Original subtitles

humor. I think we're ready to go. Good.

[Music]

>> Coming soon

in the world. What

[Music]

[Music]

are you doing is happening? I mean, why

don't we use classic things?

>> They're coming. They're coming.

>> Go ahead.

Let's cut it pretty. Pleasure. The

inevitable byproduct of our

civilization.

A new world only occupation will be Head

[Music]

>> head.

[Music]

Okay.

Oh, this is

[Music]

Mr. Mayor. I think we're ready to go.

>> Good. I mean, I'm glad it's good.

Will you take this place? This place

[Applause]

got some. Oh, sorry.

>> Thank you, Bill.

Here

[Music]

we are, sir. Thank you.

Now

ladies and gentlemen,

I hereby

ladies and gentlemen,

[Music]

Ladies and gentlemen, I

ladies and

[Music]

Ladies and gentlemen,

ladies and gentlemen,

I find this magnificent marvel

architecture. One of the largest

suspended eyes in the world.

[Music]

[Applause]

[Music]

[Applause]

[Music]

[Music]

[Music]

[Music]

in my

clock and skies pounding away. There's

so much to say

[Music]

the voice

over has no choice which cannot rejoice.

Wanting to be

to hear and to see.

crying

to

the trousers of laughing.

Goodbye. Goodbye.

[Applause]

Goodbye.

Goodbye. Goodbye.

[Music]

CL

right in the back of your dress

right

[Music]

s of castles and caves and things of

gold

star

wanting to feel

we know What is real?

Living is life.

The cross is waiting.

Goodbye. Goodbye.

Goodbye. Goodbye. Goodbye.

[Music]

Goodbye. Goodbye. Goodbye.

Goodbye. Goodbye. Goodbye.

[Music]

[Music]

Well,

>> even

um

>> Are you kidding?

Hey, now wait a minute. Now wait just a

minute.

>> Hey, hey, we are the monkeys. You know

we love to please. A manufactured image

with no philosophies. We hope you like

our story, although there isn't one.

That is to say, there's many. That way,

there is more fun.

>> You've told us you like action and games

of many kinds. You like to dance. We

like to sing. So, let's all lose our

minds. We know it doesn't matter cuz

what you came to see is what we'd love

to give you and give it one two three

>> but it may come 3 2 1 2 or jump from 9

to 5 and when you see the end in sight

the beginning may arrive.

>> For those who look for meanings in form

as they do fact we might tell you one

thing but we'd only take it back.

>> Not back like in a box back not back

like in a race. Not back so we can keep

it but back in time and space.

>> You say we're manufactured. To that we

all agree. So make your choice and we'll

rejoice in never being free. Hey. Hey.

We are the monkeys. We've said it all

before. The money's in. We're made of

10. We're here to give you more. The

money's in. We're made of 10. We're here

to give you

[Applause]

Give me

an egg.

Give me a

What does it spell?

[Applause]

I

>> can't see. It's too deep.

>> What' you say?

>> I said I can't see. It's too deep. But

I've got to have a boost or something.

>> Yeah. Let me stand on my helmet. It's

too heavy. I don't want to wear it. If

you drag, it presses down on my head.

>> You really ought to wear your helmet.

>> What [ __ ]

>> Well, you might get a shot in the head

for one thing. Shot in the head. Wow.

Why didn't you say a shot in the arm or

a shot in the leg and a sniper could be

on top of that mountain and blow off the

right half of my chest? Or a plane could

come swimming in through that pass and

drop a bomb on me.

>> Well, I'm wearing mine.

>> That's cool.

>> All right. Need a volunteer. We're out

of ammo. I'll go. See that you do?

>> Hold it. This is for life.

[Music]

What's 19? What's 19?

>> Someone here.

>> We're number one. We're number one.

We're number one. One.

>> Mr. One.

>> Me. Number. Actually, I was just here

about some ammo.

[Music]

Uh, Mr. One.

>> Day in and day out. Excuse me, sir.

Where'd he go? Where'd he go? Where'd he

go?

Oh boy.

He just came over.

He'll never make it through this intense

bombardment.

Nobody could.

Here,

Mick. I got this for you. I thought

you'd like it better.

>> Stars.

>> Hey, that was great, Pete.

>> Okay, you guys ready?

>> Okay, guys, let's hit that line.

Heat.

[Music]

Heat.

[Applause]

[Applause]

[Music]

[Applause]

[Music]

So

close

[Applause]

Telling

lies

here

I stand

[Applause]

and it looks like we made it once again.

Yes, it looks like we made it once

again.

All

the sun

is

we

see

and it looks like we made it once again.

Yes, it looks like we made it once

again.

[Music]

It's a very extraordinary scene

to those who don't understand.

But what you have seen, you must

believe.

If you can.

If you can

[Music]

[Applause]

[Music]

smile

down

[Applause]

there

before

and it looks like we made it once again.

Yes, it looks like we ran into the air.

[Music]

[Laughter]

[Applause]

I gave her a very powerful narcotic, but

I'm sure it will be effective soon.

>> Barbara Stanworth may be in for a slight

shock. Her son Anthony Beyon Feay just

sold a provocative story about his

relationship with Barbara.

>> Hi friends, Ralph Williams, one of the

world's largest Ford dealership.

Your Majesty, he acknowledges a king

higher than you.

>> But you are the Messiah.

>> Our ship better be sailing out of that

harbor on its way home within 24 hours

or we're coming in after it.

>> Sounds like a lot of supernatural

baloney to me.

>> Supernatural

perhaps.

Baloney perhaps not.

>> I don't read papers. I don't listen to

the radio and haven't seen a television

in years.

>> Uh you take motion pictures, don't you?

Yes.

>> Yes.

>> You're always looking for talent.

>> Yes.

>> Watch this.

>> What happened here at the world's

largest Ford dealers leadership? We

The world's largest board dealership.

Andrew, the world's largest poor dealer.

>> My canteen is empty. or once it was

full,

I felt I couldn't go on.

I can't.

But something something kept telling me

I must. You must I must.

Oh no.

Oh no.

Oh no.

[Music]

[Music]

Things go with CocaCola.

Things go with coke.

>> Pathetic.

>> I can't.

>> It's pitiful.

>> Shut up.

>> You shut up.

>> No, you shut up.

>> You shut up.

>> Shut up.

>> You

shut up. of you.

>> Okay, I will.

I can't I can't hear. No, I'm deaf. Come

back. I'm going

>> quiet. Isn't it George? Michael Dolan's.

I said, "Quiet, isn't it, George Michael

Dolan?

[Music]

Oops.

God.

[Music]

Really?

[Music]

Americano.

[Music]

>> What?

Americano.

>> Americano.

Have them.

You

[Music]

surrender.

Boom. Boom. Surrender. You know,

[Music]

surrender.

Heat. Heat.

[Music]

along.

[Music]

[Music]

brain.

[Music]

[Music]

Something doesn't change. There is only

one

always changing inside.

What does it become?

Can you dig in?

Do you know?

Would you care to let it show?

Those who know it, lose it.

Those who scorn it dark.

To sing that you can dig it is to make

your soda fine.

Then can you dig it?

Do you know?

Would you care to let it show?

[Music]

Can you dig in?

Do you know

would you care to let

[Music]

there is only feeling in this world of

life and death.

I sing the praise of never change with

every single thread.

Can you dig in?

Do you know?

Would you care to let it show?

[Music]

Heat. Heat.

[Music]

Quick, suck it before the venom reaches

my heart.

>> What heart?

When you're finished there, you can help

me by pulling this painfully barbed

savage's arrow

first by snipping the head off in the

back and then pulling it from the front

quickly so that it doesn't hurt me.

>> Are you going to help me or not?

>> What about Dave and Peter? I've sent

them to Fort Bridger for reinforcements

on the possibility that our position

should be overrun.

>> Are you kidding?

>> What are we supposed to do here?

>> Hold on against insurmountable odds.

[Music]

>> What's with her?

>> Hey, come on. Get up, lady. You're not

dead. Hey, lady. Come on. Get up. Stop

acting.

>> Hey, what is this?

>> Hey, come on. Stop playing. It's all

over. It's an act. Come on. Get up.

Well, stop kicking me.

>> I don't want to do this anymore, man.

All these fake arrows and this junk and

the fake trees. Bob, I'm really stink,

man.

>> Well, Mickey, wait a minute.

Wait a minute, man. I'm with you. Wait.

[Music]

[Music]

I'll choke for excitement.

[Music]

I've been looking all over for you

creeps. Where you been?

>> Where your ass been?

>> You ain't holding out on me, are you?

>> No,

>> don't give me that. I've been looking

all over the world for you.

>> Anyway, the idea is by products.

Imagine Italians.

Blonde wigs for kids, swords. The whole

phallic thing is happening. I mean, why

don't we use classic things? Millions.

I'm telling you, millions.

Hey, nobody walks out on me. Not even

myself. All right,

come back, you guys.

Hey. Hey.

>> They're coming.

>> They're coming. They're coming. They're

coming.

[Music]

monkey. I can't eat these stinking kids

around.

monkey

finger.

>> Drinks on the house.

>> Well, if it isn't God's gift to the

8-year-olds.

Just trying to please.

>> Changing your image, darling. While

you're at it, why don't you have them

write you some talent?

>> Hey, what's wrong?

>> What's wrong with you?

>> I asked you first.

>> I ordered this and I don't want it. Just

>> throw it away.

>> I can't. They're a starving Chinese.

>> Starving Chinese here.

>> This is serious.

>> I'd like a finger sandwich, please. And

hold the mold.

>> And I'd like a glass of cold gravy with

a hair in it, please.

>> One of your own.

>> Are you still paying tribute to Ringo

Star?

Would you like a pinch in the mouth?

>> I'll think about it.

>> Don't hurt yourself. And while you do, I

would like to order 12 bath crackers and

a cup of mushrooms. Crisp.

>> Yes. And I'll throw in a side of

mouthwash

on the house.

>> Come on, let's get out of this nice

mother.

>> But what about the food?

>> Have it cleaned and burned. Come on,

Pete.

>> Wait, wait, wait. Don't move. I want to

forget you just as you are. Peter, come

on. Let's go.

Hey, come here.

Now, this is serious. What you say? You

and me go someplace where we won't bump

into each other again.

[Applause]

>> Stay down.

[Applause]

That's right. That's right.

Stay down. 3 4 5 6. Stay down.

Get him. Get him.

I'm telling him to stay down.

>> He better. The money says so.

>> Stay down. Stay down.

[Applause]

[Music]

[Applause]

[Music]

Please don't. Davey.

Davey, don't. Please don't.

[Music]

Don't. Davey,

please don't.

>> I have to do this.

>> But why do you have to?

>> Why?

What am I going to do? Play violin in

two bit clubs all my life?

But Dave,

>> forget it. Ple forget what Father Duffy

and Mar say about Cariegi Hall.

>> But you play so beautifully.

It isn't good enough. You understand

this? I I could have been champ

then you have to

their way.

That's right.

They picked the round and I picked the

guy.

>> Don't worry, Teresa.

I won't get hurt.

>> It's good.

>> Yeah.

>> Little fighters up here.

>> Anyone?

>> Yeah.

[Applause]

Great. I'll have a go at him. You won't

hurt my face, will you? Million dollar

head. This

>> Why him, baby?

>> Well, you know, I like him. He looks

like a nice guy, and I like his smile.

Go on. See if you can hit me just once.

Just once.

>> Stay down.

[Music]

Kill him.

>> I told him to stay down.

>> Yeah, well, he didn't hear you.

>> Stay down, dummy.

>> You're the dummy.

>> No, no, no. He's the dummy.

>> You're the dummy.

>> No, no, no. He's the dummy. He's the

>> You are the dummy. Dummy.

>> No, he's the dummy. I'm not the dummy.

He's the

>> Stay down, dummy.

Give me

[Applause]

go.

Nikki. Nikki. Nikki.

I'm the dummy. Mickey. I'm always the

dummy.

>> You're right, Pete. You're always a

dummy. I forgot.

I'm sorry. I'm sorry.

You're always the dummy, Pete.

I'm sorry.

I'm sorry.

>> I'm always the dummy.

I'm always the devil.

>> Don't listen to them, Peter. They're

wise guys, punks. All they want to do is

hurt people and abuse them.

>> How do you feel now?

>> Oh, come see. Come s.

>> All right, that's enough. Try to burn

it, please. Good hit. All right, that

should be it.

>> Okay.

>> Yeah, I think we're on another set.

>> Hey, Bob, that's not right, man. You

know about hitting a girl over there?

>> Is that all right, man? Does that look

good? I thought it looked great.

>> Yeah, but about hitting a woman and

everything, man. It's about the image

and everything. It's not right.

>> Peter, I hate to interrupt that.

>> Yeah, I know. It's for your niece. It's

quite all right.

>> All right, fellas. Let's move over to

the right. Peter, you got John. Was that

right, man? Yeah,

>> John. That's not right. You got to make

the stage.

>> It has to.

>> Bob, it's a movie for kids. They're not

going to dig it, man.

>> He's got to make a wardrobe change, man.

Tell Jean to put my clothes in the

>> Jean Ashman. Get the wardrobe ready.

What's wrong?

>> It worked. It worked. It worked.

>> No, it don't. But it's not ripe. No,

Bob. It's for the image, man. Think of

it. The kids aren't going to dig it,

man. Me hitting a girl.

>> Especially the way I feel about violence

and all that stuff, you know.

>> You know, I'm going to cut it out of the

film. If it doesn't work, cut it out of

the film.

>> Yeah. You tell me that, man. It never

happens. If they tell me, cut it out.

>> Hurry up.

>> Did that look all right, man?

>> What?

>> Well, you know, hitting a girl on film.

>> Sure. It was great. Great. Terrific.

Terrific.

[Music]

[Music]

I could tell by

your face

that you're looking

to Find a place

to settle your mind and reveal who you

are.

And you shouldn't

be shy

for I'm

not going to try

to hurt you or heal you or steal your

star.

Open your eyes. Get up off your chair.

There's so much to do in the sunlight.

Give up your secrets and let down your

hair

and sit with me here by the fire line.

night.

[Music]

Why think

about

who's going

to win out?

We'll make up our story as we go along.

There's so

little time

for us

to try to ride

and so many highways to travel upon.

Open your eyes. Get up off your chair.

There's so much to do in the sunlight.

Give up your secrets and let down your

hair and sit with me here by the fire

light.

Heat. Heat.

[Music]

I said capable of 300 horsepower a piece

and all on one pressure valve. This

crane has a lifting power of over 300

tons. Be careful there. Don't lean over

the edge. We spend rather a good deal of

our time here ensuring a perfect working

condition. An interesting aspect is the

safety factor.

>> Hey Peter,

>> change one tape, the entire process is

regeared. Pleasure, the inevitable

byproduct of our civilization.

>> A new world, its only preoccupation will

be how to amuse itself. Tragedy of your

times, my young friends, is that you may

get exactly what you want. Step lively,

gentlemen.

>> Come on, Davey. Let's go.

That which produces heat is a

thermodynamic process as opposed to

mechanical which is a reversible

process.

>> Three men operate this entire

>> 24 hours a day 7 days a week. The entire

process is self stimulated automated

regulatory.

Come on, Davey. And to the degree that

we are capable of understanding these

mechanical electrical devices as simple

extensions of our brains, to that same

degree, we are capable of using these

machines productively.

This way, gentlemen,

>> come along. Come along,

>> sir. Why doesn't

the door man get out?

>> Uh, what's wrong?

>> What is that? I can't see anything.

What's going on?

>> What? What's that?

>> I can't see anything. Hey. Hey, open up.

>> What's happening? Hey.

>> All right, fellas. You come forward,

please.

>> Who's that?

>> That's it. Come on up. Forward. Huh,

fellas?

>> Who? Who are you?

>> Come on. Just keep coming forward.

That's it. That's it. All right. Now,

come on. Work your way closer to the

That's it.

>> Now you're doing better. Come on. A

little faster, fellas. Come on. Come on.

Come on. Come on. Come on. Come on. Get

in there. Get in. Get inside. Get

inside.

>> Get inside, will you, please? That's the

idea. All right.

>> Crazy.

>> All right. Now, jump up and down a

little. Come on, fellas. Get lost in it.

There you go. Very good. Look, you're

supposed to be danger, fellas. Will you

work at it? Please jump up and down.

>> All right, play back please. Littlest.

Very good. Turn around a little.

[Music]

[Applause]

[Music]

>> Okay, Vic, that should be it for today.

Thank you.

[Music]

Huh?

[Music]

Yeah.

Wow.

>> Oh, mother of pearl. And a cigarette.

And a Oh,

this is not one of your standard brands.

Oh, an Elzumo.

>> Imagine having to smoke that whole

thing.

>> Smoking maybe hairs of this to your

health.

>> You see that? Davey.

>> Dave. Where's Dave?

>> Hey, Dave.

>> Davey.

>> Davey.

>> Hey, Davey. Davey. Davey.

>> Davey's up the tube.

>> Hey, you stuck up there. Davey. Davey.

>> Hey. Hey. No. Somebody have to be in the

bottom.

>> Well, I'm the tallest and the strongest.

>> So, you're on the bottom.

>> I Oh, well, everybody's where they want

to be. That was a particularly inep

thing to say, Peter, considering that we

are in a vacuum cleaner.

[Music]

>> Dam

baby

Dave

[Music]

years ago. I knew a man.

[Music]

He was my mother's biggest fan.

[Music]

We used to walk beside the sea. And he

told me how life would be when I grew up

to be a man.

Years ago, we used to play.

We used to run away.

But when the bell knee, he would run to

comfort me and the pain would go away.

[Music]

years ago.

He was his daddy's bright.

But then daddy went away. It was such a

rainy day that he brought up all his

sons.

And the mama did explain and hey

trying to take away the pain

but he just couldn't understand that his

father was not a man and it all was just

a Hey,

the years have passed

and so have I.

[Music]

making it hard for me to cry.

[Music]

And if and when

I have a son,

let it all be said and done.

Let the sadness

pass

him by.

[Music]

[Applause]

[Music]

Song was pretty white.

>> Well, so am I. What can I tell you?

>> You've been working on your dancing,

though.

>> Oh, yeah. Yeah. Well, I've been

rehearsing it. Glad you noticed that.

>> Yeah. It doesn't leave much time for

your music. You should spend more time

on it because the youth of America

depends on you to show the way.

>> Yeah.

>> Yeah.

>> Monkeys is the craziest people.

[Music]

Did any of you cats see Mickey or Mike

or Peter around here?

[Music]

>> All right.

>> All right. Come on out. Okay, wait a

minute.

>> Come on. Out.

>> Hey, why we stopped?

>> I don't even want to hear why or what

from you. Just out.

>> Oh, well, sure. Anything you say.

>> Now, get out of here.

>> Hey, what's going on?

>> Move it out.

>> Oh, hello, officer. Certainly glad to

see you.

>> All of you. Move it,

>> officer. We were only just trying to

look.

>> Try it. Just out. Out of there,

>> sir. We

>> shut up. Okay, weirdos.

Just what were you doing in there? And

this better be straight.

You fuzzy wuzzy.

>> Uh you know the black thing you you met,

right?

>> That's right.

>> Yeah. What we were doing in there.

>> Yeah. Yeah.

>> Well, first uh first it was uh we were

in a factory

>> and then there was a commercial thing.

>> No, no, no. It was a vacuum cleaner.

>> Yeah. Right.

>> Okay, boys. Let's go downtown.

>> But sir, we were just looking for David

Jones. David Jones?

>> Who's David Jones?

[Music]

[Music]

Thanks, guys.

>> I'll tell you what, man. That cop must

have thought we were totally crazy. He

laid a hand on me. Will you excuse me a

minute, mate?

>> Or

is that what he said? He's crazy.

They're all crazy. Better not mess with

me, though. Come on. Come on. Put them

up. Come on.

[Music]

Talk about police brutality.

>> Hi, mate. What's happening?

>> You all right,

[Music]

Peter?

I get it. The old mirror routine, right?

Well, let me tell you one thing, son.

Nobody ever lends money to a man with a

sense of humor.

[Music]

[Music]

[Music]

[Music]

[Applause]

[Applause]

The Lancaster [ __ ] greeny.

[Applause]

[Music]

Oh, there he go.

[Music]

Now, here's my plan.

>> Now, for the last time, where is uh

what's his name? The grainy.

>> David Jones, sir.

>> Yeah, Jones.

>> We told you a hundred times, good

officer, sir. Uh we last saw him inside

the John uh comfort room.

>> All right, I believe you. But if I get

any more trouble out of you, that's it

for everybody.

>> Sir, what about Davey?

>> We'll find him. Don't worry.

>> Now out.

[Music]

[Music]

[Music]

like that guitar.

[Music]

He has about the door.

>> The buzz the door.

>> Oh, I'll get it. I'm sorry.

>> Well, I'm happy to bring it to your

attention.

>> Oh. Oh, dear. I got a wire for a monkey.

>> Thank you.

>> It was It's nothing.

>> Oh, I wouldn't say that. We all have

loved ones, you know.

[Music]

>> Peter

[Music]

Stop. Stop. What is it? Stop. Hey, M.

All right. Now, come on. What are you

guys doing,

Mick?

Now look, man, this isn't funny.

[Music]

>> Okay. You think they call us plastic

now, babe? But you wait till I get

through telling them how we do it, huh?

>> Okay, Mickey.

>> Man, this telegram is as much for you as

it was for me. Uh, come on. Will you

Heat.

[Music]

Heat.

[Music]

[Music]

Heat. Heat.

[Music]

[Music]

[Music]

Happy birthday to you. Happy birthday

to you.

Happy birthday.

[Music]

[Applause]

[Music]

Do I have to do this all again?

Didn't I do it right first time? Do I

have to do this all over again?

How many times do I have to make this

enough?

[Music]

Can I see my way to know what be?

They say time to fix things by yourself.

I know that's more than just some kind

of deal.

Yeah. But don't you tell me when all my

soul comes off tonight.

[Music]

Heat. Heat.

[Music]

[Music]

Do I have to do this all again?

Did I do it right?

Do I have to do this all over again?

Oh

my

good

enough.

[Music]

>> Ah, Mikey, son, I got a millionaire at

25. Ask me how does it feel?

>> Huh?

>> I said ask me how does it feel?

>> How does it feel?

>> I'll tell you how it feels. I don't like

it. That's how it feels.

>> I don't like surprises. I don't like

these people jumping out and saying it.

What? I don't even want to hear what

you're saying. Cuz you know what you're

saying to me? You're saying happy

birthday and you're jumping out of the

wall and it's scaring me to death and

it's some kind of a big joke and I'm

supposed to be happy about that.

Oh, come on, Mike. Be a good sport.

Well, who needs this?

Who needs surprises and pajamas?

You want me to come to a party? You

don't kidnap me. You send me an

invitation. Besides, I may have been

happier where I was sleeping. Happy

birthday.

>> And I'll tell you something else, too.

The same thing goes for Christmas.

>> Now, how about them apples?

[Applause]

[Music]

[Applause]

[Music]

that a boy Mike. That boy.

That a boy, Mike.

Mike.

Boy, Mike.

away

boy

Better

[Music]

four.

Boys,

>> don't never

but never

make fun of no cripples.

>> I do believe it's wrong. Definitely

>> standing around and laughing at someone,

infringing on people's rights.

>> They laugh at you or they jump out of

cars, they rob you.

>> Somebody come up and giggle at you.

That's a violation of your civil rights.

>> Gunbait. That's what the world is full

of. That's what it's based on. That's

what this economy is based on.

>> Are you telling me that you don't see

the connection between government and

laughing at people?

>> Listen, somewhere they got a hangup.

>> I would take my belt off and I would

wham.

>> He backs me. I snipe him across the

face.

>> I think they should be with fish and

they that way they could only prey on

fish.

>> Possibly fines.

>> Exile.

>> Mental institution. Correction place.

She'd use a baseball bat, huh?

>> A good whack in a seat.

>> They might even jeopardize the fish.

>> Dog, not hell

>> of contamination

>> in that house.

>> The Elcatra in jail.

Guilty.

Guilty.

Guilty.

Guilty.

Guilty.

Guilty.

Guilty.

Guilty.

We were speaking of belief,

beliefs and conditioning.

All belief possibly could be said to be

the result of some conditioning.

Thus, the study of history is simply the

study of one system of beliefs deposing

another and so on and so on and so on.

A psychologically tested belief of our

time is that the central nervous system

which feeds its impulses directly to the

brain, the conscious and subconscious,

is unable to discern between the real

and the vividly imagined experience.

If there is a difference,

and most of us believe there is,

am I being clear?

For to examine these concepts requires

tremendous energy and discipline.

To allow the unknown to occur and to

occur

requires clarity.

And where there is clarity there is no

choice.

And where there is choice

there is misery.

But then why should anyone listen to me?

Or should I speak since I know nothing?

>> How's about some more steam?

>> Sir.

Sir.

Sir.

>> Hey.

Excuse me.

[Music]

Hey guys. Guys. Hey guys. Mike. Hey

Mickey. Hey.

Hey guys. Hey Mike. Hey. Hey Mick. Mike.

Hey Mike. Hey Mick.

>> I'm going to do it. I'm going to do it.

>> Listen a minute. I got this.

>> Listen. I say she won't. Oh, sure she

will. $10 says she will.

>> $10. Huh?

>> Better do it.

>> Hey, Mike. Listen, man. I got Peter.

Don't be rude.

>> Hey, Mickey. Listen. I got the answer.

Well, where's Davey?

>> I swear I'm going to

>> Never mind. I know anyway.

>> I'm going to do it.

>> What do you suppose he meant by that?

>> Hey, Davey. Listen, man. I Davey, I came

here to tell you it's all right, Davey.

That there's nothing wrong.

>> Nothing wrong, huh?

>> That's right. I came here to tell you,

man, that everything's

>> You know what I saw in there?

>> Yes.

>> An eye, man. An eye this big. Blood red.

It was as clear as the nose on your

face. It was looking at me.

>> Peace, David. I know.

>> You tell me nothing's wrong. Huh?

>> That's right, David.

>> Something's wrong with you, man. You've

got a sheet on. You look weird. I've got

to find out what's going on here.

>> Say what's normal, man.

>> I'm telling you there was an eye in

there.

>> I know, dude. I came here to tell you

about

>> four, five, six, seven, eight.

>> Here.

>> Huh?

8 9 10. Thanks, baby. Hey guys. Hey

guys.

>> See you later. Okay.

Hey guys.

Hey fellas. Wait a listen to me.

Fellas.

>> Just wait. Hey guys, you've got to

listen to me guys or you'll end up back

in the box.

>> Hey.

>> Hey. What?

>> Hey.

>> Hey. What is this?

>> Hey, fella. There's no way out.

>> No handle on this side of the door.

>> Hey, buddy.

>> These walls are solid steel, man.

>> Hey, buddy. You better open this door.

>> Open the door. Let us out. What are you

>> Oh, hey,

>> you better.

>> Peter, what are you doing?

>> Hey, Peter. What's with this room?

>> Yeah. What were you yelling outside? I

couldn't hear all the noise.

>> But you'll listen now. Now that it's too

late.

>> Come on, Peter.

>> Come on, Peter. Before it was shut up,

Peter. And from you, don't be rude,

Peter. Oh, look. Peter, if you know how

to get out of this box, man, you sure

better.

>> Just cool it, Mike. Will you just cool

it? Let him do it in his own time.

>> Thank you, David.

>> Look, just take your time, Peter. Man,

I'm with you all the way down the line.

You hear that? Right down the line.

>> Perhaps you'd like to sit down.

We were talking with the master

regarding the nature of conceptual

reality.

Psychologically speaking, the human mind

or brain or whatever

is almost incapable of distinguishing

between the real and the vividly

imagined experience, sound and film, of

music and radio. Even these manipulated

experiences are received more or less

directly and uninterpreted by the mind.

They are cataloged and recorded and

either acted upon directly or stored in

the memory or both.

Now this process

unless we pay it tremendous attention

begins to separate us from the reality

of the now.

Am I being clear?

For we must allow the reality of the now

to just happen

as it happens.

Observe and act with clarity.

For where there is clarity, there is no

choice. And where there is choice, there

is misery.

But then why should I speak since I know

nothing?

>> Nothing?

You know nothing?

>> That's right.

>> You mean to tell me we've been sitting

here listening to you and you know

nothing?

>> Well, take it easy.

>> Easy? What do you mean take it easy? Now

we're stuck in a room. We're stuck in

this big black box. Now you're telling

me to take it easy and he's saying he

don't know nothing. Now what is this?

Don't you see, David? It doesn't matter

whether we're in the box or not.

>> It's not important. Huh? Well, let me

tell you something. It's important to

me. I'll show you how to get out of this

box. You want to get out of this box?

This is how you get out.

[Music]

No,

[Music]

no.

Sorry.

[Applause]

[Music]

>> Where you boys heading?

>> We're just passing through.

>> Just passing through. You look like you

lost to me. Don't

>> fail.

This might be an offer.

>> We don't want any trouble.

>> Well, I'm telling you, unless I don't

know what goes on up and down this here

block, and I do, you're in for plenty of

trouble. You

>> that right, boys?

>> Prove it.

[Applause]

>> Where'd he get the cannon?

What is this?

>> Can't see. Hey, open up. Come on.

[Music]

[Music]

Stop.

[Music]

You're a yellow.

[Music]

Thank you. Fire.

[Applause]

[Music]

[Music]

Out. Out.

[Applause]

[Music]

Well, my son, what is it you have

learned?

>> Make hay while the sunshine.

>> This box is right now composes our

universe. But

>> this is a light attack jet aircraft

whose primary mission is the delivery of

bombs and rockets against ground

targets. Basically that's it.

>> But it's not my dress. It's my playex

cross your heart bra.

>> Oh how quaint. Our universes only start

from the inside of our head and go out

in all different directions for in any

direction till infinity.

>> You have a strange language, little one.

>> Me?

>> Mother, I'm coming.

>> I think I'm going to die from it.

[Applause]

[Music]

[Applause]

[Music]

Stop it, brother.

Heat.

[Music]

Heat.

[Music]

[Music]

Oh. Oh.

>> Ladies and gentlemen, I hereby dedicate

this magnificent marvel of modern

architecture,

one of the largest suspended arch

bridges in the world to the people of

the

Yeah.

[Music]

Heat.

[Applause]

[Music]

My

clock in the sky is pounding away.

There's so much to say.

voice.

No has no choice. It cannot rejoice.

to be

to hear and to see.

Crying

to

the trousers laughing.

Goodbye. Goodbye.

Goodbye. Goodbye. Goodbye.

[Music]

Two

all right for a while.

[Music]

But you sings of castles and caves and

things that go with a life of style.

Wanting to feel

to know what is real

living is what is this life.

The ghost is waiting.

Goodbye. Goodbye.

[Music]

Goodbye. Goodbye. Goodbye.

Goodbye. Goodbye. Goodbye.

[Music]

Goodbye. Goodbye. Goodbye.

[Music]

[Music]

[Music]

Hey,

[Music]

hey,

hey.

[Applause]

Heat. Heat.

[Applause]

[Music]

[Applause]

[Music]

[Applause]

I think we're ready to go.

>> One of the largest defended art in the

world.

[Music]

>> Hold it. This is the

>> Where'd he go?

>> Where'd he go? Where'd he go? The whole

violent thing is happening. I mean, why

don't we use classic things?

>> Millions.

>> Suck at the head now. Flame

>> now.

>> Now

clax

head

>> now.

>> Head

>> head.