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These are the user uploaded subtitles that are being translated: 1 00:00:05,000 --> 00:00:07,800 ♪ ...FOREVER YOU AND ME ♪ 2 00:00:07,800 --> 00:00:12,000 ♪ THERE'S NOTHING LEFT FOR ME TO SHOW YOU ♪ 3 00:00:12,000 --> 00:00:15,900 ♪ OH, YOU KNOW ALL THERE IS TO KNOW ♪ 4 00:00:15,900 --> 00:00:18,700 ♪ NOW IT'S YOU AND ME ♪ 5 00:00:18,700 --> 00:00:22,300 ♪ THAT'S THE WAY IT'S GONNA BE ♪ 6 00:00:22,300 --> 00:00:24,800 ♪ AND PRETTY SOON YOU'LL SEE... ♪ 7 00:00:24,900 --> 00:00:25,900 LOOK, A PUPPY... 8 00:00:25,900 --> 00:00:28,300 ♪ ...THAT FOREVER YOU'RE MINE ♪ 9 00:00:28,400 --> 00:00:30,800 ♪ IT'S YOU AND ME... ♪ 10 00:00:30,800 --> 00:00:32,300 HEY. 11 00:00:32,400 --> 00:00:33,600 ♪ ...THERE IS NO OTHER WAY... ♪ 12 00:00:33,600 --> 00:00:34,900 THANK YOU. 13 00:00:34,900 --> 00:00:37,300 ♪ ...AND WE'RE STARTING HERE TODAY... ♪ 14 00:00:37,400 --> 00:00:38,600 GUYS, WE GO IT! 15 00:00:38,700 --> 00:00:39,700 HE'S BOOKING OUR TOUR! 16 00:00:39,700 --> 00:00:43,900 ♪ ...IT'S JUST YOU AND ME ♪ 17 00:00:43,900 --> 00:00:45,900 TOURING, HERE WE COME! 18 00:00:46,000 --> 00:00:47,600 ♪ THAT'S THE WAY IT'S GONNA BE... ♪ 19 00:00:47,700 --> 00:00:49,900 'KAY, BYE. I'LL BE BACK SOON. 20 00:00:49,900 --> 00:00:51,000 I'LL MISS YOU. 21 00:00:51,000 --> 00:00:51,900 ♪ ...THAT FOREVER YOU'RE MINE ♪ 22 00:00:51,900 --> 00:00:53,400 ♪ FOREVER ♪ 23 00:00:53,400 --> 00:00:55,600 ♪ IT'S YOU AND ME... ♪ 24 00:00:55,600 --> 00:00:56,700 BYE. 25 00:00:56,700 --> 00:00:59,300 ♪ ...THERE IS NO OTHER WAY ♪ 26 00:00:59,300 --> 00:01:01,900 ♪ AND WE'RE STARTING HERE TODAY ♪ 27 00:01:02,100 --> 00:01:08,000 ♪ 'CAUSE TODAY IT'S JUST YOU AND ME... ♪ 28 00:01:10,000 --> 00:01:14,400 ♪ OOH, IT'S JUST YOU AND ME ♪ 29 00:01:14,500 --> 00:01:16,700 ♪ IT'S JUST YOU AND ME... ♪ 30 00:01:25,900 --> 00:01:27,500 GOOD MORNING, SWEETIE. 31 00:01:27,500 --> 00:01:28,600 GOOD MORNING, MOM. 32 00:01:28,600 --> 00:01:29,600 EIGHT-FOOT PALMS? 33 00:01:29,600 --> 00:01:30,600 NINE FOOT. 34 00:01:30,600 --> 00:01:31,700 COFFEE? 35 00:01:31,800 --> 00:01:33,100 TRIPLE ESPRESSO. GOOD MORNING, FREDDY. 36 00:01:33,100 --> 00:01:34,100 HEY, OLIVIA. 37 00:01:34,100 --> 00:01:35,600 CAN WE GET THIS PLACE CURB-PERFECT BY 5:00? 38 00:01:35,600 --> 00:01:36,900 4:59, GUARANTEED. 39 00:01:36,900 --> 00:01:38,600 THANK YOU. 40 00:01:38,600 --> 00:01:40,800 YOU ARE GONNA BE GREAT AT THIS. 41 00:01:40,900 --> 00:01:42,800 GIVE IT SIX MONTHS, AND YOU'LL BE THE NEW ME. 42 00:01:42,800 --> 00:01:44,100 THIS IS NOT WHAT I HAD IN MIND 43 00:01:44,200 --> 00:01:45,900 WHEN I SAID I WANTED TO FIND MYSELF. 44 00:01:45,900 --> 00:01:47,100 WELL, WE'LL SEE. 45 00:01:47,100 --> 00:01:48,100 DON'T SAY IT-- 46 00:01:48,100 --> 00:01:49,100 "ALL THE WORLD'S-- 47 00:01:49,200 --> 00:01:50,400 "--A STAGING." 48 00:01:54,900 --> 00:01:57,900 SO, ARE YOU GETTING EXCITED ABOUT THIS WEEKEND? 49 00:01:57,900 --> 00:01:59,600 WHY? WHAT'S THIS WEEKEND? 50 00:01:59,600 --> 00:02:00,600 JUST KIDDING. 51 00:02:00,700 --> 00:02:02,200 YES, I CAN'T WAIT. 52 00:02:02,200 --> 00:02:03,900 THERE'S A SLIGHT GLITCH WITH THE MUSIC, 53 00:02:04,000 --> 00:02:05,000 BUT I'M ON IT. 54 00:02:05,000 --> 00:02:06,000 WE DON'T NEED MUSIC. 55 00:02:06,100 --> 00:02:07,000 IT'S YOUR WEDDING. 56 00:02:07,100 --> 00:02:07,900 SECOND WEDDING. 57 00:02:08,000 --> 00:02:10,000 EVEN A SECOND WEDDING SHOULD BE MEMORABLE. 58 00:02:10,000 --> 00:02:12,700 AND TELL ME YOU AT LEAST TRIED ON THE DRESS. 59 00:02:12,700 --> 00:02:13,900 I WILL. 60 00:02:14,000 --> 00:02:15,700 YOU ARE THE WORST BRIDE EVER. 61 00:02:15,800 --> 00:02:17,700 AND YOU ARE THE BEST DAUGHTER. 62 00:02:19,200 --> 00:02:20,600 OH, LET ME JUST... 63 00:02:21,800 --> 00:02:23,600 THOSE GO BYE-BYE. 64 00:02:23,600 --> 00:02:24,600 OKAY... 65 00:02:25,900 --> 00:02:27,600 THE GNOME, IT GOES. 66 00:02:28,700 --> 00:02:30,000 -BRUCE. -GOOD MORNING. 67 00:02:30,100 --> 00:02:31,000 GOOD MORNING. 68 00:02:31,100 --> 00:02:32,300 OLIVIA PERSHING. 69 00:02:32,300 --> 00:02:33,200 AND THIS IS MY ASSOCIATE, 70 00:02:33,300 --> 00:02:35,100 GRACE. 71 00:02:35,200 --> 00:02:37,000 WE ARE HERE TO STAGE YOUR HOME FOR THE OPEN HOUSE. 72 00:02:37,000 --> 00:02:38,800 I KNOW JOSH SAID THIS WAS NECESSARY, 73 00:02:38,800 --> 00:02:39,900 BUT IT JUST FEELS... 74 00:02:40,000 --> 00:02:41,200 -INTRUSIVE? -A LITTLE. 75 00:02:41,300 --> 00:02:42,300 A LOT. 76 00:02:42,300 --> 00:02:43,900 I TOTALLY UNDERSTAND. 77 00:02:44,000 --> 00:02:45,500 THE THING IS, A BUYER WANTS TO KNOW 78 00:02:45,600 --> 00:02:46,800 WHAT A HOME COULD LOOK LIKE, 79 00:02:46,800 --> 00:02:48,800 NOT WHAT IT DOES LOOK LIKE. 80 00:02:48,800 --> 00:02:50,900 MEMORIES ARE WONDERFUL, BUT... 81 00:02:51,100 --> 00:02:53,000 THEY'RE YOURS. 82 00:02:53,000 --> 00:02:54,900 ALL RIGHT, GO TO IT. 83 00:02:55,000 --> 00:02:57,000 I'LL BE AT MY OFFICE. 84 00:02:57,000 --> 00:02:58,400 OKAY. 85 00:02:58,400 --> 00:03:00,300 DON'T WORRY, WE'LL TAKE CARE OF EVERYTHING. 86 00:03:00,300 --> 00:03:01,900 THANK YOU. 87 00:03:01,900 --> 00:03:03,000 MM-HMM. 88 00:03:05,500 --> 00:03:07,000 OKAY... 89 00:03:07,000 --> 00:03:08,100 THAT GOES. 90 00:03:08,200 --> 00:03:09,400 LAMP CAN STAY. 91 00:03:09,400 --> 00:03:11,700 CURTAINS GO. 92 00:03:17,200 --> 00:03:19,100 QUOTES FROM "THE WIZARD OF OZ"? 93 00:03:19,100 --> 00:03:20,300 BRINGS TO MIND TORNADOS, WITCHES, 94 00:03:20,300 --> 00:03:21,900 AND DEPRESSED FARMLANDS. 95 00:03:21,900 --> 00:03:24,400 ALL OF THESE KNICKKNACKS CAN GO. 96 00:03:24,400 --> 00:03:26,100 AW, "WORLD'S GREATEST DAD." 97 00:03:26,100 --> 00:03:27,100 THAT'S SWEET. 98 00:03:27,100 --> 00:03:28,100 YEAH, SWEET, 99 00:03:28,100 --> 00:03:29,500 BUT GUILT-INDUCING. 100 00:03:29,500 --> 00:03:30,500 DO WE WANT TO TAKE THE CHANCE 101 00:03:30,500 --> 00:03:33,800 THAT AN ALL-CASH BUYER MISSED HIS KID'S SCHOOL PLAY 102 00:03:33,800 --> 00:03:35,100 OR FIRST PITCH? 103 00:03:42,200 --> 00:03:43,900 IT'S WAY TOO CROWDED IN HERE. 104 00:03:43,900 --> 00:03:47,000 LET'S LOSE EVERYTHING, MAKE IT MORE SIMPLE. 105 00:03:48,100 --> 00:03:49,300 OH! 106 00:03:50,500 --> 00:03:52,800 PURPLE. 107 00:03:54,900 --> 00:03:57,500 HAVE THAT PAINTED RESALE-WHITE BY NOON. 108 00:04:02,100 --> 00:04:03,500 HI! 109 00:04:03,500 --> 00:04:05,400 WELCOME TO WILLOW LAKE INN. 110 00:04:12,000 --> 00:04:15,300 ♪ I'VE BEEN THINKING ABOUT SOMETHING ♪ 111 00:04:15,300 --> 00:04:17,900 ♪ NEVER KNEW JUST WHAT IT WAS ♪ 112 00:04:18,000 --> 00:04:23,000 ♪ TILL I MET YOU, BABY ♪ 113 00:04:23,000 --> 00:04:27,200 ♪ I'VE BEEN DREAMING 'BOUT SOMEONE ♪ 114 00:04:27,300 --> 00:04:29,400 ♪ NEVER COULD QUITE PLACE THE FACE ♪ 115 00:04:29,400 --> 00:04:33,300 ♪ TILL I LAID MY EYES ON YOU ♪ 116 00:04:37,300 --> 00:04:38,500 WHAT DO YOU THINK? 117 00:04:40,800 --> 00:04:43,300 REALLY? 118 00:04:43,300 --> 00:04:44,700 PLAYING FOR THE DUCKS AGAIN? 119 00:04:44,800 --> 00:04:47,400 WELL, I GOTTA KEEP MY FAN BASE HAPPY. 120 00:04:47,400 --> 00:04:48,700 YOU GOTTA KEEP THE GUESTS HAPPY, TOO. 121 00:04:48,700 --> 00:04:51,600 NO, THE INTERNET'S OUT AGAIN? 122 00:04:51,600 --> 00:04:53,300 GARBAGE DISPOSAL. 123 00:04:53,300 --> 00:04:54,700 THIS PLACE IS FALLING APART. 124 00:04:54,800 --> 00:04:57,700 IT'S RUSTIC AND CHARMING. 125 00:04:57,800 --> 00:04:59,200 LIKE YOU. 126 00:04:59,200 --> 00:05:00,400 YEAH. 127 00:05:01,500 --> 00:05:02,400 COME ON, LUCKY. 128 00:05:02,500 --> 00:05:04,200 HERE WE GO. COME ON! 129 00:05:04,200 --> 00:05:07,300 WE'VE GOT ANOTHER WEDDING BOOKED THIS WEEKEND. 130 00:05:07,300 --> 00:05:08,700 AS LONG AS IT'S NOT YOURS. 131 00:05:08,800 --> 00:05:10,300 DAD... 132 00:05:10,300 --> 00:05:11,800 I JUST DON'T THINK THAT MADSEN KID 133 00:05:11,800 --> 00:05:13,200 IS GOOD ENOUGH FOR YOU. 134 00:05:13,200 --> 00:05:15,700 YOU DON'T THINK ANYONE'S GOOD ENOUGH FOR ME. 135 00:05:15,700 --> 00:05:18,700 ANYWAY, WE BROKE UP. 136 00:05:18,700 --> 00:05:20,700 OH, HONEY, I'M SORRY. 137 00:05:22,600 --> 00:05:25,800 WHAT ARE YOU GOING TO DO WHEN I GO OFF TO COLLEGE? 138 00:05:25,800 --> 00:05:28,300 PROBABLY RENT AN APARTMENT NEAR YOUR CAMPUS. 139 00:05:29,500 --> 00:05:31,300 HONEY, I KNOW IT'S JUST BEEN THE TWO OF US 140 00:05:31,400 --> 00:05:32,300 FOR A WHILE NOW, 141 00:05:32,400 --> 00:05:34,200 BUT YOU'VE GOT THIS BEAUTIFUL LIFE TO LIVE. 142 00:05:34,200 --> 00:05:36,200 DON'T WORRY ABOUT ME. 143 00:05:36,300 --> 00:05:37,300 BUT YOU'LL BE ALL ALONE HERE, 144 00:05:37,300 --> 00:05:38,700 FOR THE FIRST TIME SINCE MOM DIED. 145 00:05:38,800 --> 00:05:40,300 I'LL BE FINE. 146 00:05:40,300 --> 00:05:41,600 I'VE GOT MY GUITAR, I'VE GOT MY DOG, 147 00:05:41,600 --> 00:05:42,400 AND I'VE GOT A LOT OF STRANGERS 148 00:05:42,500 --> 00:05:44,700 WHO LIKE TO TIE THE KNOT IN MY BACKYARD. 149 00:05:49,900 --> 00:05:52,200 I'LL HAVE THE PAPERWORK SENT OVER FIRST THING. 150 00:05:52,200 --> 00:05:54,800 MAKE YOU SURE YOU GET SOME SUSHI ON THE WAY OUT... 151 00:05:56,600 --> 00:05:58,400 GET BACK TO ME ON THAT CONDO, BROTHER. 152 00:06:00,200 --> 00:06:02,200 DID YOU FINISH ALL THE SUSHI AGAIN? 153 00:06:02,200 --> 00:06:03,900 SORRY, HONEY. IT'S SO GOOD. 154 00:06:03,900 --> 00:06:04,900 HOW MANY OFFERS? 155 00:06:04,900 --> 00:06:06,600 THREE. ALL ABOVE-ASK. 156 00:06:06,600 --> 00:06:08,600 THAT'S FANTASTIC. 157 00:06:08,700 --> 00:06:10,400 PLUS TWO NEW CLIENTS FROM THE OPEN HOUSE. 158 00:06:10,400 --> 00:06:12,200 OH, HONEY, THAT'S WONDERFUL. 159 00:06:12,200 --> 00:06:13,600 CHEERS. 160 00:06:13,700 --> 00:06:14,700 TO US. 161 00:06:14,700 --> 00:06:16,500 TO US. 162 00:06:18,800 --> 00:06:22,200 CAN YOU STAGE THE HOPE STREET COLONIAL TOMORROW? 163 00:06:22,200 --> 00:06:24,500 NO, TOMORROW'S THURSDAY. 164 00:06:24,600 --> 00:06:26,700 HOW WOULD YOU FEEL ABOUT GOING UP ALONE, 165 00:06:26,700 --> 00:06:27,600 AND THEN I COULD MEET YOU THERE 166 00:06:27,700 --> 00:06:29,200 FRIDAY NIGHT? 167 00:06:29,300 --> 00:06:31,800 YEAH, OR YOU COULD SHOW THE HOLLAND ESTATE 168 00:06:31,900 --> 00:06:33,000 FRIDAY NIGHT, 169 00:06:33,000 --> 00:06:34,500 AND JUST COME UP SATURDAY MORNING. 170 00:06:34,500 --> 00:06:35,700 THAT'S AN EVEN BETTER IDEA. 171 00:06:35,800 --> 00:06:37,300 PERFECT. 172 00:06:37,400 --> 00:06:39,600 OKAY, SO, REHEARSAL DINNER IS AT 7:00. 173 00:06:39,700 --> 00:06:40,700 UH-HUH... 174 00:06:40,700 --> 00:06:42,600 AND I'M THINKING AROUND NOON? 175 00:06:42,600 --> 00:06:44,400 THAT WAY, YOU CAN SHOW THE COLONIAL ON YOUR WAY IN. 176 00:06:44,500 --> 00:06:45,600 THAT'S WHY I LOVE YOU. 177 00:06:45,700 --> 00:06:47,500 THAT'S WHY YOU LOVE ME? 178 00:06:47,500 --> 00:06:48,900 AMONG OTHER THINGS. 179 00:06:49,000 --> 00:06:50,600 YEAH. 180 00:06:50,600 --> 00:06:51,900 WHY DON'T WE GO TO THE JUSTICE OF THE PEACE 181 00:06:51,900 --> 00:06:53,000 RIGHT NOW, 182 00:06:53,000 --> 00:06:54,800 AND GET THIS OVER WITH? 183 00:06:54,800 --> 00:06:57,100 BECAUSE MY DAUGHTER THINKS WE ARE UNROMANTIC. 184 00:06:57,100 --> 00:06:58,900 WE'RE NOT UNROMANTIC, ARE WE? 185 00:06:59,000 --> 00:07:00,100 NO, LOOK AT US. 186 00:07:00,100 --> 00:07:02,800 CHAMPAGNE, SUSHI. 187 00:07:02,800 --> 00:07:03,800 OPEN HOUSE. 188 00:07:04,900 --> 00:07:07,000 THERE'S THE MAN OF THE HOUR. 189 00:07:07,000 --> 00:07:08,900 WHAT HAVE YOU DONE? 190 00:07:08,900 --> 00:07:10,300 GREAT NEWS, BRUCE. MULTIPLE OFFERS. 191 00:07:10,400 --> 00:07:11,800 I DON'T CARE, I'M NOT SELLING. 192 00:07:11,800 --> 00:07:13,700 OLIVIA, THE PLACE IS AMAZING. 193 00:07:13,700 --> 00:07:15,400 I'VE FALLEN BACK IN LOVE WITH IT AGAIN. 194 00:07:15,500 --> 00:07:16,500 I'M STAYING, 195 00:07:16,600 --> 00:07:17,900 AND I'M BUYING THE FURNITURE, TOO. 196 00:07:22,900 --> 00:07:24,100 REMEMBER WHAT HAPPENED 197 00:07:24,100 --> 00:07:25,900 THE LAST TIME YOU TRIED TO FIX THAT. 198 00:07:27,600 --> 00:07:29,500 I'M TRYING NOT TO. 199 00:07:29,500 --> 00:07:31,700 WELL, I'VE COME A LONG WAY, HAVEN'T I? 200 00:07:31,700 --> 00:07:32,700 FROM A SPOTLIGHT ON THE STAGE 201 00:07:32,800 --> 00:07:34,800 TO A FLASHLIGHT UNDER THE SINK. 202 00:07:34,800 --> 00:07:36,100 WEDDING CAKE. 203 00:07:38,000 --> 00:07:39,900 TELL ME WHAT YOU THINK. 204 00:07:41,200 --> 00:07:43,200 THEY'RE PROBABLY ALL GOOD. 205 00:07:43,200 --> 00:07:45,500 MM. GOOD, YEAH. 206 00:07:45,600 --> 00:07:46,900 I DON'T KNOW, SHOULDN'T THE BRIDE BE DECIDING THIS? 207 00:07:48,000 --> 00:07:49,700 I LIKE THE LEMON. 208 00:07:49,700 --> 00:07:51,600 I JUST HEARD FROM THE BRIDE'S DAUGHTER. 209 00:07:51,600 --> 00:07:52,800 DON'T TELL ME THEY CANCELED. 210 00:07:52,800 --> 00:07:53,800 NO, THEIR BAND DID. 211 00:07:53,800 --> 00:07:55,000 OH. WELL, CALL LYNN. 212 00:07:55,000 --> 00:07:56,700 -OUT OF TOWN. -WHAT ABOUT THE JENSONS? 213 00:07:56,700 --> 00:07:57,800 I ALREADY TRIED. 214 00:07:57,800 --> 00:07:58,800 WELL, I'M SURE SOMEONE'S AROUND. 215 00:07:58,800 --> 00:08:00,400 SOMEONE IS. 216 00:08:02,500 --> 00:08:03,700 NO. 217 00:08:03,700 --> 00:08:05,200 THERE'S NO TIME TO GET ANYONE ELSE. 218 00:08:05,200 --> 00:08:06,500 PLEASE? 219 00:08:06,500 --> 00:08:07,700 IT'LL BE GOOD FOR YOU TO PLAY AGAIN. 220 00:08:07,700 --> 00:08:08,600 -I PLAY ALL THE TIME. -TO THE DUCKS. 221 00:08:08,600 --> 00:08:10,000 THEY GET MY MUSIC. 222 00:08:11,200 --> 00:08:12,700 I ALREADY SAID YOU'D DO IT. 223 00:08:12,700 --> 00:08:14,100 -JULIE! -IT'S SETTLED THEN. 224 00:08:14,100 --> 00:08:15,100 THANKS, DAD. 225 00:08:17,300 --> 00:08:18,500 MICK! 226 00:08:18,600 --> 00:08:20,500 ARE YOU IN HERE? 227 00:08:20,600 --> 00:08:21,800 NOWHERE TO HIDE NOW, PAL. 228 00:08:21,800 --> 00:08:23,900 BE RIGHT OUT! 229 00:08:24,000 --> 00:08:25,700 GO WITH THE LEMON. 230 00:08:28,900 --> 00:08:30,700 HEY. 231 00:08:30,700 --> 00:08:32,100 HI. 232 00:08:32,100 --> 00:08:33,900 DID WE HAVE A GOLF GAME I FORGOT ABOUT? 233 00:08:34,000 --> 00:08:36,100 WELL, IF YOU COULD TAKE THE AFTERNOON OFF, WE DO. 234 00:08:36,100 --> 00:08:38,200 OH, I'D LOVE TO, BUT I'M SWAMPED HERE. 235 00:08:38,200 --> 00:08:39,700 JULIE CAN HANDLE THINGS FOR A FEW HOURS. 236 00:08:39,700 --> 00:08:40,900 RIGHT? 237 00:08:40,900 --> 00:08:43,300 YEAH, IT'S FINE, DAD. 238 00:08:43,300 --> 00:08:44,300 WELL, THE THING IS, 239 00:08:44,300 --> 00:08:45,200 I JUST FOUND OUT 240 00:08:45,200 --> 00:08:46,300 WE HAVE A WEDDING COMING IN THIS WEEKEND-- 241 00:08:46,300 --> 00:08:47,900 FINE. 242 00:08:47,900 --> 00:08:50,300 BUT TOMORROW NIGHT, DINNER. 243 00:08:50,400 --> 00:08:53,300 AND I AM NOT TAKING NO FOR AN ANSWER. 244 00:08:55,200 --> 00:08:56,900 TOODLES. 245 00:08:58,100 --> 00:08:59,900 TOODLES. 246 00:09:03,100 --> 00:09:04,200 SOUNDS LIKE A DATE. 247 00:09:04,200 --> 00:09:05,400 SHE'S VERY FRIENDLY. 248 00:09:05,400 --> 00:09:06,700 SHE LIKES YOU. 249 00:09:06,700 --> 00:09:08,200 YEAH, I'M IRRESISTIBLE. 250 00:09:08,200 --> 00:09:09,900 YOU'RE GOING TO HAVE TO RE-ENTER THE DATING POOL 251 00:09:09,900 --> 00:09:10,900 SOMETIME. 252 00:09:32,200 --> 00:09:34,100 BE READY SOON, GRACE! 253 00:09:36,100 --> 00:09:37,100 HI! 254 00:09:37,100 --> 00:09:38,300 MOM... 255 00:09:38,300 --> 00:09:39,900 ARE YOU DRIVING UP WITH US? 256 00:09:39,900 --> 00:09:40,900 OH, NO, NO, NO, NO. 257 00:09:41,000 --> 00:09:41,900 JOHNNY HAS A GOLF TOURNAMENT. 258 00:09:41,900 --> 00:09:43,200 WE'RE DRIVING UP TOMORROW. 259 00:09:43,200 --> 00:09:44,800 WHO... 260 00:09:44,900 --> 00:09:46,000 WHO'S JOHNNY? 261 00:09:46,000 --> 00:09:47,800 OH, MY PLUS ONE. 262 00:09:47,800 --> 00:09:50,100 YOU ARE GOING TO LOVE HIM. 263 00:09:50,100 --> 00:09:52,300 HE'S THE EXACT OPPOSITE OF MY LAST PLUS ONE. 264 00:09:52,300 --> 00:09:54,000 OH. 265 00:09:54,000 --> 00:09:56,000 CAN'T WAIT TO MEET HIM. 266 00:09:56,000 --> 00:09:57,200 AND I CAN'T TELL YOU HOW RELIEVED I AM 267 00:09:57,300 --> 00:09:59,300 THAT YOU DO NOT HAVE TO BE ALONE ANYMORE. 268 00:09:59,400 --> 00:10:02,000 OH, MOM, I'M NOT ALONE. 269 00:10:02,100 --> 00:10:03,800 I HAVE GRACE, AND I HAVE WORK. 270 00:10:03,900 --> 00:10:05,900 THAT IS NOT THE SAME AS HAVING A HUSBAND. 271 00:10:05,900 --> 00:10:08,000 I SHOULD KNOW, I'VE HAD A FEW. 272 00:10:08,000 --> 00:10:09,300 AND WHAT IS THIS I HEAR 273 00:10:09,400 --> 00:10:12,500 ABOUT YOU ORDERING YOUR WEDDING DRESS ONLINE? 274 00:10:12,600 --> 00:10:14,300 YOU COULD HAVE BORROWED ONE FROM ME. 275 00:10:14,400 --> 00:10:15,500 I'M NOT SURE WEARING A WEDDING DRESS 276 00:10:15,600 --> 00:10:16,600 FROM A FAILED MARRIAGE 277 00:10:16,600 --> 00:10:18,100 IS A GOOD IDEA. 278 00:10:18,100 --> 00:10:19,500 JUST BECAUSE THEY ENDED DOES NOT MEAN THEY FAILED. 279 00:10:20,900 --> 00:10:22,500 OH, THERE SHE IS. 280 00:10:22,500 --> 00:10:23,500 GRAM! 281 00:10:23,600 --> 00:10:25,000 I DIDN'T EXPECT TO SEE YOU 282 00:10:25,000 --> 00:10:25,900 UNTIL TOMORROW. 283 00:10:26,000 --> 00:10:29,000 JUST DROPPING OFF GIFTS FOR MY TWO GIRLS. 284 00:10:29,000 --> 00:10:30,000 OLIVIA... 285 00:10:30,000 --> 00:10:31,000 THANK YOU, MOM. 286 00:10:31,000 --> 00:10:32,300 NOW, GRACE, 287 00:10:32,400 --> 00:10:33,500 I KNOW THAT YOU PREFER THE NATURAL LOOK, 288 00:10:33,500 --> 00:10:36,400 BUT YOUR MOTHER WILL ATTEST TO THE POWER OF MAKEUP. 289 00:10:37,600 --> 00:10:39,500 YOU SHOULD TRY THE WRINKLE CREAM, HONEY. 290 00:10:39,500 --> 00:10:40,500 IT'S NOT EVERY DAY 291 00:10:40,600 --> 00:10:41,900 SOMEONE LIKE JOSH COMES ALONG. 292 00:10:43,500 --> 00:10:45,100 A DEMAIN. 293 00:10:50,400 --> 00:10:54,100 DID SHE JUST CRITICIZE US, OR COMPLIMENT US? 294 00:10:54,200 --> 00:10:56,600 I THINK BOTH. 295 00:10:58,400 --> 00:10:59,600 WHEN WAS THE LAST TIME 296 00:10:59,600 --> 00:11:01,900 YOU AND JOSH TOOK FOUR DAYS OFF? 297 00:11:02,000 --> 00:11:03,700 I'M PRETTY SURE... NEVER. 298 00:11:03,700 --> 00:11:05,400 THAT'S HORRIBLE. 299 00:11:05,500 --> 00:11:08,200 ACTUALLY, I THINK THIS IS THE FIRST WEEKEND 300 00:11:08,200 --> 00:11:10,200 WITHOUT AN OPEN HOUSE. 301 00:11:10,300 --> 00:11:13,400 WELL, WE ARE LEAVING THE CITY BEHIND NOW, 302 00:11:13,400 --> 00:11:15,300 SO YOU TWO CAN'T DO ANY BUSINESS. 303 00:11:15,400 --> 00:11:17,700 I LIKE YOUR THINKING, HONEY. 304 00:11:17,800 --> 00:11:19,300 REMEMBER THAT 305 00:11:19,300 --> 00:11:22,500 WHEN I TELL YOU HOW MANY PEOPLE ARE ON THE GUEST LIST. 306 00:11:22,500 --> 00:11:23,500 48. 307 00:11:23,600 --> 00:11:25,200 48? 308 00:11:25,200 --> 00:11:28,700 GRACE, THIS WAS SUPPOSED TO JUST BE A FEW FRIENDS. 309 00:11:28,700 --> 00:11:30,300 I KNOW, I GOT CARRIED AWAY. 310 00:11:30,400 --> 00:11:32,300 WHY AM I NOT SURPRISED? 311 00:11:32,300 --> 00:11:33,600 SOME OF THEM 312 00:11:33,700 --> 00:11:35,200 ARE COMING UP ON SATURDAY... 313 00:11:35,200 --> 00:11:36,500 OKAY, WAIT, SATURDAY? 314 00:11:36,600 --> 00:11:38,200 BUT MOST OF THEM ARE DRIVING UP ON SUNDAY 315 00:11:38,200 --> 00:11:39,700 FOR THE CEREMONY. 316 00:11:39,700 --> 00:11:40,700 AND THE DINNER, 317 00:11:40,800 --> 00:11:43,400 AND THE MUSIC, 318 00:11:43,400 --> 00:11:45,500 AND THE LANTERN LIGHTING OVER THE LAKE. 319 00:11:45,600 --> 00:11:46,700 ARE YOU MAD? 320 00:11:46,800 --> 00:11:48,300 NO. NO. 321 00:11:48,400 --> 00:11:49,800 OF COURSE, I'M NOT MAD. 322 00:11:49,800 --> 00:11:51,700 THAT SOUNDS BEAUTIFUL. 323 00:12:15,400 --> 00:12:16,500 HI! 324 00:12:16,500 --> 00:12:17,500 WELCOME TO WILLOW LAKE. 325 00:12:17,500 --> 00:12:18,500 I'M JULIE TURNER. 326 00:12:18,500 --> 00:12:20,000 GRACE PERSHING. 327 00:12:20,000 --> 00:12:22,000 WE SPOKE ON THE PHONE, LIKE, 15 TIMES. 328 00:12:22,000 --> 00:12:23,500 16. 329 00:12:23,500 --> 00:12:25,300 NICE SHOES. 330 00:12:26,500 --> 00:12:27,800 THIS IS MY MOM, 331 00:12:27,800 --> 00:12:29,800 A.K.A. THE WORST BRIDE EVER. 332 00:12:29,800 --> 00:12:31,600 OH... HI. I'M OLIVIA. 333 00:12:31,600 --> 00:12:32,700 NICE TO MEET YOU. 334 00:12:32,800 --> 00:12:33,600 NICE TO MEET YOU, TOO. 335 00:12:33,600 --> 00:12:36,700 WOW, YOUR PLACE IS REALLY BEAUTIFUL. 336 00:12:36,700 --> 00:12:37,800 THANK YOU. 337 00:12:37,900 --> 00:12:39,500 I MIGHT SUGGEST YOU MOVE THIS PLANTER 338 00:12:39,600 --> 00:12:41,000 OVER TO THE OTHER SIDE OF THE PORTICO-- 339 00:12:41,000 --> 00:12:43,000 -MOM... -SORRY. 340 00:12:43,000 --> 00:12:44,800 IT'S PERFECT THE WAY IT IS. 341 00:12:44,900 --> 00:12:45,800 WEDDING JITTERS? 342 00:12:45,800 --> 00:12:46,800 WORKAHOLIC. 343 00:12:46,800 --> 00:12:47,900 HMM. 344 00:12:47,900 --> 00:12:49,600 I PROMISE THE NEXT FEW DAYS 345 00:12:49,600 --> 00:12:51,500 WILL BE AMAZING. 346 00:12:51,500 --> 00:12:52,500 SHALL I SHOW YOU AROUND, 347 00:12:52,600 --> 00:12:53,900 OR SHOULD WE WAIT FOR THE GROOM? 348 00:12:54,100 --> 00:12:55,500 OH, NO, NO, IT'S JUST US. 349 00:12:55,500 --> 00:12:56,500 HE'LL BE HERE ON SATURDAY. 350 00:12:56,500 --> 00:12:57,600 HOPEFULLY. 351 00:12:57,600 --> 00:13:00,100 HE'S THE WORST GROOM EVER. 352 00:13:00,100 --> 00:13:02,000 THE PERFECT COUPLE, THEN. 353 00:13:03,600 --> 00:13:04,600 WHO'S THIS? 354 00:13:04,600 --> 00:13:05,600 THAT'S LUCKY. 355 00:13:05,600 --> 00:13:06,600 LUCKY? 356 00:13:06,700 --> 00:13:09,000 HE DOESN'T USUALLY TAKE TO STRANGERS LIKE THAT. 357 00:13:09,000 --> 00:13:11,600 GOLDEN RETRIEVERS AND I GO WAY BACK. 358 00:13:11,600 --> 00:13:12,600 WE'VE HAD THREE. 359 00:13:12,600 --> 00:13:13,600 US TOO. 360 00:13:14,600 --> 00:13:15,800 SORRY, GIRLS, I'LL GRAB THIS REAL QUICK. 361 00:13:15,800 --> 00:13:17,600 BRUCE, HI. 362 00:13:17,600 --> 00:13:19,500 COME ON, I'LL SIGN YOU IN. 363 00:13:24,800 --> 00:13:25,900 I LOVE THOSE. 364 00:13:25,900 --> 00:13:27,600 WELL, THAT'S GOOD 365 00:13:27,600 --> 00:13:29,200 BECAUSE I'M YOUR WEDDING PHOTOGRAPHER. 366 00:13:29,200 --> 00:13:30,600 YOU TOOK THOSE? 367 00:13:30,600 --> 00:13:31,600 THEY'RE AMAZING. 368 00:13:31,700 --> 00:13:32,800 THANKS. 369 00:13:37,900 --> 00:13:39,500 THIS PLACE IS BEAUTIFUL. 370 00:13:39,600 --> 00:13:41,100 IT'S EVEN BETTER THAN I'D HOPED. 371 00:13:41,100 --> 00:13:43,200 WE CAN HAVE THE CEREMONY EITHER INSIDE OR OUT. 372 00:13:43,200 --> 00:13:45,000 OUTSIDE. DEFINITELY. 373 00:13:45,000 --> 00:13:46,700 SHOULD WE WAIT FOR YOUR MOM TO WEIGH IN? 374 00:13:46,800 --> 00:13:47,800 SHE WON'T CARE. 375 00:13:47,800 --> 00:13:48,900 YOU'RE SURE? 376 00:13:49,000 --> 00:13:49,900 POSITIVE. 377 00:13:49,900 --> 00:13:51,900 SHE'D GET MARRIED IN THE CAR IF SHE COULD. 378 00:13:53,100 --> 00:13:54,600 THAT COULD WORK. WE DO HAVE A TRUCK. 379 00:13:54,600 --> 00:13:55,900 ONCE WE GET YOU SIGNED IN, 380 00:13:56,000 --> 00:13:57,500 I'LL SHOW YOU THE GROUNDS, 381 00:13:57,600 --> 00:14:00,000 AND THE PERFECT OUTDOOR SPOT, 382 00:14:00,000 --> 00:14:02,000 UNLESS YOU WANT TO SEE THE TRUCK. 383 00:14:02,000 --> 00:14:04,000 WE'LL KEEP THAT AS A BACKUP PLAN. 384 00:14:04,100 --> 00:14:05,500 I'LL MAKE SURE IT'S WASHED. 385 00:14:05,600 --> 00:14:07,100 YOU REMIND ME OF SOMEONE. 386 00:14:07,100 --> 00:14:08,900 WHO'S THAT? 387 00:14:08,900 --> 00:14:10,600 ME. 388 00:14:10,600 --> 00:14:12,200 LET'S JUST GO WITH THE SECTIONAL. 389 00:14:12,200 --> 00:14:14,800 WE CAN CHANGE OUT THE PILLOWS. 390 00:14:14,800 --> 00:14:15,600 A POP OF PINK WOULD BE GREAT-- YES, THANK YOU. 391 00:14:15,600 --> 00:14:16,600 OOH! OH! 392 00:14:16,700 --> 00:14:17,700 YOU OKAY? 393 00:14:17,700 --> 00:14:18,800 I'M SO SORRY. 394 00:14:18,800 --> 00:14:20,000 NO, NO, MY FAULT-- 395 00:14:22,000 --> 00:14:23,100 MICK? 396 00:14:23,100 --> 00:14:24,100 LIVVY? 397 00:14:25,600 --> 00:14:26,900 YOU LOOK... 398 00:14:26,900 --> 00:14:28,800 OLDER? 399 00:14:28,800 --> 00:14:30,100 BEAUTIFUL. 400 00:14:32,000 --> 00:14:35,200 WHAT ARE YOU DOING HERE? 401 00:14:35,200 --> 00:14:36,900 I'M GETTING MARRIED. 402 00:14:36,900 --> 00:14:39,000 YOU'RE THE PERSHING-JOHNSON WEDDING? 403 00:14:39,100 --> 00:14:40,800 YEAH. 404 00:14:40,900 --> 00:14:42,300 HOW DO YOU KNOW ABOUT THAT? 405 00:14:42,400 --> 00:14:43,600 YOU CHANGED YOUR NAME? 406 00:14:43,600 --> 00:14:45,600 PERSHING WAS MY FIRST HUSBAND. 407 00:14:45,700 --> 00:14:47,000 HOW MANY HUSBANDS HAVE YOU HAD? 408 00:14:47,000 --> 00:14:49,200 WHY ARE YOU STANDING HERE WITH ALL THE TOWELS? 409 00:14:50,800 --> 00:14:52,800 I LIVE HERE. 410 00:14:52,900 --> 00:14:54,300 WHAT? 411 00:14:54,300 --> 00:14:55,900 I OWN THE PLACE. 412 00:14:58,400 --> 00:15:01,000 YEAH, IT GETS WORSE. 413 00:15:01,000 --> 00:15:02,800 I'M YOUR WEDDING SINGER. 414 00:15:10,800 --> 00:15:12,800 UH, MOM? 415 00:15:12,800 --> 00:15:14,000 OKAY, I'M DYING. 416 00:15:14,000 --> 00:15:15,100 DAD? 417 00:15:15,200 --> 00:15:16,100 I CAN'T FEEL MY LEGS. 418 00:15:16,100 --> 00:15:17,100 WHAT'S WRONG? 419 00:15:17,200 --> 00:15:18,900 -NOTHING. -EVERYTHING. 420 00:15:18,900 --> 00:15:20,800 IT WAS A MILLION YEARS AGO, BEFORE YOUR FATHER. 421 00:15:20,900 --> 00:15:22,100 BEFORE YOUR MOM. WE WERE-- 422 00:15:22,100 --> 00:15:23,900 ---REALLY YOUNG. ---AND STUPID. 423 00:15:23,900 --> 00:15:26,200 --HE GOT A RECORD DEAL, AND HE WENT OFF TOURING, 424 00:15:26,200 --> 00:15:28,100 --I CAME BACK, AND SHE WAS ALREADY WITH SOMEONE ELSE. 425 00:15:28,200 --> 00:15:29,400 HE WAS MY FIRST LOVE. 426 00:15:29,400 --> 00:15:30,900 SHE BROKE MY HEART. 427 00:15:30,900 --> 00:15:32,800 HOW DID I NOT KNOW ABOUT THIS? 428 00:15:32,900 --> 00:15:34,500 I GUESS I JUST NEVER WANTED TO THINK ABOUT HIM. 429 00:15:34,500 --> 00:15:36,000 --EVER AGAIN. EVER. 430 00:15:36,000 --> 00:15:37,400 I'LL CANCEL. 431 00:15:37,400 --> 00:15:39,200 WE CAN DO THE JUSTICE OF THE PEACE THING 432 00:15:39,300 --> 00:15:40,600 LIKE YOU WANTED. 433 00:15:40,600 --> 00:15:42,500 YOU WANTED TO GIVE ME A MEMORABLE WEEKEND, 434 00:15:42,500 --> 00:15:44,100 AND IT WILL BE THAT. 435 00:15:44,100 --> 00:15:46,100 BESIDES, HONEY, WE HAVE 48 PEOPLE COMING THIS SUNDAY. 436 00:15:46,100 --> 00:15:48,300 57. 437 00:15:48,300 --> 00:15:49,400 I LIED. 438 00:15:51,900 --> 00:15:53,000 MAYBE SHE'LL CANCEL. 439 00:15:53,100 --> 00:15:54,400 YOU'D BETTER HOPE NOT. 440 00:15:54,400 --> 00:15:56,200 WE SPENT THEIR DEPOSIT ON DORM FEES. 441 00:15:56,200 --> 00:15:58,000 ALL OF IT? 442 00:16:12,200 --> 00:16:13,300 HI. THIS IS JOSH JOHNSON. 443 00:16:13,400 --> 00:16:16,000 PLEASE LEAVE A MESSAGE AT THE TONE. 444 00:16:16,000 --> 00:16:18,300 JOSH, HEY, IT'S ME. 445 00:16:18,300 --> 00:16:20,600 OKAY, SO, THIS IS KIND OF WEIRD. 446 00:16:20,700 --> 00:16:23,600 WELL, ACTUALLY, IT'S KIND OF FUNNY... 447 00:16:23,700 --> 00:16:25,200 OR NOT. 448 00:16:25,300 --> 00:16:28,000 UM, JUST GIVE ME A CALL. 449 00:16:28,000 --> 00:16:29,500 I LOVE YOU. 450 00:16:34,500 --> 00:16:35,500 FOR YOU. 451 00:16:35,500 --> 00:16:37,500 OH. 452 00:16:37,600 --> 00:16:38,600 THANK YOU. 453 00:16:38,700 --> 00:16:40,200 WELL, THEY'RE NOT FROM ME. 454 00:16:40,300 --> 00:16:41,300 THEY'RE FROM A.... 455 00:16:41,300 --> 00:16:44,300 "JOSH JOHNSON. 456 00:16:44,400 --> 00:16:46,400 NUMBER TWO REAL ESTATE AGENT IN LONG ISLAND" 457 00:16:46,400 --> 00:16:47,800 GOOD-LOOKING GUY. 458 00:16:47,800 --> 00:16:49,200 A LITTLE OFF YOUR TYPE. 459 00:16:49,200 --> 00:16:51,200 MY TYPE HAS CHANGED. 460 00:16:53,700 --> 00:16:56,600 LOOK, CLEARLY, THIS IS AWKWARD, 461 00:16:56,600 --> 00:16:58,200 SO IF YOU'D LIKE TO CANCEL, I UNDERSTAND. 462 00:16:58,200 --> 00:16:59,300 I DO. 463 00:16:59,400 --> 00:17:02,400 BUT I CAN'T, I DON'T WANT TO DISAPPOINT MY DAUGHTER. 464 00:17:02,400 --> 00:17:04,800 BESIDES, I BARELY REMEMBER THE DAY YOU LEFT ME 465 00:17:04,800 --> 00:17:06,600 STANDING ON THE SIDEWALK. 466 00:17:06,600 --> 00:17:08,400 SO THAT'S HOW IT'S GONNA BE, HUH? 467 00:17:08,400 --> 00:17:09,400 THAT'S HOW IT WAS. 468 00:17:09,400 --> 00:17:10,400 WELL, I BEG TO DIFFER. 469 00:17:11,500 --> 00:17:13,100 YOU STILL ALLERGIC TO ROSES? 470 00:17:13,200 --> 00:17:14,400 NO, I'M NOT. 471 00:17:15,500 --> 00:17:17,400 MAYBE YOU'RE ALLERGIC TO ME. 472 00:17:17,500 --> 00:17:18,600 MOM! 473 00:17:18,700 --> 00:17:20,600 WAIT UNTIL YOU SEE THE HONEYMOON CABIN! 474 00:17:20,600 --> 00:17:22,500 AW, LET ME PUT THESE IN YOUR ROOM. 475 00:17:22,500 --> 00:17:24,600 THANK YOU. 476 00:17:24,700 --> 00:17:26,300 PUT THEM BY THE WINDOW, SHE'S ALLERGIC. 477 00:17:35,700 --> 00:17:37,200 DON'T YOU JUST LOVE IT? 478 00:17:37,300 --> 00:17:38,400 THE RIVER ROCK FIREPLACE? 479 00:17:38,400 --> 00:17:40,200 THE VIEW TO THE LAKE? 480 00:17:40,300 --> 00:17:41,200 HONEY, IT'S BEAUTIFUL. 481 00:17:42,600 --> 00:17:44,800 MY DAD PUT A LOT OF TIME INTO THIS ONE. 482 00:17:44,800 --> 00:17:46,600 YOUR DAD DID THIS? 483 00:17:46,600 --> 00:17:50,200 YEAH, HE REBUILT THE ENTIRE PLACE. 484 00:17:50,200 --> 00:17:53,300 IT TOOK HIS MIND OFF THINGS WHEN MY MOM DIED. 485 00:17:54,800 --> 00:17:55,900 OH. 486 00:17:55,900 --> 00:17:57,500 I DIDN'T KNOW. 487 00:17:57,500 --> 00:17:58,600 I'M SORRY. 488 00:17:58,700 --> 00:18:00,400 I DIDN'T MEAN TO BRING THAT UP. 489 00:18:00,400 --> 00:18:02,500 NO, NO, NO, I'M GLAD YOU DID. 490 00:18:02,500 --> 00:18:04,900 I'VE KNOWN YOUR DAD FOR A LONG TIME. 491 00:18:06,500 --> 00:18:07,900 I FEEL AWFUL. 492 00:18:07,900 --> 00:18:10,500 IT'S BEEN FIVE YEARS NOW. 493 00:18:10,500 --> 00:18:12,200 HE'S KIND OF SHUT DOWN SINCE THEN. 494 00:18:12,200 --> 00:18:14,800 WHICH IS WHY I WAS SO GLAD 495 00:18:14,900 --> 00:18:17,500 HE AGREED TO SING AT YOUR WEDDING. 496 00:18:17,500 --> 00:18:18,800 HE REALLY DOESN'T PLAY MUCH ANYMORE. 497 00:18:18,900 --> 00:18:20,700 UNLESS YOU WANT ME TO GET SOMEONE ELSE-- 498 00:18:20,700 --> 00:18:22,700 -NO. -YOU'RE SURE? 499 00:18:22,700 --> 00:18:23,800 ABSOLUTELY. 500 00:18:23,900 --> 00:18:25,900 I MEAN, WHERE ELSE ARE WE GOING TO FIND A POP STAR 501 00:18:26,000 --> 00:18:26,900 IN VERMONT 502 00:18:27,000 --> 00:18:29,600 THAT'S AVAILABLE ON SUNDAY FROM 2:00 TO 4:00? 503 00:18:29,700 --> 00:18:31,000 WHATEVER YOU DO, 504 00:18:31,100 --> 00:18:32,700 DON'T LET HIM HEAR YOU SAY "POP STAR". 505 00:18:32,700 --> 00:18:33,800 HE HATES THAT. 506 00:18:33,800 --> 00:18:35,800 OKAY, YEAH, I REMEMBER. 507 00:18:35,900 --> 00:18:37,300 I'LL LET YOU GET SETTLED IN. 508 00:18:37,400 --> 00:18:38,300 GRACE, I'LL SHOW YOU YOURS. 509 00:18:38,400 --> 00:18:39,300 IT'S JUST ALONG THE PATH. 510 00:18:39,300 --> 00:18:41,500 LEAD THE WAY. 511 00:18:41,600 --> 00:18:43,300 THANK YOU. 512 00:19:07,000 --> 00:19:08,600 CAN YOU BELIEVE THIS? 513 00:19:08,600 --> 00:19:09,800 I HAVE TO THROW A WEDDING FOR HER? 514 00:19:09,800 --> 00:19:10,800 AND SING! 515 00:19:10,900 --> 00:19:11,800 WHILE SHE MARRIES 516 00:19:11,900 --> 00:19:14,000 THE NUMBER TWO REAL ESTATE AGENT IN LONG ISLAND? 517 00:19:14,000 --> 00:19:15,900 WHAT'S THE BIG DEAL? 518 00:19:16,000 --> 00:19:17,600 UNLESS YOU STILL HAVE FEELINGS FOR HER. 519 00:19:17,600 --> 00:19:19,400 FEELINGS? I DON'T EVEN KNOW HER. 520 00:19:19,500 --> 00:19:21,400 SHE'S A COMPLETELY DIFFERENT PERSON. 521 00:19:22,600 --> 00:19:23,600 HOW DOES SHE LOOK? 522 00:19:25,700 --> 00:19:27,400 THAT GOOD, HUH? 523 00:19:51,500 --> 00:19:53,700 POP STAR... 524 00:19:53,700 --> 00:19:56,200 STAGER... 525 00:19:58,900 --> 00:20:00,700 LUCKY, NO! 526 00:20:00,800 --> 00:20:02,500 SORRY. 527 00:20:02,600 --> 00:20:04,600 THAT'S OKAY. 528 00:20:06,800 --> 00:20:08,600 HE LOOKS SO MUCH LIKE ROWDY. 529 00:20:08,600 --> 00:20:09,900 RIGHT? YOU KNOW, I RESCUED HIM, 530 00:20:09,900 --> 00:20:12,000 AND I THINK IT TURNS OUT HE ACTUALLY RESCUED ME. 531 00:20:14,700 --> 00:20:17,900 YOU REMEMBER HOW WE FOUND ROWDY? 532 00:20:18,000 --> 00:20:19,200 YEAH. 533 00:20:19,200 --> 00:20:21,900 WASN'T HE EATING PIZZA BEHIND THE DORM? 534 00:20:21,900 --> 00:20:23,100 THE DOG LOVED HIS PIZZA. 535 00:20:23,100 --> 00:20:25,300 HE DID. 536 00:20:27,200 --> 00:20:29,300 UM... 537 00:20:29,300 --> 00:20:32,000 JULIE TOLD ME ABOUT HER MOM. 538 00:20:32,000 --> 00:20:33,200 I'M SO SORRY. 539 00:20:33,200 --> 00:20:36,000 OH, THAT'S NICE OF YOU, THANK YOU. 540 00:20:36,100 --> 00:20:37,400 YEAH, UM... 541 00:20:37,400 --> 00:20:39,900 IT TOOK ME A WHILE TO ADJUST. 542 00:20:40,000 --> 00:20:41,000 I THINK I'M STILL ADJUSTING. 543 00:20:41,000 --> 00:20:42,200 YEAH. 544 00:20:42,300 --> 00:20:43,300 WHAT ABOUT YOU 545 00:20:43,300 --> 00:20:44,300 AND YOUR HUSBAND? 546 00:20:44,300 --> 00:20:45,200 HUSBAND NUMBER ONE? 547 00:20:45,200 --> 00:20:48,100 OH, THAT DIDN'T TAKE MUCH ADJUSTING. 548 00:20:48,100 --> 00:20:49,700 HE LEFT AFTER GRACE WAS BORN. 549 00:20:49,700 --> 00:20:51,000 I'M SORRY. 550 00:20:51,000 --> 00:20:52,900 IT ALL WORKED OUT. 551 00:20:56,900 --> 00:20:59,700 WELL, YOU SURE PICKED A BEAUTIFUL PLACE 552 00:20:59,700 --> 00:21:00,900 TO SETTLE DOWN. 553 00:21:01,000 --> 00:21:02,300 OH. YEAH. 554 00:21:02,300 --> 00:21:05,000 IT WAS MY WIFE'S HOMETOWN. 555 00:21:05,000 --> 00:21:06,700 FIGURED IT'D BE A GOOD PLACE TO RAISE A KID. 556 00:21:06,800 --> 00:21:08,000 JULIE'S A GREAT GIRL. 557 00:21:08,000 --> 00:21:09,000 SO IS GRACE. 558 00:21:09,100 --> 00:21:10,300 YEAH. 559 00:21:10,300 --> 00:21:11,900 I GUESS WE DID PRETTY GOOD THEN. 560 00:21:12,000 --> 00:21:14,100 YEAH. 561 00:21:16,900 --> 00:21:18,800 WELL, I'D BETTER GET BACK TO MY... STUFF. 562 00:21:18,900 --> 00:21:20,100 OH, SURE. 563 00:21:20,100 --> 00:21:21,100 SEE YA. 564 00:21:21,100 --> 00:21:22,100 YEAH. 565 00:21:22,100 --> 00:21:23,200 OH, UM... 566 00:21:23,200 --> 00:21:24,200 HOW'S YOUR MOTHER? 567 00:21:24,200 --> 00:21:25,300 STILL HATES YOU. 568 00:21:33,900 --> 00:21:35,800 SO, THE GROOM. 569 00:21:35,800 --> 00:21:37,200 WILL HE WANT TO GO OVER THE MENU? 570 00:21:37,300 --> 00:21:39,400 NO, HE AND MY MOM HAVE THE SAME TASTE. 571 00:21:39,500 --> 00:21:40,800 THEY'RE EXACTLY ALIKE. 572 00:21:40,900 --> 00:21:42,200 THAT MAKES IT EASY. 573 00:21:42,300 --> 00:21:44,000 I GUESS IT DOES. 574 00:21:45,100 --> 00:21:46,100 HEY, GIRLS. 575 00:21:46,200 --> 00:21:47,500 -HELLO. -HI. 576 00:21:50,300 --> 00:21:52,100 IT'S NICE THAT YOU GUYS ARE SO CLOSE. 577 00:21:52,100 --> 00:21:54,100 ACTUALLY WE'RE WORKING TOGETHER, 578 00:21:54,100 --> 00:21:55,200 TEMPORARILY. 579 00:21:55,200 --> 00:21:56,300 SHE'S "GROOMING" ME. 580 00:21:56,300 --> 00:21:59,000 MOTHER AND DAUGHTER STAGERS. 581 00:21:59,100 --> 00:22:00,500 YIKES. 582 00:22:00,500 --> 00:22:02,500 SHE WANTS ME TO BE JUST LIKE HER. 583 00:22:02,500 --> 00:22:03,800 YIKES AGAIN. 584 00:22:04,000 --> 00:22:05,600 NO KIDDING. 585 00:22:05,600 --> 00:22:07,200 DO YOU HAVE ANY BROTHERS OR SISTERS? 586 00:22:07,200 --> 00:22:08,100 ONLY CHILD. 587 00:22:08,200 --> 00:22:09,400 ME TOO. 588 00:22:09,400 --> 00:22:12,400 YOU'VE DONE A GREAT JOB, ORGANIZING THIS WEDDING. 589 00:22:12,400 --> 00:22:15,000 I SURE HOPE SO. 590 00:22:15,100 --> 00:22:17,100 DON'T WORRY ABOUT ANYTHING HERE. 591 00:22:17,100 --> 00:22:18,400 WE'RE GONNA MAKE THIS THE PERFECT WEDDING, 592 00:22:18,400 --> 00:22:20,500 ESPECIALLY SINCE IT MIGHT BE... 593 00:22:20,500 --> 00:22:21,600 MIGHT BE WHAT? 594 00:22:24,200 --> 00:22:25,300 NOTHING. 595 00:22:25,300 --> 00:22:28,400 I DON'T KNOW WHY I'M TALKING SO MUCH. 596 00:22:28,400 --> 00:22:30,300 BECAUSE OUR PARENTS ARE EXES? 597 00:22:30,400 --> 00:22:32,200 AND WE HAVE THE SAME SHOES. 598 00:22:34,200 --> 00:22:35,700 HE'S SELLING THE PLACE. 599 00:22:35,700 --> 00:22:37,400 HE DOESN'T THINK I KNOW, 600 00:22:37,400 --> 00:22:40,400 BUT HE LEFT THE INFO ON THE OFFICE COMPUTER. 601 00:22:40,500 --> 00:22:43,700 HE'S NOT EXACTLY A TECHIE. 602 00:22:49,700 --> 00:22:51,400 HE SAID YOU LOOKED GREAT, BUT WOW. 603 00:22:51,400 --> 00:22:53,300 -DUKE! -HI! 604 00:22:53,400 --> 00:22:56,700 AW, IT'S SO GOOD TO SEE YOU. 605 00:22:56,800 --> 00:22:59,100 WHO IS OUR BOY GONNA GET TO DO THE COOKING, HUH? 606 00:22:59,200 --> 00:23:00,400 YOU STILL, UH, COOKING FRIED CHEESE STICKS 607 00:23:00,400 --> 00:23:01,500 WITH PEANUT BUTTER? 608 00:23:01,500 --> 00:23:02,600 YOU KIDDING? 609 00:23:02,600 --> 00:23:04,400 THAT'S WHAT YOU'RE GETTING FOR YOUR REHEARSAL DINNER. 610 00:23:05,700 --> 00:23:06,600 AND I'M GONNA BACK HIM UP ON DRUMS 611 00:23:06,700 --> 00:23:07,700 ON YOUR WEDDING SONG, TOO. 612 00:23:07,700 --> 00:23:09,300 ♪ BA-DUM-BUM... ♪ 613 00:23:09,400 --> 00:23:10,400 OH, YOU HAVEN'T MISSED A BEAT. 614 00:23:10,400 --> 00:23:12,100 OR LOST A POUND. 615 00:23:12,100 --> 00:23:13,700 -YOU LOOK GREAT. -THANK YOU. 616 00:23:15,500 --> 00:23:16,600 DO YOU REMEMBER THAT CLUB THAT WE PLAYED, 617 00:23:16,600 --> 00:23:17,400 THE ONE NEAR THE RIVER? 618 00:23:17,500 --> 00:23:19,600 IT WAS MORE OF AN INDUSTRIAL RUN-OFF. 619 00:23:19,700 --> 00:23:20,600 WELL, YEAH, 620 00:23:20,600 --> 00:23:22,400 AND WE HAD THE THREE AUDIENCE MEMBERS... 621 00:23:22,500 --> 00:23:24,300 YEAH, IT WAS THE BARTENDER, THE WAITER AND THE DISHWASHER. 622 00:23:24,300 --> 00:23:25,500 THAT'S RIGHT, YEAH. 623 00:23:25,500 --> 00:23:27,400 I ALWAYS THOUGHT THAT THE SONG YOU WROTE FOR THAT ONE 624 00:23:27,400 --> 00:23:29,100 WAS, UH... IT WAS BEAUTIFUL. 625 00:23:29,200 --> 00:23:30,100 YEAH. 626 00:23:30,200 --> 00:23:31,300 OH. 627 00:23:31,300 --> 00:23:32,500 ARE YOU STILL WRITING? 628 00:23:32,600 --> 00:23:36,300 UH, YEAH, I MEAN, WELL, POST-ITS. 629 00:23:36,300 --> 00:23:37,700 AND WEDDING VOWS. 630 00:23:37,700 --> 00:23:39,200 CONGRATULATIONS ON THAT, BY THE WAY. 631 00:23:39,200 --> 00:23:41,200 AW, THANK YOU. 632 00:23:41,300 --> 00:23:43,600 HOW LONG HAVE YOU LIVED HERE? 633 00:23:43,600 --> 00:23:45,700 ALL MY LIFE. 634 00:23:47,100 --> 00:23:49,100 IT'S PROBABLY FOR THE BEST. 635 00:23:49,100 --> 00:23:50,400 HE NEEDS A FRESH START, 636 00:23:50,400 --> 00:23:53,200 AND THERE'S TOO MANY MEMORIES HERE. 637 00:23:53,300 --> 00:23:55,300 IT SOUNDS LIKE GOOD MEMORIES. 638 00:23:55,300 --> 00:23:57,000 YEAH. 639 00:23:57,000 --> 00:24:01,500 HE GAVE UP A LOT TO RAISE ME. 640 00:24:01,500 --> 00:24:02,500 HE SOUNDS LIKE A GREAT DAD. 641 00:24:02,500 --> 00:24:04,000 HE REALLY IS. 642 00:24:04,000 --> 00:24:05,000 YOU'RE LUCKY. 643 00:24:05,000 --> 00:24:07,700 NOT EVERYONE HAS ONE OF THOSE. 644 00:24:07,700 --> 00:24:08,700 HE WON'T SAY IT, 645 00:24:08,700 --> 00:24:11,500 BUT HE'S DREADING THE DAY I LEAVE FOR COLLEGE. 646 00:24:11,500 --> 00:24:12,900 MY MOM WENT THROUGH THAT PHASE. 647 00:24:12,900 --> 00:24:14,400 AND SHE SURVIVED? 648 00:24:14,400 --> 00:24:15,700 THEY ALL DO. 649 00:24:15,700 --> 00:24:17,300 AND HE'LL MAKE YOUR ROOM REALLY NICE 650 00:24:17,300 --> 00:24:18,500 WHEN YOU COME HOME FOR HOLIDAYS, 651 00:24:18,600 --> 00:24:20,000 SO YOU WON'T WANT TO LEAVE. 652 00:24:20,000 --> 00:24:22,400 THAT DOESN'T SOUND SO BAD. 653 00:24:22,500 --> 00:24:24,000 HE'LL PROBABLY BUY HIMSELF A FEW THINGS, 654 00:24:24,000 --> 00:24:26,300 CLOTHES, MAYBE A NEW CAR. 655 00:24:26,300 --> 00:24:27,300 OKAY... 656 00:24:27,400 --> 00:24:29,300 AND THEN THERE'S THE HOBBIES. 657 00:24:29,300 --> 00:24:30,700 YOU KNOW, THE THINGS THEY THOUGHT 658 00:24:30,700 --> 00:24:33,400 THEY ALWAYS WANTED TO DO BUT REALLY DIDN'T? 659 00:24:33,400 --> 00:24:34,500 LIKE WHAT? 660 00:24:34,600 --> 00:24:37,300 IN MY MOM'S CASE, IT WAS WEAVING. 661 00:24:37,300 --> 00:24:39,600 FOLLOWED BY SYNCHRONIZED SWIMMING. 662 00:24:39,600 --> 00:24:40,700 SYNCHRONIZED SWIMMING? 663 00:24:40,700 --> 00:24:43,700 IT'S AN OLYMPIC EVENT. 664 00:24:43,700 --> 00:24:45,400 OH, AND THE MANDARIN LESSONS. 665 00:24:45,500 --> 00:24:47,000 YOUR MOM CAN SPEAK MANDARIN? 666 00:24:47,000 --> 00:24:48,800 "NI HAO. 667 00:24:48,900 --> 00:24:50,900 NI CHIFAN LE MA." 668 00:24:50,900 --> 00:24:52,700 WHAT DOES THAT MEAN? 669 00:24:52,700 --> 00:24:54,500 "HELLO, HAVE YOU EATEN?" 670 00:24:54,600 --> 00:24:55,600 WHICH IS PRETTY MUCH WHAT SHE ASKS ME 671 00:24:55,600 --> 00:24:58,000 IN ENGLISH FIVE TIMES A DAY. 672 00:24:59,600 --> 00:25:00,900 THANK YOU. 673 00:25:01,000 --> 00:25:02,500 'KAY. TALK TO YOU SOON. 674 00:25:05,200 --> 00:25:07,100 JOSH, HI! 675 00:25:07,200 --> 00:25:08,100 SO, GUESS WHAT I JUST HEARD? 676 00:25:08,100 --> 00:25:09,200 DID GRACE CALL YOU? 677 00:25:09,300 --> 00:25:11,900 HONEY, I... I WANTED TO TELL YOU MYSELF. 678 00:25:12,000 --> 00:25:13,800 IT'S REALLY NO BIG DEAL-- 679 00:25:13,800 --> 00:25:15,100 ARE YOU KIDDING ME? 680 00:25:15,100 --> 00:25:17,000 IT'S A HUGE DEAL. 681 00:25:17,000 --> 00:25:19,000 PROPERTIES LIKE THAT NEVER COME ON THE MARKET. 682 00:25:19,000 --> 00:25:21,500 WAIT, WHAT ARE YOU TALKING ABOUT? 683 00:25:21,500 --> 00:25:22,800 THE LISTING WENT UP YESTERDAY. 684 00:25:22,800 --> 00:25:23,800 "FOR SALE BY OWNER. 685 00:25:23,800 --> 00:25:24,800 NO BROKER." 686 00:25:24,900 --> 00:25:26,600 APPARENTLY, THE OWNER IS SOME SINGER 687 00:25:26,600 --> 00:25:28,200 WHO WAS FAMOUS IN THE '70s? 688 00:25:28,200 --> 00:25:30,200 IT WAS THE '80s. 689 00:25:30,200 --> 00:25:31,800 IS THERE ANY WAY THAT YOU COULD PUT IN A GOOD WORD FOR ME 690 00:25:31,800 --> 00:25:32,800 BEFORE I GET UP THERE? 691 00:25:32,800 --> 00:25:35,100 ACTUALLY, NO, I CAN'T. 692 00:25:35,100 --> 00:25:36,700 IT WOULD BE A LITTLE WEIRD, 693 00:25:36,700 --> 00:25:38,500 BECAUSE AS IT TURNS OUT, 694 00:25:38,600 --> 00:25:40,200 HE'S MY COLLEGE BOYFRIEND. 695 00:25:43,600 --> 00:25:45,200 ARE YOU SERIOUS? 696 00:25:45,200 --> 00:25:46,800 I KNOW, IT'S TOTALLY AWKWARD. 697 00:25:46,800 --> 00:25:47,800 AWKWARD? 698 00:25:47,800 --> 00:25:49,200 IT'S GREAT. 699 00:25:49,200 --> 00:25:51,600 UNLESS HE HATES YOU FOR BREAKING UP WITH HIM. 700 00:25:51,700 --> 00:25:53,000 NO. 701 00:25:53,000 --> 00:25:53,900 IF I GET THIS LISTING, 702 00:25:54,000 --> 00:25:55,900 IT COULD OPEN UP THE HIGH-END VERMONT MARKET. 703 00:25:56,000 --> 00:25:57,900 THIS COULD BE BIG FOR US. 704 00:25:58,000 --> 00:26:00,700 I... I DIDN'T THINK ABOUT THAT. 705 00:26:00,700 --> 00:26:01,900 WELL, THAT'S NOT LIKE YOU. 706 00:26:03,100 --> 00:26:06,100 HONEY, WHAT DO YOU THINK ABOUT COMING UP BEFORE SATURDAY? 707 00:26:06,100 --> 00:26:08,000 WHY, WHAT'S WRONG? 708 00:26:08,100 --> 00:26:09,900 I DON'T KNOW, 709 00:26:09,900 --> 00:26:11,100 I JUST MISS YOU. 710 00:26:11,100 --> 00:26:12,300 AW... 711 00:26:12,300 --> 00:26:13,600 I MISS YOU, TOO-- 712 00:26:13,700 --> 00:26:14,600 OH, HANG ON, 713 00:26:14,600 --> 00:26:15,600 I GOT ANOTHER CALL. 714 00:26:15,600 --> 00:26:16,800 I GOTTA TAKE THIS ONE. 715 00:26:24,900 --> 00:26:26,700 JULIE SAID THIS IS BEST FOOD IN TOWN. 716 00:26:26,700 --> 00:26:29,100 GREAT. I AM STARVING. 717 00:26:41,700 --> 00:26:42,800 HI THERE, HANDSOME. 718 00:26:44,700 --> 00:26:46,600 YOU CLEANED UP REAL GOOD. 719 00:26:51,500 --> 00:26:53,500 DID YOU TRY ON THE DRESS YET? 720 00:26:53,500 --> 00:26:54,500 MM. 721 00:26:54,500 --> 00:26:56,000 I WILL. 722 00:26:56,000 --> 00:26:57,000 I PROMISE. 723 00:26:57,100 --> 00:26:58,100 WEDDING VOWS? 724 00:26:58,200 --> 00:26:59,100 ALMOST. 725 00:26:59,200 --> 00:27:00,200 MOM... 726 00:27:00,200 --> 00:27:01,200 I STARTED. 727 00:27:01,200 --> 00:27:02,400 OKAY. 728 00:27:02,400 --> 00:27:03,300 LET'S HEAR WHAT YOU HAVE. 729 00:27:03,400 --> 00:27:04,400 OKAY. 730 00:27:06,300 --> 00:27:08,300 TELL ME YOU'RE NOT GOING TO READ FROM YOUR PHONE 731 00:27:08,300 --> 00:27:09,700 AT THE CEREMONY. 732 00:27:12,300 --> 00:27:13,700 "JOSH... 733 00:27:13,800 --> 00:27:16,100 "WHEN I STAGED YOUR OPEN HOUSE THREE YEARS AGO, 734 00:27:16,200 --> 00:27:18,400 "I HAD NO IDEA WE'D END UP HERE. 735 00:27:18,400 --> 00:27:20,800 "REAL ESTATE IS A SMART INVESTMENT, 736 00:27:20,800 --> 00:27:24,100 AND SO IS OUR RELATIONSHIP." 737 00:27:25,300 --> 00:27:27,000 WHAT? IS THAT BAD? 738 00:27:27,100 --> 00:27:28,400 AWFUL. 739 00:27:28,400 --> 00:27:30,900 ALL RIGHT, HOW'S THIS? 740 00:27:30,900 --> 00:27:32,000 "JOSH, 741 00:27:32,100 --> 00:27:36,100 YOU MOVE HOUSES, AND YOU MOVE ME." 742 00:27:36,200 --> 00:27:37,100 WHAT WAS THAT? 743 00:27:38,600 --> 00:27:40,500 HER WEDDING VOWS. 744 00:27:40,500 --> 00:27:42,200 I'M STILL WORKING ON THEM. 745 00:27:42,300 --> 00:27:43,300 DO YOU HAVE A TABLE 746 00:27:43,300 --> 00:27:44,500 IN ANOTHER PART OF THE RESTAURANT? 747 00:27:44,500 --> 00:27:47,000 SORRY, MICK. IT'S AN HOUR WAIT. 748 00:27:48,100 --> 00:27:49,100 HOW ABOUT ONE NEAR THE KITCHEN? 749 00:27:49,100 --> 00:27:50,400 OR MAYBE IN THE KITCHEN? 750 00:27:51,600 --> 00:27:52,900 IS THERE A PROBLEM? 751 00:27:52,900 --> 00:27:54,600 UH, NO. 752 00:27:54,700 --> 00:27:56,300 SO... 753 00:27:56,300 --> 00:27:57,500 YOU TWO KNOW EACH OTHER? 754 00:27:57,500 --> 00:27:59,300 YES, WELL, WE USED TO. 755 00:27:59,300 --> 00:28:01,100 CAMILLE, THIS IS LIVVY PHILLIPS. 756 00:28:01,200 --> 00:28:02,100 OR, UH, I'M SORRY, 757 00:28:02,100 --> 00:28:04,400 PERSHING... 758 00:28:04,500 --> 00:28:05,400 SLASH-HYPHEN- JOHNSON-TO BE? 759 00:28:05,400 --> 00:28:07,000 HI. 760 00:28:07,100 --> 00:28:08,100 HI. 761 00:28:08,200 --> 00:28:09,200 -I'M OLIVIA. -NICE TO MEET YOU. 762 00:28:09,300 --> 00:28:10,200 YEAH, NICE TO MEET YOU, TOO. 763 00:28:10,300 --> 00:28:11,300 THIS IS MY DAUGHTER, GRACE. 764 00:28:11,300 --> 00:28:13,300 -HI. -HI. 765 00:28:13,300 --> 00:28:14,400 OLIVIA'S GETTING MARRIED ON SUNDAY. 766 00:28:14,400 --> 00:28:16,300 OH, CONGRATULATIONS. 767 00:28:16,400 --> 00:28:18,000 THANK YOU. 768 00:28:18,000 --> 00:28:19,200 SHE'S MARRYING THE NUMBER TWO REAL ESTATE AGENT 769 00:28:19,300 --> 00:28:20,600 IN LONG ISLAND. 770 00:28:20,600 --> 00:28:22,000 OH. 771 00:28:22,100 --> 00:28:25,000 WELL, CONGRATULATIONS AGAIN. 772 00:28:25,000 --> 00:28:26,100 THANK YOU. 773 00:28:30,200 --> 00:28:32,200 SO, WHAT WERE WE TALKING ABOUT? 774 00:28:32,300 --> 00:28:34,200 OH, UM, I THINK YOU WERE TELLING ME 775 00:28:34,300 --> 00:28:37,200 HOW THIS IS YOUR FIRST ACTUAL DATE IN AGES. 776 00:28:40,100 --> 00:28:41,300 I THOUGHT WE WERE TALKING ABOUT HOW WE MET. 777 00:28:41,300 --> 00:28:43,300 AT THE P.T.A. MEETING? 778 00:28:43,400 --> 00:28:44,600 RIGHT. 779 00:28:46,600 --> 00:28:47,600 MOM... 780 00:28:47,700 --> 00:28:49,700 OH, I'M SORRY, HONEY. 781 00:28:49,700 --> 00:28:51,400 WHAT WERE WE TALKING ABOUT? 782 00:28:51,400 --> 00:28:52,600 WEDDING VOWS. 783 00:28:52,700 --> 00:28:54,200 RIGHT. ALL RIGHT. OKAY. 784 00:28:58,600 --> 00:29:00,700 I KNOW IT'S NONE OF MY BUSINESS, 785 00:29:00,700 --> 00:29:02,200 BUT HAVE YOU THOUGHT ABOUT THE SONG WE WROTE 786 00:29:02,200 --> 00:29:03,200 IN CENTRAL PARK? 787 00:29:03,200 --> 00:29:06,500 I REALLY DON'T RECALL. 788 00:29:06,600 --> 00:29:08,300 -YOU WROTE A SONG? -SEVERAL. 789 00:29:08,300 --> 00:29:10,500 JUST SOME WORDS, THAT'S IT. 790 00:29:10,500 --> 00:29:12,300 I THINK WE USED TO CALL THEM LYRICS. 791 00:29:12,400 --> 00:29:14,600 HOW AM I JUST HEARING ABOUT THIS NOW? 792 00:29:14,700 --> 00:29:16,200 BECAUSE IT WAS A MILLION YEARS AGO, 793 00:29:16,200 --> 00:29:17,800 AND I BARELY REMEMBER. 794 00:29:19,100 --> 00:29:20,800 WHAT WAS THE SONG? 795 00:29:20,800 --> 00:29:22,300 WHAT WAS IT... 796 00:29:22,400 --> 00:29:24,100 "WHERE DREAMS COME HOME." 797 00:29:24,200 --> 00:29:25,400 REALLY? 798 00:29:25,500 --> 00:29:27,600 NOW, WHERE HAVE I HEARD THAT BEFORE? 799 00:29:27,600 --> 00:29:29,500 OH, MY. 800 00:29:29,500 --> 00:29:31,400 DO WE HAVE A COPYRIGHT INFRINGEMENT HERE? 801 00:29:34,500 --> 00:29:37,400 OKAY... 802 00:29:38,400 --> 00:29:39,600 FINE. 803 00:29:43,400 --> 00:29:44,900 I'LL CHANGE IT. 804 00:29:44,900 --> 00:29:45,900 OH, NO. 805 00:29:45,900 --> 00:29:47,300 NO, DON'T. 806 00:29:47,300 --> 00:29:49,300 IT'S CATCHY. 807 00:29:58,500 --> 00:29:59,300 I'M STARVING... 808 00:30:20,500 --> 00:30:21,700 OH... 809 00:30:33,100 --> 00:30:34,100 OH! 810 00:30:34,100 --> 00:30:35,400 OH... 811 00:30:35,400 --> 00:30:36,400 IT'S BAD LUCK TO SEE THE DRESS 812 00:30:36,400 --> 00:30:37,300 BEFORE THE WEDDING, RIGHT? 813 00:30:37,400 --> 00:30:39,400 YOU'RE NOT THE GROOM. 814 00:30:39,500 --> 00:30:40,500 IF YOU'RE LOOKING FOR GRACE, 815 00:30:40,500 --> 00:30:41,500 SHE'S WITH JULIE. 816 00:30:41,600 --> 00:30:43,400 THEY WENT TO GET FLOWERS. 817 00:30:43,400 --> 00:30:44,500 OH. 818 00:30:44,500 --> 00:30:45,800 YOU FINISH THOSE VOWS YET? 819 00:30:45,800 --> 00:30:47,500 BECAUSE I HAVE A WHOLE DRAWER OF UNUSED LYRICS. 820 00:30:47,500 --> 00:30:49,300 OLD UNUSED LYRICS. 821 00:30:49,400 --> 00:30:50,600 OH, IT'S SO HARD TO TURN DOWN, 822 00:30:50,600 --> 00:30:51,600 BUT I'M GOING TO HAVE TO SAY NO. 823 00:30:51,600 --> 00:30:52,600 YOUR LOSS. 824 00:30:54,100 --> 00:30:56,500 HEY, HOW WAS YOUR DATE? 825 00:30:56,600 --> 00:30:57,700 YOU SHOULD KNOW, 826 00:30:57,700 --> 00:30:58,700 YOU WERE PRACTICALLY ON IT WITH ME. 827 00:30:58,800 --> 00:31:01,800 WELL, IN THAT CASE, I'D SAY YOU'RE A BIT RUSTY. 828 00:31:01,800 --> 00:31:02,800 I'M NOT RUSTY! 829 00:31:08,500 --> 00:31:10,300 I GUESS SEEING THE DRESS BEFORE THE WEDDING 830 00:31:10,400 --> 00:31:11,500 IS BAD LUCK. 831 00:31:11,500 --> 00:31:13,500 I'M SORRY. I'M SO SORRY. 832 00:31:15,100 --> 00:31:16,200 IT'S MY FAULT, 833 00:31:16,200 --> 00:31:17,500 I NEVER SHOULD HAVE LEFT THE ROOM. 834 00:31:17,600 --> 00:31:18,900 TAKE IT OFF, I'LL GET IT CLEANED. 835 00:31:18,900 --> 00:31:20,900 I WOULD IF I COULD GET OUT OF IT. 836 00:31:21,000 --> 00:31:23,800 I'M PRETTY SURE CLEANING IS NOT AN OPTION. 837 00:31:25,600 --> 00:31:26,800 IT'S JUST RIGHT HERE. 838 00:31:28,900 --> 00:31:31,200 DO YOU GET ALONG WITH JOSH? 839 00:31:31,300 --> 00:31:32,900 YEAH. 840 00:31:32,900 --> 00:31:34,400 JOSH IS COOL. 841 00:31:35,500 --> 00:31:36,800 REALLY. 842 00:31:36,800 --> 00:31:38,600 YOU TRYING TO CONVINCE ME OR YOU? 843 00:31:38,700 --> 00:31:40,500 NO, HE'S A GREAT GUY, 844 00:31:40,500 --> 00:31:42,800 AND MY MOM SEEMS HAPPY. 845 00:31:42,800 --> 00:31:44,100 MOSTLY. 846 00:31:44,200 --> 00:31:46,000 I DON'T KNOW. 847 00:31:46,000 --> 00:31:49,100 I'M JUST NOT SURE I'VE EVER SEEN THEM ACTUALLY KISS. 848 00:31:49,200 --> 00:31:51,600 I MEAN, ON THE LIPS. 849 00:31:51,600 --> 00:31:53,200 THAT PASSION, 850 00:31:53,200 --> 00:31:55,900 LIKE IN THE MOVIES. 851 00:31:56,000 --> 00:31:57,300 BUT MAYBE THAT'S JUST WHAT HAPPENS 852 00:31:57,300 --> 00:32:00,300 WHEN PEOPLE GET OLDER. 853 00:32:00,300 --> 00:32:01,900 WHAT ABOUT YOUR DAD? 854 00:32:02,000 --> 00:32:03,200 HAS HE BEEN SEEING ANYONE ELSE? 855 00:32:03,300 --> 00:32:04,900 NO. 856 00:32:04,900 --> 00:32:07,000 I TRY, BUT... 857 00:32:07,000 --> 00:32:10,100 HE DOESN'T PLAY WELL WITH OTHERS. 858 00:32:10,300 --> 00:32:13,100 MY DAD'S A GREAT GUY, HE JUST NEEDS A LITTLE-- 859 00:32:13,100 --> 00:32:14,300 A LITTLE EXCITEMENT? 860 00:32:14,300 --> 00:32:15,900 EXACTLY. 861 00:32:15,900 --> 00:32:17,600 MY MOM'S THE OPPOSITE. 862 00:32:17,700 --> 00:32:19,200 SHE COULD USE A LITTLE... 863 00:32:19,300 --> 00:32:20,900 SMALL-TOWN-I-NESS? 864 00:32:22,400 --> 00:32:25,900 THERE'S GOT TO BE MORE TO LIFE THAN JUST WORK, RIGHT? 865 00:32:25,900 --> 00:32:27,100 THERE BETTER BE. 866 00:32:33,100 --> 00:32:34,100 OH! 867 00:32:34,200 --> 00:32:35,400 OH, I'M SORRY. 868 00:32:35,400 --> 00:32:36,800 I'VE BEEN MEANING TO GET THAT FIXED. 869 00:32:36,800 --> 00:32:37,800 LOOK-- I'M SORRY. 870 00:32:37,800 --> 00:32:39,000 IT'S FINE. 871 00:32:39,100 --> 00:32:40,100 IF I STAY HERE LONG ENOUGH, 872 00:32:40,100 --> 00:32:41,900 I MIGHT NEED A WHOLE NEW WARDROBE. 873 00:32:42,000 --> 00:32:43,900 WELL, THAT WOULDN'T NECESSARILY BE A BAD THING. 874 00:32:45,000 --> 00:32:46,100 I'M JUST SAYING, 875 00:32:46,100 --> 00:32:48,300 I GUESS I'M USED TO SEEING YOU IN JEANS AND STUFF. 876 00:32:48,400 --> 00:32:51,000 YOU'RE NOT USED TO SEEING ME AT ALL. 877 00:32:52,000 --> 00:32:54,800 THAT'S TRUE. 878 00:32:54,800 --> 00:32:56,200 HI, JANEY! 879 00:32:56,200 --> 00:32:57,200 MICK, HOW ARE YOU? 880 00:32:57,200 --> 00:32:58,300 GOOD, GOOD. 881 00:32:58,300 --> 00:32:59,400 WE NEED A DRESS. 882 00:32:59,400 --> 00:33:01,200 YOU'RE GETTING MARRIED? 883 00:33:01,200 --> 00:33:03,200 YOU TOLD ME YOU WERE NEVER GETTING MARRIED AGAIN. 884 00:33:03,400 --> 00:33:04,400 OH.... 885 00:33:04,400 --> 00:33:05,400 I'M GETTING MARRIED. 886 00:33:05,400 --> 00:33:06,500 HE'S STILL ON THE MARKET. 887 00:33:06,500 --> 00:33:08,300 GREAT. 888 00:33:08,300 --> 00:33:09,500 RIGHT THIS WAY. 889 00:33:32,200 --> 00:33:35,000 LOOKS A LITTLE MERMAID-Y. 890 00:33:40,900 --> 00:33:42,000 NO. 891 00:33:42,000 --> 00:33:43,100 NO. 892 00:33:43,200 --> 00:33:44,300 NO. 893 00:34:02,600 --> 00:34:05,100 THAT'S THE ONE. 894 00:34:07,300 --> 00:34:08,400 REALLY? 895 00:34:09,600 --> 00:34:11,500 DEFINITELY. 896 00:34:12,600 --> 00:34:14,200 OKAY. 897 00:34:22,100 --> 00:34:23,100 WE'LL TAKE THIS ONE. 898 00:34:23,200 --> 00:34:24,700 THERE'S NO "WE". 899 00:34:24,700 --> 00:34:26,000 THANK YOU, 900 00:34:26,000 --> 00:34:27,600 BUT YOU ARE NOT BUYING MY WEDDING DRESS. 901 00:34:27,600 --> 00:34:28,600 I RUINED THE FIRST ONE. 902 00:34:28,600 --> 00:34:29,600 RING THIS UP. 903 00:34:29,600 --> 00:34:30,600 NO, ACTUALLY, HERE. 904 00:34:30,600 --> 00:34:32,000 PLEASE TAKE MINE. 905 00:34:32,000 --> 00:34:33,200 I APPRECIATE THE OFFER, 906 00:34:33,200 --> 00:34:34,600 BUT I DON'T WANT TO BE THINKING ABOUT YOU 907 00:34:34,600 --> 00:34:35,800 EVERY TIME I WEAR THIS DRESS. 908 00:34:35,800 --> 00:34:38,000 WELL, HOW MANY TIMES ARE YOU PLANNING ON WEARING IT? 909 00:34:38,100 --> 00:34:39,600 ONCE. 910 00:34:41,500 --> 00:34:43,200 WELL, AT LEAST LET ME BUY YOU A CUP OF COFFEE. 911 00:34:58,600 --> 00:34:59,700 SO, YOU'RE A CHEF 912 00:34:59,800 --> 00:35:01,300 AND A DRUMMER? 913 00:35:01,300 --> 00:35:02,700 WELL, I USED TO BE. 914 00:35:02,700 --> 00:35:04,600 YOU QUIT THE MUSIC BIZ LIKE MICK? 915 00:35:04,600 --> 00:35:06,700 NO, NO, I USED TO BE A CHEF. 916 00:35:06,700 --> 00:35:07,800 I'M STILL A DRUMMER. 917 00:35:07,900 --> 00:35:10,100 RECENT CUTBACKS AROUND HERE 918 00:35:10,100 --> 00:35:12,100 DON'T REALLY ALLOW ME TO DO MY BEST WORK, THOUGH. 919 00:35:12,200 --> 00:35:13,700 I DIDN'T SEE THAT IN THE BROCHURE. 920 00:35:13,700 --> 00:35:14,800 OH, DON'T WORRY, 921 00:35:14,900 --> 00:35:16,200 MICK'S ORDERED ALL THE TOP-SHELF STUFF 922 00:35:16,200 --> 00:35:18,300 FOR THE WEDDING. 923 00:35:18,300 --> 00:35:20,300 YOU PLAY WITH HIM BACK IN THE DAY? 924 00:35:20,400 --> 00:35:21,500 YEAH. 925 00:35:21,500 --> 00:35:23,900 YEAH, I WAS THE HEARTBEAT OF THAT BAND. 926 00:35:23,900 --> 00:35:25,600 WHY DID HE LEAVE? 927 00:35:25,600 --> 00:35:28,800 I THINK HE THOUGHT HE WAS CHASING A DREAM, 928 00:35:28,800 --> 00:35:32,100 AND HE JUST DIDN'T REALIZE HE'D LEFT THE REAL THING BEHIND. 929 00:35:32,100 --> 00:35:34,200 WHY DIDN'T MY MOM GO WITH HIM? 930 00:35:34,200 --> 00:35:35,300 THEY WERE A TEAM. 931 00:35:35,300 --> 00:35:37,600 YOU'D HAVE TO ASK YOUR MOM THAT. 932 00:35:37,700 --> 00:35:40,200 THEY WERE REALLY THAT GOOD TOGETHER? 933 00:35:40,200 --> 00:35:43,400 THEY WERE A PERFECT HARMONY, THEY WERE LIKE ONE VOICE. 934 00:35:43,400 --> 00:35:44,500 IT WAS PURE MAGIC. 935 00:35:44,600 --> 00:35:47,800 I WISH I COULD'VE HEARD THEM. 936 00:35:47,900 --> 00:35:49,500 WHAT DID THEY WRITE ABOUT? 937 00:35:50,700 --> 00:35:53,300 I'VE GOT SOMETHING I THINK YOU MIGHT WANNA HAVE A LOOK AT. 938 00:36:01,000 --> 00:36:03,700 THIS IS EVERY LYRIC 939 00:36:03,700 --> 00:36:06,000 THAT YOUR MOM AND MICK WROTE. 940 00:36:08,700 --> 00:36:10,800 "I FOUND WARMTH IN YOUR EMBRACE, 941 00:36:10,800 --> 00:36:12,200 "COMFORT IN YOUR HEART, 942 00:36:12,300 --> 00:36:14,300 AND HOME IN YOUR EYES." 943 00:36:14,300 --> 00:36:16,400 WOW. 944 00:36:16,400 --> 00:36:18,600 YEAH... YOU KNOW WHAT? 945 00:36:18,700 --> 00:36:20,500 THAT'S MICK'S HANDWRITING. 946 00:36:20,500 --> 00:36:22,800 THIS ONE. 947 00:36:22,900 --> 00:36:26,500 YEAH, THAT'S YOUR MOM. 948 00:36:26,500 --> 00:36:28,300 "LOVING YOU IS LIKE BREATHING 949 00:36:28,400 --> 00:36:29,300 "I CAN'T STOP 950 00:36:29,400 --> 00:36:30,700 "BUT WHEN I DO 951 00:36:30,700 --> 00:36:32,000 "I WANT TO HAVE MY LAST BREATH SPENT 952 00:36:32,000 --> 00:36:35,000 SHARING A KISS WITH YOU" 953 00:36:35,100 --> 00:36:36,600 IT'S A LITTLE UNSETTLING, 954 00:36:36,700 --> 00:36:37,800 'CAUSE IT'S MY MOM, 955 00:36:37,800 --> 00:36:40,300 BUT WOW. 956 00:36:40,300 --> 00:36:41,400 THEY WERE INTENSE. 957 00:36:41,400 --> 00:36:43,000 INTENSE IS AN UNDERSTATEMENT. 958 00:36:43,100 --> 00:36:45,500 I JUST CAN'T WRAP MY HEAD AROUND THIS. 959 00:36:45,600 --> 00:36:48,400 MAYBE PEOPLE GET OLDER, AND... 960 00:36:48,500 --> 00:36:50,700 AND CHANGE. 961 00:36:52,000 --> 00:36:53,100 OR SOMETIMES, 962 00:36:53,100 --> 00:36:56,000 THEY JUST NEED TO BE REMINDED OF THEIR BEST WORK. 963 00:36:57,100 --> 00:36:59,600 YOU MIND IF I TAKE THESE? 964 00:36:59,700 --> 00:37:00,900 THEY'RE ALL YOURS. 965 00:37:04,900 --> 00:37:06,500 THANKS. 966 00:37:15,800 --> 00:37:17,600 YOU KNOW, WE USUALLY DON'T GET DAUGHTERS 967 00:37:17,600 --> 00:37:19,600 PLANNING THEIR MOTHERS' WEDDINGS. 968 00:37:19,600 --> 00:37:20,800 OH, YEAH, 969 00:37:20,800 --> 00:37:22,900 GRACE JUST REALLY WANTS IT TO BE SPECIAL. 970 00:37:22,900 --> 00:37:23,900 DON'T YOU? 971 00:37:24,000 --> 00:37:25,100 YEAH, I... 972 00:37:25,100 --> 00:37:26,500 HONESTLY, I WOULD HAVE BEEN FINE 973 00:37:26,500 --> 00:37:28,200 WITH A CEREMONY IN THE COURTHOUSE, 974 00:37:28,200 --> 00:37:31,400 BUT GRACE IS 20 AND STARRY-EYED. 975 00:37:31,500 --> 00:37:32,500 WELL, YOU WERE 20 AND STARRY-EYED. 976 00:37:33,600 --> 00:37:36,500 YEAH, IT'S WEIRD. 977 00:37:36,600 --> 00:37:39,900 OUR KIDS ARE THE SAME AGE WE WERE WHEN WE MET. 978 00:37:40,100 --> 00:37:42,100 TO BE HONEST, I'M FREAKING OUT 979 00:37:42,200 --> 00:37:44,500 THAT JULIE'S GOING AWAY TO COLLEGE. 980 00:37:44,600 --> 00:37:46,600 YEAH, WHEN GRACE MOVED OUT, 981 00:37:46,600 --> 00:37:49,200 I REDID HER ROOM FOUR TIMES IN ONE WEEK. 982 00:37:49,200 --> 00:37:51,200 AND I SLEPT IN HER CHILDHOOD BED, 983 00:37:51,200 --> 00:37:53,900 UNDER A POSTER OF THE BACKSTREET BOYS. 984 00:37:54,000 --> 00:37:55,700 OKAY, I'M NOT DOING THAT. 985 00:37:58,600 --> 00:38:02,700 IT'S FUNNY HOW TIME FLIES. 986 00:38:02,700 --> 00:38:04,300 I STARTED DRINKING HERBAL TEA 987 00:38:04,300 --> 00:38:05,800 AND POMEGRANATE JUICE. 988 00:38:05,800 --> 00:38:07,200 HMM, ANTIOXIDANTS. 989 00:38:07,300 --> 00:38:08,900 OMEGA 3'S, GLUTEN? 990 00:38:09,000 --> 00:38:11,200 OH, "GLUTEN," I HATE THAT WORD. 991 00:38:11,300 --> 00:38:12,700 HOW ABOUT THIS, "V.I.B.B.A." 992 00:38:12,800 --> 00:38:13,800 "VERMONT INN 993 00:38:13,900 --> 00:38:15,200 BED & BREAKFAST ASSOCIATION." 994 00:38:15,200 --> 00:38:16,200 I'M THE TREASURER. 995 00:38:16,300 --> 00:38:18,000 OH. I.P.S.A. 996 00:38:18,000 --> 00:38:19,700 HOME AND PROPERTY ASSOCIATION, 997 00:38:19,700 --> 00:38:20,900 THIRD V.P. 998 00:38:20,900 --> 00:38:22,700 HMM, M.S.G.U., 999 00:38:22,700 --> 00:38:23,800 MAPLE SYRUP GROWERS UNITED. 1000 00:38:23,900 --> 00:38:25,300 AND YOU ALREADY KNOW ABOUT THE P.T.A. 1001 00:38:25,300 --> 00:38:27,600 GIRLS WILDERNESS GROUP LEADER, 1002 00:38:27,700 --> 00:38:29,800 NEW YORK BOARD CO-OP DIRECTOR, 1003 00:38:29,800 --> 00:38:32,200 RULES COMMITTEE, AND NEIGHBORHOOD WATCH. 1004 00:38:32,400 --> 00:38:35,200 HEY, I CANNED MY OWN JAM LAST YEAR. 1005 00:38:36,300 --> 00:38:39,000 OH, EXCUSE ME. 1006 00:38:40,100 --> 00:38:41,200 JOSH! 1007 00:38:41,200 --> 00:38:42,100 HEY, SWEETIE. 1008 00:38:42,200 --> 00:38:43,200 HI. 1009 00:38:43,200 --> 00:38:44,200 HOW'S IT GOING UP THERE? 1010 00:38:44,200 --> 00:38:45,400 OH, IT'S GOOD. 1011 00:38:45,400 --> 00:38:47,300 NOT THAT GOOD. 1012 00:38:47,300 --> 00:38:48,800 REGULAR GOOD. 1013 00:38:48,800 --> 00:38:50,100 DID YOU GET A CHANCE TO TALK TO HIM YET? 1014 00:38:50,100 --> 00:38:51,400 WE TALKED. 1015 00:38:51,400 --> 00:38:53,100 UM... 1016 00:38:53,100 --> 00:38:55,200 LISTEN, HONEY, I'M NOT FEELING THAT COMFORTABLE 1017 00:38:55,300 --> 00:38:56,500 BRINGING IT UP IN THIS SITUATION. 1018 00:38:56,500 --> 00:38:58,000 IS THAT HIM? 1019 00:38:59,800 --> 00:39:02,100 UH...YEAH. 1020 00:39:02,100 --> 00:39:03,100 PUT HIM ON. 1021 00:39:03,100 --> 00:39:04,100 I'LL ASK HIM. 1022 00:39:04,100 --> 00:39:06,200 OKAY. 1023 00:39:08,400 --> 00:39:10,300 JOSH... 1024 00:39:14,400 --> 00:39:15,400 UH, HEY, JOSH. 1025 00:39:15,400 --> 00:39:16,400 CONGRATULATIONS. 1026 00:39:16,400 --> 00:39:17,500 WELL, THANKS. 1027 00:39:17,500 --> 00:39:18,400 I HEARD YOUR PLACE IS FANTASTIC. 1028 00:39:18,500 --> 00:39:19,400 CAN'T WAIT TO SEE IT. 1029 00:39:19,500 --> 00:39:20,700 WELL, IT'S HERE WAITING. 1030 00:39:20,700 --> 00:39:23,500 SO OLIVIA TELLS ME THAT YOU TWO HAVE A HISTORY. 1031 00:39:23,500 --> 00:39:25,300 ANCIENT HISTORY. 1032 00:39:25,300 --> 00:39:28,300 I BELIEVE IN BEING UPFRONT ABOUT THINGS, DON'T YOU? 1033 00:39:28,400 --> 00:39:31,100 UH... SURE. 1034 00:39:31,100 --> 00:39:32,600 SO I'M JUST GOING TO COME RIGHT OUT AND SAY IT. 1035 00:39:32,600 --> 00:39:34,300 OKAY. 1036 00:39:34,300 --> 00:39:36,900 I CAN GET YOU WAY ABOVE ASKING PRICE. 1037 00:39:37,000 --> 00:39:38,500 WHAT? 1038 00:39:38,500 --> 00:39:39,700 I KNOW THAT'S A BIG STATEMENT. 1039 00:39:39,700 --> 00:39:42,000 BUT IF YOU GIVE ME THE LISTING, I'LL GUARANTEE IT. 1040 00:39:42,000 --> 00:39:43,100 THE LISTING... 1041 00:39:43,200 --> 00:39:44,100 OH, RIGHT, RIGHT. 1042 00:39:44,100 --> 00:39:45,200 UM... 1043 00:39:45,200 --> 00:39:47,100 YOU SAID ABOVE ASKING? 1044 00:39:47,100 --> 00:39:48,500 WAY ABOVE. 1045 00:39:48,500 --> 00:39:50,300 WELL... SURE, WHY NOT? 1046 00:39:51,300 --> 00:39:53,000 THIS IS GOING TO BE GREAT. 1047 00:39:53,000 --> 00:39:54,200 I GOTTA JUMP ON THIS CALL. 1048 00:39:54,200 --> 00:39:56,100 TELL OLIVIA I LOVE HER. 1049 00:40:04,200 --> 00:40:05,900 WHAT DID HE SAY? 1050 00:40:05,900 --> 00:40:07,300 UH... 1051 00:40:10,100 --> 00:40:11,500 I LOVE YOU. 1052 00:40:13,200 --> 00:40:15,300 HE LOVES YOU. 1053 00:40:24,300 --> 00:40:26,400 BRACE YOURSELF. 1054 00:40:26,400 --> 00:40:27,500 I'M BRACED. 1055 00:40:27,600 --> 00:40:29,400 WHAT'S SHE GOT TO CRITICIZE? 1056 00:40:29,400 --> 00:40:30,500 SHE'LL FIND SOMETHING. 1057 00:40:32,600 --> 00:40:34,500 HI, MOM. 1058 00:40:34,600 --> 00:40:36,300 HI, GALS. 1059 00:40:36,300 --> 00:40:38,700 AND YOU MUST BE JOHNNY. 1060 00:40:38,700 --> 00:40:41,100 JOHNNY, THIS IS MY DAUGHTER, OLIVIA, 1061 00:40:41,200 --> 00:40:42,700 THE BRIDE-TO-BE. 1062 00:40:42,700 --> 00:40:43,700 AND THIS IS GRACE, 1063 00:40:43,700 --> 00:40:45,000 MY GRANDDAUGHTER, 1064 00:40:45,100 --> 00:40:46,500 WHO WILL ALSO BE A BRIDE ONE DAY. 1065 00:40:46,600 --> 00:40:49,200 NOT ANYTIME SOON, THOUGH. 1066 00:40:49,300 --> 00:40:50,500 WELL, YOU NEVER KNOW. 1067 00:40:50,500 --> 00:40:52,200 MOM, ONE WEDDING AT A TIME. 1068 00:40:52,200 --> 00:40:53,700 I'VE HEARD SO MUCH ABOUT YOU GIRLS. 1069 00:40:53,800 --> 00:40:55,600 WHATEVER SHE SAID, IT ISN'T TRUE. 1070 00:40:55,600 --> 00:40:57,800 HOW WAS YOUR DRIVE UP? 1071 00:40:57,800 --> 00:41:00,500 OH, YOU KNOW, UNEVENTFUL. 1072 00:41:00,500 --> 00:41:02,000 FARMS, TREES. 1073 00:41:02,100 --> 00:41:03,700 TREES, FARMS... 1074 00:41:03,800 --> 00:41:05,200 AND NORA, WHO SPOKE NON-STOP. 1075 00:41:05,300 --> 00:41:06,300 HEY! 1076 00:41:07,300 --> 00:41:08,400 EXCUSE ME, LADIES. 1077 00:41:08,400 --> 00:41:10,500 I'M GONNA HAVE A LOOK AT THIS LAKE. 1078 00:41:10,500 --> 00:41:12,300 AND MAYBE EVEN JUMP IN. 1079 00:41:12,300 --> 00:41:13,300 YOU DO THAT. 1080 00:41:13,400 --> 00:41:14,400 MM... 1081 00:41:17,700 --> 00:41:18,900 MOM... 1082 00:41:19,000 --> 00:41:20,200 I LIKE HIM. 1083 00:41:20,300 --> 00:41:21,600 ME TOO. 1084 00:41:21,600 --> 00:41:23,600 YEAH, I THINK HE MIGHT BE A KEEPER. 1085 00:41:23,700 --> 00:41:24,700 LET'S SEE THIS PLACE. 1086 00:41:30,300 --> 00:41:32,300 OH. 1087 00:41:32,300 --> 00:41:33,900 NICE... 1088 00:41:34,000 --> 00:41:35,700 VERY NICE. 1089 00:41:35,800 --> 00:41:37,200 ISN'T IT? 1090 00:41:37,200 --> 00:41:38,900 WOW. 1091 00:41:38,900 --> 00:41:40,500 I ASSUME YOU'VE PICKED OUT ALL YOUR PLACE SETTINGS, 1092 00:41:40,600 --> 00:41:42,200 AND FLOWERS, AND CAKE? 1093 00:41:42,200 --> 00:41:43,500 PLACE SETTINGS, SILVER. 1094 00:41:43,500 --> 00:41:44,900 FLOWERS, LILIES. 1095 00:41:44,900 --> 00:41:45,900 CAKE, LEMON. 1096 00:41:46,900 --> 00:41:47,900 LEMON. 1097 00:41:48,000 --> 00:41:48,900 WHO CHOSE THAT? 1098 00:41:50,000 --> 00:41:50,800 I DID. 1099 00:41:50,900 --> 00:41:52,800 HONEY, NO ONE HAS LEMON AT A WEDDING. 1100 00:41:52,800 --> 00:41:53,800 MOM... 1101 00:41:53,800 --> 00:41:54,800 I LIKE IT. 1102 00:41:54,800 --> 00:41:56,500 LEMONS ARE SOUR. 1103 00:41:56,600 --> 00:41:58,000 IS THAT HOW YOU WANT TO START YOUR MARRIAGE? 1104 00:41:58,000 --> 00:41:59,300 IT'S A CAKE, MOM. 1105 00:41:59,300 --> 00:42:00,300 IT'S NOT LIFE. 1106 00:42:01,400 --> 00:42:02,600 WELCOME. 1107 00:42:02,600 --> 00:42:04,500 MOM, YOU REMEMBER 1108 00:42:04,500 --> 00:42:05,900 MICK TURNER. 1109 00:42:08,800 --> 00:42:10,500 YES, OF COURSE, I DO. 1110 00:42:12,000 --> 00:42:13,500 WAIT, YOU DIDN'T INVITE HIM TO YOUR WEDDING? 1111 00:42:13,500 --> 00:42:15,400 HE OWNS THE INN. 1112 00:42:16,600 --> 00:42:17,900 YOU LOOK GREAT, MRS. PHILLIPS. 1113 00:42:17,900 --> 00:42:19,500 IT'S MS. WINTERS, ACTUALLY. 1114 00:42:19,500 --> 00:42:21,400 OH, CONGRATULATIONS, YOU REMARRIED. 1115 00:42:21,500 --> 00:42:22,900 TWICE AND COUNTING. 1116 00:42:22,900 --> 00:42:23,900 ONE KEEPS DOING SOMETHING 1117 00:42:23,900 --> 00:42:25,700 UNTIL THEY GET IT RIGHT. 1118 00:42:25,700 --> 00:42:27,000 I SEE. 1119 00:42:27,100 --> 00:42:28,900 AND OBVIOUSLY, YOU'VE GIVEN UP THE MUSIC. 1120 00:42:30,800 --> 00:42:32,600 MICK IS OUR WEDDING SINGER. 1121 00:42:32,700 --> 00:42:34,000 OH... 1122 00:42:34,100 --> 00:42:36,000 THAT MUST BE SUCH A COMEDOWN FOR YOU. 1123 00:42:36,000 --> 00:42:38,300 NOT REALLY. 1124 00:42:39,400 --> 00:42:40,700 I'M GOING TO MAKE SURE 1125 00:42:40,800 --> 00:42:41,800 YOUR LUGGAGE GETS TO YOUR ROOM. 1126 00:42:41,900 --> 00:42:43,500 IT'S GOOD TO SEE YOU AGAIN. 1127 00:42:47,700 --> 00:42:49,600 MOM... 1128 00:42:49,600 --> 00:42:51,600 YOU COULD BE A LITTLE NICER. 1129 00:42:51,600 --> 00:42:53,500 I NEVER LIKED THAT BOY. 1130 00:42:53,600 --> 00:42:55,000 HE'S HARDLY A BOY. 1131 00:42:55,100 --> 00:42:56,400 HE'S JUST LIKE YOUR FATHER WAS, 1132 00:42:56,400 --> 00:42:59,600 RUNNING AFTER... SOME DREAM. 1133 00:42:59,700 --> 00:43:01,400 MOM, IT WAS A LONG TIME AGO. 1134 00:43:01,500 --> 00:43:03,500 HE BROKE YOUR HEART. 1135 00:43:03,500 --> 00:43:05,000 A MOTHER NEVER GETS OVER THAT. 1136 00:43:05,000 --> 00:43:06,900 I GOT OVER IT. 1137 00:43:07,000 --> 00:43:08,100 WELL, WE'LL SEE HOW YOU FEEL 1138 00:43:08,100 --> 00:43:10,800 WHEN SOME BOY WITH A GUITAR BREAKS GRACE'S HEART. 1139 00:43:13,700 --> 00:43:15,900 NORA... 1140 00:43:17,200 --> 00:43:18,600 COME ON, LET'S GO FOR A WALK. 1141 00:43:18,700 --> 00:43:20,100 OH. OKAY. 1142 00:43:21,600 --> 00:43:22,900 A LONG WALK. 1143 00:43:22,900 --> 00:43:24,800 THANK YOU. 1144 00:43:26,000 --> 00:43:26,900 DID YOU SWIM? 1145 00:43:26,900 --> 00:43:28,800 NO, NO. 1146 00:43:32,700 --> 00:43:34,600 WHAT'S THAT? 1147 00:43:34,700 --> 00:43:37,100 OH, IT'S JUST SOME JUNK MAIL. 1148 00:43:37,100 --> 00:43:39,000 DAD... 1149 00:43:39,100 --> 00:43:40,800 I KNOW YOU'RE SELLING THE PLACE. 1150 00:43:44,200 --> 00:43:46,500 I'M SORRY, HONEY. 1151 00:43:46,500 --> 00:43:47,600 I WAS GOING TO TELL YOU. 1152 00:43:47,700 --> 00:43:48,700 I WAS JUST WAITING FOR THE RIGHT TIME. 1153 00:43:48,700 --> 00:43:50,100 IT'S OKAY. 1154 00:43:50,200 --> 00:43:51,100 I'M FINE WITH IT. 1155 00:43:51,100 --> 00:43:52,800 YOU ARE? 1156 00:43:52,800 --> 00:43:54,600 THE PLACE IS TOO BIG, AND IT'S TOO MUCH WORK. 1157 00:44:00,000 --> 00:44:02,300 I JUST KEEP THINKING ABOUT... 1158 00:44:02,400 --> 00:44:04,100 ALL OUR MEMORIES HERE. 1159 00:44:04,200 --> 00:44:06,000 WE'LL MAKE NEW ONES. 1160 00:44:07,300 --> 00:44:08,200 YOU SURE YOU'RE OKAY? 1161 00:44:08,300 --> 00:44:09,900 I'M SURE. 1162 00:44:13,800 --> 00:44:15,200 OH, YOUR STUDENTS ARE HERE. 1163 00:44:15,200 --> 00:44:16,900 THEY'RE SETTING UP IN THE GARAGE. 1164 00:44:17,000 --> 00:44:19,200 I THINK WE'LL GO A CAPPELLA TODAY. 1165 00:44:19,200 --> 00:44:20,800 THAT'S NOT LIKE YOU. 1166 00:44:20,800 --> 00:44:22,300 YOU DON'T KNOW OLIVIA'S MOTHER. 1167 00:44:22,300 --> 00:44:24,300 SHE DOESN'T LIKE MUSIC? 1168 00:44:24,300 --> 00:44:26,800 SHE DOESN'T LIKE MY MUSIC. 1169 00:44:34,200 --> 00:44:35,400 LET'S START WITH "LONELY NIGHT," OKAY? 1170 00:44:35,400 --> 00:44:38,000 WE'LL JUST DO THE CHORUS IN UNISON. 1171 00:44:38,100 --> 00:44:39,300 ON ONE, 1172 00:44:39,300 --> 00:44:41,200 TWO, THREE... 1173 00:44:41,300 --> 00:44:42,300 AND... 1174 00:44:43,400 --> 00:44:46,900 ♪ LOOKIN' AT ANOTHER LONELY NIGHT... ♪ 1175 00:44:49,400 --> 00:44:53,800 ♪ LOOKIN' AT ANOTHER LONELY NIGHT... ♪ 1176 00:44:53,800 --> 00:44:54,900 NICE. 1177 00:44:57,800 --> 00:45:03,800 ♪ LOOKIN' AT ANOTHER LONELY NIGHT... ♪ 1178 00:45:03,900 --> 00:45:05,400 ALL RIGHT, READY TO PUT IN THOSE ANSWERS? 1179 00:45:05,400 --> 00:45:07,000 SO, GROUP ONE, GROUP TWO, 1180 00:45:07,000 --> 00:45:08,100 REMEMBER YOUR PARTS. 1181 00:45:08,200 --> 00:45:09,100 FOCUS ON PITCH AND TIMING, 1182 00:45:09,100 --> 00:45:10,500 OKAY? 1183 00:45:10,500 --> 00:45:11,500 WE'LL DO THE CHORUS IN UNISON, 1184 00:45:11,500 --> 00:45:12,900 THEN WE'LL ADD THE ANSWERS. 1185 00:45:12,900 --> 00:45:14,000 HERE WE GO. 1186 00:45:14,100 --> 00:45:17,400 TWO, THREE, AND... 1187 00:45:17,400 --> 00:45:20,500 ♪ LOOKIN' AT ANOTHER LONELY NIGHT ♪ 1188 00:45:20,600 --> 00:45:22,900 NICE. HERE WE GO. 1189 00:45:22,900 --> 00:45:24,200 ♪ YOU KNOW I'M LOOKIN'... ♪ 1190 00:45:24,200 --> 00:45:25,100 ♪ LOOKIN'... ♪ 1191 00:45:25,200 --> 00:45:29,400 ♪ ...LOOKIN AT ANOTHER LONELY NIGHT ♪ 1192 00:45:29,400 --> 00:45:30,500 ♪ YOU KNOW I'M... ♪ 1193 00:45:30,600 --> 00:45:35,400 ♪ LOOKIN' AT ANOTHER LONELY NIGHT ♪ 1194 00:45:35,400 --> 00:45:36,500 ♪ YOU KNOW I'M... ♪ 1195 00:45:36,600 --> 00:45:40,800 ♪ LOOKIN' AT ANOTHER LONELY NIGHT ♪ 1196 00:45:43,200 --> 00:45:45,400 ♪ YOU KNOW I'M LOOKING AT ANOTHER... ♪ 1197 00:45:45,400 --> 00:45:47,500 ♪ ...LONELY NIGHT ♪ 1198 00:45:49,000 --> 00:45:50,900 ♪ YOU KNOW I'M... ♪ 1199 00:45:51,000 --> 00:45:52,500 ♪ LOOKING AT ANOTHER ♪ 1200 00:45:52,700 --> 00:45:54,500 ♪ LONELY NIGHT... ♪ 1201 00:45:56,400 --> 00:45:58,700 I HAD NO IDEA SHE COULD SING. 1202 00:45:58,700 --> 00:46:00,400 CLEARLY, SHE CAN. 1203 00:46:00,400 --> 00:46:01,300 AND SHE'S GOOD. 1204 00:46:03,700 --> 00:46:05,100 ♪ LOOKIN'... ♪ 1205 00:46:05,200 --> 00:46:07,200 ♪ LOOKIN' AT ANOTHER LONELY NIGHT ♪ 1206 00:46:07,300 --> 00:46:09,700 ♪ LOOKIN' AT A LONELY NIGHT... ♪ 1207 00:46:09,700 --> 00:46:11,700 ♪ YOU KNOW I'M... ♪ 1208 00:46:11,700 --> 00:46:14,000 THEY LOOK SO... 1209 00:46:14,100 --> 00:46:15,300 GOOD TOGETHER. 1210 00:46:18,500 --> 00:46:20,300 HE HAS PICTURES OF YOUR MOM. 1211 00:46:20,300 --> 00:46:22,300 I FOUND THEM A LONG TIME AGO, 1212 00:46:22,300 --> 00:46:25,300 BUT I NEVER KNEW WHO THEY WERE UNTIL NOW. 1213 00:46:25,400 --> 00:46:26,600 WHY DO YOU THINK 1214 00:46:26,600 --> 00:46:28,300 THEY NEVER TALKED ABOUT EACH OTHER? 1215 00:46:28,400 --> 00:46:31,200 MAYBE THE MEMORIES WERE TOO PAINFUL. 1216 00:46:31,300 --> 00:46:32,400 OR TOO GOOD. 1217 00:46:35,000 --> 00:46:38,700 AND NOW HE GETS TO LOSE HER AGAIN. 1218 00:46:38,700 --> 00:46:40,200 AND VICE VERSA. 1219 00:46:40,200 --> 00:46:43,300 ♪ ANOTHER LONELY NIGHT... ♪ 1220 00:46:56,500 --> 00:46:57,700 JOSH... 1221 00:46:57,700 --> 00:46:59,500 HI. 1222 00:47:01,600 --> 00:47:03,800 THAT WAS... AMAZING. 1223 00:47:03,800 --> 00:47:05,300 YOU CAME EARLY. 1224 00:47:05,400 --> 00:47:06,800 I MISSED YOU. 1225 00:47:06,800 --> 00:47:09,600 THIS IS STILL YOU, RIGHT? 1226 00:47:09,700 --> 00:47:10,800 YEAH, THAT WAS THE OLD ME. 1227 00:47:10,800 --> 00:47:11,900 YOU KNOW, A ONE-TIME PERFORMANCE. 1228 00:47:11,900 --> 00:47:13,400 I HAD NO IDEA. 1229 00:47:13,400 --> 00:47:14,400 ME EITHER. 1230 00:47:15,500 --> 00:47:16,600 YOU MADE IT. 1231 00:47:18,200 --> 00:47:19,400 AND A DAY EARLY. 1232 00:47:19,500 --> 00:47:20,900 SURPRISES ALL THE WAY AROUND HERE. 1233 00:47:22,200 --> 00:47:23,700 OH, UM, JOSH, THIS IS JULIE... 1234 00:47:23,700 --> 00:47:24,800 IT'S SO NICE TO MEET YOU. 1235 00:47:24,800 --> 00:47:26,200 LIKEWISE. 1236 00:47:26,200 --> 00:47:27,500 AND, UM, MICK. 1237 00:47:27,500 --> 00:47:29,300 -WELCOME. -THANK YOU. 1238 00:47:29,400 --> 00:47:32,400 SO YOU'RE "THE ONE THAT GOT AWAY". 1239 00:47:33,700 --> 00:47:34,800 YEAH. 1240 00:47:34,900 --> 00:47:36,400 YOUR PLACE IS INCREDIBLE, MAN. 1241 00:47:36,500 --> 00:47:37,300 I CAN'T WAIT TO SEE THE REST OF IT. 1242 00:47:37,400 --> 00:47:38,400 OH, THANK YOU. 1243 00:47:38,400 --> 00:47:39,400 IT WON'T LAST THE WEEKEND. 1244 00:47:39,400 --> 00:47:40,400 I MAY NOT EITHER. 1245 00:47:40,500 --> 00:47:42,800 HARD COPIES. 1246 00:47:43,000 --> 00:47:44,700 SIGNATURE PAGES ARE MARKED. 1247 00:47:44,700 --> 00:47:45,800 GREAT. 1248 00:47:45,900 --> 00:47:47,300 RIGHT. 1249 00:47:47,400 --> 00:47:50,400 WELL, I'LL... GIVE YOU GUYS SOME PRIVACY. 1250 00:47:50,400 --> 00:47:51,400 HEY, GUYS, THAT'S A WRAP FOR TODAY, OKAY? 1251 00:47:51,500 --> 00:47:52,400 WE'LL PICK IT UP HERE NEXT WEEK. 1252 00:47:52,400 --> 00:47:54,600 GREAT JOB. 1253 00:48:01,100 --> 00:48:03,800 FOR PUTTING UP WITH ME. 1254 00:48:03,900 --> 00:48:07,000 THEY'RE BEAUTIFUL, HONEY, BUT YOU DIDN'T HAVE TO DO THIS. 1255 00:48:07,100 --> 00:48:08,600 YES. I DID. 1256 00:48:08,600 --> 00:48:11,000 I SHOULD HAVE BEEN HERE YESTERDAY. 1257 00:48:11,100 --> 00:48:14,400 WELL, YOU'RE HERE NOW. 1258 00:48:18,700 --> 00:48:21,300 HEY. 1259 00:48:21,400 --> 00:48:22,700 IS THAT HIM? 1260 00:48:22,800 --> 00:48:24,600 YEAH. 1261 00:48:24,600 --> 00:48:25,800 HE LOOKS... 1262 00:48:25,800 --> 00:48:27,400 LIKE A DECENT GUY? 1263 00:48:29,000 --> 00:48:30,000 IF I DIDN'T KNOW BETTER, 1264 00:48:30,000 --> 00:48:31,000 I WOULD THINK THAT YOU WERE-- 1265 00:48:31,000 --> 00:48:32,400 DON'T SAY "JEALOUS." 1266 00:48:32,500 --> 00:48:33,500 I WAS GOING TO SAY 1267 00:48:33,500 --> 00:48:34,500 "HAVING FEELINGS FOR HER AGAIN." 1268 00:48:34,500 --> 00:48:36,000 DON'T SAY THAT EITHER! 1269 00:48:39,100 --> 00:48:42,700 BUYERS LOVE CELEBRITY PROPERTIES. 1270 00:48:42,800 --> 00:48:45,800 I THINK WE SHOULD PLAY UP THE POP STAR ANGLE. 1271 00:48:45,900 --> 00:48:47,500 DO WE REALLY HAVE TO DO THAT? 1272 00:48:47,500 --> 00:48:49,100 WELL, I ONCE SOLD A HOUSE FOR DOUBLE THE COMPS, 1273 00:48:49,100 --> 00:48:50,400 JUST BECAUSE A REAL HOUSEWIFE, 1274 00:48:50,400 --> 00:48:52,000 WHO SHALL REMAIN NAMELESS, 1275 00:48:52,000 --> 00:48:53,900 USED TO LIVE THERE. 1276 00:48:55,100 --> 00:48:56,600 WOW... 1277 00:48:56,600 --> 00:48:58,500 WHAT A ROOM. 1278 00:48:58,500 --> 00:48:59,700 OH, THANK YOU. 1279 00:48:59,700 --> 00:49:02,500 I RESTORED IT TO ITS ORIGINAL STATE. 1280 00:49:02,500 --> 00:49:05,600 I'D SAY WE STAGE IT, AND WE'RE GOOD TO GO. 1281 00:49:05,600 --> 00:49:08,200 YOU KNOW, I ACTUALLY LIKE IT THE WAY IT IS. 1282 00:49:08,200 --> 00:49:10,000 IT HAS CHARACTER. 1283 00:49:10,100 --> 00:49:11,100 IT FEELS RIGHT. 1284 00:49:11,100 --> 00:49:13,000 FOR A COUNTRY INN. 1285 00:49:14,500 --> 00:49:17,500 IT IS A COUNTRY INN. 1286 00:49:17,600 --> 00:49:18,900 NOW. 1287 00:49:18,900 --> 00:49:20,800 NOT THAT YOUR PLACE ISN'T AMAZING, 1288 00:49:20,800 --> 00:49:22,500 BECAUSE IT IS. 1289 00:49:22,500 --> 00:49:23,400 BUT THE WALL STREETERS AND THE TECHIES 1290 00:49:23,400 --> 00:49:26,000 REALLY GO FOR THOSE CLEAN MODERN LINES, 1291 00:49:26,100 --> 00:49:27,700 AND THAT IS OUR TARGET MARKET. 1292 00:49:27,800 --> 00:49:29,600 DON'T WORRY, 1293 00:49:29,700 --> 00:49:31,500 OLIVIA IS THE BEST. 1294 00:49:32,900 --> 00:49:34,800 LUCKY, COME ON, GET OUT OF HERE. 1295 00:49:34,800 --> 00:49:37,000 YOU'RE NOT SUPPOSED GO ON, COME ON, COME ON. 1296 00:49:41,900 --> 00:49:43,600 UH, SORRY, 1297 00:49:43,600 --> 00:49:45,100 JOSH ISN'T REALLY A DOG PERSON. 1298 00:49:45,100 --> 00:49:46,300 I WAS ATTACKED 1299 00:49:46,300 --> 00:49:48,000 AT AN OPEN HOUSE BY A POODLE. 1300 00:49:48,000 --> 00:49:49,000 A TOY POODLE. 1301 00:49:56,300 --> 00:49:58,300 I THINK I HAVE IT FIGURED OUT. 1302 00:49:58,300 --> 00:50:00,900 SHOULD I KNOW WHAT YOU'RE TALKING ABOUT EXACTLY? 1303 00:50:00,900 --> 00:50:02,800 THAT WHOLE SOMETHING OLD, SOMETHING NEW-- 1304 00:50:02,800 --> 00:50:03,800 SOMETHING BORROWED-- 1305 00:50:03,900 --> 00:50:05,900 SOMETHING BLUE. 1306 00:50:07,300 --> 00:50:08,900 HERE'S THE OLD. 1307 00:50:08,900 --> 00:50:10,200 WHAT'S THAT? 1308 00:50:10,200 --> 00:50:12,000 IT'S ONE OF MY GRANDMOTHER'S VEILS. 1309 00:50:12,100 --> 00:50:13,700 SHE KNEW MY MOM WOULDN'T WEAR IT, 1310 00:50:13,700 --> 00:50:15,800 BUT THOUGHT MAYBE WE COULD SNEAK IT IN SOMEHOW. 1311 00:50:15,800 --> 00:50:17,200 SHE'S CRAFTY. 1312 00:50:17,200 --> 00:50:18,600 SO AM I, 1313 00:50:18,700 --> 00:50:20,100 AND DEVIOUS. 1314 00:50:20,200 --> 00:50:21,200 SO, WHAT'S THE "NEW"? 1315 00:50:21,300 --> 00:50:23,600 I BOUGHT HER AN ANKLET. 1316 00:50:23,700 --> 00:50:25,700 I'LL GIVE IT TO HER THE DAY OF THE WEDDING. 1317 00:50:25,800 --> 00:50:27,000 THEN YOU JUST NEED SOMETHING BORROWED. 1318 00:50:29,000 --> 00:50:30,100 GOT IT. 1319 00:50:30,100 --> 00:50:31,900 SHOULD I ASK? 1320 00:50:31,900 --> 00:50:33,700 MAYBE YOU SHOULD READ. 1321 00:50:38,400 --> 00:50:39,800 "YOU AND ME 1322 00:50:39,900 --> 00:50:41,400 "ON AN OPEN ROAD 1323 00:50:41,400 --> 00:50:43,400 "THE STARS ALIGN AND THEY GUIDE US ON 1324 00:50:43,500 --> 00:50:44,700 "BUT WHEREVER WE GO 1325 00:50:44,800 --> 00:50:46,500 WE ARE HOME." 1326 00:50:46,500 --> 00:50:48,300 I LOVE IT, WHERE'S IT FROM? 1327 00:50:48,400 --> 00:50:49,800 MY MOM WROTE IT. 1328 00:50:49,900 --> 00:50:51,200 SHE'S REALLY GOOD. 1329 00:50:51,200 --> 00:50:52,300 LIKE MY DAD. 1330 00:50:52,300 --> 00:50:54,700 SHE WROTE IT FOR YOUR DAD. 1331 00:50:54,800 --> 00:50:56,700 YOU'RE KIDDING ME. 1332 00:50:56,800 --> 00:50:57,700 AND THERE'S MORE. 1333 00:50:57,800 --> 00:50:58,800 HOW MUCH MORE? 1334 00:50:58,800 --> 00:51:00,100 AN ENTIRE BOX FULL. 1335 00:51:00,100 --> 00:51:01,300 DUKE SHOWED ME. 1336 00:51:01,300 --> 00:51:02,900 DON'T TELL HIM I TOLD YOU. 1337 00:51:04,100 --> 00:51:07,300 I HAD NO CLUE. 1338 00:51:07,300 --> 00:51:09,700 BUT IT WAS A LONG TIME AGO. 1339 00:51:09,800 --> 00:51:12,400 YOU'VE SEEN HOW THEY'VE BEEN ACTING. 1340 00:51:12,400 --> 00:51:14,500 I DON'T THINK IT'S AS LONG AGO AS WE THINK. 1341 00:51:14,500 --> 00:51:17,200 AND SO YOU'RE PUTTING THIS IN HER BOUQUET BECAUSE? 1342 00:51:17,200 --> 00:51:18,400 I'M CRAFTY. 1343 00:51:18,500 --> 00:51:19,800 AND DEVIOUS. 1344 00:51:19,900 --> 00:51:21,800 I KNOW YOU SEE IT. 1345 00:51:22,000 --> 00:51:22,900 RIGHT? 1346 00:51:24,000 --> 00:51:24,900 I DO. 1347 00:51:26,400 --> 00:51:28,300 SO, WHAT DO WE DO NOW? 1348 00:51:28,400 --> 00:51:30,900 WE WAIT. 1349 00:51:30,900 --> 00:51:33,400 AND HOPE NATURE TAKES ITS COURSE. 1350 00:51:44,000 --> 00:51:45,400 WOW. 1351 00:51:45,400 --> 00:51:47,500 IT IS BEAUTIFUL OUT HERE, ISN'T IT? 1352 00:51:47,600 --> 00:51:49,100 INCREDIBLE. 1353 00:51:49,100 --> 00:51:51,600 I WONDER WHAT THE LAKEFRONT FOOTAGE IS? 1354 00:51:53,500 --> 00:51:54,400 JUST KIDDING. 1355 00:51:56,200 --> 00:51:57,100 NO REAL ESTATE TALK. 1356 00:51:57,200 --> 00:51:58,500 NO REAL ESTATE TALK. 1357 00:52:02,500 --> 00:52:04,900 MAYBE GRACE WAS RIGHT. 1358 00:52:05,000 --> 00:52:06,000 ABOUT WHAT? 1359 00:52:06,000 --> 00:52:07,000 WE'RE UNROMANTIC. 1360 00:52:07,100 --> 00:52:08,500 WE'RE NOT UNROMANTIC. 1361 00:52:08,600 --> 00:52:10,400 I MEAN, LOOK AT WHERE WE ARE. 1362 00:52:12,100 --> 00:52:15,300 AND WE'RE GETTING MARRIED IN, UM... 1363 00:52:16,800 --> 00:52:19,400 WE'RE GETTING MARRIED IN 46 HOURS AND 20 MINUTES. 1364 00:52:19,400 --> 00:52:22,200 YOU SET A REMINDER FOR OUR WEDDING? 1365 00:52:22,300 --> 00:52:23,500 DIDN'T WANT TO MISS IT. 1366 00:52:25,400 --> 00:52:27,200 HEY... 1367 00:52:27,300 --> 00:52:29,300 THIS IS US. 1368 00:52:31,300 --> 00:52:33,300 YEAH. 1369 00:52:33,400 --> 00:52:35,700 THIS IS US. 1370 00:52:37,300 --> 00:52:39,500 I WONDER HOW FAR THIS PATH GOES? 1371 00:52:41,100 --> 00:52:42,400 LET'S FIND OUT. 1372 00:52:43,500 --> 00:52:44,400 OH, HANG ON. 1373 00:52:45,600 --> 00:52:46,700 WHAT IS IT? 1374 00:52:48,300 --> 00:52:49,500 IT'S NOTHING. 1375 00:52:50,700 --> 00:52:52,400 I KNOW THAT LOOK. 1376 00:52:52,500 --> 00:52:53,800 LOCAL BROKERS. 1377 00:52:53,800 --> 00:52:55,200 AND? 1378 00:52:55,200 --> 00:52:57,500 WITH A TON OF CLIENT ACCESS. 1379 00:52:57,600 --> 00:52:58,500 BUT IT CAN WAIT. 1380 00:52:58,600 --> 00:53:00,300 COME ON, 1381 00:53:00,300 --> 00:53:01,700 I'LL RACE YOU AROUND THE LAKE. 1382 00:53:02,700 --> 00:53:03,700 HEY... 1383 00:53:07,200 --> 00:53:09,200 GO AHEAD, GO MEET 'EM. 1384 00:53:12,900 --> 00:53:13,900 ARE YOU SERIOUS? 1385 00:53:13,900 --> 00:53:15,000 YEAH. 1386 00:53:15,100 --> 00:53:17,200 I MEAN, THE LAKE'S GOING TO BE HERE WHEN YOU GET BACK, 1387 00:53:17,300 --> 00:53:18,500 AND SO WILL I. 1388 00:53:18,600 --> 00:53:20,400 WHY DON'T YOU COME WITH ME? 1389 00:53:20,500 --> 00:53:21,900 THEN WE CAN GRAB A BITE IN TOWN AFTER. 1390 00:53:21,900 --> 00:53:23,500 YEAH, YOU KNOW WHAT, 1391 00:53:23,500 --> 00:53:24,600 I THINK I'D RATHER JUST STAY HERE. 1392 00:53:24,700 --> 00:53:25,600 ARE YOU SURE? 1393 00:53:26,600 --> 00:53:27,700 YEAH. 1394 00:53:28,900 --> 00:53:29,900 LOVE YOU. 1395 00:53:31,200 --> 00:53:32,600 I LOVE YOU, TOO. 1396 00:53:34,300 --> 00:53:36,000 I'LL BE GONE, LIKE, AN HOUR. 1397 00:53:36,000 --> 00:53:37,700 TWO, TOPS. 1398 00:53:39,600 --> 00:53:41,300 NO BIKING AND TEXTING. 1399 00:53:57,900 --> 00:53:59,400 I KNEW IT. 1400 00:53:59,400 --> 00:54:00,700 YOU OWE ME FIVE BUCKS. 1401 00:54:09,900 --> 00:54:12,300 SO, WHAT'S THE PLAN AFTER YOU SELL THIS PLACE? 1402 00:54:12,400 --> 00:54:13,800 YOU'RE GOING TO OPEN YOUR RESTAURANT. 1403 00:54:13,800 --> 00:54:15,500 AND WHAT, YOU'LL BE MY MAITRE D'? 1404 00:54:15,600 --> 00:54:17,400 MAYBE. 1405 00:54:17,400 --> 00:54:18,600 SO, YOU HAVEN'T REALLY THOUGHT THIS THOUGH A LOT, 1406 00:54:18,600 --> 00:54:19,500 HAVE YOU? 1407 00:54:20,600 --> 00:54:22,700 JUST PLAYING IT BY EAR. 1408 00:54:22,700 --> 00:54:24,100 LIKE IN THE OLD DAYS. 1409 00:54:24,100 --> 00:54:26,900 WHEN YOU USED TO TAKE CHANCES. 1410 00:54:28,500 --> 00:54:29,400 I'M JUST SAYING, 1411 00:54:29,400 --> 00:54:31,900 YOU USED TO GO AFTER THE THINGS YOU WANTED. 1412 00:54:41,900 --> 00:54:42,900 OH! 1413 00:54:44,600 --> 00:54:46,100 OH. 1414 00:54:53,600 --> 00:54:54,900 I THINK I LIKE THIS ONE. 1415 00:54:58,700 --> 00:55:00,000 HEY, MOM, YOU'RE ON SPEAKER PHONE. 1416 00:55:00,000 --> 00:55:01,000 HI, HONEY, UM... 1417 00:55:01,200 --> 00:55:02,200 I'M ON THE LAKE PATH, 1418 00:55:02,200 --> 00:55:04,000 AND MY CHAIN SLIPPED OFF. 1419 00:55:04,000 --> 00:55:05,300 I'M NOT REALLY SURE HOW TO FIX IT, 1420 00:55:05,300 --> 00:55:07,100 SO I'M GOING TO BE JUST A LITTLE LATE GETTING BACK. 1421 00:55:07,100 --> 00:55:08,000 I'LL SEND SOMEONE. 1422 00:55:08,100 --> 00:55:10,500 NO, NO, NO, DON'T BE SILLY, I CAN WALK. 1423 00:55:10,600 --> 00:55:12,000 WE GOT THIS. 1424 00:55:13,700 --> 00:55:15,700 HOW FAR DO YOU THINK SHE GOT? 1425 00:55:15,700 --> 00:55:17,000 FAR ENOUGH. 1426 00:55:18,700 --> 00:55:20,500 DAD, WHAT ARE YOU DOING RIGHT NOW? 1427 00:55:29,900 --> 00:55:30,900 HEY. 1428 00:55:32,000 --> 00:55:33,200 OH, HEY. 1429 00:55:33,300 --> 00:55:34,500 SORRY. 1430 00:55:34,600 --> 00:55:36,200 NO, IT HAPPENS ALL THE TIME. 1431 00:55:36,300 --> 00:55:38,300 WELL, THANK YOU. 1432 00:55:38,300 --> 00:55:40,700 WELL, YOU CAN JUST CONSIDER THIS 1433 00:55:40,800 --> 00:55:42,000 PART OF THE CONCIERGE SERVICE. 1434 00:55:42,000 --> 00:55:43,200 THANKS. 1435 00:55:44,700 --> 00:55:46,300 OH, YEAH. 1436 00:55:46,300 --> 00:55:48,000 CHAINS ARE TRICKY. 1437 00:55:48,000 --> 00:55:49,100 YEAH. 1438 00:55:51,200 --> 00:55:52,600 OF ALL THE PLACES FOR YOU TO PEDAL INTO, 1439 00:55:52,600 --> 00:55:54,000 YOU HAD TO PEDAL INTO MINE, HUH? 1440 00:55:54,000 --> 00:55:55,300 YEAH. 1441 00:55:55,400 --> 00:55:57,900 WELL, WE'LL ALWAYS HAVE THAT THIRD-FLOOR DORM. 1442 00:55:59,100 --> 00:56:00,400 -YEAH. -YEAH. 1443 00:56:01,400 --> 00:56:02,700 THERE YOU GO. 1444 00:56:02,700 --> 00:56:03,900 THANK YOU. 1445 00:56:03,900 --> 00:56:05,600 AS LONG AS YOU'RE OUT HERE, 1446 00:56:05,700 --> 00:56:06,700 THERE'S A PLACE A LITTLE FURTHER ALONG 1447 00:56:06,700 --> 00:56:07,800 THAT'S PRETTY SPECIAL, 1448 00:56:07,800 --> 00:56:09,000 IF YOU'D LIKE TO SEE IT. 1449 00:56:10,800 --> 00:56:12,000 SURE. 1450 00:56:12,000 --> 00:56:13,100 WHY NOT? 1451 00:56:16,000 --> 00:56:17,300 FOLLOW ME. 1452 00:56:29,100 --> 00:56:31,100 WOW. 1453 00:56:32,200 --> 00:56:34,400 TOLD YOU IT WAS SPECIAL. 1454 00:56:34,400 --> 00:56:37,900 IT IS BEAUTIFUL. 1455 00:56:37,900 --> 00:56:39,200 YEAH. 1456 00:56:41,800 --> 00:56:45,700 I THINK THIS IS OFFICIALLY MY FAVORITE PLACE. 1457 00:56:45,700 --> 00:56:48,000 MINE TOO. 1458 00:56:49,700 --> 00:56:51,900 WELL, IT LOOKS LIKE I'M SAYING GOODBYE, 1459 00:56:52,000 --> 00:56:54,100 AND YOU'RE SAYING "I DO." 1460 00:56:55,500 --> 00:56:58,500 NOW, THAT COULD BE A SONG. 1461 00:57:03,600 --> 00:57:08,300 ARE YOU SURE YOU WANT TO LET GO OF ALL THIS? 1462 00:57:08,300 --> 00:57:11,100 I'M NOT SURE ABOUT A LOT OF THINGS, LIVVY. 1463 00:57:12,400 --> 00:57:15,300 WE ARE TALKING ABOUT THE INN, RIGHT? 1464 00:57:15,400 --> 00:57:17,300 I DON'T KNOW, ARE WE? 1465 00:57:19,400 --> 00:57:20,500 I'M NOT FALLING FOR THIS AGAIN. 1466 00:57:20,500 --> 00:57:21,500 FALLING FOR WHAT? 1467 00:57:21,500 --> 00:57:22,600 FOR YOU. 1468 00:57:22,600 --> 00:57:25,000 WELL, I REMEMBER YOU WERE PRETTY HAPPY WITH ME ONCE. 1469 00:57:25,000 --> 00:57:26,300 I REMEMBER THE TAIL-LIGHTS OF YOUR VAN 1470 00:57:26,400 --> 00:57:27,500 AS YOU DROVE AWAY. 1471 00:57:27,600 --> 00:57:29,400 OH, COME ON, I HAD A TOUR. 1472 00:57:29,400 --> 00:57:30,600 YOU PROMISED YOU'D COME BACK FOR ME. 1473 00:57:30,600 --> 00:57:31,900 I DID. 1474 00:57:31,900 --> 00:57:34,200 OH, SORRY FOR NOT WAITING TWO DECADES. 1475 00:57:34,200 --> 00:57:35,500 TWO DECADES? 1476 00:57:35,500 --> 00:57:36,900 IT WAS SIX MONTHS AT THE MOST. 1477 00:57:36,900 --> 00:57:38,100 AND YOU WERE ALREADY WITH SOMEONE ELSE. 1478 00:57:38,100 --> 00:57:39,600 WHAT ARE YOU TALKING ABOUT? 1479 00:57:39,600 --> 00:57:41,300 YOU DIDN'T COME BACK FOR ME. 1480 00:57:41,400 --> 00:57:42,600 YEAH, I DID. 1481 00:57:42,600 --> 00:57:43,600 I WENT TO YOUR DORM. 1482 00:57:43,600 --> 00:57:45,300 YOUR ROOMMATE SAID THAT YOU'D MET SOMEONE. 1483 00:57:45,400 --> 00:57:46,700 MY ROOMMATE? 1484 00:57:46,700 --> 00:57:48,500 MY-- WHY WOULD YOU BELIEVE HER? 1485 00:57:48,500 --> 00:57:50,100 WELL, WHY WOULDN'T I? 1486 00:57:50,100 --> 00:57:51,500 BECAUSE SHE HAD A CRUSH ON YOU, 1487 00:57:51,600 --> 00:57:53,400 AND SHE WAS A PATHOLOGICAL LIAR, 1488 00:57:53,400 --> 00:57:55,100 AND IF YOU HADN'T GIVEN UP SO EASY, 1489 00:57:55,100 --> 00:57:57,600 YOU WOULD HAVE FOUND OUT THAT I WAS HEARTBROKEN. 1490 00:58:01,300 --> 00:58:04,000 I DON'T KNOW WHAT TO SAY TO THIS. I... 1491 00:58:07,200 --> 00:58:09,200 NOTHING. 1492 00:58:09,200 --> 00:58:11,000 I'M GOING BACK. 1493 00:58:15,400 --> 00:58:18,200 I CAN'T WAIT FOR THIS WEDDING TO BE OVER. 1494 00:58:30,800 --> 00:58:32,200 WHAT DOES IT NEED? 1495 00:58:32,300 --> 00:58:33,300 NOTHING. 1496 00:58:33,300 --> 00:58:35,200 IT'S PERFECT. 1497 00:58:35,200 --> 00:58:36,400 WELL, THANK YOU, 1498 00:58:36,400 --> 00:58:38,400 BUT THAT'S NOT VERY HELPFUL. 1499 00:58:38,500 --> 00:58:41,400 EVERYTHING YOU'RE PREPARING IS AMAZING. 1500 00:58:42,900 --> 00:58:45,200 IT CAN ALWAYS BE BETTER. 1501 00:58:45,200 --> 00:58:46,800 TRY THE SAUCE THAT GOES WITH THIS. 1502 00:58:53,600 --> 00:58:56,200 AND? 1503 00:58:56,200 --> 00:58:58,400 ARE YOU GOING TO BE MAD IF I SAY "AMAZING?" 1504 00:58:58,400 --> 00:59:01,500 -YEAH. -THEN NO COMMENT. 1505 00:59:02,700 --> 00:59:04,700 YOU ARE LIKE YOUR MOM, 1506 00:59:04,700 --> 00:59:06,500 VERY SWEET. 1507 00:59:06,500 --> 00:59:08,400 TRY IT AGAIN. 1508 00:59:11,900 --> 00:59:13,500 IT'S BETTER, RIGHT? 1509 00:59:13,600 --> 00:59:14,800 I CAN'T BELIEVE IT. 1510 00:59:14,900 --> 00:59:16,100 WHAT'S YOUR SECRET? 1511 00:59:16,200 --> 00:59:18,700 DON'T EVER SETTLE. 1512 00:59:18,700 --> 00:59:20,700 LIFE'S TOO SHORT, GRACE. 1513 00:59:20,800 --> 00:59:23,600 WE'RE STILL TALKING FOOD, YEAH? 1514 00:59:26,300 --> 00:59:29,700 YOU DON'T THINK SHE SHOULD MARRY JOSH EITHER, DO YOU? 1515 00:59:29,800 --> 00:59:32,600 WHAT I THINK... 1516 00:59:32,600 --> 00:59:34,900 IS THAT IT CAN ALWAYS BE BETTER. 1517 00:59:37,000 --> 00:59:38,200 MM. 1518 00:59:40,900 --> 00:59:42,400 MM-HMM. 1519 00:59:44,700 --> 00:59:46,600 HEY... 1520 00:59:46,600 --> 00:59:48,300 OH, HI. 1521 00:59:48,300 --> 00:59:49,400 I'M SORRY, 1522 00:59:49,500 --> 00:59:50,800 I KNOW THIS WAS SUPPOSED TO BE 1523 00:59:50,800 --> 00:59:51,900 A WEEKEND WITHOUT AN OPEN HOUSE. 1524 00:59:51,900 --> 00:59:54,800 OH, HONEY, WHAT'S A WEEKEND WITHOUT AN OPEN HOUSE? 1525 00:59:54,900 --> 00:59:57,000 AFTER THE WEDDING, WE'LL TAKE SOME TIME OFF. 1526 00:59:57,000 --> 00:59:58,800 YOU MEAN A HONEYMOON? 1527 00:59:58,800 --> 00:59:59,700 NOT THAT MUCH TIME. 1528 01:00:00,800 --> 01:00:02,600 YES, A HONEYMOON. 1529 01:00:02,700 --> 01:00:04,700 NO CELL PHONES, OR SINGLE-FAMILY DWELLINGS? 1530 01:00:04,800 --> 01:00:05,700 DONE. 1531 01:00:05,800 --> 01:00:07,600 I HAVE TO HEAD INTO TOWN AND PICK UP THE SIGNS. 1532 01:00:07,600 --> 01:00:08,700 YOU GOT THIS? 1533 01:00:08,700 --> 01:00:09,900 OH, I GOT THIS. 1534 01:00:11,000 --> 01:00:12,500 SEE YOU SOON. 1535 01:00:12,500 --> 01:00:13,300 OKAY. 1536 01:00:16,300 --> 01:00:17,800 -MORNING, GRACE. -GOOD MORNING, JOSH. 1537 01:00:17,900 --> 01:00:18,800 REHEARSAL DINNER TONIGHT. 1538 01:00:18,800 --> 01:00:19,800 GOT IT. 1539 01:00:19,900 --> 01:00:20,800 DON'T GO TOO FAR! 1540 01:00:20,900 --> 01:00:21,700 WOULDN'T DREAM OF IT! 1541 01:00:21,700 --> 01:00:23,700 WORST GROOM EVER. 1542 01:00:23,800 --> 01:00:25,600 SO, WHERE'S HE OFF TO? 1543 01:00:25,600 --> 01:00:26,700 OH, IT'S OKAY. 1544 01:00:26,700 --> 01:00:27,900 OPEN HOUSE. HE'LL BE BACK. 1545 01:00:27,900 --> 01:00:30,100 SO, WHAT DO YOU THINK, AREA RUG, YES OR NO? 1546 01:00:30,200 --> 01:00:31,400 I LIKE THE RUG. 1547 01:00:31,400 --> 01:00:32,500 YEAH, I DO, TOO. 1548 01:00:32,500 --> 01:00:33,600 I MEAN, IT DOESN'T SAY "WALL STREET," 1549 01:00:33,700 --> 01:00:35,000 BUT... IT STAYS. 1550 01:00:46,200 --> 01:00:47,800 GUILT-INDUCING? 1551 01:00:52,000 --> 01:00:54,000 LET'S LEAVE THIS THE WAY IT IS. 1552 01:00:54,100 --> 01:00:54,900 YOU KNOW, UM... 1553 01:00:55,000 --> 01:00:57,900 MAYBE A LITTLE SENTIMENTALITY IS GOOD. 1554 01:00:57,900 --> 01:01:00,800 BUYERS CAN SEE THAT PEOPLE WERE HAPPY HERE. 1555 01:01:00,800 --> 01:01:02,500 I HAVE TO SAY, 1556 01:01:02,500 --> 01:01:04,500 I LIKE WHAT YOU'VE DONE WITH THE PLACE. 1557 01:01:04,600 --> 01:01:06,200 I HAVEN'T DONE ANYTHING. 1558 01:01:06,200 --> 01:01:07,600 EXACTLY. 1559 01:01:10,900 --> 01:01:11,900 GOOD MORNING, MICK. 1560 01:01:12,000 --> 01:01:13,800 MORNING, LADIES. 1561 01:01:13,800 --> 01:01:16,500 MORNING. 1562 01:01:16,500 --> 01:01:19,600 YOU DON'T... NEED ANYTHING FROM ME, RIGHT? 1563 01:01:19,700 --> 01:01:21,000 NO. 1564 01:01:21,100 --> 01:01:22,600 NOT A THING. 1565 01:01:29,200 --> 01:01:30,200 YOU READY? 1566 01:01:30,200 --> 01:01:32,000 YEAH. 1567 01:01:40,200 --> 01:01:42,700 OKAY, UH... WHERE WERE WE? 1568 01:01:42,700 --> 01:01:44,000 AS I RECALL, 1569 01:01:44,000 --> 01:01:46,700 WE WERE LEAVING EVERYTHING EXACTLY AS IT WAS. 1570 01:01:46,700 --> 01:01:49,100 YEAH, THAT'S RIGHT. 1571 01:01:51,900 --> 01:01:54,800 MOM... 1572 01:01:54,800 --> 01:01:56,200 ARE YOU SURE YOU WANT TO GET MARRIED? 1573 01:01:56,200 --> 01:01:57,800 WHAT? 1574 01:01:57,800 --> 01:02:00,000 IT'S JUST... 1575 01:02:00,000 --> 01:02:01,600 YOU'RE DIFFERENT AROUND HIM. 1576 01:02:01,700 --> 01:02:03,600 HIM? 1577 01:02:06,100 --> 01:02:08,600 WELL, IF I AM, 1578 01:02:08,700 --> 01:02:11,700 IT'S JUST BECAUSE HE BRINGS OUT THE WORST IN ME. 1579 01:02:11,700 --> 01:02:13,200 OR THE BEST. 1580 01:02:13,300 --> 01:02:14,200 HONEY, I'M JUST 1581 01:02:14,300 --> 01:02:16,800 TRYING TO GET THROUGH AN AWKWARD SITUATION. 1582 01:02:16,800 --> 01:02:19,300 IT WOULDN'T BE AWKWARD IF YOU DIDN'T HAVE FEELINGS. 1583 01:02:21,100 --> 01:02:23,200 NOW, THAT-- THAT IS RIDICULOUS. 1584 01:02:23,200 --> 01:02:24,200 YOU'RE SUPPOSED TO BE 1585 01:02:24,200 --> 01:02:25,200 MY WEDDING PLANNER. 1586 01:02:25,200 --> 01:02:27,200 I'M ALSO YOUR DAUGHTER. 1587 01:02:33,400 --> 01:02:35,800 AH! 1588 01:02:35,800 --> 01:02:37,100 WE SHOULD JOIN THE WEEKEND TOURNAMENT 1589 01:02:37,100 --> 01:02:38,400 AT THE CLUB. 1590 01:02:38,500 --> 01:02:40,800 YEAH, MAYBE... 1591 01:02:40,800 --> 01:02:43,000 YOU SEEM DISTRACTED. 1592 01:02:43,000 --> 01:02:44,200 I'M HAVING A LITTLE TROUBLE 1593 01:02:44,200 --> 01:02:46,000 MOVING ON, I GUESS. 1594 01:02:46,100 --> 01:02:48,800 FROM THE INN, OR HER? 1595 01:02:48,800 --> 01:02:51,300 THE INN. 1596 01:02:51,400 --> 01:02:53,200 WELL, SHE'S GETTING MARRIED TOMORROW, RIGHT? 1597 01:02:53,200 --> 01:02:54,900 YEAH. 1598 01:02:54,900 --> 01:02:56,100 OKAY, WELL THEN, PROBLEM SOLVED. 1599 01:02:56,200 --> 01:02:57,700 YOU'LL NEVER HAVE TO SEE HER AGAIN. 1600 01:02:57,800 --> 01:03:00,800 OUT OF SIGHT, OUT OF MIND. 1601 01:03:00,800 --> 01:03:02,100 YOU KNOW, WHEN YOU SELL THE INN, 1602 01:03:02,100 --> 01:03:03,400 WE SHOULD DO SOMETHING SPECIAL. 1603 01:03:03,400 --> 01:03:05,500 LIKE A WEEKEND AWAY SOMEWHERE? 1604 01:03:05,500 --> 01:03:07,000 A WEEKEND? 1605 01:03:07,100 --> 01:03:08,300 OR A WEEK. 1606 01:03:08,400 --> 01:03:11,000 I MEAN, WHEN IS THE LAST TIME YOU JUST WENT TRAVELING AROUND? 1607 01:03:11,000 --> 01:03:12,800 A LONG TIME AGO, 1608 01:03:12,800 --> 01:03:14,400 AND IT WAS ON A TOUR BUS. 1609 01:03:14,400 --> 01:03:17,200 WELL, I'M THINKING MORE... 1610 01:03:17,400 --> 01:03:19,200 HOTEL, AIRPLANE, 1611 01:03:19,200 --> 01:03:21,400 SANDY BEACH. 1612 01:03:27,600 --> 01:03:30,000 THIS COULD BE A SWEET CORPORATE RETREAT. 1613 01:03:30,000 --> 01:03:31,200 IF WE GUT IT, YEAH. 1614 01:03:31,200 --> 01:03:32,400 EXACTLY WHAT I WAS THINKING. 1615 01:03:32,400 --> 01:03:33,200 WAIT TILL YOU SEE THE OUTSIDE. 1616 01:03:33,300 --> 01:03:35,600 800 FEET OF PRIMETIME LAKEFRONT. 1617 01:03:39,500 --> 01:03:41,500 I'VE NEVER BEEN TO AN OPEN HOUSE. 1618 01:03:41,500 --> 01:03:43,700 I'VE BEEN TO TOO MANY. 1619 01:03:43,700 --> 01:03:46,000 LOOKS LIKE A BIG TURNOUT. 1620 01:03:46,000 --> 01:03:47,000 AT LEAST HALF OF THEM ARE HERE 1621 01:03:47,000 --> 01:03:48,100 JUST TO SEE THE PLACE, 1622 01:03:48,100 --> 01:03:50,500 AND MAYBE GRAB SOME FREE FOOD. 1623 01:03:50,500 --> 01:03:51,900 IT'S THE OTHER HALF I'M WORRIED ABOUT. 1624 01:03:54,000 --> 01:03:55,100 IT'S WEIRD 1625 01:03:55,100 --> 01:03:56,500 THINKING ABOUT THIS PLACE BELONGING TO SOMEONE ELSE. 1626 01:03:56,500 --> 01:03:58,100 OR A CORPORATION. 1627 01:03:58,100 --> 01:04:00,200 THERE'S ALWAYS A CHANCE IT WON'T SELL, 1628 01:04:00,300 --> 01:04:02,300 ALTHOUGH WITH A PROPERTY LIKE THIS... 1629 01:04:02,300 --> 01:04:03,600 HOW GOOD A SALESMAN IS JOSH? 1630 01:04:03,700 --> 01:04:07,100 HE SOLD MY MOM ON MARRIAGE, SO I'D SAY GOOD. 1631 01:04:08,500 --> 01:04:11,400 I'D BETTER START GETTING USED TO THE IDEA. 1632 01:04:12,800 --> 01:04:14,200 THE THING IS, 1633 01:04:14,200 --> 01:04:16,200 I'VE SEEN A LOT OF PEOPLE MOVE, 1634 01:04:16,300 --> 01:04:17,400 AND IT'S HARD. 1635 01:04:17,400 --> 01:04:19,700 BUT YOUR DAD WILL BE OKAY. 1636 01:04:19,700 --> 01:04:20,800 AND YOU WILL, TOO. 1637 01:04:20,800 --> 01:04:22,400 YOU HAVE EACH OTHER. 1638 01:04:22,400 --> 01:04:24,200 THANKS, GRACE. 1639 01:04:24,200 --> 01:04:27,400 COME ON, LET'S GRAB SOME SUSHI. 1640 01:04:54,200 --> 01:04:55,300 REHEARSAL DINNER? 1641 01:04:55,300 --> 01:04:57,100 "OPEN HOUSE SUSHI." 1642 01:04:57,100 --> 01:04:59,100 YOU SEE ALL THOSE PEOPLE OUT THERE? 1643 01:04:59,100 --> 01:05:00,200 TRYING NOT TO. 1644 01:05:00,200 --> 01:05:01,700 YEAH, ME TOO. 1645 01:05:03,700 --> 01:05:05,700 I REMEMBER WHEN I BOUGHT THIS PLACE. 1646 01:05:05,800 --> 01:05:07,200 THERE WAS NO SUSHI, 1647 01:05:07,200 --> 01:05:10,600 JUST AN OLD HOUSE AND A RUSTY DOCK. 1648 01:05:10,600 --> 01:05:11,800 AND AN EVEN RUSTIER DRUMMER 1649 01:05:11,900 --> 01:05:13,800 WHO MADE GRILLED CHEESE ON AN IRON. 1650 01:05:13,800 --> 01:05:15,500 WHY'D YOU TAKE THAT OFF THE MENU? 1651 01:05:15,500 --> 01:05:16,600 I THOUGHT IT WAS A HOUSE FAVORITE? 1652 01:05:16,600 --> 01:05:18,300 MORE LIKE A DUCK FAVORITE. 1653 01:05:23,600 --> 01:05:25,700 SO, WHAT ARE YOU GOING TO DO? 1654 01:05:25,700 --> 01:05:27,400 ABOUT WHAT? 1655 01:05:47,600 --> 01:05:50,500 SORRY ABOUT WHAT HAPPENED OUT ON THE BIKE TRAIL. 1656 01:05:51,700 --> 01:05:55,300 NAH, IT'S ALL RIGHT, IT'S MY FAULT. 1657 01:05:55,300 --> 01:05:58,300 I DON'T KNOW WHY I GOT SO UPSET. 1658 01:05:58,300 --> 01:05:59,900 PEOPLE GET NERVOUS AROUND WEDDINGS. 1659 01:06:00,000 --> 01:06:01,000 YEAH. 1660 01:06:01,100 --> 01:06:02,800 I SEE IT ALL THE TIME. 1661 01:06:07,700 --> 01:06:10,600 DID YOU REALLY COME BACK FOR ME? 1662 01:06:12,700 --> 01:06:14,700 YEAH, I DID. 1663 01:06:14,700 --> 01:06:16,000 THERE HE IS... 1664 01:06:16,100 --> 01:06:17,700 POP STAR IN THE FLESH. 1665 01:06:17,700 --> 01:06:18,800 WHOA-HO, HUGE FAN! 1666 01:06:18,900 --> 01:06:20,900 CAN I GET A SELFIE? 1667 01:06:21,000 --> 01:06:21,900 SURE. 1668 01:06:23,600 --> 01:06:26,400 MY MOTHER PLAYED YOU NON-STOP 1669 01:06:26,400 --> 01:06:27,500 WHEN I WAS GROWING UP. 1670 01:06:27,600 --> 01:06:28,500 YOUR MOM, HUH? 1671 01:06:28,500 --> 01:06:29,700 AND MY GRANDMOTHER. 1672 01:06:29,700 --> 01:06:31,400 OH, YES... 1673 01:06:31,400 --> 01:06:33,000 I'VE ALWAYS BEEN BIG WITH THE GRANDMOTHERS. 1674 01:06:33,000 --> 01:06:35,700 I CANNOT WAIT TO TELL THEM WHOSE PROPERTY WE'RE BUYING. 1675 01:06:35,700 --> 01:06:37,100 I THINK I JUST HEARD AN OFFER. 1676 01:06:39,700 --> 01:06:40,700 COME ON, 1677 01:06:40,700 --> 01:06:43,000 LET'S SHOW THEM WHERE WE'RE GONNA TIE THE KNOT. 1678 01:06:43,000 --> 01:06:44,900 RIGHT UP HERE, GUYS. 1679 01:06:55,600 --> 01:06:56,600 SWEETIE? 1680 01:06:57,900 --> 01:07:00,700 WHAT'S THAT YOU'RE READING THERE? 1681 01:07:00,700 --> 01:07:03,200 I WANTED TO DO A TOAST AT THE WEDDING, 1682 01:07:03,200 --> 01:07:06,700 AND I NEEDED SOME INSPIRATION. 1683 01:07:06,700 --> 01:07:08,600 BUT I'M NEVER GOING TO BE ABLE TO WRITE 1684 01:07:08,700 --> 01:07:11,600 ANYTHING LIKE THIS. 1685 01:07:16,200 --> 01:07:17,600 THEY REALLY LOVED EACH OTHER, 1686 01:07:17,700 --> 01:07:18,900 DIDN'T THEY, GRANDMA? 1687 01:07:18,900 --> 01:07:20,800 OH, IT WAS SO LONG AGO, 1688 01:07:20,800 --> 01:07:21,800 THEY WERE WET BEHIND THE EARS, 1689 01:07:21,800 --> 01:07:22,900 PUPPY LOVE. 1690 01:07:22,900 --> 01:07:25,800 IT WAS MORE THAN THAT. 1691 01:07:25,900 --> 01:07:27,000 MAYBE. 1692 01:07:27,100 --> 01:07:28,000 DEFINITELY. 1693 01:07:31,100 --> 01:07:33,600 EVEN BEFORE MICK LEFT, YOU DIDN'T LIKE HIM. 1694 01:07:33,600 --> 01:07:34,600 WHY? 1695 01:07:36,700 --> 01:07:38,800 AS A MOTHER, UM, 1696 01:07:38,900 --> 01:07:41,800 YOU WANT THE BEST FOR YOUR KIDS. 1697 01:07:41,800 --> 01:07:44,000 SO, IF YOU SEE HEARTACHE COMING, 1698 01:07:44,000 --> 01:07:47,800 YOU DO EVERYTHING YOU CAN TO JUMP IN AND DEFLECT IT. 1699 01:07:47,800 --> 01:07:50,000 READING THESE, 1700 01:07:50,100 --> 01:07:51,800 I'M GUESSING SHE GOT HIT ANYWAY. 1701 01:07:51,900 --> 01:07:53,800 WHATEVER HAPPENED IN THE PAST 1702 01:07:53,800 --> 01:07:54,900 IS PASSED, 1703 01:07:54,900 --> 01:07:57,000 AND IT LOOKS LIKE EVERYTHING'S TURNED OUT ALL RIGHT. 1704 01:07:57,000 --> 01:07:59,100 I MEAN, SHE'S GOT JOSH NOW. 1705 01:07:59,100 --> 01:08:01,700 BUT WHAT IF HE'S NOT THE RIGHT ONE? 1706 01:08:01,700 --> 01:08:02,800 AND WHAT IF HE IS? 1707 01:08:06,300 --> 01:08:08,900 TELL YOU WHAT... 1708 01:08:10,900 --> 01:08:13,300 WHY DON'T YOU LET ME MAKE THE TOAST, HMM? 1709 01:08:13,300 --> 01:08:16,100 IF YOU THINK OF SOMETHING, YOU CAN ADD ON. 1710 01:08:16,100 --> 01:08:19,400 IT'S JUST ONE LESS THING TO WORRY ABOUT. 1711 01:08:31,400 --> 01:08:32,900 FOLKS... 1712 01:08:33,000 --> 01:08:35,800 I'VE GOT A CHOIR GROUP IN AN HOUR. 1713 01:08:35,800 --> 01:08:36,900 WHERE'S OUR GROOM? 1714 01:08:36,900 --> 01:08:38,400 HE'S... HE'S ON A CALL. 1715 01:08:38,400 --> 01:08:40,100 HE WON'T BE LONG. 1716 01:08:40,100 --> 01:08:42,100 PERHAPS WE COULD USE A STAND-IN UNTIL HE GETS HERE? 1717 01:08:42,100 --> 01:08:43,400 OH, YES, JOHNNY WILL DO IT. 1718 01:08:43,400 --> 01:08:44,500 GO ON. 1719 01:08:44,600 --> 01:08:45,900 I KINDA MADE A VOW 1720 01:08:45,900 --> 01:08:46,800 NEVER TO WALK DOWN ANOTHER AISLE, SO... 1721 01:08:48,900 --> 01:08:51,000 AND I'M JUST HEARING ABOUT THIS NOW? 1722 01:08:51,100 --> 01:08:53,500 MICK, YOU DO IT. 1723 01:08:53,600 --> 01:08:56,300 UNFORTUNATELY I'M A LITTLE BUSY. 1724 01:08:57,500 --> 01:08:59,000 DAD, GET UP THERE. 1725 01:08:59,100 --> 01:09:00,200 THE REVEREND HAS TO LEAVE. 1726 01:09:03,900 --> 01:09:05,300 COME ON. 1727 01:09:18,200 --> 01:09:20,000 AND... MUSIC. 1728 01:09:38,600 --> 01:09:41,100 WE ARE GATHERED TOGETHER TO UNITE A COUPLE IN LOVE. 1729 01:09:41,300 --> 01:09:42,700 OBVIOUSLY, THE BRIDE AND GROOM 1730 01:09:42,700 --> 01:09:44,700 WILL BE STANDING A LITTLE CLOSER. 1731 01:09:44,700 --> 01:09:46,400 CLOSER. 1732 01:09:48,000 --> 01:09:49,600 CLOSER. 1733 01:09:53,600 --> 01:09:55,100 THAT'S GOOD, THAT'S GOOD. 1734 01:09:55,100 --> 01:09:57,300 I BELIEVE YOU'VE WRITTEN YOUR OWN VOWS. 1735 01:09:57,300 --> 01:09:59,600 UH, ACTUALLY, I HAVEN'T QUITE FINISHED MINE. 1736 01:09:59,600 --> 01:10:00,700 YOU REALLY HAVEN'T FINISHED? 1737 01:10:00,800 --> 01:10:02,300 NO. 1738 01:10:02,300 --> 01:10:03,700 SORRY, IT'S JUST, 1739 01:10:03,700 --> 01:10:06,400 YOU USED TO WRITE ENTIRE SONGS FASTER. 1740 01:10:06,400 --> 01:10:09,700 WELL, THAT'S BECAUSE THOSE WORDS WERE MEANINGLESS. 1741 01:10:09,700 --> 01:10:11,600 OH, OUCH. 1742 01:10:11,700 --> 01:10:12,600 DOES THE STAND-IN HAVE TO TALK? 1743 01:10:12,600 --> 01:10:14,600 PERHAPS WE'RE GETTING A LITTLE OFF TRACK. 1744 01:10:14,600 --> 01:10:16,200 I BELIEVE WE HAVE A SONG? 1745 01:10:16,200 --> 01:10:17,200 YEAH, THAT'S ME AGAIN. 1746 01:10:17,200 --> 01:10:18,100 WE'LL SKIP OVER THAT. 1747 01:10:18,100 --> 01:10:19,300 RINGS? 1748 01:10:19,300 --> 01:10:21,000 THE GROOM HAS THE RINGS. 1749 01:10:21,000 --> 01:10:22,400 AND THEN, OF COURSE, 1750 01:10:22,400 --> 01:10:24,200 DOES ANYONE OBJECT TO THIS UNION... 1751 01:10:28,200 --> 01:10:29,700 JUST STRETCHING, THAT'S ALL. 1752 01:10:29,800 --> 01:10:31,300 SIT DOWN. 1753 01:10:31,400 --> 01:10:32,400 MOVING ALONG, 1754 01:10:32,500 --> 01:10:33,400 I'LL PRONOUNCE YOU MAN AND WIFE, 1755 01:10:33,400 --> 01:10:35,100 AND YOU MAY KISS THE BRIDE. 1756 01:10:37,200 --> 01:10:38,400 WHAT ARE YOU DOING? 1757 01:10:38,500 --> 01:10:39,500 WELL, YOU DON'T WANT TO ARGUE 1758 01:10:39,500 --> 01:10:41,600 WITH A MAN OF GOD, DO YOU? 1759 01:10:41,600 --> 01:10:42,800 SORRY, EVERYONE! 1760 01:10:47,500 --> 01:10:48,800 YOU MUST BE THE GROOM. 1761 01:10:48,900 --> 01:10:50,200 I APOLOGIZE FOR THE DELAY, REVEREND, 1762 01:10:50,200 --> 01:10:51,600 BUT I HAVE SOME GREAT NEWS. 1763 01:10:51,600 --> 01:10:53,300 TWO OFFERS. BOTH OVER ASK. 1764 01:10:53,300 --> 01:10:55,400 ALL CASH, 30-DAY ESCROW. 1765 01:10:55,500 --> 01:10:56,900 30 DAYS? 1766 01:10:56,900 --> 01:10:58,900 WELL, I COULD PUSH FOR 15 DAYS IF YOU WANT. 1767 01:10:58,900 --> 01:11:02,700 NO, I WAS THINKING OF PUSHING IN THE OTHER DIRECTION. 1768 01:11:02,700 --> 01:11:04,200 IF YOU LET THEM SLEEP ON IT, 1769 01:11:04,200 --> 01:11:06,700 THEY MIGHT NOT SLEEP IN IT. 1770 01:11:06,800 --> 01:11:07,700 AND WITH THE PROFIT THAT YOU'RE GOING TO MAKE, 1771 01:11:07,800 --> 01:11:09,800 I'M GOING TO FIND YOU THE PLACE OF YOUR DREAMS. 1772 01:11:11,200 --> 01:11:13,400 BUT THIS WAS THE PLACE OF MY DREAMS. 1773 01:11:13,400 --> 01:11:15,600 THERE ARE ALWAYS BIGGER DREAMS. 1774 01:11:15,600 --> 01:11:16,700 CONGRATULATIONS. 1775 01:11:19,300 --> 01:11:21,800 WELL, I GUESS CONGRATULATIONS IS IN ORDER FOR BOTH OF US. 1776 01:11:29,000 --> 01:11:30,700 OKAY, YOU TWO. 1777 01:11:32,500 --> 01:11:33,500 MAYBE A BRIDE AND GROOM KISS? 1778 01:11:33,500 --> 01:11:34,500 OH, YES. 1779 01:11:34,500 --> 01:11:35,500 SURE. GOOD IDEA. 1780 01:11:35,500 --> 01:11:36,500 GREAT. 1781 01:11:37,600 --> 01:11:38,600 OH, HANG ON, MY PHONE. 1782 01:11:38,600 --> 01:11:40,900 SORRY, I FORGOT TO SHUT OFF MY PHONE. 1783 01:11:40,900 --> 01:11:42,600 YEAH, I'LL TURN IT OFF. 1784 01:11:42,600 --> 01:11:43,600 GOOD, ALL RIGHT. 1785 01:11:43,700 --> 01:11:45,400 OKAY. 1786 01:11:49,800 --> 01:11:51,600 WOW, THAT'S WHAT I CALL A REHEARSAL DINNER. 1787 01:11:51,600 --> 01:11:52,600 LET'S EAT! 1788 01:11:52,600 --> 01:11:54,400 OH, HEY, MICK. 1789 01:11:54,400 --> 01:11:55,800 I'LL HAVE THOSE PAPERS DRAWN UP AFTER THE WEDDING. 1790 01:11:55,900 --> 01:11:58,400 YOU KNOW, I THINK OUR BEING HERE WAS FATE. 1791 01:11:59,900 --> 01:12:00,900 MAYBE. 1792 01:12:01,000 --> 01:12:04,000 IT'S LOOKING LIKE OURS WILL BE THE LAST WEDDING HERE. 1793 01:12:06,000 --> 01:12:07,000 TO MARRIAGES AND MORTGAGES. 1794 01:12:07,000 --> 01:12:08,600 AND YOU'RE GONNA BE PAYING FOR BOTH OF THEM 1795 01:12:08,700 --> 01:12:10,800 FOR THE REST OF YOUR LIFE. 1796 01:12:13,700 --> 01:12:16,000 I'D LIKE TO MAKE A TOAST. 1797 01:12:16,100 --> 01:12:17,800 OLIVIA... 1798 01:12:17,800 --> 01:12:20,700 I KNOW I'VE BEEN CRITICAL OF YOU. 1799 01:12:20,700 --> 01:12:23,300 AND A LOT OF PEOPLE IN THIS ROOM. 1800 01:12:23,400 --> 01:12:25,400 WE'VE BEEN THROUGH A LOT TOGETHER, SWEETHEART. 1801 01:12:25,500 --> 01:12:28,500 MOM, WHERE ARE YOU GOING WITH THIS? 1802 01:12:28,500 --> 01:12:30,500 I'M APOLOGIZING. 1803 01:12:32,700 --> 01:12:33,700 I'VE BEEN MARRIED A FEW TIMES, 1804 01:12:33,700 --> 01:12:36,000 AS A LOT OF YOU KNOW, 1805 01:12:36,100 --> 01:12:39,600 BUT THAT WAS BECAUSE I DIDN'T WAIT FOR THE RIGHT ONE. 1806 01:12:39,700 --> 01:12:42,100 YOU ARE A WONDERFUL, BEAUTIFUL, 1807 01:12:42,100 --> 01:12:43,500 SMART WOMAN, OLIVIA, 1808 01:12:43,500 --> 01:12:46,500 AND I'M SO PROUD OF YOU. 1809 01:12:46,500 --> 01:12:50,500 AND IN THE END, YOU ALWAYS DO THE RIGHT THING. 1810 01:12:51,900 --> 01:12:52,800 HEAR, HEAR. 1811 01:12:52,900 --> 01:12:54,700 TO OLIVIA. 1812 01:12:54,800 --> 01:12:55,900 TO OLIVIA. 1813 01:12:56,000 --> 01:12:57,500 THANK YOU, MOM. 1814 01:13:03,600 --> 01:13:06,800 I KNOW YOU GUYS WANTED TO DO THIS AT THE COURTHOUSE, 1815 01:13:06,800 --> 01:13:08,600 BUT I'M REALLY HAPPY 1816 01:13:08,600 --> 01:13:09,900 THAT WE'RE ALL HERE TOGETHER 1817 01:13:10,000 --> 01:13:11,800 IN THIS AMAZING PLACE, 1818 01:13:11,800 --> 01:13:13,500 EVEN IF YOU DID MANAGE 1819 01:13:13,500 --> 01:13:15,600 TO SQUEEZE IN AN OPEN HOUSE. 1820 01:13:17,000 --> 01:13:18,200 MOM, YOU ALWAYS TOLD ME 1821 01:13:18,300 --> 01:13:20,800 TO FOLLOW MY HEART. 1822 01:13:22,700 --> 01:13:24,100 TO FOLLOWING YOURS. 1823 01:13:25,700 --> 01:13:27,100 THANK YOU, HONEY. 1824 01:13:28,400 --> 01:13:30,600 I KNOW 1825 01:13:30,600 --> 01:13:32,100 I'M NOT PART OF THE FAMILY, 1826 01:13:32,100 --> 01:13:34,800 BUT I FEEL LIKE I AM TONIGHT. 1827 01:13:34,800 --> 01:13:37,000 WE'VE HAD A LOT OF WEDDINGS HERE, 1828 01:13:37,000 --> 01:13:39,800 BUT THIS ONE IS SPECIAL FOR A LOT OF REASONS. 1829 01:13:39,800 --> 01:13:42,600 I WISH YOU BOTH THE VERY BEST. 1830 01:13:42,600 --> 01:13:44,700 THANK YOU SO MUCH. 1831 01:13:44,700 --> 01:13:46,100 THANK YOU. 1832 01:13:48,800 --> 01:13:50,300 DAD, YOU SHOULD MAKE A TOAST. 1833 01:13:50,400 --> 01:13:51,900 ME? NO! 1834 01:13:53,800 --> 01:13:55,700 DAD... 1835 01:13:55,800 --> 01:13:57,100 MICK, PLEASE. 1836 01:13:57,200 --> 01:13:59,600 IT WOULD MEAN A LOT TO ALL OF US. 1837 01:14:03,200 --> 01:14:05,600 UM... 1838 01:14:07,300 --> 01:14:09,000 WELL, AS PART OF OLIVIA'S PAST, 1839 01:14:09,000 --> 01:14:10,100 IT'S... 1840 01:14:10,100 --> 01:14:12,700 IT'S AN HONOR TO MEET HER FUTURE. 1841 01:14:14,400 --> 01:14:15,500 JOSH, YOU'RE A LUCKY MAN. 1842 01:14:18,200 --> 01:14:20,700 WHEN I THINK OF THE TWO OF YOU TOGETHER... 1843 01:14:24,800 --> 01:14:26,000 ...I FEEL SICK. 1844 01:14:27,800 --> 01:14:29,100 BECAUSE YOU NEVER THINK, 1845 01:14:29,100 --> 01:14:30,000 AT 19, 1846 01:14:30,100 --> 01:14:31,500 YOU'RE GOING TO MEET THE LOVE OF YOUR LIFE. 1847 01:14:31,500 --> 01:14:33,000 I SHOULD HAVE FOUGHT FOR YOU THEN, LIVVY, 1848 01:14:33,000 --> 01:14:34,300 BUT I MESSED UP, 1849 01:14:34,300 --> 01:14:36,300 AND I CAN'T STAND TO WATCH YOU SLIP AWAY AGAIN. 1850 01:14:36,300 --> 01:14:38,200 WE BELONG TOGETHER. DON'T MARRY HIM! 1851 01:14:38,200 --> 01:14:39,200 THAT'S ENOUGH. 1852 01:14:39,200 --> 01:14:40,300 I'M SORRY. 1853 01:14:40,300 --> 01:14:41,800 BUT I LOVE HER. I ALWAYS HAVE-- 1854 01:14:41,900 --> 01:14:43,000 JOSH! 1855 01:14:51,200 --> 01:14:52,400 IT'S ALL RIGHT, HONEY. 1856 01:14:52,500 --> 01:14:54,500 HE PROBABLY SHOULD HAVE HIT ME HARDER. 1857 01:14:56,100 --> 01:14:58,200 I WAS WRONG ABOUT YOU, MICK. 1858 01:14:58,200 --> 01:15:00,900 I'M SO SORRY. 1859 01:15:12,400 --> 01:15:14,200 HERE YOU GO, SWEETHEART. 1860 01:15:14,200 --> 01:15:16,400 THANKS. 1861 01:15:20,000 --> 01:15:23,100 I JUST CAME TO SAY GOODBYE. 1862 01:15:23,100 --> 01:15:24,100 HOW'S YOUR DAD? 1863 01:15:24,200 --> 01:15:25,300 HE'LL BOUNCE BACK. 1864 01:15:25,300 --> 01:15:26,500 ALWAYS DOES. 1865 01:15:26,500 --> 01:15:28,300 I'M SURE THE DUCKS WILL HELP HIM THROUGH IT. 1866 01:15:28,300 --> 01:15:29,600 HOW'S YOUR MOM? 1867 01:15:29,600 --> 01:15:31,300 SHE'LL SURVIVE. 1868 01:15:31,300 --> 01:15:33,400 WE'RE JUST HEADING OUT, 1869 01:15:33,400 --> 01:15:35,100 I'M GUESSING A WEDDING WOULD BE A HARD SELL 1870 01:15:35,200 --> 01:15:36,300 AT THIS POINT. 1871 01:15:36,300 --> 01:15:37,900 I'D IT'S ON HOLD AT LEAST. 1872 01:15:37,900 --> 01:15:40,500 MOST LIKELY A VENUE CHANGE IF ANYTHING. 1873 01:15:40,600 --> 01:15:42,000 UNDERSTANDABLE. 1874 01:15:44,500 --> 01:15:45,900 I WISH THINGS ENDED DIFFERENTLY. 1875 01:15:46,000 --> 01:15:47,100 ME TOO. 1876 01:15:47,100 --> 01:15:48,900 GROUP HUG. 1877 01:15:50,200 --> 01:15:51,600 YOU HAVE MY EMAIL AND MY NUMBER. 1878 01:15:51,600 --> 01:15:52,600 FRIEND ME. 1879 01:16:45,600 --> 01:16:48,300 I'M SO SORRY, MOM. 1880 01:16:53,300 --> 01:16:54,800 I JUST WANTED THINGS TO BE ROMANTIC FOR YOU. 1881 01:16:54,900 --> 01:16:56,800 I KNOW, HONEY. 1882 01:16:56,800 --> 01:16:58,300 IT'S OKAY. 1883 01:16:58,300 --> 01:17:00,600 IT WAS AWFUL. 1884 01:17:05,800 --> 01:17:08,700 YOU KNOW, HONEY... 1885 01:17:08,700 --> 01:17:09,600 IT WASN'T. 1886 01:17:12,800 --> 01:17:15,800 I'VE BEEN THINKING A LOT THE PAST FEW DAYS, 1887 01:17:15,900 --> 01:17:20,600 AND, YOU KNOW, I'VE REALIZED THAT I'VE BEEN STAGING MY LIFE, 1888 01:17:20,600 --> 01:17:22,400 AND NOT LIVING IT. 1889 01:17:22,400 --> 01:17:24,600 AND I'VE BEEN TRYING TO STAGE YOURS, TOO. 1890 01:17:24,700 --> 01:17:27,500 YOU DON'T NEED TO BE THE NEW ME. 1891 01:17:28,800 --> 01:17:32,400 I DON'T EVEN KNOW IF I WANT TO BE THAT PERSON. 1892 01:17:32,400 --> 01:17:34,800 GO FIND YOURSELF, SWEETHEART. 1893 01:17:34,800 --> 01:17:37,200 WHO KNOWS, MAYBE YOU'LL EVEN WANT TO BE A WEDDING PLANNER. 1894 01:17:37,300 --> 01:17:38,700 AFTER THIS WEEKEND? 1895 01:17:38,700 --> 01:17:39,800 I DOUBT IT. 1896 01:17:40,900 --> 01:17:42,400 COME HERE. 1897 01:17:44,400 --> 01:17:45,500 I LOVE YOU. 1898 01:17:45,500 --> 01:17:48,200 I LOVE YOU. 1899 01:17:49,800 --> 01:17:51,900 WELL... 1900 01:17:51,900 --> 01:17:55,500 IT'S STILL OFFICIALLY MY WEDDING DAY, AND... 1901 01:17:55,600 --> 01:17:57,900 I HAVE NOTHING TO DO. 1902 01:17:59,100 --> 01:18:00,800 DINNER AND A SAPPY MOVIE? 1903 01:18:00,800 --> 01:18:03,700 I WOULD LOVE TO. 1904 01:18:13,000 --> 01:18:14,700 IT'S JOSH. 1905 01:18:19,500 --> 01:18:20,500 HEY. 1906 01:18:20,600 --> 01:18:22,100 LEMON CAKE? 1907 01:18:22,100 --> 01:18:23,900 WHY NOT? 1908 01:18:25,700 --> 01:18:26,900 YOU OKAY? 1909 01:18:26,900 --> 01:18:28,900 I'M HANGING IN THERE. 1910 01:18:28,900 --> 01:18:30,700 I'M PROUD OF YOU, DAD. 1911 01:18:30,800 --> 01:18:33,100 I RUINED A WEDDING, AND I LOST THE GIRL. 1912 01:18:33,200 --> 01:18:34,600 YOU TOOK A RISK. 1913 01:18:34,600 --> 01:18:36,500 AND FAILED EPICALLY. 1914 01:18:36,500 --> 01:18:39,000 NOT IN MY EYES. 1915 01:18:41,100 --> 01:18:43,900 YOU KNOW, MY COLLEGE ISN'T THAT FAR AWAY. 1916 01:18:43,900 --> 01:18:45,600 YOU CAN VISIT ME ANYTIME. 1917 01:18:45,600 --> 01:18:47,800 AND YOU CAN VISIT HOME ANYTIME. 1918 01:18:47,800 --> 01:18:50,400 THANKSGIVING AT YOUR NEW PLACE? 1919 01:18:50,500 --> 01:18:52,800 THANKSGIVING HERE. 1920 01:18:52,900 --> 01:18:54,100 I'M NOT SELLING. 1921 01:18:55,300 --> 01:18:56,400 REALLY? 1922 01:18:56,400 --> 01:18:59,800 WHERE AM I GOING TO FIND A PLACE ANY BETTER THAN THIS? 1923 01:18:59,900 --> 01:19:02,100 I LOVE YOU. 1924 01:19:03,900 --> 01:19:05,500 YOU'RE THE WORLD'S GREATEST DAD. 1925 01:19:05,600 --> 01:19:08,200 AND I'VE GOT A TROPHY TO PROVE IT. 1926 01:19:35,600 --> 01:19:36,900 ARE YOU OKAY? 1927 01:19:39,100 --> 01:19:41,100 I'VE BEEN BETTER. 1928 01:19:43,500 --> 01:19:45,100 I'M REALLY SORRY. 1929 01:19:45,200 --> 01:19:46,200 I GUESS IT'S SAFE TO SAY 1930 01:19:46,200 --> 01:19:48,000 THAT WE'RE NOT GOING TO THE JUSTICE OF THE PEACE 1931 01:19:48,000 --> 01:19:49,300 ANYTIME SOON. 1932 01:19:49,300 --> 01:19:51,900 PROBABLY NOT. 1933 01:19:51,900 --> 01:19:53,800 UNLESS YOU HAVE A LISTING NEAR THE COURTHOUSE? 1934 01:19:53,800 --> 01:19:55,000 IS THERE ONE? 1935 01:19:59,700 --> 01:20:01,400 WE ARE GOOD TOGETHER, OLIVIA. 1936 01:20:01,500 --> 01:20:03,700 WE ARE. 1937 01:20:03,800 --> 01:20:05,100 AT WORK. 1938 01:20:05,100 --> 01:20:07,000 I THOUGHT THAT WAS ENOUGH. 1939 01:20:07,000 --> 01:20:10,300 SO DID I. 1940 01:20:10,300 --> 01:20:11,900 BUT IT'S NOT, 1941 01:20:11,900 --> 01:20:13,800 FOR EITHER OF US. 1942 01:20:14,900 --> 01:20:16,300 HEY, YOU TWO. 1943 01:20:16,300 --> 01:20:17,400 SO... 1944 01:20:17,500 --> 01:20:19,400 I GUESS CONGRATULATIONS ARE IN ORDER? 1945 01:20:19,500 --> 01:20:21,100 NO, THAT... 1946 01:20:21,100 --> 01:20:22,500 RECENTLY FELL OUT OF ESCROW. 1947 01:20:22,500 --> 01:20:24,300 OH, I'M SORRY TO HEAR THAT. 1948 01:20:24,300 --> 01:20:26,400 IT'S ALL GOOD. 1949 01:20:26,400 --> 01:20:28,400 WELL, THE REASON I CALLED YOU BOTH 1950 01:20:28,400 --> 01:20:31,100 IS THAT I'VE DECIDED TO LIST AFTER ALL. 1951 01:20:31,100 --> 01:20:33,200 REALLY? 1952 01:20:33,200 --> 01:20:34,900 I MEAN, THE PLACE IS AMAZING, 1953 01:20:34,900 --> 01:20:36,200 AND OLIVIA, IT'S NEVER LOOKED BETTER, 1954 01:20:36,200 --> 01:20:37,700 BUT... 1955 01:20:37,700 --> 01:20:39,800 IT JUST DOESN'T FEEL LIKE ME ANYMORE. 1956 01:20:41,000 --> 01:20:42,400 I THINK I KNOW WHAT YOU MEAN. 1957 01:20:42,400 --> 01:20:44,300 BRUCE, I HAVE A GREAT LISTING 1958 01:20:44,400 --> 01:20:45,500 THAT JUST CAME ON THE MARKET. 1959 01:20:45,500 --> 01:20:47,300 KILLER VIEWS, 3,200 SQUARE FEET. 1960 01:20:47,300 --> 01:20:48,400 WHEN YOU SEE IT, 1961 01:20:48,400 --> 01:20:51,900 YOU'RE GONNA FORGET THAT YOU LIVED ANYWHERE ELSE. 1962 01:20:52,900 --> 01:20:55,900 AND HE'S BACK. 1963 01:20:57,600 --> 01:20:58,500 ...IT'S GONNA BE FANTASTIC. 1964 01:20:58,500 --> 01:20:59,500 HEY! 1965 01:20:59,500 --> 01:21:01,200 DRINK UP. 1966 01:21:01,200 --> 01:21:02,900 WE GOT A GIG. 1967 01:21:02,900 --> 01:21:05,000 DON'T TELL ME YOU BOOKED ANOTHER WEDDING? 1968 01:21:05,100 --> 01:21:06,100 NO, A CLUB. 1969 01:21:06,200 --> 01:21:07,200 TWO NIGHTS. 1970 01:21:07,200 --> 01:21:08,900 AND BEFORE YOU SAY NO, THINK OF ALL THE PERKS. 1971 01:21:09,000 --> 01:21:09,900 POOR PAY, 1972 01:21:10,000 --> 01:21:11,200 POOR HOURS, 1973 01:21:11,200 --> 01:21:12,900 ALL WE CAN DRINK. 1974 01:21:12,900 --> 01:21:14,100 I'M IN. 1975 01:21:14,200 --> 01:21:15,400 YEAH. 1976 01:21:15,400 --> 01:21:16,300 IT'S BEEN A LONG TIME, BUDDY. 1977 01:21:22,600 --> 01:21:25,000 MOM, YOU READY? 1978 01:21:25,000 --> 01:21:26,100 COMING! 1979 01:21:32,100 --> 01:21:33,200 YOU LOOK AMAZING. 1980 01:21:33,300 --> 01:21:35,300 THANK YOU. 1981 01:21:35,400 --> 01:21:37,400 AND BY THE WAY, WE'RE NOT GOING TO DINNER, 1982 01:21:37,400 --> 01:21:38,500 OR A MOVIE. 1983 01:21:39,800 --> 01:21:40,700 WE'RE NOT? 1984 01:21:40,800 --> 01:21:42,500 NOPE. COME ON. 1985 01:21:52,500 --> 01:21:54,300 YOU MADE IT! 1986 01:21:54,300 --> 01:21:56,100 WE DID. 1987 01:21:56,100 --> 01:21:57,100 OLIVIA, YOU LOOK... 1988 01:21:57,200 --> 01:21:58,500 LIKE HER OLD SELF. 1989 01:21:58,500 --> 01:22:00,500 "OLD?" 1990 01:22:00,500 --> 01:22:01,700 NEW "OLD." 1991 01:22:01,800 --> 01:22:03,400 COME ON, 1992 01:22:03,400 --> 01:22:04,700 I SAVED YOU SOME SEATS UP FRONT. 1993 01:22:09,100 --> 01:22:10,100 WEDDING'S OFF. 1994 01:22:10,100 --> 01:22:11,600 GIG'S ON. 1995 01:22:13,400 --> 01:22:16,000 ♪ IT'S YOU AND ME ♪ 1996 01:22:16,100 --> 01:22:18,700 ♪ THERE IS NO OTHER WAY ♪ 1997 01:22:18,800 --> 01:22:21,200 ♪ AND WE'RE STARTING HERE TODAY ♪ 1998 01:22:21,200 --> 01:22:24,100 ♪ 'CAUSE TODAY ♪ 1999 01:22:24,200 --> 01:22:29,300 ♪ IT'S JUST YOU AND ME ♪ 2000 01:22:29,400 --> 01:22:32,800 ♪ I FEEL YOU DEEP IN MY HEART ♪ 2001 01:22:32,800 --> 01:22:35,200 ♪ OOH... ♪ 2002 01:22:35,200 --> 01:22:40,900 ♪ OH, IT BREAKS WHEN WE'RE APART ♪ 2003 01:22:40,900 --> 01:22:44,600 ♪ AND THERE'S NOTHING LEFT FOR ME TO SHOW YOU ♪ 2004 01:22:44,600 --> 01:22:50,400 ♪ OOH, YOU KNOW ALL THERE IS TO KNOW ♪ 2005 01:22:50,400 --> 01:22:52,800 ♪ NOW IT'S YOU AND ME ♪ 2006 01:22:52,800 --> 01:22:55,800 ♪ THAT'S THE WAY IT'S GONNA BE ♪ 2007 01:22:55,800 --> 01:22:59,700 ♪ AND PRETTY SOON YOU'LL SEE ♪ 2008 01:22:59,700 --> 01:23:02,300 ♪ THAT FOREVER YOU'RE MINE ♪ 2009 01:23:02,400 --> 01:23:05,300 ♪ IT'S YOU AND ME ♪ 2010 01:23:05,300 --> 01:23:08,900 ♪ THERE IS NO OTHER WAY ♪ 2011 01:23:08,900 --> 01:23:11,200 ♪ AND WE'RE STARTING HERE TODAY ♪ 2012 01:23:11,300 --> 01:23:13,400 ♪ 'CAUSE TODAY ♪ 2013 01:23:13,400 --> 01:23:17,200 ♪ IT'S JUST AND ME... ♪ 2014 01:23:20,200 --> 01:23:22,900 ♪ OOH, IT'S JUST YOU AND ME ♪ 2015 01:23:23,000 --> 01:23:25,500 ♪ IT'S JUST YOU AND ME ♪ 129434

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