All language subtitles for 9-1-1 s03e18_English

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Good Lord Almighty.

ANNOUNCER: Only on Fox.

(Elvis Presley's
"Mystery Train")

(train whistle blows)

(upbeat rockabilly music)

SINGER: * Train I ride

* 16 coaches long

*

* Train I ride

* 16 coaches long

*

* Well,
that long black train *

* Got my baby and gone

*

* Train, train

-Hey.
-Hey.

What can I get you?

I'm a sucker for a sidecar
on a train.

Guys, this is not a subway car!

-MAN: All right, sorry.
-(scoffs)

MAN: Sorry.

Did you know
at a Ukrainian wedding,

the bride has to keep
her shoes on?

'Cause otherwise
the guests will steal them

and drink wine out of them.

It's good luck.

Well, unless I missed
a few stops,

I'm pretty sure we are not
about to roll into Kiev.

So...

now I get to ask you
the question

that I ask everyone on here:

why the train?

Spent a lot of time in Europe,

fell in love with train travel.

Yeah, but this is Phoenix
to LA.

It isn't exactly
the Orient Express.

Well, Phoenix is home

and LA used to be home, so.

Somebody waiting for you there?

No.

He stopped waiting for me
a long time ago.

-Summer camp?
-It's all he can talk about.

Some of the other kids
from school are going.

It's only two weeks.

-Time.
-Whoa, whoa.

Two weeks away from home?

Isn't Chris kind of young
for that?

I mean, what if
something happens?

What if he gets homesick?

I'm pretty sure I brought in
the brochure

so you guys can make me
feel better about him going.

Clearly, you did not think
that plan through

to its logical conclusion.

I started going
to sleepaway camp when I was 8.

I loved it.
Camp Weegeewagen.

Eedee-idee-odee-ooh-hoo!

Looked forward to it
every year.

Yeah, but Christopher's
a city kid.

So was I.

St. Paul is a city.

-If you say so.
-(laughter)

I'm just trying to imagine
trying to sell Denny

on the idea of two weeks
without the internet.

It's pretty exciting.

They even have
this farm-to-fork program

where the kids pick veggies
and cook 'em for dinner.

That sounds a lot like
child labor.

(sighs)
Okay.

(anxious music)

*

Damn it!

Hmm.

I gotta get above a 511.

504 is pretty good.

Getting into medical school

at this point in my life
is hard enough.

I can't afford to be
an average applicant.

Hey, there is nothing average
about you.

You just started studying this.
Give yourself a break.

Yeah.
Hey, come on.

You are gonna rock the MCATs.

*

Hen, you're brilliant.

You don't need a test
to prove that.

(phone chimes)

Bobby, why is your wife
asking me

if she could hold
May's graduation party

at my house?

Our living room is kind of
under construction right now.

I'm in the hospital
for four days

and you two lose
your damn mind!

I told you, Athena.

I was trying to make Bobby
feel better.

What about making me
feel better?

I'm the one with the broken arm

and 50 people coming
for a party in two weeks.

I didn't think we were still
having a party, Mom.

You just got out
of the hospital.

May, you are graduating
from high school.

There will be a party
and a cake and photographs

with a fireplace that does not
look like a pile of rubble.

Are you gonna finish
taking it down?

-'Cause I can help.
-No, no, no.

You will not.
Your father broke it.

He's gonna fix it.

-Absolutely. Okay?
-(phone chimes)

I'm gonna go home,
do some sketches,

and I will come back here
in the morning, okay?

Good, 'cause Hen says there's
not enough room at her place

for parking
for all of our guests.

Okay, this is silly.

We really don't need to have
a party.

Since when don't you wanna have
a party?

Dad, don't you have a doctor's
appointment in the morning?

ATHENA: Michael.

Your results are in.

You want me to come with you?

No.
No, Athena, I got it.

The doctor is gonna go over
the scans with me

and, you know, then we'll know

what's...

what's next.

Good news.

That's what's next.

True that.

MADDIE: It's good.

I did a lot of research,
you know,

on the dos and don'ts of making
a victim impact statement.

I totally believe that.

It's very thorough.

-It's terrible, isn't it?
-No.

Look, when I read this,

I know
exactly what Greg did to you.

What I don't understand
is how you...

feel about any of it.

Does it matter?

(sighs)
What do you think?

I mean, is this really
what you wanna say to him?

I think the judge
would discourage

the use of curse words.

Okay, so then...

find new words.

Your words.

Look, this moment is about you.

It's not about
what you're supposed to say.

It should come from your heart.

(emotional music)

*

(yawns)
I am so sorry.

That--
(both laugh)

That had nothing to do
with you, I promise.

I am trying not to be offended.

I just need to refill.

(upbeat music)

(train whistle blows)

(dramatic music)

*

MAN: Really?

*

Really?

'Scuse me.

Look, man, self-expression
is kind of my right, okay?

Not when it infringes on
my right to peace and quiet.

Look, I got a huge show
at the Roxy, all right?

-I don't care!
-Okay, whoa, whoa, whoa, whoa.

Why don't we hit the pause
button here, all right?

I think a little peace
and quiet

would be a great idea
all around.

She doesn't have
a pause button.

-(metal clunking)
-(electricity zapping)

That's not good.

(train whistle blows)

Come on, man.
She's a kid.

(brakes screeching)

MAN: What the hell is that?

(whistle blowing)

(brakes screeching)

(people gasping)

(whistle blows)

(people screaming)

(glass shattering)

(metal screeching)

*

(people screaming)

-(phone buttons beep)
-(siren whirs)

(synth pop music)

*

(grunts)
Now.

(engine turning over)

-Oh--ha-ha!
-Hey!

There you go!

(laughs)

Awesome, Dad.
You did it.

-Not bad, right?
-Yeah.

-Not bad at all.
-(bells dinging)

Hey!
Slow down!

5 MPH!
5!

Morons.
Kill somebody.

So...

now that you got it running,
what's the plan?

Sneaking out
when I'm not looking?

Why would we do that?
We've only been here--

Three nights!

Three nights
for which I have not been paid.

(dramatic music)

Look, I thought we talked--

RORY: Three nights is my limit.

-I want you out of here.
-(train whistle blowing)

You mean now?

Get yourself gone,
or I will have you towed.

*

Hey, this is--this is the last
of it.

There's a food bank
not too far from here.

I'll--I'll hit it
in the morning.

Hand me a rag.

Thanks.

Stay inside, Milo.

I'll be right back.

*

Dude.

You cannot do this to us.

*

You told me I had a week
to find a job.

(laughing)
I never said that to you.

You pay, you stay.
Those are the rules.

*

Look, I came in here

because a son should never see
his father have to beg.

But I'm still
always telling him,

"Just keep your head up.

"Just keep your head up
because if you don't,

you won't see all the good
things that are coming."

(tense music building)

I don't know what's next.

-What's next?
-(train whistle blowing)

What's next is reality!

(metal crashing)

(man screaming)

(metal screeching)

MAN: Oh, God!

(man moaning)

*

Milo!

Are those all
your Realtor Rapist files?

Please do not call him that.

Yes.

I asked Lou to drop 'em off

so that I could be ready
for my meeting

with Dr. Sanford.

The victims' advocate?

Mm-hmm.

Going to trial,
testifying in court,

it can be overwhelming, so...

she's gonna help all of them
get through it.

(knocking on door)

-Okay.
-Ooh, that must be her.

Can I get the door?

Oh, I'm fine.

I still got one good arm.

Ah, Dr. Sanford.

Athena Grant.
Come in.

Thank you.
And it's Kara, please.

Although I'm sure
my mom would want you

to keep the Dr. part.

It is so good to meet you,
Sergeant Grant.

Oh, Athena, please.
Come in.

Pardon our dust.

While I was out,
my home turned into

one of those
cable remodeling shows.

Surprise!
It's still not done.

Oh, it's a lovely home.

Well, I set us up in here.

You have the case files
for the other victims.

Oh, yes.

I'm sure you have
specific questions,

but I thought
it would be easier

to just go through all of them.

(dramatic music)

(clears throat)

Great.

So...

where do you wanna start?

ABBY: Pacific West 1135.

We were heading from Phoenix
into Union Station.

We've crashed somewhere close
to the LA County line.

Okay, so how many--

ABBY: There are multiple
injuries.

This is a mass casualty
situation.

You've gotta send out
every available RA unit.

We need USAR
for search and rescue,

LAPD for traffic control.

We're gonna need
a mobile command center.

-I'll call them now.
-Okay.

MADDIE: It seems like
you've done this before.

Yeah, but I was on your side
of the line.

I used to be
a 9-1-1 dispatcher.

TODD: Milo!

Milo, can you hear me?

(woman screams)

*

(sirens wailing)

*

-Captain Bobby Nash.
-Captain Janet Reese.

More houses are en route.
Search dogs as well.

The debris field
is pretty far and wide.

We've had our hands full

with all the passenger cars
down here,

but there are reports that
folks are trapped up there.

We just can't get to 'em yet.

Buck, Eddie, go have a look.

See if there's a way
to secure that car

so we can get those people out.

Is USAR on the way?

Dispatch assures me
a heavy rescue is coming.

All right, guys, let's gear up.
Let's go!

*

Please, if you can just let me
up into the car.

Please!
I've gotta get up there.

Ma'am, I'm sorry.
We can't let you inside.

-It's too dangerous.
-I know it's dangerous.

-I need to get up in that car.
-I hear you. I'm sorry.

Wait, are you from the 118?

Yeah.

BUCK: Abby?

*

Buck.

*

-Wait, you were on the train.
-Yeah. I've gotta--

We need to get you checked out.

No, no, no. I'm fine.

-I need to get up there.
-What? No, that's crazy!

No, no, Abby, Abby, stop!

I'm trying to find somebody!

Okay.
Well, just tell us who.

-We'll go--
-My fiancé!

*

He fell asleep
and I went to the bar.

Okay.
Can you give us a description?

That's him.

We were in that top car
right there,

all the way in the back.

*

We'll find him.

Um...

what's his name?

Sam.

Egan.

Sam.

I got it.

Thank you, Buck.

Oh.

Don't worry about it.

We'll bring him back to you.

*

I promise.

*

(metal creaking)

(grunting)

*

We got somebody.

EDDIE: Cap, be advised.

Another black tag up here
about halfway.

BOBBY: Copy that.

*

(metal creaking)

Sam!
(grunts)

Sam!
Sam, can you hear me?

(groans)

(metal creaks)

-(groans)
-Sam.

Hey, Sam.

How you feeling?

(groaning)
It hurts...

hurts when I breathe.

(wheezing)

Please.

My fiancée.

She's on the train.

(groaning)

Yeah, hey, hey.
She's okay.

(coughing painfully)

Cap, I got a passenger pinned
up here.

Looks like the support beam
from the observation deck

broke through the floor.

Need you to send up the jaws,
okay?

BOBBY: Copy that.
Coming right up.

We got you, Sam.

Help is on its way.

-We need jaws and the ram.
-On it, Cap.

These are the last
of the walking wounded

from the bottom of this car.

What's the word from up top?

Two dead, one trapped so far.

JANET: Captain Nash,
search dog detail just landed.

Can you spare a couple medics?

All right, Hen, Chim,
go with them.

Are you sure, Cap?

(metal screeching)

(all grunting)

*

We need all the paramedics
we have on the ground.

What about up there?

BOBBY: I got it.

*

(metal creaking)

*

(grunts)
You got it, Buck?

All right.

*

He's got a collapsed lung
from the blunt force.

O2 levels are dropping.

I can relieve the pressure,

but we gotta move this beam
off him.

(grunts)
Still too heavy.

It's not gonna budge.

All right.
Let's try the hydraulic ram.

-Got it, Buck?
-Yeah.

-(grunts)
-(metal creaks)

*

(Georgia screaming)

Whoa, whoa, whoa, whoa, whoa!
Hey!

We got somebody else!

(grunting)

*

-(gasping)
-EDDIE: How you doing?

(groans)
My side really hurts.

I'm gonna take a peek.

*

Oh.

Force of the crash pushed
her leg up into her torso.

What?
(gasping)

It's gonna hurt a little bit.

(whimpers)

All right.

(screams)

(whimpering)

There's still a pulse
in her foot.

Blood's still pumping to her.

All right.
That's a beam.

-Come on.
-Be right back, okay?

Okay.

(both grunting)

Hey.
What's going on?

They're both trapped
by the same beam.

We take the pressure off of him
and we're squeezing her.

Which one has the better shot?

Injuries are different.

The risk is the same.

What are we saying?
We gotta pick who we save?

I'm saying I don't think
we can save 'em both.

(dramatic musical flourish)

Now, it'll be hard on Alexis

because she's still struggling

with admitting
that it even happened.

Well, it's not uncommon

for victims to distance
themselves from the crime.

Yeah.
Now, Michelle.

I think she'll be great
on the stand

but she is the one
that I worry about the most.

Why is that?

All of her statements
are peppered with,

"I should've known."

"I should have realized."

She blames herself.

(sighs)

Thinks if she had done
something differently,

maybe it wouldn't
have happened.

Yeah.
Right.

I can't help but notice
that there's a file missing

from this table.

(serious music)

*

(sighs)

His attack on me

was nothing like what he did
to these other women.

*

Now, your priority
should be them.

I don't think it's fair
to compare traumas.

And from what I read,

his attack on you
was pretty brutal.

Well, it happened pretty fast

and I don't remember
most of it.

Everyone says I'm lucky
that I don't.

They're wrong.

Yes, sometimes the brain's way
of protecting us

is to block out
painful memories.

But I've been doing this
a long time

and I have never had anyone
feel better

because they didn't know
what happened to them.

You were never here

to talk about
these other women.

Were you?

*

I'm here for you.

*

Well, I'm not ready.

*

I'll leave this here

for when you are.

*

(tense music)

*

(man grunting)

MEDIC: All right, hold on.
Here we go.

*

TODD: Milo!

*

Help!

Sir, are you hurt?

No.
I'm looking for my son.

Hey, do you know where he was
when the train crashed?

He was in the RV.

I left him
when I was talking to Rory.

All right, tell us
about your son.

He's 15.

Black hair, green shirt.

Do you have anything
with his scent on it?

Maybe help us track him?

No, I don't.

Oh, wait, wait, wait, wait.

Milo used this
to clean his hands,

but it's gotta have antifreeze
or coolant on it.

That's okay, Richard's trained
to track only human scents.

Chemicals don't confuse him.
What you got buddy?

-What you got?
-(dog barks)

*

All right, Sam.
This is for the pain.

*

Keep him talking.

(metal creaking)

*

It's her...

or me, isn't it?

No.

No, that's not what we do.

So tell me about your fiancée.

When's the wedding?

June.

She wants to wait...

till the girls are done
with school.

You're a father.

Yeah.

(distant sirens wailing)

Tess...

Natalie.

*

BRENDAN: Good boy, Richard.
Good boy.

(dog barking)

Milo.

Sir, stand back
so we can do our work, okay?

*

HEN: Milo, can you hear me?

Yeah.

-Dad?
-Right here, son.

We're gonna get you out.

You're lying very still, Milo.

Is it because you're afraid

or because
you're having trouble moving?

I don't think I can move.

What's happening?
Is something wrong with him?

Just give us a minute
to take a look, okay?

Pulse is strong.
Milo, can you wiggle your toes?

*

Normal reaction.

C1 vertebra's intact,

so I'm guessing
it's not a spinal--

but I can't seem to locate
the occiput ligaments.

Atlanto-occipital dislocation?

I've seen it in car accidents.

Never seen someone
still talking after.

All right, Command,
we need an extraction team

on the north side
of train car two

with a straight shot
to a medevac copter.

And contact
the children's hospital.

Have them prep
the neurosurgery OR.

Wait, wait, wait, wait,
what's going on?

-She said it wasn't a spinal--
-Stand back.

It's called
an internal decapitation.

His spine is intact.

It's just no longer connected
to his skull.

But he's alive.
He's talking.

As long as his spine
remains intact,

he's still got a good shot
of surviving this.

We just need to get him
to a hospital

so the surgeons can reattach
his ligaments, okay?

We need to find a way
to cool our saline,

preserve as much nerve
and tissue as possible.

Right.
I saw an ice cooler over here.

I'll get some ice.

*

(helicopter blades whirring)

*

(grunting)

Okay, I'm calling it.

We start with the girl,
we get her out.

-Copy that.
-BUCK: No.

It's gonna crush
Sam's other lung.

-He's gonna die.
-I am aware of that.

The protocol dictates

that we save
whomever has the better chance

and Eddie's saying
that's the girl.

No.

Her vitals are stronger.

He's starting to decompensate.

-If we have to choose--
-We do.

We can't move that steel beam.

(rumbling)

-(Georgia whimpers)
-(Sam grunts)

Okay.
Okay, you're right.

The beam is steel.

But the skin on this thing,
the skin is stainless.

That's much thinner.

I could go outside,
I could cut a piece out,

pull the girl through,

and that will buy us enough
room to save Sam.

No.
This car hasn't been secured.

That's why we're working
on the inside.

If this thing topples,
we can ride it down,

but if you're on the outside--

Yeah, I know.

I will be crushed
by 100 tons of train car,

and I know that is a lot
heavier than a fire truck.

-But Bobby--
-Buck, stop.

All right,
I know you made a promise.

What promise?

To his fiancée.

I promised I would bring him
back to her.

What?

To Abby.

His fiancée's Abby.

Okay.

No.
Look, it's not just about her.

Okay, he's a father.
He has two daughters.

Stop. You're too close to this.
This is too risky.

Well, I am willing
to take the risk.

It's not yours to take.

You can't just rush
into any dangerous situation

and assume it's gonna be okay.

'Cause sometimes it's not
and I am tired of being

on the wrong side
of those hospital visits.

Bobby.
I am not Athena.

What did you just say to me?

Enough.

We don't have time for this.

*

Buck, come on.

*

(dramatic music)

*

-(Athena screams)
-(both grunting)

-(Athena crying out)
-(bone snapping)

*

(sirens wailing)

(indistinct radio chatter)

*

(phone buzzing and ringing)

*

Hi, sweetie.

TESS: Abby,
are you with my dad?

-I'm not right now.
-TESS: What's going on?

Are you in LA yet?

Dad hasn't texted.

He always texts.

I know.
I know.

He does.

There was an accident
on the train.

TESS: What? Oh, my God!
What happened?

But I don't want you
to be worried

because your dad is in
the best hands.

TESS: Is he okay?

*

Kay, we have to secure that car
ASAP.

We got injured people inside

and it's been creaking
like it's ready to go.

(metal creaking)

How we doing, Sam?

(groans)
Okay.

How's the girl?

EDDIE: She's hanging in there.

*

I'm really sorry.

For what?

That you got hurt.

You were really nice to me.

Say, you're gonna miss
your gig.

(laughs)

Neither of you guys
are missing anything.

We're getting you out.

*

(metal creaking)

*

(metal creaking)

*

(grunts)

*

All right, send up the basket!

(metal creaking)

*

All right, your turn, Sam.

*

HEN: On three.

One, two, three.

*

Almost there, Sam!

(metal creaking)

(gasping)

*

HEN: All right.

*

It's gonna be a little cold.

TODD: Afraid he's used to it.

We aren't living
in the RV by choice.

What are you talking about,
Dad?

We're on an adventure.

Hey, what do we always say?

Maybe not the best thing
to say right now, kid.

Keep your head up 'cause--

(wheezing)

What just happened?

The automatic signals
from Milo's brain

stopped telling him to breathe.

We need to put a tube
down his throat.

Administering succinylcholine.

This will stop the gag reflex.

*

-CHIMNEY: I'll hold him steady.
-HEN: All right.

*

All right.

*

Easy.

*

Inflating balloon
to keep steady.

*

Okay, switch.

*

(helicopter blades whirring)

(breathing heavily)

Abby?
Is she here?

She's down there
waiting for you, Sam.

*

(hopeful music)

*

Medevac's here.

Airway's patent.

Okay, what does that mean?

It means he's gonna be okay.

Because she's brilliant.

Way to go, Wilson.

*

You talk to the girls?

You're so amazing and brave.

They're gonna be really proud
of you.

Hey.
Hey, man.

Thank you.

Buck.

Thank you.

You're Buck?

Good to meet you, Sam.

*

(indistinct radio chatter)

*

You okay?

*

What's next?

*

I told you I don't remember
much about being attacked.

It was behind me, and then
all of a sudden, it gets hazy.

The next clear memory I have

is being in the back
of the ambulance

and the look
on my husband's face.

I thought I was dying

because he thought I was.

But you didn't.

You survived.

But I shouldn't have.

He had me dead to rights.

Came up behind me.

I didn't even know
he was there.

I've been a police officer
for 30 years.

I love my job
and I'm good at what I do

because I've always been able
to trust my gut.

But now?

You're doubting yourself.

I should've called for backup

before I went inside.

Maybe.

But that doesn't mean
that what he did to you

was your fault.

Maybe not,

but I scared the hell
out of my family

and myself.

And now I'm left feeling

like I can't trust
my instincts anymore.

How the hell am I
supposed to go back out there

feeling like this?

You're not going back out there
tomorrow.

(emotional music)

It'll take time to heal.

But if that part of me
never does?

And that's why
I was struggling.

I couldn't figure out
what to say to you.

How to make you understand
what you did to me

and to the people I care about.

*

But then I realized
I don't have to.

Because I'm gonna walk out
of this courthouse

and I'm gonna have some drinks
with friends

and you're gonna go
sit in a box.

*

Every morning, you will wake up

and think about
why you're there.

You will have to think of me.

*

But I can choose
to never think about you again.

*

Are you sure?

I don't like to brag,

but I'm pretty good
at reading these things.

The tumor has shrunk
by almost 30%.

Congratulations.

This is...

*

This is really happening.

*

ATHENA: It's a miracle.

You know, I think Dr. Burman
might be offended by that word.

Thank you so much.

But I am feeling
pretty miraculous myself.

I know it's not a clean bill
of health or anything, but--

It's good news, Michael.
Be happy.

When do you wanna tell
the kids?

Tonight.

You know, we can tell 'em
together.

ATHENA: Okay, what time?

Uh, you know, I'm not sure.

There's something
that I need to do.

I'll call you later.

(upbeat music)

Hold the elevator!

*

Hi.

Hi.

So where were we?

Hi.

Hi.

Thanks for meeting me.

How's--how's Sam?

He's good.

They're expecting
a full recovery.

Good.
He seems like a great guy.

He said the same thing
about you.

And I will never be able
to thank you enough

for what you did.

Just doing my job.
That's all.

I'm sorry that you had
to find out about it this way.

I had actually wanted to talk
to you about everything

while I was in town.

That's what you're sorry for?

(emotional music)

When did you know
that you were...

leaving me for good?

Well--

You know, was it--

was it in Morocco or Paris
or Dublin or--

or did you know
when we were at the airport

and I was kissing you good-bye
and promising you

that I would wait for you?

Did you know then that you were
never coming back to me?

I thought I would.

Look, I was a person

whose life revolved around
everybody else's problems.

I had no identity other than...

the people that I was helping.

My 9-1-1 calls,
my dying mother.

I just had no sense of self.

I had to leave everything
that I knew

so that I could remember
who I actually am.

And you did, right?

I mean, you did remember,
but...

You still didn't come home.

Yeah, I know.

*

I think I was afraid
that if I came back,

I would become
that person again.

Because I missed you.
I wanted to see you.

But I didn't trust myself.

Because being here,

being with me,

you might lose yourself again?

Yeah.

*

I'm glad to see you happy,
Abby.

You deserve it.

*

(cheers and applause)

Oh, we are so proud of you,
baby.

My little girl,
ready to start a new chapter.

You have your whole life
ahead of you.

So do you, Dad.

(laughter)

All right, all right!

-To the graduate of 2020!
-(all cheering)

Turn it up!
Turn it all the way up!

(laughs)

SINGER: * Share the spice
of life *

(Earth, Wind & Fire's
"Let's Groove)

* Baby, slice it right

* We're gonna groove tonight

All right, buddy, your turn.
What do you wanna say?

"May your dreams come true,
May."

Good.
That's--that's really good!

SINGER: * All right

* Let this groove
set in your shoes *

So you excited about USC?

I know your mom certainly is.

Actually...

do you have a minute?

There was something I wanted
to talk to you about.

Yeah, sure.

Theoretically, Athena's gonna
be able to use this

to light whatever that is?

Right.
It's a firepit.

A firepit or a money pit?

You know, it's gonna be great.

SINGER: * Glide like a 747

-What is--
-It's greatness.

You don't see the... greatness?

No.

(gasps)

You little brat!

I'm gonna get you.

SINGER: * Let this groove
light up your fuse *

Ooh!
(laughs)

Oh, I'm sorry.
I'm sorry.

-It is a great party.
-Mm.

Well, May deserves it

and I had a little time
on my hands.

Well, you'll be back to work
soon enough.

It's been 30 years
since I've been a civilian.

I'm not sure you're ready

to have me at home
all the time.

I think I could get used to it.

Not that I'm gonna have
the chance.

I know you can't wait
to get back out there.

Yeah.

(Yazoo's "Only You")

(upbeat synth pop)

*

SINGER: * Looking
from a window above *

Can I help?

SINGER: * It's like a story
of love *

* Can you hear me?

MADDIE: People tend to fear
the unknown.

We look ahead,
but we also look away.

*

Afraid of what terrible things
might be coming down the line.

SINGER: * All I needed
for another day *

MADDIE: We survive

because we don't face our fear
alone.

We band together

and we find strength
in numbers.

*

SINGER: * Sometimes
when I think of her name *

* When it's only a game

MADDIE: Truthfully,
the not-knowing,

that's not something
we should fear.

It's something
we should embrace.

It's what makes this all
such a great adventure.

SINGER: * All I needed
was the love you gave *

Hey, I just wanted
to apologize.

For the train.

Look, it's all right.
We both got a little hot.

You doing okay?

(laughs)
Yeah.

I think I am.

MADDIE: Because in this life--

-Good.
-MADDIE: You have to be ready.

For anything.

Whoa.
That smells terrible.

Well, it's the salmon thing
that you loved

the last time you had it.

I can't believe
you're still not feeling well.

Have you seen the doctor?

Oh, my God.

We have to go.

What?
Why?

Right now.

SINGER: * And all
I ever knew *

* Only you

Anything yet?

MADDIE: Just give me a minute.

It's already been
over a minute.

I mean, what is taking so long?

I thought all you had to do
was pee on a--

SINGER: * Can't take no more

* Wonder
if you'll understand *

Oh, my God.
Wait, are you sure?

SINGER: * It's just the touch
of your hand *

* Behind a closed door

You're pregnant?

We're pregnant.

We're pregnant.

Yep.

-We're having a baby?
-(laughs)

SINGER: * And all
I ever knew *

* Only you

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