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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:40,841 --> 00:00:43,577 [SIRENS BLARING] 2 00:00:57,525 --> 00:00:58,626 [DIAL TONE] 3 00:00:58,659 --> 00:01:01,295 [DIALING] 4 00:01:03,764 --> 00:01:06,700 Woman: YES, I'LL HOLD. 5 00:01:07,435 --> 00:01:09,670 UNCLE NEIL. 6 00:01:09,703 --> 00:01:12,440 HI. IT'S JESSICA. 7 00:01:13,607 --> 00:01:16,444 HOW ARE YOU? 8 00:01:17,811 --> 00:01:19,480 REALLY? 9 00:01:21,449 --> 00:01:25,085 YEAH. I'M IN HOLLYWOOD. 10 00:01:31,925 --> 00:01:33,594 SO WHAT HAVE YOU BEEN DOING 11 00:01:33,627 --> 00:01:36,730 FOR THE PAST 5 YEARS? 12 00:01:43,637 --> 00:01:45,206 YEAH? 13 00:01:51,579 --> 00:01:53,781 I MISS YOU. 14 00:01:56,350 --> 00:01:58,619 A LOT. 15 00:02:00,221 --> 00:02:03,424 WHEN CAN I COME AND VISIT YOU? 16 00:02:05,459 --> 00:02:09,563 WELL, CAN YOU COME AND VISIT ME? 17 00:02:09,597 --> 00:02:13,867 I'D LOVE IT IF YOU CAME AND VISITED ME. 18 00:02:16,604 --> 00:02:19,607 I DON'T CARE ABOUT THAT. 19 00:02:19,640 --> 00:02:21,175 IT DOESN'T MATTER ANYMORE. 20 00:02:21,209 --> 00:02:24,345 I JUST WANT TO SEE YOU. 21 00:02:27,948 --> 00:02:30,184 OK, I'LL TRY. 22 00:02:33,987 --> 00:02:36,357 ARE YOU READY? 23 00:02:40,628 --> 00:02:48,269 * AMAZING GRACE 24 00:02:48,302 --> 00:02:53,907 * HOW SWEET THE SOUND 25 00:02:53,941 --> 00:03:04,418 * THAT SAVED A WRETCH LIKE ME * 26 00:03:04,452 --> 00:03:10,624 * I ONCE WAS LOST 27 00:03:10,658 --> 00:03:15,796 * BUT NOW AM FOUND 28 00:03:15,829 --> 00:03:27,508 * WAS BLIND, BUT NOW I SEE * 29 00:03:33,847 --> 00:03:36,617 YES. OK. 30 00:03:38,352 --> 00:03:39,720 BYE. 31 00:03:44,625 --> 00:03:48,762 CAPTIONING MADE POSSIBLE BY TRIMARK PICTURES 32 00:04:57,765 --> 00:05:00,368 HEY, HEATHER, CAN I GET A BEER? 33 00:05:00,401 --> 00:05:01,669 YOU GOT MONEY? 34 00:05:01,702 --> 00:05:02,636 I DO. 35 00:05:02,670 --> 00:05:03,437 HOW YOU DOING? 36 00:05:03,471 --> 00:05:05,339 HAVEN'T SEEN YOU AROUND IN A WHILE. 37 00:05:05,373 --> 00:05:06,807 AIN'T BEEN AROUND IN A WHILE. 38 00:05:06,840 --> 00:05:08,542 I'VE BEEN KEEPING MY EYE ON THE COVER OF ROLLING STONE. 39 00:05:08,576 --> 00:05:11,011 AIN'T SEEN YOU THERE EITHER. 40 00:05:11,044 --> 00:05:13,414 KEEP WATCHING. 41 00:05:13,814 --> 00:05:14,715 RIGHT. 42 00:05:14,748 --> 00:05:16,650 EXCUSE ME. 43 00:05:21,755 --> 00:05:24,558 MR. BLACK CLOUD. 44 00:05:30,764 --> 00:05:32,866 HOW YOU DOING? 45 00:05:32,900 --> 00:05:33,867 OK. 46 00:05:33,901 --> 00:05:35,369 HOW ARE YOU? 47 00:05:35,403 --> 00:05:37,471 I WANT TO TALK TO YOU. 48 00:05:37,505 --> 00:05:39,006 I WANT TO TALK TO YOU, TOO. 49 00:05:39,039 --> 00:05:40,007 HEY, BOBBY. 50 00:05:40,040 --> 00:05:40,874 Bobby: YEAH? 51 00:05:40,908 --> 00:05:43,911 LOOK AT THIS ONE THAT PAULINA SHOWED ME. 52 00:05:43,944 --> 00:05:48,482 I DON'T KNOW HOW TO GET INTO IT VERY GRACEFULLY. 53 00:05:48,516 --> 00:05:52,052 Bobby: YEAH, THAT'S-- THAT'S, UH, REAL SEXY. 54 00:05:52,085 --> 00:05:52,953 I LIKE THAT. 55 00:05:52,986 --> 00:05:55,122 YOU DO? YEAH. 56 00:05:55,155 --> 00:05:56,557 MAKE SURE THIS GUY PAYS YOU 57 00:05:56,590 --> 00:05:59,560 BEFORE YOU SHOW HIM ANY TIT, THOUGH. 58 00:06:00,027 --> 00:06:01,094 ARE WE OPEN? 59 00:06:01,128 --> 00:06:03,163 YES, MA'AM, WE ARE OPEN. 60 00:06:03,196 --> 00:06:04,832 WE ARE? YES. 61 00:06:04,865 --> 00:06:05,933 FUCK, I GOT TO GET DRESSED. 62 00:06:05,966 --> 00:06:08,135 LOOK AT THE DIFFERENCE BETWEEN THAT EYE AND THAT EYE. 63 00:06:08,168 --> 00:06:11,739 THAT'S LIKE A HALF A CENTIMETER MORE. 64 00:06:11,772 --> 00:06:12,973 AND YOU CAN'T PUT THAT OUT. 65 00:06:13,006 --> 00:06:14,007 Bobby: ANYBODY SEEN JO? 66 00:06:14,041 --> 00:06:16,143 NO. I THINK SHE WENT OUTSIDE. 67 00:06:16,176 --> 00:06:17,878 SHE'S PROBABLY OUT SUCKING SOME GUY'S COCK. 68 00:06:17,911 --> 00:06:21,148 WHEN SHE SHOWS UP, YOU TELL HER TO COME IN THE OFFICE. 69 00:06:21,181 --> 00:06:22,483 TELL HER YOURSELF. 70 00:06:22,516 --> 00:06:24,017 Woman: BOBBY? YEAH. 71 00:06:24,051 --> 00:06:25,185 SIMONE'S GOING UP FOR ME. 72 00:06:25,218 --> 00:06:26,454 SIMONE'S GOING UP-- 73 00:06:26,487 --> 00:06:28,622 HEY. WHATEVER HAPPENS OUTSIDE THIS CLUB'S NONE OF MY BUSINESS, 74 00:06:28,656 --> 00:06:30,591 BUT WHAT HAPPENS IN HERE IS MY BUSINESS. 75 00:06:30,624 --> 00:06:31,759 IF HE GIVES YOU ANY SHIT, 76 00:06:31,792 --> 00:06:32,593 YOU LET ME KNOW. 77 00:06:32,626 --> 00:06:33,293 I'M IN CONTROL. DON'T WORRY ABOUT IT. 78 00:06:33,326 --> 00:06:34,327 YEAH, YEAH. YOU'RE IN CONTROL. 79 00:06:34,361 --> 00:06:37,731 I AM IN CONTROL. I'M JUST TRYING TO GET UNSTONED. 80 00:06:37,765 --> 00:06:39,199 OK. HURRY UP. YOU'RE UP. 81 00:06:39,232 --> 00:06:41,802 Bobby: HURRY UP AND GET DRESSED, PLEASE. 82 00:06:41,835 --> 00:06:44,472 [COUGHING] 83 00:06:51,144 --> 00:06:53,814 OH, FUCK. 84 00:06:55,949 --> 00:06:58,786 [ROCK'N'ROLL PLAYING] 85 00:06:58,819 --> 00:07:02,690 I'M GETTING SIGNED RIGHT NOW, SO... 86 00:07:02,723 --> 00:07:03,757 CONGRATULATIONS. 87 00:07:03,791 --> 00:07:05,493 LIKE IT'S FINALLY TURNING AROUND. 88 00:07:05,526 --> 00:07:07,495 THAT'S SO GOOD BECAUSE I NEED SOME MONEY 89 00:07:07,528 --> 00:07:08,929 BECAUSE I NEED TO BE ABLE TO GET THINGS 90 00:07:08,962 --> 00:07:13,033 FOR THE LITTLE BOY THAT-- OR THE LITTLE GIRL-- 91 00:07:13,066 --> 00:07:14,067 SO, LISTEN. 92 00:07:14,101 --> 00:07:16,837 I REALLY WANT TO PARTY, YOU KNOW? 93 00:07:16,870 --> 00:07:18,706 OK. COULD YOU JUST NOT PARTY 94 00:07:18,739 --> 00:07:19,873 FOR, LIKE, A COUPLE OF DAYS 95 00:07:19,907 --> 00:07:22,743 BECAUSE--AND IF WE MEET WITH THIS LADY 96 00:07:22,776 --> 00:07:24,745 AND YOU'RE NOT HIGH FOR A LITTLE WHILE, 97 00:07:24,778 --> 00:07:26,547 THEN SHE'LL THINK THAT WE'RE BOTH STABLE, 98 00:07:26,580 --> 00:07:28,616 AND YOU CAN TELL HER THAT YOU'RE GONNA GET A DEAL 99 00:07:28,649 --> 00:07:30,183 AND YOU'RE JUST GONNA MAKE A LOT OF MONEY-- 100 00:07:30,217 --> 00:07:32,920 AM I GONNA SIGN SOMETHING? 101 00:07:32,953 --> 00:07:35,088 UM, NO. WELL, YOU MIGHT 102 00:07:35,122 --> 00:07:35,956 HAVE TO SIGN SOMETHING, 103 00:07:35,989 --> 00:07:37,758 BUT YOU COULD PROBABLY USE A FAKE NAME 104 00:07:37,791 --> 00:07:39,893 IF YOU, UM, KNOW THE SOCIAL SECURITY-- 105 00:07:39,927 --> 00:07:40,994 OK, WAIT. SO I SIGN SOMETHING, 106 00:07:41,028 --> 00:07:44,798 AND YOU'RE GONNA GET A FULL-GROWN CHILD? 107 00:07:44,832 --> 00:07:46,667 NO. HE WOULD BE, 108 00:07:46,700 --> 00:07:49,970 LIKE, A 6- OR 7-YEAR-OLD PROBABLY. 109 00:07:50,003 --> 00:07:51,539 I'LL DO IT. 110 00:07:51,572 --> 00:07:53,574 OH, THANK YOU, CHARLIE. 111 00:07:53,607 --> 00:07:56,677 CHECK THIS OUT, BOBBY. 112 00:07:56,710 --> 00:07:57,645 NICO. 113 00:07:57,678 --> 00:07:58,912 YEAH, CARRIE CRAWFORD? 114 00:07:58,946 --> 00:08:02,049 EDDIE HAZELL FROM THE BLUE IGUANA. 115 00:08:02,082 --> 00:08:02,983 RIGHT. DOWN IN L.A. 116 00:08:03,016 --> 00:08:05,686 RIGHT. WELL, WE'D LIKE TO, UM, TO GET NICO IN 117 00:08:05,719 --> 00:08:07,888 FOR A PARTY THAT WE'RE HAVING DOWN HERE NEXT WEEK, 118 00:08:07,921 --> 00:08:11,024 AND SHE WOULD BE, UH--SHE WOULD BE A GREAT ADDITION 119 00:08:11,058 --> 00:08:14,995 TO OUR PROGRAM, HAVING HER AS A FEATURED DANCER. 120 00:08:15,028 --> 00:08:17,831 SHE HAS TIME IN HER SCHEDULE? 121 00:08:17,865 --> 00:08:20,033 YEAH. NO. WE'RE REAL HAPPY. 122 00:08:20,067 --> 00:08:22,169 WELL, LOOK. WHY DON'T YOU GIVE ME A CALL BACK? 123 00:08:22,202 --> 00:08:25,038 MY NUMBER'S 937-4444. 124 00:08:25,072 --> 00:08:27,307 EDDIE HAZELL. BLUE IGUANA. 125 00:08:27,340 --> 00:08:30,110 OK. I'LL TALK TO YOU THEN. 126 00:08:30,143 --> 00:08:31,645 * BABY 127 00:08:31,679 --> 00:08:33,914 THIS AIN'T GONNA BE CHEAP. 128 00:08:33,947 --> 00:08:36,316 I AIN'T WORRIED ABOUT CHEAP, BABY. 129 00:08:36,349 --> 00:08:37,117 WE GONNA FILL THIS CLUB. 130 00:08:37,150 --> 00:08:40,888 SHE'S GETTING 300, 400 GUYS A NIGHT. 131 00:08:40,921 --> 00:08:43,256 THERE'S A REASON WHY. 132 00:08:43,290 --> 00:08:46,894 Eddie: MY, OH, MY, WE GOT US A FULL HOUSE. 133 00:08:46,927 --> 00:08:48,095 HOW Y'ALL DOING? GOOD, GOOD. 134 00:08:48,128 --> 00:08:49,897 HEY, GIRL. HOW YOU DOING? 135 00:08:49,930 --> 00:08:50,598 OH, THANK YOU. 136 00:08:50,631 --> 00:08:51,431 JUST BE SURE Y'ALL MAKE MONEY. 137 00:08:51,464 --> 00:08:52,365 I DON'T WANT YOU GETTING USED TO THIS. 138 00:08:52,399 --> 00:08:55,102 THAT ONE'S FOR YOU. COME TO MY OFFICE LATER. 139 00:08:55,135 --> 00:08:56,203 I GOT TO TALK TO YOU. 140 00:08:56,236 --> 00:08:57,304 THAT'S FOR YOU, SWEETIE. 141 00:08:57,337 --> 00:08:58,639 THANKS FOR YOUR HELP. 142 00:08:58,672 --> 00:08:59,239 WHERE'S JO? 143 00:08:59,272 --> 00:09:02,943 I THINK SHE WENT OUTSIDE. 144 00:09:02,976 --> 00:09:03,911 HEY, BABY. 145 00:09:03,944 --> 00:09:04,778 HEY, EDDIE. 146 00:09:04,812 --> 00:09:05,746 WHERE THE FUCK YOU BEEN? 147 00:09:05,779 --> 00:09:07,080 WHAT DO YOU MEAN, WHERE THE FUCK HAVE I BEEN? 148 00:09:07,114 --> 00:09:08,015 I'M RIGHT HERE. 149 00:09:08,048 --> 00:09:09,116 MY SHIT IS HERE. WHAT? 150 00:09:09,149 --> 00:09:09,750 PUT THAT OUT. 151 00:09:09,783 --> 00:09:12,152 THANK YOU FOR THE FLOWER. 152 00:09:12,185 --> 00:09:14,254 Jo: WHERE'S MY FLOWER? 153 00:09:14,287 --> 00:09:15,322 YOUR FLOWER? 154 00:09:15,355 --> 00:09:16,156 THANK YOU, SWEETHEART! 155 00:09:16,189 --> 00:09:17,290 JO, DON'T YOU THINK IT'S EVER GONNA BE 156 00:09:17,324 --> 00:09:19,126 THAT EASY. UH-UH, UH-UH. 157 00:09:19,159 --> 00:09:20,193 YOU COME IN HERE LATE. 158 00:09:20,227 --> 00:09:21,595 YOU COME IN HERE ACTING UP, SMOKING-- 159 00:09:21,629 --> 00:09:23,664 FUCK YOU, FUCK YOU, FUCK YOU. 160 00:09:23,697 --> 00:09:24,564 Eddie: YEAH, OK. 161 00:09:24,598 --> 00:09:26,099 YOU CAN COME GET IT LATER ON IF YOU GOOD. 162 00:09:26,133 --> 00:09:28,702 Jo: I WAS SICK, EDDIE. I WAS SICK, OK? 163 00:09:28,736 --> 00:09:31,171 SHUT UP, SHUT UP, YOU FUCKING HYENA. 164 00:09:31,204 --> 00:09:33,607 BY THE WAY, I WOULD APPRECIATE IT IF YOU DIDN'T, LIKE, 165 00:09:33,641 --> 00:09:35,075 GET ALL OVER THAT BLACK GUY. 166 00:09:35,108 --> 00:09:35,909 HE'S ONE OF MY REGULARS. 167 00:09:35,943 --> 00:09:37,645 Jo: THE BLACK GUY WITH THE JHERI CURL? 168 00:09:37,678 --> 00:09:39,179 THAT'S ONE OF YOUR REGULARS? 169 00:09:39,212 --> 00:09:40,047 YES, IT IS. 170 00:09:40,080 --> 00:09:41,381 OH, MY GOD! HE'S SUCH A FUCKING FREAK. 171 00:09:41,414 --> 00:09:42,650 YOU KNOW, I WOULD APPRECIATE IT 172 00:09:42,683 --> 00:09:43,917 IF YOU TOOK THAT GUY BACK 173 00:09:43,951 --> 00:09:45,185 BECAUSE HE'S JUST AN ASSHOLE. 174 00:09:45,218 --> 00:09:46,920 LET ME GIVE YOU A SUGGESTION, SWEETHEART-- 175 00:09:46,954 --> 00:09:47,988 SHE HAS TO GET TO HER LOCKER. 176 00:09:48,021 --> 00:09:49,790 YOU SHOULD GET A TIT JOB. 177 00:09:49,823 --> 00:09:50,891 OW! FUCK! 178 00:09:50,924 --> 00:09:54,061 D.J.: GIVE A BIG ROUND OF APPLAUSE... 179 00:09:54,094 --> 00:09:55,896 Jo: SHUT UP, YOU FUCKING PSYCHO! 180 00:09:55,929 --> 00:09:58,065 GET--GET UP. COME HERE. 181 00:09:58,098 --> 00:10:00,668 D.J.: ...IS JASMINE. 182 00:10:00,701 --> 00:10:02,670 Jo: I THINK I THREW MY VERTEBRAE OUT. 183 00:10:02,703 --> 00:10:03,904 YOU KNOW WHAT. JUST TAKE THAT MONEY YOU-- 184 00:10:03,937 --> 00:10:06,807 SHUT UP. SHUT THE FUCK UP! 185 00:10:06,840 --> 00:10:09,142 I WILL SUSPEND BOTH OF Y'ALL. 186 00:10:09,176 --> 00:10:10,210 DON'T CALL MY BLUFF. 187 00:10:10,243 --> 00:10:12,813 THANK YOU. IT'S JUST JEALOUSLY. 188 00:10:12,846 --> 00:10:14,882 Man: * I WISH I WAS A HUNTER 189 00:10:14,915 --> 00:10:16,817 * IN SEARCH OF DIFFERENT FOOD * 190 00:10:16,850 --> 00:10:18,251 * I WISH I WAS THE ANIMAL 191 00:10:18,285 --> 00:10:20,253 * WHICH FITS INTO THAT MOOD * 192 00:10:20,287 --> 00:10:21,855 * I WISH I WAS A PERSON 193 00:10:21,889 --> 00:10:23,390 * WITH UNLIMITED BREATH 194 00:10:23,423 --> 00:10:25,192 * I WISH I WAS A HEARTBEAT * 195 00:10:25,225 --> 00:10:26,727 * THAT NEVER COMES TO REST * 196 00:10:26,760 --> 00:10:29,396 * KOMM ZU MIR 197 00:10:30,263 --> 00:10:31,965 * KOMM ZU MIR 198 00:10:31,999 --> 00:10:33,867 HERE'S YOUR DRINK. OH, THANK YOU. 199 00:10:33,901 --> 00:10:36,069 NO, NO, NO. IT'S ON ME. 200 00:10:36,103 --> 00:10:37,104 OH, THANK YOU. 201 00:10:37,137 --> 00:10:39,973 * KOMM ZU MIR 202 00:10:40,708 --> 00:10:42,109 * I WISH I WAS A STRANGER 203 00:10:42,142 --> 00:10:43,711 * WHO WANDERS DOWN THE SKY * 204 00:10:43,744 --> 00:10:44,978 * I WISH I WAS A STARSHIP... * 205 00:10:45,012 --> 00:10:46,013 DUDE, DO YOU BELIEVE THAT? 206 00:10:46,046 --> 00:10:47,347 * IN SILENCE FLYING BY 207 00:10:47,380 --> 00:10:49,116 * I WISH I WAS A PRINCESS * 208 00:10:49,149 --> 00:10:51,184 * WITH ARMIES AT HER HAND * 209 00:10:51,218 --> 00:10:52,820 * I WISH I WAS A RULER 210 00:10:52,853 --> 00:10:56,156 * WHO'D MAKE THEM UNDERSTAND * 211 00:10:56,189 --> 00:10:57,324 Man: NO. I GOT MY OWN. 212 00:10:57,357 --> 00:10:58,091 HERE'S SOME. 213 00:10:58,125 --> 00:11:00,060 DUDE, RIGHT NOW, I'M GONNA SHOW YOU 214 00:11:00,093 --> 00:11:02,062 HOW IT'S DONE, ALL RIGHT, BOYS? 215 00:11:02,095 --> 00:11:03,163 OOH, YEAH! 216 00:11:03,196 --> 00:11:04,732 HERE YOU GO. 217 00:11:04,765 --> 00:11:05,766 HA HA! 218 00:11:05,799 --> 00:11:06,700 WHOO! SEXY! 219 00:11:06,734 --> 00:11:08,301 * WIR SPRENGTEN JEDEN RAHMEN * 220 00:11:08,335 --> 00:11:09,469 * ALS WIR ZUSAMMEN KAMEN 221 00:11:09,502 --> 00:11:11,805 * WAR'S WIE EINE EXPLOSION, UND ICH SCHWOR' * 222 00:11:11,839 --> 00:11:13,206 * ICH SPUR' DIE ERSCHUTTERUNG IMMER NOCH * 223 00:11:13,240 --> 00:11:14,708 * ICH WEISS DU RENNST UND DOCH * 224 00:11:14,742 --> 00:11:15,943 * BIST DU ERST NAH UND DA * 225 00:11:15,976 --> 00:11:17,745 * WENN DU IN MEINEN ARMEN LIEGST * 226 00:11:17,778 --> 00:11:19,446 * ICH GEH' ZU BODEN WENN DU NICHT * 227 00:11:19,479 --> 00:11:20,447 * MIT MIR FLIEGST 228 00:11:20,480 --> 00:11:22,850 * OH BABY, BITTE BITTE LAUF LAUF * 229 00:11:22,883 --> 00:11:23,817 * GIB NICHT AUF 230 00:11:23,851 --> 00:11:24,752 * ICH HAB' DICH VERMISST 231 00:11:24,785 --> 00:11:26,153 * ES FRESSEN MICH DAMONEN AUF * 232 00:11:26,186 --> 00:11:27,354 * WENN DU NICHT BEI MIR BIST * 233 00:11:27,387 --> 00:11:29,422 * ICH TU' WAS DU VERLANGST HAB' KEINE ANGST * 234 00:11:29,456 --> 00:11:31,992 * ICH LASS' DICH NICHT ALLEIN DENN UNS * 235 00:11:32,025 --> 00:11:34,194 Man on radio: IT'S 10 MINUTES PAST 3:00... 236 00:11:34,227 --> 00:11:35,328 [CELL PHONE RINGING] 237 00:11:35,362 --> 00:11:38,331 AND YOU'RE LISTENING TO L.A.'S CHOICE FOR TODAY'S SOUND. 238 00:11:38,365 --> 00:11:39,800 A MELLOW 78 DEGREES... 239 00:11:39,833 --> 00:11:41,201 YEAH? 240 00:11:41,234 --> 00:11:44,337 OH, FUCK. WHAT TIME IS IT? 241 00:11:44,371 --> 00:11:46,173 NO. I FORGOT. 242 00:11:46,206 --> 00:11:48,075 OK, I FORGOT. NO. I HAVE IT. 243 00:11:48,108 --> 00:11:49,877 I HAVE IT. I HAVE IT. 244 00:11:49,910 --> 00:11:51,478 SO, UM-- NO. I'LL BE THERE. 245 00:11:51,511 --> 00:11:53,814 I'LL BE THERE IN, LIKE, 10 MINUTES. 246 00:11:53,847 --> 00:11:55,949 ALL RIGHT. 247 00:11:55,983 --> 00:11:58,718 OHH. 248 00:12:00,821 --> 00:12:01,488 HEY, JOHNNY. 249 00:12:01,521 --> 00:12:02,956 HEY, HOW YOU DOING? 250 00:12:02,990 --> 00:12:04,191 YOU'VE GOT THE MONEY? 251 00:12:04,224 --> 00:12:05,225 YEAH. HERE YOU GO. 252 00:12:05,258 --> 00:12:06,159 WHAT THE FUCK IS THIS? 253 00:12:06,193 --> 00:12:07,861 I TOLD YOU 40. I TOLD YOU 40. 254 00:12:07,895 --> 00:12:09,963 NO, YOU DIDN'T TELL ME 40. 255 00:12:09,997 --> 00:12:11,765 OH! 256 00:12:11,799 --> 00:12:13,233 [COUGHING] 257 00:12:13,266 --> 00:12:15,068 YOU ALL RIGHT? 258 00:12:16,403 --> 00:12:17,337 YOU ALL RIGHT? 259 00:12:17,370 --> 00:12:18,338 YEAH, I'M FINE. 260 00:12:18,371 --> 00:12:19,372 I'M FINE. WHERE'S THE REST OF MY FUCKING MONEY? 261 00:12:19,406 --> 00:12:23,476 I'LL GIVE IT TO YOU NEXT WEEK, OK? SEE YOU LATER. 262 00:12:23,510 --> 00:12:25,312 FUCK IT. 263 00:12:25,813 --> 00:12:28,816 Man on radio: * ECHOES THROUGH MY HEAD 264 00:12:28,849 --> 00:12:34,387 * I JUST WANT YOU HOME AGAIN * 265 00:12:36,857 --> 00:12:40,093 * ...HAS COME AND GONE AT LAST * 266 00:12:40,127 --> 00:12:44,497 * I JUST WANT YOU HOME AGAIN * 267 00:12:45,598 --> 00:12:47,134 TWO. 268 00:12:48,035 --> 00:12:49,336 OH, YOU GOT THEM FROM IN THERE? 269 00:12:49,369 --> 00:12:50,270 YEAH. 270 00:12:50,303 --> 00:12:52,873 $2.00 EACH. 271 00:12:52,906 --> 00:12:53,841 I KNOW YOU. 272 00:12:53,874 --> 00:12:55,809 YOU DANCE AT THE BLUE IGUANA, RIGHT, RIGHT? 273 00:12:55,843 --> 00:12:57,110 I JUST SAW YOU THERE. 274 00:12:57,144 --> 00:12:58,111 YEAH. 275 00:12:58,145 --> 00:12:58,879 WORD, YO. WHAT'S YOUR-- 276 00:12:58,912 --> 00:13:00,413 JASMINE, RIGHT, JASMINE? MM-HMM. 277 00:13:00,447 --> 00:13:02,049 JORGE. HI, JORGE. 278 00:13:02,082 --> 00:13:03,050 NICE TO MEET YOU. 279 00:13:03,083 --> 00:13:03,951 GOOD TO MEET YOU. 280 00:13:03,984 --> 00:13:04,651 I REMEMBER YOUR NAME. 281 00:13:04,684 --> 00:13:05,452 YEAH. YOU GONNA COME BY AGAIN? 282 00:13:05,485 --> 00:13:07,254 YEAH. I SHOULD BE THERE SOON. YEAH. 283 00:13:07,287 --> 00:13:08,822 CAN I HAVE MY BOOKS? 284 00:13:08,856 --> 00:13:10,090 YEAH. THANKS. 285 00:13:10,123 --> 00:13:12,359 BYE, HANDSOME. SAY HI. 286 00:13:12,392 --> 00:13:14,127 I WILL. 287 00:13:15,863 --> 00:13:16,729 I KNOW THAT GIRL. 288 00:13:16,763 --> 00:13:19,232 I DIDN'T KNOW YOU WENT TO STRIP CLUBS, MAN. 289 00:13:19,266 --> 00:13:20,968 WHAT ARE YOU TALKING ABOUT? 290 00:13:21,001 --> 00:13:22,302 SHE'S A STRIPPER. 291 00:13:22,335 --> 00:13:24,604 SHE COMES TO MY POETRY READINGS. 292 00:13:24,637 --> 00:13:27,340 NO. SHE DANCES AT THE BLUE IGUANA, THOUGH, MAN. 293 00:13:27,374 --> 00:13:29,342 SHE'S A STRIPPER. 294 00:13:29,376 --> 00:13:31,912 WHY DON'T YOU GO IN THE BACK AND STACK? 295 00:13:31,945 --> 00:13:33,580 ALL RIGHT. 296 00:13:34,181 --> 00:13:36,016 SHE SAID THAT I WAS HANDSOME, MAN. 297 00:13:36,049 --> 00:13:38,952 HEY, IT'S A BIG DAY. 298 00:13:54,134 --> 00:13:57,504 Eddie: YEAH, THIS IS EDDIE HAZELL FROM THE BLUE IGUANA. 299 00:13:57,537 --> 00:13:59,372 RIGHT. I JUST WANTED TO INVITE YOU DOWN. 300 00:13:59,406 --> 00:14:00,440 I GOT YOUR CARD DOWN HERE, 301 00:14:00,473 --> 00:14:01,608 AND I WANTED TO INVITE YOU DOWN. 302 00:14:01,641 --> 00:14:03,110 I'M JESSIE. HEY, JESSIE. I'M BOBBY. 303 00:14:03,143 --> 00:14:05,012 I'M HERE FOR THE AUDITION. HI, BOBBY. 304 00:14:05,045 --> 00:14:05,913 YEAH, YOU'RE LATE. 305 00:14:05,946 --> 00:14:07,380 I'M SORRY. I LIKE YOUR HAIR. 306 00:14:07,414 --> 00:14:08,882 Eddie: DEFINITELY WANT YOU HERE. 307 00:14:08,916 --> 00:14:09,782 IT'S VERY SNAZZY. 308 00:14:09,816 --> 00:14:12,085 COME ON BY AND JUST ASK FOR EDDIE HAZELL. 309 00:14:12,119 --> 00:14:13,653 OK. THANKS. 310 00:14:13,686 --> 00:14:14,955 HELLO, MR. HAZELL. 311 00:14:14,988 --> 00:14:16,623 WHO ARE YOU? MY NAME'S JESSIE. 312 00:14:16,656 --> 00:14:18,158 I'M HERE FOR THE AUDITION. 313 00:14:18,191 --> 00:14:19,226 ALL RIGHT. NICE. 314 00:14:19,259 --> 00:14:20,894 I LIKE YOUR GLASSES. 315 00:14:20,928 --> 00:14:21,628 THANK YOU. 316 00:14:21,661 --> 00:14:22,896 FILL THIS OUT. 317 00:14:22,930 --> 00:14:23,596 THANK YOU. 318 00:14:23,630 --> 00:14:24,497 YOU DANCE BEFORE? 319 00:14:24,531 --> 00:14:25,999 YEAH. I DANCED AT CHEETAH'S FOR 6 MONTHS. 320 00:14:26,033 --> 00:14:28,936 DO YOU GOT A PEN? OH, HERE WE GO. 321 00:14:28,969 --> 00:14:30,270 YOU GOT I.D.? 322 00:14:30,303 --> 00:14:32,339 UM, ACTUALLY, I DON'T HAVE IT ON ME. 323 00:14:32,372 --> 00:14:33,606 IT'S AT THE APARTMENT. 324 00:14:33,640 --> 00:14:35,242 Eddie: WE'RE GONNA NEED TO SEE SOME I.D. 325 00:14:35,275 --> 00:14:39,546 WE GOT ALL KINDS OF VICE PEOPLE, A.B.C., COMING IN, 326 00:14:39,579 --> 00:14:40,513 AND, UH... 327 00:14:40,547 --> 00:14:43,216 WERE YOU PLANNING ON STABBING SOMEONE TONIGHT? 328 00:14:44,317 --> 00:14:46,586 NO. IT'S JUST A JOKE. 329 00:14:46,619 --> 00:14:48,388 THIS IS SOFT. 330 00:14:48,421 --> 00:14:49,322 SO, UH... 331 00:14:49,356 --> 00:14:51,391 WHERE'D YOU GET THIS? 332 00:14:51,424 --> 00:14:52,259 YEAH. 333 00:14:52,292 --> 00:14:54,161 JIMMY? YEAH? 334 00:14:54,194 --> 00:14:55,628 PUT IT ON. 335 00:14:55,996 --> 00:14:58,431 Man: * YOU OR I COULD TELL THE STORY... * 336 00:14:58,465 --> 00:15:04,004 HI. I'M OK. AND YOU? GOOD. 337 00:15:04,037 --> 00:15:06,239 * BUT ATTENTION FELL 338 00:15:06,273 --> 00:15:11,178 * BEFORE THE LIGHTS CAME ON AGAIN * 339 00:15:12,045 --> 00:15:15,615 * WITHOUT THE SENSE OF HEARING * 340 00:15:15,648 --> 00:15:20,253 * MY THOUGHTS ARE DISAPPEARING * 341 00:15:20,287 --> 00:15:27,494 * AND ALL TIME WILL TELL 342 00:15:28,061 --> 00:15:31,264 * IS THAT ANYONE 343 00:15:31,298 --> 00:15:36,369 * CAN DECIDE 344 00:15:36,403 --> 00:15:38,605 * I LOST THE FIGHT... 345 00:15:38,638 --> 00:15:40,540 Eddie: YEAH. 346 00:15:40,573 --> 00:15:42,709 WE OPEN UP 7:00. 347 00:15:42,742 --> 00:15:46,179 I'LL PUT YOU IN THE LINEUP. 348 00:15:46,213 --> 00:15:48,248 DON'T FORGET YOUR I.D. 349 00:15:48,281 --> 00:15:49,482 THANK YOU, EDDIE. 350 00:15:49,516 --> 00:15:52,219 I'LL SEE YOU TONIGHT. 351 00:15:53,320 --> 00:15:55,122 Bobby: WE RUN A PRETTY TIGHT JOINT HERE. 352 00:15:55,155 --> 00:15:59,659 NO DRUGS, NO HAND JOBS. NO BLOW JOBS, AND NO FUCKING. 353 00:15:59,692 --> 00:16:02,329 YOU ARE SO HANDSOME. 354 00:16:02,362 --> 00:16:04,197 THANK YOU. DID ANYONE EVER TELL YOU THAT? 355 00:16:04,231 --> 00:16:06,133 YEAH, I GET IT ALL THE TIME. 356 00:16:06,166 --> 00:16:08,601 BRAD PITT'S GOT NOTHING ON ME. 357 00:16:08,635 --> 00:16:10,337 I THINK YOU'RE A DOLL. 358 00:16:10,370 --> 00:16:10,970 THAT'S FINE. 359 00:16:11,004 --> 00:16:13,673 Man on tape: THE WORD ANGLE 360 00:16:13,706 --> 00:16:20,013 IS SPELLED A-N-G-L-E, 361 00:16:20,047 --> 00:16:30,090 WHILST THE WORD ANGEL IS SPELLED A-N-G-E-L. 362 00:16:30,123 --> 00:16:31,491 ANGEL. 363 00:16:32,425 --> 00:16:34,094 ANGLE. 364 00:16:34,127 --> 00:16:35,095 ANGLE. 365 00:16:35,128 --> 00:16:36,096 ANGEL. 366 00:16:36,129 --> 00:16:37,497 ANGEL. 367 00:16:41,568 --> 00:16:43,603 HOW MANY NIGHTS? 368 00:16:43,636 --> 00:16:45,305 ONE. 369 00:16:45,338 --> 00:16:47,140 IT'S 30 PLUS TAX. 370 00:16:47,174 --> 00:16:49,642 THAT IS $34.20. 371 00:16:55,348 --> 00:16:55,948 HELLO. 372 00:16:55,982 --> 00:16:59,552 L.A. PAPER. COMPLIMENTARY. 373 00:17:27,380 --> 00:17:30,750 Man on tape: LISTEN AND CHECK YOUR ANSWERS. 374 00:17:30,783 --> 00:17:33,386 PRACTICE SAYING THEM. 375 00:17:33,420 --> 00:17:37,124 A: HE WEARS A UNIFORM. 376 00:17:37,157 --> 00:17:37,824 HE WEARS A UNIFORM. 377 00:17:37,857 --> 00:17:40,660 Woman on tape: SHE'S A PILOT. 378 00:17:40,693 --> 00:17:43,830 SHE FLIES ALL OVER THE WORLD. 379 00:17:43,863 --> 00:17:45,465 SHE'S A PILOT. 380 00:17:45,498 --> 00:17:46,799 PETER HAS TWO CHILDREN. 381 00:17:46,833 --> 00:17:48,268 Jo: ANGEL. 382 00:17:48,301 --> 00:17:52,639 Woman: IN WINTER, ALICE GOES SKIING, 383 00:17:52,672 --> 00:17:56,309 AND IN SUMMER, SHE PLAYS GOLF. 384 00:17:56,343 --> 00:18:02,282 E: BERNADETTE LIVES IN A FLAT IN PARIS. 385 00:18:02,315 --> 00:18:04,151 D.J.: LADIES AND GENTLEMEN, 386 00:18:04,184 --> 00:18:09,322 SHE FELL FROM THE SKY, THE CELESTIAL ANGEL. 387 00:18:14,894 --> 00:18:18,865 [LES MISERY PLAYING] 388 00:18:19,632 --> 00:18:20,767 [MAN WHISTLES] 389 00:18:20,800 --> 00:18:24,237 WHOO-HOO! 390 00:18:33,580 --> 00:18:35,415 Woman: PORTIA, YOU GOT MY NEGLIGEE? 391 00:18:35,448 --> 00:18:37,717 Jasmine: UM, YOU KNOW, HI. YOU KNOW, EXCUSE ME. 392 00:18:37,750 --> 00:18:38,518 HI. Jessie: HI. 393 00:18:38,551 --> 00:18:41,154 UM, YOU'RE SITTING IN SOMEONE'S SEAT. 394 00:18:41,188 --> 00:18:43,823 IT'S ANGEL'S SEAT, SO WHY DON'T YOU SIT, UH-- 395 00:18:43,856 --> 00:18:45,458 YEAH, SIT IN JO'S SEAT. 396 00:18:45,492 --> 00:18:46,859 I'M JESSIE, BY THE WAY. 397 00:18:46,893 --> 00:18:48,828 HI, JESSIE. I'M JASMINE. 398 00:18:48,861 --> 00:18:50,263 YOU HAVE BEAUTIFUL LIPS. 399 00:18:50,297 --> 00:18:51,864 DO YOU USE COLLAGEN? 400 00:18:51,898 --> 00:18:53,866 NO. THEY'RE NATURAL. 401 00:18:53,900 --> 00:18:54,667 YOU KNOW, THERE'S SOME FUCKING FREAK 402 00:18:54,701 --> 00:18:56,869 HANGING OUTSIDE IN A GREEN CADILLAC? 403 00:18:56,903 --> 00:18:58,371 Jessie: I SAW HIM. 404 00:18:58,405 --> 00:18:59,306 DID YOU SEE HIM? 405 00:18:59,339 --> 00:19:00,340 OK, THAT'S FUCKING FREAKY. 406 00:19:00,373 --> 00:19:02,742 WE OUGHT TO TALK TO BOBBY ABOUT THAT, GET HIM TO-- 407 00:19:02,775 --> 00:19:03,743 I SAW HIM TWICE LAST WEEK. 408 00:19:03,776 --> 00:19:04,811 STORMY, DID YOU SEE HIM? 409 00:19:04,844 --> 00:19:07,180 DID YOU SEE HIM? NO. 410 00:19:07,214 --> 00:19:08,281 IS HE THERE NOW? 411 00:19:08,315 --> 00:19:09,081 YEAH, I SAW HIM. 412 00:19:09,115 --> 00:19:09,949 DON'T YOU REMEMBER THAT GUY LAST WEEK 413 00:19:09,982 --> 00:19:10,883 WHO FOLLOWED ME HOME? 414 00:19:10,917 --> 00:19:11,851 DON'T GO OUT THERE THOUGH. 415 00:19:11,884 --> 00:19:12,619 Stormy: I'LL BE RIGHT BACK. 416 00:19:12,652 --> 00:19:13,920 DON'T GO OUTSIDE. JUST TELL BOBBY. 417 00:19:13,953 --> 00:19:14,787 I WANT TO SEE WHO IT IS. 418 00:19:14,821 --> 00:19:16,523 JUST TALK TO HIM. TELL HIM TO FUCK OFF 419 00:19:16,556 --> 00:19:18,225 IF HE'S THERE. 420 00:19:24,431 --> 00:19:25,865 Man: YEAH! 421 00:19:27,567 --> 00:19:29,902 [MAN WHISTLES] 422 00:20:03,436 --> 00:20:05,605 Jo: I DON'T FUCKING BELIEVE THIS. 423 00:20:05,638 --> 00:20:06,573 EXCUSE ME, HONEY. 424 00:20:06,606 --> 00:20:10,443 NEW GIRL, BARBIE, YOU'RE SITTING IN MY SEAT. 425 00:20:10,477 --> 00:20:11,444 THIS IS MY SEAT. 426 00:20:11,478 --> 00:20:13,313 YOU MIGHT NOTICE THAT THERE'S, UH, 427 00:20:13,346 --> 00:20:14,514 STUFF IN FRONT OF IT, 428 00:20:14,547 --> 00:20:15,782 THERE'S A JACKET ON THE BACK OF IT. 429 00:20:15,815 --> 00:20:17,450 JASMINE, HOW COULD YOU LET THIS GIRL 430 00:20:17,484 --> 00:20:18,150 SIT IN MY SEAT? 431 00:20:18,184 --> 00:20:19,118 Jasmine: OH, DON'T TALK TO ME. 432 00:20:19,151 --> 00:20:20,720 YOU HAVE TO FIND YOUR OWN SPACE, SWEETHEART. 433 00:20:20,753 --> 00:20:21,754 IF YOUSE FIND YOUR OWN SPACE, 434 00:20:21,788 --> 00:20:22,722 WE'RE ALL GONNA GET ALONG. 435 00:20:22,755 --> 00:20:23,923 Woman: FUCKING GUY'S BACK AGAIN. 436 00:20:23,956 --> 00:20:24,657 JUST STAY OUT OF THE WAY. 437 00:20:24,691 --> 00:20:26,359 Second woman: NO WAY. HE'S BACK? 438 00:20:26,393 --> 00:20:30,263 I'M TELLING YOU. 439 00:20:43,009 --> 00:20:44,043 [APPLAUSE AND CHEERING] 440 00:20:44,076 --> 00:20:46,846 Angel: JASMINE, YOU KNOW THAT GUY WHO LOOKS LIKE, 441 00:20:46,879 --> 00:20:50,450 UM--WHO LOOKS LIKE COLONEL SANDERS? 442 00:20:50,483 --> 00:20:51,584 WHICH ONE? 443 00:20:51,618 --> 00:20:53,420 Jo: HEY, BITCH, YOU'RE UP. 444 00:20:53,453 --> 00:20:55,322 I JUST CAME OFFSTAGE. 445 00:20:55,355 --> 00:20:56,656 NO, NOT YOU, CORNFLAKE. 446 00:20:56,689 --> 00:20:58,024 I'M TALKING TO JASMINE. 447 00:20:58,057 --> 00:20:59,692 JASMINE, IT'S YOUR TURN TO GO UP. 448 00:20:59,726 --> 00:21:01,561 I'M NOT GOING UP. I'M NOT EVEN READY. 449 00:21:01,594 --> 00:21:02,995 I HAVE TO LET MY RUBBER BREATHE. 450 00:21:03,029 --> 00:21:04,897 Jasmine: IT'S JO. THEY'RE SAYING JO. 451 00:21:04,931 --> 00:21:06,366 WHAT? THEY'RE NOT SAYING JO. 452 00:21:06,399 --> 00:21:07,834 I CAN'T GO UP NOW. I'M NOT READY. 453 00:21:07,867 --> 00:21:08,835 Jessie: I'LL GO. 454 00:21:08,868 --> 00:21:09,902 YOU WILL? YEAH. 455 00:21:09,936 --> 00:21:11,338 YOU'LL GO FOR ME? 456 00:21:11,371 --> 00:21:12,439 YOU'LL DO THAT FOR ME? 457 00:21:12,472 --> 00:21:13,172 I'D BE HAPPY TO. 458 00:21:13,205 --> 00:21:14,807 HEY, YOU'RE A REALLY SWEET GIRL, 459 00:21:14,841 --> 00:21:15,742 YOU KNOW THAT? 460 00:21:15,775 --> 00:21:16,643 Jo: SHE'S JESSIE. 461 00:21:16,676 --> 00:21:18,311 SHE'S A NEW ADDITION TO OUR DRESSING ROOM. 462 00:21:18,345 --> 00:21:19,646 SHE GETS ALONG WITH EVERYBODY. 463 00:21:19,679 --> 00:21:21,981 WE LOVE LITTLE JESSIE HERE AT THE BLUE IGUANA. 464 00:21:22,014 --> 00:21:26,819 GO ON. GO ON UP. YOU'RE GONNA MISS YOUR--YEAH. 465 00:21:27,754 --> 00:21:30,790 [TECHNO MUSIC PLAYING AT BLUE IGUANA] 466 00:21:59,151 --> 00:22:01,521 D.J.: AND NOW MAKING HER STAGE DEBUT-- 467 00:22:01,554 --> 00:22:04,857 SHE'S YOUNG, SHE'S BEAUTIFUL, SHE'S PERFECTION. 468 00:22:04,891 --> 00:22:07,594 LADIES AND GENTLEMEN, PUT YOUR HANDS TOGETHER 469 00:22:07,627 --> 00:22:09,896 FOR JESSIE. 470 00:22:09,929 --> 00:22:12,565 [APPLAUSE] 471 00:22:12,599 --> 00:22:14,066 [MAN WHISTLES] 472 00:22:19,105 --> 00:22:24,744 Singers: * SO HERE WE ARE 473 00:22:24,777 --> 00:22:29,682 * THIS IS THE TIME 474 00:22:29,716 --> 00:22:33,586 * TAKE OFF YOUR CLOTHES 475 00:22:33,620 --> 00:22:40,427 * JUST LIKE I'LL TAKE OFF MINE * 476 00:22:40,460 --> 00:22:45,632 * LIE DOWN WITH ME 477 00:22:45,665 --> 00:22:49,969 * LOOK IN MY EYES... 478 00:22:50,002 --> 00:22:54,541 JUST WONDERING. DID YOU EVER GET HER I.D.? 479 00:22:54,574 --> 00:22:57,677 YEAH, I KNOW WHO SHE IS. 480 00:22:57,710 --> 00:23:00,079 TALKED TO BILLY. 481 00:23:08,988 --> 00:23:11,758 * ANGEL 482 00:23:11,791 --> 00:23:14,160 HEY, MAN, THAT CALL COME FROM NICO YET, MAN? 483 00:23:14,193 --> 00:23:15,327 IT'S ON THE MACHINE. 484 00:23:15,361 --> 00:23:19,131 COME ON, BOBBY. YOU SAID YOU WERE GONNA TELL ME, RIGHT? 485 00:23:19,165 --> 00:23:20,667 MM-HMM. DAMN. 486 00:23:20,700 --> 00:23:22,401 I'M TELLING YOU. 487 00:23:22,602 --> 00:23:32,979 * I WAITED MANY MOONS FOR NOW * 488 00:23:33,012 --> 00:23:37,750 * I KNOW YOU WELL 489 00:23:37,784 --> 00:23:42,054 * LET ME SHOW YOU HOW 490 00:23:43,923 --> 00:23:49,028 * DON'T BE AFRAID 491 00:23:49,061 --> 00:23:54,166 * IT'S ONLY ME 492 00:23:54,200 --> 00:23:58,505 * JUST CLOSE OUR EYES 493 00:23:58,538 --> 00:24:04,911 * AND BE WHAT WE WILL BE * 494 00:24:04,944 --> 00:24:06,579 Man: YEAH. 495 00:24:12,118 --> 00:24:15,688 * ANGEL 496 00:24:22,028 --> 00:24:27,133 HI, UH, EDDIE HAZELL, THIS IS NICO. 497 00:24:27,166 --> 00:24:29,636 SO IT LOOKS LIKE WE'RE ON, BABY. 498 00:24:29,669 --> 00:24:30,537 I'LL BE THERE. 499 00:24:30,570 --> 00:24:34,040 UH, YOU HAVE MY NUMBERS. BYE. 500 00:24:34,073 --> 00:24:35,174 [BEEP] 501 00:24:35,207 --> 00:24:37,877 [WOMAN CRYING] 502 00:25:07,940 --> 00:25:09,041 Jo: OK? Man: YEAH. 503 00:25:09,075 --> 00:25:10,877 YOU DOING OK, KID? YEP. 504 00:25:10,910 --> 00:25:11,944 OK. 505 00:25:11,978 --> 00:25:12,979 YES. DON'T YOU WORRY. 506 00:25:13,012 --> 00:25:14,213 MY GLASSES? MY GLASSES. 507 00:25:14,246 --> 00:25:15,682 YEAH. WHY DON'T YOU TAKE THEM OFF? 508 00:25:15,715 --> 00:25:16,683 WE'LL PUT THEM RIGHT HERE. 509 00:25:16,716 --> 00:25:17,950 YOU CAN FIND THEM AFTERWARDS. 510 00:25:17,984 --> 00:25:19,285 YOU CAN SEE OK WITHOUT THEM. 511 00:25:19,318 --> 00:25:22,622 ALL RIGHT, SWEETIE. OK. HOW'S THAT? 512 00:25:22,655 --> 00:25:23,455 EVERYTHING OK? YEAH. 513 00:25:23,489 --> 00:25:25,725 YOU WANT TO SEE THE BAD SIDE? YEAH. 514 00:25:25,758 --> 00:25:26,926 ALL RIGHT. YEAH. 515 00:25:26,959 --> 00:25:28,561 HERE WE GO. 516 00:25:28,595 --> 00:25:29,996 OH, GOD. 517 00:25:33,132 --> 00:25:34,667 HI. 518 00:25:35,935 --> 00:25:37,970 JESSIE. 519 00:25:41,173 --> 00:25:42,308 GOT ANY PLANS TONIGHT? 520 00:25:42,341 --> 00:25:45,578 NO. LET'S GO. 521 00:25:49,215 --> 00:25:52,652 * I'M THE ONE THAT CAN'T HIDE * 522 00:25:52,685 --> 00:25:55,054 * GO STEP INSIDE 523 00:25:55,087 --> 00:25:58,891 * TO MAKE A MESS 524 00:25:58,925 --> 00:26:04,764 * I FOUND WINGS TIED TO YOUR ARMS * 525 00:26:04,797 --> 00:26:07,033 * NO ONE'S CHARMS... 526 00:26:07,066 --> 00:26:09,769 I DON'T HAVE ANY MONEY FOR THIS. 527 00:26:09,802 --> 00:26:11,303 I'LL MAKE AN EXCEPTION. 528 00:26:11,337 --> 00:26:13,372 * MAKE ME OVERCOME 529 00:26:13,405 --> 00:26:17,677 * ALL FEARS 530 00:26:20,947 --> 00:26:22,982 Eddie: LISTEN TO THIS. 531 00:26:23,015 --> 00:26:23,783 [BEEP] 532 00:26:23,816 --> 00:26:26,819 [WOMAN CRYING ON ANSWERING MACHINE] 533 00:26:49,809 --> 00:26:52,845 THAT'S NOT THE MESSAGE I SAVED. 534 00:26:58,350 --> 00:27:01,053 [WOMAN CRYING] 535 00:27:34,453 --> 00:27:37,790 [SPEAKING RUSSIAN] 536 00:27:55,241 --> 00:27:58,277 Woman: "I REALIZE OUR ANCESTRAL HUMOR 537 00:27:58,310 --> 00:28:01,347 "GOES TO COMMON LONGING AND RESISTANCE. 538 00:28:01,380 --> 00:28:04,383 "I KNOW THE EFFORTS YOU WILL NOT MAKE 539 00:28:04,416 --> 00:28:07,153 "UNTIL YOU ARE READY TO ACCEPT 540 00:28:07,186 --> 00:28:10,322 I AM NOT A WAR." 541 00:28:10,356 --> 00:28:12,258 OH, THAT WAS GREAT. 542 00:28:12,291 --> 00:28:13,960 GREAT JOB. THANK YOU, FIONA. 543 00:28:13,993 --> 00:28:14,794 THANK YOU VERY MUCH. 544 00:28:14,827 --> 00:28:16,162 YOU KNOW, I FORGOT TO MENTION EARLIER. 545 00:28:16,195 --> 00:28:17,730 WE PUT SOME FLIERS ON THE CHAIRS 546 00:28:17,764 --> 00:28:19,331 REFERRING TO THE UPCOMING POETRY SLAM 547 00:28:19,365 --> 00:28:20,432 IN SAN FRANCISCO. 548 00:28:20,466 --> 00:28:23,870 UM, AS YOU KNOW, IT IS THE MOST IMPORTANT POETRY EVENT 549 00:28:23,903 --> 00:28:24,703 ON THE WEST COAST, 550 00:28:24,737 --> 00:28:26,072 SO BE SURE TO CHECK IT OUT, ALL RIGHT? 551 00:28:26,105 --> 00:28:27,439 NOW, WITHOUT FURTHER ADO, 552 00:28:27,473 --> 00:28:29,175 I'D LIKE TO BRING UP SOPHIE DELVAUX, 553 00:28:29,208 --> 00:28:32,478 WHOSE LATEST COLLECTION, UM, AUTUMN SOPRANOS, 554 00:28:32,511 --> 00:28:37,083 WILL SOON BE PUBLISHED BY THE HUBCAP POETS LIBRARY. 555 00:28:37,116 --> 00:28:38,717 SOPHIE. 556 00:28:43,990 --> 00:28:45,792 DREAM BOAT. 557 00:28:45,825 --> 00:28:50,062 "SLEEP IS A BOAT MOORED IN THIS ROOM AT NIGHT 558 00:28:50,096 --> 00:28:51,998 "AND AGAIN AT DAWN. 559 00:28:52,031 --> 00:28:56,235 "IN BETWEEN, IT JOURNEYS OVER THE WORLD, 560 00:28:56,268 --> 00:29:00,339 "TRAVELS INSIDE THE SKIN OF THINGS, 561 00:29:00,372 --> 00:29:03,843 "MOVES OUT OVER THE STARS, 562 00:29:03,876 --> 00:29:06,813 "COMES SAILING INTO PORT, 563 00:29:06,846 --> 00:29:09,816 ITS CARGO IMAGES..." 564 00:29:09,849 --> 00:29:13,085 YOU NEVER READ. 565 00:29:13,119 --> 00:29:15,421 NO. 566 00:29:15,454 --> 00:29:18,157 SO WHAT'S THAT ON YOUR PAPER, 567 00:29:18,190 --> 00:29:19,926 YOUR LAUNDRY LIST OR SOMETHING? 568 00:29:19,959 --> 00:29:21,360 MM-HMM. 569 00:29:21,393 --> 00:29:24,496 WELL, MAYBE YOU SHOULD COME AND READ YOUR LAUNDRY LIST. 570 00:29:24,530 --> 00:29:29,268 " ...AND PLACES, PALACES, FACES." 571 00:29:29,301 --> 00:29:30,536 MAYBE NOT. 572 00:29:30,569 --> 00:29:31,871 Stormy: HEY. 573 00:29:31,904 --> 00:29:33,305 Man: HEY, BABY. 574 00:29:33,339 --> 00:29:34,841 HEY, STORMY. YEAH? 575 00:29:34,874 --> 00:29:38,344 DON'T KNOW A MARIE HUGHES, DO YOU? 576 00:29:39,545 --> 00:29:42,448 MARIE HUGHES? RING A BELL? 577 00:29:42,481 --> 00:29:43,482 WHAT IS THAT? 578 00:29:43,515 --> 00:29:44,984 I DON'T KNOW. SOME ATTORNEY TYPE DROPPED IT OFF-- 579 00:29:45,017 --> 00:29:46,352 UH, 10 MINUTES AGO. 580 00:29:46,385 --> 00:29:48,487 SAID MAKE SURE SHE GETS IT. 581 00:29:48,520 --> 00:29:49,822 UH, I'LL GIVE IT TO HER. 582 00:29:49,856 --> 00:29:53,092 I'LL GIVE IT TO HER. DO YOU KNOW WHO IT IS? 583 00:29:53,125 --> 00:29:55,261 YEAH. IT'S, UH, IT'S ME. 584 00:29:55,294 --> 00:29:56,328 YOU? YEAH. 585 00:29:56,362 --> 00:29:58,497 FAN MAIL? 586 00:29:59,131 --> 00:30:03,202 USE YOUR STAGE NAME, NOT YOUR REAL NAME. 587 00:30:04,203 --> 00:30:06,405 YOU HEAR ME? 588 00:30:14,013 --> 00:30:15,481 [CRYING] 589 00:30:25,391 --> 00:30:27,860 [WHISPERS] Oh, my God. 590 00:30:41,407 --> 00:30:44,243 OH, MY GOD. 591 00:31:06,999 --> 00:31:09,936 [TOILET FLUSHES] 592 00:31:21,447 --> 00:31:23,182 I THINK I'M PREGNANT. 593 00:31:23,215 --> 00:31:24,250 NO, YOU'RE NOT. 594 00:31:24,283 --> 00:31:27,053 YEAH. LOOK AT THIS. 595 00:31:27,086 --> 00:31:28,220 WHAT THE FUCK IS THAT? 596 00:31:28,254 --> 00:31:29,221 THAT'S A PLUS. 597 00:31:29,255 --> 00:31:32,058 THAT MEANS THAT IT'S RIGHT WHEN YOU'RE PREGNANT. 598 00:31:32,091 --> 00:31:33,159 WHERE DID YOU GET THIS? 599 00:31:33,192 --> 00:31:34,293 UH, IN THE BATHROOM. 600 00:31:34,326 --> 00:31:35,627 I WAS PEEING IN THE BATHROOM, 601 00:31:35,661 --> 00:31:38,564 AND I FOUND IT BENEATH THE TOILET. 602 00:31:38,597 --> 00:31:39,999 DID YOU PISS ON IT? 603 00:31:40,032 --> 00:31:43,102 WELL, I WAS STANDING-- I WAS, YOU KNOW, HOVERING 604 00:31:43,135 --> 00:31:44,203 BECAUSE THE TOILET IS GROSS, 605 00:31:44,236 --> 00:31:46,672 SO I WAS PEEING, AND THEN I LOOKED DOWN, 606 00:31:46,705 --> 00:31:48,640 AND I SAW THIS RIGHT BENEATH THE TOILET, 607 00:31:48,674 --> 00:31:51,077 AND I--I THINK I MIGHT HAVE, LIKE, 608 00:31:51,110 --> 00:31:53,279 DRIBBLED ON IT OR SOMETHING. 609 00:31:53,312 --> 00:31:54,213 DO YOU, LIKE, PISS ON THE THING? 610 00:31:54,246 --> 00:31:56,215 THERE'S PISS ON IT, AND I MIGHT HAVE BEEN-- 611 00:31:56,248 --> 00:31:57,049 THAT'S FUCKING GROSS. 612 00:31:57,083 --> 00:31:58,317 I MIGHT HAVE DRIBBLED ON IT BECAUSE-- 613 00:31:58,350 --> 00:31:59,685 WHO YOU FUCKING? 614 00:31:59,718 --> 00:32:01,653 WELL, NOBODY RIGHT NOW, BUT I-- 615 00:32:01,687 --> 00:32:03,289 I HEARD ON THE DISCOVERY CHANNEL 616 00:32:03,322 --> 00:32:05,391 THAT SPERM CAN LIVE A REALLY LONG TIME. 617 00:32:05,424 --> 00:32:07,659 WHEN'S THE LAST TIME YOU FUCKED ANYONE? 618 00:32:07,693 --> 00:32:10,963 UM, LIKE 6 OR 7 MONTHS. IT'S NOT YOURS. 619 00:32:10,997 --> 00:32:11,730 CASTLE, THIS YOURS? 620 00:32:11,763 --> 00:32:13,165 Castle: NO, HONEY. THAT'S NOT MINE. 621 00:32:13,199 --> 00:32:14,066 Woman: UH-UH. IT'S NOT MINE. 622 00:32:14,100 --> 00:32:16,202 SEE? IT'S MINE. NO, IT'S NOT. IT'S NOT. 623 00:32:16,235 --> 00:32:17,336 GIRLS, THIS ISN'T YOURS? 624 00:32:17,369 --> 00:32:18,404 ANGE, HONEY, YOU KNOW WHAT? 625 00:32:18,437 --> 00:32:19,305 YOU KNOW, YOU DIDN'T PISS ON IT. 626 00:32:19,338 --> 00:32:20,172 YOU'RE NOT FUCKING ANYONE. 627 00:32:20,206 --> 00:32:23,109 WELL, I'VE BEEN WANTING TO GET PREGNANT. 628 00:32:23,142 --> 00:32:24,676 HEY, UM, JESSIE, IS THIS YOURS? 629 00:32:24,710 --> 00:32:26,212 Jo: GET YOUR HANDS OFF OF MY SHIT 630 00:32:26,245 --> 00:32:27,679 FOR ONE MINUTE, JESSIE. 631 00:32:27,713 --> 00:32:30,449 I'D APPRECIATE IT. THANKS. 632 00:32:30,482 --> 00:32:31,517 SEE? IT'S NOT YOURS. 633 00:32:31,550 --> 00:32:35,387 JASMINE, IT MAY HAVE PISS ON IT OR NOT BECAUSE I-- 634 00:32:35,421 --> 00:32:38,724 WHOO! 635 00:32:45,297 --> 00:32:47,699 Man: THAT'S THE THING! 636 00:32:47,733 --> 00:32:48,667 OH! 637 00:32:48,700 --> 00:32:49,535 ANGE, DON'T. 638 00:32:49,568 --> 00:32:51,203 ANGE, DON'T. WHY DO YOU WANT TO KEEP IT 639 00:32:51,237 --> 00:32:53,739 IF SOMEONE PISSED ON THAT? IT'S NOT YOURS. 640 00:32:53,772 --> 00:32:56,742 WHOO! 641 00:32:56,775 --> 00:33:02,148 OK, KIDS, GOING UPTOWN! 642 00:33:05,284 --> 00:33:08,254 [MAN WHISTLING] 643 00:33:10,289 --> 00:33:14,193 AAH! AAH! AAH! AAH! 644 00:33:14,226 --> 00:33:15,061 AAH! 645 00:33:15,094 --> 00:33:20,332 STORMY, WHAT DO YOU GET FOR A BLOW JOB? 646 00:33:20,366 --> 00:33:23,802 $100. 647 00:33:23,835 --> 00:33:26,038 OK. 648 00:33:36,582 --> 00:33:39,718 AAH! 649 00:33:48,294 --> 00:33:50,796 WHY? JUST MAKE IT-- JUST GIVE IT TO ME. 650 00:33:50,829 --> 00:33:52,064 JO, IS THIS YOURS? 651 00:33:52,098 --> 00:33:52,831 WHAT IS IT? WHAT? 652 00:33:52,864 --> 00:33:54,533 WHAT IS IT? LOOK. HELLO? IT'S A-- 653 00:33:54,566 --> 00:33:55,634 WHAT DO YOU THINK IT IS? 654 00:33:55,667 --> 00:33:56,802 I DON'T KNOW WHAT THE FUCK IT IS. 655 00:33:56,835 --> 00:33:57,836 WHAT IS IT? IT STINKS. 656 00:33:57,869 --> 00:33:59,671 GET IT AWAY FROM ME. 657 00:33:59,705 --> 00:34:00,806 SIT DOWN. 658 00:34:00,839 --> 00:34:02,241 SIT DOWN. WHAT? 659 00:34:02,274 --> 00:34:04,243 ARE YOU PREGNANT? 660 00:34:04,276 --> 00:34:05,077 WHAT? 661 00:34:05,111 --> 00:34:06,412 ARE YOU PREGNANT? 662 00:34:06,445 --> 00:34:07,246 WHAT? AM I PREGNANT? 663 00:34:07,279 --> 00:34:07,979 WHAT THE FUCK IS THE MATTER WITH YOU? 664 00:34:08,013 --> 00:34:09,648 DO I LOOK LIKE I'M PREGNANT? NO. 665 00:34:09,681 --> 00:34:10,449 I'M NOT PREGNANT, OK? 666 00:34:10,482 --> 00:34:12,551 I'M NOT PREGNANT. WHAT'S GOING ON? 667 00:34:12,584 --> 00:34:13,552 BECAUSE ANGEL FOUND IT, 668 00:34:13,585 --> 00:34:14,520 AND SHE THINKS IT'S HERS, 669 00:34:14,553 --> 00:34:15,554 BUT IT'S OBVIOUSLY NOT HERS. 670 00:34:15,587 --> 00:34:16,688 WELL, IF ANGEL FOUND IT, 671 00:34:16,722 --> 00:34:17,689 IT'S PROBABLY HERS. 672 00:34:17,723 --> 00:34:20,259 ANGEL, HONEY, ARE YOU PREGNANT? 673 00:34:20,292 --> 00:34:22,128 JO. CONGRATULATIONS! 674 00:34:22,161 --> 00:34:23,795 JO! ANGEL! 675 00:34:23,829 --> 00:34:25,864 AW, YOU'LL MAKE SUCH A GOOD MOTHER. 676 00:34:25,897 --> 00:34:28,800 JUST DON'T LEAVE THE BABY IN THE PARK, OK? 677 00:34:28,834 --> 00:34:30,469 Jasmine: JO, SIT DOWN. 678 00:34:30,502 --> 00:34:31,303 I'M NOT PREGNANT. 679 00:34:31,337 --> 00:34:34,506 WILL YOU LOOK AT ME? ARE YOU PREGNANT? 680 00:34:34,540 --> 00:34:35,607 NO. 681 00:34:35,641 --> 00:34:36,675 HOW LATE ARE YOU? 682 00:34:36,708 --> 00:34:38,210 I'M NOT LATE. 683 00:34:38,244 --> 00:34:39,645 I'M NOT LATE. I'M NOT LATE. 684 00:34:39,678 --> 00:34:41,480 OK. SO SHE'S NOT PREGNANT. 685 00:34:41,513 --> 00:34:42,448 GIVE IT TO ME. 686 00:34:42,481 --> 00:34:45,717 WILL YOU JUST LEAVE YOUR HANDS OFF OF MY PILLS? 687 00:34:53,459 --> 00:34:54,360 FUCK. 688 00:34:54,393 --> 00:34:56,462 WHAT THE FUCK IS THE MATTER WITH YOU PEOPLE? 689 00:34:56,495 --> 00:34:57,696 HOW LATE ARE YOU? 690 00:34:57,729 --> 00:34:59,865 I'M NOT LATE, OK? 691 00:34:59,898 --> 00:35:02,301 ALL RIGHT. I GOT-- 692 00:35:02,334 --> 00:35:04,836 CAN'T--GIVE ME THIS. 693 00:35:07,606 --> 00:35:08,807 ALL RIGHT. WHAT'S THAT MEAN? 694 00:35:08,840 --> 00:35:10,376 IT MEANS YOU'RE PREGNANT. 695 00:35:10,409 --> 00:35:11,677 IT'S A-- IT'S A PLUS. 696 00:35:11,710 --> 00:35:14,580 THAT IS A LITTLE BLUE PLUS SIGN RIGHT THERE. 697 00:35:14,613 --> 00:35:16,615 ALL RIGHT, SWEETHEART. I'M NOT A MORON. 698 00:35:16,648 --> 00:35:18,150 I READ THE BOX, OK? 699 00:35:18,184 --> 00:35:20,286 ALL RIGHT. IT'S A PLUS SIGN, OK? 700 00:35:20,319 --> 00:35:21,353 ARE YOU GONNA KEEP IT? 701 00:35:21,387 --> 00:35:22,388 ALL RIGHT. YOU KNOW-- 702 00:35:22,421 --> 00:35:23,889 NO, I'M NOT GONNA KEEP IT. I'M GONNA THROW IT AWAY. 703 00:35:23,922 --> 00:35:26,392 THAT'S DISGUSTING. WHAT DO YOU THINK? 704 00:35:26,425 --> 00:35:27,659 YOU WANT A DOCTOR? I HAVE A DOCTOR. 705 00:35:27,693 --> 00:35:31,630 NO. YOU KNOW I THINK, WHAT HAPPENED IS I GOT A DEFECTIVE E.P.T. 706 00:35:31,663 --> 00:35:34,500 BECAUSE IT WAS IN MY-- 707 00:35:34,533 --> 00:35:37,169 OH, IT'S SO BEAUTIFUL. 708 00:35:37,203 --> 00:35:39,305 HONEY, THEY HAVE A DOCTOR IN CULVER CITY 709 00:35:39,338 --> 00:35:41,773 THAT CAN TAKE CARE OF IT, ALL RIGHT? 710 00:35:41,807 --> 00:35:43,175 OK. YEAH. ALL RIGHT. 711 00:35:43,209 --> 00:35:44,476 CAN YOU MAKE AN APPOINTMENT FOR ME? 712 00:35:44,510 --> 00:35:47,346 BECAUSE I DON'T WANT TO CARRY IT AROUND. 713 00:35:47,379 --> 00:35:48,914 IT'S OK. IT'S OK. 714 00:35:51,350 --> 00:35:53,619 HEY, BOBBY. 715 00:35:53,652 --> 00:35:55,754 BOBBY, HAVE YOU SEEN CHARLIE? 716 00:35:55,787 --> 00:35:57,423 YEAH, I'VE SEEN HIM. 717 00:35:57,456 --> 00:35:59,558 HE GAVE ME A TIP. 718 00:35:59,591 --> 00:36:01,227 FUCKING ASSHOLE. 719 00:36:01,260 --> 00:36:02,060 OH, WELL, WHERE IS HE? 720 00:36:02,093 --> 00:36:03,929 I HAVE TO ARRANGE SOMETHING WITH HIM. 721 00:36:03,962 --> 00:36:05,831 YOU REALLY WANT TO KNOW? 722 00:36:05,864 --> 00:36:07,699 YEAH. WHY? WHAT HAPPENED? 723 00:36:07,733 --> 00:36:09,601 COME ON. LET'S GO FOR A SMOKE. 724 00:36:09,635 --> 00:36:12,471 WHY? WHAT HAPPENED? WHAT-- 725 00:36:14,440 --> 00:36:17,376 ASSHOLE! GOD! THE MOTHERFUCKER! 726 00:36:17,409 --> 00:36:19,845 I MEAN, WHAT AM I SUPPOSED TO DO NOW, HUH? 727 00:36:19,878 --> 00:36:20,646 YOU'RE GONNA BE FINE. 728 00:36:20,679 --> 00:36:21,813 WHAT DO YOU MEAN, I'M GONNA BE FINE? 729 00:36:21,847 --> 00:36:24,350 HE TOLD ME THAT HE WAS GONNA COME TO THE MEETING WITH ME. 730 00:36:24,383 --> 00:36:28,254 I GET HIM SOMETHING, AND THEN HE WAS GONNA BE MY FIANCé, 731 00:36:28,287 --> 00:36:29,321 AND HE MADE ME A PROMISE. 732 00:36:29,355 --> 00:36:30,389 HE TOLD ME TO MY FACE. 733 00:36:30,422 --> 00:36:31,823 HE SAID, "I'M GONNA COME WITH YOU," 734 00:36:31,857 --> 00:36:34,926 AND THEN HE GOES OFF WITH THE FIRST FUCKING LITTLE-- 735 00:36:34,960 --> 00:36:35,527 YOU KNOW? 736 00:36:35,561 --> 00:36:36,695 WELL, YOU NEED THE LEECH? 737 00:36:36,728 --> 00:36:38,630 HERE. HERE. CALM DOWN. 738 00:36:38,664 --> 00:36:42,568 OH, FUCK, AND I NEED HIM TO SHOW THAT I'M, LIKE, 739 00:36:42,601 --> 00:36:47,306 YOU KNOW, A WHOLE PERSON WHO'S GONNA GET MARRIED AND STUFF SO THAT-- 740 00:36:47,339 --> 00:36:49,875 SIT DOWN. SIT DOWN. SIT DOWN. 741 00:36:49,908 --> 00:36:51,710 RELAX. 742 00:36:53,412 --> 00:36:54,212 BOBBY-- 743 00:36:54,246 --> 00:36:56,415 YOU CAN DO A LOT BETTER THAN CHARLIE. 744 00:36:56,448 --> 00:36:57,516 YEAH. RIGHT. 745 00:36:57,549 --> 00:37:00,018 SOME KID'S GONNA BE REAL LUCKY TO HAVE YOU AS A MOM. 746 00:37:00,051 --> 00:37:00,952 THAT'S WHAT YOU GOT TO REMEMBER. 747 00:37:00,986 --> 00:37:03,322 SEE, HE WASN'T EVEN GONNA BE THERE WITH ME. 748 00:37:03,355 --> 00:37:06,425 HE WAS JUST GONNA GO TO THE INTERVIEW. 749 00:37:06,458 --> 00:37:08,927 NOW WHAT AM I GONNA DO? 750 00:37:08,960 --> 00:37:11,830 GIVE ME THAT FUCKING TIP HE GAVE YOU. 751 00:37:11,863 --> 00:37:13,832 HMM? 752 00:37:15,601 --> 00:37:18,404 WHAT THE FUCK YOU DOING? THAT'S MY MONEY. 753 00:37:18,437 --> 00:37:19,471 THAT'S MY MONEY! THAT'S-- 754 00:37:19,505 --> 00:37:20,539 THAT'S CHARLIE'S MONEY. 755 00:37:20,572 --> 00:37:22,040 HERE. YOU CAN HAVE THIS. 756 00:37:22,073 --> 00:37:24,643 DICKHEAD. 757 00:37:30,349 --> 00:37:31,617 TELL YOU WHAT. 758 00:37:31,650 --> 00:37:32,518 I'M GONNA GO CHECK WITH EDDIE, 759 00:37:32,551 --> 00:37:34,386 AND I'LL GIVE YOU A RIDE HOME, ALL RIGHT? 760 00:37:34,420 --> 00:37:36,688 I'LL LOVE YOU A LONG TIME, BOBBY. 761 00:37:36,722 --> 00:37:38,824 OK. 762 00:37:45,096 --> 00:37:48,700 Woman: MISS WILLOW? YOU CAN COME IN NOW. 763 00:37:48,734 --> 00:37:50,869 THANKS. 764 00:37:52,604 --> 00:37:53,739 MISS WILLOW, 765 00:37:53,772 --> 00:37:57,676 WHY DO YOU WANT TO FOSTER A CHILD? 766 00:37:57,709 --> 00:37:58,677 WELL, UM, 767 00:37:58,710 --> 00:38:00,779 BECAUSE I REALLY LOVE CHILDREN 768 00:38:00,812 --> 00:38:05,384 AND I REALLY FEEL THAT I COULD GIVE THEM 769 00:38:05,417 --> 00:38:08,086 A SAFE AND HAPPY PLACE TO BE 770 00:38:08,119 --> 00:38:10,021 WHILE THEY'RE WAITING FOR THEIR PARENTS 771 00:38:10,055 --> 00:38:13,058 TO GET OUT OF REHAB OR JAIL. 772 00:38:13,091 --> 00:38:13,792 SOMETIMES--YEAH. 773 00:38:13,825 --> 00:38:16,061 THESE--SOMETIMES THE KIDS DO COME 774 00:38:16,094 --> 00:38:17,629 FROM VERY DISTURBED BACKGROUNDS, 775 00:38:17,663 --> 00:38:21,333 AND IT'S IMPORTANT TO HAVE A SAFE AND SECURE ENVIRONMENT 776 00:38:21,367 --> 00:38:22,801 AND SOMEONE WITH AN OPEN MIND. 777 00:38:22,834 --> 00:38:25,504 YEAH. I HAVE A VERY OPEN MIND. 778 00:38:25,537 --> 00:38:26,071 YEAH? 779 00:38:26,104 --> 00:38:27,072 YEAH. LIKE, YOUR SIGN, 780 00:38:27,105 --> 00:38:29,475 IT SAYS "THE HAND OF FRIENDSHIP HAS NO COLOR." 781 00:38:29,508 --> 00:38:32,444 LIKE, I DON'T LOOK DOWN ON MICHAEL JACKSON 782 00:38:32,478 --> 00:38:34,980 FOR CHANGING THE COLOR OF HIS SKIN. 783 00:38:35,013 --> 00:38:36,982 WE HAVE PEOPLE IN MY BUILDING 784 00:38:37,015 --> 00:38:39,485 THAT ARE-- THERE'S 3 LESBIANS 785 00:38:39,518 --> 00:38:40,619 LIVING IN ONE APARTMENT, 786 00:38:40,652 --> 00:38:42,821 AND ALL OF THEM SLEEP IN THE SAME BED, 787 00:38:42,854 --> 00:38:44,823 AND THEY'RE, LIKE, THE MOST NORMAL PEOPLE 788 00:38:44,856 --> 00:38:45,691 THAT YOU COULD EVER MEET. 789 00:38:45,724 --> 00:38:47,926 THEY'RE--EVEN THOUGH THEY SLEEP TOGETHER, 790 00:38:47,959 --> 00:38:49,060 THEY'RE SO NICE. 791 00:38:49,094 --> 00:38:50,462 OH, I'M SURE THEY-- 792 00:38:50,496 --> 00:38:52,631 ACTUALLY, YOU LIVE IN THE SAME BUILDING, 793 00:38:52,664 --> 00:38:55,767 SO THIS IS AN APARTMENT ON, UM... 794 00:38:55,801 --> 00:38:56,902 WHITSET? 795 00:38:56,935 --> 00:38:57,503 SPEC. 796 00:38:57,536 --> 00:38:58,504 OH, UH, SPEC. YOU MOVED. 797 00:38:58,537 --> 00:39:01,006 NO. IT'S RIGHT AROUND THE CORNER FROM WHITSET. 798 00:39:01,039 --> 00:39:02,741 THAT WAS THE DIRECTION. 799 00:39:02,774 --> 00:39:04,610 OK. SO... 800 00:39:04,643 --> 00:39:08,013 OK. AND SO, HOW LONG HAVE YOU LIVED IN LOS ANGELES? 801 00:39:08,046 --> 00:39:08,780 FOR 6 YEARS. 802 00:39:08,814 --> 00:39:10,716 6 YEARS? AND WHERE DID YOU GROW UP? 803 00:39:10,749 --> 00:39:11,450 OKLAHOMA. 804 00:39:11,483 --> 00:39:13,619 SO YOU MOVED HERE FROM OKLAHOMA? 805 00:39:13,652 --> 00:39:14,386 6 YEARS FROM OKLAHOMA? 806 00:39:14,420 --> 00:39:16,988 WELL, NO, I-- I WAS IN LAS VEGAS. 807 00:39:17,022 --> 00:39:17,689 OH, YEAH? 808 00:39:17,723 --> 00:39:18,957 WHAT WERE YOU DOING IN VEGAS? 809 00:39:18,990 --> 00:39:20,726 OH, I WAS ENGAGED. 810 00:39:20,759 --> 00:39:22,694 DID YOU GET MARRIED? 811 00:39:22,728 --> 00:39:23,662 NO. UM, WELL, 812 00:39:23,695 --> 00:39:26,632 I WOULD HAVE, BUT HE DIDN'T WANT TO MARRY ME 813 00:39:26,665 --> 00:39:28,567 BECAUSE I, UM-- 814 00:39:28,600 --> 00:39:29,768 HE WAS A VERY WEALTHY MAN, 815 00:39:29,801 --> 00:39:31,169 BUT HE HAD SOME CHARACTER FLAWS. 816 00:39:31,202 --> 00:39:34,873 SOME CHAR--WELL, LIKE, WHAT KIND OF CHARACTER FLAWS? 817 00:39:34,906 --> 00:39:37,075 HE LIKED REALLY YOUNG WOMEN. 818 00:39:37,108 --> 00:39:38,109 YOU'RE A BEAUTIFUL WOMAN YOURSELF. 819 00:39:38,143 --> 00:39:40,779 I CAN'T IMAGINE HIM FINDING SOMEONE MORE YOUNGER 820 00:39:40,812 --> 00:39:42,013 OR ATTRACTIVE THAN YOU. 821 00:39:42,047 --> 00:39:45,150 WELL, THANKS, BUT WHEN I TURNED 25, 822 00:39:45,183 --> 00:39:48,620 I WAS JUST KIND OF KICKED OUT. 823 00:39:48,654 --> 00:39:50,622 DO YOU HAVE A SIGNIFICANT OTHER NOW? 824 00:39:50,656 --> 00:39:52,724 MM-HMM. THAT, UM, CHARLIE. 825 00:39:52,758 --> 00:39:54,059 HE'S MY FIANCé, 826 00:39:54,092 --> 00:39:56,061 AND HE WAS GONNA COME WITH ME TODAY, 827 00:39:56,094 --> 00:39:59,130 AND I KNOW YOU MIGHT BE WORRIED THAT HE'S NOT HERE, 828 00:39:59,164 --> 00:40:00,799 BUT HE HAS A BIG RECORD DEAL, 829 00:40:00,832 --> 00:40:02,468 AND THEY NEEDED HIM IN NEW YORK 830 00:40:02,501 --> 00:40:07,906 BECAUSE HE MIGHT, UM, BE DOING SOME MUSIC WITH YANNI 831 00:40:07,939 --> 00:40:10,075 OR SOME OTHER PEOPLE. 832 00:40:10,108 --> 00:40:12,544 THAT'S VERY-- THAT'S VERY SOULFUL. 833 00:40:12,578 --> 00:40:13,445 MM-HMM. 834 00:40:13,479 --> 00:40:16,948 OK. IT'S VERY SOULFUL. 835 00:40:16,982 --> 00:40:18,484 WHAT DO YOU-- 836 00:40:18,517 --> 00:40:21,953 WHAT DO YOU FEAR MOST IN LIFE? 837 00:40:22,588 --> 00:40:23,855 UM... 838 00:40:23,889 --> 00:40:24,590 DEATH. 839 00:40:24,623 --> 00:40:27,559 WHAT DOES THAT BRING UP FOR YOU? 840 00:40:27,593 --> 00:40:29,761 NOT BEING ABLE TO LIVE. 841 00:40:29,795 --> 00:40:33,899 AND WHAT ABOUT THE MOST PLEASURABLE THING? 842 00:40:33,932 --> 00:40:35,066 LOVE. 843 00:40:35,100 --> 00:40:38,003 LOVE. YEAH. 844 00:40:38,036 --> 00:40:39,137 MISS WILLOW... 845 00:40:39,170 --> 00:40:40,872 MM-HMM? 846 00:40:40,906 --> 00:40:42,140 WHAT DO YOU THINK-- 847 00:40:42,173 --> 00:40:46,478 WHAT DO YOU THINK YOU CAN GIVE A CHILD? 848 00:40:46,512 --> 00:40:49,548 UM, WELL, UM, I HAVE A TEDDY BEAR 849 00:40:49,581 --> 00:40:51,950 THAT I HAD WHEN I WAS A KID, 850 00:40:51,983 --> 00:40:53,885 AND, UM, I--I--I-- 851 00:40:53,919 --> 00:40:56,855 I MAKE A REALLY GOOD FLUFFERNUTTER SANDWICH. 852 00:40:56,888 --> 00:40:59,758 YOU ARE--YOU'RE-- YOU'RE VERY CHARMING. 853 00:40:59,791 --> 00:41:00,559 YOU'RE VERY CHARMING. 854 00:41:00,592 --> 00:41:03,261 I WANT YOU TO UNDERSTAND SOMETHING. 855 00:41:03,294 --> 00:41:05,831 FOSTERING A CHILD IS NOT A HOBBY, 856 00:41:05,864 --> 00:41:07,633 AND IT'S NOT LIKE AN ACTIVITY-- 857 00:41:07,666 --> 00:41:08,600 OH, NO. I KNOW. 858 00:41:08,634 --> 00:41:09,935 IT'S VERY-- IT'S SERIOUS. 859 00:41:09,968 --> 00:41:11,069 IT'S AN OCCUPATION, 860 00:41:11,102 --> 00:41:13,238 A COMMITMENT THAT YOU'RE GONNA MAKE. 861 00:41:13,271 --> 00:41:14,005 I KNOW. I UNDERSTAND THAT. 862 00:41:14,039 --> 00:41:17,275 I--I HAVE TOO MANY HOBBIES ALREADY. 863 00:41:17,308 --> 00:41:19,545 HA HA HA HA! OK. 864 00:41:19,578 --> 00:41:21,847 [SPEAKING RUSSIAN] 865 00:42:04,289 --> 00:42:05,891 Jasmine: JO, WOULD YOU LOOK AT MY ASS? 866 00:42:05,924 --> 00:42:07,292 THERE'S SOMETHING IN IT. 867 00:42:07,325 --> 00:42:09,895 IT STINKS. IS IT WARTS OR SOMETHING? 868 00:42:09,928 --> 00:42:11,162 NO, IT'S NOT. NO, SWEETHEART. 869 00:42:11,196 --> 00:42:12,631 YOU JUST CUT YOUR ASSHOLE, THAT'S ALL. 870 00:42:12,664 --> 00:42:14,065 YOU SHOULD JUST PUT A LITTLE SOLVENT--WAIT. 871 00:42:14,099 --> 00:42:15,767 Angel: YOU MIGHT FEEL SORRY FOR ME 872 00:42:15,801 --> 00:42:17,869 BECAUSE I ONLY MADE ONE DOLLAR. HA! 873 00:42:17,903 --> 00:42:19,638 Woman: OH, PLEASE. 874 00:42:19,671 --> 00:42:21,807 Jessie: JESUS, ANGEL. 875 00:42:21,840 --> 00:42:24,009 WAY TO GO. 876 00:42:24,375 --> 00:42:25,143 Angel: HEY, JO... 877 00:42:25,176 --> 00:42:27,245 PUT SOME ALOE VERA ON THAT, JASMINE. 878 00:42:27,278 --> 00:42:28,847 I'VE BEEN THINKING ABOUT LITTLE JO 879 00:42:28,880 --> 00:42:32,050 BECAUSE I THINK IT WOULD BE REALLY EASY TO REMEMBER 880 00:42:32,083 --> 00:42:33,919 BECAUSE IT'S LIKE YOUR NAME. 881 00:42:33,952 --> 00:42:34,786 Jo: MM-HMM. 882 00:42:34,820 --> 00:42:36,988 AND IT WOULD BE GOOD FOR A GIRL OR A BOY. 883 00:42:37,022 --> 00:42:39,725 [WHISTLING] 884 00:42:49,868 --> 00:42:54,339 Man: * DON'T TAKE MY SOUL 885 00:42:57,676 --> 00:43:03,314 * NOT FROM ME NOW 886 00:43:04,783 --> 00:43:11,757 * DON'T SEND NO ROSES 887 00:43:11,790 --> 00:43:15,360 * MY PENANCE IS DUE 888 00:43:15,393 --> 00:43:17,763 HEY. CAN I JUST GET YOUR ATTENTION? 889 00:43:17,796 --> 00:43:18,529 DON'T FORGET-- 890 00:43:18,563 --> 00:43:20,231 HELLO, TIFFANY. PARTY AT MY HOUSE. 891 00:43:20,265 --> 00:43:22,834 BIG PARTY AT MY HOUSE DAY AFTER TOMORROW 892 00:43:22,868 --> 00:43:23,669 FOR THE FOSTER KID. 893 00:43:23,702 --> 00:43:24,535 IT TAKES A WHILE TO FIND THE RIGHT GUY, 894 00:43:24,569 --> 00:43:27,038 AND SOMETIMES PEOPLE CAN PISS OFF PEOPLE, 895 00:43:27,072 --> 00:43:28,039 AND THE THING IS-- 896 00:43:28,073 --> 00:43:28,774 HELLO? WHAT? 897 00:43:28,807 --> 00:43:29,708 WE'RE GETTING MY APARTMENT READY 898 00:43:29,741 --> 00:43:31,643 FOR MY FOSTER KID THE DAY AFTER TOMORROW. 899 00:43:31,677 --> 00:43:34,079 I'M GONNA MAKE A MAP FOR EVERYBODY SO EVERYONE KNOWS 900 00:43:34,112 --> 00:43:36,948 HOW TO GET TO MY APARTMENT, OK? 901 00:43:45,323 --> 00:43:48,960 Man: REMEMBER THESE GLASSES? 902 00:43:48,994 --> 00:43:51,029 I WAS WONDERING IF, UH, 903 00:43:51,062 --> 00:43:54,099 MAYBE YOU COULD, UH, HOLD THEM 904 00:43:54,132 --> 00:43:55,934 WHILE I, UH... 905 00:43:55,967 --> 00:44:00,438 I STRAIGHTEN IT OUT WITH THE LANDLORD. 906 00:44:00,471 --> 00:44:02,173 STRAIGHT IT OUT? 907 00:44:02,207 --> 00:44:06,077 THOSE ARE--THOSE WERE MY WIFE'S. 908 00:44:06,111 --> 00:44:07,445 SHE LOVED THEM, AND, UH, 909 00:44:07,478 --> 00:44:11,950 IT'S THE ONLY MEMENTO I GOT OF HER. 910 00:45:10,308 --> 00:45:12,077 D.J.: THAT'S STORMY. 911 00:45:12,110 --> 00:45:14,980 [APPLAUSE] 912 00:45:18,216 --> 00:45:25,056 EDDIE, HARRY LEFT HIS BINOCULARS HERE FOR YOU. 913 00:45:25,090 --> 00:45:26,191 HARRY LEFT THESE? 914 00:45:26,224 --> 00:45:28,226 YEAH. 915 00:45:29,360 --> 00:45:31,096 THANKS. 916 00:45:31,129 --> 00:45:32,197 HEY, DESIREE. 917 00:45:32,230 --> 00:45:34,032 YEAH? 918 00:45:34,065 --> 00:45:34,933 YOU OK? 919 00:45:34,966 --> 00:45:38,369 YEAH, I'M FINE. 920 00:46:13,371 --> 00:46:19,044 UH, HI. IT'S ROOM 208. 921 00:46:19,077 --> 00:46:23,414 YES. NO, I AM NOT GOING. 922 00:46:23,448 --> 00:46:26,017 YES. I STAY ONE MORE NIGHT. 923 00:46:26,051 --> 00:46:30,088 Man: * LIFT ME LIKE AN OLIVE BRANCH * 924 00:46:30,121 --> 00:46:33,191 * BE MY HOMEWARD DOVE 925 00:46:33,224 --> 00:46:35,961 * AND DANCE ME 926 00:46:35,994 --> 00:46:40,031 * TO THE END OF LOVE 927 00:46:40,065 --> 00:46:42,167 OH. NO PROBLEM. 928 00:46:42,200 --> 00:46:44,069 HEY THERE. 929 00:46:53,144 --> 00:46:54,379 YOU WANT ME TO GET OUT OF YOUR WAY? 930 00:46:54,412 --> 00:46:55,513 HMM? YOU WANT ME TO GO? 931 00:46:55,546 --> 00:46:58,583 NO. I AIN'T GOT NOWHERE TO GO. 932 00:47:04,655 --> 00:47:06,491 LIGHT ME ONE, WILL YOU? 933 00:47:06,524 --> 00:47:08,493 YEAH. SURE. 934 00:47:20,671 --> 00:47:22,974 HE'S HERE, BOBBY. 935 00:47:23,008 --> 00:47:25,110 WHO? 936 00:47:25,143 --> 00:47:27,245 SULLIVAN. 937 00:47:27,278 --> 00:47:29,447 YOUR BROTHER? 938 00:47:31,216 --> 00:47:33,118 YES. 939 00:47:38,389 --> 00:47:40,491 HE WANTS ME TO GO SEE HIM. 940 00:47:40,525 --> 00:47:41,960 GONNA? 941 00:47:41,993 --> 00:47:44,129 HE'S STAYING AT THE SUNSET HILTON. 942 00:47:44,162 --> 00:47:48,433 YOU KNOW WHERE THAT IS? 943 00:47:48,466 --> 00:47:52,237 YEAH. YEAH. 944 00:47:52,270 --> 00:47:56,041 HE'S GETTING MARRIED. 945 00:47:56,074 --> 00:47:58,643 HE'S GONNA BE A DADDY. 946 00:47:58,676 --> 00:48:00,678 YOU'RE GONNA BE AN AUNT. 947 00:48:00,711 --> 00:48:02,880 FUCK YOU. 948 00:48:05,216 --> 00:48:08,353 FUCK, NO. I DON'T WANT TO SEE HIM. 949 00:48:11,222 --> 00:48:14,359 HOW'D WE DO TONIGHT? 950 00:48:14,392 --> 00:48:16,427 DID ALL RIGHT. 951 00:48:19,965 --> 00:48:22,000 WANT SOME ADVICE? 952 00:48:22,033 --> 00:48:23,234 WAIT TILL CHRISTMAS. 953 00:48:23,268 --> 00:48:25,103 YOU BUY THEM ALL NICE LITTLE GIFTS. 954 00:48:25,136 --> 00:48:26,237 YOU GO HOME. YOU HUG THEM. 955 00:48:26,271 --> 00:48:28,173 YOU TAKE A PICTURE. YOU GO HOME. 956 00:48:28,206 --> 00:48:30,641 I DON'T WANT ANY ADVICE. 957 00:48:31,676 --> 00:48:34,245 I WANT TO SEE HIM. 958 00:48:34,279 --> 00:48:37,382 Bobby: '74 FLEETWOOD. 959 00:48:37,415 --> 00:48:40,618 Stormy: WE DROVE ACROSS THE COUNTRY IN THAT CAR. 960 00:48:40,651 --> 00:48:44,155 I ALWAYS WANTED TO DO THAT. 961 00:48:44,189 --> 00:48:47,592 BEST MEMORIES OF MY LIFE. 962 00:48:52,730 --> 00:48:54,632 HE'S RIGHT THERE. WHERE? 963 00:48:54,665 --> 00:48:57,702 RIGHT THERE. MY BROTHER. 964 00:48:57,735 --> 00:48:59,070 HOW DO YOU KNOW? 965 00:48:59,104 --> 00:49:00,538 I KNOW. 966 00:49:01,539 --> 00:49:03,374 I KNOW HE'S ON, UH, 967 00:49:03,408 --> 00:49:05,276 ON THE LEFT SIDE OF THE BED, 968 00:49:05,310 --> 00:49:08,313 AND HE'S SMOKING A CIGARETTE, 969 00:49:08,346 --> 00:49:11,049 AND HE'S THINKING. 970 00:49:18,189 --> 00:49:19,257 I'M NOT GOING UP. 971 00:49:19,290 --> 00:49:21,726 I DON'T WANT TO GO UP THERE. 972 00:49:24,295 --> 00:49:25,330 YOU WANT TO GO BACK TO MY PLACE? 973 00:49:25,363 --> 00:49:26,531 NO. JUST, YOU KNOW, TAKE ME BACK 974 00:49:26,564 --> 00:49:29,400 TO MY CAR, ALL RIGHT? 975 00:49:29,434 --> 00:49:31,502 ALL RIGHT. 976 00:49:31,536 --> 00:49:33,271 [STARTS ENGINE] 977 00:49:33,304 --> 00:49:37,508 Man: OK. THIS IS AN EXCELLENT GUITAR, SO... 978 00:49:37,542 --> 00:49:40,045 THANK YOU. 979 00:49:40,078 --> 00:49:42,280 WHOA. 980 00:49:45,750 --> 00:49:48,153 BABY, COME HERE. 981 00:49:48,186 --> 00:49:50,521 Charlie: HERE. HERE. LET ME TELL YOU. 982 00:49:50,555 --> 00:49:51,556 YOU HEAR THAT SOUND? 983 00:49:51,589 --> 00:49:54,192 YEAH. THIS IS A '59 GIBSON LES PAUL. 984 00:49:54,225 --> 00:49:58,663 THIS--THERE IS MORE HISTORY BEHIND THIS INSTRUMENT. 985 00:49:58,696 --> 00:50:01,466 YOU GOT TO HOLD IT LIKE A PRECIOUS BABY. 986 00:50:01,499 --> 00:50:02,333 Jessie: OH, BABY. 987 00:50:02,367 --> 00:50:04,135 THINK BABY JESUS CHRIST. 988 00:50:04,169 --> 00:50:07,004 GOT THE GOODS. 989 00:50:07,805 --> 00:50:10,308 I AM SO PROUD OF YOU. 990 00:50:10,341 --> 00:50:13,211 Man: CASH OR-- 991 00:50:13,244 --> 00:50:14,145 OH, CASH. 992 00:50:14,179 --> 00:50:16,614 IT'S CASH. TAKE THAT. 993 00:50:16,647 --> 00:50:18,183 OK. EXCELLENT. 994 00:50:18,216 --> 00:50:19,117 ARE YOU HAPPY? 995 00:50:19,150 --> 00:50:21,219 THANK YOU, HONEY. 996 00:51:01,592 --> 00:51:05,130 Man: * DANCE ME TO YOUR BEAUTY * 997 00:51:05,163 --> 00:51:08,866 * WITH A BURNING VIOLIN 998 00:51:08,899 --> 00:51:11,836 * DANCE ME THROUGH THE PANIC * 999 00:51:11,869 --> 00:51:16,141 * TILL I'M GATHERED SAFELY IN * 1000 00:51:16,174 --> 00:51:19,810 * LIFT ME LIKE AN OLIVE BRANCH * 1001 00:51:19,844 --> 00:51:23,348 * AND BE MY HOMEWARD DOVE 1002 00:51:23,381 --> 00:51:25,850 * AND DANCE ME 1003 00:51:25,883 --> 00:51:29,587 * TO THE END OF LOVE 1004 00:51:30,621 --> 00:51:33,224 * YEAH, DANCE ME 1005 00:51:33,258 --> 00:51:36,327 * TO THE END OF LOVE 1006 00:51:37,862 --> 00:51:40,598 * LET ME SEE YOUR BEAUTY 1007 00:51:40,631 --> 00:51:45,770 * WHEN THE WITNESSES ARE GONE... * 1008 00:51:45,803 --> 00:51:48,406 Jasmine: ANGE, I GOT ALL THIS REALLY, REALLY GREAT STUFF 1009 00:51:48,439 --> 00:51:51,742 AT THE 99 CENT STORE, AND I THOUGHT--WAKE UP-- 1010 00:51:51,776 --> 00:51:53,744 AND I GOT THIS REALLY, REALLY GREAT SNORKEL. 1011 00:51:53,778 --> 00:51:56,681 THE KID CAN USE IT AS A SNORKEL IN THIS POOL. 1012 00:51:56,714 --> 00:51:59,150 OH, THAT'S SO CUTE! 1013 00:51:59,184 --> 00:52:02,187 WHERE'S JO? WHERE IS EVERYBODY? 1014 00:52:02,220 --> 00:52:03,288 I THINK THAT EVERYBODY 1015 00:52:03,321 --> 00:52:05,256 HAD AN APPOINTMENT OR SOMETHING. 1016 00:52:05,290 --> 00:52:06,824 I HAVEN'T HEARD FROM ANYBODY. 1017 00:52:06,857 --> 00:52:08,226 OK. YOU KNOW THAT GUY 1018 00:52:08,259 --> 00:52:10,561 WHO THROWS THAT SHIT UP ONSTAGE? 1019 00:52:10,595 --> 00:52:11,896 YEAH. 1020 00:52:11,929 --> 00:52:12,563 PRESENTS! 1021 00:52:12,597 --> 00:52:13,531 OH, YAY. I NEED TO WAKE UP. 1022 00:52:13,564 --> 00:52:16,767 SO I THINK THAT WE SHOULD SMOKE IT RIGHT NOW. 1023 00:52:16,801 --> 00:52:18,636 YEAH. BECAUSE WE NEED TO ORGANIZE. 1024 00:52:18,669 --> 00:52:20,738 WE NEED TO CONCENTRATE. 1025 00:52:20,771 --> 00:52:21,672 SMELL THAT. 1026 00:52:21,706 --> 00:52:23,274 Jasmine: OH, MY GOD. DID YOU MOVE THE COUCH? 1027 00:52:23,308 --> 00:52:24,542 YEAH. BECAUSE I'M WORKING 1028 00:52:24,575 --> 00:52:26,577 ON THE FENG SHUI. WHOA. 1029 00:52:26,611 --> 00:52:28,679 WHAT THE FUCK IS FENG SHUI? 1030 00:52:28,713 --> 00:52:31,916 IT'S--AREN'T YOU FROM, LIKE, ASIA? 1031 00:52:31,949 --> 00:52:34,419 NO. I'M FROM SEATTLE, HONEY. 1032 00:52:34,452 --> 00:52:35,553 LIGHT ME. 1033 00:52:35,586 --> 00:52:38,289 WELL, FENG SHUI IS LIKE THE ANCIENT OREAL-- 1034 00:52:38,323 --> 00:52:41,959 ORIENTAL RITUAL OF DECORATING YOUR HOUSE 1035 00:52:41,992 --> 00:52:44,629 WHERE YOU MOVE ALL OF YOUR FURNITURE 1036 00:52:44,662 --> 00:52:46,831 SO THAT THE CHI-- 1037 00:52:46,864 --> 00:52:47,965 OH, MY GOD. 1038 00:52:47,998 --> 00:52:50,501 ENERGY CAN GO THROUGH THE HOUSE. 1039 00:52:50,535 --> 00:52:52,370 IT BLOWS FROM ONE END TO THE OTHER. 1040 00:52:52,403 --> 00:52:54,872 OK. WE CAN WORK WITH THAT. 1041 00:52:54,905 --> 00:52:56,907 [COUGHING] 1042 00:52:57,308 --> 00:52:58,743 ANGE... Angel: WHAT? 1043 00:52:58,776 --> 00:53:00,845 IT'S A FUCKING STY IN HERE. 1044 00:53:00,878 --> 00:53:01,912 OH, I KNOW. I'M GONNA-- 1045 00:53:01,946 --> 00:53:02,713 WELL, YOU GOT TO CLEAN IT. 1046 00:53:02,747 --> 00:53:04,515 I'M GONNA-- I'M DOING IT RIGHT NOW. 1047 00:53:04,549 --> 00:53:06,817 I WAS JUST WAITING FOR EVERYONE TO GET HERE. 1048 00:53:06,851 --> 00:53:09,387 YEAH. WELL, WHERE'S THE KID GONNA SLEEP? 1049 00:53:09,420 --> 00:53:10,588 HE'S GONNA SLEEP IN HERE, 1050 00:53:10,621 --> 00:53:12,423 AND I'M GONNA SLEEP OUT ON THE COUCH. 1051 00:53:12,457 --> 00:53:14,292 HE'S GONNA SLEEP ON A FUCKING HEART-SHAPED BED? 1052 00:53:14,325 --> 00:53:15,226 NO. I'M GONNA-- 1053 00:53:15,260 --> 00:53:17,395 I WAS THINKING I WOULD TURN IT UPSIDE DOWN, 1054 00:53:17,428 --> 00:53:19,297 AND IT WOULD LOOK LIKE A SPACESHIP. 1055 00:53:19,330 --> 00:53:20,097 OK. THAT'S A GOOD IDEA, 1056 00:53:20,130 --> 00:53:21,699 AND YOU GOT TO GET RID OF THIS SHEET. 1057 00:53:21,732 --> 00:53:23,000 GET HIM SPACESHIP SHEETS. 1058 00:53:23,033 --> 00:53:24,569 GOOD IDEA. THAT'S A GOOD IDEA. 1059 00:53:24,602 --> 00:53:25,470 THAT'S A GOOD IDEA. 1060 00:53:25,503 --> 00:53:28,306 OH, MY GOD. AND YOU HAVE TO FIX THIS HOLE. 1061 00:53:28,339 --> 00:53:30,708 I'LL TELL BOBBY TO FIX THIS FUCKING HOLE. 1062 00:53:30,741 --> 00:53:32,543 WE SHOULD MAKE A LIST. 1063 00:53:32,577 --> 00:53:35,212 OK. DICTATE. 1064 00:53:36,046 --> 00:53:38,349 FIX THE HOLE. 1065 00:53:39,384 --> 00:53:42,387 UM, BUY WALLPAPER. 1066 00:53:42,420 --> 00:53:44,422 BOBBY WILL KNOW WHERE TO BUY WALLPAPER. 1067 00:53:44,455 --> 00:53:46,424 HE WILL? MM-HMM. 1068 00:53:46,457 --> 00:53:48,326 OK. 1069 00:53:48,593 --> 00:53:49,660 FIX THE AIR CONDITIONING. 1070 00:53:49,694 --> 00:53:50,828 IT'S SO FUCKING HOT IN HERE. 1071 00:53:50,861 --> 00:53:52,930 WELL, I CAN'T FIX THE AIR CONDITIONING THING 1072 00:53:52,963 --> 00:53:55,633 BECAUSE THERE'S SOME RATS LIVING IN IT. 1073 00:53:55,666 --> 00:53:57,968 ANGEL, YOU CAN'T LIVE WITH RATS! 1074 00:53:58,002 --> 00:53:58,669 WELL, I LIKE RATS. 1075 00:53:58,703 --> 00:53:59,937 NO. WE GOT TO GET RID OF THEM! 1076 00:53:59,970 --> 00:54:01,839 JASMINE! JASMINE, DON'T. 1077 00:54:01,872 --> 00:54:04,008 WHAT AM I GONNA DO? I'M NOT GONNA KILL THEM. 1078 00:54:04,041 --> 00:54:05,676 YEAH. YOU HAVE TO KILL THE RATS. 1079 00:54:05,710 --> 00:54:06,444 JASMINE, NO! 1080 00:54:06,477 --> 00:54:07,712 WE'LL GET BOBBY TO KILL THE RATS. 1081 00:54:07,745 --> 00:54:09,380 SHE'S NOT GONNA LET YOU KEEP THE KID 1082 00:54:09,414 --> 00:54:10,080 IF YOU HAVE RATS. 1083 00:54:10,114 --> 00:54:11,916 I'M NOT--I WON'T KEEP THE RATS. 1084 00:54:11,949 --> 00:54:13,351 I'LL PUT THEM AT YOUR HOUSE. 1085 00:54:13,384 --> 00:54:14,752 I AM NOT KEEPING RATS! 1086 00:54:14,785 --> 00:54:15,553 JUST TEMPORARILY. 1087 00:54:15,586 --> 00:54:16,721 WE CAN JUST TAKE THE WHOLE UNIT OUT, 1088 00:54:16,754 --> 00:54:19,957 AND WE CAN JUST PUT IT AT YOUR HOUSE FOR THE TIME BEING. 1089 00:54:19,990 --> 00:54:22,026 NO, NO! THE KID NEEDS AIR CONDITIONING, 1090 00:54:22,059 --> 00:54:23,160 AND HE CAN'T LIVE WITH RATS. 1091 00:54:23,193 --> 00:54:25,563 SHE'S NOT GONNA LET YOU KEEP THE KID IF YOU HAVE RATS. 1092 00:54:25,596 --> 00:54:27,932 WELL, I'M AGAINST KILLING THEM. 1093 00:54:27,965 --> 00:54:31,402 SACRIFICE THE FUCKING RATS. 1094 00:54:33,571 --> 00:54:36,474 I'M HUNGRY. 1095 00:54:36,707 --> 00:54:38,709 MAYBE WE SHOULD WORK ON THE LIST OUTSIDE, 1096 00:54:38,743 --> 00:54:39,944 AND WE'LL WORK ON OUR TANS. 1097 00:54:39,977 --> 00:54:40,545 OK. I WANT SOME PIZZA. 1098 00:54:40,578 --> 00:54:42,413 DO YOU WANT SOME PIZZA? 1099 00:54:42,447 --> 00:54:43,448 YEAH. 1100 00:54:43,481 --> 00:54:44,982 WHAT KIND DO YOU WANT? 1101 00:54:45,015 --> 00:54:45,816 ANY KIND. 1102 00:54:45,850 --> 00:54:46,584 YOU CAN'T TAKE YOUR TOP OFF OUT THERE 1103 00:54:46,617 --> 00:54:48,419 BECAUSE MR. SHERMAN-- THAT, LIKE, 1104 00:54:48,453 --> 00:54:50,788 100-YEAR-OLD MAN ALWAYS LOOKS-- WHO'S THAT? 1105 00:54:50,821 --> 00:54:52,857 THAT'S MY-- MY DAD. 1106 00:54:52,890 --> 00:54:54,792 YOUR DAD IS ADAM WEST? 1107 00:54:54,825 --> 00:54:58,363 WELL, HE'S WHO I LIKE TO THINK OF AS MY DAD. 1108 00:54:58,396 --> 00:54:59,964 BUT DON'T YOU THINK HE KIND OF LOOKS LIKE ME? 1109 00:54:59,997 --> 00:55:03,000 LIKE, LOOK AT HIS JAW AND HIS MOUTH-- IT'S JUST-- 1110 00:55:03,033 --> 00:55:05,903 EVEN HIS WHOLE NOSE AND EVERYTHING. IT LOOKS-- 1111 00:55:05,936 --> 00:55:06,737 NO. LOOK. 1112 00:55:06,771 --> 00:55:09,607 LOOK AT THE--LOOK. IF I STOOD THIS WAY? 1113 00:55:09,640 --> 00:55:10,575 MM-HMM. 1114 00:55:10,608 --> 00:55:13,043 YOU DON'T LOOK LIKE HIM. 1115 00:55:13,744 --> 00:55:14,579 REALLY? 1116 00:55:14,612 --> 00:55:16,514 IT'S OK. YOU DON'T HAVE TO LOOK LIKE HIM. 1117 00:55:16,547 --> 00:55:17,448 LET'S GET PEPPERONI. 1118 00:55:17,482 --> 00:55:21,586 DON'T TELL THE LADY THAT YOUR DAD IS BATMAN. 1119 00:55:21,619 --> 00:55:23,053 WHY? 1120 00:55:23,087 --> 00:55:25,356 ELLEN. ELLEN TAYLOR. 1121 00:55:25,390 --> 00:55:26,156 Woman: OK. HAVE A SEAT, 1122 00:55:26,190 --> 00:55:28,058 AND WE'LL CALL YOU WHEN WE'RE READY. 1123 00:55:28,092 --> 00:55:30,094 OK. 1124 00:55:33,631 --> 00:55:35,866 Woman: YOUR NAME'S ELLEN? 1125 00:55:35,900 --> 00:55:36,667 YEAH. 1126 00:55:36,701 --> 00:55:38,603 THAT'S WHAT WE WANT TO NAME THE BABY 1127 00:55:38,636 --> 00:55:39,236 IF IT'S A GIRL-- 1128 00:55:39,269 --> 00:55:41,406 AFTER MY HUSBAND'S GRANDMA. 1129 00:55:41,439 --> 00:55:42,707 IT'S KIND OF AN OLD-FASHIONED NAME, 1130 00:55:42,740 --> 00:55:44,875 BUT IT'S SO PRETTY. 1131 00:55:44,909 --> 00:55:47,144 UM, EXCUSE ME, ELLEN, 1132 00:55:47,177 --> 00:55:48,078 YOU CAN'T SMOKE IN HERE. 1133 00:55:48,112 --> 00:55:49,980 THERE'S NO SMOKING IN HERE. 1134 00:55:50,014 --> 00:55:51,015 OH, I'M SORRY. 1135 00:55:51,048 --> 00:55:52,683 BECAUSE IT'S A DOCTOR'S OFFICE. 1136 00:55:52,717 --> 00:55:54,852 YOU KNOW, YOU SHOULD PROBABLY REALLY SERIOUSLY CONSIDER 1137 00:55:54,885 --> 00:55:58,122 STOPPING SMOKING AT THIS POINT, YOU KNOW? 1138 00:55:58,155 --> 00:55:59,089 WHY? 1139 00:55:59,123 --> 00:56:01,559 WELL, I MEAN, IT'S REALLY BAD FOR THE BABY. 1140 00:56:01,592 --> 00:56:03,728 I'M SORRY. ELLEN... MM-HMM? 1141 00:56:03,761 --> 00:56:04,929 YOU MIGHT BE ABLE TO SMOKE OUTSIDE, 1142 00:56:04,962 --> 00:56:08,466 BUT YOU CAN'T SMOKE IN HERE, AND IT'S-- 1143 00:56:08,499 --> 00:56:12,803 LIKE I SAID, IT'S REALLY BAD FOR THE BABY. 1144 00:56:12,837 --> 00:56:14,872 YOU KNOW, A GIRLFRIEND OF MINE-- 1145 00:56:14,905 --> 00:56:16,006 SHE WENT FOR ACUPUNCTURE-- 1146 00:56:16,040 --> 00:56:17,174 YOU KNOW WHAT? I DON'T GIVE A FUCK 1147 00:56:17,207 --> 00:56:19,510 ABOUT THE GIRLFRIEND OF YOURS, OK? 1148 00:56:19,544 --> 00:56:20,411 ALL RIGHT? 1149 00:56:20,445 --> 00:56:22,146 EVERYBODY DOESN'T HAVE A HAPPY, CHEERFUL, 1150 00:56:22,179 --> 00:56:24,749 CHIRPY LIFE LIKE YOU DO, ALL RIGHT? 1151 00:56:24,782 --> 00:56:27,084 OK? EVERYBODY'S NOT HERE TO HAVE A BABY. 1152 00:56:27,117 --> 00:56:29,487 SOME OF US--FUCK YOU! 1153 00:56:29,520 --> 00:56:30,588 FUCK YOU, BITCH! 1154 00:56:30,621 --> 00:56:32,723 SOME OF US ARE HERE TO HAVE ABORTIONS! 1155 00:56:32,757 --> 00:56:33,724 DID YOU EVER THINK OF THAT? 1156 00:56:33,758 --> 00:56:35,092 DID YOU EVER THINK OF THAT? 1157 00:56:35,125 --> 00:56:36,761 DID YOU EVER THINK OF THAT? 1158 00:56:36,794 --> 00:56:38,529 DID YOU EVER THINK OF THAT? 1159 00:56:38,563 --> 00:56:39,564 NO. BECAUSE YOU DON'T THINK. 1160 00:56:39,597 --> 00:56:40,731 YOU JUST RATTLE ON AND ON 1161 00:56:40,765 --> 00:56:42,132 ABOUT YOUR HAPPY LITTLE HUSBAND 1162 00:56:42,166 --> 00:56:44,869 AND YOUR HAPPY LITTLE GRANDMOTHER NAMED ELLEN, 1163 00:56:44,902 --> 00:56:46,003 AND YOU DON'T GIVE A FUCK 1164 00:56:46,036 --> 00:56:47,004 ABOUT OTHER PEOPLE! 1165 00:56:47,037 --> 00:56:49,006 YOU HAVE A PROBLEM, LADY. 1166 00:56:49,039 --> 00:56:50,140 YOU THINK YOU'RE THE ONLY PERSON 1167 00:56:50,174 --> 00:56:51,742 WITH REPRODUCTIVE ORGANS? 1168 00:56:51,776 --> 00:56:53,043 I'M GONNA HAVE THIS FUCKING BABY. 1169 00:56:53,077 --> 00:56:54,178 I'M GONNA HAVE THIS BABY, 1170 00:56:54,211 --> 00:56:55,646 AND MY BABY IS GONNA SELL DRUGS 1171 00:56:55,680 --> 00:56:56,947 TO YOUR BABY ON THE PLAYGROUND! 1172 00:56:56,981 --> 00:57:01,486 YOU KNOW THAT? YOU FUCKING BITCH! 1173 00:57:02,787 --> 00:57:05,490 OH, MY GOD. 1174 00:57:05,523 --> 00:57:07,758 WHAT THE FUCK IS THAT? 1175 00:57:07,792 --> 00:57:08,759 Angel: OH, MY GOD. 1176 00:57:08,793 --> 00:57:10,227 Jasmine: WHO ARE THESE FOR? 1177 00:57:10,260 --> 00:57:14,465 Jimmy: THESE ARE FOR ANGEL. 1178 00:57:14,499 --> 00:57:16,133 HA HA HA HA! 1179 00:57:16,166 --> 00:57:17,067 STACY'S FLOWER COMPANY. 1180 00:57:17,101 --> 00:57:19,203 Jasmine: WHO ARE THEY FROM? IS THERE A CARD? 1181 00:57:19,236 --> 00:57:21,138 WELL, THE DRIVER SAID HE WASN'T ALLOWED 1182 00:57:21,171 --> 00:57:22,840 TO TELL ME WHO PAID FOR THEM. 1183 00:57:22,873 --> 00:57:24,241 Angel: WHAT ARE YOU-- 1184 00:57:24,274 --> 00:57:25,976 WHAT ARE YOU TALKING ABOUT? 1185 00:57:26,010 --> 00:57:27,044 THEY'RE FROM A FUNERAL PARLOR. 1186 00:57:27,077 --> 00:57:30,147 THEY'RE FOR-- I'M NOT DEAD. 1187 00:57:30,180 --> 00:57:32,016 BUT THEY LOOK LIKE THEY'RE BIG. 1188 00:57:32,049 --> 00:57:34,251 THESE ARE SO BEAUTIFUL. 1189 00:57:34,284 --> 00:57:36,921 NICE, ANGEL. YOU SCORED. 1190 00:57:36,954 --> 00:57:37,788 OH, MY GOD. 1191 00:57:37,822 --> 00:57:39,023 WELL, WHO ARE THEY FROM? 1192 00:57:39,056 --> 00:57:41,258 Jimmy: DRIVER SAID HE WASN'T ALLOWED TO TELL ME. 1193 00:57:41,291 --> 00:57:43,260 DID THEY GIVE A CARD? 1194 00:57:43,293 --> 00:57:44,529 JIMMY, DID THEY GIVE A CARD? 1195 00:57:44,562 --> 00:57:47,264 NO, NO, NO. I DON'T KNOW NOTHING ELSE. 1196 00:57:47,297 --> 00:57:49,600 THEY'RE--I BET THEY'RE FROM DALE. 1197 00:57:49,634 --> 00:57:52,002 YOU KNOW, THE GUY WITH THE BALD HEAD. 1198 00:57:52,036 --> 00:57:52,603 THE BIG GUY. 1199 00:57:52,637 --> 00:57:53,904 THE REALLY SWEET BIG MAN. 1200 00:57:53,938 --> 00:57:55,139 HE'S, LIKE, KIND OF NERDY. 1201 00:57:55,172 --> 00:57:55,973 THE GUY DRIVES A BUS. 1202 00:57:56,006 --> 00:57:57,808 YEAH. BUT SOMETIMES THOSE NERDY GUYS-- 1203 00:57:57,842 --> 00:58:01,011 YOU DON'T KNOW, THEY'RE, LIKE, FROM SILICON VALLEY. 1204 00:58:01,045 --> 00:58:02,279 HE'S A POOR NERD. 1205 00:58:02,312 --> 00:58:03,981 NO, NO, NO. HE'S JUST POOR. 1206 00:58:04,014 --> 00:58:05,282 Jimmy: WELL, I'LL SEE YOU LATER. 1207 00:58:05,315 --> 00:58:06,884 ANGEL, IT'S, LIKE, 200 BUCKS. 1208 00:58:06,917 --> 00:58:08,519 LIKE, 300 BUCKS. 1209 00:58:08,553 --> 00:58:09,687 I KNOW IT'S KIND OF UGLY, BUT-- 1210 00:58:09,720 --> 00:58:13,157 SO I HAVE, LIKE, AN INDEPENDENTLY WEALTHY SECRET ADMIRER. 1211 00:58:13,190 --> 00:58:14,091 I'M GONNA TAKE ONE, OK? 1212 00:58:14,124 --> 00:58:16,226 MAYBE THEY'RE FROM CHARLIE. YOU NEVER KNOW. 1213 00:58:16,260 --> 00:58:19,029 HIS RECORD DEAL MIGHT HAVE COME THROUGH. 1214 00:58:19,063 --> 00:58:20,698 JUST KIDDING. 1215 00:58:20,731 --> 00:58:22,299 JUST KIDDING, SWEETIE. 1216 00:58:22,332 --> 00:58:25,570 OH, MY GOD, I CAN'T BELIEVE IT. 1217 00:58:25,603 --> 00:58:26,436 YOU LUCKY GIRL. 1218 00:58:26,470 --> 00:58:33,010 I KNOW. IT'S, LIKE-- I'M, LIKE, SO LUCKY. 1219 00:58:36,914 --> 00:58:39,650 [JAZZ MUSIC PLAYING] 1220 00:59:08,879 --> 00:59:09,847 D.J.: OK. HERE WE GO. 1221 00:59:09,880 --> 00:59:11,916 WE'RE GONNA KICK IT INTO THE NEXT GEAR RIGHT NOW 1222 00:59:11,949 --> 00:59:15,085 BECAUSE COMING TO THE STAGE IS OUR RESIDENT WILD CHILD. 1223 00:59:15,119 --> 00:59:18,188 IT'S JO! 1224 00:59:18,222 --> 00:59:21,058 [WHISTLING AND CHEERING] 1225 00:59:25,029 --> 00:59:27,765 Man: COME ON, GIRL! 1226 00:59:27,798 --> 00:59:29,967 Different man: YEAH, DO IT! 1227 00:59:30,000 --> 00:59:32,236 GET ON THAT POLE! 1228 00:59:32,269 --> 00:59:34,171 [MEN SHOUTING] 1229 00:59:34,204 --> 00:59:35,873 YEAH! YEAH! 1230 00:59:35,906 --> 00:59:37,007 WHOO! 1231 00:59:37,041 --> 00:59:37,908 RIGHT HERE! 1232 00:59:37,942 --> 00:59:41,145 GET ON THAT POLE! 1233 00:59:41,178 --> 00:59:42,312 [SHOUTING] 1234 00:59:42,346 --> 00:59:43,714 JO, IT'S ENOUGH. 1235 00:59:43,748 --> 00:59:45,149 DAVE, DAVE, GET OVER HERE. 1236 00:59:45,182 --> 00:59:47,084 GET HER OFF THE STAGE! 1237 00:59:47,117 --> 00:59:47,918 JO! 1238 00:59:47,952 --> 00:59:49,319 WHAT THE FUCK IS THE MATTER WITH YOU? 1239 00:59:49,353 --> 00:59:51,021 WHAT THE FUCK IS THE MATTER WITH YOU? 1240 00:59:51,055 --> 00:59:53,023 WHAT THE FUCK IS THE MATTER WITH YOU? 1241 00:59:53,057 --> 00:59:54,792 GET HER OFF THE STAGE! 1242 00:59:54,825 --> 00:59:56,794 JO! JO, GET OFF THE STAGE! 1243 00:59:56,827 --> 00:59:59,764 GET HER OFF THE STAGE NOW! 1244 00:59:59,797 --> 01:00:01,866 [INDISTINCT SCREAMING] 1245 01:00:01,899 --> 01:00:03,734 GET HER OUT! 1246 01:00:03,768 --> 01:00:05,002 GET HER OFF THE STAGE! 1247 01:00:05,035 --> 01:00:06,336 [JO SCREAMING] 1248 01:00:06,370 --> 01:00:07,137 ANGEL, GET ON THE STAGE. 1249 01:00:07,171 --> 01:00:10,007 ANGEL, GET OUT ONSTAGE! GET ONSTAGE! 1250 01:00:10,040 --> 01:00:11,942 I THINK YOU NEED TO CALM DOWN, ALL RIGHT? 1251 01:00:11,976 --> 01:00:14,344 D.J.: ANGEL TO THE STAGE. ANGEL TO THE STAGE. 1252 01:00:14,378 --> 01:00:16,046 GET ON NOW! 1253 01:00:16,080 --> 01:00:18,015 ALL RIGHT. OK. HERE WE GO. 1254 01:00:18,048 --> 01:00:20,184 JO! 1255 01:00:20,217 --> 01:00:21,118 OH, FUCK! 1256 01:00:21,151 --> 01:00:23,854 [MUSIC PLAYING] 1257 01:00:24,321 --> 01:00:26,957 Jo: WHAT THE FUCK?! GET OFF ME! 1258 01:00:26,991 --> 01:00:28,192 TAKE YOUR HANDS OFF ME! 1259 01:00:28,225 --> 01:00:30,961 [MUSIC PLAYING] 1260 01:00:34,431 --> 01:00:35,232 GET BACK! 1261 01:00:35,265 --> 01:00:37,201 WHAT THE FUCK IS THE MATTER WITH YOU? 1262 01:00:37,234 --> 01:00:39,069 [GLASS BREAKING] 1263 01:00:39,103 --> 01:00:39,870 FUCKING ASSHOLE! 1264 01:00:39,904 --> 01:00:41,939 IS THIS HER SHIT? IS THIS HER SHIT? 1265 01:00:41,972 --> 01:00:43,774 YES. IS THIS HER SHIT? 1266 01:00:43,808 --> 01:00:45,275 [JO SCREAMING] 1267 01:00:45,309 --> 01:00:47,311 GET THE FUCK OUT! 1268 01:00:47,344 --> 01:00:48,378 GET OUT OF HERE! 1269 01:00:48,412 --> 01:00:50,280 Jo: YOU'RE A BIG MAN, AREN'T YOU? 1270 01:00:50,314 --> 01:00:51,849 Jo: YOU'RE A BIG MAN! 1271 01:00:51,882 --> 01:00:52,582 Jasmine: JO, COME ON. 1272 01:00:52,616 --> 01:00:55,052 GET YOUR HANDS OFF ME, YOU SHIT! 1273 01:00:55,085 --> 01:00:56,854 YOU SHIT! LET HER GO! 1274 01:00:56,887 --> 01:00:57,688 LET HER GO! 1275 01:00:57,722 --> 01:00:59,323 ALL RIGHT, DAVE. KEEP HER OUT OF HERE. 1276 01:00:59,356 --> 01:01:00,157 KEEP HER OUT OF HERE! 1277 01:01:00,190 --> 01:01:02,459 Jo: MY STUFF! I WANT MY STUFF, JESSIE! 1278 01:01:02,492 --> 01:01:05,395 I WANT MY STUFF! GIVE ME MY STUFF! 1279 01:01:05,429 --> 01:01:07,397 HERE'S YOUR BAG. 1280 01:01:19,243 --> 01:01:22,446 OK. THIS ONE'S FROM ME. 1281 01:01:22,479 --> 01:01:23,914 "PALE SHADES OF GRAY 1282 01:01:23,948 --> 01:01:27,852 "LEFT THE CLOUDS ABOVE THE BED HAVE FILLED. 1283 01:01:27,885 --> 01:01:30,921 "THERE IS NO SMILE IN THIS ROOM, 1284 01:01:30,955 --> 01:01:33,758 "NO LAUGH DURING LOVE. 1285 01:01:33,791 --> 01:01:36,994 "A PALL GENTLY DESCENDS OVER THE SPACE 1286 01:01:37,027 --> 01:01:41,431 "ONCE A SANCTUM, NOW A HOLLOW SHAPE 1287 01:01:41,465 --> 01:01:43,267 "AS THE SUN RISES 1288 01:01:43,300 --> 01:01:46,136 AND MY EYES FILL WITH BLACK." 1289 01:01:46,170 --> 01:01:48,205 [APPLAUSE] 1290 01:01:48,238 --> 01:01:50,174 THANK YOU. 1291 01:01:50,207 --> 01:01:51,141 ALL RIGHT. 1292 01:01:51,175 --> 01:01:53,844 I'VE GOT A VERY SPECIAL SURPRISE FOR US TODAY. 1293 01:01:53,878 --> 01:01:56,246 I DECIDED TO BRING UP A SPECIAL MYSTERY GUEST, 1294 01:01:56,280 --> 01:01:58,415 AND IT'S SOMEONE WHO'S ACTUALLY NEVER READ BEFORE, 1295 01:01:58,448 --> 01:01:59,383 SO WHEN SHE COMES UP, 1296 01:01:59,416 --> 01:02:01,485 I WANT YOU TO GIVE A REALLY BIG ENCOURAGEMENT. 1297 01:02:01,518 --> 01:02:04,721 LET'S HEAR IT FOR JASMINE. 1298 01:02:08,092 --> 01:02:10,094 JASMINE... 1299 01:02:10,127 --> 01:02:11,796 COME ON UP. 1300 01:02:11,962 --> 01:02:12,930 YOU DON'T WANT TO READ? 1301 01:02:12,963 --> 01:02:14,198 COME ON UP. GIVE IT A TRY. 1302 01:02:14,231 --> 01:02:15,966 LET'S GIVE HER ENCOURAGEMENT, GUYS. 1303 01:02:16,000 --> 01:02:18,468 Woman: YEAH! 1304 01:02:20,504 --> 01:02:22,840 Dennis: WE'VE ALL BEEN THERE. 1305 01:02:26,977 --> 01:02:29,246 MY NAME IS CATHY. 1306 01:02:39,389 --> 01:02:43,527 "IF, IN THE SKYLARK TONGUING AFTERNOON A DRIFT OF HAIR, 1307 01:02:43,560 --> 01:02:47,497 "IT'S ONLY LOVE BUT GONE IN THE WAY OF EVERYTHING. 1308 01:02:47,531 --> 01:02:49,399 "IF, IN THE MORNING OF YOUR SOUL 1309 01:02:49,433 --> 01:02:52,102 "A BRUSH OF TENDERLY IMAGINED LIPS, 1310 01:02:52,136 --> 01:02:56,807 "IT'S ONLY LOVE BUT GONE IN THE WAY OF EVERYTHING. 1311 01:02:56,841 --> 01:03:00,244 "IF, IN THE MESSY COCKTAIL DREGS OF A MIDNIGHT GLASS 1312 01:03:00,277 --> 01:03:01,846 "A TEARDROP FALLS, 1313 01:03:01,879 --> 01:03:06,550 "IT'S ONLY LOVE BUT GONE IN THE WAY OF EVERYTHING. 1314 01:03:06,583 --> 01:03:09,353 "IF, IN THE SINGING TWILIGHT OF THE DAWN, 1315 01:03:09,386 --> 01:03:11,822 "YOU GIVE YOUR HEART UNWANTED, 1316 01:03:11,856 --> 01:03:15,826 "IT'S ONLY LOVE BUT GONE IN THE WAY OF EVERYTHING. 1317 01:03:15,860 --> 01:03:20,564 "THEN WHAT IN THE HOURS OF YOUR LIFE IS LOVE? 1318 01:03:20,597 --> 01:03:22,833 "IT'S HERE AND GONE... 1319 01:03:22,867 --> 01:03:26,436 AND GIVES ITS NAME TO EVERYTHING." 1320 01:03:26,470 --> 01:03:29,106 [APPLAUSE] 1321 01:03:36,113 --> 01:03:37,081 Dennis: ALL RIGHT. 1322 01:03:37,114 --> 01:03:39,984 WELL, THAT'S IT FOR TODAY, 1323 01:03:40,017 --> 01:03:42,086 SO WE'LL SEE EVERYBODY NEXT TIME, 1324 01:03:42,119 --> 01:03:43,988 AND THANKS A LOT. 1325 01:03:55,499 --> 01:03:56,633 WHY DID YOU CALL MY NAME? 1326 01:03:56,666 --> 01:03:58,903 I DIDN'T ASK YOU TO CALL MY NAME. 1327 01:03:58,936 --> 01:04:01,238 I DON'T EVEN KNOW YOU. 1328 01:04:01,271 --> 01:04:04,141 THAT POEM WAS REALLY GREAT. 1329 01:04:05,409 --> 01:04:08,178 CATHY, I-- 1330 01:04:08,545 --> 01:04:09,613 IT WAS REALLY GREAT. 1331 01:04:09,646 --> 01:04:13,250 I DON'T KNOW WHAT TO SAY. 1332 01:04:13,283 --> 01:04:14,451 YEAH, WELL, THANKS. 1333 01:04:14,484 --> 01:04:17,387 LOOK, HAVE YOU GOT ANY MORE? 1334 01:04:20,124 --> 01:04:20,724 YEAH. 1335 01:04:20,757 --> 01:04:22,359 YOU GOT TO GET UP AND READ. 1336 01:04:22,392 --> 01:04:23,227 I MEAN, THAT'S ALL. 1337 01:04:23,260 --> 01:04:25,295 YOU GOT TO GET UP AND READ. 1338 01:04:25,329 --> 01:04:26,630 WHY? BECAUSE YOU'RE GOOD. 1339 01:04:26,663 --> 01:04:27,898 I HATE TO DISAPPOINT YOU, 1340 01:04:27,932 --> 01:04:31,068 BUT YOU'RE REALLY GOOD. 1341 01:04:34,438 --> 01:04:36,006 WHO IS IT? 1342 01:04:36,040 --> 01:04:37,274 IT'S, UH-- 1343 01:04:37,307 --> 01:04:39,476 IT'S ME. 1344 01:04:39,509 --> 01:04:40,677 IT'S YOU? 1345 01:04:40,710 --> 01:04:44,281 YEAH, IT WAS SITTING AROUND MY APARTMENT. 1346 01:04:45,382 --> 01:04:47,151 THAT'S ME. 1347 01:04:48,152 --> 01:04:53,057 THIS WOMAN I USED TO BE WITH--MARIA-- 1348 01:04:53,090 --> 01:04:54,458 SHE'S BEAUTIFUL. 1349 01:04:54,491 --> 01:04:56,326 SHE WAS A PAINTER. 1350 01:04:56,360 --> 01:04:58,996 SHE PAINTED THAT THING. 1351 01:04:59,029 --> 01:05:00,097 SHE WAS NORTH AFRICAN. 1352 01:05:00,130 --> 01:05:03,133 SHE HAD THIS PRETTY HEAVY ACCENT, MAN, 1353 01:05:03,167 --> 01:05:05,302 AND LIVED IN PARIS, NEW YORK-- 1354 01:05:05,335 --> 01:05:05,970 ALL OVER THE PLACE, 1355 01:05:06,003 --> 01:05:10,074 AND SHE HAD ME SIT 5 WEEKS-- 1356 01:05:10,107 --> 01:05:11,608 5 WEEKS TO DO THAT THING. 1357 01:05:11,641 --> 01:05:14,144 YOU SIT STILL FOR 5 WEEKS, HUH? 1358 01:05:14,178 --> 01:05:17,514 YOU CAN'T SIT STILL FOR 5 MINUTES. 1359 01:05:17,547 --> 01:05:19,183 YEAH... 1360 01:05:19,216 --> 01:05:21,251 AND SHE WOULD TALK TO ME. 1361 01:05:21,285 --> 01:05:23,988 SHE WOULD TALK ABOUT, UH... 1362 01:05:24,021 --> 01:05:28,158 SHAPES AND COLORS... 1363 01:05:28,192 --> 01:05:29,960 LIGHT, SHADOW-- 1364 01:05:29,994 --> 01:05:32,229 ALL THE STUFF, YOU KNOW-- PAINTER SHIT, YOU KNOW? 1365 01:05:32,262 --> 01:05:35,432 AND THEN SHE WOULD USE ALL OF THAT, 1366 01:05:35,465 --> 01:05:39,003 AND THAT'S WHAT POPPED THIS THING TO LIFE. 1367 01:05:39,569 --> 01:05:42,539 LIKE, SHE COULD LOOK AT YOUR BODY, 1368 01:05:42,572 --> 01:05:44,474 AND SHE WOULD PAINT YOU, 1369 01:05:44,508 --> 01:05:48,478 BUT SHE WOULD BRING OUT SHIT THAT YOU NEVER, EVER SEE, 1370 01:05:48,512 --> 01:05:50,547 YOU KNOW WHAT I MEAN? 1371 01:05:51,148 --> 01:05:53,517 SHE WAS A WILD GIRL, TOO, MAN. 1372 01:05:53,550 --> 01:05:55,385 WHEN SHE GOT TIRED IN THE AFTERNOON, 1373 01:05:55,419 --> 01:05:59,956 SHE'D SAY, "EDDIE, WANT TO EAT?" 1374 01:06:04,028 --> 01:06:07,564 I WAS ALONE IN THIS ROOM, 1375 01:06:07,597 --> 01:06:09,233 AND, UH... THIS APARTMENT 1376 01:06:09,266 --> 01:06:13,203 WITH THIS GUY I USED TO LIVE WITH IN SEATTLE-- 1377 01:06:13,237 --> 01:06:14,238 HE HAD A LOT OF BOOKS, 1378 01:06:14,271 --> 01:06:17,241 SO I WOULD JUST, YOU KNOW, SIT AND READ ALL DAY, 1379 01:06:17,274 --> 01:06:20,177 AND ONE DAY, I JUST COULDN'T STAND IT ANY LONGER, 1380 01:06:20,210 --> 01:06:23,647 AND I, YOU KNOW, SHUT ALL THE BLINDS, 1381 01:06:23,680 --> 01:06:24,781 AND... 1382 01:06:24,814 --> 01:06:25,582 [SIGH] 1383 01:06:25,615 --> 01:06:26,383 KNEELED ON THE FLOOR, 1384 01:06:26,416 --> 01:06:29,619 AND I WAS, LIKE, BAWLING MY EYES OUT, 1385 01:06:29,653 --> 01:06:32,689 AND I WROTE IT. 1386 01:06:33,723 --> 01:06:36,160 I TORE IT UP. 1387 01:06:36,560 --> 01:06:39,663 I CAN'T BELIEVE YOU WANT TO HEAR THIS STUFF. 1388 01:06:39,696 --> 01:06:42,432 WERE YOU STRIPPING THEN? 1389 01:06:44,134 --> 01:06:45,369 UH, YEAH. 1390 01:06:45,402 --> 01:06:46,736 YEAH, I WAS WORKING UP IN SEATTLE. 1391 01:06:46,770 --> 01:06:47,804 HOW DO YOU KNOW I WAS A STRIPPER? 1392 01:06:47,837 --> 01:06:51,475 OH, THIS KID WHO WORKS FOR ME SAID HE SAW YOU DANCE. 1393 01:06:51,508 --> 01:06:52,509 OH, YEAH? YEAH. 1394 01:06:52,542 --> 01:06:53,243 TELL HIM I SAY HI. 1395 01:06:53,277 --> 01:06:56,246 IN THIS DREAM I HAD LAST NIGHT-- 1396 01:06:56,280 --> 01:06:57,181 REMEMBER THAT CAT JOHNNY WASHINGTON 1397 01:06:57,214 --> 01:06:59,649 THAT I GOT IN A FIGHT WITH DOWN IN SAN DIEGO? 1398 01:06:59,683 --> 01:07:02,352 I DON'T REMEMBER HIM ON PURPOSE. 1399 01:07:02,386 --> 01:07:03,487 I JUST SAW MY KNIFE, MAN, 1400 01:07:03,520 --> 01:07:06,590 MY HAND JUST CUTTING HIM, CUTTING HIM, CUTTING HIS FACE, 1401 01:07:06,623 --> 01:07:08,425 MAN, BLOOD JUST GETTING ON EVERYTHING, 1402 01:07:08,458 --> 01:07:10,694 BLOOD GETTING ALL OVER. 1403 01:07:14,564 --> 01:07:15,232 STRANGE, MAN. 1404 01:07:15,265 --> 01:07:18,435 THEN I COULDN'T WASH MY HANDS. 1405 01:07:24,574 --> 01:07:26,243 REMEMBER THAT PHONE CALL? 1406 01:07:26,276 --> 01:07:29,279 THE GIRL CRYING I PLAYED FOR YOU THE OTHER DAY? 1407 01:07:29,313 --> 01:07:31,315 ERASE IT. 1408 01:07:31,815 --> 01:07:33,483 NO, I WOULD HAVE ERASED IT LAST WEEK. 1409 01:07:33,517 --> 01:07:36,286 I WOULD HAVE SAID "FUCK THE BITCH," MAN, 1410 01:07:36,320 --> 01:07:37,687 BUT...I DON'T KNOW. 1411 01:07:37,721 --> 01:07:39,856 THIS WEEK, I CAN'T SAY FUCK THE BITCH, 1412 01:07:39,889 --> 01:07:41,825 YOU KNOW WHAT I MEAN? 1413 01:07:47,664 --> 01:07:50,434 YOU GOT SOME HERB WITH YOU? 1414 01:07:51,135 --> 01:07:52,569 YEAH. 1415 01:07:54,538 --> 01:07:57,307 WHY DON'T YOU ROLL US A JOINT? 1416 01:07:58,475 --> 01:08:01,611 SO DO YOU--DO YOU GO TO STRIP CLUBS? 1417 01:08:01,645 --> 01:08:02,412 NO. 1418 01:08:02,446 --> 01:08:04,414 YEAH, YOU DON'T SEEM LIKE THE TYPE. 1419 01:08:04,448 --> 01:08:05,282 YEAH? 1420 01:08:05,315 --> 01:08:06,316 WHAT'S THE TYPE? 1421 01:08:06,350 --> 01:08:07,351 YOU KNOW, MARRIED, LONELY. 1422 01:08:07,384 --> 01:08:10,420 UH-HUH. YEAH, THERE'S THIS KID WHO WORKS FOR ME-- 1423 01:08:10,454 --> 01:08:11,321 JORGE--HE-- 1424 01:08:11,355 --> 01:08:12,756 OH, YEAH. HE'S THE KIND OF KID THAT GOES. 1425 01:08:12,789 --> 01:08:15,392 YEAH, HE SAID YOU WERE ON A BILLBOARD. 1426 01:08:15,425 --> 01:08:16,760 YEAH, THE BLUE IGUANA HAS A COUPLE. 1427 01:08:16,793 --> 01:08:19,429 I'M ONLY ON ONE OF THEM SINCE MY TITS ARE SMALL, 1428 01:08:19,463 --> 01:08:21,231 BUT I'M GOING TO GET THEM DONE. 1429 01:08:21,265 --> 01:08:24,234 SO ARE YOU THE KIND OF GUY WHO LIKES BIG TITS? 1430 01:08:24,268 --> 01:08:25,135 UH...HA HA! 1431 01:08:25,169 --> 01:08:26,136 ACTUALLY, YOU KNOW WHAT? I GOT TO TELL YOU. 1432 01:08:26,170 --> 01:08:29,306 I'M NOT REALLY USED TO THAT LINE OF QUESTIONING, 1433 01:08:29,339 --> 01:08:32,442 UH, TO TELL YOU THE TRUTH. 1434 01:08:32,476 --> 01:08:33,377 ALL RIGHT. 1435 01:08:33,410 --> 01:08:36,346 DO YOU HAVE ANY OTHER WRITERS AT YOUR CLUB? 1436 01:08:36,380 --> 01:08:38,382 YOU KNOW, MAYBE WE COULD CHANGE THE WHOLE VENUE. 1437 01:08:38,415 --> 01:08:41,485 I DON'T KNOW WHAT YOU'RE DOING WITH ME. 1438 01:08:41,518 --> 01:08:42,419 WHAT? 1439 01:08:42,452 --> 01:08:44,654 YOU SHOULD BE WITH, LIKE, THAT FRENCH GIRL. 1440 01:08:44,688 --> 01:08:47,191 SHE'S A GOOD POET. 1441 01:08:52,229 --> 01:08:54,731 I REALLY WANT TO KISS YOU. 1442 01:08:55,599 --> 01:08:56,266 OK. 1443 01:08:56,300 --> 01:08:59,203 NO. I REALLY WANT TO KISS YOU. 1444 01:08:59,969 --> 01:09:02,706 I WANT TO KISS THE POET. 1445 01:09:22,492 --> 01:09:25,529 DO YOU HAVE A PROBLEM WITH ME DANCING? 1446 01:09:25,562 --> 01:09:27,197 NO. 1447 01:09:36,640 --> 01:09:37,907 [MUSIC PLAYING IN THE DISTANCE] 1448 01:09:37,941 --> 01:09:39,743 Woman: ANGEL... 1449 01:09:39,776 --> 01:09:41,945 YEAH? 1450 01:09:41,978 --> 01:09:44,714 I HAVE SOMETHING FOR YOU. 1451 01:09:45,982 --> 01:09:47,651 AGAIN? 1452 01:09:47,684 --> 01:09:49,619 OH, MY GOD! 1453 01:09:49,653 --> 01:09:50,620 WHAT IS IT? 1454 01:09:50,654 --> 01:09:52,456 OPEN IT UP. 1455 01:09:52,989 --> 01:09:55,392 WHA-- 1456 01:09:56,526 --> 01:09:58,895 OH, MY GOSH! 1457 01:09:58,928 --> 01:10:00,697 THAT IS LOVELY. 1458 01:10:00,730 --> 01:10:03,433 LOOK AT THAT. LOOK AT THAT. 1459 01:10:04,468 --> 01:10:06,303 OH, MY GOD. 1460 01:10:06,336 --> 01:10:09,539 JEWELS. YES, IT'S JEWELS. 1461 01:10:09,573 --> 01:10:13,310 OH, AND LOOK... 1462 01:10:13,710 --> 01:10:16,646 CHARLIE? 1463 01:10:16,680 --> 01:10:19,215 CHARLIE? 1464 01:10:19,483 --> 01:10:20,550 HEY, BABY! AAH! 1465 01:10:20,584 --> 01:10:21,951 WHAT A MINUTE! AHH! 1466 01:10:21,985 --> 01:10:23,820 GUESS WHAT! CHARLIE! 1467 01:10:23,853 --> 01:10:24,688 CHARLIE! 1468 01:10:24,721 --> 01:10:25,755 THEY DON'T WANT ME. 1469 01:10:25,789 --> 01:10:26,690 CHARLIE! AAH! 1470 01:10:26,723 --> 01:10:27,891 WANT TO KNOW WHY? 1471 01:10:27,924 --> 01:10:28,758 AAH! 1472 01:10:28,792 --> 01:10:31,295 BECAUSE I HANG OUT WITH SKANKS LIKE YOU! 1473 01:10:31,328 --> 01:10:32,429 CHARLIE! 1474 01:10:32,462 --> 01:10:33,897 PLEASE STOP IT! 1475 01:10:33,930 --> 01:10:35,999 YOU'RE HURTING ME! CHARLIE! 1476 01:10:36,032 --> 01:10:37,701 AREN'T YOU PRETTY? JUST FUCK MORALS! 1477 01:10:37,734 --> 01:10:38,835 CHARLIE, I'M SORRY! 1478 01:10:38,868 --> 01:10:39,703 COME HERE! 1479 01:10:39,736 --> 01:10:41,305 I'M SORRY, CHARLIE. 1480 01:10:41,338 --> 01:10:44,574 AAH! I'M SORRY, CHARLIE. 1481 01:10:45,475 --> 01:10:47,744 I MET SOMEONE. 1482 01:10:49,879 --> 01:10:51,481 OK. WHAT'S HIS NAME? 1483 01:10:51,515 --> 01:10:52,949 DENNIS. 1484 01:10:52,982 --> 01:10:54,651 DENNIS, AND... 1485 01:10:54,684 --> 01:10:56,486 AND... 1486 01:10:59,423 --> 01:11:02,892 AND I THINK-- I DON'T KNOW. 1487 01:11:04,861 --> 01:11:06,730 HE'S A POET. 1488 01:11:07,331 --> 01:11:09,566 HE RUNS THAT THING AT THE COFFEE GROUND, 1489 01:11:09,599 --> 01:11:10,567 AND... 1490 01:11:10,600 --> 01:11:12,302 HE LIKES MY POETRY, SO... 1491 01:11:12,336 --> 01:11:14,538 SO YOU'RE GONNA GO TO SAN FRANCISCO WITH DENNIS? 1492 01:11:14,571 --> 01:11:15,839 YEAH, HE INVITED ME UP THERE. 1493 01:11:15,872 --> 01:11:18,608 THERE'S THIS BIG SLAM, AND... 1494 01:11:20,844 --> 01:11:21,645 YEAH. 1495 01:11:21,678 --> 01:11:24,514 AND YOU'RE GONNA SUPPORT HIM STRIPPING? 1496 01:11:24,548 --> 01:11:25,715 NO. 1497 01:11:25,749 --> 01:11:28,352 I DON'T KNOW. NO. 1498 01:11:33,623 --> 01:11:36,993 I THOUGHT WE'D JUST KIND OF WRITE TOGETHER, 1499 01:11:37,026 --> 01:11:38,628 AND... 1500 01:11:40,964 --> 01:11:43,032 DOES HE KNOW WHAT YOU DO? 1501 01:11:43,066 --> 01:11:43,800 YEAH. 1502 01:11:43,833 --> 01:11:46,770 HE'S, LIKE, TOTALLY FINE WITH IT. 1503 01:11:47,571 --> 01:11:48,304 YEAH. 1504 01:11:48,338 --> 01:11:50,940 HE REALLY FUCKING LOVES MY POETRY. 1505 01:11:50,974 --> 01:11:54,010 SO HE THINKS THAT I CAN, YOU KNOW... 1506 01:11:54,611 --> 01:11:58,014 I DON'T KNOW, GET PUBLISHED OR SOMETHING, YOU KNOW? 1507 01:12:03,720 --> 01:12:05,889 DOES HE LOVE YOU? 1508 01:12:07,491 --> 01:12:08,224 I DON'T KNOW. 1509 01:12:08,257 --> 01:12:10,760 I JUST MET HIM, LIKE, 3 DAYS AGO. 1510 01:12:13,563 --> 01:12:14,864 THAT'S A REALLY SMART THING TO DO THEN. 1511 01:12:14,898 --> 01:12:18,435 I THINK THAT YOU SHOULD GO TO SAN FRANCISCO WITH DENNIS THE POET, 1512 01:12:18,468 --> 01:12:20,404 WHO YOU MET 3 DAYS AGO 1513 01:12:20,437 --> 01:12:25,509 AND WRITE POETRY AND SUPPORT HIM. 1514 01:12:29,946 --> 01:12:33,016 I NEED SOME MORE FUCKING CIGARETTES. 1515 01:12:35,519 --> 01:12:36,686 Jo: BAD! YOU ARE BAD! 1516 01:12:36,720 --> 01:12:37,587 I AM VERY BAD! 1517 01:12:37,621 --> 01:12:40,724 YOU ARE VERY, VERY, VERY, VERY, VERY BAD! 1518 01:12:40,757 --> 01:12:42,125 VERY BAD! VERY BAD! 1519 01:12:42,158 --> 01:12:43,993 I'VE HAD A BAD WEEK AND BEEN TERRIBLE. 1520 01:12:44,027 --> 01:12:45,128 I DON'T CARE ABOUT YOUR WEEK. 1521 01:12:45,161 --> 01:12:46,930 DO I GIVE A FUCK ABOUT YOUR WEEK? 1522 01:12:46,963 --> 01:12:48,798 I DON'T CARE ABOUT YOUR WEEK. 1523 01:12:48,832 --> 01:12:49,699 ARE YOU HUNGRY? 1524 01:12:49,733 --> 01:12:50,700 YES, MISTRESS, STARVING. 1525 01:12:50,734 --> 01:12:52,736 ALL RIGHT, THERE YOU GO. 1526 01:12:52,769 --> 01:12:53,437 EAT! EAT! 1527 01:12:53,470 --> 01:12:54,604 BLESS YOU, MISTRESS. THANK YOU. 1528 01:12:54,638 --> 01:12:55,605 ALL RIGHT, ENOUGH OF THIS SHIT. 1529 01:12:55,639 --> 01:12:58,408 IT'S TIME TO TAKE THE LITTLE WORMY FOR A WALK. 1530 01:12:58,442 --> 01:12:59,409 YES, MISTRESS. OK? 1531 01:12:59,443 --> 01:13:00,577 GET DOWN ON THE GROUND. GET DOWN ON THE GROUND. 1532 01:13:00,610 --> 01:13:04,948 GET DOWN ON THE GROUND AND CRAWL! CRAWL! CRAWL! CRAWL! 1533 01:13:04,981 --> 01:13:07,551 CRAWL LIKE THE SUBHUMAN CREATURE THAT YOU ARE! 1534 01:13:07,584 --> 01:13:08,752 [KNOCK ON DOOR] 1535 01:13:08,785 --> 01:13:09,853 YOU'RE A FUCK-- 1536 01:13:09,886 --> 01:13:10,720 WHO THE FUCK IS THAT? 1537 01:13:10,754 --> 01:13:13,022 ALL RIGHT, YOU JUST STAY RIGHT HERE, OK? 1538 01:13:13,056 --> 01:13:15,592 I'M FINE. 1539 01:13:18,962 --> 01:13:20,497 JESSIE, WHAT ARE YOU DOING HERE? 1540 01:13:20,530 --> 01:13:22,666 I JUST THOUGHT-- IT'S 3:00 IN THE MORNING. 1541 01:13:22,699 --> 01:13:23,800 WHAT THE FUCK ARE YOU DOING? 1542 01:13:23,833 --> 01:13:25,935 I JUST THOUGHT THAT MAYBE YOU NEEDED A LITTLE COMPANY. 1543 01:13:25,969 --> 01:13:27,571 WELL, SWEETHEART, YOU THOUGHT WRONG. 1544 01:13:27,604 --> 01:13:29,038 I HAVE COMPANY. GOOD-BYE. 1545 01:13:29,072 --> 01:13:30,874 WHO IS THAT? JESSIE! 1546 01:13:30,907 --> 01:13:32,476 JESSIE, I'M RIGHT IN THE MIDDLE OF SOMETHING. 1547 01:13:32,509 --> 01:13:34,944 CAN'T YOU TELL? I HAVE A LIFE. CAN YOU GO, PLEASE? 1548 01:13:34,978 --> 01:13:37,013 ANGEL SAID YOU MIGHT NEED SOME COMPANY 1549 01:13:37,046 --> 01:13:38,782 ON ACCOUNT OF THE BABY AND ALL. 1550 01:13:38,815 --> 01:13:39,683 WELL, ANGEL THOUGHT WRONG. 1551 01:13:39,716 --> 01:13:41,818 COMPANY IS THE LAST FUCKING THING I NEED. 1552 01:13:41,851 --> 01:13:43,753 YOU'VE GOT TO GO. GOOD-BYE. 1553 01:13:43,787 --> 01:13:44,854 NO. 1554 01:13:44,888 --> 01:13:46,022 HI. HI. 1555 01:13:46,055 --> 01:13:49,626 Jo: ALL RIGHT. DON'T TALK TO HIM. HE'S BEING PUNISHED, OK? 1556 01:13:49,659 --> 01:13:50,760 ANYWAY, HE DOESN'T EXIST. 1557 01:13:50,794 --> 01:13:52,596 HE'S JUST A LITTLE, PATHETIC WORM. 1558 01:13:52,629 --> 01:13:53,863 GET DOWN ON THE FLOOR! 1559 01:13:53,897 --> 01:13:55,599 DID I TELL YOU TO SIT UP? 1560 01:13:55,632 --> 01:13:56,933 GET DOWN ON THE FLOOR! 1561 01:13:56,966 --> 01:13:58,935 I DON'T NEED ANY CONVERSATION FROM YOU. 1562 01:13:58,968 --> 01:14:00,870 JESSIE, COME ON. GET UP OFF THE FLOOR. 1563 01:14:00,904 --> 01:14:01,705 YOU HAVE BEEN A VERY, VERY-- 1564 01:14:01,738 --> 01:14:03,507 I HAVE, MISTRESS. I'VE BEEN TERRIBLE. 1565 01:14:03,540 --> 01:14:04,373 VERY BAD BOY! 1566 01:14:04,407 --> 01:14:06,810 ALL RIGHT. STOP! STOP, ALL RIGHT? STOP! 1567 01:14:06,843 --> 01:14:09,679 YOU, DON'T TALK TO HER. DON'T TALK TO HER, OK? 1568 01:14:09,713 --> 01:14:10,647 I JUST FIGURED-- WHY NOT? 1569 01:14:10,680 --> 01:14:12,248 CAN'T YOU SEE WE'RE IN THE MIDDLE OF SOMETHING? 1570 01:14:12,281 --> 01:14:14,518 JESSIE, COME ON. HERE. SIT DOWN. SIT DOWN. 1571 01:14:14,551 --> 01:14:15,284 BUT I WANT TO PLAY. 1572 01:14:15,318 --> 01:14:16,620 I'M NOT PLAYING. THIS IS BUSINESS. 1573 01:14:16,653 --> 01:14:20,023 DOES THIS PATHETIC THING LOOK LIKE SOMETHING I WOULD HAVE FUN WITH? 1574 01:14:20,056 --> 01:14:21,057 IT'S BUSINESS. 1575 01:14:21,090 --> 01:14:23,493 THIS IS NOT A FRIEND OF MINE. THIS IS A CLIENT. 1576 01:14:23,527 --> 01:14:24,828 DO YOU MIND IF I STAY? 1577 01:14:24,861 --> 01:14:25,562 LOOK, DON'T TALK TO-- 1578 01:14:25,595 --> 01:14:28,031 SHUT UP! GET DOWN ON THE GROUND! 1579 01:14:28,064 --> 01:14:29,065 RIGHT AWAY, MISTRESS. 1580 01:14:29,098 --> 01:14:30,266 ARE YOU HUNGRY, WORM? 1581 01:14:30,299 --> 01:14:31,134 OH, YES. 1582 01:14:31,167 --> 01:14:31,835 ARE YOU THIRSTY? 1583 01:14:31,868 --> 01:14:34,137 DRINK! DRINK THE FUCKING VODKA! 1584 01:14:34,170 --> 01:14:36,506 KEEP YOUR HEAD ON THE-- 1585 01:14:36,540 --> 01:14:37,206 JESSIE! 1586 01:14:37,240 --> 01:14:38,041 YOU'VE BEEN BAD. 1587 01:14:38,074 --> 01:14:38,942 DON'T DRINK THAT. THAT'S DISGUSTING. 1588 01:14:38,975 --> 01:14:41,244 DON'T YOU DRINK THAT. IT'S DIRTY. GET UP. 1589 01:14:41,277 --> 01:14:42,278 MAY I HAVE TWO MISTRESSES THIS EVENING? 1590 01:14:42,311 --> 01:14:44,514 NO, YOU ARE NOT HAVING TWO MISTRESSES THIS EVENING. 1591 01:14:44,548 --> 01:14:47,016 JESSIE, THAT DOES IT. YOU'VE GOT TO GET OUT OF HERE. 1592 01:14:47,050 --> 01:14:48,818 GO ON, GO ON. GET OUT OF HERE. GO ON. 1593 01:14:48,852 --> 01:14:50,820 NO. NO, JO. PLEASE LET ME STAY. 1594 01:14:50,854 --> 01:14:53,222 JO, I HAVE NOWHERE TO GO. 1595 01:14:53,256 --> 01:14:53,957 ALL RIGHT. 1596 01:14:53,990 --> 01:14:55,759 LET'S NOT GET ALL MELODRAMATIC. 1597 01:14:55,792 --> 01:14:58,094 ALL RIGHT. COME HERE. GET UP. STAND UP. 1598 01:14:58,127 --> 01:14:58,828 WHAT ARE YOU LOOKING AT? 1599 01:14:58,862 --> 01:15:00,964 DO YOU MIND IF I STAY TONIGHT? 1600 01:15:00,997 --> 01:15:01,698 NO, YOU CAN STAY. 1601 01:15:01,731 --> 01:15:03,299 SEE, HE DOESN'T MIND IF I STAY. 1602 01:15:03,332 --> 01:15:05,969 YOUR OPINION DOES NOT COUNT. 1603 01:15:06,002 --> 01:15:07,937 JESSIE... 1604 01:15:07,971 --> 01:15:08,905 WHAT HAPPENED TO YOU? 1605 01:15:08,938 --> 01:15:11,875 WHAT THE FUCK IS THIS? WHO DID THAT TO YOU? 1606 01:15:11,908 --> 01:15:12,742 DID CHARLIE HIT YOU? 1607 01:15:12,776 --> 01:15:15,612 NO, I JUST WANT TO HAVE A SLUMBER PARTY. 1608 01:15:15,645 --> 01:15:16,412 YOU SHOULD PUT ICE ON-- 1609 01:15:16,445 --> 01:15:18,014 DO YOU WANT TO HAVE A SLUMBER PARTY? 1610 01:15:18,047 --> 01:15:19,716 CAN YOU STAY OUT OF THIS, OK? 1611 01:15:19,749 --> 01:15:20,416 BECAUSE WE'RE IN THE-- 1612 01:15:20,449 --> 01:15:22,151 I WANT TO HAVE A SLUMBER PARTY. 1613 01:15:22,185 --> 01:15:22,986 JESSIE, GET UP. 1614 01:15:23,019 --> 01:15:24,621 DON'T. YOU DON'T KNOW WHERE HE'S BEEN. 1615 01:15:24,654 --> 01:15:25,454 COME ON, SWEETHEART. 1616 01:15:25,488 --> 01:15:27,190 YOU NEED TO LIE DOWN AND SLEEP IT OFF. 1617 01:15:27,223 --> 01:15:29,025 THIS IS NOT A PLACE FOR KIDS. 1618 01:15:29,058 --> 01:15:30,960 COME ON, JO. I WANT TO PLAY. 1619 01:15:30,994 --> 01:15:31,861 ALL RIGHT. YOU WIN. 1620 01:15:31,895 --> 01:15:33,897 YOU CAN STAY HERE, BUT YOU CAN'T STAY HERE 1621 01:15:33,930 --> 01:15:35,164 FOR MORE THAN ONE NIGHT, 1622 01:15:35,198 --> 01:15:37,000 BECAUSE I HAVE, FRANKLY, A LIFE. 1623 01:15:37,033 --> 01:15:38,134 BUT I WANT TO PLAY, JO. 1624 01:15:38,167 --> 01:15:41,170 NO. NO. YOU LIE HERE AND BE REALLY QUIET 1625 01:15:41,204 --> 01:15:42,538 AND JUST SLEEP IT OFF 1626 01:15:42,572 --> 01:15:48,011 AND DON'T BOTHER ME WHEN I'M DOING MY BUSINESS WITH THE NICE MAN, OK? 1627 01:15:48,044 --> 01:15:50,013 JUST WHEN YOU GET BACK... 1628 01:16:06,930 --> 01:16:09,666 [MUSIC PLAYING] 1629 01:16:11,968 --> 01:16:15,939 Man: * THERE'S THIS GIRL CECILIA * 1630 01:16:18,074 --> 01:16:19,976 * WHO WAS A SWEETHEART 1631 01:16:20,009 --> 01:16:23,212 * AS A CHILD 1632 01:16:52,809 --> 01:16:54,110 [WHISTLES] 1633 01:16:54,143 --> 01:16:56,212 OFFICER? 1634 01:16:56,245 --> 01:16:57,413 OFFICER, COULD-- 1635 01:16:57,446 --> 01:16:58,281 COULD YOU HELP ME WITH-- 1636 01:16:58,314 --> 01:17:01,284 COULD YOU HELP ME TAKE A PICTURE OF MY-- 1637 01:17:01,317 --> 01:17:03,286 I WANT TO TAKE A PICTURE OF MYSELF 1638 01:17:03,319 --> 01:17:04,821 IN FRONT OF THIS BILLBOARD. 1639 01:17:04,854 --> 01:17:05,889 IS THAT YOU? 1640 01:17:05,922 --> 01:17:07,724 YEAH. REALLY? 1641 01:17:07,757 --> 01:17:11,928 I'M A LOT SMALLER IN PERSON, 1642 01:17:11,961 --> 01:17:14,363 BUT, UM... 1643 01:17:15,164 --> 01:17:15,865 SEE, I CAN-- 1644 01:17:15,899 --> 01:17:19,135 I THINK I'M ONLY GETTING MY HAT. 1645 01:17:19,168 --> 01:17:21,871 [RADIO BEEPING] 1646 01:17:22,305 --> 01:17:25,775 YOU REALIZE YOU'RE NOT SUPPOSED TO BE DOWN HERE? 1647 01:17:25,809 --> 01:17:27,343 UM...SORRY. 1648 01:17:27,376 --> 01:17:28,878 I'M GONNA LEAVE AS SOON AS I-- 1649 01:17:28,912 --> 01:17:32,048 I JUST WANTED TO GET A GOOD SHOT OF MY-- 1650 01:17:32,081 --> 01:17:34,050 ALL RIGHT. MY PICTURE. 1651 01:17:34,083 --> 01:17:35,351 THANKS. 1652 01:17:35,384 --> 01:17:36,786 IS IT READY TO GO? 1653 01:17:36,820 --> 01:17:38,955 YEAH. THERE. 1654 01:17:38,988 --> 01:17:39,956 THANKS. 1655 01:17:39,989 --> 01:17:40,790 A LITTLE WIDER. 1656 01:17:40,824 --> 01:17:43,059 COULD YOU JUST TAKE IT A LITTLE WIDER? 1657 01:17:43,092 --> 01:17:44,327 YOU MEAN BACK? YEAH. 1658 01:17:44,360 --> 01:17:46,062 HOW'S THAT? 1659 01:17:46,095 --> 01:17:47,931 I GOT IT ALL. 1660 01:17:47,964 --> 01:17:49,699 READY? CHEESE. 1661 01:17:49,733 --> 01:17:51,000 CHEESE. CHEESE. 1662 01:17:51,034 --> 01:17:51,935 [CLICK] 1663 01:17:51,968 --> 01:17:53,002 HA! THANK YOU. 1664 01:17:53,036 --> 01:17:54,203 YOU'RE WELCOME. 1665 01:17:54,237 --> 01:17:57,006 DID ANYONE EVERY TELL YOU YOU LOOK A LOT LIKE FRED GWYNNE? 1666 01:17:57,040 --> 01:17:58,842 YOU KNOW, THE GUY WHO WAS HERMAN MUNSTER. 1667 01:17:58,875 --> 01:18:01,044 NO. NO ONE'S EVER TOLD ME THAT BEFORE. 1668 01:18:01,077 --> 01:18:01,878 YOU DO. 1669 01:18:01,911 --> 01:18:03,880 I REALLY LIKED HIM. 1670 01:18:03,913 --> 01:18:06,482 HE WAS, LIKE, THE GREAT--FUCK! 1671 01:18:06,515 --> 01:18:08,017 SHIT! 1672 01:18:08,051 --> 01:18:08,785 OH, NO! 1673 01:18:08,818 --> 01:18:10,219 I FUCKING LOCKED MY KEYS IN MY CAR, 1674 01:18:10,253 --> 01:18:12,889 AND I'VE GOT TO BE AT WORK. 1675 01:18:12,922 --> 01:18:14,323 OH, NO. 1676 01:18:14,357 --> 01:18:15,491 DAMN IT. 1677 01:18:15,524 --> 01:18:16,793 DO YOU HAVE A HANGER? 1678 01:18:16,826 --> 01:18:18,995 THIS SIDE'S OPEN. 1679 01:18:19,028 --> 01:18:21,330 WILL YOU UNLOCK THIS DOOR FOR ME? 1680 01:18:21,364 --> 01:18:23,833 SURE. THANKS. 1681 01:18:24,901 --> 01:18:25,869 YEAH. 1682 01:18:25,902 --> 01:18:26,970 THIS RIGHT HERE. 1683 01:18:27,003 --> 01:18:30,506 THIS IS THE LOCK RIGHT-- 1684 01:18:30,539 --> 01:18:33,242 MA'AM, IS THIS MARIJUANA? 1685 01:18:33,977 --> 01:18:35,812 UM... 1686 01:18:35,845 --> 01:18:36,612 I THINK IT'S, UM-- 1687 01:18:36,645 --> 01:18:39,015 IT'S JUST--IT'S AN HERBAL CIGARETTE. 1688 01:18:39,048 --> 01:18:42,418 YOU WANT TO STEP AROUND THE SIDE OF THE CAR, PLEASE? 1689 01:18:42,451 --> 01:18:44,921 I--I DID NOT INHALE. 1690 01:18:44,954 --> 01:18:45,654 I-- 1691 01:18:45,688 --> 01:18:47,223 STEP AROUND THE SIDE OF THE CAR. 1692 01:18:47,256 --> 01:18:48,958 THIS WILL ONLY TAKE A MINUTE. 1693 01:18:48,992 --> 01:18:49,625 WELL, IT-- 1694 01:18:49,658 --> 01:18:51,360 IT'S PROBABLY JUST OREGANO. 1695 01:18:51,394 --> 01:18:52,796 YOU SHOULD PROBABLY HAVE IT EXAMINED 1696 01:18:52,829 --> 01:18:54,397 BECAUSE I DON'T EVEN FEEL STONED. 1697 01:18:54,430 --> 01:18:57,100 I WILL HAVE IT EXAMINED. 1698 01:18:57,300 --> 01:18:59,068 IT'LL JUST TAKE A SECOND, OK? 1699 01:18:59,102 --> 01:18:59,769 DON'T BE ALARMED. 1700 01:18:59,803 --> 01:19:02,338 DO--DO YOU HAVE TO HANDCUFF ME? 1701 01:19:02,371 --> 01:19:03,006 I'M AFRAID I DO. 1702 01:19:03,039 --> 01:19:04,173 THIS WILL ONLY TAKE A MINUTE. 1703 01:19:04,207 --> 01:19:07,944 BUT YOU CAN FIND ME AT THE BLUE IGUANA, LIKE, EVERY DAY. 1704 01:19:07,977 --> 01:19:09,813 I'M REALLY A GOOD PERSON, 1705 01:19:09,846 --> 01:19:10,746 AND I HAVE-- 1706 01:19:10,780 --> 01:19:12,048 MA'AM, I'M JUST GONNA ASK YOU TO STAND STILL 1707 01:19:12,081 --> 01:19:13,482 JUST FOR A FEW MINUTES, OK? OK. 1708 01:19:13,516 --> 01:19:15,819 I'M JUST GONNA TAKE A LOOK IN THE CAR 1709 01:19:15,852 --> 01:19:16,786 FOR YOUR LICENSE AND REGISTRATION. 1710 01:19:16,820 --> 01:19:19,889 OK, BUT IT'S JUST THAT I HAVE RESPONSIBILITIES 1711 01:19:19,923 --> 01:19:23,192 AND CHILDREN THAT I MIGHT NEED TO BE A ROLE MODEL FOR, 1712 01:19:23,226 --> 01:19:26,129 AND IF I GET A RECORD, IT WOULD BE REALLY BAD. 1713 01:19:26,162 --> 01:19:26,796 I UNDERSTAND. 1714 01:19:26,830 --> 01:19:28,197 WHERE-- IS THIS YOUR PURSE? 1715 01:19:28,231 --> 01:19:31,500 YEAH, THAT FUZZY-- THE PINK-- 1716 01:19:32,401 --> 01:19:34,403 THIS? YEAH. 1717 01:19:35,872 --> 01:19:38,975 OFFICER, IS THERE ANY WAY YOU COULD MAYBE-- 1718 01:19:39,008 --> 01:19:39,876 I'M GONNA PAY THAT. 1719 01:19:39,909 --> 01:19:43,546 I GOT AN EXTENSION ON IT, AND I'M GONNA-- 1720 01:19:43,579 --> 01:19:44,547 WHICH ONE IS YOUR WALLET? 1721 01:19:44,580 --> 01:19:48,084 IT'S THE ONE THAT SAYS "BAD MOTHERFUCKER" ON IT. 1722 01:19:48,117 --> 01:19:50,219 HA! DID YOU EVER SEE PULP FICTION? 1723 01:19:50,253 --> 01:19:51,454 NO, I NEVER SAW THAT ONE. 1724 01:19:51,487 --> 01:19:55,391 WELL, YOU KNOW, JOHN TRAVOLTA'S CAREER CAME BACK AFTER THAT. 1725 01:19:55,424 --> 01:20:00,396 I WAS SICK WHEN THEY TOOK THAT PICTURE. 1726 01:20:02,932 --> 01:20:04,200 OFFICER... 1727 01:20:04,233 --> 01:20:05,601 A LOT OF BILLS, MA'AM. 1728 01:20:05,634 --> 01:20:08,571 YEAH, THEY'RE ALL ONES, BUT, UM... 1729 01:20:08,604 --> 01:20:11,474 YOU CAN HAVE SOME. 1730 01:20:13,609 --> 01:20:14,543 WHAT ARE THESE? 1731 01:20:14,577 --> 01:20:17,213 THEY'RE MY FRIEND JO'S VITAMINS 1732 01:20:17,246 --> 01:20:21,250 FOR HER PREGNANCY, I THINK. 1733 01:20:24,487 --> 01:20:26,555 IS THERE ANY WAY THAT, UM, OFFICER, 1734 01:20:26,589 --> 01:20:28,224 THAT MAYBE YOU COULD FORGET ABOUT THIS, 1735 01:20:28,257 --> 01:20:31,327 BECAUSE I'M REALLY A GOOD PERSON. 1736 01:20:31,360 --> 01:20:33,997 YOU KNOW, YOU COULD COME DOWN TO THE BLUE IGUANA, 1737 01:20:34,030 --> 01:20:37,233 AND THEY LET L.A.P.D. IN THERE ALL THE TIME FOR FREE 1738 01:20:37,266 --> 01:20:39,502 BECAUSE WE'RE A REALLY CLEAN CLUB. 1739 01:20:39,535 --> 01:20:40,269 THAT RIGHT? 1740 01:20:40,303 --> 01:20:42,038 AND EDDIE GETS MAD-- OUR MANAGER-- 1741 01:20:42,071 --> 01:20:44,473 SOMETIMES HE CAN'T EVEN GET THEM OUT OF THE CLUB 1742 01:20:44,507 --> 01:20:45,741 BECAUSE THEY LIKE IT SO MUCH, 1743 01:20:45,774 --> 01:20:50,213 AND MY FRIEND JO, SHE WORKS WITH A LOT OF L.A.P.D. GUYS, AND-- 1744 01:20:50,246 --> 01:20:51,080 OK. 1745 01:20:51,114 --> 01:20:52,916 SHE'S REALLY BEAUTIFUL. I'M SURE SHE'D-- 1746 01:20:52,949 --> 01:20:53,983 I'M GONNA ASK-- 1747 01:20:54,017 --> 01:20:54,683 LIKE YOU. 1748 01:20:54,717 --> 01:20:56,920 WELL, I'M HAPPY TO HEAR THAT. 1749 01:20:56,953 --> 01:20:58,421 I'M GONNA ASK YOU TO STAY BY THE CAR 1750 01:20:58,454 --> 01:20:59,522 JUST FOR A COUPLE OF MINUTES 1751 01:20:59,555 --> 01:21:02,926 WHILE I GO RUN THE LICENSE AND REGISTRATION, ALL RIGHT? 1752 01:21:02,959 --> 01:21:03,692 OK. IS THAT NECESSARY? 1753 01:21:03,726 --> 01:21:05,028 IT REALLY IS. I'LL BE RIGHT BACK. 1754 01:21:05,061 --> 01:21:09,398 BUT, OFFICER, UM, IS THIS GONNA BE, LIKE, ON THE NEWS OR ANYTHING? 1755 01:21:09,432 --> 01:21:10,499 NO, NO, NO, NO, NO. 1756 01:21:10,533 --> 01:21:11,267 IT'S GONNA BE OK. 1757 01:21:11,300 --> 01:21:13,402 BECAUSE I DON'T-- I REALLY CAN'T-- 1758 01:21:13,436 --> 01:21:16,072 I DON'T-- I'VE ALWAYS WANTED TO BE IN THE ENQUIRER 1759 01:21:16,105 --> 01:21:18,641 BUT NOT FOR, LIKE, GETTING ARRESTED. 1760 01:21:18,674 --> 01:21:21,677 I THOUGHT MAYBE IF I HAD, LIKE, A HANDSOME HUNK 1761 01:21:21,710 --> 01:21:24,047 OR A NICE DRESS OR SOMETHING-- 1762 01:21:24,080 --> 01:21:26,882 IS THERE-- IS-- 1763 01:21:27,016 --> 01:21:28,952 SHIT! IT WON'T TAKE A MINUTE. 1764 01:21:28,985 --> 01:21:30,619 OK. 1765 01:21:30,653 --> 01:21:32,421 SHIT! 1766 01:21:44,000 --> 01:21:45,234 HI, EDDIE. 1767 01:21:45,268 --> 01:21:46,669 WHERE'S JASMINE? 1768 01:21:46,702 --> 01:21:50,006 UM, SHE WASN'T FEELING TOO WELL. 1769 01:21:51,674 --> 01:21:53,109 Eddie: ARE YOU OK? 1770 01:21:53,142 --> 01:21:54,543 YEAH. 1771 01:22:08,391 --> 01:22:11,194 [LEONARD COHEN'S DANCE ME TO THE END OF LOVE PLAYING] 1772 01:22:11,227 --> 01:22:15,965 Cohen: * DANCE ME TO THE WEDDING NOW * 1773 01:22:15,999 --> 01:22:19,435 * DANCE ME ON AND ON 1774 01:22:19,468 --> 01:22:22,972 * DANCE ME VERY TENDERLY 1775 01:22:23,006 --> 01:22:26,142 * AND DANCE ME VERY LONG 1776 01:22:26,175 --> 01:22:30,980 * WE'RE BOTH OF US BENEATH OUR LOVE... * 1777 01:22:31,014 --> 01:22:32,248 OH, FUCK! 1778 01:22:32,281 --> 01:22:33,349 WHAT'S THE MATTER? 1779 01:22:33,382 --> 01:22:34,183 FUCK! FUCK! 1780 01:22:34,217 --> 01:22:35,618 YOU HAVE TO GO TO WORK? 1781 01:22:35,651 --> 01:22:36,552 NO. NO. 1782 01:22:36,585 --> 01:22:38,354 YOU WANT ME TO CALL YOUR BOSS? NO, NO, NO. 1783 01:22:38,387 --> 01:22:40,189 NO. I'LL CALL HIM. NO. FUCK OFF! 1784 01:22:40,223 --> 01:22:41,057 NO. DON'T CALL HIM. 1785 01:22:41,090 --> 01:22:42,658 FUCK OFF? WHAT'S HIS NAME? 1786 01:22:42,691 --> 01:22:43,592 NOTHING. 1787 01:22:43,626 --> 01:22:45,394 OK. I'D LIKE TO TALK TO MR. NOTHING, PLEASE. 1788 01:22:45,428 --> 01:22:47,430 NO! STOP IT! NO, NO, NO. 1789 01:22:47,463 --> 01:22:48,064 OK. 1790 01:22:48,097 --> 01:22:50,399 DON'T. I WANT TO STAY HERE. 1791 01:22:50,433 --> 01:22:52,135 OK. 1792 01:22:53,636 --> 01:22:56,272 BUT I WANT TO SMOKE. 1793 01:22:56,505 --> 01:22:58,141 YOU HAVE A GREAT ASS. 1794 01:22:58,174 --> 01:22:59,042 YOU CAN HIT IT. 1795 01:22:59,075 --> 01:23:01,310 I DON'T WANT TO HIT IT. I WANT TO KISS IT. 1796 01:23:01,344 --> 01:23:04,013 YOU WANT TO KISS MY ASS? 1797 01:23:05,148 --> 01:23:07,083 [KISS] 1798 01:23:09,318 --> 01:23:11,154 THANK YOU. 1799 01:23:13,422 --> 01:23:20,229 Susan Tedeschi: * LORD, I LOVE YOU IN SO MANY WAYS * 1800 01:23:20,263 --> 01:23:26,169 * LORD, I LOVE YOU EACH AND EVERY DAY * 1801 01:23:26,202 --> 01:23:32,108 * BUT NOW IS THE TIME WHEN I MUST ASK YOU WHY * 1802 01:23:32,141 --> 01:23:37,080 * WHY MUST YOU LIVE AND WHY MUST YOU DIE? * 1803 01:23:37,113 --> 01:23:40,616 * WELL, I'M LOOKING FOR ANSWERS * 1804 01:23:40,649 --> 01:23:47,356 * LOOKING FOR ANSWERS THAT NOBODY KNOWS... * 1805 01:23:48,624 --> 01:23:50,226 HI, EDDIE. 1806 01:23:50,259 --> 01:23:51,294 SORRY I'M LATE. 1807 01:23:51,327 --> 01:23:52,695 BETTER MAKE IT GOOD, GIRL. 1808 01:23:52,728 --> 01:23:54,263 I KNOW. I HAD REALLY BAD CRAMPS. 1809 01:23:54,297 --> 01:23:55,664 OH. YOU HAD REALLY BAD CRAMPS? 1810 01:23:55,698 --> 01:23:56,832 SORRY. I'M HERE! 1811 01:23:56,865 --> 01:23:58,033 THAT'S A GODDAMN PRIZE WINNER. 1812 01:23:58,067 --> 01:24:01,137 WHAT THE FUCK, YOU'RE HERE? YOU'RE HERE LATE, GODDAMN IT. 1813 01:24:01,170 --> 01:24:02,305 WHERE THE FUCK WERE YOU? 1814 01:24:02,338 --> 01:24:04,573 YOU COULDN'T CALL? 1815 01:24:04,840 --> 01:24:07,710 I NEED V.I.P. NIGHT OFF. 1816 01:24:08,311 --> 01:24:10,079 GODDAMN, YOU'RE PRICELESS. EDDIE-- 1817 01:24:10,113 --> 01:24:11,180 I SWEAR TO GOD, YOU DON'T-- 1818 01:24:11,214 --> 01:24:13,249 I CAN'T WORK ANYWAYS. MY FUCKING CRAMPS ARE SO BAD. 1819 01:24:13,282 --> 01:24:14,383 OH, YOUR CRAMPS ARE KILLING YOU? 1820 01:24:14,417 --> 01:24:15,451 HOW LONG YOU WORKED HERE, JASMINE? 1821 01:24:15,484 --> 01:24:17,386 IT DOESN'T MATTER. I WAS TALKING TO JO AND ANGEL-- 1822 01:24:17,420 --> 01:24:19,122 HOW LONG YOU WORKED HERE? A YEAR, RIGHT? YEAH. 1823 01:24:19,155 --> 01:24:21,590 WHEN WAS THE LAST TIME YOU GOT OFF FOR CRAMPS? NEVER! 1824 01:24:21,624 --> 01:24:22,625 WHAT THE FUCK IS YOUR PROBLEM? 1825 01:24:22,658 --> 01:24:23,859 WHAT THE FUCK IS MY PROBLEM? 1826 01:24:23,892 --> 01:24:25,828 MY PROBLEM IS I WANT YOU TO JUST DON'T TELL ME A GODDAMN LIE! 1827 01:24:25,861 --> 01:24:28,264 I'M JUST SAYING, JO AND ANGEL HAVE, LIKE, 3 OTHER PEOPLE-- 1828 01:24:28,297 --> 01:24:28,964 FUCK JO AND ANGEL! 1829 01:24:28,997 --> 01:24:30,533 THIS AIN'T ABOUT JO AND ANGEL! 1830 01:24:30,566 --> 01:24:31,867 I RUN THIS MOTHERFUCKER. 1831 01:24:31,900 --> 01:24:35,304 I'M ASKING YOU WHAT THE GODDAMN DEAL REALLY IS. 1832 01:24:35,338 --> 01:24:37,106 I DIDN'T ASK YOU ABOUT NO GODDAMN PERIOD, 1833 01:24:37,140 --> 01:24:39,475 SO DON'T TELL ME ABOUT NO FATHERFUCKING PERIOD! 1834 01:24:39,508 --> 01:24:41,144 I CAN'T. I CAN'T. I CAN'T. 1835 01:24:41,177 --> 01:24:41,944 I'LL COME BACK ON MONDAY. 1836 01:24:41,977 --> 01:24:44,147 I'LL WORK ALL THE REST OF THE WEEK. 1837 01:24:44,180 --> 01:24:45,114 I NEED THE WEEKEND OFF. 1838 01:24:45,148 --> 01:24:46,482 TOMORROW NIGHT, YOU'RE DANCING. 1839 01:24:46,515 --> 01:24:47,783 YOU'RE ONE OF MY STAR GIRLS. 1840 01:24:47,816 --> 01:24:49,685 I NEED YOU IN HERE, SO DON'T FUCK WITH ME, OK? 1841 01:24:49,718 --> 01:24:52,688 YOU COME IN HERE LATE AND GONNA ASK FOR TOMORROW OFF? 1842 01:24:52,721 --> 01:24:53,822 WHAT IS THE BIG FUCKING DEAL? 1843 01:24:53,856 --> 01:24:56,359 THE BIG FUCKING DEAL IS I NEED TO KNOW. 1844 01:24:56,392 --> 01:24:58,394 WHAT? 1845 01:24:58,427 --> 01:25:00,429 THE TRUTH. 1846 01:25:00,929 --> 01:25:03,566 THE GODDAMN TRUTH! 1847 01:25:03,699 --> 01:25:05,468 DON'T FUCK WITH ME, JASMINE. 1848 01:25:05,501 --> 01:25:08,171 YOU TELL ME WHAT'S UP. 1849 01:25:09,238 --> 01:25:11,407 I CAN'T. I CAN'T. 1850 01:25:11,440 --> 01:25:13,142 WHAT THE FUCK DO YOU CARE? 1851 01:25:13,176 --> 01:25:15,278 WHAT THE FUCK DO YOU CARE ABOUT ANYWAYS? 1852 01:25:15,311 --> 01:25:16,011 WHAT THE FUCK-- 1853 01:25:16,044 --> 01:25:17,646 YOU CAN GET ANYONE ELSE IN HERE. 1854 01:25:17,680 --> 01:25:18,414 IT DOESN'T MATTER TO YOU. 1855 01:25:18,447 --> 01:25:20,716 I CARE BECAUSE I CARE, GODDAMN IT! 1856 01:25:20,749 --> 01:25:21,817 DON'T TREAT ME LIKE NO TRASH! 1857 01:25:21,850 --> 01:25:23,586 I AM NOT. I AM NOT TREATING YOU LIKE-- 1858 01:25:23,619 --> 01:25:25,688 I WAS TELLING YOU THAT I HAVE A FUCKING LIFE 1859 01:25:25,721 --> 01:25:26,722 AND I NEED THE WEEKEND OFF-- 1860 01:25:26,755 --> 01:25:30,826 YOU AIN'T GOT NO FUCKING LIFE! THIS IS YOUR LIFE! 1861 01:25:31,327 --> 01:25:33,329 YOU GOT THAT? 1862 01:25:33,362 --> 01:25:34,330 YOU AIN'T GOT NO FRIENDS, 1863 01:25:34,363 --> 01:25:36,599 BECAUSE TWO MINUTES AFTER YOU WALK OUT OF HERE, 1864 01:25:36,632 --> 01:25:37,933 ONE OF YOUR DOUBLE-CROSSING FRIENDS 1865 01:25:37,966 --> 01:25:41,704 IS GONNA COME IN HERE AND SNITCH ON YOUR ASS! 1866 01:25:42,838 --> 01:25:43,939 DON'T FUCK WITH ME. 1867 01:25:43,972 --> 01:25:44,807 I FUCKING QUIT! 1868 01:25:44,840 --> 01:25:46,275 GODDAMN YOU! I'M SORRY! 1869 01:25:46,309 --> 01:25:47,109 I WAS-- 1870 01:25:47,142 --> 01:25:48,344 DON'T WALK IN HERE AND FUCK MY SHIT UP! 1871 01:25:48,377 --> 01:25:51,347 EDDIE, YOU KNOW, YOU HAVE YOUR LIFE, AND I'LL HAVE MINE, OK? 1872 01:25:51,380 --> 01:25:53,216 YOU AIN'T GOT A LIFE! 1873 01:25:53,249 --> 01:25:54,717 [DOOR CLOSES] 1874 01:26:22,811 --> 01:26:24,947 MISS WILLOW? 1875 01:26:24,980 --> 01:26:26,849 IT'S SARAH. 1876 01:26:30,719 --> 01:26:32,688 [KNOCK ON DOOR] 1877 01:26:32,721 --> 01:26:34,590 MISS WILLOW? 1878 01:26:36,525 --> 01:26:39,228 [KNOCK ON DOOR] 1879 01:26:39,695 --> 01:26:41,330 BECKY? 1880 01:26:42,665 --> 01:26:44,300 HELLO? 1881 01:26:44,333 --> 01:26:46,635 [KNOCK ON DOOR] 1882 01:26:46,669 --> 01:26:51,974 [ANSWERING MACHINE CLICKS ON AND BEEPS] 1883 01:26:52,007 --> 01:26:53,642 Dennis, on machine: HEY, IT'S ME. 1884 01:26:53,676 --> 01:26:55,311 UM, OK, UH, LET'S SEE. 1885 01:26:55,344 --> 01:26:57,313 I'VE TAKEN CARE OF THE REGISTRATION. 1886 01:26:57,346 --> 01:26:58,180 WE'RE BOTH SIGNED UP, 1887 01:26:58,213 --> 01:26:59,848 AND I GOT OUR NAMES, YOU KNOW, SIGNED UP, 1888 01:26:59,882 --> 01:27:02,951 SO I PUT YOUR NAME UP THERE FOR THE OPEN READ. 1889 01:27:02,985 --> 01:27:03,652 DON'T BE SCARED. 1890 01:27:03,686 --> 01:27:04,853 THERE'S A LOT OF PEOPLE IN IT, 1891 01:27:04,887 --> 01:27:06,755 AND THERE'S STRENGTH IN NUMBERS. 1892 01:27:06,789 --> 01:27:08,524 IT'S GONNA BE REALLY GOOD, 1893 01:27:08,557 --> 01:27:09,792 SO, UH, CALL ME BACK 1894 01:27:09,825 --> 01:27:12,295 SO I KNOW WHAT TIME TO GET TOGETHER WITH YOU. 1895 01:27:12,328 --> 01:27:14,597 OK. BYE. 1896 01:27:14,630 --> 01:27:15,798 [BEEP] 1897 01:27:15,831 --> 01:27:16,865 Bobby: JIMMY, WHAT'S YOUR FAVORITE? 1898 01:27:16,899 --> 01:27:18,301 Jimmy: AND GOD SPOKE. 1899 01:27:18,334 --> 01:27:19,402 IS THAT A FUCKING MOVIE? 1900 01:27:19,435 --> 01:27:21,670 YOU GOT THIS PLACE LOOKING A LITTLE DIFFERENT, JIMMY. 1901 01:27:21,704 --> 01:27:23,706 HEY, EDDIE. WHAT IT IS? 1902 01:27:23,739 --> 01:27:24,707 ALL RIGHT. 1903 01:27:24,740 --> 01:27:26,642 OK, UH, RUN OUT TO MY CAR 1904 01:27:26,675 --> 01:27:28,911 AND GET A COUPLE BOXES I LEFT IN THERE. 1905 01:27:28,944 --> 01:27:29,912 SURE. NO PROBLEM. 1906 01:27:29,945 --> 01:27:31,447 HEY, BOBBY, UM... 1907 01:27:31,480 --> 01:27:32,080 Bobby: WHAT? 1908 01:27:32,114 --> 01:27:34,683 START THINGS UP WITH THIS. 1909 01:27:34,717 --> 01:27:35,784 Bobby: YEAH. 1910 01:27:35,818 --> 01:27:37,686 OH, YEAH, UM... 1911 01:27:37,720 --> 01:27:38,987 YEAH, CALL JO. 1912 01:27:39,021 --> 01:27:40,756 I'M NOT CALLING HER, MAN. 1913 01:27:40,789 --> 01:27:42,925 IF YOU WANT TO CALL HER, YOU CALL HER. 1914 01:27:42,958 --> 01:27:44,893 ALL RIGHT. I'LL CALL HER. 1915 01:27:44,927 --> 01:27:47,463 YOU'RE BRINGING HER BACK IN HERE TO WORK? 1916 01:27:47,496 --> 01:27:48,597 WE NEED EVERYBODY. 1917 01:27:48,631 --> 01:27:50,699 SO ANYWAY, YOU GOT TO RENT BEHIND THE GREEN DOOR 1918 01:27:50,733 --> 01:27:53,769 BECAUSE THE TRAPEZE SCENE IS SO FUCKING HOT. 1919 01:27:55,738 --> 01:27:56,639 HEY, BOBBY! YEAH? 1920 01:27:56,672 --> 01:27:58,807 YOU SEEN THEM GLASSES THAT WERE ON MY DESK? 1921 01:27:58,841 --> 01:28:02,645 I SAW THEM LAST NIGHT. THEY WERE SITTING THERE. 1922 01:28:03,078 --> 01:28:04,380 THEY AIN'T HERE NOW, MAN. 1923 01:28:04,413 --> 01:28:06,081 WELL, I DON'T HAVE THEM! 1924 01:28:06,114 --> 01:28:09,385 MOTHERFUCKING BROADS! 1925 01:28:09,418 --> 01:28:11,354 HEY, MAYBE THE GIRLS WENT TO THE OPERA 1926 01:28:11,387 --> 01:28:13,055 AND HAD TO BORROW THEM. 1927 01:29:05,908 --> 01:29:08,777 [FAINT MUSIC IN BACKGROUND] 1928 01:29:24,026 --> 01:29:26,795 [LOUD MUSIC PLAYING] 1929 01:29:28,697 --> 01:29:30,433 [MAN WHISTLES] 1930 01:29:30,766 --> 01:29:33,101 [MAN WHISTLES] 1931 01:29:34,770 --> 01:29:37,039 [MAN WHISTLES] 1932 01:29:38,507 --> 01:29:40,809 [MAN WHISTLES] 1933 01:29:45,881 --> 01:29:48,484 HELLO. HA HA! 1934 01:29:48,517 --> 01:29:49,852 HEY. HOW ARE YOU? 1935 01:29:49,885 --> 01:29:51,854 WELL, BABY-- 1936 01:29:51,887 --> 01:29:52,588 OH! WHOOP! 1937 01:29:52,621 --> 01:29:54,723 THAT'S OK. DON'T WORRY ABOUT IT. 1938 01:29:54,757 --> 01:29:56,091 MMM. 1939 01:29:56,124 --> 01:29:58,894 Jo: NO. I CAN PICK IT UP UNTIL NEXT WEEK 1940 01:29:58,927 --> 01:30:01,630 BECAUSE THEY'RE-- HEY, EDDIE. 1941 01:30:03,231 --> 01:30:03,866 Eddie: THIS IS NICO. 1942 01:30:03,899 --> 01:30:04,667 Bobby: HERE. LET ME HELP YOU. 1943 01:30:04,700 --> 01:30:06,435 NICO, WHY DON'T YOU SIT RIGHT THERE? 1944 01:30:06,469 --> 01:30:07,235 LET ME GET YOU A PLACE HERE. 1945 01:30:07,269 --> 01:30:08,203 Jasmine: EDDIE, THAT'S ANGEL'S SEAT. 1946 01:30:08,236 --> 01:30:10,105 Bobby: THAT USED TO BE ANGEL'S SEAT. 1947 01:30:10,138 --> 01:30:11,974 BOBBY, THAT'S ANGEL'S STUFF! 1948 01:30:12,007 --> 01:30:14,142 YOU NEED ANYTHING, YOU JUST LET ME KNOW. 1949 01:30:14,176 --> 01:30:16,612 Jo: YOU HAD TOO MUCH TO DRINK. 1950 01:30:16,645 --> 01:30:18,681 NO. JUST LIE DOWN AND SLEEP IT OFF. 1951 01:30:18,714 --> 01:30:19,582 Angel: I'M JUST GONNA-- 1952 01:30:19,615 --> 01:30:21,650 OK. THERE WE GO. CAREFUL. CAREFUL. CAREFUL. 1953 01:30:21,684 --> 01:30:22,885 WHOOPSIE. HA HA! 1954 01:30:22,918 --> 01:30:23,886 EXCUSE ME. 1955 01:30:23,919 --> 01:30:25,187 YEAH? THAT'S ANGEL'S SEAT. 1956 01:30:25,220 --> 01:30:26,989 Jasmine: EDDIE GAVE IT TO HER. 1957 01:30:27,022 --> 01:30:28,991 HELLO? PORN STAR? 1958 01:30:29,024 --> 01:30:30,092 THIS IS ANGEL'S SEAT. 1959 01:30:30,125 --> 01:30:31,560 Bobby: JO, MIND YOUR OWN BUSINESS. 1960 01:30:31,594 --> 01:30:32,928 GET BACK TO WORK. DON'T START WITH ME. 1961 01:30:32,961 --> 01:30:33,696 SHE'S SITTING IN ANGEL'S SEAT. 1962 01:30:33,729 --> 01:30:35,531 THIS HAS ALWAYS BEEN ANGEL'S SEAT. 1963 01:30:35,564 --> 01:30:36,599 ANGEL HAS SENIORITY. 1964 01:30:36,632 --> 01:30:37,866 GET YOUR ASS OUT ON THE FLOOR! 1965 01:30:37,900 --> 01:30:39,835 FUCK YOU, BOBBY. YOU SHOULD TAKE CARE OF THIS. 1966 01:30:39,868 --> 01:30:42,037 EVERYBODY TAKES ADVANTAGE OF ANGEL. 1967 01:30:42,070 --> 01:30:43,572 THANK YOU. 1968 01:30:43,606 --> 01:30:46,174 AW, THAT'S SO SWEET. 1969 01:30:46,208 --> 01:30:47,976 THANKS. 1970 01:30:48,010 --> 01:30:49,111 Dave: $15, PLEASE. 1971 01:30:49,144 --> 01:30:51,980 Dennis: ALL RIGHT. UM, I'D LIKE TO SEE JASMINE, PLEASE. 1972 01:30:52,014 --> 01:30:52,715 WHAT? 1973 01:30:52,748 --> 01:30:53,616 I'D LIKE TO SEE JASMINE, PLEASE. 1974 01:30:53,649 --> 01:30:56,151 IS IT IMPORTANT? WE'RE A BIT BUSY TONIGHT. 1975 01:30:56,184 --> 01:30:57,152 OH. YEAH. 1976 01:30:57,185 --> 01:30:58,887 I'M A FRIEND OF HERS. 1977 01:30:58,921 --> 01:30:59,788 HOLD ON A SECOND. 1978 01:30:59,822 --> 01:31:00,623 D.J.: NOW, THAT'S WHAT I CALL PERFECTION. 1979 01:31:00,656 --> 01:31:03,258 GIVE IT UP, EVERYBODY. THAT WAS JESSIE! 1980 01:31:03,291 --> 01:31:05,027 Woman: HEY, SHAMA LAMA, YOU UP NEXT, GIRL? 1981 01:31:05,060 --> 01:31:06,094 Shama Lama: YEAH. I CAN'T WAIT. 1982 01:31:06,128 --> 01:31:07,896 D.J.: IF YOU WANT A CHANCE TO GET YOUR PICTURE TAKEN 1983 01:31:07,930 --> 01:31:11,834 WITH THE ADULT FILM STAR NICO, IT'S ONLY $10... 1984 01:31:11,867 --> 01:31:12,768 HEY, JASMINE. WHAT? 1985 01:31:12,801 --> 01:31:15,103 I GOT A DENNIS OUT FRONT. 1986 01:31:15,137 --> 01:31:17,840 WANT ME TO TOSS HIM? 1987 01:31:18,741 --> 01:31:20,943 NO. I'M UP NEXT, AREN'T I? YEAH. 1988 01:31:20,976 --> 01:31:23,111 GIVE HIM A GOOD SEAT. HE CAN WATCH ME. 1989 01:31:23,145 --> 01:31:23,979 ALL RIGHT. 1990 01:31:24,012 --> 01:31:27,883 I'LL THROW THE LITTLE BOY TO THE LIONS. 1991 01:31:31,319 --> 01:31:32,655 D.J.: ALL RIGHT, LADIES AND GENTLEMEN, 1992 01:31:32,688 --> 01:31:33,556 LET'S KEEP GOING RIGHT NOW. 1993 01:31:33,589 --> 01:31:37,626 LET'S PLEASE WELCOME TO THE STAGE JASMINE. 1994 01:31:37,660 --> 01:31:38,827 [CLAPPING] 1995 01:31:38,861 --> 01:31:42,931 [MOBY'S PORCELAIN PLAYING] 1996 01:31:47,936 --> 01:31:50,205 [MAN WHISTLES] 1997 01:32:36,318 --> 01:32:43,892 * IN MY DREAMS, I'M DYING ALL THE TIME * 1998 01:32:46,629 --> 01:32:53,902 * AS I WAKE ITS KALEIDOSCOPIC MIND * 1999 01:32:57,139 --> 01:33:02,210 * I NEVER MEANT TO HURT YOU 2000 01:33:03,011 --> 01:33:07,650 * I NEVER MEANT TO LIE 2001 01:33:10,352 --> 01:33:14,757 * SO THIS IS GOOD-BYE 2002 01:33:15,924 --> 01:33:19,895 * THIS IS GOOD-BYE 2003 01:33:28,737 --> 01:33:30,806 [MAN WHISTLES] 2004 01:33:37,445 --> 01:33:39,648 * TELL THE TRUTH 2005 01:33:39,682 --> 01:33:44,152 * YOU NEVER WANTED ME 2006 01:33:46,388 --> 01:33:49,057 * TELL ME 2007 01:33:58,433 --> 01:34:00,803 [MAN WHISTLES] 2008 01:34:06,474 --> 01:34:07,375 [MAN WHISTLES] 2009 01:34:07,409 --> 01:34:14,817 * IN MY DREAMS, I'M JEALOUS ALL THE TIME * 2010 01:34:17,219 --> 01:34:23,759 * AS I WAKE, I'M GOING OUT OF MY MIND * 2011 01:34:23,792 --> 01:34:27,830 THERE SOMETHING I CAN DO FOR YOU TONIGHT? 2012 01:34:28,096 --> 01:34:30,398 HOW MUCH FOR A BLOW? 2013 01:34:30,432 --> 01:34:32,801 HUNDRED BUCKS. 2014 01:34:33,869 --> 01:34:36,772 YEAH. I CAN HANDLE THAT. 2015 01:34:39,474 --> 01:34:41,209 LOOK AT-- LOOK AT ME. 2016 01:34:41,243 --> 01:34:43,678 LOOK IN MY EYES. 2017 01:34:44,079 --> 01:34:46,081 YEAH. 2018 01:34:55,023 --> 01:34:55,991 HEY. 2019 01:34:56,024 --> 01:34:57,860 HI. 2020 01:35:17,079 --> 01:35:20,315 DO YOU WANT TO SIT DOWN? 2021 01:35:20,348 --> 01:35:22,317 SURE. 2022 01:35:53,816 --> 01:35:56,051 HEY, UH... 2023 01:36:04,960 --> 01:36:07,062 OHH... 2024 01:36:07,095 --> 01:36:09,497 I'M SO SORRY. 2025 01:36:09,932 --> 01:36:13,368 NO. THERE'S NOTHING TO BE SORRY ABOUT. 2026 01:36:13,401 --> 01:36:15,403 NO. 2027 01:36:17,139 --> 01:36:20,408 THERE'S NOTHING TO BE SORRY ABOUT. 2028 01:36:32,520 --> 01:36:37,092 I'M LOOKING AT THIS ROOM WITH YOU IN IT. 2029 01:36:45,067 --> 01:36:47,069 [CRYING] 2030 01:36:53,608 --> 01:36:55,110 I FEEL SAFE. 2031 01:36:55,143 --> 01:36:57,946 I FEEL SAFE NOW. 2032 01:37:16,431 --> 01:37:19,001 MMM. 2033 01:37:20,535 --> 01:37:23,538 MAKE LOVE TO ME. 2034 01:37:24,372 --> 01:37:26,474 I CAN'T. I CAN'T. 2035 01:37:26,508 --> 01:37:28,443 OK. 2036 01:37:35,117 --> 01:37:36,084 I'M GETTING MARRIED. 2037 01:37:36,118 --> 01:37:37,519 SHH, SHH, SHH, SHH. 2038 01:37:37,552 --> 01:37:40,956 NO, NO, NO, NO, NO ,NO, NO. 2039 01:37:44,092 --> 01:37:46,461 [BOTH CRYING SOFTLY] 2040 01:37:55,203 --> 01:37:56,371 D.J.: NICO! 2041 01:37:56,404 --> 01:38:01,009 [ECHO AND THE BUNNYMEN'S LIPS LIKE SUGAR PLAYING] 2042 01:38:09,684 --> 01:38:13,221 * SHE FLOATS LIKE A SWAN 2043 01:38:14,089 --> 01:38:17,592 * GRACE ON THE WATER 2044 01:38:18,026 --> 01:38:21,296 * LIPS LIKE SUGAR 2045 01:38:21,663 --> 01:38:23,598 * LIPS LIKE SUGAR 2046 01:38:23,631 --> 01:38:28,270 * JUST WHEN YOU THINK YOU'VE CAUGHT HER * 2047 01:38:28,303 --> 01:38:31,974 * SHE GLIDES ACROSS THE WATER 2048 01:38:32,007 --> 01:38:35,643 * SHE CALLS FOR YOU TONIGHT 2049 01:38:35,677 --> 01:38:38,613 * TO SHARE THIS MOONLIGHT 2050 01:38:38,646 --> 01:38:42,084 * YOU'LL FLOW DOWN HER RIVER 2051 01:38:42,117 --> 01:38:46,121 * SHE'LL ASK, AND YOU'LL GIVE HER * 2052 01:38:46,154 --> 01:38:49,357 * LIPS LIKE SUGAR 2053 01:38:49,391 --> 01:38:53,061 * SUGAR KISSES 2054 01:38:53,095 --> 01:38:56,664 * LIPS LIKE SUGAR 2055 01:38:56,698 --> 01:39:01,003 * SUGAR KISSES 2056 01:39:04,606 --> 01:39:07,575 YEAH! ALL RIGHT! 2057 01:39:07,609 --> 01:39:09,577 YEAAAAH! 2058 01:39:14,149 --> 01:39:17,685 YEAH. IS, UH, HARRY GOLDBERG IN? 2059 01:39:18,286 --> 01:39:20,455 IT'S ED HAZELL. 2060 01:39:20,488 --> 01:39:23,225 I'M A FRIEND. 2061 01:39:25,027 --> 01:39:27,362 WELL, HAS HE GONE AWAY? 2062 01:39:27,395 --> 01:39:29,431 NO? 2063 01:39:33,568 --> 01:39:35,203 YEAH. 2064 01:39:36,671 --> 01:39:39,174 YEAH. THANKS A LOT. 2065 01:39:44,446 --> 01:39:48,116 D.J.: LADIES AND GENTLEMEN, THE FABULOUS NICO! 2066 01:39:48,150 --> 01:39:50,018 THE ONE AND ONLY! 2067 01:39:50,052 --> 01:39:52,120 [CHEERING] 2068 01:39:57,725 --> 01:39:59,527 LADIES AND GENTLEMEN, 2069 01:39:59,561 --> 01:40:01,129 THE HEAVENLY... 2070 01:40:01,163 --> 01:40:03,198 ANGEL. 2071 01:40:04,166 --> 01:40:05,567 Nico: ARE YOU ANGEL? 2072 01:40:05,600 --> 01:40:06,401 WHAT? 2073 01:40:06,434 --> 01:40:07,802 I THINK YOU'RE UP. 2074 01:40:07,835 --> 01:40:09,804 OH, FUCK. 2075 01:40:09,837 --> 01:40:12,174 OH, SHIT. 2076 01:40:14,409 --> 01:40:17,212 OH, FUCK. NEVER MIND. 2077 01:40:18,446 --> 01:40:21,449 OK. NEVER MIND. FUCK IT. 2078 01:40:23,118 --> 01:40:26,454 [BUBBLE'S SPARKLESTAR PLAYING] 2079 01:40:26,688 --> 01:40:29,791 * ...CRASHIN' ON YOUR DOORSTEP 2080 01:40:29,824 --> 01:40:34,796 * YOUR SMILE IN MY HEAD 2081 01:40:34,829 --> 01:40:37,799 * YOU ALWAYS WALK AWAY 2082 01:40:37,832 --> 01:40:40,668 * EVERY TIME I LOOK AT YOU 2083 01:40:40,702 --> 01:40:47,809 * I CAN'T BELIEVE I'LL EVER LOVE AGAIN * 2084 01:40:49,311 --> 01:40:51,313 [MAN WHISTLES] 2085 01:40:51,679 --> 01:40:55,150 * DIDN'T MEAN TO MAKE YOU CRY 2086 01:40:55,183 --> 01:40:57,519 * OR MAKE YOU LOVE SO HARD 2087 01:40:57,552 --> 01:41:01,256 * DIDN'T MEAN TO MAKE YOU SAY GOOD-BYE * 2088 01:41:01,289 --> 01:41:04,459 * OR FALL APART TRYIN' 2089 01:41:04,492 --> 01:41:07,295 * SHAKIN' ON THE FLOOR 2090 01:41:07,329 --> 01:41:10,798 * COME ON AND STEAL MY SOUL 2091 01:41:10,832 --> 01:41:13,168 HEH HEH. THANK YOU. 2092 01:41:13,201 --> 01:41:14,136 HA HA! 2093 01:41:14,169 --> 01:41:16,070 ALL RIGHT. 2094 01:41:16,471 --> 01:41:19,574 * I'M WISHIN' I COULD MAKE YOU UNDERSTAND * 2095 01:41:19,607 --> 01:41:22,277 HEY, FELLAS. HOW'S IT GOING? 2096 01:41:22,310 --> 01:41:24,546 EXCUSE MY BREASTS. I'M LACTATING. 2097 01:41:24,579 --> 01:41:28,216 * YOU ALWAYS WALK AWAY 2098 01:41:28,250 --> 01:41:30,152 I CAN'T GET TOO EXCITED 2099 01:41:30,185 --> 01:41:32,154 BECAUSE THEN MY RUBBER ROLLS UP. 2100 01:41:32,187 --> 01:41:32,787 HA HA! 2101 01:41:32,820 --> 01:41:37,425 * I'LL NEVER LOVE AGAIN 2102 01:41:37,459 --> 01:41:41,129 * NO 2103 01:41:41,163 --> 01:41:46,468 * YOU KNOW YOU'VE GOT TO TRUST ME * 2104 01:41:46,501 --> 01:41:53,275 * EVEN WHEN I'M GOIN' WRONG 2105 01:41:53,541 --> 01:41:58,880 * YOU KNOW YOU GOTTA LOVE ME 2106 01:41:58,913 --> 01:42:04,219 * OVER AND OVER AGAIN 2107 01:42:04,252 --> 01:42:09,657 * TILL IT'S GONE 2108 01:42:19,467 --> 01:42:21,269 * OOH HOO 2109 01:42:21,303 --> 01:42:24,239 Man: YEAH, BABY! 2110 01:42:29,944 --> 01:42:32,280 * OOH HOO HOO 2111 01:42:32,314 --> 01:42:35,417 * I'M CRASHIN' ON YOUR DOORSTEP * 2112 01:42:35,450 --> 01:42:41,823 * YOUR SMILE AND KISSES ON MY HEAD * 2113 01:42:41,856 --> 01:42:44,226 * OH, DON'T YOU WALK AWAY 2114 01:42:44,259 --> 01:42:45,893 OH, GOD. 2115 01:42:45,927 --> 01:42:47,629 DAVE? 2116 01:42:47,662 --> 01:42:48,796 DON'T MOVE. 2117 01:42:48,830 --> 01:42:51,833 IT'S YOU, ISN'T IT? 2118 01:42:51,866 --> 01:42:53,901 DAVE? DON'T MOVE. 2119 01:42:53,935 --> 01:42:54,836 DON'T MOVE. 2120 01:42:54,869 --> 01:42:57,539 DAVE, CAN YOU HELP ME WITH MY MONEY, PLEASE? 2121 01:42:57,572 --> 01:42:58,740 COULD YOU... PICK UP-- 2122 01:42:58,773 --> 01:42:59,441 DON'T MOVE. 2123 01:42:59,474 --> 01:43:00,275 D.J.: THAT'S ANGEL, EVERYBODY. 2124 01:43:00,308 --> 01:43:02,810 SHOW HER YOUR LOVE. ANGEL, EVERYBODY. 2125 01:43:02,844 --> 01:43:03,911 COME ON. WHAT DO YOU SAY? 2126 01:43:03,945 --> 01:43:07,682 IT'S THE ONE, THE FLOWER-- 2127 01:43:07,715 --> 01:43:08,416 JASMINE? 2128 01:43:08,450 --> 01:43:09,751 JASMINE, IT'S THE-- 2129 01:43:09,784 --> 01:43:12,820 THE GUY-- THE FLOWER GUY IS OUT THERE. 2130 01:43:12,854 --> 01:43:13,621 OH, MY GOD, JASMINE, 2131 01:43:13,655 --> 01:43:15,557 HE'S THE MOST DREAMY THING YOU EVER-- 2132 01:43:15,590 --> 01:43:18,560 YOU KNOW, THE GUY WITH THE RED DRESS, JASMINE? 2133 01:43:18,593 --> 01:43:19,461 I'M GONNA-- 2134 01:43:19,494 --> 01:43:22,897 DO YOU HAVE ANYTHING TO STRAIGHTEN ME OUT? 2135 01:43:22,930 --> 01:43:24,732 HUH? 2136 01:43:25,867 --> 01:43:27,635 OH, FUCK. 2137 01:43:27,669 --> 01:43:31,873 [ERIC CLAPTON'S RIVER OF TEARS PLAYING] 2138 01:43:41,383 --> 01:43:43,618 WOO WOO! 2139 01:43:47,955 --> 01:43:50,392 [MAN WHISTLES] 2140 01:44:09,677 --> 01:44:14,482 * IT'S 3 MILES TO THE RIVER 2141 01:44:17,519 --> 01:44:21,356 * THAT WOULD CARRY ME AWAY 2142 01:44:23,658 --> 01:44:28,262 * AND TWO MILES TO THE DUSTY STREET * 2143 01:44:30,598 --> 01:44:34,536 * THAT I SAW YOU ON TODAY 2144 01:44:36,371 --> 01:44:41,476 * IT'S 4 MILES TO MY LONELY ROOM * 2145 01:44:44,111 --> 01:44:48,383 * WHERE I WILL HIDE MY FACE 2146 01:44:50,017 --> 01:44:55,523 * AND ABOUT HALF A MILE TO THE DOWNTOWN BAR * 2147 01:44:57,492 --> 01:45:01,596 * THAT I RAN FROM IN DISGRACE 2148 01:45:02,930 --> 01:45:08,836 * LORD, HOW LONG HAVE I GOT TO KEEP ON RUNNING? * 2149 01:45:09,604 --> 01:45:15,610 * 7 HOURS, 7 DAYS, OR 7 YEARS? 2150 01:45:16,143 --> 01:45:20,982 * ALL I KNOW IS, SINCE YOU'VE BEEN GONE * 2151 01:45:21,015 --> 01:45:24,552 * FEEL LIKE I'M DROWNING 2152 01:45:24,586 --> 01:45:27,355 * IN A RIVER 2153 01:45:28,089 --> 01:45:31,959 * DROWNING 2154 01:45:32,627 --> 01:45:38,900 * IN A RIVER OF TEARS 2155 01:45:40,635 --> 01:45:43,905 * DROWNING IN A RIVER 2156 01:45:47,141 --> 01:45:51,513 * FEEL LIKE I'M DROWNING 2157 01:45:53,481 --> 01:45:56,684 * DROWNING IN A RIVER 2158 01:46:30,485 --> 01:46:32,186 * IN 3 MORE DAYS 2159 01:46:32,219 --> 01:46:35,790 * I'LL LEAVE THIS TOWN 2160 01:46:37,124 --> 01:46:41,429 * AND DISAPPEAR WITHOUT A TRACE... * 2161 01:46:43,698 --> 01:46:45,867 WHAT? WHAT? 2162 01:46:45,900 --> 01:46:46,534 WAIT A MINUTE. 2163 01:46:46,568 --> 01:46:48,970 WHAT ARE YOU GOING AWAY FOR? 2164 01:46:49,003 --> 01:46:50,872 WAIT A MINUTE! 2165 01:46:50,905 --> 01:46:54,776 * WHERE NO ONE KNOWS MY FACE 2166 01:46:57,512 --> 01:47:02,016 * I WISH THAT I COULD HOLD YOU 2167 01:47:02,917 --> 01:47:04,586 * ONE MORE TIME 2168 01:47:04,619 --> 01:47:07,922 * TO EASE THE PAIN 2169 01:47:24,205 --> 01:47:26,608 OH, MY GOD. 2170 01:47:28,009 --> 01:47:30,011 OH, MY GOD. 2171 01:47:31,012 --> 01:47:32,914 OH, MY-- 2172 01:47:36,017 --> 01:47:38,185 OH, MY GOD. 2173 01:47:40,021 --> 01:47:42,557 OH, MY GOD. 2174 01:47:43,057 --> 01:47:46,027 OH, MY GOD. HA! 2175 01:47:46,694 --> 01:47:48,896 [DOOR CLOSES] 2176 01:48:05,780 --> 01:48:07,749 Jo: JESSIE? 2177 01:48:07,782 --> 01:48:09,517 YEAH? 2178 01:48:10,117 --> 01:48:12,587 I CAN'T SLEEP. 2179 01:48:12,620 --> 01:48:14,622 ARE YOU OK? 2180 01:48:17,291 --> 01:48:20,227 DO YOU WANT TO COME JOIN ME? 2181 01:48:21,796 --> 01:48:23,765 SURE. 2182 01:48:47,622 --> 01:48:49,924 SING SOMETHING. 2183 01:48:57,932 --> 01:49:06,273 * RIVER RUNNING DEEP 2184 01:49:06,307 --> 01:49:14,015 * CARRY ME IN MY SLEEP 2185 01:49:14,048 --> 01:49:21,889 * I WANT TO ESCAPE THIS NIGHT * 2186 01:49:21,923 --> 01:49:29,897 * AND WAIT TILL THE CALM DAYLIGHT * 2187 01:49:29,931 --> 01:49:32,700 * 'CAUSE TOMORROW 2188 01:49:32,734 --> 01:49:34,702 * WILL BE 2189 01:49:34,736 --> 01:49:37,805 * A GOOD THING 2190 01:49:43,377 --> 01:49:44,946 OHH. 2191 01:49:54,789 --> 01:49:57,091 DO YOU HAVE A LIGHT? 2192 01:49:59,193 --> 01:50:02,730 YEAH, I HAVE. 2193 01:50:06,901 --> 01:50:08,035 THANK YOU. 2194 01:50:08,069 --> 01:50:10,104 YOU CAN GO HOME NOW, YOU KNOW. 2195 01:50:10,137 --> 01:50:11,739 YEAH. 2196 01:50:13,407 --> 01:50:14,709 CAN I? 2197 01:50:14,742 --> 01:50:16,110 YEAH. 2198 01:50:21,048 --> 01:50:22,950 WHAT TIME IS IT? 2199 01:50:23,718 --> 01:50:25,820 I DON'T KNOW. 3:30. 2200 01:50:28,690 --> 01:50:31,125 WHY ARE YOU STILL HERE? 2201 01:50:31,358 --> 01:50:32,994 WHY ARE YOU STILL HERE? 2202 01:50:33,027 --> 01:50:35,830 GOOD FUCKING QUESTION. 2203 01:50:39,066 --> 01:50:40,735 WHO KNOWS? 2204 01:50:40,768 --> 01:50:43,137 I GUESS I FELL ASLEEP. 2205 01:50:43,170 --> 01:50:44,238 IS THAT WHAT HAPPENED? 2206 01:50:44,271 --> 01:50:47,174 YEAH. YOU WERE ASLEEP FOR A LONG TIME. 2207 01:50:47,208 --> 01:50:49,711 COULD BE WORSE. 2208 01:50:53,280 --> 01:50:55,883 YOU HAVE PRETTY HAIR. 2209 01:50:56,350 --> 01:50:58,352 THANKS. 2210 01:51:00,354 --> 01:51:00,988 YOU KNOW, I'M SORRY. 2211 01:51:01,022 --> 01:51:04,225 I FOR--I FORGOT YOUR NAME. 2212 01:51:06,293 --> 01:51:08,863 SO DO I. 2213 01:51:09,363 --> 01:51:13,735 IT'S, UH...NICO. 2214 01:51:13,768 --> 01:51:14,802 NICO. 2215 01:51:14,836 --> 01:51:16,704 YEAH. 2216 01:51:18,205 --> 01:51:20,775 WHAT ARE YOU WRITING? 2217 01:51:20,808 --> 01:51:22,209 WHAT? 2218 01:51:28,182 --> 01:51:31,352 I'M JUST TRYING TO KEEP YOU HERE. 2219 01:51:33,087 --> 01:51:35,456 I HATE THIS PART. 2220 01:51:35,489 --> 01:51:37,191 GOING HOME? 2221 01:51:37,224 --> 01:51:38,893 NO. 2222 01:51:38,926 --> 01:51:43,731 IT'S AN AWKWARD FUCKING TRANSITION, YOU KNOW. 2223 01:51:46,100 --> 01:51:47,401 IT'S LIKE... 2224 01:51:47,434 --> 01:51:52,840 IT'S JUST 3 MORE HOURS TILL SUNSET--SUNRISE. 2225 01:51:58,946 --> 01:52:01,148 WHERE'S YOUR NEXT GIG? 2226 01:52:01,182 --> 01:52:03,918 TRAVEL AROUND A LOT, RIGHT? 2227 01:52:03,951 --> 01:52:06,420 YEAH. YEAH. 2228 01:52:06,453 --> 01:52:09,356 SO, WHERE DO YOU, LIKE, LIVE? 2229 01:52:10,091 --> 01:52:13,294 HOTEL. HOTELS. 2230 01:52:13,327 --> 01:52:16,363 WHERE DO YOU-- WHERE DO YOU LIVE? 2231 01:52:16,864 --> 01:52:19,801 I LOST MY HOUSE. 2232 01:52:19,834 --> 01:52:21,068 OH. 2233 01:52:21,102 --> 01:52:23,237 NO BIG DEAL. 2234 01:52:33,247 --> 01:52:36,250 WHAT ARE YOU WRITING? 2235 01:52:36,283 --> 01:52:38,185 WHAT? 2236 01:52:38,820 --> 01:52:40,988 YOU WRITE, RIGHT? 2237 01:52:41,255 --> 01:52:43,557 THAT'S WHAT YOU DO. YOU WRITE. 2238 01:52:43,590 --> 01:52:46,460 YEAH. YOU'RE A WRITER. 2239 01:52:46,493 --> 01:52:48,262 IT'S SO FUCKING FUNNY. 2240 01:52:48,295 --> 01:52:50,531 I MEAN, IT'S, LIKE, WRITERS, YOU KNOW, 2241 01:52:50,564 --> 01:52:55,236 YOU ALL WRITE, AND THEN YOU NEVER WANT TO READ WHAT YOU WROTE. 2242 01:52:56,003 --> 01:52:57,504 SO, YOU STRIP ALL NIGHT HERE, 2243 01:52:57,538 --> 01:53:00,541 AND THEN YOU SIT BACK HERE AND WRITE. 2244 01:53:05,279 --> 01:53:06,480 YEAH, I'M SAFE. 2245 01:53:06,513 --> 01:53:09,917 I WON'T REMEMBER IT TOMORROW. 2246 01:53:17,091 --> 01:53:19,193 IS IT, UM... 2247 01:53:19,226 --> 01:53:21,062 IS IT A SONG? 2248 01:53:21,095 --> 01:53:24,065 NO. I DON'T WRITE SONGS. 2249 01:53:24,631 --> 01:53:28,569 IS IT, UM... IS IT A STORY? 2250 01:53:29,236 --> 01:53:30,571 NO. 2251 01:53:34,541 --> 01:53:37,011 I WRITE POEMS. 2252 01:53:38,479 --> 01:53:40,147 AH. 2253 01:53:40,181 --> 01:53:42,349 OH, POETRY. 2254 01:53:42,383 --> 01:53:46,220 I HAVE A FRIEND-- UH, I HAD A FRIEND 2255 01:53:46,253 --> 01:53:48,856 WHO USED TO WRITE POETRY. 2256 01:53:48,890 --> 01:53:53,861 HE USED TO CALL ME, AND HE'D READ THEM TO ME. 2257 01:53:53,895 --> 01:53:55,629 HUH. 2258 01:53:55,662 --> 01:53:57,264 YEAH. 2259 01:53:57,531 --> 01:54:00,367 HE WROTE REALLY GOOD POEMS. 2260 01:54:00,401 --> 01:54:01,235 YEAH? 2261 01:54:01,268 --> 01:54:03,437 YEAH, HE DID. 2262 01:54:04,171 --> 01:54:06,240 YEAH. IT'S HARD TO WRITE GOOD POEMS. 2263 01:54:06,273 --> 01:54:07,975 YEAH. 2264 01:54:11,478 --> 01:54:14,015 IT WOULD REALLY, UM... 2265 01:54:15,316 --> 01:54:18,519 BE NICE TO HEAR A POEM AGAIN. 2266 01:54:20,387 --> 01:54:22,523 PLEASE? 2267 01:54:35,269 --> 01:54:38,372 "WHEN LIGHT SHATTERED ACROSS THE FLOOR 2268 01:54:38,405 --> 01:54:42,243 "AND BRIEFLY THERE WAS A THUNDER BETWEEN US, 2269 01:54:42,276 --> 01:54:43,644 "IF YOUR EYES HAD HELD WATER, 2270 01:54:43,677 --> 01:54:46,480 "IT WOULD HAVE NOT SPILLED, 2271 01:54:46,513 --> 01:54:48,349 "AND WHEN WE PEELED ASIDE THE DREAMS, 2272 01:54:48,382 --> 01:54:52,486 "THE SKIN UNDERNEATH WAS STILL YOUNG. 2273 01:54:52,519 --> 01:54:53,354 "WHEN ALL WAS BLACK, 2274 01:54:53,387 --> 01:54:56,423 "YOU SMOOTHED ASIDE THE WORDS AND SAID, 2275 01:54:56,457 --> 01:54:58,492 "IT'S THERE, THE LIGHT. 2276 01:54:58,525 --> 01:55:03,931 WHEN YOU WANT IT, IT'LL BE WAITING FOR YOU." 2277 01:55:03,965 --> 01:55:07,634 "A CERTAIN PEACE CAME INTO YOUR EYES... 2278 01:55:07,668 --> 01:55:09,971 "THAT THIS WAS NO DIFFERENT, 2279 01:55:10,004 --> 01:55:11,372 "THAT THIS WAS SO DIFFERENT, 2280 01:55:11,405 --> 01:55:13,507 "YET EVERY BIT THE SAME. 2281 01:55:13,540 --> 01:55:17,611 "AND YOUR HANDS STILLED WITH SATISFACTION. 2282 01:55:17,644 --> 01:55:20,948 "YOU DID THIS WITHOUT TOUCH... 2283 01:55:20,982 --> 01:55:21,815 "SO THAT ALL AROUND ME, 2284 01:55:21,848 --> 01:55:26,453 "YOUR HANDS STOOD, SHAPED LIKE SHELTERS. 2285 01:55:26,487 --> 01:55:29,356 "ALL AROUND ME, THERE WAS ROOM, 2286 01:55:29,390 --> 01:55:30,224 "AND AFTER EACH HOUR, 2287 01:55:30,257 --> 01:55:34,628 "THE HALLWAYS OUTSIDE WERE LIKE CAVERNS. 2288 01:55:34,661 --> 01:55:37,431 "AND AROUND THE CORNER AND DOWN THE STAIRS, 2289 01:55:37,464 --> 01:55:41,168 "THERE LURKED, AS ALWAYS, LIGHT... 2290 01:55:41,202 --> 01:55:44,405 AS EVER, LIGHT." 2291 01:55:50,544 --> 01:55:53,514 IS IT ABOUT A GUY? 2292 01:55:53,547 --> 01:55:55,449 NO. 2293 01:56:00,654 --> 01:56:02,990 IS IT ABOUT YOU? 2294 01:56:08,529 --> 01:56:10,297 NO. 2295 01:56:15,669 --> 01:56:17,704 MAYBE. 2296 01:56:19,506 --> 01:56:23,410 I'M SORRY. I JUST HAD A BAD DAY. 2297 01:56:27,448 --> 01:56:29,250 DO YOU HAVE A LIGHT? 2298 01:56:29,283 --> 01:56:31,052 YEAH. 2299 01:56:41,495 --> 01:56:44,131 WHAT'S IT ABOUT? 2300 01:56:47,434 --> 01:56:49,603 IT'S ABOUT... 2301 01:56:51,138 --> 01:56:53,107 IT'S ABOUT... 2302 01:56:56,443 --> 01:57:00,214 YOU KNOW HOW-- YOU KNOW HOW, LIKE, 2303 01:57:00,247 --> 01:57:02,583 WHEN YOU'RE IN HERE, 2304 01:57:02,616 --> 01:57:05,119 AND IT'S ALWAYS DARK. 2305 01:57:05,152 --> 01:57:10,557 IT'S ALWAYS, LIKE, 1:00 IN THE MORNING. 2306 01:57:12,626 --> 01:57:18,065 IT'S ABOUT, YOU KNOW, MORNING... 2307 01:57:18,465 --> 01:57:20,267 STUFF INSIDE YOU. 2308 01:57:20,301 --> 01:57:23,437 STUFF INSIDE YOU. 2309 01:57:25,272 --> 01:57:27,040 ME, TOO. 2310 01:57:31,145 --> 01:57:33,414 IT'S A NICE POEM. 2311 01:57:35,516 --> 01:57:37,418 THANK YOU. 2312 01:57:37,618 --> 01:57:40,654 YOU KNOW WHAT A CRYPTOGRAPHER IS? 2313 01:57:40,687 --> 01:57:43,824 I NEVER PAID ATTENTION IN SCHOOL. 2314 01:57:44,725 --> 01:57:46,827 IT'S A CODE BREAKER. 2315 01:57:46,860 --> 01:57:47,661 AHH. 2316 01:57:47,694 --> 01:57:49,563 DURING THE WAR... 2317 01:57:50,264 --> 01:57:52,366 THAT'S WHAT HARRY WAS. 2318 01:57:54,368 --> 01:57:57,804 THERE ARE ONLY TWO OR THREE OF THEM IN THE WHOLE WORLD, 2319 01:57:57,838 --> 01:58:00,307 AND HARRY WAS ONE OF THEM. 2320 01:58:00,674 --> 01:58:03,076 HE WAS THE BEST, MAN. 2321 01:58:06,313 --> 01:58:08,882 THAT SHIT'S GONNA KILL YOU, BOY. 2322 01:58:08,915 --> 01:58:10,651 HOPE SO. 2323 01:58:14,755 --> 01:58:16,457 WANT TO GET SOMETHING TO EAT? 2324 01:58:16,490 --> 01:58:18,159 SURE. 2325 01:58:19,826 --> 01:58:22,763 YOU KNOW, I'LL GIVE THAT OLD JEW ONE THING. 2326 01:58:22,796 --> 01:58:23,730 HOPE TO GOD WHEN I'M THAT OLD, 2327 01:58:23,764 --> 01:58:26,167 I STILL LOVE PUSSY LIKE HE DOES, 2328 01:58:26,200 --> 01:58:30,171 EVEN IF I'VE GOT TO USE BINOCULARS TO SEE IT. 2329 01:58:31,538 --> 01:58:34,341 Bobby: HAVE YOU EVER SANG? 2330 01:58:34,375 --> 01:58:35,242 Eddie: SANG? 2331 01:58:35,276 --> 01:58:38,845 YEAH, LIKE IN PUBLIC, IN FRONT OF PEOPLE? 2332 01:58:39,413 --> 01:58:40,814 YEAH, A LONG TIME AGO. 2333 01:58:40,847 --> 01:58:42,449 YOU DID? 2334 01:58:42,616 --> 01:58:44,618 DID YOU GET NERVOUS? 2335 01:58:45,719 --> 01:58:47,254 YEAH. 2336 01:58:47,288 --> 01:58:48,555 YEAH, BECAUSE, UH, 2337 01:58:48,589 --> 01:58:50,391 JESSIE'S GOING OVER TO DIMPLES THIS AFTERNOON. 2338 01:58:50,424 --> 01:58:52,793 YOU KNOW, THE PLACE OVER IN BURBANK-- KARAOKE-- 2339 01:58:52,826 --> 01:58:55,296 AND, UH, A BUNCH OF THE GIRLS ARE GOING, 2340 01:58:55,329 --> 01:58:56,197 SO, UM-- 2341 01:58:56,230 --> 01:58:57,331 WHAT, OUR GIRLS? 2342 01:58:57,364 --> 01:58:58,064 YEAH. 2343 01:58:58,098 --> 01:58:59,466 JESSIE SAID EVERYBODY CAN SING, 2344 01:58:59,500 --> 01:59:00,867 SO I THOUGHT, YOU KNOW, 2345 01:59:00,901 --> 01:59:01,802 WHAT THE FUCK? 2346 01:59:01,835 --> 01:59:03,237 OUR GIRLS CAN SING? 2347 01:59:03,270 --> 01:59:04,438 YEAH. 2348 01:59:04,471 --> 01:59:06,807 GODDAMN. 2349 01:59:07,841 --> 01:59:11,278 THIS RUSSIAN MOTHERFUCKER GOT SHOT... 2350 01:59:11,578 --> 01:59:12,413 AND SOME SHOT. 2351 01:59:12,446 --> 01:59:14,515 RIGHT THROUGH THE HEART, 2352 01:59:14,548 --> 01:59:18,252 IN THE WINDOW OF HIS HOUSE OVER IN WOODLAND HILLS. 2353 01:59:18,785 --> 01:59:19,620 DAMN! 2354 01:59:19,653 --> 01:59:21,555 QUICK WAY TO GO. 2355 01:59:21,588 --> 01:59:22,523 PHEW. 2356 01:59:22,556 --> 01:59:23,557 SO, I THOUGHT, IF YOU WEREN'T DOING ANYTHING, 2357 01:59:23,590 --> 01:59:24,291 MAYBE, YOU KNOW, 2358 01:59:24,325 --> 01:59:27,228 IF YOU DROP BY, WE COULD, LIKE, 2359 01:59:27,261 --> 01:59:28,962 DO IT TOGETHER, LIKE A DUET, 2360 01:59:28,995 --> 01:59:30,531 A FRANK AND SAMMY KIND OF THING. 2361 01:59:30,564 --> 01:59:31,698 WHAT TIME IS THAT? 2362 01:59:31,732 --> 01:59:32,666 3:00. 2363 01:59:32,699 --> 01:59:35,269 NO, MAN. 2364 01:59:35,302 --> 01:59:37,371 I'LL BE ASLEEP. 2365 01:59:37,704 --> 01:59:40,341 CAPTIONING MADE POSSIBLE BY TRIMARK PICTURES 2366 01:59:40,374 --> 01:59:44,845 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 2367 02:00:03,730 --> 02:00:07,601 * WITH EYES OF FIRE 2368 02:00:09,803 --> 02:00:13,274 * NO ONE CAN SEE 2369 02:00:14,808 --> 02:00:20,347 * THE SMOKE FROM THE SWEET GRASS * 2370 02:00:20,947 --> 02:00:24,451 * COVERS ME 2371 02:00:35,862 --> 02:00:39,400 * I AM DRAWN 2372 02:00:41,635 --> 02:00:44,505 * I AM DRAWN 2373 02:00:44,538 --> 02:00:46,973 * TO HER 2374 02:00:48,475 --> 02:00:52,813 * LIKE A MOTH TO THE FLAME 2375 02:00:52,846 --> 02:00:54,948 * SHE LEADS ME DOWN 2376 02:00:54,981 --> 02:00:59,586 * UNBOUND 2377 02:01:01,555 --> 02:01:04,358 * UNBOUND 2378 02:01:09,596 --> 02:01:12,533 * UNBOUND 2379 02:01:12,566 --> 02:01:16,337 * I AM LOST 2380 02:01:18,372 --> 02:01:21,808 * I AM LOST 2381 02:01:24,511 --> 02:01:28,582 * HAS ANYBODY SEEN ME? 2382 02:01:29,716 --> 02:01:33,487 * I AM LOST 2383 02:01:35,356 --> 02:01:39,560 * OH, NOTHING IS FORGOTTEN 2384 02:01:41,595 --> 02:01:45,366 * ONLY LEFT BEHIND 2385 02:01:46,867 --> 02:01:50,471 * WHEREVER I AM 2386 02:01:52,072 --> 02:01:55,942 * SHE LEADS ME DOWN 2387 02:01:57,844 --> 02:02:01,014 * UNBOUND 2388 02:02:03,484 --> 02:02:06,587 * NO BORDERS 2389 02:02:06,620 --> 02:02:09,022 * NO FENCES 2390 02:02:09,055 --> 02:02:12,359 * NO WALLS 2391 02:02:14,828 --> 02:02:17,598 * NO BORDERS 2392 02:02:17,631 --> 02:02:21,768 * NO FENCES 2393 02:02:35,782 --> 02:02:40,153 * LIKE A MOTH TO THE FLAME 2394 02:02:40,186 --> 02:02:41,988 * SHE LEADS ME DOWN 2395 02:02:42,022 --> 02:02:47,127 * UNBOUND 2396 02:02:48,862 --> 02:02:52,399 * UNBOUND 2397 02:02:54,468 --> 02:02:57,471 * NO BORDERS 2398 02:02:57,504 --> 02:03:00,073 * NO FENCES 2399 02:03:00,106 --> 02:03:03,043 * UNBOUND 2400 02:03:05,879 --> 02:03:08,515 * NO BORDERS 2401 02:03:08,549 --> 02:03:11,151 * NO FENCES 2402 02:03:11,184 --> 02:03:14,154 * UNBOUND 2403 02:03:16,990 --> 02:03:19,726 * UNBOUND 2404 02:03:20,093 --> 02:03:22,729 * UNBOUND 150065

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