Original subtitles

New facebook smilies codes!Transcript.subtitles-style-s0 td:first-child {background-color: #FFFFFF}.subtitles-style-s2 td:first-child {background-color: #FFFF00}.subtitles-style-s1 td:first-child {background-color: #00FFFF}.subtitles-style-s3 td:first-child {background-color: #00FF00}LineFromToThis programme contains very strong language 0:00:020:00:07-You should say start the intro tape.-Intro tape starting. 0:00:070:00:11CHEERING 0:00:300:00:33Great. Perfect. 0:01:270:01:28Alan, if you'll just turn your head more towards me. 0:01:280:01:30That's great. Martin... Nice. 0:01:300:01:32Andrew, great. David, if you'd... 0:01:320:01:36That's it. Another. 0:01:360:01:38Yeah. That's great. 0:01:380:01:41OK. Now, looking at me. Everyone looking at me. 0:01:410:01:44# Master and servant... # 0:01:580:01:59Yeah! 0:02:140:02:15CHEERING 0:02:150:02:18# There's a new game 0:02:300:02:31# We'd like you to see 0:02:310:02:32# A game with added reality 0:02:320:02:36# Treat me like a dog get me down on my knees 0:02:360:02:40# We call it master and servant 0:02:400:02:44# We call it master and servant 0:02:440:02:48# Owwwww... # 0:02:530:02:54-Hi.-I'm calling about Philadelphia. 0:03:140:03:17We're a bit worried cos it's holiday. 0:03:170:03:20I believe it's a holiday weekend, the first one where 0:03:200:03:23people disappear, open up their summer houses, that kind of stuff. 0:03:230:03:26Erm, we're just a bit worried that 0:03:260:03:29the place doesn't look too empty. 0:03:290:03:32Is it gonna be possible to move the stage forward in the arena? 0:03:320:03:37HE LAUGHS 0:03:440:03:46Miss Beal? 0:03:460:03:47(Fuck off!) 0:03:490:03:50The band are worried that it doesn't look empty. 0:03:510:03:5410,000 is still a pretty good crowd, I think. Erm, but... 0:03:540:03:58'..by Depeche Mode. 0:03:580:04:00'Also on the bill, OMD and other bands...' 0:04:000:04:04CONVERSATION DROWNS SPEECH 0:04:040:04:07'..over the next few weeks.' 0:04:070:04:09CHEERING 0:04:090:04:11'Right now, we have, riding into the Rose Bowl 0:04:120:04:15'in a beautiful convertible classic car 0:04:150:04:17'Is that a Cadillac? 0:04:170:04:19'Yeah. A beautiful Cadillac. 0:04:190:04:21'Driven by David Gahan himself, we have Depeche Mode... 0:04:210:04:26'I'll just describe that. They are all wearing black leather. 0:04:260:04:28'They're going to come over to the microphone right now. 0:04:280:04:31'Depeche Mode!' 0:04:310:04:33CHEERING 0:04:330:04:34Alan has a specially-prepared speech for us. 0:04:340:04:37I do, yes. 0:04:370:04:39Good morning. We wanted to say good morning 0:04:390:04:41to all our fans listening and watching this morning. 0:04:410:04:45We'd like to announce a special final concert to our world tour 0:04:450:04:51on Saturday June 18th, we'll be playing a concert for the masses 0:04:510:04:57here at the Rose Bowl, Pasadena. 0:04:570:04:59Ni hao. Ni hao. 0:04:590:05:02Ni hao, China. This is Martin Gore from Depeche Mode. 0:05:020:05:06I hope you like listening to our music. 0:05:060:05:08-Is that all right?-Yeah, that was fine. Maybe one more. 0:05:080:05:11Yeah, that was perfect. 0:05:110:05:12That's fine. Nice and simple. 0:05:120:05:16At the beginning of the concert, the crowd's going wild. 0:05:160:05:19What's going through your mind at that point? 0:05:190:05:21Erm... 0:05:210:05:23There you go! Woah! 0:05:250:05:27How about all together? 0:05:340:05:36ALL TALK AT ONCE 0:05:360:05:38LAUGHTER 0:05:380:05:40Hi. This is Teresa. I work for Depeche Mode. 0:05:430:05:46It's going fantastic. 0:05:460:05:48Sold out Houston. 0:05:480:05:5020,000 people. 0:05:500:05:52We've sold out Dallas as well. 0:05:520:05:55I'm calling you regards to if there's any possibility - 0:05:550:05:59I know it's very late in the game - 0:05:590:06:01of setting up some kind of giveaways or something like that 0:06:010:06:04just to pump up the show a bit. 0:06:040:06:06-We're running late today.-All right? -Yeah. 0:06:090:06:13OK. If you want to start the tape, give us a shout 0:06:130:06:15as soon as it's rolling. OK. The tape's started. 0:06:150:06:19Thank you very much. 0:06:200:06:2215 seconds to go... 0:06:290:06:30before the job. 0:06:300:06:3215 seconds to go. 0:06:340:06:35Ten, nine, eight, seven, 0:06:350:06:39six, five... Come on then! 0:06:390:06:42CHEERING 0:06:420:06:45927 WDRE, New York's New Music. Good evening, I'm Malibu Sue 0:06:510:06:56Depeche Mode are making a movie and they'd like some of their fans 0:06:560:06:59to appear with them. 0:06:590:07:00You must be 18 or older and be available to be on location 0:07:000:07:02June 10th - 18th. Just appear at Malibu, this Sunday, 7pm, 0:07:020:07:06dressed for the movies. Good luck. 0:07:060:07:08From New York's New Music, 927 WDRE. 0:07:080:07:13# Well, if you ever plan to motor west 0:07:150:07:19# Travel my way 0:07:220:07:24# Take the highway, that's the best 0:07:240:07:27# Get your kicks on Route 66 0:07:300:07:34# It winds from Chicago to LA 0:07:370:07:42# More than 2,000 miles all the way 0:07:440:07:49# Get your kicks on Route 66 0:07:510:07:56INDISTINCT 0:08:160:08:19Rrrrrr! Ow! Ow! Ow! 0:08:300:08:32Nice legs, darling! Yeah! 0:08:320:08:34Thank you. 0:08:400:08:41We've got some legal things to deal with. 0:08:430:08:46There are lawyers in this business that I have to appease. 0:08:460:08:50Do you have any questions? Please let me know. 0:08:500:08:53INDISTINCT 0:08:560:08:59That's it. I don't know what it means! 0:09:010:09:02Does it have the listing of how old you have to be in different states? 0:09:020:09:06You've got to have ID for 21. 0:09:060:09:08SHE LAUGHS 0:09:080:09:09-23.-And how old are you?-19! 0:09:090:09:13-How old are you?-19. 0:09:150:09:16You change the nine to a five on the licence, it's a lot easier. 0:09:160:09:20Maybe I should do that! 0:09:200:09:22It looks pretty good. In the dark, it's really good. 0:09:240:09:27That's the one I have. 0:09:270:09:28It's very dark. 0:09:280:09:30-How do you guys feel?-Great.-Great. -Great. 0:09:300:09:33-You're excited that you're off for two weeks?-ALL: Yeah. 0:09:330:09:36-Did you bring lots of underwear? -ALL: Yeah! 0:09:360:09:38Oh, my God! 0:09:380:09:41-Bye, Ma.-Bye, honey. 0:09:410:09:42Be careful! 0:09:450:09:47Don't dance too much! 0:09:480:09:50Nashville. What's in Nashville? 0:09:500:09:52We can go to the Atomic Museum in Albuquerque. 0:09:520:09:55Or we could just tail it to Phoenix. 0:09:550:09:58Here we come! 0:09:580:09:59Are you shitting me?! 15-year-olds across the country? Oh no! 0:09:590:10:06# You'll see Amarillo 0:10:060:10:10# Gallup, New Mexico 0:10:100:10:12# Blackstaff, Arizona 0:10:130:10:15# Don't forget Winona 0:10:150:10:17# Kingman, Barstow, San Bernadino 0:10:170:10:20# You 0:10:200:10:22# Get hip to this kind of tip 0:10:220:10:25# And you take that California trip 0:10:270:10:32# Get your kicks on Route 66... # 0:10:350:10:37WDRE for the weekend. For the holiday weekend 0:10:430:10:47they're doing the top 200 songs. 0:10:470:10:50By request, I think. 0:10:500:10:53So it's the top 200. Depeche Mode had more songs in the top 200 0:10:530:10:57than any other bands. 0:10:570:10:58What is this weekend about? 0:10:580:11:01It's to remember the people who were killed in the war, isn't it? 0:11:010:11:05-Which war?-Any war. 0:11:050:11:09People who have... 0:11:090:11:10I hope it's not to celebrate the War of Independence. 0:11:100:11:17-Come on!-All the wars. 0:11:170:11:18See where that grey car is? Right there. 0:11:240:11:26-While you jump out, I'm gonna turn around.-OK. 0:11:300:11:34Save a couple of seconds. 0:11:340:11:36These are my friends. 0:11:450:11:47Baby, come on! Say hello to the video camera. 0:11:470:11:50HE LAUGHS 0:11:500:11:51-These are my friends.-God, I'm gonna kill you! 0:11:510:11:53I'll return all of these, I promise. 0:12:000:12:02Thank you. Bye. Mwah! 0:12:060:12:09-OK. The bus is outside.-Really? 0:12:090:12:13HORN BLARES 0:12:130:12:15How do I get there from here? 0:12:180:12:19INDISTINCT 0:12:190:12:23HE LAUGHS 0:12:250:12:26Beltway? Beltparkway from here? 0:12:260:12:29INDISTINCT 0:12:290:12:31-Take a right here.-Take a right here. 0:12:320:12:34The tiniest streets I've ever seen. 0:12:340:12:37Holy shit! You've got to shrink the bus to make the corner. 0:12:370:12:41Yeah! We made that. All right. 0:12:410:12:43It's a war zone around here. 0:12:450:12:47Just look at that car in the corner. 0:12:470:12:49Fix that one! 0:12:490:12:50You've gotta be shitting me! 0:12:520:12:54Hey, Ma. I parked your car round the corner last night. 0:12:540:12:57# Late at night I parked my car 0:13:030:13:07# Stick my face in the singles' bar 0:13:070:13:10# Face to face toe to toe 0:13:100:13:13# Heart to heart as we hit the floor 0:13:130:13:17-SINGING ALONG:-# Lumber up, limbo down 0:13:170:13:21# The locked embrace the stumble around 0:13:210:13:26# I say go, she say yes 0:13:260:13:29# I dim the lights you can guess the rest... # 0:13:290:13:32CHEERING 0:13:330:13:36I'm lost. They detoured me off the highway. 0:13:390:13:42# ..is here to stay 0:13:490:13:51# Oliver's army are on their way 0:13:510:13:54# And I would rather be anywhere else 0:13:540:13:58# Than here today... # 0:13:580:14:01UPBEAT MUSIC ON TV PLAYS 0:14:060:14:09# Come on, yeah 0:14:250:14:29# Master and servant 0:14:310:14:32-# It's a lot -It's a lot 0:14:320:14:34-# It's a lot -It's a lot 0:14:340:14:35-# It's a lot -It's a lot 0:14:350:14:37-# It's a lot -It's a lot 0:14:370:14:39# Like life 0:14:390:14:40-# It's a lot -It's a lot 0:14:400:14:42-# It's a lot -It's a lot 0:14:420:14:43-# It's a lot -It's a lot 0:14:430:14:45# Master and servant 0:14:450:14:47-# It's a lot -It's a lot 0:14:470:14:48-# It's a lot -It's a lot 0:14:480:14:51-# It's a lot -It's a lot 0:14:510:14:52-# It's a lot -It's a lot 0:14:520:14:53-# It's a lot -Like life 0:14:530:14:55# It's a lot like life 0:14:550:14:57# And that's what's appealing 0:14:570:14:59# If you despise that throwaway feeling 0:14:590:15:02# From disposable fun 0:15:020:15:04# Then this is the one 0:15:060:15:07# Let's play master and servant 0:15:170:15:21# Come on, master and servant 0:15:210:15:25# Let's play master and servant 0:15:250:15:28# Come on 0:15:280:15:30# Master and servant 0:15:300:15:32# Let's play master and servant 0:15:320:15:36# Come on, master and servant 0:15:360:15:40# Masters 0:15:400:15:42# Masters 0:15:420:15:44# Masters 0:15:440:15:46# Masters 0:15:460:15:48# Masters 0:15:480:15:49# Masters 0:15:490:15:51# Masters 0:15:510:15:54# Masters 0:15:540:15:55# Master and servant. # 0:15:550:15:57Thank you! 0:15:570:15:58CHEERING AND APPLAUSE 0:15:580:16:01Thank you very much. 0:16:010:16:03Good night, everybody. Thank you! 0:16:050:16:08Who's in here? 0:16:090:16:11We're stopping in a truck stop in five minutes. 0:16:110:16:14-Are we?-Yeah. We're gonna stop in a truck stop and hang out. 0:16:140:16:17Let's see what we can... 0:16:170:16:18Let's see what people can meet in this godforsaken country of ours! 0:16:180:16:23I saw this in a Twilight Zone movie. 0:16:230:16:25There she is. There's the girl that cooks hamburgers. 0:16:250:16:29And she makes everybody drive backwards. She runs the country. 0:16:290:16:33Come on. Come on. 0:16:330:16:36Smile, motherfucker! Smile! 0:16:460:16:50Sounds good to me. 0:16:500:16:51BOTTLE SHATTERS 0:16:560:16:57Get cans. 0:16:590:17:00HE LAUGHS 0:17:050:17:06-You fucked up!-Oh, shit! 0:17:060:17:08Washington Street. 0:17:080:17:10OK. 0:17:120:17:14SYNTHESISER MUSIC PLAYS 0:17:140:17:17-You want some history now?-Yes. 0:17:320:17:34Well, er, it's a long story. 0:17:340:17:37The reason we don't have a drummer 0:17:370:17:39is because in the early days, it was... 0:17:390:17:42Well, they couldn't find a drummer. I wasn't in the band. 0:17:420:17:45They couldn't find a drummer. 0:17:450:17:47The only way that they could rehearse quietly 0:17:470:17:49in somebody's house at a very cheap cost 0:17:490:17:52was to use keyboards with headphones. 0:17:520:17:54We used to use a four-track tape recorder. 0:17:540:17:56We used to sit it in the middle of the stage like a drummer. 0:17:560:18:00We didn't want people thinking we were trying to hide the fact. 0:18:000:18:03For now, the tape machine has moved to the side of the stage. 0:18:030:18:06It's basically the same way we first started. 0:18:060:18:09The keyboard has a total of 36 different banks. 0:18:090:18:11Each song has its own set of sounds. 0:18:110:18:15On Black Celebration I've got several sounds 0:18:150:18:18allocated to specific parts of the keyboard. 0:18:180:18:21The first sound is... 0:18:210:18:22DESCENDING BASS EFFECT PLAYS 0:18:220:18:24The next sound I have to play is further up on the keyboard... 0:18:280:18:31JANGLY ECHO EFFECT PLAYS 0:18:310:18:33..which is just that. 0:18:330:18:35So then I can put the two together 0:18:350:18:37HE PLAYS TWO KEYBOARD EFFECTS 0:18:370:18:41Later on, I have to play a melodic harp. 0:18:410:18:43MELODIC HARP EFFECT PLAYS 0:18:430:18:46And so on. You're only limited by what you can manage with your hands. 0:19:000:19:05-As far as the sound goes...-You've got to remember where you put them. 0:19:050:19:09That comes after a while. It gets to be automatic. 0:19:090:19:12-Your hands just go there.-Do you ever forget?-Of course. 0:19:120:19:16These are linked to this keyboard. 0:19:160:19:18All you have to do is imagine that these two pads here 0:19:180:19:22are extra keys on the keyboard. 0:19:220:19:25When I hit that pad, it's the same process 0:19:250:19:27as if I was playing a key on the keyboard. 0:19:270:19:29CLANGING INDUSTRIAL EFFECT 0:19:290:19:32He said if I let my hair go black, he wouldn't go out with me any more. 0:19:320:19:36-Not true. -Yes, true! 0:19:360:19:38-If you let it...-If I let it go back. to a different colour, 0:19:380:19:41he wouldn't go out with me any more. 0:19:410:19:44Now, my hair's falling out cos I bleach it all the time 0:19:440:19:46just to make him happy. 0:19:460:19:47HAIRDRYER WHIRS 0:19:470:19:49Hello? So you're gonna have a bald wife. 0:19:490:19:53He'll love me bald. 0:19:530:19:55Always. 0:19:550:19:56SHE LAUGHS 0:19:560:19:59Are you going to get married? 0:19:590:20:00-I hope not.-We're gonna have ten kids. 0:20:000:20:03-Whether she likes it or not. -Very funny! 0:20:030:20:05They're going to grow up totally normal. 0:20:050:20:08Doesn't it look neat? It's short on this side and then it goes whoo! 0:20:080:20:11She looks pretty. That looks nice. 0:20:110:20:15Thank you. 0:20:170:20:18It's... It's there. 0:20:180:20:21Do you want any more? 0:20:260:20:27-Darling, I love you.-Let's go now. Forget it. 0:20:320:20:35Yes, darling, dearest, love of my life! 0:20:350:20:40I hate him. I really do. 0:20:410:20:43Things You Said first. 0:20:480:20:50Let's do it then. 0:20:510:20:53# Heard it from my friends about the things you said 0:21:160:21:20# I heard it from my friends about the things you said 0:21:240:21:30# They know me better than that 0:21:330:21:36# They know me better than that 0:21:360:21:41# They know my weaknesses 0:21:410:21:45# They know my weaknesses 0:21:450:21:49# I heard it from my friends about the things you said 0:21:590:22:04# I heard it from my friends about the things you said 0:22:070:22:13# How can a view become so twisted 0:22:160:22:20# How can a view become so twisted 0:22:200:22:25# They know my weaknesses 0:22:250:22:29# They know my weaknesses 0:22:290:22:34# I get so carried away 0:22:420:22:46# You brought me down to earth 0:22:460:22:50# I thought we had something precious 0:22:500:22:55# Now I know what it's worth 0:22:550:22:59# I heard it from my friends about the things you said 0:23:080:23:14# I heard it from my friends about the things you said 0:23:170:23:23# Never felt so disappointed 0:23:260:23:30# Never felt so disappointed 0:23:300:23:34# Didn't know my weaknesses 0:23:340:23:39# Didn't know my weaknesses 0:23:390:23:43# They know me better than that 0:23:520:23:57CHEERING AND APPLAUSE 0:24:070:24:10Thank you. 0:24:100:24:12CHEERING AND APPLAUSE 0:24:120:24:16No major fuck-ups. Yet. 0:24:160:24:19Come on then, lads. 0:24:190:24:21CHEERING 0:24:250:24:27# Girl of 16 0:24:520:24:54# All life ahead of her 0:24:540:24:56# Slashed her wrist 0:24:560:24:58# Bored with life 0:24:580:25:00# Didn't succeed 0:25:000:25:02# Thank the Lord 0:25:020:25:04# For small mercies... # 0:25:040:25:06CHEERING 0:25:080:25:12# Fighting back the tears 0:25:220:25:24# Mother reads the note again 0:25:240:25:26# 16 candles burn in her mind 0:25:260:25:30# She takes the blame it's always the same 0:25:300:25:34# She goes down on her knees and prays 0:25:340:25:38# I don't want to start any blasphemous rumours 0:25:440:25:48# But I think that God's got a sick sense of humour 0:25:480:25:52# And when I die I expect to find him laughing 0:25:520:25:59# I don't want to start any blasphemous rumours 0:26:300:26:34# But I think that God's got a sick sense of humour 0:26:340:26:39# And when I die I expect to find him laughing... # 0:26:390:26:45SHE SCREAMS 0:26:520:26:56# Girl of 16 0:27:030:27:05# Fell in love with everything 0:27:050:27:06# Found new life in Jesus Christ 0:27:060:27:10# Hit by a car 0:27:100:27:13# Ended up 0:27:130:27:14# On a life support machine... # 0:27:140:27:18SHE SCREAMS 0:27:200:27:21# Summer's day 0:27:330:27:35# As she passed away 0:27:350:27:37# Birds were singing 0:27:370:27:39# In the summer sky 0:27:390:27:41# Then came the rain 0:27:410:27:43# And once again 0:27:430:27:45# A tear fell from mother's eye 0:27:450:27:48# I don't want to start any blasphemous rumours 0:27:480:27:53# But I think that God's got a sick sense of humour 0:27:530:27:57# And when I die I expect to find him laughing 0:27:570:28:02# I don't want to start any blasphemous rumours 0:28:050:28:09# But I think that God's got a sick sense of humour 0:28:090:28:12# And when I die I expect to find him laughing 0:28:120:28:20# I don't want to start any blasphemous rumours 0:28:210:28:24# But I think that God's got a sick sense of humour 0:28:240:28:28# And when I die I expect to find him laughing 0:28:280:28:35# I don't want to start any blasphemous rumours 0:28:370:28:41# But I think that God's got a sick sense of humour 0:28:410:28:45# And when I die I expect to find him laughing... # 0:28:450:28:51Yeah! 0:28:530:28:54CHEERING 0:28:540:28:58So this is the rock'n'roll bus, eh? 0:29:010:29:03Yeah. 0:29:030:29:04-Come on in.-Bring your own underwear. 0:29:040:29:06It's a heavy metal bus 0:29:060:29:08This is where we hang out. 0:29:080:29:10This looks like fun. 0:29:100:29:12-Two to a bed.-Double beds? We don't get double beds on our buses. 0:29:120:29:17You got gipped. 0:29:170:29:19OK. This here... 0:29:190:29:21Hey, there's some chick in here. 0:29:210:29:24SHE LAUGHS 0:29:240:29:25-This is a bit intimate, isn't it? -Er... No! 0:29:250:29:28It seems I've interrupted something here. 0:29:280:29:31I think I better clear the curtain. 0:29:310:29:34What's going on? 0:29:340:29:36This is my 13th beer. 0:29:360:29:3813 and I'm still walking. 0:29:380:29:4113 beers. That's pretty good, don't you think? 0:29:420:29:45The bus is going like this and there's a horrible smell. 0:29:450:29:48There was a smell? 0:29:480:29:51I've never thrown up like that before. 0:29:510:29:53Never! 0:29:530:29:55Don't look at me like that! 0:29:550:29:57Jay was over here. He was over here, too. Oh, Jay was over here, too. 0:29:580:30:03Much exaggeration on this. 0:30:030:30:04Where are we going today, do you know? 0:30:060:30:09-Oh, Graceland, probably, right? -Oh, that's right.-What's Graceland? 0:30:090:30:12-What?-What's Graceland? -What's Graceland? 0:30:120:30:15-Yeah.-Graceland is where Elvis lived.-Oh, really? 0:30:150:30:19-(Boring!)-Elvis. 0:30:210:30:23-What did you say? -I said boring.-Boring? 0:30:230:30:26I said Elvis, I said boring. 0:30:260:30:28Hello there. How's everything? 0:30:320:30:35I'd like to express my great thanks to you for peeing all over the toilet seat. 0:30:350:30:39-Really, thank you.-You know why I did that?-Really, though, thank you. Very much. 0:30:390:30:44-We can't explain that on camera either.-I can explain that. 0:30:470:30:50-He was standing five feet away in order to go to the bathroom.-Why? 0:30:500:30:54-Challenge.-It was a challenge. Yeah. -Did you meet the challenge, Oliver? 0:30:550:31:01-Not really.-Not really.-I sort of missed. I bent it and it was like... 0:31:010:31:06-You bend it.-It didn't bend a lot. 0:31:060:31:08"Billy Bob was here!" 0:31:080:31:10Really, look at this! Billy Bob! 0:31:100:31:13It's in French! You know French! I know how to say I'm bored in French. 0:31:140:31:19Can you read that? 0:31:190:31:21-Wow!-I arrived on... I arrived from Quebec.-Non-stop... 0:31:220:31:28..on American Airlines. 0:31:290:31:30On American Airlines, it was a bumpy flight and I'm sorry I came because this place sucks. 0:31:300:31:35-Pretty mean to write in French. -Terrible! 0:31:360:31:39We're in detention, would I pay 12 bucks to see that house more than I'd pay 12 to see this house? 0:31:400:31:45-I would. -INAUDIBLE QUESTION -No, I have no idea. 0:31:450:31:50I know they live in east London, right? That's about it. That's all I know. 0:31:500:31:54-No idea.-When they die, we'll get to see! 0:31:540:31:57OK, wait a minute. OK, ready? 0:31:570:32:00Figured I'd look it up in the French dictionary 0:32:010:32:04and Depeche Mode means "We play butt naked." 0:32:040:32:07LAUGHTER 0:32:070:32:08-No clothes on.-What sort of dictionary are you looking at? 0:32:080:32:12That sounds good, though, we'll have that one. 0:32:120:32:15Depeche Mode. No, somebody called the other day and said Depeche Mode means "fast fashion". 0:32:150:32:20-Is that right?-Yeah. That's us. -That's us! 0:32:200:32:24Do you mind taking some calls and see what's on everybody's mind here? 0:32:240:32:27-Let's start on our toll-free number here. Hello, go ahead. Hello!-Yes. 0:32:270:32:31-Go ahead. -'Do you like to sweat onstage?' 0:32:310:32:35Do you like to sweat onstage? There's a question. 0:32:350:32:38Last night, Dave reckons, was the hottest concert we've ever played. 0:32:380:32:41It was open air. 0:32:410:32:43-But I still didn't get a bead of sweat.-Didn't you? 0:32:430:32:46I don't move, it's all right for us. We're keyboard players, we don't move! 0:32:460:32:49-He's had implants. -'Can I ask another question?' 0:32:490:32:52-Yeah, go ahead, real quick.-'I will sing for tickets.'-You'll sing what? 0:32:520:32:56-'I will sing People Are People.' -Get out! 0:32:560:32:59-You've got to sing a harder song than that!-'Can I sing?'-Go ahead. 0:32:590:33:03-'I can sing?'-Yeah, go ahead. 0:33:030:33:05-# People are people so why does it seem... #-What? 0:33:050:33:10# ..You and I can get along so awfully? # 0:33:100:33:14Not bad, not bad. You got three of the words right! 0:33:140:33:17LAUGHTER 0:33:170:33:18So we're on the right phone? OK. OK, don't go away this time, Mark. 0:33:180:33:22OK, one more time, here's Andy. 0:33:230:33:25Mark? Hi. Very good. I finally can contact you. 0:33:280:33:34What? The Alternative Dance Party From Hell. 0:33:340:33:37Right. I'll have to get this. 0:33:390:33:42Hi, this is Andy Fletcher of Depeche Mode 0:33:420:33:44and you're listening to Mark Hill on The Alternative Dance Party From Hell. 0:33:440:33:48Not much, really. I'm just... 0:33:520:33:55My job is to keep everyone together, really. 0:33:550:33:59Martin's the songwriter, Alan's the good musician, Dave's the vocalist. 0:33:590:34:03And I bum around. 0:34:030:34:04DJs. 0:34:080:34:09We're not big fans of DJs, generally, like radio DJs and things. 0:34:090:34:13But I shouldn't really say that, you know. 0:34:130:34:16I'm supposed to be doing promotion here! 0:34:160:34:18No, but, it's not... 0:34:190:34:22There's definitely certain areas where we suffer through lack of radio support. 0:34:220:34:26We've just been to places like Nashville, for instance. 0:34:260:34:30Most places in the country, we were playing to 10-15,000 people. 0:34:300:34:35In Nashville, we get about 2,000 people along. 0:34:350:34:38Which we were pleased with in the end because ticket sales weren't very good until the last day. 0:34:380:34:43And in that area, it seems that nobody at all is playing our music. 0:34:430:34:47I mean, because of their background, it doesn't surprise us that much, but... 0:34:470:34:50I think we know there is an audience there. 0:34:500:34:53It seems that wherever we get radio play, we immediately do well. 0:34:530:34:58That's nice sounding, that. 0:35:020:35:04That one's 450, but it's not as nice sounding. 0:35:150:35:19HE PLAYS BLUES RIFF 0:35:200:35:23They're early, though, aren't they? 0:35:470:35:50A couple of Roy Orbison ones. 0:35:520:35:55-Roy Orbison.-Roy Orbison? Where's Roy Orbison?-20 Early Classics. 0:35:570:36:00-I do want Roy Orbison. -20 Early Classics. 0:36:000:36:04You like country music? 0:36:040:36:06A little bit. I'm finally getting into it so I thought I might come and buy some today. 0:36:060:36:10Do you like bluegrass? Which one do you like better? 0:36:100:36:14-Don't know enough about it. -Don't know much about it? 0:36:140:36:17-I'm just getting into it. -I'm just going to give you a good old country sticker here. 0:36:170:36:21This is our card. 0:36:210:36:22When you get back home, if you'd like to order through the mail from us, write to us. 0:36:220:36:26All right, thank you. 0:36:260:36:27-Good crowd later.-Wow. We'll see tonight.-Yeah. 0:36:270:36:32-I don't think so. -It'll be a good crowd. 0:36:320:36:35Standby, open one. 0:37:090:37:11..for the evening. Standby. 0:37:110:37:15Spots and open mic. 0:37:150:37:18And go. 0:37:180:37:20# People are people so why should it be 0:37:200:37:23# You and I should get along so awfully... # 0:37:230:37:27Standby, everybody, for blackout. 0:37:270:37:28# People are people so why should it be 0:37:280:37:32# You and I should get along so awfully... # 0:37:320:37:35Out! 0:37:350:37:36# Help me understand 0:37:420:37:46# Help me understand... # 0:37:510:37:54Standby, all spots, and open wide. 0:37:570:37:59Standby. And go. 0:38:010:38:04# Now you're punching and you're kicking and you're shouting at me 0:38:040:38:07# I'm relying on your common decency 0:38:070:38:12# So far it hasn't surfaced but I'm sure it exists 0:38:120:38:15# It just takes a while to travel from your head to your fists 0:38:150:38:19# I can't understand what makes a man... # 0:38:190:38:23Standby to blackout. Out. Standby to come back. And go. 0:38:230:38:28# People are people so why should it be 0:38:280:38:31# You and I should get along so awfully? 0:38:310:38:36# People are people so why should it be 0:38:360:38:40# You and I should get along so awfully... # 0:38:400:38:43Standby to come back and open wide. And go. 0:38:470:38:51# I can't understand what makes a man 0:38:510:38:54# Hate another man, help me understand 0:38:540:38:59# I can't understand what makes a man 0:38:590:39:03# Hate another man, help me understand 0:39:030:39:06-# People are people -What makes a man 0:39:060:39:10# Why should it be? 0:39:100:39:12# Hate another man, help me understand 0:39:120:39:14-# People are people -What makes a man 0:39:140:39:18# Why should it be? 0:39:180:39:20# Hate another man, help me understand 0:39:200:39:22-# People are people -What makes a man 0:39:220:39:27# Why should it be? 0:39:270:39:29# Hate another man, help me understand. # 0:39:290:39:33CHEERING AND APPLAUSE 0:39:370:39:42-Thank you!-Standby to blackout. Out! 0:39:460:39:49Would the band have a collective identity where it could be... 0:39:510:39:55-Like Depeche Mode talking as opposed to...-An individual?-Yeah.-Umm... 0:39:550:40:01-Well, you know, we're all very individual, actually.-Right. 0:40:010:40:05When was the last time you had a fistfight? 0:40:050:40:08Let's say I asked you that. 0:40:080:40:10I haven't actually been... Oh, I don't know. 0:40:100:40:13-Andre will probably tell you that. -In Austria with that cabbie! 0:40:130:40:16Oh, yeah, cab driver, yeah. Yeah. 0:40:160:40:18-That was a real intense situation as well.-It was he and you? 0:40:180:40:22-Just the two of you?-Yeah. 0:40:220:40:25I assume he... 0:40:250:40:26I was actually beating him up in the car when he was driving. Yeah. 0:40:260:40:29Really? You couldn't have won, could you? 0:40:290:40:31No, it was actually... I can't even remember why it happened. 0:40:310:40:34Oh, I know why! Because he was... This guy was just crazy. 0:40:340:40:37He was driving at about 90mph, screeching around every corner. 0:40:370:40:41He peeled out when we sort of first drove away from the club, 0:40:410:40:44he ran through red lights and we were like... 0:40:440:40:46And then I just started saying to him, "Slow down, what's going..." You know. 0:40:460:40:51He was really weird. 0:40:510:40:52He just sort of said things like, "Look, I'm driving the car." 0:40:520:40:55And he was a cabbie! He was supposed to be, like, driving us around. 0:40:550:40:59So I just started, you know, beating him and stuff, yeah. 0:40:590:41:03And I ended up actually hanging on to the door like this 0:41:030:41:06when he was still sitting in the car. 0:41:060:41:09I opened the door and I was kicking him like this. 0:41:090:41:12Hanging on the car and kicking him! 0:41:120:41:13And then afterwards... And then the guy got out of the car. 0:41:130:41:17And he was like this big. At least, right? 0:41:170:41:20And he was like this. And I went, "Oh." 0:41:200:41:24And then he just... His trousers fell down! 0:41:240:41:27He started getting really... He was so big and fat and his trousers fell down, 0:41:270:41:31he didn't have a belt on. 0:41:310:41:34And then he couldn't run or anything, he couldn't do anything. 0:41:340:41:37So Andre just pushed him over he just fell over. 0:41:370:41:41It does get to the point sometimes where you feel you could actually kill someone. 0:41:410:41:45I mean, I don't think you would... 0:41:450:41:47I certainly wouldn't do it, I don't think, I'm not sure, I'm not sure, actually. 0:41:470:41:51But there's certainly been times within the band, 0:41:510:41:54when we've been arguing, that I've felt possibly I could kill someone. 0:41:540:41:57-What, the tech? -Yeah, possibly. You know. 0:41:570:42:00But then afterwards, 0:42:000:42:02you calm down and you've let all that energy out it's OK. 0:42:020:42:06It's letting off some of that built-up energy and tension that you just... 0:42:060:42:10It's not even enough for you to let out on stage. 0:42:100:42:13Even when you're doing that, that's not enough. You've still got more. 0:42:130:42:17And that's sometimes like a release. 0:42:170:42:19And that was definitely a release, you know. 0:42:190:42:22I'd been looking for a fight for a good few days. 0:42:220:42:24Turn it down, turn it down, please. 0:42:240:42:27Up yours! 0:42:270:42:29HE TURNS VOLUME DOWN 0:42:290:42:31Don't ever talk to a member of the band like that again, Harold, otherwise you're finished. 0:42:310:42:36I thought we'd just get a few things... 0:42:360:42:39If he ever talks to me like that again, he's through. 0:42:390:42:42He may have worked for us for five years, but he's history! 0:42:420:42:45# Bridge O-o-o-o-over... 0:42:480:42:52-# Trou-ou-ou-ou-oubled water.-# 0:42:520:42:56ALL CROONING 0:43:010:43:03One of Elv's crooning ones when he got to Vegas. 0:43:030:43:06MORE CROONING 0:43:060:43:08-You missed it. Starting the tape. -This is one of the changes.-Oh! 0:43:090:43:13-You missed starting the tape.-Oh, right, we're coming out to do it. 0:43:130:43:18OK, stop the tape. 0:43:180:43:19We'll have to start it all again, the guys weren't ready, OK? Put the lights back on. 0:43:190:43:24-OK, then, let's go. Come on. Here we go.-I'm nervous now.-Excuse me. 0:43:240:43:29Excuse me, show time. 0:43:290:43:31We've got another hour for the bus so we thought we'd kill some time. 0:43:330:43:36-In the women's bathroom? -In the women's bathroom. 0:43:380:43:41-I called Vivian.-Who's Vivian? -The tramp. The girl that was in bed. 0:43:410:43:46-On camera.-On camera. 0:43:460:43:48-The one you said goodbye to who was in bed with your boyfriend.-Right. 0:43:480:43:52-Right!-That's her.-That's her. -You called her?-Yeah, we got the guy's name, too. 0:43:520:43:58-Edward.-Edward.-But you knew he was Edward.-No, he didn't. 0:43:580:44:02I'd just met him! 0:44:020:44:03-Oh, you mean just that very moment? -Hi! 0:44:050:44:08Oh, my God. I knew it would be a crazy trip. I've got terrible karma. 0:44:100:44:16All right, it's time. 0:44:200:44:21-Is it coming out?-Yeah. 0:44:210:44:24-Right, turn your head, now.-OK. -To the side. To the side. -Wait, I can't see. 0:44:240:44:29That looks cool! 0:44:290:44:32-That looks cool. -Still dark at the top. 0:44:330:44:36HE SCREAMS 0:44:380:44:40ALL: This means nothing. This will get you nowhere. 0:44:420:44:48This is not a backstage pass. 0:44:480:44:51However, I hope you enjoy wearing it. 0:44:510:44:56An optional comment is, it looks lovely with your outfit tonight. 0:44:560:45:00So, next pass. Pink. Thank you, JD. It's a pink pass, it's triangular. 0:45:000:45:06ALL: This means nothing. 0:45:060:45:08LAUGHTER 0:45:080:45:09No! This means SOMETHING. 0:45:090:45:12-All right, now we're used to it. -I can't do this.-Nice, Fletch! 0:45:120:45:17Unusual. 0:45:170:45:20Exactly. 0:45:200:45:22INDISTINCT CHAT 0:45:220:45:28It's from a good shop, this is. 0:45:330:45:35Decent crowd out there. 0:45:360:45:37-OK.-All that make-up... 0:45:390:45:42# London Bridge is falling down 0:45:440:45:47# Falling down. Falling down. # 0:45:470:45:52-Toilet? Anyone got to go toilet? -I've just been.-Wee-wees. 0:45:560:46:00I might have to go after the show. Afterwards. 0:46:000:46:03I think I'll play the pinball. I always do that before a gig. 0:46:050:46:09OK, we've got ten seconds to go. 0:46:090:46:12-Counting down. -OK, come on, then, boys. 0:46:130:46:16Let's go! Come on, let's go! Fletch. 0:46:160:46:21MUSIC: "Pimpf" by Depeche Mode 0:46:210:46:24-Couldn't hit any high notes at all. -It sure is loud out on that stage. 0:46:390:46:44It's probably just the two dates. 0:46:440:46:46I had real problems with the sound at first, it was so hard, my vocal was so hard. 0:46:460:46:50I think when it's like that, you tend to, I don't know why, 0:46:500:46:53you sing out more because there's no actual beef. 0:46:530:46:56If it's loud, you can't hear because it's so... 0:46:560:46:59-I didn't realise how loud it was on the stage.-Yeah. 0:46:590:47:02It was really loud tonight, yeah. Yeah, onstage. 0:47:020:47:05But also we had a couple of days off, you know, I'm feeling really tired at the moment, 0:47:050:47:10so that's probably a lot to do with it as well. 0:47:100:47:12But it's nowhere near as bad as what it was in San Francisco. I couldn't even speak then. 0:47:120:47:17But tonight I have to do my steroids and stuff, puffer, 0:47:170:47:21I'm going to do that tonight again. 0:47:210:47:23The stuff that the doctor gave me in San Francisco. It's like a puffer. 0:47:230:47:26You know like what somebody who has asthma attacks uses? It's steroids. 0:47:260:47:31-So it straight away hits your vocal chords and...-Peps them up? -Peps them up, yeah. 0:47:310:47:36CHEERING 0:47:380:47:40MUSIC: "Stripped" by Depeche Mode 0:47:400:47:42# Come with me into the trees 0:48:120:48:17# We'll lay on the grass and let the hours pass 0:48:170:48:23# Take my hand Come back to the land 0:48:230:48:28# Let's get away Just for one day 0:48:280:48:33# Let me see you stripped down to the bone 0:48:330:48:41# Let me see you stripped down to the bone... # 0:48:440:48:53# Metropolis has nothing on this 0:49:350:49:40# You're breathing in fumes I taste when we kiss 0:49:400:49:44# Take my hand Come back to the land 0:49:450:49:50# Where everything's ours for a few hours 0:49:500:49:55# Let me see you stripped down to the bone 0:49:560:50:04# Let me see you stripped down to the bone 0:50:070:50:14# Yeah! 0:50:140:50:16# Let me hear you make decisions 0:50:180:50:24# Without your television 0:50:240:50:29# Let me hear you speaking just for me 0:50:290:50:35# Yeah, yeah 0:50:350:50:38# Let me see you stripped down to the bone 0:51:210:51:28# Let me hear you speaking just for me 0:51:280:51:33# Let me see you stripped down to the bone 0:51:330:51:38# Let me hear you crying just for me 0:51:380:51:42# Let me see you stripped down to the bone 0:51:420:51:50-# Let me hear you crying just for me. #-Go! 0:51:500:51:54-You miss your family. -You can get drunk. 0:52:320:52:35Yeah, you get drunk. 0:52:350:52:37You stay away from home, you...lose a lot of friends 0:52:390:52:43because you don't see your friends. 0:52:430:52:45I've got maybe two friends in the world, real friends. 0:52:450:52:49But there is a bonus, though you make a lot of money. 0:52:490:52:52A lot more money than when I used to work in a supermarket. 0:52:520:52:57-That was more fun though.-It was more fun in the supermarket?-Yeah. 0:52:570:53:01A lot less pressure as well. 0:53:010:53:03It doesn't make a difference, you make more money, 0:53:030:53:05but the pressure gets big as well. 0:53:050:53:07So at the end of the day they're the same. 0:53:070:53:09At the end of the day, I was stacking shelves, but I was very happy. 0:53:090:53:13He's ready. You get me? 0:53:170:53:20# Do-do-do-do, I'm walking 0:53:230:53:25# See how I'm talking 0:53:250:53:27# Oh, feel the need 0:53:310:53:34# Feel the need in me. # 0:53:340:53:36-Have you ever heard of Grand Central Station?-Never heard of that. 0:53:410:53:45Has Mr Banger arrived yet? 0:53:480:53:50ON RADIO: 'I've had no indication, but we're all ready here, 0:53:500:53:54'we'll stand by waiting for the little signal.' 0:53:540:53:57HE MIMICS KNOCKING 0:54:040:54:07Pretty good these fingers. 0:54:070:54:09-What the hell is art to you? -What is art? 0:54:130:54:15-Art is a feeling, it's gut feeling.-Yeah! 0:54:150:54:18Well, fashion illustration is a gut feeling too. 0:54:180:54:21What you get when you draw a woman's body and you add colour and shape. 0:54:210:54:24-I can understand drawing a woman's body.-Or a man's body. 0:54:240:54:28Putting trendy clothes on her is not my idea of... 0:54:280:54:31-But you don't necessarily have to do trendy things.-No?-No. 0:54:310:54:34I don't consider that art. 0:54:340:54:36You don't consider the human body art? 0:54:360:54:39No, the body, yes, absolutely, 0:54:390:54:41the exaggeration of form is definitely art. 0:54:410:54:44But the fashion end of it is a different story altogether. 0:54:440:54:48-That's the whole point of it. -What's fashion to what...? 0:54:480:54:51So it's a trend, it's people trying to look like something 0:54:510:54:56they're not, they're just like. I mean... 0:54:560:55:00-No, no!-It's an art, in a way it is.-It's an art form. 0:55:000:55:03Let me see you draw an outfit, OK. 0:55:030:55:06Design an outfit, cut it and sew it 0:55:060:55:08and make it look just like the picture you drew. 0:55:080:55:11That's not from within yourself, copying something. 0:55:110:55:14You consider art something 0:55:140:55:16that cannot be copied over and over again. 0:55:160:55:18That's not true, look at Lichtenstein. 0:55:180:55:20The way you're talking it sounds like something that's original. 0:55:200:55:24When you design a jacket you have to make copies of it 0:55:240:55:27so you can sell it. 0:55:270:55:28Fashion design is an art form and a business. 0:55:280:55:30When you like what you do, it's great. 0:55:300:55:32But if you're not making money 0:55:320:55:34how are you going to pay for everything, 0:55:340:55:36-how will you get things in life? -That's whoring yourself. 0:55:360:55:39But I'm saying going within yourself and taking out something 0:55:390:55:42that is so beautiful, like a rose, like dew on a rose in the morning. 0:55:420:55:46That's something that you've got to capture. Excuse me? 0:55:460:55:49-What if it's not beautiful? -What's not beautiful? 0:55:490:55:51What's inside yourself! 0:55:510:55:53It doesn't matter, if you're expressing yourself, that's beauty within itself. 0:55:530:55:56But it is within yourself cos you're using your creativity. 0:55:560:56:00You're using it to make money, money's not important. 0:56:000:56:02-What are you going to live on? Love? -It can't make you happy. 0:56:020:56:06You can live on love, there's no doubt about it. 0:56:060:56:09You're going to be a bum! 0:56:090:56:10No, you're not going to be a bum, you just marry rich! 0:56:100:56:14You just went against everything you just said! 0:56:140:56:16I didn't, that has nothing to do with art, marrying a rich girl. 0:56:160:56:19That's just a pleasant thing, you have to live somehow! 0:56:190:56:22I don't want to become something like really trendy 0:56:220:56:25disgusting, Seventh Avenue, you know, nothing like that. 0:56:250:56:28-I don't wear anything fashionable. -What you wearing now, then? 0:56:280:56:31What am I wearing? I been wearing cut-off jeans all my life. 0:56:310:56:34-Yohji Yamamoto? -Yohji Yamamoto.-Very good. 0:56:340:56:37-Those are fake names first of all. -What's fake? 0:56:370:56:40They're pseudonyms, they have to hide themselves, 0:56:400:56:42they have to hide their own... 0:56:420:56:44He doesn't know about fashion, you can tell, right? 0:56:440:56:47MUSIC: "Black Celebration" by Depeche Mode 0:56:510:56:55# Let's have a black celebration 0:57:200:57:24# Black celebration 0:57:280:57:31# Tonight 0:57:330:57:37# To celebrate the fact 0:57:450:57:48# That we've seen the black 0:57:480:57:52# Of another black day 0:57:520:57:59# Ohh! 0:58:050:58:06# I look to you 0:58:110:58:13# How you carry on 0:58:130:58:16# When all hope is gone 0:58:160:58:19# Can't you see? 0:58:190:58:23# Your optimistic eyes seem like paradise 0:58:230:58:28# To someone like 0:58:280:58:33# Me 0:58:330:58:35# I want to take you in my arms 0:58:350:58:38# Forgetting all I couldn't do today 0:58:380:58:42# Black celebration. # 0:58:420:58:45Sing it loud! 0:58:450:58:47# Black celebration 0:58:480:58:53# Tonight 0:58:530:58:57# To celebrate the fact 0:59:050:59:09# That we've seen the black 0:59:090:59:12# Of another black day 0:59:120:59:19# Ohh! 0:59:240:59:25# Take me in your arms 0:59:320:59:35# Forgetting all you couldn't do today 0:59:350:59:38# Black celebration. # 0:59:380:59:41Sing out loud! 0:59:410:59:43# Black celebration... # 0:59:450:59:49We've got our Lone Star beer. 0:59:490:59:53We're all set for the next 15 minutes. 0:59:530:59:56# ..Black celebration... # 0:59:561:00:01I'll have an Elvis shot glass. 1:00:021:00:04Could you pass me the Elvis one? 1:00:041:00:06Like a surgical blunder. 1:00:101:00:11Urgh! 1:00:171:00:19-Cheers.-Mama. 1:00:211:00:23That's looking... Get a shot on the white sneakers. 1:00:371:00:40-Is that like the newest trend here? -This is New York. And Metallica stars. 1:00:401:00:45Put your shoes together, this is a great picture. 1:00:451:00:48-I like your shorts, dude, they're bad.-I like your shirt too, man. 1:00:481:00:51I like the hat too. 1:00:511:00:53I like drinking, I like Albuquerque and New Mexico. 1:00:531:00:57-Oh yes.-Just like Texas. 1:00:571:00:58-Hey, what's that pretty lady's name back there, she's nice.-I like her. 1:00:581:01:02-She's cute.-That's Mia.-Mia? 1:01:021:01:04You look spunky, I like that. 1:01:041:01:06She's nice. I've been noticing her all the time she's been here. 1:01:061:01:11-My name's John.-I like them boots. 1:01:111:01:13I like them.. Yeah, I like them boots. 1:01:131:01:16-Boots that are made for walking. -I like them legs too. 1:01:161:01:19-This is Mia, she's a very beautiful woman.-Yes, she is. 1:01:191:01:21And respect her for that and introduce yourselves. 1:01:211:01:24-My name's Larry.-Nice to meet you. 1:01:241:01:28-My name's John.-Nice meeting you. 1:01:281:01:30-Come on, a little snap. -Can we get her over here too? 1:01:301:01:34Jay, you want to stand around. You, yo! 1:01:341:01:39-Albuquerque is known for heavy metal. -Oh, what do they know? 1:01:391:01:43They probably only hang out at heavy metal clubs. 1:01:431:01:46They're driving a Chevrolet, what do they know? 1:01:461:01:49I just don't like the music. 1:01:491:01:51The people are sometimes OK, but the music's...really bad. 1:01:511:01:55Guns 'n' Posers! 1:01:551:01:56Even they were laughing and they were going to see them! 1:01:581:02:01Guns 'n' Posers. 1:02:011:02:03He's drunk, what do you want? 1:02:041:02:06He's always drunk, always drunk. That's all they ever are. 1:02:061:02:10-This is the Pasadena Depeche Mode drunk tour.-Yeah. 1:02:121:02:15Ooh! 1:02:181:02:19Ooh-ooh-ooh, come on! 1:02:211:02:23What is this junk on my face now? What is that? 1:02:231:02:26It's Noxzema, retard, it's good for your skin. 1:02:261:02:28I don't want any Noxzema. 1:02:281:02:31-What happened, where was he? -Where was who?-Chris.-Where was he? 1:02:331:02:36-We didn't find him.-All right. 1:02:361:02:37We've got to go back to the hotel and check. 1:02:371:02:40He was drinking Tequila. 1:02:401:02:44They chopped up the worm, they split the worm and they ate the worm. 1:02:441:02:47They drank a lot of beer. Him and Andre. A lot of beer. 1:02:471:02:53She doesn't care, she's got Andre, 1:02:531:02:55he'll kick anybody's ass before they get within ten feet of her. 1:02:551:02:58I've got Oliver, I have to protect him! 1:02:581:03:01KNOCKING 1:03:021:03:04-Is this his room?-Yes. 1:03:071:03:09No, I don't, er... He hasn't been back in here. 1:03:091:03:12He was going down to the town. 1:03:121:03:13Chris! 1:03:131:03:15-What's up, guys? -You had us all worried. 1:03:171:03:19I didn't mean to worry you, but I'm just going to go hang out, 1:03:191:03:22man, I'm going to go hang out. 1:03:221:03:24-Where? With who? -I really wouldn't advise it. 1:03:241:03:28This place is so weird and I want to go hang out. 1:03:281:03:31Just get something to eat and you'll absorb the alcohol. 1:03:311:03:34-Just come with us to eat. -Where did you go to? 1:03:341:03:36CHEERING 1:03:441:03:48MUSIC: "Nothing" by Depeche Mode 1:03:481:03:51# Sitting target 1:04:221:04:26# Sitting waiting 1:04:261:04:30# Anticipating 1:04:301:04:34# Nothing 1:04:341:04:39# Nothing 1:04:391:04:43# Life is full of surprises 1:04:521:05:01# It advertises 1:05:011:05:05# Nothing 1:05:051:05:10# Nothing 1:05:101:05:13# What am I trying to do What am I trying to say? 1:05:161:05:20# I'm not trying to tell you anything you didn't know 1:05:201:05:23# When you woke up today, yeah 1:05:231:05:27# Ohh! 1:05:271:05:29# Ohh! 1:05:321:05:34# Sitting target 1:05:511:05:55# Sitting pretty 1:05:551:06:00# God is saying 1:06:001:06:03# Nothing 1:06:031:06:07# Nothing 1:06:071:06:11# Always 1:06:141:06:18# Knows the prospects 1:06:181:06:21# Learn to expect 1:06:211:06:25# Nothing 1:06:251:06:29# Nothing 1:06:291:06:34# What am I trying to do What am I trying to say? 1:06:351:06:39# I'm not trying to tell you anything you didn't know 1:06:391:06:43# When you woke up today, yeah 1:06:431:06:48# Come on! 1:06:481:06:49# You! 1:06:531:06:55# Yo! 1:07:321:07:33# Hey! 1:07:331:07:35# Whoa! 1:07:361:07:38# Nothing 1:07:551:07:57# Oh no, nothing, oh no 1:07:571:08:03# Nothing, oh no 1:08:031:08:08# Nothing, oh no. # 1:08:081:08:12CHEERING 1:08:121:08:17Ow! Ow! Ow! Ow! Ow! 1:08:251:08:28HE CONTINUES SHOUTING 1:08:281:08:30Ah. Oh shit! Ow, ow, ow! 1:08:331:08:35Ah. 1:08:401:08:41-Just do me one favour, please.-Whee! 1:08:441:08:46You're tired, aren't you? And ratty. 1:09:131:09:16Do you think high heels or flats? 1:09:221:09:25-And should I wear a hat or not? -A hat or not?-Yes. 1:09:251:09:30Cos my hair is just like so "dude", you know? 1:09:321:09:36Well? 1:09:361:09:37-Mom! Stop looking at me like that. -I'm looking at Christopher. 1:09:381:09:43-Too bad I'm not Christopher. -I mean, I'm sorry, Oliver. 1:09:431:09:45No, the reason I say hat is because it makes the ends break off 1:09:451:09:48the more she does it. 1:09:481:09:50Oh, so you're standing behind my back 1:09:501:09:52telling her what to say, aren't you? Little ... 1:09:521:09:56Don't wear the hat cos you look ridiculous, 1:09:581:10:00it will be too much, 1:10:001:10:02it will be too overpowering for the outfit. 1:10:021:10:04I'd personally do something with your hair, that's fine. 1:10:041:10:07-I don't believe I'm wearing this, I really don't.-It's really cool. 1:10:091:10:12-Look at the shoes. -They match the shorts. 1:10:121:10:14They do match but I can't believe I'm wearing it. 1:10:141:10:17-If my mom sees this, I'm in trouble! -Your mom, what about my mom! 1:10:171:10:22-If my mom sees it, I'll be in trouble, too. -Why, because I'm wearing the shoes? 1:10:221:10:27No, because she lent them to me! 1:10:271:10:29-Congratulations, you have done it! -I think we've all done it. 1:10:321:10:36Ready for the concert? 1:10:361:10:37Whoa, check out Tamsin! 1:10:371:10:39-ALL: Whoo! -Hot mama! 1:10:391:10:42-Maybe you can do it?-All right. 1:10:511:10:55There. 1:10:561:10:57-All right, thanks.-Rocking. -Brilliant! 1:11:001:11:04As you can see, I'm not looking my best at the moment. 1:11:041:11:07Something due to the fact that we've been on tour for nine months. 1:11:071:11:10I'm usually... 1:11:121:11:14You're going to see my routine that I've gone through now 100 times on this tour. 1:11:141:11:19Who was it? 1:11:241:11:25Alan Plankerton. 1:11:251:11:27Bit tense tonight. A lot of problems on stage. All the keyboards... We're working with no back-up. 1:11:321:11:38Usually we have back-up and now there's nothing 1:11:381:11:42because the main ones, the main ones have gone out with the heat. 1:11:421:11:45If anything else fails we can tell the audience to be quiet and get the two acoustics out, right?! 1:11:451:11:50And someone is stuck with nothing to play, 1:11:501:11:52-you've just got to whip one out.-All right. 1:11:521:11:55Get out of here. Get out of here, move back, right now! 1:11:551:11:59Where are we? 1:12:051:12:07Lost. 1:12:071:12:10THEY LAUGH 1:12:101:12:11We'll get there for the last song. 1:12:111:12:13-We're going to die, we are! -In Arizona! 1:12:161:12:19-Watch that pedestrian, Dave! -Ooh, that was close! 1:12:191:12:22'We've solved another one of the problems.' 1:12:241:12:26OK. OK! 1:12:261:12:27Did it work? 1:12:271:12:29-We're going to do it.-Right-on, Daz. 1:12:291:12:32-Rock and roll!-OK, start the tape. 1:12:321:12:35SCREAMING AND CHEERING 1:12:351:12:39Whoa! 1:12:471:12:49-Hold on to your...-Whatevers! 1:12:491:12:52Oh, my God! We're really lost. 1:12:521:12:56Dave is really playing a good joke. 1:12:561:12:58MUSIC: "Shake The Disease" by Depeche Mode 1:13:061:13:09# I'm not going down on my knees 1:13:231:13:27# Begging you to adore me 1:13:271:13:30# Can't you see it's misery 1:13:321:13:35# And torture for me 1:13:351:13:39# When I'm misunderstood 1:13:401:13:44# Try as hard as you can I've tried as hard as I could 1:13:441:13:48# To make you see How important it is for me 1:13:481:13:56-BAND:-# Here is a plea From my heart to you 1:13:561:14:00# Nobody knows me As well as you do 1:14:001:14:04# You know how hard it is for me To shake the disease 1:14:041:14:09# That takes hold of my tongue In situations like these... # 1:14:091:14:15Let's go! 1:14:151:14:16CHEERING 1:14:161:14:18# Understand me 1:14:181:14:23# Understand me 1:14:231:14:26# Understand me 1:14:271:14:31# Understand me... # 1:14:311:14:34-I don't think we're in Kansas any more!-Oh, my God, look at that! 1:14:431:14:49Keep off the road! 1:14:511:14:52LAUGHTER 1:14:521:14:54Depeche Mode, the game! 1:14:541:14:56# ..Lovers devoted To each other for ever 1:14:571:15:02# Now I've got things to do 1:15:041:15:09# And I've said before that I know you have too 1:15:091:15:12# When I'm not there 1:15:121:15:16# In spirit I'll be there 1:15:161:15:20# Here is a plea From my heart to you 1:15:201:15:24# Nobody knows me as well as you do 1:15:241:15:29# You know how hard it is for me 1:15:291:15:31# To shake the disease 1:15:311:15:33# That takes hold of my tongue 1:15:331:15:35# In situations like these 1:15:351:15:38# Here is a plea From my heart to you 1:15:381:15:40# Nobody knows me As well as you do 1:15:401:15:45# You know how hard it is for me To shake the disease 1:15:451:15:49# That takes hold of my tongue In situations like these. # 1:15:491:15:55Again! 1:15:551:15:57CHEERING 1:15:571:16:00I'm glad we caught the last half of the show. 1:16:001:16:03-I'm glad we caught the encore! -I think this is the encore! 1:16:031:16:07MUSIC: "A Question Of Time" by Depeche Mode # It's just a question of time 1:16:071:16:12# And it's running after you 1:16:131:16:17# It won't be long until you'll do 1:16:171:16:20# Exactly what they want you to... # 1:16:201:16:24Yeah! CHEERING 1:16:241:16:27-That's the desert.-That is. Wow. 1:16:371:16:42There's green stuff, though. Is the... What desert is this? 1:16:431:16:47-Sahara.-Sahara? 1:16:491:16:50Get rid of the earring, you'll be all right. 1:16:531:16:56Who wants to hear a joke? 1:16:561:16:58LAUGHTER 1:16:581:16:59No, I've seen it! 1:16:591:17:02-What are you eating?-What is that? -That's shit on the shingles. 1:17:021:17:06-Was your dad ever in the service? -My dad was a marine. 1:17:061:17:11Ask your dad about shit on the shingles. 1:17:111:17:14-And your dad let you go like that? -Oh, my gosh!-Do you make any money? 1:17:141:17:19-We're making so much money. -I like his hair. I really do. 1:17:191:17:23-What do y'all sing, punk? -No, punk is like out. 1:17:231:17:27-Sing something.-Come on. They won't care here. Come on. 1:17:271:17:31Route 66? 1:17:311:17:33Route 66? All right, I'm down with that. 1:17:331:17:36# Well, if you plan to motor west... # 1:17:361:17:39-Come on!-He's a keyboard player. 1:17:391:17:42MUSIC: "Route 66" by Depeche Mode 1:17:421:17:46# Kingman, Barstow, San Bernardino 1:18:161:18:19# If you get hip to this kind of tip 1:18:191:18:24# Then go take that California trip 1:18:261:18:31# Get your kicks on route 66 1:18:331:18:38# Get your kicks on route 66 1:18:411:18:46# Get your kicks... # 1:18:481:18:50Hello, LA! God! 1:18:501:18:54MUSIC: "Behind The Wheel" by Depeche Mode 1:18:541:18:58# All your girls 1:19:081:19:10# There are times when I feel 1:19:111:19:14# I'd rather not be 1:19:151:19:18# The one behind the wheel 1:19:191:19:24# Come 1:19:241:19:25# Pull my strings 1:19:261:19:29# Watch me move 1:19:311:19:33# I'd do anything 1:19:351:19:38# Please... # ECHOES 1:19:401:19:42Get off the stage and let them play with those two mics. 1:19:471:19:52And then come back, I'm afraid. 1:19:521:19:54Well, that sucks. 1:19:561:19:59It sucks, but let's get to it. And get it right, yeah? 1:19:591:20:02We're supposed to reduce our sound check by an hour. 1:20:031:20:06After everything else, we've had nothing but grief 1:20:061:20:09in this whole place with the roof and everything has been late. 1:20:091:20:12Everything that we've tried to do has been late. We've had problems with everything. 1:20:121:20:16We've had keyboards blowing up, the lot. 1:20:161:20:18And now as the final straw, we've been told we've got to finish everything an hour early. 1:20:181:20:23It's a great problem and we're doing everything that we can. 1:20:231:20:25We will limit our sound check, do everything that's within our grasp to finish it 1:20:251:20:29and keep the noise to a minimum, but that's all I can do at the moment, I'm afraid. Hello. 1:20:291:20:34You're doing fine! 1:21:101:21:12SCREAMING AND CHEERING 1:21:151:21:17-Two black or white? -I'd like two white shirts. 1:21:351:21:38-These? 23 each, OK?-How much?-23. 1:21:381:21:42-OK, 26.-Thank you. 1:21:421:21:44-Can help you? -Just two posters.-Two posters? 20. 1:21:441:21:48Thank you. 1:21:481:21:50OK, who's next? 1:21:501:21:51Ironic, isn't it? 1:21:511:21:53Tell me this, what made you decide to do this? 1:21:531:21:57I mean, when I first heard it, I mean, 1:21:571:21:58a lot of people I'm sure went, "God that is a real risk for this band, 1:21:581:22:02"I mean, can they draw 70,000 people?" 1:22:021:22:04You go through phases of like, being really, really tired and really 1:22:041:22:11fed up and wanting to go home and then you feel good for a month or so. 1:22:111:22:14You're up and down, but we're feeling good at the moment, 1:22:141:22:17even though it's the end and also a bit sad, you know. 1:22:171:22:20Usually with people we like we can work with them closely. 1:22:201:22:25And without being dictated to by a higher, you know, officials. So... 1:22:251:22:30-You've got to have a seat. -I do have a seat. 1:22:301:22:32You've got to go before the show starts. OK. 1:22:321:22:36-Hello, Pasadena.-No, I don't think I should say Pasadena. 1:22:401:22:43I've been thinking about this. It's been playing on my mind. 1:22:431:22:46-I think I should say...-Dave, I wouldn't let it play on your mind! 1:22:461:22:49I think I should say, "Good evening, everybody." 1:22:491:22:52No, that sounds terrible, everybody. 1:22:521:22:55-Hello.-Try it Newark, New Jersey, see what that.-Hello, people. 1:22:551:22:59Why not say, good evening, welcome to a concert for the masses. 1:22:591:23:02Who do you think I am, fucking Wordsworth? 1:23:021:23:04I'll write it down for you. What was it again? 1:23:041:23:06Concert, everyone, you evening masses. 1:23:061:23:08Good evening, concert, masses, everybody, people, Pasadena! 1:23:081:23:13-Fucked that right up, didn't I? -Write it on your shirt. I'll get Darren. 1:23:131:23:17Get Paul down there. Get Paul. 1:23:171:23:20We'll put on the back of Andre's shirt, OK, so he can come on 1:23:201:23:23-and do it like that, you can have it, good evening, everybody.-Hello! 1:23:231:23:26TALK OVER EACH OTHER 1:23:261:23:28And what shall I say? I'm serious. 1:23:281:23:30-What do you think I should say? -Pasadena. That's where we are. 1:23:301:23:33-Or Rose Bowl.-Rose Bowl. 1:23:331:23:35-That's where it is. It's at the Rose Bowl.-Good evening, Rose Bowl. 1:23:351:23:39He wants to hear the band play! 1:23:441:23:47I haven't even started counting. 1:23:491:23:51I want to tell him the T-shirts sold out. In two seconds! 1:23:511:23:55-This is ridiculous.-85,000 and 75. 1:23:571:24:02This is hysterical. Ridiculous. 1:24:031:24:06Imagine how much money they raked in tonight. That's the question. 1:24:061:24:09How much money they made. You figure 23 shirts and 28... 1:24:091:24:12-No, 32 sweatshirts, something like that.-32? 1:24:121:24:14-And how much were the programmes? -I don't know.-5, 10 bucks or so? 1:24:141:24:18Phew! I'd love to be their accountant. 1:24:181:24:201,000 for T-shirts. 1:24:201:24:21Do you have any idea what that is? Does anyone know, besides me looking at the invoice? 1:24:211:24:27-I have no idea.-No. 1:24:271:24:29I don't know. We should ask Jose. We can ask him what it's for. 1:24:301:24:34-Add it to their wardrobe tonight. I don't know.-Here it is.-What is it? 1:24:341:24:391,000. Jose enterprises! 1:24:391:24:44LAUGHTER 1:24:441:24:45It's for 96 pass t-shirts, silver T-shirts. 1:24:451:24:50-Who's wearing silver T-shirts? -No idea. I didn't get one. 1:24:501:24:54Let's ask, can we ask Jose Productions? 1:24:541:24:57OK, can we start the tape, please? 1:24:571:25:02SCREAMING AND CHEERING 1:25:041:25:07-Oh, shit.-I mean, I'm not sure about this at all. 1:25:171:25:21I dunno, what do you think? 1:25:211:25:24-Oh, let's go. -Let's go back to the hotel. 1:25:241:25:27I mean, they had a good time, 1:25:291:25:31they've been played by Thomas Dolby. They won't mind. 1:25:311:25:34-Here we go.-Come on! 1:25:441:25:48-Rock'n'roll.-Darren.-What? 1:25:481:25:50Hang on, Mark, Mark, Mark. 1:25:521:25:59CHEERING 1:26:271:26:31CHEERING 1:26:411:26:45BANGS 1:26:451:26:47MUSIC: "Behind The Wheel" by Depeche Mode 1:26:471:26:50# My little girl 1:27:161:27:19# Drive anywhere 1:27:201:27:22# Do what you want 1:27:241:27:26# I don't care 1:27:291:27:31# Tonight 1:27:321:27:33# I'm in the hands of fate 1:27:351:27:37# I hand myself 1:27:391:27:41# Over on a plate 1:27:441:27:47# Now 1:27:481:27:49# Oh, little girl 1:28:021:28:04# There are times when I feel 1:28:061:28:08# I'd rather not be 1:28:091:28:12# The one behind the wheel 1:28:141:28:17# Come 1:28:191:28:20# Pull my strings 1:28:211:28:24# Watch me move 1:28:251:28:27# I'd do anything 1:28:291:28:32# Please. # 1:28:341:28:36CHEERING 1:28:361:28:39Oh! 1:28:471:28:50Yeah! 1:29:041:29:05# Sweet little girl 1:29:191:29:21# I'd prefer 1:29:231:29:25# You behind the wheel 1:29:261:29:29# And me the passenger 1:29:311:29:34# Drive 1:29:361:29:37# I'm yours to be 1:29:371:29:40# Do what you want 1:29:421:29:44# I'm going cheap 1:29:471:29:49# Tonight, tonight 1:29:501:29:53# You're behind the wheel, tonight 1:30:021:30:07# You're behind the wheel, tonight 1:30:181:30:22# You're behind the wheel, tonight 1:30:331:30:39# You're behind the wheel, tonight 1:30:491:30:53# You're behind the wheel tonight... # 1:31:041:31:09Yeah! 1:31:091:31:10# You're behind the wheel, tonight. # 1:31:201:31:25Thank you! 1:31:251:31:27CHEERING Yeah. 1:31:271:31:29Thank you very much! APPLAUSE 1:31:291:31:34Good evening, Pasadena! 1:31:341:31:36We have not bitched about one thing! 1:31:431:31:45You know that? We have not bitched on a thing. 1:31:451:31:49Everything we give it costs him money! 1:31:491:31:51-I want to put something in.-Yeah. -For field. OK? 1:31:511:31:55I mean, because in the contract, 1:31:551:31:56we're responsible for re-sodding the field if there are any damages to it. 1:31:561:32:01I want to put something in. 1:32:011:32:03-What do you want to put in for damage?-I'd put in 5,000. 1:32:031:32:07-Let's put half in.-No, I think we need to have it in. 1:32:101:32:14This is one of the few places where you really get hit with this. 1:32:141:32:18Jonathan, let's remember one thing. This building was not our choice. 1:32:181:32:23This was Wayne's and the band's choice. 1:32:231:32:25-This was the band's choice cos they told Wayne...-They wanted an event. 1:32:251:32:29..they want to play where nobody's played and I said, 1:32:291:32:32"Wayne, nobody's played the Rose Bowl since 1982 1:32:321:32:35"when Peace Sunday was here for Steve Wonder and Jackson Brown." 1:32:351:32:39You know? 1:32:391:32:41-We have a lot more costs.-It's the most expensive building in town. 1:32:411:32:44-Buildings that we want to bill, the band said "We want to play there." -Five grand for damage?! 1:32:441:32:49Look at... Read that contract. We're responsible. 1:32:491:32:52-I read it, I was just looking at it. -Five grand. 1:32:521:32:55CHEERING 1:32:571:33:01MUSIC: "Strangelove" by Depeche Mode 1:33:011:33:06# There'll be times 1:33:191:33:21# When my crimes 1:33:211:33:23# Will seem almost unforgivable 1:33:231:33:27# I give in to sin 1:33:271:33:31# Because you have to make this life liveable 1:33:311:33:35# But when you think I've had enough 1:33:351:33:37# From your sea of love 1:33:371:33:39# I'll take more than another river full 1:33:391:33:43# Yes and I'll make it all worthwhile 1:33:431:33:50# I'll make your heart smile 1:33:501:33:52# Strange love 1:33:521:33:54# Strange highs and strange lows 1:33:541:33:56# Strange love 1:33:561:33:58# That's how my love goes 1:33:581:34:00# Strange love 1:34:001:34:02# Will you give it to me? 1:34:021:34:05# Will you take the pain? 1:34:051:34:07# I will give to you 1:34:071:34:09# Again and again 1:34:091:34:11# And will you return it? 1:34:111:34:13Oooh... Come on, now! 1:34:221:34:26-BAND:-# Pain will you return it? I'll say it again - pain 1:34:271:34:33# Pain will you return it? I'll say it again - pain 1:34:351:34:41# Pain will you return it? I'll say it again - pain 1:34:431:34:49-# Pain will you return it? -I won't say it again 1:34:521:34:56# Oh! # 1:34:561:34:58Oh, oh! 1:35:051:35:07Come on, now! I want to see those hands! 1:35:081:35:12Up! 1:35:151:35:16Oh, yeah! 1:35:201:35:22-# I give in -I give in again and again 1:35:231:35:27-# I give in.-I give in But will you give it to me? 1:35:271:35:31-# I give in.-I give in I'll say it again 1:35:311:35:35-# I give in.-I give in 1:35:351:35:37-# I give in I give in -Again and again 1:35:391:35:43-# I give in.-I give in Will you give it me? 1:35:431:35:47-# I give in.-I give in I'll say it again 1:35:471:35:51-# I give in.-I give in 1:35:511:35:54# Strange love 1:35:561:35:58# Strange love 1:36:001:36:02-# Strange love... # -I can't hear you! 1:36:041:36:07# ..Strange love... # 1:36:071:36:10Yeah! 1:36:101:36:12# ...Strange love 1:36:121:36:14# Strange love 1:36:151:36:18# Strange love 1:36:201:36:23# Strange love 1:36:241:36:26# That's how my love goes 1:36:261:36:29# Strange love 1:36:291:36:30# Will you give it me? 1:36:301:36:32# Will you take the pain? 1:36:321:36:35# I will give it to you Again and again 1:36:351:36:40# And will you return it? # 1:36:401:36:43Thank you. APPLAUSE 1:36:431:36:47First of all, turnstile count, 65,314. 1:36:511:36:55Thought it'd be higher. Do you guys have a total? 1:36:551:36:58-Yeah, I want your total. -What's your total? 1:36:581:37:01-Let me see it. Let me see our total. -I can't see your total. 1:37:011:37:05What's your numbers? 1:37:051:37:06-11 times...-21! 1:37:061:37:08Put a plus on the front of that... That's right. Go back there. 1:37:111:37:15Put a plus on the front of it and you're fine. 1:37:151:37:171,360,192.50. 1:37:171:37:23And paid attendance was 60,453 people. 1:37:231:37:26Tonight at the Rose Bowl in Pasadena. June 18th 1988. 1:37:281:37:33We're getting a load of money! 1:37:331:37:35A lot of money! A load of money! 1:37:351:37:38Tonnes of money! 1:37:381:37:40MUSIC: "Everything Counts" by Depeche Mode 1:37:401:37:43# The handshake 1:37:561:37:58# Seals a contract 1:37:581:38:00# From the contract 1:38:001:38:02# There's no turning back 1:38:021:38:04# The turning point 1:38:041:38:06# Of a career 1:38:061:38:08# In Korea, being sincere 1:38:081:38:12# The holiday 1:38:151:38:17# Was fun-packed 1:38:171:38:19# The contract 1:38:191:38:21# Still intact 1:38:211:38:24# The grabbing hands 1:38:241:38:26# Grab all they can 1:38:261:38:28# All for themselves after all 1:38:281:38:31# The grabbing hands 1:38:311:38:34# Grab all they can 1:38:341:38:36# All for themselves after all 1:38:361:38:40# It's a competitive world 1:38:401:38:43# Everything counts in large amounts 1:38:451:38:48# The graph (the graph) 1:39:061:39:08# On the wall (the graph) 1:39:081:39:10# Tells a story (the graph) 1:39:101:39:11# Of it all (the graph) 1:39:111:39:14# Picture it now (the graph) 1:39:141:39:16# See just how (the graph) 1:39:161:39:18# The lies and deceit (the graph) 1:39:181:39:20# Gained a little more power (the graph) 1:39:201:39:23# On the wall 1:39:231:39:24# Confidence (the graph) Taken in (the graph) 1:39:241:39:29# By a sun tan (the graph) 1:39:291:39:32# And a grin (the handshake) 1:39:321:39:34# The grabbing hands 1:39:341:39:35# Grab all they can 1:39:351:39:37# All for themselves after all 1:39:371:39:42# The grabbing hands 1:39:421:39:44# Grab all they can 1:39:441:39:46# All for themselves after all 1:39:461:39:49# It's a competitive world... # 1:39:491:39:52Sing it! 1:39:521:39:54# Everything counts in large amounts 1:39:591:40:03# Everything counts in large amounts... # 1:40:071:40:12Go! 1:40:151:40:18# The grabbing hands 1:40:201:40:22# Grab all they can 1:40:221:40:24# Everything counts in large amounts 1:40:241:40:28# The grabbing hands 1:40:281:40:30# Grab all they can 1:40:301:40:33# Everything counts in large amounts 1:40:331:40:36# Everything everything 1:40:481:40:50# Everything everything 1:40:521:40:53# The grabbing hands 1:40:531:40:56# Grab all they can 1:40:561:40:58# Everything counts in large amounts... # 1:40:581:41:02Thank you very much! 1:41:081:41:11Come on! Le's hear you sing it! 1:41:141:41:18-ALL:-# The grabbing hands 1:41:191:41:21# Grab all they can 1:41:211:41:23# Everything counts in large amounts 1:41:231:41:28# The grabbing hands 1:41:281:41:30# Grab all they can 1:41:301:41:32# Everything counts in large amounts 1:41:321:41:36-AUDIENCE:-# The grabbing hands 1:41:361:41:39# Grab all they can 1:41:391:41:41# Everything counts in large amounts 1:41:411:41:45# The grabbing hands 1:41:451:41:48# Grab all they can 1:41:481:41:50# Everything counts in large amounts 1:41:501:41:54# The grabbing hands 1:41:541:41:57# Grab all they can 1:41:571:41:59# Everything counts in large amounts 1:41:591:42:03# The grabbing hands 1:42:031:42:05# Grab all they can 1:42:051:42:08# Everything counts in large amounts 1:42:081:42:12# The grabbing hands 1:42:121:42:15# Grab all they can 1:42:151:42:17# Everything counts in large amounts 1:42:171:42:20# The grabbing hands Grab all they can... # 1:42:201:42:24SINGING FADES, APPLAUSE AND CHEERING 1:42:241:42:29Thank you! 1:42:331:42:35Yeah, right, that's typical. 1:42:381:42:42Jodie, what's the verdict? 1:42:421:42:45Well, it's very hard work. 1:42:451:42:48-Very what?-Very hard work. -Hard work? 1:42:481:42:50-Hard work.-Did you find it... 1:42:501:42:52-The vocals were hard. -The vocals were... Everything else was horrendous. 1:42:521:42:55Did they sound... What did they sound like out front? 1:42:551:42:59They were... How can you describe them? 1:42:591:43:02I hope you puts lots of reverb on. 1:43:021:43:04Yeah, you do, but the thing is, in that sort of place, 1:43:041:43:09the vocals always come over extra dry. 1:43:091:43:12You can wet them and wet them, they still sound clear. 1:43:121:43:16Did you notice that, at all? 1:43:161:43:17They sound a little too clear sometimes. 1:43:171:43:20Come on, let's get back out there. 1:43:221:43:24CHEERING 1:43:241:43:27MUSIC: "Just Can't Get Enough" by Depeche Mode 1:43:501:43:54CHEERING 1:43:541:43:58# When I'm with you, baby I go out of my head 1:44:131:44:18-BAND:-# I just can't get enough I just can't get enough 1:44:181:44:21# All the things you do to me And everything you said 1:44:211:44:25# I just can't get enough I just can't get enough 1:44:251:44:28# We slip and slide And we fall in love 1:44:281:44:32# And I just can't seem to get enough of... # 1:44:321:44:36CHEERING 1:44:361:44:38# ..We walk together We're walking down the street 1:44:521:44:55# I just can't get enough I just can't get enough 1:44:551:44:58# Every time I think of you I know we have to meet 1:44:581:45:02# I just can't get enough I just can't get enough 1:45:021:45:06# It's getting hotter It's a burning love 1:45:061:45:10# And I just can't seem to get enough of... # 1:45:101:45:14INDISTINCT 1:45:171:45:19Want to hear you. Come on now! 1:45:241:45:27Want you all singing. Everybody. 1:45:291:45:32CHEERING 1:45:371:45:39-AUDIENCE:-# Just can't get enough I just can't get enough 1:45:391:45:43# I just can't get enough I just can't get enough 1:45:431:45:47# I just can't get enough I just can't get enough 1:45:471:45:51-BAND:-# I just can't get enough I just can't get enough 1:45:511:45:55# I just can't get enough I just can't get enough 1:45:551:45:58# I just can't get enough I just can't get enough 1:45:581:46:02# I just can't get enough I just can't get enough. 1:46:021:46:07# And when it rains You're shining down for me 1:46:071:46:09# I just can't get enough I just can't get enough 1:46:091:46:13# Just like a rainbow You know you set me free 1:46:131:46:17# I just can't get enough I just can't get enough 1:46:171:46:21# You're just like an angel And you give me love 1:46:211:46:25# And I just can't seem to get enough of 1:46:251:46:29# Oh no... # 1:46:321:46:34Go! 1:46:481:46:50-# Oooh ooh ooh-ooh-ooh. # -Here we go. 1:46:511:46:57I can't see you! 1:46:571:46:59-# Oooh ooh ooh.-Oooh! # 1:46:591:47:03Here we go! 1:47:031:47:07# Ooooh oooh ooh. # 1:47:071:47:12Louder! 1:47:131:47:14# Ooooh oooh oooh 1:47:141:47:19# Ooooh ooooh oooh! # 1:47:211:47:27And again! 1:47:281:47:30# Oooh oooh oooh. # 1:47:301:47:35MUSIC ENDS 1:47:371:47:38Oh! CHEERING 1:47:381:47:41-Chart to Ben.-Darling. -Thank you, Sarah. 1:47:411:47:43-You got it, big guy? -Thank you. 1:47:431:47:46-A fair amount of money?-Just for the one show.-Yup.-We make it out to the right guy?-Yup. 1:47:461:47:50-You're covered.-Thank you. -Does it mean I can go home now? 1:47:501:47:53You don't have to go home but you can't stay here. 1:47:531:47:56LAUGHTER 1:47:561:47:58Hey, yeah! 1:47:581:48:00MUSIC: "Never Let Me Down Again" 1:48:001:48:02Can you hear me? 1:48:021:48:05CHEERING 1:48:051:48:07# I'm taking a ride With my best friend 1:48:261:48:31# I hope he never lets me down again 1:48:351:48:40# He knows where he's taking me 1:48:441:48:49# Taking me where I want to be 1:48:491:48:52-BAND:-# I'm taking a ride With my best friend... # 1:48:521:48:58Oooh! Come on now. I want to hear you singing. 1:49:031:49:07-BAND:-# ..We're flying high 1:49:121:49:14# We're watching the world pass us by 1:49:141:49:19# Never want to come down 1:49:211:49:23# Never want to put my feet Back down on the ground 1:49:231:49:28# I'm taking a ride With my best friend 1:49:381:49:44# I hope he never lets me down again 1:49:481:49:52# Promises me I'm as safe as houses 1:49:571:50:01# As long as I remember Who's wearing the trousers 1:50:011:50:06# I hope he never lets me down again... # 1:50:061:50:11Here we go. 1:50:131:50:14Right. Come on, everybody sing it! Here we go! 1:50:141:50:20CHEERING 1:50:201:50:23# ..We're flying high We're watching the world pass us by 1:50:231:50:31# Never want to come down 1:50:331:50:36# Never want to put my feet 1:50:361:50:38# Back down on the ground... # 1:50:381:50:40-No!-# ..We're flying high 1:50:401:50:45# We're watching the world pass us by 1:50:451:50:49# Never want to come down 1:50:511:50:54# Never want to out my feet back down on the ground. # 1:50:541:50:58Oh... 1:50:581:51:01CHEERING 1:51:011:51:07Let's go! 1:51:181:51:19Oh...! 1:51:361:51:38Oh oh...! 1:51:411:51:42Hey! Hey! 1:51:481:51:50Oh...! 1:51:531:51:55Oh... Yeah. 1:51:551:51:57OK! 1:52:191:52:20# Never let me down 1:52:581:53:03# Never let me down 1:53:031:53:08# Never let me down 1:53:081:53:12# Never let me down. # 1:53:121:53:16CHEERING 1:53:191:53:24MUSIC ENDS, CHEERING Thank you! 1:53:351:53:38Thank you very much. Good night. Thank you. 1:53:381:53:41COMMENT DROWNED BY CHEERING 1:53:411:53:44OK, good gig. We get off on their energy, you know. 1:53:471:53:50The fans were screaming for them, they couldn't play any more. 1:53:501:53:53-That was the best.-That was the best.-No, you guys should have fun. 1:53:531:53:56Me and Sandra went right into the middle. 1:53:561:53:58-See when those lights came up, everyone around us was...-No. 1:53:581:54:01-I know. So much ene... Oh... -That was the best.-Incredible. 1:54:011:54:05-That was incredible.-That was. 1:54:051:54:08HUM OF CONVERSATIONS 1:54:081:54:11A jolly good tour. Can't complain. 1:54:111:54:14THEY CHUCKLE 1:54:201:54:22Mwah! 1:54:221:54:24Think you'd better hold me like for during the gig. 1:54:271:54:30I was thinking about everyone and I couldn't stop crying, you know. 1:54:301:54:33WOMAN LAUGHS 1:54:331:54:35I'll get there. 1:54:351:54:37CHEERING 1:54:371:54:42INDISTINCT COMMENT 1:54:481:54:50Jesus! A few too many spikes for him, don't you think? 1:54:531:54:59-See you.-I'm going to call. Good luck on your test, Sandra.-Yes, good luck.-Yeah, good luck. 1:54:591:55:03-Take an egg.-Take an egg. 1:55:031:55:06-Goodbye.-Goodbye. 1:55:061:55:07THEY TALK OVER EACH OTHER 1:55:071:55:11WOMAN CHUCKLES 1:55:111:55:13Good night, Sandra. Goodbye, girls! 1:55:131:55:16You've been sent back. 1:55:161:55:19Hi. 1:55:211:55:22-BEEPING -Just visiting? 1:55:231:55:24-Making a movie.-No way! A movie for what?-Depeche Mode.-Oh, really? You're joking. 1:55:241:55:31-No, I'm not joking. Watch the movie.-You're on the step first. -He's joking.-See you guys. 1:55:311:55:38He's in Depeche Mode? 1:55:381:55:41-Next!-Depeche Mode. 1:55:421:55:46CHEERING IN BACKGROUND 1:55:461:55:50MUSIC: "Route 66" by Depeche Mode. 1:55:501:55:54# Kingman, Barstow, San Bernardino If you ever plan to motor west 1:56:371:56:45# Travel my way Take the highway that's the best 1:56:471:56:53# And get your kick on Route 66 1:56:541:56:59# Well it winds from Chicago to LA 1:57:021:57:07# More than 2,000 miles all the way 1:57:091:57:14# Get your kick on Route 66 1:57:161:57:21# Well it goes to St Louis Down to Missouri 1:57:231:57:28# Oklahoma City looks oh so pretty 1:57:281:57:31# You'll see Amarillo 1:57:311:57:35# Gallup, New Mexico 1:57:351:57:38# Flagstaff, Arizona Don't forget Winona 1:57:381:57:42# Kingman, Barstow, San Bernardino 1:57:421:57:46# If you get hip to this kind of tip 1:57:461:57:50# And go take that California trip 1:57:521:57:57# And get your kick on Route 66 1:58:001:58:05# Well it goes to St Louis Down to Missouri 1:58:361:58:40# Oklahoma City looks oh so pretty 1:58:401:58:44# You'll see Amarillo 1:58:441:58:47# Gallup, New Mexico 1:58:471:58:50# Flagstaff, Arizona 1:58:501:58:53# Don't forget Winona 1:58:531:58:55# Kingman, Barstow, San Bernardino 1:58:551:58:58# If you get hip to this kind of tip 1:58:581:59:02# And go take that California trip 1:59:051:59:09# And get your kick on Route 66 1:59:121:59:17# And get your kick on Route 66 1:59:191:59:24# And get your kick on Route 66 1:59:261:59:31# And get your kick on Route 66 1:59:331:59:39# And get your kick on Route 66 1:59:411:59:46# And get your kick on Route 66 1:59:481:59:53# And get your kick on Route 66. # 1:59:562:00:00Subtitles by Red Bee Media Ltd. DA Pennebaker's classic verite documentary as alternative/modern rock outfit Depeche Mode break America in 1989. The film follows Depeche Mode preparing for the final concert of their Music for the Masses tour at Pasadena's Rose Bowl, while also following a group of young fans who have won tickets to the concert as they travel to the show by bus across America.'I'm not sure about this. Let's go home', lead singer Dave Gahan tells the rest of the band before they take the stage in Pasadena. Pennebaker tracks Depeche Mode as their 1987 Music for the Masses album and tour prepares the way for 1990's Violator hit album and tour, which saw the boys from Basildon turn into monsters of rock.Download SubtitlesSRTDownload depeche-mode-101.srt ⇓ASSDownload depeche-mode-101.ass ⇓Browse Site ContentFormatsAnimationAppealsBulletinsDiscussion & TalkDocudramasDocumentariesFilmsGames & QuizzesMagazines & ReviewsMakeoversPerformances & EventsPhone-insReadingsRealityTalent ShowsGenresChildren'sDramaLearningFactualMusicNewsReligion & EthicsSportWeatherComedyEntertainmentQuick LinksHomepageAboutContact UsTerms of ServicePrivacy PolicyRemoval / DMCA RequestsSearch