:06:06,542 STRUGGLE WITH ON A DAILY BASIS 173 00:06:06,625 --> 00:06:12,417 AND TO BE BLUNT, IT'S SOMETIMES 174 00:06:12,500 --> 00:06:14,625 I QUESTION LIKE, WHY IS IT A SIN 175 00:06:14,709 --> 00:06:16,542 FOR A GUY TO BE WITH A GUY? 176 00:06:16,625 --> 00:06:19,500 IT BOGGLES ME AT TIMES BUT IN 177 00:06:19,583 --> 00:06:21,166 THE SAME REGARD, YOU KNOW, 178 00:06:21,250 --> 00:06:21,875 THAT'S WHAT FAITH IS ABOUT, 179 00:06:21,959 --> 00:06:26,208 YOU KNOW. 180 00:06:26,291 --> 00:06:27,458 IT ALL GOES BACK TO MY JOB IS TO 181 00:06:27,542 --> 00:06:29,083 SPEAK THE TRUTH, SPEAK WHAT, YOU 182 00:06:29,166 --> 00:06:30,875 KNOW, GOD HAS SHOWN ME TO BE THE 183 00:06:30,959 --> 00:06:34,333 TRUTH AND THEN LOVE. 184 00:06:34,417 --> 00:06:35,792 >> Bob The Drag Queen: DO YOU 185 00:06:35,875 --> 00:06:38,875 TALK TO YOUR MOM ABOUT THIS LOT? 186 00:06:38,959 --> 00:06:42,917 >> Tanner: IT'S VERY SPARINGLY 187 00:06:43,000 --> 00:06:45,542 THAT WE DO AND IT'S ONE OF THOSE 188 00:06:45,625 --> 00:06:48,709 THINGS THAT I'VE JUST LEARNED 189 00:06:48,792 --> 00:06:49,417 THAT YOU KNOW, NOT EVERYONE'S 190 00:06:49,500 --> 00:06:50,000 GONNA UNDERSTAND, YOU KNOW. 191 00:06:50,083 --> 00:06:51,875 >> Bob The Drag Queen: I WENT 192 00:06:51,959 --> 00:06:53,875 THE RELIGIOUS PHASE OF MY LIFE 193 00:06:53,959 --> 00:06:55,959 AND I DID FEEL LIKE THERE WAS 194 00:06:56,041 --> 00:06:58,917 JUST SOMETHING WRONG WITH ME. 195 00:06:59,000 --> 00:07:00,041 SO I OFTEN HAVE VISCERAL 196 00:07:00,125 --> 00:07:01,166 RESPONSES TO CHRISTIANITY. 197 00:07:01,250 --> 00:07:04,375 BUT THEN I CAN ALSO LOOK BACK 198 00:07:04,458 --> 00:07:04,959 AT HOW IT HAS HELPED A LOT OF 199 00:07:05,041 --> 00:07:05,959 PEOPLE IN MY LIFE, IN MY FAMILY. 200 00:07:06,041 --> 00:07:10,000 AND IF THIS IS WHAT HE NEEDS TO 201 00:07:10,083 --> 00:07:11,166 GET TO A POSITIVE SPACE, A SPACE 202 00:07:11,250 --> 00:07:11,834 WHERE HE CAN LIVE WITH HIMSELF 203 00:07:11,917 --> 00:07:15,208 AND BE HAPPY WITH HIMSELF, 204 00:07:15,291 --> 00:07:15,917 THEN HE HAS TO DO IT. 205 00:07:16,000 --> 00:07:16,458 I'M JUST TRYING TO CONSIDER 206 00:07:16,542 --> 00:07:18,291 HIS POINT OF VIEW. 207 00:07:18,375 --> 00:07:22,417 I'M EXCITED ABOUT DOING THIS 208 00:07:22,500 --> 00:07:23,583 PERFORMANCE WITH YOU 209 00:07:23,667 --> 00:07:25,291 AND YOUR MOM. 210 00:07:25,375 --> 00:07:26,542 I HAVE A COUPLE OF IDEAS THAT 211 00:07:26,625 --> 00:07:27,166 I'VE BEEN LIKE, WHISHING AROUND 212 00:07:27,250 --> 00:07:27,458 IN MY HEAD. 213 00:07:27,542 --> 00:07:28,083 I ALSO WANT TO PRESENT THEM TO 214 00:07:28,166 --> 00:07:28,750 YOU AND YOUR MOM TOMORROW, SO WE 215 00:07:28,834 --> 00:07:29,333 CAN LIKE, SIT DOWN AND LIKE, 216 00:07:29,417 --> 00:07:31,291 REALLY LIKE, CREATE THIS NUMBER 217 00:07:31,375 --> 00:07:32,709 TOGETHER. 218 00:07:32,792 --> 00:07:35,542 MAKE IT SOMETHING THAT YOU ARE 219 00:07:35,625 --> 00:07:37,834 BOTH, NOT ONLY EXCITED TO BE A 220 00:07:37,917 --> 00:07:38,709 PART OF, BUT THAT YOU CAN LOOK 221 00:07:38,792 --> 00:07:42,709 BACK WHEN IT'S ALL SAID AND DONE 222 00:07:42,792 --> 00:07:43,583 AND GO, "THAT WAS FUN, AND IT 223 00:07:43,667 --> 00:07:44,458 WAS REPRESENTATIVE OF WHO I AM." 224 00:07:44,542 --> 00:07:44,917 YOU KNOW WHAT I MEAN? 225 00:07:45,000 --> 00:07:45,458 >> Tanner: MM-HM. 226 00:07:45,542 --> 00:07:46,125 I'M DOWN. 227 00:07:46,208 --> 00:07:46,709 >> Bob The Drag Queen: THIS IS 228 00:07:46,792 --> 00:07:48,375 SO EXCITING. 229 00:07:48,458 --> 00:07:49,125 >> Tanner: I KNOW, IT'S STILL 230 00:07:49,208 --> 00:07:51,959 LIKE, SETTING IN THAT I'M LIKE, 231 00:07:52,041 --> 00:07:53,792 SITTING WITH YOU AT -- 232 00:07:54,500 --> 00:07:55,291 >> Bob The Drag Queen: CRAZY. 233 00:07:55,375 --> 00:07:58,208 ME OF ALL PEOPLE, IF YOU CAN 234 00:07:58,291 --> 00:07:59,750 EVEN BELIEVE IT. 235 00:08:12,375 --> 00:08:13,500 >> Shangela: OKAY, ALL RIGHT. 236 00:08:13,583 --> 00:08:18,709 AH, HELLO? 237 00:08:18,792 --> 00:08:19,542 HOW ARE YOU? 238 00:08:19,625 --> 00:08:20,208 I'M SORRY TO INTERRUPT YOUR 239 00:08:20,291 --> 00:08:22,208 REHEARSAL, YOU KNOW, I HATE TO 240 00:08:22,291 --> 00:08:24,625 INTERRUPT THE MAGIC. 241 00:08:24,709 --> 00:08:26,542 I SAW YOU WERE DOING LITTLE 242 00:08:26,625 --> 00:08:27,125 NUMBERS HERE AND I GOT EXCITED 243 00:08:27,208 --> 00:08:27,625 IN THE DOORWAY, BITCH, 244 00:08:27,709 --> 00:08:27,959 I WAS LIKE... 245 00:08:28,041 --> 00:08:29,083 ARE YOU A BALLET DANCER? 246 00:08:29,166 --> 00:08:30,834 >> Charles: THAT'S WHAT I WENT 247 00:08:30,917 --> 00:08:33,250 TO COLLEGE FOR, YEAH. 248 00:08:33,333 --> 00:08:33,875 KIND OF WENT A LITTLE BIT MORE 249 00:08:33,959 --> 00:08:34,417 MUSICAL THEATER AND JAZZ 250 00:08:34,500 --> 00:08:34,875 AND STUFF LIKE THAT. 251 00:08:34,959 --> 00:08:35,083 BUT... 252 00:08:35,166 --> 00:08:35,667 >> Shangela: OH, VERY COOL. 253 00:08:35,750 --> 00:08:39,542 YOU KNOW, I SEE DANCE, 254 00:08:39,625 --> 00:08:40,583 I GET EXCITED BY IT. 255 00:08:40,667 --> 00:08:40,959 >> Charles: YES. 256 00:08:41,041 --> 00:08:41,583 >> Shangela: NOW HERE'S THE MOST 257 00:08:41,667 --> 00:08:42,041 IMPORTANT QUESTION. 258 00:08:42,125 --> 00:08:42,417 >> Charles: OKAY. 259 00:08:42,500 --> 00:08:43,041 >> Shangela: WHAT DO YOU KNOW 260 00:08:43,125 --> 00:08:43,333 ABOUT DRAG? 261 00:08:43,417 --> 00:08:43,959 >> Charles: I KNOW A LITTLE BIT 262 00:08:44,041 --> 00:08:44,250 ABOUT DRAG. 263 00:08:44,333 --> 00:08:45,041 >> Shangela: OH, GIVE ME 264 00:08:45,125 --> 00:08:46,083 WHAT YOU KNOW. 265 00:08:46,166 --> 00:08:46,458 OH, HERE WE GO. 266 00:08:46,542 --> 00:08:47,041 GOT A PROFESSIONAL, Y'ALL. 267 00:08:47,125 --> 00:08:49,875 Y'ALL, WE GOT A PROFESSIONAL. 268 00:08:49,959 --> 00:08:50,542 >> Charles: I THINK EVERYONE HAS 269 00:08:50,625 --> 00:08:51,208 A LITTLE BIT OF A QUEEN IN THEM. 270 00:08:51,291 --> 00:08:51,709 >> Shangela: HALLELUJAH. 271 00:08:51,792 --> 00:08:52,875 >> Charles: RIGHT, SO I LOVE 272 00:08:52,959 --> 00:08:54,125 MAKEUP, YOU KNOW, I LOVE FLASHY 273 00:08:54,208 --> 00:08:55,041 THINGS. 274 00:08:55,125 --> 00:08:56,166 SO DRAG KIND OF IS A NATURAL 275 00:08:56,250 --> 00:08:57,709 THING FOR ME. 276 00:08:57,792 --> 00:08:58,834 I LOVE PERFORMING. 277 00:08:58,917 --> 00:09:00,917 I'M A DANCER. 278 00:09:01,000 --> 00:09:01,500 IT'S WHAT I DO. 279 00:09:01,583 --> 00:09:02,166 >> Shangela: WHAT'S THE QUEER 280 00:09:02,250 --> 00:09:04,625 COMMUNITY LIKE HERE? 281 00:09:04,709 --> 00:09:05,792 IS THERE A QUEER COMMUNITY? 282 00:09:05,875 --> 00:09:06,458 >> Charles: YEAH, THERE IS, IT'S 283 00:09:06,542 --> 00:09:07,083 DEFINITELY LIKE BUBBLING UNDER 284 00:09:07,166 --> 00:09:09,291 THE SURFACE, JUST BEING, YOU 285 00:09:09,375 --> 00:09:10,083 KNOW, HAVING SO MANY SHOWS IN 286 00:09:10,166 --> 00:09:10,709 TOWN, YOU'RE OBVIOUSLY GOING TO 287 00:09:10,792 --> 00:09:12,166 HAVE A QUEER PRESENCE. 288 00:09:12,250 --> 00:09:14,291 WE ARE HERE, I JUST DON'T KNOW 289 00:09:14,375 --> 00:09:15,959 THAT WE HAVE A COMPLETELY OPEN 290 00:09:16,041 --> 00:09:18,166 SPACE YET. 291 00:09:18,250 --> 00:09:20,792 YOU KNOW WHAT I MEAN? 292 00:09:20,875 --> 00:09:21,250 >> Shangela: WHY? 293 00:09:21,333 --> 00:09:22,709 >> Charles: WE'RE RIGHT IN THE 294 00:09:22,792 --> 00:09:23,375 CENTER OF THE BIBLE BELT, 295 00:09:23,458 --> 00:09:24,750 FIRST OF ALL. 296 00:09:24,834 --> 00:09:26,083 YOU KNOW. 297 00:09:26,166 --> 00:09:27,333 I'M A CHRISTIAN, BUT CERTAIN 298 00:09:27,417 --> 00:09:30,625 CHRISTIANS JUST THINK THAT IT'S 299 00:09:30,709 --> 00:09:31,375 WRONG. 300 00:09:31,458 --> 00:09:32,750 I LIVE WITH MY PARTNER, BRENT, 301 00:09:32,834 --> 00:09:36,375 WE'VE BEEN TOGETHER 11 YEARS. 302 00:09:36,458 --> 00:09:39,417 BRANSON PEOPLE, THEY SHOW THAT 303 00:09:39,542 --> 00:09:40,625 THEY'RE NOT FULLY ACCEPTING OF 304 00:09:40,750 --> 00:09:45,125 IT IN THEIR BODY LANGUAGE, OR 305 00:09:45,208 --> 00:09:46,709 YOU KNOW, THEIR GLANCES 306 00:09:46,792 --> 00:09:47,291 OVER AT US. 307 00:09:47,375 --> 00:09:50,458 CERTAIN THEATERS IN TOWN WILL 308 00:09:50,542 --> 00:09:52,166 NOT HIRE GAY PEOPLE, IF THEY 309 00:09:52,250 --> 00:09:52,834 FIND OUT YOU'RE GAY, I THINK YOU 310 00:09:52,917 --> 00:09:54,458 WOULD BE LET GO. 311 00:09:54,542 --> 00:09:56,583 >> Shangela: WOW. 312 00:09:56,667 --> 00:09:58,667 >> Charles: YEAH, THEY JUST, 313 00:09:58,750 --> 00:09:59,291 THERE ARE RELIGIOUS SHOWS THAT 314 00:09:59,375 --> 00:10:01,166 HAVE CERTAIN CORE BELIEFS AND IF 315 00:10:01,250 --> 00:10:02,875 YOU DON'T FOLLOW YOUR BELIEFS, 316 00:10:02,959 --> 00:10:04,291 THEN YOU'RE NOT A PART 317 00:10:04,375 --> 00:10:04,625 OF THEIR CAST. 318 00:10:04,709 --> 00:10:06,333 >> Shangela: WOW. 319 00:10:06,417 --> 00:10:08,166 >> Charles: SO I THINK THAT 320 00:10:08,250 --> 00:10:09,583 PROBABLY A LOT OF THOSE CAST 321 00:10:09,667 --> 00:10:11,333 MEMBERS ARE HIDING. 322 00:10:11,417 --> 00:10:12,625 >> Shangela: HERE'S WHAT I WANT 323 00:10:12,709 --> 00:10:14,834 FOR THOSE 324 00:10:14,917 --> 00:10:17,417 WHO ARE HERE IN THIS COMMUNITY, 325 00:10:17,500 --> 00:10:18,083 YOU HAD TO STEP EVEN MORE 326 00:10:18,166 --> 00:10:19,250 FORWARD, FARTHER THAN WHERE YOU 327 00:10:19,333 --> 00:10:20,500 ARE RIGHT NOW EVEN AND THAT WILL 328 00:10:20,583 --> 00:10:23,333 INSPIRE THE PEOPLE 'CAUSE THEY 329 00:10:23,417 --> 00:10:25,542 KNOW YOU OWN SO MUCH OF WHO YOU 330 00:10:25,625 --> 00:10:27,625 ARE ALREADY, BUT WHO ALSO YOU 331 00:10:27,709 --> 00:10:28,375 CAN BE. 332 00:10:28,458 --> 00:10:29,041 >> Charles: SURE. 333 00:10:29,125 --> 00:10:29,667 >> Shangela: SO ARE WE GONNA DO 334 00:10:29,750 --> 00:10:30,041 A SHOW TOGETHER. 335 00:10:30,125 --> 00:10:30,417 >> Charles: YEAH. 336 00:10:30,500 --> 00:10:31,083 >> Shangela: AND WE'LL HAVE SOME 337 00:10:31,166 --> 00:10:31,542 FUN WITH IT. 338 00:10:31,625 --> 00:10:32,625 >> Charles: COOL. 339 00:10:32,709 --> 00:10:33,250 >> Shangela: AND MAYBE THERE IS 340 00:10:33,333 --> 00:10:35,500 A HUGE AMOUNT OF SUPPORT THAT 341 00:10:35,583 --> 00:10:36,125 PEOPLE DIDN'T EVEN KNOW IN THIS 342 00:10:36,208 --> 00:10:36,792 COMMUNITY AND EVEN IF THERE 343 00:10:36,875 --> 00:10:40,792 AIN'T NOBODY, AT LEAST THERE'LL 344 00:10:40,875 --> 00:10:41,625 BE THE TWO OF US. 345 00:10:41,709 --> 00:10:42,041 >> Charles: RIGHT, 346 00:10:42,125 --> 00:10:42,417 WE'LL HAVE FUN. 347 00:10:42,500 --> 00:10:42,875 >> Shangela: EXACTLY. 348 00:10:42,959 --> 00:10:44,500 IT'S HARD TO HAVE TO SUPPRESS 349 00:10:44,583 --> 00:10:45,667 WHO YOU ARE TO DO YOUR JOB. 350 00:10:45,750 --> 00:10:47,542 THAT'S NOT FAIR. 351 00:10:47,625 --> 00:10:49,583 IT'S NOT RIGHT, WHICH IS WHY I 352 00:10:49,667 --> 00:10:50,917 THINK IT'S SO IMPORTANT TO HAVE 353 00:10:51,000 --> 00:10:52,709 SOMEONE RIGHT IN THEIR COMMUNITY 354 00:10:52,792 --> 00:10:54,792 WHO IS LIKE, "LOOK, HERE I AM, 355 00:10:54,875 --> 00:10:55,458 I'M GAY. 356 00:10:55,542 --> 00:10:56,542 I'M PROUD. 357 00:10:56,625 --> 00:10:58,458 I'M LIVING MY BEST LIFE. 358 00:10:58,542 --> 00:11:00,375 AND YOU CAN TOO." 359 00:11:00,458 --> 00:11:01,083 SPEAKING OF PERFORMING, LET'S GO 360 00:11:01,166 --> 00:11:01,750 AND GET US FIVE, SIX, SEVEN, 361 00:11:01,834 --> 00:11:02,375 EIGHT, TOGETHER BEFORE I HAVE TO 362 00:11:02,458 --> 00:11:03,667 HIT IT. 363 00:11:03,750 --> 00:11:06,041 OH. 364 00:11:06,125 --> 00:11:06,625 >> Charles: DON'T POP A SEAM, 365 00:11:06,709 --> 00:11:06,834 GIRL. 366 00:11:06,917 --> 00:11:09,959 >> Shangela: GIRL, GOOD LUCK, 367 00:11:10,041 --> 00:11:10,583 THIS SHAPE GETS TIED UP IN THE 368 00:11:10,667 --> 00:11:11,250 JEANS GIRL, LOOK AT THAT, GIRL. 369 00:11:11,333 --> 00:11:11,917 I LOOK LIKE A KARDASHIAN IN THIS 370 00:11:12,000 --> 00:11:13,750 MIRROR, BITCH. 371 00:11:13,834 --> 00:11:15,250 >> Charles: YES, GIRL, 372 00:11:15,333 --> 00:11:16,291 ARE YOU PADDED? 373 00:11:16,375 --> 00:11:17,750 >> Shangela: 374 00:11:17,834 --> 00:11:18,083 OOH. 375 00:11:18,166 --> 00:11:18,834 BITCH I'M FEELING THINGS I AIN'T 376 00:11:18,917 --> 00:11:20,583 FELT SINCE '86. 377 00:11:20,667 --> 00:11:21,208 >> Charles: YOU PROBABLY FEEL. 378 00:11:21,291 --> 00:11:22,083 >> Shangela: WELL, HOW FAR DOWN 379 00:11:22,166 --> 00:11:22,417 ARE YOU GOING? 380 00:11:22,500 --> 00:11:23,250 >> Charles: I MEAN, YOU CAN GO 381 00:11:23,333 --> 00:11:23,875 LIKE, ALL THE WAY DOWN IF YOU 382 00:11:23,959 --> 00:11:26,000 WANT. 383 00:11:26,083 --> 00:11:27,291 >> Shangela: WELL, YOU CAN. 384 00:11:27,375 --> 00:11:27,875 IF I GO DOWN, GIRL, THEN YOU 385 00:11:27,959 --> 00:11:30,000 KNOW, I DO THE DEATH DROP. 386 00:11:30,083 --> 00:11:30,458 >> Charles: OH YES. 387 00:11:30,542 --> 00:11:31,291 >> Shangela: TWO MINUTES LIKE 388 00:11:31,375 --> 00:11:33,041 THIS, GOD, THAT I CAN DO. 389 00:11:33,125 --> 00:11:34,166 OOH THAT'S LOVELY. 390 00:11:34,250 --> 00:11:34,792 >> Charles: YOU'RE GONNA HAVE TO 391 00:11:34,875 --> 00:11:36,417 TEACH ME THAT. 392 00:11:36,500 --> 00:11:37,625 >> Chris: AS A CHILD, MY MODEL 393 00:11:47,083 --> 00:11:49,375 >> Chris: AS A CHILD, MY MODEL 394 00:11:49,458 --> 00:11:53,583 FOR MASCULINITY WAS MY GRANDPA. 395 00:11:53,667 --> 00:11:56,041 THAT WAS REALLY IT. 396 00:11:56,125 --> 00:11:56,792 THAT WAS THE ONLY MALE MODEL 397 00:11:56,875 --> 00:12:01,291 I REALLY HAD. 398 00:12:01,375 --> 00:12:04,959 HE TAUGHT ME YOU HAVE TO BOTTLE 399 00:12:05,041 --> 00:12:06,667 UP YOUR EMOTIONS. 400 00:12:06,750 --> 00:12:11,083 THAT IT WASN'T OKAY TO CRY. 401 00:12:11,166 --> 00:12:14,000 IT FELT LIKE I WAS GOING THROUGH 402 00:12:14,083 --> 00:12:16,333 THE MOTIONS OF LIFE AND NOT 403 00:12:16,417 --> 00:12:21,083 KNOWING HOW TO PROCESS ANYTHING. 404 00:12:21,166 --> 00:12:25,917 OUR DAUGHTER'S REALLY SICK. 405 00:12:26,000 --> 00:12:32,709 SHE IS GOING TO HAVE A HARD TIME 406 00:12:32,792 --> 00:12:34,875 FOR HER WHOLE LIFE. 407 00:12:34,959 --> 00:12:38,750 AND THERE WAS A LOT OF TIMES 408 00:12:38,834 --> 00:12:40,875 WHERE I WASN'T THERE FOR HER, 409 00:12:40,959 --> 00:12:44,709 WHEN I SHOULD HAVE BEEN. 410 00:12:44,792 --> 00:12:45,834 AND THAT MESSED THINGS UP. 411 00:12:45,917 --> 00:12:46,417 >> December: SO YOU GET YOUR 412 00:12:46,500 --> 00:12:48,792 RIGHT HAND AND YOU GO UP. 413 00:12:48,875 --> 00:12:51,166 >> Chris: MM-HM. 414 00:12:51,250 --> 00:12:56,333 THAT'S NOT WHO I WANTED TO BE. 415 00:13:03,000 --> 00:13:05,500 >> Eureka O'Hara: OH, HI, KITTY. 416 00:13:05,583 --> 00:13:11,458 OH, KITTY. 417 00:13:11,542 --> 00:13:12,667 HI, HI, HOW ARE YOU? 418 00:13:12,750 --> 00:13:13,125 >> Sarah: HI. 419 00:13:13,208 --> 00:13:15,125 >> Eureka O'Hara: I AM EUREKA. 420 00:13:15,208 --> 00:13:15,709 I FOUND THIS ON YOUR PORCH, 421 00:13:15,792 --> 00:13:17,792 Y'ALL. 422 00:13:17,875 --> 00:13:18,667 OH, MY GOD, YOU HAVE TWO. 423 00:13:18,750 --> 00:13:19,458 SORRY. 424 00:13:19,542 --> 00:13:20,083 >> Sarah: HI. 425 00:13:20,166 --> 00:13:21,792 >> Eureka O'Hara: HI, HUGS. 426 00:13:21,875 --> 00:13:22,291 >> Sarah: I'M SARAH. 427 00:13:22,375 --> 00:13:22,917 >> Eureka O'Hara: WHAT'S YOUR 428 00:13:23,000 --> 00:13:23,125 NAME? 429 00:13:23,208 --> 00:13:23,667 >> Sarah: THIS IS DECEMBER. 430 00:13:23,750 --> 00:13:24,250 >> Eureka O'Hara: DECEMBER, 431 00:13:24,333 --> 00:13:24,583 HOW ARE YOU? 432 00:13:24,667 --> 00:13:24,792 HI. 433 00:13:24,875 --> 00:13:28,041 >> Chris: HI. 434 00:13:28,125 --> 00:13:29,166 >> Eureka O'Hara: SO WHAT ARE 435 00:13:29,250 --> 00:13:29,625 YOU COOKING? 436 00:13:29,709 --> 00:13:30,500 >> SPAGHETTI. 437 00:13:30,583 --> 00:13:31,959 >> Eureka O'Hara: OH MY 438 00:13:32,041 --> 00:13:32,959 GOODNESS, THIS LOOKS GOOD. 439 00:13:33,041 --> 00:13:33,333 LET THE MAN COOK. 440 00:13:33,417 --> 00:13:34,250 I LOVE IT. 441 00:13:34,333 --> 00:13:34,792 >> Sarah: HE COOKS SO MUCH 442 00:13:34,875 --> 00:13:36,458 BETTER THAN I DO. 443 00:13:36,542 --> 00:13:37,291 >> Eureka O'Hara: ALL I LIKE TO 444 00:13:37,375 --> 00:13:38,208 DO IS EAT, I'M NOT A COOK 445 00:13:38,291 --> 00:13:40,750 EITHER. 446 00:13:40,834 --> 00:13:41,125 >> Sarah: RIGHT. 447 00:13:41,834 --> 00:13:42,417 LIKE ME AND DECEMBER WILL TURN 448 00:13:42,500 --> 00:13:43,792 ON MUSIC AND LIKE, HAVE A DANCE 449 00:13:43,875 --> 00:13:44,333 PARTY WHILE HE'S COOKING. 450 00:13:44,417 --> 00:13:44,917 >> Eureka O'Hara: SO HOW OLD 451 00:13:45,000 --> 00:13:45,458 IS SHE? 452 00:13:45,542 --> 00:13:46,583 >> Chris: SHE IS EIGHT 453 00:13:46,667 --> 00:13:47,083 YEARS OLD. 454 00:13:47,166 --> 00:13:47,792 >> Eureka O'Hara: EIGHT YEARS 455 00:13:47,875 --> 00:13:49,750 OLD, WOW. 456 00:13:49,834 --> 00:13:50,583 DOES SHE KNOW WHAT DRAG IS? 457 00:13:50,709 --> 00:13:51,792 >> Chris: YES, OH YES, SHE DOES. 458 00:13:51,875 --> 00:13:52,250 >> Sarah: SHE DOES. 459 00:13:52,333 --> 00:13:54,500 >> Eureka O'Hara: OH YEAH. 460 00:13:54,583 --> 00:13:55,208 >> Chris: YES. 461 00:13:55,291 --> 00:13:56,000 >> Eureka O'Hara: YOU'LL BE MY 462 00:13:56,083 --> 00:13:56,500 DRAG DAUGHTER, OBVIOUSLY. 463 00:13:56,583 --> 00:13:56,917 >> Sarah: 464 00:13:57,000 --> 00:13:58,250 >> Eureka O'Hara: SO I HOPE 465 00:13:58,333 --> 00:13:58,834 YOU'RE READY, I'M THE BEST AT 466 00:13:58,917 --> 00:13:59,125 WHAT I DO. 467 00:13:59,208 --> 00:13:59,667 ARE YOU EXCITED OR NERVOUS? 468 00:13:59,750 --> 00:14:00,250 >> Chris: YES, I'M EXCITED. 469 00:14:00,333 --> 00:14:00,792 >> Eureka O'Hara: EXCITED? 470 00:14:00,875 --> 00:14:01,667 >> Chris: YES. 471 00:14:01,750 --> 00:14:02,333 >> Eureka O'Hara: HAVE YOU EVER 472 00:14:02,417 --> 00:14:02,917 THOUGHT ABOUT BEING IN DRAG 473 00:14:03,000 --> 00:14:03,166 BEFORE? 474 00:14:03,250 --> 00:14:05,500 >> Sarah: CHRIS'S FIRST DRAG 475 00:14:05,583 --> 00:14:05,959 SHOW WAS... 476 00:14:06,041 --> 00:14:06,500 WHEN WAS THAT? 477 00:14:06,583 --> 00:14:06,792 SEPTEMBER? 478 00:14:06,875 --> 00:14:09,000 >> Chris: SEPTEMBER, YES. 479 00:14:09,083 --> 00:14:10,250 >> Sarah: WE WERE ALL SUPER 480 00:14:10,333 --> 00:14:11,792 PROUD OF HIM BECAUSE OF LIKE, 481 00:14:11,875 --> 00:14:15,333 HOW HE'S BEEN LIKE, REALLY IN A 482 00:14:15,417 --> 00:14:15,917 SHELL ABOUT A LOT OF THINGS. 483 00:14:16,000 --> 00:14:16,542 AND THAT NIGHT THAT WE WERE ALL 484 00:14:16,625 --> 00:14:17,166 OUT THERE, HE WAS SITTING RIGHT 485 00:14:17,250 --> 00:14:20,000 UP FRONT WITH ALL OF US. 486 00:14:20,083 --> 00:14:22,041 AND IT WAS REALLY, YEAH, IT WAS 487 00:14:22,125 --> 00:14:22,709 REALLY COOL TO WATCH HIM KIND OF 488 00:14:22,792 --> 00:14:23,333 GET OUT OF HIS SHELL FOR THAT. 489 00:14:23,417 --> 00:14:23,875 >> Eureka O'Hara: YEAH, 490 00:14:23,959 --> 00:14:27,500 ESPECIALLY WHEN YOU'RE RAISED 491 00:14:27,583 --> 00:14:28,083 A CERTAIN WAY, I GUESS, HUH? 492 00:14:28,166 --> 00:14:28,667 >> Chris: YEAH, THAT WAS MY 493 00:14:28,750 --> 00:14:29,208 BIGGEST THING IS, I USED TO 494 00:14:29,291 --> 00:14:32,542 SWEEP EVERYTHING UNDER THE RUG. 495 00:14:32,625 --> 00:14:34,583 LIKE, I WENT YEARS WITH, 496 00:14:34,667 --> 00:14:36,417 I'LL GO OVER HERE. 497 00:14:36,500 --> 00:14:41,667 I WENT YEARS JUST NOT KNOWING 498 00:14:41,750 --> 00:14:42,291 THAT I HAD DEPRESSION, ANXIETY, 499 00:14:42,375 --> 00:14:42,667 ALL THAT STUFF. 500 00:14:42,750 --> 00:14:43,291 THAT WAS SOMETHING I NEVER KNEW 501 00:14:43,375 --> 00:14:44,458 HOW TO PROCESS. 502 00:14:44,542 --> 00:14:48,166 AND I JUST MADE THE DECISION ONE 503 00:14:48,250 --> 00:14:50,250 DAY, I WAS AT WORK AND I WAS 504 00:14:50,333 --> 00:14:56,208 LIKE, I'M GONNA KILL MYSELF. 505 00:14:56,291 --> 00:15:00,750 AND I CAME HOME AND LIKE, PLAYED 506 00:15:00,834 --> 00:15:01,625 IT OFF LIKE, FOR A WEEK AND THEN 507 00:15:01,709 --> 00:15:02,917 I FINALLY TOLD HER, "HEY, THIS 508 00:15:03,000 --> 00:15:04,709 HAPPENED A WEEK AGO," AND SHE 509 00:15:04,792 --> 00:15:06,709 WAS LIKE, "WE'RE GONNA GET YOU 510 00:15:06,792 --> 00:15:07,667 HELP." 511 00:15:07,750 --> 00:15:08,250 >> Sarah: I MEAN, WE'VE BEEN 512 00:15:08,333 --> 00:15:12,333 TOGETHER FOR 11 YEARS. 513 00:15:12,417 --> 00:15:13,083 >> Eureka O'Hara: YEAH. 514 00:15:13,166 --> 00:15:13,792 >> Sarah: AND SO SOMEWHERE ALONG 515 00:15:13,875 --> 00:15:14,375 THE WAY, HE QUIT TALKING AND I 516 00:15:14,458 --> 00:15:15,834 QUIT TALKING. 517 00:15:15,917 --> 00:15:17,250 AND WE WERE BOTH EXPRESSING 518 00:15:17,333 --> 00:15:19,458 LIKE, HOW WE WERE FEELING. 519 00:15:19,542 --> 00:15:20,625 SO WE GOT HIM INTO A COUNSELOR 520 00:15:20,709 --> 00:15:22,458 TO JUST AND GET HIM TO A POINT 521 00:15:22,542 --> 00:15:23,500 WHERE HE CAN TALK ABOUT HOW HE 522 00:15:23,583 --> 00:15:24,667 FEELS AND STUFF. 523 00:15:24,750 --> 00:15:26,417 >> Eureka O'Hara: YEAH. 524 00:15:26,500 --> 00:15:28,125 >> Sarah: UNFORTUNATELY, IT TOOK 525 00:15:28,208 --> 00:15:29,625 TOO LONG FOR US TO COMMUNICATE 526 00:15:29,709 --> 00:15:31,709 THE RIGHT WAY. 527 00:15:31,792 --> 00:15:32,291 >> Eureka O'Hara: YEAH. 528 00:15:32,375 --> 00:15:34,792 >> Sarah: I MEAN, IT'S KIND OF 529 00:15:34,875 --> 00:15:35,792 WELL, WHAT IT IS WE'RE IN THE 530 00:15:35,875 --> 00:15:36,917 MIDDLE OF A DIVORCE, I DON'T 531 00:15:37,000 --> 00:15:37,750 KNOW, WE'RE KIND OF FIGURING OUT 532 00:15:37,834 --> 00:15:38,542 HOW TO BE FRIENDS AGAIN. 533 00:15:38,625 --> 00:15:39,041 >> Eureka O'Hara: YEAH. 534 00:15:39,125 --> 00:15:42,125 THAT'S AMAZING. 535 00:15:42,208 --> 00:15:42,667 >> Sarah: AND WE'RE ABLE TO 536 00:15:42,750 --> 00:15:43,291 LIKE, HAVE DINNER TOGETHER AND 537 00:15:43,375 --> 00:15:43,875 STUFF AND BE WHO WE NEED TO BE 538 00:15:43,959 --> 00:15:44,208 FOR HER AND... 539 00:15:44,291 --> 00:15:44,792 >> Eureka O'Hara: YEAH, I CAN 540 00:15:44,875 --> 00:15:45,542 SEE IT, I KNOW. 541 00:15:45,625 --> 00:15:49,333 THAT'S BEAUTIFUL. 542 00:15:49,417 --> 00:15:50,041 >> Chris: WHEN I WENT TO MY 543 00:15:50,125 --> 00:15:55,583 FIRST EVER DRAG SHOW, I JUST 544 00:15:55,709 --> 00:15:56,542 EXPERIENCED ALL THE GOOD 545 00:15:56,625 --> 00:15:57,166 POSITIVE ENERGY AND THEY WERE 546 00:15:57,250 --> 00:16:01,959 JUST SO NICE AND COOL. 547 00:16:02,041 --> 00:16:02,750 AND I LOVED IT. 548 00:16:02,834 --> 00:16:03,375 'CAUSE THAT'S A WAY TO EXPRESS 549 00:16:03,458 --> 00:16:06,083 YOURSELF. 550 00:16:06,166 --> 00:16:06,917 >> Eureka O'Hara: I'M GONNA BE 551 00:16:07,000 --> 00:16:07,500 IN DRAG LATER THIS WEEK WITH 552 00:16:07,583 --> 00:16:07,792 YOUR DAD. 553 00:16:07,875 --> 00:16:08,834 HOW DO YOU FEEL ABOUT THAT? 554 00:16:08,917 --> 00:16:10,417 >> December: I DON'T KNOW WHAT 555 00:16:10,500 --> 00:16:11,291 HE'S GONNA LOOK LIKE THIS WAY. 556 00:16:11,375 --> 00:16:12,125 >> Eureka O'Hara: OH HONEY, 557 00:16:12,208 --> 00:16:14,709 TRUST, I'M GONNA MAKE SURE HE'S 558 00:16:14,792 --> 00:16:16,417 BEAUTIFUL. 559 00:16:16,500 --> 00:16:18,208 >> Chris: I THINK THAT THIS WILL 560 00:16:18,250 --> 00:16:19,375 HELP ME COMMUNICATE WITH MY 561 00:16:19,458 --> 00:16:22,583 DAUGHTER THE RIGHT WAY I SHOULD. 562 00:16:22,667 --> 00:16:23,458 BECAUSE SHOWING MY EMOTION IS, 563 00:16:23,542 --> 00:16:27,083 THAT'S HOW I'M GONNA CONNECT 564 00:16:27,166 --> 00:16:29,875 WITH HER. 565 00:16:29,959 --> 00:16:30,542 >> Eureka O'Hara: SO I ACTUALLY 566 00:16:30,625 --> 00:16:32,208 NEED YOUR HELP, BECAUSE WE'VE 567 00:16:32,291 --> 00:16:32,792 GOT TO FIGURE OUT A DRAG NAME 568 00:16:32,875 --> 00:16:33,208 FOR YOUR DAD TOO. 569 00:16:33,291 --> 00:16:33,834 >> December: WHAT ABOUT MIRANDA? 570 00:16:33,917 --> 00:16:34,959 >> Eureka O'Hara: MIRANDA? 571 00:16:35,041 --> 00:16:35,500 YOU'VE GOT TO ASK DADDY. 572 00:16:35,583 --> 00:16:36,542 >> December: YEAH. 573 00:16:36,625 --> 00:16:37,125 >> Sarah: I LIKE MIRANDA. 574 00:16:37,208 --> 00:16:37,750 >> Eureka O'Hara: SO WE LIKE 575 00:16:37,834 --> 00:16:38,250 MIRANDA SO FAR? 576 00:16:38,333 --> 00:16:40,625 JUST MIRANDA? 577 00:16:40,709 --> 00:16:41,250 >> December: MIRANDA JOLES. 578 00:16:41,333 --> 00:16:42,417 >> Eureka O'Hara: MIRANDA JOLES, 579 00:16:42,500 --> 00:16:44,542 WHERE DOES JOLES COME FROM? 580 00:16:44,625 --> 00:16:46,959 >> Sarah: GRANDMA? 581 00:16:47,041 --> 00:16:47,583 THAT'S GRANDMA'S MAIDEN NAME, 582 00:16:47,667 --> 00:16:47,792 LOVE IT. 583 00:16:47,875 --> 00:16:48,667 >> Eureka O'Hara: HI, MIRANDA 584 00:16:48,750 --> 00:16:50,750 JOLES, NICE TO MEET YOU, BABY. 585 00:16:50,834 --> 00:16:51,583 >> December: 586 00:16:51,667 --> 00:16:53,709 >> Eureka O'Hara: YAY, OH SO 587 00:16:53,792 --> 00:16:54,291 YOU'RE GONNA BE THE STYLIST? 588 00:16:54,375 --> 00:16:54,750 >> December: MM-HM, 589 00:16:54,834 --> 00:16:55,291 STYLIST, HEY. 590 00:16:55,375 --> 00:16:55,959 >> Eureka O'Hara: YOU'RE GONNA 591 00:16:56,041 --> 00:16:56,583 BE THE STYLIST, YOU'RE GONNA BE 592 00:16:56,667 --> 00:16:56,917 THE PRODUCER. 593 00:16:57,000 --> 00:16:59,083 >> December: YES. 594 00:16:59,166 --> 00:16:59,750 >> Eureka O'Hara: SO I NEED YOU 595 00:16:59,834 --> 00:17:00,291 TO SAY, "I AM THE PRODUCER." 596 00:17:00,375 --> 00:17:01,750 >> December: I AM THE PRODUCER. 597 00:17:01,834 --> 00:17:02,417 >> Eureka O'Hara: YEAH YOU ARE. 598 00:17:02,500 --> 00:17:03,250 >> December: 599 00:17:03,333 --> 00:17:03,792 >> Eureka O'Hara: GIVE ME 600 00:17:03,875 --> 00:17:05,125 A POUND, BOOM. 601 00:17:05,208 --> 00:17:07,458 >> December: I LIKE TO DO THIS. 602 00:17:07,542 --> 00:17:08,125 >> Eureka O'Hara: WHAT? 603 00:17:08,208 --> 00:17:09,500 >> December: BA-LA-LA. 604 00:17:09,583 --> 00:17:10,125 >> Eureka O'Hara: OKAY, ONE MORE 605 00:17:10,208 --> 00:17:10,333 TIME. 606 00:17:10,417 --> 00:17:11,083 >> December: BA-LA-LA. 607 00:17:11,166 --> 00:17:12,458 >> Eureka O'Hara: OH, MAMA. 608 00:17:12,542 --> 00:17:14,333 YES. 609 00:17:14,417 --> 00:17:15,333 ALL ABOUT IT. 610 00:17:15,417 --> 00:17:17,750 I LOVE THAT. 611 00:17:17,834 --> 00:17:19,542 WE'VE GOT OUR WARDROBE, STYLIST, 612 00:17:19,625 --> 00:17:22,291 OUR HAIR STYLIST, OUR MAKEUP 613 00:17:22,375 --> 00:17:22,959 ARTIST. 614 00:17:23,041 --> 00:17:23,583 I MEAN, YOU'RE GOING TO BE DONE 615 00:17:23,667 --> 00:17:24,834 TO THE NINES, HONEY. 616 00:17:24,917 --> 00:17:25,458 AND ME AND DECEMBER ARE GONNA 617 00:17:25,542 --> 00:17:27,000 MAKE SURE, AREN'T WE? 618 00:17:27,083 --> 00:17:27,625 >> December: YEAH. 619 00:17:27,709 --> 00:17:28,458 >> Eureka O'Hara: SO YOU GOT TO 620 00:17:28,542 --> 00:17:29,834 GIVE ME THE PUNCHY. 621 00:17:29,917 --> 00:17:31,542 December: BA-LA-LA-LA. 622 00:17:31,625 --> 00:17:32,875 >> Eureka O'Hara: YEAH! 623 00:17:32,959 --> 00:17:33,917 I THINK CHRIS WANTED TO BE AN 624 00:17:34,000 --> 00:17:35,125 EMOTIONAL PERSON, I THINK HE 625 00:17:35,208 --> 00:17:37,667 WANTED TO CARE ABOUT HIS 626 00:17:37,750 --> 00:17:38,709 DAUGHTER AND THE WAY I'M GONNA 627 00:17:38,792 --> 00:17:39,417 PLAY MY PART IN THIS IS, I'M 628 00:17:39,500 --> 00:17:40,000 JUST GONNA MAKE HIM HAVE FUN, 629 00:17:40,083 --> 00:17:43,125 I'M GONNA FORCE HIM TO OPEN UP. 630 00:17:43,208 --> 00:17:43,750 COME ON, GIVE US A LITTLE BIT 631 00:17:43,834 --> 00:17:44,375 EXTRA. 632 00:17:44,458 --> 00:17:45,125 AH. 633 00:17:45,208 --> 00:17:46,875 >> Sarah: 634 00:17:46,959 --> 00:17:48,000 >> Eureka O'Hara: MIRANDA JOLES 635 00:17:48,083 --> 00:17:49,333 IN THE HOUSE, MOM. 636 00:17:49,417 --> 00:17:50,291 TO ME, THAT'S WHAT WE'RE DOING 637 00:17:50,375 --> 00:17:53,125 WITH THIS PERFORMANCE, IT'S TIME 638 00:17:53,208 --> 00:17:54,458 TO GET YOUR ASS UP AND SHOW THAT 639 00:17:54,542 --> 00:17:55,458 BABY AND SHOW THAT WIFE WHO THE 640 00:17:55,542 --> 00:17:56,959 FUCK YOU ARE AND WHAT YOU'RE 641 00:17:57,083 --> 00:17:58,959 MADE OF. 642 00:17:59,083 --> 00:18:00,875 SO GUESS WHO'S HE GONNA BE? 643 00:18:00,959 --> 00:18:02,041 FIERCE, ICONIC, SICKENING, 644 00:18:02,125 --> 00:18:03,458 AND PROUD OF HIMSELF. 645 00:18:03,542 --> 00:18:09,875 OKAY. 646 00:18:15,000 --> 00:18:16,709 COME ON, MY DUTTONS. 647 00:18:16,792 --> 00:18:17,875 OH MY GOD Y'ALL, THIS STAGE IS 648 00:18:17,959 --> 00:18:20,041 SO MUCH BIGGER THAN IT LOOKS, 649 00:18:20,125 --> 00:18:21,750 LOOK HOW TALL THIS IS. 650 00:18:21,834 --> 00:18:22,333 OH MOMMA, THIS IS NICE. 651 00:18:22,417 --> 00:18:23,166 >> Shangela: I FEEL IT, 652 00:18:23,250 --> 00:18:23,709 BUT HERE'S A QUESTION, JED. 653 00:18:23,792 --> 00:18:36,667 >> Jed: YES SIR. 654 00:18:36,750 --> 00:18:37,291 >> Shangela: WE'RE DOING A DRAG 655 00:18:37,375 --> 00:18:37,875 SHOW, HAVE YOU EVER HAD A DRAG 656 00:18:37,959 --> 00:18:38,417 SHOW IN THIS VENUE BEFORE? 657 00:18:38,500 --> 00:18:38,875 >> Jed: NOT AT ALL. 658 00:18:38,959 --> 00:18:39,750 >> Shangela: HAVE YOU EVER HAD 659 00:18:39,834 --> 00:18:40,375 PEOPLE RUNNING UP TO THE STAGE 660 00:18:40,458 --> 00:18:40,875 TO TIP WITH DOLLAR BILLS, 661 00:18:40,959 --> 00:18:41,250 FIVES AND 20s? 662 00:18:41,333 --> 00:18:41,792 >> Jed: NO. 663 00:18:41,875 --> 00:18:42,458 >> Shangela: THANK YOU, BABY. 664 00:18:42,542 --> 00:18:42,875 THANK YOU, BABY. 665 00:18:42,959 --> 00:18:43,458 HAVE YOU EVER HAD DRAG QUEENS 666 00:18:43,542 --> 00:18:44,750 ROLLING THROUGH AND TRYING TO 667 00:18:44,834 --> 00:18:46,125 GET ACROSS TO THE MONEY BY THE 668 00:18:46,208 --> 00:18:46,750 PEOPLE OVER HERE, AND DOING A 669 00:18:46,834 --> 00:18:47,375 TWERK SESSION ON THE FRONT ROW? 670 00:18:47,458 --> 00:18:50,542 >> Jed: NO. 671 00:18:50,625 --> 00:18:51,125 >> Shangela: SO WOULD YOU BE 672 00:18:51,208 --> 00:18:53,458 OPEN TO THAT THOUGH? 673 00:18:53,542 --> 00:18:54,125 >> Jed: WHAT WE DO HERE IN THIS 674 00:18:54,208 --> 00:18:55,834 THEATER IS CLEAN, WHOLESOME 675 00:18:55,917 --> 00:18:57,750 ENTERTAINMENT. 676 00:18:57,834 --> 00:18:58,583 >> Eureka O'Hara: WE PUT ON A 677 00:18:58,667 --> 00:18:59,250 FAMILY FRIENDLY SHOW, BELIEVE IT 678 00:18:59,333 --> 00:18:59,583 OR NOT. 679 00:18:59,667 --> 00:19:00,917 >> Shangela: SOMETIMES. 680 00:19:01,000 --> 00:19:04,750 >> Bob The Drag Queen: IT'S NOT 681 00:19:04,834 --> 00:19:05,417 ALWAYS TWERK SHOWS, SOMETIMES IT 682 00:19:05,500 --> 00:19:06,041 IS, I MEAN, LIKE EVERYONE SAYS 683 00:19:06,125 --> 00:19:06,667 WE OFFEND PEOPLE AND I WOULD 684 00:19:06,750 --> 00:19:08,583 SAY, "YOU KNOW, WE HAVE FAMILIES 685 00:19:08,667 --> 00:19:10,166 TOO, SO WE UNDERSTAND FAMILIES." 686 00:19:10,250 --> 00:19:11,250 >> Shangela: HOWEVER, WE MIGHT 687 00:19:11,333 --> 00:19:13,041 BE IN A TWO-PIECE CROP TOP, 688 00:19:13,125 --> 00:19:15,959 FRENCH WITH THE CHEEKS OUT. 689 00:19:16,041 --> 00:19:16,333 THAT'S POSSIBLE. 690 00:19:16,417 --> 00:19:17,917 >> Jed: YOU NEED TO SPEAK TO 691 00:19:18,000 --> 00:19:18,542 MRS. DUTTON. 692 00:19:18,625 --> 00:19:23,125 >> Shangela: YES SIR. 693 00:19:27,333 --> 00:19:27,875 >> Bob The Drag Queen: NOT THIS 694 00:19:27,959 --> 00:19:28,083 PLACE. 695 00:19:28,166 --> 00:19:29,291 >> Eureka O'Hara: OH. 696 00:19:29,375 --> 00:19:29,959 >> Bob The Drag Queen: NOT THIS 697 00:19:30,041 --> 00:19:32,917 PLACE. 698 00:19:33,000 --> 00:19:33,750 "THE SILENT MAJORITY 699 00:19:33,834 --> 00:19:36,542 STANDS WITH TRUMP." 700 00:19:36,625 --> 00:19:38,959 WHAT? 701 00:19:39,041 --> 00:19:40,041 "MISUNDERSTOOD BY SOME, LOVED BY 702 00:19:40,125 --> 00:19:44,458 MILLIONS, A SYMBOL OF COURAGE, 703 00:19:44,542 --> 00:19:46,750 HONOR AND VALOR." 704 00:19:46,834 --> 00:19:51,208 >> Shangela: YEAH, I DON'T THINK 705 00:19:51,291 --> 00:19:52,166 THEY'VE CREATED A SAFE SPACE. 706 00:19:52,250 --> 00:19:52,792 >> Eureka O'Hara: I DON'T THINK 707 00:19:52,875 --> 00:19:53,500 THEY WANT TO SEE US, GIRL. 708 00:19:53,583 --> 00:19:54,250 >> Shangela: THIS IS WHAT I WAS 709 00:19:54,333 --> 00:19:55,250 TELLING YOU, NOW THIS PLACE, 710 00:19:55,333 --> 00:19:57,417 THEY DO CONCERTS IN HERE. 711 00:19:57,500 --> 00:19:58,250 SO IT'S LIKE A THEATER LIFESTYLE 712 00:19:58,333 --> 00:19:59,041 PLACE, SO IT'S GONNA HAVE A 713 00:19:59,125 --> 00:20:00,667 STAGE FOR SURE. 714 00:20:00,750 --> 00:20:01,208 >> Eureka O'Hara: YEAH, 715 00:20:01,291 --> 00:20:03,208 IT'S A THEATER. 716 00:20:03,291 --> 00:20:03,875 >> Shangela: AND IT'S GONNA HAVE 717 00:20:03,959 --> 00:20:04,792 LIKE PROBABLY -- 718 00:20:04,875 --> 00:20:05,375 >> SOMEBODY NEEDS TO TALK TO 719 00:20:05,458 --> 00:20:08,500 SOMEBODY DOWN HERE. 720 00:20:08,583 --> 00:20:09,542 >> Shangela: YES, MA'AM, HI. 721 00:20:09,625 --> 00:20:09,792 >> HI. 722 00:20:09,875 --> 00:20:10,375 YOU WERE HERE BEFORE. 723 00:20:10,458 --> 00:20:10,917 >> Eureka O'Hara: HELLO? 724 00:20:11,000 --> 00:20:11,375 HOW MAY I HELP YOU? 725 00:20:11,458 --> 00:20:11,959 >> Shangela: THIS IS A THEATER 726 00:20:12,041 --> 00:20:14,250 THOUGH, YES MA'AM? 727 00:20:14,333 --> 00:20:14,875 >> Eureka O'Hara: OH WE WERE 728 00:20:14,959 --> 00:20:15,875 JUST COMING TO LOOK AT THE 729 00:20:15,959 --> 00:20:17,333 THEATER AND SCOPE IT OUT FOR A 730 00:20:17,417 --> 00:20:17,959 LOCATION TO POTENTIALLY PERFORM 731 00:20:18,041 --> 00:20:19,667 IN. 732 00:20:19,750 --> 00:20:21,625 >> Shangela: YEAH, WE'RE LOOKING 733 00:20:21,709 --> 00:20:22,291 TO DO LIKE, A DRAG SHOW TYPE 734 00:20:22,375 --> 00:20:23,625 EVENT HERE. 735 00:20:23,709 --> 00:20:24,750 >> Eureka O'Hara: I DON'T THINK 736 00:20:24,834 --> 00:20:27,500 SHE WANTS TO CONVERSE. 737 00:20:27,583 --> 00:20:28,625 >> Shangela: WE'RE JUST 738 00:20:28,709 --> 00:20:29,834 VISITING, WE JUST GOT TO TOWN. 739 00:20:29,917 --> 00:20:33,375 I WASN'T HERE -- OKAY. 740 00:20:33,458 --> 00:20:34,208 SORRY. 741 00:20:34,291 --> 00:20:35,542 >> Eureka O'Hara: THEY WANT US 742 00:20:35,625 --> 00:20:36,166 TO EVACUATE THE PREMISES, LIKE, 743 00:20:36,250 --> 00:20:38,542 WHAT DO YOU MEAN, CALL THE LAW? 744 00:20:38,625 --> 00:20:39,166 >> Bob The Drag Queen: WELL, 745 00:20:39,250 --> 00:20:41,458 LET'S GIVE THIS NICE LADY HER 746 00:20:41,542 --> 00:20:41,834 PHONE BACK. 747 00:20:41,917 --> 00:20:42,208 >> Shangela: OKAY. 748 00:20:42,291 --> 00:20:42,834 >> Eureka O'Hara: ALL RIGHT, 749 00:20:42,917 --> 00:20:43,250 BYE-BYE. 750 00:20:43,333 --> 00:20:44,208 >> Shangela: THANK YOU SO MUCH, 751 00:20:44,291 --> 00:20:44,667 MA'AM. 752 00:20:44,750 --> 00:20:45,959 >> Eureka O'Hara: WHAT IN THE -- 753 00:20:46,041 --> 00:20:47,500 >> Shangela: GOD BLESS. 754 00:20:47,583 --> 00:20:48,125 >> Eureka O'Hara: WHAT IN THE 755 00:20:48,208 --> 00:20:49,291 WORLD. 756 00:20:49,375 --> 00:20:59,917 >> Shangela: GETTING THE LAW. 757 00:21:00,000 --> 00:21:00,917 >> Melissa: I'M NOT CHRISTIAN. 758 00:21:01,000 --> 00:21:03,083 I'M NOT. 759 00:21:03,166 --> 00:21:04,750 I CAN'T STAND HERE IN FRONT OF 760 00:21:04,834 --> 00:21:07,709 YOU AND SAY THAT I BELIEVE AND I 761 00:21:07,792 --> 00:21:11,625 HAVE FAITH AND I DON'T. 762 00:21:11,709 --> 00:21:20,625 BUT I RAISED MY CHILDREN AND 763 00:21:20,709 --> 00:21:21,083 BRANSON, WHICH IS VERY 764 00:21:21,166 --> 00:21:22,583 CHRISTIAN-BASED. 765 00:21:22,667 --> 00:21:23,333 I WOULD SAY THAT 80 TO 90% OF 766 00:21:23,417 --> 00:21:23,917 THE RESIDENTS IN BRANSON ARE 767 00:21:24,000 --> 00:21:27,125 CHRISTIAN. 768 00:21:27,208 --> 00:21:28,166 THAT IS WHAT YOU HEAR, THAT IS 769 00:21:28,250 --> 00:21:28,500 WHAT YOU SEE. 770 00:21:28,583 --> 00:21:30,083 THERE IS NOTHING IN BRANSON THAT 771 00:21:30,166 --> 00:21:32,959 SAYS, "BE GAY." 772 00:21:33,041 --> 00:21:36,166 BUT TWO OUT OF MY THREE CHILDREN 773 00:21:36,250 --> 00:21:42,959 ARE GAY. 774 00:21:43,041 --> 00:21:44,166 MY MIDDLE SON DONOVAN, STRUGGLED 775 00:21:44,250 --> 00:21:47,083 INTERNALLY ALL HIS LIFE BEFORE 776 00:21:47,166 --> 00:21:50,083 HE WAS COMFORTABLE ENOUGH TO BE 777 00:21:50,166 --> 00:21:53,333 LIKE, "THIS IS ME." 778 00:21:53,417 --> 00:21:58,792 AND NOW TANNER IS STRUGGLING. 779 00:21:58,875 --> 00:22:01,959 >> Tanner: WHEN I CAME OUT AS A 780 00:22:02,041 --> 00:22:03,667 CHRISTIAN AND NOT GAY ANYMORE, 781 00:22:03,750 --> 00:22:04,250 WITH MY MOM, IT WAS KIND OF A 782 00:22:04,333 --> 00:22:07,959 TAILSPIN FOR HER. 783 00:22:08,041 --> 00:22:11,625 >> Melissa: AND I'M SO SCARED TO 784 00:22:11,709 --> 00:22:12,208 TALK TO HIM ABOUT IT, BECAUSE 785 00:22:12,291 --> 00:22:14,750 LIKE, THIS IS HIS LIFE. 786 00:22:14,834 --> 00:22:16,750 >> Tanner: I GUESS IT HURTS 787 00:22:16,834 --> 00:22:19,917 BECAUSE IT DOES CREATE THIS 788 00:22:20,000 --> 00:22:23,291 DISTANCE. 789 00:22:23,375 --> 00:22:28,959 >> Melissa: I JUST WANT HIM TO 790 00:22:29,041 --> 00:22:33,542 BE HAPPY. 791 00:22:33,625 --> 00:22:34,208 >> Bob The Drag Queen: WELCOME 792 00:22:34,291 --> 00:22:36,542 TO CAMP, CAMP. 793 00:22:36,625 --> 00:22:36,917 >> Melissa: OH. 794 00:22:37,000 --> 00:22:37,333 >> Tanner: OH MY. 795 00:22:37,417 --> 00:22:38,709 >> Bob The Drag Queen: HEY, 796 00:22:38,792 --> 00:22:39,166 THIS IS MY SPACE. 797 00:22:39,250 --> 00:22:40,625 >> Melissa: YAY. 798 00:22:40,709 --> 00:22:41,333 >> Bob The Drag Queen: ARE YOU 799 00:22:41,417 --> 00:22:41,875 EXCITED, ARE YOU NERVOUS? 800 00:22:41,959 --> 00:22:42,417 >> Melissa: I'M SO EXCITED. 801 00:22:42,500 --> 00:22:43,041 >> Bob The Drag Queen: ARE YOU 802 00:22:43,125 --> 00:22:43,375 JAZZY, ARE YOU? 803 00:22:43,458 --> 00:22:44,041 >> Melissa: I'M A LITTLE BIT OF 804 00:22:44,125 --> 00:22:46,375 BOTH, I THINK. 805 00:22:46,458 --> 00:22:47,083 YOU KNOW, JUST BECAUSE WE REALLY 806 00:22:47,166 --> 00:22:47,709 DON'T KNOW KIND OF LIKE, WHAT'S 807 00:22:47,792 --> 00:22:48,333 GOING ON AND WHAT YOUR VISION 808 00:22:48,417 --> 00:22:49,917 IS. 809 00:22:50,000 --> 00:22:50,458 SO I'M EXCITED ABOUT THAT. 810 00:22:50,542 --> 00:22:54,583 >> Bob The Drag Queen: SO WHAT 811 00:22:54,667 --> 00:22:55,166 I'M THINKING ABOUT IS, BOTH OF 812 00:22:55,250 --> 00:22:59,959 YOU APPEARANCE AT THE SHOW. 813 00:23:00,041 --> 00:23:01,917 I WAS THINKING TO MYSELF LIKE, 814 00:23:02,000 --> 00:23:06,417 HOW CAN I INCORPORATE Y'ALL'S 815 00:23:06,500 --> 00:23:07,000 NARRATIVE, Y'ALL'S STORY INTO 816 00:23:07,083 --> 00:23:07,709 THE BIGGER PICTURE, INTO A STORY 817 00:23:07,792 --> 00:23:09,792 THAT WE CAN TELL ON STAGE. 818 00:23:09,875 --> 00:23:11,625 AND MORE THAN ANYTHING, I REALLY 819 00:23:11,709 --> 00:23:12,834 WANT THIS TO SPEAK TO YOU. 820 00:23:12,917 --> 00:23:13,458 CAN I ASK YOU, WHAT DO YOU WANT 821 00:23:13,542 --> 00:23:16,291 TANNER TO TAKE FROM THIS? 822 00:23:16,375 --> 00:23:19,250 >> Melissa: IT'S SUCH A HARD 823 00:23:19,333 --> 00:23:19,917 QUESTION, BECAUSE I HAVE SO MANY 824 00:23:20,000 --> 00:23:22,834 DIFFERENT THINGS. 825 00:23:22,917 --> 00:23:25,291 LIKE, I KNOW THAT YOU STILL DEAL 826 00:23:25,375 --> 00:23:28,458 WITH YOUR SAID DEMON OF BEING 827 00:23:28,542 --> 00:23:32,959 ATTRACTED TO MEN, STILL. 828 00:23:33,041 --> 00:23:35,291 AND I KNOW THAT YOU HAVE TOLD ME 829 00:23:35,375 --> 00:23:36,667 THAT YOU'RE WILLING TO SACRIFICE 830 00:23:36,750 --> 00:23:37,583 YOUR TIME ON THIS EARTH, 831 00:23:37,667 --> 00:23:43,333 YOUR LIFE HERE. 832 00:23:43,417 --> 00:23:44,000 AND BECAUSE I DON'T BELIEVE 833 00:23:44,083 --> 00:23:44,625 THE WAY YOU DO, IT'S VERY HARD 834 00:23:44,709 --> 00:23:45,208 FOR ME TO STOMACH YOU LIVING 835 00:23:45,291 --> 00:23:47,917 LIFE WITHOUT LOVE. 836 00:23:48,000 --> 00:23:49,542 AND I JUST WANT YOU TO BE HAPPY 837 00:23:49,625 --> 00:23:50,667 WITH WHO YOU ARE, WHETHER YOU'RE 838 00:23:50,750 --> 00:23:53,250 GAY OR STRAIGHT OR WHATEVER. 839 00:23:53,333 --> 00:23:55,542 I JUST WANT YOU TO HAVE LOVE IN 840 00:23:55,625 --> 00:23:56,166 YOUR LIFE, BECAUSE I KNOW THAT I 841 00:23:56,250 --> 00:24:01,208 CAN'T LIVE WITHOUT IT. 842 00:24:01,291 --> 00:24:04,333 >> Bob The Drag Queen: HERE. 843 00:24:04,417 --> 00:24:06,166 >> Tanner: THAT'S THE THING, 844 00:24:06,250 --> 00:24:06,750 I DO HAVE LOVE IN MY LIFE. 845 00:24:06,834 --> 00:24:07,166 I HAVE YOU. 846 00:24:07,250 --> 00:24:10,333 I HAVE GOD. 847 00:24:10,417 --> 00:24:11,625 YOU KNOW, LOVE ISN'T JUST ME 848 00:24:11,709 --> 00:24:14,458 BEING ABLE TO COME HOME TO 849 00:24:14,542 --> 00:24:15,959 SOMEONE AND SAY, "THIS IS MY 850 00:24:16,041 --> 00:24:18,208 PARTNER, THIS IS THE PERSON WHO 851 00:24:18,291 --> 00:24:18,875 I'M LIVING WITH FOR THE REST OF 852 00:24:18,959 --> 00:24:19,333 MY LIFE." 853 00:24:19,417 --> 00:24:21,667 LOVE IS SO MUCH MORE DEEPER THAN 854 00:24:21,750 --> 00:24:22,500 THAT. 855 00:24:22,583 --> 00:24:23,750 AND I KNOW HOW, FROM AN OUTSIDE 856 00:24:23,834 --> 00:24:24,542 PERSPECTIVE IT COULD SEEM THAT 857 00:24:24,625 --> 00:24:26,333 I'M HURTING. 858 00:24:26,417 --> 00:24:28,375 BUT YOU KNOW, THAT'S JUST EVERY 859 00:24:28,458 --> 00:24:29,542 DAY LIFE, YOU KNOW, THERE'S 860 00:24:29,625 --> 00:24:32,208 NEVER GONNA BE A POINT IN THIS 861 00:24:32,291 --> 00:24:33,583 LIFE THAT WE'RE NOT GONNA BE 862 00:24:33,667 --> 00:24:35,250 DEALING WITH SOME SORT OF 863 00:24:35,333 --> 00:24:35,875 HARDSHIP. 864 00:24:35,959 --> 00:24:38,500 AND I NEVER WOULD ONCE CONDEMN 865 00:24:38,583 --> 00:24:39,917 YOU OR JUDGE YOU BECAUSE YOU 866 00:24:40,000 --> 00:24:43,166 DON'T UNDERSTAND WHERE I'M AT. 867 00:24:43,250 --> 00:24:44,667 UNDERSTANDING THAT, YOU KNOW, 868 00:24:44,750 --> 00:24:49,750 YOUR BRAIN IS DIFFERENT THAN 869 00:24:49,834 --> 00:24:50,417 MINE, YOUR EXPERIENCES ARE 870 00:24:50,500 --> 00:24:51,375 DIFFERENT THAN MINE. 871 00:24:51,458 --> 00:24:52,875 BUT MY JOB IS TO LOVE YOU, 872 00:24:52,959 --> 00:24:57,583 REGARDLESS OF IT. 873 00:24:57,667 --> 00:25:00,458 >> Melissa: IT'S FINE. 874 00:25:00,542 --> 00:25:01,166 >> Tanner: I'M OKAY. 875 00:25:01,250 --> 00:25:01,583 >> Melissa: OKAY. 876 00:25:01,667 --> 00:25:04,667 >> Tanner: I PROMISE. 877 00:25:04,750 --> 00:25:05,583 >> Melissa: OKAY. 878 00:25:05,667 --> 00:25:15,458 I LOVE YOU. 879 00:25:15,542 --> 00:25:16,083 >> Eureka O'Hara: YOU GOT TO 880 00:25:16,166 --> 00:25:19,000 START GETTING UNDRESSED, GIRL. 881 00:25:19,083 --> 00:25:19,792 BE BODY POSITIVE, DON'T BE SHY. 882 00:25:19,875 --> 00:25:22,333 >> Chris: SO TUCK, RIGHT? 883 00:25:22,417 --> 00:25:23,667 >> Eureka O'Hara: YOU HAVE 884 00:25:23,750 --> 00:25:24,500 UNDERWEAR, RIGHT? 885 00:25:24,583 --> 00:25:25,750 >> Chris: YEAH. 886 00:25:25,834 --> 00:25:26,458 ALL RIGHT, I'M GONNA TRY, BUT... 887 00:25:26,542 --> 00:25:27,625 >> Eureka O'Hara: WHAT'S 888 00:25:27,709 --> 00:25:27,917 HAPPENING? 889 00:25:28,000 --> 00:25:28,834 >> Chris: SO I HAD A VASECTOMY. 890 00:25:28,917 --> 00:25:30,500 >> Eureka O'Hara: OKAY. 891 00:25:30,583 --> 00:25:31,583 >> Chris: LIKE, I WENT INTO THE 892 00:25:31,667 --> 00:25:33,041 DOCTOR'S OFFICE, HE WENT TO PULL 893 00:25:33,125 --> 00:25:35,125 DOWN MY PANTS. 894 00:25:35,208 --> 00:25:35,750 YOU KNOW, THEY EXAMINE THEM, 895 00:25:35,834 --> 00:25:36,125 CHECK 'EM OUT. 896 00:25:36,208 --> 00:25:36,792 AND HE LOOKED AT ME AND HE SAID, 897 00:25:36,875 --> 00:25:37,417 "THOSE ARE THE BIGGEST SET OF 898 00:25:37,500 --> 00:25:37,959 BALLS I'VE EVER SEEN IN MY 899 00:25:38,041 --> 00:25:39,166 LIFE." 900 00:25:39,250 --> 00:25:40,709 >> Eureka O'Hara: WHAT? 901 00:25:40,792 --> 00:25:41,333 >> Chris: AND WE'RE GONNA HAVE 902 00:25:41,417 --> 00:25:45,125 TO DO THIS IN AN OPERATING ROOM. 903 00:25:45,583 --> 00:25:46,083 >> Eureka O'Hara: THEY CANNOT 904 00:25:46,166 --> 00:25:47,125 POSSIBLY BE THAT BIG. 905 00:25:47,208 --> 00:25:47,667 >> Chris: YEP, THEY ARE. 906 00:25:47,750 --> 00:25:48,291 >> Eureka O'Hara: WELL, THEN I 907 00:25:48,375 --> 00:25:48,834 NEED YOU TO JUST PUT THIS ON 908 00:25:48,917 --> 00:25:49,458 AND JUST PUSH EVERYTHING BACK 909 00:25:49,542 --> 00:25:50,041 AND TRY TO PULL IT WITH THIS, 910 00:25:50,125 --> 00:25:50,709 FOR THE BIG GIRLS. 911 00:25:50,792 --> 00:25:52,000 >> Chris: ALL RIGHT. 912 00:25:52,083 --> 00:25:52,667 >> Eureka O'Hara: DO YOU NEED ME 913 00:25:52,750 --> 00:25:53,709 TO HELP YOU PULL 'EM OUT? 914 00:25:53,792 --> 00:25:54,166 >> Chris: YEAH. 915 00:25:54,250 --> 00:25:56,000 >> Eureka O'Hara: OKAY, 916 00:25:56,083 --> 00:25:56,542 I'M COMING. 917 00:25:56,625 --> 00:25:56,834 OH, MY GOD! 918 00:25:56,917 --> 00:26:03,208 LOOK AT THESE BALLS! 919 00:26:03,291 --> 00:26:04,333 I'M JUST KIDDING. 920 00:26:04,417 --> 00:26:04,959 >> WE HAVE SOME COLOR OPTIONS. 921 00:26:05,041 --> 00:26:05,542 >> Melissa: I LIKE A COOLER 922 00:26:05,625 --> 00:26:06,458 BLOND, THIS IS -- 923 00:26:06,542 --> 00:26:07,458 >> WELL, I'LL DO IT YOUR WAY, 924 00:26:07,542 --> 00:26:10,166 BECAUSE THESE ARE HIS OPTIONS. 925 00:26:10,250 --> 00:26:14,500 >> Melissa: OH, OH. 926 00:26:14,583 --> 00:26:15,709 >> Shangela: LOOK AT HIM DRESS, 927 00:26:15,792 --> 00:26:16,333 YOU GOT RIGHT INTO 'EM, 928 00:26:16,417 --> 00:26:16,625 DIDN'T YOU? 929 00:26:16,709 --> 00:26:17,208 LOOK, NOW DON'T BREAK AN ANKLE 930 00:26:17,291 --> 00:26:18,333 'CAUSE YOU KNOW, YOU GOT TO 931 00:26:18,417 --> 00:26:19,375 NEXT SEASON. 932 00:26:19,458 --> 00:26:22,083 OH, NEVER MIND. 933 00:26:22,166 --> 00:26:22,625 ALL RIGHT, NOT TOO MUCH NOW. 934 00:26:22,709 --> 00:26:23,834 OH, EEH. 935 00:26:23,917 --> 00:26:32,208 >> Charles: YES. 936 00:26:32,291 --> 00:26:32,583 >> Shangela: YOU 937 00:26:32,667 --> 00:26:33,166 ARE MID-AMERICA'S NIGHTMARE. 938 00:26:33,250 --> 00:26:33,375 YEAH. 939 00:26:33,458 --> 00:26:34,583 >> Tanner: I'M ALL FOR BEING 940 00:26:34,667 --> 00:26:35,458 LIKE, ALL OVER THE TOP BUT 941 00:26:35,542 --> 00:26:36,750 WITHOUT BEATING AROUND THE BUSH, 942 00:26:36,834 --> 00:26:37,250 I DON'T WANT TO BE LIKE, 943 00:26:37,333 --> 00:26:37,917 PRESENT THE WOMAN ASPECT. 944 00:26:38,000 --> 00:26:39,583 >> WHATEVER YOUR LIMIT IS, 945 00:26:39,667 --> 00:26:42,417 WE'RE GONNA STEP THAT UP. 946 00:26:42,500 --> 00:26:44,000 >> Tanner: YEAH, UM. 947 00:26:44,083 --> 00:26:45,667 >> Eureka O'Hara: YEAH, REMEMBER 948 00:26:45,750 --> 00:26:46,208 YOUR FEMALE HIP I TOLD YOU 949 00:26:46,291 --> 00:26:47,041 IS ALL THE WAY UP HERE. 950 00:26:47,125 --> 00:26:58,041 SO NOW YOU'VE GOT A FEMALE HIP. 951 00:26:58,125 --> 00:26:58,458 CHRIS IS SUPER INTO 952 00:26:58,542 --> 00:26:59,417 WRESTLING, SO WE'RE GONNA DO 953 00:26:59,500 --> 00:26:59,875 A WRESTLING NUMBER. 954 00:26:59,959 --> 00:27:00,417 BUT WE'RE ABOUT TO SISSY 955 00:27:00,500 --> 00:27:00,834 THE FUCK OUT OF IT. 956 00:27:00,917 --> 00:27:01,417 IT DON'T MATTER HOW STRAIGHT 957 00:27:01,500 --> 00:27:02,041 YOU ARE, MOMMA, YOU'RE GONNA POP 958 00:27:02,125 --> 00:27:02,750 RUBY UP AND YOU'RE GONNA 959 00:27:02,834 --> 00:27:04,333 GIVE SASS. 960 00:27:04,417 --> 00:27:05,041 >> WOULD THE LINE BE BREASTS? 961 00:27:05,125 --> 00:27:05,250 HIPS? 962 00:27:05,333 --> 00:27:06,875 >> Tanner: YEAH. 963 00:27:06,959 --> 00:27:07,542 >> Eureka O'Hara: THIS ALL 964 00:27:07,625 --> 00:27:07,750 RIGHT. 965 00:27:07,834 --> 00:27:08,417 OH, LOOK AT THOSE TITTIES. 966 00:27:08,500 --> 00:27:10,500 >> Chris: 967 00:27:10,583 --> 00:27:12,792 >> I FEEL COMFORTABLE THAT WE 968 00:27:12,875 --> 00:27:13,667 CAN STAY SAFE ENOUGH, I MEAN, 969 00:27:13,750 --> 00:27:15,125 I'M NOT GONNA GO CRAZY, 970 00:27:15,208 --> 00:27:16,208 BUT IT'LL BE A LITTLE CRAZY. 971 00:27:16,291 --> 00:27:19,083 >> Melissa: 972 00:27:19,166 --> 00:27:22,208 >> Bob The Drag Queen: EXCITING. 973 00:27:23,041 --> 00:27:23,959 >> Eureka O'Hara: OKAY, GIVE ME 974 00:27:24,041 --> 00:27:25,041 A LITTLE SASHAY AROUND THIS 975 00:27:25,125 --> 00:27:25,792 TABLE. 976 00:27:25,875 --> 00:27:26,625 SASHAY, SHANTAY, SHANTAY, 977 00:27:26,709 --> 00:27:28,291 SHANTAY, SHANTAY. 978 00:27:28,375 --> 00:27:29,375 ALMOST. 979 00:27:29,458 --> 00:27:30,166 ALL RIGHT, THAT WAS REALLY 980 00:27:30,250 --> 00:27:34,083 TERRIBLE. 981 00:27:34,166 --> 00:27:34,583 >> Chris: YEAH, I KNOW. 982 00:27:34,667 --> 00:27:35,208 >> Eureka O'Hara: YOU WALK LIKE 983 00:27:35,291 --> 00:27:35,542 A CLYDESDALE. 984 00:27:35,625 --> 00:27:37,542 I WANT YOU TO LET GO OF 985 00:27:37,625 --> 00:27:38,333 EVERYTHING YOU'VE BEEN TAUGHT 986 00:27:38,417 --> 00:27:38,959 ABOUT BEING A TENSE MASCULINE 987 00:27:39,041 --> 00:27:43,709 PERSON OR MAN. 988 00:27:43,792 --> 00:27:45,542 I DON'T THINK YOU UNDERSTAND OR 989 00:27:45,625 --> 00:27:47,250 EVEN HAVE MAYBE WRAPPED YOUR 990 00:27:47,333 --> 00:27:48,375 HEART AROUND THE IDEA OF LIKE, 991 00:27:48,458 --> 00:27:50,792 THE PEOPLE YOU'RE GOING TO HELP. 992 00:27:50,875 --> 00:27:53,709 NOT JUST STRAIGHT MEN, BUT ALSO 993 00:27:53,792 --> 00:27:55,917 LGBT MEMBERS BY PUTTING YOURSELF 994 00:27:56,000 --> 00:27:57,166 IN THIS VULNERABLE POSITION AND 995 00:27:57,250 --> 00:27:59,875 BEING ABLE TO LIKE, LOOK PAST 996 00:27:59,959 --> 00:28:01,625 SOCIETY'S LABEL OF WHAT A MAN 997 00:28:01,709 --> 00:28:04,208 IS. 998 00:28:04,291 --> 00:28:04,792 BECAUSE WE'RE CONSTANTLY TOLD 999 00:28:04,875 --> 00:28:06,917 WE'RE NOT ALLOWED TO DO IT. 1000 00:28:07,000 --> 00:28:09,291 AND WHEN PEOPLE LIKE YOU TAKE 1001 00:28:09,375 --> 00:28:13,917 THAT STEP, IT VALIDATES PEOPLE 1002 00:28:14,000 --> 00:28:14,959 THAT AREN'T CHOOSING A SIDE, 1003 00:28:15,041 --> 00:28:16,500 YOU KNOW. 1004 00:28:16,583 --> 00:28:22,250 >> Chris: IT WAS JUST THIS GEAR, 1005 00:28:22,333 --> 00:28:23,458 DAMN IT. 1006 00:28:23,542 --> 00:28:25,417 >> Eureka O'Hara: IT'S OKAY. 1007 00:28:25,500 --> 00:28:25,834 >> IT'S OKAY. 1008 00:28:25,917 --> 00:28:27,291 >> Eureka O'Hara: HOLD MOMMA'S 1009 00:28:27,375 --> 00:28:30,333 HAND. 1010 00:28:30,417 --> 00:28:31,917 TALK TO US. 1011 00:28:32,000 --> 00:28:33,667 >> Chris: WHEN SARAH AND I FIRST 1012 00:28:33,750 --> 00:28:36,250 BROUGHT UP THAT WE WERE GONNA 1013 00:28:36,333 --> 00:28:38,417 GET A DIVORCE AND EVERYTHING, 1014 00:28:38,500 --> 00:28:43,667 SAM WAS OVER AT HER GRANDMA'S, 1015 00:28:43,750 --> 00:28:45,875 I WENT OVER THERE AND IT WAS 1016 00:28:45,959 --> 00:28:47,083 JUST THIS YEAR THAT DECEMBER SAW 1017 00:28:47,166 --> 00:28:49,667 ME CRY FOR THE FIRST TIME EVER. 1018 00:28:49,750 --> 00:28:50,709 SO I THINK IT WAS AT THAT 1019 00:28:50,792 --> 00:28:52,291 MOMENT, THAT I REALIZED LIKE, 1020 00:28:52,375 --> 00:28:56,125 I HAVE TO SHOW EMOTION FOR MY 1021 00:28:56,208 --> 00:28:56,709 DAUGHTER BECAUSE SHE'S EIGHT 1022 00:28:56,792 --> 00:29:00,750 YEAR'S OLD AND THAT'S NOT OKAY 1023 00:29:00,834 --> 00:29:05,458 FOR HER TO NOT KNOW LIKE, DAD 1024 00:29:05,542 --> 00:29:06,792 NEVER CRIES, LIKE, IN MY MIND 1025 00:29:06,875 --> 00:29:07,542 THAT DIDN'T FIT WELL WITH ME. 1026 00:29:07,625 --> 00:29:11,917 >> Eureka O'Hara: YOU HAVE TO 1027 00:29:12,000 --> 00:29:14,333 TEACH HER IT'S OKAY TO HAVE 1028 00:29:14,417 --> 00:29:17,291 FEELINGS, YOU KNOW. 1029 00:29:17,375 --> 00:29:18,500 AND THAT SHE HAS TO PROCESS 1030 00:29:18,583 --> 00:29:20,291 THEM. 1031 00:29:20,375 --> 00:29:20,875 YOU'VE BEEN THROUGH A LOT, 1032 00:29:20,959 --> 00:29:21,375 YOU KNOW. 1033 00:29:21,458 --> 00:29:22,000 AND NOW I THINK YOU'RE EVEN MORE 1034 00:29:22,083 --> 00:29:22,625 EMOTIONAL BECAUSE YOU'RE FINALLY 1035 00:29:22,709 --> 00:29:23,250 IN TUNE WITH THAT EMOTIONAL 1036 00:29:23,333 --> 00:29:24,458 SIDE. 1037 00:29:24,542 --> 00:29:29,125 BECAUSE YOU'RE NO LONGER LOOKING 1038 00:29:29,208 --> 00:29:29,750 AT THIS LIKE, GENDER ROLE. 1039 00:29:29,834 --> 00:29:30,333 AND YOU'VE HELD IT IN FOR SO 1040 00:29:30,417 --> 00:29:33,959 LONG, THAT HAS TO COME OUT. 1041 00:29:34,041 --> 00:29:34,333 >> Chris: YEAH. 1042 00:29:34,417 --> 00:29:35,041 >> Eureka O'Hara: THAT DOESN'T 1043 00:29:35,125 --> 00:29:35,625 MAKE YOU ANY LESS OF A MAN, 1044 00:29:35,709 --> 00:29:36,250 I'M SO PROUD OF YOU. 1045 00:29:36,333 --> 00:29:37,083 >> Chris: YEAH, I'VE PUT MYSELF 1046 00:29:37,166 --> 00:29:38,583 LIVING IN FEAR OF NOT WANTING TO 1047 00:29:38,667 --> 00:29:42,500 CONNECT WITH HER AND FACE THOSE 1048 00:29:42,583 --> 00:29:44,166 SITUATIONS WITH EVERYTHING THAT 1049 00:29:44,250 --> 00:29:46,834 SHE'S HAD GOING ON. 1050 00:29:46,917 --> 00:29:50,000 >> Eureka O'Hara: LOOK FORWARD 1051 00:29:50,125 --> 00:29:50,709 TO THE FUTURE AND KNOW THAT NOW, 1052 00:29:50,792 --> 00:29:51,333 MOVING FORWARD, YOU'RE GONNA BE 1053 00:29:51,417 --> 00:29:51,959 THE BEST DAD YOU CAN BE, BECAUSE 1054 00:29:52,041 --> 00:29:52,583 YOU'RE GOING TO BE THE BEST YOU 1055 00:29:52,667 --> 00:29:52,875 YOU CAN BE. 1056 00:29:52,959 --> 00:29:54,875 YOU KNOW WHAT I'M SAYING? 1057 00:29:54,959 --> 00:29:56,667 >> Chris: MM-HM. 1058 00:29:56,750 --> 00:29:57,333 >> Eureka O'Hara: AND HOWEVER 1059 00:29:57,417 --> 00:30:01,625 THE FUCK YOU WANT TO ACT, 1060 00:30:01,709 --> 00:30:02,041 YOU CAN. 1061 00:30:02,125 --> 00:30:02,583 THAT DOESN'T MAKE YOU A BAD 1062 00:30:02,667 --> 00:30:03,083 PERSON OR LESS OF A MAN. 1063 00:30:03,166 --> 00:30:03,458 >> Chris: YEAH. 1064 00:30:03,542 --> 00:30:04,083 >> Eureka O'Hara: IT MAKES YOU 1065 00:30:04,166 --> 00:30:06,709 PERFECTLY YOU, YOU KNOW. 1066 00:30:11,291 --> 00:30:14,375 >> Shangela: OH THIS IS CUTE. 1067 00:30:14,458 --> 00:30:15,875 >> Bob The Drag Queen: JUST IN, 1068 00:30:15,959 --> 00:30:16,542 LIKE, LOOKING FOR SPACES TO DO 1069 00:30:16,625 --> 00:30:17,083 A SHOW HERE, WE'VE HAD A FEW 1070 00:30:17,166 --> 00:30:18,709 PLACES THAT WERE LESS THAN 1071 00:30:18,792 --> 00:30:20,959 FRIENDLY. 1072 00:30:21,041 --> 00:30:22,083 >> COME ON IN, THIS IS THE 1073 00:30:22,166 --> 00:30:22,375 EVENTS ROOM. 1074 00:30:22,458 --> 00:30:23,417 >> Bob The Drag Queen: OH, WOW. 1075 00:30:23,500 --> 00:30:24,792 >> YEAH, SO WE USE THIS FOR ALL 1076 00:30:24,875 --> 00:30:25,875 TYPES OF EVENTS. 1077 00:30:25,959 --> 00:30:30,709 >> Shangela: OH YES, YES, YES. 1078 00:30:30,792 --> 00:30:31,250 >> Eureka O'Hara: WELL, I'M 1079 00:30:31,333 --> 00:30:31,875 ACTUALLY JUST REALLY CURIOUS, 1080 00:30:31,959 --> 00:30:32,375 HAVE YOU ALL EVER HAD 1081 00:30:32,458 --> 00:30:32,875 A DRAG SHOW HERE BEFORE? 1082 00:30:32,959 --> 00:30:33,083 >> NO. 1083 00:30:33,166 --> 00:30:33,667 >> Eureka O'Hara: OR ANYTHING 1084 00:30:33,750 --> 00:30:34,125 LIKE THAT IN THE TOWN? 1085 00:30:34,208 --> 00:30:35,959 >> NO. 1086 00:30:36,041 --> 00:30:36,583 >> Eureka O'Hara: REALLY? 1087 00:30:36,667 --> 00:30:36,959 >> YEAH. 1088 00:30:37,041 --> 00:30:38,333 >> Bob The Drag Queen: YOU EVER 1089 00:30:38,417 --> 00:30:38,917 HAD ANYTHING LIKE ANY THING 1090 00:30:39,000 --> 00:30:39,417 CENTERED AROUND THE QUEER 1091 00:30:39,500 --> 00:30:41,792 COMMUNITY HERE BEFORE? 1092 00:30:41,875 --> 00:30:42,542 >> IT'S JUST KIND OF, I THINK, 1093 00:30:42,625 --> 00:30:43,542 JUST EVOLVING, YOU KNOW, 1094 00:30:43,625 --> 00:30:44,041 SO YEAH. 1095 00:30:44,125 --> 00:30:45,500 >> Eureka O'Hara: THE CRAZIEST 1096 00:30:45,583 --> 00:30:47,125 PART IS, IS WE'VE BEEN TOLD NO 1097 00:30:47,208 --> 00:30:47,917 A LOT, SO WE'RE ACTUALLY JUST 1098 00:30:48,000 --> 00:30:49,291 REALLY EXCITED THAT... 1099 00:30:49,375 --> 00:30:49,667 FEELING A YES. 1100 00:30:49,750 --> 00:30:50,417 SO. 1101 00:30:50,500 --> 00:30:51,083 >> Bob The Drag Queen: WE'VE 1102 00:30:51,166 --> 00:30:52,709 LITERALLY BEEN RUN OUT OF 1103 00:30:52,792 --> 00:30:53,291 A COUPLE OF PLACES, LITERALLY. 1104 00:30:53,375 --> 00:30:55,542 >> WE'RE ACCOMMODATING, 1105 00:30:55,625 --> 00:30:56,417 SO THAT'S NO PROBLEM. 1106 00:30:56,500 --> 00:30:57,417 >> Shangela: HOLD ON, BEFORE WE 1107 00:30:57,500 --> 00:30:58,667 LEAVE, IF YOU DON'T MIND. 1108 00:30:58,750 --> 00:31:00,041 WHERE ARE THE DRESSING ROOMS? 1109 00:31:00,125 --> 00:31:00,625 >> DRESSING ROOMS ARE GONNA BE 1110 00:31:00,709 --> 00:31:01,083 OUT ON THE PRINCESS. 1111 00:31:01,166 --> 00:31:01,750 >> Eureka O'Hara: ON THE 1112 00:31:01,834 --> 00:31:02,834 PRINCESS? 1113 00:31:02,917 --> 00:31:03,458 >> Shangela: IS THAT A BOAT? 1114 00:31:03,542 --> 00:31:03,709 >> YES. 1115 00:31:03,792 --> 00:31:04,750 THAT'S OUR YACHT. 1116 00:31:04,834 --> 00:31:05,375 >> Shangela: OH, ON THE YACHT. 1117 00:31:05,458 --> 00:31:07,959 OH. 1118 00:31:08,041 --> 00:31:13,000 I'M FEELING VERY GOLDIE HAWN, 1119 00:31:13,125 --> 00:31:13,583 "OVERBOARD." 1120 00:31:13,667 --> 00:31:14,208 >> Shangela: OH YES, NOW THIS IS 1121 00:31:14,291 --> 00:31:15,291 MY GIG. 1122 00:31:15,375 --> 00:31:16,542 >> Eureka O'Hara: WELL SHANGE, 1123 00:31:16,625 --> 00:31:17,166 YOU DON'T KNOW IF YOU CAN STAND 1124 00:31:17,250 --> 00:31:19,375 UP IN YOUR HEELS. 1125 00:31:19,458 --> 00:31:20,000 >> Bob The Drag Queen: THIS IS 1126 00:31:20,083 --> 00:31:20,625 SUCH A LOVELY, Y'ALL GOT SOME 1127 00:31:20,709 --> 00:31:21,083 NICE STUFF IN BRANSON. 1128 00:31:21,166 --> 00:31:21,583 >> THANK YOU, THANK YOU 1129 00:31:21,667 --> 00:31:23,709 VERY MUCH. 1130 00:31:23,792 --> 00:31:24,792 >> Shangela: YES, YOU DO 1131 00:31:24,875 --> 00:31:26,333 HAVE NICE THINGS. 1132 00:31:26,417 --> 00:31:30,208 DON'T MIND IF I DO. 1133 00:31:30,291 --> 00:31:31,417 >> Bob The Drag Queen: OH MY 1134 00:31:31,500 --> 00:31:32,041 GOD, I FEEL LIKE A REAL CAPTAIN. 1135 00:31:32,125 --> 00:31:32,667 >> YOU JUST NEED TO GO OUT AND 1136 00:31:32,750 --> 00:31:33,000 DRIVE THE BOAT. 1137 00:31:33,083 --> 00:31:33,542 >> Bob The Drag Queen: OH, 1138 00:31:33,625 --> 00:31:36,583 MY GOD. 1139 00:31:36,667 --> 00:31:37,125 SHANGELA, LOOK AT THE MAST 1140 00:31:37,208 --> 00:31:37,333 THING. 1141 00:31:37,417 --> 00:31:37,667 WHERE'S SHE AT? 1142 00:31:37,750 --> 00:31:38,500 >> Shangela: OH, MY GOODNESS, 1143 00:31:38,583 --> 00:31:41,125 I WANT A PICTURE, BOB. 1144 00:31:41,208 --> 00:31:42,458 >> Bob The Drag Queen: 1145 00:31:42,542 --> 00:31:43,083 WHERE DID YOU GET A DRINK FROM? 1146 00:31:43,166 --> 00:31:43,542 >> Shangela: ICE TEA. 1147 00:31:43,625 --> 00:31:44,166 >> Bob The Drag Queen: LET ME 1148 00:31:44,250 --> 00:31:45,959 SMELL THAT, WAFT IT. 1149 00:31:46,041 --> 00:31:49,875 SHUT UP, BITCH. 1150 00:31:49,959 --> 00:31:50,834 MAKE SURE Y'ALL TAKE A RIDE ON 1151 00:31:50,917 --> 00:31:52,834 THE PRINCESS, HONEY, BUILT FOR 1152 00:31:52,917 --> 00:31:54,500 A QUEEN. 1153 00:31:54,583 --> 00:31:55,917 >> ALL RIGHT, THURSDAY, WE'LL 1154 00:31:56,000 --> 00:31:58,500 SEE YOU THURSDAY, OKAY. 1155 00:32:05,667 --> 00:32:06,625 >> Shangela: NOW I WANT YOU TO 1156 00:32:06,709 --> 00:32:09,166 YOU'RE A DRAG QUEEN. 1157 00:32:09,250 --> 00:32:10,750 SO THESE MOVES ARE LIKE A LADY, 1158 00:32:10,834 --> 00:32:11,291 YOU'RE GONNA HAVE HIPS AND 1159 00:32:11,375 --> 00:32:17,458 TITTIES AND HAIR AND FACE. 1160 00:32:22,959 --> 00:32:24,709 >> Bob The Drag Queen: THIS IS 1161 00:32:24,792 --> 00:32:26,250 A REPRESENTATION OF YOUR LIFE, 1162 00:32:26,333 --> 00:32:26,875 YOUR JOURNEY FROM SPRINGFIELD 1163 00:32:26,959 --> 00:32:30,417 BACK TO BRANSON. 1164 00:32:30,500 --> 00:32:31,333 I WANT A PHYSICAL REPRESENTATION 1165 00:32:31,417 --> 00:32:33,166 OF THEN VERSUS NOW. 1166 00:32:33,250 --> 00:32:34,041 >> Eureka O'Hara: THE IDEA OF 1167 00:32:34,125 --> 00:32:36,375 OVER-EXAGGERATED FEMININITY IS 1168 00:32:36,458 --> 00:32:38,041 THAT WE MAKE IT CLASSY AND 1169 00:32:38,125 --> 00:32:39,250 BEAUTIFUL. 1170 00:32:39,333 --> 00:32:41,542 FEET STARTING TO HURT? 1171 00:32:41,625 --> 00:32:42,417 >> Chris: YEAH. 1172 00:32:42,500 --> 00:32:43,000 >> Eureka O'Hara: WELCOME TO 1173 00:32:43,083 --> 00:32:44,000 DRAG. 1174 00:32:44,083 --> 00:32:45,333 >> Chris: 1175 00:32:45,417 --> 00:32:45,834 >> Shangela: JUMP UP. 1176 00:32:45,917 --> 00:32:46,333 >> Charles: YEAH. 1177 00:32:46,417 --> 00:32:46,959 >> Shangela: AND YOUR LEGS 1178 00:32:47,041 --> 00:32:47,166 ARE HERE. 1179 00:32:47,250 --> 00:32:51,667 SICKENING. 1180 00:32:53,208 --> 00:32:53,792 >> Eureka O'Hara: I'M GONNA HIT 1181 00:32:53,875 --> 00:32:54,417 YOU LIKE THIS OR SOMETHING, AND 1182 00:32:54,500 --> 00:32:55,291 THEN YOU HIT ME BACK AND THEN 1183 00:32:55,375 --> 00:32:56,250 I'M GONNA -- NO, NOT, DON'T BE 1184 00:32:56,333 --> 00:32:57,500 PUSHING HARD. 1185 00:32:57,583 --> 00:33:01,917 MOMMA'S A FIGHTER, HONEY, 1186 00:33:02,000 --> 00:33:04,500 STREET FIGHTER. 1187 00:33:04,959 --> 00:33:05,458 >> Bob The Drag Queen: I WANT 1188 00:33:05,542 --> 00:33:06,041 YOU TO HOLD HANDS, THAT'S 1189 00:33:06,125 --> 00:33:07,083 IMPORTANT. 1190 00:33:07,166 --> 00:33:08,333 BOTH HANDS, BOTH HANDS, RIGHT 1191 00:33:08,417 --> 00:33:11,125 INTO EACH OTHER'S EYES. 1192 00:33:11,208 --> 00:33:11,458 PEEL OFF. 1193 00:33:11,542 --> 00:33:12,125 NOT YET, NOT THERE YET, NOT YET. 1194 00:33:12,208 --> 00:33:14,542 THERE WE GO. 1195 00:33:14,625 --> 00:33:15,208 >> Eureka O'Hara: I WANT TO TELL 1196 00:33:15,291 --> 00:33:16,041 YOU A SECRET. 1197 00:33:16,125 --> 00:33:16,750 >> December: WHAT? 1198 00:33:16,834 --> 00:33:17,375 >> Eureka O'Hara: WE'RE GONNA 1199 00:33:17,458 --> 00:33:18,291 MAKE YOU LIKE, YOUR OWN LITTLE 1200 00:33:18,375 --> 00:33:19,041 COSTUME AND EVERYTHING. 1201 00:33:19,166 --> 00:33:20,834 YOU HAVEN'T TOLD DADDY? 1202 00:33:20,917 --> 00:33:23,667 OKAY, GOOD JOB. 1203 00:33:23,750 --> 00:33:25,333 LISTEN, DECEMBER IS SO GAGGED 1204 00:33:25,417 --> 00:33:25,917 ABOUT DRAG RIGHT NOW THAT SHE 1205 00:33:26,000 --> 00:33:26,500 HAS TO BE IN THIS PERFORMANCE 1206 00:33:26,583 --> 00:33:27,959 WITH HER DAD. 1207 00:33:28,041 --> 00:33:29,250 >> Bob The Drag Queen: THIS IS 1208 00:33:29,333 --> 00:33:29,792 A REPRESENTATION OF YOU. 1209 00:33:29,875 --> 00:33:30,458 SO WHATEVER MAKES TANNER 1210 00:33:30,542 --> 00:33:32,542 A SUPERSTAR IS WHAT MAKES YOU 1211 00:33:32,625 --> 00:33:33,333 A SUPERSTAR. 1212 00:33:33,417 --> 00:33:38,000 >> Tanner: ARE YOU GUYS FAMILIAR 1213 00:33:38,083 --> 00:33:39,000 WITH "HAMILTON?" 1214 00:33:39,083 --> 00:33:39,667 >> Bob The Drag Queen: I DIDN'T 1215 00:33:39,750 --> 00:33:40,208 JUST TURN GAY YESTERDAY, OF 1216 00:33:40,291 --> 00:33:40,750 COURSE I KNOW "HAMILTON." 1217 00:33:40,834 --> 00:33:41,291 >> Tanner: WELL, YOU KNOW, 1218 00:33:41,375 --> 00:33:41,542 ANGELICA. 1219 00:33:41,625 --> 00:33:42,208 >> Bob The Drag Queen: YEAH, 1220 00:33:42,291 --> 00:33:42,500 WORK, WORK. 1221 00:33:42,583 --> 00:33:43,542 >> Tanner: I LOVE THAT, LIKE -- 1222 00:33:43,625 --> 00:33:44,125 >> Bob The Drag Queen: WORK, 1223 00:33:44,208 --> 00:33:49,834 THAT'S IT, BABY. 1224 00:33:49,917 --> 00:33:50,333 SUPERSTARS. 1225 00:33:50,417 --> 00:33:51,834 >> Shangela: THIS IN A SHOW'S 1226 00:33:51,917 --> 00:33:52,500 LEG, THIS THING, YOU HAVE A TILT 1227 00:33:52,583 --> 00:33:52,750 THINGY? 1228 00:33:52,834 --> 00:33:53,208 >> Charles: SOMETIMES. 1229 00:33:53,291 --> 00:33:53,834 >> Shangela: OKAY, LET'S SEE. 1230 00:33:53,917 --> 00:33:55,500 SWAH! 1231 00:33:55,583 --> 00:33:56,125 WORKS FOR DRAG. 1232 00:33:56,208 --> 00:33:57,375 HOW DARE YOU? 1233 00:33:57,458 --> 00:33:57,834 IN JEANS, SHE DID IT, 1234 00:33:57,917 --> 00:34:00,083 I CAN'T TAKE IT. 1235 00:34:00,208 --> 00:34:00,750 >> Bob The Drag Queen: THAT'S SO 1236 00:34:00,834 --> 00:34:01,709 AMAZING, I LOVE THAT. 1237 00:34:01,792 --> 00:34:02,875 >> Eureka O'Hara: POSE. 1238 00:34:02,959 --> 00:34:04,542 SMILE. 1239 00:34:04,625 --> 00:34:07,250 AND THEN PUSH FORWARD. 1240 00:34:07,333 --> 00:34:08,875 EY! 1241 00:34:08,959 --> 00:34:09,208 OKAY. 1242 00:34:09,291 --> 00:34:10,375 ARE YOU EXCITED? 1243 00:34:10,458 --> 00:34:11,208 >> Chris: I'M EXCITED, YEAH. 1244 00:34:11,291 --> 00:34:11,542 I AM. 1245 00:34:11,625 --> 00:34:12,834 >> Eureka O'Hara: I AM TOO, I 1246 00:34:12,917 --> 00:34:13,417 DON'T KNOW HOW WE'RE GONNA GET 1247 00:34:13,500 --> 00:34:14,041 YOUR BIG BALLS TO DISAPPEAR BUT 1248 00:34:14,125 --> 00:34:19,709 WE'RE GONNA MAKE IT HAPPEN. 1249 00:34:19,792 --> 00:34:20,625 >> Shangela: THAT WAS GOOD. 1250 00:34:20,709 --> 00:34:23,166 THAT WAS GREAT. 1251 00:34:23,250 --> 00:34:23,750 >> Charles: OKAY, GOOD. 1252 00:34:23,834 --> 00:34:24,333 >> Shangela: THAT WAS GREAT. 1253 00:34:24,417 --> 00:34:24,792 AND HOW DO YOU FEEL? 1254 00:34:24,875 --> 00:34:25,875 >> Charles: IT FELT DIFFERENT, 1255 00:34:25,959 --> 00:34:27,917 MORE EMOTIONAL. 1256 00:34:28,000 --> 00:34:28,375 >> Shangela: AND WARM. 1257 00:34:28,458 --> 00:34:28,834 >> Charles: YEAH. 1258 00:34:28,917 --> 00:34:29,500 >> Shangela: AND THINK ABOUT 1259 00:34:29,583 --> 00:34:29,834 THAT EMOTION. 1260 00:34:29,917 --> 00:34:30,500 THAT'S WHAT'S ON SO MANY PEOPLE. 1261 00:34:30,583 --> 00:34:30,917 >> Charles: YEAH. 1262 00:34:31,000 --> 00:34:31,542 >> Shangela: YOU GET TO LIVE IT 1263 00:34:31,625 --> 00:34:33,458 OUT, THEY WANT TO DO THAT. 1264 00:34:33,542 --> 00:34:34,792 THEY CAN'T. 1265 00:34:34,875 --> 00:34:36,417 SOMEBODY'S TELLING THEM IT'S 1266 00:34:36,500 --> 00:34:37,709 IMMORAL, IT'S UNETHICAL, IT'S 1267 00:34:37,792 --> 00:34:47,417 WRONG, JUST BE WHO THEY ARE. 1268 00:34:47,500 --> 00:34:47,917 YOU SEEM LIKE YOU'RE... 1269 00:34:48,000 --> 00:34:48,500 WHAT'S GOING ON, WHAT ARE YOU 1270 00:34:48,583 --> 00:34:48,792 THINKING? 1271 00:34:48,875 --> 00:34:49,333 >> Charles: YEAH, I MEAN IT 1272 00:34:49,417 --> 00:34:50,041 JUST, IT BRINGS SO MANY EMOTIONS 1273 00:34:50,125 --> 00:34:53,625 OUT LIKE, YOU KNOW, THERE HAS 1274 00:34:53,709 --> 00:34:54,959 BEEN TIMES WHERE I FEEL LIKE I 1275 00:34:55,041 --> 00:34:55,542 HAVE MORE TO GIVE, YOU WANT TO 1276 00:34:55,625 --> 00:34:57,291 BE DEFINITELY SEEN A CERTAIN WAY 1277 00:34:57,375 --> 00:34:58,166 AND IT'S UNCOMFORTABLE TO LET 1278 00:34:58,250 --> 00:35:01,542 THEM SEE OTHER SIDES OF YOU. 1279 00:35:01,625 --> 00:35:02,125 >> Shangela: RIGHT. 1280 00:35:02,208 --> 00:35:03,083 >> Charles: IT'S SHOCKING TO 1281 00:35:03,166 --> 00:35:04,041 HEAR THAT YOU KNOW, THEY WOULD 1282 00:35:04,125 --> 00:35:05,417 CALL THE POLICE JUST BECAUSE YOU 1283 00:35:05,500 --> 00:35:05,959 GUYS WERE OUTSIDE IN DRAG. 1284 00:35:06,041 --> 00:35:06,750 >> Shangela: HOW DO YOU THINK WE 1285 00:35:06,834 --> 00:35:07,458 SHOULD HAVE RESPONDED? 1286 00:35:07,542 --> 00:35:08,792 HOW WOULD YOU HAVE RESPONDED? 1287 00:35:08,875 --> 00:35:11,208 >> Charles: I MEAN, I GUESS 1288 00:35:11,291 --> 00:35:12,333 I WOULD JUST LEAVE, BUT I MEAN. 1289 00:35:12,417 --> 00:35:15,125 >> Shangela: WHY? 1290 00:35:15,208 --> 00:35:16,166 >> Charles: I WOULDN'T WANT THEM 1291 00:35:16,250 --> 00:35:17,291 TO ACCOST ME OR, I'M VERY NON 1292 00:35:17,375 --> 00:35:19,917 CONFRONTATIONAL SO I GUESS IN 1293 00:35:20,000 --> 00:35:21,625 THE SAME WAY, THEY WON'T 1294 00:35:21,709 --> 00:35:23,583 CONFRONT ME AND SAY, "I HAVE 1295 00:35:23,667 --> 00:35:25,792 A PROBLEM WITH YOUR LIFESTYLE," 1296 00:35:25,875 --> 00:35:27,166 I WOULDN'T CAUSE THAT 1297 00:35:27,250 --> 00:35:31,583 CONFRONTATION HERE. 1298 00:35:31,667 --> 00:35:33,125 >> Shangela: OKAY, I UNDERSTAND. 1299 00:35:33,208 --> 00:35:35,834 >> Charles: YOU KIND OF PUT UP 1300 00:35:35,917 --> 00:35:39,959 A WALL OR A MASK OR WHATEVER TO 1301 00:35:40,041 --> 00:35:41,125 THE WORLD AND I REALLY NEED TO 1302 00:35:41,208 --> 00:35:44,291 STEP OUT, SHOW WHO I AM 100% 1303 00:35:44,375 --> 00:35:45,500 OF THE TIME. 1304 00:35:45,583 --> 00:35:47,625 >> Shangela: WHEN YOU'RE DOING 1305 00:35:47,709 --> 00:35:48,208 THIS NUMBER, JUST THINK OF ALL 1306 00:35:48,291 --> 00:35:48,834 THAT, THINK OF THE SITUATIONS 1307 00:35:48,917 --> 00:35:49,417 THAT ARE HAPPENING AND EVEN IF 1308 00:35:49,500 --> 00:35:51,000 IT'S HEAVY, KNOW THAT THERE ARE 1309 00:35:51,083 --> 00:35:53,542 DAYS OUT THERE IN LIFE, A LOT OF 1310 00:35:53,625 --> 00:35:54,458 TIMES IF WE WEREN'T ABLE TO 1311 00:35:54,542 --> 00:35:55,333 CARRY IT, IT WOULDN'T BE GIVEN 1312 00:35:55,417 --> 00:35:57,792 TO US. 1313 00:35:57,875 --> 00:36:01,333 >> Charles: THAT'S TRUE. 1314 00:36:05,375 --> 00:36:05,959 >> Eureka O'Hara: Y'ALL WANT TO 1315 00:36:06,083 --> 00:36:08,000 COME OVER HERE. 1316 00:36:08,083 --> 00:36:08,583 >> Shangela: CAN WE TALK ABOUT 1317 00:36:08,667 --> 00:36:11,333 HIDDEN TALENTS REAL QUICK? 1318 00:36:11,417 --> 00:36:12,250 >> Bob The Drag Queen: MELISSA'S 1319 00:36:12,333 --> 00:36:12,792 ACTUALLY A LONG TIME BELLY 1320 00:36:12,875 --> 00:36:13,250 DANCER. 1321 00:36:13,333 --> 00:36:13,750 >> Shangela: YEAH COME ON. 1322 00:36:13,834 --> 00:36:14,417 >> Eureka O'Hara: LET'S ALL TRY 1323 00:36:14,500 --> 00:36:15,500 IT, COME ON GUYS, SHE'S GONNA 1324 00:36:15,583 --> 00:36:16,166 GIVE US A BELLY DANCING CLASS. 1325 00:36:16,250 --> 00:36:17,667 >> Melissa: ABOUT 13 YEARS. 1326 00:36:17,750 --> 00:36:18,250 >> Eureka O'Hara: 13 YEARS. 1327 00:36:18,333 --> 00:36:19,959 >> Tanner: TEACH 'EM HOW TO DO 1328 00:36:20,041 --> 00:36:20,250 SNAKE ARMS. 1329 00:36:20,333 --> 00:36:20,875 >> Eureka O'Hara: SNAKE ARMS 1330 00:36:20,959 --> 00:36:21,834 PLEASE. 1331 00:36:21,917 --> 00:36:23,125 >> Melissa: OH SNAKE ARMS IS 1332 00:36:23,208 --> 00:36:24,750 SHOULDER, ELBOW, WRIST, FLICK. 1333 00:36:24,834 --> 00:36:25,375 >> Eureka O'Hara: SHOULDER, 1334 00:36:25,458 --> 00:36:26,542 ELBOW, WRIST, FLICK. 1335 00:36:26,625 --> 00:36:27,917 YOU KNOW, YOU'RE DOING IT IN 1336 00:36:28,000 --> 00:36:28,667 REVERSE, YOU'RE BREAK-DANCING. 1337 00:36:28,750 --> 00:36:31,583 >> Melissa: YEAH. 1338 00:36:31,667 --> 00:36:32,041 >> Eureka O'Hara: OW. 1339 00:36:32,333 --> 00:36:35,709 WHOA. 1340 00:36:35,792 --> 00:36:37,250 >> Shangela: SHOW US ALL, 1341 00:36:37,333 --> 00:36:37,625 WE'RE HOT, HOT. 1342 00:36:37,709 --> 00:36:38,750 >> Eureka O'Hara: WORK, WORK, 1343 00:36:38,834 --> 00:36:39,625 WORK, WORK. 1344 00:36:39,709 --> 00:36:43,750 WORK, WORK, WORK. 1345 00:36:43,834 --> 00:36:45,250 IS A MUSICAL 1346 00:36:45,333 --> 00:36:45,959 >> Chris: WHAT AM I DOING? 1347 00:36:46,041 --> 00:36:47,792 >> Eureka O'Hara: COME ON. 1348 00:36:47,875 --> 00:36:48,458 >> Chris: BUT WHAT AM I DOING? 1349 00:36:48,542 --> 00:36:49,041 >> Eureka O'Hara: DON'T BE 1350 00:36:49,125 --> 00:36:50,792 AFRAID, COME ON. 1351 00:36:50,875 --> 00:36:55,166 DON'T GO THERE, YOU'RE DANCING. 1352 00:36:56,250 --> 00:36:57,834 >> Shangela: COME ON, BRANSON. 1353 00:36:57,917 --> 00:36:58,458 EUREKA, OH, OH. 1354 00:36:58,542 --> 00:36:59,458 >> Eureka O'Hara: Y'ALL CAN'T 1355 00:36:59,542 --> 00:37:00,458 HANDLE ME. 1356 00:37:00,542 --> 00:37:01,041 >> Bob The Drag Queen: GIVE ME 1357 00:37:01,125 --> 00:37:01,792 SOME TINA TURNER. 1358 00:37:01,875 --> 00:37:04,208 >> Melissa: OH. 1359 00:37:04,291 --> 00:37:05,458 >> Bob The Drag Queen: LIKE TINA 1360 00:37:05,542 --> 00:37:06,667 TURNER, WHATEVER YOU THINK TINA 1361 00:37:06,750 --> 00:37:06,959 WOULD DO. 1362 00:37:07,041 --> 00:37:08,375 >> Eureka O'Hara: LIKE, DON'T 1363 00:37:08,458 --> 00:37:08,834 GIVE HIM THE MOVES, 1364 00:37:08,917 --> 00:37:09,333 LET HIM SEE IT. 1365 00:37:09,417 --> 00:37:09,917 >> Tanner: I DON'T KNOW WHO 1366 00:37:10,000 --> 00:37:12,583 THAT IS? 1367 00:37:12,667 --> 00:37:13,041 >> Shangela: STOP IT. 1368 00:37:13,125 --> 00:37:13,667 >> Tanner: I DON'T KNOW WHO 1369 00:37:13,750 --> 00:37:14,709 TINA TURNER IS. 1370 00:37:14,792 --> 00:37:16,959 >> Melissa: NOW I'M IN TROUBLE. 1371 00:37:17,041 --> 00:37:17,458 NOW I'M IN TROUBLE. 1372 00:37:17,542 --> 00:37:18,291 >> Eureka O'Hara: ALL HER FAULT. 1373 00:37:18,375 --> 00:37:18,875 >> Shangela: OKAY, THIS IS A 1374 00:37:18,959 --> 00:37:19,458 PLACE OF LOVE, THIS IS A PLACE 1375 00:37:19,542 --> 00:37:19,709 OF LOVE. 1376 00:37:19,792 --> 00:37:20,291 HOLD THE MUSIC. 1377 00:37:20,375 --> 00:37:21,125 >> Bob The Drag Queen: PULL ME 1378 00:37:21,208 --> 00:37:23,625 UP. 1379 00:37:23,709 --> 00:37:24,792 >> Tanner: I CAN DO TINA 1380 00:37:24,875 --> 00:37:26,125 FROM BOB'S BURGERS. 1381 00:37:26,208 --> 00:37:27,500 >> Shangela: ROLLING. 1382 00:37:27,583 --> 00:37:30,458 ROLLING ON A RIVER. 1383 00:37:40,417 --> 00:37:42,792 >> Eureka O'Hara: ARE WE 1384 00:37:42,875 --> 00:37:43,625 SINGING, NOW LOOK AT HIM, GUYS. 1385 00:37:43,750 --> 00:37:46,500 WE ARE SINGING AT THIS MAN. 1386 00:38:05,959 --> 00:38:08,083 THE MAIN THING I WANT TO REMIND 1387 00:38:08,166 --> 00:38:09,291 EVERYONE OF ALSO IS LIKE, 1388 00:38:09,375 --> 00:38:12,000 JUST HAVE A GOOD TIME, RIGHT. 1389 00:38:12,083 --> 00:38:12,625 I MEAN, THE WHOLE POINT OF THIS 1390 00:38:12,709 --> 00:38:13,166 IS LIKE, TO. 1391 00:38:13,250 --> 00:38:14,166 >> Bob The Drag Queen: TO HAVE 1392 00:38:14,250 --> 00:38:14,625 FUN. 1393 00:38:14,709 --> 00:38:15,250 >> Eureka O'Hara: RIGHT, HAVE 1394 00:38:15,333 --> 00:38:16,542 FUN. 1395 00:38:16,625 --> 00:38:17,500 AND YOU ALL SHOWED UP IS WHAT 1396 00:38:17,583 --> 00:38:18,125 YOU'RE GONNA PROVE IS THAT YOU 1397 00:38:18,208 --> 00:38:18,834 SHOWED OUT, AND THAT'S WHAT I'M 1398 00:38:18,917 --> 00:38:19,250 GONNA BE PROUD OF. 1399 00:38:19,333 --> 00:38:20,250 SO JUST SHOW OUT. 1400 00:38:20,333 --> 00:38:22,125 >> Shangela: BRING IT IN. 1401 00:38:22,208 --> 00:38:25,166 ONE, TWO, THREE, WE'RE HERE. 1402 00:38:29,709 --> 00:38:31,291 >> Bob The Drag Queen: HOW ARE 1403 00:38:31,375 --> 00:38:31,583 YOU FEELING? 1404 00:38:31,667 --> 00:38:32,125 JUST CHECKING IN WITH YOU. 1405 00:38:32,208 --> 00:38:32,917 >> Tanner: I'M FEELING REALLY 1406 00:38:33,000 --> 00:38:36,458 GOOD. 1407 00:38:36,542 --> 00:38:37,333 I KNOW FROM OUTSIDE PERSPECTIVES 1408 00:38:37,417 --> 00:38:38,250 THAT IT'S CRAZY, IT'S INSANE 1409 00:38:38,333 --> 00:38:41,750 LIKE, WHERE I'M AT AND LIKE, 1410 00:38:41,834 --> 00:38:43,000 WHERE I'VE COME. 1411 00:38:43,083 --> 00:38:44,208 AND JUST I UNDERSTAND HOW 1412 00:38:44,291 --> 00:38:45,667 DIFFICULT IT IS FOR PEOPLE, YOU 1413 00:38:45,750 --> 00:38:47,542 KNOW, MY MOTHER, TO YOU KNOW, 1414 00:38:47,625 --> 00:38:49,375 UNDERSTAND. 1415 00:38:49,458 --> 00:38:49,959 >> Bob The Drag Queen: I DON'T 1416 00:38:50,041 --> 00:38:50,917 THINK, BUT YOU KEEP SAYING THAT 1417 00:38:51,000 --> 00:38:52,166 IT'S INSANE, I DON'T THINK YOUR 1418 00:38:52,291 --> 00:38:53,625 MOM THINKS YOU'RE INSANE. 1419 00:38:53,709 --> 00:38:54,917 LIKE, I DON'T THINK ANYONE 1420 00:38:55,000 --> 00:38:55,458 THINKS LIKE, "OH MY GOD, 1421 00:38:55,542 --> 00:38:58,208 TANNER'S CRAZY." 1422 00:38:58,291 --> 00:39:00,041 YEARS AGO, IF SOMEONE SAID, YOU 1423 00:39:00,125 --> 00:39:01,709 ARE EXCEPTIONAL BUT YOU'RE NOT 1424 00:39:01,792 --> 00:39:02,291 THE EXCEPTION, YOU KNOW WHAT I 1425 00:39:02,375 --> 00:39:03,291 MEAN. 1426 00:39:03,375 --> 00:39:05,458 WHEN I WAS YOUNG, MY MOM TOLD ME 1427 00:39:05,542 --> 00:39:06,709 SHE WAS A LESBIAN. 1428 00:39:06,792 --> 00:39:08,000 AND THEN WHEN I WAS IN LIKE, 1429 00:39:08,083 --> 00:39:10,959 HIGH SCHOOL, MY MOM WAS BORN 1430 00:39:11,041 --> 00:39:12,792 AGAIN. 1431 00:39:12,875 --> 00:39:13,709 AND THEN SHE WAS LIKE, 1432 00:39:13,792 --> 00:39:15,125 "THAT'S NOT ME ANYMORE." 1433 00:39:15,208 --> 00:39:17,834 AND THEN I CALLED HER LAST NIGHT 1434 00:39:17,917 --> 00:39:20,500 AND I WAS LIKE, "MA, WHAT DO I 1435 00:39:20,583 --> 00:39:24,375 SAY TANNER SO THAT I CAN HAVE 1436 00:39:24,500 --> 00:39:25,792 RESPECT TO HIS RELIGION?" 1437 00:39:25,875 --> 00:39:30,083 AND MY MOM WAS LIKE, IT TOOK HER 1438 00:39:30,166 --> 00:39:34,333 A WHILE TO REALIZE THAT SHE IS A 1439 00:39:34,417 --> 00:39:36,917 PERFECT DESIGN, THERE WERE 1440 00:39:37,000 --> 00:39:37,375 NO FLAWS. 1441 00:39:37,458 --> 00:39:38,208 MY MOM SAID WHEN SHE WAS BEING 1442 00:39:38,291 --> 00:39:38,917 CREATED, THERE WAS NO OOPSIES, 1443 00:39:39,000 --> 00:39:41,250 THERE WASN'T TOO MUCH OF THIS, 1444 00:39:41,333 --> 00:39:42,959 TOO LITTLE OF THIS. 1445 00:39:43,041 --> 00:39:43,834 THE WAY SHE WAS MADE IS THE WAY 1446 00:39:43,917 --> 00:39:45,208 SHE WAS MADE INTENTIONALLY. 1447 00:39:45,291 --> 00:39:53,875 YOU ARE A PERFECT DESIGN. 1448 00:39:53,959 --> 00:39:54,875 >> Bob The Drag Queen: I FEEL 1449 00:39:54,959 --> 00:39:55,375 LIKE WE RAN INTO TANNER AT 1450 00:39:55,458 --> 00:39:56,000 A REALLY PIVOTAL POINT IN HIS 1451 00:39:56,083 --> 00:39:57,166 LIFE. 1452 00:39:57,250 --> 00:39:59,375 I THINK THAT HE'S FIGURING OUT 1453 00:39:59,458 --> 00:40:01,709 WHAT HAPPINESS MEANS FOR HIM. 1454 00:40:01,792 --> 00:40:04,917 I HOPE THIS IS THERAPEUTIC, 1455 00:40:05,000 --> 00:40:05,709 THAT'S WHAT I HOPE. 1456 00:40:05,792 --> 00:40:06,291 I WANT HIM TO GET TO A POINT 1457 00:40:06,375 --> 00:40:08,417 WHERE HE CAN ACCEPT THE THINGS 1458 00:40:08,500 --> 00:40:18,208 THAT HE CANNOT CHANGE. 1459 00:40:23,000 --> 00:40:23,750 >> Shangela: HOW ARE YOU FEELING 1460 00:40:23,834 --> 00:40:24,917 TODAY? 1461 00:40:25,000 --> 00:40:25,375 >> WHO? 1462 00:40:25,458 --> 00:40:27,583 >> Shangela: YOU. 1463 00:40:27,667 --> 00:40:28,083 >> I'M FEELING GREAT. 1464 00:40:28,166 --> 00:40:28,834 >> Shangela: YOU READY TO ROCK 1465 00:40:28,917 --> 00:40:30,083 AND ROLL? 1466 00:40:30,166 --> 00:40:31,458 >> UH-HUH. 1467 00:40:31,542 --> 00:40:32,375 >> GET THESE FOLKS RIGHT ON 1468 00:40:32,458 --> 00:40:33,500 TOGETHER, GIVE THEM A SHOW, 1469 00:40:33,583 --> 00:40:37,333 GIRL. 1470 00:40:51,083 --> 00:40:57,834 >> Eureka O'Hara: FUCK YOU. 1471 00:40:57,917 --> 00:40:59,625 OH, MY GOD. 1472 00:40:59,709 --> 00:41:00,458 >> Bob The Drag Queen: I'M 1473 00:41:00,542 --> 00:41:01,083 LEANING TOWARDS THE BUTCH SIDE 1474 00:41:01,208 --> 00:41:02,333 OF ANDROG. 1475 00:41:02,375 --> 00:41:04,333 ROCK GLAM BUT LIKE, POP ROCK 1476 00:41:04,375 --> 00:41:05,208 GLAM, NOT LIKE KISS, 1477 00:41:05,291 --> 00:41:07,959 IT'S NOT SLIPKNOT. 1478 00:41:08,041 --> 00:41:08,959 >> SLIPKNOT. 1479 00:41:09,041 --> 00:41:10,000 >> Bob The Drag Queen: YEAH, 1480 00:41:10,083 --> 00:41:14,000 SLIPKNOT. 1481 00:41:14,083 --> 00:41:14,583 WHAT ARE YOU THINKING ABOUT 1482 00:41:14,667 --> 00:41:14,917 THAT? 1483 00:41:15,000 --> 00:41:17,125 >> Tanner: I'M GAME. 1484 00:41:17,208 --> 00:41:19,125 >> Shangela: IF YOU THINK YOU'RE 1485 00:41:19,208 --> 00:41:21,041 THE ONLY GAY PERSON AROUND, 1486 00:41:21,125 --> 00:41:24,291 IT CAN MAKE YOU FEEL ISOLATED. 1487 00:41:24,375 --> 00:41:25,166 AND IN THIS PERFORMANCE, I WANT 1488 00:41:25,250 --> 00:41:26,333 CHARLES TO ALLOW THAT TO PROPEL 1489 00:41:26,417 --> 00:41:27,625 HIM AND THE REST OF THIS 1490 00:41:27,709 --> 00:41:28,208 COMMUNITY FORWARD, TO HELP US 1491 00:41:28,291 --> 00:41:29,333 MAKE A COMMUNITY. 1492 00:41:29,417 --> 00:41:30,500 >> Shangela: WE'LL LOOK AT EACH 1493 00:41:30,583 --> 00:41:31,333 OTHER AND BE ABLE TO BE LIKE, 1494 00:41:31,417 --> 00:41:31,834 THAT'S GOOD, LET'S GO. 1495 00:41:31,917 --> 00:41:32,333 >> Charles: THAT'S FUN. 1496 00:41:32,417 --> 00:41:37,333 >> Shangela: YOU KNOW 1497 00:41:37,417 --> 00:41:37,667 WHAT I MEAN? 1498 00:41:37,750 --> 00:41:38,291 >> Rich: THIS IS THE BIG DAY. 1499 00:41:38,375 --> 00:41:38,625 >> Chris: YEP. 1500 00:41:38,709 --> 00:41:39,375 >> Rich: YOU'RE READY FOR THIS? 1501 00:41:39,458 --> 00:41:39,875 >> Chris: I'M READY. 1502 00:41:39,959 --> 00:41:41,875 >> Rich: OKAY. 1503 00:41:41,959 --> 00:41:42,250 >> Eureka O'Hara: 1504 00:41:42,333 --> 00:41:42,959 IT'S IMPORTANT FOR CHRIS TO SAY, 1505 00:41:43,041 --> 00:41:43,709 FUCK THE STEREOTYPES, BECAUSE 1506 00:41:43,792 --> 00:41:44,333 THAT'S WHAT'S CAUSING HIM TO 1507 00:41:44,417 --> 00:41:44,959 HOLD A REALLY BEAUTIFUL PART OF 1508 00:41:45,041 --> 00:41:45,291 HIMSELF BACK. 1509 00:41:45,375 --> 00:41:45,875 >> Rich: OH, YOU'RE GONNA BE 1510 00:41:45,959 --> 00:41:47,041 BEAUTIFUL. 1511 00:41:47,125 --> 00:41:49,667 >> Eureka O'Hara: ULTIMATELY IT 1512 00:41:49,750 --> 00:41:50,208 COMES DOWN TO UNDERSTANDING 1513 00:41:50,291 --> 00:41:50,875 YOURSELF, FORGIVING YOURSELF AND 1514 00:41:50,959 --> 00:41:51,458 MOVING PAST SOME OF THE THINGS 1515 00:41:51,542 --> 00:41:52,041 THAT YOU'RE RESENTFUL TO 1516 00:41:52,125 --> 00:41:55,041 YOURSELF FOR. 1517 00:41:55,125 --> 00:41:56,875 LET THAT SHIT GO, BRO. 1518 00:41:56,959 --> 00:42:01,083 RICH, I HAVE ONE REQUEST. 1519 00:42:01,166 --> 00:42:01,417 >> Rich: YEAH? 1520 00:42:01,500 --> 00:42:02,041 >> Eureka O'Hara: YOU BETTER NOT 1521 00:42:02,125 --> 00:42:02,625 LET HER LOOK BETTER THAN ME 1522 00:42:02,709 --> 00:42:02,875 TONIGHT. 1523 00:42:02,959 --> 00:42:03,500 ALL RIGHT, WELL, I GUESS GET UP, 1524 00:42:03,583 --> 00:42:03,917 LET ME HAVE MY TURN. 1525 00:42:04,000 --> 00:42:04,375 >> Chris: ALL RIGHT. 1526 00:42:04,458 --> 00:42:04,917 >> Eureka O'Hara: GO EAT OR 1527 00:42:05,000 --> 00:42:05,542 SOMETHING. 1528 00:42:05,625 --> 00:42:06,083 >> Chris: OKAY. 1529 00:42:06,166 --> 00:42:07,625 >> Eureka O'Hara: DON'T BE IN 1530 00:42:07,709 --> 00:42:08,750 THE BATHROOM SUCKING DICK LIKE 1531 00:42:08,834 --> 00:42:11,250 YOUR MOMMA, HEY. 1532 00:42:20,166 --> 00:42:24,750 HELLO, BRANSON, MISSOURI. 1533 00:42:26,083 --> 00:42:27,041 ARE YOU ALL READY FOR A 1534 00:42:27,125 --> 00:42:28,959 PHENOMENAL DRAG SHOW? 1535 00:42:29,041 --> 00:42:31,250 PLEASE MAKE SOME NOISE 1536 00:42:31,333 --> 00:42:37,709 FOR MISS EUREKA, OH. 1537 00:43:36,917 --> 00:43:39,166 HOW ARE YOU ALL DOING, BRANSON? 1538 00:43:41,125 --> 00:43:42,250 I'M SO EXCITED TO BE HERE 1539 00:43:42,333 --> 00:43:43,333 IN BRANSON. 1540 00:43:48,959 --> 00:43:51,542 YOU KNOW, WHEN YOU TRAVEL ALL 1541 00:43:51,625 --> 00:43:53,208 ACROSS THE CITY, IT IS SUCH A 1542 00:43:53,291 --> 00:43:54,709 BEAUTIFUL SHOW-BUSINESS CITY. 1543 00:43:54,792 --> 00:43:56,208 OUR GOAL IS NOT TO DIMINISH THE 1544 00:43:56,291 --> 00:43:58,083 SHOWBIZ YOU HAVE, BUT ONLY TO 1545 00:43:58,166 --> 00:44:00,667 ADD SOME MORE FABULOUS DISCO 1546 00:44:00,750 --> 00:44:10,959 HITS. 1547 00:44:11,041 --> 00:44:12,125 >> Charles: THE PEOPLE THAT KNOW 1548 00:44:12,208 --> 00:44:13,542 ME, KNOW THAT I'M GAY. 1549 00:44:13,625 --> 00:44:16,041 I HAVE NO FEARS. 1550 00:44:16,125 --> 00:44:23,333 I THINK THE LGBT COMMUNITY IS 1551 00:44:23,417 --> 00:44:24,417 JUST UNDER THE SURFACE, BRANSON 1552 00:44:24,500 --> 00:44:25,083 IS CHANGING, THE DEMOGRAPHIC IS 1553 00:44:25,166 --> 00:44:27,125 CHANGING. 1554 00:44:27,208 --> 00:44:29,208 I WANT TO BE THE VOICE THAT 1555 00:44:29,291 --> 00:44:31,750 THEY'RE LOOKING FOR. 1556 00:44:31,834 --> 00:44:33,291 >> Bob The Drag Queen: PLEASE 1557 00:44:33,375 --> 00:44:42,875 PUT YOUR HANDS TOGETHER FOR MISS 1558 00:44:42,959 --> 00:44:47,000 ALEXIA SAINT-CROIX. 1559 00:45:28,291 --> 00:45:29,333 I'M JUST SO FRUSTRATED, 1560 00:45:29,417 --> 00:45:31,625 WHAT AM I MISSING? 1561 00:45:31,709 --> 00:45:32,375 I WISH SOMEONE COULD TEACH ME 1562 00:45:32,458 --> 00:45:34,583 HOW TO BE A DRAG SUPERSTAR. 1563 00:45:34,667 --> 00:45:37,959 >> Shangela: DID SOMEBODY CALL 1564 00:45:38,041 --> 00:45:42,542 FOR A PROFESSIONAL? 1565 00:45:42,625 --> 00:45:43,667 YOU SEE, QUEEN, YOU'VE ALREADY 1566 00:45:43,750 --> 00:45:45,208 GOT THE TALENT, BUT ALL YOU NEED 1567 00:45:45,291 --> 00:45:45,834 ARE THESE SHOES AND TO PUMP UP 1568 00:45:45,917 --> 00:45:52,750 YOUR GROOVE. 1569 00:46:24,709 --> 00:46:25,250 HOLD UP, HOLD UP, HOLD UP. 1570 00:46:25,333 --> 00:46:25,917 OOH, GIRL. 1571 00:46:26,000 --> 00:46:27,291 LET'S TAKE THIS PARTY HIGH. 1572 00:46:27,375 --> 00:46:28,750 HIGH. 1573 00:46:28,834 --> 00:46:30,291 HIGH. 1574 00:46:30,375 --> 00:46:31,834 HIGH. 1575 00:46:31,917 --> 00:46:36,166 HIGH. 1576 00:46:52,208 --> 00:46:55,667 WHOO, I AM PUMPED OUT. 1577 00:47:02,709 --> 00:47:04,542 >> Charles: THANK YOU SO MUCH. 1578 00:47:04,625 --> 00:47:05,458 I'VE SAID THAT I WANT TO BE A 1579 00:47:05,542 --> 00:47:06,667 BEACON OF LIGHT TO THE PEOPLE 1580 00:47:06,750 --> 00:47:10,625 HERE IN BRANSON, THAT FEEL LIKE 1581 00:47:10,709 --> 00:47:16,125 THEY CAN'T BE OUT AND PROUD, 1582 00:47:16,208 --> 00:47:16,667 THAT CAN'T LIVE A VISIBLE, 1583 00:47:16,750 --> 00:47:18,500 QUEER LIFE. 1584 00:47:18,583 --> 00:47:22,417 AND I'M PROOF THAT YOU CAN. 1585 00:47:30,208 --> 00:47:30,834 SO I'VE GOT MY PARTNER BRENT 1586 00:47:30,917 --> 00:47:31,041 HERE. 1587 00:47:31,125 --> 00:47:31,750 YES. 1588 00:47:32,500 --> 00:47:33,208 SO WE'VE BEEN TOGETHER 1589 00:47:33,291 --> 00:47:33,542 FOR 11 YEARS. 1590 00:47:33,625 --> 00:47:34,333 HE'S ALWAYS BEEN IN MY CORNER. 1591 00:47:34,417 --> 00:47:35,417 I LOVE YOU SO MUCH, AND I'M SO 1592 00:47:35,500 --> 00:47:38,375 HAPPY THAT YOU'RE HERE. 1593 00:47:38,458 --> 00:47:40,917 YOU CAN BE WHO YOU ARE AND YOU 1594 00:47:41,000 --> 00:47:42,542 HAVE PEOPLE THAT WILL LOVE AND 1595 00:47:42,625 --> 00:47:45,000 THAT WILL SUPPORT YOU AND 1596 00:47:45,083 --> 00:47:54,750 CELEBRATE YOU, STARTING WITH ME. 1597 00:47:54,834 --> 00:47:55,709 I WILL BE YOUR FRIEND, YOU CAN 1598 00:47:55,792 --> 00:47:56,917 CALL ME AND I'LL BE THERE 1599 00:47:57,000 --> 00:47:57,417 FOR YOU. 1600 00:47:57,500 --> 00:47:58,000 THANK YOU. 1601 00:47:58,667 --> 00:48:00,875 OUR DIFFERENCES SHOULD BE 1602 00:48:00,959 --> 00:48:04,917 CELEBRATED. 1603 00:48:05,000 --> 00:48:06,000 >> Rich: DOES IT LOOK GOOD? 1604 00:48:06,083 --> 00:48:07,458 >> December: YEAH, YOU LOOK 1605 00:48:07,542 --> 00:48:09,709 DIFFERENT. 1606 00:48:09,792 --> 00:48:11,792 YOU LOOK WAY DIFFERENT. 1607 00:48:11,875 --> 00:48:15,917 >> Rich: SO PRETTY, 1608 00:48:16,000 --> 00:48:16,417 SEE THE LASHES. 1609 00:48:16,500 --> 00:48:18,417 >> Chris: I'VE NEVER TRULY LOVED 1610 00:48:18,500 --> 00:48:19,583 MYSELF, THAT IS SOMETHING I'VE 1611 00:48:19,667 --> 00:48:20,333 ALWAYS STRUGGLED WITH. 1612 00:48:20,417 --> 00:48:22,625 >> Eureka O'Hara: OH MY GOD, 1613 00:48:22,709 --> 00:48:23,250 THEM BIG OLD, GOD IT FEELS LIKE 1614 00:48:23,333 --> 00:48:24,542 A REAL TITTIE. 1615 00:48:24,625 --> 00:48:26,792 >> Chris: 1616 00:48:26,875 --> 00:48:37,542 >> Eureka O'Hara: MY GOD, SORRY. 1617 00:48:37,625 --> 00:48:38,583 MY HETERONORMATIVITY'S COMING 1618 00:48:38,667 --> 00:48:39,083 OUT. 1619 00:48:39,166 --> 00:48:39,625 >> Chris: YOU CAN BE OPEN, 1620 00:48:39,709 --> 00:48:40,333 YOU CAN BE EMOTIONAL, YOU CAN BE 1621 00:48:40,417 --> 00:48:43,125 CARING FOR SOMEONE AND YOU CAN 1622 00:48:43,208 --> 00:48:43,709 STILL BE THAT SAME LIKE, 1623 00:48:43,792 --> 00:48:44,041 STRONG PERSON. 1624 00:48:44,125 --> 00:48:46,375 I'M NOT THERE YET BUT I'M 1625 00:48:46,458 --> 00:48:46,792 GETTING THERE. 1626 00:48:46,875 --> 00:48:54,625 >> LADIES AND GENTLEMEN, THIS IS 1627 00:48:54,709 --> 00:48:55,250 YOUR MAIN EVENT OF THE EVENING. 1628 00:48:55,333 --> 00:48:55,875 AND INTODUCING, SHE IS THE BODY 1629 00:48:55,959 --> 00:48:57,083 POSITIVE ELEPHANT QUEEN AND THE 1630 00:48:57,166 --> 00:49:02,500 CURRENT CONFIDENCE CHAMPION OF 1631 00:49:02,583 --> 00:49:08,959 THE WORLD, EUREKA. 1632 00:49:09,041 --> 00:49:09,542 >> Eureka O'Hara: 1633 00:49:43,542 --> 00:49:43,917 >> IN THIS WORLD, 1634 00:49:44,000 --> 00:49:46,625 HAILING FROM BRANSON, MISSOURI, 1635 00:49:46,709 --> 00:49:48,500 MIRANDA JOLES. 1636 00:49:48,583 --> 00:49:49,208 >> Chris: 1637 00:50:18,333 --> 00:50:19,792 >> Sarah: ARE YOU EXCITED? 1638 00:50:19,875 --> 00:50:21,458 >> December: YEAH, I'M NERVOUS. 1639 00:50:21,542 --> 00:50:22,291 >> Sarah: NO, DON'T BE NERVOUS. 1640 00:50:22,375 --> 00:50:22,875 YOU'RE BEAUTIFUL AND YOU'RE 1641 00:50:22,959 --> 00:50:23,208 AMAZING, OKAY. 1642 00:50:23,291 --> 00:50:23,792 THERE'S NOTHING TO BE NERVOUS 1643 00:50:23,875 --> 00:50:24,417 ABOUT, YOU'RE GONNA GO OUT HERE 1644 00:50:24,500 --> 00:50:25,041 AND YOU'RE GONNA SHOW THEM HOW 1645 00:50:25,125 --> 00:50:25,542 TOUGH YOU ARE, OKAY? 1646 00:50:25,625 --> 00:50:28,250 YOU GOT THIS. 1647 00:50:28,333 --> 00:50:30,834 >> Chris: ♪ THANKS TO YOU 1648 00:51:31,458 --> 00:51:37,291 >> AH. 1649 00:51:37,375 --> 00:51:38,875 A NEW DRAG QUEEN, MIRANDA JOLES. 1650 00:51:48,250 --> 00:51:49,583 >> Eureka O'Hara: GIVE IT UP FOR 1651 00:51:49,667 --> 00:51:50,542 ONE OF YOUR MOST CONFIDENT 1652 00:51:50,625 --> 00:51:53,083 PEOPLE IN BRANSON, MISS MIRANDA 1653 00:51:53,166 --> 00:51:58,208 JOLES. 1654 00:51:58,291 --> 00:51:59,709 >> Chris: THIS EXPERIENCE HAS 1655 00:51:59,792 --> 00:52:01,875 BEEN ABSOLUTELY AMAZING. 1656 00:52:01,959 --> 00:52:04,792 I WANTED TO APPROACH IT AS TO 1657 00:52:04,875 --> 00:52:06,166 TEACH EVERYONE THAT THERE IS 1658 00:52:06,250 --> 00:52:08,792 MANY MORE WAYS TO BE A MAN. 1659 00:52:13,375 --> 00:52:14,333 TWO YEARS AGO I WANTED TO END MY 1660 00:52:14,417 --> 00:52:15,875 LIFE. 1661 00:52:15,959 --> 00:52:17,125 AND I DIDN'T. 1662 00:52:17,208 --> 00:52:18,709 AND I KNOW WHY. 1663 00:52:18,792 --> 00:52:20,458 AND THAT REASON IS TO REACH OUT 1664 00:52:20,542 --> 00:52:20,834 AND HELP PEOPLE. 1665 00:52:20,917 --> 00:52:24,917 AND I'M DOING THAT RIGHT NOW. 1666 00:52:26,375 --> 00:52:27,208 IT FELT LIKE THE WHOLE PLACE 1667 00:52:27,291 --> 00:52:28,583 ERUPTED AND IT WAS AMAZING. 1668 00:52:28,667 --> 00:52:29,208 >> Bob The Drag Queen: WAS IT 1669 00:52:29,291 --> 00:52:32,417 GREAT? 1670 00:52:32,500 --> 00:52:33,083 >> Chris: YES, IT WAS EVERYTHING 1671 00:52:33,166 --> 00:52:33,375 I WANTED. 1672 00:52:33,458 --> 00:52:34,458 I HAVE MORE SELF CONFIDENCE NOW, 1673 00:52:34,500 --> 00:52:38,625 I HAVE MORE. 1674 00:52:38,709 --> 00:52:40,083 I'M NOT GONNA LOOK AT MYSELF IN 1675 00:52:40,166 --> 00:52:40,625 THE SAME LIGHT THAT I HAVE. 1676 00:52:40,709 --> 00:52:41,291 I'M GONNA LOVE MYSELF FOR WHO I 1677 00:52:41,375 --> 00:52:44,667 AM. 1678 00:52:44,750 --> 00:52:46,750 >> Melissa: YOU KNOW, LIKE THE 1679 00:52:46,834 --> 00:52:47,834 LAST COUPLE OF DAYS, I'VE SLOWLY 1680 00:52:47,917 --> 00:52:48,667 SEEN THIS LITTLE SPARK IN TANNER 1681 00:52:48,750 --> 00:52:56,041 AND HE'S LIKE GROWING. 1682 00:52:56,125 --> 00:52:56,667 >> Eureka O'Hara: HOW AMAZING. 1683 00:52:56,750 --> 00:52:57,875 THANK YOU FOR DOING THIS WITH 1684 00:52:57,959 --> 00:52:58,917 US. 1685 00:52:59,000 --> 00:52:59,458 >> Tanner: NO, THANK YOU. 1686 00:52:59,542 --> 00:53:00,125 >> Eureka O'Hara: I'M REALLY 1687 00:53:00,208 --> 00:53:03,792 PROUD OF YOU. 1688 00:53:03,875 --> 00:53:04,500 >> Melissa: HIS FAITH DOESN'T 1689 00:53:04,583 --> 00:53:05,125 BRING THAT SPARK BUT I, I DON'T 1690 00:53:05,208 --> 00:53:05,709 KNOW, THERE IS A SPARK THERE. 1691 00:53:05,792 --> 00:53:06,333 THERE IS A SPARK OF EXCITEMENT 1692 00:53:06,417 --> 00:53:07,625 I'VE SEEN IN THE LAST COUPLE OF 1693 00:53:07,709 --> 00:53:08,333 DAYS. 1694 00:53:08,417 --> 00:53:12,625 SO WE'LL SEE. 1695 00:53:12,709 --> 00:53:13,500 >> PLEASE, PLEASE WELCOME. 1696 00:54:20,917 --> 00:54:23,041 >> Melissa: 1697 00:54:39,291 --> 00:54:40,208 >> Tanner: 1698 00:54:53,750 --> 00:54:55,333 >> Melissa: 1699 00:55:09,333 --> 00:55:10,542 >> Tanner: 1700 00:55:25,291 --> 00:55:25,750 >> Bob The Drag Queen: 1701 00:56:32,625 --> 00:56:33,667 >> Tanner: IT'S BEEN SUCH 1702 00:56:33,750 --> 00:56:35,291 A HUMBLING EXPERIENCE AND SUCH 1703 00:56:35,375 --> 00:56:37,959 A LIFE CHANGING EXPERIENCE. 1704 00:56:38,041 --> 00:56:41,625 THIS WORLD NEEDS MORE LOVE, LOVE 1705 00:56:41,709 --> 00:56:43,083 ABOVE ALL ELSE, SMILE AT THE 1706 00:56:43,166 --> 00:56:45,083 NEXT PERSON YOU SEE, GIVE THE 1707 00:56:45,166 --> 00:56:46,291 NEXT PERSON YOU CAN A HUG. 1708 00:56:46,375 --> 00:56:49,083 FEEL THIS WORLD WITH LOVE. 1709 00:56:50,583 --> 00:56:52,458 I FOUND IN LIFE THAT THERE'S NO 1710 00:56:52,542 --> 00:56:54,000 SUCH THING AS COINCIDENCE. 1711 00:56:54,083 --> 00:56:55,834 >> Bob The Drag Queen: TANNER, 1712 00:56:55,917 --> 00:56:56,083 TANNER. 1713 00:56:56,166 --> 00:56:57,834 >> TANNER, TANNER. 1714 00:56:57,917 --> 00:57:02,917 >> Tanner: YOU KNOW, SOMETIMES 1715 00:57:03,000 --> 00:57:03,500 IT'S EASY TO FORGET THAT, YOU 1716 00:57:03,583 --> 00:57:04,166 KNOW, YOU HAVE SO MUCH LOVE IN 1717 00:57:04,250 --> 00:57:04,709 YOUR LIFE AND THIS WAS JUST 1718 00:57:04,792 --> 00:57:05,333 ANOTHER REMINDER OF YOU KNOW, 1719 00:57:05,417 --> 00:57:06,208 ALL THE PEOPLE WHO I HAVE IN MY 1720 00:57:06,291 --> 00:57:08,583 LIFE THAT ARE SUPPORTING ME. 1721 00:57:08,667 --> 00:57:09,333 WE'RE ALL IN THIS TOGETHER. 1722 00:57:09,417 --> 00:57:11,166 THE SEPARATION BETWEEN CHRISTIAN 1723 00:57:11,250 --> 00:57:12,709 AND LGBT, THAT ISN'T A 1724 00:57:12,792 --> 00:57:19,458 SEPARATION BY GOD, THAT IS A 1725 00:57:19,542 --> 00:57:20,000 SEPARATION BY PEOPLE. 1726 00:57:20,083 --> 00:57:24,667 >> Bob The Drag Queen: SOMETIMES 1727 00:57:24,750 --> 00:57:25,250 YOU HAVE TO LET OTHER PEOPLE 1728 00:57:25,333 --> 00:57:26,709 LOVE YOU, SO YOU CAN FULLY LOVE 1729 00:57:26,792 --> 00:57:27,000 YOURSELF. 1730 00:57:27,083 --> 00:57:27,625 IT GOES BACK TO THE HUMAN 1731 00:57:27,709 --> 00:57:29,166 EXPERIENCE, EVERYONE WANTS PEACE 1732 00:57:29,250 --> 00:57:29,834 AND HAPPINESS. 1733 00:57:29,917 --> 00:57:30,750 WE ALL STRUGGLE AND WE CAN ALL 1734 00:57:30,834 --> 00:57:31,458 OVERCOME. 1735 00:57:31,500 --> 00:57:32,375 >> Sarah: YOU ARE BEAUTIFUL, 1736 00:57:32,458 --> 00:57:32,917 OKAY. 1737 00:57:32,959 --> 00:57:33,625 >> Shangela: WE DID IT! 1738 00:57:33,709 --> 00:57:34,709 >> Charles: IT WAS FUN. 1739 00:57:34,750 --> 00:57:35,291 YEAH. 1740 00:57:35,375 --> 00:57:39,000 >> Shangela: ALL RIGHT. 1741 00:57:39,333 --> 00:57:41,041 >> Charles: I FEEL LIKE A 1742 00:57:41,125 --> 00:57:41,458 SUPERSTAR. 1743 00:57:41,542 --> 00:57:43,417 IT WAS REALLY AMAZING. 1744 00:57:43,500 --> 00:57:44,750 >> Eureka O'Hara: THERE'S A 1745 00:57:44,834 --> 00:57:46,125 THING ABOUT DRAG, IT'S LIKE YOU 1746 00:57:46,208 --> 00:57:48,917 CAN CONQUER THE WORLD. 1747 00:57:49,000 --> 00:57:51,667 AND ONCE YOU FEEL THAT, IT MAKES 1748 00:57:51,750 --> 00:57:52,792 YOU WANT TO START CHANGING 1749 00:57:52,875 --> 00:57:53,458 THINGS IN YOUR LIFE, SO THAT YOU 1750 00:57:53,542 --> 00:57:54,542 CAN FEEL THAT WAY AGAIN. 1751 00:57:54,625 --> 00:57:55,208 WELL, SO THIS TIME OR WHEN 1752 00:57:55,291 --> 00:57:56,875 YOU'RE AT THE POOL, WHAT ARE YOU 1753 00:57:56,959 --> 00:57:57,166 GONNA WEAR? 1754 00:57:57,250 --> 00:58:00,458 >> Chris: A SPEEDO. 1755 00:58:00,542 --> 00:58:01,917 >> Eureka O'Hara: A SPEEDO. 1756 00:58:02,000 --> 00:58:06,250 >> Chris: 1757 00:58:06,333 --> 00:58:07,750 >> Eureka O'Hara: THIS IS GONNA 1758 00:58:07,834 --> 00:58:08,333 BE A MEMORY HE'S GONNA HOLD 1759 00:58:08,417 --> 00:58:08,959 FOREVER, NOT ONLY FOR HIM, BUT 1760 00:58:09,041 --> 00:58:09,417 ALSO FOR HIS DAUGHTER. 1761 00:58:09,500 --> 00:58:10,041 AND THAT'S THE MOST BEAUTIFUL 1762 00:58:10,125 --> 00:58:10,834 PART ABOUT THAT. 1763 00:58:10,917 --> 00:58:11,417 >> Shangela: YOU LOOK SO CUTE. 1764 00:58:11,500 --> 00:58:12,083 WHEN YOU'RE ABLE JUST TO PUT ON 1765 00:58:12,166 --> 00:58:12,667 THE ARMOR OF WHO YOU ARE AND 1766 00:58:12,750 --> 00:58:17,667 WALK IN THAT TRUTH. 1767 00:58:17,750 --> 00:58:20,166 THAT'S THE MOST IMPORTANT THING. 1768 00:58:20,250 --> 00:58:21,125 THAT'S DRAG. 1769 00:58:21,208 --> 00:58:24,959 >> Tanner: I FEEL LIKE A MIX OF 1770 00:58:25,041 --> 00:58:26,000 LIKE, CINDEL AND DAVID BOWIE. 1771 00:58:26,083 --> 00:58:29,250 >> A LITTLE CINDEL, YEAH. 1772 00:58:29,333 --> 00:58:35,542 >> Melissa: I THINK HE FEELS 1773 00:58:35,625 --> 00:58:36,333 REALLY LOVED RIGHT NOW. 1774 00:58:36,417 --> 00:58:37,000 AND WHAT MORE COULD YOU ASK FOR, 1775 00:58:37,083 --> 00:58:37,208 RIGHT? 1776 00:58:37,291 --> 00:58:37,625 YOU KNOW. 1777 00:58:37,709 --> 00:58:38,291 I JUST WANT HIM TO BE HAPPY, I 1778 00:58:38,375 --> 00:58:44,625 JUST WANT THEM ALL TO BE HAPPY. 1779 00:59:46,458 --> 00:59:49,583 Hello! 1780 00:59:49,667 --> 00:59:52,458 Lord, I put on all this for nothing? 1781 00:59:54,208 --> 00:59:56,917 We are in Farmington, New Mexico. 1782 00:59:57,291 --> 01:00:00,667 Hopefully, we can show Farmington what fun looks like! 1783 01:00:00,959 --> 01:00:02,583 -Ah! -Oh God, oh God. 1784 01:00:02,667 --> 01:00:04,250 -Ok, alright. -Ah! 1785 01:00:04,333 --> 01:00:06,667 -Oh my God. 1786 01:00:07,208 --> 01:00:08,667 As an indigenous gay male, 1787 01:00:08,750 --> 01:00:11,917 on the reservation, I was picked on, I was scared. 1788 01:00:12,125 --> 01:00:14,083 We all accepted her, but I think she knew 1789 01:00:14,166 --> 01:00:15,583 that other people didn't. 1790 01:00:15,667 --> 01:00:20,250 I want to create support from the community here in Farmington. 1791 01:00:20,709 --> 01:00:22,667 That's what drag does; it helps you create strength 1792 01:00:22,750 --> 01:00:24,542 that you don't know where to find it. 1793 01:00:24,625 --> 01:00:27,709 You have the spotlight, and they have to listen. 1794 01:00:28,041 --> 01:00:29,375 Let's cause a scene. 114888

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