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These are the user uploaded subtitles that are being translated: 1 00:00:00,493 --> 00:00:01,783 Previously on "Cardinal." 2 00:00:01,807 --> 00:00:03,018 It's another abduction. 3 00:00:03,042 --> 00:00:04,019 - (ELECTRICITY CRACKLING) - (WHIMPERING) 4 00:00:04,043 --> 00:00:05,120 MCLEOD: It's Josh McNider. 5 00:00:05,144 --> 00:00:06,277 I think we have a third party. 6 00:00:07,625 --> 00:00:10,325 CARDINAL: Kit's like he justd stumbled on the abduction. 7 00:00:10,349 --> 00:00:12,160 And Josh is supposed to be the next victim. 8 00:00:12,184 --> 00:00:13,361 NEIL: Say hi to Daddy. 9 00:00:13,385 --> 00:00:15,530 KULAR: This is Neil Cuthbert. 10 00:00:15,554 --> 00:00:18,066 Detained in Quebec after a suspected contract killing. 11 00:00:18,090 --> 00:00:19,067 (GRUNT) 12 00:00:19,091 --> 00:00:20,068 - (GUN SHOT) - (MOANS) 13 00:00:20,092 --> 00:00:21,069 CARDINAL: That's our suspect. 14 00:00:21,093 --> 00:00:22,070 KEN: Scott. 15 00:00:22,094 --> 00:00:23,072 Where's my son? 16 00:00:23,096 --> 00:00:24,439 You said you could keep me safe. 17 00:00:24,463 --> 00:00:26,274 (DRAMATIC INSTRUMENTAL) 18 00:00:26,298 --> 00:00:27,742 (BOOM) 19 00:00:27,766 --> 00:00:28,944 (SIRENS WAILING) 20 00:00:28,968 --> 00:00:30,278 (PULSING SUSPENSEFUL MUSIC) 21 00:00:30,302 --> 00:00:31,413 He's alive! 22 00:00:31,437 --> 00:00:33,582 The doctors say Josh will be okay. 23 00:00:33,606 --> 00:00:35,584 With Neil Cuthbert dead, do we think the killings will stop? 24 00:00:35,608 --> 00:00:37,114 - (PULSING SUSPENSEFUL MUSIC) - (DRAMATIC BEAT) 25 00:00:37,150 --> 00:00:38,854 No, they won't stop. 26 00:00:38,878 --> 00:00:40,622 (PENSIVE ORCHESTRAL MUSIC) 27 00:00:40,646 --> 00:00:44,693 ("FAMILIAR" BY AGNES OBEL) 28 00:00:44,717 --> 00:00:48,463 ♪ Took a walk to the summit at night 29 00:00:48,487 --> 00:00:51,266 ♪ You and I 30 00:00:51,290 --> 00:00:55,437 ♪ To burn a hole in the old grip of the familiar 31 00:00:55,461 --> 00:00:59,007 ♪ You and I 32 00:00:59,031 --> 00:01:02,577 ♪ And the dark was opening wide 33 00:01:02,601 --> 00:01:05,680 ♪ Do or die 34 00:01:06,087 --> 00:01:14,087 Synced & corrected by -robtor- www.addic7ed.com 35 00:01:14,113 --> 00:01:20,095 (TENSE INSTRUMENTAL) 36 00:01:20,119 --> 00:01:28,119 ♪ 37 00:01:30,195 --> 00:01:38,079 ♪ 38 00:01:38,103 --> 00:01:39,470 Home sweet home. 39 00:01:41,173 --> 00:01:43,084 We'll try and make it fun. 40 00:01:43,108 --> 00:01:44,609 Stop lying to me. 41 00:01:45,891 --> 00:01:47,658 Never seen you scared before. 42 00:01:48,681 --> 00:01:51,049 I'm not scared, sweetie. Let's go. 43 00:01:51,684 --> 00:01:53,451 Come on, move it. 44 00:01:55,287 --> 00:01:57,165 (TV BACKGROUND NOISE) 45 00:01:57,189 --> 00:01:58,254 Vance. 46 00:01:58,278 --> 00:01:59,501 VANCE: Morning, Taj. 47 00:01:59,525 --> 00:02:00,635 All right, lock everything up. 48 00:02:00,659 --> 00:02:01,603 Send everyone home, all right. 49 00:02:01,627 --> 00:02:02,637 Get to the security station. 50 00:02:02,661 --> 00:02:05,163 Mena, stay with Vance. I'll b in a minute. 51 00:02:05,664 --> 00:02:06,908 All right, let's go! 52 00:02:06,932 --> 00:02:08,466 Lock it all down! 53 00:02:13,472 --> 00:02:14,583 Hey. 54 00:02:14,607 --> 00:02:15,584 Where's your daughter right now? 55 00:02:15,608 --> 00:02:18,109 She's here. She's safe, and so are you. 56 00:02:18,944 --> 00:02:20,505 He's gonna come for her. 57 00:02:20,529 --> 00:02:21,923 We've got the place locked down, 58 00:02:21,947 --> 00:02:23,758 I got Vance, and I got a gun. 59 00:02:23,782 --> 00:02:25,093 I'd like to see him try. 60 00:02:25,117 --> 00:02:27,548 Barry said there was more to it than I know. 61 00:02:27,953 --> 00:02:29,664 I want to know. 62 00:02:29,688 --> 00:02:30,688 Really? 63 00:02:32,925 --> 00:02:34,425 Took you long enough. 64 00:02:40,733 --> 00:02:43,979 Okay, you read the girl was dead, 65 00:02:44,003 --> 00:02:45,624 and that Scott Riley was accused of the murder. 66 00:02:45,648 --> 00:02:46,731 Yes. 67 00:02:46,755 --> 00:02:48,402 And you just accepted that? 68 00:02:48,741 --> 00:02:50,218 I had no reason not to believe it. 69 00:02:50,242 --> 00:02:51,386 Oh, come on, Sheila, 70 00:02:51,410 --> 00:02:53,411 you had over a million reasons. 71 00:02:55,180 --> 00:02:57,559 You don't think I don't notice 72 00:02:57,583 --> 00:02:59,928 you flaunting all your good deeds around town 73 00:02:59,952 --> 00:03:01,329 all the time? 74 00:03:01,353 --> 00:03:03,164 So desperate to prove that you're good. 75 00:03:03,188 --> 00:03:05,000 I didn't hurt anyone. 76 00:03:05,024 --> 00:03:06,324 TAJ: Neither did I. 77 00:03:07,026 --> 00:03:09,160 She was alive the last time I saw her. 78 00:03:10,896 --> 00:03:15,033 CARDINAL: DiKeer have any dealings with Sheila Gagne? 79 00:03:15,901 --> 00:03:17,402 Or Barry LeBlanc? 80 00:03:18,576 --> 00:03:21,555 Ken's been in the resources business for a long time. 81 00:03:21,580 --> 00:03:23,558 This would've been about 1999. 82 00:03:23,583 --> 00:03:26,023 1999, okay. 83 00:03:27,012 --> 00:03:29,224 CARDINAL: How long have youwoed f? 84 00:03:29,248 --> 00:03:34,229 Since he opened his first logging company in '93. 85 00:03:34,253 --> 00:03:35,730 He's a good boss. 86 00:03:35,754 --> 00:03:38,266 You ever have any problems with anyone? 87 00:03:38,290 --> 00:03:40,068 A ex-employee with a grudge, 88 00:03:40,092 --> 00:03:41,269 a competitor? 89 00:03:41,293 --> 00:03:43,294 Well, a little bit of both, but, 90 00:03:45,798 --> 00:03:47,298 Nothing violent. 91 00:03:50,514 --> 00:03:52,716 Oh, here's something, Barry LeBlanc. 92 00:03:53,699 --> 00:03:54,943 And Sheila Gagne, too, 93 00:03:54,967 --> 00:03:56,477 they were both paid as subcontractors 94 00:03:56,501 --> 00:03:59,014 by our forestry division. 95 00:03:59,631 --> 00:04:01,542 Can I, can I see? 96 00:04:01,640 --> 00:04:03,618 Paid quite well, actually. 97 00:04:03,642 --> 00:04:05,620 Subcontracted to do what? 98 00:04:05,943 --> 00:04:07,443 It says consulting. 99 00:04:08,647 --> 00:04:10,400 But, um- 100 00:04:13,685 --> 00:04:15,763 We won a bid to 101 00:04:15,787 --> 00:04:18,700 log a section of the Aagimaak Forest that year. 102 00:04:18,724 --> 00:04:21,511 It was a big turning point for the company. 103 00:04:21,535 --> 00:04:23,304 Well I remember that there was a, 104 00:04:23,328 --> 00:04:26,474 a-a tip about the upcoming timber rights. 105 00:04:26,498 --> 00:04:27,976 Yeah, Sheila and Barry both worked 106 00:04:28,000 --> 00:04:30,295 for Watershed Forestry in '99. 107 00:04:32,704 --> 00:04:34,472 (STAMMERING) Oh, I-I-I didn't know that. 108 00:04:35,707 --> 00:04:36,707 Nelly? 109 00:04:37,876 --> 00:04:41,556 Well, Watershed had all the local government contracts 110 00:04:41,580 --> 00:04:42,690 at that point. 111 00:04:42,714 --> 00:04:45,700 Well, is it possible that Barry and Sheila 112 00:04:45,724 --> 00:04:48,730 took that information and sold it to Ken? 113 00:04:48,754 --> 00:04:51,483 And he paid them off as consultants. 114 00:04:52,024 --> 00:04:54,025 And made his first fortune. 115 00:04:55,761 --> 00:04:57,739 You would have to ask them. 116 00:04:57,763 --> 00:04:59,030 Yeah. 117 00:05:00,532 --> 00:05:02,066 Barry's dead. 118 00:05:02,968 --> 00:05:05,372 And Sheila and Ken are missing. 119 00:05:05,704 --> 00:05:07,204 So we're asking you. 120 00:05:08,707 --> 00:05:09,707 Yes. 121 00:05:11,378 --> 00:05:14,689 It is possible that Ken paid Sheila and Barry 122 00:05:14,713 --> 00:05:19,594 to leak future logging prospects 123 00:05:19,618 --> 00:05:22,730 using their Watershed access. 124 00:05:22,754 --> 00:05:27,235 So Barry and Sheila share information illegally, 125 00:05:27,686 --> 00:05:29,855 information that makes them all rich. 126 00:05:31,256 --> 00:05:32,490 He could. 127 00:05:34,032 --> 00:05:35,266 Thank you. 128 00:05:36,568 --> 00:05:37,802 Can we keep this? 129 00:05:40,772 --> 00:05:46,754 (PULSING SUSPENSEFUL MUSIC) 130 00:05:46,778 --> 00:05:48,756 ♪ 131 00:05:48,780 --> 00:05:51,092 RADIO ANNOUNCER: We're getting call-ins about rescue activity 132 00:05:51,116 --> 00:05:53,828 around the old Mead Lake quarry. 133 00:05:53,852 --> 00:05:55,897 Police, fire, and ambulance vehicles are on the scene, 134 00:05:55,921 --> 00:05:57,922 but no word on what's going on. 135 00:05:59,624 --> 00:06:01,736 Our sources will not confirm if this is related 136 00:06:01,760 --> 00:06:04,205 to the disappearance of resident Josh McNider, 137 00:06:04,229 --> 00:06:08,065 who is the son of local resources magnate Ken McNider. 138 00:06:10,769 --> 00:06:13,014 We will continue with updates on this developing story 139 00:06:13,038 --> 00:06:15,606 along with your local forecast all evening. 140 00:06:16,775 --> 00:06:18,576 (CRIES OUT) 141 00:06:19,778 --> 00:06:25,793 (EERIE INSTRUMENTAL) 142 00:06:25,817 --> 00:06:33,817 ♪ 143 00:06:34,626 --> 00:06:35,737 (GUNSHOT) 144 00:06:35,761 --> 00:06:38,806 (BIRD CACKING) 145 00:06:38,830 --> 00:06:39,830 (GUNSHOT) 146 00:06:45,103 --> 00:06:46,080 (GUNSHOT) 147 00:06:46,104 --> 00:06:47,338 (BIRD CACKING) 148 00:06:51,843 --> 00:06:53,020 (GUNSHOT) 149 00:06:53,044 --> 00:06:54,545 (BIRD CACKING) 150 00:06:57,382 --> 00:06:58,682 (GUNSHOT) 151 00:07:03,989 --> 00:07:05,166 (GUNSHOT) 152 00:07:05,190 --> 00:07:06,167 MAN: There's one. 153 00:07:06,191 --> 00:07:07,168 (GUNSHOT) 154 00:07:07,192 --> 00:07:08,692 - MAN 2: Got it. - (GUNSHOT) 155 00:07:12,831 --> 00:07:13,808 (GUNSHOT) 156 00:07:13,832 --> 00:07:15,633 - Hey! - (BIRD CACKING) 157 00:07:18,270 --> 00:07:20,281 REBECCA: Scott! What the hell do you think you're doing! 158 00:07:20,305 --> 00:07:21,539 (REBEC GROS) 159 00:07:24,943 --> 00:07:30,958 (TENSE INSTRUMENTAL) 160 00:07:30,982 --> 00:07:38,982 ♪ 161 00:07:41,259 --> 00:07:45,262 (WHIMPERING) 162 00:07:47,000 --> 00:07:53,074 Advertise your product or brand here contact www.OpenSubtitles.org today 163 00:07:55,907 --> 00:07:57,351 Where's my son? 164 00:07:57,375 --> 00:07:58,676 Where's my son? 165 00:07:59,911 --> 00:08:01,111 What was her name? 166 00:08:02,347 --> 00:08:03,524 Rebecca. 167 00:08:03,548 --> 00:08:04,849 Her name was Rebecca. 168 00:08:05,684 --> 00:08:06,928 Where's Josh? 169 00:08:08,987 --> 00:08:09,987 Where's my son? 170 00:08:11,089 --> 00:08:12,233 WWhere's Josh? 171 00:08:12,257 --> 00:08:13,757 (CRIES OUT) 172 00:08:20,498 --> 00:08:21,732 There's the door. 173 00:08:23,735 --> 00:08:25,736 I'm gonna give you as much of chance as you gave her. 174 00:08:28,573 --> 00:08:29,550 - (KEN CRIES OUT) - (VIOLENT SMASHING) 175 00:08:29,574 --> 00:08:31,552 - KEN: No! - (KEN CRIES OUT) 176 00:08:31,576 --> 00:08:37,959 (TENSE INSTRUMENTAL) 177 00:08:37,983 --> 00:08:38,926 (GRUNTS) 178 00:08:38,950 --> 00:08:40,194 (KEN CRIES OUT) 179 00:08:40,218 --> 00:08:42,396 (KEN SHRIEKING) 180 00:08:42,420 --> 00:08:46,400 - (KEN SCREAMING) - (TENSE INSTRUMENTAL SWELLS) 181 00:08:46,424 --> 00:08:54,424 ♪ 182 00:09:01,094 --> 00:09:02,882 So the Aagimaak Forest project 183 00:09:02,907 --> 00:09:05,379 connects Ken to Barry and Sheila. 184 00:09:05,403 --> 00:09:06,981 But there's gotta be more here 185 00:09:07,005 --> 00:09:09,216 than fraudulent business practices. 186 00:09:09,240 --> 00:09:11,185 Go back over old cases from around then. 187 00:09:11,209 --> 00:09:12,820 See if anything happened in or around 188 00:09:12,844 --> 00:09:13,854 the Aagimaak Forest area. 189 00:09:13,878 --> 00:09:16,557 I'll get OPD and RCMP doing the same. 190 00:09:16,581 --> 00:09:17,825 Aagimaak used to be huge. 191 00:09:17,849 --> 00:09:20,394 It was thousands of acres of crown land. 192 00:09:20,418 --> 00:09:23,263 It's mostly been divided up and sold off. 193 00:09:23,287 --> 00:09:25,532 Okay, let's put some satellite pictures on the monitor. 194 00:09:25,556 --> 00:09:28,502 Maybe you can try to figure out where he might've taken Ken. 195 00:09:28,526 --> 00:09:30,270 He's chosen a clear cut, 196 00:09:30,294 --> 00:09:33,014 a salvage yard and a quarry. 197 00:09:33,898 --> 00:09:35,209 Well, Ken McNider 198 00:09:35,233 --> 00:09:37,845 had sawmills and quarries running all over the area. 199 00:09:37,869 --> 00:09:39,403 Start with those. 200 00:09:42,673 --> 00:09:48,578 (SWELLING SOFT INSTRUMENTAL) 201 00:09:58,342 --> 00:10:00,343 CARDINAL: Snowmobile's been through here. 202 00:10:06,077 --> 00:10:07,354 Blood. 203 00:10:07,379 --> 00:10:13,361 (OMINOUS INSTRUMENTAL) 204 00:10:13,386 --> 00:10:21,386 ♪ 205 00:10:25,899 --> 00:10:27,360 There's a body. 206 00:10:27,385 --> 00:10:33,367 (SWELLING TENSE MUSIC) 207 00:10:33,392 --> 00:10:41,392 ♪ 208 00:10:43,436 --> 00:10:51,436 ♪ 209 00:10:53,480 --> 00:11:01,480 ♪ 210 00:11:06,824 --> 00:11:08,358 Go call it in. 211 00:11:10,894 --> 00:11:12,128 Lise. 212 00:11:17,735 --> 00:11:18,735 [MUTED]. 213 00:11:20,104 --> 00:11:26,120 (SOFT INSTRUMENTAL) 214 00:11:26,144 --> 00:11:32,149 ♪ 215 00:11:50,468 --> 00:11:57,918 - (WIND BLOWING) - (BRANCHES CREAKING) 216 00:11:57,942 --> 00:12:03,857 (DREAMLIKE INSTRUMENTAL) 217 00:12:03,881 --> 00:12:11,881 ♪ 218 00:12:13,925 --> 00:12:21,925 ♪ 219 00:12:23,834 --> 00:12:29,850 (OMINOUS INSTRUMENTAL) 220 00:12:29,874 --> 00:12:32,319 ♪ 221 00:12:32,343 --> 00:12:33,643 SHEILA: Is Mena okay? 222 00:12:36,681 --> 00:12:39,216 Why am I more worried about her than you are? 223 00:12:41,152 --> 00:12:42,652 Sheila look, 224 00:12:44,117 --> 00:12:45,769 if no one does anything stupid, 225 00:12:45,793 --> 00:12:49,129 Scott Riley's gonna get caught, killed. 226 00:12:49,630 --> 00:12:51,331 This'll all be over. 227 00:12:51,355 --> 00:12:53,110 What if he goes to the police? 228 00:12:53,134 --> 00:12:54,611 Yeah, well, 229 00:12:54,635 --> 00:12:56,580 that really didn't go too well for him last time, did it? 230 00:12:56,604 --> 00:12:58,355 If I go to my friend at the OPD- 231 00:12:58,379 --> 00:12:59,541 - Whoa, whoa, whoa stop now, stop. - He will make sure that 232 00:12:59,581 --> 00:13:00,984 - we get fair treatment. - Stop, Sheila, stop. 233 00:13:01,008 --> 00:13:04,934 No, I am telling you, no more lies. 234 00:13:06,447 --> 00:13:09,526 I cannot carry this anymore. 235 00:13:09,550 --> 00:13:10,850 All ght, I'm sorry, okay. 236 00:13:12,052 --> 00:13:13,586 I'm sorry, all right? 237 00:13:17,958 --> 00:13:19,959 I'm not losing my daughter over this. 238 00:13:24,431 --> 00:13:26,733 BARNHOUSE: Not totally frozen yet like the others. 239 00:13:27,868 --> 00:13:29,402 Hasn't been here long. 240 00:13:30,037 --> 00:13:33,171 This victim was beaten, shot. 241 00:13:33,807 --> 00:13:35,375 It's a different killer. 242 00:13:36,777 --> 00:13:38,278 BARNHOUSE: The legs were shattered. 243 00:13:39,125 --> 00:13:41,012 Probably a blunt instrument. 244 00:13:43,450 --> 00:13:44,684 Wrist is broken. 245 00:13:45,619 --> 00:13:46,796 From the blood patterns up there, 246 00:13:46,820 --> 00:13:50,233 looks like he got himself to the stairs, 247 00:13:50,257 --> 00:13:51,684 took a tumble. 248 00:13:51,708 --> 00:13:53,126 BARNHOUSE: Looks like that to me. 249 00:13:55,095 --> 00:13:56,506 Cause of death? 250 00:13:56,530 --> 00:13:58,613 Possible hypothermia, 251 00:13:58,979 --> 00:14:01,658 combined with the blood loss fm the gunshot. 252 00:14:01,802 --> 00:14:03,803 It was a slow and painful death. 253 00:14:04,704 --> 00:14:06,204 Thank yo Dr. Barnhouse. 254 00:14:10,644 --> 00:14:12,645 CARDINAL: The other victims, Adele and Robert, 255 00:14:13,614 --> 00:14:15,129 they were a means to an end, 256 00:14:15,783 --> 00:14:17,584 a way of hurting eir loved ones. 257 00:14:18,852 --> 00:14:20,301 And Barry, 258 00:14:20,654 --> 00:14:22,299 he was an accident, 259 00:14:22,323 --> 00:14:23,856 or he was a suicide. 260 00:14:26,860 --> 00:14:28,138 And I don't think he took Sheila. 261 00:14:28,162 --> 00:14:29,696 I think she's in hiding. 262 00:14:31,699 --> 00:14:33,266 So what are you saying? 263 00:14:34,548 --> 00:14:36,716 I'm saying I don't think he meant to kill Ken. 264 00:14:38,105 --> 00:14:41,818 The killer could've found out that Josh is still alive, 265 00:14:41,842 --> 00:14:44,444 threw off his plan and made him angry. 266 00:14:44,845 --> 00:14:49,080 Killing Neil Cuthbert would've thrown off his plan, too. 267 00:14:51,485 --> 00:14:53,720 I don't think he meant to do any of this himself. 268 00:14:56,836 --> 00:15:01,676 Hey, we just have to push on through. 269 00:15:02,963 --> 00:15:04,731 Don't let it get personal. 270 00:15:06,267 --> 00:15:07,800 You can't say that to me. 271 00:15:11,505 --> 00:15:12,805 Have to tell Josh. 272 00:15:13,741 --> 00:15:15,008 I'll go with you. 273 00:15:15,843 --> 00:15:17,110 No. 274 00:15:18,879 --> 00:15:20,924 No, I have to do it alone. 275 00:15:20,948 --> 00:15:26,930 (SOMBRE INSTRUMENTAL) 276 00:15:26,954 --> 00:15:29,956 ♪ 277 00:15:31,998 --> 00:15:33,264 (DISTANT TRAIN WHISTLE) 278 00:15:43,476 --> 00:15:44,776 Lise. 279 00:15:48,014 --> 00:15:49,858 Have you found my father? 280 00:15:49,882 --> 00:15:55,864 (SOMBRE INSTRUMENTAL) 281 00:15:55,888 --> 00:15:58,767 ♪ 282 00:15:58,791 --> 00:15:59,791 He's dead. 283 00:16:04,830 --> 00:16:06,131 I'm sorry. 284 00:16:09,969 --> 00:16:11,446 I thought you were good at this, 285 00:16:11,470 --> 00:16:13,004 you and your partner. 286 00:16:19,612 --> 00:16:21,230 My father, Lise, 287 00:16:24,016 --> 00:16:25,283 Did he, 288 00:16:26,719 --> 00:16:28,019 Did he suffer? 289 00:16:32,525 --> 00:16:33,825 I'm afraid he did. 290 00:16:41,867 --> 00:16:45,647 Josh, is there anything you remember about your father? 291 00:16:45,671 --> 00:16:47,716 Anything that might help us find out 292 00:16:47,740 --> 00:16:49,051 who would want to hurt him like this? 293 00:16:49,075 --> 00:16:50,642 JOSH: No, Lise, no. 294 00:16:53,738 --> 00:16:56,040 And you should leave us alone, please. 295 00:16:57,116 --> 00:16:58,794 (LISE SIGHS) 296 00:16:58,818 --> 00:17:00,051 I'm sorry. 297 00:17:04,323 --> 00:17:10,305 (SOFT INSTRUMENTAL) 298 00:17:10,329 --> 00:17:17,335 ♪ 299 00:17:23,309 --> 00:17:24,542 Hey. 300 00:17:24,844 --> 00:17:25,844 Hey. 301 00:17:28,781 --> 00:17:29,991 What are you doing here? 302 00:17:30,015 --> 00:17:32,761 Uh, it was a slow week at school, 303 00:17:32,785 --> 00:17:33,762 so I thought I'd come up. 304 00:17:33,786 --> 00:17:35,997 You said you were busy with a case, so 305 00:17:37,523 --> 00:17:40,859 Well thanks, but you didn't have to do that. 306 00:17:44,597 --> 00:17:47,398 Selling the house was supposed to be a new start. 307 00:17:48,701 --> 00:17:50,278 (FRUSTRATED EXHALATION) 308 00:17:50,302 --> 00:17:53,248 Are you just gonna end up getting stuck here? 309 00:17:53,272 --> 00:17:55,725 No, no, but you- 310 00:17:56,542 --> 00:17:58,476 You have to live your own life, Kel. 311 00:17:59,512 --> 00:18:02,514 Yeah, I'll do that when I can stop worrying about you. 312 00:18:04,889 --> 00:18:07,935 But you, you said that you wanted to retire, 313 00:18:07,960 --> 00:18:12,174 but, uh you keep doing this job that grinds you down, 314 00:18:12,199 --> 00:18:15,201 and-and makes you shut everyone out. 315 00:18:18,464 --> 00:18:19,964 Why can't you just stop? 316 00:18:25,037 --> 00:18:27,048 I-I can't actually, 317 00:18:27,072 --> 00:18:28,784 I can't do this right now, Kel, 318 00:18:28,808 --> 00:18:31,353 but stay and we'll talk later, okay? 319 00:18:31,377 --> 00:18:33,722 No no, it's okay, um, 320 00:18:33,746 --> 00:18:35,957 I'm sorry, I shouldn't have surprised you. 321 00:18:35,981 --> 00:18:36,958 I'll head back. 322 00:18:36,982 --> 00:18:39,894 No, no, please. 323 00:18:43,189 --> 00:18:44,189 I'm sorry. 324 00:18:46,025 --> 00:18:49,362 Kel, I'm sorry. 325 00:18:50,162 --> 00:18:51,973 Come here. 326 00:18:51,997 --> 00:18:57,913 (PENSIVE INSTRUMENTAL) 327 00:18:57,937 --> 00:19:02,551 ♪ 328 00:19:02,575 --> 00:19:05,419 Mm, I'm sorry you had to grow up so fast. 329 00:19:08,948 --> 00:19:10,181 Your mother and me, ya, 330 00:19:12,184 --> 00:19:14,303 You took care of both of us. 331 00:19:16,989 --> 00:19:18,099 And, um, 332 00:19:19,024 --> 00:19:21,326 I just don't want you to have to do that anymore. 333 00:19:31,170 --> 00:19:32,613 Look, Dad, whatever- 334 00:19:34,139 --> 00:19:36,200 Whatever your plan is, 335 00:19:43,148 --> 00:19:45,683 You can't just let Lise walk out of your life. 336 00:20:06,438 --> 00:20:07,482 You okay? 337 00:20:07,506 --> 00:20:08,740 Yep. 338 00:20:09,241 --> 00:20:11,652 MCLEOD: Guys, Kular's got something. 339 00:20:11,877 --> 00:20:14,422 Right, okay, thank you. 340 00:20:14,446 --> 00:20:16,625 You were right about the Aagimaak Forest. 341 00:20:16,649 --> 00:20:20,035 OPD advised us of a homicide investigation from 1999. 342 00:20:20,886 --> 00:20:23,298 Rebecca Bailey, master student, 26. 343 00:20:23,322 --> 00:20:25,133 Raped and murdered in the area. 344 00:20:25,157 --> 00:20:27,435 And this is the guy convicted for it. 345 00:20:27,459 --> 00:20:29,971 Scott Riley, 28 at the time. 346 00:20:29,995 --> 00:20:32,107 CARDINAL: You talked to the lead investigator? 347 00:20:32,131 --> 00:20:33,708 He died four years ago. 348 00:20:33,732 --> 00:20:35,877 Riley did time at Collins Bay. 349 00:20:35,901 --> 00:20:38,136 His sentence overlapped with Wade Kleiss. 350 00:20:39,571 --> 00:20:41,283 He got out eight months ago. 351 00:20:41,307 --> 00:20:42,484 We're checking his prints against the ones 352 00:20:42,508 --> 00:20:43,718 found at the workshop scene. 353 00:20:43,742 --> 00:20:44,938 We have an address for him? 354 00:20:44,983 --> 00:20:46,005 KULAR: Toronto. 355 00:20:46,072 --> 00:20:48,523 After some post-release time in a halfway house, 356 00:20:48,547 --> 00:20:50,158 he moved into his late parents' home. 357 00:20:50,182 --> 00:20:51,826 You talk to his P.O.? 358 00:20:51,850 --> 00:20:53,194 Just now. 359 00:20:53,218 --> 00:20:54,629 Riley did an in-person check in 360 00:20:54,653 --> 00:20:57,165 around t te of Robert and Adele's murders. 361 00:20:57,189 --> 00:20:59,301 Next one's not scheduled till tomorrow. 362 00:20:59,325 --> 00:21:00,568 And we think he'd go back for that? 363 00:21:00,592 --> 00:21:02,203 Try to preserve his alibi? 364 00:21:02,227 --> 00:21:03,638 I think we should go down there. 365 00:21:03,662 --> 00:21:05,373 Search the house at least. 366 00:21:05,397 --> 00:21:07,242 Rebecca Bailey's murder case was OPD. 367 00:21:07,266 --> 00:21:09,311 Call Commanda, ask for everything they have. 368 00:21:09,335 --> 00:21:10,969 We'll check in from the road. 369 00:21:15,174 --> 00:21:21,189 (OMINOUS INSTRUMENTAL) 370 00:21:21,213 --> 00:21:29,213 ♪ 371 00:21:31,290 --> 00:21:39,290 ♪ 372 00:21:41,333 --> 00:21:49,333 ♪ 373 00:21:51,310 --> 00:21:59,310 ♪ 374 00:22:01,353 --> 00:22:09,353 ♪ 375 00:22:11,296 --> 00:22:19,296 ♪ 376 00:22:21,340 --> 00:22:29,340 ♪ 377 00:22:31,350 --> 00:22:39,350 ♪ 378 00:22:40,626 --> 00:22:46,608 (PULSING SUSPENSEFUL MUSIC) 379 00:22:46,632 --> 00:22:54,632 ♪ 380 00:22:56,708 --> 00:23:04,708 ♪ 381 00:23:06,752 --> 00:23:14,752 ♪ 382 00:23:16,695 --> 00:23:24,695 ♪ 383 00:23:28,941 --> 00:23:30,241 Delorme? 384 00:23:39,785 --> 00:23:45,767 (DISQUIETING INSTRUMENTAL) 385 00:23:45,791 --> 00:23:53,308 ♪ 386 00:23:53,332 --> 00:23:57,278 Look, the salvage yard, 387 00:23:57,302 --> 00:23:59,047 the clear cut, 388 00:23:59,071 --> 00:24:00,304 the quarry. 389 00:24:01,626 --> 00:24:03,260 And the forest. 390 00:24:03,695 --> 00:24:05,262 His next victim. 391 00:24:05,911 --> 00:24:07,912 (DRAMATIC BEAT) 392 00:24:10,834 --> 00:24:13,580 PAROLE OFFICER: Riley's parents owned this place. 393 00:24:13,604 --> 00:24:16,716 His dad died not long after Scott was incarcerated, 394 00:24:16,740 --> 00:24:19,719 uh, mom passed from cancer two years ago. 395 00:24:19,743 --> 00:24:23,089 What do you know about his life before the conviction? 396 00:24:23,113 --> 00:24:25,825 He was a finance guy, like his dad. 397 00:24:25,849 --> 00:24:28,339 Loved to hunt, alpha type, 398 00:24:28,386 --> 00:24:31,087 um, then he had some sort of, uh, 399 00:24:31,111 --> 00:24:33,166 like an environmental awakening 400 00:24:33,190 --> 00:24:35,427 when a company he backed 401 00:24:35,451 --> 00:24:38,710 dumped two milon barrels of oil into the Gulf of Mexico. 402 00:24:39,488 --> 00:24:41,499 Gave it all up for the cause. 403 00:24:41,523 --> 00:24:43,501 So he quit his job. 404 00:24:43,525 --> 00:24:45,503 PAROLE OFFICER: Started to attend rallies. 405 00:24:45,527 --> 00:24:47,539 Became a bit of a firehead. 406 00:24:47,563 --> 00:24:49,608 Ended up in some trouble with the law. 407 00:24:49,632 --> 00:24:51,543 Anything violent? 408 00:24:51,567 --> 00:24:53,979 PAROLE OFFICER: I, I only know what's in his files and wh he told me. 409 00:24:54,003 --> 00:24:54,980 CARDINAL: Hm. 410 00:24:55,004 --> 00:24:56,715 What's he said about Rebecca Bailey? 411 00:24:57,004 --> 00:24:58,314 That he didn't kill her. 412 00:24:58,339 --> 00:24:59,573 Do you believe him? 413 00:25:00,476 --> 00:25:01,519 I don't know. 414 00:25:01,543 --> 00:25:03,321 I'm just trying to keep him from going back. 415 00:25:03,345 --> 00:25:05,290 But he must have spoken about her. 416 00:25:05,314 --> 00:25:10,295 He said he fell in love with her in the moment he saw her. 417 00:25:10,409 --> 00:25:12,530 They met doing eco work, 418 00:25:12,703 --> 00:25:14,366 uh, pipeline protests, 419 00:25:14,390 --> 00:25:16,201 logging, stuff like that. 420 00:25:16,225 --> 00:25:19,504 He ever say what they were doing in Algonquin Bay in '99? 421 00:25:19,528 --> 00:25:20,872 Something about birds. 422 00:25:20,896 --> 00:25:22,607 Um, she was an ornithologist. 423 00:25:22,631 --> 00:25:24,878 They heard about some endangered one 424 00:25:24,902 --> 00:25:28,179 and went up to try and get its habitat protecd. 425 00:25:28,203 --> 00:25:29,614 This bird, 426 00:25:29,928 --> 00:25:31,616 was it a Peregrine Falcon? 427 00:25:31,853 --> 00:25:33,621 I think that's what he said, yeah. 428 00:25:36,812 --> 00:25:38,046 (ELEVATOR DINGS) 429 00:25:39,615 --> 00:25:43,128 DELORME: McLeod says Scott Riley's emptied all his bank accounts. 430 00:25:43,152 --> 00:25:46,431 CARDINAL: Well, he's probably figuring to go on the run 431 00:25:46,455 --> 00:25:48,280 after all this is over. 432 00:25:49,625 --> 00:25:50,869 DELORME: Or maybe making sure 433 00:25:50,893 --> 00:25:53,571 he's got everything he needs to finish. 434 00:25:53,595 --> 00:25:57,207 CARDINAL: Mm, well lab confirms some of the prints 435 00:25:57,231 --> 00:26:00,542 from the old Cuthberts' workshop match Riley. 436 00:26:01,763 --> 00:26:04,546 But still no sight of him in Algonquin Bay. 437 00:26:18,941 --> 00:26:22,981 Um, I'll see you in the lobby at 5:30? 438 00:26:24,526 --> 00:26:26,027 Yeah, goodnight. 439 00:26:27,596 --> 00:26:28,863 (BEEP) 440 00:26:29,631 --> 00:26:32,577 (ETHEREAL INSTRUMENTAL) 441 00:26:32,601 --> 00:26:33,951 I, uh- 442 00:26:41,076 --> 00:26:43,378 I don't want you to leave. 443 00:26:46,415 --> 00:26:47,800 I know. 444 00:26:47,824 --> 00:26:53,732 (ETHEREAL INSTRUMENTAL) 445 00:26:53,756 --> 00:27:01,756 ♪ 446 00:27:10,039 --> 00:27:16,021 (TENSE INSTRUMENTAL) 447 00:27:16,045 --> 00:27:24,045 ♪ 448 00:27:29,658 --> 00:27:35,640 (PERTURBED INSTRUMENTAL) 449 00:27:35,664 --> 00:27:43,664 ♪ 450 00:27:45,707 --> 00:27:53,707 ♪ 451 00:27:55,751 --> 00:28:03,751 ♪ 452 00:28:09,531 --> 00:28:17,531 ♪ 453 00:28:19,608 --> 00:28:27,608 ♪ 454 00:28:29,651 --> 00:28:37,651 ♪ 455 00:28:39,661 --> 00:28:47,661 ♪ 456 00:30:15,857 --> 00:30:16,857 (GRUNTS) 457 00:30:21,863 --> 00:30:27,635 (SIRENS WAILING) 458 00:30:38,914 --> 00:30:44,929 (ETHEREAL INSTRUMENTAL) 459 00:30:44,953 --> 00:30:52,953 ♪ 460 00:30:55,030 --> 00:31:03,030 ♪ 461 00:31:05,073 --> 00:31:13,073 ♪ 462 00:31:14,983 --> 00:31:22,983 ♪ 463 00:31:25,027 --> 00:31:33,027 ♪ 464 00:31:43,517 --> 00:31:45,362 Anything on Sheila Gagne? 465 00:31:45,386 --> 00:31:47,597 No, and no sightings of Scott Riley, 466 00:31:47,621 --> 00:31:49,332 but, um, Commanda is in the boardroom 467 00:31:49,356 --> 00:31:52,158 with background material on the Rebecca Bailey case. 468 00:31:55,996 --> 00:31:57,363 How was Toronto? 469 00:31:58,499 --> 00:31:59,766 - Good. - It was good. 470 00:32:04,939 --> 00:32:08,518 I pulled everything I could on the Rebecca Bailey murder. 471 00:32:08,542 --> 00:32:11,988 This is the original arrest interview with Scott Riley 472 00:32:12,012 --> 00:32:13,490 from 1999. 473 00:32:13,514 --> 00:32:14,699 Were younvolved in the ce? 474 00:32:14,735 --> 00:32:15,915 COMMANDA: I was in Timmins. 475 00:32:15,939 --> 00:32:17,661 Bob McKinley was the investigator. 476 00:32:17,685 --> 00:32:20,422 I never met the guy, but uh- 477 00:32:20,888 --> 00:32:22,632 Well, you'll get the idea. 478 00:32:25,259 --> 00:32:27,571 MCKINLEY: So can you please tell me again 479 00:32:27,595 --> 00:32:29,539 what you and Rebecca Bailey were doing 480 00:32:29,563 --> 00:32:32,576 in a remote section of the Aagimaak Forest? 481 00:32:32,600 --> 00:32:35,812 YOUNG SCOTT: We, looking for Peregrine Falcon. 482 00:32:36,570 --> 00:32:37,547 It's endangered. 483 00:32:37,571 --> 00:32:38,715 MCKINLEY: Oh. 484 00:32:38,739 --> 00:32:40,550 So, did you find them? 485 00:32:40,574 --> 00:32:41,384 YOUNG SCOTT: No. 486 00:32:41,408 --> 00:32:42,385 MCKINLEY: Ah. 487 00:32:42,409 --> 00:32:43,720 YOUNG SCOTT: We heard shooting, so, 488 00:32:43,744 --> 00:32:45,589 (OMINOUS INSTRUMENTAL) 489 00:32:45,613 --> 00:32:47,180 YOUNG SCOTT: We went to see what it was. 490 00:32:48,028 --> 00:32:49,596 And there was blood in the snow. 491 00:32:50,451 --> 00:32:51,995 On a bloody feather. 492 00:32:52,019 --> 00:32:54,372 MCKINLEY: They were killing your birds, huh? 493 00:32:54,955 --> 00:32:56,733 Those 'parka people' of yours. 494 00:32:56,757 --> 00:32:58,468 YOUNG SCOTT: Stop calling them that. 495 00:32:58,492 --> 00:33:00,537 MCKINLEY: That's what you called 'em before. 496 00:33:00,561 --> 00:33:02,372 And these parka people were the ones 497 00:33:02,396 --> 00:33:04,541 who assaulted Rebecca, you said, right? 498 00:33:04,943 --> 00:33:06,020 Yes. 499 00:33:06,045 --> 00:33:08,545 Ah, and, now the sexual assault was them too, 500 00:33:08,569 --> 00:33:09,846 YOUNG SCOTT: I told you, 501 00:33:09,870 --> 00:33:11,404 I did not rape her. 502 00:33:13,741 --> 00:33:17,544 MCKINLEY: Why do you think these people were shooting falcons? 503 00:33:18,445 --> 00:33:19,898 What? 504 00:33:20,381 --> 00:33:22,359 Well we went where you said andhere were no, 505 00:33:22,383 --> 00:33:23,860 there were no feathers, 506 00:33:23,884 --> 00:33:25,418 no dead birds. 507 00:33:26,387 --> 00:33:27,564 My question is, 508 00:33:27,588 --> 00:33:30,300 is why kill them at all, hm? 509 00:33:30,324 --> 00:33:32,903 If endangered birds are nesting there, 510 00:33:32,927 --> 00:33:34,571 the area is protected, 511 00:33:34,595 --> 00:33:35,982 so if they wanted to log, 512 00:33:36,006 --> 00:33:37,330 then killing them would be, 513 00:33:38,232 --> 00:33:39,609 We had to confront them, okay. 514 00:33:39,633 --> 00:33:40,777 But I never touched them. 515 00:33:40,801 --> 00:33:42,879 They hit first. 516 00:33:42,903 --> 00:33:44,614 You can't describe these peop? 517 00:33:44,638 --> 00:33:45,924 YOUNG SCOTT: Well they had their, 518 00:33:46,842 --> 00:33:49,509 They had their hoods up, couldn't see their faces. 519 00:33:50,811 --> 00:33:53,557 Look, one might've been a woman, 520 00:33:53,581 --> 00:33:56,560 but she left wn we got tre. 521 00:33:56,584 --> 00:33:57,894 MCKINLEY: Mm hm. 522 00:33:57,918 --> 00:34:00,530 YOUNG SCOTT: Look, we started pushing, okay, 523 00:34:00,554 --> 00:34:03,556 and one of them tried to hit me with the butt of his rifle. 524 00:34:05,225 --> 00:34:07,571 It was a white guy, older. 525 00:34:07,595 --> 00:34:09,573 (OMINOUS INSTRUMENTAL) 526 00:34:09,597 --> 00:34:11,282 I dodged him, but, 527 00:34:13,834 --> 00:34:15,335 Rebecca, he uh, 528 00:34:15,603 --> 00:34:16,880 He hit her, okay. 529 00:34:16,904 --> 00:34:18,214 I mean, knocked her down. 530 00:34:18,238 --> 00:34:22,485 So I bent down to help her and I just saw the guy 531 00:34:22,509 --> 00:34:24,254 who hit her talk to one of the others, 532 00:34:24,278 --> 00:34:26,079 and then that guy took off. 533 00:34:28,649 --> 00:34:29,626 God. 534 00:34:29,650 --> 00:34:30,766 How many people were there there? 535 00:34:30,799 --> 00:34:31,895 Four! 536 00:34:32,547 --> 00:34:34,898 Look, I keep telling you four. 537 00:34:34,922 --> 00:34:37,033 MCKINLEY: So you dragged this bleeding girl 538 00:34:37,057 --> 00:34:38,558 into the middle of nowhere? 539 00:34:39,526 --> 00:34:43,062 YOUNG SCOTT: I was holding her up, trying to help her. 540 00:34:43,664 --> 00:34:46,109 I got her to the snowmobile, but the keys were gone. 541 00:34:46,133 --> 00:34:48,612 That guy who took off, he must've taken them. 542 00:34:48,636 --> 00:34:51,314 MCKINLEY: So this guy ran to your camp, 543 00:34:51,338 --> 00:34:53,483 took the keys to your snow machine and vanished, 544 00:34:53,507 --> 00:34:55,485 all before you got there? 545 00:34:55,509 --> 00:34:57,654 She was bleeding, okay? 546 00:34:57,678 --> 00:35:00,290 I had to get her out, so we started walking. 547 00:35:00,314 --> 00:35:02,792 Ah, but you said that she couldn't walk hm? 548 00:35:02,816 --> 00:35:04,525 So you dragged her for a while. 549 00:35:04,549 --> 00:35:06,853 And then when you got tired you left her? 550 00:35:08,489 --> 00:35:09,666 YOUNG SCOTT: I told you, 551 00:35:09,690 --> 00:35:11,701 I left her to get help. 552 00:35:11,725 --> 00:35:13,503 Okay, I didn't drag her. 553 00:35:13,527 --> 00:35:14,671 I left her to get help! 554 00:35:14,695 --> 00:35:16,963 I left her to get help! 555 00:35:19,066 --> 00:35:20,944 Well, Detective, uh, McKinley 556 00:35:20,968 --> 00:35:23,146 had his mind made up about Scott Riley. 557 00:35:23,170 --> 00:35:24,381 Yeah, I went through his notes. 558 00:35:24,405 --> 00:35:26,683 He had Scott pegged as an eco-terrorist, 559 00:35:26,707 --> 00:35:28,685 history of aggression. 560 00:35:28,709 --> 00:35:29,888 Priors? 561 00:35:29,912 --> 00:35:31,488 COMMANDA: He was arrested at two environmental rallies 562 00:35:31,512 --> 00:35:32,956 in Toronto the year before, 563 00:35:32,980 --> 00:35:34,190 but it was nothing. 564 00:35:34,214 --> 00:35:35,959 Okay, any other suspects? 565 00:35:35,983 --> 00:35:38,862 Well, McKinley talked to a couple of local sex offenders, 566 00:35:38,886 --> 00:35:41,931 but no record of him looking for the four people in parkas. 567 00:35:41,955 --> 00:35:43,222 Tunnel vision. 568 00:35:43,957 --> 00:35:46,102 (SIGHS) Rebecca had a blow to the head, 569 00:35:46,126 --> 00:35:49,205 bruising that could've come from a fall in the woods. 570 00:35:49,229 --> 00:35:51,574 The only evidence to suggest sexual assault 571 00:35:51,598 --> 00:35:54,244 was Riley's DNA and the fact that she was found half-naked. 572 00:35:54,268 --> 00:35:55,478 If she was hypothermic, 573 00:35:55,502 --> 00:35:57,047 I mean, she might well have stripped off 574 00:35:57,071 --> 00:35:58,848 like Robert Quillen. 575 00:35:58,872 --> 00:36:01,051 And maybe the sex was consensual, 576 00:36:01,075 --> 00:36:02,318 like Riley claims. 577 00:36:02,342 --> 00:36:06,489 So he's convicted for rape and murder 578 00:36:06,513 --> 00:36:07,957 AND LOSES EVERYTHING: 579 00:36:07,981 --> 00:36:10,493 the woman he loves, his parents, 580 00:36:10,517 --> 00:36:11,961 twenty years of his life. 581 00:36:11,985 --> 00:36:13,630 That would explain the rage. 582 00:36:13,654 --> 00:36:15,398 Twenty years for it to build up. 583 00:36:15,422 --> 00:36:17,423 Twenty years to plan his revenge. 584 00:36:19,226 --> 00:36:20,837 Sheila Gagne, 585 00:36:21,329 --> 00:36:22,739 Ken McNider, 586 00:36:22,763 --> 00:36:24,290 Barry LeBlanc. 587 00:36:24,631 --> 00:36:26,609 Those were his parka people. 588 00:36:27,210 --> 00:36:30,246 He wants them to pay for Rebecca's death, 589 00:36:30,270 --> 00:36:31,848 and he wants them to suffer too. 590 00:36:31,872 --> 00:36:33,406 That's three. 591 00:36:34,241 --> 00:36:36,753 So who's the fourth and how do we find them? 592 00:36:36,777 --> 00:36:39,475 Sheila phoned Ken, we're pretty sure of that, 593 00:36:39,499 --> 00:36:42,959 and the warrant gets us access to her cell phone records. 594 00:36:42,983 --> 00:36:45,361 Maybe Sheila phoned this fourth person, 595 00:36:45,385 --> 00:36:48,631 who must have been connected to the forestry project. 596 00:36:48,655 --> 00:36:50,834 Then, from the parka, 597 00:36:51,234 --> 00:36:54,112 we're safe to assume that they have a, a child. 598 00:37:11,812 --> 00:37:16,359 (SOFT POP MUSIC) 599 00:37:16,383 --> 00:37:19,129 ♪ Let me pick it up, baby ♪ 600 00:37:19,153 --> 00:37:21,998 TV COMMENTATOR: She's in trouble in the corner after that roundhouse. 601 00:37:22,022 --> 00:37:23,633 She's struggling to get back up now. 602 00:37:23,657 --> 00:37:25,301 TV COMMENTATOR 2: Oh, yeah. 603 00:37:25,325 --> 00:37:27,070 TV COMMENTATOR: Oh, but here comes the pain again! 604 00:37:27,094 --> 00:37:29,105 (AUDIENCE CHEERING) 605 00:37:29,129 --> 00:37:30,907 TV COMMENTATOR: What a shot! 606 00:37:30,931 --> 00:37:32,642 TV COMMENTATOR 2: What a shot indeed! 607 00:37:32,666 --> 00:37:36,446 (OMINOUS INSTRUMENTAL) 608 00:37:36,470 --> 00:37:39,649 TV COMMENTATOR: Wait a minute, there she is. 609 00:37:39,673 --> 00:37:41,284 There she is, back on her feet. 610 00:37:41,308 --> 00:37:46,089 (SWELLING OMINOUS MUSIC) 611 00:37:46,113 --> 00:37:47,490 TV COMMENTATOR: Here comes Morning Gloria, 612 00:37:47,514 --> 00:37:50,260 she'been performing a wh. 613 00:37:50,284 --> 00:37:51,461 She really puts on a show. 614 00:37:51,485 --> 00:37:52,829 She knows how to work the crowd. 615 00:37:52,853 --> 00:37:55,165 They say every time gets better and better. 616 00:37:55,189 --> 00:37:56,666 TV COMMENTATOR 2: And here she comes again. 617 00:37:56,690 --> 00:37:58,234 (CROWD CHEERING) 618 00:37:58,258 --> 00:38:01,250 TV COMMENTATOR: Oh yes, and she's got some real fans 619 00:38:01,274 --> 00:38:02,639 out in the crowd tonight. 620 00:38:02,663 --> 00:38:03,840 Up against the rope. 621 00:38:03,864 --> 00:38:06,866 (crowd cheerin 622 00:38:07,868 --> 00:38:10,013 Ken had the resources, 623 00:38:10,521 --> 00:38:12,649 Barry was a forester, 624 00:38:12,673 --> 00:38:14,650 Sheila probably set the deal up. 625 00:38:15,809 --> 00:38:17,310 Who else would they need? 626 00:38:19,120 --> 00:38:20,386 Transport. 627 00:38:20,814 --> 00:38:22,826 Remember the guy at the memorial, 628 00:38:22,850 --> 00:38:23,927 Taj Roy? 629 00:38:23,951 --> 00:38:25,094 Yeah, yeah, I checked him out. 630 00:38:25,118 --> 00:38:26,352 CARDINAL: He had a- 631 00:38:26,820 --> 00:38:28,364 Yeah, he os a trucking company. 632 00:38:28,388 --> 00:38:29,689 CARDINAL: Do we have a number? 633 00:38:31,758 --> 00:38:34,060 Let's look at Sheila's phone records. 634 00:38:35,696 --> 00:38:36,873 There. 635 00:38:36,897 --> 00:38:39,876 She called a number registered to this guy's company 636 00:38:40,218 --> 00:38:41,744 three days ago. 637 00:38:41,768 --> 00:38:43,336 CARDINAL: Taj Roy has a daughter. 638 00:38:44,055 --> 00:38:45,538 She was with him that day. 639 00:38:46,206 --> 00:38:47,740 And she'd fit that parka. 640 00:38:48,208 --> 00:38:54,190 (PULSING SUSPENSEFUL MUSIC) 641 00:38:54,214 --> 00:38:56,926 ♪ 642 00:38:56,950 --> 00:38:58,951 (SIRENS WAILING) 643 00:39:07,895 --> 00:39:11,040 (MUFFLED POP MUSIC) 644 00:39:11,064 --> 00:39:17,080 (SOFT POP MUSIC) 645 00:39:17,104 --> 00:39:22,352 - (SOFT POP MUSIC) - (EERIE INSTRUMENTAL) 646 00:39:22,376 --> 00:39:26,178 (EERIE INSTRUMENTAL) 647 00:39:27,436 --> 00:39:29,225 Mena get up, we're going downstairs. 648 00:39:30,598 --> 00:39:31,832 Mena! 649 00:39:32,982 --> 00:39:34,249 Mena! 650 00:39:35,170 --> 00:39:36,147 Jesus. 651 00:39:36,171 --> 00:39:37,148 (OMINOUS INSTRUMENTAL) 652 00:39:37,172 --> 00:39:38,438 Mena! 653 00:39:42,043 --> 00:39:43,043 (WOM SCREAMS) 654 00:39:44,846 --> 00:39:46,090 Mena! 655 00:39:46,114 --> 00:39:50,161 (OMINOUS INSTRUMENTAL) 656 00:39:50,185 --> 00:39:51,451 Mena! 657 00:39:53,054 --> 00:39:54,054 Mena! 658 00:39:55,056 --> 00:39:56,056 Mena! 659 00:39:56,691 --> 00:39:57,768 [MUTED]. 660 00:39:57,792 --> 00:39:58,802 Mena, 661 00:39:58,826 --> 00:40:00,171 You get away from her! 662 00:40:00,195 --> 00:40:01,839 You trust your aim with that? 663 00:40:01,863 --> 00:40:04,041 (PULSING SUSPENSEFUL MUSIC) 664 00:40:04,065 --> 00:40:05,365 TAJ: Take it easy! 665 00:40:06,067 --> 00:40:07,367 Take it easy. 666 00:40:08,403 --> 00:40:10,204 It's gonna be okay, sweetie. 667 00:40:12,240 --> 00:40:14,241 Scott, just listen to me. 668 00:40:16,945 --> 00:40:20,491 I got Sheila Gagne in a truck in the other room, okay? 669 00:40:20,515 --> 00:40:21,525 She's all yours. 670 00:40:21,549 --> 00:40:22,849 I know that! 671 00:40:24,619 --> 00:40:26,119 I'm finished with her. 672 00:40:26,621 --> 00:40:28,232 I'm finished with Barry, 673 00:40:28,256 --> 00:40:29,756 and with Ken. 674 00:40:31,125 --> 00:40:32,693 There's only you left. 675 00:40:33,361 --> 00:40:35,739 Listen, we can work this thing out. 676 00:40:35,763 --> 00:40:37,297 Drop the gun! 677 00:40:43,304 --> 00:40:44,571 (GUN CLATTERS) 678 00:40:46,061 --> 00:40:47,594 TAJ: Tell me what you want. 679 00:40:48,576 --> 00:40:54,414 (PULSING SUSPENSEFUL MUSIC) 680 00:41:04,559 --> 00:41:12,559 ♪ 681 00:41:14,602 --> 00:41:22,602 ♪ 682 00:41:24,612 --> 00:41:32,612 ♪ 683 00:41:34,656 --> 00:41:42,656 ♪ 684 00:41:44,632 --> 00:41:51,448 ♪ 685 00:41:51,472 --> 00:41:52,739 Clear. 686 00:41:57,512 --> 00:41:59,146 That's Mena's bag. 687 00:42:01,282 --> 00:42:02,559 FOX: Detectives! 688 00:42:02,583 --> 00:42:08,098 (OMINOUS INSTRUMENTAL) 689 00:42:08,122 --> 00:42:16,122 (BANGING) 690 00:42:25,807 --> 00:42:27,351 He was here, he took them! 691 00:42:27,375 --> 00:42:28,375 (GASPING) 692 00:42:30,178 --> 00:42:31,178 Sheila Gagne, 693 00:42:33,981 --> 00:42:35,215 You're under arrest. 694 00:42:36,384 --> 00:42:37,384 (EERIE BEAT) 694 00:42:38,305 --> 00:42:44,914 Support us and become VIP member to remove all ads from OpenSubtitles.org 47173

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