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1
00:00:05,839 --> 00:00:07,339
PREVIOUSLY ON "MIND GAMES"...
2
00:00:07,341 --> 00:00:10,509
YOU NEED TO BE LOOKING FOR WAYS
TO SIMPLIFY YOUR LIFE.
3
00:00:10,511 --> 00:00:12,044
I THINK YOU SHOULD
MOVE IN WITH ME.
4
00:00:12,046 --> 00:00:13,545
CLARK, ARE YOU SERIOUS?
5
00:00:13,547 --> 00:00:14,847
YOU WANT TO
GRAB SOME DINNER?
6
00:00:14,849 --> 00:00:16,949
YOU ARE MY BOSS,
SO IS THERE SOME SORT OF
7
00:00:16,951 --> 00:00:18,617
EMPLOYEE HANDBOOK
I SHOULD READ?
8
00:00:18,619 --> 00:00:20,386
HOW MUCH DO YOU OWE?
9
00:00:20,388 --> 00:00:22,388
MORE THAN YOU AND I
HAVE EVER LAID OUR HANDS ON.
10
00:00:22,390 --> 00:00:24,690
WHAT ABOUT MILES?
NO. I'M NOT DRAGGING...
11
00:00:24,692 --> 00:00:27,192
ALL I WOULD DO IS...
IS OPEN UP THE DOOR.
12
00:00:27,194 --> 00:00:29,228
WHEN IT'S ALL OVER,
YOU'RE PAID UP,
13
00:00:29,230 --> 00:00:31,511
I'M BACK ON
THE STRAIGHT AND NARROW.
14
00:00:37,737 --> 00:00:39,705
ARE YOU REALLY SURE
YOU'RE OKAY WITH THIS?
15
00:00:39,707 --> 00:00:41,840
BECAUSE I KNOW YOU SAID
YOU'RE OKAY WITH THIS,
16
00:00:41,842 --> 00:00:44,143
BUT I HAVE, LIKE, WAY MORE STUFF
THAN I THOUGHT I HAD.
17
00:00:44,145 --> 00:00:46,545
OH, STUFF IS GOOD.
I LIKE STUFF.
18
00:00:46,547 --> 00:00:47,813
YOU HATE STUFF.
19
00:00:47,815 --> 00:00:49,248
YOU LIKE
EXACTLY WHAT YOU HAVE,
20
00:00:49,250 --> 00:00:50,883
AND YOU LIKE IT TO BE
EXACTLY WHERE IT IS.
21
00:00:50,885 --> 00:00:52,818
IT'LL BE FINE.
22
00:00:52,820 --> 00:00:54,920
THIS IS...
THIS IS YOUR HOME, TOO.
23
00:00:54,922 --> 00:00:57,589
BUT I KNOW HOW IMPORTANT
YOUR ROUTINES ARE, SO IF...
24
00:00:57,591 --> 00:00:59,024
HEY.
25
00:00:59,026 --> 00:01:01,026
WE'LL MAKE NEW ONES.
26
00:01:01,028 --> 00:01:03,529
I WANT YOU HERE.
27
00:01:03,531 --> 00:01:05,998
AND YOUR STUFF.
28
00:01:08,001 --> 00:01:11,036
EXCEPT...
29
00:01:11,038 --> 00:01:13,172
EXCEPT FOR THIS!
30
00:01:13,174 --> 00:01:15,107
HEY, NO.
THAT'S FROM MEEMAW.
31
00:01:15,109 --> 00:01:16,408
MEEMAW?
MEEMAW.
32
00:01:16,410 --> 00:01:18,177
IS THAT, LIKE,
ONE OF THOSE NEW COUNTRIES
33
00:01:18,179 --> 00:01:19,611
THAT USED TO BE
SOME OTHER COUNTRY?
34
00:01:19,613 --> 00:01:20,946
[ LAUGHS ] MY GRANNY.
35
00:01:20,948 --> 00:01:22,548
IT WAS IN HER HOUSE
WHEN I GREW UP.
36
00:01:22,550 --> 00:01:23,782
IT REMINDS ME OF HER.
37
00:01:23,784 --> 00:01:25,384
I WISH
I COULD HAVE MET HER.
38
00:01:25,386 --> 00:01:27,586
I KNOW.
TALKED HER OUT OF BUYING THIS.
39
00:01:27,588 --> 00:01:29,955
HEY!
NO.
40
00:01:29,957 --> 00:01:31,523
THAT GOES UP!
41
00:01:36,229 --> 00:01:38,130
YOU'D LOOK GOOD IN THAT.
42
00:01:38,132 --> 00:01:40,399
[ Chuckling ] HEY.
43
00:01:40,401 --> 00:01:41,800
AW, THANKS.
44
00:01:41,802 --> 00:01:43,635
AT THAT PRICE,
YOU'D LOOK GOOD IN THAT.
45
00:01:43,637 --> 00:01:45,971
TIME WAS, YOU'D HAVE COME IN
ON THIS THING OF MINE,
46
00:01:45,973 --> 00:01:47,873
YOU COULD BUY
10 OF THOSE DRESSES.
47
00:01:47,875 --> 00:01:49,942
TIME WAS,
I WOULD HAVE JUST STOLEN IT.
48
00:01:49,944 --> 00:01:52,044
[ CHUCKLES ]
49
00:01:52,046 --> 00:01:54,046
THIS IS THE GUY
YOU'LL WORK WITH.
50
00:01:54,048 --> 00:01:56,148
OKAY. OLIVER?
51
00:01:56,150 --> 00:01:57,449
I-I DON'T KNOW HIM.
52
00:01:57,451 --> 00:01:59,418
HE'S ISAAC VINCENT'S GUY.
YOU KNOW...
53
00:01:59,420 --> 00:02:01,820
YEAH, THE GUY
THAT NEARLY BEAT YOU TO DEATH.
54
00:02:01,822 --> 00:02:03,489
LOOK, CALL ME NUTS,
55
00:02:03,491 --> 00:02:05,924
BUT I REALLY DON'T TRUST SOMEONE
LIKE THAT TO HAVE MY BACK.
56
00:02:05,926 --> 00:02:08,327
I CAN'T AFFORD
TO BARGAIN HERE...
57
00:02:08,329 --> 00:02:09,661
NOT WITH THIS GUY.
58
00:02:09,663 --> 00:02:12,331
THANKS AGAIN
FOR WHAT YOU'RE DOING, SAM...
59
00:02:12,333 --> 00:02:14,299
JUST IN CASE
IT DOESN'T GO WITHOUT SAYING.
60
00:02:14,301 --> 00:02:16,101
NO, NOT A PROBLEM.
I MEAN, YOU KNOW ME.
61
00:02:16,103 --> 00:02:18,137
WHEN I'M NOT IN CONTROL,
I GET UNCOMFORTABLE.
62
00:02:18,139 --> 00:02:20,639
HEY, WHAT WAS THAT THING
I USED TO SAY
63
00:02:20,641 --> 00:02:22,007
WHEN YOU WERE A KID?
64
00:02:22,009 --> 00:02:24,576
[ CHUCKLES ]
"YOU WANT COMFORT, GET A CAT!"
65
00:02:24,578 --> 00:02:25,911
[ LAUGHS ]
66
00:02:37,524 --> 00:02:40,225
[ PAPER RUSTLING ]
67
00:02:45,265 --> 00:02:47,199
MEGAN, DO YOU SEE THAT GUY
STANDING OVER THERE?
68
00:02:47,201 --> 00:02:48,867
DON'T... DON'T LOOK!
69
00:02:48,869 --> 00:02:50,536
It's Paul Madison.
70
00:02:50,538 --> 00:02:51,870
It's Paul...
71
00:02:51,872 --> 00:02:53,805
[ SNICKERS ]
It's Paul Madison!
72
00:02:53,807 --> 00:02:56,341
Who's Paul Madison?
OH, HERE WE GO.
73
00:02:56,343 --> 00:03:00,779
PAUL MADISON IS THE DRUMMER
FOR ROYAL FIASCO.
74
00:03:01,814 --> 00:03:03,649
THE GREATEST ROCK BAND
IN HISTORY!
75
00:03:03,651 --> 00:03:05,551
EV...
THEY WERE NOT THE GREATEST
ROCK BAND IN HISTORY.
76
00:03:05,553 --> 00:03:07,786
OKAY, THEY'RE ONE OF
THE GREATEST ROCK BANDS.
77
00:03:07,788 --> 00:03:09,321
THEY WERE GOOD, YES, BUT...
AND NOT JUST BY ME...
BY MILLIONS OF FANS.
78
00:03:09,323 --> 00:03:10,989
HE'S THE ONLY ONE
WHO THINKS THAT THEY...
79
00:03:10,991 --> 00:03:12,224
THEIR 1985 TOUR...
[ IMITATES EXPLOSION ]
80
00:03:12,226 --> 00:03:13,992
I WASN'T EVEN ALIVE
IN 1985.
81
00:03:13,994 --> 00:03:15,627
OOH.
OH, RIGHT.
82
00:03:15,629 --> 00:03:17,396
YEAH,
WERE YOU AROUND IN 1740?
83
00:03:17,398 --> 00:03:19,464
BECAUSE Y-YOU'VE HEARD
OF BACH, RIGHT?
84
00:03:19,466 --> 00:03:22,067
MEANWHILE, MR. MADISON REMAINS
IN OUR WAITING AREA.
85
00:03:22,069 --> 00:03:23,702
RIGHT.
86
00:03:23,704 --> 00:03:25,404
[ SIGHS ]
87
00:03:25,406 --> 00:03:26,872
Why do you think that is?
88
00:03:26,874 --> 00:03:28,207
Because he's our 10:00.
89
00:03:28,209 --> 00:03:30,576
WHAT?!
WHY DIDN'T YOU TELL ME?!
90
00:03:30,578 --> 00:03:32,911
BECAUSE THIS.
91
00:03:32,913 --> 00:03:35,080
HI!
HI.
92
00:03:35,082 --> 00:03:37,015
I'M... I FORGOT MY NAME.
PAUL MADISON.
93
00:03:37,017 --> 00:03:38,750
UH, YEAH, I KNOW.
DO... WERE YOU...
94
00:03:38,752 --> 00:03:40,252
ROSS EDWARDS.
HAVE YOU... HAVE YOU BEEN
WAITING HERE LONG?
95
00:03:40,254 --> 00:03:41,853
DID WE MAKE YOU
WAIT LONG?
96
00:03:41,855 --> 00:03:43,188
NO.
WOULD YOU LIKE
SOMETHING TO DRINK?
97
00:03:43,190 --> 00:03:44,656
WOULD YOU LIKE
SOME COFFEE, TEA,
98
00:03:44,658 --> 00:03:46,024
CRAN-APPLE JUICE,
COCONUT WATER?
99
00:03:46,026 --> 00:03:47,526
WE DON'T HAVE
HALF OF THOSE THINGS.
100
00:03:47,528 --> 00:03:48,860
I'M FINE.
[ Sighing ] OH.
101
00:03:48,862 --> 00:03:50,596
THANKS.
OH, GREAT.
102
00:03:50,598 --> 00:03:52,664
OKAY, STEP THIS WAY
AND JUST COME WITH ME.
103
00:03:52,666 --> 00:03:54,233
OKAY.
I'LL GO.
104
00:03:54,235 --> 00:03:56,101
NO, YOU CAN GO FIRST.
YOU CAN PICK ANY ROOM YOU WANT.
105
00:03:56,103 --> 00:03:57,369
GO AHEAD.
OKAY.
106
00:03:57,371 --> 00:03:59,671
[ LAUGHS SOFTLY ]
You did it!
107
00:03:59,673 --> 00:04:02,507
I know. Yeah.
108
00:04:02,509 --> 00:04:05,877
YOU KNOW, YOU DON'T SEE YOUR OWN
STORY WHILE YOU'RE IN IT.
109
00:04:05,879 --> 00:04:09,381
BUT WHEN I LOOK BACK
AT OURS...
110
00:04:09,383 --> 00:04:10,749
OH, MAN.
111
00:04:10,751 --> 00:04:12,684
I-IT'S A-A FAIRY TALE.
112
00:04:12,686 --> 00:04:14,519
YEAH.
113
00:04:14,521 --> 00:04:17,689
ONLY THIS ONE DOESN'T END
HAPPILY EVER AFTER.
114
00:04:17,691 --> 00:04:19,858
THIS ONE ENDS
WITH TWO IDIOTS
115
00:04:19,860 --> 00:04:21,693
WITH THEIR HEADS
SO FAR UP THEIR BUTTS,
116
00:04:21,695 --> 00:04:23,395
THEY DON'T...
THEY DON'T REALIZE IT.
117
00:04:23,397 --> 00:04:25,364
Clark:
OKAY, 14 YEARS AGO,
118
00:04:25,366 --> 00:04:27,266
TOMMY MATCH
WALKED AWAY FROM IT ALL.
119
00:04:27,268 --> 00:04:29,401
THIS IS TOMMY,
THE BASS PLAYER.
120
00:04:29,403 --> 00:04:31,803
HE HAD A FEW SOLO ALBUMS,
A FEW KIDS.
121
00:04:31,805 --> 00:04:34,273
HE FOUNDED A FEW CHARITIES,
ACTUALLY.
122
00:04:34,275 --> 00:04:38,710
YEAH. MAX... HE WAS LEAD GUITAR
AND VOCALS.
123
00:04:38,712 --> 00:04:40,445
HE MOVED UP TO CANADA
124
00:04:40,447 --> 00:04:43,148
AND STARRED [Chuckling] IN THAT
RIDICULOUS TELEVISION SHOW.
125
00:04:43,150 --> 00:04:44,449
UH, "CHECKERED FLAGG."
126
00:04:44,451 --> 00:04:46,218
HE PLAYED DANNY FLAGG,
A RACECAR DRIVER
127
00:04:46,220 --> 00:04:48,153
WHO TRIED TO CLEAR HIS NAME
OF MURDER.
128
00:04:48,155 --> 00:04:50,289
THERE'S ONE EPISODE
WHERE HE HAS A...
DOESN'T MATTER, REALLY.
129
00:04:50,291 --> 00:04:53,125
LOOK, THE POINT IS...
130
00:04:53,127 --> 00:04:54,493
WE'RE ALL FINE.
131
00:04:55,561 --> 00:04:58,297
SO... WHAT IS IT
YOU WANT US TO DO?
132
00:04:58,299 --> 00:05:02,501
I WANT YOU TO GET ROYAL FIASCO
BACK TOGETHER.
133
00:05:03,403 --> 00:05:04,670
YES!
134
00:05:04,672 --> 00:05:06,171
WHAT DO
THE OTHER GUYS SAY?
135
00:05:06,173 --> 00:05:08,307
OH, THEY DON'T...
THEY DON'T SPEAK.
136
00:05:08,309 --> 00:05:10,809
NO, NO, NO, ACTUALLY, THEY DO.
THEY SPEAK TO ME.
137
00:05:10,811 --> 00:05:14,246
I MEAN, THEY DON'T SPEAK
TO EACH OTHER.
138
00:05:14,248 --> 00:05:16,114
THEY'LL BE IN TOWN
THIS WEEK.
139
00:05:16,116 --> 00:05:18,984
WE... WE ALL HAVE TO SIGN
PUBLISHING AGREEMENTS.
140
00:05:18,986 --> 00:05:21,853
THEY HAVE TO PUT THESE GUYS
INTO SEPARATE ROOMS
141
00:05:21,855 --> 00:05:25,290
WHEN THEY SIGN, LIKE... LIKE...
LIKE THEY'RE FERAL CATS.
142
00:05:25,292 --> 00:05:27,993
TELL HIM
ABOUT THE CEREAL.
143
00:05:27,995 --> 00:05:29,461
YEAH. OKAY.
144
00:05:29,463 --> 00:05:31,697
WELL, WE WERE BACKSTAGE.
IT WAS BEFORE A SHOW.
145
00:05:31,699 --> 00:05:33,098
RIGHT.
146
00:05:33,100 --> 00:05:36,635
AND MAX GOT
REALLY, REALLY MAD
147
00:05:36,637 --> 00:05:40,339
AT HOW TOMMY WAS
EATING HIS CEREAL.
148
00:05:40,341 --> 00:05:42,774
ROLLING STONE
SAID HE WAS CRUNCHING.
149
00:05:42,776 --> 00:05:44,309
MAX CALLED IT SMACKING.
150
00:05:44,311 --> 00:05:46,011
OH, THAT'S WORSE.
151
00:05:46,013 --> 00:05:48,480
AND TOMMY JUST KEPT DOING IT
LOUDER AND LOUDER AND LOUDER
152
00:05:48,482 --> 00:05:51,616
UNTIL MAX GOT SO MAD, HE JUST
TOOK THE BOWL OF CEREAL...
153
00:05:51,618 --> 00:05:53,552
BOOM...
RIGHT OVER TOMMY'S HEAD.
154
00:05:53,554 --> 00:05:54,820
OH, MAN.
155
00:05:54,822 --> 00:05:56,621
IT'S CLASSIC MAX, MAN.
156
00:05:56,623 --> 00:05:58,623
I-I DIDN'T KNOW IT THEN,
157
00:05:58,625 --> 00:06:00,625
BUT THAT WAS
OUR LAST PERFORMANCE.
158
00:06:00,627 --> 00:06:01,860
[ CHUCKLES ]
159
00:06:01,862 --> 00:06:03,161
OVER CEREAL?
160
00:06:03,163 --> 00:06:06,832
THIS BAND WAS NOT A PHASE.
OKAY?
161
00:06:06,834 --> 00:06:09,901
IT WAS 20 YEARS
OF OUR LIVES.
162
00:06:09,903 --> 00:06:12,504
A-A-AND THEY JUST...
163
00:06:12,506 --> 00:06:15,874
I... I HAD TO GO TO THE DOCTOR'S
A FEW WEEKS AGO,
164
00:06:15,876 --> 00:06:18,910
AND, UH...
165
00:06:18,912 --> 00:06:21,646
THEY THOUGHT
THEY FOUND SOMETHING,
166
00:06:21,648 --> 00:06:24,082
BUT TURNS OUT
IT WAS NOTHING.
167
00:06:24,084 --> 00:06:26,585
BUT NEXT TIME, REALLY,
WHO KNOWS, RIGHT?
168
00:06:29,389 --> 00:06:32,724
I-I SAW
THIS DOCUMENTARY.
169
00:06:32,726 --> 00:06:36,361
IT WAS ABOUT APOLLO ASTRONAUTS
WHO HAD BEEN TO THE MOON.
170
00:06:36,363 --> 00:06:39,164
AND...
WHEN THEY GOT BACK...
171
00:06:39,166 --> 00:06:42,334
LIFE WENT ON...
172
00:06:42,336 --> 00:06:45,504
BUT IT... IT WASN'T THE SAME.
173
00:06:45,506 --> 00:06:48,340
AND THE ONLY OTHER PEOPLE
WHO UNDERSTOOD
174
00:06:48,342 --> 00:06:52,110
WERE OTHER ASTRONAUTS
WHO HAD BEEN TO THE MOON.
175
00:06:52,112 --> 00:06:55,113
ONE GUY SAID
HE WOULD DO ANYTHING...
176
00:06:55,115 --> 00:06:57,015
ANYTHING...
177
00:06:57,017 --> 00:07:01,353
TO GO BACK TO THE MOON
ONE MORE TIME...
178
00:07:01,355 --> 00:07:04,856
EVEN IF IT MEANT
NOT COMING HOME.
179
00:07:05,958 --> 00:07:07,959
MAN, THAT'S ALL I WANT.
180
00:07:07,961 --> 00:07:11,396
I WANT TO WALK ON THAT MOON
ONE MORE TIME
181
00:07:11,398 --> 00:07:13,832
WITH MY BEST FRIENDS.
182
00:07:15,468 --> 00:07:17,469
[ Chuckling ] OHH.
183
00:07:18,771 --> 00:07:21,106
[ ELEVATOR BELL DINGS ]
184
00:07:21,108 --> 00:07:22,874
THANK YOU.
185
00:07:22,876 --> 00:07:24,943
YEAH, THANK YOU.
186
00:07:24,945 --> 00:07:26,878
ALL RIGHT.
WE'LL SEE YOU.
COOL.
187
00:07:26,880 --> 00:07:28,246
ALL RIGHT.
Wow.
188
00:07:28,248 --> 00:07:29,648
[ ELEVATOR DOOR CLOSES ]
189
00:07:29,650 --> 00:07:31,483
ROSS, YOU KNOW WHAT?
190
00:07:31,485 --> 00:07:34,853
IF I GET THESE GUYS
BACK TOGETHER AGAIN...
191
00:07:36,422 --> 00:07:38,824
I'LL BE THE MOST FAMOUS
PERSON IN THE WORLD.
192
00:07:38,826 --> 00:07:40,659
YOU MIGHT BE OVERESTIMATING
THE LEGACY OF THIS BAND
193
00:07:40,661 --> 00:07:41,927
A LITTLE BIT.
194
00:07:41,929 --> 00:07:43,662
NO.
195
00:07:44,931 --> 00:07:48,099
HEY! SAM!
GOT TO TALK TO YOU.
196
00:07:48,101 --> 00:07:49,568
YEAH.
197
00:07:49,570 --> 00:07:52,270
GET READY TO DRESS UP,
BECAUSE IN TWO NIGHTS,
198
00:07:52,272 --> 00:07:54,739
I GOT US RESERVATIONS
AT BOSCO NEXT TO BOSCO.
199
00:07:54,741 --> 00:07:55,941
THAT NEW ITALIAN PLACE?
200
00:07:55,943 --> 00:07:57,476
NEXT TO BOSCO.
201
00:07:57,478 --> 00:07:59,110
IMPOSSIBLE, YES,
BUT I CALLED AND GOT LUCKY.
202
00:07:59,112 --> 00:08:01,847
AND AFTERWARDS,
SO WILL I.
203
00:08:02,849 --> 00:08:04,816
I THOUGHT
WE WERE... TAKING IT SLOW.
204
00:08:04,818 --> 00:08:06,818
WELL, IF IT MAKES YOU
FEEL ANY BETTER,
205
00:08:06,820 --> 00:08:09,421
I'll take a really long time.
206
00:08:09,423 --> 00:08:11,890
[ Sighing ] HMM.
207
00:08:18,498 --> 00:08:20,599
HEY, MILES.
208
00:08:20,601 --> 00:08:22,367
BIG FAVOR.
209
00:08:22,369 --> 00:08:24,202
THIS, UH, THIS OLD FRIEND
OF MINE JUST MOVED TO TOWN,
210
00:08:24,204 --> 00:08:26,371
AND I'M TAKING HIM OUT
FOR A DRINK TONIGHT, AND I...
211
00:08:26,373 --> 00:08:28,106
OH, LET ME GUESS...
HE'S GAY.
212
00:08:28,108 --> 00:08:29,441
I'M THE ONLY GAY PERSON
YOU KNOW,
213
00:08:29,443 --> 00:08:30,809
AND YOU JUST THOUGHT,
NATURALLY,
214
00:08:30,811 --> 00:08:32,277
WE WOULD GET ON
LIKE A HOUSE ON FIRE.
215
00:08:32,279 --> 00:08:34,346
NO! IS HE GAY?
I-I... WOW.
216
00:08:34,348 --> 00:08:35,680
I DON'T EVEN...
217
00:08:36,983 --> 00:08:39,017
OKAY, FINE. YES, HE'S GAY.
BUT I-IT'S NOT A SETUP.
218
00:08:39,019 --> 00:08:40,952
I JUST THOUGHT THAT MAYBE
YOU MIGHT KNOW, LIKE, A...
219
00:08:40,954 --> 00:08:43,688
WHERE GAY PEOPLE GO? YES.
YES, I DO. I GET THE NEWSLETTER.
220
00:08:43,690 --> 00:08:44,990
BUT YOU KNOW WHAT?
221
00:08:44,992 --> 00:08:46,825
IT'S BEEN A REALLY,
UM...
222
00:08:46,827 --> 00:08:49,528
FUN YEAR IN THAT ARENA.
223
00:08:49,530 --> 00:08:51,229
THERE'S THIS GUY THAT...
224
00:08:51,231 --> 00:08:54,332
WOW. OKAY. NO. JUST,
I'M... I'M FRAGILE RIGHT NOW.
225
00:08:54,334 --> 00:08:55,667
THAT'S THE...
NO, NO. I GET IT.
226
00:08:55,669 --> 00:08:57,202
I GET IT.
IT'S FINE, REALLY. I'M...
227
00:08:57,204 --> 00:08:58,637
BUT IF IT'S NOT ACTUALLY
A SETUP,
228
00:08:58,639 --> 00:09:00,171
THEN THAT'S
A DIFFERENT MATTER, AND...
229
00:09:00,173 --> 00:09:02,073
I MEAN, IT'S NOT,
BUT IT'S FINE. IT'S FINE.
230
00:09:02,075 --> 00:09:04,009
[ SIGHS ] I'M BEING SILLY. OKAY?
I'M BEING SILLY.
231
00:09:04,011 --> 00:09:05,477
I WILL MEET YOUR FRIEND.
232
00:09:05,479 --> 00:09:07,879
I WILL TALK GAY WITH HIM.
IT'LL BE GREAT.
233
00:09:07,881 --> 00:09:10,515
MILES, YOU DON'T
HAVE TO DO THIS.
234
00:09:10,517 --> 00:09:12,050
OKAY.
235
00:09:12,052 --> 00:09:14,386
BUT I WANT TO NOW,
SO GIVE ME THE ADDRESS.
236
00:09:16,022 --> 00:09:18,390
COME ON.
JUST GIVE ME THE ADDRESS.
237
00:09:21,661 --> 00:09:23,194
THERE WE GO.
238
00:09:39,011 --> 00:09:41,546
[ CLATTER ]
239
00:09:41,548 --> 00:09:43,615
Beth: CLARK?
HEY!
240
00:09:43,617 --> 00:09:46,051
[ Sighing ] OH.
WHAT WAS THAT?
241
00:09:46,053 --> 00:09:48,053
HUH?
242
00:09:48,055 --> 00:09:49,287
A BOOK.
243
00:09:49,289 --> 00:09:50,522
I DROPPED A BOOK...
244
00:09:50,524 --> 00:09:52,357
AN ENCYCLOPEDIA.
245
00:09:52,359 --> 00:09:54,626
NO... NO WONDER THEY'RE ONLINE
NOW. THE THING WEIGHS A TON.
246
00:09:54,628 --> 00:09:56,061
WHERE DID I...
247
00:09:56,063 --> 00:09:58,463
NO, YOU WEREN'T IN BED.
[ Sighing ] YEAH.
248
00:09:58,465 --> 00:10:00,599
WELL, I WAS JUST WORKING,
GAME-PLANNING.
249
00:10:00,601 --> 00:10:02,701
YOU KNOW,
I DIDN'T WANT TO WAKE YOU UP,
250
00:10:02,703 --> 00:10:04,536
SO I JUST CAME OUT HERE,
YOU KNOW?
251
00:10:04,538 --> 00:10:05,770
I'M FINE.
252
00:10:05,772 --> 00:10:08,440
OKAY.
253
00:10:08,442 --> 00:10:10,241
[ SIGHS ]
254
00:10:10,243 --> 00:10:12,043
HEY!
255
00:10:12,045 --> 00:10:13,545
I GOT YOUR CALL.
EVERYTHING OKAY?
256
00:10:13,547 --> 00:10:14,879
FINE.
I SLEPT ON THE COUCH.
257
00:10:14,881 --> 00:10:16,081
AW, NO.
258
00:10:16,083 --> 00:10:17,315
LATRELL!
259
00:10:17,317 --> 00:10:18,717
YOU AND BETH
HAD A FIGHT ALREADY?
260
00:10:18,719 --> 00:10:20,919
NO. I WAS WORKING...
ON THE CASE.
261
00:10:20,921 --> 00:10:24,122
OOH. DID YOU COME UP
WITH ANYTHING?
YES.
262
00:10:24,124 --> 00:10:25,423
YES?
HOW CAN I HELP YOU?
263
00:10:25,425 --> 00:10:26,625
AAH!
AND STARTING NOW!
264
00:10:26,627 --> 00:10:27,926
WHAT THE HELL
ARE YOU DOING?
265
00:10:27,928 --> 00:10:29,494
OH, CALM DOWN.
IT'S FOR SCIENCE.
266
00:10:29,496 --> 00:10:31,930
WHAT IS THAT STUFF?
IT'S OXYTOCIN.
HOW DO YOU FEEL?
267
00:10:31,932 --> 00:10:33,999
LIKE I WANT TO KILL YOU.
HOW ABOUT NOW?
268
00:10:34,001 --> 00:10:35,600
OXYTOCIN...
THAT'S THE STUFF
269
00:10:35,602 --> 00:10:37,302
THAT NEW MOMS
AND BABIES EMIT, RIGHT?
270
00:10:37,304 --> 00:10:39,304
IT'S A NEUROTRANSMITTER
CREATED IN THE HYPOTHALAMUS
271
00:10:39,306 --> 00:10:41,072
THAT INCREASES
BONDING AND TRUST.
272
00:10:41,074 --> 00:10:44,809
DO YOU KNOW WHY WE SAY
PEOPLE HAVE CHEMISTRY TOGETHER?
273
00:10:44,811 --> 00:10:46,778
BECAUSE THEY HAVE
CHEMISTRY TOGETHER!
274
00:10:46,780 --> 00:10:49,247
HORMONES,
NEUROTRANSMITTERS.
275
00:10:49,249 --> 00:10:51,583
PHYSIOLOGICALLY,
TOMMY AND MAX...
276
00:10:51,585 --> 00:10:54,119
THEY'RE LIKE A COUPLE
WHOSE MARRIAGE IS ON THE ROCKS.
277
00:10:54,121 --> 00:10:56,021
WE JUST NEED
TO REKINDLE THE SPARK.
278
00:10:56,023 --> 00:10:58,123
SO, AN ACTUAL LOVE POTION.
I'M... I'M NOT EVEN GONNA ASK
279
00:10:58,125 --> 00:10:59,824
HOW YOU GUYS GOT AHOLD
OF SOMETHING LIKE THIS.
280
00:10:59,826 --> 00:11:01,126
ON THE INTERNET.
281
00:11:01,128 --> 00:11:02,761
YEAH,
MILES ALREADY HAD SOME.
282
00:11:02,763 --> 00:11:04,462
WELL,
WHY DID YOU HAVE...
283
00:11:04,464 --> 00:11:07,032
SHALL WE GO THROUGH
YOUR SEARCH HISTORY, ROSS?
284
00:11:07,034 --> 00:11:09,334
ALL RIGHT, NOW, LOOK, IF ANYONE
CAN GET AHOLD OF THIS STUFF,
285
00:11:09,336 --> 00:11:10,669
WHY ARE THEY
GONNA PAY US?
286
00:11:10,671 --> 00:11:12,937
BECAUSE WE KNOW
THE SECRET INGREDIENT.
287
00:11:12,939 --> 00:11:14,172
OH.
288
00:11:14,174 --> 00:11:17,208
WE COMBINE OXYTOCIN
WITH DOPAMINE.
289
00:11:17,210 --> 00:11:19,811
HMM.
THE REWARD AND PLEASURE
CHEMICALS.
290
00:11:19,813 --> 00:11:21,646
IT'S LIKE THE LITERAL
FLOOD OF RELIEF YOU GET
291
00:11:21,648 --> 00:11:23,348
WHEN YOU SURVIVE
A DANGEROUS SITUATION.
292
00:11:23,350 --> 00:11:26,484
AFTERWARDS, YOUR BRAIN ASSIGNS
THE CONTEXT OF THE THRILL
293
00:11:26,486 --> 00:11:27,952
TO WHOMEVER YOU'RE WITH.
294
00:11:27,954 --> 00:11:30,021
AND BAM! YOU'RE BONDED.
295
00:11:30,023 --> 00:11:31,823
OHH.
296
00:11:31,825 --> 00:11:33,958
TOMMY AND MAX ARE GONNA BE
AT THEIR LAWYER'S TODAY.
297
00:11:33,960 --> 00:11:36,194
IT'S GONNA BE THE ONLY TIME
THEY'RE GONNA BE TOGETHER,
298
00:11:36,196 --> 00:11:38,063
SO WE HAVE TO
TAKE THIS SHOT.
299
00:11:38,065 --> 00:11:41,166
LATRELL, I'M SORRY FOR SPRAYING
YOU IN THE FACE, MAN.
300
00:11:41,168 --> 00:11:42,500
NAH, THAT'S COOL, MAN.
301
00:11:42,502 --> 00:11:44,235
BRING IT IN.
302
00:11:44,237 --> 00:11:45,503
HEY! I TRUSTED YOU!
303
00:11:45,505 --> 00:11:47,665
[ STOPWATCH CLICKS ]
AND IT WORKS.
304
00:11:49,542 --> 00:11:51,710
HERE COMES TOMMY.
305
00:12:00,219 --> 00:12:02,187
AND THERE'S MAX...
RIGHT ON SCHEDULE.
306
00:12:02,189 --> 00:12:04,950
SAMPLE OUR NEW FRAGRANCE,
SIR?
NO, THANK YOU.
307
00:12:05,691 --> 00:12:07,659
OW! WOW!
308
00:12:07,661 --> 00:12:09,928
NO, THANK YOU.
NOT TODAY.
309
00:12:11,564 --> 00:12:14,566
HEY! WHAT...
WHAT IS YOUR PROBLEM, MAN?
310
00:12:17,336 --> 00:12:19,437
UNBELIEVABLE.
311
00:12:19,439 --> 00:12:21,539
Clark: OKAY, GOOD.
312
00:12:21,541 --> 00:12:23,508
NOW WE LET THE OXYTOCIN
THEY JUST INHALED
313
00:12:23,510 --> 00:12:25,577
WORK INTO THEIR BRAINS,
THEN...
[ SIGHS ]
314
00:12:25,579 --> 00:12:27,112
SCARE THE HELL
OUT OF THEM.
315
00:12:27,114 --> 00:12:29,434
YEAH, WE DEFINITELY HAVE
A WEIRD JOB.
316
00:12:37,356 --> 00:12:39,124
MR. ATWOOD!
OH, THANK GOD.
317
00:12:39,126 --> 00:12:40,391
HEY.
OKAY. HEY, COME ON.
318
00:12:40,393 --> 00:12:41,760
I'VE GOT ATWOOD.
319
00:12:41,762 --> 00:12:44,362
I'M PART OF PAUL MADISON'S
SECURITY DETAIL.
320
00:12:44,364 --> 00:12:46,564
WE NEED TO GET YOU
OUT OF THE BUILDING RIGHT AWAY.
321
00:12:46,566 --> 00:12:48,600
COME ON. SHE'S HERE.
WHO'S HERE?
322
00:12:48,602 --> 00:12:51,102
PEGGY KRUEGER.
SHE'S SOME CRAZY GROUPIE FAN.
323
00:12:51,104 --> 00:12:53,571
BEEN GIVING MR. MADISON PROBLEMS
FOR YEARS.
324
00:12:53,573 --> 00:12:55,406
BLAMES HIM FOR THE BREAKUP
OF THE GROUP OR SOMETHING.
325
00:12:55,408 --> 00:12:56,808
IT'S NOT GOOD.
TOTAL NUTJOB.
326
00:12:56,810 --> 00:12:58,743
SHE GOT AWAY
BEFORE WE COULD GRAB HER.
327
00:12:58,745 --> 00:13:00,378
SHE'S IN THE BUILDING SOMEWHERE.
DOWN, DOWN, DOWN.
328
00:13:00,380 --> 00:13:01,913
SHE HAS A WHAT?
329
00:13:01,915 --> 00:13:03,882
IS IT LOADED?
WHAT?
330
00:13:03,884 --> 00:13:05,550
COME ON. LET'S GO,
LET'S GO, LET'S GO.
GEEZ!
331
00:13:05,552 --> 00:13:06,985
I GOT IT.
332
00:13:06,987 --> 00:13:08,253
HOLD UP! HOLD UP.
333
00:13:08,255 --> 00:13:09,487
WHAT?! WHERE?
334
00:13:09,489 --> 00:13:11,322
UP, UP!
GO, GO, GO!
335
00:13:11,324 --> 00:13:13,258
WHERE ARE WE GOING?!
KEEP GOING, KEEP GOING.
336
00:13:13,260 --> 00:13:15,393
TAKE THE STAIRS.
[ YELLS ]
337
00:13:15,395 --> 00:13:17,462
BACK UP! BACK UP! BACK!
338
00:13:17,464 --> 00:13:18,730
OH, ALL RIGHT.
339
00:13:18,732 --> 00:13:22,000
HEY.
HEY.
340
00:13:22,002 --> 00:13:23,668
POLICE SAID THEY WERE GONNA
BE HERE IN FIVE MINUTES.
341
00:13:23,670 --> 00:13:25,937
SAID TO SIT TIGHT.
342
00:13:25,939 --> 00:13:27,572
SIT TIGHT?! I'M NOT
STANDING AROUND, WAITING
TO GET EXECUTED HERE.
343
00:13:27,574 --> 00:13:28,840
SO, WHAT DO YOU WANT
TO DO?
344
00:13:28,842 --> 00:13:30,074
OKAY.
[ ELEVATOR BELL DINGS ]
345
00:13:30,076 --> 00:13:31,810
Sam: PAUL?
346
00:13:31,812 --> 00:13:33,478
OKAY!
TAKE THE STAIRS!
TAKE THE STAIRS! GO, GO!
347
00:13:33,480 --> 00:13:36,114
GO, GO, GO, GO, GO, GO!
348
00:13:36,116 --> 00:13:38,850
WHAT DID YOU MEAN,
"EXECUTED"?
349
00:13:38,852 --> 00:13:41,486
SHE HAS A GUN.
A GUN?!
350
00:13:41,488 --> 00:13:43,621
WHAT KIND OF A GUN?
WHO CARES WHAT KIND OF A GUN?
351
00:13:43,623 --> 00:13:46,191
IS THERE A GUN
YOU'D BE OKAY WITH HER HAVING?
352
00:13:47,526 --> 00:13:49,994
[ MEN SCREAM ]
Ross: GO, GO, GO, GO, GO!
353
00:13:52,531 --> 00:13:53,798
[ DOOR HANDLE THUDS ]
354
00:13:53,800 --> 00:13:55,099
DAMN IT!
355
00:13:55,101 --> 00:13:57,035
Shh, shh, shh, shh!
356
00:13:57,037 --> 00:13:58,469
[ LOUD THUD ]
I'VE GOT THE KEY.
357
00:13:58,471 --> 00:14:00,171
Sam: PAUL?
358
00:14:00,173 --> 00:14:01,472
COME ON.
GO SLOW.
359
00:14:01,474 --> 00:14:02,707
COME ON. COME ON!
360
00:14:02,709 --> 00:14:04,609
YES, YES! IT WORKED!
361
00:14:04,611 --> 00:14:06,010
GO, GO, GO, GO, GO, GO!
362
00:14:06,012 --> 00:14:08,213
[ SIGHS ]
OKAY, LET'S GO.
363
00:14:08,215 --> 00:14:09,647
Clark: COME ON, GUYS!
GET IN THE CAR.
364
00:14:09,649 --> 00:14:11,049
COME ON!
GO, GO, GO.
365
00:14:11,051 --> 00:14:12,951
SHE'LL TAKE YOU SOMEWHERE SAFE,
ALL RIGHT?
366
00:14:12,953 --> 00:14:14,452
[ ENGINE TURNS OVER ]
367
00:14:14,454 --> 00:14:16,654
NOW, WHEN THEY REALIZE
THEY'RE SAFE,
368
00:14:16,656 --> 00:14:19,057
THEIR ROCK-STAR BRAINS
WILL BE DROWNING IN DOPAMINE,
369
00:14:19,059 --> 00:14:21,192
AND WE WERE THE ONES
THAT MADE THEM FRIENDS!
370
00:14:21,194 --> 00:14:23,127
[ HORN BLARES ]
371
00:14:23,129 --> 00:14:26,064
[ TIRES SCREECH ]
372
00:14:26,066 --> 00:14:28,533
IF WE DON'T
KILL THEM FIRST.
373
00:14:28,535 --> 00:14:31,703
[ BOTH PANTING ]
374
00:14:38,344 --> 00:14:41,179
GREAT.
WONDERFUL. THANKS.
375
00:14:41,181 --> 00:14:44,315
CHICAGO P.D.'s GOT HER.
YOU GUYS CAN RELAX.
376
00:14:44,317 --> 00:14:45,717
[ CHUCKLES NERVOUSLY ]
377
00:14:45,719 --> 00:14:47,585
"RELAX."
378
00:14:47,587 --> 00:14:49,654
I, UH...
379
00:14:49,656 --> 00:14:51,356
I THINK RIGHT NOW
380
00:14:51,358 --> 00:14:54,859
IS THE MOST I'VE MISSED ALCOHOL
IN 20 YEARS. "RELAX."
381
00:14:54,861 --> 00:14:57,095
WELL, DON'T WORRY. I PLAN
ON DRINKING ENOUGH FOR
THE BOTH OF US, SO...
382
00:14:57,097 --> 00:14:59,197
[ CHUCKLES ]
383
00:14:59,199 --> 00:15:00,498
[ SIGHS ]
384
00:15:00,500 --> 00:15:03,201
OKAY, THEN,
SO, I MEAN, CAN WE... GO?
385
00:15:03,203 --> 00:15:05,203
YEAH.
YES.
386
00:15:05,205 --> 00:15:07,005
BUT JUST... JUST... JUST...
BEFORE YOU DO,
387
00:15:07,007 --> 00:15:08,606
I KNOW
THIS IS SUPER TACKY,
388
00:15:08,608 --> 00:15:10,375
ESPECIALLY AFTER EVERYTHING
YOU JUST WENT THROUGH,
389
00:15:10,377 --> 00:15:13,211
BUT IS THERE ANY WAY
THAT YOU GUYS WOULD AUTOGRAPH
390
00:15:13,213 --> 00:15:16,014
SOME CDs AND THINGS
[Chuckling] BEFORE YOU LEAVE?
391
00:15:16,016 --> 00:15:17,615
[ CHUCKLES ]
392
00:15:17,617 --> 00:15:20,118
RIGHT NOW, YOUR BUDDIES
ARE FEELING THE EFFECTS
393
00:15:20,120 --> 00:15:21,920
OF A VERY POTENT
COCKTAIL...
394
00:15:21,922 --> 00:15:24,222
ONE SHOT OXYTOCIN,
ONE SHOT DOPAMINE.
395
00:15:24,224 --> 00:15:26,591
SHAKE AND POUR.
THEY'RE PRIMED TO BOND.
396
00:15:26,593 --> 00:15:29,694
NOW ALL THEY NEED IS A LITTLE
NUDGE FROM OUR COLLEAGUE.
397
00:15:29,696 --> 00:15:31,763
Max: OH, MY GOD.
398
00:15:31,765 --> 00:15:34,365
BOOTLEG OF THE FIRST ROSELAND
SHOW. YOU REMEMBER THAT ONE?
399
00:15:34,367 --> 00:15:36,434
MM-HMM.
MY BOYFRIEND IS
SUCH A HUGE FAN.
400
00:15:36,436 --> 00:15:39,537
WHEN I TOLD HIM THAT
WE WERE OFFERING YOU
GUYS PROTECTION TODAY,
401
00:15:39,539 --> 00:15:41,272
HE... [Laughing] HE GOT SO...
402
00:15:41,274 --> 00:15:43,608
YOU GOT A BOYFRIEND?
HOW DISAPPOINTING.
403
00:15:43,610 --> 00:15:46,744
HE CAN BE, BUT HE'S A MUSICIAN,
SO I MAKE ALLOWANCES.
404
00:15:46,746 --> 00:15:48,212
OOH. GOOD ONE.
405
00:15:48,214 --> 00:15:50,748
ON OUR FIRST DATE,
HE PLAYED "NOT THAT WAY"
406
00:15:50,750 --> 00:15:52,951
FROM YOUR
"CHASING THE ENEMY" ALBUM.
407
00:15:52,953 --> 00:15:54,152
Both:
"SILVER MERCHANTS."
408
00:15:54,154 --> 00:15:56,955
RIGHT!
[ Chuckling ] RIGHT.
409
00:15:57,990 --> 00:15:59,791
SO, DO... DO YOU GUYS
HAVE ANY ADVICE?
410
00:15:59,793 --> 00:16:01,659
TELL HIM
TO JUST KEEP PRACTICING.
411
00:16:01,661 --> 00:16:03,494
NO, I MEAN, FOR ME.
412
00:16:03,496 --> 00:16:05,330
HIS BAND'S ABOUT TO GO ON TOUR
FOR THE FIRST TIME.
413
00:16:05,332 --> 00:16:07,231
AND... AND I TRUST HIM
AND EVERYTHING, BUT...
414
00:16:07,233 --> 00:16:10,568
MAYBE I SHOULD GO ALONG...
IN CASE THERE ARE TEMPTATIONS?
415
00:16:10,570 --> 00:16:12,170
YEAH.
[ Chuckling ] YEAH.
416
00:16:12,172 --> 00:16:14,439
Both: DEFINITELY GO ALONG.
GO ALONG.
417
00:16:14,441 --> 00:16:16,607
ABSOLUTELY GO ALONG.
HEY. GUYS.
418
00:16:16,609 --> 00:16:18,476
GUYS, THEY JUST TOLD ME
WHAT HAPPENED.
419
00:16:18,478 --> 00:16:20,178
I'M SHOCKED.
I'M SO SORRY.
420
00:16:20,180 --> 00:16:22,013
EVERYTHING OKAY HERE?
YES. WE'RE FINISHED.
421
00:16:22,015 --> 00:16:23,614
I WAS JUST
ABOUT TO ASK THEM
422
00:16:23,616 --> 00:16:25,583
WHAT WAS THE CRAZIEST THING
THAT EVER HAPPENED ON TOUR.
423
00:16:25,585 --> 00:16:26,818
UH...
424
00:16:26,820 --> 00:16:28,186
Both: STOCKHOLM.
DENVER.
425
00:16:28,188 --> 00:16:30,788
DENVER? OH, MY GOD, NO.
COME ON. SHE'S YOUNG.
426
00:16:30,790 --> 00:16:32,857
SHE DOES NOT NEED
TO HEAR THAT.
427
00:16:32,859 --> 00:16:34,492
YEAH, I'M OLD, AND I DON'T
EVEN NEED TO HEAR IT.
428
00:16:34,494 --> 00:16:35,960
WHY? W-WHAT HAPPENED
IN DENVER?
ROSS: Shh, shh.
429
00:16:35,962 --> 00:16:37,962
HEY, W-WHY DON'T WE
JUST GO SOMEWHERE
430
00:16:37,964 --> 00:16:40,198
AND TALK ABOUT IT
WHERE NO ONE WILL BE INDICTED?
431
00:16:40,200 --> 00:16:42,000
I'LL BUY YOU GUYS DINNER.
432
00:16:42,002 --> 00:16:43,768
PLEASE... GO.
AND... AND SEND US THE BILL.
433
00:16:43,770 --> 00:16:45,770
WE FEEL TERRIBLE
ABOUT TODAY.
434
00:16:45,772 --> 00:16:47,905
YEAH. I-IT'LL MAKE ME
FEEL BETTER.
435
00:16:50,209 --> 00:16:52,377
UH... OKAY.
436
00:16:52,379 --> 00:16:54,679
BUT, UH,
I DON'T DO GLUTEN.
437
00:16:54,681 --> 00:16:55,947
Ross: COOL.
438
00:16:55,949 --> 00:16:57,281
AND HERE WE GO.
439
00:16:57,283 --> 00:17:01,185
SO NICE TO MEET YOU.
THANK YOU SO MUCH.
440
00:17:03,622 --> 00:17:05,523
OKAY, EVEN I THOUGHT
YOU WERE CRAZY,
441
00:17:05,525 --> 00:17:07,291
BUT LOOK AT THEM...
IT WORKED.
442
00:17:07,293 --> 00:17:08,826
YEAH.
DON'T SPEAK TOO SOON.
443
00:17:08,828 --> 00:17:11,162
THEY'RE IN A CHEMICAL-INDUCED
HONEYMOON PHASE.
444
00:17:11,164 --> 00:17:13,631
AFTER DINNER, THEIR SYSTEMS
WILL BE BACK TO NORMAL.
445
00:17:13,633 --> 00:17:16,634
THEN WE'LL KNOW MORE.
446
00:17:18,971 --> 00:17:21,372
[ INDISTINCT CONVERSATIONS,
UP-TEMPO MUSIC PLAYS ]
447
00:17:21,374 --> 00:17:22,707
OH! MILES!
448
00:17:22,709 --> 00:17:25,243
SAM. HEY.
HEY.
449
00:17:25,245 --> 00:17:27,345
UH, MILES,
THIS IS MY FRIEND OLIVER.
450
00:17:27,347 --> 00:17:30,081
HE JUST MOVED HERE TWO DAYS AGO
FROM ST. LOUIS.
451
00:17:30,083 --> 00:17:32,083
OLIVER, MILES.
452
00:17:32,085 --> 00:17:33,518
HEY.
NICE TO MEET YOU.
453
00:17:33,520 --> 00:17:35,086
HELLO.
454
00:17:35,088 --> 00:17:36,888
UH, OKAY.
I'M GONNA GO.
455
00:17:36,890 --> 00:17:38,156
PLEASE DO NOT TELL ME
THAT YOU'RE LEAVING.
456
00:17:38,158 --> 00:17:39,590
TO THE LADIES' ROOM.
457
00:17:39,592 --> 00:17:41,526
I'LL BE RIGHT BACK.
PROMISE. GEEZ.
458
00:17:41,528 --> 00:17:43,027
OKAY. ALL RIGHT.
459
00:17:43,029 --> 00:17:44,896
WE'LL JUST... WE'LL WAIT HERE
AND JUST, UM...
460
00:17:44,898 --> 00:17:47,098
SPEAK IN THE LANGUAGE
OF OUR PEOPLE.
461
00:17:47,100 --> 00:17:48,833
GOOD THING
CHER HAS A NEW ALBUM.
462
00:17:48,835 --> 00:17:50,334
OTHERWISE,
I GOT NOTHING.
463
00:17:50,336 --> 00:17:51,636
FUNNY. [ CHUCKLES ]
464
00:18:01,613 --> 00:18:03,748
YOU REALLY NEED
THE BINOCULARS?
465
00:18:03,750 --> 00:18:05,950
IT'S LIKE 40 FEET AWAY.
Shh.
466
00:18:05,952 --> 00:18:09,454
[ SIGHS ]
467
00:18:09,456 --> 00:18:10,955
LOOK.
468
00:18:10,957 --> 00:18:12,924
LOOK, LOOK, LOOK.
469
00:18:12,926 --> 00:18:14,459
YEAH. YEAH.
LOOK. LOOK.
470
00:18:14,461 --> 00:18:15,927
LOOK.
471
00:18:17,062 --> 00:18:19,197
LOOK, LOOK, LOOK!
YES!
472
00:18:19,199 --> 00:18:23,034
YES! YES! YES!!
OKAY. OKAY.
473
00:18:23,036 --> 00:18:25,470
YEAH! OH!
474
00:18:25,472 --> 00:18:27,271
Shh!
Okay.
475
00:18:27,273 --> 00:18:29,073
HEY,
YOU SPOTTED US, HUH?
476
00:18:29,075 --> 00:18:30,374
AWESOME!
477
00:18:30,376 --> 00:18:31,609
THAT WAS GREAT.
478
00:18:31,611 --> 00:18:33,244
WE WATCHED THE...
WHEN'S THE...
479
00:18:33,246 --> 00:18:35,546
WHEN'S THE CONCERT?
I'M JUST THROWING IT OUT THERE.
480
00:18:35,548 --> 00:18:37,315
I'VE NEVER SEEN A CONCERT
FROM ON...
481
00:18:37,317 --> 00:18:39,383
ON THE STAGE,
BUT ON THE SIDE OF THE STAGE.
482
00:18:39,385 --> 00:18:41,419
AND YOU WON'T SEE
THIS ONE, EITHER.
483
00:18:41,421 --> 00:18:43,488
WHAT DO YOU MEAN?
YOU GUYS WERE TALKING.
EVERYTHING WAS GREAT.
484
00:18:43,490 --> 00:18:46,424
WELL, SOMEHOW,
THOSE TWO GENIUSES DECIDED
485
00:18:46,426 --> 00:18:49,227
THAT BEING IN THE BAND WAS
WHAT CAUSED ALL THEIR TROUBLES,
486
00:18:49,229 --> 00:18:53,898
SO THEY, UH, MADE A PACT
TO ALWAYS BE FRIENDS
487
00:18:53,900 --> 00:18:57,001
AND TO NEVER
PLAY MUSIC TOGETHER AGAIN.
488
00:19:00,172 --> 00:19:02,006
YEAH.
489
00:19:11,683 --> 00:19:13,551
[ GASPS LIGHTLY ]
490
00:20:06,672 --> 00:20:08,806
[ PANTING ]
491
00:20:10,542 --> 00:20:11,876
YES, MR. MADISON.
492
00:20:11,878 --> 00:20:14,345
YES, I-I-I COMPLETELY
UNDERSTAND.
493
00:20:14,347 --> 00:20:16,180
BUT IT DID WORK, RIGHT?
494
00:20:16,182 --> 00:20:18,082
I MEAN,
UH, T-THEY'RE FRIENDS.
495
00:20:18,084 --> 00:20:20,251
NOW WE JUST NEED TO DEAL WITH
THE CURVEBALL THEY THREW US.
496
00:20:20,253 --> 00:20:21,919
I BAKED A CAKE.
AS WE SPEAK,
497
00:20:21,921 --> 00:20:24,522
MY BROTHER IS DEVISING
OUR NEXT COURSE OF ACTION.
498
00:20:24,524 --> 00:20:26,524
WE'LL... WE'LL CALL YOU
WITH A PLAN.
499
00:20:26,526 --> 00:20:27,992
THAT WAS PAUL.
500
00:20:27,994 --> 00:20:29,227
SHOCKINGLY,
HE'S LESS THAN THRILLED
501
00:20:29,229 --> 00:20:31,062
WITH THE WAY THINGS WENT
WITH THE BAND.
502
00:20:31,064 --> 00:20:32,863
I MIXED, BAKED,
503
00:20:32,865 --> 00:20:36,601
AND SOMEWHAT COMPETENTLY FROSTED
AN ENTIRE CAKE...
504
00:20:36,603 --> 00:20:38,035
IN MY SLEEP.
505
00:20:38,037 --> 00:20:41,939
BUT YOU DON'T BAKE.
I'M SLEEPWALKING, ROSS!
506
00:20:41,941 --> 00:20:43,441
TWICE!
507
00:20:43,443 --> 00:20:45,343
PLEASE TELL ME
BETH GOT A PHOTO.
508
00:20:45,345 --> 00:20:47,111
SHE CAN'T KNOW.
509
00:20:47,113 --> 00:20:48,446
SHE'LL THINK I'M A NUT.
510
00:20:48,448 --> 00:20:50,281
SHE ALREADY DOES.
NOW, WHAT CAUSES IT?
511
00:20:50,283 --> 00:20:54,518
ALL RIGHT, UH, SLEEPWALKING
IS A CHRONIC DISORDER.
512
00:20:54,520 --> 00:20:56,687
I'VE NEVER DONE IT
BEFORE.
513
00:20:56,689 --> 00:20:58,289
UM, SO, OTHER CAUSES.
[ SIGHS ]
514
00:20:58,291 --> 00:20:59,957
UM, SUBCONSCIOUS STRESS.
515
00:20:59,959 --> 00:21:01,292
WELL, THERE YOU GO.
THERE'S...
516
00:21:01,294 --> 00:21:03,694
BUT I'M NOT STRESSED.
517
00:21:03,696 --> 00:21:05,296
OH, NO,
I DON'T MEAN STRESS...
518
00:21:05,298 --> 00:21:07,198
NOT LIKE YOU'D HAVE YOUR
22-YEAR-OLD GIRLFRIEND MOVED IN
519
00:21:07,200 --> 00:21:08,933
WHO YOU'D ONLY BEEN DATING
FOR A FEW MONTHS.
520
00:21:08,935 --> 00:21:11,135
OH, MY GOD! IT'S BETH!
IT'S BETH.
521
00:21:11,137 --> 00:21:13,738
SHE TOLD ME. SHE SAID
IF SHE MOVED IN, SHE
WOULD BREAK MY ROUTINE.
522
00:21:13,740 --> 00:21:15,206
SHE WAS RIGHT.
SHE WAS RIGHT.
523
00:21:15,208 --> 00:21:16,574
NOW SHE'S GONNA FLIP OUT.
524
00:21:16,576 --> 00:21:18,209
SHE'S GONNA LEAVE ME,
AND NOW I DON'T...
525
00:21:18,211 --> 00:21:20,144
I-I DON'T EVEN...
I'M NOT GONNA BE ABLE...
CLARK.
526
00:21:20,146 --> 00:21:21,545
CLARK, IT'S GONNA BE FINE,
ALL RIGHT?
527
00:21:21,547 --> 00:21:22,780
WHAT?
THIS IS A BIG CHANGE.
528
00:21:22,782 --> 00:21:24,582
CHANGE IS SCARY FOR ANYONE,
RIGHT?
529
00:21:24,584 --> 00:21:26,784
RIGHT, YEAH.
YOUR BRAIN MAYBE JUST NEEDS
SOME TIME TO DEAL.
530
00:21:26,786 --> 00:21:28,252
RIGHT. ADAPT.
531
00:21:28,254 --> 00:21:29,787
YOU KNOW WHAT, ROSS?
I THINK YOU'RE RIGHT.
532
00:21:29,789 --> 00:21:31,222
I AM.
THANK YOU.
533
00:21:31,224 --> 00:21:32,590
SURE.
ALL RIGHT.
534
00:21:32,592 --> 00:21:33,891
BUT...
IF IT HAPPENS AGAIN...
535
00:21:33,893 --> 00:21:35,293
YEAH? WHAT?
536
00:21:35,295 --> 00:21:36,661
MAYBE RED VELVET?
537
00:21:36,663 --> 00:21:38,996
THAT'S NOT HELPFUL.
538
00:21:38,998 --> 00:21:40,564
Sam: HI. MILES.
539
00:21:40,566 --> 00:21:41,999
WHAT'S UP?
NOTHING.
540
00:21:42,001 --> 00:21:43,501
[ THUD ]
OOH!
541
00:21:43,503 --> 00:21:45,770
UM, BUT WHILE I'M HERE,
YOU KNOW YOUR FRIEND OLIVER,
542
00:21:45,772 --> 00:21:48,172
WITH THE REALLY... BIG...
SMILE?
543
00:21:48,174 --> 00:21:50,007
UM, DID HE, LIKE,
SAY ANYTHING ABOUT ME,
544
00:21:50,009 --> 00:21:51,642
ASK ABOUT ME TODAY?
545
00:21:51,644 --> 00:21:53,411
YEAH, YEAH, YEAH. ACTUALLY, UH,
HE ASKED ME FOR YOUR NUMBER.
546
00:21:53,413 --> 00:21:54,812
YES. GIVE IT TO HIM...
RIGHT NOW.
547
00:21:54,814 --> 00:21:56,314
I TOLD HIM
THAT YOU WEREN'T INTERESTED
548
00:21:56,316 --> 00:21:57,915
IN A RELATIONSHIP
RIGHT NOW.
549
00:21:57,917 --> 00:21:59,417
TELL HIM YOU LIED.
YOU'RE A VICIOUS, VICIOUS LIAR.
550
00:21:59,419 --> 00:22:00,685
UH, I'M ALL BETTER NOW.
[ CHUCKLES ]
551
00:22:00,687 --> 00:22:02,420
OKAY.
552
00:22:02,422 --> 00:22:04,422
WELL, IF I WOULD HAVE KNOWN
IT WAS GONNA GO THIS WAY,
553
00:22:04,424 --> 00:22:05,856
I WOULD HAVE TOLD YOU
THIS BEFORE.
554
00:22:05,858 --> 00:22:07,525
UH, IT'S...
IT'S NOTHING, REALLY.
555
00:22:07,527 --> 00:22:09,527
UM, OLIVER AND I...
556
00:22:09,529 --> 00:22:12,763
WE MET AT THE SAME PLACE
I MET ROSS...
557
00:22:12,765 --> 00:22:14,965
THAT WORK-RELEASE PROGRAM.
558
00:22:14,967 --> 00:22:17,868
OLIVER WAS IN... PRISON?
559
00:22:17,870 --> 00:22:19,136
HMM.
560
00:22:19,138 --> 00:22:20,705
REALLY, PLEASE DON'T
SAY ANYTHING TO HIM.
561
00:22:20,707 --> 00:22:22,106
IT WAS BRIEF. IT WAS
FOR SOME FINANCIAL STUFF.
562
00:22:22,108 --> 00:22:24,141
NOTHING BIG.
563
00:22:24,143 --> 00:22:26,177
BUT I FIGURE, YOU'RE MY FRIEND,
SO YOU SHOULD KNOW.
564
00:22:26,179 --> 00:22:29,180
YEAH. OKAY.
WELL, THANK YOU. UM...
565
00:22:29,182 --> 00:22:32,049
BUT YOU KNOW WHAT? JUST, UH,
STILL YES ON THE NUMBER.
566
00:22:32,051 --> 00:22:34,352
[ FOOTSTEPS DEPART ]
567
00:22:35,454 --> 00:22:36,987
Clark:
THEY GOT IT ALL WRONG.
568
00:22:36,989 --> 00:22:39,690
MUSIC DIDN'T
TEAR THE BAND APART.
569
00:22:39,692 --> 00:22:41,692
IT'S WHAT
BROUGHT THEM TOGETHER.
570
00:22:41,694 --> 00:22:44,528
LOOK... THE GARAGE WHERE
THEY WROTE THEIR FIRST SONG,
571
00:22:44,530 --> 00:22:46,297
UH, "CELLAR DOOR."
572
00:22:46,299 --> 00:22:49,700
THIS WAS
A MAGIC, HAPPY BUBBLE.
573
00:22:49,702 --> 00:22:51,535
IT WAS THE GARDEN OF EDEN.
BUT SOMETHING HAPPENED.
574
00:22:51,537 --> 00:22:53,671
THEY GOT FAMOUS.
THEY LEFT THE GARAGE.
575
00:22:53,673 --> 00:22:58,008
THEN... POP...
NO MORE HAPPY, MAGIC BUBBLE.
576
00:22:58,010 --> 00:23:00,544
THEY GO ON TOUR.
THEY GET PAID.
577
00:23:00,546 --> 00:23:03,013
MUSIC BECOMES A JOB.
JOB MEANS STRESS.
578
00:23:03,015 --> 00:23:04,248
WONDER
IF THEY SLEEPWALKED.
579
00:23:04,250 --> 00:23:05,916
NOT FUNNY.
KIND OF FUNNY.
580
00:23:05,918 --> 00:23:07,818
AND SUDDENLY, MUSIC,
581
00:23:07,820 --> 00:23:10,087
WHICH ALWAYS HAD
A POSITIVE MENTAL ASSOCIATION,
582
00:23:10,089 --> 00:23:11,889
BECAME POISONED
WITH THESE NEGATIVES.
583
00:23:11,891 --> 00:23:14,325
WE NEED TO FIND A WAY
TO REWRITE
584
00:23:14,327 --> 00:23:17,995
WHAT MUSIC REPRESENTS
IN MAX AND TOMMY'S BRAINS.
585
00:23:17,997 --> 00:23:20,398
YES! EXCELLENT.
586
00:23:23,869 --> 00:23:26,070
I'M SORRY. I THOUGHT
A HOW-TO WAS COMING.
587
00:23:26,072 --> 00:23:29,039
YEAH.
YEAH, SO DID I.
588
00:23:29,041 --> 00:23:30,875
HOW ABOUT
REINFORCED GROUPTHINK?
589
00:23:30,877 --> 00:23:32,243
MM...
590
00:23:32,245 --> 00:23:34,044
WHAT ABOUT BLACKMAIL?
591
00:23:34,046 --> 00:23:35,913
I'M SURE THERE'S
SOME COMPROMISING PHOTOS
592
00:23:35,915 --> 00:23:37,515
FROM THEIR WILD DAYS
WE COULD USE...
593
00:23:37,517 --> 00:23:38,783
MAYBE EVEN DOCTOR.
594
00:23:38,785 --> 00:23:40,251
ONCE AGAIN, NOT HELPFUL.
595
00:23:40,253 --> 00:23:41,552
HERE.
596
00:23:41,554 --> 00:23:43,087
READ THESE.
597
00:23:43,089 --> 00:23:44,529
LOOK FOR THE BIG WORDS,
ROSS.
598
00:23:48,293 --> 00:23:50,594
Ross: WHAT... WHAT ABOUT
THAT GUY WITH THE DOG?
599
00:23:50,596 --> 00:23:51,896
CHARLIE BROWN?
600
00:23:51,898 --> 00:23:53,097
NO, HE HAD THE BELL
AND THAT...
601
00:23:53,099 --> 00:23:54,632
QUASIMODO?
602
00:23:54,634 --> 00:23:56,367
[ CHUCKLES ]
PAVLOV.
603
00:23:56,369 --> 00:23:58,135
YEAH, YEAH! THAT GUY.
WHAT ABOUT HIM?
604
00:23:58,137 --> 00:24:00,538
SO, WHAT...
WE'RE GONNA TRAIN TOMMY AND MAX
605
00:24:00,540 --> 00:24:02,640
TO SALIVATE
EVERY TIME THEY HEAR MUSIC?
606
00:24:02,642 --> 00:24:04,074
AT LEAST I'M TRYING.
607
00:24:04,076 --> 00:24:05,910
[ GRUNTS ]
I'M GOING TO A MOVIE.
608
00:24:05,912 --> 00:24:07,778
WHAT? NOW?
WE HAVEN'T SOLVED THIS.
609
00:24:07,780 --> 00:24:08,979
I AM SOLVING THIS.
610
00:24:08,981 --> 00:24:10,748
YOU KNOW,
STUDIES HAVE SHOWN
611
00:24:10,750 --> 00:24:12,650
THAT IF YOU NEED INSPIRATION,
LOOKING FOR IT
612
00:24:12,652 --> 00:24:14,885
IS THE MOST COUNTERPRODUCTIVE
THING THAT YOU CAN DO.
613
00:24:14,887 --> 00:24:16,754
YOU KNOW WHAT?
614
00:24:16,756 --> 00:24:18,055
THERE'S A REALLY BIG WORD FOR
THAT RIGHT HERE IN THIS BOOK.
615
00:24:18,057 --> 00:24:19,824
IT'S CALLED
"PROCRASTINATION"!
616
00:24:19,826 --> 00:24:21,058
NOPE!
617
00:24:21,060 --> 00:24:22,960
GET YOUR MIND
OFF THE PROBLEM.
618
00:24:22,962 --> 00:24:24,628
BAM!
THERE'S THE ANSWER.
619
00:24:24,630 --> 00:24:26,263
IT'S LIKE HOW YOU CAN
SEE STARS BETTER
620
00:24:26,265 --> 00:24:28,165
OUT OF THE CORNER
OF YOUR EYE.
621
00:24:28,167 --> 00:24:30,334
IT'S TRUE.
NEVER LOOK RIGHT AT A STAR.
622
00:24:32,137 --> 00:24:34,104
I HEARD THAT ON THE SET
OF "VALKYRIE,"
623
00:24:34,106 --> 00:24:36,586
NO ONE WAS ALLOWED TO LOOK
DIRECTLY AT TOM CRUISE.
624
00:24:39,644 --> 00:24:42,313
[ SOFT JAZZ PLAYS ]
625
00:24:48,987 --> 00:24:51,188
WOW.
626
00:24:51,190 --> 00:24:52,656
[ CHUCKLES ]
627
00:24:52,658 --> 00:24:55,025
UM, I BELIEVE
THAT'S ALL I CAN ASK FOR,
628
00:24:55,027 --> 00:24:57,094
SO THANK YOU.
629
00:25:00,198 --> 00:25:02,199
SERIOUSLY.
630
00:25:02,201 --> 00:25:05,469
OKAY, IF I WANTED TO SPEAK
IN ONE-WORD SENTENCES ALL NIGHT,
631
00:25:05,471 --> 00:25:07,605
I COULD HAVE STILL BEEN DATING
THAT HOCKEY PLAYER.
632
00:25:07,607 --> 00:25:09,340
[ CHUCKLES ]
633
00:25:09,342 --> 00:25:11,275
MM.
634
00:25:11,277 --> 00:25:12,910
[ SIGHS ]
635
00:25:18,383 --> 00:25:20,050
OH, NO.
DID I SPILL SOMETHING?
636
00:25:20,052 --> 00:25:21,318
NO.
637
00:25:21,320 --> 00:25:22,786
AND, UH, LOOK...
638
00:25:22,788 --> 00:25:25,856
I MEAN, YOU'D LOOK AMAZING
IN A BROWN PAPER SACK
639
00:25:25,858 --> 00:25:27,324
IF THAT WAS YOUR THING,
640
00:25:27,326 --> 00:25:29,026
WHICH I BET WOULD GO GREAT
WITH YOUR EYES,
641
00:25:29,028 --> 00:25:31,362
BUT THIS IS, UH, SOMETHING
SPECIAL... REALLY SPECIAL.
642
00:25:31,364 --> 00:25:32,663
I'M HONORED.
643
00:25:32,665 --> 00:25:34,498
THANKS.
644
00:25:34,500 --> 00:25:36,901
OKAY, SO,
WHAT ARE YOU GETTING?
645
00:25:36,903 --> 00:25:38,135
UM...
646
00:25:38,137 --> 00:25:39,970
DID YOU BORROW IT
FROM A FRIEND?
647
00:25:39,972 --> 00:25:43,707
GIRLS DO THAT, RIGHT?
THEY BORROW CLOTHES, SHOES.
648
00:25:43,709 --> 00:25:45,709
IT'S NEW.
649
00:25:45,711 --> 00:25:48,879
UM, I THOUGHT THAT
I WOULD BUY SOMETHING
SPECIAL FOR TONIGHT...
650
00:25:48,881 --> 00:25:51,048
TONIGHT, WHICH WAS
SUPPOSED TO BE... SPECIAL?
651
00:25:51,050 --> 00:25:52,750
SURE.
652
00:25:54,252 --> 00:25:55,886
LET'S SEE.
653
00:25:59,090 --> 00:26:00,858
L-LOOK, YOU KNOW,
654
00:26:00,860 --> 00:26:04,061
I DON'T CLAIM TO BE
A REGULAR READER OF US MAGAZINE,
655
00:26:04,063 --> 00:26:05,396
BUT I-I DO ENJOY THE PART
656
00:26:05,398 --> 00:26:06,830
WHERE THEY SHOW YOU
THE DESIGNER DRESS
657
00:26:06,832 --> 00:26:08,666
AND THEN HOW...
REGULAR PEOPLE
658
00:26:08,668 --> 00:26:10,901
CAN PULL OFF THE SAME LOOK
FOR 90 BUCKS.
659
00:26:10,903 --> 00:26:13,537
AND INEVITABLY, IN MY OPINION,
THEY FAIL TO DO IT.
660
00:26:13,539 --> 00:26:15,573
ROSS, IS THERE SOMETHING
THAT YOU WANT TO SAY TO ME?
661
00:26:15,575 --> 00:26:17,107
THAT I KNOW
WHAT I PAY YOU,
662
00:26:17,109 --> 00:26:19,076
AND I CAN GUESS
WHAT THAT DRESS COST.
663
00:26:19,078 --> 00:26:21,445
AND WHILE I LIKE TO THINK
WE OFFER A COMPETITIVE SALARY,
664
00:26:21,447 --> 00:26:23,347
I'M JUST HAVING A HARD TIME
WITH THE MATH.
665
00:26:25,383 --> 00:26:28,519
OKAY, LOOK, DO YOU REALIZE
THE KIND OF CHARACTERS
666
00:26:28,521 --> 00:26:30,721
THAT YOU HAVE ME PLAY
FOR YOUR BUSINESS?
667
00:26:30,723 --> 00:26:33,524
I'VE BEEN A LAWYER, I'VE BEEN
A HIGH-END HEADHUNTER,
668
00:26:33,526 --> 00:26:35,259
I'VE BEEN ANOTHER LAWYER...
THE KINDS OF PEOPLE
669
00:26:35,261 --> 00:26:38,028
THAT HAVE WARDROBES
THAT MATCH THEIR BANK ACCOUNTS.
670
00:26:38,030 --> 00:26:40,864
AND SINCE I DON'T SEE
YOUR LITTLE-COMPANY-THAT-COULD
671
00:26:40,866 --> 00:26:42,967
COUGHING UP THE MONEY
TO PAY FOR IT,
672
00:26:42,969 --> 00:26:46,203
WHY DON'T WE JUST CALL THIS
A BUSINESS EXPENSE?
673
00:26:46,205 --> 00:26:47,438
[ CHUCKLES ]
674
00:26:47,440 --> 00:26:49,707
WELL, WE COULD
IF ANYTHING WAS SPENT.
675
00:26:49,709 --> 00:26:51,075
NICE.
676
00:26:51,077 --> 00:26:52,543
[ CHUCKLES ]
677
00:26:52,545 --> 00:26:54,645
AND SO YOU CAN TAKE
AN ATTITUDE OF SUPERIORITY
678
00:26:54,647 --> 00:26:56,580
BECAUSE YOU'VE NEVER
STOLEN ANYTHING.
679
00:26:56,582 --> 00:26:58,949
NOT LATELY. NOT ANYMORE.
THAT IS ALL BEHIND ME.
680
00:26:58,951 --> 00:27:00,784
I HAVE
A LEGITIMATE BUSINESS NOW.
681
00:27:00,786 --> 00:27:02,720
WHICH YOU GOT
BY CONNING YOUR BROTHER
682
00:27:02,722 --> 00:27:05,422
AND PAYING SOMEONE
TO HAVE HIM FIRED.
683
00:27:05,424 --> 00:27:07,024
[ SCOFFS ]
684
00:27:08,126 --> 00:27:09,727
[ MENU OPENS ]
685
00:27:16,334 --> 00:27:18,369
I HEAR THE FISH IS GOOD.
686
00:27:22,007 --> 00:27:24,141
COME ON. DON'T LEAVE.
WE'LL TALK ABOUT IT LATER.
687
00:27:24,143 --> 00:27:25,943
I'M... I'M ALL OUT OF
ONE-WORD SENTENCES.
688
00:27:25,945 --> 00:27:29,313
THE NEXT ONE
IS GONNA NEED TWO.
689
00:27:29,315 --> 00:27:31,582
EXCUSE ME.
690
00:27:31,584 --> 00:27:33,651
[ SIGHS ]
691
00:27:36,988 --> 00:27:38,689
[ SIGHS ]
692
00:27:44,796 --> 00:27:46,363
[ KNOCK ON DOOR ]
693
00:27:47,198 --> 00:27:49,199
YOU'RE NOT ANSWERING
YOUR PHONE.
694
00:27:49,201 --> 00:27:51,602
YEAH,
THAT'S MY WAY OF SAYING,
695
00:27:51,604 --> 00:27:53,804
"IF YOU WANT TO CHAT,
PLEASE DROP BY."
696
00:27:53,806 --> 00:27:57,708
DIDN'T ANYONE EVER TEACH YOU
TO HANG UP YOUR THINGS?
697
00:27:57,710 --> 00:27:59,810
I'M GONNA GUESS "NO."
698
00:27:59,812 --> 00:28:01,812
WELL, I'M NOT PSYCHIC,
ALTHOUGH I HAVE PRETENDED TO BE,
699
00:28:01,814 --> 00:28:03,347
BUT I'M GONNA GUESS
700
00:28:03,349 --> 00:28:06,650
THAT THE GUY YOU WORE THAT
TO IMPRESS WAS UNIMPRESSED.
701
00:28:06,652 --> 00:28:08,352
[ SMACKS LIPS ]
702
00:28:08,354 --> 00:28:11,655
LET'S JUST SAY THAT
HE HAD AN ISSUE WITH
HOW IT WAS ACQUIRED.
703
00:28:11,657 --> 00:28:13,657
AND IT'S PROBABLY BETTER
THIS WAY.
704
00:28:13,659 --> 00:28:16,393
DATING MY BOSS...
WHAT COULD GO WRONG?
705
00:28:16,395 --> 00:28:19,196
YOU MEAN [SIGHS] THE GUY
IN THE ARTICLE... THE FELON?
706
00:28:19,198 --> 00:28:21,865
MAYBE I...
THOUGHT HE'D UNDERSTAND.
707
00:28:21,867 --> 00:28:24,168
SOUNDS LIKE HE DID.
708
00:28:24,170 --> 00:28:25,903
I DON'T KNOW
WHY I TOOK IT.
709
00:28:25,905 --> 00:28:27,905
I MEAN, THINGS ARE...
THINGS ARE GOING REALLY GOOD.
710
00:28:27,907 --> 00:28:30,207
I-I GOT A LEGIT JOB.
711
00:28:30,209 --> 00:28:32,876
AND SUDDENLY, I'M...
712
00:28:32,878 --> 00:28:35,412
PULLING A CON ON A FRIEND
AND SHOPLIFTING.
713
00:28:35,414 --> 00:28:37,581
YOU MEAN "SUDDENLY,"
SINCE I SHOWED UP?
714
00:28:37,583 --> 00:28:39,316
NO.
715
00:28:41,352 --> 00:28:44,888
ALL RIGHT, WELL, MAYBE
IT'S NOT... TOTALLY UNRELATED.
716
00:28:44,890 --> 00:28:47,357
IT'S LIKE, YOU KNOW, WHEN I WAS
TRYING TO QUIT SMOKING.
717
00:28:47,359 --> 00:28:48,726
REMEMBER?
718
00:28:48,728 --> 00:28:50,561
DO I REMEMBER?
YEAH, I REMEMBER.
719
00:28:50,563 --> 00:28:53,197
THE HARDEST PART WAS,
EVERY TIME I'D GO OUT DRINKING,
720
00:28:53,199 --> 00:28:55,332
I'D WANT A CIGARETTE,
SO I DIDN'T DRINK.
721
00:28:55,334 --> 00:28:57,534
AND THIS FELON
YOU'RE SEEING...
722
00:28:57,536 --> 00:29:00,104
YOU DON'T SUPPOSE
MAYBE HE'S THE DRINK
723
00:29:00,106 --> 00:29:01,672
THAT MAKES YOU
WANT A CIGARETTE?
724
00:29:01,674 --> 00:29:07,611
IT'S WHY FELONS
ARE NOT SUPPOSED TO CONSORT...
725
00:29:07,613 --> 00:29:09,213
THE CHEMISTRY.
726
00:29:09,215 --> 00:29:11,782
SOMETIMES YOU MIX THINGS,
YOU GET A MANHATTAN.
727
00:29:11,784 --> 00:29:14,284
SOMETIMES YOU GET
THE MANHATTAN PROJECT.
728
00:29:15,286 --> 00:29:16,954
WHATEVER.
729
00:29:18,089 --> 00:29:19,423
[ SIGHS ]
730
00:29:19,425 --> 00:29:22,459
HOW'D THINGS GO
WITH MILES HOOD?
731
00:29:22,461 --> 00:29:24,528
THAT'S THE REASON
I WAS CALLING.
732
00:29:24,530 --> 00:29:26,096
FINE.
733
00:29:26,098 --> 00:29:29,066
UM, HE MET OLIVER,
AND HE LIKED HIM.
734
00:29:29,068 --> 00:29:31,135
BUT I WARNED HIM
ABOUT OLIVER'S PAST...
735
00:29:31,137 --> 00:29:32,402
THE PRISON TIME.
736
00:29:32,404 --> 00:29:34,724
I TOLD HIM
TO BE CAREFUL.
737
00:29:36,107 --> 00:29:37,708
GOOD.
738
00:29:37,710 --> 00:29:39,309
WELL-PLAYED.
739
00:29:42,981 --> 00:29:47,985
♪ 3 A.M., TABLES TURNING ♪
740
00:29:49,420 --> 00:29:53,957
♪ WANNA SABOTAGE YOUR HEART
LONG-DISTANCE ♪
741
00:29:53,959 --> 00:29:56,493
CLARK?
IS THIS NORMAL?
742
00:29:56,495 --> 00:29:57,995
[ VOLUME DECREASES ]
MORNING.
743
00:29:57,997 --> 00:29:59,596
UH, NORMAL?
744
00:29:59,598 --> 00:30:01,799
BECAUSE IF IT IS,
I CAN ADJUST.
745
00:30:01,801 --> 00:30:05,068
NO, NO. I'M... I'M...
I'M RELAXING MY BRAIN.
746
00:30:05,070 --> 00:30:07,104
STUDIES SHOW
TAKING A SHOWER IN THE MORNING
747
00:30:07,106 --> 00:30:08,839
IS ONE OF THE MOST RELAXING
PARTS OF THE DAY.
748
00:30:08,841 --> 00:30:11,942
THAT'S WHY SO MANY PEOPLE HAVE
GOOD IDEAS, UM, IN A SHOWER.
749
00:30:11,944 --> 00:30:13,577
BUT A-AFTER AWHILE,
750
00:30:13,579 --> 00:30:15,312
I WAS KIND OF FEELING BAD
ABOUT USING SO MUCH WATER,
751
00:30:15,314 --> 00:30:17,447
SO I WAS JUST HOPING THAT
THIS MIGHT HAVE THE SAME EFFECT.
752
00:30:17,449 --> 00:30:20,217
[ WATER RUNS ]
753
00:30:21,186 --> 00:30:22,452
[ WATER STOPS ]
754
00:30:22,454 --> 00:30:24,822
YOU DIDN'T COME TO BED
LAST NIGHT.
755
00:30:24,824 --> 00:30:26,657
I'M NO SCIENTIST,
BUT I'M GUESSING
756
00:30:26,659 --> 00:30:29,026
STAYING UP ALL NIGHT
IS NOT GOOD FOR YOUR MIND.
757
00:30:29,028 --> 00:30:32,462
YOU NEED SLEEP.
YOU NEED FOOD.
758
00:30:32,464 --> 00:30:33,864
SALMON. BLUEBERRIES.
759
00:30:33,866 --> 00:30:35,499
THEY MAKE BAD PANCAKES,
760
00:30:35,501 --> 00:30:38,035
BUT THEY'RE THE BEST SOURCE
OF OMEGA-3s AND ANTIOXIDANTS.
761
00:30:38,037 --> 00:30:39,469
WHAT IS THIS?
762
00:30:39,471 --> 00:30:40,838
OH...
763
00:30:46,144 --> 00:30:48,612
IT'S A CAKE.
764
00:30:48,614 --> 00:30:49,880
OHH.
765
00:30:49,882 --> 00:30:51,648
BETH, I-I S...
766
00:30:51,650 --> 00:30:53,150
I'M SLEEPWALKING, BETH,
767
00:30:53,152 --> 00:30:57,721
AND I MADE AN ENTIRE CAKE
WHILE I WAS SLEEPWALKING.
768
00:30:58,790 --> 00:31:00,324
AND THE TRUTH IS,
769
00:31:00,326 --> 00:31:02,059
I DIDN'T [SIGHS]
I DIDN'T GO TO BED LAST NIGHT
770
00:31:02,061 --> 00:31:04,728
BECAUSE I-I DIDN'T... I DIDN'T
WANT TO SLEEPWALK AGAIN
771
00:31:04,730 --> 00:31:07,865
AND THEN MAKE ANOTHER PASTRY
TO MARK THE OCCASION.
772
00:31:07,867 --> 00:31:11,335
IT'S JUST THAT MY SUBCONSCIOUS
IS HAVING A HARD TIME,
773
00:31:11,337 --> 00:31:12,870
LIKE, DEALING WITH...
774
00:31:12,872 --> 00:31:14,972
WITH... WITH JUST
SOME OF THE CHANGES IN MY LIFE.
775
00:31:14,974 --> 00:31:17,341
YOU MEAN... LIKE ME?
NO. NO. NO.
776
00:31:17,343 --> 00:31:19,476
I ASKED YOU SEVERAL TIMES
IF THIS WAS A MISTAKE,
777
00:31:19,478 --> 00:31:20,978
AND YOU SAID
THAT EVERYTHING...
778
00:31:20,980 --> 00:31:22,212
IT'S NOT.
779
00:31:22,214 --> 00:31:24,882
LOOK, THE ONLY MISTAKE
IS ME [SIGHS]
780
00:31:24,884 --> 00:31:26,850
KIDDING MYSELF
THAT THIS WAS GONNA BE EASY,
781
00:31:26,852 --> 00:31:28,986
BUT T... BUT THIS IS...
THIS IS JUST ON ME, BETH.
782
00:31:28,988 --> 00:31:30,187
IT'S NOT YOU.
783
00:31:30,189 --> 00:31:31,889
YEAH,
NO DUH IT'S YOU!
784
00:31:31,891 --> 00:31:34,391
ALL RIGHT? BUT IT'S ALSO ME
BEING HERE WITH YOU.
785
00:31:34,393 --> 00:31:36,426
I-IT'S MY STUFF,
IT'S MY ELEPHANT, IT'S MY...
786
00:31:36,428 --> 00:31:38,028
NO,
I-I LIKE YOUR ELEPHANT.
787
00:31:38,030 --> 00:31:39,596
OH, AND THE FACT
THAT YOU WERE AFRAID TO TELL ME
788
00:31:39,598 --> 00:31:40,931
THAT YOU WERE
SLEEPWALKING...
789
00:31:40,933 --> 00:31:42,199
BETH, STOP!
790
00:31:42,201 --> 00:31:44,534
JUST STOP
FOR JUST ONE SECOND, PLEASE.
791
00:31:44,536 --> 00:31:45,936
WHAT ARE YOU DOING?
792
00:31:45,938 --> 00:31:47,771
[ MUSIC CONTINUES ]
793
00:31:47,773 --> 00:31:49,273
[ NEEDLE SCRATCHES ]
794
00:31:49,275 --> 00:31:51,008
NO, THAT SONG HAS ONLY HELD
GOOD MEMORIES FOR ME,
795
00:31:51,010 --> 00:31:52,676
AND NOW IF I ASSOCIATE IT
WITH OUR FIRST FIGHT,
796
00:31:52,678 --> 00:31:55,112
I'LL... I'LL NEVER TH-THINK
OF IT IN ANY OTHER WAY.
797
00:31:55,114 --> 00:31:56,680
NO,
WE'RE NOT FIGHTING.
798
00:31:56,682 --> 00:31:59,082
IT'S JUST... I MEAN,
NO GIRL WANTS TO HEAR
799
00:31:59,084 --> 00:32:01,051
THAT HER BOYFRIEND DOESN'T WANT
TO GET IN BED WITH HER.
800
00:32:01,053 --> 00:32:03,086
THAT'S IT!
CLARK, I WAS TALKING.
801
00:32:03,088 --> 00:32:04,788
THE... THE POWER OF MUSIC!
802
00:32:04,790 --> 00:32:06,690
OKAY.
803
00:32:06,692 --> 00:32:08,025
THE BRAIN CREATES
804
00:32:08,027 --> 00:32:11,061
INVOLUNTARY EMOTIONAL
ASSOCIATIONS WITH MUSIC.
805
00:32:11,063 --> 00:32:12,696
BUT IT'S DEEP!
IT'S LIKE... IT'S LIKE...
806
00:32:12,698 --> 00:32:14,765
IT'S LIKE
LIZARD-BRAIN DEEP, OKAY?
807
00:32:14,767 --> 00:32:16,633
THAT SONG...
THAT SONG, OKAY?
808
00:32:16,635 --> 00:32:19,036
I'M... I'M 11 YEARS OLD.
809
00:32:19,038 --> 00:32:20,370
MY MOM'S MAKING
BAKED ZITI.
810
00:32:20,372 --> 00:32:22,306
I'M... MY ROOM'S AT THE TOP
OF THE STAIRS,
811
00:32:22,308 --> 00:32:24,608
SO I ALWAYS KNOW
WHAT'S FOR DINNER.
812
00:32:24,610 --> 00:32:26,076
THAT SONG MAKES ME HUNGRY!
813
00:32:26,078 --> 00:32:27,711
OKAY?
814
00:32:27,713 --> 00:32:31,815
MUSIC IS LIKE A SECRET DOOR
TO A SECRET PATH TO THE PAST!
815
00:32:31,817 --> 00:32:34,284
[ SLAMS COUNTER ]
YES! I KNEW IT.
816
00:32:39,891 --> 00:32:42,359
[ SIGHS ]
817
00:32:48,166 --> 00:32:51,802
AND NOW,
WHEN I HEAR THAT SONG...
818
00:32:51,804 --> 00:32:54,085
IT'LL ALSO REMIND ME
OF YOU.
819
00:33:01,245 --> 00:33:05,182
'CAUSE IT WASN'T A MISTAKE
TO WANT YOU HERE.
820
00:33:05,184 --> 00:33:08,251
TO FALL ASLEEP NEXT TO YOU
EVERY NIGHT...
821
00:33:10,788 --> 00:33:13,924
TO WAKE UP NEXT TO YOU
EVERY MORNING.
822
00:33:13,926 --> 00:33:15,592
[ SIGHS ]
823
00:33:18,663 --> 00:33:20,197
I JUST NEED SOME TIME,
824
00:33:20,199 --> 00:33:22,599
AND I'LL... I'LL...
I'LL FIX IT.
825
00:33:22,601 --> 00:33:25,502
I-I DON'T KNOW HOW YET,
BUT... BUT I WILL.
826
00:33:25,504 --> 00:33:27,604
I WILL.
827
00:33:27,606 --> 00:33:29,706
WE WILL.
828
00:33:29,708 --> 00:33:31,775
WE'RE A "WE" NOW.
829
00:33:31,777 --> 00:33:33,844
I CAN HELP.
830
00:33:41,219 --> 00:33:44,788
THE SINK WORKED.
[ LAUGHS ]
831
00:33:44,790 --> 00:33:47,858
I GOT TO TELL ROSS.
I KNOW HOW TO FIX THE BAND!
832
00:33:54,399 --> 00:33:55,665
Paul:
THANKS FOR THE ASSIST, MAN.
833
00:33:55,667 --> 00:33:57,234
MY REGULAR
SESSION GUITARIST
834
00:33:57,236 --> 00:33:59,136
IS [Chuckling]
ON MATERNITY LEAVE.
835
00:33:59,138 --> 00:34:00,704
[ BOTH LAUGH ]
836
00:34:00,706 --> 00:34:02,973
SO, I-I AUDITIONED THIS NEW GUY.
HE'S GREAT.
837
00:34:02,975 --> 00:34:04,474
HE'S REALLY, REALLY COOL,
838
00:34:04,476 --> 00:34:08,545
BUT... UM... I-I-I NEED
TO HEAR HIM IMPROVISE
839
00:34:08,547 --> 00:34:09,813
WITH A SERIOUS
BASS PLAYER.
840
00:34:09,815 --> 00:34:11,048
[ CHUCKLES ]
841
00:34:11,050 --> 00:34:12,516
AND THAT...
THAT'D BE YOU.
842
00:34:12,518 --> 00:34:13,884
THANKS FOR SAYING THAT.
YEAH.
843
00:34:13,886 --> 00:34:15,252
BUT I'M A LITTLE PRESSED
FOR TIME, SO...
844
00:34:15,254 --> 00:34:16,920
GOTCHA. GOTCHA.
845
00:34:16,922 --> 00:34:18,922
UH, IT'S A LITTLE DARK IN THERE.
AM I GONNA BE ABLE TO SEE YOU?
846
00:34:18,924 --> 00:34:20,824
UM... YOU KNOW...
847
00:34:20,826 --> 00:34:22,492
LISTEN,
IF THIS NEW GUY THOUGHT
848
00:34:22,494 --> 00:34:25,228
HE WAS AUDITIONING
WITH TOMMY ATWOOD...
849
00:34:25,230 --> 00:34:26,897
[ CHUCKLES ]
WOW. HE'D JUST FREEZE UP.
850
00:34:26,899 --> 00:34:28,165
OKAY.
851
00:34:28,167 --> 00:34:29,666
YOU'RE THE MAN.
852
00:34:29,668 --> 00:34:32,269
I LOVE YOU, MAN.
YOU'RE THE MAN.
853
00:34:32,271 --> 00:34:34,538
[ SIGHS ]
854
00:34:34,540 --> 00:34:35,906
[ GUITAR TUNING ]
855
00:34:35,908 --> 00:34:37,207
HEY, BIG GUY.
856
00:34:37,209 --> 00:34:39,109
[ CHUCKLES ]
BASS PLAYER JUST ARRIVED.
857
00:34:39,111 --> 00:34:41,044
UH, WHY DON'T YOU GIVE HIM
A MINUTE...
858
00:34:41,046 --> 00:34:42,712
PRE-AUDITION JITTERS,
YOU KNOW.
859
00:34:42,714 --> 00:34:45,182
[ CHUCKLES NERVOUSLY ]
YOU'RE THE MAN.
860
00:34:45,184 --> 00:34:46,950
[ SIGHS ] Oh, my God.
861
00:34:50,588 --> 00:34:51,855
HEY!
HEY.
862
00:34:51,857 --> 00:34:53,457
AH, THIS IS SO COOL!
863
00:34:53,459 --> 00:34:54,958
ARE YOU SURE
THAT THEY CAN'T SEE EACH OTHER?
864
00:34:54,960 --> 00:34:56,393
YEAH.
865
00:34:56,395 --> 00:34:58,628
LISTEN, GUYS, I-I DON'T WANT
TO DO THIS ANYMORE.
866
00:34:58,630 --> 00:35:00,097
WHOA, WHOA.
WHAT DO YOU MEAN?
867
00:35:00,099 --> 00:35:01,932
LOOK, I-I-I'VE CHANGED
MY MIND, OKAY?
868
00:35:01,934 --> 00:35:03,200
NO, THIS IS GONNA WORK!
869
00:35:03,202 --> 00:35:04,601
YEAH, WELL,
WHAT IF IT DOESN'T?
870
00:35:04,603 --> 00:35:06,636
WELL, I-IT WILL...
PROBABLY.
871
00:35:06,638 --> 00:35:09,206
OH! WOW. "PROBABLY."
[ SIGHS ]
872
00:35:09,208 --> 00:35:10,574
THAT'S GREAT, MAN.
873
00:35:10,576 --> 00:35:12,042
I MEAN... I-I-I MEAN,
874
00:35:12,044 --> 00:35:14,244
IF THESE GUYS FIND OUT
THAT I TRICKED THEM...
875
00:35:14,246 --> 00:35:17,380
YOU... YOU THINK THEY DIDN'T
TALK TO EACH OTHER THEN?
876
00:35:17,382 --> 00:35:19,416
THESE GUYS
WILL NOT TALK TO ME.
877
00:35:19,418 --> 00:35:21,384
THESE ARE
MY OLDEST FRIENDS.
878
00:35:21,386 --> 00:35:23,820
THAT'S RIGHT.
THEY'RE SPECIAL, RIGHT?
879
00:35:23,822 --> 00:35:25,555
YEAH.
YOU KNOW WHY?
880
00:35:25,557 --> 00:35:28,291
I'M THINKING SCIENCE.
YEAH... BRAIN SCIENCE.
881
00:35:28,293 --> 00:35:31,094
WHEN MUSICIANS GET TOGETHER
AND THEY IMPROVISE,
882
00:35:31,096 --> 00:35:34,097
A WHOLE MESS OF REGIONS
IN THE BRAIN GET ACTIVATED,
883
00:35:34,099 --> 00:35:36,566
INCLUDING THE ONE
THAT CONTROLS LANGUAGE.
884
00:35:36,568 --> 00:35:38,502
SEE, TO YOU THREE,
885
00:35:38,504 --> 00:35:41,171
MUSIC IS... IS...
IS A SECOND LANGUAGE.
886
00:35:41,173 --> 00:35:43,406
YOU GUYS CAN GET TOGETHER,
YOU CAN TALK, YOU CAN CHAT,
887
00:35:43,408 --> 00:35:45,842
BUT YOU'RE NOT GONNA BE
TALKING...
888
00:35:45,844 --> 00:35:48,345
BECAUSE YOU'RE NOT SPEAKING
YOUR NATIVE TONGUE.
889
00:35:48,347 --> 00:35:51,581
[ BASS PLAYING ]
SEE, THEY THINK THAT MUSIC
IS WHAT BROKE THEM UP.
890
00:35:51,583 --> 00:35:54,851
I'M TELLING YOU, IT'S
WHAT'S GONNA BRING THEM
BACK TOGETHER AGAIN.
891
00:35:54,853 --> 00:35:58,255
EVERY HUMAN CULTURE
IN THE HISTORY OF THE WORLD
892
00:35:58,257 --> 00:36:00,457
MADE MUSIC.
IT'S PRIMAL, IT'S EVOLUTIONARY.
893
00:36:00,459 --> 00:36:02,792
OUR ANCESTORS USED IT
894
00:36:02,794 --> 00:36:05,929
TO IDENTIFY
MEMBERS OF THEIR OWN TRIBE.
895
00:36:05,931 --> 00:36:07,297
[ SIGHS ]
896
00:36:07,299 --> 00:36:09,166
PAUL...
897
00:36:11,302 --> 00:36:14,104
UNITE YOUR TRIBE.
898
00:36:14,106 --> 00:36:17,641
BE ASTRONAUTS.
899
00:36:17,643 --> 00:36:20,510
Max:
HEY, PAUL, YOU IN THERE?
900
00:36:20,512 --> 00:36:22,512
REALLY GOT TO GET GOING,
MAN.
901
00:36:37,728 --> 00:36:39,963
YEAH. OKAY, GUYS.
902
00:36:39,965 --> 00:36:42,566
UH... LET'S DO THIS.
903
00:36:42,568 --> 00:36:45,569
BASS, YOU GOT LEAD.
904
00:36:49,340 --> 00:36:52,242
[ DRUM PLAYS MID-TEMPO BEAT ]
905
00:36:53,077 --> 00:36:55,111
[ BASS PLAYING ]
906
00:36:58,916 --> 00:37:00,784
[ GUITAR PLAYING ]
907
00:37:15,199 --> 00:37:17,500
YOU KNOW,
WHEN WE LEARN SOMETHING NEW,
908
00:37:17,502 --> 00:37:20,203
OUR BRAIN
PHYSICALLY CHANGES.
909
00:37:20,205 --> 00:37:22,939
A LITTLE ROAD IS FORMED
IN THE CEREBRAL TISSUE.
910
00:37:22,941 --> 00:37:26,009
LITERALLY,
THEY'RE LAYING DOWN A GROOVE.
911
00:37:26,011 --> 00:37:27,777
FOR THE LAST 14 YEARS,
912
00:37:27,779 --> 00:37:30,213
THEIR LITTLE ROAD
HAS BEEN ABANDONED,
913
00:37:30,215 --> 00:37:33,350
BUT NOW IT'S... IT'S...
IT'S LIGHTING UP LIKE A RUNWAY.
914
00:37:33,352 --> 00:37:35,619
CLARK, WOULD YOU JUST SHUT UP
AND LISTEN?
SORRY.
915
00:37:35,621 --> 00:37:37,420
[ MUSIC CONTINUES ]
916
00:37:47,898 --> 00:37:50,967
[ MUSIC STOPS ]
917
00:37:50,969 --> 00:37:52,902
OKAY, WHERE IS HE?
918
00:37:52,904 --> 00:37:54,537
[ SIGHS ]
919
00:37:59,810 --> 00:38:01,244
I KNEW IT.
920
00:38:01,246 --> 00:38:03,647
YEAH.
WOW.
921
00:38:03,649 --> 00:38:05,882
WOW. WOW. THAT WAS GREAT.
THAT WAS GREAT.
922
00:38:05,884 --> 00:38:07,317
PAUL, WHAT'S GOING ON?
923
00:38:07,319 --> 00:38:08,752
I JUST WANTED TO GET OUT THERE
WITH YOU GUYS
924
00:38:08,754 --> 00:38:09,986
AND GET ON
THOSE DRUMS, MAN.
925
00:38:09,988 --> 00:38:11,388
PAUL...
BUM-BUM BUH.
926
00:38:11,390 --> 00:38:13,490
ALL RIGHT, ALL RIGHT.
LOOK, I'M SORRY.
927
00:38:13,492 --> 00:38:16,092
I-I SHOULDN'T HAVE
TRICKED YOU GUYS. OKAY?
928
00:38:16,094 --> 00:38:17,594
BUT I-I THOUGHT...
929
00:38:17,596 --> 00:38:19,496
WHAT IF
WE'RE NEVER HERE AGAIN?
930
00:38:19,498 --> 00:38:22,265
WHAT IF WE'RE NEVER ANYWHERE
AGAIN... RIGHT?
931
00:38:22,267 --> 00:38:24,334
AND I DIDN'T GIVE IT
MY BEST SHOT?
932
00:38:24,336 --> 00:38:26,636
WAIT! WHOA!
NO.
933
00:38:26,638 --> 00:38:28,972
YOU HEARD THAT,
RIGHT?
934
00:38:28,974 --> 00:38:30,407
COME ON!
YOU HEARD THAT.
935
00:38:30,409 --> 00:38:32,342
Tommy: IT WAS GOOD, YEAH,
BUT YOU CAN'T...
936
00:38:32,344 --> 00:38:34,344
GOOD?!
I GOT JEALOUS.
937
00:38:34,346 --> 00:38:35,645
JUST HANDING OFF RIFFS.
938
00:38:35,647 --> 00:38:36,913
YEAH, "A" FOR EFFORT, PAUL.
THAT WAS FUN.
939
00:38:36,915 --> 00:38:38,648
BUT I GOT A PLANE TO CATCH
NOW, SO...
940
00:38:38,650 --> 00:38:39,949
UNH-UNH.
941
00:38:39,951 --> 00:38:41,618
NOT TILL TONIGHT.
942
00:38:41,620 --> 00:38:45,455
COME ON. WHY DON'T...
WHY DON'T WE ALL JUST PLUG IN?
943
00:38:45,457 --> 00:38:47,090
WHAT'S CHANGED, HUH?
944
00:38:47,092 --> 00:38:50,293
YEAH, IT WAS GREAT.
THAT PART WAS ALWAYS GREAT.
945
00:38:50,295 --> 00:38:53,596
SO WHAT?
STILL THE SAME THREE GUYS, PAUL.
946
00:38:53,598 --> 00:38:55,432
I'M NOT THE SAME.
947
00:38:55,434 --> 00:38:56,700
TOMMY?
948
00:38:56,702 --> 00:38:59,002
[ Chuckling ]
NO, PROBABLY NOT.
949
00:38:59,004 --> 00:39:00,637
I MEAN, FOR ONE THING,
950
00:39:00,639 --> 00:39:03,273
I-I CAN'T CHEW
CRUNCHY CEREAL ANYMORE.
951
00:39:03,275 --> 00:39:06,810
YEAH. LOT OF OATMEAL
FOR ME, MAN. CHOLESTEROL.
952
00:39:06,812 --> 00:39:08,044
EGG WHITES ONLY HERE.
953
00:39:08,046 --> 00:39:09,713
GOT ME
A REALLY NICE JUICER.
954
00:39:09,715 --> 00:39:11,748
EGG WHITES?
AND A JUICER?
955
00:39:15,219 --> 00:39:17,120
VERY ROCK 'N' ROLL.
956
00:39:21,625 --> 00:39:23,226
[ CYMBALS PLAY ]
957
00:39:23,228 --> 00:39:24,694
[ DRUMS PLAY ]
958
00:39:24,696 --> 00:39:26,763
[ "FACE OF LIGHT" PLAYS ]
959
00:40:00,231 --> 00:40:03,266
♪ IF I CAN GET THROUGH TONIGHT
960
00:40:03,268 --> 00:40:06,436
♪ I'M WAKING UP WITH MY WINGS
961
00:40:06,438 --> 00:40:10,273
♪ THERE'S NO WAY I CAN SLEEP
MY WAY THROUGH A FIGHT ♪
962
00:40:10,275 --> 00:40:13,410
♪ AND THINK I'M GONNA LIKE
WHAT TOMORROW BRINGS ♪
963
00:40:13,412 --> 00:40:16,112
♪ LOOK AT MY EYES
964
00:40:16,114 --> 00:40:19,416
♪ DON'T EVEN KNOW WHO I AM
965
00:40:19,418 --> 00:40:23,686
♪ THAT'S HOW I SPEND ALL MY
WORTHLESS TIME ON THE FLOOR ♪
966
00:40:23,688 --> 00:40:26,256
♪ WAITING FOR YOU
TO TELL ME I'M A MAN ♪
967
00:40:26,258 --> 00:40:32,695
♪ BUT YOU AND YOUR FA-A-A-A-CE
968
00:40:32,697 --> 00:40:35,198
♪ OF LIGHT
969
00:40:35,200 --> 00:40:36,800
Ross: WOW.
970
00:40:36,802 --> 00:40:39,035
[ SCOFFS ] TOO LATE.
971
00:40:39,037 --> 00:40:41,704
I KNOW NOW THAT YOU SAY THAT
TO ALL THE GIRLS.
972
00:40:41,706 --> 00:40:43,873
NO, I'M TALKING ABOUT
THE TAKEOUT.
973
00:40:43,875 --> 00:40:47,177
I PAID FOR THIS,
IF YOU WANT TO SEE THE RECEIPT.
974
00:40:48,145 --> 00:40:50,079
I'M SORRY
ABOUT THE OTHER NIGHT.
975
00:40:50,081 --> 00:40:52,415
LOOK, LET'S JUST BE HONEST
ABOUT THIS.
976
00:40:52,417 --> 00:40:54,451
YOU AND ME...
WE'RE NOT A GREAT MIX.
977
00:40:54,453 --> 00:40:56,319
REALLY?
YEAH.
978
00:40:56,321 --> 00:40:57,754
I JUST WATCHED THREE GUYS
979
00:40:57,756 --> 00:41:00,056
WHO WERE SUPPOSED TO BE
AN ABSOLUTELY TOXIC MIX
980
00:41:00,058 --> 00:41:01,991
CREATE SOME OF
THE MOST BEAUTIFUL SOUNDS
981
00:41:01,993 --> 00:41:03,760
I'VE EVER HEARD.
982
00:41:03,762 --> 00:41:07,263
I HAPPEN TO THINK GREAT THINGS
CAN COME FROM MIXING THINGS
983
00:41:07,265 --> 00:41:10,166
THAT HAVE NO BUSINESS
BEING MIXED TOGETHER.
984
00:41:10,168 --> 00:41:13,570
I'M SAYING THAT A LOT OF ROCKETS
BLEW UP ON THE TEST PAD
985
00:41:13,572 --> 00:41:15,572
BEFORE WE ACTUALLY GOT PEOPLE
TO THE MOON.
986
00:41:16,807 --> 00:41:18,508
[ SIGHS ]
987
00:41:18,510 --> 00:41:21,077
DO YOU WANNA...
COME IN?
988
00:41:23,147 --> 00:41:25,381
SURE YOU'RE COMFORTABLE
WITH THAT?
989
00:41:26,684 --> 00:41:28,751
YOU WANT COMFORT?
GET A CAT.
990
00:41:28,753 --> 00:41:30,019
[ CHUCKLES ]
991
00:41:30,021 --> 00:41:32,255
[ SIGHS ]
992
00:41:32,257 --> 00:41:35,425
[ MUSIC CONTINUES ]
993
00:41:38,629 --> 00:41:41,564
[ VOCALIZING ]
994
00:41:51,041 --> 00:41:54,711
♪ BUT YOU WILL KNOW
995
00:41:54,713 --> 00:41:57,547
[ INDISTINCT SINGING ]
70842
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