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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:35,836 --> 00:00:39,440 [HEART BEATING] 4 00:01:32,593 --> 00:01:34,195 WHERE TO? 5 00:01:34,228 --> 00:01:35,729 I DON'T KNOW. GALVESTON MAYBE, 6 00:01:35,763 --> 00:01:38,332 UNLESS I DECIDE TO LOOK SOMEWHERE ELSE. 7 00:01:38,366 --> 00:01:42,170 AIN'T NO GETTING BACK ON IF YOU DO. 8 00:01:42,203 --> 00:01:46,774 WELL, I GUESS I'LL JUST HAVE TO HITCH IT IF I WANT TO GO SOMEWHERE ELSE. 9 00:02:18,806 --> 00:02:20,574 [CHILDREN SCREAMING, LAUGHING] 10 00:02:23,211 --> 00:02:24,645 SO SORRY. 11 00:02:45,733 --> 00:02:49,370 [MAN] ANOTHER DAY, ANOTHER BUS, 12 00:02:49,403 --> 00:02:51,171 MOVING ON DOWN THE ROAD. 13 00:02:55,243 --> 00:02:58,212 I DON'T KNOW WHERE I'M GOING OR WHY I'M HERE, 14 00:02:58,246 --> 00:03:03,684 BUT I-- I DO KNOW WHERE I CAME FROM, 15 00:03:03,717 --> 00:03:05,453 WHERE IT ALL STARTED. 16 00:03:27,308 --> 00:03:32,680 MY MOTHER WAS THE MOST BEAUTIFUL WOMAN IN THE WORLD, 17 00:03:32,713 --> 00:03:35,583 NOT WHITE TRASH FROM THE WRONG SIDE OF THE TRACKS, 18 00:03:35,616 --> 00:03:37,551 AS SOME FOLKS WOULD HAVE IT. 19 00:03:37,585 --> 00:03:41,322 TO ME SHE WAS A VISION IN HER WHITE SUN DRESS, 20 00:03:41,355 --> 00:03:45,259 GLIDING LIKE A FLUFFY CLOUD OVER THE EARTH. 21 00:03:45,293 --> 00:03:46,627 MY DADDY WASN'T THERE. 22 00:03:46,660 --> 00:03:48,929 I NEVER KNEW WHY. 23 00:03:48,962 --> 00:03:52,333 I DID KNOW THAT WE WERE POOR AND LIVED IN A RUNDOWN NEIGHBORHOOD, 24 00:03:52,366 --> 00:03:55,303 BUT POOR PEOPLE STUCK TOGETHER BACK THEN. 25 00:03:59,006 --> 00:04:00,641 I LOVE YOU, BABY. 26 00:04:14,855 --> 00:04:16,457 NO MATTER WHAT HAPPENED, 27 00:04:16,490 --> 00:04:19,660 I WAS SURE IT WOULDN'T TOUCH US. 28 00:04:19,693 --> 00:04:21,429 SHE WAS BLESSED. 29 00:04:21,462 --> 00:04:23,697 SHE WAS AN ANGEL, 30 00:04:23,731 --> 00:04:24,798 MY ANGEL. 31 00:04:24,832 --> 00:04:26,667 I LOVE YOU, MAMA. 32 00:04:35,876 --> 00:04:38,646 [MAN SINGING] 33 00:04:38,679 --> 00:04:40,781 * I'M COMIN', I'M COMIN' 34 00:04:40,814 --> 00:04:43,384 * I'M COMIN' HOME, YEAH! 35 00:05:01,001 --> 00:05:02,570 * HOME 36 00:05:02,603 --> 00:05:04,805 * WHOO, COMIN' HOME, Y'ALL 37 00:05:07,608 --> 00:05:09,377 [MAN] I'M LOOKING FOR LEROY. 38 00:05:09,410 --> 00:05:11,111 YOU'RE TALKING TO HIM. 39 00:05:11,144 --> 00:05:13,581 LEROY, THE SIGN OUTSIDE SAYS THAT YOU'RE LOOKING FOR A BARTENDER. 40 00:05:13,614 --> 00:05:15,115 YOU INTERESTED? 41 00:05:15,148 --> 00:05:16,884 I GUESS IT ALL DEPENDS ON HOW MUCH YOU'RE PAYING. 42 00:05:16,917 --> 00:05:18,919 10.50 AN HOUR PLUS TIPS. 43 00:05:18,952 --> 00:05:22,490 AIN'T BAD MONEY, BUT I RECKON YOU'LL EARN IT. 44 00:05:22,523 --> 00:05:25,058 SOLD. GOT YOURSELF A BARTENDER. 45 00:05:25,092 --> 00:05:28,462 WHERE YOU FROM? OH, HERE AND THERE, ROUND ABOUT. 46 00:05:28,496 --> 00:05:30,431 LIKE THE LOOKS OF YOUR PLACE, BUT DON'T WORRY. 47 00:05:30,464 --> 00:05:33,467 I'M LEGAL. I GOT A SOCIAL SECURITY CARD, EVERYTHING. 48 00:05:33,501 --> 00:05:35,836 NOBODY'S TRYING TO TRACK ME DOWN. 49 00:05:35,869 --> 00:05:37,738 YOU'RE LEROY JACKSON. 50 00:05:37,771 --> 00:05:39,373 [CHUCKLES] YEAH. 51 00:05:39,407 --> 00:05:41,442 YOU USED TO PLAY WITH FATS DOMINO YEARS BACK. 52 00:05:41,475 --> 00:05:42,976 YEAH, FATS AND LITTLE RICHARD. 53 00:05:43,010 --> 00:05:45,446 LAST COUPLE YEARS WITH JAMES BROWN TILL HE GOT BUSTED. 54 00:05:45,479 --> 00:05:46,914 I GOTTA TELL YOU, IT'S AN HONOR. 55 00:05:46,947 --> 00:05:48,749 YEAH. HAVE A SEAT. 56 00:05:48,782 --> 00:05:50,718 I'VE ALWAYS BEEN A BIG BLUES FAN, 57 00:05:50,751 --> 00:05:54,121 TRIED TO FOLLOW JOHN LEE HOOKER, HOWLIN' WOLF. 58 00:05:54,154 --> 00:05:56,757 FELLA THAT OWNED THE PLACE WHERE I WAS RAISED 59 00:05:56,790 --> 00:05:58,526 WAS A BIG BILL BROONZY FAN, 60 00:05:58,559 --> 00:06:00,127 AND I GUESS SOME OF THAT RUBBED OFF ON ME. 61 00:06:00,160 --> 00:06:01,929 BIG BILL. 62 00:06:01,962 --> 00:06:04,031 YOU SPENDING THE DAY LAZYIN' AND CHEWIN' THE FAT, 63 00:06:04,064 --> 00:06:06,166 OR ARE YOU GONNA CHECK THOSE BOOKS LIKE I'VE BEEN TELLING YOU? 64 00:06:06,199 --> 00:06:07,768 OH, BABY, COME ON. 65 00:06:07,801 --> 00:06:09,437 THIS IS, UH, WHAT DID YOU SAY YOUR NAME WAS? 66 00:06:09,470 --> 00:06:12,406 SAM. SAM DOONBY. PLEASED TO MEET YOU, MA'AM. 67 00:06:12,440 --> 00:06:16,076 SAM'S STARTING TONIGHT. HE'S GOT A GOOD FEEL FOR THE BLUES. 68 00:06:16,109 --> 00:06:17,945 I HOPE HE DOESN'T HAVE A FEEL FOR THIEVING, 69 00:06:17,978 --> 00:06:19,980 LIKE THAT LAST DRIFTER YOU HAD POURING DRINKS. 70 00:06:20,013 --> 00:06:21,749 I'M NOT A THIEF. 71 00:06:21,782 --> 00:06:23,817 I PROMISE YOU I WILL DELIVER AN HONEST NIGHT'S WORK 72 00:06:23,851 --> 00:06:25,152 FOR AN HONEST NIGHT'S PAY. 73 00:06:25,185 --> 00:06:27,521 WELL, SINCE WE'RE BEING HONEST, 74 00:06:27,555 --> 00:06:28,989 I MIGHT AS WELL MAKE OUT THEM TAX RETURNS YOU'RE TALKING ABOUT. 75 00:06:29,022 --> 00:06:30,157 THANK YOU. BE HERE AT 8:00. 76 00:06:30,190 --> 00:06:31,191 YES, SIR. 77 00:06:31,224 --> 00:06:32,760 WHERE YOU STAYING? 78 00:06:32,793 --> 00:06:34,495 I JUST GOT OFF THE BUS. I DON'T REALLY KNOW-- 79 00:06:34,528 --> 00:06:36,530 THE TOWN'S FULL. THIS IS COUNTY FAIR SATURDAY, 80 00:06:36,564 --> 00:06:39,933 AND BOTH MOTELS HAVE NO VACANCY SIGNS UP. 81 00:06:39,967 --> 00:06:43,437 YOU KNOW, WE GOT A STOREHOUSE 82 00:06:43,471 --> 00:06:44,938 OUT BACK WITH A BED IN IT. 83 00:06:44,972 --> 00:06:46,574 IT AIN'T MUCH BUT YOU CAN GET YOUR HEAD DOWN 84 00:06:46,607 --> 00:06:47,975 TILL YOU FIND SOMETHING ELSE. 85 00:06:48,008 --> 00:06:49,510 WELL, THANK YOU. 86 00:06:49,543 --> 00:06:52,045 [CHICKENS CLUCKING] 87 00:06:54,915 --> 00:06:58,185 THIS PLACE REMINDS ME OF MY HOME TOWN, 88 00:06:58,218 --> 00:07:01,955 A DUSTY LITTLE STOREROOM IN A SLEEPY LITTLE BACKWATER. 89 00:07:01,989 --> 00:07:04,224 COME HERE. COME ON. 90 00:07:04,257 --> 00:07:09,897 I SAY, I SAY, LOOK AT ME WHEN I'M TALKING TO YOU, BOY. 91 00:07:09,930 --> 00:07:11,632 LIFE WAS HARD BACK THEN. 92 00:07:11,665 --> 00:07:13,033 MY MOTHER DID WHAT SHE COULD 93 00:07:13,066 --> 00:07:14,802 TO PATCH TOGETHER A LIFE FOR US. 94 00:07:14,835 --> 00:07:16,103 SHE ALWAYS HAD DIGNITY, 95 00:07:16,136 --> 00:07:19,507 BUT SHE DID WHAT SHE HAD TO DO. 96 00:07:19,540 --> 00:07:21,975 AT LEAST THAT'S THE WAY I SAW IT. 97 00:07:22,009 --> 00:07:23,911 HEY THERE. WHERE'S LORETTA? 98 00:07:23,944 --> 00:07:26,013 SHE AIN'T HERE TONIGHT, LUCY-MAE. 99 00:07:26,046 --> 00:07:28,181 HER MOMMA'S SICK, AND SHE GOTTA BE WITH HER. 100 00:07:28,215 --> 00:07:29,950 [MAN] BROTHER, HOW ABOUT A LITTLE SERVICE OVER HERE? 101 00:07:29,983 --> 00:07:31,985 JUST HOLD UP A MINUTE. I'LL BE RIGHT WITH YOU. 102 00:07:32,019 --> 00:07:33,153 WHAT'S WRONG WITH HER? 103 00:07:33,186 --> 00:07:34,555 SHE DIDN'T SAY. 104 00:07:34,588 --> 00:07:35,723 SAID IT'S BAD, THOUGH. 105 00:07:37,257 --> 00:07:40,761 WELL, PUT IT ON THE TAB, JOSH. 106 00:07:40,794 --> 00:07:43,030 AIN'T MUCH ROOM ON THE PAGE. 107 00:07:43,063 --> 00:07:45,866 ** [BLUES] 108 00:07:45,899 --> 00:07:47,868 HEY, GEORGE, HOW'S IT GOING? 109 00:07:47,901 --> 00:07:51,038 * LUCY-MAE, LUCY-MAE 110 00:07:51,071 --> 00:07:52,873 * MIND WHAT YOU DO 111 00:07:54,742 --> 00:07:56,176 SOUND PRETTY GOOD. 112 00:07:58,879 --> 00:08:03,250 * LUCY-MAE, LUCY-MAE 113 00:08:03,283 --> 00:08:05,853 * 'CAUSES THE DEVIL'S AFTER YOU * 114 00:08:25,038 --> 00:08:27,107 [MAN] HEY, SAM. YEAH. 115 00:08:27,140 --> 00:08:28,742 YOU EVER CHECKED TO SEE HOW MANY FOLKS YOU SERVED IN ONE NIGHT? 116 00:08:28,776 --> 00:08:30,143 YES, I HAVE. 117 00:08:30,177 --> 00:08:31,545 HOW DO YOU KEEP COUNT? 118 00:08:31,579 --> 00:08:35,583 SIMPLE. COUNT THE LEGS, DIVIDE BY FOUR. 119 00:08:35,616 --> 00:08:38,786 I WANT A KAMIKAZE, A B-52, AND TWO BOSTON BULLETS. 120 00:08:38,819 --> 00:08:41,254 TRYING TO GET DRUNK OR ARE YOU TRYING TO START WORLD WAR III? 121 00:08:41,288 --> 00:08:44,992 HEY, MY FRIEND OVER HERE, SHE'LL HAVE A CHARDONNAY. 122 00:08:45,025 --> 00:08:47,227 YEAH, BUT I'M MORE IN AN EXOTIC MOOD, SO... 123 00:08:47,260 --> 00:08:49,763 HOW ABOUT A BLACK-EYED SUSAN? IS ONE ON OFFER? 124 00:08:49,797 --> 00:08:51,699 YOU CAN GET ANYTHING YOU WANT HERE AT LEROY'S. 125 00:08:51,732 --> 00:08:54,234 ANYTHING? CUSTOMER SATISFACTION IS GUARANTEED. 126 00:08:54,267 --> 00:08:55,869 I LIKE THE CHANGE OF POLICY. 127 00:08:55,903 --> 00:08:59,006 * OH, OH, OH 128 00:09:01,241 --> 00:09:02,776 BLACKED-EYED SUSAN. 129 00:09:02,810 --> 00:09:05,045 THANK YOU. 130 00:09:05,078 --> 00:09:06,046 HELLO, DARLING. 131 00:09:06,079 --> 00:09:07,815 HEY. 132 00:09:07,848 --> 00:09:09,883 MAN, HAVE I GOT A THIRST. YOU WANT A BLACK-EYED SUSAN? 133 00:09:09,917 --> 00:09:11,284 A WHAT? 134 00:09:11,318 --> 00:09:15,322 THIS GUY HERE, HE JUST REALLY RUSTLES UP A DRINK. 135 00:09:15,355 --> 00:09:17,157 OOH. NAME'S SAM. 136 00:09:17,190 --> 00:09:19,126 HI, SAM. 137 00:09:19,159 --> 00:09:20,994 I THOUGHT THERE WAS A LOT OF ACTION AROUND THE BAR TONIGHT. 138 00:09:21,028 --> 00:09:21,995 GIVE ME A SHINER. 139 00:09:22,029 --> 00:09:23,230 COMING RIGHT UP. 140 00:09:23,263 --> 00:09:24,998 AND THIS IS TONY. 141 00:09:25,032 --> 00:09:26,934 LOVED THE SONG, TONY. GREAT. 142 00:09:26,967 --> 00:09:28,168 THANK YOU. WHERE YOU FROM? 143 00:09:28,201 --> 00:09:30,003 OH, HERE AND THERE, ROUND ABOUTS. 144 00:09:30,037 --> 00:09:31,271 ROUND ABOUT HERE AND THERE WHERE? 145 00:09:31,304 --> 00:09:32,339 SOUTH MOSTLY. 146 00:09:32,372 --> 00:09:33,607 BIG PLACE, THE SOUTH. 147 00:09:33,641 --> 00:09:34,808 YES, IT IS. 148 00:09:34,842 --> 00:09:35,909 BUT I'M NOBODY, REALLY. 149 00:09:35,943 --> 00:09:37,645 COME ON, TONY. QUIT GRILLING HIM. 150 00:09:37,678 --> 00:09:40,313 I LIKE 'EM MYSTERIOUS. 151 00:09:40,347 --> 00:09:42,115 FINE BY ME. 152 00:09:42,149 --> 00:09:44,752 WELL, SALUT, AND A BIG WELCOME TO SMITHVILLE, BUDDY. 153 00:09:44,785 --> 00:09:47,621 THANK YOU. 154 00:09:47,655 --> 00:09:49,056 YEAH! 155 00:09:49,089 --> 00:09:50,724 [CROWD CHEERING] 156 00:10:00,433 --> 00:10:02,903 LEROY JACKSON, LADIES AND GENTLEMEN! 157 00:10:12,179 --> 00:10:13,747 YEAH! WHOO-HOO! 158 00:10:17,918 --> 00:10:19,052 ALL RIGHT. 159 00:10:23,757 --> 00:10:28,929 * HE'S A TIRELESS TORNADO 160 00:10:28,962 --> 00:10:33,934 * LIKES HIS LIQUOR IN MEXICO 161 00:10:33,967 --> 00:10:37,137 * NOTHING TO DO BUT READY TO GO * 162 00:10:37,170 --> 00:10:38,371 HEY, THAT WAS SOME NIGHT, HUH? 163 00:10:38,405 --> 00:10:41,108 YEAH. ALWAYS LIKE THAT? 164 00:10:41,141 --> 00:10:43,410 THURSDAY'S ALWAYS GOOD. NO PLACE ELSE TO BE. 165 00:10:43,443 --> 00:10:45,278 YOU DID GOOD, SAM. FOLKS LIKE YOU. 166 00:10:45,312 --> 00:10:47,047 THANK YOU. I LIKE FOLKS. 167 00:10:47,080 --> 00:10:48,081 SO, SAM. 168 00:10:48,115 --> 00:10:49,750 YEAH. 169 00:10:49,783 --> 00:10:51,919 WANNA TEACH ME ABOUT SOME OF THEM FANCY DRINKS SOMETIME? 170 00:10:51,952 --> 00:10:54,421 SURE THING. ANYTIME. 171 00:10:54,454 --> 00:10:56,156 HOW ABOUT SUNDAY? 172 00:10:56,189 --> 00:11:00,393 IT'S MY DAY OFF. 173 00:11:00,427 --> 00:11:02,329 ANY CHANCE OF A NIGHTCAP? 174 00:11:02,362 --> 00:11:04,331 IT'S PAST 3:00 A.M., LAURA. 175 00:11:05,799 --> 00:11:06,900 OKAY, A QUICK ONE. OKAY? 176 00:11:06,934 --> 00:11:07,968 WHAT'LL YOU HAVE? 177 00:11:08,001 --> 00:11:09,302 SURPRISE ME. 178 00:11:09,336 --> 00:11:13,006 AND WHY DON'T YOU HAVE ONE YOURSELF. 179 00:11:13,040 --> 00:11:15,743 WELL, I'M OFF. THAT ALL RIGHT WITH YOU, BOSS? 180 00:11:15,776 --> 00:11:17,177 HEY, YOUR LIFE'S YOUR LIFE. 181 00:11:17,210 --> 00:11:19,780 LEAST WAYS BETWEEN THE HOURS OF 3:00 A.M. AND 8:00 P.M. 182 00:11:19,813 --> 00:11:21,281 YOU DON'T MIND MY SAYING, 183 00:11:21,314 --> 00:11:26,153 THAT'S PLENTY OF TIME TO BE GETTING INTO TROUBLE. 184 00:11:26,186 --> 00:11:28,255 SO. SO. 185 00:11:28,288 --> 00:11:30,223 TELL ME ABOUT YOURSELF. 186 00:11:30,257 --> 00:11:34,027 I THOUGHT THEY SAID WE DON'T HAVE VERY MUCH TIME. 187 00:11:34,061 --> 00:11:39,132 ALL RIGHT. WELL, I'M LAURA REAPER. 188 00:11:39,166 --> 00:11:41,434 HOW DO YOU DO, LAURA REAPER? I'M SAM DOONBY. 189 00:11:41,468 --> 00:11:43,737 WELL, HELLO, SAM DOONBY. 190 00:11:43,771 --> 00:11:47,875 APART FROM DRIVING EXPENSIVE CARS AND DRINKING EXPENSIVE DRINKS, 191 00:11:47,908 --> 00:11:51,078 WHAT DOES LAURA REAPER LIKE TO DO? 192 00:11:51,111 --> 00:11:54,381 I LIKE TO DEVELOP OTHER EXPENSIVE TASTES. 193 00:11:54,414 --> 00:11:56,049 I LIVE IN THIS EXPENSIVE HOUSE. 194 00:11:56,083 --> 00:11:59,987 AND, OH, YOU SEE, MY DAD'S THIS TOP GYNECOLOGIST. 195 00:12:00,020 --> 00:12:01,354 WELL, HE SPOILS ME REAL BAD. 196 00:12:01,388 --> 00:12:02,422 YOU LIKE THAT? 197 00:12:02,455 --> 00:12:06,093 BEING SPOILED? SURE. WHY NOT? 198 00:12:06,126 --> 00:12:08,228 SURE, WHY NOT? MUST BE NICE. 199 00:12:08,261 --> 00:12:10,230 I SENSE A HINT OF DISAPPROVAL. 200 00:12:10,263 --> 00:12:14,001 NO. NO, NO, NO, I'M-I'M A LOWLY BARTENDER 201 00:12:14,034 --> 00:12:17,137 IN A SMALL TOWN JUST TRYING TO MAKE AN HONEST BUCK, MA'AM. 202 00:12:17,170 --> 00:12:19,339 YOU SHOULD STAY. 203 00:12:19,372 --> 00:12:22,009 I'LL TAKE THAT UNDER CONSIDERATION. 204 00:12:22,042 --> 00:12:24,077 WHERE ARE YOU STAYING? 205 00:12:24,111 --> 00:12:27,948 OH, WELL, RIGHT NOW I'M STAYING OUT BACK. 206 00:12:27,981 --> 00:12:29,249 WITH THE CHICKENS? 207 00:12:29,282 --> 00:12:32,552 THELMA, LOUISE, AND COLONEL KRISP. 208 00:12:32,585 --> 00:12:34,454 OH. OKAY. 209 00:12:34,487 --> 00:12:35,488 OKAY. 210 00:12:35,522 --> 00:12:38,125 CHEERS TO THE CHICKENS. 211 00:12:38,158 --> 00:12:40,127 YOU ARE ONE THIRSTY GIRL. 212 00:12:40,160 --> 00:12:41,895 I HAVEN'T GOT FAR TO GO. 213 00:12:41,929 --> 00:12:43,196 BE CAREFUL, OKAY? 214 00:12:44,497 --> 00:12:47,567 ARE YOU LECTURING ME, MR. DOONBY? 215 00:12:47,600 --> 00:12:49,970 BECAUSE IF YOU ARE, I'D BE VERY DISAPPOINTED. 216 00:12:51,839 --> 00:12:53,941 YOU'RE FAR TOO CUTE TO BE POMPOUS. 217 00:12:55,208 --> 00:12:56,409 I'LL SEE YOU TOMORROW? 218 00:12:56,443 --> 00:12:57,878 MAYBE. 219 00:13:03,316 --> 00:13:04,517 OR MAYBE NOT. 220 00:13:09,322 --> 00:13:13,093 WELL, IN THAT CASE, MAYBE I WILL KEEP MY EYE ON THAT DOOR. 221 00:13:13,126 --> 00:13:16,496 UH, GOOD NIGHT, SAM DOONBY. 222 00:13:19,299 --> 00:13:21,034 GOOD NIGHT, LAURA REAPER. 223 00:13:31,511 --> 00:13:33,013 [CHUCKLES] 224 00:14:00,540 --> 00:14:05,045 IT'S NOT BAD FOR A FIRST NIGHT'S WORK. HUH, RANDY? HM? 225 00:14:14,221 --> 00:14:16,323 I NEVER SEEM TO HAVE ANY PROBLEM 226 00:14:16,356 --> 00:14:18,425 GETTING A HOLD OF ENOUGH MONEY TO SCRAPE BY, 227 00:14:18,458 --> 00:14:21,929 BUT IT WAS A DIFFERENT STORY FOR LUCY-MAE. 228 00:14:21,962 --> 00:14:25,365 SHE WAS A SINGLE MOTHER, AND THAT WAS TOUGH. 229 00:14:25,398 --> 00:14:27,334 SHE WAS ALWAYS TRYING TO BETTER HERSELF, 230 00:14:27,367 --> 00:14:30,537 BUT FOR A POOR WOMAN IN THE SOUTH IN THE '60s, 231 00:14:30,570 --> 00:14:33,173 THE ONLY SURE WAY WAS WITH A MAN. 232 00:14:33,206 --> 00:14:34,908 HI, LUCY-MAE. YOU WANT SOME LEMONADE? 233 00:14:34,942 --> 00:14:36,509 I AIN'T GOT TIME FOR THAT RIGHT NOW. 234 00:14:36,543 --> 00:14:39,112 I NEED YOU TO DO ME A FAVOR. 235 00:14:39,146 --> 00:14:40,347 YOU'VE GOT TO WATCH SAM FOR ME TONIGHT. 236 00:14:40,380 --> 00:14:41,915 YOU JUST GOTTA. 237 00:14:41,949 --> 00:14:43,150 NO WAY I CAN HELP YOU OUT TONIGHT, HONEY. 238 00:14:43,183 --> 00:14:44,284 MOM'S DOWN WITH A FEVER. 239 00:14:44,317 --> 00:14:45,518 IT'S ONLY FOR A COUPLE OF HOURS. 240 00:14:45,552 --> 00:14:47,087 I GOT LITTLE JASMINE OVER THERE RIGHT NOW, 241 00:14:47,120 --> 00:14:48,188 BUT SHE CAN'T STAY. 242 00:14:48,221 --> 00:14:50,190 JASMINE? MRS. LEE'S DAUGHTER? 243 00:14:50,223 --> 00:14:51,391 SHE'S JUST A ITTY-BITTY KID HERSELF. 244 00:14:51,424 --> 00:14:53,961 SHE'S 10. 245 00:14:53,994 --> 00:14:55,362 [SIGHS] ANYWAYS. 246 00:14:55,395 --> 00:14:57,430 BRAD'S OVER AT THE JACK O'DIAMONDS MOTEL, 247 00:14:57,464 --> 00:14:59,099 AND HE'S ONLY HERE TONIGHT, 248 00:14:59,132 --> 00:15:00,533 AND I AIN'T SEEN HIM IN SIX WHOLE WEEKS. 249 00:15:00,567 --> 00:15:03,636 TELL YOU, I CAN'T. MOMMA'S REAL SICK THIS TIME, 250 00:15:03,670 --> 00:15:05,338 AND THE DOCTOR'S COMING OVER. 251 00:15:05,372 --> 00:15:07,607 AND AIN'T IT ABOUT TIME YOU TOLD THAT BOY ABOUT SAM? 252 00:15:07,640 --> 00:15:09,709 I MEAN, YOU'VE BEEN SEEING HIM ON AND OFF 253 00:15:09,742 --> 00:15:12,112 FOR AT LEAST A YEAR. 254 00:15:12,145 --> 00:15:14,314 ON AND OFF'S ABOUT RIGHT. 255 00:15:14,347 --> 00:15:17,017 ONCE A MONTH ON HIS JOURNEY CYCLE. 256 00:15:17,050 --> 00:15:20,320 HE'D GO CRAZY. HE'D RUN LIKE A LOON WITH HIS PANTS ON FIRE 257 00:15:20,353 --> 00:15:21,955 IF HE KNEW I HAD A KID. 258 00:15:21,989 --> 00:15:23,623 RECKONS THAT'S THE TROUBLE WITH HIS MARRIAGE. 259 00:15:23,656 --> 00:15:25,158 HUH? 260 00:15:25,192 --> 00:15:26,393 CARLA-- THAT'S HIS WIFE. 261 00:15:26,426 --> 00:15:29,296 SHE KEEPS HAVING KIDS LIKE SHELLING PEAS. 262 00:15:29,329 --> 00:15:31,498 SHE DON'T KNOW HOW TO LOOK AFTER HERSELF. 263 00:15:31,531 --> 00:15:33,633 BRAD SAYS SHE AIN'T GOT TIME FOR HIM NO MORE. 264 00:15:33,666 --> 00:15:35,502 WELL, FROM WHAT YOU'VE BEEN TELLING ME, 265 00:15:35,535 --> 00:15:39,372 SOUNDS LIKE SHE'S GOT TIME FOR HIM AT LEAST ONCE A YEAR. 266 00:15:39,406 --> 00:15:43,210 ANYWAY, WHAT'S THIS ABOUT HER NOT BEING ABLE TO KEEP AFTER HERSELF, HUH? 267 00:15:43,243 --> 00:15:45,045 IF YOU SO SMART, HONEY BABY, 268 00:15:45,078 --> 00:15:47,647 WHY DID YOU GET SAM IN THE FIRST PLACE. HM? 269 00:15:47,680 --> 00:15:49,049 I DON'T HAVE TO TAKE THIS. 270 00:15:49,082 --> 00:15:50,450 ARE YOU GOING TO HELP ME OUT OR WHAT? 271 00:15:50,483 --> 00:15:51,651 MAYBE TOMORROW. 272 00:15:51,684 --> 00:15:54,988 TOMORROW IS TOO LATE. 273 00:15:55,022 --> 00:15:57,724 I JUST HOPE I AIN'T AS MEAN TO YOU WHEN YOU NEED A FAVOR. 274 00:15:57,757 --> 00:16:00,493 THAT'S ALL I'VE GOT TO SAY, LORETTA. 275 00:16:00,527 --> 00:16:02,529 LUCY-MAE. 276 00:16:11,804 --> 00:16:13,273 [MAN] COFFEE SMELLS GOOD. 277 00:16:13,306 --> 00:16:15,475 WHAT ARE YOU DOING HERE? 278 00:16:15,508 --> 00:16:17,544 THE CLINIC WAS A LITTLE QUIET THIS MORNING, 279 00:16:17,577 --> 00:16:19,046 AND I GOT A HALF HOUR TO KILL 280 00:16:19,079 --> 00:16:21,781 BEFORE I HAVE TO GO TO THE HOSPITAL. 281 00:16:21,814 --> 00:16:24,551 HEY, ROCK. 282 00:16:24,584 --> 00:16:26,053 HOW LONG YOU BEEN TRYING TO GET THAT FOOD 283 00:16:26,086 --> 00:16:27,387 DOWN LITTLE ROCK THERE? 284 00:16:27,420 --> 00:16:28,588 BEST PART OF AN HOUR, DR. CYRUS. 285 00:16:28,621 --> 00:16:30,623 HE DON'T LIKE LAMB AND VEGETABLES. 286 00:16:30,657 --> 00:16:32,592 WHY DON'T YOU GIVE HIM SOMETHING ELSE? KID'S GOTTA EAT. 287 00:16:32,625 --> 00:16:34,627 MAYBE T-BONE ON THE RARE SIDE IF I CUT IT UP A BIT FOR HIM. 288 00:16:34,661 --> 00:16:36,063 OH, NOW YOU'RE TALKING. 289 00:16:36,096 --> 00:16:37,797 YEAH. HOW ABOUT THAT? HUH, ROCK? 290 00:16:37,830 --> 00:16:39,532 THINK HE'S LOSING WEIGHT? 291 00:16:39,566 --> 00:16:43,036 HE'S JUST FINE. IT'S A PHASE. 292 00:16:43,070 --> 00:16:45,705 YOU'RE A GYNECOLOGIST, NOT A PEDIATRICIAN. 293 00:16:45,738 --> 00:16:48,141 YOU JUST GETTING UP? IT'S NEARLY 11:30. 294 00:16:48,175 --> 00:16:50,210 DON'T BE SUCH A BEAR, DADDY. 295 00:16:50,243 --> 00:16:52,279 MORNING, ROCKY. MORNING, IRMA. 296 00:16:52,312 --> 00:16:53,713 TIME DID YOU GET HOME LAST NIGHT? 297 00:16:53,746 --> 00:16:56,783 MUST'VE BEEN AFTER 3:00. 298 00:16:56,816 --> 00:16:58,651 IT WAS AFTER 3:00. 299 00:16:58,685 --> 00:17:02,455 IT'S ALWAYS AFTER 3:00 WHEN I GO TO LEROY'S. 300 00:17:02,489 --> 00:17:04,657 SOUNDS LIKE YOU HAD A GOOD TIME. 301 00:17:04,691 --> 00:17:06,593 I DO NOT THINK THAT IS THE KIND OF PLACE 302 00:17:06,626 --> 00:17:08,761 WHERE A YOUNG GIRL SHOULD BE OUT BY HERSELF. 303 00:17:08,795 --> 00:17:11,198 I'M NOT A YOUNG GIRL ANYMORE, DADDY. 304 00:17:11,231 --> 00:17:12,499 MUSIC WAS AWESOME. 305 00:17:12,532 --> 00:17:15,702 YOUR DADDY'S ALWAYS GOING TO WORRY, 306 00:17:15,735 --> 00:17:17,770 ESPECIALLY AFTER WHAT HAPPENED. 307 00:17:17,804 --> 00:17:19,439 YOU DON'T HAVE TO MAKE APOLOGIES FOR ME. 308 00:17:19,472 --> 00:17:21,208 I JUST DON'T WANT HISTORY TO REPEAT ITSELF. 309 00:17:21,241 --> 00:17:25,212 THAT'S ALL. I'M SORRY ABOUT ROCK. 310 00:17:25,245 --> 00:17:28,115 I MEAN, HE WAS MY BROTHER, YOU KNOW. 311 00:17:28,148 --> 00:17:31,284 I MEAN, I JUST DON'T KNOW WHY MYSELF COMING HOME EARLY 312 00:17:31,318 --> 00:17:33,586 IS GOING TO BE ABLE TO BRING HIM OR TRACY BACK. 313 00:17:33,620 --> 00:17:34,654 HE WAS DRINKING AND DRIVING. 314 00:17:34,687 --> 00:17:37,190 DO WE HAVE TO GO OVER THIS AGAIN? 315 00:17:37,224 --> 00:17:40,227 I MEAN, IT WAS THE OTHER GUY WHO HAD THE BLOWOUT, DAD. 316 00:17:40,260 --> 00:17:42,295 THERE WAS NOTHING THAT ROCK COULD'VE DONE. 317 00:17:42,329 --> 00:17:43,363 WE DON'T KNOW THAT. 318 00:17:43,396 --> 00:17:47,667 DADDY, I'M SORRY. 319 00:17:47,700 --> 00:17:50,437 YOU'VE GOTTA LET GO. IT'S ALMOST BEEN A YEAR NOW. 320 00:17:50,470 --> 00:17:52,472 YOU GOTTA LET ME GET ON WITH MY LIFE. 321 00:17:52,505 --> 00:17:53,606 I'M NOT YOUR LITTLE GIRL ANYMORE. 322 00:17:53,640 --> 00:17:55,342 YOU WILL ALWAYS-- 323 00:17:55,375 --> 00:17:56,643 FOR YOU. 324 00:17:56,676 --> 00:17:58,145 YOU WILL ALWAYS BE MY LITTLE GIRL, 325 00:17:58,178 --> 00:18:00,113 AND I WILL ALWAYS GET ON YOUR CASE 326 00:18:00,147 --> 00:18:02,849 IF I FEEL I HAVE TO. 327 00:18:02,882 --> 00:18:06,119 SO WHO WAS AT THE CLUB LAST NIGHT? 328 00:18:06,153 --> 00:18:08,621 OH, YOU KNOW, THE USUAL SUSPECTS-- 329 00:18:08,655 --> 00:18:10,657 JACK FROM THE MAILBOX STORE. 330 00:18:10,690 --> 00:18:12,492 TONY, OF COURSE. 331 00:18:12,525 --> 00:18:15,428 AH, TONY. I LIKE HIM. HE'S A SWEET BOY. 332 00:18:15,462 --> 00:18:18,698 OH, AND THERE WAS THIS CUTE GUY TENDING BAR. 333 00:18:18,731 --> 00:18:19,866 PROBABLY A NO-GOOD DRIFTER. 334 00:18:19,899 --> 00:18:22,769 A NO-GOOD DRIFTER? 335 00:18:22,802 --> 00:18:28,708 MAYBE A WANDERING SAMARITAN COME TO BRING LOVE AND PEACE TO US ALL. 336 00:18:28,741 --> 00:18:30,477 [LAUGHS] 337 00:18:38,918 --> 00:18:42,722 ALL OUR ACTIONS CARRY A LEGACY. 338 00:18:42,755 --> 00:18:46,659 PEOPLE ACT DESPERATELY WITHOUT THINKING ABOUT THE CONSEQUENCES. 339 00:18:48,928 --> 00:18:50,563 DID YOU LEAVE YOUR LITTLE BOY ALONE AGAIN? 340 00:18:50,597 --> 00:18:52,599 HE AIN'T ALONE, 341 00:18:52,632 --> 00:18:54,667 AND I DON'T SEE WHAT THAT'S GOT TO DO WITH YOU ANYWAYS, NANCY. 342 00:18:54,701 --> 00:18:56,903 I'LL TELL YOU WHAT IT'S GOT TO DO WITH ME, LUCY-MAE. 343 00:18:56,936 --> 00:18:58,771 I BROUGHT MY CHILDREN UP GOD FEARING 344 00:18:58,805 --> 00:19:00,840 BY SETTING THEM A GOOD EXAMPLE, 345 00:19:00,873 --> 00:19:02,375 UNLIKE SOME FOLKS I KNOW. 346 00:19:02,409 --> 00:19:03,676 GOOD EXAMPLE, HUH? 347 00:19:03,710 --> 00:19:05,712 WHAT HAPPENED TO MR. THURBER, THEN? 348 00:19:05,745 --> 00:19:06,746 WHY HE RUN OFF? 349 00:19:06,779 --> 00:19:08,415 THAT WAS HIS DECISION. 350 00:19:08,448 --> 00:19:10,450 HE HAD THAT SAME DEVIL'S CURSE YOU HAVE. 351 00:19:10,483 --> 00:19:11,784 WHAT CURSE WOULD THAT BE? 352 00:19:11,818 --> 00:19:13,920 THAT EVIL URGE TO LAUGH? 353 00:19:13,953 --> 00:19:15,788 TO DANCE? TO FEEL ALIVE? 354 00:19:15,822 --> 00:19:17,557 TO SEE SOMETHING OUTSIDE OF PARKER COUNTY? 355 00:19:17,590 --> 00:19:19,492 YOU SHOULD HAVE THOUGHT OF THAT BEFORE. 356 00:19:19,526 --> 00:19:21,694 BEFORE I MADE ONE TINY MISTAKE? 357 00:19:21,728 --> 00:19:23,296 TINY MISTAKE? 358 00:19:23,330 --> 00:19:24,864 IS THAT HOW YOU LOOK AT THAT CHILD OF YOURS? 359 00:19:24,897 --> 00:19:27,734 CHILDREN ARE A MIRACLE. A GIFT FROM GOD. 360 00:19:27,767 --> 00:19:31,738 IT'S YOUR DUTY TO LOOK AFTER 'EM GOOD. 361 00:19:31,771 --> 00:19:34,941 YOU GOT RESPONSIBILITIES, GIRL. 362 00:19:34,974 --> 00:19:36,943 WELL, MAYBE I HAVE. 363 00:19:36,976 --> 00:19:39,946 BUT I'LL MAKE MY OWN DECISIONS, NANCY. 364 00:19:39,979 --> 00:19:42,315 SURE DON'T NEED ANY HELP FROM YOU. 365 00:19:45,585 --> 00:19:47,387 WELL, WELL. 366 00:19:47,420 --> 00:19:49,989 KAMIKAZE, A B-52, AND TWO BOSTON BULLETS. 367 00:19:50,022 --> 00:19:51,424 HOW YOU FEELING TODAY? 368 00:19:51,458 --> 00:19:52,725 BOMBED OUT. 369 00:19:52,759 --> 00:19:53,893 I'LL BET YOU ARE. CAN I SIT HERE? 370 00:19:53,926 --> 00:19:55,295 SURE. 371 00:19:55,328 --> 00:19:56,763 UH, I'D LIKE A CUP OF COFFEE, PLEASE, 372 00:19:56,796 --> 00:19:59,732 WITH CREAM, HONEY, AND A BIG OL' GLASS OF ICE WATER. 373 00:19:59,766 --> 00:20:01,234 LEMON IN THAT? 374 00:20:01,268 --> 00:20:02,535 OH, SUE, CAN YOU SPLIT A 20 FOR ME? 375 00:20:02,569 --> 00:20:03,636 OH, YEAH. LET ME SEE. OH, HI. 376 00:20:03,670 --> 00:20:05,305 HEY. 377 00:20:05,338 --> 00:20:07,006 I HAVE TO GIVE IT TO SOMEONE IN MY CLASS. CLASS? 378 00:20:07,039 --> 00:20:09,976 YEAH. I TEACH AN AEROBICS CLASS. 379 00:20:10,009 --> 00:20:11,711 DIDN'T I TELL YOU THAT? 380 00:20:11,744 --> 00:20:13,012 NO, YOU DIDN'T REALLY TELL ME MUCH OF ANYTHING. 381 00:20:13,045 --> 00:20:14,814 WELL, THEN I THINK YOU NEED TO BUY ME A COFFEE. 382 00:20:14,847 --> 00:20:16,516 I WOULD LOVE TO BUY YOU COFFEE. 383 00:20:16,549 --> 00:20:18,851 ACTUALLY, MAKE IT A CAPPUCCINO WITH A SWEET'N LOW. 384 00:20:18,885 --> 00:20:20,453 ALL RIGHT, I'LL BE RIGHT BACK. OKAY. 385 00:20:20,487 --> 00:20:21,754 UH, MAKE THAT TWO CAPPUCCINOS-- 386 00:20:21,788 --> 00:20:23,456 ONE WITH SWEET'N LOW AND ONE WITH HONEY, 387 00:20:23,490 --> 00:20:24,657 AND TWO BIG OL' GLASSES OF ICE WATER. 388 00:20:24,691 --> 00:20:26,459 SURE THING. THANKS. 389 00:20:29,862 --> 00:20:32,965 ALL RIGHT. 390 00:20:32,999 --> 00:20:35,335 I CAN DEFINITELY USE THIS. 391 00:20:35,368 --> 00:20:36,903 TELL ME SOMETHING, THOUGH, 392 00:20:36,936 --> 00:20:38,338 OTHER THAN AEROBICS CLASSES 393 00:20:38,371 --> 00:20:39,406 AND DRINKING OVER AT LEROY'S, 394 00:20:39,439 --> 00:20:40,507 WHAT DO YOU ACTUALLY LIKE TO DO? 395 00:20:40,540 --> 00:20:42,008 ARE YOU GETTING ON MY CASE AGAIN? 396 00:20:42,041 --> 00:20:43,543 MM. LITTLE BIT. 397 00:20:43,576 --> 00:20:46,479 I DON'T KNOW. I JUST REALLY LIKE TO PARTY. 398 00:20:46,513 --> 00:20:48,815 SEE, MY DADDY, HE'S WELL OFF. 399 00:20:48,848 --> 00:20:50,283 HE'S THIS-- 400 00:20:50,317 --> 00:20:52,485 TOP GYNECOLOGIST. YEAH, I KNOW. 401 00:20:52,519 --> 00:20:55,955 I TOLD YOU? YEAH. 402 00:20:55,988 --> 00:21:00,059 MY GOSH. WELL, HE'S REALLY SUCCESSFUL, 403 00:21:00,092 --> 00:21:02,028 AND SO HE SENT ME TO LUCERNE, 404 00:21:02,061 --> 00:21:04,297 AND THAT'S WHERE I WENT TO BECOME A DANCER. 405 00:21:04,331 --> 00:21:05,598 IT WAS EITHER THAT OR PAINTING, 406 00:21:05,632 --> 00:21:07,033 AND STARTED TO GET INTO DANCING. 407 00:21:07,066 --> 00:21:08,468 SOUNDS LIKE FUN. 408 00:21:08,501 --> 00:21:10,537 UP UNTIL THAT ACCIDENT THAT I HAD. 409 00:21:10,570 --> 00:21:11,904 ACCIDENT? 410 00:21:11,938 --> 00:21:13,906 OH, YEAH. I WAS SKIING AND I WENT DOWN THIS HILL, 411 00:21:13,940 --> 00:21:15,742 AND ENDED UP TWISTING MY RIGHT LEG, 412 00:21:15,775 --> 00:21:19,779 AND, WELL, IT JUST STARTED TO CALCIFY UNDER MY KNEECAPS, 413 00:21:19,812 --> 00:21:22,415 AND THEN I JUST HAD TO STOP. 414 00:21:22,449 --> 00:21:23,683 YOU'RE PAINTING NOW? 415 00:21:23,716 --> 00:21:25,485 OH. YEAH, NOT ANYMORE. 416 00:21:25,518 --> 00:21:27,987 I HAVEN'T DONE THAT FOR YEARS. 417 00:21:28,020 --> 00:21:32,892 THAT'S TOO BAD. 418 00:21:32,925 --> 00:21:35,061 SO TELL ME, MR. DOONBY, 419 00:21:35,094 --> 00:21:36,496 WHAT'S YOUR STORY? 420 00:21:36,529 --> 00:21:37,697 OH, ME, I'M JUST A BARTENDER 421 00:21:37,730 --> 00:21:39,532 WHO TRAVELS AROUND A LOT 422 00:21:39,566 --> 00:21:41,334 AND DOESN'T LIKE TO STAY IN ONE PLACE FOR VERY LONG, 423 00:21:41,368 --> 00:21:43,636 BECAUSE HE FIGURES A MOVING TARGET'S HARDER TO HIT. 424 00:21:43,670 --> 00:21:45,505 BUT I'M NOBODY, REALLY. 425 00:21:45,538 --> 00:21:46,873 WELL, WHAT ABOUT YOUR FUTURE? 426 00:21:46,906 --> 00:21:48,441 MY FUTURE IS THE NEXT SECOND, LAURA. 427 00:21:48,475 --> 00:21:51,077 YOUR FUTURE IS THE NEXT SECOND. 428 00:21:51,110 --> 00:21:52,712 SEE? THERE IT WENT. 429 00:21:52,745 --> 00:21:54,614 [WHISTLES] DID YOU MISS THAT? 430 00:21:54,647 --> 00:21:58,084 I THINK I DID. 431 00:21:58,117 --> 00:22:02,121 I FIGURE THAT WE'RE SUPPOSED TO ENJOY EVERY MOMENT 432 00:22:02,154 --> 00:22:03,756 AND TRY TO MAKE A DIFFERENCE. 433 00:22:03,790 --> 00:22:05,558 THAT'S THE POINT. 434 00:22:05,592 --> 00:22:08,428 IT JUST SEEMS LIKE THERE'S SOMETHING MORE TO YOUR STORY. 435 00:22:08,461 --> 00:22:09,662 NO, NO, THERE'S NO-- 436 00:22:09,696 --> 00:22:13,032 NO DEEP, DARK SECRETS HERE. 437 00:22:13,065 --> 00:22:14,867 FACT, IF YOU REALLY GET TO KNOW ME BETTER, 438 00:22:14,901 --> 00:22:17,404 I THINK YOU'D FIND OUT THAT I WAS REALLY QUITE BORING. 439 00:22:17,437 --> 00:22:19,138 [LAUGHS] AND THAT, MR. DOONBY, 440 00:22:19,171 --> 00:22:20,973 I WOULD FIND VERY DISAPPOINTING. 441 00:22:21,007 --> 00:22:22,575 WOULD YOU EXCUSE ME FOR JUST A MINUTE? 442 00:22:22,609 --> 00:22:23,910 OKAY. 443 00:22:27,914 --> 00:22:30,917 HEY, BUDDY, CAN YOU TELL ME WHERE THE LIBRARY IS? 444 00:22:30,950 --> 00:22:33,486 I THOUGHT IT USED TO BE-- 445 00:22:33,520 --> 00:22:36,155 SO LET'S GO AND FIND WHERE YOU KEEP THAT LOUSY MONEY. 446 00:22:36,188 --> 00:22:38,591 HEY, HEY, HEY. TAKE IT EASY, PAL. 447 00:22:38,625 --> 00:22:39,826 WHO THE HELL ARE YOU, MAN? 448 00:22:39,859 --> 00:22:42,429 YOU TAKE IT EASY, PAL. 449 00:22:42,462 --> 00:22:43,730 AND BACK OFF! 450 00:22:43,763 --> 00:22:45,532 I SAID BACK OFF, AND STEP AWAY FROM THE DOOR. 451 00:22:45,565 --> 00:22:46,933 YOU UNDERSTAND ME? OR I WILL KILL HIM. 452 00:22:46,966 --> 00:22:48,067 I'M NOT MOVING. 453 00:22:48,100 --> 00:22:49,602 I'M NOT GONNA TELL YOU TWICE. 454 00:22:49,636 --> 00:22:51,738 COME ON. YOU TELL ME ABOUT WHERE THAT MONEY IS. 455 00:22:51,771 --> 00:22:52,839 WHERE IS IT? 456 00:22:52,872 --> 00:22:54,507 I TOLD YOU. IT'S IN THERE. 457 00:22:54,541 --> 00:22:56,409 IT'S NOT THAT MUCH. WE BANKED IT ALREADY. 458 00:22:56,443 --> 00:22:58,044 HE'S TELLING YOU THE TRUTH. 459 00:22:58,077 --> 00:23:00,179 WHAT IS THIS? MAN, WHERE'S THE REST? 460 00:23:00,212 --> 00:23:02,682 THIS IS IT? I TOLD YOU I WAS GONNA KILL YOU. 461 00:23:02,715 --> 00:23:04,116 HEY, HEY, I WORK HERE. HE'S TELLING YOU THE TRUTH. 462 00:23:04,150 --> 00:23:05,785 DON'T TELL ME WHAT TO DO! 463 00:23:05,818 --> 00:23:08,521 UNDERSTAND? NOW WHAT ARE YOU GONNA DO ABOUT IT, HUH? 464 00:23:08,555 --> 00:23:09,922 HUH? YOU HEAR ME? 465 00:23:09,956 --> 00:23:12,191 WHAT ARE YOU DOING? 466 00:23:12,224 --> 00:23:14,126 COME ON IN HERE. 467 00:23:14,160 --> 00:23:15,695 I'M GONNA SHOW YOU HOW I'M GONNA BLAST 468 00:23:15,728 --> 00:23:16,696 THIS PIECE OF BLACK TRASH! 469 00:23:16,729 --> 00:23:18,164 NO! 470 00:23:25,805 --> 00:23:28,040 LEROY! 471 00:23:28,074 --> 00:23:31,210 NO! 472 00:23:31,243 --> 00:23:33,946 [SPEAKS SPANISH] 473 00:23:33,980 --> 00:23:35,748 LEROY. PLEASE... 474 00:23:35,782 --> 00:23:39,686 [TIRES SCREECH, HORNS HONKING] 475 00:23:46,626 --> 00:23:48,227 I HEARD THE SHOOTING, AND I JUST RAN RIGHT IN. 476 00:23:48,260 --> 00:23:49,829 SIT DOWN. SIT DOWN. 477 00:23:49,862 --> 00:23:52,565 I WAS IN THE KITCHEN, AND I HEARD SOMETHING. 478 00:23:52,599 --> 00:23:54,667 AND YOU NEVER THINK IT'S GONNA HAPPEN TO YOU. 479 00:23:54,701 --> 00:23:56,235 IT'S LUCKY YOU WERE HERE, SAM. 480 00:23:56,268 --> 00:23:57,837 THANKS. 481 00:23:57,870 --> 00:23:58,838 IT'S ALL RIGHT. YOU GONNA BE OKAY? 482 00:23:58,871 --> 00:24:00,072 YEAH, YEAH. 483 00:24:00,106 --> 00:24:01,508 HERE, BABY, LET ME LOOK. 484 00:24:01,541 --> 00:24:02,509 MY HEARING'S COMING BACK NOW. 485 00:24:02,542 --> 00:24:05,778 OH, BABY. LOVE YOU SO MUCH. 486 00:24:05,812 --> 00:24:08,715 AH. GET ME A BEER, WOMAN. 487 00:24:08,748 --> 00:24:09,949 [LAUGHTER] 488 00:24:09,982 --> 00:24:11,851 YOU COULD DRY UP AND DIE IN THIS PLACE. 489 00:24:11,884 --> 00:24:13,920 HOW DID YOU KNOW? 490 00:24:13,953 --> 00:24:16,055 UH, I--I DON'T KNOW. 491 00:24:16,088 --> 00:24:18,758 THINGS JUST DIDN'T SEEM RIGHT, I GUESS. 492 00:24:18,791 --> 00:24:20,627 ARE YOU GONNA CALL THE POLICE? 493 00:24:20,660 --> 00:24:22,862 NO. NO. 494 00:24:22,895 --> 00:24:24,697 NO, WE SHOULDN'T DO THAT. 495 00:24:24,731 --> 00:24:25,798 I DON'T NEED ANY COP CARS PARKED OUTSIDE. 496 00:24:25,832 --> 00:24:26,966 IT'S BAD FOR BUSINESS. 497 00:24:26,999 --> 00:24:28,267 IS THAT OKAY WITH YOU, SAM? 498 00:24:28,300 --> 00:24:31,604 YEAH. I'M WITH YOU RIGHT THERE 100%, LEROY. 499 00:24:36,075 --> 00:24:38,545 HEY, DUANE. ANOTHER BEER? 500 00:24:38,578 --> 00:24:41,548 UH, MAYBE NOT. I GOT A LONG HAUL TOMORROW. 501 00:24:41,581 --> 00:24:43,916 ARCH? ROOKIE. 502 00:24:43,950 --> 00:24:46,285 AT YOUR AGE, MAN, YOU SHOULD BE STICKING TO DELIVERY VANS 503 00:24:46,318 --> 00:24:47,820 AND STAY AWAY FROM THEM DUMP TRUCKS. 504 00:24:47,854 --> 00:24:49,155 AND LET ME TELL YOU, DUANE, 505 00:24:49,188 --> 00:24:50,957 YOU BETTER KEEP AN EYE ON THOSE TIMES. 506 00:24:50,990 --> 00:24:52,659 YOUR PERMIT GET YANKED, 507 00:24:52,692 --> 00:24:55,762 IT'S NOT GONNA BE WORTH THE EXTRA CASH. 508 00:24:55,795 --> 00:24:56,996 WELL, YOU PLAY GUITAR 509 00:24:57,029 --> 00:24:58,665 AS WELL AS YOU DO EVERYTHING ELSE, SAM? 510 00:24:58,698 --> 00:25:00,299 OH, I FIDDLE AROUND WITH IT A LITTLE BIT. 511 00:25:00,332 --> 00:25:01,801 YOU GOT THAT RIGHT. BABY. 512 00:25:01,834 --> 00:25:03,269 I'M JUST KIDDING. 513 00:25:03,302 --> 00:25:05,304 ARE YOU GONNA SHOW US SOME OF THAT FIDDLIN' AROUND? 514 00:25:05,337 --> 00:25:07,740 NO, NO, NO, NO. UH-UH. 515 00:25:07,774 --> 00:25:09,942 OH, NO, NO, NO. I CAN'T PLAY THAT GUITAR. 516 00:25:09,976 --> 00:25:11,811 THAT'S WOODY GUTHRIE'S GUITAR. 517 00:25:11,844 --> 00:25:13,546 OH, HE WON'T MIND. 518 00:25:13,580 --> 00:25:14,781 HE AIN'T BEEN HERE IN MONTHS. 519 00:25:14,814 --> 00:25:15,848 YEAH, COME ON, SAM. 520 00:25:15,882 --> 00:25:16,916 LET THEM STRINGS DO THE TALKING. 521 00:25:16,949 --> 00:25:19,251 GO ON NOW. 522 00:25:19,285 --> 00:25:20,687 REGULAR CHET ATKINS. 523 00:25:20,720 --> 00:25:22,288 SHOW 'EM WHAT YOU GOT. 524 00:25:22,321 --> 00:25:23,856 [SIGHS] LET'S HEAR IT. 525 00:25:27,259 --> 00:25:29,095 UH... 526 00:25:31,097 --> 00:25:34,634 [PLAYING BLUES GUITAR] 527 00:26:00,627 --> 00:26:02,629 * 23RD OF NOVEMBER 528 00:26:02,662 --> 00:26:04,964 * LOOK THROUGH MY POCKETS NOT A DIME * 529 00:26:07,700 --> 00:26:10,703 * NOW IT'S THE 25TH OF DECEMBER, BABY * 530 00:26:10,737 --> 00:26:12,739 * CHECK MY POCKETS NOT A DIME * 531 00:26:15,675 --> 00:26:18,310 * HOW AM I SUPPOSED TO PROVIDE FOR YOU HONEY * 532 00:26:18,344 --> 00:26:20,613 * YOU SPENDING MY MONEY ALL THE TIME * 533 00:26:24,116 --> 00:26:26,853 * GOT A CREDIT CARD IN YOUR WALLET * 534 00:26:26,886 --> 00:26:32,024 * THAT THING AIN'T FUNNY 535 00:26:32,058 --> 00:26:34,894 * 37 AND 1/2 PERCENT BABY 536 00:26:34,927 --> 00:26:39,732 * NO THAT AIN'T FUNNY 537 00:26:39,766 --> 00:26:41,801 * THE WAY THAT YOU'RE SPENDING HONEY * 538 00:26:41,834 --> 00:26:43,269 * THERE'S MUCH TOO MUCH MONTH 539 00:26:43,302 --> 00:26:47,774 * AT THE END OF THE MONEY 540 00:26:53,079 --> 00:26:54,080 WHOO! 541 00:26:54,113 --> 00:26:59,385 [CHEERS AND APPLAUSE] 542 00:26:59,418 --> 00:27:00,820 THERE YOU GO, TONY. 543 00:27:00,853 --> 00:27:02,822 THERE'S YOUR CHET ATKINS. 544 00:27:02,855 --> 00:27:04,056 WELL, I TELL YOU WHAT. 545 00:27:04,090 --> 00:27:06,726 I GUESS I OWE YOU AN APOLOGY, MAN. 546 00:27:06,759 --> 00:27:08,027 BUT YOU BEST GET BACK TO POURING, 547 00:27:08,060 --> 00:27:11,097 'CAUSE... NEEDS TO GO CHANGE. 548 00:27:11,130 --> 00:27:12,865 YOU ARE A TRUE GENTLEMAN. 549 00:27:12,899 --> 00:27:14,934 WHERE'D YOU LEARN TO PLAY LIKE THAT? 550 00:27:14,967 --> 00:27:18,370 OH, UH, PARKERVILLE, LOUISIANA. 551 00:27:18,404 --> 00:27:20,172 FRIENDS OF MINE HAD A LITTLE PLACE ACROSS THE TRACKS, 552 00:27:20,206 --> 00:27:21,407 AND I USED TO GO OVER THERE. 553 00:27:21,440 --> 00:27:22,842 THEY'D PICK SOME MEAN BLUES. 554 00:27:22,875 --> 00:27:25,244 DID YOU SAY, UH, PARKERVILLE, LOUISIANA? 555 00:27:25,277 --> 00:27:27,413 YEAH. DON'T TELL ME YOU'VE HEARD OF IT. 556 00:27:27,446 --> 00:27:30,449 MY FOLKS ARE FROM PARKERVILLE, LOUISIANA. 557 00:27:30,482 --> 00:27:33,219 IS THAT RIGHT? WELL, IT'S A SMALL WORLD, ISN'T IT? 558 00:27:33,252 --> 00:27:35,688 IT IS A SMALL WORLD. 559 00:27:35,722 --> 00:27:37,389 CAN WE GET A DRINK AROUND HERE? 560 00:27:37,423 --> 00:27:39,291 CAN I GET TWO SLIGHTLY DIRTY GIN MARTINIS? 561 00:27:39,325 --> 00:27:41,160 SURE. COMIN' RIGHT UP. 562 00:28:02,949 --> 00:28:04,150 I THINK HE'S KINDA CUTE. 563 00:28:04,183 --> 00:28:06,886 YEAH, ISN'T HE? 564 00:28:06,919 --> 00:28:08,454 THAT BOY NEEDS TO UNWIND, 565 00:28:08,487 --> 00:28:10,156 HAVE A LITTLE FUN AFTER WORK. 566 00:28:10,189 --> 00:28:11,758 I'LL SEE YOU LATER. 567 00:28:17,229 --> 00:28:19,465 [CLATTERING] 568 00:28:38,517 --> 00:28:39,919 AAH! 569 00:28:39,952 --> 00:28:41,187 EASY, EASY, EASY. 570 00:28:41,220 --> 00:28:42,922 I'M SO SORRY. ARE YOU OKAY? 571 00:28:42,955 --> 00:28:44,256 I SAW YOU FALL. ARE YOU ALL RIGHT? 572 00:28:44,290 --> 00:28:46,125 I AM. I THINK I WAS GOING CRAZY. 573 00:28:46,158 --> 00:28:48,294 I THINK SOMEONE WAS FOLLOWING ME. 574 00:28:48,327 --> 00:28:51,230 I DON'T SEE ANYBODY. ARE YOU OKAY? 575 00:28:51,263 --> 00:28:53,132 I THINK IT'S JUST ALL THAT HAPPENED TODAY. 576 00:28:53,165 --> 00:28:54,867 GIVE ME YOUR KEYS. I'M GONNA DRIVE YOU HOME. 577 00:28:54,901 --> 00:28:56,102 YOU CAN'T DRIVE. 578 00:28:56,135 --> 00:28:58,237 WELL, THANK YOU VERY MUCH, SIR GALAHAD. 579 00:28:58,270 --> 00:28:59,939 WHERE DO YOU LIVE, LADY GUINEVERE? 580 00:28:59,972 --> 00:29:03,876 WELL, I LIVE ON THE EDGE. 581 00:29:03,910 --> 00:29:05,845 THE EDGE OF TOWN. 582 00:29:05,878 --> 00:29:09,048 GET IN THE CAR. 583 00:29:09,081 --> 00:29:10,817 OH. UH, UH, UH. 584 00:29:10,850 --> 00:29:12,451 BUT FIRST, LET'S, UH, 585 00:29:12,484 --> 00:29:14,520 LET'S GO TO JUSTIN AND LISA'S. 586 00:29:14,553 --> 00:29:16,488 IT'S AFTER 3:00 IN THE MORNING. 587 00:29:16,522 --> 00:29:20,326 WHAT IS IT WITH YOU AND TIME? 588 00:29:20,359 --> 00:29:22,128 ONE GLASS. THEN I WILL TAKE YOU HOME. 589 00:29:22,161 --> 00:29:24,063 NOW, PLEASE, GET IN THE CAR. 590 00:29:30,002 --> 00:29:31,537 AH. COME ON. 591 00:29:31,570 --> 00:29:35,007 THAT IS EXACTLY WHAT I'VE BEEN WAITING FOR 592 00:29:35,041 --> 00:29:37,276 AFTER A HARD DAY'S WORK. 593 00:29:37,309 --> 00:29:38,544 SO YOU'RE GONNA COME ON IN? 594 00:29:38,577 --> 00:29:39,979 NO, I'M NOT COMIN' IN. 595 00:29:40,012 --> 00:29:41,447 WHY NOT? 596 00:29:41,480 --> 00:29:42,882 'CAUSE I DON'T HAVE A SUIT. 597 00:29:42,915 --> 00:29:48,354 OH, I LIKE A SHYNESS IN A MAN. 598 00:29:48,387 --> 00:29:50,422 SHOWS HIS VULNERABLE SIDE. 599 00:29:52,892 --> 00:29:54,226 YOU KNOW WHAT? 600 00:29:54,260 --> 00:29:56,829 JUSTIN DID SAY THAT YOU NEEDED TO UNWIND. 601 00:29:56,863 --> 00:29:58,397 OH, HE DID? 602 00:29:58,430 --> 00:30:02,168 TELL ME, WHAT EXACTLY IS IT THAT YOU DO, JUSTIN? 603 00:30:02,201 --> 00:30:05,071 I'M A VP AT COMMEROIL AND LISA'S IN PR. 604 00:30:05,104 --> 00:30:06,906 OH, SO THAT MAKES YOU AN OIL MOGUL, HUH? 605 00:30:06,939 --> 00:30:08,140 HARDLY A MOGUL. 606 00:30:08,174 --> 00:30:09,976 I'M IN LEGAL AFFAIRS. 607 00:30:10,009 --> 00:30:11,944 SOUNDS SLIPPERY. 608 00:30:11,978 --> 00:30:15,281 YOU'RE ONE MYSTERIOUS GUY, SAM. 609 00:30:15,314 --> 00:30:17,984 I'VE NEVER HEARD LAURA TALK SO MUCH ABOUT SOMEBODY 610 00:30:18,017 --> 00:30:20,352 AND TELL US SO LITTLE. 611 00:30:20,386 --> 00:30:23,155 I WAS TRYING TO BE COOL. 612 00:30:23,189 --> 00:30:25,224 WHERE'D YOU SAY YOU WERE FROM? 613 00:30:25,257 --> 00:30:27,293 I DIDN'T SAY, JUSTIN. 614 00:30:27,326 --> 00:30:28,627 YES, YOU DID. 615 00:30:28,660 --> 00:30:31,597 YOU SAID YOU WERE FROM PARKERVILLE, LOUISIANA. 616 00:30:31,630 --> 00:30:33,032 SAME AS MY FOLKS. 617 00:30:33,065 --> 00:30:34,266 WHAT'D YOU DO THERE? 618 00:30:34,300 --> 00:30:35,567 GREW UP, MOSTLY. 619 00:30:35,601 --> 00:30:37,203 WHAT DID YOU DO AFTER THAT? 620 00:30:37,236 --> 00:30:38,404 I WENT TO KARAMOJA. 621 00:30:38,437 --> 00:30:39,471 WHERE? WHERE? 622 00:30:39,505 --> 00:30:42,909 KARAMOJA. IT'S IN UGANDA. 623 00:30:42,942 --> 00:30:44,510 I WAS IN THE PEACE CORPS. 624 00:30:44,543 --> 00:30:45,511 OH. 625 00:30:45,544 --> 00:30:46,645 PEACE CORPS, HUH? 626 00:30:46,678 --> 00:30:48,480 YEAH. YOU'VE HEARD OF IT? 627 00:30:48,514 --> 00:30:50,149 YEAH. ALL THE GUYS I KNEW THAT WENT INTO THAT 628 00:30:50,182 --> 00:30:53,585 WERE SOME KIND OF IDEALISTIC PINKO. 629 00:30:53,619 --> 00:30:56,622 WELL, I GUESS IF GOING TO A FOREIGN COUNTRY 630 00:30:56,655 --> 00:30:58,524 AND TRYING TO MAKE SURE THAT A BUNCH OF CHILDREN 631 00:30:58,557 --> 00:30:59,959 DO NOT STARVE TO DEATH 632 00:30:59,992 --> 00:31:01,293 MAKES YOU AN IDEALISTIC PINKO, 633 00:31:01,327 --> 00:31:03,129 THEN I'M AN IDEALISTIC PINKO, AREN'T I? 634 00:31:03,162 --> 00:31:05,998 WELL, ANYWAY, AFRICA'S WAY TOO HOT AND SMELLY FOR ME. 635 00:31:06,032 --> 00:31:07,633 I WAS DOING A MARKETING DEGREE AT UT. 636 00:31:07,666 --> 00:31:10,336 OH, GOOD FOR YOU, JUSTIN. 637 00:31:10,369 --> 00:31:13,405 OKAY. LET'S TALK ABOUT SOMETHING ELSE. 638 00:31:13,439 --> 00:31:15,374 YES. 639 00:31:15,407 --> 00:31:17,343 I'M A LITTLE HUNGRY. GOT ANYTHING TO EAT AROUND HERE? 640 00:31:17,376 --> 00:31:18,410 OKAY, PRINCESS. COME ON. 641 00:31:18,444 --> 00:31:20,012 YOU'RE HOME. COME ON. 642 00:31:20,046 --> 00:31:21,647 I'M NOT TALKING TO YOU. 643 00:31:21,680 --> 00:31:23,282 REALLY? WHY NOT? 644 00:31:23,315 --> 00:31:26,185 'CAUSE YOU HUMILIATED ME IN FRONT OF MY FRIENDS. 645 00:31:26,218 --> 00:31:27,586 YOU DIDN'T NEED ANY HELP TO DO THAT. 646 00:31:27,619 --> 00:31:29,588 YOU DID FINE ON YOUR OWN. NOW COME ON. 647 00:31:29,621 --> 00:31:31,023 WHERE'S MY DRESS? 648 00:31:31,057 --> 00:31:34,526 RIGHT HERE. 649 00:31:34,560 --> 00:31:36,595 HOW DID YOU KNOW WHERE I LIVE? 650 00:31:36,628 --> 00:31:39,531 THERE WAS A PIECE OF PAPER INSIDE YOUR PURSE. 651 00:31:39,565 --> 00:31:41,667 YOU WENT IN MY PURSE? 652 00:31:41,700 --> 00:31:44,203 HOW DARE YOU? I DON'T EVEN KNOW YOU. 653 00:31:44,236 --> 00:31:47,206 HEY, HEY, HEY, HEY. SHH. 654 00:31:47,239 --> 00:31:49,141 SHH. 655 00:31:49,175 --> 00:31:50,442 I DIDN'T TAKE ANYTHING. 656 00:31:50,476 --> 00:31:52,111 AND BESIDES, IT LOOKED LIKE YOU KNEW ME 657 00:31:52,144 --> 00:31:53,312 PRETTY WELL BACK AT THE HOT TUB. 658 00:31:53,345 --> 00:31:54,380 YEAH. YEAH, YEAH. 659 00:31:54,413 --> 00:31:56,048 NOW COME ON. LET'S GO INSIDE. 660 00:31:56,082 --> 00:31:58,084 AND BE QUIET. YOU'RE GONNA WAKE UP THE NEIGHBORS. 661 00:31:58,117 --> 00:31:59,285 WELL, DON'T TELL ME WHAT TO DO. 662 00:31:59,318 --> 00:32:00,519 THAT'S MY CAR. 663 00:32:00,552 --> 00:32:03,322 THAT'S MY CAR. THAT'S MY HOUSE! 664 00:32:03,355 --> 00:32:04,490 SHH, SHH. 665 00:32:04,523 --> 00:32:07,093 THIS IS MY STUPID... IT'S MY... 666 00:32:07,126 --> 00:32:08,460 STUPID TOWN. 667 00:32:08,494 --> 00:32:10,262 WELL, THEN DON'T WAKE THE STUPID NEIGHBORS. 668 00:32:10,296 --> 00:32:12,364 HERE. TAKE THESE. 669 00:32:12,398 --> 00:32:14,666 INSIDE. 670 00:32:14,700 --> 00:32:16,435 AND GO TO SLEEP. 671 00:32:16,468 --> 00:32:17,703 BY THE WAY, THANKS A LOT, SAM. 672 00:32:17,736 --> 00:32:19,138 THANKS FOR GETTING ME HOME. 673 00:32:19,171 --> 00:32:20,372 THANKS FOR MAKING ME SAFE. 674 00:32:20,406 --> 00:32:21,607 THANKS FOR EVERYTHING, SAM. 675 00:32:21,640 --> 00:32:23,075 THANKS FOR A WONDERFUL EVENING. 676 00:32:23,109 --> 00:32:24,343 BLAH, BLAH, BLAH, BLAH. SHUT IT. 677 00:32:24,376 --> 00:32:27,046 UGH. GOODNIGHT, MRS. KRAVITZ! 678 00:32:32,684 --> 00:32:33,719 [MAN] LAURA. 679 00:32:33,752 --> 00:32:35,154 HI, DAD. 680 00:32:35,187 --> 00:32:36,388 YOU BRING THE MORNING PAPER? 681 00:32:36,422 --> 00:32:38,324 THAT'S ALL I NEED. 682 00:32:38,357 --> 00:32:39,725 WHAT ARE YOU DOING UP? 683 00:32:39,758 --> 00:32:41,560 ROCKWELL JUNIOR HERE 684 00:32:41,593 --> 00:32:45,097 HAS ABOUT AS MUCH REGARD FOR SENSIBLE HOURS AS YOU DO. 685 00:32:45,131 --> 00:32:46,732 WOKE UP CRYING. 686 00:32:46,765 --> 00:32:48,400 MM. WELL, WHERE'S IRMA? 687 00:32:48,434 --> 00:32:50,069 I THOUGHT THAT'S WHAT YOU PAID HER FOR. 688 00:32:50,102 --> 00:32:51,303 HEY, DR. REAPER. I'M SORRY. 689 00:32:51,337 --> 00:32:52,538 LET ME TAKE HIM. 690 00:32:52,571 --> 00:32:55,641 ALL RIGHT. BYE-BYE, CHAMP. 691 00:32:55,674 --> 00:32:57,076 YOU SLEEP NOW, SWEETHEART. 692 00:32:57,109 --> 00:32:58,310 BYE-BYE. 693 00:32:58,344 --> 00:32:59,545 NIGHT, ROCKY. 694 00:32:59,578 --> 00:33:00,779 MM. 695 00:33:00,812 --> 00:33:02,214 NIGHT, DAD. 696 00:33:02,248 --> 00:33:03,482 WHERE ARE YOUR CLOTHES? 697 00:33:03,515 --> 00:33:07,619 RIGHT HERE. I WAS HOT TUBBING AT LISA'S. 698 00:33:07,653 --> 00:33:10,422 I TOLD YOU NOT TO DRINK AND DRIVE. 699 00:33:10,456 --> 00:33:12,591 I WASN'T DRINKING AND DRIVING, DAD. 700 00:33:12,624 --> 00:33:15,227 IN FACT, A GENTLEMAN DROVE ME HOME. 701 00:33:15,261 --> 00:33:17,329 OH, YEAH, MAYBE YOU WOULDN'T BE HAPPY ABOUT HIM. 702 00:33:17,363 --> 00:33:21,800 HE WAS THAT NO GOOD DRIFTER FROM LEROY'S YOU TOLD ME ABOUT. 703 00:33:21,833 --> 00:33:23,235 WE NEED TO TALK. 704 00:33:23,269 --> 00:33:25,037 SIT DOWN. NOW. 705 00:33:25,071 --> 00:33:27,739 WHAT IS IT WITH YOU, YOUNG LADY? 706 00:33:27,773 --> 00:33:30,442 I WORRY MYSELF SICK EVERY NIGHT ABOUT YOU. 707 00:33:30,476 --> 00:33:31,810 I NEVER ASKED YOU TO. 708 00:33:31,843 --> 00:33:34,213 I HAVE A POSITION IN THIS TOWN. 709 00:33:34,246 --> 00:33:37,316 OH, IS THAT WHAT THIS IS ABOUT? YOUR POSITION? 710 00:33:37,349 --> 00:33:39,185 THAT'S NOT WHAT I MEAN. 711 00:33:39,218 --> 00:33:41,253 IT'S NOT, DAD? 712 00:33:41,287 --> 00:33:44,190 I HAVE GIVEN YOU EVERYTHING. 713 00:33:44,223 --> 00:33:45,524 AND YOU'RE WASTING YOUR LIFE AWAY. 714 00:33:45,557 --> 00:33:46,525 WELL, I DON'T THINK SO. 715 00:33:46,558 --> 00:33:47,759 WELL, I KNOW SO. 716 00:33:47,793 --> 00:33:49,428 YOU LIKE TO LIVE LIFE ON THE EDGE. 717 00:33:49,461 --> 00:33:51,297 YOU GO TO ALL THE WRONG PLACES 718 00:33:51,330 --> 00:33:52,531 WITH ALL THE WRONG PEOPLE. 719 00:33:52,564 --> 00:33:53,799 YOU'RE LIKE A MOTH TO A FIRE. 720 00:33:53,832 --> 00:33:55,301 YOU HAVE NEVER EVEN MET MY FRIENDS. 721 00:33:55,334 --> 00:33:58,070 WELL, I DON'T NEED TO. 722 00:33:58,104 --> 00:34:00,372 I'M LOOKING AT THE RESULTS. 723 00:34:00,406 --> 00:34:02,674 YOU COME HOME DRUNK MOST NIGHTS. 724 00:34:02,708 --> 00:34:04,110 DON'T HAVE ANY AMBITION. 725 00:34:04,143 --> 00:34:06,545 DON'T HAVE ANY GOALS. 726 00:34:06,578 --> 00:34:08,547 SLEEP AWAY HALF THE DAY. 727 00:34:08,580 --> 00:34:09,781 THAT'S NOT FAIR. 728 00:34:09,815 --> 00:34:11,750 I HAVE MY AEROBICS CLASSES. 729 00:34:11,783 --> 00:34:14,653 OH, RIGHT. YES. SYNCHRONIZED PUSH-UPS. 730 00:34:14,686 --> 00:34:16,188 IS THAT WHY I SENT YOU 731 00:34:16,222 --> 00:34:18,324 TO THE BEST ART SCHOOLS IN EUROPE? 732 00:34:18,357 --> 00:34:19,758 AND SINCE YOU'VE COME BACK, 733 00:34:19,791 --> 00:34:21,293 HAVE YOU AS MUCH AS PICKED UP A BRUSH 734 00:34:21,327 --> 00:34:22,294 OR EVEN A PENCIL? 735 00:34:22,328 --> 00:34:23,429 I'M NOT VERY GOOD AT IT. 736 00:34:23,462 --> 00:34:24,796 OH, THAT'S BULL AND YOU KNOW IT. 737 00:34:24,830 --> 00:34:27,533 AND ALL YOUR ART TEACHERS SAY YOU'RE GREAT. 738 00:34:27,566 --> 00:34:29,535 YOU JUST DON'T HAVE THE GUTS. 739 00:34:29,568 --> 00:34:32,138 AND IT'S THE SAME WITH YOUR DANCING. 740 00:34:32,171 --> 00:34:34,640 NO PAIN, NO GAIN. 741 00:34:34,673 --> 00:34:36,275 DO YOU UNDERSTAND THAT CONCEPT? 742 00:34:36,308 --> 00:34:37,809 I HAD AN INJURY! 743 00:34:37,843 --> 00:34:40,579 OH, YEAH, RIGHT, LIKE MARGOT FONTEYN 744 00:34:40,612 --> 00:34:42,281 DIDN'T WORK HER WAY BACK FROM AN INJURY. 745 00:34:42,314 --> 00:34:43,515 I DON'T THINK SO. 746 00:34:43,549 --> 00:34:45,151 WELL, SHE DID, YOUNG LADY. 747 00:34:45,184 --> 00:34:47,819 SHE JUST GRITTED HER TEETH AND WORKED RIGHT BACK UP 748 00:34:47,853 --> 00:34:49,355 TO THE TOP OF THAT MOUNTAIN. 749 00:34:49,388 --> 00:34:51,690 BUT YOU, YOU... 750 00:34:51,723 --> 00:34:53,259 [SIGHS] 751 00:34:53,292 --> 00:34:54,860 YOU DON'T EVEN MAKE IT TO THE FOOTHILLS. 752 00:34:54,893 --> 00:34:56,395 WELL, I'M GLAD THAT WE HAD THIS OUT. 753 00:34:56,428 --> 00:34:58,697 'CAUSE NOW I KNOW HOW YOU FEEL ABOUT ME. 754 00:34:58,730 --> 00:35:00,132 IT'S ABOUT TIME... 755 00:35:00,166 --> 00:35:01,367 LOOK, LOOK, LOOK, STOP. 756 00:35:01,400 --> 00:35:03,769 YOU KNOW I THINK THE WORLD ABOUT YOU. 757 00:35:03,802 --> 00:35:05,571 YOU KNOW THAT. 758 00:35:05,604 --> 00:35:08,207 YOU'RE EVERYTHING TO ME, ESPECIALLY NOW. 759 00:35:08,240 --> 00:35:11,310 I MEAN, HAVEN'T I GIVEN YOU EVERYTHING? 760 00:35:11,343 --> 00:35:12,511 NO. 761 00:35:12,544 --> 00:35:16,448 DOESN'T IT EVER OCCUR TO YOU, DADDY? 762 00:35:16,482 --> 00:35:19,751 THAT'S THE PROBLEM. 763 00:35:19,785 --> 00:35:21,753 WELL, WHAT MORE DO YOU WANT FROM ME? 764 00:35:21,787 --> 00:35:25,791 I WANT SPACE. I JUST NEED SPACE. 765 00:35:26,892 --> 00:35:30,429 [SOBS] 766 00:35:30,462 --> 00:35:33,765 [SAM] EVERYBODY WANTS TO FULFILL THEIR GOD-GIVEN TALENTS 767 00:35:33,799 --> 00:35:36,802 AND BECOME MORE SUCCESSFUL AND BETTER THAN THEY WERE. 768 00:35:36,835 --> 00:35:39,805 LUCY MAE LOOKED TO MEN TO HELP HER. 769 00:35:39,838 --> 00:35:42,641 THEY ALL MADE PROMISES AND WENT AWAY. 770 00:35:42,674 --> 00:35:44,876 ALL BUT ONE. 771 00:35:47,846 --> 00:35:49,315 HE'S IN 205. 772 00:35:49,348 --> 00:35:52,318 I BEEN MISSIN' YOU SOMETHING TERRIBLE. 773 00:35:52,351 --> 00:35:54,720 OH, A RING. 774 00:35:54,753 --> 00:35:56,855 OH, IT FITS JUST PERFECT. 775 00:35:56,888 --> 00:35:59,691 THIS HERE'S A ENGAGEMENT RING. 776 00:35:59,725 --> 00:36:00,926 HOW--HOW CAN WE--? 777 00:36:00,959 --> 00:36:04,296 'CAUSE. I LEFT CARLA. THAT'S HOW. 778 00:36:04,330 --> 00:36:08,334 IT'S OVER. WE'RE GOING TO FLORIDA. 779 00:36:08,367 --> 00:36:10,269 FLORIDA? WELL, WHEN? 780 00:36:10,302 --> 00:36:13,572 TONIGHT. WE'RE LEAVING TONIGHT. 781 00:36:13,605 --> 00:36:16,642 OH, I DON'T KNOW, BRAD. 782 00:36:16,675 --> 00:36:18,444 YOU GO ON AHEAD. 783 00:36:18,477 --> 00:36:19,711 WHAT'S THE PROBLEM. 784 00:36:19,745 --> 00:36:22,848 YOU AIN'T GOT NOTHING TO STAY HERE FOR. 785 00:36:22,881 --> 00:36:24,683 WELL, THAT'S THE WAY IT'S GONNA BE, LUCY MAE. 786 00:36:24,716 --> 00:36:26,918 I'M LEAVING TONIGHT, AND I WANT YOU TO GO WITH ME. 787 00:36:26,952 --> 00:36:28,654 YOU'RE GONNA HAVE TO TAKE IT OR LEAVE IT. 788 00:36:49,040 --> 00:36:50,609 * WELL 789 00:36:50,642 --> 00:36:54,280 * GUESS I SHOULD HAVE SEEN IT COMING * 790 00:36:54,313 --> 00:36:59,418 * I SHOULD HAVE KNOWN IT FROM THE START * 791 00:36:59,451 --> 00:37:02,421 * LET'S TAKE IT BACK HOME NOW * 792 00:37:02,454 --> 00:37:06,792 * WELL I SHOULD HAVE SEEN IT COMING * 793 00:37:06,825 --> 00:37:13,732 * I SHOULD HAVE KNOWN IT FROM THE START * 794 00:37:13,765 --> 00:37:18,904 * OH YEAH 795 00:37:18,937 --> 00:37:20,339 WHOO! 796 00:37:20,372 --> 00:37:22,808 [CHEERS AND APPLAUSE] 797 00:37:27,913 --> 00:37:29,948 COME ON. SOMEBODY I WANT YOU TO MEET. 798 00:37:29,981 --> 00:37:31,450 DANNY FORMAN. SAM DOONBY. 799 00:37:31,483 --> 00:37:33,419 HEY, MAN, YOU SOUND GREAT. 800 00:37:33,452 --> 00:37:36,788 WELL, THANKS A LOT. JUST KIND OF MESSING AROUND UP THERE. 801 00:37:36,822 --> 00:37:38,924 HI, TONY. ANOTHER TRIUMPH, MAN. 802 00:37:38,957 --> 00:37:41,727 WELL, NICE TO MEET YOU. 803 00:37:41,760 --> 00:37:42,761 DANNY'S A TOP BOOKING AGENT. 804 00:37:42,794 --> 00:37:44,730 HE EXAGGERATES A LITTLE BIT. 805 00:37:44,763 --> 00:37:46,532 TO WHAT DO WE OWE THIS PLEASURE? 806 00:37:46,565 --> 00:37:49,067 I'M DOING SOME TALENT SPOTTING FOR ANTONES. 807 00:37:49,100 --> 00:37:50,636 THAT'S THE BLUES CLUB, RIGHT? 808 00:37:50,669 --> 00:37:53,038 YEAH. THOUGHT YOU MIGHT WANT TO GIVE ME A CALL. 809 00:37:53,071 --> 00:37:55,006 MIGHT HAVE A GIG FOR YOU IN A COUPLE WEEKS. 810 00:37:55,040 --> 00:37:57,042 WHAT? COME ON. YOU'RE JOKING. 811 00:37:57,075 --> 00:37:59,378 NO, DANNY DON'T JOKE ABOUT BOOKING GIGS. 812 00:37:59,411 --> 00:38:01,713 WE'VE GOT CLAPTON COMING IN AT THE END OF THE MONTH, 813 00:38:01,747 --> 00:38:03,382 BUT YOU MIGHT WANT TO OPEN UP FOR HIM. 814 00:38:03,415 --> 00:38:06,485 IF THEY LIKE YOU, WHO KNOWS? 815 00:38:06,518 --> 00:38:08,053 IT'S A PRETTY HIGH-PROFILE JOINT. 816 00:38:08,086 --> 00:38:11,590 WELL, I--I APPRECIATE IT, BUT I GOT COMMITMENTS. 817 00:38:11,623 --> 00:38:13,024 [LEROY] YOU AIN'T GOT NO COMMITMENTS YOU CAN'T GET OUT OF. 818 00:38:13,058 --> 00:38:14,059 [SAM] WHO'S GOING TO RUN THE BAR? 819 00:38:14,092 --> 00:38:15,861 DON'T WORRY ABOUT THAT. 820 00:38:15,894 --> 00:38:17,929 BESIDES, YOU MIGHT NEED A BEAT UP OLD SAXOPHONE PLAYER, 821 00:38:17,963 --> 00:38:20,432 OR MAYBE A MUSICAL DIRECTOR. 822 00:38:20,466 --> 00:38:24,035 UH, SAM, CAN I GET YOUR HELP OVER HERE? 823 00:38:24,069 --> 00:38:26,505 SHE LOOKS LIKE SHE COULD HANDLE MOST THINGS. 824 00:38:26,538 --> 00:38:28,073 AND PROBABLY HAS. 825 00:38:28,106 --> 00:38:29,675 HEY, COME ON. SHE'S JUST A LITTLE RUN OFF HER FEET. 826 00:38:29,708 --> 00:38:30,942 LOOK, IT'S VERY NICE TO MEET YOU. 827 00:38:30,976 --> 00:38:33,078 I APPRECIATE IT. I'LL CALL YOU TOMORROW. 828 00:38:33,111 --> 00:38:35,481 WAIT TILL AT LEAST 11:30. I DON'T GET MOVING TILL AT LEAST THEN. 829 00:38:35,514 --> 00:38:36,548 I'LL BEAR THAT IN MIND. 830 00:38:36,582 --> 00:38:38,584 ALL RIGHT, BUDDY. TAKE CARE. 831 00:38:38,617 --> 00:38:40,419 HEY, YOU FLY BLOWN DIPSOS, WHAT'S UP? LEAVE JOLENE ALONE. 832 00:38:40,452 --> 00:38:42,821 LEROY, YOU THINK YOU COULD GET ME A GIG LIKE THAT? 833 00:38:42,854 --> 00:38:44,390 IT AIN'T THAT SIMPLE. 834 00:38:44,423 --> 00:38:46,992 I MEAN, THESE FOLKS ARE LOOKING FOR SOUL. 835 00:38:47,025 --> 00:38:49,961 YOU KNOW? I'M TALKING S-O-U-L, SOUL. 836 00:38:49,995 --> 00:38:52,097 I HAVE SOUL. 837 00:38:52,130 --> 00:38:55,667 LOOK, YOU'RE ONE OF THE BEST RESIDENT SINGERS WE'VE EVER HAD. 838 00:38:55,701 --> 00:38:58,637 FOLKS AROUND HERE LIKE YOU, BUT THIS IS MAJOR LEAGUE. 839 00:38:58,670 --> 00:39:02,774 WHAT, ARE YOU SAYING I HAVEN'T GOT IT? 840 00:39:02,808 --> 00:39:05,076 NO. NO, NO, NO, YOU'VE GOT IT. 841 00:39:05,110 --> 00:39:07,145 IT'S JUST SOME FOLKS GOT IT BIGGER, 842 00:39:07,178 --> 00:39:09,014 AND SAM JUST HAPPENS TO BE ONE OF THEM. 843 00:39:09,047 --> 00:39:11,950 I'M SORRY, MAN. THAT'S JUST HOW IT IS. 844 00:39:13,485 --> 00:39:16,388 * STUCK IN THE MIDDLE AGAIN 845 00:39:19,858 --> 00:39:21,493 YEAH! 846 00:39:21,527 --> 00:39:22,794 THAT'S RIGHT. 847 00:39:27,198 --> 00:39:32,103 SHE MIGHT HATE HERSELF FOR THE REST OF HER LIFE. 848 00:39:32,137 --> 00:39:35,674 IN THE END, LUCY-MAE FELT LIKE SHE HAD NO OTHER WAY OUT. 849 00:39:35,707 --> 00:39:38,176 [LUCY-MAE] LEAVING WITH BRAD FOR FLORIDA TONIGHT. 850 00:39:38,209 --> 00:39:40,979 I AIN'T NOBODY TODAY. 851 00:39:41,012 --> 00:39:43,815 BUT MAYBE I'LL BE SOMEBODY TOMORROW. 852 00:39:43,849 --> 00:39:45,917 I'VE GOT TO TAKE THIS ONE LAST CHANCE. 853 00:39:59,030 --> 00:40:00,932 YOU'RE MY BIG MAN. 854 00:40:07,906 --> 00:40:09,808 OH, LORD, FORGIVE ME. 855 00:40:09,841 --> 00:40:12,578 YOU'VE GOTTA REMEMBER SOMETHING, SAM. 856 00:40:12,611 --> 00:40:14,412 YOUR MOMMA LOVES YOU. 857 00:40:16,748 --> 00:40:19,751 DON'T EVER LET ANYBODY SAY SHE DON'T. 858 00:40:34,165 --> 00:40:35,567 I LOVE YOU, BABY. 859 00:40:44,543 --> 00:40:46,444 [CAR HORN HONKS] 860 00:41:27,218 --> 00:41:28,854 [LAURA] SAM? 861 00:41:28,887 --> 00:41:32,157 OH, WOW, THIS IS SOMETHING ELSE. 862 00:41:35,226 --> 00:41:39,130 OH, MY GOSH. I'M SO SORRY. 863 00:41:39,164 --> 00:41:41,800 THE DOOR WAS OPEN, AND I-- 864 00:41:41,833 --> 00:41:43,301 OH, MY. 865 00:41:43,334 --> 00:41:46,972 I JUST CAME BY TO SAY SORRY FOR THE OTHER NIGHT. 866 00:41:47,005 --> 00:41:48,640 THAT'S OKAY. 867 00:41:48,674 --> 00:41:51,042 I'M SURE YOU JUST HAD A LITTLE BIT TOO MUCH TO DRINK. 868 00:41:51,076 --> 00:41:56,014 I DID. IT HAPPENS TO BE AN ONGOING PROBLEM OF MINE. 869 00:41:56,047 --> 00:41:58,116 I'M SORRY. DO YOU MIND THAT I JUST DROP BY? 870 00:41:58,149 --> 00:42:00,018 NO, NO, NO, 871 00:42:00,051 --> 00:42:01,953 HOW ABOUT I MAKE YOU SOME COFFEE? 872 00:42:01,987 --> 00:42:03,689 THAT SOUNDS GREAT. 873 00:42:03,722 --> 00:42:06,157 HOW ABOUT I PUT ON MY PANTS AND I MAKE YOU SOME COFFEE. 874 00:42:06,191 --> 00:42:07,292 WHY DON'T WE DO THAT? 875 00:42:07,325 --> 00:42:08,827 OKAY. 876 00:42:08,860 --> 00:42:10,195 OH, THIS IS SOMETHING ELSE. 877 00:42:10,228 --> 00:42:11,630 YOU LIKE IT? 878 00:42:11,663 --> 00:42:13,965 LIKE IT? THIS IS AMAZING. 879 00:42:13,999 --> 00:42:15,567 HOW DID YOU MANAGE-- 880 00:42:15,601 --> 00:42:17,903 OH, A HAMMER, NAILS, LICK OF PAINT. 881 00:42:17,936 --> 00:42:20,038 WHERE-- WHERE'S THIS? 882 00:42:20,071 --> 00:42:21,707 THAT IS UGANDA. 883 00:42:21,740 --> 00:42:23,775 I WAS THERE HELPING TO PLANT CROPS. 884 00:42:23,809 --> 00:42:25,944 WAS THAT, LIKE, ONE OF YOUR MOMENTS OF MAKING A DIFFERENCE? 885 00:42:25,977 --> 00:42:27,813 YEAH, IT WAS. 886 00:42:29,114 --> 00:42:30,215 NO-GOOD DRIFTER. 887 00:42:30,248 --> 00:42:31,216 WHAT? 888 00:42:31,249 --> 00:42:32,684 OH, NO, NOTHING. 889 00:42:32,718 --> 00:42:34,085 JUST SOMETHING MY DAD SAID. 890 00:42:34,119 --> 00:42:35,687 YOU KNOW WHAT DEPRESSES ME 891 00:42:35,721 --> 00:42:38,924 IS LIKE, I DON'T KNOW, WHAT HAVE I EVER DONE? 892 00:42:38,957 --> 00:42:41,259 I HAVE ACHIEVED NOTHING, AND I-- 893 00:42:41,292 --> 00:42:43,128 WELL, IT'S NOT LIKE YOU'RE FINISHED. 894 00:42:43,161 --> 00:42:45,196 YOU'VE GOT ANOTHER 50, 60 GOOD YEARS LEFT IN YOU, GIRL. 895 00:42:45,230 --> 00:42:47,098 DO YOUR ARTWORK. IT'S YOUR GOD GIVEN TALENT. 896 00:42:47,132 --> 00:42:48,600 I BET YOU'LL BE SUCCESSFUL AT IT. 897 00:42:48,634 --> 00:42:51,269 WHAT ABOUT, LIKE, FASHION DESIGN? 898 00:42:51,302 --> 00:42:52,971 WHY NOT? 899 00:42:53,004 --> 00:42:54,339 YOU CAN DO IT WITH WHAT'S HER NAME AT THE BAR. 900 00:42:54,372 --> 00:42:56,141 JESSICA. CHARDONNAY. 901 00:42:56,174 --> 00:42:58,610 CHARDONNAY. YEAH. 902 00:42:58,644 --> 00:43:01,847 SO WHAT'S THIS? 903 00:43:01,880 --> 00:43:03,148 NOTHING. 904 00:43:03,181 --> 00:43:07,085 NOTHING? WELL, NOW I'M SERIOUSLY INTRIGUED. 905 00:43:07,118 --> 00:43:08,353 THAT'S MY DIARY. 906 00:43:08,386 --> 00:43:09,855 YOUR DIARY? 907 00:43:09,888 --> 00:43:11,122 YES. NO. 908 00:43:11,156 --> 00:43:15,160 NOBODY HAS A DIARY THESE DAYS. 909 00:43:15,193 --> 00:43:16,394 YEP, I DO. 910 00:43:16,427 --> 00:43:17,663 I WRITE IN IT EVERY NIGHT. 911 00:43:17,696 --> 00:43:18,664 IT'S VERY IMPORTANT TO ME. 912 00:43:18,697 --> 00:43:19,731 OH, IT IS? 913 00:43:19,765 --> 00:43:20,866 YES. 914 00:43:20,899 --> 00:43:22,200 I USED TO HAVE ONE WHEN I WAS A KID, 915 00:43:22,233 --> 00:43:24,202 AND I WOULD CRINGE A YEAR LATER WHEN I READ THAT. 916 00:43:24,235 --> 00:43:26,772 DOES IT INCLUDE ALL OF THE DARK SECRETS YOU TOLD ME 917 00:43:26,805 --> 00:43:27,939 THAT DON'T EXIST? 918 00:43:27,973 --> 00:43:29,641 NOT SO DARK. 919 00:43:29,675 --> 00:43:34,913 NO? WHAT ABOUT ALL THE MYSTERIOUS PAST OF SAM DOONBY? 920 00:43:36,381 --> 00:43:37,649 GUARD IT WITH YOUR LIFE. 921 00:43:37,683 --> 00:43:39,150 I DO. I GUARD IT WITH MY LIFE, 922 00:43:39,184 --> 00:43:40,852 IN FACT IT WILL SELF DESTRUCT 923 00:43:40,886 --> 00:43:42,320 IF ANY UNAUTHORIZED PERSONNEL EVEN TOUCHES IT. 924 00:43:42,353 --> 00:43:43,722 OH, YEAH? LOOK AT THAT. TOUCH. 925 00:43:43,755 --> 00:43:45,256 DO YOU WANT SOME COFFEE OR NOT? 926 00:43:45,290 --> 00:43:48,393 SURE, I'LL HAVE SOME COFFEE. OKAY. 927 00:43:48,426 --> 00:43:51,897 YOU KNOW, NOTHING SURPRISES ME ABOUT YOU. 928 00:43:51,930 --> 00:43:53,999 YOU JUST SEEM TO THINK OF EVERYTHING. 929 00:43:54,032 --> 00:43:55,100 OH, YEAH? I'M OUT OF COFFEE. 930 00:43:55,133 --> 00:43:56,668 OUT OF COFFEE? 931 00:43:56,702 --> 00:43:58,837 WHY DOES THAT MAKE ME FEEL SO MUCH BETTER? 932 00:43:58,870 --> 00:44:00,438 I HAVE NO IDEA. 933 00:44:00,471 --> 00:44:03,041 [LAUGHS] COME ON. LET ME TAKE YOU TO THE STORE. 934 00:44:03,074 --> 00:44:05,143 LOOK LIKE YOU'RE FIT TO HIT THE HAY, DUANE. 935 00:44:05,176 --> 00:44:06,778 LONG TRIP TODAY? 936 00:44:06,812 --> 00:44:08,413 JUST UP TO LONGVIEW AND BACK. 937 00:44:08,446 --> 00:44:10,281 THAT'S NEAR 450 MILES. 938 00:44:10,315 --> 00:44:11,817 YEAH, WELL, I HAD AN EARLY START THIS MORNING. 939 00:44:11,850 --> 00:44:13,018 YOU OKAY? 940 00:44:13,051 --> 00:44:14,986 ALL RIGHT, MAN. 941 00:44:25,196 --> 00:44:26,264 OH. SORRY. 942 00:44:26,297 --> 00:44:28,233 HEY, IRMA. HEY. 943 00:44:28,266 --> 00:44:29,701 I DIDN'T KNOW YOU WERE COMING DOWN HERE THIS MORNING. 944 00:44:29,735 --> 00:44:30,869 YEAH, IT'S A NICE DAY TODAY. 945 00:44:30,902 --> 00:44:32,237 MRS. REAPER NEEDED SOME LOTION AND ALL, 946 00:44:32,270 --> 00:44:34,272 SO I THOUGHT I'D TAKE ROCKWELL FOR A WALK. 947 00:44:34,305 --> 00:44:36,742 THAT'S GOOD. I WANTED TO INTRODUCE YOU TO MY FRIEND SAM. 948 00:44:36,775 --> 00:44:38,043 SAM, THIS IS IRMA. SHE'S OUR NANNY. HI. 949 00:44:38,076 --> 00:44:40,078 NICE TO MEET YOU. 950 00:44:40,111 --> 00:44:42,814 AND THIS IS LITTLE BABY ROCKWELL, I WAS TELLING YOU ABOUT. 951 00:44:42,848 --> 00:44:44,015 HEY, ROCK. 952 00:44:44,049 --> 00:44:45,450 ISN'T HE CUTE? HELLO. 953 00:44:45,483 --> 00:44:47,085 WHAT'S GOING ON? HOW ARE YOU? 954 00:44:47,118 --> 00:44:48,887 [GROWLS] [GROWLS] 955 00:45:26,357 --> 00:45:28,293 [HONKING HORN] 956 00:45:57,923 --> 00:46:01,492 THINK IT'S OFFICIALLY TIME I SAY THANK YOU. 957 00:46:01,526 --> 00:46:04,429 IT WAS NOTHING. 958 00:46:04,462 --> 00:46:07,398 BUT MY DAD CAME DOWN REALLY HARD ON IRMA. 959 00:46:09,600 --> 00:46:12,337 WHY WOULD HE DO THAT? SHE COULDN'T HELP THAT THE TRUCK COULDN'T STOP. 960 00:46:12,370 --> 00:46:15,373 I KNOW, BUT YOU DON'T KNOW CYRUS REAPER. 961 00:46:15,406 --> 00:46:17,142 IT'S LIKE IF SOMETHING HAPPENS, 962 00:46:17,175 --> 00:46:19,010 HE HAS TO FIGURE OUT WHO'S RESPONSIBLE 963 00:46:19,044 --> 00:46:23,949 AND JUST MAKE SURE ALL THE LOOSE ENDS ARE TIED. 964 00:46:23,982 --> 00:46:25,817 THAT'S JUST THE WAY HE IS, 965 00:46:25,851 --> 00:46:30,321 BUT YOU GET TO SEE THAT FOR YOURSELF TOMORROW. 966 00:46:30,355 --> 00:46:32,190 I DO? MM-HMM. 967 00:46:32,223 --> 00:46:34,960 YOU'RE COMING ROUND FOR DINNER. 968 00:46:34,993 --> 00:46:37,462 I AM? 969 00:46:37,495 --> 00:46:38,864 YES, YOU ARE. 970 00:46:38,897 --> 00:46:43,268 YOU'VE GOT THE OFFICIAL INVITATION. 971 00:46:43,301 --> 00:46:46,537 SOUNDS MORE LIKE A SUBPOENA. 972 00:46:46,571 --> 00:46:50,909 NO, IT'S NOT LIKE THAT. 973 00:46:50,942 --> 00:46:53,244 HE JUST WANTS TO MEET YOU, 974 00:46:53,278 --> 00:46:54,846 THANK YOU PERSONALLY. 975 00:46:56,247 --> 00:46:57,515 THE NO-GOOD DRIFTER? 976 00:46:57,548 --> 00:46:59,017 YOU HEARD ME SAY THAT. 977 00:46:59,050 --> 00:47:01,386 YEAH. 978 00:47:01,419 --> 00:47:02,520 I HEARD THAT. 979 00:47:04,990 --> 00:47:06,524 BUT I CAN'T SAY AS I BLAME HIM. 980 00:47:06,557 --> 00:47:09,160 I THINK I WOULD ACT EXACTLY THE SAME WAY 981 00:47:09,194 --> 00:47:11,262 IF I HAD A DAUGHTER LIKE YOU. 982 00:47:15,666 --> 00:47:17,268 YOU COLD? 983 00:47:19,104 --> 00:47:20,505 HERE. 984 00:47:23,074 --> 00:47:27,112 I-- I JUST GET CHILLY 985 00:47:27,145 --> 00:47:30,015 WHEN I'M TENSE. 986 00:47:30,048 --> 00:47:32,250 TENSE? 987 00:47:32,283 --> 00:47:33,885 NOW? 988 00:47:33,919 --> 00:47:35,486 WHY? 989 00:47:35,520 --> 00:47:39,891 BECAUSE I THINK I'M FALLING IN LOVE WITH YOU, MR. DOONBY. 990 00:47:42,427 --> 00:47:45,463 AND I DON'T WANT TO MAKE A FOOL OUT OF MYSELF. 991 00:47:45,496 --> 00:47:47,465 WELL, I FELL IN LOVE WITH YOU 992 00:47:47,498 --> 00:47:50,401 THE FIRST MOMENT I SAW YOU OUT OF THAT BUS WINDOW. 993 00:47:50,435 --> 00:47:54,605 YOU WERE DRIVING THIS CAR, WEARING THOSE SUNGLASSES. 994 00:47:54,639 --> 00:47:56,641 YOUR HAIR WAS BLOWING IN THE WIND. 995 00:47:56,674 --> 00:47:59,077 SOUNDS LIKE A SUNSILK AD. 996 00:48:06,417 --> 00:48:08,053 WHAT ABOUT YOU AND JOLENE? 997 00:48:10,055 --> 00:48:11,689 WHAT ABOUT ME AND JOLENE? 998 00:48:11,722 --> 00:48:15,660 MM-HMM. 999 00:48:15,693 --> 00:48:17,428 WHAT ABOUT ME AND JOLENE? 1000 00:48:17,462 --> 00:48:19,664 WELL, I KNOW THAT SHE LIKES YOU, AND I JUST-- 1001 00:48:19,697 --> 00:48:22,100 AND I LIKE PIZZA. SO WHAT? 1002 00:48:22,133 --> 00:48:25,336 [LAUGHS] 1003 00:48:25,370 --> 00:48:28,606 WHAT? 1004 00:48:28,639 --> 00:48:34,045 I JUST-- I JUST DON'T KNOW WHERE I STAND. 1005 00:48:34,079 --> 00:48:35,947 YOU DON'T KNOW WHERE YOU STAND? 1006 00:48:35,981 --> 00:48:39,584 NO, I-- I'M JUST-- 1007 00:48:39,617 --> 00:48:41,987 MY MIND GOES BLANK. 1008 00:48:42,020 --> 00:48:44,389 AND IF THERE'S SOMETHING GOING ON BETWEEN JOLENE AND YOU, 1009 00:48:44,422 --> 00:48:45,623 I JUST WANT TO KNOW SO I CAN JUST-- 1010 00:48:45,656 --> 00:48:47,225 SHH, SHH, SHH, SHH... 1011 00:48:49,127 --> 00:48:51,963 LISTEN TO ME. 1012 00:48:51,997 --> 00:48:56,034 THERE IS NOTHING GOING ON BETWEEN JOLENE AND ME. 1013 00:48:56,067 --> 00:48:57,702 THAT'S THE TRUTH. 1014 00:48:59,604 --> 00:49:03,708 I WANT YOU, JUST YOU. 1015 00:49:05,176 --> 00:49:07,278 THAT'S IT. 1016 00:49:25,730 --> 00:49:27,565 IRMA? YES. 1017 00:49:27,598 --> 00:49:28,633 NAPKIN ON THE LEFT. 1018 00:49:28,666 --> 00:49:31,302 OKAY. 1019 00:49:31,336 --> 00:49:33,538 IS THE ESCARGOT MOUSSE IN THE FRIDGE? 1020 00:49:33,571 --> 00:49:35,273 IT HAS TO BE PERFECTLY CHILLED. 1021 00:49:35,306 --> 00:49:38,043 YES. THAT'S THE THIRD TIME YOU'VE ASKED ME. 1022 00:49:38,076 --> 00:49:40,278 AND I PUT THE CABERNET OUT TO LET IT BREATHE. 1023 00:49:40,311 --> 00:49:41,746 AND YOU DIDN'T ASK ME TO DO THAT AT ALL. 1024 00:49:41,779 --> 00:49:43,281 OH, GOOD GIRL. 1025 00:49:43,314 --> 00:49:45,016 WHAT TIME IS IT? 1026 00:49:45,050 --> 00:49:46,484 IT'S 10 AFTER 8. 1027 00:49:46,517 --> 00:49:48,086 OH, MY, HE'S GOING TO BE HERE ANY MINUTE. 1028 00:49:48,119 --> 00:49:49,654 MOM, STOP PANICKING. 1029 00:49:49,687 --> 00:49:51,622 SAM'S REAL LAID BACK. 1030 00:49:51,656 --> 00:49:53,191 WOULD YOU GET MY HOOK? 1031 00:49:53,224 --> 00:49:56,794 ACTUALLY, I LIKE TO HAVE EVERYTHING ORGANIZED. 1032 00:49:56,827 --> 00:49:58,163 I KNOW YOU DO. 1033 00:49:58,196 --> 00:49:59,797 NO MATTER WHO IT IS. 1034 00:49:59,830 --> 00:50:02,100 ALL RIGHT. NOW, WHERE'S YOUR FATHER? 1035 00:50:02,133 --> 00:50:03,268 HE'S IN THE SHOWER. 1036 00:50:03,301 --> 00:50:04,435 I STILL HEAR THE WATER RUNNING. 1037 00:50:04,469 --> 00:50:05,736 HE CAME LATE FROM THE CLINIC. 1038 00:50:05,770 --> 00:50:07,272 HE'LL BE HERE IN A FEW MINUTES. 1039 00:50:07,305 --> 00:50:10,375 [CELL PHONE DINGS] 1040 00:50:15,146 --> 00:50:16,514 IS THAT SAM? 1041 00:50:16,547 --> 00:50:18,249 IS HE GOING TO BE LATE? 1042 00:50:18,283 --> 00:50:19,717 NO. [DOORBELL RINGS] 1043 00:50:19,750 --> 00:50:22,620 ACTUALLY HE'S HERE RIGHT NOW. 1044 00:50:22,653 --> 00:50:24,689 OH. 1045 00:50:28,259 --> 00:50:29,627 HI. 1046 00:50:31,196 --> 00:50:32,330 TA-DA. 1047 00:50:32,363 --> 00:50:33,831 OH, THEY'RE SO BEAUTIFUL. 1048 00:50:33,864 --> 00:50:35,333 ARE THEY FOR ME? 1049 00:50:35,366 --> 00:50:37,435 NO. 1050 00:50:37,468 --> 00:50:38,703 WHAT? 1051 00:50:38,736 --> 00:50:41,239 [BOTH LAUGHING] 1052 00:50:41,272 --> 00:50:42,240 HEY. HI. 1053 00:50:42,273 --> 00:50:43,641 SAM, THIS IS MY MOTHER. 1054 00:50:43,674 --> 00:50:45,276 WELL, HELLO, MRS. REAPER. 1055 00:50:45,310 --> 00:50:47,112 THANK YOU VERY, VERY MUCH FOR THE INVITATION. 1056 00:50:47,145 --> 00:50:50,448 OH, HOW'D YOU KNOW RED ROSES WERE MY FAVORITE? 1057 00:50:50,481 --> 00:50:51,682 IRMA. 1058 00:50:51,716 --> 00:50:53,451 HELLO. 1059 00:50:53,484 --> 00:50:55,153 HI. PLEASE. 1060 00:50:57,388 --> 00:50:59,257 SAM, WHAT WOULD YOU LIKE TO DRINK? 1061 00:50:59,290 --> 00:51:02,360 SOME WATER WOULD BE GREAT. WATER, PLEASE. 1062 00:51:02,393 --> 00:51:04,562 IRMA, WOULD YOU BE ABLE TO GET SAM SOME WATER. 1063 00:51:04,595 --> 00:51:06,297 I'LL HAVE A DRY MARTINI. 1064 00:51:06,331 --> 00:51:07,632 COMING RIGHT UP. 1065 00:51:07,665 --> 00:51:09,867 SO HOW DID YOU GET THIS EVENING OFF, SAM? 1066 00:51:09,900 --> 00:51:12,503 OH, LEROY'S ALWAYS PRETTY GOOD ABOUT THAT, 1067 00:51:12,537 --> 00:51:14,105 ESPECIALLY IF IT'S NOT THE WEEKEND. 1068 00:51:14,139 --> 00:51:16,807 AND NEXT WEEKEND SAM PLAYS AT ANTONES. 1069 00:51:16,841 --> 00:51:18,309 VERY NICE. 1070 00:51:18,343 --> 00:51:19,444 YOU DON'T KNOW? 1071 00:51:19,477 --> 00:51:22,513 ANTONES IS A VERY SUCCESSFUL VENUE. 1072 00:51:22,547 --> 00:51:23,781 IT'S A GREAT BREAK. 1073 00:51:23,814 --> 00:51:25,183 OH, I'M AN OPENING ACT. 1074 00:51:25,216 --> 00:51:26,751 I'M NOBODY, REALLY. 1075 00:51:26,784 --> 00:51:28,486 AND IT'S GOING TO TAKE A WHOLE LOT OF WORK 1076 00:51:28,519 --> 00:51:30,288 BEFORE I'M READY TO GET OUT THERE ON THAT STAGE. 1077 00:51:30,321 --> 00:51:31,589 ARE YOU A LITTLE NERVOUS? 1078 00:51:31,622 --> 00:51:34,792 NO. NO, I'M ABSOLUTELY TERRIFIED. 1079 00:51:34,825 --> 00:51:37,528 AN HONEST MAN. HOW REFRESHING. 1080 00:51:37,562 --> 00:51:38,696 SAM'S VERY TALENTED, 1081 00:51:38,729 --> 00:51:40,465 AND HE HAS NO REASON TO BE NERVOUS. 1082 00:51:40,498 --> 00:51:42,600 OH, DON'T LISTEN TO HER. DON'T LISTEN TO HER. 1083 00:51:42,633 --> 00:51:45,670 SHE'S JUST MY BIGGEST FAN. THAT'S ALL. 1084 00:51:45,703 --> 00:51:47,605 THERE YOU GO. 1085 00:51:47,638 --> 00:51:49,174 SAM. THANK YOU. 1086 00:51:49,207 --> 00:51:51,576 THANK YOU, IRMA. 1087 00:51:51,609 --> 00:51:53,578 UH-UH, UH, UH. 1088 00:51:53,611 --> 00:51:54,845 I'M SORRY. 1089 00:51:54,879 --> 00:51:58,449 LET'S HAVE A TOAST TO SUCCESS. 1090 00:51:58,483 --> 00:52:01,719 AND TO YOU, SAM. THANK YOU FOR SAVING MY GRANDBABY. 1091 00:52:01,752 --> 00:52:03,821 I JUST-- I HAPPEN TO BE THERE. 1092 00:52:03,854 --> 00:52:05,890 I THINK ANYBODY WOULD'VE DONE THE SAME THING. 1093 00:52:05,923 --> 00:52:08,226 OH, A MODEST MAN, TOO. 1094 00:52:08,259 --> 00:52:09,794 [CYRUS] OH, I NEED THIS. 1095 00:52:09,827 --> 00:52:13,731 I AM AS PARCHED AS A DESERT. 1096 00:52:14,932 --> 00:52:17,202 MM. 1097 00:52:20,205 --> 00:52:22,707 NICE TO MEET YOU, SAM. I'M SORRY, I WAS A LITTLE LATE FROM WORK, 1098 00:52:22,740 --> 00:52:25,376 BUT HERE NOW AND... 1099 00:52:27,545 --> 00:52:31,649 UM... [CLEARS THROAT] 1100 00:52:31,682 --> 00:52:33,251 I, UH-- 1101 00:52:33,284 --> 00:52:36,821 WELL, I JUST WANT TO THANK YOU AS A FAMILY 1102 00:52:36,854 --> 00:52:38,856 FOR WHAT YOU DID YESTERDAY. 1103 00:52:38,889 --> 00:52:40,358 I MEAN, IF YOU HADN'T BEEN THERE, 1104 00:52:40,391 --> 00:52:41,426 GOD KNOWS WHAT WOULD'VE HAPPENED. 1105 00:52:41,459 --> 00:52:42,860 SAM, ARE YOU OKAY? 1106 00:52:42,893 --> 00:52:45,630 MS. REAPER, I REALLY DON'T FEEL ALL THAT GOOD. 1107 00:52:45,663 --> 00:52:48,266 IT'S PROBABLY JUST VERVES. 1108 00:52:48,299 --> 00:52:49,767 THEY'RE SILLY LITTLE THINGS, NERVES. 1109 00:52:49,800 --> 00:52:51,502 YEAH, ABOUT DINNER. 1110 00:52:51,536 --> 00:52:52,970 DON'T YOU WORRY. YOU'RE FINE. 1111 00:52:53,003 --> 00:52:54,805 THERE'LL BE OTHER NIGHTS, MANY OTHER NIGHTS. 1112 00:52:54,839 --> 00:52:56,541 WELL, WHY DON'T YOU LET ME HAVE A LOOK AT YOU? 1113 00:52:56,574 --> 00:52:57,775 MAYBE I CAN-- NO, NO, NO, NO. 1114 00:52:57,808 --> 00:52:59,777 MAYBE I CAN-- NO, NO, NO, DON'T-- 1115 00:52:59,810 --> 00:53:02,813 SAM, CAN YOU STAND STILL? LET ME HAVE A LOOK AT-- 1116 00:53:02,847 --> 00:53:04,582 DON'T... TOUCH ME. 1117 00:53:06,784 --> 00:53:08,986 WHAT IS WRONG WITH HIM? 1118 00:53:09,019 --> 00:53:10,721 I WILL-- SAM! 1119 00:53:10,755 --> 00:53:13,558 [CHUCKLES] 1120 00:53:13,591 --> 00:53:16,694 AM I THE ONLY SANE PERSON IN THIS HOUSE? 1121 00:53:16,727 --> 00:53:21,566 SAM. SAM. 1122 00:53:21,599 --> 00:53:23,668 SAM, DO YOU WANT TO TELL ME WHAT JUST HAPPENED IN THERE? 1123 00:53:23,701 --> 00:53:25,436 NOTHING, NOTHING. 1124 00:53:25,470 --> 00:53:28,473 NOTHING? HONEY, YOU LOOK LIKE YOU'VE SEEN A GHOST. 1125 00:53:28,506 --> 00:53:30,541 MAYBE I HAVE. 1126 00:53:30,575 --> 00:53:31,542 WHAT? 1127 00:53:31,576 --> 00:53:33,244 MINE. 1128 00:53:33,278 --> 00:53:34,745 HAVE YOU GONE COMPLETELY WACKO? 1129 00:53:34,779 --> 00:53:35,913 I THINK-- I THINK MAYBE I HAVE. 1130 00:53:35,946 --> 00:53:37,515 LISTEN, I'M GOING TO GET MY CAR, 1131 00:53:37,548 --> 00:53:38,883 AND I'M GOING TO TAKE YOU HOME RIGHT NOW. 1132 00:53:38,916 --> 00:53:40,985 NO, NO, NO, NO. I-- 1133 00:53:45,823 --> 00:53:47,825 I'LL SEE YOU TOMORROW. 1134 00:53:49,360 --> 00:53:50,661 SAM. 1135 00:54:17,888 --> 00:54:22,393 [LUCY-MAE] I GOTTA GO BACK. 1136 00:54:22,427 --> 00:54:23,628 I GOTTA GO BACK. 1137 00:54:23,661 --> 00:54:24,995 YOU GOTTA DO WHAT? 1138 00:54:25,029 --> 00:54:26,764 SAM. 1139 00:54:26,797 --> 00:54:28,933 I GOTTA SEE MY LITTLE BOY. 1140 00:54:28,966 --> 00:54:30,568 I GOTTA SEE MY BABY. 1141 00:54:30,601 --> 00:54:33,338 WHAT? 1142 00:54:33,371 --> 00:54:35,340 YOU GOT A BABY, AND YOU DIDN'T TELL ME? 1143 00:54:35,373 --> 00:54:37,007 DON'T YELL AT ME. I CAN'T BELIEVE-- 1144 00:54:37,041 --> 00:54:38,476 I LEFT MY KIDS FOR YOU. 1145 00:54:38,509 --> 00:54:39,810 FOR YOU! 1146 00:54:39,844 --> 00:54:41,512 I DON'T CARE WHAT YOU SAY. 1147 00:54:41,546 --> 00:54:43,681 YOU TAKE ME BACK TO MY KIDS. 1148 00:54:43,714 --> 00:54:44,882 RIGHT NOW! 1149 00:54:44,915 --> 00:54:46,617 IF THAT'S WHAT YOU WANT. 1150 00:54:49,487 --> 00:54:52,623 [HORN HONKING] 1151 00:54:52,657 --> 00:54:54,359 [CRASHES, GLASS SHATTERING] 1152 00:55:05,670 --> 00:55:08,706 YOUR DADDY ISN'T THE ONLY ONE WHO WANTS TO SEE YOU PROTECTED, 1153 00:55:08,739 --> 00:55:10,741 AND I STILL KNOW PEOPLE IN THIS TOWN, 1154 00:55:10,775 --> 00:55:13,511 SO WE'RE GOING TO FIND OUT WHAT WE CAN UNCOVER ABOUT HIM. 1155 00:55:13,544 --> 00:55:15,913 YEAH, WELL, I FEEL LIKE A CHEAP SNEAK. 1156 00:55:24,021 --> 00:55:25,089 MRS. THURBER? 1157 00:55:27,792 --> 00:55:28,993 NANCY? 1158 00:55:30,861 --> 00:55:33,931 I WAS IMPORTANT IN THIS TOWN, YOU KNOW. I WAS THE MAYOR. 1159 00:55:33,964 --> 00:55:35,600 SURE YOU WERE. 1160 00:55:35,633 --> 00:55:37,668 I WAS IN THE CHOIR. 1161 00:55:42,773 --> 00:55:45,576 SAM DOONBY. 1162 00:55:45,610 --> 00:55:48,679 DO YOU REMEMBER A BOY NAMED SAM DOONBY? 1163 00:55:49,747 --> 00:55:53,584 DOONBY. DOONBY. 1164 00:55:53,618 --> 00:55:56,521 I REMEMBER A WOMAN BY THE NAME OF DOONBY, 1165 00:55:56,554 --> 00:55:57,988 THAT THE CHEAP LITTLE FLOOZY. 1166 00:55:58,022 --> 00:56:00,525 DO YOU REMEMBER HER FIRST NAME? 1167 00:56:00,558 --> 00:56:04,929 LILY... LUCY... 1168 00:56:04,962 --> 00:56:09,434 LUCY-MAE, THAT'S WHAT IT WAS. 1169 00:56:09,467 --> 00:56:10,968 TRASH. TRASH. 1170 00:56:11,001 --> 00:56:12,136 DO YOU KNOW WHAT HAPPENED TO HER? 1171 00:56:15,573 --> 00:56:17,942 SHE UP AND LEFT RIGHT AFTER. 1172 00:56:21,546 --> 00:56:22,747 RIGHT AFTER... 1173 00:56:22,780 --> 00:56:23,814 RIGHT AFTER WHAT? 1174 00:56:23,848 --> 00:56:25,716 ARE YOU LUCY? 1175 00:56:25,750 --> 00:56:28,853 DID LUCY-MAE HAVE A BOY NAMED SAM? 1176 00:56:28,886 --> 00:56:31,155 SHE HAD LOTS OF BOYS. 1177 00:56:31,188 --> 00:56:33,824 SHE GOT HER JUST DESSERTS FOR WHAT SHE DONE. 1178 00:56:33,858 --> 00:56:35,092 WHAT DO YOU MEAN BY THAT? 1179 00:56:35,125 --> 00:56:37,528 YOU GONNA FIND OUT. YOU ALL GONNA FIND OUT. 1180 00:56:37,562 --> 00:56:38,763 YOU GOT A SECOND CHANCE. 1181 00:56:38,796 --> 00:56:40,598 TAKE IT, GIRL, WHILE YOU CAN. 1182 00:56:40,631 --> 00:56:42,800 OR YOU'LL JUST BE SORRY. 1183 00:56:42,833 --> 00:56:44,101 YOU'LL ALL BE SO SORRY. 1184 00:56:44,134 --> 00:56:46,103 MAMA, SHE'S CRAZY, HUH? 1185 00:56:46,136 --> 00:56:48,072 I--I'M GOING. 1186 00:56:48,105 --> 00:56:49,073 LAURA. 1187 00:56:49,106 --> 00:56:51,375 MOM, SHE'S CRAZY. 1188 00:56:55,245 --> 00:56:57,748 SAM NEVER HAD A CHANCE. 1189 00:57:04,121 --> 00:57:06,857 YOU'LL BE SORRY. 1190 00:57:06,891 --> 00:57:08,192 DID SHE JUST SAY "SAM"? 1191 00:57:08,225 --> 00:57:09,627 COME ON. 1192 00:57:09,660 --> 00:57:10,828 WHAT DID YOU MEAN BY "SAM"? 1193 00:57:10,861 --> 00:57:12,062 YOU'LL BE SORRY. 1194 00:57:12,096 --> 00:57:14,799 WHAT DID SHE MEAN BY "SAM"? 1195 00:57:14,832 --> 00:57:16,701 NO WAY. SPOOKY, HUH? 1196 00:57:16,734 --> 00:57:18,135 YEAH, IT WAS. 1197 00:57:18,168 --> 00:57:19,970 HEY, GIRL, WILL YOU PASS ME THOSE FIRE TONGS? 1198 00:57:20,004 --> 00:57:21,005 YEAH, SURE. HERE YOU GO. 1199 00:57:21,038 --> 00:57:22,139 THANKS, DARLING. 1200 00:57:22,172 --> 00:57:24,041 YOU KNOW, WHAT ABOUT YOUR DAD? 1201 00:57:24,074 --> 00:57:26,644 I MEAN, THAT MUST HAVE BEEN A STRANGE EVENING TOO. 1202 00:57:26,677 --> 00:57:27,812 YEAH, IT WAS. 1203 00:57:27,845 --> 00:57:30,014 THING IS, SAM WON'T TALK ABOUT IT. 1204 00:57:30,047 --> 00:57:31,982 I DON'T KNOW. I GUESS HE'LL TELL ME ONE DAY. 1205 00:57:32,016 --> 00:57:33,884 HE'LL TELL YOU ONE DAY? 1206 00:57:33,918 --> 00:57:35,786 WELL, THAT HAS A RING OF PERMANENCE ABOUT IT. 1207 00:57:35,820 --> 00:57:36,954 YEAH, WE'LL SEE. 1208 00:57:36,987 --> 00:57:38,956 OH, THIS ALL LOOKS LIKE FUN. 1209 00:57:38,989 --> 00:57:40,591 SHAME I DIDN'T GET AN INVITE. 1210 00:57:40,625 --> 00:57:43,060 OH, NOT THIS TIME. JUST TONY AND ME. 1211 00:57:43,093 --> 00:57:44,562 IT'S HIS FIRST NIGHT OFF IN WEEKS. 1212 00:57:44,595 --> 00:57:45,563 YOU COOKIN'? 1213 00:57:45,596 --> 00:57:47,231 OH, GIRL, YOU CRAZY. 1214 00:57:47,264 --> 00:57:49,233 YOU KNOW IT'S A GUY THING WHEN IT COMES TO BURNING MEAT. 1215 00:57:49,266 --> 00:57:51,168 I WOULDN'T BE ABLE TO COME TONIGHT IF I WANTED TO. MM? 1216 00:57:51,201 --> 00:57:55,239 MM-HMM. 'CAUSE I'M RUSTLING HIM UP A TREAT. 1217 00:57:55,272 --> 00:57:59,944 [ROCK MUSIC PLAYING] 1218 00:57:59,977 --> 00:58:04,114 [MUSIC CONTINUES IN RADIO] 1219 00:58:04,148 --> 00:58:08,085 MM. YOU DON'T DESERVE ME, MR. SAM DOONBY. 1220 00:58:08,118 --> 00:58:09,119 [TURNS RADIO DOWN] 1221 00:58:09,153 --> 00:58:11,722 [PHONE RINGS] 1222 00:58:11,756 --> 00:58:12,890 HOPE THAT'S NOT YOU, HONEY, 1223 00:58:12,923 --> 00:58:14,725 SAYING THAT YOU'RE GONNA BE EARLY. 1224 00:58:14,759 --> 00:58:15,926 YOU'RE GONNA SPOIL EVERYTHING, 1225 00:58:15,960 --> 00:58:17,294 AND I JUST LIT THE CANDLES, 1226 00:58:17,327 --> 00:58:20,097 AND I JUST WANT THIS TO BE A SPECIAL NIGHT FOR YOU. 1227 00:58:20,130 --> 00:58:21,699 OH, I BET YOU DO, LAURA. 1228 00:58:21,732 --> 00:58:25,736 YOU DO SPECIAL THINGS FOR LOTS OF GUYS. 1229 00:58:25,770 --> 00:58:27,271 LISTEN, YOU DON'T SCARE ME, 1230 00:58:27,304 --> 00:58:29,239 YOU SAD DEGENERATE. 1231 00:58:29,273 --> 00:58:31,976 THAT'S NO WAY TO TALK TO A FRIEND. 1232 00:58:32,009 --> 00:58:33,277 YOU'RE NOT MY FRIEND. 1233 00:58:33,310 --> 00:58:36,714 I WOULDN'T BE TOO SURE ABOUT THAT. 1234 00:58:36,747 --> 00:58:39,684 LISTEN, SAM WILL BE HERE IN JUST A MINUTE. 1235 00:58:39,717 --> 00:58:41,285 NO, HE WON'T. 1236 00:58:41,318 --> 00:58:43,788 HE'S DRIVING BACK FROM AUSTIN. 1237 00:58:43,821 --> 00:58:45,890 TRAFFIC'S BAD, I HEAR. 1238 00:58:45,923 --> 00:58:47,625 LEAVE ME ALONE. 1239 00:58:50,861 --> 00:58:53,230 WHAT DO YOU WANT FROM ME?! 1240 00:58:57,968 --> 00:59:00,204 [PHONE BEEPS] 1241 00:59:03,674 --> 00:59:07,244 [GASPS] 1242 00:59:07,277 --> 00:59:09,580 TONY, I'M SO GLAD IT'S YOU. 1243 00:59:09,614 --> 00:59:11,982 WOW, WHAT A WELCOME. ARE YOU OKAY? 1244 00:59:12,016 --> 00:59:15,219 YES. JUST SOME WEIRD CALLS THAT SCARED ME A BIT. 1245 00:59:15,252 --> 00:59:16,887 DID YOU TELL SAM? 1246 00:59:16,921 --> 00:59:19,624 NO, NO, I DON'T WANT HIM TO THINK I'M NEUROTIC. 1247 00:59:19,657 --> 00:59:21,158 HE'S ONE LUCKY GUY. 1248 00:59:21,191 --> 00:59:24,061 YEAH, I KEEP TELLING HIM THE SAME THING. 1249 00:59:24,094 --> 00:59:25,863 SO HOW WAS YOUR DINNER WITH JESS? 1250 00:59:25,896 --> 00:59:28,666 YEAH, SHE, UH, SHE WENT TO SEE HER MOTHER. 1251 00:59:28,699 --> 00:59:30,167 OOH, DO YOU WANT A BEER? 1252 00:59:30,200 --> 00:59:31,869 OR I'VE GOT A COLD CHARDONNAY IN THE FRIDGE. 1253 00:59:31,902 --> 00:59:33,203 MM-HMM. 1254 00:59:33,237 --> 00:59:36,641 ALL RIGHT, WHICH IS IT? A BEER OR WINE? 1255 00:59:36,674 --> 00:59:38,776 BEER'LL BE JUST FINE. 1256 00:59:38,809 --> 00:59:41,345 ALL RIGHT. 1257 00:59:41,378 --> 00:59:45,683 SO, UH, WHAT DID YOU WANT TO TALK ABOUT? 1258 00:59:45,716 --> 00:59:47,918 YOU WANNA GIVE ME SOME SPACE? 1259 00:59:47,952 --> 00:59:49,286 YOU WANNA GIVE ME SOME ROOM? 1260 00:59:49,319 --> 00:59:51,021 WHY? 1261 00:59:51,055 --> 00:59:53,858 I'M...YOUR FRIEND. 1262 00:59:53,891 --> 00:59:57,027 FRIEND. 1263 00:59:57,061 --> 00:59:59,163 OH, LORD HELP ME. 1264 00:59:59,196 --> 01:00:00,665 SO THAT WAS YOU? 1265 01:00:00,698 --> 01:00:02,700 ME? 1266 01:00:02,733 --> 01:00:04,101 COME ON, TONY! 1267 01:00:04,134 --> 01:00:06,070 THE CALLS, THE TEXTS. WHAT'S WRONG WITH YOU? 1268 01:00:06,103 --> 01:00:08,806 COME ON, TONY! WHAT'S WRONG WITH YOU, HUH? 1269 01:00:08,839 --> 01:00:10,174 WHAT IS WRONG WITH YOU, 1270 01:00:10,207 --> 01:00:11,976 MY PRETTY LITTLE SMALL-TOWN HOOKER. 1271 01:00:12,009 --> 01:00:14,211 OH, QUIT MESSING AROUND! 1272 01:00:14,244 --> 01:00:17,715 OH, THAT'S FUNNY. COMING FROM YOU, HUH? 1273 01:00:17,748 --> 01:00:20,117 I SEE YOU NIGHT AFTER NIGHT, 1274 01:00:20,150 --> 01:00:22,186 STRUTTING YOUR STUFF ON THE TOWN. HUH? 1275 01:00:22,219 --> 01:00:24,655 SWAYING YOUR HIPS THIS WAY AND THAT, 1276 01:00:24,689 --> 01:00:27,057 JUST SO YOU CAN HIKE THAT TEENY LITTLE SKIRT UP 1277 01:00:27,091 --> 01:00:29,326 JUST A WEE BIT MORE. 1278 01:00:29,359 --> 01:00:31,696 YOU'RE HURTING ME. LET GO. 1279 01:00:31,729 --> 01:00:36,000 TONY, LET GO. I--I JUST WANTED TO TALK. 1280 01:00:36,033 --> 01:00:38,268 OKAY. WE'LL TALK. 1281 01:00:38,302 --> 01:00:40,905 WE'LL TALK. JUST TAKE IT EASY. 1282 01:00:49,079 --> 01:00:51,048 NO. 1283 01:00:53,117 --> 01:00:54,118 OH, NO. 1284 01:00:54,151 --> 01:00:56,854 TONY, NO. 1285 01:00:56,887 --> 01:00:58,355 NO! 1286 01:00:58,388 --> 01:01:00,691 WHAT ARE YOU DOING, LAURA, HUH? 1287 01:01:00,725 --> 01:01:02,059 WHY DO YOU PLAY WITH US LIKE THAT? 1288 01:01:02,092 --> 01:01:04,161 I WASN'T PLAYING WITH YOU. 1289 01:01:04,194 --> 01:01:07,031 NOW YOUR LITTLE GAME'S OVER, 1290 01:01:07,064 --> 01:01:09,166 AND GUESS WHO'S THE WINNER, HUH? 1291 01:01:09,199 --> 01:01:12,937 SO NOW LET'S TAKE A LOOK AT FIRST PRIZE, HUH? 1292 01:01:12,970 --> 01:01:16,373 [ROCK MUSIC PLAYING] 1293 01:01:16,406 --> 01:01:18,809 [SCREAMS] 1294 01:01:18,843 --> 01:01:20,277 [TONY] AAH! 1295 01:01:22,512 --> 01:01:25,049 WHOA. HEY, HEY, TONY, STOP. 1296 01:01:25,082 --> 01:01:27,752 SHE HURT ME. NOW I'M GONNA PUNISH HER. 1297 01:01:27,785 --> 01:01:29,987 HEY, HEY, YOU STAY RIGHT THERE. 1298 01:01:30,020 --> 01:01:31,021 WHAT ARE YOU TALKING ABOUT? 1299 01:01:31,055 --> 01:01:32,389 OKAY, LOVER BOY. 1300 01:01:32,422 --> 01:01:34,058 MAYBE I OUGHT TO JUST TAKE CARE OF YOU FIRST, HUH? 1301 01:01:34,091 --> 01:01:37,762 TONY... SAM DOONBY. THE MAN FROM...NOWHERE. 1302 01:01:37,795 --> 01:01:38,796 COME TO OUR TOWN, 1303 01:01:38,829 --> 01:01:40,464 START TAKING OVER OUR LIVES, 1304 01:01:40,497 --> 01:01:42,900 TAKING OVER OUR WOMEN. MY WOMEN. 1305 01:01:42,933 --> 01:01:45,169 I'M NOT YOUR WOMAN! 1306 01:01:45,202 --> 01:01:46,170 SHE'S NOT YOUR WOMAN. 1307 01:01:46,203 --> 01:01:47,371 YES, SHE IS. 1308 01:01:47,404 --> 01:01:48,839 SHE'S NOT YOUR WOMAN. TONY-- 1309 01:01:48,873 --> 01:01:50,007 THEY'RE ALL MY WOMEN. 1310 01:01:50,040 --> 01:01:51,976 HER, JESS, THAT FLOOZY BEHIND THE BAR. 1311 01:01:52,009 --> 01:01:53,878 THEY ALL BELONG TO ME. 1312 01:01:53,911 --> 01:01:55,145 LISTEN TO ME FOR A SECOND. 1313 01:01:55,179 --> 01:01:56,747 YOU NEED HELP. YOU NEED SERIOUS HELP. 1314 01:01:56,781 --> 01:01:58,115 DON'T YOU START ANALYZING ME, HUH? 1315 01:01:58,148 --> 01:02:00,517 I'VE HAD ENOUGH OF YOU OH SO SMART COUNSELORS. 1316 01:02:00,550 --> 01:02:02,753 ALL YOUR HOURS AND HOURS OF TALKING, 1317 01:02:02,787 --> 01:02:04,354 YOUR LITTLE GROUP THERAPY SESSIONS 1318 01:02:04,388 --> 01:02:05,756 WITH A BUNCH OF WEIRDO LOSERS. 1319 01:02:05,790 --> 01:02:08,158 YOU KNOW WHAT? I SHOWED 'EM ALL 1320 01:02:08,192 --> 01:02:10,360 THAT YOU'RE NOT GONNA MESS WITH ME. 1321 01:02:10,394 --> 01:02:11,862 WHERE WAS THIS, TONY? 1322 01:02:11,896 --> 01:02:13,463 TONY. 1323 01:02:13,497 --> 01:02:16,366 YOU KNOW VERY WELL ABOUT NEW YORK. 1324 01:02:16,400 --> 01:02:21,005 DID YOU HURT SOMEBODY IN NEW YORK, TONY? 1325 01:02:21,038 --> 01:02:22,339 AAH! 1326 01:02:22,372 --> 01:02:24,041 DID YOU HURT SOMEBODY IN NEW YORK, TONY? 1327 01:02:24,074 --> 01:02:25,275 SHE DESERVED IT! 1328 01:02:25,309 --> 01:02:28,813 LIKE ALL THE OTHERS. LIKE HER! 1329 01:02:28,846 --> 01:02:29,814 [SCREAMS] 1330 01:02:29,847 --> 01:02:32,516 [SQUELCH] 1331 01:02:32,549 --> 01:02:35,019 [LAURA CRYING] 1332 01:02:35,052 --> 01:02:37,454 [SAM] IT'S OKAY. IT'S OKAY. 1333 01:02:37,487 --> 01:02:39,123 COME ON. COME ON, COME ON, COME ON. 1334 01:02:39,156 --> 01:02:41,025 IT'S OKAY. IT'S OKAY. 1335 01:02:41,058 --> 01:02:43,460 HE TRIED TO KILL ME. 1336 01:02:43,493 --> 01:02:46,263 HE TRIED TO KILL ME. 1337 01:03:18,262 --> 01:03:20,931 HEY, SHERIFF. 1338 01:03:20,965 --> 01:03:22,432 I'LL HOLD ONTO THAT. 1339 01:03:22,466 --> 01:03:24,935 UH, DID YOU HAVE A GOOD TIME? 1340 01:03:24,969 --> 01:03:28,973 GETTING TOO OLD FOR THESE OUTDOOR HOLIDAYS WITH THE FAMILY, CHARLIE. 1341 01:03:29,006 --> 01:03:31,375 YOU KNOW THEY HAD ME WHITEWATER RAFTING? 1342 01:03:31,408 --> 01:03:33,077 WELL, THEY MUST JUST FIGURE 1343 01:03:33,110 --> 01:03:35,079 YOU DON'T GET ENOUGH EXCITEMENT DOWN HERE. 1344 01:03:35,112 --> 01:03:36,613 WELL, JUDGING FROM THE NEWS BULLETIN I SAW, 1345 01:03:36,646 --> 01:03:39,449 IT APPEARS I MISSED A WHOLE LOT OF FUN THE OTHER DAY. 1346 01:03:39,483 --> 01:03:40,918 YOU LOOK GOOD ON TV, CHARLIE. 1347 01:03:40,951 --> 01:03:42,887 NO. [LAUGHS] 1348 01:03:42,920 --> 01:03:44,288 THANK YOU, DEBBIE. 1349 01:03:44,321 --> 01:03:46,023 NOW, SHERIFF, DON'T BE TELLING HIM THAT. 1350 01:03:46,056 --> 01:03:47,291 HE'S ALREADY GOT THE FAME BUG. 1351 01:03:47,324 --> 01:03:48,993 HE'S HOLDING HIS .38 LIKE THIS. 1352 01:03:49,026 --> 01:03:50,494 I DON'T. NEVER DONE THAT A DAY IN MY LIFE. 1353 01:03:50,527 --> 01:03:53,063 YES, YOU DO. YES, YOU DO. 1354 01:03:53,097 --> 01:03:54,631 ANYWAY. OKAY, SO WHAT DO WE GOT? 1355 01:03:54,664 --> 01:03:56,967 WELL, I WORKED REALLY HARD ON THIS, SIR. 1356 01:03:57,001 --> 01:04:00,337 UH, TO ME, IT'S PRETTY STRAIGHTFORWARD. 1357 01:04:00,370 --> 01:04:04,474 UH, TONY VALDINI IS HIS REAL NAME. NOT MODENO. 1358 01:04:04,508 --> 01:04:06,343 HE SPENT FIVE YEARS 1359 01:04:06,376 --> 01:04:08,378 IN A NEW YORK MENTAL INSTITUTION. 1360 01:04:08,412 --> 01:04:11,548 UH, THEY RECKON HE KILLED HIS MOTHER. 1361 01:04:11,581 --> 01:04:16,620 YEAH, SHE WAS A HOOKER. 1362 01:04:16,653 --> 01:04:18,522 GOT HER-- I'M SORRY. 1363 01:04:18,555 --> 01:04:20,590 DON'T EVEN KNOW WHY I SAT LIKE THAT. 1364 01:04:20,624 --> 01:04:22,626 LIKE I SAID, SHE'S A WOMAN OF THE NIGHT, 1365 01:04:22,659 --> 01:04:24,528 AND GOT HERSELF STABBED 20 OR 30 TIMES, 1366 01:04:24,561 --> 01:04:26,196 BUT THEY NEVER PINNED IT ON HIM. 1367 01:04:26,230 --> 01:04:28,899 WHY? AIN'T THAT A FELONY IN NEW YORK THESE DAYS? 1368 01:04:28,933 --> 01:04:30,634 WELL, I MEAN, THEY NEVER FOUND THE MURDER WEAPON, 1369 01:04:30,667 --> 01:04:32,169 SO THEY COULD NEVER PROVE IT. 1370 01:04:32,202 --> 01:04:35,172 BUT HE TESTED POSITIVE FOR CRAZY, ANYWAY, 1371 01:04:35,205 --> 01:04:39,243 AND THEY SENT HIM OFF TO THE FUNNY FARM LIKE A SHOT. 1372 01:04:39,276 --> 01:04:41,011 WHAT THE HECK IS HE DOING OUT? 1373 01:04:41,045 --> 01:04:43,547 WELL, SIR, THEY LET HIM OUT FOR THE WEEKEND, I GUESS, 1374 01:04:43,580 --> 01:04:45,149 AND THOUGHT HE WAS OKAY, 1375 01:04:45,182 --> 01:04:48,418 AND HE "R-U-N O-F-T." 1376 01:04:48,452 --> 01:04:50,054 WELL, LOOKS LIKE THESE GUYS IN NEW YORK 1377 01:04:50,087 --> 01:04:51,521 ARE GONNA BE ANSWERING FOR SOMETHING. 1378 01:04:51,555 --> 01:04:55,559 SIR. 1379 01:04:55,592 --> 01:04:57,361 WHY DON'T YOU SIT DOWN, CHARLIE? 1380 01:04:57,394 --> 01:04:59,296 CAN I? OH, I APPRECIATE THAT. 1381 01:04:59,329 --> 01:05:00,664 TAKE A LOAD OFF HERE. 1382 01:05:00,697 --> 01:05:02,332 UH, FUNNY THING IS, 1383 01:05:02,366 --> 01:05:04,434 UH, YOU KNOW, HE NEVER-- 1384 01:05:04,468 --> 01:05:07,304 HE NEVER, EVER HURT HIS GIRLFRIEND JESSICA GORDON. 1385 01:05:07,337 --> 01:05:09,406 YOU KNOW, THE ONE GOT THE BOUTIQUE UP THERE ON MAIN STREET? 1386 01:05:09,439 --> 01:05:11,175 'COURSE I KNOW HER. 1387 01:05:11,208 --> 01:05:13,343 YEAH, 'CAUSE I KNOW YOU AND I ARE KINDA SIMPATICO, 1388 01:05:13,377 --> 01:05:15,946 YOU'RE PROBABLY WONDERING WHAT'S WRONG WITH HER, RIGHT? 1389 01:05:15,980 --> 01:05:18,315 TELL YOU WHAT I'M WONDERING, CHARLIE. 1390 01:05:18,348 --> 01:05:20,417 WONDERING WHO IS THIS WHITE KNIGHT. 1391 01:05:20,450 --> 01:05:21,986 SAM DOONBY? 1392 01:05:22,019 --> 01:05:23,453 DOONBY. 1393 01:05:23,487 --> 01:05:25,022 YES, SIR. 1394 01:05:25,055 --> 01:05:26,556 WHAT SORTA NAME IS DOONBY? 1395 01:05:26,590 --> 01:05:28,058 YEAH. YEAH, I WAS WONDERING THAT. 1396 01:05:28,092 --> 01:05:30,027 I FIGURE, UH, IRISH? 1397 01:05:30,060 --> 01:05:31,495 THINK HE COULD BE AN IRISH GYPSY? 1398 01:05:31,528 --> 01:05:33,397 I DON'T KNOW. IT'S HARD TO TELL. 1399 01:05:33,430 --> 01:05:35,432 HE AIN'T GOT A SHAMROCK BEHIND HIS EAR OR ANYTHING, SIR. 1400 01:05:35,465 --> 01:05:37,034 BUT I WILL SAY, 1401 01:05:37,067 --> 01:05:39,103 THIS TOWN WAS A WHOLE HECK OF A LOT QUIETER 1402 01:05:39,136 --> 01:05:40,704 WHEN HE WASN'T HERE. 1403 01:05:40,737 --> 01:05:42,572 THAT'S A FACT. 1404 01:05:42,606 --> 01:05:45,475 WHERE'S HE FROM? 1405 01:05:45,509 --> 01:05:48,478 WELL, HE SAYS HE'S FROM PARKERVILLE, LOUISIANA. 1406 01:05:48,512 --> 01:05:50,147 WELL, IS HE? 1407 01:05:50,180 --> 01:05:52,016 WELL, NOBODY UP THERE KNOWS ANYTHING ABOUT HIM. 1408 01:05:52,049 --> 01:05:54,084 I MEAN, THEY RECKON HE'S BROUGHT UP IN AN ORPHANAGE, 1409 01:05:54,118 --> 01:05:55,419 BUT THE WHOLE PLACE BURNED DOWN IN '70, 1410 01:05:55,452 --> 01:05:56,753 AND ALL THE RECORDS WENT WITH IT. 1411 01:05:56,786 --> 01:05:59,723 TALKING ABOUT RECORDS... HE'S IN THE SYSTEM? 1412 01:05:59,756 --> 01:06:01,258 NO. NO, I CHECKED. 1413 01:06:01,291 --> 01:06:02,626 TRIPLE CHECKED, AS A MATTER OF FACT, 1414 01:06:02,659 --> 01:06:04,361 AND, UH, FINGERPRINTS DON'T MATCH UP. 1415 01:06:04,394 --> 01:06:06,130 HE'S NEVER EVEN HAD-- AS FAR AS I CAN TELL-- 1416 01:06:06,163 --> 01:06:07,397 SO MUCH AS A SPEEDING TICKET. 1417 01:06:07,431 --> 01:06:08,698 SOCIAL SECURITY NUMBER? 1418 01:06:08,732 --> 01:06:13,137 YES, SIR. YEAH, IT'S RIGHT, UH... 1419 01:06:13,170 --> 01:06:16,073 SOMEWHERE IN THERE. 1420 01:06:16,106 --> 01:06:19,009 WELL, NOTHING SUSPICIOUS ABOUT THIS GUY'S DEATH. 1421 01:06:19,043 --> 01:06:21,178 NO, SIR. FROM WHAT I WAS ABLE TO DEDUCE, 1422 01:06:21,211 --> 01:06:23,280 UH, DOONBY SHOWED UP ALMOST-- 1423 01:06:23,313 --> 01:06:24,481 ALMOST RIGHT IN TIME. 1424 01:06:24,514 --> 01:06:26,650 WHERE CAN I FIND THIS MAN OF MYSTERY? 1425 01:06:26,683 --> 01:06:28,418 WELL, LAST I SEEN HIM, 1426 01:06:28,452 --> 01:06:30,420 I BELIEVE HE SAID HE'S HEADED OVER TO THE LIBRARY. 1427 01:06:30,454 --> 01:06:31,688 DID I EVER TELL YOU I ENJOY A GOOD BOOK? 1428 01:06:31,721 --> 01:06:33,157 NO, SIR, YOU DID NOT. 1429 01:06:33,190 --> 01:06:35,092 BUT I WILL GET YOU ONE FOR CHRISTMAS. 1430 01:06:35,125 --> 01:06:36,660 OR YOUR BIRTHDAY. WHICHEVER COMES FIRST. 1431 01:06:36,693 --> 01:06:37,694 OKAY, CHARLIE. 1432 01:06:37,727 --> 01:06:38,795 WELL, ALL RIGHT THEN. 1433 01:06:38,828 --> 01:06:40,264 WE'LL HOLD DOWN THE FORT HERE. 1434 01:06:40,297 --> 01:06:42,366 DON'T MAKE YOURSELF COMFORTABLE. 1435 01:06:44,434 --> 01:06:46,136 TOM! 1436 01:06:46,170 --> 01:06:49,373 LOOK, I WANT YOU TO CHECK OUT THIS DOONBY CHARACTER. 1437 01:06:49,406 --> 01:06:51,141 YOU TELLING ME MY JOB, CYRUS? 1438 01:06:51,175 --> 01:06:54,778 NO, NO. GUY JUST GIVES ME THE CREEPS, THAT'S ALL. 1439 01:06:54,811 --> 01:06:57,114 WELL, YOU'RE SUGGESTING THAT IT WASN'T SELF DEFENSE? 1440 01:06:57,147 --> 01:07:02,719 NO, NO, HE'S JUST GOT THIS STRANGE HOLD OVER LAURA. 1441 01:07:02,752 --> 01:07:06,123 CYRUS, I GOTTA TELL YOU, 1442 01:07:06,156 --> 01:07:07,724 YOU'RE A DARN FIND DOCTOR. 1443 01:07:07,757 --> 01:07:09,126 ONE OF THE BEST. 1444 01:07:09,159 --> 01:07:10,427 I'D SEND ANYONE IN MY FAMILY TO YOU, 1445 01:07:10,460 --> 01:07:11,528 'CAUSE I TRUST YOUR JUDGMENT. 1446 01:07:11,561 --> 01:07:12,562 APPRECIATE THAT, TOM. 1447 01:07:12,596 --> 01:07:14,198 OKAY? YOU'RE A PRO. 1448 01:07:14,231 --> 01:07:16,166 YOU TELL ME THEY NEED AN OP, I TAKE YOUR WORD FOR IT. 1449 01:07:16,200 --> 01:07:18,835 'CAUSE YOU'RE THE BOSS WHERE MEDICINE'S CONCERNED. 1450 01:07:18,868 --> 01:07:23,240 NOW ME, MY AREA OF EXPERTISE IS THE LAW. 1451 01:07:23,273 --> 01:07:25,142 I'M A COP, AND I DON'T MIND TELLING YOU 1452 01:07:25,175 --> 01:07:27,311 I'M A DARN FINE COP. WE KNOW THAT. 1453 01:07:27,344 --> 01:07:29,613 SO YOU DO YOUR JOB, CYRUS, AND LEAVE ME TO DO MINE. 1454 01:07:29,646 --> 01:07:32,749 BOY'S DEAD, AND THAT'S A SERIOUS THING. 1455 01:07:32,782 --> 01:07:34,551 YOUR LAURA IS ALIVE, 1456 01:07:34,584 --> 01:07:36,586 SO WHATEVER THE STORY IS AROUND HERE, 1457 01:07:36,620 --> 01:07:41,091 YOU OUGHT TO BE GRATEFUL. 1458 01:07:41,125 --> 01:07:44,794 EXCUSE ME. 'CAUSE I GOT SOME WORK TO DO. 1459 01:07:44,828 --> 01:07:47,331 KIND OF... 1460 01:07:47,364 --> 01:07:50,867 WHAT DO YOU THINK? 1461 01:07:50,900 --> 01:07:52,469 OH, HI, SHERIFF. 1462 01:07:52,502 --> 01:07:54,838 YOU MUST BE SAM DOONBY. 1463 01:07:54,871 --> 01:07:56,873 SHERIFF WOODLEY. 1464 01:07:56,906 --> 01:07:59,776 YEAH, HI. I'M SAM DOONBY, SHERIFF. 1465 01:07:59,809 --> 01:08:02,179 WHAT DO YOU SAY WE GO ACROSS THE ROAD 1466 01:08:02,212 --> 01:08:04,148 AND HAVE A LITTLE MEETIN'? 1467 01:08:04,181 --> 01:08:05,682 I ALREADY TALKED TO YOUR DEPUTY SHERIFF. 1468 01:08:05,715 --> 01:08:07,317 I ANSWERED EVERY QUESTION HE HAD. 1469 01:08:07,351 --> 01:08:09,119 LAURA WAS THERE. SHE WAS A WITNESS TO MY STATEMENT. 1470 01:08:09,153 --> 01:08:12,689 YEAH, SAM SAVED MY LIFE. 1471 01:08:12,722 --> 01:08:15,159 TONY WAS CRAZY, SHERIFF. HE HAD A KNIFE. 1472 01:08:15,192 --> 01:08:17,127 WHAT AM I SUPPOSED TO DO? 1473 01:08:17,161 --> 01:08:18,862 LAW ALLOWS YOU TO USE REASONABLE FORCE. 1474 01:08:18,895 --> 01:08:20,197 THAT'S QUITE ALL RIGHT. 1475 01:08:20,230 --> 01:08:22,432 GOOD. SO I USED REASONABLE FORCE. 1476 01:08:22,466 --> 01:08:24,201 BUT IS THERE SOME SORT OF A PROBLEM? 1477 01:08:24,234 --> 01:08:26,370 NOBODY KNOWS NOTHIN' ABOUT YOU, SAM. 1478 01:08:26,403 --> 01:08:27,571 I CAN CALL YOU SAM? 1479 01:08:27,604 --> 01:08:29,173 YEAH. YOU CAN CALL ME WHATEVER YOU WANT. 1480 01:08:29,206 --> 01:08:31,708 OKAY. 1481 01:08:31,741 --> 01:08:33,443 YOU SEE, IT'S LIKE THIS. 1482 01:08:33,477 --> 01:08:35,179 WHEN FOLKS CAN'T PUT PEOPLE 1483 01:08:35,212 --> 01:08:36,480 IN THEIR OWN LITTLE COMPARTMENT, 1484 01:08:36,513 --> 01:08:37,714 IT MAKES 'EM UNEASY. 1485 01:08:37,747 --> 01:08:39,383 KINDA LIKE YOU ARE RIGHT NOW. 1486 01:08:39,416 --> 01:08:40,717 I'M NOT UNEASY SHERIFF. 1487 01:08:40,750 --> 01:08:42,852 YOU KNOW, WE BEEN TRYING TO CHECK YOU OUT, SAM. 1488 01:08:42,886 --> 01:08:45,855 AND, UH, CAN'T FIND A DARN THING ABOUT YOU. 1489 01:08:45,889 --> 01:08:48,892 NO CREDIT RATING, NO LISTING. 1490 01:08:48,925 --> 01:08:50,760 IT'S LIKE YOU NEVER EXISTED. 1491 01:08:50,794 --> 01:08:52,229 SEE, IT'S LIKE THIS, SHERIFF. 1492 01:08:52,262 --> 01:08:53,363 I ALREADY TALKED TO YOUR DEPUTY. 1493 01:08:53,397 --> 01:08:54,698 I ANSWERED EVERY QUESTION HE HEAD. 1494 01:08:54,731 --> 01:08:59,403 YOU EVER BEEN IN JAIL SOMEWHERE? 1495 01:08:59,436 --> 01:09:02,839 SAM, DO ME A FAVOR, PLEASE, AND DON'T LEAVE TOWN. 1496 01:09:02,872 --> 01:09:05,609 I GOT NO INTENTION OF LEAVING TOWN, SHERIFF. 1497 01:09:05,642 --> 01:09:07,577 THAT'S GOOD. THANK YOU. 1498 01:09:07,611 --> 01:09:09,946 SO CAN I GO? 1499 01:09:09,979 --> 01:09:11,615 YOU GONNA ARREST ME, OR WHAT? 1500 01:09:11,648 --> 01:09:13,750 YOU'RE FREE TO GO. FREE TO HAVE A MINT JULEP. 1501 01:09:13,783 --> 01:09:15,885 JUST DON'T LEAVE TOWN. 1502 01:09:15,919 --> 01:09:18,855 WAS SO VERY NICE MEETING YOU, SHERIFF. 1503 01:09:18,888 --> 01:09:22,559 BEEN NICE MEETING YOU, SAM. 1504 01:09:22,592 --> 01:09:23,627 COME ON. 1505 01:09:23,660 --> 01:09:24,628 BYE, SHERIFF. 1506 01:09:24,661 --> 01:09:27,197 LAURA. 1507 01:09:31,268 --> 01:09:32,636 WHERE'S SAM TONIGHT? 1508 01:09:32,669 --> 01:09:34,438 IT'S ONLY 5:30. HE DON'T START TILL 7:00. 1509 01:09:34,471 --> 01:09:36,873 MAYBE YOU SHOULD TELL HIM TO STAY HOME TONIGHT. 1510 01:09:36,906 --> 01:09:39,776 MAYBE. WE'LL SEE HOW IT GOES. 1511 01:09:39,809 --> 01:09:41,445 WHY? 1512 01:09:41,478 --> 01:09:43,347 WELL, THERE'S TROUBLE. POLICE SHOWING UP. 1513 01:09:43,380 --> 01:09:44,714 IT'S BAD FOR BUSINESS. 1514 01:09:44,748 --> 01:09:46,250 TAKING'S BEEN HALF WHAT IT SHOULD BE 1515 01:09:46,283 --> 01:09:47,717 THE LAST TWO NIGHTS. 1516 01:09:47,751 --> 01:09:51,688 WELL, IT'S STILL BETTER THAN IT WAS BEFORE HE CAME. 1517 01:09:51,721 --> 01:09:54,458 LOOK, I GOT AN ERRAND TO RUN. 1518 01:09:54,491 --> 01:09:56,226 CAN YOU MANAGE FOR AN HOUR? 1519 01:09:56,260 --> 01:09:58,762 IF WE DON'T GET TRAMPLED BY THE STAMPEDE. 1520 01:10:22,352 --> 01:10:25,522 HI, SAM. 1521 01:10:25,555 --> 01:10:26,956 WHAT ARE YOU DOING HERE, JOLENE? 1522 01:10:26,990 --> 01:10:28,592 WAITING FOR YOU. 1523 01:10:28,625 --> 01:10:30,760 YOU'VE GOT MORE THAN AN HOUR 1524 01:10:30,794 --> 01:10:33,563 BEFORE YOU HAVE TO BE AT WORK. 1525 01:10:33,597 --> 01:10:34,998 VERY FUNNY. 1526 01:10:35,031 --> 01:10:39,303 LOOK, YOU GOT TO GET OUT OF HERE. 1527 01:10:39,336 --> 01:10:41,371 THIS IS NO TIME TO START MESSING AROUND. 1528 01:10:41,405 --> 01:10:44,641 OH, I THINK IT'S A PERFECT TIME TO START... 1529 01:10:44,674 --> 01:10:46,976 MESSING AROUND. 1530 01:10:47,010 --> 01:10:48,612 SO WHY DON'T YOU TAKE THEM JEANS OFF 1531 01:10:48,645 --> 01:10:52,282 AND COME ON OVER HERE? 1532 01:10:52,316 --> 01:10:55,018 WHAT-- WHAT ARE YOU DOING? 1533 01:10:55,051 --> 01:10:57,020 JOLENE. 1534 01:10:57,053 --> 01:10:58,622 THERE YOU ARE, SAM. 1535 01:10:58,655 --> 01:11:01,057 I'M RIGHT HERE WAITING FOR YOU. 1536 01:11:01,090 --> 01:11:03,493 I NEED YOU TO PUT YOUR CLOTHES BACK ON. 1537 01:11:03,527 --> 01:11:05,829 BECAUSE LAURA'S GONNA COME WALKING THROUGH THAT DOOR ANY MINUTE. 1538 01:11:05,862 --> 01:11:07,397 NO, SHE AIN'T. 1539 01:11:07,431 --> 01:11:09,933 I SAW HER DRIVING OVER TO JESS', 1540 01:11:09,966 --> 01:11:11,335 SO THE WAY I SEE IT, 1541 01:11:11,368 --> 01:11:15,639 SHE WON'T BE BACK FOR HOURS. 1542 01:11:15,672 --> 01:11:17,474 WHAT WAS IT LIKE, SAM? 1543 01:11:17,507 --> 01:11:19,609 WHAT WAS WHAT LIKE? 1544 01:11:19,643 --> 01:11:21,711 KILLING A GUY? 1545 01:11:25,048 --> 01:11:28,385 YOU EVER... KILLED A GUY BEFORE? 1546 01:11:28,418 --> 01:11:31,955 YOU'RE NOT RIGHT, JOLENE. 1547 01:11:31,988 --> 01:11:35,959 IT WAS RIGHT OVER THERE, WASN'T IT? 1548 01:11:35,992 --> 01:11:38,395 I MEAN, DID HE, UH... 1549 01:11:38,428 --> 01:11:40,330 SCREAM OR ANYTHING? 1550 01:11:40,364 --> 01:11:41,398 ANY BLOOD COME OUT OF HIS MOUTH? 1551 01:11:41,431 --> 01:11:44,801 I CAN'T BELIEVE THIS. 1552 01:11:44,834 --> 01:11:47,504 MAKES ME FEEL KINDA WEIRD, YOU KNOW. 1553 01:11:47,537 --> 01:11:50,607 I MEAN, I SEEN TONY LOOKING AT ME SORTA STRANGE A FEW TIMES, 1554 01:11:50,640 --> 01:11:54,010 BUT LOTSA GUYS LOOK AT ME IN THE BAR, 1555 01:11:54,043 --> 01:11:57,381 AND I NEVER THOUGHT NOTHING OF IT. 1556 01:11:57,414 --> 01:11:59,015 JUST THINK, ALL THAT TIME 1557 01:11:59,048 --> 01:12:03,119 HE HAD A FANTASY ABOUT CUTTING ME UP OR HURTING ME 1558 01:12:03,152 --> 01:12:08,392 JUST LIKE HE WAS DOING TO LAURA, TILL YOU CAME BY. 1559 01:12:08,425 --> 01:12:09,893 THAT MUST HAVE GIVEN YOU A BUZZ. 1560 01:12:09,926 --> 01:12:13,363 I NEED YOU TO LEAVE. NOW, JOLENE. 1561 01:12:13,397 --> 01:12:16,800 COME ON. 1562 01:12:16,833 --> 01:12:20,470 YOU RECKON SHE LED HIM ON? 1563 01:12:20,504 --> 01:12:25,409 I MEAN, WHY HER? NOT ME? 1564 01:12:25,442 --> 01:12:27,377 I DON'T HAVE TO STAND HERE AND LISTEN TO THIS. 1565 01:12:27,411 --> 01:12:28,845 I WANT YOU TO UNDERSTAND SOMETHING, OKAY? 1566 01:12:28,878 --> 01:12:30,914 LAURA AND I ARE TOGETHER. 1567 01:12:30,947 --> 01:12:33,817 TONY WAS TOUCHED. 1568 01:12:33,850 --> 01:12:35,552 IN THE HEAD. 1569 01:12:35,585 --> 01:12:37,421 I DID WHAT I HAD TO DO. 1570 01:12:37,454 --> 01:12:39,523 I DIDN'T WANT TO KILL HIM. I DIDN'T ENJOY KILLING HIM. 1571 01:12:39,556 --> 01:12:40,824 I DIDN'T LIKE KILLING HIM. 1572 01:12:40,857 --> 01:12:44,694 I SURE DIDN'T GET ANY BUZZ OUT OF DOING IT. 1573 01:12:44,728 --> 01:12:45,929 IN FACT, I PRAY EVERY DAY 1574 01:12:45,962 --> 01:12:49,966 THAT TONY WAS STILL ALIVE. 1575 01:12:49,999 --> 01:12:54,738 I'M NOT MAKING LOVE TO YOU, JOLENE. 1576 01:12:54,771 --> 01:12:59,042 NOT TONIGHT. NOT TOMORROW. 1577 01:12:59,075 --> 01:13:02,145 NOT NEXT WEEK. NOT EVER. 1578 01:13:02,178 --> 01:13:04,414 SO I WANT YOU TO GET YOUR STUFF TOGETHER, 1579 01:13:04,448 --> 01:13:09,653 PUT YOUR CLOTHES ON, AND GET OUT OF MY HOUSE. 1580 01:13:09,686 --> 01:13:12,689 SO THAT'S IT, HUH? YEAH. 1581 01:13:12,722 --> 01:13:13,923 I'M NOT GOOD ENOUGH FOR YOU? 1582 01:13:13,957 --> 01:13:14,958 COME ON. 1583 01:13:14,991 --> 01:13:16,526 I DON'T GOT A DADDY 1584 01:13:16,560 --> 01:13:18,562 THAT'S GOT MORE MONEY THAN SENSE. 1585 01:13:18,595 --> 01:13:20,096 [DRESS ZIPS] 1586 01:13:20,129 --> 01:13:22,432 I'VE HAD TO FIGHT FOR ALL I GOT. 1587 01:13:22,466 --> 01:13:24,834 WHAT'S SHE EVER HAD TO DO FOR HERSELF, HUH? 1588 01:13:24,868 --> 01:13:27,604 SHE'S NEVER HAD TO WASH DISHES 1589 01:13:27,637 --> 01:13:32,442 OR SLING HASH OR WORK AT HOSTESS BARS FOR LOUSY TIPS. 1590 01:13:32,476 --> 01:13:35,579 NO, SHE JUST DRIVES ON UP 1591 01:13:35,612 --> 01:13:37,447 IN HER FANCY LITTLE SPORTS CAR, 1592 01:13:37,481 --> 01:13:39,649 DRINKING HERSELF UNDER THE TABLE, 1593 01:13:39,683 --> 01:13:41,951 PICKING UP CHEAPSKATE BAR FLIES LIKE YOU, 1594 01:13:41,985 --> 01:13:43,720 AND THEN SHE SLEEPS ALL DAY 1595 01:13:43,753 --> 01:13:45,622 AND DOES IT ALL OVER AGAIN. 1596 01:13:45,655 --> 01:13:48,758 HER AND HER YUPPIE FRIENDS. 1597 01:13:48,792 --> 01:13:51,928 WELL, I'LL SHOW YOU AND HER 1598 01:13:51,961 --> 01:13:55,064 AND HER HIGH AND MIGHTY FAMILY. 1599 01:13:55,098 --> 01:13:58,034 YOU'RE ALL GONNA BE SORRY YOU LAUGHED AT ME. 1600 01:13:59,669 --> 01:14:01,204 JOLENE. HEY, LOOK. 1601 01:14:01,237 --> 01:14:02,939 NOBODY LAUGHED AT YOU. I NEVER LAUGHED-- 1602 01:14:02,972 --> 01:14:04,908 JUST GET OUT OF MY WAY. 1603 01:14:04,941 --> 01:14:07,911 [DOOR OPENS, CLOSES] 1604 01:14:14,217 --> 01:14:16,886 THIS TOWN IS FULL OF CRAZY PEOPLE. 1605 01:14:20,123 --> 01:14:21,725 DR. REAPER? 1606 01:14:21,758 --> 01:14:22,992 UH, YES, MA'AM. I'M SORRY. 1607 01:14:23,026 --> 01:14:24,528 I JUST CLOSED FOR THE EVENING. 1608 01:14:24,561 --> 01:14:26,896 I'M SORRY. UM, I GOT A REAL BAD PAIN. 1609 01:14:26,930 --> 01:14:28,064 RIGHT HERE. 1610 01:14:28,097 --> 01:14:29,633 ALL RIGHT, YOU MAKE AN APPOINTMENT, 1611 01:14:29,666 --> 01:14:30,900 AND WE'LL SEE YOU IN THE MORNING. 1612 01:14:30,934 --> 01:14:32,736 OH, PLEASE. I'M SCARED. 1613 01:14:32,769 --> 01:14:34,638 I MEAN, ARE YOU A DOCTOR? 1614 01:14:34,671 --> 01:14:35,972 YES, OF COURSE I AM. 1615 01:14:36,005 --> 01:14:38,174 BUT I DON'T HAVE A STAFF AVAILABLE RIGHT NOW. 1616 01:14:38,207 --> 01:14:39,208 I MEAN, IF YOU'RE THAT BAD, 1617 01:14:39,242 --> 01:14:40,777 YOU GO TO THE HOSPITAL. 1618 01:14:40,810 --> 01:14:43,246 PLEASE, DOCTOR. LOOK, THAT'S A LONG WAY OFF. 1619 01:14:43,279 --> 01:14:46,650 I MEAN, CAN'T YOU JUST CHECK ME OUT REAL QUICK? 1620 01:14:46,683 --> 01:14:48,685 LOOK, I NEED A NURSE PRESENT. 1621 01:14:48,718 --> 01:14:49,853 I CAN'T DO THAT. 1622 01:14:49,886 --> 01:14:51,921 LOOK, IT'D ONLY TAKE A MINUTE. 1623 01:14:51,955 --> 01:14:54,257 AND I AIN'T GONNA TELL NO ONE. 1624 01:14:54,290 --> 01:14:56,660 I MEAN, CAN'T YOU JUST GIVE ME A BREAK? 1625 01:14:56,693 --> 01:15:01,030 LOOK, I JUST NEED TO KNOW IT AIN'T NOTHING BAD. 1626 01:15:01,064 --> 01:15:02,766 ALL RIGHT. COME ON, COME ON. QUICKLY. 1627 01:15:02,799 --> 01:15:05,168 COME ON. 1628 01:15:05,201 --> 01:15:06,636 YOU FELLAS TAKING IT EASY TONIGHT? 1629 01:15:06,670 --> 01:15:07,837 MM-HMM. YEAH. 1630 01:15:07,871 --> 01:15:09,639 WELL, IF IT'S A WAISTLINE PROBLEM... 1631 01:15:09,673 --> 01:15:11,140 IT AIN'T THAT. 1632 01:15:11,174 --> 01:15:13,009 THINGS JUST AIN'T THE SAME AROUND HERE ANYMORE. 1633 01:15:13,042 --> 01:15:15,244 THOSE COP CARS PARKED OUTSIDE HAVE ANYTHING TO DO WITH IT? 1634 01:15:15,278 --> 01:15:16,946 YEAH, WHAT ARE THEY DOING HERE, ANYWAYS? 1635 01:15:16,980 --> 01:15:18,815 JUST APPLYING A LITTLE PRESSURE IS ALL. 1636 01:15:18,848 --> 01:15:20,884 WHERE'S GOLDEN BOY, ANYWAY? 1637 01:15:20,917 --> 01:15:22,886 HE'S OUT BACK IN THE STORE. 1638 01:15:22,919 --> 01:15:25,655 YOU KNOW, THINGS WERE PLAIN AND SIMPLE BEFORE HE CAME AROUND. 1639 01:15:25,689 --> 01:15:28,224 SURE SAVED YOUR HIDE, DIDN'T HE, DUANE? AND LEROY'S HERE. 1640 01:15:28,257 --> 01:15:29,993 OH, YEAH? WELL, MAYBE THE SITUATION 1641 01:15:30,026 --> 01:15:31,695 WOULDN'T HAVE HAPPENED IF HE WEREN'T AROUND. 1642 01:15:31,728 --> 01:15:33,062 WHAT DO YOU MEAN BY THAT? I DON'T KNOW. 1643 01:15:33,096 --> 01:15:34,197 JUST A FEELING'S ALL. 1644 01:15:34,230 --> 01:15:36,332 [SAM] HELLO. HEY, GENTLEMEN. 1645 01:15:36,365 --> 01:15:37,567 HOW'S IT GOING TONIGHT? 1646 01:15:37,601 --> 01:15:39,335 FINE. JUST FINE. 1647 01:15:39,368 --> 01:15:41,971 WELL, IT DOESN'T LOOK LIKE IT'S GOING FINE, ARCHIE. 1648 01:15:42,005 --> 01:15:43,172 LET ME GUESS. WHY WOULD THAT BE? 1649 01:15:43,206 --> 01:15:44,674 IS IT BECAUSE JOLENE'S NOT IN HERE, 1650 01:15:44,708 --> 01:15:46,042 SO YOU COULD GET A LOOK AT HER BUTT 1651 01:15:46,075 --> 01:15:47,243 IN THAT TIGHT LITTLE SKIRT? 1652 01:15:47,276 --> 01:15:48,277 IS SHE LATE? 1653 01:15:48,311 --> 01:15:49,813 SHE'S ALWAYS LATE. 1654 01:15:49,846 --> 01:15:51,280 WELL, SHE'S NOT ALWAYS AN HOUR LATE. 1655 01:15:51,314 --> 01:15:53,149 WE SHOULD PROBABLY GIVE HER A CALL. 1656 01:15:53,182 --> 01:15:54,718 [PHONE RINGS] 1657 01:15:54,751 --> 01:15:57,320 I'LL BET YOU THAT'S HER RIGHT NOW. 1658 01:15:57,353 --> 01:15:59,222 LEROY'S. YEAH. 1659 01:15:59,255 --> 01:16:01,691 HEY, HEY, HEY. HANG ON, HANG ON, HANG ON. 1660 01:16:01,725 --> 01:16:03,259 SAM. YEAH. 1661 01:16:03,292 --> 01:16:05,762 IT'S FOR YOU. IT'S YOUR OWN PERSONAL WILD CHILD. 1662 01:16:05,795 --> 01:16:10,299 HELLO. WHAT? WHEN? 1663 01:16:10,333 --> 01:16:11,735 WELL, YEAH--HEY. 1664 01:16:11,768 --> 01:16:14,337 CALM DOWN. YEAH. I'M COMING DOWN THERE. 1665 01:16:14,370 --> 01:16:16,072 RIGHT NOW. I'M ON MY WAY. 1666 01:16:16,105 --> 01:16:18,708 I NEED SOME TIME OFF. JOLENE'S NOT COMING IN TONIGHT. 1667 01:16:18,742 --> 01:16:20,376 JOLENE? I THOUGHT THAT WAS LAURA. 1668 01:16:20,409 --> 01:16:22,245 IT WAS. SHE'S DOWN AT THE POLICE STATION. 1669 01:16:22,278 --> 01:16:24,648 JOLENE JUST ACCUSED CYRUS OF SEXUAL ASSAULT. 1670 01:16:24,681 --> 01:16:26,349 WHAT? HUH? 1671 01:16:29,986 --> 01:16:31,621 WHAT ARE YOU DOING IN THERE?! 1672 01:16:31,655 --> 01:16:32,722 WHY ARE YOU LYING?! 1673 01:16:32,756 --> 01:16:34,090 WHAT ARE YOU DOING IN THERE, HUH? 1674 01:16:34,123 --> 01:16:35,692 OKAY, CALM DOWN HERE. 1675 01:16:35,725 --> 01:16:37,627 NOW, MISS JOLENE IN THERE'S REAL UPSET. 1676 01:16:37,661 --> 01:16:41,030 OKAY? SHE SAYS THAT SHE WENT TO CYRUS' CLINIC AND... 1677 01:16:41,064 --> 01:16:42,766 HE JUMPED HER. 1678 01:16:42,799 --> 01:16:44,634 TOM? AND SHE'S GOT EVIDENCE. 1679 01:16:44,668 --> 01:16:46,335 WHAT KIND OF EVIDENCE DOES SHE SAY SHE HAS? 1680 01:16:46,369 --> 01:16:47,871 SHE'S GOT BRUISES AND ABRASIONS 1681 01:16:47,904 --> 01:16:49,405 ALL OVER HER PERSONAL AND PRIVATE AREAS. 1682 01:16:49,438 --> 01:16:51,240 I CAN'T BELIEVE I'M LISTENING TO THIS. 1683 01:16:51,274 --> 01:16:53,176 NOW BARBARA ANN, I'M NOT JUMPING TO ANY CONCLUSIONS, 1684 01:16:53,209 --> 01:16:55,078 BUT I THINK YOU SHOULD GET AN ATTORNEY FOR CYRUS. 1685 01:16:55,111 --> 01:16:57,046 MY DAD WOULD NOT RAPE ANYONE. 1686 01:16:57,080 --> 01:16:59,348 TOM, DO YOU KNOW HOW MANY YEARS YOU'VE KNOWN MY HUSBAND? 1687 01:16:59,382 --> 01:17:01,250 ABOUT AS LONG AS YOU'VE KNOWN HIM, BARBARA ANN. 1688 01:17:01,284 --> 01:17:04,087 OKAY, CAN I TALK TO YOU IN PRIVATE FOR JUST A MINUTE PLEASE? 1689 01:17:04,120 --> 01:17:06,389 HOW'D I KNOW YOU'D COME BY, DOONBY? 1690 01:17:06,422 --> 01:17:08,157 CAN--SWEETHEART. 1691 01:17:08,191 --> 01:17:09,893 YOU GOT SOMETHING TO TELL ME? GO AHEAD. 1692 01:17:09,926 --> 01:17:14,731 BARBARA ANN, MAKE SURE SHE'S OKAY. THANK YOU. 1693 01:17:14,764 --> 01:17:17,066 YOU GOT ANYTHING TO BACK THIS UP? 1694 01:17:36,219 --> 01:17:37,754 NO WONDER YOU DIDN'T WANT MISS LAURA 1695 01:17:37,787 --> 01:17:38,888 IN ON YOUR CONVERSATION. 1696 01:17:38,922 --> 01:17:41,424 NOTHING HAPPENED. 1697 01:17:46,462 --> 01:17:51,334 THIS USED TO BE A NICE, QUIET TOWN, TILL YOU SHOWED UP. 1698 01:17:51,367 --> 01:17:54,103 SINCE THEN, WE'VE HAD HOLD-UPS, 1699 01:17:54,137 --> 01:17:56,706 RUNAWAY TRUCKS, VIOLENT DEATH, 1700 01:17:56,740 --> 01:17:59,943 AND ATTEMPTED RAPE. 1701 01:17:59,976 --> 01:18:03,412 AND YOU SEEM TO BE INVOLVED IN ALL OF IT, SAM DOONBY. 1702 01:18:09,485 --> 01:18:12,021 HMM. 1703 01:18:17,493 --> 01:18:20,396 YOU GOTTA TELL ME WHAT YOU USE FOR AFTERSHAVE. 1704 01:18:20,429 --> 01:18:23,733 'CAUSE EVERY WOMAN IN THIS TOWN SEEMS TO HAVE THE HOTS FOR YOU. 1705 01:18:32,341 --> 01:18:34,243 JOLENE, I WANT YOU TO KNOW 1706 01:18:34,277 --> 01:18:36,913 THAT I'M REAL SORRY FOR WHAT HAPPENED TO YOU. 1707 01:18:36,946 --> 01:18:40,249 OKAY? 1708 01:18:40,283 --> 01:18:41,918 I DON'T THINK ANY YOUNG GIRL 1709 01:18:41,951 --> 01:18:43,787 SHOULD GO THROUGH WHAT YOU WENT THROUGH HERE. 1710 01:18:43,820 --> 01:18:45,388 THAT'S TERRIBLE. 1711 01:18:45,421 --> 01:18:48,224 BUT I NEED YOUR HELP WITH SOMETHING, OKAY? 1712 01:18:55,198 --> 01:18:58,167 IS THIS YOURS, HONEY? 1713 01:18:58,201 --> 01:19:01,170 WHAT IF IT IS? 1714 01:19:01,204 --> 01:19:03,472 WELL, THEN YOU COULD BE IN A WHOLE LOT OF TROUBLE. 1715 01:19:03,506 --> 01:19:06,475 FOR FALSE ACCUSATION. 1716 01:19:06,509 --> 01:19:09,178 WELL, I AIN'T LYIN'. 1717 01:19:09,212 --> 01:19:10,513 WELL, THEN WHAT DO YOU CALL IT? 1718 01:19:10,546 --> 01:19:11,948 I TOLD YOU WHAT HAPPENED. 1719 01:19:11,981 --> 01:19:14,517 I WENT TO THE CLINIC AND HE ATTACKED ME. 1720 01:19:14,550 --> 01:19:16,052 WHY WON'T YOU BELIEVE ME? 1721 01:19:16,085 --> 01:19:17,987 SAM DOONBY TOLD ME THAT YOU WENT OVER THERE 1722 01:19:18,021 --> 01:19:19,222 AND YOU SEDUCED HIM. 1723 01:19:19,255 --> 01:19:20,456 WELL, WHAT ABOUT THESE, HUH? 1724 01:19:20,489 --> 01:19:22,425 YOU COULD HAVE DONE THEM YOURSELF. 1725 01:19:22,458 --> 01:19:24,227 OKAY? NOW DO YOU UNDERSTAND SOMETHING? 1726 01:19:24,260 --> 01:19:25,929 I'M GONNA PUT THIS THROUGH FORENSICS. 1727 01:19:25,962 --> 01:19:27,330 WE'RE GONNA HAVE FORENSICS ON THE DOCTOR. 1728 01:19:27,363 --> 01:19:28,331 I AIN'T A LIAR. 1729 01:19:28,364 --> 01:19:29,866 THEN WHAT ARE YOU? 1730 01:19:29,899 --> 01:19:32,902 I AIN'T A LIAR. 1731 01:19:32,936 --> 01:19:34,570 WANT YOU BACK HERE IN THE MORNING, YOUNG LADY. 1732 01:19:34,603 --> 01:19:36,940 YOU'VE GOT SOME EXPLAINING TO DO. 1733 01:19:36,973 --> 01:19:40,143 THIS AIN'T OVER. AND YOU'RE THE TRAMP. 1734 01:19:40,176 --> 01:19:41,377 YOU WANNA GO? 1735 01:19:41,410 --> 01:19:42,812 HEY, HEY, HEY. 1736 01:19:42,846 --> 01:19:43,980 SAM--SAM, WHAT DID YOU SAY TO HER? 1737 01:19:44,013 --> 01:19:46,182 CHARLIE. 1738 01:19:46,215 --> 01:19:47,416 YES, SIR. 1739 01:19:47,450 --> 01:19:49,152 GO GET DR. REAPER, TELL HIM HE CAN GO HOME. 1740 01:19:49,185 --> 01:19:50,386 YOU MEAN LET HIM OUT OF THE CELL? 1741 01:19:50,419 --> 01:19:51,821 WHAT? 1742 01:19:51,855 --> 01:19:53,322 I THOUGHT HE WAS A FLIGHT RISK. 1743 01:19:53,356 --> 01:19:55,591 WHAT HAPPENED BETWEEN YOU AND JOLENE? 1744 01:19:55,624 --> 01:19:57,260 NOTHING. SHE CAME ONTO ME. THAT'S ALL. 1745 01:19:57,293 --> 01:19:59,228 OH, AND I SUPPOSE WITHOUT ANY ENCOURAGEMENT? 1746 01:19:59,262 --> 01:20:01,865 NO. SHE WANTED SOMETHING FROM ME AND I WOULDN'T GIVE IT TO HER. 1747 01:20:01,898 --> 01:20:03,199 SHE GOT MAD. THAT'S IT. 1748 01:20:03,232 --> 01:20:05,001 OH, AND I CAN'T IMAGINE WHAT THAT THING WAS. 1749 01:20:05,034 --> 01:20:06,202 OH, LAURA, DON'T BE SO DUMB. 1750 01:20:06,235 --> 01:20:08,471 DUMB. 1751 01:20:08,504 --> 01:20:10,139 YES, THAT'S RIGHT, I AM DUMB. 1752 01:20:10,173 --> 01:20:12,375 AND I HAVE BEEN DUMB ALL THESE WEEKS. 1753 01:20:12,408 --> 01:20:14,277 BUT WHAT DOES THAT HAVE TO DO WITH MY DAD? 1754 01:20:14,310 --> 01:20:17,380 SHE SET HIM UP, OKAY? SHE SET HIM UP. 1755 01:20:17,413 --> 01:20:19,082 SHE WANTS TO GET EVEN WITH ME, WITH YOU, 1756 01:20:19,115 --> 01:20:20,249 WITH GOD, WITH THE WORLD. 1757 01:20:20,283 --> 01:20:22,385 I DON'T KNOW. 1758 01:20:22,418 --> 01:20:23,853 I DON'T BELIEVE YOU. 1759 01:20:23,887 --> 01:20:24,988 YOU CAN BELIEVE WHATEVER YOU WANT, 1760 01:20:25,021 --> 01:20:26,455 BUT, FOR THE LAST TIME, 1761 01:20:26,489 --> 01:20:28,591 THERE IS NOTHING GOING ON BETWEEN JOLENE AND ME. 1762 01:20:28,624 --> 01:20:30,293 SHE'S CRAZY. 1763 01:20:30,326 --> 01:20:32,962 IN FACT, THIS WHOLE TOWN IS A LITTLE CRAZY. 1764 01:20:32,996 --> 01:20:35,364 WHAT IS YOUR PROBLEM WITH MY DAD? 1765 01:20:35,398 --> 01:20:38,167 I DON'T HAVE TO LIKE THE GUY, OKAY? 1766 01:20:38,201 --> 01:20:41,004 I-- I GOT MY REASONS. THEY'RE PERSONAL REASONS. 1767 01:20:41,037 --> 01:20:43,907 I LOVE YOU, I DON'T HAVE TO LOVE YOUR FATHER. 1768 01:20:43,940 --> 01:20:46,209 BUT WHAT DID HE EVER DO TO YOU? 1769 01:20:46,242 --> 01:20:47,944 WHAT HAS HE EVER-- YOU WOULDN'T BELIEVE ME IF I TOLD YOU. 1770 01:20:47,977 --> 01:20:51,314 NOW IS NOT THE TIME, LAURA. 1771 01:20:51,347 --> 01:20:53,249 WHAT IS THAT SUPPOSED TO MEAN? 1772 01:20:53,282 --> 01:20:55,018 [SAM MOANS] 1773 01:20:55,051 --> 01:20:56,953 I DON'T HAVE TO STAND OUT HERE IN THE MIDDLE OF THE STREET, 1774 01:20:56,986 --> 01:20:58,922 IN THE MIDDLE OF THE NIGHT, AND EXPLAIN MYSELF TO YOU. 1775 01:20:58,955 --> 01:21:00,456 YOU NEED TO THINK ABOUT IT? THINK ABOUT IT. 1776 01:21:00,489 --> 01:21:03,226 I GOTTA RUN A BAR, AND I GOT A REHEARSAL FOR TOMORROW. 1777 01:21:03,259 --> 01:21:04,860 FINE. 1778 01:21:17,373 --> 01:21:20,476 [STRUMS GUITAR] 1779 01:21:20,509 --> 01:21:22,178 * HEARD FROM AN OLD FRIEND * 1780 01:21:22,211 --> 01:21:24,180 * THAT YOU WERE COMING HOME * 1781 01:21:28,117 --> 01:21:30,319 * BEEN TWO LONG YEARS 1782 01:21:30,353 --> 01:21:32,188 * SINCE YOU'VE GONE 1783 01:21:35,358 --> 01:21:37,226 * COULD'VE JUST SENT ME 1784 01:21:37,260 --> 01:21:39,662 * A SIMPLE LITTLE CARD OR NOTE * 1785 01:21:43,032 --> 01:21:44,300 * GUESS IN YOUR HEART 1786 01:21:44,333 --> 01:21:45,901 * YOU HAVE MOVED ON 1787 01:21:48,471 --> 01:21:50,439 * BUT I AIN'T GONE ANYWHERE 1788 01:21:50,473 --> 01:21:52,408 * I COULD SAY 1789 01:21:52,441 --> 01:21:54,077 * I STILL WORK DOWN 1790 01:21:54,110 --> 01:21:56,545 * AT CHEVROLET 1791 01:21:56,579 --> 01:21:58,114 * TWICE A WEEK 1792 01:21:58,147 --> 01:21:59,648 * I PLAY CARDS OUT 1793 01:21:59,682 --> 01:22:03,186 * WITH THE BOYS 1794 01:22:03,219 --> 01:22:05,654 * I STILL CARRY A TORCH FOR YOU * 1795 01:22:07,256 --> 01:22:10,393 * BUT THE FLAME IS A DEEPER BLUE * 1796 01:22:10,426 --> 01:22:14,263 * JUST IN CASE YOU CARE 1797 01:22:14,297 --> 01:22:16,565 * I AIN'T GOING ANYWHERE 1798 01:22:22,638 --> 01:22:25,641 * JUST IN CASE YOU CARE 1799 01:22:27,743 --> 01:22:31,047 * I AIN'T GOING ANYWHERE 1800 01:22:34,483 --> 01:22:36,485 [PATRONS APPLAUD] 1801 01:22:44,293 --> 01:22:46,095 HEY HEY, LOVERBOY. 1802 01:22:46,129 --> 01:22:48,297 YOU MISS ME? 1803 01:22:48,331 --> 01:22:51,000 I WAS WORRIED ABOUT YOU, IF THAT'S WHAT YOU'RE TALKING ABOUT. 1804 01:22:51,034 --> 01:22:54,603 YOU OKAY? HAVEN'T BEEN BETTER. 1805 01:22:54,637 --> 01:22:56,672 YOU'VE FINISHED EARLY TONIGHT, HAVEN'T YOU? 1806 01:22:56,705 --> 01:22:58,341 IT WASN'T VERY BUSY. 1807 01:22:58,374 --> 01:23:00,309 LEROY SAID I COULD HAVE THE REST OF THE NIGHT OFF. 1808 01:23:00,343 --> 01:23:01,444 I GOT A BIG DAY TOMORROW. 1809 01:23:01,477 --> 01:23:03,046 OH, THAT'S RIGHT. 1810 01:23:03,079 --> 01:23:05,548 YOU'RE GOING TO AUSTIN. SET IT ALIGHT. 1811 01:23:05,581 --> 01:23:07,250 I FEEL BAD FOR POOR OLD ERIC CLAPTON 1812 01:23:07,283 --> 01:23:10,653 HAVING TO FOLLOW YOU ON STAGE. 1813 01:23:10,686 --> 01:23:12,255 WOULD YOU LIKE SOME COFFEE? 1814 01:23:12,288 --> 01:23:13,989 DOES IT LOOK LIKE I WANT ANY COFFEE? 1815 01:23:16,325 --> 01:23:19,095 YOU'RE NOT SMILING. 1816 01:23:19,128 --> 01:23:21,064 OH, DON'T YOU KNOW 1817 01:23:21,097 --> 01:23:24,400 YOU'RE SO CUTE WHEN YOU SMILE? 1818 01:23:24,433 --> 01:23:26,069 OKAY, OKAY, ALL RIGHT. 1819 01:23:26,102 --> 01:23:27,803 SO I'LL SMILE. 1820 01:23:27,836 --> 01:23:30,239 GOOD. 1821 01:23:30,273 --> 01:23:32,675 SO, HOW WAS THE REST OF YOUR NIGHT? 1822 01:23:32,708 --> 01:23:34,477 YOU KNOW, A BUNCH OF DRAMA. 1823 01:23:34,510 --> 01:23:35,744 I WENT HOME. 1824 01:23:35,778 --> 01:23:37,613 DAD'S CALLING ALL THE LAWYERS IN TOWN. 1825 01:23:37,646 --> 01:23:39,082 HE'S GONNA SUE HER. 1826 01:23:39,115 --> 01:23:41,784 SHE IS NOT GONNA HAVE A T-SHIRT TO HER NAME 1827 01:23:41,817 --> 01:23:45,188 BY THE TIME HE'S THROUGH WITH HER. 1828 01:23:45,221 --> 01:23:46,455 SHE SHOULD'VE KNOWN BETTER 1829 01:23:46,489 --> 01:23:49,692 THAN TO MESS WITH THE REAPERS. 1830 01:23:49,725 --> 01:23:51,060 I DON'T THINK THAT'S FAIR, 1831 01:23:51,094 --> 01:23:52,828 I THINK YOU OUGHT TO LEAVE HER ALONE. 1832 01:23:52,861 --> 01:23:55,498 SO YOU ARE SOFT ON HER. 1833 01:23:55,531 --> 01:23:58,201 PLEASE, WE'VE BEEN THROUGH THIS WHOLE THING, OKAY? 1834 01:23:58,234 --> 01:24:00,069 SOME OF IT. ANYWAYS, ANYWAYS. 1835 01:24:00,103 --> 01:24:01,537 I WENT OVER TO JESSICA'S. 1836 01:24:01,570 --> 01:24:03,306 HOW'S SHE DOING? 1837 01:24:03,339 --> 01:24:05,441 SHE'S MENDING SLOWLY, BUT, UH... 1838 01:24:05,474 --> 01:24:09,112 WE HAD A-- OH! OH! 1839 01:24:09,145 --> 01:24:11,480 SO WE HAD A FEW DRINKS. 1840 01:24:11,514 --> 01:24:12,581 I'M SO SORRY. 1841 01:24:12,615 --> 01:24:14,117 IS THAT A FACT? 1842 01:24:14,150 --> 01:24:16,452 YES, YES... 1843 01:24:16,485 --> 01:24:19,555 HERE, DO YOU WANT ME TO WASH THAT IN THE MORNING? 1844 01:24:19,588 --> 01:24:21,457 OR I COULD JUST GET IT OFF RIGHT NOW FOR YOU-- 1845 01:24:21,490 --> 01:24:23,359 NO, NO, HEY, LOOK, I THINK IT'S JUST-- 1846 01:24:23,392 --> 01:24:25,228 WHAT DO YOU THINK? IT'S TIME FOR YOU TO GO HOME. 1847 01:24:25,261 --> 01:24:28,597 THAT'S WHAT I THINK. COME ON. OH, I'M NOT GOING HOME. 1848 01:24:28,631 --> 01:24:30,166 NO. YOUR FATHER'S HAD A BAD ENOUGH-- 1849 01:24:30,199 --> 01:24:33,669 DAY. I'M SORRY. 1850 01:24:33,702 --> 01:24:35,304 ALL RIGHT, YOU CAN SLEEP HERE AND-- 1851 01:24:35,338 --> 01:24:37,173 ALL RIGHT. 1852 01:24:37,206 --> 01:24:39,608 I'LL SLEEP ON THE COUCH. REST OR SLEEP ON THE COUCH? 1853 01:24:39,642 --> 01:24:41,144 NO. OH GOD. 1854 01:24:41,177 --> 01:24:43,346 HEY, HEY, HEY. 1855 01:24:43,379 --> 01:24:45,548 YOU ARE ONE NAUGHTY YOUNG GIRL. 1856 01:24:45,581 --> 01:24:47,483 YEAH? YEAH. 1857 01:24:47,516 --> 01:24:49,652 MM, SO NOW YOU'RE NOTICING. 1858 01:24:49,685 --> 01:24:51,487 NOW, LOOK. 1859 01:24:51,520 --> 01:24:52,855 I-- 1860 01:24:54,490 --> 01:24:57,193 WHAT IS THIS? JOLENE'S. 1861 01:24:57,226 --> 01:24:58,861 I TOLD YOU SHE WAS HERE. 1862 01:24:58,894 --> 01:25:00,663 SHE WANTED SOMETHING FROM ME, I DIDN'T GIVE IT TO HER. 1863 01:25:00,696 --> 01:25:02,565 SHE GOT MAD. YOU EXPECT ME TO BELIEVE THAT? 1864 01:25:02,598 --> 01:25:04,133 YES, IT'S THE TRUTH. 1865 01:25:04,167 --> 01:25:05,801 IT'S OBVIOUSLY A SET-UP. 1866 01:25:05,834 --> 01:25:08,837 HEY! I'M THE ONE WHO'S BEEN SET UP. 1867 01:25:10,639 --> 01:25:12,641 WHAT? 1868 01:25:12,675 --> 01:25:14,143 I KNOW YOU HIDE THAT OVER THERE, I FOUND-- 1869 01:25:14,177 --> 01:25:17,413 GOOD... GOOD! 1870 01:25:17,446 --> 01:25:18,914 YOU NEED HELP. 1871 01:25:18,947 --> 01:25:21,617 DON'T YOU TELL ME THAT I NEED HELP. 1872 01:25:21,650 --> 01:25:24,453 DON'T EVEN SAY THAT. 1873 01:25:24,487 --> 01:25:25,688 YOU'RE THE REASON I DRINK. 1874 01:25:25,721 --> 01:25:27,823 OH, COME ON. OH, YES YOU ARE! 1875 01:25:30,659 --> 01:25:32,628 I CAN'T BELIEVE I TRUSTED YOU. 1876 01:25:32,661 --> 01:25:34,163 YOU KNOW WHAT YOU DO? 1877 01:25:34,197 --> 01:25:35,731 YOU INDULGE IN EMOTIONAL RAPE. 1878 01:25:35,764 --> 01:25:38,334 TELL A GIRL YOU LOVE HER. 1879 01:25:38,367 --> 01:25:40,436 SURE JUICES UP THE PHYSICAL SIDE, DOESN'T IT? 1880 01:25:40,469 --> 01:25:43,272 COME ON, YOU KNOW THAT'S NOT TRUE. OH, THAT IS NOT TRUE? 1881 01:25:43,306 --> 01:25:45,541 IS THAT WHAT YOU'RE SAYING IS NOT TRUE? 1882 01:25:45,574 --> 01:25:49,378 YOU KNOW WHAT? MY DAD WAS RIGHT ABOUT YOU. 1883 01:25:49,412 --> 01:25:52,481 YOU ARE A NO-GOOD DRIFTER. 1884 01:25:52,515 --> 01:25:54,517 DON'T YOU THINK THAT'S A LITTLE BIT UNFAIR, LAURA? 1885 01:25:54,550 --> 01:25:56,552 NO, I DON'T THINK IT'S UNFAIR. 1886 01:25:56,585 --> 01:25:58,854 I DON'T THINK IT'S UNFAIR AT ALL. 1887 01:25:58,887 --> 01:26:00,856 YOU PULL THIS LOAD OUT 1888 01:26:00,889 --> 01:26:03,859 OF BULL ABOUT HOW WE SHOULD BE SO GRACED HERE IN SMITHVILLE. 1889 01:26:03,892 --> 01:26:05,728 HOW YOU SAVED 1890 01:26:05,761 --> 01:26:07,563 MY LITTLE BABY ROCKWELL. 1891 01:26:07,596 --> 01:26:10,666 HOW YOU SAVED MY DAD, AND HOW YOU SAVED ME 1892 01:26:10,699 --> 01:26:13,236 FROM A NEAR-DEATH EXPERIENCE BECAUSE-- 1893 01:26:13,269 --> 01:26:14,837 YOU KNOW WHAT, IF YOU NEVER CAME, 1894 01:26:14,870 --> 01:26:16,505 NONE OF THIS WOULD'VE HAPPENED, DO YOU GET THAT-- 1895 01:26:16,539 --> 01:26:17,706 SHUT UP. 1896 01:26:17,740 --> 01:26:18,907 YOU ARE A JINX. 1897 01:26:18,941 --> 01:26:20,609 I'M NOT LOOKING FOR YOUR GRATITUDE. 1898 01:26:20,643 --> 01:26:21,777 WELL, GOOD. 1899 01:26:21,810 --> 01:26:23,546 BECAUSE AS NIGHT FOLLOWS DAY, 1900 01:26:23,579 --> 01:26:25,314 YOU'RE NOT GETTING ANY. 1901 01:26:25,348 --> 01:26:27,583 YOU AND ALL YOUR PRISSY WAYS. 1902 01:26:27,616 --> 01:26:31,420 THINKING YOU'RE GOD'S GIFT TO CREATION, DON'T YOU? 1903 01:26:31,454 --> 01:26:32,721 [LAURA SOBS] 1904 01:26:32,755 --> 01:26:35,324 AND THIS STUPID DIARY. 1905 01:26:35,358 --> 01:26:36,459 HEY, GIVE ME THAT. 1906 01:26:36,492 --> 01:26:38,394 WHAT IS SO SPECIAL GIVE ME-- 1907 01:26:38,427 --> 01:26:40,429 ABOUT YOUR-- 1908 01:26:40,463 --> 01:26:42,665 GET OUT OF HERE!-- YOUR LIFE! 1909 01:26:45,634 --> 01:26:47,236 AND YOUR GUITAR. 1910 01:26:47,270 --> 01:26:48,671 NO, DON'T-- DON'T-- OH... 1911 01:26:48,704 --> 01:26:50,406 HEY-- YOU KNOW WHAT? 1912 01:26:50,439 --> 01:26:51,774 EVERYBODY THAT ASKS YOU TO-- 1913 01:26:51,807 --> 01:26:53,709 [IMITATES GUITAR] 1914 01:26:53,742 --> 01:26:56,812 JUST GIVE ME-- 1915 01:26:56,845 --> 01:26:59,482 DON'T TOUCH-- NO-- LET'S SEE HOW THEY LIKE THIS SOUND. 1916 01:26:59,515 --> 01:27:01,584 NO, NO. LAURA, DON'T-- LET'S SEE HOW THEY LIKE THIS! 1917 01:27:17,633 --> 01:27:18,834 YOU FEEL BETTER? 1918 01:27:18,867 --> 01:27:21,870 A WHOLE LOT BETTER. 1919 01:27:21,904 --> 01:27:23,038 WHAT DO YOU WANT ME TO BE? 1920 01:27:23,071 --> 01:27:24,873 YOU WANT ME TO BE YOUR DRINKING BUDDY? 1921 01:27:24,907 --> 01:27:26,275 YOU WANT ME TO BE YOUR ENABLER, WHAT? 1922 01:27:26,309 --> 01:27:28,511 NO, I DON'T WANT YOU 1923 01:27:28,544 --> 01:27:31,314 TO BE MY ENABLER. 1924 01:27:31,347 --> 01:27:34,317 YOU WANT ME TO BE YOUR SHOULDER TO CRY ON? WHAT? 1925 01:27:35,551 --> 01:27:37,052 I'M NOT GONNA BE CRYING ANYMORE 1926 01:27:37,085 --> 01:27:38,521 ONCE YOU'RE OUT OF MY LIFE. 1927 01:27:38,554 --> 01:27:40,022 JUST GO. WHATEVER IT IS 1928 01:27:40,055 --> 01:27:42,691 YOU WANT ME TO BE, I WOULD BE DELIGHTED TO BE THAT. 1929 01:27:42,725 --> 01:27:44,026 BUT WHAT DO YOU WANT ME TO BE? 1930 01:27:44,059 --> 01:27:47,430 I WANT YOU TO LISTEN UP REALLY HARD. 1931 01:27:49,765 --> 01:27:52,301 BECAUSE... 1932 01:27:52,335 --> 01:27:54,670 I DON'T... 1933 01:27:54,703 --> 01:27:56,939 WANT YOU TO... 1934 01:27:56,972 --> 01:27:58,707 BE. 1935 01:28:03,346 --> 01:28:05,348 DID YOU HEAR THAT? 1936 01:28:07,750 --> 01:28:10,419 I DON'T WANT YOU 1937 01:28:10,453 --> 01:28:12,621 TO BE. 1938 01:28:12,655 --> 01:28:13,989 [SHE SOBS] 1939 01:28:17,926 --> 01:28:20,363 I DON'T WANT YOU TO BE. 1940 01:28:28,537 --> 01:28:30,506 YOU GET THE MESSAGE, BUSTER? 1941 01:28:30,539 --> 01:28:33,476 I DON'T WANT YOU 1942 01:28:33,509 --> 01:28:35,611 TO BE. 1943 01:29:19,154 --> 01:29:21,557 [THUNDER BOOMS] 1944 01:29:37,573 --> 01:29:39,808 SAM? 1945 01:29:46,549 --> 01:29:48,517 SAM? 1946 01:30:02,998 --> 01:30:05,100 [LAURA MURMURS] 1947 01:30:08,236 --> 01:30:10,606 SAM? 1948 01:30:12,240 --> 01:30:13,942 [CHICKEN CLUCKS] 1949 01:30:13,976 --> 01:30:15,177 OH, GOD. 1950 01:30:16,545 --> 01:30:18,614 SAM? 1951 01:30:22,485 --> 01:30:23,852 SAM? 1952 01:30:23,886 --> 01:30:25,821 WHERE AM I? 1953 01:30:30,826 --> 01:30:33,161 [THUNDER CRASHES] 1954 01:30:51,013 --> 01:30:54,049 ROSE? 1955 01:30:54,082 --> 01:30:56,652 WHAT HAPPENED HERE, ROSE? 1956 01:30:56,685 --> 01:30:58,487 WHAT? 1957 01:30:58,521 --> 01:31:00,222 WHERE'S SAM? SAM WHO? 1958 01:31:00,255 --> 01:31:02,525 DON'T GIVE ME THAT, WHERE'S SAM? 1959 01:31:02,558 --> 01:31:04,860 LOOK, LITTLE GIRL, DON'T START SHOUTING AT ME. 1960 01:31:04,893 --> 01:31:06,495 I DON'T KNOW ANY SAM. SAM! 1961 01:31:06,529 --> 01:31:08,664 HE'S YOUR BARTENDER, HE WORKS FOR YOU AND LEROY. 1962 01:31:08,697 --> 01:31:10,699 WHAT, ARE YOU GOING CRAZY? THE BOOZE IS GETTING 1963 01:31:10,733 --> 01:31:12,535 TO YOU TOO, JUST LIKE YOUR PA. 1964 01:31:12,568 --> 01:31:14,770 LEROY IS DEAD. 1965 01:31:14,803 --> 01:31:16,171 THOSE TWO DRIFTERS SHOT HIM 1966 01:31:16,204 --> 01:31:17,773 WHEN THEY CAME IN HERE AND HELD UP THE PLACE. 1967 01:31:17,806 --> 01:31:20,042 YOU WERE HERE. SAM SAVED HIM. 1968 01:31:20,075 --> 01:31:22,077 OH, I HAVE HAD IT, NIGHT AFTER NIGHT. 1969 01:31:22,110 --> 01:31:23,579 I DON'T KNOW WHY I AGREED TO LET YOU 1970 01:31:23,612 --> 01:31:25,013 STAY IN THAT STOREROOM. 1971 01:31:25,047 --> 01:31:27,249 LOOK, GET YOUR OLD MAN AND GET OUT OF HERE 1972 01:31:27,282 --> 01:31:30,553 BEFORE I CHANGE MY MIND ABOUT THAT TOO. 1973 01:31:30,586 --> 01:31:31,854 DAD? 1974 01:31:34,122 --> 01:31:35,791 DAD? 1975 01:31:38,727 --> 01:31:40,629 DADDY, COME ON. 1976 01:31:42,931 --> 01:31:44,900 I DIDN'T TOUCH THAT HUSSY. 1977 01:31:44,933 --> 01:31:46,301 I DIDN'T TOUCH THAT HUSSY. 1978 01:31:46,334 --> 01:31:47,836 TOUCH WHO, DADDY? 1979 01:31:47,870 --> 01:31:49,137 ...COST ME MY PRACTICE 1980 01:31:49,171 --> 01:31:52,040 AND TREAT ME LIKE A CRIMINAL, 1981 01:31:52,074 --> 01:31:55,043 ALL BECAUSE OF THAT FILTHY ACCUSATION! 1982 01:31:55,077 --> 01:31:56,311 THAT'S ENOUGH! 1983 01:31:56,344 --> 01:31:58,547 ...THINK THEY'D HAVE SOME COMPASSION 1984 01:31:58,581 --> 01:32:01,316 AFTER ROCKWELL JR. WAS KILLED! 1985 01:32:01,349 --> 01:32:03,018 DAD, SHH. 1986 01:32:03,051 --> 01:32:04,787 ROCKWELL JR. 1987 01:32:04,820 --> 01:32:06,088 HE'S ALIVE. 1988 01:32:06,121 --> 01:32:07,790 DADDY, IT'S ROCKWELL THAT'S DEAD-- 1989 01:32:07,823 --> 01:32:10,292 TAKE HIM OUTTA HERE BEFORE I CALL THE POLICE AGAIN. 1990 01:32:10,325 --> 01:32:11,894 ROCKWELL'S ALIVE. 1991 01:32:11,927 --> 01:32:13,729 SAM-- SAM SAVED HIM. 1992 01:32:13,762 --> 01:32:16,131 HE GOT HIM OUT. HE SAVED HIM, DADDY, 1993 01:32:16,164 --> 01:32:18,701 RIGHT BEFORE THE TRUCK CAME. DADDY, ROCKWELL-- 1994 01:32:18,734 --> 01:32:22,037 LAURA, LOOK AT ME. DADDY-- 1995 01:32:22,070 --> 01:32:25,140 ROCKWELL JR. IS DEAD JUST LIKE LEROY IS DEAD, 1996 01:32:25,173 --> 01:32:27,710 AND THEY AIN'T EVER GONNA COME BACK AGAIN! NO! 1997 01:32:27,743 --> 01:32:30,713 WHAT IS THIS? WHAT IS GOING ON? 1998 01:32:30,746 --> 01:32:32,247 SAM? 1999 01:32:32,280 --> 01:32:34,717 WHERE ARE YOU, SAM? [CYRUS MUMBLES] 2000 01:32:34,750 --> 01:32:36,752 [LAURA SCREAMS] 2001 01:32:39,988 --> 01:32:42,725 [THUNDER CRASHES] 2002 01:32:42,758 --> 01:32:46,194 JUSTIN, IS LISA THERE? 2003 01:32:46,228 --> 01:32:47,830 NO, LISTEN, I'M LOOKING FOR SAM! 2004 01:32:47,863 --> 01:32:49,364 SAM WHO? DON'T GIVE ME THAT! 2005 01:32:49,397 --> 01:32:50,699 SAM DOONBY! 2006 01:32:50,733 --> 01:32:53,035 LOOK, LAURA, IT'S LATE. 2007 01:32:53,068 --> 01:32:55,237 THE THREE OF US HAD A GREAT TIME THE OTHER NIGHT. 2008 01:32:55,270 --> 01:32:57,105 YOU GOTTA COME OVER FOR DINNER SOMETIME. 2009 01:32:57,139 --> 01:33:00,976 MAYBE NEXT WEEKEND, HUH? 2010 01:33:01,009 --> 01:33:02,310 HELLO? ANTONES. 2011 01:33:02,344 --> 01:33:03,812 [CAR HONKS] 2012 01:33:03,846 --> 01:33:06,782 YES, I NEED TO SPEAK TO SAM DOONBY. 2013 01:33:06,815 --> 01:33:09,217 NO, HE'S OPENING FOR ERIC CLAPTON. 2014 01:33:09,251 --> 01:33:12,154 SORRY, LADY. WE GOT NO ONE OPENING FOR ERIC. 2015 01:33:12,187 --> 01:33:14,990 MAYBE YOU GOT THE WRONG PLACE. 2016 01:33:15,023 --> 01:33:18,927 SAM, WHERE ARE YOU? 2017 01:33:18,961 --> 01:33:20,996 SAM?! [THUNDER CRASHES] 2018 01:33:21,029 --> 01:33:22,364 WHERE ARE YOU? 2019 01:33:48,356 --> 01:33:50,325 [LAURA MUTTERS] 2020 01:34:34,469 --> 01:34:35,904 HEY THERE. 2021 01:34:35,938 --> 01:34:37,372 IS LORETTA AROUND? 2022 01:34:37,405 --> 01:34:39,007 SHE AIN'T HERE TONIGHT, LUCY-MAE. 2023 01:34:39,041 --> 01:34:40,342 HER MAMA'S SICK. 2024 01:34:40,375 --> 01:34:41,844 SHE GOTTA STAY BEHIND. HEY, BROTHER! 2025 01:34:41,877 --> 01:34:43,145 HOW ABOUT A LITTLE SERVICE OVER HERE? HEY. 2026 01:34:43,178 --> 01:34:45,981 JUST TONE IT DOWN, I'LL BE RIGHT WITH YOU. 2027 01:34:46,014 --> 01:34:48,984 OKAY, PUT IT ON THE TAB, JOSH. 2028 01:34:50,518 --> 01:34:52,420 AIN'T MUCH ROOM ON THE PAGE. 2029 01:34:56,291 --> 01:34:58,093 HI, LUCY-MAE. YOU WANT SOME LEMONADE? 2030 01:34:58,126 --> 01:34:59,494 NAH, I DON'T. 2031 01:34:59,527 --> 01:35:01,229 LORETTA, I GOTTA TALK. 2032 01:35:01,263 --> 01:35:03,031 KEEP YOUR VOICE LOW, LUCY-MAE. 2033 01:35:03,065 --> 01:35:05,834 MAMA'S DOWN WITH A FEVER. 2034 01:35:05,868 --> 01:35:08,003 BRAD'S OVER AT THE JACK O'DIAMONDS MOTEL. 2035 01:35:08,036 --> 01:35:09,471 HE ASKED ME TO GO AWAY WITH HIM. 2036 01:35:09,504 --> 01:35:10,839 WHAT ABOUT HIS WIFE? SHE DON'T KNOW 2037 01:35:10,873 --> 01:35:12,407 HOW TO LOOK AFTER HERSELF. 2038 01:35:12,440 --> 01:35:14,276 BRAD SAYS SHE AIN'T GOT TIME FOR HIM NO MORE. 2039 01:35:14,309 --> 01:35:15,811 GIRL, YOU CRAZY. 2040 01:35:15,844 --> 01:35:17,079 HOW MANY TIMES I HEARD THAT BEFORE? 2041 01:35:17,112 --> 01:35:19,848 YOU TOLD HIM? COURSE I AIN'T TOLD HIM! 2042 01:35:19,882 --> 01:35:21,316 HOW ARE YOU SUPPOSED TO TELL A GUY WHO 2043 01:35:21,349 --> 01:35:23,085 RECKONS YOU'RE HIS OWN PERSONAL PROPERTY 2044 01:35:23,118 --> 01:35:25,487 THAT YOU'RE THREE MONTHS PREGNANT. 2045 01:35:25,520 --> 01:35:27,289 WHAT YOU GONNA DO? 2046 01:35:29,557 --> 01:35:33,228 I'M GONNA GO OVER TO THAT NEW YOUNG DOCTOR'S CLINIC. 2047 01:35:33,261 --> 01:35:34,930 HE TOLD ME TO COME BY WHEN HE WAS ALL CLOSED UP. 2048 01:35:34,963 --> 01:35:37,532 WHAT DO YOU MEAN? 2049 01:35:37,565 --> 01:35:40,068 I GOT SOME MONEY SAVED. 2050 01:35:40,102 --> 01:35:41,369 I'M OUT OF HERE. I CAME TO SAY GOODBYE. 2051 01:35:41,403 --> 01:35:42,805 YOU MEAN YOU'RE JUST GONNA-- 2052 01:35:42,838 --> 01:35:44,807 WHAT DO YOU EXPECT ME TO DO, HUH? 2053 01:35:44,840 --> 01:35:47,475 THIS IS THE LAST CHANCE I'M GONNA HAVE 2054 01:35:47,509 --> 01:35:49,544 TO GET OUT OF THIS STUPID LITTLE BACKWATER. 2055 01:35:49,577 --> 01:35:51,179 AND I'M GONNA TAKE IT. 2056 01:35:51,213 --> 01:35:52,848 ME AND BRAD'S GOING TO FLORIDA, 2057 01:35:52,881 --> 01:35:53,982 AND THAT IS THAT. 2058 01:35:54,016 --> 01:35:55,784 AND WHAT ABOUT THE BABY? 2059 01:35:55,818 --> 01:35:57,219 LAST NIGHT, YOU EVEN HAD A NAME FOR HIM. 2060 01:35:57,252 --> 01:36:00,155 SAM, WEREN'T IT? 2061 01:36:00,188 --> 01:36:01,389 THAT WAS A JOKE. 2062 01:36:01,423 --> 01:36:03,792 WHAT SORT OF A LIFE WOULD HE HAVE 2063 01:36:03,826 --> 01:36:05,861 TO LOOK FORWARD TO ANYWAY? 2064 01:36:12,334 --> 01:36:13,568 ARE YOU OKAY, LUCY-MAE? 2065 01:36:13,601 --> 01:36:17,139 COURSE I AM, WHY WOULDN'T I BE? 2066 01:36:19,374 --> 01:36:22,077 HEY, LUCY-MAE, WHERE ARE YOU GOING IN SUCH A HURRY? 2067 01:36:22,110 --> 01:36:23,511 NONE OF YOUR BUSINESS, NANCY. 2068 01:36:23,545 --> 01:36:25,547 SORRY, HONEY, I JUST THOUGHT I'D ASK. 2069 01:36:25,580 --> 01:36:27,249 I'M LATE FOR AN APPOINTMENT. 2070 01:36:27,282 --> 01:36:30,185 I HOPE YOU'RE NOT ABOUT TO DO SOMETHING CRAZY. 2071 01:36:30,218 --> 01:36:31,553 I DON'T NEED YOUR ADVICE. 2072 01:36:31,586 --> 01:36:34,890 YOU DON'T HAVE TO DO THIS. 2073 01:36:34,923 --> 01:36:36,524 THERE'RE PLENTY OF GOOD FOLKS HERE THAT-- 2074 01:36:36,558 --> 01:36:38,226 THAT CAN HELP YOU, FOLKS THAT CARE FOR YOU. 2075 01:36:38,260 --> 01:36:40,128 OH YEAH? 2076 01:36:40,162 --> 01:36:41,897 WELL, WHERE THESE GOOD FOLKS BEEN 2077 01:36:41,930 --> 01:36:44,132 THESE PAST THREE OR FOUR YEARS, HUH? 2078 01:36:44,166 --> 01:36:45,834 THEY JUST PASS YOU BY 2079 01:36:45,868 --> 01:36:47,535 AND WHISPER BEHIND THEM LACEY CURTAINS. 2080 01:36:47,569 --> 01:36:49,337 WHAT HAPPENED TO THE FATHER? HE JUST RUN OFF? 2081 01:36:49,371 --> 01:36:52,841 MAYBE. JUST LIKE MR. THURBER, HUH? 2082 01:36:52,875 --> 01:36:54,542 THAT WAS HIS DECISION. HE'S GOT THAT SAME 2083 01:36:54,576 --> 01:36:56,078 DEVIL'S CURSE YOU HAVE. 2084 01:36:56,111 --> 01:36:57,179 WHAT CURSE WOULD THAT BE? 2085 01:36:57,212 --> 01:36:58,380 HUH? 2086 01:36:58,413 --> 01:37:00,849 THE URGE TO LAUGH AND DANCE? 2087 01:37:00,883 --> 01:37:03,085 TO FEEL ALIVE? TO SEE SOMETHING OUTSIDE OF PARKER COUNTY? 2088 01:37:03,118 --> 01:37:05,253 YOU SHOULD'VE THOUGHT OF THAT BEFORE. 2089 01:37:05,287 --> 01:37:07,189 BEFORE WHAT? 2090 01:37:07,222 --> 01:37:08,490 BEFORE I MADE ONE TINY MISTAKE? 2091 01:37:08,523 --> 01:37:10,192 TINY MISTAKE? 2092 01:37:10,225 --> 01:37:12,327 IS THAT HOW YOU LOOK AT THAT KID OF YOURS? 2093 01:37:12,360 --> 01:37:14,396 CHILDREN ARE A MIRACLE, A GIFT FROM GOD. 2094 01:37:14,429 --> 01:37:17,032 IT'S YOUR DUTY TO LOOK AFTER 'EM GOOD. 2095 01:37:17,065 --> 01:37:20,869 YOU GOT RESPONSIBILITIES, GIRL. 2096 01:37:20,903 --> 01:37:22,905 WELL, MAYBE I HAVE. 2097 01:37:22,938 --> 01:37:25,941 BUT I'LL MAKE MY OWN DECISIONS, NANCY. 2098 01:37:25,974 --> 01:37:28,076 SURE DON'T NEED ANY HELP FROM YOU. 2099 01:37:34,482 --> 01:37:36,384 YOU SURE THIS IS GONNA BE OKAY, DOC? 2100 01:37:36,418 --> 01:37:39,187 AH, YEAH, JUST A QUICK SIMPLE PROCEDURE. 2101 01:37:39,221 --> 01:37:41,456 NOTHING TO IT. 2102 01:37:41,489 --> 01:37:43,191 YOU DONE A LOT OF THESE, HUH? 2103 01:37:43,225 --> 01:37:45,393 AH, SURE. THERE ARE A LOT OF GIRLS LIKE YOU. 2104 01:37:45,427 --> 01:37:47,529 MADE A MISTAKE. GOT CAUGHT. 2105 01:37:47,562 --> 01:37:50,532 AH, DON'T WORRY. IF YOU DON'T WANT IT TO BE, 2106 01:37:50,565 --> 01:37:52,968 THEN I'M THE GUY THAT FIXES IT. 2107 01:38:01,576 --> 01:38:03,278 OH, SAM. 2108 01:38:03,311 --> 01:38:05,280 I'M SORRY. 2109 01:38:05,313 --> 01:38:07,582 I'M SO, SO SORRY. 2110 01:38:14,722 --> 01:38:16,658 [THUNDER RUMBLES] 2111 01:38:20,462 --> 01:38:23,598 I WOULD'VE LIKED TO KNOW HOW YOU GREW UP. 2112 01:38:23,631 --> 01:38:26,668 WHAT YOU DID WITH YOUR LIFE. 2113 01:38:26,701 --> 01:38:30,038 I KNOW I'D HAVE BEEN PROUD OF YOU. 2114 01:38:30,072 --> 01:38:31,506 I'D LIKE TO HAVE BEEN THERE TO MEET 2115 01:38:31,539 --> 01:38:35,210 THE GIRL YOU FELL IN LOVE WITH. 2116 01:38:35,243 --> 01:38:37,112 I BET SHE'D HAVE BEEN PRETTY. 2117 01:38:37,145 --> 01:38:38,613 NO. 2118 01:38:38,646 --> 01:38:40,382 I BET SHE'D HAVE BEEN BETTER THAN ME. 2119 01:38:40,415 --> 01:38:43,218 NO. NO. 2120 01:38:43,251 --> 01:38:45,353 NO. NO. 2121 01:38:51,293 --> 01:38:53,395 BUT I'M NOBODY, REALLY. 2122 01:38:53,428 --> 01:38:55,130 [DISTANT TRAIN HORN] 2123 01:38:57,432 --> 01:39:01,136 * WHY WAS HE BORN 2124 01:39:01,169 --> 01:39:04,272 * SO BEAUTIFUL? 2125 01:39:04,306 --> 01:39:07,142 * WHY WAS HE BORN AT ALL? 2126 01:39:08,743 --> 01:39:11,713 * HE'S NO BLOODY USE 2127 01:39:11,746 --> 01:39:14,382 * TO ANYONE 2128 01:39:14,416 --> 01:39:17,085 * HE'S NO BLOODY USE 2129 01:39:18,420 --> 01:39:21,256 * AT ALL 2130 01:39:21,289 --> 01:39:23,458 ** [HARMONICA] 2131 01:39:36,104 --> 01:39:39,107 [DISTANT TRAIN HORN] 2132 01:40:15,510 --> 01:40:18,346 ** 2133 01:40:27,389 --> 01:40:29,791 * TELL ME FRIEND WHAT WOULD YOU SAY? * 2134 01:40:29,824 --> 01:40:32,294 * IF A STRANGER PASSED YOUR WAY * 2135 01:40:32,327 --> 01:40:34,196 * AND LENT A HELPING HAND 2136 01:40:34,229 --> 01:40:36,731 * TO THOSE IN NEED 2137 01:40:38,633 --> 01:40:41,503 * IF YOU DIDN'T KNOW HIS NAME * 2138 01:40:41,536 --> 01:40:43,771 * DIDN'T KNOW FROM WHERE HE CAME * 2139 01:40:43,805 --> 01:40:46,074 * COULD YOU FIND A REASON 2140 01:40:46,108 --> 01:40:49,644 * TO BELIEVE 2141 01:40:49,677 --> 01:40:52,547 * WOULD YOU DOUBT AND CLOSE THE DOOR * 2142 01:40:52,580 --> 01:40:55,183 * THINKING THAT HE WANTED MORE? * 2143 01:40:55,217 --> 01:40:56,484 * JUST THE THINGS FOR 2144 01:40:56,518 --> 01:41:00,422 * ALL THE HELP HE GAVE 2145 01:41:00,455 --> 01:41:03,825 * A FRIENDLY WORD A WARM EMBRACE * 2146 01:41:03,858 --> 01:41:06,561 * JUST A SMILE UPON YOUR FACE * 2147 01:41:06,594 --> 01:41:08,230 * A TINY GIFT MAY BE 2148 01:41:08,263 --> 01:41:12,200 * ALL THAT THEY CRAVE 2149 01:41:12,234 --> 01:41:14,602 * DOONBY 2150 01:41:14,636 --> 01:41:17,605 * YOU MADE OUR LIVES BETTER * 2151 01:41:17,639 --> 01:41:20,442 * DOONBY 2152 01:41:20,475 --> 01:41:23,245 * BRINGING US TOGETHER 2153 01:41:23,278 --> 01:41:26,814 * IT'S NO MYSTERY 2154 01:41:28,816 --> 01:41:32,620 * YOU WERE MEANT TO BE 2155 01:41:34,889 --> 01:41:37,759 * PUT SOMEONE AHEAD OF YOU * 2156 01:41:37,792 --> 01:41:40,295 * SHOW YOUR FAITH IN WHAT YOU DO * 2157 01:41:40,328 --> 01:41:42,197 * EVEN WHEN YOU KNOW 2158 01:41:42,230 --> 01:41:44,399 * NO ONE CAN SEE 2159 01:41:46,368 --> 01:41:48,870 * DON'T LET ENVY GET YOU DOWN * 2160 01:41:48,903 --> 01:41:51,273 * JEALOUSY IS A THORNY CROWN * 2161 01:41:51,306 --> 01:41:53,508 * ROBS US OF THE THINGS 2162 01:41:53,541 --> 01:41:57,279 * WE MIGHT ACHIEVE 2163 01:41:57,312 --> 01:41:59,781 * DOONBY 2164 01:41:59,814 --> 01:42:02,650 * LOVE IS GROWING STRONGER * 2165 01:42:02,684 --> 01:42:05,587 * DOONBY 2166 01:42:05,620 --> 01:42:08,423 * STAY A LITTLE LONGER 2167 01:42:08,456 --> 01:42:12,194 * IT'S NO MYSTERY 2168 01:42:13,961 --> 01:42:17,765 * YOU WERE SENT TO ME 2169 01:42:19,901 --> 01:42:22,404 * DOONBY 2170 01:42:22,437 --> 01:42:26,208 * YOU BROUGHT US TOGETHER 2171 01:42:26,241 --> 01:42:28,176 ** 2172 01:42:33,215 --> 01:42:35,417 ** 2173 01:42:35,450 --> 01:42:36,951 * ANGEL HEART 2174 01:42:36,984 --> 01:42:39,921 * YOU'RE BOUND TO CHASE THE SUN * 2175 01:42:39,954 --> 01:42:42,357 * WALK ON 2176 01:42:47,462 --> 01:42:48,863 * BRAVE THE WIND 2177 01:42:48,896 --> 01:42:52,267 * AND WHEN THE RAINS MAY COME * 2178 01:42:52,300 --> 01:42:54,369 * WALK ON 2179 01:42:58,573 --> 01:43:01,576 * DON'T TURN AWAY 2180 01:43:01,609 --> 01:43:04,279 * DON'T BE AFRAID 2181 01:43:04,312 --> 01:43:06,614 * WALK ON 2182 01:43:09,751 --> 01:43:11,919 * YOU'LL FIND PEACE 2183 01:43:11,953 --> 01:43:14,889 * WHEN YOUR CHORES ARE DONE 2184 01:43:16,023 --> 01:43:18,393 * WALK ON 2185 01:43:22,330 --> 01:43:24,432 * MM-HMMM 2186 01:43:28,536 --> 01:43:31,539 * WHEN THE DEVIL'S VALLEY * 2187 01:43:31,573 --> 01:43:34,342 * LIES CLOSE AT HAND 2188 01:43:34,376 --> 01:43:36,811 * WALK ON 2189 01:43:40,282 --> 01:43:43,551 * THROUGH THE BROKEN PROMISE * 2190 01:43:43,585 --> 01:43:46,020 * OF A BROKEN LAND 2191 01:43:46,053 --> 01:43:48,290 * WALK ON 2192 01:43:52,494 --> 01:43:55,597 * DON'T TURN AWAY 2193 01:43:55,630 --> 01:43:58,300 * DON'T BE AFRAID 2194 01:43:58,333 --> 01:44:00,335 * WALK ON 2195 01:44:03,805 --> 01:44:06,007 * YOU'LL FIND PEACE 2196 01:44:06,040 --> 01:44:08,876 * WHEN YOUR CHORES ARE DONE * 2197 01:44:10,044 --> 01:44:13,381 * WALK ON 2198 01:44:13,415 --> 01:44:15,383 * WALK ON 143268

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