Original subtitles

[ PROJECTOR CLICKING ]

[ MID-TEMPO MUSIC PLAYS ]

[ BIRDS CHIRPING ]

[ VEHICLE APPROACHING ]

[ CAR DOOR CLOSES ]

>> HEY, YOU.

>> HEY.

[ FOOTSTEPS ]

[ WHISTLING IN DISTANCE ]

>> [ SIGHS ]

[ SIGHS ]

[ HEAVY METAL MUSIC PLAYING ]

[ CRICKETS CHIRPING ]

>> [ SPEAKING INDISTINCTLY ]

>> YEAH.

>> WHENEVER YOU WANT.

>> THANKS. HEY, WHO IS THIS?

>> [ SPEAKING INDISTINCTLY ]

>> OH. IT'S J&F ANDREW.

>> OH. SORRY.

>> YEAH. [ CHUCKLES ]

>> [ SPEAKING INDISTINCTLY ]

>> NO, I KNOW.

>> YOU WANT ME TO LOOK AT THEM?

>> NO, I'LL COME PICK IT UP ON

THURSDAY, MAN.

DON'T WORRY ABOUT IT.

>> [ GRUNTS ] CAN YOU HELP ME?

>> WAIT. SAY THAT AGAIN?

>> IT WON'T WORK.

UH-HUH.

>> [ SPEAKING INDISTINCTLY ]

>> WELL [GRUNTS] I TOLD HIM

THAT.

[ WATER RUNNING ]

YEAH, ALL RIGHT.

PERFECT. I'LL SEE YOU THEN.

>> THANKS.

>> GOT IT? I'LL FIX THAT LATER.

>> YEAH.

>> [ CHUCKLES ]

>> HEY.

>> HEY.

>> [ SMOOCHES ]

ARE YOU ALMOST FINISHED?

>> YEAH.

HEY, HAVE YOU SEEN MY ROUTER

ANYWHERE?

>> YOUR ROUTER?

>> YEAH.

>> I THINK THERE'S ONE IN THE

GARAGE.

>> IN THE GARAGE?

>> IN THE GARAGE.

>> ALL RIGHT.

[ WHISTLING ]

[ CRICKETS CHIRPING ]

[ METAL RATTLING ]

[ DOOR CREAKING ]

[ BREATHING DEEPLY ]

[ ELECTRICITY CRACKLING ]

[ CLATTERING ]

[ GRUNTS ]

[ EXHALES SHARPLY ]

[ DOOR CREAKING ]

COME ON, TINY.

IT'S GONNA BE GREAT WHEN IT'S

DONE.

>> YEAH.

>> YEAH?

>> I LIKE HAVING YOU HERE WITH

ME, THOUGH.

>> I LIKE BEING HERE.

HEY, YOU MIND IF I SET UP A

WORKSPACE IN THE GARAGE?

>> NO, OF COURSE NOT.

THAT'S WHAT IT'S FOR.

>> I SAW MOST OF YOUR DAD'S

STUFF'S IN THERE.

I DIDN'T WANT TO START THROWING

IT ALL OUT.

>> YOU CAN JUST GET RID OF IT.

I JUST -- I HAVEN'T GOTTEN

AROUND TO IT.

>> ALL RIGHT.

HAPPY BIRTHDAY. [ CHUCKLES ]

>> THANK YOU.

>> YOU'RE WELCOME.

[ BOTH LAUGH ]

>> [ Laughing ] IT'S BEAUTIFUL.

IT'S PERFECT.

[ BOTH MOANING ]

IS IT GOOD?

IS THAT GOOD?

>> YEAH.

>> YEAH?

>> YEAH. YEAH.

[ BOTH BREATHING HEAVILY ]

WHAT'S WRONG?

>> NOTHING. I JUST LOST IT.

[ SMOOCHING ]

>> DO YOU WANT ME TO GO DOWN

ON YOU?

>> YEAH.

[ CRICKETS CHIRPING ]

[ MOANS LIGHTLY ]

[ TELEPHONE RINGING ]

>> HELLO.

>> KAIA. HEY.

HI. IT'S ME.

CAN YOU HEAR ME?

>> YEAH. I CAN HEAR YOU.

WHAT'S WRONG, CHRIS?

SORRY.

I-I KNOW IT'S LATE, BUT I WAS

WONDERING IF YOU COULD PICK ME

UP.

>> PICK YOU UP WHERE?

>> AT THE TRAIN STATION.

>> * IN MY HEART

* IN MY HEART

* LORD, I WANT TO BE A

CHRISTIAN IN MY HEART *

>> * LORD, I WANT TO BE A

CHRISTIAN IN MY HEART *

* IN MY HEART

* LORD, I WANT TO BE A

CHRISTIAN IN MY HEART *

* IN MY HEART

* IN MY HEART

* LORD, I WANT TO BE A

CHRISTIAN IN MY HEART *

* LORD, I WANT TO BE A

CHRISTIAN IN MY HEART *

[ CAR DOOR OPENS ]

* LORD, I WANT TO FEEL YOUR

LOVING IN MY HEART *

>> * IN MY HEART

>> CAN YOU TURN THE HEAT ON?

>> YEAH.

>> * IN --

[ RADIO TURNS OFF ]

>> I HOPE I DIDN'T WAKE YOU.

SORRY FOR CALLING SO LATE.

>> IT'S ALL RIGHT. I WAS UP.

IT WAS MY BIRTHDAY.

>> UGH. YES. FUCK.

HAPPY BIRTHDAY.

GUESS WHAT.

[ SEATBELT CLICKS ]

YOU'RE GONNA BE AN AUNT.

>> WHAT?

>> I'M PREGNANT.

[ CRICKETS CHIRPING ]

[ DOOR CREAKING ]

>> WHAT?

>> NOTHING.

[ DOOR CREAKS, SLAMS ]

>> JESUS, CHRIS. BE QUIET.

MY BOYFRIEND IS SLEEPING.

>> BOYFRIEND? THAT'S CRAZY.

>> YEAH.

>> KAIA?

>> SORRY.

I DIDN'T WANT TO WAKE YOU.

>> IT'S ALL RIGHT.

>> THIS IS MY SISTER, CHRISTINE.

>> HI.

>> HI. I'M, UH, ANDREW.

NICE TO MEET YOU.

>> I'M REALLY SORRY FOR WAKING

YOU.

I AM REALLY COLD.

I'M GONNA TAKE A SHOWER.

>> OKAY. GO AHEAD.

[ FOOTSTEPS DEPARTING ]

>> WHAT'S GOING ON?

IS SHE OKAY?

>> I DON'T KNOW.

I JUST PICKED HER UP AT THE

TRAIN STATION.

[ BREATHES DEEPLY ]

YOU GO BACK TO SLEEP.

I'LL TALK TO HER FOR A SECOND.

>> ALL RIGHT.

>> [ SNIFFS ]

[ RHYTHMIC TAPPING ]

HEY, KAI.

>> WHAT?

>> I NEED TO CALL MY FIANCé.

>> YOU'RE ENGAGED, TOO?

>> YEAH.

ACTUALLY, I NEED TO CALL HIM AND

TELL HIM WHERE I AM.

YOU'RE GONNA LOVE HIM.

>> WHAT'S GOING ON, CHRIS?

>> HIS NAME IS IRA.

HE'LL MAKE A GREAT DAD.

[ CHUCKLES ]

>> ARE YOU TAKING ANYTHING NOW?

>> NO -- JUST BECAUSE IT'S BAD

FOR THE BABY.

>> OKAY.

I DON'T KNOW IF YOU WANT TO COME

PICK HER UP, BUT IF I DON'T HEAR

FROM YOU BY TOMORROW MORNING,

I'LL BRING HER BACK TO BOSTON.

MY NUMBER IS 860-581-9826.

860-581-9826.

THANKS.

FUCK, CHRIS.

[ SIGHS ]

>> I COULDN'T FIND YOU.

[ BOTH SIGH ]

YOU'RE SLEEPING IN DAD'S ROOM?

>> YOU WENT IN THERE?

>> NICE TOUCHES, KAIA.

IT LOOKS SWEET IN THERE.

DON'T WORRY. I DIDN'T WAKE HIM.

>> IT DOESN'T WORK.

WHAT DO YOU NEED?

>> I DON'T KNOW HOW I USED TO

SLEEP ALONE UP HERE.

I'M NOT USED TO IT.

>> ARE YOU AFRAID?

>> KIND OF, YEAH.

[ WIND WHISTLING ]

LISTEN. I'M REALLY SORRY.

>> YEAH, WELL, YOU'RE NOT

FORGIVEN.

>> I KNOW THAT.

I KNOW THAT, BUT RIGHT NOW, I

NEED YOU TO BE NICE WITH ME.

>> [ SIGHS ]

>> [ SIGHS ]

>> [ BREATHES DEEPLY ]

SO, HE'S NICE, HUH? IRA?

>> YEAH. HE'S GREAT. I LOVE HIM.

A LITTLE DIFFERENT FROM ME.

HE WORKS AT THE U.N.

>> WITH WHAT?

>> SOMETHING TO DO WITH HUMAN

RIGHTS IN GROZNY OR SOMETHING.

>> SOUNDS KIND OF HONORABLE.

>> I DON'T REALLY UNDERSTAND IT.

>> ME NEITHER.

>> [ CHUCKLES ]

>> [ EXHALES HEAVILY ]

>> LOOK, I'M HERE NOW.

I'M GONNA MAKE IT RIGHT

BETWEEN US.

COME HERE.

>> [ SIGHS HEAVILY ]

>> [ WHIMPERS ]

>> [ INHALES SHARPLY ]

YOU CAN BE SUCH A CHILD, CHRIS.

>> BUT YOU'RE A GOOD MOMMY.

[ WIND WHISTLING ]

>> [ SIGHS ]

[ OWL HOOTING ]

ME TOO.

[ OMINOUS MUSIC PLAYING ]

[ CRICKETS CHIRPING ]

[ CRICKETS CHIRPING ]

>> HEY.

>> AH.

>> I'M MAKING PANCAKES.

I HOPE THAT'S OKAY.

IT'S THE ONLY THING I KNOW HOW

TO MAKE.

>> YEAH. NO. NICE.

WHERE'S KAIA?

>> SHE'S SLEEPING IN MY ROOM.

WE HAD A LATE NIGHT, SO I

FIGURED SHE SHOULD SLEEP IN.

>> ALL RIGHT.

WELL, I'LL GO WAKE HER UP, THEN.

>> SURE.

TELL HER BREAKFAST IS READY.

>> ALL RIGHT.

YOU, UH -- YOU HAVE A DIFFERENT

ACCENT.

>> YEAH. DIFFERENT MOMS.

MY DAD AND I LIVED EVERYWHERE.

YOU DIDN'T KNOW THAT?

>> OH, NO, I, UH -- I KNEW THAT.

I JUST, UH -- I FORGOT.

STILL ASLEEP.

>> [ CHUCKLES ]

YEAH, SHE DOESN'T REALLY TALK

ABOUT ME MUCH, HUH?

>> UH, NO, I-IT'S NOT THAT.

I JUST FORGOT.

ALL RIGHT.

[ BIRDS CHIRPING ]

[ BED CREAKING ]

MORNING.

>> MORNING.

>> WHY YOU SLEEPING IN HERE?

>> [ BREATHES DEEPLY ] SORRY.

WE WERE TALKING, AND I FELL

ASLEEP.

>> MM. OKAY.

UM...WHAT'S SHE DOING HERE?

>> [ SIGHS ]

APPARENTLY SHE'S PREGNANT AND

ENGAGED TO SOME GUY.

>> REALLY?

>> MM-HMM.

>> SO, WHAT, SHE JUST SHOWED UP?

>> [ INHALES SHARPLY ] YEAH.

>> COME HERE.

MMM. [ SMOOCHING ]

IT'S SO WEIRD THAT THAT'S

YOUR SISTER.

[ BOTH LAUGH ]

>> YEP.

>> HOW FAR ALONG IS SHE?

>> 14 WEEKS.

SHE'S NOT TAKING CARE OF

HERSELF.

SHE'S TOO SKINNY.

>> WELL, SHE'S DOWNSTAIRS MAKING

PANCAKES NOW.

>> [ LAUGHS ]

IT'S THE ONLY THING SHE KNOWS

HOW TO MAKE.

>> MMM.

[ KNOCKING ON DOOR ]

>> HI.

>> HI.

>> KAIA?

>> YEAH. IRA, RIGHT?

>> YEAH.

UH, THANKS A LOT FOR CALLING ME.

IS CHRIS HERE?

>> YEAH, SHE IS.

>> HI.

>> OH, HEY.

>> ANDREW.

>> IRA. NICE TO MEET YOU.

NICE CAR.

>> YEAH. THANKS.

>> COME IN.

SHE'S IN THE KITCHEN.

>> I'M REALLY SORRY ABOUT HER

JUST SHOWING UP HERE LIKE THIS.

SHE DOES THIS SOMETIMES.

>> YEAH. I'M USED TO IT.

>> IT'S NOT THE BEST BEHAVIOR.

I GUESS WE'LL HAVE TO START

TYING HER UP.

THE, UH, KITCHEN IS...?

TO THE RIGHT.

>> YOU GUYS ARE FIXING UP THE

HOUSE, HUH?

DID YOUR DAD DRAW IT?

>> IT'S FROM THE 1920s.

>> IT'S BY MY DAD'S FAVORITE

ARCHITECT.

>> OKAY.

IT'LL PROBABLY BE WORTH A LOT

WHEN IT'S ALL DONE.

>> OH, WELL, NO.

WE DON'T PLAN ON SELLING IT.

>> HI.

>> HEY. YOU'RE HERE.

>> YEAH.

LONG DRIVE UP HERE, BABE.

>> I HAD TO TELL KAIA ABOUT

THE BABY.

SORRY.

>> CONGRATULATIONS.

>> THANKS. IT'S GOOD NEWS, HUH?

>> MM-HMM.

>> COULDN'T YOU WAIT TO COME UP

HERE IN THE MORNING, THOUGH?

YOU SCARED THE SHIT OUT OF ME.

>> OH, I'M SORRY. I'M TERRIBLE.

KAIA CALLED YOU, RIGHT?

>> YEAH, BUT THAT'S NOT THE

POINT.

YOU CAN'T KEEP DOING THIS TO ME,

HONEY.

>> OR WE'LL HAVE TO TIE YOU UP.

>> [ CHUCKLES ] ALL RIGHT.

WELL, UH, THANK YOU GUYS FOR

CALLING ME.

IT'S NICE TO FINALLY MEET YOU.

YOU WANT TO GET YOUR STUFF?

READY TO GO?

>> WELL, HOLD ON.

I MADE BREAKFAST.

>> [ Chuckling ] YES, YOU DID.

>> I'LL HAVE TWO IF YOU EAT ONE.

>> UGH.

>> COME ON.

SHE'S JUST LIKE YOU.

SHE CAN'T EAT IN THE MORNING.

[ PLATE THUDS ]

>> THEN I WANT APPLE JAM.

>> JAM? ON PANCAKES?

>> YEAH, IT'S A SCANDINAVIAN

THING.

>> IT'S AWFUL.

[ DOOR CLOSES ]

[ JAR THUDS ]

>> IT WAS, UH, KAIA'S BIRTHDAY

YESTERDAY.

I WAS THINKING THAT WE COULD

STAY.

>> OH...

>> I'M NEVER AROUND FOR YOUR

BIRTHDAY.

I THOUGHT IT MIGHT BE NICE IF WE

ALL HAD DINNER TOGETHER.

>> UH, WE SHOULD PROBABLY HEAD

BACK, BABE.

>> YEAH, I'M NOT REALLY UP FOR

ANOTHER CELEBRATION.

>> SEE? THERE YOU GO.

WHY NOT PLAN ON COMING UP HERE

ANOTHER TIME?

>> COME ON, KAIA. IT'LL BE NICE.

>> WELL, AREN'T WE KEEPING IRA

FROM ANYTHING?

>> WELL, IT'S THE WEEKEND.

>> YEAH, BUT I -- I BROUGHT YOU

YOUR DRESS.

WE HAVE TICKETS FOR THE SPS

BENEFIT TONIGHT.

>> WELL, GIVE THEM TO YOUR

MOTHER OR SOMEONE.

YOU HATE THOSE THINGS.

>> WELL, THAT SOUNDS MORE FUN

THAN STICKING AROUND HERE.

>> [ CHUCKLES ]

>> NO, NO, NO.

ACTUALLY, I-IT DOESN'T.

IT'S THE DONATION THAT MATTERS,

ANYWAY.

IT'S JUST THAT PEOPLE USUALLY

EXPECT TO SEE ME THERE, BUT I

CAN MISS IT FOR ONCE.

>> THE ONLY PROBLEM IS, I DIDN'T

BRING ANYTHING TO WEAR.

>> YOU CAN WEAR ME.

>> [ CHUCKLES ] WEAR YOU?

ALL RIGHT.

MAYBE I'LL JUST, UM, RUN TO THE

SHOP INSTEAD.

BUT, UH...

>> [ LAUGHS ]

>> UM, ARE YOU GUYS SURE THAT

WE'RE NOT INTRUDING?

>> OF COURSE NOT.

>> NOT AT ALL.

>> IT'S GONNA BE GREAT.

IRA'S A GOOD COOK.

>> OH, YEAH?

>> YEAH. I'M NOT BAD.

WHAT? I DON'T GET A KISS?

I MISSED YOU.

MMM.

CAN I STEAL YOU FOR A SEC?

JUST -- JUST FOR A SEC.

>> YEAH.

>> THANKS A LOT, GUYS.

>> YEAH.

>> IT'S NICE TO BE HERE.

THANKS FOR HAVING US.

>> SURE.

>> OF COURSE.

>> SO, HOW YOU FEELING?

>> YEAH, I'M OKAY, BABE.

>> YEAH?

>> YEAH.

>> HEY.

>> HEY.

>> SO, I, UH -- I THOUGHT YOU

DIDN'T WANT TO TELL ANYONE ABOUT

THE BABY UNTIL WE WERE SURE.

>> YEAH, I KNOW. I KNOW.

BUT ISN'T KAIA GREAT?

>> YEAH, OF COURSE, BUT...

>> I MEAN, HONEY, SHE'S MY ONLY

FAMILY.

I WANT YOU TO GET TO KNOW HER.

>> ALL RIGHT, LISTEN.

WE'LL STAY FOR THE NIGHT, BUT

THEN WE LEAVE IN THE MORNING,

OKAY?

SAY, "I UNDERSTAND."

>> I UNDERSTAND.

[ BOTH CHUCKLES ]

LET ME SHOW YOU MY OLD ROOM.

>> YEAH.

>> MM.

[ FOOTSTEPS DEPARTING ]

[ DOOR OPENS ]

>> OH, IT'S PRETTY IN HERE.

>> [ CHUCKLES ]

YOU'RE PRETTY.

>> OH, YEAH? AM I?

PRETTY MUCH THOUGHT YOU'D PACKED

YOUR BAGS AND LEFT ME THIS

MORNING.

>> NOPE.

TAKE MY PANTIES OFF.

>> WHAT ARE YOU DOING?

HONEY, THEY'RE...

>> DON'T WORRY ABOUT THEM.

THEY'LL BE FINE.

[ BIRDS CHIRPING ]

>> [ SIGHS ]

[ DOOR CLOSES ]

I MISSED YOU.

>> YEAH?

>> COME HERE.

[ SIGHS ]

>> LEAVE THEM THERE.

>> [ EXHALES SHARPLY ]

COME HERE. TURN OVER.

>> MM.

[ MOANING LIGHTLY ]

[ BOTH BREATHING HEAVILY ]

>> IS THIS -- IS THIS OKAY?

[ BOTH LAUGH ]

[ PLATES CLANKING ]

>> IT'S ACTUALLY NICE TO SEE

HER.

>> YEAH.

I WISH THE CIRCUMSTANCES WERE A

LITTLE LESS WEIRD, BUT I'D LIKE

TO GET TO KNOW HER.

>> WELL, IT LOOKS LIKE HE CAN

TAKE CARE OF HER.

>> WELL, SEEMS A LITTLE ARROGANT

OR SOMETHING, RIGHT?

>> YOU JUST DON'T LIKE HIM

'CAUSE HE'S RICH.

>> MAYBE YOU SHOULD, UH, TELL

THEM TO COME ANOTHER TIME, WHEN

THE HOUSE IS MORE DONE, IT'S

NICER.

[ PLATE CLANKS ]

>> WHAT?

>> I'M NOT GONNA GO BACK AND

SAY, "OH, HEY, LOOK, WE THOUGHT

ABOUT IT FOR A SECOND, AND,

ACTUALLY, YOU SHOULD LEAVE."

>> YES.

>> [ MOANING ]

TELL ME WHEN YOU'RE GONNA COME.

I WANT YOU TO COME IN MY MOUTH.

>> Shh.

[ BOTH BREATHING HEAVILY ]

[ MOANING ]

HEY. PLEASE STOP THAT.

WHAT ARE YOU DOING?

HEY!

>> [ GASPING ]

>> WHAT THE FUCK ARE YOU DOING?

YOU OKAY?

>> [ BREATHING HEAVILY ]

>> JESUS.

[ BREATHING HEAVILY ]

>> I'M FINE. I'M FINE.

>> WHERE'S THE BATHROOM?

>> IT'S...

[ DOOR OPENS AND CLOSES ]

[ BIRDS CHIRPING ]

[ BREATHING HEAVILY ]

>> AND I WAS MAD AT HER FOR A

LONG TIME.

>> I KNOW.

>> YOU KNOW, SHE DIDN'T HELP ME

AT ALL WHEN HE GOT SICK.

WE USED TO BE REALLY, REALLY

CLOSE.

>> YEAH.

I KNOW.

ALL RIGHT.

>> JUST BE NICE TO HER, OKAY?

>> ONE...TWO...THREE...

FOUR...FIVE.

>> ABOUT THIS OTHER TINY PERSON

INSIDE OF YOU...

>> YOUR BOY IS CUTE.

>> YEAH, I THINK SO, TOO.

>> TELL ME ABOUT HIM.

WHAT'S HIS DEAL? WHAT'S HE DO?

>> MAINLY CONSTRUCTION.

>> I FEEL LIKE I REMEMBER SEEING

HIM IN SCHOOL.

>> HE DROPPED OUT OF HIGH

SCHOOL, HAD A HARD TIME UNTIL

DAD HIRED HIM.

>> DIDN'T HE GO TO JAIL FOR

SOMETHING?

>> ONCE.

>> WHAT FOR?

COME ON. WHAT IS IT?

>> HE HIT HIS GIRLFRIEND WHEN HE

WAS DRUNK.

>> WHAT?

>> OF COURSE HE SHOULDN'T HAVE

DONE IT, BUT THERE'S MORE TO

THE STORY.

HE WAS A KID.

>> WELL, DOESN'T THAT WORRY YOU

A LITTLE BIT?

>> NO. ABSOLUTELY NOT.

HE'D NEVER HURT ME.

[ BIRDS CHIRPING ]

>> [ SIGHS ] WELL...

I JUST CAN'T BELIEVE THAT YOU

HAVE A BOYFRIEND.

THIS IS GOOD.

[ INHALES SHARPLY ]

[ LAUGHS ]

>> OOH! OKAY!

>> [ LAUGHS ]

OOH! STOP!

ARE YOU GONNA DANCE FOR ME

TONIGHT?

I MISS YOUR OLD MOVES.

>> I DON'T DANCE LIKE THAT.

>> I ASSURE YOU THAT YOU DID.

[ CHUCKLES ]

>> [ CHUCKLES ]

[ BIRD WHISTLING ]

[ ENGINE SHUTS OFF ]

[ CRICKETS CHIRPING ]

[ INDISTINCT CONVERSATIONS ]

>> I MEAN, HE HAD ON THESE

KNEE-HIGH BLACK BOOTS, BUT I WAS

WEARING SANDALS.

SO I ASKED HIM IF HE'D BE UPSET

IF I WAITED IN THE CAR, AND HE

SEEMED SORT OF OFFENDED, SO I

JUST WENT ALONG WITH IT.

THEN HE SMILED AND SAID, "DON'T

LOOK TO YOUR RIGHT."

BUT I DID, AND THERE WAS THIS

BIG DITCH FILLED WITH CORAL

SNAKES.

AND SUDDENLY I FELT ONE CRAWLING

UP MY LEG.

I HAD A SHARP PAIN, MY WATER

BROKE, AND I GAVE BIRTH.

>> [ LAUGHS ]

>> I ALWAYS DREAM ABOUT SNAKES

WHEN I'M NERVOUS ABOUT

SOMETHING.

>> REALLY?

>> I THINK THAT FOLKS PLACE A

LITTLE TOO MUCH SIGNIFICANCE ON

THE IMPORTANCE ON DREAMS.

I MEAN, THEY EVEN SEEM TO GRANT

THEM SOME KIND OF SUPERNATURAL,

FORTUNE-TELLING QUALITY.

AND I DON'T MEAN TO SAY THAT

THEY'RE COMPLETELY MEANINGLESS,

BABE, BUT THEY DO USUALLY JUST

REFLECT WHATEVER'S BEEN ON YOUR

MIND.

>> NO.

I BELIEVE THAT EVERYTHING

HAPPENS FOR A REASON.

>> ME TOO.

>> I DON'T BELIEVE IN THAT SHIT.

>> WELL, DAD HAD THIS OLD BOOK

THAT HE USED TO LOOK AT WITH

US.

DO YOU REMEMBER?

>> YEAH.

WASN'T MUCH FOR PICTURE BOOKS,

WAS HE?

GOD, HE WAS LIKE A 100 YEARS

OLD.

[ CHUCKLES ]

>> WHY WERE YOU IN OSLO?

>> OH, I WAS JUST THERE FOR

WORK.

I'D LIKE TO GO BACK.

>> YEAH, YOU SHOULD.

I WANT TO TAKE ANDREW NEXT

SUMMER.

>> YEP.

>> OH, YOU'LL LOVE IT, DUDE.

IT'S BEAUTIFUL.

>> I'M SURE. SHE TOLD ME.

>> YOU HAD THE CUTEST LITTLE

ACCENT.

GOD, I WAS SO JEALOUS OF YOU.

>> IS YOUR MOM STILL THERE?

>> [ INHALES SHARPLY ] HMM.

I DON'T KNOW. [ CHUCKLES ]

SHE'S, UH, HARD TO KEEP TRACK

OF.

SHE WAS A PRETTY TROUBLED LADY.

>> I'M SORRY TO HEAR THAT.

I KNOW WHAT YOU MEAN, THOUGH.

MY MOTHER'S A LOT OF WORK,

ESPECIALLY AFTER MY DAD DIED.

>> OH, I'M SORRY.

>> WHAT ARE YOU TALKING ABOUT?

YOUR MOM'S FINE.

HER MOM'S A DRUG ADDICT.

THAT'S WHY SHE CAME HERE -- SO

WE COULD TAKE CARE OF EACH OTHER

SINCE OUR PARENTS WERE TOTAL

FUCK-UPS.

>> WELL, I THINK HE MUST HAVE

BEEN A DECENT ENOUGH GUY TO BE

ABLE TO TAKE CARE OF TWO GIRLS

ON HIS OWN.

>> YEAH, HE WAS.

WHAT ARE YOU TALKING ABOUT,

CHRIS?

HE WAS CRAZY ABOUT YOU.

>> NO, KAIA.

HE WAS CRAZY ABOUT YOU BECAUSE

YOU NEVER OPENED YOUR MOUTH.

>> SHUT UP.

I WAS SHY.

[ SIGHS ]

>> UH...

>> YOU WERE A BAD KID LIKE ME,

WEREN'T YOU, ANDREW?

>> OH, YOU -- YOU, UH, REMEMBER

ME?

>> YEAH, I CERTAINLY DO.

DO YOU REMEMBER ME?

>> YEAH, I GUESS I DO, YEAH.

>> WHAT?

>> YOU GREW UP HERE, TOO?

>> YEP. BORN AND RAISED.

I WASN'T THAT BAD, THOUGH.

I-I JUST LIKED PRACTICAL JOKES.

>> YEAH? LIKE WHAT?

>> MM, I DON'T KNOW.

GROSS STUFF.

IT'S PROBABLY NOT THE BEST

DINNER CONVERSATION.

>> [ CHUCKLES ]

THEN WE'LL SAVE IT FOR AFTER

DINNER.

>> NO! COME ON.

TELL US. WE DON'T CARE.

>> UM, WELL, HMM...

LET'S SEE.

I PLAYED LACROSSE GROWING UP.

>> OH, YEAH?

THEY PLAY THAT OUT HERE?

>> YEAH. THEY DO.

AND, UM, WE WEREN'T VERY GOOD,

BUT WE WERE PLAYING A GOOD GAME

AND I WAS GETTING LUCKY AND

THERE WAS THIS GUY ON THE

TEAM -- ERIC LUNDEEN.

YOU REMEMBER HIM?

>> [ CHUCKLES ]

>> LUNDEEN?

>> TOTALLY.

>> YOU DON'T?

WELL, HE -- YEAH, WELL, HE WAS A

PRICK, ANYWAY.

>> AND SO WHAT ABOUT HIM?

>> WELL, HE FUCKED UP A PASS OR

SOMETHING LIKE THAT DURING THE

GAME.

AND, UM, HE WAS THE KIND OF GUY

THAT WAS ALWAYS GIVING EVERYONE

ELSE SHIT FOR WHAT THEY DID.

AND SO, FOR ONCE, HE FUCKED UP.

>> [ CHUCKLES ]

>> AND SO, UH, AFTER THE GAME,

WE ALL HID IN THE GYM.

AND, UH, HE CAME OUT.

AND EVERYBODY RAN UP AND THEY

GRABBED HIM AND THEY PULLED HIS

PANTS DOWN.

[ CHUCKLES ]

AND I WENT AND I GOT MY LACROSSE

STICK AND I MANAGED TO GET THE

LACROSSE STICK IN HIS ASS.

>> [ LAUGHS ]

>> AND THEN MY BUDDY CAME OVER

[LAUGHS] AND HE PUT THE BALL IN

THE LACROSSE STICK AND THEN

MANAGED TO THROW IT IN THE NET

AND SCORE, WITH THE STICK STILL

IN HIS ASS.

>> [ Laughing ] NICE.

>> [ LAUGHS ]

>> I'M SORRY, BUT ISN'T THAT

BASICALLY RAPE?

>> WHAT?

NO. [ STAMMERS ] WE WERE KIDS.

WE DID SHIT LIKE THAT ALL THE

TIME.

>> OH, OKAY.

>> DID IT HAPPEN TO YOU, ANDREW?

>> UH, NOT THAT, BUT THE SAME

KIND OF SHIT HAPPENED, YEAH.

I MEAN, THAT GUY AND I -- WE'RE

STILL FRIENDS.

>> I THINK YOU WERE RIGHT THE

FIRST TIME.

HE WAS A PRICK, AND I THINK HE

GOT WHAT WAS COMING TO HIM.

>> THANK YOU.

>> SO, WE'RE ESKIMO BROTHERS.

I FUCKED HIM, TOO.

[ CHUCKLES ]

>> WHAT?

>> THANKS FOR SHARING, CHRIS.

>> GUYS, I MEAN, COME ON.

THAT WAS A LONG TIME AGO.

THAT GUY PROBABLY WORKS IN A GAS

STATION NOW.

>> AND WHAT'S WRONG WITH THAT IF

HE DOES?

>> I THINK WE GOT IT.

EVERYBODY DOES STUPID THINGS

WHEN THEY'RE KIDS.

>> YEAH, THEY CERTAINLY DO.

WATCH THE WINE, BABE.

>> I DIDN'T KNOW THAT, UH, YOU

TWO HAD GOTTEN, YOU KNOW, SO

CLOSE GROWING UP.

>> YEAH.

>> WHAT HAPPENED?

>> I MOVED.

>> OH, I KNOW, BUT WHAT -- WHAT

HAPPENED MORE SPECIFICALLY?

WHY -- WHY -- WHY DID YOU STOP

TALKING?

>> WELL, YOU KNOW WHAT HAPPENED.

WHY ARE YOU BRINGING THIS UP?

>> I WAS JUST CURIOUS WHAT

CHRISTINE HAD TO SAY.

>> WHY?

>> ALL RIGHT, LET'S REWIND A

LITTLE BIT.

I'LL CLEAN UP.

>> NO. I-I CAN DO THAT.

>> HELP ME GET THE CAKE, HON?

[ PLATES CLATTERING ]

[ FIRE CRACKLING ]

[ CHIMES RINGING ]

[ MID-TEMPO MUSIC PLAYING ]

[ FIRE CRACKLING ]

>> HEY.

WHAT YOU DOING OVER HERE?

>> [ CHUCKLES ]

[ CLEARS THROAT ]

SHOULD YOU BE DRINKING?

>> I'VE ONLY HAD ONE GLASS, DAD.

>> [ SCOFFS ] OKAY.

>> SO, I USED TO SEE YOU AROUND.

DID YOU AND I EVER...?

>> WHAT?

>> EVER...?

>> NO.

>> [ Chuckling ] GOOD.

YEAH. I WAS TRYING TO REMEMBER.

THAT WOULD BE AWKWARD.

>> YEAH, IT WOULD BE.

[ BOTH CHUCKLE ]

>> SO, UM, HOW DID YOU AND MY

SIS HOOK UP?

>> UH, WELL, YOUR FATHER

INTRODUCED US.

YEAH.

I WAS LUCKY TO HAVE GOTTEN TO

WORK WITH HIM, EVEN BRIEFLY.

YEAH.

HE WAS A HARD-ASS.

BUT HE KNEW WHAT HE WANTED.

I KNOW IT DOESN'T LOOK LIKE

MUCH, BUT THE IDEAS THAT HE HAD

FOR THE RENOVATION -- THEY'RE

ALL REALLY SOLID.

IT'S JUST THE GUTS OF THE HOUSE

THAT DON'T WORK, THE ELECTRICAL

STUFF, YOU KNOW?

WE DON'T WANT ANOTHER FIRE

HERE.

>> SH-SHE TOLD YOU IT WAS AN

ELECTRICAL PROBLEM?

IT'S NOT TRUE.

I STARTED THE FIRE.

>> ALL RIGHT.

>> [ LAUGHS ]

YOU WANT TO DANCE?

>> YEAH, I DON'T KNOW.

I DON'T KNOW IF YOU CAN KEEP UP

WITH ME, TO BE HONEST.

>> TO BE HONEST, WE WON'T KNOW

UNLESS WE TRY.

COME ON.

>> ALL RIGHT, I'LL DANCE WITH

YOU.

[ MUSIC CONTINUES ]

>> CAN WE FIND MORE WINE?

>> UH-HUH.

>> COME HERE.

>> UGH.

I FEEL LIKE I'M IN COLLEGE.

>> I'M GOING TO BED.

>> YEAH? OKAY.

[ EXHALES SHARPLY ]

>> [ CHUCKLES ]

>> I'LL BE UP IN A SEC.

[ EXHALES HEAVILY ]

[ INDISTINCT SINGING ]

>> UM, UM...

YOUR SISTER'S KIND OF NUTS,

BY THE WAY.

SHE TOLD ME THAT SHE STARTED THE

FIRE IN THE GARAGE.

IS THAT TRUE?

>> SHE'S NOT NUTS.

>> WHY THE HELL DID YOU TELL ME

THAT IT WAS AN ELECTRICAL FIRE?

I'VE BEEN REWIRING THIS WHOLE

HOUSE, FOR CHRIST'S SAKE.

>> [ SIGHS ]

SHE DID ALL KINDS OF CRAZY SHIT

WHEN I MOVED IN WITH THEM.

SHE DIDN'T WANT TO SHARE HER DAD

WITH A STRANGER.

>> WHAT ARE YOU TALKING ABOUT?

>> SHE DIDN'T MEAN TO HURT ME.

>> LOOK, WE ARE IN A

RELATIONSHIP.

>> MM.

>> YOU ARE SUPPOSED TO SHARE

THINGS WITH ME.

YOU'RE NOT SUPPOSED TO CHOOSE

WHAT YOU SHARE AND WHAT YOU

DON'T SHARE.

>> SHARE.

>> YOU TOLD ME THAT YOU BURNED

YOURSELF, KAI.

>> YEAH, I KIND OF DID.

I WAS TRYING TO GET HER OUT OF

THERE.

>> YEAH.

>> YEAH.

>> SO, YOU'RE A LIAR.

>> MNH-MNH.

>> NO?

>> MNH-MNH.

YOU WANT TO SHARE? LET'S SHARE.

WHAT'S UP WITH THAT STUPID STORY

IN THERE?

IT MADE YOU SEEM HORRIBLE.

>> WHY ARE YOU TALKING SO CLOSE

TO ME?

>> WELL, WHY ARE YOU SO CLOSE

TO ME?

[ LAUGHS ]

TELL ME.

>> WHAT?

>> WELL, WHAT -- WHAT -- WHY THE

FUCK DID YOU BRING UP THAT

STORY?

>> OH, COME ON.

WHAT DO YOU -- I WAS A KID.

AND THAT -- WHAT?

THAT ASSHOLE CALLING ME A

RAPIST?

ARE YOU KIDDING ME?

I'LL FUCKING SHOW HIM A RAPIST.

I'M GONNA PUT HIS -- MY DICK IN

HIS MOUTH.

>> DUDE.

>> HARD.

>> THAT'S CALLED HUMOR. HUMOR.

>> YEAH. ALL RIGHT.

>> FORGET IT. I'M SORRY.

I'M DRUNK. I'M DRUNK.

LET'S GO HAVE FUN...

>> YEAH.

>> ...WITH EVERYONE.

>> [ SIGHS ] LET'S HAVE FUN.

>> [ CLEARS THROAT ]

I'M ALL RIGHT.

>> YEAH?

>> GO AHEAD.

AFTER YOU, PRINCESS LEIA.

[ SIGHS ]

>> * AFTER YOU'VE GONE

* AND LEFT ME CRYING

* AFTER YOU'VE GONE

* THERE'S NO DENYING

* YOU FEEL BLUE

* YOU FEEL SAD

* YOU'LL MISS THE ONLY PAL

YOU'VE EVER HAD *

>> * THERE COMES A TIME

* NOW DON'T FORGET IT

* THERE'S COMES A TIME

* WHEN YOU'LL REGRET IT

>> * SOMEDAY WHEN YOU'LL GROW

LONELY *

* YOUR HEART WILL BREAK LIKE

MINE AND YOU'LL WANT ME ONLY *

>> BABE?

>> * AFTER YOU'VE GONE

>> BABE?

>> * AFTER YOU'VE GONE AWAY

>> HONEY?

>> * AFTER YOU'VE GONE

* AFTER WE BREAK UP

* AFTER YOU'VE GONE

* YOU'RE GONNA WAKE UP

>> I THINK SHE'S SLEEPWALKING.

>> [ LAUGHS ]

>> I'LL BE RIGHT BACK.

I'M GONNA TRY AND PUT HER TO

BED.

>> * ...COME AND CHANGE YOUR

MIND *

* AFTER THE YEARS...

>> [ LAUGHS ]

>> WHAT THE FUCK WAS THAT?

>> DON'T WORRY ABOUT THAT.

>> "DON'T WORRY ABOUT THAT?"

>> SH-SHE SLEEPWALKS.

[ BIRDS CHIRPING ]

>> HEY THERE.

>> HI.

>> MORNING.

>> SORRY. I LOOK LIKE SHIT.

>> NO, YOU DON'T.

>> [ CHUCKLES ]

HOW DID YOU SLEEP?

>> I SLEPT OKAY.

THANKS FOR HAVING US, BY THE

WAY.

UM, IT'S REALLY NICE FOR HER.

>> OH, IT'S NOT A PROBLEM.

WHERE IS SHE?

>> SHE'S STILL SLEEPING.

>> YEAH.

>> YEAH.

I'M REALLY SORRY ABOUT LAST

NIGHT.

>> HEY, DON'T WORRY ABOUT IT.

YOU'RE GREAT WITH HER.

IT'S GOOD. YOU DON'T GET MAD.

>> YEAH, WELL, THERE'S NO USE IN

GETTING MAD, IS THERE?

>> [ SIGHS ] I DON'T KNOW.

I NEVER TRIED IT.

>> [ CHUCKLES ]

>> HAVE YOU TRIED SPANKING HER?

[ CHUCKLES ]

>> I'M SORRY. WHAT'S THAT?

>> THAT WAS A JOKE.

THAT WAS A REALLY WEIRD JOKE.

I'M SO HUNGOVER.

I-I HAVE NO IDEA WHY I SAID

THAT.

>> IT'S OKAY.

HEY, UM, LISTEN.

[ SIGHS ]

I HAVE SOME TIME BEFORE I HAVE

TO LEAVE FOR GROZNY.

AND I CAN DO SOME WORK FROM HOME

FOR A FEW DAYS.

>> WHAT ARE YOU DOING IN GROZNY?

>> WE'RE MONITORING THE

ELECTIONS THERE.

>> AH.

>> LISTEN, SHE'S BEEN A LITTLE

ALL OVER THE PLACE LATELY.

>> [ CHUCKLES ] LATELY?

>> A LITTLE MORE THAN USUAL.

YOU KNOW SHE WENT OFF HER

MEDICATION, RIGHT?

>> YEAH, 'CAUSE IT'S BAD FOR THE

BABY, NO?

>> YEAH, YEAH, YEAH, I KNOW.

IT'S JUST -- IT SEEMS LIKE IT'S

GOOD FOR HER TO BE CLOSE TO YOU

RIGHT NOW.

>> YEAH.

>> AND I, UM -- I DON'T WANT TO

IMPOSE IN ANY WAY.

IF IT'S OKAY WITH YOU AND

ANDREW, I'D LIKE US TO STAY FOR

A FEW MORE DAYS.

>> YEAH, OF COURSE, OF COURSE.

>> YOU SURE?

>> YEAH, IT'S NOT A PROBLEM,

REALLY.

PLEASE STAY.

>> OKAY. THANK YOU.

>> YEAH.

[ BIRDS CHIRPING ]

[ FOOTSTEPS APPROACHING ]

HEY.

>> SO, WHAT? THEY'RE STAYING?

[ METAL CLANGS ]

>> I'M SORRY ABOUT THAT.

HE KIND OF JUST INVITED HIMSELF.

I HAVE TO GO AND PICK UP SOME

DRESSES FROM AN ESTATE SALE.

CHRISTINE AND I ARE HEADING TO

TOWN.

YOU NEED ANYTHING?

>> UH, NO, I'M GOOD.

>> OKAY.

>> HEY, UH, WAIT.

>> WHAT?

>> COME HERE.

COME HERE.

LOOK, I GOT TO, UH, SAY

SOMETHING.

TO ME, IT SEEMS LIKE SHE CHANGES

YOU.

>> WHAT DO YOU MEAN?

>> STAYING LIKE THIS.

WHY?

IT'S LIKE SHE'S TRYING TO WIN

YOU BACK.

>> SO?

>> SO, IT'S NOT GONNA BE A

DRINKING PARTY EVERY DAY UP

HERE.

WE HAVE A LOT OF WORK TO DO.

THEY GONNA HELP OUT AT ALL?

>> [ SIGHS ]

I'M NOT GONNA PUT THEM TO WORK.

WHAT THE FUCK ARE THEY GONNA DO?

LOOK, THIS IS WHERE SHE GREW UP.

SHE HAS THE RIGHT TO STAY.

>> COME ON, THEN. LAST NIGHT?

>> YEAH, I KNOW.

>> YEAH.

>> BUT YOU JUST DON'T LIKE HER.

>> OH, NO, SHE'S FUCKING

AWESOME, COMING DOWNSTAIRS,

PRANCING AROUND IN HER FUCKING

UNDERWEAR.

>> HEY.

>> OOH.

>> HEY. SHE'S MY SISTER.

THIS IS MY HOUSE.

I'M GOING TO LUNCH.

>> PRETTY LOW, KAI.

>> YEAH.

>> IT'S NOT LIKE I'M BREAKING MY

FUCKING BACK OUT HERE OR

ANYTHING.

[ BIRDS SQUAWKING ]

>> WAIT HERE.

[ BIRDS CHIRPING ]

[ DOORBELL RINGS ]

HI.

I CALLED ABOUT THE CLOTHES.

>> YES.

[ DOOR CREAKS, CLOSES ]

>> I'M REALLY SORRY FOR YOUR

LOSS.

>> THANKS.

>> I JUST LOOKED AROUND A

LITTLE.

NOTHING'S CHANGED.

>> NO. IT HASN'T.

>> I'M REALLY SORRY THAT I HURT

YOU.

>> I SAW YOU OUT BY THE GARAGE

THE OTHER MORNING.

>> YOU KNOW YOU'VE NEVER REALLY

LET ME SEE IT?

>> IT'S NOT SO MUCH TO LOOK AT.

>> WELL, CAN I?

[ BOTH SIGH ]

>> [ CLEARS THROAT ]

>> [ SIGHS ]

IT'S NOT SO BAD, KAI.

YOU KNOW, I'VE ALWAYS IMAGINED

THAT IT WAS SO MUCH WORSE.

>> YEAH?

WELL, YOU'VE SEEN BETWEEN MY

THIGHS, RIGHT, WHERE THEY PULLED

THE SKIN FOR IT?

>> WELL, I DIDN'T -- I DIDN'T

MEAN IT LIKE THAT.

>> GUYS FUCKING LOVE IT.

IF SECOND BASE DIDN'T FREAK

THEM OUT ENOUGH, JUST WAIT UNTIL

THEY TAKE MY PANTS OFF.

>> JESUS.

I REALLY DIDN'T MEAN IT LIKE

THAT.

I JUST -- I DIDN'T EXPECT IT TO

COME OUT LIKE THAT.

I WAS TRYING TO SAY THAT YOU ARE

BEAUTIFUL AND I EXPECTED IT TO

BE EVEN WORSE.

GOD, MAN, KAIA, I DON'T WANT YOU

TO BE MAD AT ME ANYMORE.

KAIA!

I CAME HERE TO MAKE AMENDS.

>> I'M FINE.

AND ANDREW DOESN'T MIND.

I'M VERY HAPPY.

I'M VERY LUCKY TO HAVE HIM.

>> I THINK IT'S THE OTHER WAY

AROUND.

HE DOESN'T DESERVE YOU.

>> [ SCOFFS ]

HOW THE HELL DO YOU KNOW WHAT I

DESERVE, HUH?

>> HEY THERE, PAL!

>> Yeah, good morning.

>> SOMETHING TO NURSE THE

HANGOVER?

>> AH, NO.

I DON'T LIKE TO DRINK WHEN I

WORK.

[ SNIFFS ]

>> HEY, FAIR ENOUGH.

NEED ANY HELP?

>> YEAH, YOU -- YOU WANT TO GIVE

ME A HAND WITH THIS?

>> SURE.

WHERE WE PUTTING THIS THING?

>> JUST OUT FRONT.

I'LL BRING IT TO THE DUMP IN A

FEW DAYS.

>> [ GRUNTS ] ALL RIGHT.

OOF

>> GOT IT?

>> YEAH.

>> ALL RIGHT. WATCH YOUR STEP.

>> SO, KAIA'S SHOP MUST DO

PRETTY WELL, HUH?

REALLY SEEMS TO BE COMING

ALONG -- THE HOUSE.

>> YEAH, WELL, IT'S HER FATHER'S

MONEY.

BUT SHE DOES GOOD, YEAH.

>> SHE TOLD ME THAT, UH, YOU

WANT TO BE AN ARCHITECT?

IT'LL PROBABLY BE WORTH A LOT

WHEN IT'S ALL DONE, THIS.

>> YEAH, YOU SAID THAT ALREADY.

WHAT IS IT THAT YOU DO AGAIN,

IRA?

>> I STUDIED POLITICAL SCIENCE

IN PARIS, BUT I JUST STARTED

WORKING AS A HUMAN RIGHTS

OFFICER AT THE U.N.

>> ALL RIGHT.

>> [ EXHALES SHARPLY ]

I FIGURED I'D END UP DOING

SOMETHING A LITTLE BIT MORE

NORMAL, BUT, YOU KNOW...

>> YEAH, NOW THIS IS NORMAL FOR

YOU?

>> WELL, NAH, NOT REALLY.

>> FUCK.

[ EXHALES SHARPLY ]

HEAVY MOTHERFUCKER.

>> [ CHUCKLES ]

>> SORRY ABOUT THAT.

HEY, UH, HOW DID YOUR FATHER

DIE?

>> PLANE CRASH.

>> OH, YEAH.

THOSE LITTLE PLANES ARE

DANGEROUS, HUH?

>> IT WAS A COMMERCIAL AIRLINER.

>> OH. YEAH.

I'M SORRY TO HEAR THAT.

>> YEAH, WE WERE, TOO.

>> [ BREATHES DEEPLY ]

I GOT TO SAY, UH, YOU AND

KAIA -- YOU DON'T SEEM TO BE

TREATING THIS SITUATION RIGHT.

>> CHRISTINE, YOU MEAN?

>> YEAH, CHRISTINE.

>> OH, OKAY.

AND WHAT WOULD YOU SUGGEST?

>> WELL, YOU KNOW, YOU'RE WELL

OFF.

YOU CAN GET HER THE BEST HELP

THAT THERE IS.

IT DOESN'T MAKE SENSE TO ME THAT

WE'RE ALL JUST LETTING HER GO ON

AND ON AND ON AND NOT DOING

NOTHING ABOUT IT.

>> WELL, THANKS FOR YOUR

CONCERN, PAL, BUT I, UH, THINK I

GOT IT UNDER CONTROL.

[ BIRDS SQUAWKING ]

>> I REMEMBER CHRISTINE FROM

GROWING UP NOW.

DOESN'T SEEM LIKE THINGS HAVE

CHANGED VERY MUCH WITH HER.

>> THAT'S FUNNY 'CAUSE CHRIS

TOLD ME THAT YOU WENT TO JAIL

WHEN YOU WERE KIDS.

>> YEAH, I DID.

>> LOOK, DUDE, I CAME OUT HERE

TO BREAK THE ICE A LITTLE.

WHY ARE YOU BEING SO HOSTILE

WITH ME?

THOSE TWO ARE FAMILY, WHICH I

GUESS MAKES US FAMILY, TOO, FOR

NOW.

>> OH, YEAH, NO. WE'RE FAMILY.

I'M GONNA GO TAKE A PISS.

>> [ CHUCKLES ]

>> HEY, UH, DO ME A FAVOR WHILE

YOU'RE OUT HERE.

MAKE SURE SHE DOESN'T BURN THE

WHOLE PLACE DOWN.

BE AN AWFUL LOT OF WORK DOWN THE

DRAIN.

>> COOL, BROTHER.

GOOD TALK.

>> STOP THE CAR.

>> WHAT?

>> STOP THE CAR!

WHAT THE HELL IS THAT DOING OUT

HERE?

>> ANDREW'S CLEANING OUT THE

GARAGE.

>> YEAH?

WHO TOLD HIM HE COULD DO THAT?

>> I DID. WHY DO YOU CARE?

I MEAN, YOU JUST TOLD ME TO

KNOCK IT DOWN.

YOU WANT THAT STUFF?

[ CAR DOOR CLOSES ]

>> TELL HIM TO PUT IT BACK.

>> WHY?

>> IT'S MY HOUSE, TOO!

WHATEVER HE TOOK OUT OF THERE,

YOU TELL HIM TO PUT IT BACK!

>> JESUS.

>> WHAT'S GOING ON NOW?

>> APPARENTLY, IT HAS SOME

SENTIMENTAL VALUE TO HER.

I'M SORRY, DUDE.

>> THAT COUCH DOES?

>> YEAH.

>> [ SCOFFS ]

JESUS CHRIST.

>> [ SIGHS ]

[ CRICKETS CHIRPING ]

[ GASPING LIGHTLY ]

[ BREATHING HEAVILY ]

>> CHRISTINE.

CHRISTINE, WHAT ARE YOU DOING?

CHRISTINE, STOP IT.

STOP IT.

CHRISTINE.

CHRISTINE, STOP IT!

GET HER OUT OF HERE!

GET HER AWAY FROM ME!

>> WHAT'S GOING ON?

HEY, WHAT'S WRONG WITH YOU?

>> SHE, UH, WALKED INTO THE

ROOM, AND THEY STARTED FIGHTING.

>> SHE WAS MASTURBATING IN OUR

BEDROOM!

>> ALL RIGHT.

YEAH. ALL RIGHT.

[ DOOR CREAKS, CLOSES ]

IT'S ALL RIGHT.

>> [ SIGHS ]

CHRIS?

CHRIS, I WANT TO TALK TO YOU.

>> JUST A SECOND, BABY.

HEY.

>> HEY.

>> SHE --

[ DOOR CLOSES ]

SHE'S NOT FEELING SO WELL TODAY.

>> OKAY.

WELL, I REALLY NEED TO TALK TO

HER.

>> WELL, CAN YOU GIVE HER A SEC?

SHE'S ALMOST ASLEEP.

>> SURE.

>> OKAY. I'LL SEE YOU IN A BIT.

[ SAW BUZZING ]

[ BUZZING STOPS ]

[ PLANK CLATTERS ]

[ BIRD SQUAWKS ]

>> STILL SLEEPING?

>> CAN I ASK YOU SOMETHING?

WAS YOUR FATHER EVER ABUSIVE

WITH YOU GUYS IN ANY WAY?

>> NO. WHY DO YOU ASK THAT?

>> IT'S CHRIS.

SHE JUST HATES HIM SO MUCH.

>> WELL, THAT'S NOT TRUE.

>> WHAT? SHE NEVER TOLD YOU?

>> NOT THAT SHE HATES HIM, NO.

>> [ CHUCKLES ]

SO, YOU GUYS GOT ALONG, THEN?

>> YEAH, HE WAS FINE.

I MEAN, HE WAS A LITTLE

DESPONDENT, BUT HE WAS NICE

WITH US.

>> [ CHUCKLES ] DESPONDENT.

DESPONDENT HOW?

>> WELL, LET'S PUT IT THIS WAY.

SOME YEARS, WE'D CELEBRATE

CHRISTMAS AND BIRTHDAYS, AND

SOME YEARS WE WOULDN'T.

>> MM.

>> BUT THERE WAS ALWAYS FOOD ON

THE TABLE, AND I HAD A REALLY

NICE ROOM ALL TO MYSELF.

>> THAT'S PRETTY DIFFERENT THAN

THE PICTURE SHE PAINTED.

>> YEAH. WELL, THAT'S BULLSHIT.

SHE GOT TREATED A LOT BETTER

THAN ME.

LOOK, I DON'T KNOW WHAT SHE TOLD

YOU, BUT YOU GOT TO TAKE CHRIS'

STORIES WITH A GRAIN OF SALT.

>> YEAH.

YEP, I KNOW.

>> SHE HAS A HARD TIME

SEPARATING HER FICTIONS FROM

REALITIES.

>> [ CHUCKLES ]

I GUESS I JUST THOUGHT THAT THE

WAY HE TREATED HER MAYBE

EXPLAINED SOMETHING.

I'M GRASPING AT STRAWS HERE.

I'M SORRY THAT I ASKED.

DESPONDENT.

MAYBE THE, UH, DEPRESSION JUST

RUNS IN THE FAMILY, HUH?

[ BOTH CHUCKLE ]

>> WELL, I'M FINE.

>> YEAH. YEAH, I KNOW.

I KNOW YOU ARE.

WOULD YOU TAKE A WALK WITH ME?

I'D LIKE TO ASK YOU SOMETHING.

[ SAW BUZZING ]

>> I'D LIKE THAT, BUT I SHOULD

HEAD INSIDE.

>> OKAY.

[ EXHALES SHARPLY ]

LATER, THEN.

[ SEWING MACHINE CLICKING ]

[ RATTLING ]

[ WIND WHISTLING ]

[ CRICKETS CHIRPING ]

[ RATTLING CONTINUES ]

[ FOOTSTEPS APPROACHING ]

[ CRICKETS CHIRPING ]

[ BIRDS CHIRPING ]

>> [ SIGHS ]

MORNING.

>> MORNING.

YOU'RE UP EARLY.

>> YEAH. I COULDN'T SLEEP.

>> I HAD, UH, TWO FRESH BAGS OF

CEMENT OUT FRONT.

DID YOU MOVE THEM ANYWHERE?

>> [ CHUCKLES ] NO.

THOSE THINGS WEIGH MORE THAN

I DO.

>> I DON'T KNOW WHERE THEY ARE.

[ SIGHS ]

THEY STILL HERE?

>> HIS CAR'S HERE.

THEY'RE JUST OUT, I GUESS.

THEY WEREN'T HERE WHEN I WOKE

UP.

>> NICE.

WILL YOU REMIND ME TO CALL MY

NIECE TODAY?

>> SURE.

[ SNIFFS ]

WE GOT TO GO UP THERE SOMETIME.

YOU'LL LOVE THOSE KIDS.

MY BROTHER -- HE'S A GREAT GUY.

>> I'D LOVE TO.

>> I'M SURE THERE'S SOME GOOD

VINTAGE SPOTS UP THERE YOU CAN

CHECK OUT.

MIGHT FIND SOMETHING GOOD.

MAYBE I'LL TELL THEM

THANKSGIVING WE'LL SPEND WITH

THEM OR SOMETHING.

>> HEY!

>> WHAT'S WRONG?

>> HAVE YOU SEEN CHRIS?

>> WHAT?!

>> [ BREATHING HEAVILY ]

HAVE YOU SEEN CHRIS?

>> NO.

>> SHE DIDN'T COME BACK?

I THOUGHT SHE WAS WITH YOU.

>> NO, SHE WASN'T WITH ME WHEN I

WOKE UP THIS MORNING.

I WENT OUT TO LOOK FOR HER.

>> DOESN'T SHE DO THIS ALL THE

TIME?

>> [ SIGHS ] OKAY.

>> HUH?

[ SUSPENSEFUL MUSIC PLAYING ]

[ BIRDS CHIRPING ]

>> CHRISTINE!

>> CHRISTINE!

>> CHRISTINE!

>> ALL RIGHT, EVERYBODY NEEDS

TO CALM DOWN.

SHE COULD HAVE GONE INTO TOWN,

OR SHE COULD HAVE GONE BACK TO

THE CITY.

>> I CHECKED MY WALLET.

NORMALLY WHEN SHE DISAPPEARS

LIKE THIS, SHE TAKES SOME MONEY.

>> HEY, KAIA, DID YOU CHECK

YOURS?

KAIA?

>> NO.

>> WELL, MAYBE YOU SHOULD.

>> SHE DIDN'T GO FOR A WALK,

ANDREW.

>> OKAY.

DON'T TALK TO ME LIKE THAT.

>> IF YOU DON'T WANT TO HELP,

YOU DON'T HAVE TO.

>> I'M HELPING, YOU IDIOT.

ALL I'M SAYING IS THAT YELLING

LIKE WE'RE LOOKING FOR A FUCKING

POODLE IS NOT THE WAY TO DO IT.

>> HEY, CAN YOU NOT TALK ABOUT

HER LIKE THAT, PLEASE?

>> WE HAVE TO GO BACK AND GET

FLASHLIGHTS.

>> I'LL GO.

>> NO. YOU STAY. I'LL GO.

>> YOU WAIT HERE WITH ME.

>> CHRISTINE!

>> CHRISTINE!

>> HOW FAR ARE WE?

>> NOT TOO FAR.

CHRISTINE!

THIS IS WHERE WE GO SWIMMING.

>> OH, CHRIST.

COME ON. IT'S DARK, KAI.

WE CAN COME BACK IN THE MORNING.

LET'S GO TO THE TRUCK, AND WE'LL

GO CHECK IN TOWN.

>> NO, LET'S HAVE A LOOK.

SHE MIGHT HAVE GONE AROUND,

AROUND TO THE OTHER SIDE.

>> WHAT ARE YOU DOING?

ARE YOU -- ARE YOU OUT OF YOUR

FUCKING MIND?

>> CHRISTINE!

CHRISTINE!

>> ALL RIGHT. HEY, HEY, HEY.

COME ON. COME ON. IT'S FINE.

I'LL COME BACK IN THE MORNING,

OKAY?

IT'S DARK OUT HERE, AND HE'S

RIGHT -- WE CAN'T SEE ANYTHING.

>> [ BREATHING HEAVILY ]

>> LET'S GET INTO SOME WARM

CLOTHES AND DRIVE INTO TOWN.

>> FUCK.

>> COME ON.

WE'LL COME BACK AS SOON AS IT'S

LIGHT OUT.

[ SUSPENSEFUL MUSIC CONTINUES ]

[ CAR DOORS CLOSING ]

>> [ EXHALES SHARPLY ]

[ CRICKETS CHIRPING ]

[ THUD ]

[ SWITCH CLICKS ]

>> HEY.

SORRY. I WAS TRYING TO BE QUIET.

>> IT'S OKAY.

I THOUGHT YOU WERE HER.

>> I CAN'T SLEEP.

I WAS GONNA GO BACK TO THE LAKE,

TAKE ANOTHER LOOK.

>> I SAW HER OUT THERE THE OTHER

NIGHT.

>> WHAT, AT THE LAKE?

>> NO, NO -- IN HERE AND THEN

OUT FRONT.

I WAS FOLLOWING HER.

>> KAIA, WHAT ARE YOU TALKING

ABOUT?

>> SHE WAS WALKING IN HERE,

THEN OVER THERE.

I DIDN'T WAKE HER UP.

I USED TO THINK THAT SHE WAS

FAKING IT OR TRYING TO TELL ME

SOMETHING.

>> ALL RIGHT, BUT YOU KNOW SHE'S

NOT, RIGHT?

SHE'S NOT CONSCIOUS WHEN SHE

DOES THAT.

SHE'S ASLEEP.

>> YES.

BUT I DON'T UNDERSTAND IT.

>> OKAY, DON'T WORRY.

COME HERE.

[ SIGHS ]

I THINK THAT WE SHOULD GO TO THE

POLICE TODAY.

>> BUT SHE ALWAYS COMES BACK.

[ BIRDS CHIRPING ]

>> [ BREATHING HEAVILY ]

YOU OKAY?

>> I DON'T FEEL SO GOOD.

>> OKAY.

>> I NEED TO SIT DOWN.

>> OKAY, COME ON.

LET'S SIT DOWN.

[ BREATHING HEAVILY ]

YEAH?

>> [ BREATHING HEAVILY ]

>> YOU'RE JUST TIRED.

SO AM I.

[ BREATHING HEAVILY ]

[ BIRDS CHIRPING ]

[ DOOR OPENS ]

[ DOOR CLOSES ]

>> HEY.

>> HEY, MAN.

WE WENT OUT LOOKING AT THE LAKE.

>> ME TOO.

I WOKE UP.

IT SEEMED LIKE EVERYONE

DISAPPEARED ALL OF A SUDDEN.

>> YEAH, I, UH -- I'M SORRY THAT

WE WERE GONE SO LONG.

SHE WASN'T FEELING WELL.

>> YEAH.

YEAH, YOU LOOK LIKE SHIT.

YOU SHOULD GET SOME SLEEP.

MAYBE IRA AND I WILL HEAD BACK

TO TOWN, ASK AROUND AT THE

TRAIN STATION.

>> BUT SHE WASN'T THERE.

>> WELL, I DON'T KNOW.

THAT WAS LAST NIGHT.

MAYBE SHE TURNED UP.

[ CHUCKLES ]

WHAT DO YOU THINK, IRA?

>> YEAH, SURE, LET'S HEAD INTO

TOWN.

>> ALL RIGHT.

>> I'LL COME, TOO.

>> NO, IT'S FINE.

YOU STAY HERE.

>> THE, UH...

[ KEYS CLATTER ]

...TRUCK TAKES A LITTLE WHILE

TO WARM UP.

MIND STARTING IT WHILE I

TUCK HER IN?

>> NO.

BUT WHY DON'T WE JUST TAKE MINE?

>> GREAT, EVEN BETTER.

COME ON.

YOU'LL FEEL BETTER AFTER A NAP.

>> YEAH, ANDREW.

>> [ SIGHS ]

YOU KNOW HOW MUCH I LOVE YOU,

RIGHT?

>> YEAH.

I LOVE YOU, TOO.

>> YEAH.

YOU KNOW, THERE'S ONE THING THAT

I CANNOT ACCEPT, IS I DO NOT

LIKE BEING DISRESPECTED.

>> I KNOW.

>> OKAY.

[ DOOR CLOSES ]

[ BIRDS CHIRPING ]

[ DOOR OPENS ]

[ DOOR SLAMS ]

YOU HAVE YOUR THINGS FROM

INSIDE?

>> WHAT?

>> YOUR STUFF.

YOU GOT EVERYTHING?

>> YEAH.

>> ALL RIGHT, HERE'S WHAT'S

GONNA HAPPEN.

YOU'RE GONNA GO HOME.

YOU CAN WAIT FOR CHRIS THERE.

WE'LL GO TO THE POLICE, AND

WE'LL LOOK FOR HER OUT HERE.

>> OKAY.

UH, IS THAT WHAT KAIA WANTS?

I'D PREFER TO STAY HERE.

>> I'M SURE YOU WOULD, BUT IT'S

TIME FOR YOU TO GO.

>> [ SCOFFS ]

ALL RIGHT, WELL, I'D LIKE TO

TALK TO HER FIRST.

>> LISTEN, YOU'VE SERIOUSLY

OVERSTEPPED YOUR BOUNDS IN THIS

HOUSE, BRO.

>> [ CLEARS THROAT ]

>> YOU WALK AROUND LIKE YOU

LIVE HERE.

YOU FLIRT WITH KAIA RIGHT IN

FRONT OF MY FACE.

MAYBE THAT'S WHY YOUR SLUT

GIRLFRIEND LEFT YOU.

>> WHAT THE FUCK IS WRONG WITH

YOU?

ARE YOU FUCKING STUPID?

>> ARE YOU FUCKING STUPID?

>> HEY, GET YOUR HANDS OFF ME.

>> ARE YOU FUCKING STUPID?

>> GET YOUR FUCKING HAND OFF ME.

>> YOU TALK TO ME LIKE THAT

AGAIN, I'M GONNA FUCKING BREAK

YOUR NECK.

>> GET YOUR HAND OFF ME.

>> ALL RIGHT?

MOTHERFUCKER!

ARE YOU FUCKING SERIOUS?!

I WILL FUCKING KILL YOU!

I WILL FUCKING KILL YOU!

>> [ GROANING ]

>> YOU MOTHERFUCKER. ALL RIGHT?

YOU MOTHERFUCKER.

PUT YOUR HAND DOWN.

PUT YOUR FUCKING HAND DOWN!

I'M GONNA HIT YOU IN YOUR

FUCKING FACE!

>> UGH!

[ GROANING ]

>> HUH?!

I WILL FUCKING MURDER YOU!

I WILL FUCKING MURDER YOU!

>> WHAT ARE YOU DOING?!

>> [ COUGHING ]

>> IRA. GOD.

>> YOU STUPID MOTHERFUCKER.

>> LOOK AT HIS FACE, ANDREW!

LOOK AT HIS FACE!

>> STOP HITTING ME, KAI.

>> HIT ME!

THIS IS MY FAULT!

YOU HIT ME!

>> STOP HITTING ME, KAI.

>> HIT ME!

>> YOU NEED TO STOP HITTING

ME, KAI.

YOU NEED TO STOP.

ALL RIGHT?

WELL, I'LL LEAVE.

I'LL LEAVE.

>> NO.

[ BREATHING HEAVILY ]

>> [ GURGLING ]

[ GASPING ]

>> [ SPEAKING INDISTINCTLY ]

>> [ GROANS ]

>> ARE YOU SURE YOU DON'T NEED

ME TO CALL A DOCTOR?

>> I'M FINE.

I JUST WANT A SHOWER.

>> OKAY.

I'LL GET YOU SOMETHING TO WEAR

FROM MY FATHER'S CLOSET.

>> [ BREATHING HEAVILY ]

[ DOOR CLOSES ]

OH, MY GOD.

OH, MY GOD.

[ FOOTSTEPS APPROACHING ]

[ DOORS CREAKING ]

>> [ BREATHING HEAVILY ]

[ BIRDS SQUAWKING ]

[ WIND WHISTLING ]

>> [ EXHALES SHARPLY ]

>> [ SNIFFS ]

[ CLEARS THROAT ]

I THINK I NEED TO SLEEP A

LITTLE.

YOU SHOULD GO TO THE POLICE.

>> NO. I'LL STAY WITH YOU.

IF YOU HAVE A CONCUSSION, IT'S

NOT SOMETHING TO FOOL AROUND

WITH.

>> I DON'T THINK I CAN SLEEP.

[ EXHALES SHARPLY ]

>> YOU SHOULD GET SOME REST.

I'LL KEEP AN EYE ON YOU.

>> [ BREATHING HEAVILY ]

[ WIND WHISTLING ]

>> CAN I ASK YOU SOMETHING?

[ INHALES SHARPLY ]

WHAT EXACTLY DID CHRIS SAY

ABOUT OUR FATHER?

>> MM. NOT MUCH.

SHE JUST SAID THAT SHE COULDN'T

STAND HIM.

>> [ SIGHS ]

>> THAT'S ALL.

>> THAT SCARES ME.

[ BREATHES DEEPLY ]

>> [ EXHALES SHARPLY ]

[ GROANS ]

SHE SAID THAT HE HIT HER ONCE.

>> YEAH.

I WAS THERE.

[ FIRE CRACKLING ]

IT WAS AFTER SHE BURNED ME.

>> [ EXHALES SHARPLY ]

>> [ GASPS ] OH, GOD.

WHAT ARE WE GONNA DO?

[ GASPS ]

[ KEYS CLACKING ]

>> OKAY.

SORRY, UH...

TELL ME A LITTLE BIT MORE ABOUT

YOUR SISTER'S SLEEP ISSUES.

[ BIRDS CHIRPING ]

[ RAPID FOOTSTEPS ]

>> [ BREATHING HEAVILY ]

[ TELEPHONE RINGING ]

[ SNIFFS ]

[ RINGING CONTINUES ]

[ DOOR SLAMS ]

[ FOOTSTEPS APPROACHING ]

HELLO?

HELLO?

[ BREATHING HEAVILY ]

[ WATER RUNNING ]

[ WATER SHUTS OFF ]

[ EXHALES SHARPLY ]

[ TELEPHONE RINGS ]

HELLO?

>> HEY. IT'S ME.

>> [ EXHALES SHARPLY ]

IRA, HI.

HOW ARE YOU?

>> I'M -- I'M OKAY.

>> YEAH?

I'M STAYING AT MY MOTHER'S.

I DROPPED BY OUR APARTMENT...

[ SPEAKING INDISTINCTLY ]

>> YEAH, I KNOW.

BUT I'LL SEE YOU SOON, RIGHT?

YOU'RE COMING UP?

>> YEAH.

BUT LISTEN.

THE REASON I'M CALLING IS, I WAS

GOING THROUGH ALL OF OUR MAIL,

AND I FOUND A LETTER FROM CHRIS.

I'VE ALREADY CALLED THE POLICE

TO LET THEM KNOW.

>> [ EXHALES SHARPLY ]

WHAT?

>> WHAT? ARE YOU THERE?

[ WIND WHISTLING ]

>> WHEN DID SHE SEND IT?

>> WELL, THAT'S THE THING.

THE POSTMARK IS FROM BEFORE

SHE DISAPPEARED.

>> WHAT DOES IT SAY?

>> I'M SUPPOSED TO READ IT TO

YOU, SO I -- I THINK I'M JUST

GONNA POP IN THE CAR RIGHT NOW,

ALL RIGHT?

>> NO. WHAT DOES IT SAY?

>> [ SIGHS ] IT SAYS...

IT SAYS, UH...

"DEAR IRA, PLEASE READ THIS TO

KAIA.

I'M CURRENTLY WRITING YOU THIS

FROM MY OLD BEDROOM, AND IT

MAKES ME SO HAPPY TO HEAR YOU

AND KAIA TALKING OUTSIDE.

I WANT YOU TWO TO BE FRIENDS."

>> IT SAYS THAT?

>> YEAH.

SHOULD I KEEP GOING?

>> YES.

>> [ SIGHS ]

"I WANT YOU TWO TO BE FRIENDS.

IT'S REALLY IMPORTANT TO ME THAT

YOU TWO CONTINUE TO GET ALONG

AND TAKE CARE OF EACH OTHER.

I CAN HEAR YOU SAYING SOMETHING,

AND I DON'T KNOW WHAT YOU SAID,

BUT IT'S MAKING HER LAUGH."

THERE'S A SMILEY FACE.

"I CAN SEE ANDREW PULLING

EVERYTHING OUT OF THE GARAGE

FROM MY WINDOW.

HOW COULD YOU LET HIM DO THAT?

I CAME BACK HERE TO TRY AND

PIECE TOGETHER WHAT HAPPENED TO

US THERE.

I AM ALMOST CERTAIN NOW THAT I

AM NOT THE ONE WHO BURNED YOU.

IT'S CLEAR THAT YOU DO NOT WANT

TO REMEMBER WHAT HE DID TO US,

AND I HAVE TO RESPECT THAT.

SO, IF I LEAVE AND I DON'T COME

BACK, PLEASE DON'T BE MAD AND

DON'T GO LOOKING FOR ME."

[ SIGHS ]

[ Voice breaking ] "YOU AND IRA

HAVE EACH OTHER NOW, AND I HAVE

MY LITTLE ONE TO KEEP ME

COMPANY.

I HOPE I DON'T CHANGE MY MIND,

BUT I THINK I KNOW WHERE TO GO

FOR NOW."

IT STOPS THERE.

[ WIND WHISTLING ]

HEY. ARE YOU THERE?

ARE YOU OKAY?

KAIA?

>> [ GASPING ]

>> LISTEN...YOU HAVE TO TELL ME

WHAT HAPPENED.

>> [ EXHALES SHARPLY ]

>> KAIA, YOU HAVE TO TELL ME

WHAT HAPPENED TO YOU GUYS.

>> [ BREATHES DEEPLY ]

>> KAIA?

>> [ CRIES ]

[ WIND WHISTLING ]

>> KAIA.

>> [ INHALES SHARPLY ]

[ CRIES ]

[ CRICKETS CHIRPING ]

[ FIRE CRACKLING ]

[ METAL RATTLING ]

[ CRACKLING STOPS ]

[ BIRD CHIRPING ]

[ BIRD SQUAWKING ]

[ SONDRE LERCHE'S "TAKE

EVERYTHING BACK" PLAYS ]