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1
00:00:05,805 --> 00:00:07,673
PREVIOUSLY ON "MIND GAMES"...
2
00:00:07,675 --> 00:00:09,274
THIS IS THE GUY
YOU'LL WORK WITH.
3
00:00:09,276 --> 00:00:11,443
OKAY. OLIVER.
4
00:00:11,445 --> 00:00:12,845
I MEAN, YOUR PARENTS
ARE LIKE ZILLIONAIRES
OR SOMETHING, RIGHT?
5
00:00:12,847 --> 00:00:14,680
WHAT DOES THAT MEAN?
6
00:00:14,682 --> 00:00:16,515
WHAT IS WITH YOU?
I'VE NEVER SEEN YOU LIKE
THIS ON A JOB BEFORE.
7
00:00:16,517 --> 00:00:18,117
BECAUSE I'VE NEVER BEEN
SCREWING PEOPLE
8
00:00:18,119 --> 00:00:19,952
THAT I GENUINELY LIKED
BEFORE.
9
00:00:19,954 --> 00:00:24,456
HE'S BEEN ASKING THESE
REALLY ODDLY SPECIFIC QUESTIONS.
10
00:00:24,458 --> 00:00:27,026
DO YOU THINK
I'M BEING PARANOID?
11
00:00:32,699 --> 00:00:35,868
SAM! COME ON,
OPEN THE DOOR!
12
00:00:35,870 --> 00:00:38,103
SAM, I JUST WANT TO TALK!
13
00:00:40,874 --> 00:00:43,642
SAM, YOU'RE NOT GONNA BE ABLE
TO AVOID ME FOREVER!
14
00:00:43,644 --> 00:00:45,544
[ CAMERA SHUTTER CLICKS ]
15
00:00:49,716 --> 00:00:52,885
YEAH. HE'S AT HER APARTMENT
OVER HERE.
16
00:00:52,887 --> 00:00:54,219
POUNDING ON THE DOOR.
17
00:00:54,221 --> 00:00:56,188
WHAT DO YOU WANT ME
TO DO WITH HIM?
18
00:00:56,190 --> 00:00:57,890
WHAT'S UNDER MY FEET,
KEN?
19
00:00:57,892 --> 00:01:01,226
UH, CARPET?
NEW CARPET?
20
00:01:01,228 --> 00:01:03,328
THEY SAID THAT BUYING
USED CARPET IS NOT A THING.
21
00:01:03,330 --> 00:01:05,497
THEN YOU'RE NOT ASKING
THE RIGHT PEOPLE, ARE YOU?
22
00:01:05,499 --> 00:01:07,166
YOU NEED...
WHAT? WHAT'S THIS?
23
00:01:07,168 --> 00:01:08,901
YOUR NAME TAG.
24
00:01:10,003 --> 00:01:11,837
"ROYCE POWELL,
25
00:01:11,839 --> 00:01:14,506
ELECTRONIC-BANKING
FRAUD-PREVENTION OFFICER."
26
00:01:14,508 --> 00:01:16,508
AND "FRAUD" IS
SPELLED WITH A "W."
27
00:01:16,510 --> 00:01:17,876
YEAH,
THAT'S A MISPRINT.
28
00:01:17,878 --> 00:01:19,511
WE JUST WANTED HIM
TO APPROVE IT FOR SIZE.
29
00:01:19,513 --> 00:01:21,513
I WOULD THINK THAT "FRAUD"
WOULD BE THE ONE WORD
30
00:01:21,515 --> 00:01:22,848
YOU WOULD HAVE SPELLED
CORRECTLY.
31
00:01:22,850 --> 00:01:24,383
UH, JUST PUT
HIS NAME ON IT.
32
00:01:24,385 --> 00:01:27,419
HE DOESN'T NEED HIS WHOLE
RéSUMé PINNED TO HIS JACKET.
33
00:01:27,421 --> 00:01:29,021
YOU OKAY?
34
00:01:29,023 --> 00:01:30,556
[ SIGHS ]
35
00:01:30,558 --> 00:01:33,025
WHAT DOES THAT SMELL LIKE
TO YOU?
36
00:01:33,027 --> 00:01:35,194
[ EXHALES ] I DON'T KNOW.
PAINT? PLASTIC?
37
00:01:35,196 --> 00:01:36,595
IT SMELLS LIKE A LIE.
38
00:01:36,597 --> 00:01:38,697
IT SMELLS LIKE
A BUNCH OF AMATEURS
39
00:01:38,699 --> 00:01:40,532
INVENTED A BANK OUT OF THIN AIR
IN TWO DAYS
40
00:01:40,534 --> 00:01:42,534
TO GET SOMEONE
TO SIGN AWAY THEIR TRUST FUND.
41
00:01:42,536 --> 00:01:44,203
THEY DON'T KNOW
WHAT THEY'RE DOING.
WHAT'S GOING ON WITH YOU?
42
00:01:44,205 --> 00:01:46,371
YOU'VE NEVER BEEN
THIS NERVOUS BEFORE.
43
00:01:46,373 --> 00:01:47,706
I NEVER PULLED A JOB
WITH SOMEONE THREATENING
TO BREAK MY LEGS BEFORE.
44
00:01:47,708 --> 00:01:50,242
THAT'S NOT GONNA HAPPEN.
YOU UNDERSTAND ME?
45
00:01:50,244 --> 00:01:52,377
I SET THE IMPORTANT PARTS UP
MYSELF,
46
00:01:52,379 --> 00:01:53,946
AND THEY ARE
GONNA WORK.
47
00:01:53,948 --> 00:01:56,048
[ SLAPS BACK ]
YOU'RE GONNA BE OKAY.
48
00:01:56,050 --> 00:01:57,883
Vincent:
[ British accent ] MARTIN!
49
00:01:57,885 --> 00:02:00,052
THIS LOOKS GREAT.
50
00:02:00,054 --> 00:02:01,620
HA! I LOVE IT!
51
00:02:01,622 --> 00:02:04,456
HELLO, SAM.
ISAAC VINCENT.
52
00:02:04,458 --> 00:02:06,225
MR. VINCENT,
WHAT ARE YOU DOING HERE?
53
00:02:06,227 --> 00:02:08,093
I THOUGHT YOU WANTED ME
TO TAKE THIS JOB...
54
00:02:08,095 --> 00:02:10,729
YEAH, I KNOW, I KNOW...
I TOLD MARTIN I WOULD STAY AWAY,
55
00:02:10,731 --> 00:02:13,398
BUT I FELT I HAD TO COME DOWN
AND EXPRESS SOME CONCERNS.
56
00:02:13,400 --> 00:02:15,100
WELL, I'VE GOT IT
UNDER CONTROL.
57
00:02:15,102 --> 00:02:16,602
YEAH, I CAN SEE THAT,
58
00:02:16,604 --> 00:02:18,804
BUT IT'S NOT YOU OR YOUR CARPET
I'M WORRIED ABOUT.
59
00:02:18,806 --> 00:02:20,272
IT'S OUR FRIEND HERE...
SAM.
60
00:02:20,274 --> 00:02:23,575
AND THIS GUY
THAT'S BEATING DOWN HER DOOR.
61
00:02:23,577 --> 00:02:24,910
WHAT ARE YOU
TALKING ABOUT?
62
00:02:24,912 --> 00:02:26,311
THESE, LOVE.
63
00:02:30,984 --> 00:02:33,585
ARE YOU FOLLOWING ME?
ABSOLUTELY WE ARE.
64
00:02:33,587 --> 00:02:36,955
YOU SEE, SAM, THIS FAKE BANK
YOU'RE STANDING IN
65
00:02:36,957 --> 00:02:39,424
IS ALL
COMING OUT OF MY WALLET.
66
00:02:39,426 --> 00:02:42,094
NOW, I WANT TO MAKE SURE
THINGS DON'T GO WRONG.
67
00:02:42,096 --> 00:02:44,630
'CAUSE IF THEY DO,
I'D HAVE TO ELIMINATE THEM.
68
00:02:44,632 --> 00:02:46,632
AND THIS GUY...
69
00:02:46,634 --> 00:02:49,268
THIS LOOKS LIKE SOMETHING
THAT COULD GO WRONG.
70
00:02:49,270 --> 00:02:52,104
WE WORK TOGETHER.
IT'S NOTHING.
71
00:02:52,106 --> 00:02:53,305
[ Laughing ] GREAT!
72
00:02:53,307 --> 00:02:55,774
I'M GLAD WE GOT THAT
ALL CLEARED UP.
73
00:02:55,776 --> 00:02:57,109
SUPERB.
74
00:02:57,111 --> 00:02:59,778
ONLY...
75
00:02:59,780 --> 00:03:02,781
HOW DO I KNOW
IT'S NOTHING?
76
00:03:02,783 --> 00:03:04,650
YOU SEE MY DILEMMA?
77
00:03:04,652 --> 00:03:07,186
I'M WORKING
WITH PROFESSIONAL LIARS,
78
00:03:07,188 --> 00:03:09,955
AND I DON'T KNOW
WHEN I CAN BELIEVE THEM.
79
00:03:09,957 --> 00:03:12,324
NOW, IF THIS GUY
BECOMES A SERIOUS PROBLEM,
80
00:03:12,326 --> 00:03:14,193
I'M GONNA HAVE TO
CLEAR IT UP.
81
00:03:14,195 --> 00:03:16,995
THEN IT'S GONNA BECOME
A MESS.
82
00:03:16,997 --> 00:03:19,164
YOU CAN ASK MARTIN HERE.
83
00:03:19,166 --> 00:03:22,501
I'M NOT ABOVE
BEING MESSY.
84
00:03:22,503 --> 00:03:24,803
SO MAYBE YOU WANT TO DEAL
WITH THIS...
85
00:03:24,805 --> 00:03:26,572
BEFORE I DO.
86
00:03:27,874 --> 00:03:30,242
YOU GOT THAT?
87
00:03:33,346 --> 00:03:36,582
JOE, LET'S TROT ON.
88
00:03:39,986 --> 00:03:42,221
NOW IT FEELS LIKE
A REAL BANK.
89
00:03:46,859 --> 00:03:48,994
Clark:
YOU'RE CHEATING!
90
00:03:48,996 --> 00:03:50,495
Miles:
DON'T BE A HATER.
91
00:03:50,497 --> 00:03:52,564
THERE IS NO WAY THAT YOU KNEW
THAT "JAUK" WAS A WORD.
92
00:03:52,566 --> 00:03:55,167
OH, SO BECAUSE I'M WINNING,
THAT MEANS I MUST BE CHEATING.
93
00:03:55,169 --> 00:03:56,401
YES.
WHAT DOES IT MEAN?
94
00:03:56,403 --> 00:03:58,870
IT'S, UH...
OKAY, YOU FORFEIT,
95
00:03:58,872 --> 00:04:00,672
AND I'M REPORTING YOU
TO THE GOVERNING BODY.
96
00:04:00,674 --> 00:04:02,908
LATRELL! LATRELL, WHO'S
IN CHARGE OF THIS GAME?
97
00:04:02,910 --> 00:04:04,209
AND HERE I THOUGHT
UPGRADING YOUR PHONE
98
00:04:04,211 --> 00:04:05,844
WOULD MAKE YOU
MORE PRODUCTIVE.
99
00:04:05,846 --> 00:04:07,746
SO, I CAN'T FIND ROSS,
AND THE CLIENT HE BOOKED
100
00:04:07,748 --> 00:04:09,014
SAYS SHE CAN'T
MAKE IT HERE.
101
00:04:09,016 --> 00:04:10,382
SO... RESCHEDULE HER.
102
00:04:10,384 --> 00:04:12,517
I WOULD, BUT SHE SEEMED
REALLY STRESSED,
103
00:04:12,519 --> 00:04:14,586
SO I SAID WE COULD MAKE
AN EXCEPTION THIS ONCE
AND COME TO HER.
104
00:04:14,588 --> 00:04:16,421
YOU ARE NOT MEAN ENOUGH
TO WORK RECEPTION.
105
00:04:16,423 --> 00:04:18,623
OKAY, WHERE IS IT
THAT SHE'D LIKE US TO MEET?
106
00:04:19,525 --> 00:04:21,193
WHAT?
107
00:04:21,195 --> 00:04:23,228
I CAN'T TELL YOU HOW MUCH I
APPRECIATE YOU MEETING ME HERE.
108
00:04:23,230 --> 00:04:25,230
I-I HAD EVERYTHING ARRANGED
TO COME IN AND MEET YOU GUYS.
109
00:04:25,232 --> 00:04:27,232
THEN THE DRESS CAME BACK,
AND APPARENTLY THE STRESS
OF THE WEDDING
110
00:04:27,234 --> 00:04:29,201
HAS CAUSED ME TO LOSE WEIGHT...
SADLY, ALL IN MY BREASTS,
111
00:04:29,203 --> 00:04:31,036
SO NOW I'M FLOATING
IN THIS THING
112
00:04:31,038 --> 00:04:32,704
LIKE I'M BEING SHOT OUT
OF A WHITE CANNON.
113
00:04:32,706 --> 00:04:34,373
AND THEN
MY MOTHER IS OVER THERE
114
00:04:34,375 --> 00:04:36,275
TRYING TO TALK THE STORE INTO
SCREWING OVER SOME OTHER BRIDE
115
00:04:36,277 --> 00:04:37,576
AND JUST GIVING US
HER DRESS.
116
00:04:37,578 --> 00:04:39,211
UH,
IT'S NOT A PROBLEM.
117
00:04:39,213 --> 00:04:41,213
THIS IS MY ASSOCIATE,
MILES.
118
00:04:41,215 --> 00:04:43,715
UNFORTUNATELY, ROSS,
WHO SCHEDULED YOUR APPOINTMENT,
119
00:04:43,717 --> 00:04:45,717
IS, UH...
120
00:04:45,719 --> 00:04:48,553
WELL, WE'RE... ACTUALLY NOT SURE
WHERE HE IS RIGHT NOW.
121
00:04:48,555 --> 00:04:49,955
OH, THAT'S OKAY.
122
00:04:49,957 --> 00:04:51,790
NO, I JUST GOT HIS NAME
FROM A FRIEND OF A FRIEND,
123
00:04:51,792 --> 00:04:53,292
AND HONESTLY, AT THIS MOMENT,
I DON'T REMEMBER ANYONE'S NAMES.
124
00:04:53,294 --> 00:04:55,894
SO...
HOW CAN WE HELP YOU?
125
00:04:55,896 --> 00:04:59,131
KAREN, THEY'RE GOING TO LET YOU
TRY ON THE OTHER ONE.
126
00:04:59,133 --> 00:05:00,799
I'M NOT STEALING
SOMEONE'S DRESS, MOM!
127
00:05:00,801 --> 00:05:02,567
IT'S NOT STEALING.
THE STORE IS PERFECTLY HA...
128
00:05:02,569 --> 00:05:05,437
I WILL GIVE YOU THE SPEECH ABOUT
RIGHT VERSUS WRONG MOMENTARILY.
129
00:05:05,439 --> 00:05:08,006
CAN YOU JUST GIVE ME A MINUTE?
THANKS.
130
00:05:09,442 --> 00:05:11,810
I NEED YOU TO HELP ME
GO THROUGH WITH THIS.
131
00:05:11,812 --> 00:05:13,645
WITH...
THE WEDDING.
132
00:05:13,647 --> 00:05:15,314
YOU DON'T WANT
TO GET MARRIED?
133
00:05:15,316 --> 00:05:17,149
OH, ARE YOU KIDDING?
I TOTALLYWANT TO GET MARRIED.
134
00:05:17,151 --> 00:05:19,418
WHEN SEAN ASKED ME,
I WAS SO HAPPY,
135
00:05:19,420 --> 00:05:21,586
I CRIED FOR TWO MINUTES
BEFORE I COULD ACTUALLY
SAY THE WORD "YES."
136
00:05:21,588 --> 00:05:23,121
BUT NOW THAT
THINGS ARE GETTING CLOSER
137
00:05:23,123 --> 00:05:24,923
AND THERE'S ALL THIS STUFF
SWIRLING AROUND,
138
00:05:24,925 --> 00:05:26,758
I'M THINKING CRAZY THINGS,
YOU KNOW, LIKE MAYBE...
139
00:05:26,760 --> 00:05:28,760
MAYBE I'M TOO YOUNG
TO GET MARRIED, RIGHT?
140
00:05:28,762 --> 00:05:30,662
OR... OR MAYBE I SHOULD BE
MARRYING SEAN'S BEST MAN
141
00:05:30,664 --> 00:05:32,097
INSTEAD OF SEAN.
142
00:05:32,099 --> 00:05:33,465
OR... MAYBE I'D MAKE
A GREAT LESBIAN
143
00:05:33,467 --> 00:05:35,100
IF I JUST... I DON'T KNOW...
GAVE IT A SHOT.
144
00:05:35,102 --> 00:05:39,604
KAREN, COLD FEET IS
A COMPLETELY NORMAL REACTION.
145
00:05:39,606 --> 00:05:40,939
THAT IS
WHAT EVERYONE KEEPS SAYING,
146
00:05:40,941 --> 00:05:42,774
BUT I GET COLD FEET
ABOUT EVERYTHING.
147
00:05:42,776 --> 00:05:44,843
I BUY A PACK OF GUM,
I HAVE SECOND THOUGHTS.
148
00:05:44,845 --> 00:05:46,611
MY SECOND THOUGHTS...
THEY'RE ALWAYS BAD.
149
00:05:46,613 --> 00:05:48,680
MY FIRST INSTINCT, THAT'S SOLID.
THAT'S WHERE IT'S AT.
150
00:05:48,682 --> 00:05:50,982
BUT I CAN NEVER SEEM TO GET
MY BRAIN TO MUTE AFTER THAT,
151
00:05:50,984 --> 00:05:52,484
AND I JUST END UP
RUINING THINGS.
152
00:05:52,486 --> 00:05:53,852
I JUST MISS THINGS.
153
00:05:53,854 --> 00:05:55,954
AND I DON'T WANT TO DO THAT...
NOT WITH THIS.
154
00:05:55,956 --> 00:05:58,156
YEAH. WELL...
155
00:05:58,158 --> 00:06:00,792
I JUST DON'T KNOW HOW
WE CAN HELP YOU, REALLY.
156
00:06:00,794 --> 00:06:03,962
I READ THIS ARTICLE THAT SAID
THERE WERE THESE... EXPERIMENTS
157
00:06:03,964 --> 00:06:05,964
WHERE THEY...
WHAT DO YOU CALL IT?
158
00:06:05,966 --> 00:06:08,200
LIKE, PRIMED PEOPLE
IN STRESSFUL SITUATIONS
159
00:06:08,202 --> 00:06:10,969
TO JUST TUNE OUT THE NEGATIVES
AND SEE THE POSITIVES.
160
00:06:10,971 --> 00:06:12,971
POSITIVE KEY STIMULI
FOCAL PRIMING?
161
00:06:12,973 --> 00:06:15,140
THAT SOUNDS GREAT!
CAN YOU JUST DO THAT... TO ME?
162
00:06:15,142 --> 00:06:18,477
JUST FOCUS ME ON "I DO"
AND NOT "BRIDE WARS."
163
00:06:18,479 --> 00:06:20,212
JUST KEY... WHATEVER ME
ON MY FIANCé, SEAN,
164
00:06:20,214 --> 00:06:22,314
AND NOT WHAT COLOR
THE BAND'S LAPELS SHOULD BE,
165
00:06:22,316 --> 00:06:23,849
OR JUST GET ME TO STOP
WATCHING "RUNAWAY BRIDE."
166
00:06:23,851 --> 00:06:25,350
KAREN, THE THING IS,
167
00:06:25,352 --> 00:06:28,320
W-W-WE MOSTLY DO THIS
TO PEOPLE WHO...
168
00:06:28,322 --> 00:06:30,489
don't know
that we're doing it to them.
169
00:06:30,491 --> 00:06:32,324
THEN THIS ONE
WILL BE EASY. RIGHT?
170
00:06:32,326 --> 00:06:34,192
BECAUSE WE'RE ALL
ON THE SAME TEAM.
171
00:06:34,194 --> 00:06:36,328
[ CHUCKLES LIGHTLY ]
172
00:06:36,330 --> 00:06:38,930
KAREN! WE NEED TO GO.
THE OTHER BRIDE IS COMING.
173
00:06:40,700 --> 00:06:42,580
Karen:
DR. EDWARDS, JUST...
174
00:06:43,870 --> 00:06:45,404
JUST PLEASE.
175
00:06:50,510 --> 00:06:53,044
HEY. GONE FOR
A COUPLE OF HOURS,
176
00:06:53,046 --> 00:06:54,846
AND YOU LEAVE 20 MESSAGES
ON MY MACHINE?
177
00:06:54,848 --> 00:06:56,081
WHAT'S GOING ON?
178
00:06:56,083 --> 00:06:57,749
MM. MMM.
179
00:06:57,751 --> 00:06:59,418
LET'S EAT.
I'M HUNGRY.
180
00:06:59,420 --> 00:07:01,520
WHAT ARE YOU DOING
TO MILES?
181
00:07:01,522 --> 00:07:02,754
WHAT?
182
00:07:02,756 --> 00:07:04,389
[ SIGHS ]
183
00:07:04,391 --> 00:07:06,358
YOU INTRODUCE HIM
TO THIS OLIVER GUY,
184
00:07:06,360 --> 00:07:08,026
THEN YOU WARN HIM
TO WATCH OUT,
185
00:07:08,028 --> 00:07:10,028
GET HIM WORRYING ABOUT OLIVER,
BUT TRUSTING YOU,
186
00:07:10,030 --> 00:07:11,563
AND THEN YOU END UP
TAKING HIM DOWN.
187
00:07:11,565 --> 00:07:13,198
[ SCOFFS ]
188
00:07:13,200 --> 00:07:15,066
YOU THINK I HAVEN'T SEEN IT?
YOU THINK I HAVEN'T DONE IT?
189
00:07:15,068 --> 00:07:17,102
YOU'RE ACTING TOTALLY PARANOID
RIGHT NOW.
190
00:07:17,104 --> 00:07:18,703
I AM NOT UP TO ANYTHING.
191
00:07:18,705 --> 00:07:20,705
WHAT, DID MILES TELL YOU
THAT SOMETHING'S GOING ON?
192
00:07:20,707 --> 00:07:23,208
HE DIDN'T HAVE TO. I'VE
DEVELOPED A PRETTY GOOD RADAR
193
00:07:23,210 --> 00:07:25,110
FOR THESE THINGS
I'VE LEARNED TO TRUST.
194
00:07:25,112 --> 00:07:27,379
APPARENTLY, YOU TRUST YOUR RADAR
MORE THAN YOU TRUST ME.
195
00:07:27,381 --> 00:07:29,214
[ SIGHS ]
196
00:07:29,216 --> 00:07:30,449
YOU'RE RIGHT.
197
00:07:30,451 --> 00:07:32,217
PROBABLY GOT IT WRONG.
198
00:07:32,219 --> 00:07:34,286
PROBABLY SEEN MOVES I WOULD HAVE
MADE, IMAGINED THE REST.
199
00:07:34,288 --> 00:07:36,087
NO, YOU'RE NOT
JUST IMAGINING THE REST.
200
00:07:36,089 --> 00:07:37,289
YOU'RE ACCUSING ME OF IT.
201
00:07:37,291 --> 00:07:40,292
[ CHUCKLES ] OKAY.
HERE'S WHAT I'LL DO.
202
00:07:40,294 --> 00:07:42,127
I'LL TELL MILES
THAT IT'S PROBABLY NOTHING.
203
00:07:42,129 --> 00:07:43,428
GOOD.
[ CHUCKLES ]
204
00:07:43,430 --> 00:07:44,963
BUT HE SHOULD BE
ON GUARD...
205
00:07:44,965 --> 00:07:46,898
THAT IF ANYONE ANYWHERE
SO MUCH AS ASKS HIM FOR A DOLLAR
206
00:07:46,900 --> 00:07:48,900
HE SHOULD CALL ME, THE POLICE,
AND HIS ACCOUNTANT.
207
00:07:48,902 --> 00:07:50,435
THAT WAY, IF THIS OLIVER GUY
TURNS OUT...
208
00:07:50,437 --> 00:07:51,970
WAIT.
209
00:07:53,639 --> 00:07:55,006
[ SIGHS ]
210
00:07:56,075 --> 00:07:58,577
ROSS...
SON OF A BITCH.
211
00:07:58,579 --> 00:08:00,745
NO, ROSS.
R-ROSS, YOU DON'T UNDERSTAND.
212
00:08:00,747 --> 00:08:02,247
WERE YOU WORKING ME,
TOO?
213
00:08:02,249 --> 00:08:03,815
WAS THIS LITTLE FLING OF OURS
JUST A WAY TO GET ME
214
00:08:03,817 --> 00:08:05,250
LOOKING IN
THE OTHER DIRECTION?
NO. I HAD TO.
215
00:08:05,252 --> 00:08:06,585
I OWE THIS MAN
EVERYTHING.
216
00:08:06,587 --> 00:08:08,920
HE'S SAVED ME MORE TIMES
THAN I CAN EVEN COUNT!
217
00:08:08,922 --> 00:08:10,121
IF... IF I DIDN'T HELP HIM,
218
00:08:10,123 --> 00:08:11,923
THEY WERE THREATENING
TO KILL HIM.
219
00:08:11,925 --> 00:08:13,825
YOU BETTER TELL HIM TO RUN,
BECAUSE THIS ISN'T HAPPENING.
220
00:08:13,827 --> 00:08:15,494
LISTEN TO ME... THIS VINCENT GUY
THAT'S BANKROLLING EVERYTHING,
221
00:08:15,496 --> 00:08:17,095
HE IS NOT THE KIND OF PERSON
THAT YOU CAN JUST TELL,
222
00:08:17,097 --> 00:08:19,130
"I'M GONNA
CHANGE MY MIND."
223
00:08:19,132 --> 00:08:21,466
IT DOESN'T MATTER THAT
I DON'T WANT TO DO THIS.
I HAVETO DO THIS.
224
00:08:21,468 --> 00:08:23,268
IF YOU THINK I'M LETTING
YOU GET NEAR MILES'
MONEY, YOU ARE CRAZY.
225
00:08:23,270 --> 00:08:24,603
I'M NOT LETTING YOU
SAY ANYTHING TO MILES, ROSS.
226
00:08:24,605 --> 00:08:25,770
WATCH ME.
227
00:08:25,772 --> 00:08:27,105
BECAUSE IF YOU DO,
228
00:08:27,107 --> 00:08:29,274
I'M GONNA HAVE TO
TELL CLARK EVERYTHING.
229
00:08:29,276 --> 00:08:30,642
[ SIGHS ]
230
00:08:30,644 --> 00:08:33,979
THAT YOU HIRED BETH
TO HAVE AN AFFAIR WITH HIM
231
00:08:33,981 --> 00:08:35,447
AND GET HIM FIRED,
232
00:08:35,449 --> 00:08:36,848
THAT YOU PAID HER
TO GO AWAY,
233
00:08:36,850 --> 00:08:39,317
AND THEN YOU HIRED ME
TO PAY HER TO GO AWAY AGAIN.
234
00:08:39,319 --> 00:08:44,022
TH-THIS ENTIRE COMPANY IS BUILT
ON A SERIES OF YOUR LIES.
235
00:08:44,024 --> 00:08:47,459
AND WHEN CLAIRE FIGURED IT OUT,
YOU MADE HER GO AWAY, TOO.
236
00:08:47,461 --> 00:08:49,127
IT WOULD DESTROY
EVERYTHING, ROSS.
237
00:08:49,129 --> 00:08:51,463
YOU WOULD LOSE HIM,
YOU WOULD LOSE THE BUSINESS,
238
00:08:51,465 --> 00:08:53,298
HE WOULD LOSE BETH,
AND FOR WHAT?!
239
00:08:53,300 --> 00:08:55,333
TO PROTECT SOME
OUTRAGEOUSLY WEALTHY FAMILY
240
00:08:55,335 --> 00:08:59,204
FROM WHAT AMOUNTS TO ONE BAD DAY
ON THE STOCK MARKET.
241
00:08:59,206 --> 00:09:00,972
[ SIGHS ]
242
00:09:00,974 --> 00:09:02,340
JUST LET IT GO.
243
00:09:02,342 --> 00:09:05,043
COME ON.
JUST LET IT GO.
244
00:09:05,045 --> 00:09:09,180
AND WHEN THIS IS ALL OVER,
WE CAN ALL JUST...
245
00:09:09,182 --> 00:09:11,049
GO ON.
246
00:09:11,051 --> 00:09:13,852
[ SCOFFS ]
247
00:09:13,854 --> 00:09:17,822
I SAW AN AD THE OTHER DAY...
"FIVE NIGHTS IN HAWAII."
248
00:09:17,824 --> 00:09:19,658
I WAS GONNA ASK YOU
IF YOU THOUGHT IT'D BE TOO SOON
249
00:09:19,660 --> 00:09:22,060
FOR US TO GO AWAY
ON VACATION TOGETHER.
250
00:09:25,898 --> 00:09:28,033
HOW'D I GET YOU
SO WRONG?
251
00:09:28,035 --> 00:09:31,336
YOU DIDN'T.
IT'S JUST THIS ONE THING.
252
00:09:31,338 --> 00:09:32,871
WHEN IS IT
SUPPOSED TO HAPPEN?
253
00:09:32,873 --> 00:09:34,172
WHY DO YOU WANT TO KNOW?
254
00:09:34,174 --> 00:09:36,174
'CAUSE I WANT YOU GONE
AS SOON AS POSSIBLE.
255
00:09:36,176 --> 00:09:38,410
ROSS, PLEASE.
GO TO HELL, SAM.
256
00:09:48,688 --> 00:09:50,255
[ SIGHS ]
HEY. WHAT'S GOING ON?
257
00:09:50,257 --> 00:09:51,723
AH,
IT'S A PERSONAL ISSUE.
258
00:09:51,725 --> 00:09:53,692
THE BRIDE SHOW UP?
KAREN OR WHATEVER...
259
00:09:53,694 --> 00:09:55,527
I MEANT WITH ME.
I ASKED YOU IF YOU THOUGHT
260
00:09:55,529 --> 00:09:57,362
I SHOULD BE
CONCERNED ABOUT OLIVER.
261
00:09:57,364 --> 00:09:59,564
YOU SAID YOU WERE
GONNA LOOK INTO IT,
AND THEN YOU DISAPPEARED.
262
00:09:59,566 --> 00:10:00,932
SO...
[ SIGHS ]
263
00:10:00,934 --> 00:10:03,068
DO I NEED
TO BE WORRIED?
264
00:10:03,070 --> 00:10:05,870
NO. NO, IT'S, UH...
PROBABLY NOTHING.
265
00:10:05,872 --> 00:10:07,205
OH.
266
00:10:07,207 --> 00:10:08,540
GOOD. I M...
[ LAUGHS ]
267
00:10:08,542 --> 00:10:09,874
I WAS AFRAID
YOU WERE GONNA TELL ME
268
00:10:09,876 --> 00:10:11,276
THAT I WAS GONNA
HAVE TO STOP SEEING HIM,
269
00:10:11,278 --> 00:10:12,944
WHICH WOULD HAVE BEEN PAINFUL
AT THIS POINT.
270
00:10:12,946 --> 00:10:14,212
THANK YOU.
271
00:10:14,214 --> 00:10:15,580
WHERE HAVE YOU BEEN?!
HEY.
272
00:10:15,582 --> 00:10:16,948
OKAY, MILES AND I
HAD TO GO TO A BRIDAL...
273
00:10:16,950 --> 00:10:18,249
PERSONAL ISSUE, OKAY?
NOT IN THE MOOD.
274
00:10:18,251 --> 00:10:19,618
FINE. WHATEVER.
MILES.
MM?
275
00:10:19,620 --> 00:10:21,252
WHAT IF WE WERE TO USE
276
00:10:21,254 --> 00:10:23,054
MOTIVATIONAL REINFORCEMENT
TRIADS?
277
00:10:23,056 --> 00:10:25,090
ROSS, YOU GOT TO STOP
THESE GUYS.
278
00:10:25,092 --> 00:10:26,891
THEY ARE TRYING
TO FORCE THIS POOR WOMAN
279
00:10:26,893 --> 00:10:28,927
INTO GETTING MARRIED
AGAINST HER BETTER JUDGMENT.
280
00:10:28,929 --> 00:10:30,228
SHE ASKED US FOR HELP.
281
00:10:30,230 --> 00:10:31,630
GUYS,
SHE'S HAVING DOUBTS
282
00:10:31,632 --> 00:10:33,632
BECAUSE SHE DOESN'T WANT
TO GET MARRIED.
283
00:10:33,634 --> 00:10:35,467
WE SHOULD BE
HELPING HER OUT OF IT,
284
00:10:35,469 --> 00:10:36,735
NOT FORCING HER INTO IT.
285
00:10:36,737 --> 00:10:38,470
YOU ARE PROJECTING
ONTO SOMEONE
286
00:10:38,472 --> 00:10:40,572
WHO TOLD US
EXACTLY WHAT SHE WANTS.
287
00:10:40,574 --> 00:10:42,073
SHE TOLD YOU
WHAT SHE WANTS TO WANT
288
00:10:42,075 --> 00:10:43,642
BECAUSE IT ISN'T ACTUALLY
WHAT SHE WANTS.
289
00:10:43,644 --> 00:10:45,076
BELIEVE IT OR NOT,
I FOLLOWED THAT.
290
00:10:45,078 --> 00:10:46,611
WELL,
MAYBE SHE'S RIGHT.
291
00:10:46,613 --> 00:10:49,481
WE CAN'T BE SURE ONE WAY
OR THE OTHER IF THAT IS...
292
00:10:49,483 --> 00:10:51,616
CLARK, SHE WASN'T THERE.
SHE WASN'T THERE. WE WERE.
293
00:10:51,618 --> 00:10:54,285
BUT WHAT IF...
WHAT IF IT DOESN'T MATTER?
294
00:10:54,287 --> 00:10:58,823
WHAT IF, INSTEAD OF PUSHING HER
TO DO ONE THING OR ANOTHER,
295
00:10:58,825 --> 00:11:01,126
WE GET HER TO DIG
DEEP INSIDE HERSELF
296
00:11:01,128 --> 00:11:03,294
AND KNOW,
WITH ABSOLUTE CERTAINTY,
297
00:11:03,296 --> 00:11:04,929
WHAT REALLY MATTERED
TO HER?
298
00:11:04,931 --> 00:11:06,498
SO THAT, EITHER WAY,
299
00:11:06,500 --> 00:11:08,600
S-SHE COULD ACT DECISIVELY
AND WITHOUT REGRET.
300
00:11:08,602 --> 00:11:09,801
IS THAT POSSIBLE?
CAN WE DO THAT?
301
00:11:09,803 --> 00:11:11,102
NO.
YES.
302
00:11:11,104 --> 00:11:12,337
NO.
YES!
303
00:11:12,339 --> 00:11:13,605
N.D.E.
OH.
304
00:11:13,607 --> 00:11:15,440
LOOK,
EVEN IN SIMULATED EVENTS,
305
00:11:15,442 --> 00:11:18,109
SUBJECTS EXPERIENCED A FEELING
OF TREMENDOUS CLARITY,
306
00:11:18,111 --> 00:11:20,445
AS IF THEY COULD SUDDENLY
SEE THROUGH THE...
307
00:11:20,447 --> 00:11:21,946
THE CLUTTER OF DAILY LIFE
308
00:11:21,948 --> 00:11:23,982
AND UNDERSTAND
WHAT REALLY MATTERED TO THEM.
309
00:11:23,984 --> 00:11:26,184
SOME DESCRIBE IT
AS HAVING BEEN, UH,
310
00:11:26,186 --> 00:11:27,619
GIVEN THE GIFT
OF INSIGHT.
311
00:11:27,621 --> 00:11:28,953
ABNER DID SOME STUDIES
AT CBU.
312
00:11:28,955 --> 00:11:30,789
I CAN ASK HIM TO LOAN US
A LITTLE BIT OF THE...
313
00:11:30,791 --> 00:11:33,792
YEAH, LOOK, MEGAN, IF YOU'RE
RIGHT AND SHE WANTS OUT,
314
00:11:33,794 --> 00:11:35,694
SHE'LL EJECT
WITHOUT HESITATION.
315
00:11:35,696 --> 00:11:36,961
MILES,
IF YOU'RE RIGHT
316
00:11:36,963 --> 00:11:38,329
AND SHE JUST NEEDS
A LITTLE PUSH
317
00:11:38,331 --> 00:11:40,131
TO GET TO WHERE
SHE'S ALREADY GOING,
318
00:11:40,133 --> 00:11:42,300
THEN SHE'LL GO DOWN THE AISLE
WITH A ROCKET ON HER BACK.
319
00:11:42,302 --> 00:11:44,135
THIS SOUNDS PERFECT.
WHAT IS N.D.E.?
320
00:11:44,137 --> 00:11:46,171
YOU KNOW WHAT? YOU'RE JUST
GONNA THINK IT SOUNDS BAD.
321
00:11:46,173 --> 00:11:47,539
CLARK, WHAT IS N.D.E.?
322
00:11:47,541 --> 00:11:49,908
NEAR-DEATH EXPERIENCE.
323
00:11:51,310 --> 00:11:53,311
ARE YOU SAYING THAT YOU WANT
TO ALMOST KILL THE BRIDE?
324
00:11:53,313 --> 00:11:54,879
ROUGHLY, YEAH.
SORT OF.
325
00:11:54,881 --> 00:11:57,482
I FORESEE MYSELF
TAKING A SICK DAY.
326
00:11:57,484 --> 00:11:59,350
RESEARCH SUGGESTS THAT
EVERYTHING THAT WE HAVE
COME TO ASSOCIATE
327
00:11:59,352 --> 00:12:02,320
WITH NEAR-DEATH EXPERIENCES,
LIKE THE LIGHT IN THE TUNNEL
328
00:12:02,322 --> 00:12:05,724
OR FEELING OUT OF BODY
OR A SENSE OF A HIGHER POWER,
329
00:12:05,726 --> 00:12:08,493
ALL THAT IS REALLY
JUST A WAVE OF BRAIN ACTIVITY...
330
00:12:08,495 --> 00:12:10,729
SOMETIMES CALLED
THE "END OF LIFE SURGE"...
331
00:12:10,731 --> 00:12:13,031
WHICH IS TRIGGERED WHEN
THE BRAIN IS STARVED OF OXYGEN.
332
00:12:13,033 --> 00:12:15,066
SO SCIENTISTS
STARTED TO WONDER
333
00:12:15,068 --> 00:12:17,001
IF WE COULD TRIGGER
THE SAME PHENOMENON
334
00:12:17,003 --> 00:12:18,503
WITHOUT
PUTTING YOU IN DANGER.
335
00:12:18,505 --> 00:12:20,338
YOU READY?
336
00:12:20,340 --> 00:12:21,539
OKAY.
337
00:12:21,541 --> 00:12:22,907
TA-DA!
TA-DA!
338
00:12:22,909 --> 00:12:25,410
THE NEAR-DEATH-EXPERIENCE
CHAIR!
339
00:12:25,412 --> 00:12:27,345
SOUNDS LIKE
THE WORST CARNIVAL RIDE EVER.
340
00:12:27,347 --> 00:12:29,881
IT IS GOING TO HELP TRIGGER
A WAVE OF BRAIN PATTERNS
341
00:12:29,883 --> 00:12:32,851
THAT ARE ACTUALLY VERY SIMILAR
TO THE END OF LIFE SURGE.
342
00:12:32,853 --> 00:12:35,019
BUT BECAUSE IT'S GONNA HAPPEN
AS A RESULT
343
00:12:35,021 --> 00:12:37,555
OF US TRICKING THE MIND
AND NOT ATTACKING THE BODY,
344
00:12:37,557 --> 00:12:39,190
PERFECTLY SAFE.
345
00:12:39,192 --> 00:12:41,726
IN LIMITED TRIALS,
AFTER THE EXPERIENCE,
346
00:12:41,728 --> 00:12:43,428
SUBJECTS
ALL SEEM TO REPORT
347
00:12:43,430 --> 00:12:45,230
A SENSE OF RENEWED CLARITY,
FOCUS.
348
00:12:45,232 --> 00:12:48,767
THE BRAIN REACTS TO
WHAT IT PERCEIVES AS A NEAR-MISS
349
00:12:48,769 --> 00:12:50,935
BY CLEARING AWAY ALL THE CLUTTER
IN YOUR DAILY LIFE
350
00:12:50,937 --> 00:12:52,604
AND JUST LEAVING YOU
WITH A PICTURE
351
00:12:52,606 --> 00:12:54,873
OF ONLY
WHAT'S MOST IMPORTANT TO YOU...
352
00:12:54,875 --> 00:12:57,876
SUCH AS... THE MAN
YOU WANT TO MARRY.
353
00:12:57,878 --> 00:13:00,245
OR THAT YOU DON'T ACTUALLY
WANT TO GET MARRIED AT ALL.
354
00:13:00,247 --> 00:13:01,746
Latrell:
SO, PUTTING KAREN IN THIS CHAIR
355
00:13:01,748 --> 00:13:03,882
WILL LET US KNOW
WHAT SHE REALLY WANTS TO DO?
356
00:13:03,884 --> 00:13:06,885
NO! THE CHAIR
INDUCES A STATE
357
00:13:06,887 --> 00:13:10,789
WHERE SHE DECIDES FOR HERSELF
WHAT SHE REALLY WANTS TO DO.
358
00:13:10,791 --> 00:13:13,424
HEY, GUYS.
SORRY, UH, THAT I'M LATE.
359
00:13:13,426 --> 00:13:15,059
WHAT'S... GOING ON?
360
00:13:15,061 --> 00:13:16,728
WE HAVE A BRIDE
THAT'S SUFFERING FROM...
361
00:13:16,730 --> 00:13:18,429
W-WAIT! NO! WAIT!
UM...
362
00:13:18,431 --> 00:13:20,431
WE'RE GONNA HAVE TO TEST
THIS CONFIGURATION
363
00:13:20,433 --> 00:13:22,233
BEFORE BRINGING THE CLIENT
BACK IN.
364
00:13:22,235 --> 00:13:25,069
AND SAM HERE
HAS NOT HEARD ANYTHING,
365
00:13:25,071 --> 00:13:28,239
SO SHE WOULD MAKE
A REALLY GOOD CANDIDATE.
366
00:13:28,241 --> 00:13:30,608
WHY DO YOU NEED SAM?
'CAUSE...
367
00:13:30,610 --> 00:13:33,444
THE PHENOMENON
ONLY SEEMS TO BE TRIGGERED
368
00:13:33,446 --> 00:13:36,648
WHEN THE SUBJECT DOESN'T KNOW
TO ANTICIPATE IT.
369
00:13:36,650 --> 00:13:37,949
SAM? WOULD YOU MIND?
370
00:13:37,951 --> 00:13:39,284
I-I...
371
00:13:39,286 --> 00:13:40,919
SEEMS LIKE
THE LEAST SHE COULD DO.
372
00:13:40,921 --> 00:13:42,086
RIGHT, SAM?
373
00:13:50,796 --> 00:13:52,831
THIS IS SO WEIRD.
I CAN SEE YOU TOUCHING ME,
374
00:13:52,833 --> 00:13:55,266
BUT IT FEELS LIKE
IT'S A DIFFERENT VERSION OF ME,
375
00:13:55,268 --> 00:13:58,770
LIKE... THE ME
IN FRONT OF THE REAL ME.
376
00:13:58,772 --> 00:14:00,805
Seeing yourself through goggles
377
00:14:00,807 --> 00:14:04,108
causes something called
temporoparietal disassociation.
378
00:14:04,110 --> 00:14:06,945
It's basically like having
an out-of-body experience.
379
00:14:06,947 --> 00:14:09,681
While this is usually a product
of near-death experience,
380
00:14:09,683 --> 00:14:12,617
turns out, we can use it
as a cue to help kick one off.
381
00:14:12,619 --> 00:14:14,319
NOW, WHEN
THE EXPERIMENT STARTS,
382
00:14:14,321 --> 00:14:15,787
I WANT YOU
TO FOCUS ON THESE
383
00:14:15,789 --> 00:14:17,655
AND TRY TO CREATE
AS MANY DIFFERENT WORDS
384
00:14:17,657 --> 00:14:19,691
IN YOUR IMAGINATION
BY REARRANGING LETTERS
385
00:14:19,693 --> 00:14:20,959
AS YOU CAN.
386
00:14:20,961 --> 00:14:22,160
OKAY.
387
00:14:22,162 --> 00:14:24,195
She's ready.
Let's do it!
388
00:14:24,197 --> 00:14:26,497
Okay.
Here's what's gonna happen.
389
00:14:26,499 --> 00:14:28,466
The word puzzle
will distract Sam
390
00:14:28,468 --> 00:14:30,301
as we perform the procedure.
391
00:14:30,303 --> 00:14:32,136
When she starts to feel dizzy,
392
00:14:32,138 --> 00:14:33,838
everything inside her goggles
393
00:14:33,840 --> 00:14:36,541
will fade
to a bright white light...
394
00:14:36,543 --> 00:14:39,811
Another cue to the brain
to trigger the surge.
395
00:14:39,813 --> 00:14:41,212
And when she faints,
396
00:14:41,214 --> 00:14:43,648
you two help me
bring her to the floor.
397
00:14:43,650 --> 00:14:45,149
Wait.
She's gonna faint?
Yes.
398
00:14:45,151 --> 00:14:47,518
I'm gonna apply
bilateral carotid sinus massage,
399
00:14:47,520 --> 00:14:49,220
triggering a vasovagal response.
400
00:14:49,222 --> 00:14:51,155
He's gonna apply pressure
to the same nerve
401
00:14:51,157 --> 00:14:52,824
that causes some people
to pass out...
402
00:14:52,826 --> 00:14:54,158
Don't do it to me!
Sorry.
403
00:14:54,160 --> 00:14:56,194
As she starts to faint,
404
00:14:56,196 --> 00:15:00,064
I'll imply that she's having
an abnormal reaction, okay?
405
00:15:00,066 --> 00:15:02,166
Which will produce fear,
406
00:15:02,168 --> 00:15:04,869
which seems to be
the final ingredient
407
00:15:04,871 --> 00:15:07,405
in producing
a full near-death experience.
408
00:15:07,407 --> 00:15:10,074
Every time you say
"near-death experience,"
I get a little chill.
409
00:15:10,076 --> 00:15:12,176
Oh, yes!
No, no.
Not in a good way.
410
00:15:12,178 --> 00:15:14,078
Now, are you sure
you guys know what you're doing?
411
00:15:14,080 --> 00:15:15,446
Yeah?
412
00:15:16,348 --> 00:15:17,916
Okay.
413
00:15:20,185 --> 00:15:22,353
UM...
414
00:15:22,355 --> 00:15:24,255
STUNT.
415
00:15:24,257 --> 00:15:26,057
SHUNT.
416
00:15:26,059 --> 00:15:29,027
SHANT. "SHANT."
IS THAT EVEN A WORD?
417
00:15:29,029 --> 00:15:31,429
OHH.
IT'S LIKE WATCHING...
418
00:15:31,431 --> 00:15:33,531
Clark: SAM, JUST FOCUS
ON THE WORDS, OKAY?
419
00:15:33,533 --> 00:15:36,200
OH, RIGHT. RIGHT.
OKAY.
420
00:15:36,202 --> 00:15:38,603
SLANT... WHOA.
421
00:15:38,605 --> 00:15:40,038
WHOA. I FEEL DIZZY.
422
00:15:40,040 --> 00:15:41,406
SAM.
[ MURMURS ]
423
00:15:41,408 --> 00:15:43,875
[ Distorted ]
SAM, LISTEN TO ME.
424
00:15:43,877 --> 00:15:48,613
YOU'RE HAVING
AN ABNORMAL... REACTION.
425
00:15:50,549 --> 00:15:52,283
Sam.
426
00:15:53,252 --> 00:15:56,120
Easy, easy, easy.
427
00:15:56,122 --> 00:15:58,489
Here we go.
428
00:16:00,726 --> 00:16:02,093
Okay.
429
00:16:02,095 --> 00:16:04,255
Miles:
POSITIVE SIGNS OF A SURGE.
430
00:16:08,133 --> 00:16:10,201
Clark: SAM.
431
00:16:11,303 --> 00:16:12,570
HEY.
[ GASPS ]
432
00:16:12,572 --> 00:16:13,972
IT'S OKAY.
433
00:16:13,974 --> 00:16:15,907
YOU'RE FINE.
434
00:16:15,909 --> 00:16:17,241
OKAY.
435
00:16:17,243 --> 00:16:19,310
DO YOU WANT TO SIT UP?
436
00:16:19,312 --> 00:16:23,247
NO, I THINK I JUST WANT
TO LAY HERE FOR A LITTLE WHILE.
437
00:16:23,249 --> 00:16:25,183
ABSOLUTELY.
438
00:16:33,459 --> 00:16:35,326
SAM?
439
00:16:36,662 --> 00:16:39,831
THEY JUST WANTED ME TO MAKE SURE
THAT YOU WERE OKAY.
440
00:16:39,833 --> 00:16:42,467
HARD TO SAY.
441
00:16:42,469 --> 00:16:44,268
WHAT WAS
SUPPOSED TO HAPPEN?
442
00:16:44,270 --> 00:16:47,839
WELL, IT WAS SUPPOSED TO FEEL
LIKE YOU HAD ALMOST DIED.
443
00:16:47,841 --> 00:16:50,508
YOU WERE SUPPOSED TO
GET A SUDDEN SENSE
444
00:16:50,510 --> 00:16:53,811
OF RENEWED PURPOSE
AND CLARITY AND...
445
00:16:53,813 --> 00:16:56,213
REMEMBER THE THINGS
THAT YOU REALLY CARE ABOUT.
446
00:16:57,449 --> 00:16:59,951
[ EXHALES ] WELL,
I'M GUESSING IT DIDN'T WORK.
447
00:16:59,953 --> 00:17:02,153
OTHERWISE, YOU'D BE TELLING ME
YOU'D CHANGED YOUR PLANS...
448
00:17:02,155 --> 00:17:04,622
ROSS, I'M NOT HAVING THIS
CONVERSATION WITH YOU AGAIN.
449
00:17:04,624 --> 00:17:06,691
I CAN HELP YOU.
JUST TELL ME WHAT I CAN...
NO. NO.
450
00:17:06,693 --> 00:17:08,292
THIS IS THE ONLY WAY
I CAN GET OUT OF THIS...
451
00:17:08,294 --> 00:17:09,694
IT'S NOT.
IT'S THE EASY WAY.
452
00:17:09,696 --> 00:17:11,629
AND YOU DON'T
HAVE TO GO THROUGH WITH IT.
453
00:17:11,631 --> 00:17:13,131
I THINK THAT...
454
00:17:13,133 --> 00:17:14,799
MAYBE I DO.
455
00:17:14,801 --> 00:17:16,834
I THINK THAT MAYBE
IT'S JUST WHO I AM.
456
00:17:16,836 --> 00:17:19,203
[ SIGHS ] SAM...
WHEN I WAS A KID,
457
00:17:19,205 --> 00:17:22,140
MY DAD USED TO CON
WEALTHY WOMEN
458
00:17:22,142 --> 00:17:24,142
OUT OF ALL THEIR MONEY.
459
00:17:24,144 --> 00:17:27,645
THAT'S WHAT I WAS THINKING ABOUT
WHEN YOU JUST WALKED UP...
460
00:17:27,647 --> 00:17:30,848
HOW HE WOULD CHARM HIS WAY
INTO THEIR LIVES,
461
00:17:30,850 --> 00:17:33,985
SUCK THEM DRY,
AND THEN JUST DISAPPEAR.
462
00:17:33,987 --> 00:17:39,157
AND I MEAN, THE THING IS,
MOST OF THEM WERE JUST AWFUL.
463
00:17:39,159 --> 00:17:42,527
SAW ME AS SOME BRAT
WHO GOT IN THE WAY.
464
00:17:42,529 --> 00:17:45,329
BUT THERE WAS
THIS ONE WOMAN,
465
00:17:45,331 --> 00:17:48,332
WHEN WE WERE LIVING
IN TUCSON...
466
00:17:48,334 --> 00:17:50,168
EILEEN...
467
00:17:50,170 --> 00:17:52,503
SHE WAS DIFFERENT.
468
00:17:52,505 --> 00:17:54,405
SHE WAS LIKE...
469
00:17:54,407 --> 00:17:57,075
LIKE A REAL MOM.
470
00:17:57,077 --> 00:18:00,678
I DIDN'T UNDERSTAND
WHY WE COULDN'T JUST STAY,
471
00:18:00,680 --> 00:18:04,949
WHY THIS ONE TIME,
WE COULDN'T MAKE THE LIE REAL.
472
00:18:06,385 --> 00:18:08,853
BUT THAT WASN'T
HOW DAD WORKED.
473
00:18:08,855 --> 00:18:12,523
"REAL" WASN'T INTERESTING
TO HIM.
474
00:18:12,525 --> 00:18:16,227
EVENTUALLY, EVEN I WASN'T
INTERESTING TO HIM.
475
00:18:16,229 --> 00:18:18,396
SO ONE DAY...
[ SNIFFLES ]
476
00:18:18,398 --> 00:18:20,231
A COUPLE DAYS
BEFORE IT CAME DOWN,
477
00:18:20,233 --> 00:18:22,066
DAD TELLS EILEEN
THAT HE'S GOING
478
00:18:22,068 --> 00:18:25,403
ON SOME BUSINESS TRIP
TO NEW YORK...
479
00:18:25,405 --> 00:18:28,039
WHEN REALLY,
HE WAS STILL IN TUCSON...
480
00:18:28,041 --> 00:18:31,042
A COUPLE OF MILES AWAY
IN SOME CRAPPY MOTEL,
481
00:18:31,044 --> 00:18:33,211
IRONING OUT
ALL THE DETAILS.
482
00:18:33,213 --> 00:18:36,114
AND EILEEN
SUSPECTED SOMETHING.
483
00:18:36,116 --> 00:18:38,950
I MEAN, SHE KNEW
THAT SOMETHING WASN'T RIGHT.
484
00:18:38,952 --> 00:18:41,552
SO, ONE DAY,
SHE JUST PULLS ME ASIDE
485
00:18:41,554 --> 00:18:43,387
AND SHE ASKS ME,
POINT-BLANK...
486
00:18:43,389 --> 00:18:45,890
IS MY DAD
REALLY IN NEW YORK?
487
00:18:45,892 --> 00:18:49,794
AND THE THING IS...
488
00:18:49,796 --> 00:18:51,395
I MEAN,
I COULD HAVE TOLD HER.
489
00:18:51,397 --> 00:18:55,766
I-I... COULD HAVE TOLD HER
THE TRUTH AND SAVED HER,
490
00:18:55,768 --> 00:18:58,236
AND MAYBE...
491
00:18:58,238 --> 00:19:00,738
JUST MAYBE
SHE WOULD'VE SAVED ME, YOU KNOW?
492
00:19:00,740 --> 00:19:04,242
TAKEN ME IN, RAISED ME.
493
00:19:04,244 --> 00:19:06,110
I WOULD'VE
TURNED OUT GREAT.
494
00:19:06,112 --> 00:19:08,379
DIFFERENT.
495
00:19:12,317 --> 00:19:14,385
BUT I DIDN'T.
496
00:19:16,755 --> 00:19:19,257
I TOLD HER
THAT DAD WAS IN NEW YORK.
497
00:19:19,259 --> 00:19:20,658
AND THREE DAYS LATER,
498
00:19:20,660 --> 00:19:23,394
WE DISAPPEARED
WITH MOST OF HER SAVINGS.
499
00:19:28,100 --> 00:19:30,635
THAT'S WHO I AM, ROSS.
500
00:19:30,637 --> 00:19:32,136
[ SIGHS ]
501
00:19:32,138 --> 00:19:36,307
I'M THE GIRL
THAT PICKS WRONG.
502
00:19:36,309 --> 00:19:39,944
I'M THE GIRL
THAT SAYS "NEW YORK"
503
00:19:39,946 --> 00:19:41,946
TO PROTECT A LIE,
504
00:19:41,948 --> 00:19:45,449
WHERE A DECENT HUMAN BEING
WOULD SAY "TUCSON"
505
00:19:45,451 --> 00:19:48,085
TO PROTECT
EVERYTHING ELSE.
506
00:19:49,855 --> 00:19:51,355
[ SIGHS ]
507
00:20:31,663 --> 00:20:33,731
SAM! SAM!
508
00:20:33,733 --> 00:20:35,333
ROSS, PLEASE!
509
00:20:35,335 --> 00:20:37,335
I'M NOT GONNA LET YOU
DO IT.
WE'VE BEEN OVER THIS!
510
00:20:37,337 --> 00:20:39,003
I'M GONNA TELL MILES
RIGHT NOW.
511
00:20:39,005 --> 00:20:41,539
IF YOU GOT TO TELL CLARK,
THEN THAT'S WHAT YOU GOT TO DO,
512
00:20:41,541 --> 00:20:43,674
BUT I'M NOT GONNA
LET THE MISTAKES OF MY PAST
513
00:20:43,676 --> 00:20:45,343
KEEP FORCING ME
TO MAKE NEW ONES.
514
00:20:45,345 --> 00:20:47,011
YOU SHOULD THINK
ABOUT THE SAME THING.
515
00:20:47,013 --> 00:20:48,412
YOU DON'T UNDERSTAND.
516
00:20:48,414 --> 00:20:50,414
WELL, THEN MAKE ME UNDERSTAND.
OKAY? I WANT TO.
517
00:20:50,416 --> 00:20:52,183
WHATEVER IT IS,
I WILL HELP YOU SOLVE IT,
518
00:20:52,185 --> 00:20:53,851
BUT YOU'RE NOT GONNA USE
MILES' MONEY.
519
00:20:53,853 --> 00:20:55,586
THAT IS OFF THE TABLE.
DO YOU UNDERSTAND?
520
00:20:55,588 --> 00:20:56,921
[ SCREAMS ]
521
00:20:56,923 --> 00:20:58,723
[ TIRES SCREECH ]
WHAT ARE YOU DOING?!
522
00:21:01,260 --> 00:21:03,694
LISTEN.
THERE'S NO NEED FOR ALARM.
523
00:21:03,696 --> 00:21:05,763
I'M JUST TAKING YOUR FRIEND HERE
FOR A LITTLE TIME-OUT
524
00:21:05,765 --> 00:21:07,431
SO THAT HE DON'T
WANDER INTO ANYTHING.
525
00:21:07,433 --> 00:21:10,601
JUST DO WHAT YOU'RE SUPPOSED TO
DO, AND HE'LL BE FINE.
526
00:21:10,603 --> 00:21:12,036
GOOD GIRL.
NOW, GET THIS DONE.
527
00:21:12,038 --> 00:21:13,237
NATE.
528
00:21:13,239 --> 00:21:14,538
Sam: ROSS!
529
00:21:14,540 --> 00:21:16,874
ROSS!!
530
00:21:16,876 --> 00:21:21,112
[ PANTING ]
531
00:21:28,220 --> 00:21:29,887
ARE YOU INSANE?!
IT WASN'T MY IDEA.
532
00:21:29,889 --> 00:21:31,622
THEN TELL VINCENT THAT
HE'S GOT TO LET HIM GO NOW.
533
00:21:31,624 --> 00:21:33,224
HE DOESN'T WANT ROSS.
534
00:21:33,226 --> 00:21:34,725
HE JUST WANTS HIM OUT OF THE WAY
UNTIL WE'RE DONE.
535
00:21:34,727 --> 00:21:36,294
THEN WHY DIDN'T YOU
STOP HIM?
536
00:21:36,296 --> 00:21:39,430
MR. VINCENT IS NOT EXACTLY
THE KIND OF PERSON WE CAN STOP!
537
00:21:39,432 --> 00:21:41,966
THE FASTEST WAY...
THE ONLY WAY... TO GET ROSS BACK
538
00:21:41,968 --> 00:21:43,501
IS TO FINISH THIS!
539
00:21:46,571 --> 00:21:47,772
[ CELLPHONE RINGS ]
540
00:21:47,774 --> 00:21:49,807
THANKS, ANDY.
541
00:21:49,809 --> 00:21:51,475
HELLO?
MARTIN: Mr. Hood.
542
00:21:51,477 --> 00:21:53,077
SPEAKING.
WHO'S THIS?
543
00:21:53,079 --> 00:21:55,112
Mr. Hood,
my name is Royce Powell.
544
00:21:55,114 --> 00:21:57,982
I'm the electronic-banking
fraud-protection specialist
545
00:21:57,984 --> 00:21:59,317
here at Chicago Federal.
546
00:21:59,319 --> 00:22:01,252
I'M CALLING
BECAUSE WE BELIEVE
547
00:22:01,254 --> 00:22:03,421
one of your accounts
has been compromised.
OH, MY GOD.
548
00:22:03,423 --> 00:22:05,289
DOES THE NAME OLIVER KING
MEAN ANYTHING TO YOU?
549
00:22:05,291 --> 00:22:07,658
I KNEW IT.
I KNEW IT.
550
00:22:07,660 --> 00:22:09,093
RATHER THAN GET INTO THIS
ON THE PHONE,
551
00:22:09,095 --> 00:22:10,928
WE'D LIKE TO GET YOU
DOWN TO OUR BRANCH RIGHT AWAY.
552
00:22:10,930 --> 00:22:13,030
Vincent: ROSS.
553
00:22:15,600 --> 00:22:18,436
YOU'VE GIVEN ME
SOME CONCERNS.
554
00:22:18,438 --> 00:22:19,804
AH! [ GASPS ]
555
00:22:19,806 --> 00:22:21,672
YOU SEE,
FROM WHERE I'M LOOKING,
556
00:22:21,674 --> 00:22:23,474
I KNOW YOU'RE
THE ONE TIED UP,
557
00:22:23,476 --> 00:22:26,977
BUT I FEEL LIKE I'M THE ONE
WHO'S BEING DONE OVER HERE.
558
00:22:26,979 --> 00:22:29,013
I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.
559
00:22:29,015 --> 00:22:30,848
WELL... DON'T GO THERE.
560
00:22:30,850 --> 00:22:33,984
SEE, I THINK I'VE PUT IT
ALL TOGETHER.
561
00:22:33,986 --> 00:22:35,786
YOU'RE A CON MAN.
562
00:22:35,788 --> 00:22:38,456
SO I FIGURED YOU'VE CREATED
THIS NONSENSE LITTLE FIRM
563
00:22:38,458 --> 00:22:40,157
AS PART OF SOME PLAN
564
00:22:40,159 --> 00:22:42,793
SO THAT YOU CAN SHAKE DOWN
THIS MILLIONAIRE KID MILES.
565
00:22:42,795 --> 00:22:44,161
BUT FAIR IS FAIR, ROSS.
566
00:22:44,163 --> 00:22:46,630
WE CAME UP WITH A WAY
TO GET TO HIM FIRST.
567
00:22:46,632 --> 00:22:48,666
I MEAN, IF YOU SAW
WHAT WE HAD GOING,
568
00:22:48,668 --> 00:22:50,668
YOU'D BE IMPRESSED.
569
00:22:50,670 --> 00:22:52,470
WE'VE BUILT A FAKE BANK
THAT I'D LEAVE MY MONEY IN
570
00:22:52,472 --> 00:22:53,704
IF I DIDN'T KNOW
NO BETTER.
571
00:22:53,706 --> 00:22:55,206
Martin: MR. HOOD.
ROYCE POWELL.
572
00:22:55,208 --> 00:22:57,675
I'M SORRY TO MEET
UNDER THESE CIRCUMSTANCES,
573
00:22:57,677 --> 00:22:59,477
BUT I THINK WE'VE GOT
A HANDLE ON IT.
574
00:22:59,479 --> 00:23:00,711
SHALL WE BEGIN?
575
00:23:00,713 --> 00:23:02,146
NOW, THESE WILL
SIMPLY ALLOW US
576
00:23:02,148 --> 00:23:03,881
TO MOVE THE FUNDS
FROM THE COMPROMISED ACCOUNT
577
00:23:03,883 --> 00:23:05,649
TO A NEW SAFE ONE.
AND IF YOU SIGN...
578
00:23:05,651 --> 00:23:07,485
HERE AND HERE
579
00:23:07,487 --> 00:23:09,387
AND ENTER THE OLD PASSWORD.
580
00:23:09,389 --> 00:23:12,056
WE'VE GOT HIM SO WORRIED THIS
OLIVER KID WAS TAKING HIS CASH,
581
00:23:12,058 --> 00:23:13,657
HE'S JUST GONNA HAND IT
TO US.
582
00:23:13,659 --> 00:23:14,859
I EVEN PULLED OUT
THE BIG GUNS.
583
00:23:14,861 --> 00:23:16,160
HI. KEN JENKINS. FBI.
584
00:23:16,162 --> 00:23:18,662
LOOK, WE'RE WORKING
AS QUICKLY AS WE CAN
585
00:23:18,664 --> 00:23:20,331
TO HUNT THIS GUY DOWN.
586
00:23:20,333 --> 00:23:22,833
BUT ANY INFORMATION THAT
YOU'D BE ABLE TO PROVIDE US
587
00:23:22,835 --> 00:23:24,869
WOULD CERTAINLY ACCELERATE
THE PROCESS.
588
00:23:24,871 --> 00:23:27,004
YEAH, OF COURSE.
I JUST...
589
00:23:27,006 --> 00:23:28,506
I-I ONLY MET HIM
A COUPLE WEEKS AGO.
590
00:23:28,508 --> 00:23:30,007
WELL, HOW DID YOU MEET?
591
00:23:30,009 --> 00:23:32,076
A FRIEND INTRODUCED US.
592
00:23:32,078 --> 00:23:34,011
OH, CAN WE GET THIS FRIEND
IN HERE?
593
00:23:34,013 --> 00:23:35,880
Vincent: NOW, I KNOW YOU'RE
NOT HAPPY SAM JOINED OUR TEAM.
594
00:23:35,882 --> 00:23:37,181
YEAH.
595
00:23:37,183 --> 00:23:38,849
MARTIN: You're up.
596
00:23:38,851 --> 00:23:41,419
BUT YOU CAN'T BLAME HER
FOR GOING WITH THE WINNERS.
597
00:23:42,687 --> 00:23:44,355
Ken: UH, MR HOOD?
598
00:23:44,357 --> 00:23:48,092
I-I'D LIKE A FEW MINUTES
WITH YOU NOW, PLEASE.
599
00:23:48,094 --> 00:23:52,029
MILES, I'M SO SORRY.
600
00:23:52,031 --> 00:23:55,099
I-I TOLD THEM EVERYTHING
THAT I REMEMBERED.
601
00:23:55,101 --> 00:23:57,635
I-I'M JUST SO HAPPY
THAT THEY STOPPED IT.
602
00:24:00,372 --> 00:24:02,873
I DIDN'T MEAN FOR ANY OF THIS
TO HAPPEN.
603
00:24:02,875 --> 00:24:04,542
MILES?
604
00:24:04,544 --> 00:24:06,010
VERY NICE.
605
00:24:07,779 --> 00:24:10,247
Ken: LOOK, I'M SURE
THAT YOU'RE UPSET,
606
00:24:10,249 --> 00:24:12,583
BUT FOR THE RECORD,
YOUR FRIEND WAS VERY HELPFUL.
607
00:24:12,585 --> 00:24:13,884
YEAH. WELL...
608
00:24:13,886 --> 00:24:15,886
OKAY, NOW, FOR US TO CATCH
THIS GUY,
609
00:24:15,888 --> 00:24:18,122
IT'S ESSENTIAL THAT
YOU NOT TALK ABOUT THIS
610
00:24:18,124 --> 00:24:21,459
TO ANYONE OUTSIDE
OF THIS ROOM.
611
00:24:21,461 --> 00:24:25,229
WE ABSOLUTELY DON'T WANT HIM
TO KNOW THAT WE'RE ON TO HIM.
612
00:24:25,231 --> 00:24:26,630
IS THAT CLEAR?
613
00:24:26,632 --> 00:24:28,132
YES. OF COURSE.
YES.
614
00:24:28,134 --> 00:24:30,734
OKAY. NOW, HERE'S HOW
THIS IS GONNA WORK.
615
00:24:30,736 --> 00:24:34,638
YOUR MONEY IS BEING MOVED
TO A NEW SAFE ACCOUNT.
616
00:24:34,640 --> 00:24:36,407
THEN WE'RE GONNA UNFREEZE
YOUR CURRENT ACCOUNT...
617
00:24:36,409 --> 00:24:37,808
Vincent: SO I'M SITTING
HERE THINKING
618
00:24:37,810 --> 00:24:39,243
WE'VE DOTTED EVERY "I"
AND CROSSED EVERY "T,"
619
00:24:39,245 --> 00:24:41,579
AND JUST TO MAKE SURE
THERE'S NO PROBLEMS,
620
00:24:41,581 --> 00:24:43,080
I'VE GIVEN YOU A TIME-OUT.
621
00:24:43,082 --> 00:24:45,082
I'M ACTUALLY FEELING
PRETTY GOOD.
622
00:24:45,084 --> 00:24:46,317
EXCEPT...
623
00:24:46,319 --> 00:24:48,953
THIS MORNING, YOUR PHONE
624
00:24:48,955 --> 00:24:51,622
IS FLOODED WITH TEXT MESSAGES
FROM CLARK.
625
00:24:51,624 --> 00:24:53,591
HE'S ASKING,
"WHERE ARE YOU?
626
00:24:53,593 --> 00:24:55,759
WE HAVE TO START
THIS N.D.E. THING NOW."
627
00:24:55,761 --> 00:24:57,761
NOTHING FROM SAM OR MILES.
628
00:24:57,763 --> 00:24:59,964
I'VE LEFT ROSS 15 MESSAGES,
MAYBE AS MANY TEXTS.
629
00:24:59,966 --> 00:25:02,099
TWO DAYS IN A ROW...
TH-THIS IS UNBELIEVABLE.
630
00:25:02,101 --> 00:25:03,767
YOU KNOW KAREN'S
OUT THERE, RIGHT?
631
00:25:03,769 --> 00:25:06,270
YES, I DO KNOW, LATRELL.
WHAT I DON'T SEEM TO UNDERSTAND
632
00:25:06,272 --> 00:25:07,938
IS WHY THE REST
OF OUR STAFF ISN'T!
633
00:25:07,940 --> 00:25:09,273
SHOULD I RESCHEDULE HER?
634
00:25:09,275 --> 00:25:10,841
[ CELLPHONE CHIMES ]
NO. WAIT.
635
00:25:10,843 --> 00:25:12,443
IT'S ROSS.
636
00:25:12,445 --> 00:25:14,979
WELL, I TEXT HIM BACK
ON YOUR BEHALF,
637
00:25:14,981 --> 00:25:16,280
SAYING YOU'RE BUSY.
638
00:25:16,282 --> 00:25:17,781
THAT'S YOUR ANSWER?!
"I'M BUSY"?!
639
00:25:17,783 --> 00:25:19,316
YOU KNOW WHAT, ROSS?
WE'RE ALL BUSY.
640
00:25:19,318 --> 00:25:20,784
BUT SOME OF US ARE BUSY
AT WORK,
641
00:25:20,786 --> 00:25:22,453
WHERE WE'RE SUPPOSED TO BE.
642
00:25:22,455 --> 00:25:24,121
YOU KNOW WHAT?
YOU SCHEDULED THIS APPOINTMENT.
CLARK?
643
00:25:24,123 --> 00:25:25,456
SHE'S A FRIEND OF
A FRIEND OF... WHAT?
644
00:25:25,458 --> 00:25:26,790
HOLD ON.
645
00:25:26,792 --> 00:25:29,126
YOU KNOW HE CAN'T
HEAR YOU, RIGHT?
646
00:25:29,128 --> 00:25:31,295
YES.
647
00:25:31,297 --> 00:25:34,398
JUST BRING HER IN.
THE THREE OF US WILL DO IT.
648
00:25:35,834 --> 00:25:39,203
THEN IT CLICKS.
649
00:25:39,205 --> 00:25:41,972
MAYBE THIS IS THE PLAN.
650
00:25:41,974 --> 00:25:45,009
MAYBE YOU'VE GOT US HERE
WORRIED ABOUT YOU
651
00:25:45,011 --> 00:25:48,979
SO THAT I'D THINK MY BOYS ARE
FREE TO CARRY OUT THE PLAN.
652
00:25:48,981 --> 00:25:51,682
BUT REALLY, YOU'RE JUST
SOME SORT OF DISTRACTION
653
00:25:51,684 --> 00:25:53,851
SO THAT CLARK CAN DO
THIS N.D.E. THING
654
00:25:53,853 --> 00:25:56,320
AND STEAL MILES' MONEY
FROM UNDER OUR FEET.
655
00:25:56,322 --> 00:25:59,056
HOW'D I DO?
656
00:26:00,725 --> 00:26:03,060
I'D SAY YOU...
657
00:26:03,062 --> 00:26:06,163
PRETTY MUCH GOT EVERYTHING PAST
"I'M A CON MAN"
658
00:26:06,165 --> 00:26:08,632
SPECTACULARLY WRONG.
659
00:26:10,068 --> 00:26:11,402
WRONG?
660
00:26:11,404 --> 00:26:13,671
SPECTACULARLY WRONG?
661
00:26:13,673 --> 00:26:16,040
WHAT PART DID I GET WRONG?
662
00:26:16,042 --> 00:26:17,508
ALL OF IT?
663
00:26:17,510 --> 00:26:19,843
ALL OF IT?
NOW, NOW, HOLD ON A MINUTE.
664
00:26:19,845 --> 00:26:21,045
WHAT ABOUT CLARK?
665
00:26:21,047 --> 00:26:22,379
WHAT ARE YOU TWO PLANNING
666
00:26:22,381 --> 00:26:24,348
SO THAT YOU GET THERE
BEFORE US?
667
00:26:24,350 --> 00:26:26,050
NO, NO, NO. WE'RE...
WE'RE NOT PLANNING ANYTHING.
668
00:26:26,052 --> 00:26:28,919
N.D.E. HAS NOTHING TO DO
WITH MILES.
669
00:26:28,921 --> 00:26:31,589
ALL RIGHT. JOE?
670
00:26:31,591 --> 00:26:34,024
WE'RE NOT
PLANNING ANYTHING!
671
00:26:34,026 --> 00:26:36,026
HEY!
GET AHOLD OF HIM. I'M GONNA PUT
A HOLE IN HIS HEAD.
672
00:26:36,028 --> 00:26:37,261
NO! WAIT! OH!
[ DRILL WHIRS ]
673
00:26:37,263 --> 00:26:38,703
LISTEN TO ME! WAIT!
WHOA, WHOA, WHOA!
674
00:26:44,536 --> 00:26:45,936
THERE IS... NO! NO! NO! NO!
675
00:26:45,938 --> 00:26:47,571
WE'RE NOT TRYING TO STEAL
ANYTHING FROM MILES!
676
00:26:47,573 --> 00:26:49,206
THERE'S A REAL BUSINESS!
IT'S REAL!
677
00:26:49,208 --> 00:26:52,042
IT'S REAL! I SWEAR!
[ GASPING ]
678
00:26:52,044 --> 00:26:53,711
[ WHIRRING STOPS ]
679
00:26:53,713 --> 00:26:55,379
UGH. AH.
680
00:26:55,381 --> 00:26:56,947
A REAL BUSINESS?
681
00:26:56,949 --> 00:26:59,617
TRYING TO INFLUENCE PEOPLE
INTO CHANGING THEIR MIND
682
00:26:59,619 --> 00:27:02,286
AND THEY DON'T EVEN KNOW
THEY'RE DOING IT?
683
00:27:02,288 --> 00:27:03,887
THERE'S NO SUCH THING.
684
00:27:03,889 --> 00:27:06,624
THERE IS NOW.
[ PANTING ]
685
00:27:09,394 --> 00:27:11,595
LET HIM GO.
AAH!
686
00:27:11,597 --> 00:27:13,063
ALL RIGHT.
687
00:27:13,065 --> 00:27:14,798
[ PANTING ]
688
00:27:14,800 --> 00:27:17,401
TELL ME HOW IT WORKS.
GIVE ME AN EXAMPLE.
689
00:27:17,403 --> 00:27:19,903
I-I'M MORE THE PUBLIC-RELATIONS
END OF IT.
690
00:27:19,905 --> 00:27:21,739
I... IF I KNEW
HOW IT WORKED,
691
00:27:21,741 --> 00:27:24,241
I WOULD HAVE INFLUENCED MY WAY
OUT OF THIS.
692
00:27:24,243 --> 00:27:27,077
THE FACT THAT YOU CAN'T GIVE ME
A SIMPLE EXAMPLE
693
00:27:27,079 --> 00:27:29,079
PROVES YOU'RE NOT
BEING HONEST.
694
00:27:29,081 --> 00:27:31,482
JOE.
HEY! WAIT, WAIT. WAIT.
LOOK, LOOK.
695
00:27:31,484 --> 00:27:33,984
LISTEN TO ME. LISTEN TO ME.
OKAY, OKAY. OKAY.
696
00:27:33,986 --> 00:27:35,419
[ SIGHS ]
697
00:27:35,421 --> 00:27:37,655
THERE'S A-A WOMAN...
698
00:27:37,657 --> 00:27:39,089
KAREN, I THINK.
699
00:27:39,091 --> 00:27:40,958
S-SHE'S HAVING PROBLEMS
WITH HER WEDDING.
700
00:27:40,960 --> 00:27:43,093
CAN'T DECIDE
WHAT SHE WANTS TO DO.
701
00:27:43,095 --> 00:27:46,597
CLARK AND MILES... THEY...
THEY CAME UP WITH THIS...
702
00:27:46,599 --> 00:27:50,934
THIS PROCEDURE... THE N.D.E.
THING THAT HE TEXTED ABOUT.
703
00:27:50,936 --> 00:27:53,137
OKAY?
704
00:27:53,139 --> 00:27:56,340
NOW, SHE THINKS THAT SHE
IS PLAYING WORD PUZZLES.
705
00:27:56,342 --> 00:27:58,509
WELL, I'M NOT...
I DON'T FEEL...
706
00:27:58,511 --> 00:28:00,010
KAREN.
KAREN, LISTEN TO ME.
707
00:28:00,012 --> 00:28:01,645
YOU'RE HAVING
AN ADVERSE REACTION
708
00:28:01,647 --> 00:28:03,280
TO THE NEOCORTICAL
STIMULATION.
I WHAT?
709
00:28:03,282 --> 00:28:04,682
YOU NEED TO FOCUS
ON MY VOICE, KAREN.
710
00:28:04,684 --> 00:28:06,150
WHOA, WHOA, WHOA.
711
00:28:06,152 --> 00:28:07,618
[ DISTORTED VOICE ]
712
00:28:07,620 --> 00:28:09,286
BUT WHAT'S REALLY HAPPENING
713
00:28:09,288 --> 00:28:11,021
IS THAT IT'S CLEARING
EVERYTHING ELSE AWAY
714
00:28:11,023 --> 00:28:12,956
AND SHOWING HER
WHAT SHE REALLY CARES ABOUT.
715
00:28:12,958 --> 00:28:15,793
THEN SHE'S FREE TO...
716
00:28:15,795 --> 00:28:18,796
TO SEE WHAT SHE REALLY
WANTS TO DO.
717
00:28:18,798 --> 00:28:20,631
N.D.E....
WHAT DOES THAT MEAN?
718
00:28:20,633 --> 00:28:23,867
NEAR-DEATH EXPERIENCE.
719
00:28:23,869 --> 00:28:26,136
SO YOU'RE GIVING BRIDES-TO-BE
NEAR-DEATH EXPERIENCE,
720
00:28:26,138 --> 00:28:28,505
AND YOU'RE CALLING THAT
A LEGITIMATE BUSINESS?
721
00:28:28,507 --> 00:28:30,507
I DON'T KNOW
HOW THE THING WORKS, OKAY?
722
00:28:30,509 --> 00:28:32,309
BUT I'M TELLING YOU...
WE JUST...
723
00:28:32,311 --> 00:28:34,378
WE DO WEIRD STUFF LIKE THIS
ALL THE TIME!
724
00:28:34,380 --> 00:28:37,047
AND SHE JUST
WAKES UP... FINE?
725
00:28:37,049 --> 00:28:39,149
THEORETICALLY.
AAAH!
726
00:28:39,151 --> 00:28:40,884
OH!
Clark: KAREN! WHOA!
727
00:28:40,886 --> 00:28:43,220
OH. NO, NO!
STOP!
WHOA, WHOA.
IT'S OKAY, IT'S OKAY.
728
00:28:43,222 --> 00:28:44,855
JUST RELAX. RELAX.
STOP IT.
729
00:28:44,857 --> 00:28:46,523
Y-YOU JUST FAINTED
FOR A SECOND.
OKAY.
730
00:28:46,525 --> 00:28:48,659
JUST RELAX, OKAY?
ALL RIGHT. THAT WAS IT.
731
00:28:48,661 --> 00:28:51,028
THAT WAS THE THING,
THE THING THAT WAS
SUPPOSED TO GET ME TO FEEL.
732
00:28:51,030 --> 00:28:53,363
I FEEL... HOW DID YOU KNOW
HOW I'D FEEL?
733
00:28:53,365 --> 00:28:55,332
IF YOU JUST SIT DOWN,
WE CAN EXPLAIN.
YOU KNOW WHAT?
734
00:28:55,334 --> 00:28:56,700
I'M GONNA GO.
735
00:28:56,702 --> 00:29:00,404
UM... I SHOULD, UH...
I'M GONNA CALL JEFF.
736
00:29:00,406 --> 00:29:03,574
I'M GONNA CALL JEFF.
THANK YOU.
737
00:29:05,510 --> 00:29:07,578
[ FOOTSTEPS DEPART ]
738
00:29:07,580 --> 00:29:09,513
HUH.
739
00:29:09,515 --> 00:29:11,014
SOMETIMES
THE, UH, PROCEDURE
740
00:29:11,016 --> 00:29:13,751
PRODUCES
A FIGHT-OR-FLIGHT RESPONSE.
741
00:29:13,753 --> 00:29:15,352
DIDN'T OCCUR TO YOU
TO MENTION THAT BEFORE, CLARK?
742
00:29:15,354 --> 00:29:17,154
I DIDN'T... NO.
I SHOULD WRITE THAT DOWN.
743
00:29:18,590 --> 00:29:20,924
SHE REALLY TOOK YOU
OFF YOUR FEET, DIDN'T SHE?
744
00:29:20,926 --> 00:29:22,192
I TRIPPED.
745
00:29:22,194 --> 00:29:24,194
DID SHE JUST SAY
SHE WAS GONNA CALL JEFF?
746
00:29:24,196 --> 00:29:26,730
IT ONLY MAKES SENSE THAT
SHE'D REACH OUT TO HER FIANCé.
747
00:29:26,732 --> 00:29:29,533
THAT'S NOT HER FIANCé.
IT'S NOT?
748
00:29:29,535 --> 00:29:32,536
SEAN IS HER FIANCé.
JEFF IS THE BEST MAN.
749
00:29:32,538 --> 00:29:34,438
OH, NO.
750
00:29:34,440 --> 00:29:36,573
YOU DID SAY IT WOULD POINT HER
AT WHAT SHE WANTS.
751
00:29:36,575 --> 00:29:40,077
AND WHAT ABOUT SAM?
YOU HIRED HER.
752
00:29:40,079 --> 00:29:42,379
J-JUST TO WORK THERE.
I...
753
00:29:42,381 --> 00:29:45,048
I HAD NO IDEA
SHE HAD OTHER PLANS.
754
00:29:45,050 --> 00:29:47,084
YOU DIDN'T KNOW
SHE WAS A CON?
755
00:29:47,086 --> 00:29:48,719
[ BREATHES DEEPLY ]
756
00:29:48,721 --> 00:29:50,554
I THOUGHT SHE'D CHANGED.
757
00:29:50,556 --> 00:29:52,389
[ LAUGHS ]
FEMALES...
758
00:29:52,391 --> 00:29:55,392
THEY'LL GET YOU EVERY TIME
RIGHT IN THE HEART.
759
00:29:55,394 --> 00:29:57,795
[ SIGHS ]
760
00:29:58,730 --> 00:30:00,597
RELAX.
761
00:30:00,599 --> 00:30:03,100
A CERTAIN AMOUNT OF NERVES
LOOKS REAL.
762
00:30:03,102 --> 00:30:05,135
BEYOND THAT LOOKS GUILTY.
763
00:30:05,137 --> 00:30:07,237
I'M REALLY NOT INTERESTED
IN YOUR POINTERS, THANKS.
764
00:30:07,239 --> 00:30:08,972
LOOK, I'M JUST SAYING,
765
00:30:08,974 --> 00:30:12,075
I DON'T WANT SIX WEEKS' WORTH
OF WORK TO GO DOWN THE DRAIN
766
00:30:12,077 --> 00:30:13,143
BECAUSE
YOU GOT THE SHAKES.
767
00:30:13,145 --> 00:30:16,747
SO GET YOURSELF...
WHAT DID YOU JUST SAY?
768
00:30:16,749 --> 00:30:19,583
I SAID I...
MARTIN!
769
00:30:19,585 --> 00:30:22,119
[ MUFFLED SCREAMING ]
OKAY. LET'S GO.
770
00:30:22,121 --> 00:30:24,588
LET'S GO, LET'S GO.
OKAY. OPEN THE DOOR.
771
00:30:24,590 --> 00:30:26,757
LET ME GO!
772
00:30:26,759 --> 00:30:28,125
WHAT THE HELL
IS GOING ON?!
773
00:30:28,127 --> 00:30:30,427
SHE WAS...
LET HER GO, NATE!
LET HER GO!
774
00:30:30,429 --> 00:30:31,929
YOU SON OF A BITCH.
775
00:30:31,931 --> 00:30:33,497
WHAT IS GOING ON
WITH YOU?!
776
00:30:33,499 --> 00:30:35,666
SIX WEEKS. SIX WEEKS.
YOU'VE BEEN SETTING ME UP
777
00:30:35,668 --> 00:30:37,634
BEFORE YOU EVEN SHOWED UP
AT MY FRONT DOOR.
778
00:30:37,636 --> 00:30:39,102
HOW COULD YOU DO
THIS TO ME?
779
00:30:39,104 --> 00:30:42,105
HOW COULD I? [ SCOFFS ]
HOW COULD YOU?
780
00:30:42,107 --> 00:30:44,474
WHAT ARE YOU TALKING ABOUT?
I DIDN'T DO ANYTHING.
781
00:30:44,476 --> 00:30:46,677
THAT'S EXACTLY RIGHT.
YOU DID NOTHING.
782
00:30:46,679 --> 00:30:48,612
I PRACTICALLY RAISED YOU.
783
00:30:48,614 --> 00:30:51,849
YOU WOULD BE DEAD OR IN PRISON
RIGHT NOW IF IT WASN'T FOR ME.
784
00:30:51,851 --> 00:30:55,018
AND HOW DO YOU THANK ME? BY
TOSSING ME AWAY LIKE A DIRTY RAG
785
00:30:55,020 --> 00:30:57,020
WITHOUT SO MUCH
AS A PHONE CALL.
SO YOU MAKE ME YOUR MARK?
786
00:30:57,022 --> 00:30:59,289
YOU MAKE ME BELIEVE
THEY'RE GONNA KILL YOU,
787
00:30:59,291 --> 00:31:01,959
WHEN YOU'VE ACTUALLY CHOSEN
A MANIAC LIKE VINCENT
TO PARTNER UP WITH?
788
00:31:01,961 --> 00:31:03,493
I THOUGHT
IF WE DID ONE LAST JOB,
789
00:31:03,495 --> 00:31:05,495
YOU MIGHT REMEMBER
WHERE YOU REALLY BELONG.
790
00:31:05,497 --> 00:31:07,631
AND IF YOU DIDN'T...
791
00:31:07,633 --> 00:31:10,701
ONE DECENT SCORE WAS THE
LEAST YOU COULD GIVE ME,
ALL I'VE DONE FOR YOU.
792
00:31:10,703 --> 00:31:13,470
YOU BASTARD. I'M NOT LETTING YOU
GET AWAY WITH THIS.
793
00:31:13,472 --> 00:31:15,005
YES, YOU ARE.
794
00:31:15,007 --> 00:31:18,141
ROSS IS SOMEWHERE RIGHT NOW
QUIETLY INSISTING ON IT.
795
00:31:18,143 --> 00:31:19,643
AND WHAT ABOUT THE BRIDE?
796
00:31:19,645 --> 00:31:22,546
DID THIS N.D.E. THING
SOLVE HER PROBLEM?
797
00:31:22,548 --> 00:31:25,649
HOW DO I KNOW? YOU SAW
THE TEXTS. I'M MISSING IT.
798
00:31:25,651 --> 00:31:28,518
YEAH, YOU ARE.
799
00:31:28,520 --> 00:31:30,254
NOW I FEEL BAD.
800
00:31:31,890 --> 00:31:33,657
YOU KNOW WHAT?
801
00:31:33,659 --> 00:31:35,859
I THINK WE'LL DO
AN EXPERIMENT OF OUR OWN.
802
00:31:35,861 --> 00:31:38,195
WHAT?
803
00:31:38,197 --> 00:31:40,664
NOW, JOE, THIS IS
A NEAR-DEATH EXPERIENCE, OKAY?
804
00:31:40,666 --> 00:31:43,333
DON'T GO THE FULL WAY.
WE WANT TO HEAR WHAT HE SAYS.
NO, NO!
805
00:31:43,335 --> 00:31:45,669
NEED TO HEAR ABOUT...
HEY! NO, NO!
IT'S A SIMULATION.
806
00:31:45,671 --> 00:31:48,005
I WANT TO KNOW HE'S OKAY.
ROSS IS FINE!
807
00:31:48,007 --> 00:31:50,340
IT'S SIMULATED!
Vincent:
DON'T WORRY ABOUT THAT.
808
00:31:50,342 --> 00:31:52,676
THINK I'M GONNA BELIEVE A WORD
THAT COMES OUT OF YOUR MOUTH?
HE'S NOT...
809
00:31:52,678 --> 00:31:55,178
I WANT TO TALK TO HIM.
810
00:31:55,180 --> 00:31:57,180
I DON'T CARE
HOW YOUR BROTHER DOES IT.
811
00:31:57,182 --> 00:31:59,750
WE ARE VERY EXPERIENCED
IN THIS AREA.
812
00:31:59,752 --> 00:32:02,386
[ CELLPHONE RINGS ]
GO AHEAD, JOE.
813
00:32:02,388 --> 00:32:03,921
[ ROSS CHOKING ]
814
00:32:03,923 --> 00:32:06,523
YEAH? EVERYTHING OKAY?
SHE WANTS TO TALK TO HIM.
815
00:32:06,525 --> 00:32:08,926
WELL, HE'S A BIT BUSY
AT THE MOMENT.
816
00:32:10,094 --> 00:32:12,195
WELL, YOU TELL HIM
817
00:32:12,197 --> 00:32:14,431
THAT I'M NOT DOING ANYTHING
UNTIL I KNOW HE'S OKAY.
818
00:32:14,433 --> 00:32:16,566
OKAY, WELL,
WE'LL PLAY THIS OLD GAME.
819
00:32:16,568 --> 00:32:18,735
SHE GIVES ME A QUESTION
ONLY HE KNOWS,
820
00:32:18,737 --> 00:32:22,372
I GET THE ANSWER,
THEN YOU CAN FINISH UP.
821
00:32:22,374 --> 00:32:25,909
YOU CAN ASK A QUESTION
ONLY ROSS CAN ANSWER.
822
00:32:25,911 --> 00:32:28,912
YOU GET YOUR ANSWER,
WE FINISH UP.
823
00:32:28,914 --> 00:32:31,181
DEAL?
824
00:32:35,119 --> 00:32:36,720
ASK HIM WHERE HE SAID
825
00:32:36,722 --> 00:32:39,456
he wanted to go on vacation.
826
00:32:39,458 --> 00:32:41,058
JOE!
827
00:32:41,060 --> 00:32:44,728
I SAID "NEAR-DEATH EXPERIENCE"!
THIS IS AN EXPERIMENT!
828
00:32:44,730 --> 00:32:47,164
GET HIM UP!
829
00:32:47,932 --> 00:32:51,234
ROSS?
ROSS, ROSS.
830
00:32:51,236 --> 00:32:53,303
I HAVE SAM
ON THE PHONE.
[ COUGHS ]
831
00:32:53,305 --> 00:32:55,906
COME ON, ROSS.
832
00:32:55,908 --> 00:32:57,607
SHE'S GOT A QUESTION
FOR YOU.
833
00:32:57,609 --> 00:33:00,644
YOU HEAR ME?
SHE'S WORRIED ABOUT YOU.
834
00:33:00,646 --> 00:33:02,813
SHE WANTS TO KNOW
835
00:33:02,815 --> 00:33:06,316
WHERE YOU WERE PLANNING
TO TAKE YOUR VACATION.
836
00:33:09,754 --> 00:33:11,154
COME ON, ROSS.
837
00:33:11,156 --> 00:33:14,958
TELL HER...
IT WAS NEW YORK ONCE...
838
00:33:14,960 --> 00:33:17,694
BUT IT'S NOT TOO LATE
TO CHOOSE TUCSON.
839
00:33:19,764 --> 00:33:21,164
HE SAID
IT WAS NEW YORK ONCE,
840
00:33:21,166 --> 00:33:24,668
but it's never too late
to choose Tucson.
841
00:33:31,642 --> 00:33:32,976
HEY!
842
00:33:32,978 --> 00:33:36,046
DO WE HAVE A PROBLEM
OUT HERE?
843
00:33:37,815 --> 00:33:40,183
YOU GOOD?
844
00:33:43,021 --> 00:33:44,621
I AM.
845
00:33:44,623 --> 00:33:46,823
Vincent: SO, HOW WAS
OUR LITTLE EXPERIMENT?
846
00:33:46,825 --> 00:33:49,726
DID IT WORK?
[ PANTING ]
847
00:33:51,963 --> 00:33:55,365
I DON'T KNOW YET.
848
00:34:07,478 --> 00:34:09,880
YES?
HI.
[ DOG BARKS ]
849
00:34:09,882 --> 00:34:11,715
WHOA. HEY. WHOA! WHOA!
WHOA! OH, MY GOD.
850
00:34:11,717 --> 00:34:13,650
HEY! ANDY! ANDY! NO!
NO, NO. GET BACK! GET BACK!
851
00:34:13,652 --> 00:34:16,219
NO! [ SIGHS ]
[ CHUCKLES ]
852
00:34:16,221 --> 00:34:18,655
[ SIGHS ]
[ CHUCKLES ] SORRY.
853
00:34:18,657 --> 00:34:20,023
HEY, UH, THAT'S OKAY.
854
00:34:20,025 --> 00:34:22,192
UH, HI.
I'M CLARK EDWARDS.
855
00:34:22,194 --> 00:34:24,361
I-I WAS DOING
SOME WORK EARLIER WITH KAREN,
856
00:34:24,363 --> 00:34:26,396
AND JUST WONDERING IF I COULD
TALK TO HER FOR A FEW MINUTES.
857
00:34:26,398 --> 00:34:28,331
SHE'S NOT HERE.
858
00:34:28,333 --> 00:34:30,500
I'VE LEFT HER LOTS OF MESSAGES,
CALLED HER FRIENDS.
859
00:34:30,502 --> 00:34:31,902
NO ONE'S HEARD FROM HER.
860
00:34:31,904 --> 00:34:34,237
MY FRIEND JEFF'S
GONE RADIO SILENT, TOO.
861
00:34:34,239 --> 00:34:35,839
WHAT'S GOING ON? WHA...
[ CELLPHONE RINGS ]
862
00:34:35,841 --> 00:34:37,174
WHO IS THI... OH.
IT'S... IT'S FINE.
863
00:34:37,176 --> 00:34:39,209
[ EXHALES SHARPLY ]
THERE SHE IS. HELLO?
864
00:34:39,211 --> 00:34:41,878
[ SIGHS ] THANK GOD.
I WAS STARTING TO WORRY.
865
00:34:41,880 --> 00:34:44,548
SOME GUY IS HERE,
AND HE SAID THAT YOU...
866
00:34:44,550 --> 00:34:47,217
YEAH, I GUESS.
867
00:34:47,219 --> 00:34:49,853
IS EVERYTHING OKAY?
868
00:34:49,855 --> 00:34:52,189
YEAH.
869
00:34:52,191 --> 00:34:55,258
I-I'LL SEE YOU
IN A FEW MINUTES.
870
00:34:55,260 --> 00:34:57,060
SO, WHAT'S GOING ON?
871
00:34:57,062 --> 00:34:59,062
SHE SAYS WE NEED TO TALK.
WANTS ME TO COME MEET HER.
872
00:34:59,064 --> 00:35:00,530
[ DOG BARKING ]
YOU KNOW WHAT?
873
00:35:00,532 --> 00:35:02,032
I-I THINK,
IF IT'S OKAY WITH YOU,
874
00:35:02,034 --> 00:35:03,533
I THINK IT WOULD BE BEST
875
00:35:03,535 --> 00:35:05,368
IF I JUST TALKED TO HER
FOR A FEW MINUTES
876
00:35:05,370 --> 00:35:07,604
AND MADE SURE
THAT SHE WAS ABSOLUTELY CERTAIN
877
00:35:07,606 --> 00:35:10,574
ABOUT ANY... CHANGES
THAT SHE MIGHT WANT TO MAKE.
878
00:35:10,576 --> 00:35:12,375
[ ELEVATOR BELL DINGS ]
WHAT EXACTLY IS IT YOU DO?
879
00:35:12,377 --> 00:35:13,777
AT THE MOMENT,
880
00:35:13,779 --> 00:35:17,914
SORT OF
THE WEDDING-PLANNING INDUSTRY.
881
00:35:17,916 --> 00:35:19,716
[ COUGHS ]
OH, MY GOD.
882
00:35:19,718 --> 00:35:21,051
ARE YOU HURT?
883
00:35:21,053 --> 00:35:22,619
WHAT... WHAT THE HELL
ARE YOU DOING HERE?
884
00:35:22,621 --> 00:35:24,054
I WANTED TO SEE
THAT YOU WERE OKAY.
885
00:35:24,056 --> 00:35:25,255
YOU WANTED TO SEE
IF I WAS O...
886
00:35:25,257 --> 00:35:26,890
I WANT YOU
TO GET OUT OF MY LIFE.
887
00:35:26,892 --> 00:35:28,792
I WANT YOU
FAR, FAR AWAY, SAM.
I DIDN'T DO IT.
888
00:35:28,794 --> 00:35:30,260
I DIDN'T DO IT.
889
00:35:30,262 --> 00:35:32,462
YES, YOU DID. OTHERWISE,
I WOULDN'T BE STANDING HERE.
890
00:35:32,464 --> 00:35:34,064
THE TRANSFER FOR MILES
DID GO THROUGH.
891
00:35:34,066 --> 00:35:35,432
YOU'RE RIGHT.
892
00:35:35,434 --> 00:35:36,900
THAT'S WHY
YOU'RE STANDING HERE.
893
00:35:36,902 --> 00:35:38,969
BUT THE BANK
DOESN'T ACTUALLY MOVE THE MONEY
894
00:35:38,971 --> 00:35:41,238
TILL TOMORROW MORNING,
SO WHEN THEY GO TO DO IT,
895
00:35:41,240 --> 00:35:43,273
THEY'LL NOTICE
THAT THE ORDER'S BEEN CHANGED.
896
00:35:43,275 --> 00:35:46,276
VINCENT AND MARTIN
WILL WAKE UP TO DISCOVER
897
00:35:46,278 --> 00:35:48,245
THAT ALL THAT MONEY'S BEEN
TRANSFERRED TO A NEW ACCOUNT.
898
00:35:48,247 --> 00:35:49,913
MINE.
899
00:35:49,915 --> 00:35:51,915
SO YOU WENT FROM STEALING
FOR THEM TO UPGRADING...
900
00:35:51,917 --> 00:35:54,251
WHAT THEY'LL NEVER SEE
IS WHERE THAT MONEY WENT
901
00:35:54,253 --> 00:35:57,754
AFTER IT WENT
INTO MY ACCOUNT...
902
00:35:57,756 --> 00:35:59,256
RIGHT BACK TO MILES.
903
00:35:59,258 --> 00:36:00,624
THEY'LL THINK
THAT I'M SITTING
904
00:36:00,626 --> 00:36:03,260
ON A BEACH SOMEWHERE
WITH HIS TRUST FUND.
905
00:36:03,262 --> 00:36:06,763
BUT THE NEXT TIME MILES
GOES TO CHECK HIS BALANCE,
906
00:36:06,765 --> 00:36:09,432
EVERY LAST PENNY
WILL BE THERE.
907
00:36:09,434 --> 00:36:11,601
WHAT ARE YOU...
I-I DON'T UNDERSTAND
WHAT YOU'RE SAYING.
908
00:36:11,603 --> 00:36:15,472
IT MAY HAVE TAKEN ME
20 YEARS,
909
00:36:15,474 --> 00:36:17,841
BUT I FINALLY PICKED
THE PEOPLE THAT LOVE ME
910
00:36:17,843 --> 00:36:21,111
OVER THE ONES THAT USE ME.
911
00:36:21,113 --> 00:36:23,613
I'M JUST SORRY
I DID IT TOO LATE.
912
00:36:23,615 --> 00:36:25,315
SOUNDS LIKE YOU DIDN'T.
913
00:36:25,317 --> 00:36:27,317
I MEAN, YOU...
YOU DID IT EXACTLY WHEN
YOU WERE SUPPOSED TO.
914
00:36:27,319 --> 00:36:29,452
YOU PUT THE MONEY BACK.
BUT SEE? THAT'S THE THING.
915
00:36:29,454 --> 00:36:31,621
ROSS, I CAN'T
JUST PUT THE MONEY BACK.
916
00:36:31,623 --> 00:36:33,790
THAT WOULDN'T MAKE
ANY SENSE TO THEM.
917
00:36:33,792 --> 00:36:35,959
NO, THEY NEED TO THINK
THAT I TOOK IT,
918
00:36:35,961 --> 00:36:39,296
THAT I SCREWED EVERYONE,
YOU INCLUDED,
919
00:36:39,298 --> 00:36:40,830
AND MADE OFF WITH IT ALL.
920
00:36:40,832 --> 00:36:42,566
WHY?
921
00:36:43,968 --> 00:36:46,636
SO THEY'LL COME AFTER ME.
922
00:36:46,638 --> 00:36:48,038
ONLY ME.
923
00:36:48,040 --> 00:36:50,807
WHICH MEANS
THAT I NEED TO BE LONG GONE
924
00:36:50,809 --> 00:36:52,842
BY THE TIME
THEY FIGURE IT OUT.
925
00:36:52,844 --> 00:36:54,311
SO I WAS HOPING
926
00:36:54,313 --> 00:36:57,314
MAYBE YOU COULD TAKE ME
TO THE AIRPORT.
927
00:36:57,316 --> 00:36:58,648
[ SCOFFS ]
928
00:36:58,650 --> 00:37:00,550
SAM, THERE'S GOT
TO BE SOMETHING ELSE.
929
00:37:00,552 --> 00:37:02,819
I'VE HAD TO RUN
SO MANY TIMES.
930
00:37:02,821 --> 00:37:08,358
THE ONE THING I'VE NEVER GOTTEN
IS A PROPER GOODBYE.
931
00:37:08,360 --> 00:37:11,094
SO, PLEASE,
JUST THIS ONCE...
932
00:37:13,231 --> 00:37:15,232
CAN IT BE DIFFERENT?
933
00:37:28,412 --> 00:37:29,913
HEY, UM, THANKS.
934
00:37:29,915 --> 00:37:31,748
JUST ONE MINUTE, OKAY?
THANK YOU.
935
00:37:31,750 --> 00:37:33,049
DR. EDWARDS?
936
00:37:33,051 --> 00:37:34,351
CAN WE CHAT, PLEASE?
YEAH.
937
00:37:34,353 --> 00:37:35,685
JUST ONE SECOND.
UH...
938
00:37:35,687 --> 00:37:37,354
IT'S OKAY.
THANK YOU.
939
00:37:37,356 --> 00:37:40,023
LOOK, KAREN.
[ CAR DOOR CLOSES ]
940
00:37:40,025 --> 00:37:41,691
I KNOW
YOU MUST BE FEELING
941
00:37:41,693 --> 00:37:44,761
SOME INTENSE THINGS
AT THIS MOMENT,
942
00:37:44,763 --> 00:37:46,062
BUT BEFORE YOU MAKE
943
00:37:46,064 --> 00:37:48,531
SOME RADICAL,
LIFE-ALTERING DECISION,
944
00:37:48,533 --> 00:37:51,434
I-I REALLY...
I THINK WE SHOULD SIT DOWN
945
00:37:51,436 --> 00:37:53,870
AND... AND TALK THROUGH
YOUR FEELINGS, OKAY?
946
00:37:53,872 --> 00:37:56,039
IT'S OKAY, DR. EDWARDS.
I... THIS IS WHAT I WANT.
947
00:37:56,041 --> 00:37:58,208
I'VE NEVER BEEN MORE SURE
OF ANYTHING IN MY LIFE.
948
00:37:58,210 --> 00:38:02,712
LOOK. I'M NOT SURE THROWING OFF
ONE GUY TO CHASE ANOTHER
949
00:38:02,714 --> 00:38:04,047
IS THE HEALTHIEST...
WAIT.
950
00:38:04,049 --> 00:38:05,448
WHAT ARE YOU TALKING ABOUT?
951
00:38:07,218 --> 00:38:09,452
I-I DON'T KNOW. WAIT.
952
00:38:09,454 --> 00:38:12,088
YOU... YOU WERE LOOKING
FOR JEFF,
953
00:38:12,090 --> 00:38:13,456
AND THEN... AND THEN...
954
00:38:13,458 --> 00:38:14,724
YOU THOUGHT
I WAS RUNNING AWAY WITH JEFF?
955
00:38:14,726 --> 00:38:16,793
Y-YES.
956
00:38:16,795 --> 00:38:20,397
OH, MY GOSH.
THAT'S HILARIOUS. NO.
957
00:38:20,399 --> 00:38:23,466
JEFF IS SEAN'S BEST FRIEND
IN THE WORLD, DR. EDWARDS.
958
00:38:23,468 --> 00:38:25,402
I WOULD NEVER ASK HIM
TO MARRY ME
959
00:38:25,404 --> 00:38:26,970
WITHOUT HAVING JEFF THERE.
960
00:38:27,805 --> 00:38:30,073
WAIT. I-I'M CONFUSED.
961
00:38:30,075 --> 00:38:32,909
I'M GETTING MARRIED.
RIGHT NOW.
962
00:38:32,911 --> 00:38:34,110
IN THIS PARK.
963
00:38:34,112 --> 00:38:37,414
I MEAN,
ASSUMING SEAN SAYS YES.
964
00:38:37,416 --> 00:38:39,082
SEE,
THAT'S WHAT I REALIZED...
965
00:38:39,084 --> 00:38:42,919
THAT WHAT I WANTED,
WHEN IT GOT RIGHT DOWN TO IT,
966
00:38:42,921 --> 00:38:44,587
WAS JUST HIM.
967
00:38:44,589 --> 00:38:48,825
AND WHEN I KNEW THAT,
968
00:38:48,827 --> 00:38:50,994
EVERYTHING ELSE WAS EASY.
969
00:38:50,996 --> 00:38:52,295
ALMOST.
970
00:38:52,297 --> 00:38:55,131
I-I STILL HAVE TO GET
MY MOTHER AND JEFF
971
00:38:55,133 --> 00:38:57,000
AND SOME ORDAINED GUY
FROM THE INTERNET
972
00:38:57,002 --> 00:38:58,435
WHO SAID
HE WAS FREE IN TWO HOURS.
973
00:38:58,437 --> 00:39:00,136
Sean: I'M SORRY...
974
00:39:00,138 --> 00:39:03,740
BUT CAN SOMEONE PLEASE TELL ME
WHAT THE HELL IS GOING ON?
975
00:39:04,775 --> 00:39:06,776
[ CHUCKLES LIGHTLY ]
976
00:39:06,778 --> 00:39:09,045
[ INHALES DEEPLY ]
977
00:39:09,980 --> 00:39:12,148
HONEY [SIGHS] I WAS HOPING
978
00:39:12,150 --> 00:39:15,418
I COULD INTEREST YOU
IN A SLIGHT CHANGE OF PLANS.
979
00:39:27,965 --> 00:39:29,866
[ SIGHS ]
980
00:39:29,868 --> 00:39:31,801
YOU SURE
YOU WANT TO DO THIS?
981
00:39:31,803 --> 00:39:36,639
THAT'S THE FUNNY THING.
I AMSURE.
982
00:39:36,641 --> 00:39:38,508
MY WHOLE LIFE,
983
00:39:38,510 --> 00:39:42,145
I'VE TAKEN
THE EASY WAY OUT.
984
00:39:42,147 --> 00:39:43,813
AND MY WHOLE LIFE,
I'VE HAD TO LIVE
985
00:39:43,815 --> 00:39:47,183
WITH THE DOUBT
AND THE REGRET.
986
00:39:47,185 --> 00:39:51,154
BUT I PICK THE HARD WAY
JUST ONCE,
987
00:39:51,156 --> 00:39:54,324
AND THE SECOND I DID IT,
IT BECAME EASY.
988
00:39:54,326 --> 00:39:56,993
IT FIT, YOU KNOW?
989
00:39:56,995 --> 00:39:59,162
IT WAS LIKE
TUMBLERS IN A LOCK
990
00:39:59,164 --> 00:40:02,832
THAT I'D BEEN TRYING TO PICK
IN ALL THE WRONG WAYS.
991
00:40:02,834 --> 00:40:05,168
AND I THOUGHT, "OH.
992
00:40:05,170 --> 00:40:08,905
SO THIS IS WHAT
IT'S SUPPOSED TO FEEL LIKE."
993
00:40:08,907 --> 00:40:14,244
SO AT LEAST I KNOW
WHAT I'M LOOKING FOR NOW.
994
00:40:17,181 --> 00:40:18,681
[ SIGHS ]
995
00:40:18,683 --> 00:40:21,043
IF I DON'T GO,
I'M GONNA MISS MY FLIGHT.
996
00:40:30,694 --> 00:40:33,897
GOODBYE, ROSS.
997
00:40:33,899 --> 00:40:36,833
GOODBYE, SAM.
998
00:40:48,712 --> 00:40:51,381
AND WHO KNOWS?
999
00:40:51,383 --> 00:40:55,285
MAYBE SOMEDAY,
WE BOTH END UP IN TUCSON.
73960