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Previously on Genius...
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SERT: Franco has Hitler
and the Nazis on his side,
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Pablo. We need you
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-on ours.
-NAZI LIEUTENANT: So then
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you did this?
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PICASSO:
No.
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You did.
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So, Luc, tell me about Tunisia.
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You should come
and visit sometime.
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I should have kissed you
the first time
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-I saw you.
-(screams)
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-What's going on?
-I'm not sleeping in there.
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-Not with these things.
-Where on earth are you going?
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-To catch a ferry to Tunisia.
-To be with your teacher friend?
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Before we have time
to build a life together?
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-But, Pablo, it's beautiful.
-'Cause that's how I see you.
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You see the beauty
beneath my ugliness.
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What in God's name do you want?!
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You know what, Papa,
just forget about me.
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Maman, too.
No, wait, you already have.
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FRANCOISE: I want
Claude and Paloma to know
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the rest of their family.
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PICASSO:
You are an angel, Maya.
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-And a wonderful big sister.
-They are wonderful children.
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I've been getting a marvelous
response to your paintings.
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I sold three pieces this month.
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MAYA:
She's not like Mama.
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If you do not treat her better,
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you are going to lose her.
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-I should leave you.
-Don't be ridiculous.
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-Nobody leaves Picasso!
-RAMIE: I don't think you've met
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my cousin Jacqueline.
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JACQUELINE:
It's an honor, Monsieur Picasso.
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Pablo, I'm leaving you.
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PICASSO:
Is there someone else?
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FRANCOISE:
Kostas.
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Without me, what will
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-your life be?
-I don't know.
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But it will be my own.
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*
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*
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(insect buzzing)
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ARIAS: His Excellency is
in a very talkative mood today.
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PICASSO: The same could be said
for His Royal Barber.
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I just thought
you'd be overwhelmed with joy
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at the news of our beloved
General Franco's recovery
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-from influenza.
-Yeah, the bastard
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refuses to die.
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Hey, shh.
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Be careful.
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When old men start talking
about dying,
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Death pricks up his ears.
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Just finish up.
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We are gonna be late
for the bullfighting.
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JACQUELINE:
Pablo,
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you are not going anywhere.
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How long were you listening?
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You're worse
than Franco's spies.
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You know very well
Dr. Bernal does not want you
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00:02:55,670 --> 00:02:57,040
leaving the house.
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Doctors, wh-what do they know?
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Mm. I'm feeling fine.
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You are not going.
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And that's that.
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*
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Mm. I-I'll see you soon!
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-Okay, my friend!
-Amigo! Thank you!
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-Hasta la pr?xima.
-Thank you! Yeah.
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-Bye! Bye!
-(chuckles): Bye.
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-(engine starts)
-Didier, will you please
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00:03:29,040 --> 00:03:32,210
open the gate
for Monsieur Arias?
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(shouting indistinctly)
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(tires screech)
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(gate creaking)
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(horn honking)
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(both laughing)
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(shouting in Spanish)
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(both laughing)
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(horn honking)
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Come to my house.
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I want to paint you.
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Maybe after work.
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No. No, no, no.
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(whispering):
No...
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I can't wait that long.
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(chuckles)
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I must get back to work.
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(chuckling)
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Listen to me.
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Quit your job.
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I'll take care of you.
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Move in with me.
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He's already moved on. He's...
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found himself some...
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20-year-old,
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installed her in his mansion.
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-Poor thing.
-Mm.
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And what about Kostas,
the Greek god of rescue?
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Where is he now?
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00:05:01,460 --> 00:05:03,170
I didn't need rescuing.
I just...
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-I just needed...
-Uh-huh.
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...some fun.
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Oh.
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Didn't last long.
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(chuckles)
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You broke his heart.
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Poor Kostas.
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So, now what?
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I want to move on, too.
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Be free of him.
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(sighs)
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Mm.
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Mm!
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(grunting)
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Shh, you'll wake the children.
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(chuckling)
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(Paloma giggling)
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Vagabonds.
(grunting)
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(laughing)
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Let me help you.
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Thank you.
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It's very nice to meet you,
Jacqueline.
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Yes. You, too.
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*
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-Whoa! Two!
-(squeals)
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-Very good!
-(laughs)
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-Hello...
-Yes.
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What?
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For a moment,
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it was like the first time
I ever saw you.
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*
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(grunts)
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Come. I want to show you
what I have been working on.
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Careful, careful.
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Don't touch it. Don't touch it.
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Papa always lets us play
with his paints.
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PICASSO: Claude, Paloma,
why don't you just go
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and unpack your suitcases?
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Jacqueline, please help them.
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(grunts)
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(exhales)
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The lines are strong,
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but the colors are diffused.
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As if the artist
was in two minds
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about what he wants.
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Listen, um,
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tomorrow, you must come
to Cannes with me.
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Jacqueline wants
to buy a new house, and...
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00:07:26,710 --> 00:07:29,850
I am not sure.
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Why would you want me
to help you pick a house
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for you and Jacqueline?
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Because I trust you.
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I'm sorry. I'm going back
to Paris tomorrow.
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Oh. But I thought
you were staying.
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It's your time
with the children, Pablo.
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Right.
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00:07:51,470 --> 00:07:54,670
There is someone else,
isn't there?
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That's why you want
to rush home.
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Fine, be a mystery.
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Come out with me tonight.
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If I bore you, just...
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then you can go back to Paris.
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(soft jazz playing)
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(quietly):
I made a terrible mistake.
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I want you back,
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and I love you.
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You were right, Pablo.
I met someone.
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00:08:36,280 --> 00:08:38,080
Who is he?
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00:08:38,110 --> 00:08:39,720
His name is Luc.
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00:08:39,750 --> 00:08:42,650
He was an art teacher
for a while in Tunisia,
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and, um...
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now he's back in Paris.
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That-That's...
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that's the one
you tried to run off to
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when the scorpions attacked.
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(laughs)
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-(chuckles)
-You traded
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the greatest artist in the world
for an art teacher?
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Last I heard,
Matisse is still alive.
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(laughing)
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Poor Henri.
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You know, he stopped working.
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00:09:08,880 --> 00:09:10,780
Yeah.
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00:09:14,120 --> 00:09:16,520
Yeah.
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00:09:16,550 --> 00:09:21,190
A painter must always reach
for his brush or charcoal,
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every day,
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if he wants to stay alive.
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Do one thing for me.
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LUC:
He wants you to go to Spain
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-to ride around a bullring?
-No, he can't go to Spain.
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Not with Franco in power.
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Um...
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They built a ring
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in the square in Vallauris
for this one bullfight,
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-just for him.
-(laughs)
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Oh, of course.
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Because his ego
is not big enough already.
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Someone always rides out
and bows to el presidente,
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00:09:55,920 --> 00:09:58,460
after which the corrida
can begin. And...
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00:09:58,490 --> 00:10:01,560
for this one fight, it's him.
I'm sorry.
201
00:10:01,600 --> 00:10:04,900
I was looking forward
to spending time with you, too.
202
00:10:04,930 --> 00:10:06,970
Without the children.
203
00:10:07,000 --> 00:10:08,970
I just don't understand
why it takes you ten days
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00:10:09,000 --> 00:10:10,070
to prepare for this.
205
00:10:10,110 --> 00:10:11,410
I thought you knew how to ride.
206
00:10:11,440 --> 00:10:12,570
It's dressage.
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00:10:12,610 --> 00:10:14,480
I need to select a horse,
208
00:10:14,510 --> 00:10:15,580
work with it...
209
00:10:15,610 --> 00:10:17,580
You say you want
to move on from him.
210
00:10:17,610 --> 00:10:20,180
Yet, at the first opportunity,
you let him
211
00:10:20,220 --> 00:10:22,350
-draw you back in.
-I think he sees it
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00:10:22,380 --> 00:10:24,690
as a way
to close the book on us.
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00:10:24,720 --> 00:10:28,320
And I-I do think it would be
good for us going forward
214
00:10:28,360 --> 00:10:31,690
to be on friendly terms
for the children.
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00:10:32,700 --> 00:10:35,130
(cheering)
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00:10:43,140 --> 00:10:44,540
CROWD:
Picasso! Picasso!
217
00:10:44,570 --> 00:10:49,680
Picasso! Picasso!
Picasso! Picasso!
218
00:10:49,710 --> 00:10:52,720
Picasso! Picasso! Picasso!
219
00:10:52,750 --> 00:10:56,050
Picasso! Picasso! Pi...
220
00:10:56,080 --> 00:10:59,020
(cheering)
221
00:10:59,050 --> 00:11:02,260
(shouting, whooping)
222
00:11:04,530 --> 00:11:06,530
(cheering and applause)
223
00:11:10,500 --> 00:11:13,440
(cheering)
224
00:11:15,270 --> 00:11:16,940
(whistling)
225
00:11:36,760 --> 00:11:40,500
JACQUELINE:
I have some... upsetting news.
226
00:11:40,530 --> 00:11:42,530
Paulo called.
227
00:11:42,560 --> 00:11:46,370
Um, he was very shaken.
228
00:11:46,400 --> 00:11:49,200
He says that, uh,
229
00:11:49,240 --> 00:11:53,180
Olga is dying.
230
00:11:53,210 --> 00:11:55,240
I'm so sorry.
231
00:11:55,280 --> 00:11:59,250
She's in the hospital, and-and
he doesn't think she has long.
232
00:11:59,280 --> 00:12:01,750
Can't you see I'm working?
233
00:12:01,780 --> 00:12:03,750
Didn't you hear me?
234
00:12:03,790 --> 00:12:05,050
She's-she's dying.
235
00:12:05,090 --> 00:12:06,820
I heard.
236
00:12:08,560 --> 00:12:10,860
Aren't you going to visit her?
237
00:12:10,890 --> 00:12:13,260
I don't want
to remember her that way.
238
00:12:13,300 --> 00:12:15,530
Tubes, machines and doctors,
you know.
239
00:12:15,560 --> 00:12:17,370
Hospitals are places of death.
240
00:12:17,400 --> 00:12:19,770
Now leave me alone.
I am painting here.
241
00:12:24,140 --> 00:12:26,110
Is that, uh...
242
00:12:26,140 --> 00:12:27,940
is that how it will be
243
00:12:27,980 --> 00:12:30,750
if I ever fall ill?
244
00:12:32,750 --> 00:12:35,950
You will leave me to suffer
alone in a... in a hospital?
245
00:12:35,980 --> 00:12:37,950
I'm a curse in hospitals.
246
00:12:37,990 --> 00:12:39,960
You wouldn't want me there.
Believe me.
247
00:12:42,860 --> 00:12:46,260
You don't love me.
248
00:12:46,290 --> 00:12:48,760
You don't... you...
249
00:12:48,800 --> 00:12:51,230
I should just leave you.
250
00:12:51,270 --> 00:12:53,770
Do what you want.
251
00:13:30,810 --> 00:13:34,040
This... is what I want.
252
00:13:49,190 --> 00:13:51,830
PICASSO: I'm happy you called,
Fran�oise.
253
00:13:51,860 --> 00:13:54,460
Well, I figured, um...
254
00:13:54,500 --> 00:13:57,070
since you were going
to be in Paris anyway...
255
00:13:57,100 --> 00:14:02,040
Yeah, we had many happy years
here, right?
256
00:14:02,070 --> 00:14:04,070
Yes, we did.
257
00:14:11,450 --> 00:14:14,250
Luc and I are getting married.
258
00:14:21,890 --> 00:14:24,190
That's why you came here?
259
00:14:24,230 --> 00:14:27,230
To dangle your happiness
in front of me? Really?
260
00:14:27,260 --> 00:14:29,030
You have Jacqueline.
261
00:14:29,060 --> 00:14:30,830
Mm.
262
00:14:30,870 --> 00:14:32,400
I can't be happy, too?
263
00:14:32,430 --> 00:14:34,040
Are you doing this
to make me jealous?
264
00:14:34,070 --> 00:14:35,500
Because if you are,
you are succeeding.
265
00:14:35,540 --> 00:14:36,910
I can get rid of her,
266
00:14:36,940 --> 00:14:39,010
and you and I can get back
together again.
267
00:14:39,040 --> 00:14:41,710
Huh?
268
00:14:41,740 --> 00:14:43,780
Pablo, this isn't a game. I...
269
00:14:45,810 --> 00:14:48,380
I wanted your blessing.
270
00:14:48,420 --> 00:14:49,990
Yeah?
271
00:14:52,250 --> 00:14:53,890
I'm sorry.
I didn't mean to upset you.
272
00:14:53,920 --> 00:14:55,520
No, I am not upset. You know,
273
00:14:55,560 --> 00:14:58,290
just go, get married.
You know, I hope it's a fiasco.
274
00:14:58,330 --> 00:15:00,400
You know where the door is.
275
00:15:22,320 --> 00:15:23,550
Where's my husband?
276
00:15:23,590 --> 00:15:25,720
He's not in the house, Madame?
277
00:15:25,750 --> 00:15:28,590
No. When did you last see him?
278
00:15:28,620 --> 00:15:29,990
A couple of hours ago.
279
00:15:30,030 --> 00:15:32,090
He walked his barber to the car.
280
00:15:32,130 --> 00:15:33,760
Did you see him go back inside?
281
00:15:35,830 --> 00:15:37,270
Idiot!
282
00:15:37,300 --> 00:15:39,430
He snuck off
to see the bulls.
283
00:15:39,470 --> 00:15:41,940
Go find him, bring him home!
284
00:15:49,340 --> 00:15:51,180
-(bellowing)
-AUDIENCE: Ol�!
285
00:15:51,210 --> 00:15:53,080
(snorting)
286
00:15:53,120 --> 00:15:54,480
AUDIENCE:
Ol�!
287
00:15:54,520 --> 00:15:57,150
(Arias speaking Spanish)
288
00:15:57,190 --> 00:15:59,190
(laughing)
289
00:16:03,360 --> 00:16:05,930
Sorry, but I have strict orders
from Madame Picasso
290
00:16:05,960 --> 00:16:08,130
-to take you home.
-When the corrida is over.
291
00:16:08,160 --> 00:16:10,470
Oh, M-Madame said straight away.
292
00:16:10,500 --> 00:16:11,830
Oh, what's the matter?
You deaf?
293
00:16:11,870 --> 00:16:13,170
-Arias, Arias...
-(grumbles)
294
00:16:13,200 --> 00:16:15,770
-No, it's-it's all right.
-(scoffs)
295
00:16:15,800 --> 00:16:17,610
No, no.
296
00:16:17,640 --> 00:16:19,670
Pablo!
297
00:16:19,710 --> 00:16:22,110
Oh. Come on. Breathe, breathe,
breathe, breathe, breathe.
298
00:16:22,140 --> 00:16:24,280
-Breathe, breathe, breathe.
Shh, shh.
-No, I'm fine. I'm fine.
299
00:16:24,310 --> 00:16:26,010
I'm fine. Just a...
(inhales sharply)
300
00:16:26,050 --> 00:16:27,450
Shh, shh, shh, shh, shh.
301
00:16:27,480 --> 00:16:29,950
A little lightheaded.
Didier, come here.
302
00:16:29,980 --> 00:16:33,060
Come here.
Just be a good boy and...
303
00:16:33,090 --> 00:16:36,320
get me some water, please?
304
00:16:40,230 --> 00:16:42,500
Fenasse? Ven aqu?.
305
00:16:42,530 --> 00:16:44,500
Come here.
306
00:16:44,530 --> 00:16:48,070
That man that just left--
he's annoying me.
307
00:16:48,100 --> 00:16:50,140
-Don't let him back in.
-Of course, Monsieur.
308
00:16:50,170 --> 00:16:52,970
-Go, go.
-My apologies.
309
00:16:53,010 --> 00:16:56,040
(both laughing)
310
00:16:56,080 --> 00:16:58,510
(speaking Spanish)
311
00:17:02,780 --> 00:17:04,190
I'm gonna smoke another one.
312
00:17:04,220 --> 00:17:05,250
(both laughing)
313
00:17:05,290 --> 00:17:07,520
(speaking Spanish)
314
00:17:07,560 --> 00:17:09,660
(knocking)
315
00:17:09,690 --> 00:17:11,230
-(door opens)
-MAN: Per Signora Simon.
316
00:17:11,260 --> 00:17:12,730
FRANCOISE:
Grazie.
317
00:17:12,760 --> 00:17:14,200
(door closes)
318
00:17:14,230 --> 00:17:16,030
Signora Simon.
319
00:17:16,060 --> 00:17:17,770
It sounds even better
in Italian.
320
00:17:17,800 --> 00:17:20,200
Everything sounds better
in Italian.
321
00:17:25,040 --> 00:17:27,240
-What is it?
-Uh,
322
00:17:27,280 --> 00:17:29,210
it's from Maya.
Paloma is sick,
323
00:17:29,240 --> 00:17:31,610
and Pablo is refusing
to take her to the doctor.
324
00:17:31,650 --> 00:17:35,020
My God, he is unbelievable.
325
00:17:35,050 --> 00:17:37,920
-We have to go.
-No, you telegram
326
00:17:37,950 --> 00:17:40,920
Maya back, and you ask her
to take Paloma to the doctor.
327
00:17:40,960 --> 00:17:42,720
Actually, no. You telegram
that monster himself.
328
00:17:42,760 --> 00:17:44,930
Luc, you don't understand.
He hates hospitals.
329
00:17:44,960 --> 00:17:47,360
-He's refusing to take...
-Fran�oise,
330
00:17:47,400 --> 00:17:50,230
this is a ploy by him
to ruin our honeymoon.
331
00:17:50,270 --> 00:17:51,870
-Do you understand that?
-Maybe.
332
00:17:51,900 --> 00:17:54,170
But what if she's really sick?
333
00:18:03,610 --> 00:18:05,910
LUC: What is he going
to buy next, huh? Versailles?
334
00:18:05,950 --> 00:18:08,250
FRANCOISE:
Stay here.
335
00:18:08,280 --> 00:18:11,090
-(banging on door)
-PICASSO: Coming.
336
00:18:11,120 --> 00:18:13,520
-(banging continues)
-Coming!
337
00:18:15,790 --> 00:18:18,390
-Where's Paloma?
-She's upstairs.
338
00:18:18,430 --> 00:18:20,130
I-I thought you were in Italy.
339
00:18:20,160 --> 00:18:21,760
Jacqueline is taking care
of her.
340
00:18:21,800 --> 00:18:23,930
She'll be fine.
341
00:18:23,970 --> 00:18:26,100
This is my time
with the children.
342
00:18:27,540 --> 00:18:30,170
-Fran�oise!
-(sighs)
343
00:18:30,210 --> 00:18:33,740
My love.
344
00:18:33,780 --> 00:18:35,310
Mama.
345
00:18:35,340 --> 00:18:37,350
Yeah... honey.
346
00:18:43,320 --> 00:18:46,020
Come on. Come on.
Come with me.
347
00:18:46,050 --> 00:18:48,160
Come with me. Oh.
348
00:18:48,190 --> 00:18:50,390
(sighs)
349
00:18:52,830 --> 00:18:55,530
PICASSO:
I feel so guilty.
350
00:18:55,560 --> 00:18:57,900
We had no idea
she was so ill.
351
00:19:00,000 --> 00:19:02,200
If her appendix had burst,
she could have died.
352
00:19:04,910 --> 00:19:06,970
Jacqueline said it was nothing.
353
00:19:07,010 --> 00:19:09,340
You did this deliberately.
354
00:19:09,380 --> 00:19:12,350
You think I infected her?
I-I don't understand.
355
00:19:12,380 --> 00:19:14,850
I think she got sick, and
instead of taking care of her,
356
00:19:14,880 --> 00:19:17,320
you used it as an excuse
to ruin my honeymoon.
357
00:19:17,350 --> 00:19:19,350
I adore her, Fran�oise.
358
00:19:20,920 --> 00:19:23,690
-How can you say such a thing?
-Because I know you.
359
00:19:23,730 --> 00:19:26,330
You care about yourself
and no one else.
360
00:19:29,230 --> 00:19:31,300
Well, if that is what
you truly think of me,
361
00:19:31,330 --> 00:19:33,500
I have nothing else
to say to you.
362
00:19:51,590 --> 00:19:53,590
(footsteps retreating)
363
00:19:55,190 --> 00:19:57,930
KAHNWEILER:
Picasso sent me. He, uh,
364
00:19:57,960 --> 00:20:00,530
-wants his art back.
-He can have it all.
365
00:20:00,560 --> 00:20:01,930
What, Fran�oise? Are you mad?
366
00:20:01,960 --> 00:20:04,500
I don't want them.
367
00:20:04,530 --> 00:20:05,900
They are worth millions.
368
00:20:05,930 --> 00:20:08,240
You're always saying
he comes between us.
369
00:20:08,270 --> 00:20:11,370
What better way to get rid
of him than get rid of his art?
370
00:20:23,920 --> 00:20:27,720
Please.
371
00:20:27,760 --> 00:20:31,230
-Daniel, not that one.
-I-I'm sorry, Fran�oise.
372
00:20:31,260 --> 00:20:33,330
He wants everything.
373
00:20:35,600 --> 00:20:37,200
What am I supposed
to say to him?
374
00:20:37,230 --> 00:20:38,600
I don't care.
375
00:20:38,630 --> 00:20:41,070
You tell him,
if he wants this one back,
376
00:20:41,100 --> 00:20:42,570
he can come get it himself.
377
00:20:42,600 --> 00:20:46,940
KAHNWEILER:
Hmm. Given all of this,
378
00:20:46,970 --> 00:20:49,610
I think
it would be awkward for me
379
00:20:49,640 --> 00:20:52,450
to continue to represent you.
380
00:20:52,480 --> 00:20:54,480
Yes, I'm sure
it would be very awkward
381
00:20:54,520 --> 00:20:56,380
for you to make him angry.
382
00:20:56,420 --> 00:20:59,990
I would be happy to recommend
you to other dealers.
383
00:21:00,020 --> 00:21:02,220
You know very well nobody else
384
00:21:02,260 --> 00:21:05,090
would dare go up against him.
385
00:21:08,200 --> 00:21:09,960
Out!
386
00:21:14,140 --> 00:21:16,470
(door opens, closes)
387
00:21:16,500 --> 00:21:20,010
Fran�oise, you had no right
to do that. We are married.
388
00:21:20,040 --> 00:21:22,440
That work belongs to us.
389
00:21:24,380 --> 00:21:27,950
No, Luc. It belongs
to another time in my life.
390
00:21:27,980 --> 00:21:29,650
And if I want
to let all of that go,
391
00:21:29,680 --> 00:21:32,390
it's up to me, not you.
392
00:21:46,230 --> 00:21:48,300
What do you think of it, huh?
393
00:21:49,300 --> 00:21:51,310
(Picasso sniffles)
394
00:21:57,480 --> 00:21:59,880
You must have something to say!
395
00:22:01,320 --> 00:22:03,280
-You... you're a genius.
-(scoffs softly)
396
00:22:03,320 --> 00:22:05,290
Who am I to express an opinion?
397
00:22:05,320 --> 00:22:08,820
You are the one
that I chose to be here.
398
00:22:08,860 --> 00:22:12,160
To challenge me,
to-to inspire me.
399
00:22:13,500 --> 00:22:15,930
Would you like me
to pose for you?
400
00:22:26,410 --> 00:22:28,380
(door closes)
401
00:22:36,450 --> 00:22:39,150
I went to the doctor's today.
402
00:22:39,190 --> 00:22:41,320
Everything all right?
403
00:22:41,360 --> 00:22:43,590
Yes. But, um,
404
00:22:43,630 --> 00:22:47,660
it got me thinking about what
would happen to the children
405
00:22:47,700 --> 00:22:51,500
if, um... if I...
406
00:22:51,530 --> 00:22:53,540
if I had some...
407
00:22:53,570 --> 00:22:56,340
horrible disease or...
408
00:22:56,370 --> 00:22:58,610
if I had got run over
by a bus, you know.
409
00:22:58,640 --> 00:23:01,080
-A bus?
-Or something.
410
00:23:04,750 --> 00:23:08,350
I would take care
of Claude and Paloma.
411
00:23:08,380 --> 00:23:10,520
And I would raise them
as my own.
412
00:23:10,550 --> 00:23:13,250
I know, and that is so sweet.
413
00:23:16,160 --> 00:23:17,930
But it shouldn't be
your financial responsibility
414
00:23:17,960 --> 00:23:19,530
to look after them.
415
00:23:19,560 --> 00:23:21,560
It's his.
416
00:23:21,600 --> 00:23:24,100
He's their father.
417
00:23:24,130 --> 00:23:25,770
So, what are you proposing?
418
00:23:28,400 --> 00:23:30,940
I'm going to ask him to set up
a trust for them.
419
00:23:34,640 --> 00:23:36,740
All we talk about is Picasso.
420
00:23:36,780 --> 00:23:39,280
I feel like
I'm married to him, too.
421
00:23:39,310 --> 00:23:42,150
We are never going
to be free of him, are we?
422
00:23:47,920 --> 00:23:49,620
I'm not asking for much.
423
00:23:49,660 --> 00:23:52,330
Just a small amount placed
into a trust for our children.
424
00:23:52,360 --> 00:23:55,400
But if he won't answer
my letters, what else can I do?
425
00:23:55,430 --> 00:23:58,170
Madame, there are no grounds
upon which to file a lawsuit.
426
00:23:58,200 --> 00:24:00,770
I went to law school.
There's always a way.
427
00:24:00,800 --> 00:24:02,570
You and Picasso
were never married.
428
00:24:02,600 --> 00:24:04,310
His name isn't
on their birth certificates.
429
00:24:04,340 --> 00:24:05,770
Legally, they aren't even
his children.
430
00:24:05,810 --> 00:24:08,810
-Then let's start there.
-(sighs)
431
00:24:14,380 --> 00:24:16,280
Your lawyer is here from Paris.
432
00:24:16,320 --> 00:24:17,850
Oh.
433
00:24:17,890 --> 00:24:20,920
Ah. You could have phoned.
434
00:24:20,960 --> 00:24:23,160
I did... several times.
435
00:24:23,190 --> 00:24:26,360
But your Jacqueline--
she's quite the guard dog.
436
00:24:26,390 --> 00:24:31,100
Well, she protects me, so I can
concentrate on what matters.
437
00:24:31,130 --> 00:24:34,800
We have a problem.
It's Fran�oise.
438
00:24:37,000 --> 00:24:39,110
DE SARIAC: Monsieur Picasso
has instructed me
439
00:24:39,140 --> 00:24:40,940
to make you an offer.
440
00:24:40,980 --> 00:24:44,610
In order to forgo the long and
costly legal efforts required
441
00:24:44,650 --> 00:24:47,550
to legitimize your children
under the eyes of the law,
442
00:24:47,580 --> 00:24:50,020
Monsieur Picasso suggests
a simpler solution.
443
00:24:52,650 --> 00:24:56,490
You divorce your husband
and marry Monsieur Picasso.
444
00:24:58,530 --> 00:25:01,260
(laughing)
445
00:25:02,860 --> 00:25:05,230
Ah.
446
00:25:05,270 --> 00:25:07,870
(clears throat)
Is this...
447
00:25:07,900 --> 00:25:10,300
(sighs)
Is this one of his jokes?
448
00:25:10,340 --> 00:25:11,740
No, no, nothing of the sort.
449
00:25:11,770 --> 00:25:13,170
You and Monsieur Picasso
450
00:25:13,210 --> 00:25:14,840
could then divorce
straight away, Madame,
451
00:25:14,880 --> 00:25:16,710
if that is what you desire.
452
00:25:16,740 --> 00:25:18,380
But the children's rights
would be established,
453
00:25:18,410 --> 00:25:20,210
once and for all.
454
00:25:24,520 --> 00:25:26,490
CLAUDE:
You have to do it, Mama.
455
00:25:26,520 --> 00:25:28,820
Yes, Mama. Please!
456
00:25:28,860 --> 00:25:31,260
I can't believe he chose
to involve you in this.
457
00:25:31,290 --> 00:25:33,860
It's all he could talk about
all weekend.
458
00:25:33,900 --> 00:25:35,430
He was so excited!
459
00:25:35,460 --> 00:25:37,200
He talked about marrying me
in front of Jacqueline?
460
00:25:37,230 --> 00:25:38,570
We hardly saw her.
461
00:25:38,600 --> 00:25:40,900
They were fighting
the whole time.
462
00:25:48,380 --> 00:25:52,580
If I were to marry your father,
463
00:25:52,610 --> 00:25:56,680
it would be for legal reasons,
464
00:25:56,720 --> 00:25:58,950
not because we're going
to be a couple.
465
00:25:58,990 --> 00:26:00,620
Yeah, but maybe you could.
466
00:26:00,660 --> 00:26:02,520
And we could be a family again.
467
00:26:02,560 --> 00:26:04,890
Uh, see? It's not...
468
00:26:04,930 --> 00:26:07,600
it's not healthy to fantasize
about things like this.
469
00:26:07,630 --> 00:26:08,960
And what about Luc?
470
00:26:09,000 --> 00:26:10,260
He's been like a father to you.
471
00:26:10,300 --> 00:26:11,970
We like Luc...
472
00:26:12,000 --> 00:26:14,600
but you and he are no better
than Papa and Jacqueline.
473
00:26:14,640 --> 00:26:16,770
PALOMA:
We hear you arguing every night.
474
00:26:16,800 --> 00:26:18,540
We're not arguing,
we're talking.
475
00:26:18,570 --> 00:26:20,410
-We're happy.
-(Claude scoffs)
476
00:26:20,440 --> 00:26:25,350
Didn't you just say it's
unhealthy to fantasize, Mama?
477
00:26:31,990 --> 00:26:33,990
(Luc grunts)
478
00:26:39,860 --> 00:26:43,230
FRANCOISE:
We need to talk.
479
00:26:43,260 --> 00:26:45,100
I'm tired.
480
00:26:50,970 --> 00:26:53,170
I want a divorce.
481
00:26:54,840 --> 00:26:56,840
*
482
00:27:13,390 --> 00:27:15,400
*
483
00:27:31,880 --> 00:27:33,680
FRANCOISE:
Claude, Paloma!
484
00:27:33,720 --> 00:27:35,980
(sighs) Eat.
485
00:27:36,020 --> 00:27:37,990
I'm going to Pierre's
after school,
486
00:27:38,020 --> 00:27:40,420
so I'll, uh, see you at dinner.
487
00:27:41,720 --> 00:27:43,360
Mama?
488
00:27:47,390 --> 00:27:49,400
Of course.
489
00:27:49,430 --> 00:27:51,700
Have a lovely day.
490
00:28:09,350 --> 00:28:11,350
*
491
00:28:26,700 --> 00:28:29,270
You need to see a specialist
in Paris immediately.
492
00:28:29,300 --> 00:28:31,910
It can wait.
493
00:28:31,940 --> 00:28:34,210
My children are visiting.
494
00:28:34,240 --> 00:28:36,710
This is our only time together.
495
00:28:36,740 --> 00:28:39,950
So thank you.
496
00:28:39,980 --> 00:28:44,750
Um, I have a surprise
for both of you.
497
00:28:44,790 --> 00:28:47,890
I know it's not January,
but, uh, you'll be back
498
00:28:47,920 --> 00:28:50,890
in New York then, and, um,
499
00:28:50,930 --> 00:28:53,590
I didn't want to miss
our tradition,
500
00:28:53,630 --> 00:28:57,600
so, um...
501
00:28:58,930 --> 00:29:00,770
Ah, galette des rois.
502
00:29:00,800 --> 00:29:03,770
(Picasso chuckles)
503
00:29:03,810 --> 00:29:05,310
I will serve it.
504
00:29:05,340 --> 00:29:08,280
(clears throat)
505
00:29:08,310 --> 00:29:09,780
Have I ever told you
506
00:29:09,810 --> 00:29:12,380
about the-the time I...
507
00:29:12,410 --> 00:29:15,780
I threw a party
for Henri Rousseau?
508
00:29:15,820 --> 00:29:17,790
Uh, no? No?
509
00:29:17,820 --> 00:29:20,120
Well, he was an old man
510
00:29:20,150 --> 00:29:22,760
who painted his entire life
511
00:29:22,790 --> 00:29:25,290
without no one recognizing
his talent.
512
00:29:25,330 --> 00:29:28,560
So Fernande and I organized
a party to honor him.
513
00:29:28,600 --> 00:29:33,630
And so we ordered a,
a special cake like this one,
514
00:29:33,670 --> 00:29:35,300
but for the wrong day.
515
00:29:35,340 --> 00:29:37,240
-Who is Fernande?
-Nobody wants to hear
516
00:29:37,270 --> 00:29:40,440
about your past, Pablo.
517
00:29:40,470 --> 00:29:41,880
We do.
518
00:29:43,280 --> 00:29:46,050
Bon app�tit.
519
00:29:48,280 --> 00:29:49,750
PICASSO:
Oh.
520
00:29:49,780 --> 00:29:52,090
(laughs)
He got it.
521
00:29:52,120 --> 00:29:54,990
-Papa, I'm too old for this.
-(laughing)
522
00:29:55,020 --> 00:29:58,760
No, no, no. No.
523
00:29:58,790 --> 00:30:00,830
Hold on to your youth
while you can, son.
524
00:30:00,860 --> 00:30:02,960
Yeah, yeah.
525
00:30:03,000 --> 00:30:06,600
All hail King Claude.
526
00:30:06,630 --> 00:30:08,870
(chuckles) Yeah.
527
00:30:11,210 --> 00:30:13,210
(grunts)
528
00:30:15,880 --> 00:30:18,880
Papa, Mama is having
her first show in New York.
529
00:30:18,910 --> 00:30:20,450
You should come.
530
00:30:20,480 --> 00:30:21,980
She would really love it
if you came.
531
00:30:22,020 --> 00:30:23,480
Enough.
532
00:30:23,520 --> 00:30:26,790
You will not speak
of that woman in my house.
533
00:30:26,820 --> 00:30:29,020
She's our mother. We can speak
of her whenever we want.
534
00:30:29,060 --> 00:30:30,720
Shut up, you little cow.
535
00:30:30,760 --> 00:30:32,190
Don't talk to her like that.
536
00:30:32,230 --> 00:30:33,790
PICASSO:
Hey, hey, hey, hey, everyone.
537
00:30:33,830 --> 00:30:35,660
-(chuckling): Please.
-They're spoiled brats, Pablo.
538
00:30:35,700 --> 00:30:36,660
Selfish children.
539
00:30:36,700 --> 00:30:37,800
(crying)
540
00:30:37,830 --> 00:30:39,770
Paloma! Paloma.
541
00:30:41,940 --> 00:30:43,840
Paloma.
542
00:30:45,370 --> 00:30:48,380
*
543
00:30:59,190 --> 00:31:01,560
WOMAN:
Your work is so controlled.
544
00:31:01,590 --> 00:31:03,390
I love its simplicity.
545
00:31:03,420 --> 00:31:06,160
You know, I own a couple
of Picassos.
546
00:31:06,190 --> 00:31:08,360
One of them is of you.
547
00:31:08,400 --> 00:31:10,200
Perhaps you'd like
to come over to my place
548
00:31:10,230 --> 00:31:13,200
and see it on my wall,
549
00:31:13,230 --> 00:31:15,440
tell me the story behind
the creation.
550
00:31:15,470 --> 00:31:16,840
WOMAN 2:
Did you two paint together much?
551
00:31:16,870 --> 00:31:19,570
Did you share a studio with him?
552
00:31:19,610 --> 00:31:22,180
FRANCOISE:
He warned me this would happen.
553
00:31:22,210 --> 00:31:24,510
That I'd be known forever
as his ex-lover
554
00:31:24,550 --> 00:31:25,910
and nothing more.
555
00:31:25,950 --> 00:31:29,950
Fran�oise,
you sold five pieces tonight.
556
00:31:32,490 --> 00:31:35,590
If I weren't Picasso's mistress,
557
00:31:35,620 --> 00:31:37,990
do you think that would
have happened?
558
00:31:40,290 --> 00:31:42,630
I moved to New York
thinking I could...
559
00:31:45,230 --> 00:31:46,800
...escape his shadow.
560
00:31:46,830 --> 00:31:50,770
I know what my father
would have said.
561
00:31:50,800 --> 00:31:52,910
Don't run from your problems,
take them on.
562
00:31:52,940 --> 00:31:54,910
JACQUELINE:
That nasty bitch.
563
00:31:56,440 --> 00:31:58,710
Read it. Read it.
564
00:31:58,750 --> 00:32:00,750
And that's just an excerpt.
565
00:32:00,780 --> 00:32:04,720
She's writing
an entire book about you!
566
00:32:04,750 --> 00:32:06,650
PUBLISHER:
He's suing us
567
00:32:06,690 --> 00:32:08,560
for libel and defamation.
568
00:32:08,590 --> 00:32:10,460
Every word I wrote is true.
569
00:32:10,490 --> 00:32:13,060
We're not questioning that,
but at this stage,
570
00:32:13,090 --> 00:32:14,830
we're in the court
of public opinion.
571
00:32:14,860 --> 00:32:17,330
40 artists
and writers have signed
572
00:32:17,360 --> 00:32:19,300
a petition supporting him.
573
00:32:19,330 --> 00:32:20,730
So we'll fight him.
574
00:32:20,770 --> 00:32:23,500
Fran�oise, he's a powerful man.
575
00:32:29,340 --> 00:32:31,310
I'm not going to let him win.
576
00:32:31,350 --> 00:32:33,810
The sole purpose of this
purported work of non-fiction,
577
00:32:33,850 --> 00:32:35,850
Monsieur le Pr�sident,
is for a jilted lover
578
00:32:35,880 --> 00:32:38,490
to enact revenge on Picasso
579
00:32:38,520 --> 00:32:41,190
by smearing his reputation
with lies.
580
00:32:41,220 --> 00:32:43,190
ARRIGHI: Madame Gilot
has simply portrayed
581
00:32:43,220 --> 00:32:45,860
Monsieur Picasso as she saw him,
using her words,
582
00:32:45,890 --> 00:32:48,330
just as Picasso portrayed
Madame Gilot
583
00:32:48,360 --> 00:32:50,360
as he saw her, using his brush!
584
00:32:50,400 --> 00:32:52,000
-Ah.
-(phone ringing)
585
00:32:56,470 --> 00:32:58,970
Hello.
586
00:33:00,810 --> 00:33:02,810
Hello?
587
00:33:04,050 --> 00:33:06,980
Congratulations.
588
00:33:09,750 --> 00:33:13,320
It's been a while since
we last spoke.
589
00:33:15,160 --> 00:33:16,960
It's been ten years.
590
00:33:16,990 --> 00:33:18,860
(sighs)
591
00:33:18,890 --> 00:33:22,030
Well, you know me.
592
00:33:22,060 --> 00:33:25,370
I only enjoy the company
of winners.
593
00:33:25,400 --> 00:33:30,540
Well, you did everything
you possibly could to...
594
00:33:30,570 --> 00:33:31,640
make me a loser, Pablo.
595
00:33:31,670 --> 00:33:33,970
Yet still you persisted.
596
00:33:34,010 --> 00:33:35,140
Did you read my book?
597
00:33:35,180 --> 00:33:36,710
I ended by thanking you.
598
00:33:36,740 --> 00:33:39,180
What for?
599
00:33:39,210 --> 00:33:41,880
You taught me so much.
600
00:33:43,450 --> 00:33:47,020
We have two beautiful children.
601
00:33:50,560 --> 00:33:53,890
And you-you forced me to...
602
00:33:53,930 --> 00:33:56,700
learn to survive on my own,
603
00:33:56,730 --> 00:34:00,400
to find my voice.
604
00:34:00,430 --> 00:34:03,800
I'll forever be grateful
to you for that.
605
00:34:05,440 --> 00:34:08,310
(sighs)
And I will always love you.
606
00:34:30,930 --> 00:34:33,070
The surgeon will be right in.
607
00:34:41,980 --> 00:34:45,610
You're losing your prostate,
Pablo,
608
00:34:45,650 --> 00:34:48,420
not your life.
609
00:34:48,450 --> 00:34:49,420
Hmm?
610
00:34:49,450 --> 00:34:51,920
It doesn't seem that way to me.
611
00:35:00,790 --> 00:35:04,060
So...
612
00:35:04,100 --> 00:35:09,900
would you rather
make love and die,
613
00:35:09,940 --> 00:35:14,740
or live and paint?
614
00:35:14,780 --> 00:35:17,780
Hmm.
615
00:35:25,290 --> 00:35:27,290
*
616
00:35:40,730 --> 00:35:42,700
(intercom buzzes)
617
00:35:42,740 --> 00:35:44,740
Yes.
618
00:35:48,740 --> 00:35:50,880
Turn him away.
619
00:35:50,910 --> 00:35:52,980
I decide who come...
620
00:35:54,420 --> 00:35:56,680
I decide who comes in
and out of my house.
621
00:35:56,720 --> 00:35:58,990
Understood?
622
00:35:59,020 --> 00:36:01,020
Good.
623
00:36:06,430 --> 00:36:07,890
I'm sorry, Claude,
624
00:36:07,930 --> 00:36:09,360
Monsieur Picasso is very busy
at the moment.
625
00:36:11,600 --> 00:36:13,600
(truck engine rumbling)
626
00:36:15,770 --> 00:36:18,370
The gardener is let in,
but I am not.
627
00:36:18,410 --> 00:36:20,970
I have flown all the way
from New York
628
00:36:21,010 --> 00:36:25,150
to see him, to introduce him
to my girlfriend.
629
00:36:25,180 --> 00:36:27,880
I'm sorry.
630
00:36:36,890 --> 00:36:39,160
Who was at the gate?
631
00:36:39,190 --> 00:36:41,660
-Just the gardener.
-Mm.
632
00:36:41,700 --> 00:36:43,960
Ooh.
633
00:36:46,400 --> 00:36:48,540
Look at all of our children.
634
00:36:48,570 --> 00:36:50,540
(Picasso grunts)
635
00:36:50,570 --> 00:36:52,810
JACQUELINE:
They're so vibrant.
636
00:36:58,210 --> 00:37:01,350
Have you heard
from my children lately?
637
00:37:01,380 --> 00:37:03,680
Huh.
638
00:37:03,720 --> 00:37:07,420
They know I had a surgery,
right?
639
00:37:07,450 --> 00:37:09,420
You asked me to protect you.
640
00:37:09,460 --> 00:37:12,590
So that you could work
without distractions.
641
00:37:12,630 --> 00:37:15,400
You don't have to protect me
from my own family, Jacqueline.
642
00:37:15,430 --> 00:37:19,530
All they want from you
is your money, Pablo.
643
00:37:19,570 --> 00:37:22,040
Hmm?
644
00:37:22,070 --> 00:37:24,610
I am the only one
who truly loves you
645
00:37:24,640 --> 00:37:26,510
and cares about you.
646
00:37:40,590 --> 00:37:42,960
(sighs)
647
00:37:42,990 --> 00:37:45,690
Speaking of which,
your lawyer called...
648
00:37:48,090 --> 00:37:49,760
asking about your will.
649
00:37:49,800 --> 00:37:51,800
No, no, no. We are not talking
about this.
650
00:37:51,830 --> 00:37:53,430
-Pablo.
-To prepare for death--
651
00:37:53,470 --> 00:37:55,100
no, no.
It's just, it's just...
652
00:37:55,140 --> 00:37:56,900
it's a death warrant in itself.
653
00:37:56,940 --> 00:37:59,770
And I'm not ready to die!
654
00:37:59,810 --> 00:38:01,310
(grunting)
655
00:38:09,850 --> 00:38:11,850
There is one thing.
656
00:38:15,290 --> 00:38:17,290
Guernica.
657
00:38:20,690 --> 00:38:25,100
I want it to be displayed
in Spain.
658
00:38:25,130 --> 00:38:28,000
But only after
that bastard Franco
659
00:38:28,030 --> 00:38:30,970
is rotting in his grave.
660
00:38:31,000 --> 00:38:33,310
Hmm.
661
00:38:34,910 --> 00:38:36,910
Yeah.
662
00:38:42,980 --> 00:38:44,990
Why are you an artist?
663
00:38:46,720 --> 00:38:49,160
That's a big question, Dr. Salk.
664
00:38:49,190 --> 00:38:50,290
Oh, please.
665
00:38:50,320 --> 00:38:51,860
Call me Jonas.
666
00:38:51,890 --> 00:38:53,290
(Fran�oise sighs)
667
00:38:53,330 --> 00:38:56,760
Well, I want my art
to keep people curious.
668
00:38:58,030 --> 00:39:00,470
I think it's tragic
how adults lose
669
00:39:00,500 --> 00:39:04,510
their sense of wonder
about the world.
670
00:39:04,540 --> 00:39:08,440
Is that the idea
behind modernism?
671
00:39:10,540 --> 00:39:12,910
(laughing):
What?
672
00:39:12,950 --> 00:39:14,950
(laughs)
673
00:39:16,750 --> 00:39:18,720
I'm sorry.
This is the first time
674
00:39:18,750 --> 00:39:20,150
in a very long time
675
00:39:20,190 --> 00:39:22,090
I've had a conversation
about my art
676
00:39:22,120 --> 00:39:25,230
without being asked
about Picasso.
677
00:39:27,260 --> 00:39:30,300
Well, I'm not here
to meet Picasso.
678
00:39:34,570 --> 00:39:37,100
Thank you.
679
00:39:37,140 --> 00:39:39,870
Well, I hope
we can do this again soon.
680
00:39:40,910 --> 00:39:43,180
It's only fair to be direct
681
00:39:43,210 --> 00:39:45,010
about expectations.
682
00:39:45,050 --> 00:39:47,150
Try me.
683
00:39:48,150 --> 00:39:50,150
All right.
684
00:39:53,750 --> 00:39:55,890
One: my art comes first.
685
00:39:55,920 --> 00:39:59,090
Two: I won't sacrifice
my ambitions for a man.
686
00:39:59,130 --> 00:40:02,800
Three: I won't cook...
687
00:40:02,830 --> 00:40:05,400
for a man.
688
00:40:05,430 --> 00:40:08,070
Four: I won't clean up
after a man.
689
00:40:08,100 --> 00:40:11,400
And five: I, um...
690
00:40:11,440 --> 00:40:14,440
I need time to paint every day.
691
00:40:16,480 --> 00:40:19,080
None of that's a problem for me.
692
00:40:21,080 --> 00:40:23,650
JACQUELINE:
Don't be difficult, Pablo.
693
00:40:23,680 --> 00:40:26,250
-(Picasso groans)
-It's the Louvre.
694
00:40:26,290 --> 00:40:29,120
And you would be
the-the first living artist
695
00:40:29,160 --> 00:40:31,220
ever to be exhibited there.
696
00:40:31,260 --> 00:40:34,390
The Louvre is for dead artists,
697
00:40:34,430 --> 00:40:36,400
and I am not dead yet!
698
00:40:36,430 --> 00:40:39,500
And I am certainly
not finished painting.
699
00:40:39,530 --> 00:40:42,140
-(grunts)
-Georges Pompidou.
700
00:40:42,170 --> 00:40:44,140
-What?
-He would be there.
701
00:40:44,170 --> 00:40:46,640
I don't give a damn
about the president of France.
702
00:40:46,670 --> 00:40:48,140
I'm Spanish.
703
00:40:48,170 --> 00:40:49,340
You go.
704
00:40:49,380 --> 00:40:51,240
I have no interest in the past.
705
00:40:51,280 --> 00:40:53,210
I only look forward.
706
00:40:58,720 --> 00:41:00,950
I am tired of painting you.
707
00:41:00,990 --> 00:41:03,590
I need someone new.
708
00:41:03,620 --> 00:41:05,590
Yes.
709
00:41:05,630 --> 00:41:07,460
There is no one else.
710
00:41:07,490 --> 00:41:10,460
I am all you have left.
711
00:41:36,820 --> 00:41:38,830
*
712
00:42:08,120 --> 00:42:10,220
*
713
00:42:18,900 --> 00:42:21,000
(cheering and applause)
714
00:42:21,030 --> 00:42:23,170
PICASSO:
Look how happy they are.
715
00:42:23,200 --> 00:42:25,840
(both chuckle)
716
00:42:25,870 --> 00:42:28,240
It reminds me of M?laga...
717
00:42:28,270 --> 00:42:32,180
when my father took me
to the bullfights.
718
00:42:32,210 --> 00:42:34,450
CROWD:
Ol�!
719
00:42:34,480 --> 00:42:37,350
I should have taken
my sons here more
720
00:42:37,380 --> 00:42:40,520
and, uh, taught them the beauty
721
00:42:40,550 --> 00:42:41,590
of it all,
722
00:42:41,620 --> 00:42:43,360
just like my father did with me.
723
00:42:43,390 --> 00:42:45,190
Well, it's not too late.
724
00:42:45,230 --> 00:42:47,060
I'm sure if you call them,
725
00:42:47,090 --> 00:42:49,530
they would love
to come with you sometime.
726
00:42:49,560 --> 00:42:51,560
Don't you miss them?
727
00:42:55,840 --> 00:42:58,840
You think I don't have a heart,
don't you?
728
00:42:59,910 --> 00:43:02,310
Well...
729
00:43:02,340 --> 00:43:04,650
I think, uh...
730
00:43:04,680 --> 00:43:07,550
I think you're at the bullfight
with your barber
731
00:43:07,580 --> 00:43:10,050
and not with your children.
732
00:43:10,080 --> 00:43:12,050
CROWD:
Ol�!
733
00:43:12,090 --> 00:43:13,490
(sighs)
734
00:43:13,520 --> 00:43:15,520
I love them.
735
00:43:17,990 --> 00:43:21,430
But if I ever made them
more important than my art...
736
00:43:25,530 --> 00:43:28,330
...I could never
have accomplished anything.
737
00:43:28,370 --> 00:43:31,570
I don't believe that
for a second.
738
00:43:31,600 --> 00:43:33,970
How would you know?
You cut hair.
739
00:43:35,380 --> 00:43:37,480
I'm sorry.
740
00:43:37,510 --> 00:43:39,580
I-I didn't mean to say that.
741
00:43:39,610 --> 00:43:41,650
No.
742
00:43:41,680 --> 00:43:44,150
No, I'm proud of the work I do.
743
00:43:44,180 --> 00:43:48,020
But first I'm a father
and a husband.
744
00:43:48,050 --> 00:43:51,860
You are a good man, Arias.
745
00:43:57,300 --> 00:44:00,200
Call them, Pablo.
746
00:44:00,230 --> 00:44:02,670
Call them.
747
00:44:05,670 --> 00:44:07,940
(chuckles) Hey.
748
00:44:07,970 --> 00:44:09,310
PALOMA:
Oh, Papa.
749
00:44:09,340 --> 00:44:11,710
PICASSO:
I'm so glad you came.
750
00:44:11,750 --> 00:44:13,750
Yes, oh.
751
00:44:16,020 --> 00:44:18,020
MARIE-THERESE:
Hello, Pablo.
752
00:44:20,020 --> 00:44:22,020
Marie-Th�r�se.
753
00:44:23,860 --> 00:44:25,830
Mi ni?o Maya.
754
00:44:27,660 --> 00:44:29,660
Hey, Papa.
755
00:44:32,870 --> 00:44:35,740
MARIE-THERESE: The last time
I saw the two of you,
756
00:44:35,770 --> 00:44:37,840
you weren't much older
than Olivier.
757
00:44:37,870 --> 00:44:39,740
I can't believe
you're a grandmother.
758
00:44:39,770 --> 00:44:42,780
Neither can I.
759
00:44:49,750 --> 00:44:51,720
Fran�oise.
760
00:44:51,750 --> 00:44:54,760
MARIE-THERESE:
Fran�oise.
761
00:44:57,020 --> 00:45:00,060
It's lovely to see you again.
762
00:45:03,100 --> 00:45:04,770
Oh, Paulo.
763
00:45:04,800 --> 00:45:06,600
It's been far too long.
764
00:45:06,630 --> 00:45:08,800
PICASSO:
Son.
765
00:45:14,640 --> 00:45:16,640
Dora.
766
00:45:19,880 --> 00:45:22,120
You look so beautiful.
767
00:45:26,590 --> 00:45:29,220
Are these your children?
768
00:45:30,220 --> 00:45:32,590
Paloma, meet Dora Maar.
769
00:45:32,630 --> 00:45:34,160
It's a pleasure.
770
00:45:35,230 --> 00:45:37,360
And this is Claude.
771
00:45:37,400 --> 00:45:39,700
I've seen your work in New York.
772
00:45:39,730 --> 00:45:41,630
I'm a photographer myself.
773
00:45:42,670 --> 00:45:44,840
He has your eyes.
774
00:45:45,840 --> 00:45:48,070
Be careful.
775
00:45:48,110 --> 00:45:50,840
They are dangerous weapons.
776
00:45:52,910 --> 00:45:56,250
Everyone, let's make a toast.
777
00:45:56,280 --> 00:45:58,280
FERNANDE:
Wait for us.
778
00:46:00,320 --> 00:46:02,320
Olga.
779
00:46:03,360 --> 00:46:04,830
Fernande.
780
00:46:04,860 --> 00:46:07,030
EVA:
And us.
781
00:46:09,030 --> 00:46:11,100
PICASSO:
Eva.
782
00:46:11,130 --> 00:46:13,630
Carles.
783
00:46:14,630 --> 00:46:17,500
Carles...
784
00:46:17,540 --> 00:46:20,470
how are you, my friend?
785
00:46:24,850 --> 00:46:26,810
Pablo. Pablo?
786
00:46:26,850 --> 00:46:28,680
FRANCOISE: We are not
a traditional family,
787
00:46:28,710 --> 00:46:32,520
but we're a family nonetheless.
788
00:46:40,330 --> 00:46:44,500
All bound by blood and love.
789
00:46:45,500 --> 00:46:47,830
It warms my heart
790
00:46:47,870 --> 00:46:51,940
to see the man who has only
looked forward his entire life
791
00:46:51,970 --> 00:46:56,380
taking a moment to look back...
792
00:47:06,350 --> 00:47:09,420
at what is truly important.
793
00:47:34,180 --> 00:47:38,080
Perhaps in the end,
794
00:47:38,120 --> 00:47:42,360
we are your perfect painting,
Pablo.
795
00:47:50,900 --> 00:47:52,870
To Pablo.
796
00:47:52,900 --> 00:47:54,870
MAN:
To Pablo.
797
00:47:56,900 --> 00:47:59,610
I'm here, my love.
798
00:47:59,640 --> 00:48:02,180
I'm here.
799
00:48:02,210 --> 00:48:03,940
What can I do for you?
800
00:48:03,980 --> 00:48:06,910
I need...
801
00:48:09,620 --> 00:48:12,420
I-I need...
802
00:48:12,450 --> 00:48:14,450
-What?
-I need...
803
00:48:14,490 --> 00:48:17,590
I n...
804
00:48:17,620 --> 00:48:19,530
What do you need?
805
00:48:19,560 --> 00:48:22,800
I need paper...
806
00:48:22,830 --> 00:48:25,830
and charcoal.
807
00:48:28,170 --> 00:48:30,140
(Jacqueline sniffles)
808
00:48:30,170 --> 00:48:32,170
("Ay Amor"
by Bola de Nieve playing)
809
00:48:49,420 --> 00:48:52,530
(man singing in Spanish)
810
00:49:04,200 --> 00:49:06,210
*
811
00:49:36,240 --> 00:49:38,240
*
812
00:49:55,390 --> 00:49:57,390
(applause)
813
00:50:25,750 --> 00:50:28,020
CROWD:
Ol�!
814
00:50:55,980 --> 00:50:57,920
Captioned by
Media Access Group at WGBH
54435
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