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[bright classical music]
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[dramatic classical music]
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♪ ♪
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- Welcome to "Good Talk with
Anthony Jeselnik."
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I wanted to call it
"The Jeselnik Inquisition,"
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but the network thought
that would be too smart
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for their audience,
and hey, it was tough to argue.
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My guest tonight is the
incomparable Kristen Schaal.
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- Hello!
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- You're supposed
to be nodding.
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- [gasps]
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- Kristen, thank you so much
for being here.
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Do you remember where we met?
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Was it New York or was it
the Aspen Comedy Festival?
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- My first memory of you
is New York City.
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We were filming our half-hour
Comedy Central specials.
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It was you, me,
and John Mulaney,
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and you were nice.
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- I was, okay.
So you've got a foggy memory.
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We did meet at
the Aspen Comedy Festival.
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That was before the half-hour,
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where you won
Best Alternative Comedian.
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- Yeah.
- And I was, like, what?
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- Yeah, I guess
I was so busy winning,
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that I don't really
remember you.
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- Yeah, yeah.
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You won
Best Alternative Comedian,
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which I think was an award
they invented that year--
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- For me.
- Just to piss me off.
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- I think they just invented it
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because I blew
everyone's minds so much.
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- Because of
how alternative you were as--
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- Yeah, alternative's
gonna come back,
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just like Nirvana.
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Wasn't Nirvana alternative?
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- I got some bad news
for you about Nirvana.
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[laughter]
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Kirk Cobain is dead.
- But you could have a--
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- A heart attack, I think.
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- Oh, was it a heart attack
to his guts?
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- Mm-hmm, yeah.
- Oh.
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- Yeah, do you think
that if I had won
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Best Alternative Comedian
that year instead of you,
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that I would be a guest
on your show?
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- I'm wondering what you think
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is alternative
about your comedy.
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- In that it's just different.
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- In that it just follows
a typical stand-up format
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and you never play with the
rules of comedy or stand-up.
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- I think I'm--I'm on
the verge of alternative.
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You know what I mean?
- Uh-huh.
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- Like, if alternative
was a high school--
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- Yeah.
- I'd still be alternative,
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but I'm one of the jocks in
the alternative high school.
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You know what I mean?
Where as you'd be,
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like, playing a clarinet.
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- Yeah.
Um...
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all right, but did--
I was trying to remember
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again if you won at
the Aspen Comedy Festival.
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- No, I didn't.
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I'm going to move on
for the sake of ratings.
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Um--
- Yes.
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- Kristen, your Twitter bio
says comedian, actress, writer.
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Why that order?
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- Well, I guess because when
I started that Twitter account,
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I was doing comedy
the most, stand-up.
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Um, because I think
I started it in 2009.
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But what I really wanted to be
was an actress.
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And I was doing
just a little bit of that.
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And then, I just added writer.
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- Yeah, just to, like,
throw people off?
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- Just because
it makes you seem smarter.
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- Have you ever--
- I do have--
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- Written anything?
- A published book, yes.
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- You do?
- I wrote it with my husband,
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Rich Blomquist, and it's called
"The Sexy Book of Sexy Sex,"
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and it is out of print,
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and they will not
be making more copies.
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- I--I would love to read it.
- Yeah.
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- Next question, Kristen.
Fill in the blank.
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IMDB says your
trademark is playing
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"sweet-natured
but blank characters."
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- Ooh, I would
say sweet-natured,
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but with an unexpected storm
on the horizon.
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- You changed
the whole sentence
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uh, just to make us believe
you don't read your own IMDB.
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"Unstable."
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I was going for sweet-natured
- Oh, wait, I actually--
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- But unstable characters.
- It does?
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- Mm-hmm, and you failed.
- I don't think I failed.
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I think I said the same thing.
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Un--unstable?
You think a storm is stable?
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- I asked you to parallel park,
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and you got out of the car
and ran away.
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- No, you asked me
to parallel park,
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and I let my Tesla
do it for me.
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[laughter]
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- I stand corrected.
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- I have a question for you.
- Please.
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- When you write
your comedy jokes--
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- Mm-hmm.
- They're so good.
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- Mm-hmm.
- Do you think of the twist
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before you write it,
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or do you think of
the premise first, and then,
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just like, scramble your brain
for the twist?
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- The latter.
I think of the premise,
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and I think of how
many different ways it can go,
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and then, what's, like,
the meanest, most unexpected,
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yet still makes sense way.
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- Yeah.
- Yeah.
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- You're great.
- Thank you.
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- You're welcome.
- One of the best
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alternative comedians
of all time.
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No matter what year.
- There's just nothing
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alternative about what you do.
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- I think if I didn't exist,
if I hadn't been born--
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- Yeah.
- Alternative comedy
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would not be a thing.
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- I just--you can have
alternative comedy.
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- Thank you.
- But it doesn't belong to you.
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- I would like the award.
- I'll give it to you.
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- Now, Kristen.
- Yeah.
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- We're going to do a little
Agree or Disagree.
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I'm gonna share
some statements about comedy.
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You're gonna tell me
whether you agree or disagree.
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- Okay.
- All right.
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- Two comedy geniuses,
hashing it out.
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[laughter]
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- Agree or disagree:
Comedy is 100% about surprise.
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- Disagree.
- Disagree.
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- Mm-hmm.
- Really?
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- Yeah.
- I feel like a punchline
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is a surprise
that makes you laugh.
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- Yes, all of your--
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all of your comedy
is a surprise.
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That's why
you got your own show.
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But I think there's sometimes
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where comedy can be
about the commitment.
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And maybe it's surprising
that they are so committed,
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but sometimes, it isn't.
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For example,
when you're watching, like,
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Chris Farley, you know,
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talk about being
down by the river.
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- I got bad news
about Chris Farley.
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- Oh, don't you say it.
- Yeah.
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Shot himself.
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- Well, before that,
it wasn't a surprise
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that he would fully commit to
the dance of the Chippendales
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or whatever, but the fact that
he was so in it was funny.
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- I still disagree with you,
but I'm gonna move on.
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- You think
it's still a surprise?
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Commitment is the surprise.
- It's a surprise that--
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his physicality
is the surprise.
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The fact that he would take
his shirt off is a surprise.
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- Yeah.
- You know, you don't see
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that sort of thing.
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- So all of comedy
is a surprise?
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- I think laughter
comes from surprise.
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- But it has to be
a good surprise.
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- None--none of my jokes
are good surprises.
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- A bad surprise--
a bad surprise is not funny.
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Just saying.
Okay, go on.
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- It sounds like
you're disagreeing
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for the sake of disagreeing.
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- No, I'm just, like--
I'm, like--
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you can't just solve comedy
in one sentence.
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Like, you can't just crack open
comedy for everybody to do.
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- Brevity is wit.
- Is that...
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[laughter]
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- Agree or disagree:
You learn more from bombing
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than you do from killing.
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- Disagree.
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- You do?
- Mm-hmm.
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- I feel like, when I bomb,
I'm like,
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"I got to go home and keep
working and get this together."
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If I kill, I'm like,
"I know comedy, I am comedy."
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And I go out and I get--
I get drunk.
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- Yeah, I mean,
every situation is different.
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Like, sometimes,
when I bomb, I think that--
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that everything about
what I did was wrong,
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and then, I never do it again.
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And sometimes, when I kill,
I think that the joke
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is just so perfect
that I don't work on it.
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And then, when I do it again,
it bombs.
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Do you ever kill
the first time,
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and then bomb
immediately after?
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- I'm always fascinated
by that.
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It's like,
the excitement you have
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when you tell that joke
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for the first time--
- Yes.
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- It, like,
infects the audience.
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You think like,
"Oh, this joke is great."
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And when you tell it again,
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it's, like,
diminishing returns,
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and you can never get it back.
- Never.
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- Like, have you ever
tried out jokes with,
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like, a piece of paper,
just reading them?
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And then crossing them off
if they work or not?
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- No.
- When you do that,
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the audience loves it.
- Yeah.
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- They laugh at the good jokes.
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They laugh at the bad ones
because you cross them out.
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And then, you go to, like,
the Comedy Store
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or the Comedy Cellar
or somewhere,
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and you tell the jokes
for real,
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and they don't get nearly
the reaction they get
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if the audience knows
you're just trying them out.
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- What do you do to try
to keep them fresh again?
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- I don't.
Once they're great, I'm like,
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"This is a great joke.
I'm excited to tell it."
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Like, if I have
one new joke in my act,
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it refreshes the entire hour,
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because I'm so happy
about that one joke.
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Kristen.
- Yes?
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00:08:09,137 --> 00:08:12,377
- Agree or disagree:
It's engaging and cool
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to use visual aids
during a stand-up set.
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00:08:14,724 --> 00:08:16,834
- Agree!
- Mm-hmm.
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What do you think
I think about that?
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00:08:18,344 --> 00:08:20,624
- I think that you think
that your visual aids
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are the images that you paint
in your audience's minds.
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[laughter]
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- If someone
walked in here right now
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and said we looked like
we were having fun,
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I think I'd have to agree.
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We'll be right back.
It's Good Talk.
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[dramatic classical music]
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- Welcome back to "Good Talk
with Anthony Jeselnik,"
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the only talk show
where I get to
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swing it all around
like the big dog.
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I'm here with Kristen Schaal.
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- Who's the big dog?
- I'm the big dog.
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- Oh, but you were comparing
yourself to the big dog.
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Who is it?
- "Like the big dog."
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It's me.
In this scenario, it's me.
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- Oh, you're like, the top dog.
The big dog.
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00:09:01,586 --> 00:09:02,786
- I'm the big dog.
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I mean, there's multiple
big dogs,
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but I'm the only one
who's swinging it all around.
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- Oh, okay.
- Yeah.
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- Ow, ow!
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[laughter]
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That's you swinging it!
Cool.
243
00:09:13,241 --> 00:09:14,551
- Mm-hmm.
- Ruff, ruff, ruff!
244
00:09:14,620 --> 00:09:16,210
- Very cool.
- Rawr!
245
00:09:16,275 --> 00:09:19,305
- You were on "John Oliver's
New York Standup Show."
246
00:09:19,379 --> 00:09:22,279
Who was the host,
where did it take place,
247
00:09:22,344 --> 00:09:24,864
and what kind of performance
did you do?
248
00:09:24,931 --> 00:09:26,521
- It was--
John Oliver was the host.
249
00:09:26,586 --> 00:09:28,656
- Mm-hmm.
- And one season,
250
00:09:28,724 --> 00:09:31,104
I did my mattress monologue,
251
00:09:31,172 --> 00:09:34,102
where I pretended
to be a mattress.
252
00:09:34,172 --> 00:09:36,862
Oh, God, those were the days.
And one season,
253
00:09:36,931 --> 00:09:39,861
I brought my parents
on stage as props.
254
00:09:39,931 --> 00:09:42,661
- And where did it take place?
- New York.
255
00:09:42,724 --> 00:09:44,414
- Thank you.
256
00:09:45,758 --> 00:09:46,968
You should have
just been, like,
257
00:09:47,034 --> 00:09:49,724
"John Oliver,
New York, stand-up."
258
00:09:49,793 --> 00:09:51,863
- Well, then, I kind of
got into, like,
259
00:09:51,931 --> 00:09:53,831
what was I doing on that show?
260
00:09:53,896 --> 00:09:54,856
- I think a lot of people
thought that
261
00:09:54,931 --> 00:09:56,311
when they were watching you.
262
00:09:56,379 --> 00:09:57,549
- Yeah, again.
263
00:09:57,620 --> 00:09:58,900
[laughter]
264
00:09:58,965 --> 00:10:00,755
You know what?
I'll say this, though.
265
00:10:00,827 --> 00:10:03,997
- Please.
- They were weird performances,
266
00:10:04,068 --> 00:10:06,278
but there's still
one or two people out there
267
00:10:06,344 --> 00:10:09,934
that remember them even from,
like, 12 years ago
268
00:10:10,000 --> 00:10:11,860
who occasionally,
will be, like,
269
00:10:11,931 --> 00:10:14,551
"Hey, I remember
the mattress bit."
270
00:10:14,620 --> 00:10:16,210
- And isn't that the point
of being on television?
271
00:10:16,275 --> 00:10:17,655
For one or two people
to get it?
272
00:10:17,724 --> 00:10:19,174
[laughter]
273
00:10:19,241 --> 00:10:21,101
You have a one and a
half-year-old daughter.
274
00:10:21,172 --> 00:10:22,762
- Oh, no!
275
00:10:22,827 --> 00:10:24,717
[laughter]
276
00:10:24,793 --> 00:10:27,103
- It's a fact.
- I do?
277
00:10:27,172 --> 00:10:28,832
- You have a one and a
half-year-old daughter.
278
00:10:28,896 --> 00:10:30,306
- Uh-huh.
- What does it sound like
279
00:10:30,379 --> 00:10:32,589
when you talk to her
in a baby voice?
280
00:10:32,655 --> 00:10:34,925
- Oh, I will not do that.
281
00:10:35,000 --> 00:10:36,480
- No, you just talk
normal voice?
282
00:10:36,551 --> 00:10:38,411
You don't want to be
condescending to your baby?
283
00:10:38,482 --> 00:10:42,212
- I actually don't know how
to talk to babies in general.
284
00:10:42,275 --> 00:10:45,585
Like, when I first had her,
when she came out of me,
285
00:10:45,655 --> 00:10:47,375
it was just
the strangest thing.
286
00:10:47,448 --> 00:10:48,618
Because I was, like,
287
00:10:48,689 --> 00:10:50,899
"What do you want?
What's going on?"
288
00:10:50,965 --> 00:10:52,585
And then, my mom came to visit,
289
00:10:52,655 --> 00:10:55,235
and she talked to the baby
like you're supposed to.
290
00:10:55,310 --> 00:10:58,000
Which is just, like,
gentle, sweet tones.
291
00:10:58,068 --> 00:10:59,968
Like, "Oh, what--
do you like that?"
292
00:11:00,034 --> 00:11:02,314
You know, like--
and I tried to mimic her
293
00:11:02,379 --> 00:11:05,789
after she visited,
but it did not come innately
294
00:11:05,862 --> 00:11:07,342
for me to talk to a baby.
295
00:11:07,413 --> 00:11:10,143
- So you got pregnant,
had nine months
296
00:11:10,206 --> 00:11:12,686
where you did
no research whatsoever.
297
00:11:12,758 --> 00:11:14,928
- On how to talk to an infant?
298
00:11:15,000 --> 00:11:16,520
- Have you seen a movie
or a TV show
299
00:11:16,586 --> 00:11:18,276
where someone talks to a baby?
- I see it.
300
00:11:18,344 --> 00:11:19,554
And I see my friends
being like--
301
00:11:19,620 --> 00:11:20,900
[babbles]
302
00:11:20,965 --> 00:11:22,275
But I can't.
Like, that's, like,
303
00:11:22,344 --> 00:11:23,724
not in me at all.
304
00:11:23,793 --> 00:11:26,693
- You save that for the stage.
- Oof, how dare you.
305
00:11:26,758 --> 00:11:28,278
[laughter]
306
00:11:28,344 --> 00:11:30,934
- You walked right into it.
What am I going to do?
307
00:11:31,000 --> 00:11:33,520
Kristen, you grew up on a farm.
- Yeah.
308
00:11:33,586 --> 00:11:35,136
- What was that like?
309
00:11:35,206 --> 00:11:36,546
- It was--
310
00:11:36,620 --> 00:11:38,380
- Ah!
What was that?
311
00:11:38,448 --> 00:11:39,758
- That was the
"who cares?" Stamp.
312
00:11:39,827 --> 00:11:41,207
- Oh.
- When we ask a question
313
00:11:41,275 --> 00:11:42,895
that no one would ever
care about the answer.
314
00:11:42,965 --> 00:11:44,025
- That's so exciting.
315
00:11:44,103 --> 00:11:45,213
Thank you.
- I know.
316
00:11:45,275 --> 00:11:46,925
- So this could happen
at any time?
317
00:11:47,000 --> 00:11:50,860
- Mm-hmm, mm-hmm.
- Okay.
318
00:11:50,931 --> 00:11:52,451
- But now that you feeling
safe and warm
319
00:11:52,517 --> 00:11:54,407
and totally off-guard--
- Yeah.
320
00:11:54,482 --> 00:11:56,382
- Let's bring a bull
into this china shop.
321
00:11:56,448 --> 00:12:00,658
- Okay, a "bowl?"
Your accent is so thick.
322
00:12:00,724 --> 00:12:02,344
- What would you
call my accent?
323
00:12:02,413 --> 00:12:03,723
- Philadelphian.
- Nope.
324
00:12:03,793 --> 00:12:05,213
- Pittsburgian?
325
00:12:05,275 --> 00:12:07,135
- I'm from there,
but that's not the accent.
326
00:12:07,206 --> 00:12:09,616
It's just the way I talk.
- Oh, asshole-ian.
327
00:12:09,689 --> 00:12:11,279
- You don't see me--
328
00:12:11,344 --> 00:12:12,694
[laughter]
329
00:12:12,758 --> 00:12:14,828
You don't see me
making fun of the way you talk.
330
00:12:14,896 --> 00:12:18,446
- You did!
A lot!
331
00:12:18,517 --> 00:12:21,407
We all heard it.
- It's why I had you on.
332
00:12:21,482 --> 00:12:23,072
- Kirsten, you were--
- Hey, you wish
333
00:12:23,137 --> 00:12:25,757
you talked like this.
334
00:12:25,827 --> 00:12:29,067
- You were in an episode
of "Law and Order: SVU"
335
00:12:29,137 --> 00:12:31,097
that was about
the murder and sodomy
336
00:12:31,172 --> 00:12:33,592
of a local fraternity
pledge master
337
00:12:33,655 --> 00:12:37,165
who had a pornographic website
featuring college girls.
338
00:12:37,241 --> 00:12:39,831
Was that fun?
- Yeah.
339
00:12:39,896 --> 00:12:41,896
- What did you play?
- A cremator.
340
00:12:41,965 --> 00:12:43,335
- A cremator?
- Yes.
341
00:12:43,413 --> 00:12:45,003
- You were--were you, like,
on the stand,
342
00:12:45,068 --> 00:12:46,238
like, giving judgment
or you were, like--
343
00:12:46,310 --> 00:12:47,790
you were someone
who cremated people?
344
00:12:47,862 --> 00:12:49,722
- I was showing
Christopher Meloni
345
00:12:49,793 --> 00:12:54,973
the box where the paddle was in
that was used for the assault.
346
00:12:55,034 --> 00:12:57,214
- Okay, so that was fun.
- Yeah.
347
00:12:57,275 --> 00:12:58,335
- I thought you would
have been, like,
348
00:12:58,413 --> 00:13:00,213
the one doing the sodomizing.
349
00:13:00,275 --> 00:13:03,585
- No.
- Maybe next year.
350
00:13:03,655 --> 00:13:05,025
If a comedy club named
351
00:13:05,103 --> 00:13:08,173
a food item after you,
what would it be?
352
00:13:08,241 --> 00:13:12,381
- I guess I would be the
Kristen Schaal cheese sticks.
353
00:13:12,448 --> 00:13:15,168
- Just the cheese sticks,
but named Kristen Schaal?
354
00:13:15,241 --> 00:13:16,521
Have you ever--do you ever eat
355
00:13:16,586 --> 00:13:17,996
the cheese sticks
at a comedy club?
356
00:13:18,068 --> 00:13:21,168
- Yeah.
The mozzarella sticks?
357
00:13:21,241 --> 00:13:23,341
- Yeah, I know what
cheese sticks are.
358
00:13:23,413 --> 00:13:25,033
You don't need to
further describe them.
359
00:13:25,103 --> 00:13:26,313
You would just be
the cheese sticks?
360
00:13:26,379 --> 00:13:27,829
It wouldn't be
anything special?
361
00:13:27,896 --> 00:13:30,406
You wouldn't have, like,
some weird dipping sauce?
362
00:13:30,482 --> 00:13:32,312
It would just be cheese sticks?
- I don't think you need
363
00:13:32,379 --> 00:13:34,279
a dipping sauce
if they're mine.
364
00:13:35,448 --> 00:13:36,478
- Really?
365
00:13:36,551 --> 00:13:38,211
You want to eat them dry?
- Yeah.
366
00:13:38,275 --> 00:13:39,685
- Like, "These remind me
of Kristen Schaal.
367
00:13:39,758 --> 00:13:40,968
I'm going to eat them
without the marinara."
368
00:13:41,034 --> 00:13:42,284
- Let me just say this.
369
00:13:42,344 --> 00:13:44,314
You don't need
marinara for cheese.
370
00:13:44,379 --> 00:13:47,659
Cheese is good as is.
And then it's fried?
371
00:13:47,724 --> 00:13:49,524
Like, if you need something
on top of that,
372
00:13:49,586 --> 00:13:52,656
you got to really
look inside your soul.
373
00:13:52,724 --> 00:13:54,904
- Okay, we don't--
we don't have time for that.
374
00:13:54,965 --> 00:13:58,025
We'll be right back, but first,
take a look at this.
375
00:13:58,103 --> 00:13:59,663
This is "Good Talk."
376
00:13:59,724 --> 00:14:02,004
- Here's the thing that girls
love to say after sex.
377
00:14:02,068 --> 00:14:03,378
It always kills me.
378
00:14:03,448 --> 00:14:05,028
Maybe guys say it, too.
I don't know.
379
00:14:05,103 --> 00:14:06,693
I don't fuck guys.
I don't know.
380
00:14:06,758 --> 00:14:09,238
- I don't even know
if I like vaginas.
381
00:14:09,310 --> 00:14:12,760
All I know is that
I don't like penises more.
382
00:14:12,827 --> 00:14:14,997
- I'm not homophobic,
but I am a little uncomfortable
383
00:14:15,068 --> 00:14:16,548
with the gay
fitting room attendant.
384
00:14:16,620 --> 00:14:18,720
- I'm not gay, I'm not gay.
It's okay if you're gay.
385
00:14:18,793 --> 00:14:20,383
I'm not.
- I'm not gay.
386
00:14:20,448 --> 00:14:22,788
I don't care if people are gay.
It doesn't bother me.
387
00:14:22,862 --> 00:14:24,172
- I'm not gay.
388
00:14:24,241 --> 00:14:26,211
- I'm not gay,
but even if I was--
389
00:14:26,275 --> 00:14:28,235
- I'm not that gay.
390
00:14:28,310 --> 00:14:30,210
- ♪ But I'm not gay ♪
391
00:14:30,275 --> 00:14:33,715
♪ So get your hand
out of my pants ♪
392
00:14:33,793 --> 00:14:35,033
- Ha, ha, ha.
393
00:14:35,103 --> 00:14:36,693
- Clearly, the height
of comedy.
394
00:14:36,758 --> 00:14:38,068
- Yeah.
395
00:14:40,758 --> 00:14:41,658
[dramatic classical music]
396
00:14:41,724 --> 00:14:43,344
- We're back with "Good Talk."
397
00:14:43,413 --> 00:14:46,693
Anthony Jeselnik is the host.
Kristen Schaal is the guest.
398
00:14:46,758 --> 00:14:49,968
You did an hour special
on Comedy Central in 2013.
399
00:14:50,034 --> 00:14:51,244
Let's take a look.
400
00:14:51,310 --> 00:14:55,380
- It's over for me!
It's over!
401
00:14:55,448 --> 00:14:59,688
No water back here!
There's no water!
402
00:14:59,758 --> 00:15:02,688
Who was that little girl?
403
00:15:02,758 --> 00:15:04,478
[screams]
404
00:15:04,551 --> 00:15:06,481
I'll just die!
405
00:15:06,551 --> 00:15:07,691
[screams]
406
00:15:07,758 --> 00:15:09,758
I will break you--
407
00:15:10,310 --> 00:15:12,790
Like they broke me!
408
00:15:14,000 --> 00:15:15,690
- Seems like that went great.
409
00:15:15,758 --> 00:15:17,448
And that's about halfway
through the special.
410
00:15:17,517 --> 00:15:19,407
- Yeah.
- I think my favorite part--
411
00:15:19,482 --> 00:15:20,762
I mean, when you're
throwing things around,
412
00:15:20,827 --> 00:15:22,377
I thought like,
"Yeah, I get this."
413
00:15:22,448 --> 00:15:24,378
When you too the knife
to the couch cushion
414
00:15:24,448 --> 00:15:26,168
as if you were looking
for drugs,
415
00:15:26,241 --> 00:15:28,281
that--that really sent me
over the edge.
416
00:15:28,344 --> 00:15:30,414
That was one of my
favorite parts of the special.
417
00:15:30,482 --> 00:15:32,662
And you said afterwards,
doing press,
418
00:15:32,724 --> 00:15:36,794
that it was your goal to do,
like, a live bomb onstage.
419
00:15:36,862 --> 00:15:40,412
Did you think of that concept
before or after the taping?
420
00:15:40,482 --> 00:15:41,662
- [laughs]
421
00:15:41,724 --> 00:15:43,074
Thanks, Anthony.
422
00:15:43,137 --> 00:15:45,027
[laughter]
423
00:15:45,103 --> 00:15:47,483
I thought of it before.
- Yeah?
424
00:15:47,551 --> 00:15:49,621
I thought it was great.
Like, when the special opens,
425
00:15:49,689 --> 00:15:52,069
it opens with you turning
to the camera and saying,
426
00:15:52,137 --> 00:15:54,137
"I think this is gonna be
my last time doing stand-up."
427
00:15:54,206 --> 00:15:55,586
And then, it freeze frames,
and that just--
428
00:15:55,655 --> 00:15:57,445
that absolutely killed me.
- Thank you.
429
00:15:57,517 --> 00:16:00,377
- I really enjoyed it.
I was--I was the one.
430
00:16:00,448 --> 00:16:03,278
- I think so, actually.
I think you were the one.
431
00:16:03,344 --> 00:16:06,624
- Mm-hmm, Kristen, I think
we can both agree
432
00:16:06,689 --> 00:16:08,339
that if you're a real comedian,
433
00:16:08,413 --> 00:16:10,663
then that means you
can describe the plot
434
00:16:10,724 --> 00:16:12,974
of "You, Me, and Dupree"
in under 60 seconds.
435
00:16:13,034 --> 00:16:15,414
Can you do it?
- Yeah.
436
00:16:15,482 --> 00:16:18,902
This is about the threesome
that got--
437
00:16:18,965 --> 00:16:22,715
that got really raunchy
when someone had to poop.
438
00:16:22,793 --> 00:16:24,413
[soft music]
439
00:16:24,482 --> 00:16:26,242
And then, it was like,
"who pooped?"
440
00:16:26,310 --> 00:16:27,660
It could have been--
well, it was either two--
441
00:16:27,724 --> 00:16:30,554
- 20 seconds left.
- Two of them pooped.
442
00:16:30,620 --> 00:16:33,170
Like, everyone had a different
point of view
443
00:16:33,241 --> 00:16:35,591
about who pooped
during the threesome.
444
00:16:35,655 --> 00:16:37,095
- You got five seconds left.
- And we all--
445
00:16:37,172 --> 00:16:39,522
and then, it was Kate Hudson.
- Mm-hmm.
446
00:16:39,586 --> 00:16:43,026
And that was "You, Me:
'You, Me, and Dupree.'"
447
00:16:43,103 --> 00:16:44,313
Great job, Kristen.
- Thanks.
448
00:16:44,379 --> 00:16:45,519
- Most people
couldn't get that.
449
00:16:45,586 --> 00:16:47,406
- [sputters]
- Now, Kristen,
450
00:16:47,482 --> 00:16:49,312
you're doing great,
I'm doing great.
451
00:16:49,379 --> 00:16:50,689
- Okay.
- But let's see
452
00:16:50,758 --> 00:16:52,688
how you handle this.
- Okay.
453
00:16:52,758 --> 00:16:55,858
- I'm going
to play you a grunt.
454
00:16:55,931 --> 00:16:57,621
You tell me if it's a grunt
455
00:16:57,689 --> 00:16:59,519
from Tim Allen
on "Home Improvement,"
456
00:16:59,586 --> 00:17:01,966
- Mm-hmm.
- Or an imposter grunt
457
00:17:02,034 --> 00:17:04,344
making fun of Tim Allen
on "Home Improvement."
458
00:17:04,413 --> 00:17:06,073
Are you ready?
- Yep.
459
00:17:06,137 --> 00:17:07,927
- Let's here grunt number one.
460
00:17:08,000 --> 00:17:09,380
[surprised grunt]
461
00:17:09,448 --> 00:17:12,168
Is that Tim Allen
or someone else?
462
00:17:12,241 --> 00:17:13,971
- Do I get to compare it
with the next grunt?
463
00:17:14,034 --> 00:17:16,074
- Mm-mm, you got to go
grunt-by-grunt.
464
00:17:16,137 --> 00:17:17,337
- Well, that's somebody else.
465
00:17:17,413 --> 00:17:18,863
- That's Tim Allen.
- What?
466
00:17:18,931 --> 00:17:21,171
- That's Tim Allen.
You want to play it again?
467
00:17:21,241 --> 00:17:22,791
[surprised grunt]
468
00:17:22,862 --> 00:17:26,172
That's in the credits, Kristen.
- Oh, my.
469
00:17:26,241 --> 00:17:27,621
- Do you know
your Tim Allen or not?
470
00:17:27,689 --> 00:17:29,309
- Well, I mean,
I watched "Tool Time"
471
00:17:29,379 --> 00:17:30,689
every night as a child.
472
00:17:30,758 --> 00:17:33,998
- "Tool Time"?
- "Home Improvement."
473
00:17:34,068 --> 00:17:35,448
- Let's hear grunt number two.
474
00:17:35,517 --> 00:17:37,927
- Which was also watching
"Tool Time."
475
00:17:40,241 --> 00:17:41,381
- This is grunt number two.
476
00:17:41,448 --> 00:17:43,548
[sustained grunt]
477
00:17:43,620 --> 00:17:45,830
- That's real.
- Real what?
478
00:17:45,896 --> 00:17:48,406
- Real Tim Allen.
- That's a real Tim Allen
479
00:17:48,482 --> 00:17:49,932
classic grunt,
it's been called.
480
00:17:50,000 --> 00:17:51,210
- Yeah.
481
00:17:51,275 --> 00:17:52,855
- Let's hear grunt
number three.
482
00:17:52,931 --> 00:17:54,481
[heavy breathing]
483
00:17:54,551 --> 00:17:57,211
[loud rutting]
484
00:17:57,275 --> 00:17:59,755
[louder rutting]
485
00:17:59,827 --> 00:18:01,137
[snorting]
486
00:18:01,206 --> 00:18:03,896
[low rutting]
487
00:18:03,965 --> 00:18:07,335
Was that Tim Allen
or an imposter?
488
00:18:07,413 --> 00:18:09,383
- It's an imposter.
- That was a gorilla.
489
00:18:09,448 --> 00:18:10,968
- Oh, okay.
- That was a gorilla
490
00:18:11,034 --> 00:18:12,074
making fun of Tim Allen.
491
00:18:12,137 --> 00:18:13,997
Tim Allen knows sign language,
492
00:18:14,068 --> 00:18:17,788
and he would go to zoos around
the world and talk to them,
493
00:18:17,862 --> 00:18:20,242
and that's how
they repaid him.
494
00:18:20,310 --> 00:18:22,930
- With a grunt of appreciation.
495
00:18:23,000 --> 00:18:25,550
- In the beginning,
and then it turns into mockery.
496
00:18:25,620 --> 00:18:27,590
- Why?
- Satire.
497
00:18:27,655 --> 00:18:30,025
- Mm.
- Let's hear grunt number four.
498
00:18:30,103 --> 00:18:32,383
[guttural roar]
499
00:18:33,551 --> 00:18:36,311
- I think that's Tim Allen.
500
00:18:36,379 --> 00:18:39,239
Oh!
- That's Roger Federer
501
00:18:39,310 --> 00:18:40,660
making fun of Tim Allen.
502
00:18:40,724 --> 00:18:43,764
- Oh, Roger.
- During the match, yep.
503
00:18:43,827 --> 00:18:45,657
Here's a bonus grunt.
Are you ready?
504
00:18:45,724 --> 00:18:47,314
- Yeah.
- I'm going to ask you
505
00:18:47,379 --> 00:18:49,619
if it's Tim Allen or not,
and then,
506
00:18:49,689 --> 00:18:51,719
can you tell me what emotion
507
00:18:51,793 --> 00:18:52,973
they're trying to convey
with the grunt?
508
00:18:53,034 --> 00:18:54,174
- Okay.
- You ready?
509
00:18:54,241 --> 00:18:55,721
- Mm-hmm.
- Let's hear number five.
510
00:18:55,793 --> 00:18:58,413
- Oh-ho-ho!
511
00:18:58,482 --> 00:19:00,522
- That's Tim Allen.
- That's Tim Allen.
512
00:19:00,586 --> 00:19:04,686
- He is satisfied with what
his wife has suggested.
513
00:19:04,758 --> 00:19:06,718
- In a way.
That's a lustful grunt.
514
00:19:06,793 --> 00:19:08,763
That's like, a sexy time grunt.
- That's what I was saying.
515
00:19:08,827 --> 00:19:10,927
- Yes, but in
too clean a version.
516
00:19:11,000 --> 00:19:15,030
- Uh, I'm challenging you
on what's clean.
517
00:19:15,103 --> 00:19:16,903
- Okay.
518
00:19:16,965 --> 00:19:19,585
We'll be right back,
but don't you dare go anywhere.
519
00:19:19,655 --> 00:19:21,655
This is one D block
you won't wanna miss.
520
00:19:21,724 --> 00:19:23,864
- D block!
- "Good Talk."
521
00:19:23,931 --> 00:19:26,381
- Sorry, sorry.
That's your outro.
522
00:19:26,448 --> 00:19:27,828
- Yeah.
- I yelled right over it.
523
00:19:27,896 --> 00:19:29,306
- That was great.
That's the most professional
524
00:19:29,379 --> 00:19:30,659
you've been
this whole interview.
525
00:19:33,413 --> 00:19:34,483
[dramatic classical music]
526
00:19:34,551 --> 00:19:36,031
- And we're back
with Kristen Schaal
527
00:19:36,103 --> 00:19:39,343
to wrap things up with some
of that Make God Laugh.
528
00:19:39,413 --> 00:19:40,903
- Hah!
- Now, Kristen.
529
00:19:40,965 --> 00:19:43,305
if you could take
any dead comedian,
530
00:19:43,379 --> 00:19:47,029
bring them back from the dead,
make them perform for you once,
531
00:19:47,103 --> 00:19:50,593
and have them go back
to being dead, who would it be?
532
00:19:50,655 --> 00:19:53,655
- Probably Andy Kaufman.
- The great Andy Kaufman.
533
00:19:53,724 --> 00:19:55,524
Why did you like him so much?
534
00:19:55,586 --> 00:19:59,516
- Well, because he does push
the comedy envelope forward.
535
00:19:59,586 --> 00:20:00,856
I think everything he was doing
536
00:20:00,931 --> 00:20:03,341
during his career
was ahead of its time.
537
00:20:03,413 --> 00:20:04,903
He was doing reality television
538
00:20:04,965 --> 00:20:06,855
before there was
even reality television.
539
00:20:06,931 --> 00:20:10,661
He was pulling pranks
before Howie Mandel was.
540
00:20:10,724 --> 00:20:14,144
Like, he was really
pushing the envelope.
541
00:20:14,206 --> 00:20:17,026
And he was surreal and absurd
542
00:20:17,103 --> 00:20:18,723
and for the most part,
full of joy.
543
00:20:18,793 --> 00:20:21,073
Although, he did go down
some dark paths
544
00:20:21,137 --> 00:20:22,547
with certain characters, too.
545
00:20:22,620 --> 00:20:25,520
Like, he really
just played the gambit of--
546
00:20:25,586 --> 00:20:28,516
of, I would say,
alternative comedy.
547
00:20:28,586 --> 00:20:30,276
- Would you say he's
your biggest influence?
548
00:20:30,344 --> 00:20:33,454
- Absolutely, he's my biggest.
- I think of all of the people
549
00:20:33,517 --> 00:20:34,897
we can, like, obviously tell
550
00:20:34,965 --> 00:20:36,545
that their biggest influence
was Andy Kaufman,
551
00:20:36,620 --> 00:20:38,100
you've been
the most successful.
552
00:20:38,172 --> 00:20:40,592
It's almost like a path down,
like, a wrong lane
553
00:20:40,655 --> 00:20:42,685
if you try to be like him
because he was so brilliant.
554
00:20:42,758 --> 00:20:43,898
- Yeah.
- Congratulations.
555
00:20:43,965 --> 00:20:45,305
- Thank you.
556
00:20:45,379 --> 00:20:47,379
- Thank you so much,
Kristen, for being here.
557
00:20:47,448 --> 00:20:49,658
You've been
spectacularly bizarre and,
558
00:20:49,724 --> 00:20:51,904
dare I say it, a delight.
559
00:20:51,965 --> 00:20:53,895
- You dare!
- I dare.
560
00:20:53,965 --> 00:20:56,095
- Well, it's a pleasure--
- You can check out Kristen
561
00:20:56,172 --> 00:20:57,862
in her new movie, "My Spy,"
562
00:20:57,931 --> 00:21:00,001
starring alongside
David Bautista.
563
00:21:00,068 --> 00:21:02,518
Until next time, good talk.
564
00:21:02,586 --> 00:21:05,476
[dramatic classical music]
565
00:21:05,551 --> 00:21:08,931
- Was it--it was a long talk.
Was it a good talk?
566
00:21:09,000 --> 00:21:12,900
[bright classical music]
567
00:21:12,965 --> 00:21:19,995
♪ ♪
568
00:21:27,448 --> 00:21:30,378
[dramatic classical music]
569
00:21:30,448 --> 00:21:37,658
♪ ♪
42832
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