All language subtitles for Hear.My.Song.1991.1080p.AMZN.WEB-DL.DDP2.0.H.264-YInMn

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:30,600 --> 00:01:32,400 I'm sorry, Micky. 2 00:01:32,500 --> 00:01:34,600 Micky, I'm really sorry. 3 00:01:34,800 --> 00:01:37,200 I'm sorry. 4 00:01:37,300 --> 00:01:39,200 I really am sorry. 5 00:01:40,400 --> 00:01:43,300 It just came on me like that. 6 00:01:43,600 --> 00:01:45,200 Just like that. 7 00:01:46,300 --> 00:01:48,600 Like that. 8 00:01:48,800 --> 00:01:51,900 You know, I've never let you down in the past, Micky. 9 00:01:52,100 --> 00:01:55,300 Shut up, Ronnie. Shut up. 10 00:01:55,400 --> 00:01:56,800 Sorry, Micky. 11 00:01:57,000 --> 00:02:02,400 You know, the doctor said, "Don't whisper, don't speak." 12 00:02:02,700 --> 00:02:04,300 Never mind sing. 13 00:02:05,400 --> 00:02:07,300 We're gutted, Micky. 14 00:02:07,400 --> 00:02:08,800 We're gutted. 15 00:02:08,900 --> 00:02:10,200 Shut up. 16 00:02:11,900 --> 00:02:14,300 If this happens again, Micky... 17 00:02:14,400 --> 00:02:17,500 we're going to have to go back to the docks. 18 00:02:56,300 --> 00:02:58,800 - Nancy!. - Nancy. 19 00:03:17,000 --> 00:03:18,300 Hi. 20 00:03:18,400 --> 00:03:20,600 Hello. Hi. How are you doing? 21 00:03:21,900 --> 00:03:23,300 See you later. 22 00:03:27,200 --> 00:03:30,100 Girls. Mwah! How are you? 23 00:03:30,200 --> 00:03:33,100 Yeah. No, I can't. Speak to you later. 24 00:03:33,400 --> 00:03:34,700 Bye. 25 00:03:43,800 --> 00:03:45,300 Some of that, sir. Thank you. 26 00:03:45,400 --> 00:03:49,300 - Oh, boys! What's all this about? - Can we have two more glasses? 27 00:03:49,600 --> 00:03:52,900 - What's the occasion, then? - Who needs an occasion? 28 00:04:14,300 --> 00:04:16,000 - Nancy here? - Yeah. 29 00:04:16,200 --> 00:04:18,300 - Champagne? - Yeah. 30 00:04:23,900 --> 00:04:25,900 Give that to her halfway through the second verse. 31 00:04:26,100 --> 00:04:27,700 What? 32 00:04:28,800 --> 00:04:30,300 I'm going on. 33 00:04:42,300 --> 00:04:44,700 Ladies and gentlemen, can I have your attention, please? 34 00:04:44,800 --> 00:04:47,200 Please, please, may I have your attention? 35 00:04:47,400 --> 00:04:49,700 Please, thank you. Can I have some quiet, please? 36 00:04:49,800 --> 00:04:52,100 Thank you, ladies and gentlemen. 37 00:04:52,200 --> 00:04:53,200 Ladies and gentlemen. 38 00:04:53,400 --> 00:04:55,400 The fire brigade have just phoned to tell us 39 00:04:55,500 --> 00:04:58,800 that Ronnie Lavelle is being cut out of his Ford Capri 40 00:04:59,000 --> 00:05:01,800 in the worst car crash in the history of the M6 motorway. 41 00:05:01,900 --> 00:05:04,800 You're joking. 42 00:05:06,500 --> 00:05:08,300 Thank you. 43 00:05:08,400 --> 00:05:11,300 But, at very short notice, 44 00:05:11,400 --> 00:05:13,800 we are proud to present 45 00:05:14,000 --> 00:05:16,500 the man who put the heart back into Heartlys. 46 00:05:16,700 --> 00:05:19,100 Mr Micky O'Neill. 47 00:05:31,100 --> 00:05:33,400 We didn't pay to see you, O'Neill. 48 00:05:38,500 --> 00:05:40,600 If I don't see her 49 00:05:40,700 --> 00:05:42,300 Each day 50 00:05:42,400 --> 00:05:43,600 I miss her 51 00:05:46,000 --> 00:05:48,700 And, gee, what a thrill 52 00:05:48,900 --> 00:05:50,800 Each time I kiss her 53 00:05:53,000 --> 00:05:54,600 Believe me, I've got a case... 54 00:05:54,700 --> 00:05:56,900 You're rubbish, O'Neill, get off. 55 00:05:57,100 --> 00:05:58,800 Of Nancy 56 00:05:59,000 --> 00:06:01,100 With the laughing face 57 00:06:02,300 --> 00:06:06,400 She takes the winter and makes it summer 58 00:06:06,600 --> 00:06:08,000 I'll tell you 59 00:06:08,900 --> 00:06:13,700 Summer could take some lessons from her 60 00:06:13,900 --> 00:06:17,300 Picture a tomboy in lace 61 00:06:17,400 --> 00:06:19,500 That's Nancy 62 00:06:19,700 --> 00:06:23,900 With the laughing face 63 00:06:24,100 --> 00:06:29,000 Have you ever heard mission bells ringing? 64 00:06:31,500 --> 00:06:36,600 Well, she gives you that very same glow 65 00:06:36,900 --> 00:06:38,400 Just to speak 66 00:06:38,500 --> 00:06:42,100 You would swear it was singing 67 00:06:44,100 --> 00:06:47,300 Just to hear her say hello 68 00:06:48,600 --> 00:06:50,900 - What you got there? - Keep Audrey Hepburn 69 00:06:51,100 --> 00:06:55,000 Lamour and Taylor 70 00:06:57,000 --> 00:06:59,600 Nancy's the feature 71 00:06:59,800 --> 00:07:03,100 And they're just the trailer 72 00:07:03,300 --> 00:07:07,400 No one could ever replace 73 00:07:07,500 --> 00:07:11,200 My Nancy 74 00:07:11,500 --> 00:07:16,300 With the laughing face 75 00:07:19,300 --> 00:07:20,800 Very good. 76 00:07:25,800 --> 00:07:29,500 Make love to me, Micky, make love to me. 77 00:07:29,700 --> 00:07:32,300 Micky, I love you! 78 00:07:32,500 --> 00:07:34,300 Micky! 79 00:07:34,500 --> 00:07:36,300 I love you! 80 00:07:36,500 --> 00:07:38,800 Vice versa, love. Vice versa. 81 00:07:39,000 --> 00:07:41,100 - I don't believe it! - What? 82 00:07:41,300 --> 00:07:45,300 Vice versa? Vice versa, what is vice versa? 83 00:07:45,600 --> 00:07:47,400 - Vice versa. - What's wrong? 84 00:07:47,400 --> 00:07:49,100 You haven't really made love to me yet. 85 00:07:49,200 --> 00:07:50,500 Damn it, we were there. 86 00:07:50,600 --> 00:07:52,000 - Micky! - What? 87 00:07:52,000 --> 00:07:53,600 - No, I mean ever. - What? 88 00:07:53,700 --> 00:07:55,900 Jesus, you just can't say it, can you? 89 00:07:56,100 --> 00:07:59,700 Nancy! Nancy, no. Munchkin. Plum-plum. 90 00:07:59,900 --> 00:08:01,000 Bollocks! 91 00:08:02,200 --> 00:08:04,100 Vice versa. 92 00:08:05,400 --> 00:08:09,000 They've got to be universal, they've got to be popular and they've got to be live. 93 00:08:09,100 --> 00:08:10,600 Mr Everybody? 94 00:08:10,800 --> 00:08:12,600 Not universal. 95 00:08:12,700 --> 00:08:14,400 Coffee and Cream? 96 00:08:14,500 --> 00:08:17,400 Not popular. God! 97 00:08:18,600 --> 00:08:20,100 Frank Sinatra? 98 00:08:21,900 --> 00:08:22,800 What? 99 00:08:27,700 --> 00:08:28,900 Frank Sinatra. 100 00:08:30,500 --> 00:08:33,500 No. F-R-A-N-C. 101 00:08:33,700 --> 00:08:36,000 C-I-N-A-T-R-A. 102 00:08:37,400 --> 00:08:38,400 Show me. 103 00:08:44,000 --> 00:08:46,100 Does it work? 104 00:08:46,200 --> 00:08:48,500 Fools them down south, Micky. 105 00:08:53,200 --> 00:08:54,600 Yeah! 106 00:08:56,500 --> 00:08:57,900 Bollocks. 107 00:08:58,000 --> 00:08:59,700 Book him. 108 00:09:01,100 --> 00:09:02,400 Where's the book? 109 00:09:36,300 --> 00:09:37,900 Yeah. 110 00:09:42,400 --> 00:09:45,600 Eat me up and then you'll 111 00:09:45,800 --> 00:09:48,200 Taste what's on the menu 112 00:09:49,400 --> 00:09:52,100 Lick your lips 113 00:09:52,200 --> 00:09:56,000 Some sweet delights 114 00:09:56,200 --> 00:09:58,400 We have here 115 00:09:58,600 --> 00:10:03,300 For you tonight... 116 00:10:03,600 --> 00:10:05,900 Where does it hurt you, baby? 117 00:10:06,000 --> 00:10:09,500 - In my ears. - OK, Oscar, hit it. 118 00:10:09,700 --> 00:10:12,500 You're a delightful dish 119 00:10:12,800 --> 00:10:14,900 I'm hooked 120 00:10:15,000 --> 00:10:16,600 Just like a fish 121 00:10:16,700 --> 00:10:21,000 I'll jump from Brooklyn Bridge to Queens 122 00:10:21,300 --> 00:10:23,400 Fly it with me 123 00:10:23,600 --> 00:10:26,200 Take a ride with me 124 00:10:26,400 --> 00:10:29,100 Mmm, sky high with me 125 00:10:29,300 --> 00:10:33,600 Into my world of dreams 126 00:10:33,900 --> 00:10:36,100 Zan-zan-zanidoo 127 00:10:37,900 --> 00:10:39,000 The Ryans are here, Micky. 128 00:10:39,100 --> 00:10:41,300 Tell them I'm on the golf course with Tony Bennett. 129 00:10:41,400 --> 00:10:43,600 - They're in the office. - Bollocks. 130 00:10:43,700 --> 00:10:46,900 - Have you found anybody? - Josef Locke. 131 00:10:47,000 --> 00:10:49,000 He's big. He's Irish. 132 00:10:49,100 --> 00:10:51,100 - He's a bigger draw than the Pope. - Boys. 133 00:10:51,300 --> 00:10:53,300 I didn't go and see the Pope. What is he? 134 00:10:53,400 --> 00:10:55,200 - He sings. - Women weep. 135 00:10:56,600 --> 00:10:58,100 The Ryans weeping? 136 00:10:59,300 --> 00:11:00,500 This I've got to see. 137 00:11:05,900 --> 00:11:08,200 Cup of tea? Sherry? 138 00:11:08,400 --> 00:11:10,300 Take a seat. 139 00:11:11,900 --> 00:11:13,400 This is nice. 140 00:11:19,800 --> 00:11:23,500 The Ryan family has owned this building for 50 years. 141 00:11:23,800 --> 00:11:26,900 We needed a two-thirds majority to get you dismissed. 142 00:11:28,200 --> 00:11:32,500 - We got three thirds. You're out. - Three thirds. It's a lot, isn't it? 143 00:11:32,800 --> 00:11:34,500 It wasn't difficult. 144 00:11:34,600 --> 00:11:38,900 Misuse of funds. Not paying our seven-and-a-half per cent commission. 145 00:11:39,100 --> 00:11:42,500 - No management responsibilities. - No competency. 146 00:11:42,800 --> 00:11:44,100 I'm 30. 147 00:11:46,100 --> 00:11:49,000 I was born in peacetime. 148 00:11:49,200 --> 00:11:53,100 I haven't been where you've been. I haven't seen what you've seen. 149 00:11:53,300 --> 00:11:55,500 I didn't have much of a family. 150 00:11:55,700 --> 00:11:58,900 And, when I came here to Britain, I thought, well, you know, 151 00:11:59,100 --> 00:12:01,500 maybe I could make this Irish community my family. 152 00:12:03,300 --> 00:12:07,100 And, you know, to a certain extent, I think I have. 153 00:12:13,200 --> 00:12:15,500 There are givers... 154 00:12:15,600 --> 00:12:17,400 and there are takers. 155 00:12:17,500 --> 00:12:20,800 There are those who find a kind of giving in their taking. 156 00:12:21,000 --> 00:12:22,600 That's me. 157 00:12:22,800 --> 00:12:26,200 If ever I've taken, and I can't consciously say that I ever have, 158 00:12:26,300 --> 00:12:29,700 I've found a kind of giving in my taking. 159 00:12:29,800 --> 00:12:31,300 Bollocks. 160 00:12:31,400 --> 00:12:33,700 - Bollocks. - Yeah. 161 00:12:33,800 --> 00:12:35,100 You're a bollocks! 162 00:12:40,000 --> 00:12:41,600 Who have you booked for next week? 163 00:12:41,800 --> 00:12:43,900 Bing Crosby with a K? 164 00:12:44,000 --> 00:12:46,900 No, Josef Locke. 165 00:12:47,000 --> 00:12:48,000 Get away. 166 00:12:48,200 --> 00:12:49,800 We've got him for one week. 167 00:12:49,900 --> 00:12:50,900 I don't believe you. 168 00:12:51,100 --> 00:12:52,900 Jo Locke's a wanted man. 169 00:12:53,100 --> 00:12:55,700 Tax or fraud or something. 170 00:12:55,900 --> 00:12:59,000 He'd be arrested if ever he returned to England. 171 00:12:59,200 --> 00:13:01,600 - We know. - You know? 172 00:13:03,000 --> 00:13:06,300 We know it's Jo. 173 00:13:06,500 --> 00:13:09,100 Youse all know it's Jo. 174 00:13:09,300 --> 00:13:11,500 But we don't bill him as Jo. 175 00:13:13,300 --> 00:13:15,700 Then what do we bill him as, Ricky-fucking-Robert? 176 00:13:15,900 --> 00:13:19,500 No. Mr X. 177 00:13:19,600 --> 00:13:22,100 "Is it or isn't it?" 178 00:13:22,200 --> 00:13:26,600 We're not allowed even to mention Jo Locke. 179 00:13:26,800 --> 00:13:28,400 How it is these days. 180 00:13:28,500 --> 00:13:31,700 Well, you can't get more popular than Jo-bleeding-Locke. 181 00:13:31,900 --> 00:13:35,400 So, do I stay open or do you lose Josef Locke? 182 00:13:35,700 --> 00:13:37,700 Seven-and-a-half per cent of that would do nicely. 183 00:14:29,700 --> 00:14:31,100 Wait here. 184 00:14:42,800 --> 00:14:44,500 You see these two goldfish? 185 00:14:44,600 --> 00:14:47,200 Apparently, they have an attention span of only three seconds 186 00:14:47,400 --> 00:14:49,900 so that means every time they go around and meet again, 187 00:14:50,200 --> 00:14:53,200 it's as if they've never met, and they can start again. 188 00:14:53,400 --> 00:14:54,700 Is this you saying you're sorry? 189 00:14:54,800 --> 00:14:57,900 What I'm saying is you could say that goldfish don't know what missing is. 190 00:14:58,200 --> 00:14:59,700 But Nancy... 191 00:15:03,700 --> 00:15:06,200 I don't think that's true. 192 00:15:15,800 --> 00:15:17,700 I hear you can sing. 193 00:15:19,200 --> 00:15:22,400 - Who are you? - I'm Cathleen Doyle, Nancy's mother. 194 00:15:24,200 --> 00:15:26,700 Are these because she's a Pisces? 195 00:15:27,600 --> 00:15:30,000 - What? - The two fish. 196 00:15:33,600 --> 00:15:35,000 Absolutely. 197 00:15:50,000 --> 00:15:53,700 What country, friend, is this? 198 00:15:54,600 --> 00:15:56,900 Caught between great icebergs of doubt 199 00:15:57,100 --> 00:16:00,200 Nipped upon the frozen floods of philosophic despair 200 00:16:00,500 --> 00:16:04,600 Let nodding tempests of verbosity whistle round your bottles 201 00:16:04,800 --> 00:16:09,500 Michael, row the boat ashore for this peripatetic fugitive. 202 00:16:09,800 --> 00:16:11,600 Will a grand a week do? 203 00:16:11,800 --> 00:16:15,300 To know yourself you've got to keep up with yourself. 204 00:16:15,600 --> 00:16:16,600 But your self moves on, 205 00:16:16,700 --> 00:16:19,600 and is not today what it was yesterday, 206 00:16:19,800 --> 00:16:22,000 and you've got to run to keep up with it. 207 00:16:22,200 --> 00:16:23,200 Twelve-fifty. 208 00:16:23,400 --> 00:16:26,000 Running after a figment of ourselves... 209 00:16:26,100 --> 00:16:27,300 Thirteen hundred. 210 00:16:27,300 --> 00:16:31,200 Ah, clever Odysseus, 211 00:16:31,400 --> 00:16:33,600 who outwitted the cyclop... 212 00:16:33,800 --> 00:16:34,700 Cash? 213 00:16:34,800 --> 00:16:36,300 Upfront. 214 00:16:37,500 --> 00:16:39,900 We go up at eight. 215 00:16:40,100 --> 00:16:42,500 And for fuck's sake, Jo... 216 00:16:44,600 --> 00:16:46,900 don't talk to nobody. 217 00:17:05,400 --> 00:17:07,800 Serendipity. 218 00:17:10,700 --> 00:17:14,300 Micky, City Scene want an interview. They're outside. 219 00:17:14,400 --> 00:17:15,900 He's not the full shilling, is he? 220 00:17:16,000 --> 00:17:19,300 Norman Vaughan's outside with about 40 other people. Norman Vaughan! 221 00:17:19,500 --> 00:17:21,100 The lift doesn't reach the top floor. 222 00:17:21,200 --> 00:17:23,600 I said I was your personal assistant, they said, "Come on with him." 223 00:17:23,800 --> 00:17:25,900 Yes, sure, love. No sweat. 224 00:17:26,100 --> 00:17:29,900 - Is he going to stay the distance? - He's a pro, Micky. He's a pro. 225 00:17:31,900 --> 00:17:33,900 Does he run this operation, this Micky O'Neill? 226 00:17:34,000 --> 00:17:35,700 I remember this when it was a music hall. 227 00:17:35,900 --> 00:17:38,100 Micky baby, you're looking great. 228 00:17:38,200 --> 00:17:39,900 Listen, this is what we're going to do. 229 00:17:40,100 --> 00:17:43,400 I'm going to talk to you about booking someone as controversial as Jo. 230 00:17:43,600 --> 00:17:46,100 So, we're going to have to do this straight away, OK? 231 00:17:46,200 --> 00:17:49,500 This is television, Micky. This is television, Micky baby. 232 00:17:49,600 --> 00:17:51,400 OK, wet your lips, Nancy. 233 00:17:51,500 --> 00:17:55,800 Now, how many of you out there remember the famous Irish tenor, Josef Locke? 234 00:17:56,000 --> 00:17:59,000 This was the question put to 100 Merseysiders 235 00:17:59,200 --> 00:18:02,900 on hearing the news that Jo Locke was topping the bill at Heartlys tonight. 236 00:18:03,200 --> 00:18:04,900 Twenty said they thought he was dead, 237 00:18:05,100 --> 00:18:07,900 thirty said they were sure he was serving a life sentence, 238 00:18:08,000 --> 00:18:10,500 thirteen thought he was a tax exile in Ireland, 239 00:18:10,700 --> 00:18:13,000 and 35 said, "Jo who?" 240 00:18:13,200 --> 00:18:17,900 All this, however, is overshadowed by one exceptional statistic. 241 00:18:18,200 --> 00:18:22,000 So, let's ask local impresario, boss of Heartlys, Micky O'Neill, 242 00:18:22,200 --> 00:18:23,400 why it's a sell-out. Micky. 243 00:18:23,600 --> 00:18:25,800 Well, I suppose it's because he's the epitome 244 00:18:26,000 --> 00:18:28,800 of live popular universal entertainment and he's a great guy. 245 00:18:28,900 --> 00:18:31,600 Yeah, but what's he like? You've met him. What's he really like? 246 00:18:31,800 --> 00:18:35,000 He's, ha-ha... He's, he's very poetic, very unto himself. 247 00:18:35,300 --> 00:18:37,600 But isn't there a risk involved? Booking a wanted man? 248 00:18:37,700 --> 00:18:40,200 It's a risk I'm prepared to take. These people deserve it. 249 00:18:40,400 --> 00:18:41,800 Nancy, what a pretty girl. 250 00:18:41,800 --> 00:18:44,400 You come here. I believe you have a story of your own, is that right? 251 00:18:44,500 --> 00:18:46,500 Me mum will kill me for this. 252 00:18:46,700 --> 00:18:48,600 - Anyway, in 1958... - Fifty-eight. 253 00:18:48,800 --> 00:18:52,100 ..me mum won Miss Dairy Goodness and Jo Locke was the judge. 254 00:18:52,400 --> 00:18:55,100 And she's coming to see him tonight for the first time in 25 years. 255 00:18:55,200 --> 00:18:57,100 - First time in 25 years. - That's the story. 256 00:18:57,100 --> 00:18:59,200 - What's your mother's name? - Cathleen Doyle. 257 00:18:59,300 --> 00:19:04,000 Cathleen Doyle! So, Cathleen Doyle was Miss Dairy Goodness in 1958... 258 00:19:14,200 --> 00:19:17,800 And to conclude this most memorable event... 259 00:19:19,200 --> 00:19:22,500 one last look at these ravishing beauties. 260 00:19:33,100 --> 00:19:34,700 One last look... 261 00:19:34,900 --> 00:19:37,800 while our judge reaches his decision. 262 00:19:38,000 --> 00:19:41,700 And what more fitting way than to ask Jo? 263 00:19:43,000 --> 00:19:44,600 We will never forget this. 264 00:19:44,600 --> 00:19:47,600 None of us. Ever. 265 00:20:02,100 --> 00:20:03,900 Jo's taking his time. 266 00:20:04,000 --> 00:20:05,500 Hard decision. 267 00:20:06,700 --> 00:20:08,800 Jo's gone for Cathleen. 268 00:20:10,200 --> 00:20:11,200 He likes her. 269 00:20:11,300 --> 00:20:14,400 He likes her! Well done, Cathleen. 270 00:20:14,500 --> 00:20:18,600 One thousand pounds to Miss Dairy Goodness. 271 00:20:21,600 --> 00:20:23,200 That's enough, Jo. 272 00:20:23,300 --> 00:20:25,900 We... We won't tell a soul. 273 00:20:26,100 --> 00:20:28,600 We won't tell a soul. 274 00:22:25,700 --> 00:22:26,800 Last word for the viewers. 275 00:22:26,900 --> 00:22:29,300 There's going to be fireworks tonight, believe you me. 276 00:22:29,500 --> 00:22:31,500 Believe you him, and always remember, folks, 277 00:22:31,700 --> 00:22:33,900 do unto others but do it quick. 278 00:22:34,000 --> 00:22:38,000 This has been Norman Vaughan for City Scene, outside Heartlys. 279 00:22:38,200 --> 00:22:40,500 You can't keep it shut, can you? 280 00:22:40,600 --> 00:22:42,100 But everybody knows. 281 00:22:42,300 --> 00:22:43,300 Turn, please. 282 00:22:48,700 --> 00:22:50,000 Once again, please. 283 00:22:53,300 --> 00:22:55,400 How do I look? 284 00:22:55,500 --> 00:22:58,200 You look fatal. How do you feel? 285 00:22:58,400 --> 00:23:00,100 Turn, please. 286 00:23:03,000 --> 00:23:05,000 I feel sick. 287 00:23:05,100 --> 00:23:08,700 Once-in-a-lifetime chance to hear the great Josef Locke. 288 00:23:08,800 --> 00:23:11,500 Come along, ladies. They're only five pounds each. 289 00:23:11,700 --> 00:23:12,900 You're welcome. 290 00:23:13,100 --> 00:23:16,600 Don't Locke Jo up, ladies and gentlemen. Two for a tenner. 291 00:23:16,700 --> 00:23:19,200 Thank you, sir. Don't Locke Jo up. 292 00:23:22,800 --> 00:23:24,000 Erm, medium. 293 00:23:24,100 --> 00:23:27,300 Could I see Mr O'Neill, please? 294 00:23:27,600 --> 00:23:28,800 And your name, sir? 295 00:23:28,800 --> 00:23:30,200 Jim Abbott. 296 00:23:32,800 --> 00:23:34,200 Chief Constable. 297 00:23:40,400 --> 00:23:43,200 The chief constable to see you, Micky. 298 00:23:53,800 --> 00:23:54,900 You can't do it, Chief. 299 00:23:55,100 --> 00:23:57,300 The big guy's so popular here, I've extended the run. 300 00:23:57,500 --> 00:24:00,500 You can't do it to these people. We put everything into this. 301 00:24:00,700 --> 00:24:02,000 Yeah, I can see that. 302 00:24:03,200 --> 00:24:05,200 Look... 303 00:24:05,300 --> 00:24:07,900 just give me to the end of the run and then... 304 00:24:10,500 --> 00:24:12,800 you can stick the bastard away for as long as you like. 305 00:24:14,100 --> 00:24:16,200 I'd like a house seat, Mr O'Neill. 306 00:24:24,700 --> 00:24:27,600 And now you can take me to his dressing room. 307 00:25:03,300 --> 00:25:05,100 Thank you, Mr O'Neill. 308 00:25:05,200 --> 00:25:06,600 Everything OK? 309 00:25:06,700 --> 00:25:10,200 - The man is a fake. - What? 310 00:25:10,500 --> 00:25:14,200 You mean I'm paying three grand a week for a fake? 311 00:25:16,000 --> 00:25:18,200 I don't think you need to worry, Mr O'Neill. 312 00:25:20,000 --> 00:25:22,600 I'm the only person here tonight who'd know the difference. 313 00:25:28,200 --> 00:25:30,100 But, Chief... Chief! 314 00:25:31,700 --> 00:25:36,500 If it's not Jo Locke, and you know that, 315 00:25:36,800 --> 00:25:39,200 why are you staying to see the show? 316 00:25:44,800 --> 00:25:46,400 Curiosity. 317 00:25:55,900 --> 00:25:57,400 You go up in 15. 318 00:26:00,900 --> 00:26:01,800 Good luck. 319 00:26:05,400 --> 00:26:06,800 Jo. 320 00:26:10,300 --> 00:26:12,000 Compliments from Micky, ladies. 321 00:26:12,100 --> 00:26:14,500 Enjoy yourselves. 322 00:26:19,000 --> 00:26:21,300 Everyone all right? 323 00:26:21,500 --> 00:26:24,000 - Thanks for the champagne. - No problem. 324 00:26:24,200 --> 00:26:26,600 - How are the Ryans, then? - You did well to get him, Micky. 325 00:26:26,700 --> 00:26:30,500 Gordon, bring the ladies another bottle of champagne. 326 00:26:30,800 --> 00:26:32,000 Get away. 327 00:26:35,400 --> 00:26:37,100 Nice crowd tonight, Micky. 328 00:26:37,200 --> 00:26:40,300 Yeah, well, he's the real thing, isn't he? 329 00:26:40,500 --> 00:26:43,100 I'll be the judge of that. 330 00:26:44,600 --> 00:26:46,700 - Is it me? - What? 331 00:26:47,800 --> 00:26:49,900 Your nose is bleeding. 332 00:26:55,100 --> 00:26:56,700 See you later. 333 00:27:03,200 --> 00:27:05,700 Barry, have you met the chief of police? 334 00:27:05,800 --> 00:27:07,600 Jim Abbott, Barry Hayden. 335 00:27:19,000 --> 00:27:20,900 How's it going, mate, everything all right? 336 00:27:21,100 --> 00:27:23,700 A touch comes when the white mind sleeps and only then. 337 00:27:23,800 --> 00:27:26,100 Yeah, right. Listen. 338 00:27:27,100 --> 00:27:30,100 See that very tasty lady out there? 339 00:27:34,900 --> 00:27:37,100 You had an affair with her 25 years ago. 340 00:27:40,300 --> 00:27:44,500 I think I would have remembered that, Michael. She's a fine-looking filly. 341 00:27:45,900 --> 00:27:50,100 Her name's Cathleen. Sing to her, you could be on a winner. 342 00:27:52,300 --> 00:27:55,400 Come to think of it, I do... 343 00:28:15,000 --> 00:28:20,500 I'll take you home again, Cathleen 344 00:28:20,800 --> 00:28:23,500 Across the ocean 345 00:28:23,700 --> 00:28:27,000 Wild and wide 346 00:28:27,300 --> 00:28:33,000 To where your heart has ever been 347 00:28:33,200 --> 00:28:38,900 Since first you were my bonnie bride 348 00:28:39,100 --> 00:28:41,900 The roses all 349 00:28:42,200 --> 00:28:45,700 Have left your cheeks 350 00:28:45,900 --> 00:28:51,500 I've watched them fade away and die 351 00:28:51,700 --> 00:28:54,300 Your voice is sad 352 00:28:54,600 --> 00:28:57,900 When e'er you speak 353 00:28:58,100 --> 00:28:59,700 And tears 354 00:28:59,800 --> 00:29:04,800 Bedim your loving eyes 355 00:29:05,100 --> 00:29:06,700 Oh 356 00:29:06,800 --> 00:29:12,100 I will take you back, Cathleen 357 00:29:12,400 --> 00:29:18,000 To where your heart will feel no pain 358 00:29:19,200 --> 00:29:24,400 And when the fields are fresh and green 359 00:29:24,800 --> 00:29:27,100 I'll take you... 360 00:29:27,300 --> 00:29:29,100 Happy hour? 361 00:29:29,200 --> 00:29:31,000 We're still counting the advance, Micky. 362 00:29:32,500 --> 00:29:34,500 This is the night's takings here. 363 00:29:34,600 --> 00:29:38,000 It's only the beginning, fellas. Only the beginning. 364 00:29:54,700 --> 00:29:57,300 Look at me. You'd think I was 18. 365 00:29:57,500 --> 00:29:58,700 Thanks. 366 00:29:59,900 --> 00:30:01,200 Has someone upset you, love? 367 00:30:01,300 --> 00:30:04,000 No. Are you enjoying it? 368 00:30:05,300 --> 00:30:08,800 Oh... Oh, I'm enjoying the whole thing. 369 00:30:10,600 --> 00:30:12,700 He's, erm... 370 00:30:12,900 --> 00:30:17,400 He's not quite what he was, though. 371 00:30:17,600 --> 00:30:19,300 How many of us are? 372 00:30:19,500 --> 00:30:20,600 Well, you. 373 00:30:22,300 --> 00:30:23,400 What's funny? 374 00:30:24,700 --> 00:30:29,500 How is it you can lock something away for 25 years, 375 00:30:29,700 --> 00:30:32,500 almost make yourself believe it doesn't exist... 376 00:30:34,500 --> 00:30:38,100 ..then some heel sings a song and you love him. 377 00:30:38,300 --> 00:30:41,200 And you can't imagine a world without men. 378 00:30:44,200 --> 00:30:45,900 That's funny. 379 00:30:48,800 --> 00:30:50,300 Ha-ha ha-ha-ha-ha 380 00:30:50,500 --> 00:30:54,300 We'll make a bonfire of our troubles 381 00:30:54,600 --> 00:30:58,400 And we'll watch them blaze away 382 00:30:58,600 --> 00:31:02,100 And when they've all gone up in smoke clouds 383 00:31:02,300 --> 00:31:06,500 We'll never worry should there come another day 384 00:31:06,600 --> 00:31:07,600 And as the bonfire... 385 00:31:07,800 --> 00:31:11,100 Carlo, it's Micky. Table for two, my account, in the name of Mr X. 386 00:31:11,300 --> 00:31:14,000 Yep, Mr X. Yeah, it went great. Great. 387 00:31:14,200 --> 00:31:16,600 I'll get you two for Thursday. Buy you one later. 388 00:31:16,700 --> 00:31:19,400 Oh, and Carlo, put them by the aquarium. Ciao. 389 00:31:19,700 --> 00:31:22,600 ..troubles blaze away! 390 00:31:28,100 --> 00:31:30,100 Over here! Help yourselves, help yourselves. 391 00:31:30,300 --> 00:31:34,000 - Must be the luck of the Irishmen. - Bollocks. 392 00:31:34,200 --> 00:31:37,500 I think you'll find this 393 00:31:37,800 --> 00:31:40,500 a very square-shouldered little wine, Cathy. 394 00:31:43,700 --> 00:31:45,700 I married him on the rebound. 395 00:31:45,900 --> 00:31:48,600 It was just after you left and I was... 396 00:31:48,800 --> 00:31:50,500 I was in pieces. 397 00:31:52,300 --> 00:31:57,300 For a while I thought he was... tearing up your letters. 398 00:31:57,600 --> 00:31:59,800 But there weren't any, were there? 399 00:31:59,900 --> 00:32:04,500 I had to be persona non grata, Cathy. 400 00:32:04,800 --> 00:32:06,600 Did I leave anything behind? 401 00:32:08,100 --> 00:32:09,200 Nancy? 402 00:32:09,400 --> 00:32:12,200 Oh, no. No. 403 00:32:12,400 --> 00:32:13,800 Nancy's not yours. 404 00:32:13,900 --> 00:32:16,200 And your husband? 405 00:32:17,800 --> 00:32:19,500 He died seven years ago. 406 00:32:21,000 --> 00:32:26,800 Cast a cold eye on life, on death. Horseman, pass by. 407 00:32:27,200 --> 00:32:30,100 Horseman, pass by. 408 00:32:32,400 --> 00:32:34,400 He was a sweet man. 409 00:32:36,300 --> 00:32:38,600 Till the day he died he called me... 410 00:32:39,800 --> 00:32:42,100 Miss Dairy Goodness. 411 00:32:43,700 --> 00:32:46,800 Why was that, then? 412 00:33:36,900 --> 00:33:39,100 I don't know. 413 00:33:39,300 --> 00:33:42,000 Maybe it's just us. Was it him or wasn't it? 414 00:33:42,200 --> 00:33:45,400 You just take it from one who knows, love. 415 00:33:45,500 --> 00:33:50,200 You close your eyes and you cast your mind back 30 years, 416 00:33:50,400 --> 00:33:55,300 and you see and hear what you want to see and hear. 417 00:34:15,500 --> 00:34:17,500 Are this lot having a good time or aren't they? 418 00:34:17,700 --> 00:34:20,100 Will they have sore heads in the morning or won't they? 419 00:34:20,300 --> 00:34:23,600 - Do I love you or don't I? - You better, you better. 420 00:34:23,800 --> 00:34:25,700 - What about your ma and Mr X? - What? 421 00:34:25,900 --> 00:34:27,300 Well, is it or isn't it? 422 00:34:27,500 --> 00:34:30,200 Are they or aren't they? Will they or won't they? 423 00:34:30,400 --> 00:34:33,500 Look, love, is she going to worry tomorrow, was it or wasn't it? 424 00:34:33,700 --> 00:34:36,100 The thing is, she's having a good time and it's all down to us. 425 00:34:36,300 --> 00:34:39,000 I mean, stick with me and you'll be farting through silk. 426 00:34:55,700 --> 00:34:59,000 I don't know who the fuck that man is up there, 427 00:34:59,200 --> 00:35:03,500 but I know who you are, O'Neill, and I know what you are. 428 00:35:14,600 --> 00:35:17,100 I should never have done this. 429 00:35:18,000 --> 00:35:19,900 Nancy. 430 00:35:20,100 --> 00:35:23,000 Get your coat. We're going home. 431 00:35:51,100 --> 00:35:53,900 I want my money back! 432 00:35:54,000 --> 00:35:57,600 Come on! I paid for tickets. I want my money back. 433 00:36:01,100 --> 00:36:06,600 To ask you again, you have no other sets of keys to the premises? 434 00:36:10,200 --> 00:36:13,300 And you have no other personal assets or monies 435 00:36:13,400 --> 00:36:16,900 that you've not already declared within this document? 436 00:36:20,400 --> 00:36:22,800 I'm sorry, I need a yes or a no. 437 00:36:24,500 --> 00:36:26,000 No. 438 00:36:26,100 --> 00:36:27,100 Thank you. 439 00:36:29,900 --> 00:36:31,500 Here's your copy. 440 00:36:59,200 --> 00:37:03,100 When your heart is... 441 00:37:04,300 --> 00:37:06,000 Thanks for showing up, fellas. 442 00:37:06,100 --> 00:37:08,100 What are we going to do, Micky? 443 00:37:09,300 --> 00:37:12,000 You're going to house-sit this place for a couple of weeks. 444 00:37:12,200 --> 00:37:13,700 Why? What are you going to do? 445 00:37:16,300 --> 00:37:18,200 I'm going home. 446 00:37:23,600 --> 00:37:24,800 Shut up, ya... 447 00:37:34,900 --> 00:37:37,200 Get out of here! 448 00:38:47,400 --> 00:38:48,500 Morning. 449 00:38:57,400 --> 00:38:58,800 Hello. 450 00:39:02,100 --> 00:39:03,700 Give us one of those sandwiches. 451 00:39:03,700 --> 00:39:05,800 Hey? Yeah, thanks. Great. 452 00:39:09,100 --> 00:39:11,200 The strip. 453 00:39:11,300 --> 00:39:13,000 You want to sit in while you wait? 454 00:39:39,500 --> 00:39:44,900 You know, when I first met him he hadn't two pins to rub together. 455 00:39:45,200 --> 00:39:47,900 Molly, this specimen used to be Micky O'Neill. 456 00:39:49,200 --> 00:39:52,800 - We very rarely see him out in daylight. - I need five pounds for the carriage, Fintan. 457 00:39:52,900 --> 00:39:55,000 Molly, petty cash, please. 458 00:39:58,600 --> 00:40:00,300 What's with the map? 459 00:40:00,500 --> 00:40:02,000 What the map shows, Mr O'Neill, 460 00:40:02,100 --> 00:40:04,900 is that each artist is represented by a pinhead. 461 00:40:10,000 --> 00:40:11,400 How you doing? 462 00:40:11,600 --> 00:40:14,200 That's my mate there. I haven't got any... 463 00:40:14,400 --> 00:40:16,000 Thanks very much. Thank you. 464 00:40:18,000 --> 00:40:19,000 Where do I come in? 465 00:40:19,200 --> 00:40:21,200 Look, have I asked you for anything yet? 466 00:40:21,200 --> 00:40:22,600 No, but it's coming. 467 00:40:25,000 --> 00:40:26,600 I'm here to find Jo Locke. 468 00:40:29,000 --> 00:40:31,200 - Jesus Christ, you're a madman. - Father. 469 00:40:31,300 --> 00:40:34,400 The man went AWOL 25 years ago, no one's heard tell of him since. 470 00:40:34,700 --> 00:40:36,200 What if he's dead? God spare him. 471 00:40:36,300 --> 00:40:38,000 I know he's here, Fintan. 472 00:40:39,400 --> 00:40:43,700 He's more than just a booking to me. Make some calls, will you? 473 00:40:47,100 --> 00:40:48,100 Yeah. 474 00:40:48,200 --> 00:40:50,800 Right. I have another one for Killarney. 475 00:40:50,900 --> 00:40:53,200 Thanks, Noel. Yeah, they're fine. 476 00:40:53,400 --> 00:40:55,300 Yeah, Sheila's fine too. Thanks. 477 00:40:56,600 --> 00:40:59,200 Well, Noel says he thinks he saw Jo Locke 478 00:40:59,300 --> 00:41:02,300 at a cattle auction in Tullamore about 18 months ago. 479 00:41:02,400 --> 00:41:05,700 So, that's six for Arklow, five for Killarney, four for Tralee, 480 00:41:05,900 --> 00:41:07,400 and one for Tullamore. 481 00:41:07,600 --> 00:41:08,900 Right. 482 00:41:09,100 --> 00:41:10,900 We go to Tullamore. 483 00:41:11,000 --> 00:41:14,100 Not me, Micky. Ha. No way. 484 00:41:35,800 --> 00:41:37,300 Moving 485 00:41:37,500 --> 00:41:38,700 My buddy and me 486 00:41:38,800 --> 00:41:40,000 We're moving 487 00:41:40,100 --> 00:41:41,500 The freeway before us 488 00:41:41,600 --> 00:41:42,600 Eating it up 489 00:41:42,700 --> 00:41:44,200 The sun in our eyes 490 00:41:44,400 --> 00:41:45,800 We're moving Yeah 491 00:41:45,900 --> 00:41:47,100 From Mobile to Maine, yeah 492 00:41:47,200 --> 00:41:48,500 We're grooving 493 00:41:48,500 --> 00:41:49,800 All glisten and chrome 494 00:41:50,000 --> 00:41:51,700 Hi fiddle-dee-dee 495 00:41:51,800 --> 00:41:53,200 If you mess with me 496 00:41:53,200 --> 00:41:54,700 You mess with my buddy 497 00:41:54,900 --> 00:41:56,000 And if you knew my buddy 498 00:41:56,100 --> 00:41:57,800 I'm telling you, buddy 499 00:41:58,000 --> 00:42:02,500 You'd never mess with me 500 00:42:02,800 --> 00:42:04,800 Bud-doo-da, yeah 501 00:42:05,000 --> 00:42:08,200 That is good. That is good. 502 00:42:12,100 --> 00:42:13,700 You told me left! 503 00:42:13,900 --> 00:42:16,800 You said it was supposed to be left. I don't know which way to go. 504 00:42:18,300 --> 00:42:20,700 How could we miss the tower at Doonagore? 505 00:42:20,900 --> 00:42:23,600 There's only one explanation. Take your jacket off. 506 00:42:23,900 --> 00:42:25,500 - What? - Just do as I tell you. 507 00:42:25,600 --> 00:42:28,900 Take your jacket off, turn it inside out, put it back on again. 508 00:42:29,200 --> 00:42:32,300 You're wired to the moon, O'Donnell. What's that in aid of? 509 00:42:32,400 --> 00:42:34,100 The fairies. 510 00:42:35,400 --> 00:42:37,000 They get you lost on purpose. 511 00:42:37,200 --> 00:42:39,500 - The fairies? - They are bastards. 512 00:43:08,500 --> 00:43:10,000 Where are you sleeping? 513 00:43:10,100 --> 00:43:12,900 Just fix the groundsheet, will you? Do you take sugar? 514 00:43:13,100 --> 00:43:14,900 Aye. Three. 515 00:43:15,100 --> 00:43:17,800 Three? You're as thin as a stick, how come? 516 00:43:17,900 --> 00:43:19,100 Worry. 517 00:43:26,100 --> 00:43:28,800 - Do you ever see any of the rest of them? - Now and again. 518 00:43:29,100 --> 00:43:32,000 I see Keiran a wee bit. He's married. 519 00:43:32,200 --> 00:43:34,300 He's got seven children. 520 00:43:34,400 --> 00:43:36,500 We all heard you were doing really well. 521 00:43:36,700 --> 00:43:39,500 There was even some rumour about you going steady. 522 00:43:39,700 --> 00:43:41,300 Course, I didn't believe any of that. 523 00:43:42,700 --> 00:43:45,100 Aye, I blew it. 524 00:43:45,200 --> 00:43:47,100 Mrs Keegan was right. 525 00:43:47,200 --> 00:43:49,200 There's a bit of a want in me. 526 00:43:50,100 --> 00:43:51,800 I don't know what it is, though. 527 00:43:51,900 --> 00:43:54,700 Ah, well, she was right about all of us. 528 00:43:55,900 --> 00:43:58,100 Switch that torch off. 529 00:44:45,200 --> 00:44:47,300 - This is the place. - Aye, it's great, isn't it? 530 00:44:47,400 --> 00:44:49,200 No, this is the place we're looking for. 531 00:44:49,400 --> 00:44:53,200 - All right. God bless the little people. - God bless them. 532 00:44:54,600 --> 00:44:57,200 Right, away down and get us some water for a drop of tea? 533 00:44:57,300 --> 00:45:00,700 The well's empty, there's a stream in the woods. Here. 534 00:45:24,700 --> 00:45:26,600 Here, girl! 535 00:45:26,800 --> 00:45:28,800 Here, girl! 536 00:45:29,000 --> 00:45:31,200 Come on! 537 00:45:32,400 --> 00:45:33,600 That's it! 538 00:45:35,700 --> 00:45:37,200 What do you see? 539 00:45:40,300 --> 00:45:43,000 Is it or isn't it? 540 00:45:46,900 --> 00:45:47,900 Yeah. 541 00:46:00,300 --> 00:46:02,800 Fintan! Fintan! 542 00:46:03,000 --> 00:46:05,700 - Start the car. Get her going. - What? 543 00:46:05,800 --> 00:46:07,700 He's in that car. 544 00:46:07,900 --> 00:46:09,800 He's in that car, let's go. 545 00:46:09,900 --> 00:46:11,400 Where's my container? 546 00:46:11,500 --> 00:46:13,600 What about the trout? Jesus! 547 00:46:13,800 --> 00:46:15,300 Come on. 548 00:46:19,900 --> 00:46:22,300 - Hurry up! - I love trout. 549 00:46:22,500 --> 00:46:25,200 - Come on, let's go, let's go! - I'm coming, I'm coming! 550 00:46:25,400 --> 00:46:27,600 - Come on! - It won't start! 551 00:46:35,400 --> 00:46:37,500 Yes, yes, yes, yes! 552 00:46:45,100 --> 00:46:47,500 - Have you got the photograph? - Under the seat. 553 00:46:49,400 --> 00:46:50,400 Is this it? 554 00:46:50,500 --> 00:46:52,900 That's the best I could do. 555 00:47:07,700 --> 00:47:09,600 Jesus, you're a terrible driver. 556 00:47:09,700 --> 00:47:11,900 You should see me when I'm on my own. 557 00:47:12,100 --> 00:47:14,500 I'd hate to be with you when you're on your own. 558 00:47:31,800 --> 00:47:34,000 - Do you have a lounge? - Nope. 559 00:47:34,200 --> 00:47:36,900 - This is all there is to the pub, then? - Yep. 560 00:47:37,100 --> 00:47:39,400 - Where are all the customers? - What customers? 561 00:47:39,500 --> 00:47:41,800 The man in the black car, where did he go? 562 00:47:41,900 --> 00:47:43,900 Sure, I'm not legally open yet, lads. 563 00:47:47,500 --> 00:47:48,900 All right, we'll wait. 564 00:48:15,100 --> 00:48:18,700 Oh, will someone for the love and honour o' God 565 00:48:18,900 --> 00:48:24,600 get me to a dentist quick, for this tooth has me driven to distraction. 566 00:48:24,800 --> 00:48:26,900 Will you haud your wheesht, John James? 567 00:48:27,100 --> 00:48:29,500 - I have the wife asleep above. - Ah, to hell with your wife! 568 00:48:29,700 --> 00:48:33,300 I'd give two of your lambs and a hunk of bacon 569 00:48:33,500 --> 00:48:37,400 to the man who can rid me of this... this torture. 570 00:48:37,700 --> 00:48:41,300 What in the name of God and His Holy Mother is going on here? 571 00:48:41,500 --> 00:48:44,300 Can a man not have a quiet game of poker? 572 00:48:44,400 --> 00:48:47,400 John James needs a lift to the dentist. 573 00:48:47,600 --> 00:48:49,400 Does he now? 574 00:48:49,500 --> 00:48:50,900 Come here, John. 575 00:48:50,900 --> 00:48:52,600 Let's have a look. 576 00:48:52,700 --> 00:48:55,400 - That's a big job, John James. - Looks bad. 577 00:48:55,500 --> 00:49:00,300 I'll tell you what I'll do. Brendan here used to be a vet. 578 00:49:02,000 --> 00:49:05,700 Now, if a man can take the tooth out of a fiery stallion, 579 00:49:05,900 --> 00:49:08,400 he could do the same for yourself. 580 00:49:08,600 --> 00:49:10,200 Sure, we're all God's creatures. 581 00:49:10,200 --> 00:49:12,600 - Are you sure he's a vet? - He's a great vet. 582 00:49:12,800 --> 00:49:14,300 But a terrible poker player. 583 00:49:16,900 --> 00:49:20,400 I'll go to the car and get the tools of the trade. 584 00:49:20,600 --> 00:49:23,000 We'll need ten cloves and a bottle of whiskey. 585 00:49:23,100 --> 00:49:25,100 - Coming right up. - There we go. All right. 586 00:49:25,300 --> 00:49:27,000 Up here on the bar counter. 587 00:49:30,600 --> 00:49:33,900 Put him right there. This will be the work table. 588 00:49:34,200 --> 00:49:36,900 Get him up. Come on, come on. Come on, hold it, hold it, hold it. 589 00:49:37,100 --> 00:49:38,400 Both of you. 590 00:49:38,600 --> 00:49:40,700 All right, John James, all right. Hold on. 591 00:49:40,700 --> 00:49:42,900 We're just going to carry you here. 592 00:49:45,300 --> 00:49:47,600 Put your head back. Put your head back. 593 00:49:47,800 --> 00:49:51,400 That's a boy. All right. Come on, swallow it down. Swallow it down. 594 00:49:51,700 --> 00:49:53,000 One more, one more. 595 00:49:53,000 --> 00:49:55,200 One more, here you go. Up, up, up. 596 00:49:55,300 --> 00:49:59,000 God, I'm not going one step further with this until I... 597 00:49:59,300 --> 00:50:00,400 Open up. 598 00:50:08,900 --> 00:50:10,400 - Is it that one? - No. 599 00:50:13,300 --> 00:50:14,600 - Is it that one? - No. 600 00:50:18,300 --> 00:50:19,500 Is it... 601 00:50:19,700 --> 00:50:21,400 Argh! 602 00:50:21,600 --> 00:50:22,900 Come on, John James. Come on. 603 00:50:23,000 --> 00:50:25,000 - Argh! Oh, God. - Get it round him. 604 00:50:25,200 --> 00:50:28,000 Oh, God. Oh, God. Argh. Argh. 605 00:50:30,000 --> 00:50:31,400 I can't. 606 00:50:31,600 --> 00:50:34,100 I can't, boys. I can't go through with it. 607 00:50:34,300 --> 00:50:36,500 Give him another drink of that whiskey there. 608 00:50:36,700 --> 00:50:38,000 Ah! 609 00:50:38,000 --> 00:50:39,500 Whoop! 610 00:50:48,200 --> 00:50:50,300 That was great, fellas. That was great! 611 00:50:50,500 --> 00:50:54,200 I'd like to buy us all a drink. What are you having, Jo? 612 00:50:58,200 --> 00:51:02,900 I don't know about you boys but I think I'll go back to the game. 613 00:51:03,200 --> 00:51:07,700 Uh-huh. Huh. Hey, there. 614 00:51:36,900 --> 00:51:39,700 We have to go. Leave it. Just let's go. 615 00:51:39,900 --> 00:51:42,200 It's Sheila's birthday. 616 00:51:47,800 --> 00:51:49,100 Daddy? 617 00:51:49,200 --> 00:51:50,800 Daddy, daddy? 618 00:51:51,000 --> 00:51:53,600 420, I'm bid 430. 619 00:51:53,800 --> 00:51:55,800 440, I'm bid. 440, I'm bid 50. 620 00:51:56,000 --> 00:51:58,800 450, I'm bid 50. 450, I'm bid 60. 621 00:51:59,000 --> 00:52:00,800 460. 460. 622 00:52:01,000 --> 00:52:02,800 Gonna be sold. 70, I'm bid 70. 623 00:52:02,800 --> 00:52:04,900 470, I'm bid 70. 470, 80. 624 00:52:05,000 --> 00:52:07,900 480, 480. 490, 490, 490. 500? 625 00:52:08,000 --> 00:52:10,900 490, gonna be sold. 500. 10. 510, I'm bid 10. 626 00:52:11,200 --> 00:52:13,100 510, I'm bid 20. 20. 627 00:52:13,100 --> 00:52:15,200 20, I'm bid 30. 30, I'm bid 30. 628 00:52:19,500 --> 00:52:21,200 Selling at 40, 40. 629 00:52:21,400 --> 00:52:23,300 550, 550. 630 00:52:23,300 --> 00:52:26,400 550, and I'll sell it to you, I'll sell at 550. 631 00:52:26,700 --> 00:52:28,800 I sell at 550. 632 00:52:30,700 --> 00:52:33,700 And the next cow will be a Simmental cow. Good one there. 633 00:52:34,000 --> 00:52:36,900 20, I'm bid 30. 30, I'm bid 430, 30. 634 00:52:37,100 --> 00:52:38,800 30, I'm bid 430, 40. 635 00:52:39,000 --> 00:52:40,600 440, I'm bid. 40, 40. 636 00:52:40,600 --> 00:52:42,600 40, I'm bid 50. 50, I'm bid. 637 00:52:42,800 --> 00:52:43,800 I'm bid 60. 638 00:52:44,000 --> 00:52:46,600 470. 70, I'm bid 70. 470, 80. 639 00:52:46,700 --> 00:52:48,500 480, 490. 490, 500. 640 00:52:48,700 --> 00:52:50,600 510, I'm bid 20. 20. 641 00:52:50,600 --> 00:52:51,800 20, I'm bid 30. 642 00:52:52,000 --> 00:52:53,900 30, I'm bid 530. 30, I'm bid 30. 643 00:52:54,100 --> 00:52:56,000 Selling at 40. 40, I'm bid 50. 644 00:52:56,100 --> 00:52:59,100 50, I'm bid 550. 550, and I sell at 550. 645 00:52:59,200 --> 00:53:00,600 60. 70. 646 00:53:00,700 --> 00:53:03,100 70, I'm bid 80. 80, I'm bid 90. 647 00:53:03,300 --> 00:53:05,400 600, I'm bid 600. 610. 648 00:53:05,500 --> 00:53:07,600 610, 20. 620, 30. 649 00:53:07,700 --> 00:53:09,600 30, I'm bid 40. 40, I bid 50. 650 00:53:09,800 --> 00:53:11,400 50, I'm bid 60. 651 00:53:11,600 --> 00:53:13,200 70. 70, I'm bid 80. 652 00:53:13,200 --> 00:53:15,700 80, 90. 90, I'm bid 7. 700, I'm bid 10. 653 00:53:15,800 --> 00:53:17,500 20. 20, I'm bid 30. 654 00:53:17,700 --> 00:53:19,700 Selling at 30. 40. 40, I'm bid 50. 655 00:53:19,900 --> 00:53:21,800 And I sell at 750. 656 00:53:24,400 --> 00:53:26,800 Good on yourself. Good lad. See you next week. 657 00:53:34,300 --> 00:53:37,000 Thank Christ we're not vegetarians. 658 00:53:37,200 --> 00:53:38,800 We're in a shaggy dog story. 659 00:53:38,900 --> 00:53:40,700 This is my ticket. 660 00:53:40,700 --> 00:53:42,500 I'm giving her to Jo. 661 00:53:42,700 --> 00:53:43,900 It's not yours to give. 662 00:53:44,000 --> 00:53:46,900 I told you I'd pay you back the 700 quid. 663 00:53:47,000 --> 00:53:48,500 750. 664 00:53:51,900 --> 00:53:53,900 I need this guy. 665 00:53:55,400 --> 00:53:57,200 Let me call the shots. 666 00:54:05,100 --> 00:54:07,000 Come on, easy. 667 00:54:14,300 --> 00:54:16,500 Come on. Come along. 668 00:54:21,100 --> 00:54:23,500 Right, you're coming with me. Come on. 669 00:54:25,000 --> 00:54:26,600 Come on. 670 00:54:41,400 --> 00:54:43,900 I don't know what youse have done to him now, 671 00:54:44,000 --> 00:54:47,400 but he was that angry, he took himself upstairs for a lie-down. 672 00:54:47,500 --> 00:54:51,500 - Well, you see, this gentleman... - I don't want to hear about it. 673 00:54:51,800 --> 00:54:53,600 Give me the cow. 674 00:54:53,700 --> 00:54:55,700 I'll put it in the field. 675 00:54:55,900 --> 00:54:58,300 And take yourselves down to the washhouse. 676 00:54:58,400 --> 00:55:01,300 There's a smell off the two of you as would gag a tramp. 677 00:55:17,800 --> 00:55:19,300 May I just take this opportunity, sir, 678 00:55:19,500 --> 00:55:21,900 to thank you for receiving us in your splendid home. 679 00:55:22,100 --> 00:55:23,600 And for clothing us. 680 00:55:23,800 --> 00:55:25,900 You're probably wondering what all this is about. 681 00:55:26,000 --> 00:55:29,400 I'm not going to beat about the bush, that's not me. That's right, isn't it, Fintan? 682 00:55:29,600 --> 00:55:30,900 Fintan. 683 00:55:31,000 --> 00:55:32,300 May the road rise before you. 684 00:55:32,300 --> 00:55:34,800 And may the wind be always at your back. 685 00:55:35,000 --> 00:55:36,400 Good luck. 686 00:55:37,800 --> 00:55:40,400 Now... Mr Locke. 687 00:55:40,600 --> 00:55:42,500 I'm 30. 688 00:55:44,000 --> 00:55:45,200 I was born in peacetime. 689 00:55:46,600 --> 00:55:50,300 I haven't been where you've been. I haven't seen what you've seen. 690 00:55:53,800 --> 00:55:56,200 You know, Mr Locke... 691 00:55:56,300 --> 00:55:59,500 when I first heard you sing... 692 00:56:00,800 --> 00:56:02,200 What song was that? 693 00:56:04,400 --> 00:56:05,900 Cathleen. 694 00:56:06,000 --> 00:56:08,200 We'll Make A Bonfire, it's got to be. 695 00:56:08,300 --> 00:56:10,200 Was it live or recorded, Micky? 696 00:56:12,000 --> 00:56:13,800 Was it live or recorded? 697 00:56:14,000 --> 00:56:16,800 Was it live or recorded? Was it live or recorded? 698 00:56:16,900 --> 00:56:22,900 The French four-glass clock. How long has it been stopped? 699 00:56:23,100 --> 00:56:26,300 It's an old thing of me father's. Hasn't moved in years. 700 00:56:26,600 --> 00:56:28,700 Have you any methylated spirits in the house? 701 00:56:28,900 --> 00:56:34,400 I, er, can't promise you anything but I've got these ones moving in the past. 702 00:56:36,200 --> 00:56:37,900 Meths, huh? 703 00:56:42,800 --> 00:56:44,800 Christ. Give us a drink. 704 00:56:49,200 --> 00:56:51,600 You haven't a fucking clue what you're doing, have you? 705 00:56:51,800 --> 00:56:56,600 Neither have you, you bollocks. "I was born in peacetime." Jeez. 706 00:56:56,800 --> 00:56:59,100 At least I bought you some time. How's it going anyway? 707 00:56:59,300 --> 00:57:02,200 He doesn't need the money, Fintan. That's it. That is it. 708 00:57:02,400 --> 00:57:05,300 - How much did you offer him? - I offered him a lot of money. 709 00:57:05,500 --> 00:57:07,800 Still, he's taking me out for a drink, so you never know. 710 00:57:08,000 --> 00:57:09,100 Do you like the coat? 711 00:57:09,300 --> 00:57:11,800 Watch yourself. We're on his turf, keep your eyes peeled. 712 00:57:12,000 --> 00:57:13,800 - I have to hang in there. - Micky. 713 00:57:15,300 --> 00:57:17,400 You could do worse than tell him the truth. 714 00:57:17,600 --> 00:57:21,200 Ha! That'd be something, wouldn't it? 715 00:57:40,400 --> 00:57:41,700 Look, Jo, 716 00:57:41,800 --> 00:57:44,400 it's not hard to imagine the kind of publicity 717 00:57:44,500 --> 00:57:46,000 a comeback like yours would get. 718 00:57:46,100 --> 00:57:48,700 I mean, you haven't sung in 25 years. 719 00:57:48,900 --> 00:57:51,000 The women, Jo. The women. 720 00:57:51,200 --> 00:57:53,600 There wouldn't be a dry seat in the house. 721 00:57:53,800 --> 00:57:55,800 It would be a celebration of your career. 722 00:57:55,900 --> 00:57:58,900 No, Micky, it would be a celebration of yours. 723 00:58:00,200 --> 00:58:03,000 Look, Jo, there's a big audience, 724 00:58:03,300 --> 00:58:05,800 a big audience out there waiting to see you. 725 00:58:06,000 --> 00:58:07,900 I know, I've seen them. 726 00:58:11,300 --> 00:58:12,800 What are you talking about? 727 00:58:12,900 --> 00:58:15,700 Well, I mean, I can see them. Don't you want to see them? 728 00:58:32,200 --> 00:58:34,200 Do you see those girls, Micky? 729 00:58:36,600 --> 00:58:39,000 Would you like to be responsible for their dreams? 730 00:59:21,800 --> 00:59:24,600 I thought you were taking me for a drink. 731 00:59:24,700 --> 00:59:26,400 Fuck me! What's this place? 732 00:59:26,600 --> 00:59:29,500 Aye. Would you look at it! 733 00:59:37,700 --> 00:59:39,100 What is this place? 734 00:59:41,100 --> 00:59:43,300 This used to be the edge of the known world, Micky. 735 00:59:44,400 --> 00:59:47,100 Now, the next parish is New York. 736 00:59:53,500 --> 00:59:55,100 Try a drop of that. 737 01:00:00,800 --> 01:00:02,200 Come on. 738 01:00:27,700 --> 01:00:31,000 Jo, you can be straight with me. 739 01:00:31,200 --> 01:00:33,700 I mean, I'm sure the thought of being arrested at your age 740 01:00:33,800 --> 01:00:34,800 must be frightening. 741 01:00:34,900 --> 01:00:37,600 But surely you haven't lost your edge for a fight. 742 01:00:37,800 --> 01:00:40,100 I mean, we've all got to face our demons, Jo. 743 01:00:41,200 --> 01:00:43,200 Shit. Jesus Christ! 744 01:00:43,300 --> 01:00:44,900 Oh, God! 745 01:00:45,000 --> 01:00:49,000 In the old days here, Micky, the sailors never learned to swim. 746 01:00:50,600 --> 01:00:53,700 Gave them more respect for the sea. 747 01:00:54,300 --> 01:00:55,900 Whoa! Jesus! 748 01:00:56,100 --> 01:00:58,400 Over here, come on. 749 01:00:58,500 --> 01:01:00,200 No. No! 750 01:01:00,300 --> 01:01:01,700 Right here. Yeah. 751 01:01:01,900 --> 01:01:04,300 Grab hold of him. That's it. 752 01:01:04,500 --> 01:01:06,100 Take hold here. 753 01:01:06,200 --> 01:01:11,600 Right. Now, who are you, what do you want? I want the truth. 754 01:01:11,900 --> 01:01:14,400 My name's Micky O'Neill! 755 01:01:14,600 --> 01:01:17,800 I'm a concert promoter! 756 01:01:21,600 --> 01:01:24,200 Honest to God, boys. 757 01:01:24,400 --> 01:01:27,400 I'm not wearing me own clothes. 758 01:01:30,900 --> 01:01:32,700 Well, lads, all I can say is, 759 01:01:32,800 --> 01:01:35,800 you know you're getting older when the taxmen start getting younger. 760 01:01:36,100 --> 01:01:39,100 Thank God they don't get any wiser, Jo, eh? 761 01:01:39,200 --> 01:01:43,300 Taxman? I'm not the taxman, for Christ's sake, I'm not! 762 01:01:43,600 --> 01:01:45,900 - Then what are you after me for? - I want you to come back. 763 01:01:46,100 --> 01:01:48,900 - I want you to do a gig. - Why are you doing it? 764 01:01:49,100 --> 01:01:50,700 I'm doing it for the people. 765 01:01:50,800 --> 01:01:52,100 Bullshit. 766 01:01:52,100 --> 01:01:54,800 He hasn't uttered a word of truth in the day and hour he arrived. 767 01:01:55,000 --> 01:01:56,600 Well, what do you want me to say? 768 01:01:56,800 --> 01:01:59,100 I want you to tell me, what's in it for you? 769 01:01:59,300 --> 01:02:00,800 What do you want? 770 01:02:02,200 --> 01:02:04,900 - Come on, come on. - Oh, shit! 771 01:02:05,000 --> 01:02:07,800 The simple truth, Micky. 772 01:02:15,100 --> 01:02:16,600 Nancy. 773 01:02:17,900 --> 01:02:19,000 Nancy. 774 01:02:20,200 --> 01:02:21,300 Nancy! 775 01:02:21,500 --> 01:02:24,000 I'm doing this for Nancy. 776 01:02:28,300 --> 01:02:29,300 Who's Nancy? 777 01:02:30,900 --> 01:02:33,300 My girlfriend. 778 01:02:33,500 --> 01:02:35,000 The girl I... 779 01:02:36,500 --> 01:02:37,500 ..love. 780 01:02:37,600 --> 01:02:39,400 I'm doing this for her! 781 01:02:42,000 --> 01:02:43,600 OK. Come on. 782 01:03:48,200 --> 01:03:49,900 Micky! 783 01:03:50,000 --> 01:03:51,800 At least you tried. 784 01:03:52,000 --> 01:03:55,900 Go back for Nancy. Sure it can't be all that serious. 785 01:03:56,100 --> 01:03:58,100 I booked you. 786 01:03:58,300 --> 01:03:59,600 What do you mean you booked me? 787 01:03:59,600 --> 01:04:01,600 I thought I was booking you but I booked a fake. 788 01:04:01,800 --> 01:04:04,500 - I didn't get away with it. - Bad, was he? 789 01:04:07,700 --> 01:04:09,400 No, he was all right. 790 01:04:09,600 --> 01:04:10,800 In fact, he was so all right, 791 01:04:11,000 --> 01:04:14,100 he managed, with my help I might add, to seduce an old flame of yours. 792 01:04:14,200 --> 01:04:17,900 - There's a few of those around. - You're right there, Jo! 793 01:04:20,800 --> 01:04:23,300 Yeah, well, Cathleen just happens to be Nancy's mother. 794 01:04:23,400 --> 01:04:25,700 She didn't like me in the first place, now she hates me, 795 01:04:25,800 --> 01:04:28,600 and I was just trying to cheer her up, so don't talk to me about serious! 796 01:04:30,500 --> 01:04:32,700 I've lost me money, me business... 797 01:04:32,800 --> 01:04:34,700 my friends. 798 01:04:34,800 --> 01:04:36,200 The girl I love. 799 01:04:38,100 --> 01:04:41,400 It's all because of some fucking tenor... 800 01:04:41,500 --> 01:04:43,700 who hasn't sung in 25 years 801 01:04:43,800 --> 01:04:47,300 and has the audacity to turn down six grand a week! 802 01:04:50,100 --> 01:04:51,800 Cathleen. 803 01:04:51,900 --> 01:04:56,000 Cathleen Doyle, she was Miss Dairy Goodness in the '50s. 804 01:05:05,300 --> 01:05:07,600 1958. 805 01:05:11,500 --> 01:05:14,500 Out of the mouths of babes. 806 01:05:25,700 --> 01:05:28,500 How are you going to feel if you don't go back for her, Micky? 807 01:05:30,600 --> 01:05:32,300 I don't know. 808 01:05:32,400 --> 01:05:33,800 Well, I know. 809 01:05:36,600 --> 01:05:40,500 And I wouldn't wish it on anyone. 810 01:05:45,600 --> 01:05:49,300 Not even a contemptible skitter like yourself. 811 01:05:54,500 --> 01:05:57,300 How do we want to be remembered, Micky? 812 01:06:13,400 --> 01:06:15,400 What shape's the Sea Spray in? 813 01:06:16,900 --> 01:06:19,500 She'll take you anywhere, Jo. 814 01:06:19,700 --> 01:06:21,600 Is she still at Ballycotton? 815 01:06:21,700 --> 01:06:23,300 She's never left. 816 01:06:26,100 --> 01:06:28,300 We sail at first light. 817 01:06:54,900 --> 01:06:58,200 I don't know what his real name is, Jo, but he calls himself Mr X. 818 01:06:58,400 --> 01:07:00,300 But don't worry, I'll deal with him. 819 01:07:00,400 --> 01:07:04,500 You know what, I will deal with him. I'll have his bollocks in a jam jar. 820 01:07:04,700 --> 01:07:07,100 All right, Jo, but trust me, I'll find him for you. 821 01:07:08,200 --> 01:07:11,000 You think I trust you, Micky? 822 01:07:11,200 --> 01:07:14,800 There's a well in the field out there. Nobody knows how deep it is. 823 01:07:14,900 --> 01:07:17,800 If you're trying to pull a flanker on me like others have in the past, 824 01:07:18,100 --> 01:07:20,000 you'll end up at the bottom of it. 825 01:07:20,100 --> 01:07:23,900 And one other thing, I think you'll be leaving me the cow. 826 01:07:24,200 --> 01:07:28,100 No sweat, Jo, that was always the idea. 827 01:07:37,600 --> 01:07:39,400 What time do we leave? 828 01:07:39,500 --> 01:07:41,200 What time is it now? 829 01:07:55,400 --> 01:07:57,300 You see? You see? 830 01:07:57,300 --> 01:08:00,700 This is what happens when you tell the truth, Micky. 831 01:08:01,000 --> 01:08:03,000 - What time do you leave? - Six. 832 01:08:03,100 --> 01:08:05,100 How did you manage to fix that clock? 833 01:08:05,300 --> 01:08:07,300 I don't know. How did you persuade him? 834 01:08:07,400 --> 01:08:08,600 I don't know. 835 01:08:08,700 --> 01:08:12,900 Cathleen, Nancy's ma. Her and Jo were more of an item than I thought. 836 01:08:13,200 --> 01:08:15,600 No wonder she was pissed off. 837 01:08:15,800 --> 01:08:17,100 This is it. 838 01:08:17,200 --> 01:08:18,600 - This is it. - What? 839 01:08:18,800 --> 01:08:19,800 Jo's well. 840 01:08:19,900 --> 01:08:21,900 He says nobody knows how deep it is. 841 01:08:28,700 --> 01:08:30,900 - Give us a coin. - Piss off. 842 01:08:31,100 --> 01:08:32,900 Fine, then I'll use me own. 843 01:08:35,600 --> 01:08:38,100 Sh. Sh. 844 01:08:40,000 --> 01:08:42,800 - Aye, so it's deep. Come on. - Bollocks. Let's get something else. 845 01:08:43,100 --> 01:08:44,000 Why? 846 01:08:44,100 --> 01:08:46,100 Because I want to see how deep it is. 847 01:08:46,300 --> 01:08:48,100 This is pointless. I'll see you at the tent. 848 01:08:48,300 --> 01:08:49,300 Here goes. 849 01:08:52,000 --> 01:08:56,800 Three, four, five, six, 850 01:08:57,000 --> 01:09:01,600 seven, eight, nine, ten, 851 01:09:01,900 --> 01:09:03,900 11, 12... 852 01:09:04,000 --> 01:09:05,100 I hate things like this. 853 01:09:05,100 --> 01:09:11,000 -..13, 14, 15, 16. - Jesus Christ, I can't stand it! 854 01:09:11,400 --> 01:09:13,500 Yeah, you're right. Let's go back to the tent. 855 01:09:13,600 --> 01:09:15,600 No, no, no. Here, here, look. Look, here. 856 01:09:15,800 --> 01:09:18,700 Give me a hand with this. Come on. Up, right. 857 01:09:18,900 --> 01:09:20,300 Ah! Argh! 858 01:09:20,500 --> 01:09:21,600 Argh! 859 01:09:21,600 --> 01:09:22,900 Get it up, get it up. 860 01:09:24,100 --> 01:09:25,000 Oh. 861 01:09:25,100 --> 01:09:29,000 Take that, you great big gaping hole. 862 01:09:32,900 --> 01:09:36,000 Jesus Christ, it's the cow! Chop the chain! 863 01:09:38,100 --> 01:09:39,700 Come on. Go back. 864 01:09:39,800 --> 01:09:43,100 I'll grab the chain. You go back! 865 01:09:43,300 --> 01:09:45,300 I've got it, I've got it! 866 01:09:45,500 --> 01:09:47,800 - What do you want me to do? - Go back to the bloody cow! 867 01:09:48,000 --> 01:09:49,100 Are you all right? 868 01:09:49,200 --> 01:09:50,900 Cut it off the blasted chain! 869 01:09:51,000 --> 01:09:53,900 - It's not working. - I know that. I know. 870 01:09:54,100 --> 01:09:56,600 Just stop. Just stop. 871 01:09:56,800 --> 01:09:59,800 Slow the damn thing down, for Christ's sake! 872 01:10:01,200 --> 01:10:04,500 It won't stop. It's picked up the pace. 873 01:10:04,600 --> 01:10:06,300 Stop! 874 01:10:06,400 --> 01:10:07,400 Argh. 875 01:10:31,000 --> 01:10:33,700 - Got it? - Yep. 876 01:10:35,200 --> 01:10:36,900 Can you get that? 877 01:11:30,800 --> 01:11:32,100 Hi, Jo. 878 01:11:32,200 --> 01:11:34,900 The engine's humming like a bird, Jo. 879 01:11:35,200 --> 01:11:36,900 Hi, Jo. 880 01:11:38,400 --> 01:11:39,700 Hi, Jo. 881 01:11:43,500 --> 01:11:45,700 So, clocks are your trade, are they? 882 01:11:45,900 --> 01:11:48,600 No, I'm actually a theatrical agent. 883 01:12:14,000 --> 01:12:16,400 When are you gonna let me meet the wife and kids? 884 01:12:16,600 --> 01:12:19,800 - You know you can meet them any time. - Yeah, I know. I know. 885 01:12:22,100 --> 01:12:26,300 - Fintan, what have I ever done for you? - Nothing. But it doesn't matter. 886 01:12:31,400 --> 01:12:33,700 See you later, alligator! 887 01:12:34,900 --> 01:12:37,000 In a while, crocodile. 888 01:13:03,700 --> 01:13:05,800 Laaaa 889 01:13:05,900 --> 01:13:09,800 La-la-la-la-la-la 890 01:13:15,900 --> 01:13:19,300 Hear my 891 01:13:21,200 --> 01:13:24,900 Hear my 892 01:13:25,100 --> 01:13:27,400 Song 893 01:13:27,600 --> 01:13:30,800 Vi-Vi 894 01:13:31,000 --> 01:13:35,100 Violetta 895 01:13:37,000 --> 01:13:40,800 Hear my song 896 01:13:41,000 --> 01:13:43,500 Beneath 897 01:13:43,700 --> 01:13:49,700 'Neath the moon 898 01:13:49,900 --> 01:13:54,500 Come to me 899 01:13:54,800 --> 01:13:59,100 In my gondola 900 01:13:59,300 --> 01:14:02,500 Waiting on 901 01:14:02,800 --> 01:14:07,600 The old lagoon 902 01:14:10,600 --> 01:14:13,500 Serenade 903 01:14:13,600 --> 01:14:16,800 Across the water 904 01:14:20,600 --> 01:14:26,300 Can you hear it soft and low? 905 01:14:28,900 --> 01:14:33,900 A tale of love and lovers 906 01:14:34,200 --> 01:14:35,800 Singing 907 01:14:35,900 --> 01:14:40,500 Long ago 908 01:14:42,700 --> 01:14:47,600 Hear my song 909 01:14:47,900 --> 01:14:53,700 In my gondola 910 01:14:54,000 --> 01:14:57,400 Waiting on 911 01:14:57,600 --> 01:15:02,900 The old lagoon 912 01:15:18,200 --> 01:15:19,700 It's up to you, Jo. 913 01:15:20,700 --> 01:15:23,100 What do you think? 914 01:15:27,200 --> 01:15:29,600 Ah, sure! This is grand. 915 01:16:45,700 --> 01:16:47,500 Do you have any fags, boys? 916 01:16:55,500 --> 01:16:56,800 You the stage manager, love? 917 01:16:58,300 --> 01:17:01,400 Pop over the road and get me 20 cigarettes. 918 01:17:04,100 --> 01:17:06,200 Keep the change. 919 01:17:06,300 --> 01:17:07,700 Ta, love. 920 01:17:11,800 --> 01:17:13,700 Yeah, sure. 921 01:18:13,800 --> 01:18:17,600 Boys, you've got to start somewhere. 922 01:18:17,900 --> 01:18:19,100 - Ha! - Ben. Benny. 923 01:18:19,200 --> 01:18:20,200 Benny. 924 01:18:22,000 --> 01:18:24,700 - Good to see you. - How are you doing? 925 01:18:25,000 --> 01:18:26,900 You all right? 926 01:18:30,400 --> 01:18:31,700 Thank you. 927 01:18:35,700 --> 01:18:38,900 - Hey, who are you? - I'm in charge. Who are you? 928 01:18:41,900 --> 01:18:44,000 Benny Rose. 929 01:18:44,200 --> 01:18:46,700 - Where's the dots? - What dots? 930 01:18:46,800 --> 01:18:48,200 The music. 931 01:18:48,400 --> 01:18:50,400 Ah. Haven't you got it? 932 01:18:50,500 --> 01:18:51,900 Aye. 933 01:18:57,500 --> 01:18:58,900 Fucking watch. 934 01:18:58,900 --> 01:19:01,000 You've got one hour. 935 01:19:01,200 --> 01:19:02,700 Right. 936 01:19:02,800 --> 01:19:04,700 Blimey, what a geezer. Come on. 937 01:19:05,900 --> 01:19:09,800 Ouch! Easy! It's all unnecessary, I'm telling you. 938 01:19:10,000 --> 01:19:13,200 Look, look, look, you see, I've reached a stage in my life now 939 01:19:13,300 --> 01:19:16,100 where, basically, I don't argue with people. 940 01:19:34,400 --> 01:19:37,800 - Do you have any sheet music? - I don't sell sheet music. 941 01:19:54,400 --> 01:19:57,200 So, a Jewish landlady came up to me in Blackpool 942 01:19:57,400 --> 01:19:58,800 and she hit me with her handbag. 943 01:19:58,800 --> 01:20:00,600 I said, "What's that for?" and she said, 944 01:20:00,700 --> 01:20:03,300 "You know very well. What are you doing back in the country?" 945 01:20:03,500 --> 01:20:05,900 So, you see, Jo, wherever I went I wasn't allowed to be me. 946 01:20:06,000 --> 01:20:08,900 And sure, isn't that all any of us want to be, Jo, individuals. 947 01:20:09,100 --> 01:20:11,200 Well, I've kept you boys long enough. 948 01:20:11,400 --> 01:20:12,500 Why did you do it? 949 01:20:12,600 --> 01:20:15,900 It's the other side of the coin, Jo. I did it to keep your name alive. 950 01:20:16,000 --> 01:20:18,100 You're an entertainer, aren't you? 951 01:20:18,200 --> 01:20:19,300 I am. 952 01:20:19,300 --> 01:20:21,300 You'd like to make people happy, wouldn't you? 953 01:20:21,400 --> 01:20:22,500 I would. 954 01:20:23,700 --> 01:20:26,400 Do you think you made Cathleen Doyle happy? 955 01:20:38,500 --> 01:20:40,900 You can't take that animal into a dentist's surgery. 956 01:20:41,100 --> 01:20:43,600 It's not an animal, it's a whippet. 957 01:20:44,800 --> 01:20:46,300 Look, I'm in deep shit. 958 01:20:46,400 --> 01:20:49,500 I have to find the music for Jo Locke. I've been all over town. 959 01:20:49,800 --> 01:20:52,500 I can't find nothing. I want you to come with me. What do you say? 960 01:20:58,100 --> 01:21:00,400 - How much? - What? 961 01:21:02,500 --> 01:21:05,500 - How much will you pay me? - Christ, this isn't about money. 962 01:21:05,600 --> 01:21:08,500 Then what is it about, Micky? 963 01:21:11,200 --> 01:21:13,100 It's about Micky O'Neill going to Ireland, 964 01:21:13,300 --> 01:21:16,000 nearly getting killed and bringing back a singer to sing for nothing 965 01:21:16,200 --> 01:21:19,300 to a crowd of bastards who probably won't even appreciate it. 966 01:21:19,500 --> 01:21:22,400 I've got 35 minutes before the orchestra walks off. 967 01:21:22,600 --> 01:21:25,700 For the first time in my life I haven't one single idea in my head, 968 01:21:25,900 --> 01:21:27,700 and all I can think about is you. 969 01:21:32,000 --> 01:21:34,000 Now, you tell me what that means. 970 01:21:41,900 --> 01:21:44,500 Just say it, Micky. 971 01:21:47,900 --> 01:21:49,100 I love you. 972 01:21:55,800 --> 01:21:58,100 And I want you to love me. 973 01:22:14,200 --> 01:22:16,900 I'm sorry about Cathleen, Jo, I really am. 974 01:22:18,700 --> 01:22:23,200 All this bullshit aside, she told me her side of the story. 975 01:22:23,400 --> 01:22:28,600 She wanted me to be you so much. 976 01:22:28,800 --> 01:22:29,900 That... 977 01:22:30,000 --> 01:22:32,200 Look, any of you guys got a light? 978 01:22:44,800 --> 01:22:47,500 In truth, Jo... 979 01:22:47,600 --> 01:22:50,100 I'm only to blame... 980 01:22:50,200 --> 01:22:53,000 because you're to blame. 981 01:22:56,100 --> 01:22:58,700 No offence, Jo... 982 01:22:58,900 --> 01:23:02,200 but do you think you made Cathleen Doyle happy? 983 01:23:12,000 --> 01:23:13,500 I didn't, did I? 984 01:23:18,000 --> 01:23:20,000 Do you know why I'm here? 985 01:23:20,200 --> 01:23:22,500 I'm hoping it's to sing. 986 01:23:22,600 --> 01:23:24,600 Might put you out of a job. 987 01:23:33,300 --> 01:23:35,400 When the surgeon went in here... 988 01:23:38,200 --> 01:23:39,600 ..he said I had a large heart. 989 01:23:44,200 --> 01:23:46,800 Maybe there's room in this world for two Jo Lockes. 990 01:24:06,000 --> 01:24:07,400 - There she is. - OK. 991 01:24:07,600 --> 01:24:08,600 OK. 992 01:24:08,600 --> 01:24:11,800 You're in luck. His arrangements are registered. 993 01:24:12,000 --> 01:24:14,600 Have you completed the buff form? 994 01:24:14,900 --> 01:24:17,100 Yes. Here you go. 995 01:24:17,300 --> 01:24:18,800 Yes, good. 996 01:24:18,900 --> 01:24:20,800 You can collect these in... 997 01:24:21,000 --> 01:24:22,600 oh, ten days. 998 01:24:30,900 --> 01:24:34,200 We were born in peacetime. 999 01:24:40,000 --> 01:24:42,100 We haven't been where you've been. 1000 01:24:43,800 --> 01:24:46,400 We haven't seen what you've seen. 1001 01:24:52,400 --> 01:24:53,600 - Thank you. - Bye. 1002 01:24:53,600 --> 01:24:56,200 Yeah, yeah. See you again. 1003 01:25:03,600 --> 01:25:05,200 What did he say to you? 1004 01:25:05,400 --> 01:25:08,400 Did he tell you you were the most beautiful woman he'd ever met? 1005 01:25:08,500 --> 01:25:11,200 Yes. Is that what you're going to say? 1006 01:25:20,900 --> 01:25:22,300 No. 1007 01:25:23,600 --> 01:25:25,200 I'm just here... 1008 01:25:29,600 --> 01:25:32,000 I'm just here... 1009 01:25:32,100 --> 01:25:34,000 to remind you that you are. 1010 01:26:06,300 --> 01:26:09,600 Sure, I'd rather be in jail than in love again. 1011 01:26:17,600 --> 01:26:19,700 - It's too late. - Yeah. 1012 01:26:34,000 --> 01:26:36,600 Did I say get the originals? 1013 01:26:36,700 --> 01:26:38,100 No. 1014 01:26:39,200 --> 01:26:40,900 Then I'm a lucky man. 1015 01:26:41,000 --> 01:26:44,200 Boys, you know the score. 1016 01:26:44,400 --> 01:26:46,800 Let's keep it mono. 1017 01:26:47,100 --> 01:26:48,300 Who are you? 1018 01:26:49,800 --> 01:26:53,300 If the phone doesn't ring, it's me. 1019 01:26:53,500 --> 01:26:54,600 Ha-ha! 1020 01:27:00,200 --> 01:27:03,500 Ladies and gentlemen, please take your seats. 1021 01:27:03,700 --> 01:27:05,200 Admission is free. 1022 01:27:06,100 --> 01:27:07,200 The theatre is filling up. 1023 01:27:07,400 --> 01:27:10,800 I urge you to take your seats as we're about to close the doors. 1024 01:27:11,000 --> 01:27:13,600 We're about to bolt the doors. Thank you. 1025 01:27:13,700 --> 01:27:16,600 Crystal's going to be happy, anyway. Very happy! 1026 01:27:16,800 --> 01:27:20,200 - Oh! How are you? - Very good. 1027 01:27:41,200 --> 01:27:42,900 Shush. Shush. 1028 01:27:47,800 --> 01:27:49,300 Ladies and gentlemen. 1029 01:27:52,500 --> 01:27:54,400 At absolutely no expense... 1030 01:27:56,100 --> 01:27:58,100 Heartlys presents... 1031 01:27:58,200 --> 01:28:00,600 Josef Locke. 1032 01:28:24,700 --> 01:28:29,100 Hear the music of the waters 1033 01:28:29,200 --> 01:28:33,800 Fount of tender passion sighing 1034 01:28:34,100 --> 01:28:36,700 Like thy heart 1035 01:28:36,800 --> 01:28:40,600 To which go flying 1036 01:28:40,900 --> 01:28:43,100 All my thoughts 1037 01:28:43,300 --> 01:28:47,400 In wakeful dream 1038 01:28:47,700 --> 01:28:52,500 See the lovely dewy garden 1039 01:28:52,700 --> 01:28:57,700 Breathing orange perfumed greeting 1040 01:28:57,900 --> 01:29:02,800 Nought can set my heart a-beating 1041 01:29:03,000 --> 01:29:09,000 Like the fragrance of its bloom 1042 01:29:09,200 --> 01:29:14,200 Now I hear that thou must leave me 1043 01:29:14,600 --> 01:29:20,900 Thou and I will soon be parted 1044 01:29:21,100 --> 01:29:29,300 Can'st thou leave me brokenhearted? 1045 01:29:29,800 --> 01:29:36,200 Will thou never more return? 1046 01:29:59,800 --> 01:30:04,900 Now I hear that thou must leave me 1047 01:30:05,200 --> 01:30:11,600 Thou and I will soon be parted 1048 01:30:11,900 --> 01:30:20,400 Can'st thou leave me brokenhearted? 1049 01:30:20,700 --> 01:30:28,200 Will thou never more return? 1050 01:30:28,500 --> 01:30:36,000 Then say not goodbye 1051 01:30:36,400 --> 01:30:41,900 Come back again, beloved 1052 01:30:42,200 --> 01:30:49,600 Back to Sorrento 1053 01:30:50,000 --> 01:30:55,700 Or I 1054 01:30:56,000 --> 01:31:00,600 Must die 1055 01:31:32,700 --> 01:31:36,000 Count your blessings 1056 01:31:36,200 --> 01:31:39,200 One by one 1057 01:31:39,400 --> 01:31:42,600 When dawn appears 1058 01:31:42,700 --> 01:31:44,300 And the day 1059 01:31:44,400 --> 01:31:50,200 Has just begun 1060 01:31:50,500 --> 01:31:54,100 They will light your heart 1061 01:31:54,400 --> 01:31:57,900 With happiness 1062 01:31:58,100 --> 01:32:01,600 Make each hour bright 1063 01:32:01,800 --> 01:32:07,800 And bring you gladness 1064 01:32:08,100 --> 01:32:11,000 Count your blessings 1065 01:32:11,200 --> 01:32:14,700 While you may 1066 01:32:14,900 --> 01:32:17,800 For we are here 1067 01:32:18,000 --> 01:32:21,500 But little time to stay... 1068 01:32:21,600 --> 01:32:22,600 Move it! 1069 01:32:25,200 --> 01:32:29,000 All around are hearts 1070 01:32:29,100 --> 01:32:32,500 Sincere and true 1071 01:32:32,700 --> 01:32:37,000 Lovely things abound 1072 01:32:37,300 --> 01:32:39,600 Just waiting 1073 01:32:39,800 --> 01:32:43,100 For you 1074 01:32:43,300 --> 01:32:46,300 Count your blessings 1075 01:32:46,400 --> 01:32:49,700 While you may 1076 01:32:50,000 --> 01:32:54,100 The big or small 1077 01:32:54,400 --> 01:32:58,400 Whichever comes your way... 1078 01:32:58,600 --> 01:33:01,600 I have a warrant for the arrest of one Josef Locke. 1079 01:33:01,800 --> 01:33:04,100 - Chief, you can't do this. - I can do anything I want. 1080 01:33:04,100 --> 01:33:07,000 As you see, this is signed by Her Majesty's Inspector of Taxes. 1081 01:33:07,300 --> 01:33:10,600 ..of love 1082 01:33:10,800 --> 01:33:13,100 If you will 1083 01:33:13,300 --> 01:33:18,300 Count your blessings 1084 01:33:18,500 --> 01:33:25,700 From above 1085 01:33:34,600 --> 01:33:36,500 - Can you hear them? - I can, Mr O'Neill. 1086 01:33:36,600 --> 01:33:39,400 If you go in now, you could have a riot on your hands. 1087 01:33:39,700 --> 01:33:41,700 No question about it, Chief. 1088 01:33:51,700 --> 01:33:52,800 Not yet, Frank. 1089 01:33:58,100 --> 01:34:03,500 I think we'd all like to hear Mr Locke do his last encore. 1090 01:34:08,900 --> 01:34:10,300 Thanks. 1091 01:34:31,900 --> 01:34:35,200 I bet you never thought I was this big, eh, Micky. 1092 01:34:35,300 --> 01:34:38,900 Can you do a three-week booking in August? 1093 01:34:49,400 --> 01:34:50,500 Go on, Jo. 1094 01:34:52,300 --> 01:34:56,000 My heart is broken, but what care I? 1095 01:34:56,200 --> 01:34:59,700 Such pride inside me has woken 1096 01:35:00,000 --> 01:35:04,100 I'll try my best not to cry by and by 1097 01:35:04,400 --> 01:35:07,700 When the final farewells must be spoken 1098 01:35:07,900 --> 01:35:11,800 I'll join the Legion, that's what I'll do 1099 01:35:12,100 --> 01:35:15,700 And in some far distant region 1100 01:35:15,800 --> 01:35:19,700 Where human hearts are staunch and true 1101 01:35:20,000 --> 01:35:25,700 I shall start my life anew 1102 01:35:25,900 --> 01:35:30,500 Goodbye! It's time I sought a foreign clime 1103 01:35:30,700 --> 01:35:35,100 Where I may find there are hearts more kind 1104 01:35:35,400 --> 01:35:38,000 Than I leave behind 1105 01:35:38,200 --> 01:35:42,000 And so I go to fight a savage foe 1106 01:35:42,200 --> 01:35:44,000 Although 1107 01:35:44,200 --> 01:35:47,200 I know that I'll be sometimes missed 1108 01:35:47,300 --> 01:35:49,800 By the girls I've kissed 1109 01:35:50,000 --> 01:35:53,900 In some Abyssinian French Dominion I shall do my bit 1110 01:35:54,000 --> 01:35:57,600 And fall for the flag if I must 1111 01:35:57,800 --> 01:36:01,600 Where the desert sand is nice and handy, I'll be full of grit 1112 01:36:01,900 --> 01:36:05,900 You won't see my heels for the dust 1113 01:36:06,100 --> 01:36:10,300 I'll do or die, you'll know the reason why 1114 01:36:10,500 --> 01:36:15,400 When told of bold Leopold's last stand 1115 01:36:15,600 --> 01:36:18,100 For the Fatherland 1116 01:36:18,300 --> 01:36:22,800 Goodbye! It's time I sought a foreign clime 1117 01:36:23,100 --> 01:36:25,700 Where I may find 1118 01:36:25,800 --> 01:36:30,200 There are hearts more kind than I leave behind 1119 01:36:30,400 --> 01:36:35,100 And so I go to fight a savage foe 1120 01:36:35,400 --> 01:36:39,800 Although, I know that I'll be sometimes missed 1121 01:36:40,100 --> 01:36:42,800 By the girls I've kissed 1122 01:36:42,900 --> 01:36:46,900 In some Abyssinian French Dominion I shall do my bit 1123 01:36:47,100 --> 01:36:50,700 And fall for the flag if I must 1124 01:36:50,900 --> 01:36:55,100 Where the desert sand is nice and handy, I'll be full of grit 1125 01:36:55,400 --> 01:36:59,100 You won't 1126 01:36:59,400 --> 01:37:03,400 I'll do or die, you'll know the reason why 1127 01:37:03,500 --> 01:37:08,200 When told of bold Leopold's last stand 1128 01:37:08,500 --> 01:37:11,300 For the Fatherland 1129 01:37:11,600 --> 01:37:15,800 Goodbye, goodbye 1130 01:37:16,000 --> 01:37:19,400 I wish you all a last goodbye 1131 01:37:19,700 --> 01:37:27,100 Goodbye, goodbye 1132 01:37:27,500 --> 01:37:29,600 I wish you all 1133 01:37:29,800 --> 01:37:36,700 A last goodbye 1134 01:38:31,400 --> 01:38:34,700 All right, Frank, you, round the front 1135 01:38:35,000 --> 01:38:36,900 and the rest of you round the back. 1136 01:38:41,500 --> 01:38:44,900 Now, look, I must warn all of you... 1137 01:38:45,100 --> 01:38:46,600 ..that you... 1138 01:39:41,700 --> 01:39:43,600 Get out of my way! 1139 01:40:00,100 --> 01:40:02,000 Come on. 1140 01:40:16,000 --> 01:40:17,300 Get out. 1141 01:40:22,800 --> 01:40:24,100 Where's the key? 1142 01:40:26,900 --> 01:40:28,300 Wait! I've got it! I've got it! 1143 01:40:40,200 --> 01:40:42,500 - Name. - Franc Cinatra. 1144 01:41:01,600 --> 01:41:02,700 Jo! 1145 01:41:06,100 --> 01:41:08,600 Yeeees! 1146 01:41:13,000 --> 01:41:16,100 Aaaargh! 1147 01:41:16,400 --> 01:41:19,700 Good luck, Jo. 1148 01:41:22,900 --> 01:41:24,400 Ha! Whoo! 1149 01:41:24,600 --> 01:41:28,900 Yee-ha! Yee-ha! 1150 01:41:29,100 --> 01:41:32,900 Whoo-hoo-hoo-hoo! Yee-ha. 1151 01:41:36,900 --> 01:41:39,600 Whee! Yee-ha! 82907

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