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1
00:00:04,805 --> 00:00:06,074
THESE DEODORANTS
ARE A RIPOFF.
2
00:00:06,107 --> 00:00:10,811
THEY ALWAYS RUN OUT
BY THE TIME
I GET TO MY FEET.
3
00:00:10,844 --> 00:00:12,313
DICK,
THE MAIL'S HERE.
4
00:00:12,346 --> 00:00:15,683
OOH! MY PACKAGE
FROM THE CAROUSEL
CD CLUB.
5
00:00:15,716 --> 00:00:17,318
YOU INFILTRATED A CLUB?
6
00:00:17,351 --> 00:00:18,686
GOOD WORK,
HARRY!
7
00:00:18,719 --> 00:00:21,689
I GOT 10 CDs
FOR ONE PENNY.
8
00:00:21,722 --> 00:00:23,691
ALL I'VE GOT TO DO
IS BUY EIGHT MORE
9
00:00:23,724 --> 00:00:24,992
AT REGULAR CLUB PRICES,
10
00:00:25,025 --> 00:00:28,896
WHICH ARE OFTEN
AT OR BELOW
RETAIL STORE PRICES.
11
00:00:28,929 --> 00:00:30,231
WAY TO GO.
12
00:00:30,264 --> 00:00:33,000
LIKE TAKING CANDY
FROM A BABY.
13
00:00:33,033 --> 00:00:34,502
SUCH PRIMITIVE TECHNOLOGY.
14
00:00:34,535 --> 00:00:36,370
I WONDER IF THE PEOPLE
ON THIS PLANET
WILL EVER DISCOVER
15
00:00:36,404 --> 00:00:40,608
THE SUPERIOR SOUND
OF VINYL.
16
00:00:40,641 --> 00:00:41,575
SO WHAT KIND OF MUSIC
DID YOU GET?
17
00:00:41,609 --> 00:00:43,344
I JUST TOLD THEM
TO SURPRISE ME.
18
00:00:43,377 --> 00:00:46,614
[ELECTRIC AVENUE PLAYS]
19
00:00:46,647 --> 00:00:48,216
WELL, THIS IS SURPRISING.
20
00:00:48,249 --> 00:00:49,717
* HEY
21
00:00:49,750 --> 00:00:52,653
UH, WHY AM I
DOING THIS?
22
00:00:52,686 --> 00:00:53,954
* NOW IN THE STREET
THERE IS VIOLENCE *
23
00:00:53,987 --> 00:00:57,291
THE SAME REASON
I'M DOING THIS,
I SUPPOSE.
24
00:00:59,327 --> 00:01:02,029
THIS IS VERY POWERFUL.
25
00:01:02,062 --> 00:01:04,498
I'M FEELIN' FUNKY.
26
00:01:04,532 --> 00:01:06,066
THIS IS NOT GOOD.
27
00:01:06,100 --> 00:01:07,435
I CAN'T STOP!
28
00:01:07,468 --> 00:01:08,736
NOBODY PANIC!
29
00:01:08,769 --> 00:01:10,037
LET'S GET OUT OF HERE!
30
00:01:10,070 --> 00:01:11,805
* ELECTRIC AVENUE
31
00:01:11,839 --> 00:01:14,642
* AND THEN WE'LL
TAKE IT HIGHER *
32
00:01:14,675 --> 00:01:16,710
* OH, WE GOT TO
ROCK DOWN TO... *
33
00:01:16,744 --> 00:01:18,246
OW!
34
00:01:50,110 --> 00:01:55,383
ENRICHED WHEAT FLOUR,
BUTYLATED HYDROXYANISOLE,
SODIUM ACID PYROPHOSPHATE.
35
00:01:58,252 --> 00:02:03,056
NEEDS MORE
BUTYLATED HYDROXYANISOLE.
36
00:02:03,090 --> 00:02:04,325
ISN'T THIS INTERESTING.
37
00:02:04,358 --> 00:02:08,662
THEY OPENED UP
A HARD ROCK CAFE
IN VIETNAM.
38
00:02:08,696 --> 00:02:10,931
THE WORLD HAS CHANGED,
HUH?
39
00:02:10,964 --> 00:02:11,799
IT SURE HAS.
40
00:02:11,832 --> 00:02:15,436
ONCE IT WAS COMPLETELY
COVERED WITH ICE.
41
00:02:17,137 --> 00:02:18,606
THE ADMINISTRATION
OFFICE CALLED.
42
00:02:18,639 --> 00:02:21,842
THEY CONTACTED STANFORD
ABOUT TRANSFERRING
YOUR GRADUATE RECORDS.
43
00:02:21,875 --> 00:02:23,377
THEY DON'T SEEM
TO HAVE THEM.
44
00:02:23,411 --> 00:02:25,346
ARE YOU IMPLYING THAT
I DON'T HAVE RECORDS?
45
00:02:25,379 --> 00:02:26,880
ALL HUMANS HAVE RECORDS,
AND I'M A HUMAN.
46
00:02:26,914 --> 00:02:28,382
THEREFORE,
I HAVE RECORDS.
47
00:02:28,416 --> 00:02:30,818
STANFORD SAYS THEY HAVE
NO RECORD OF YOU AT ALL.
48
00:02:30,851 --> 00:02:32,320
OH! THOSE INCOMPETENTS!
49
00:02:32,353 --> 00:02:33,721
DO I HAVE TO FLY
OUT TO DENVER
50
00:02:33,754 --> 00:02:35,956
AND STRAIGHTEN
THIS OUT MYSELF?
51
00:02:35,989 --> 00:02:38,926
STANFORD'S IN CALIFORNIA,
NOT DENVER.
52
00:02:38,959 --> 00:02:40,361
WELL, THAT EXPLAINS IT.
53
00:02:40,394 --> 00:02:43,231
THEY LOST MY RECORDS
IN THE MOVE.
54
00:02:43,264 --> 00:02:46,600
SO YOU WERE AT STANFORD
IN THE SIXTIES.
55
00:02:46,634 --> 00:02:47,901
AH. WHO WASN'T?
56
00:02:47,935 --> 00:02:49,537
I WAS AT BERKELEY.
57
00:02:49,570 --> 00:02:51,905
GOD. THAT TAKES ME BACK.
58
00:02:51,939 --> 00:02:53,941
I REMEMBER I WAS
AT STANFORD ONCE
59
00:02:53,974 --> 00:02:55,309
TO PROTEST--
60
00:02:55,343 --> 00:02:57,311
THERE'S ONLY TWO THINGS
I KNOW ABOUT THE SIXTIES--
61
00:02:57,345 --> 00:02:59,613
I WASN'T BORN YET,
AND NO ONE CARES.
62
00:02:59,647 --> 00:03:02,115
PEACE.
63
00:03:04,051 --> 00:03:05,853
I GUESS YOU HAD
TO BE THERE.
64
00:03:05,886 --> 00:03:07,421
APPARENTLY SO.
65
00:03:07,455 --> 00:03:12,793
OUT OF CONTROL,
MIND-NUMBING,
SELF DESTRUCTIVE FUN.
66
00:03:12,826 --> 00:03:13,761
SOUNDS LIKE A CLICHé,
67
00:03:13,794 --> 00:03:15,796
BUT I ACTUALLY REMEMBER
BURNING MY BRA
68
00:03:15,829 --> 00:03:18,031
IN FRONT OF THE LINCOLN
REFLECTING POOL.
69
00:03:18,065 --> 00:03:19,633
I HOPE YOU HAD
THE GOOD SENSE
70
00:03:19,667 --> 00:03:23,637
TO JUMP IN
AND PUT YOURSELF OUT.
71
00:03:23,671 --> 00:03:25,606
GOD! I WAS A REBEL.
72
00:03:31,879 --> 00:03:35,383
* HOW MANY ROADS
73
00:03:35,416 --> 00:03:37,451
* MUST A...
74
00:03:39,753 --> 00:03:43,591
* MAN WALK DOWN
75
00:03:43,624 --> 00:03:47,561
* BEFORE THEY CALL
76
00:03:47,595 --> 00:03:50,831
* HIM...A...
77
00:03:54,067 --> 00:03:58,138
* MAN?
78
00:03:58,171 --> 00:04:01,609
[HUMMING]
79
00:04:03,010 --> 00:04:04,278
YOU WOULDN'T BELIEVE IT
TO LOOK AT ME NOW,
80
00:04:04,312 --> 00:04:06,747
BUT BACK THEN
I WAS A WILD WOMAN.
81
00:04:06,780 --> 00:04:10,284
IF I WANTED
TO DO SOMETHING,
I JUST DID IT.
82
00:04:10,318 --> 00:04:11,251
DID YOU EVER DROP ACID?
83
00:04:11,285 --> 00:04:14,922
OH, CONSTANTLY.
84
00:04:14,955 --> 00:04:17,591
THAT'S HOW
I DROPPED THE ACID.
85
00:04:17,625 --> 00:04:19,226
SERIOUSLY.
I WANT TO KNOW.
86
00:04:19,259 --> 00:04:21,194
WERE YOU INVOLVED
IN ANY MOVEMENTS?
87
00:04:21,228 --> 00:04:22,696
THIS ONE...
88
00:04:22,730 --> 00:04:24,131
[IMITATES CURLY
FROM THE THREE STOOGES]
89
00:04:24,164 --> 00:04:25,366
ALWAYS ONE OF
MY FAVORITES.
90
00:04:27,435 --> 00:04:28,869
DR. SOLOMON...
91
00:04:28,902 --> 00:04:32,573
EVERY TIME I ASK YOU
ABOUT YOUR PAST...
92
00:04:32,606 --> 00:04:34,007
YOU CHANGE THE SUBJECT.
93
00:04:34,041 --> 00:04:35,943
YOU KNOW WHO REALLY
KEEPS CHANGING
THE SUBJECT?
94
00:04:35,976 --> 00:04:38,245
MY STUDENTS. ONE OF THEM
IS GOING TO ALASKA.
95
00:04:38,278 --> 00:04:39,913
SO HOW'S YOUR BROTHER?
96
00:04:39,947 --> 00:04:41,181
DICK, I'M HERE.
LET'S GO.
97
00:04:41,214 --> 00:04:43,351
YOU HEARD HIM.
GOT TO GO.
98
00:04:43,384 --> 00:04:45,118
YOU CALL YOUR FATHER DICK?
99
00:04:45,152 --> 00:04:48,522
YEAH, WHEN HE WAS
YOUNGER I USED TO
CALL HIM PEANUT.
100
00:04:48,556 --> 00:04:50,591
YES, WELL, HAVE TO RUN.
SEE YOU TOMORROW.
101
00:04:50,624 --> 00:04:52,860
HAVE A WONDERFUL NIGHT.
BYE-BYE!
102
00:04:53,126 --> 00:05:00,267
[TAMMY WYNETTE SINGS
D-I-V-O-R-C-E]
103
00:05:00,300 --> 00:05:03,871
[SOBBING]
104
00:05:03,904 --> 00:05:05,038
[SNIFFLE]
105
00:05:05,072 --> 00:05:07,941
OH, GOD!
106
00:05:07,975 --> 00:05:10,243
THIS IS SO SAD!
107
00:05:12,446 --> 00:05:15,983
COUNTRY SINGERS HAVE
REALLY TOUGH LIVES.
108
00:05:17,418 --> 00:05:19,953
WHY?
109
00:05:19,987 --> 00:05:20,888
[TURNS OFF MUSIC]
110
00:05:20,921 --> 00:05:22,723
WHAT'S HER COMPLAINT?
111
00:05:22,756 --> 00:05:24,625
SHE LIVES IN A TRAILER.
112
00:05:24,658 --> 00:05:27,194
SHE COULD JUST
ROLL AWAY SOMEWHERE,
113
00:05:27,227 --> 00:05:30,564
AND THE CD CLUB
WOULD NEVER FIND HER.
114
00:05:33,233 --> 00:05:35,102
WHAT ARE YOU
TALKING ABOUT?
115
00:05:35,135 --> 00:05:37,471
YOU HAVE ANY IDEA
WHAT'S INVOLVED
WITH THIS?
116
00:05:37,505 --> 00:05:39,272
THE PAPERWORK,
THE DECISIONS.
117
00:05:39,306 --> 00:05:42,476
WHY DIDN'T I GO WITH
THE CHEESE OF THE MONTH
CLUB?
118
00:05:42,510 --> 00:05:44,512
NO GUESSWORK.
119
00:05:44,545 --> 00:05:47,280
JUST CHEESE.
120
00:05:49,349 --> 00:05:50,484
THAT WAS A FIASCO!
121
00:05:50,518 --> 00:05:51,719
YOU'RE
THE INFORMATION OFFICER!
122
00:05:51,752 --> 00:05:53,754
HOW CAN YOU BRIEF US
ON AMERICAN HISTORY
123
00:05:53,787 --> 00:05:55,456
AND LEAVE OUT
AN ENTIRE DECADE?
124
00:05:55,489 --> 00:05:56,990
I LEFT OUT THE SIXTIES.
SO WHAT?
125
00:05:57,024 --> 00:05:59,693
EXACTLY HOW FAR BACK
DID YOU ESTABLISH
OUR IDENTITIES?
126
00:05:59,727 --> 00:06:02,730
FIVE OR SIX MONTHS.
127
00:06:02,763 --> 00:06:04,331
YOUR ASSIGNMENT
WAS TO PROVIDE
128
00:06:04,364 --> 00:06:06,934
COMPLETE HISTORIES
FOR ALL OF US!
129
00:06:06,967 --> 00:06:08,035
WELL, I HAD
A BOOK REPORT DUE
130
00:06:08,068 --> 00:06:11,271
ON ARE YOU THERE, GOD?
IT'S ME, MARGARET.
131
00:06:12,305 --> 00:06:13,441
TOMMY...
132
00:06:13,474 --> 00:06:16,376
I'M NOT SURE
YOU UNDERSTAND
THE IMPORTANCE OF THIS.
133
00:06:16,410 --> 00:06:19,547
HUMANS ARE CREATIONS
OF THEIR PASTS.
134
00:06:19,580 --> 00:06:22,516
SOCIETY, CULTURE,
EVEN BIOLOGY DEMAND
135
00:06:22,550 --> 00:06:25,519
THAT THEY CARRY AROUND
THEIR PASTS,
LIKE BAGGAGE,
136
00:06:25,553 --> 00:06:29,457
AND YOUR LACK OF EFFORT
ALMOST EXPOSED
THE ENTIRE OPERATION!
137
00:06:29,490 --> 00:06:32,125
FINE! SO FROM NOW ON,
MY HOMEWORK COMES LAST.
138
00:06:32,159 --> 00:06:33,761
THOSE ARE
THE HOUSE RULES,
MISTER!
139
00:06:33,794 --> 00:06:37,531
HELLO! HEY,
I FOUND THOSE BOOKS
ON THE SIXTIES.
140
00:06:37,565 --> 00:06:38,599
OH, GOOD, GOOD.
141
00:06:38,632 --> 00:06:40,033
NEVER MIND
THE BOURBON STAINS.
142
00:06:40,067 --> 00:06:42,202
OH, THANK YOU, MRS. D.
143
00:06:42,235 --> 00:06:45,005
THE SIXTIES--
WHAT A LOVELY,
LOVELY DECADE.
144
00:06:45,038 --> 00:06:48,609
A LOT OF THE STUFF
IN THIS APARTMENT
IS FROM THE SIXTIES.
145
00:06:48,642 --> 00:06:52,546
CLASSIC THINGS NEVER
GO OUT OF STYLE.
146
00:06:52,580 --> 00:06:55,883
THOSE LONG-HAIRED
FREAKS THOUGHT
THEY WERE SO COOL.
147
00:06:55,916 --> 00:06:57,084
LET ME TELL YOU
ONE THING.
148
00:06:57,117 --> 00:06:59,920
I WAS READING POETRY
WITH JACK KEROUAC
149
00:06:59,953 --> 00:07:01,889
IN A CAGE IN 1956,
150
00:07:01,922 --> 00:07:04,858
BOTH OF US
BUCK NAKED.
151
00:07:06,026 --> 00:07:11,699
YES, WELL, THANK YOU
FOR THAT DISTURBING VISUAL.
152
00:07:11,732 --> 00:07:15,202
I DIDN'T HEAR
KEROUAC COMPLAIN.
153
00:07:19,473 --> 00:07:22,576
AW, THE ELECTRIC
KOOL-AID ACID TEST.
154
00:07:22,610 --> 00:07:23,844
GETTING NOSTALGIC?
155
00:07:23,877 --> 00:07:26,446
AH, YES, THOSE WERE
THE DAYS, MY FRIEND.
156
00:07:26,480 --> 00:07:30,150
BUT YOU KNOW,
ALL THIS UPROAR,
ALL THIS RHETORIC,
157
00:07:30,183 --> 00:07:32,219
ALL THIS TALK ABOUT
MASS MOVEMENTS,
158
00:07:32,252 --> 00:07:34,054
I MEAN, WHAT'S
HAPPENING HERE?
159
00:07:34,087 --> 00:07:37,090
HISTORY IS MADE
BY THE INDIVIDUAL,
NOT BY THE MASSES.
160
00:07:37,124 --> 00:07:37,991
WHO SAID THAT?
161
00:07:38,025 --> 00:07:38,926
I DID.
162
00:07:38,959 --> 00:07:40,393
NO. WHERE'S THAT FROM?
163
00:07:40,427 --> 00:07:41,394
MY MOUTH.
164
00:07:41,428 --> 00:07:43,497
NO! SOMEBODY SAID THAT.
165
00:07:43,531 --> 00:07:46,667
HELLO.
166
00:07:46,700 --> 00:07:48,602
THIS IS SO WEIRD.
167
00:07:51,471 --> 00:07:53,006
THIS IS SO WEIRD.
168
00:07:53,040 --> 00:07:53,841
YEAH.
YEAH.
RIGHT ON.
YEAH.
169
00:07:53,874 --> 00:07:56,610
YOU'VE BEEN RINSED
AND HUNG OUT TO DRY.
170
00:07:56,644 --> 00:07:58,078
THINK ABOUT IT.
171
00:07:58,111 --> 00:07:59,580
DIG IT, BABE.
172
00:07:59,613 --> 00:08:01,081
IT'S WHAT'S HAPPENING.
173
00:08:01,114 --> 00:08:04,184
HISTORY IS MADE
BY THE INDIVIDUAL,
NOT BY THE MASSES.
174
00:08:04,217 --> 00:08:06,720
WHO SAID THAT?
175
00:08:06,754 --> 00:08:08,989
I DID.
176
00:08:09,022 --> 00:08:10,490
WOW.
177
00:08:10,524 --> 00:08:12,325
WOW.
FAR OUR.
FAR OUT.
WOW.
178
00:08:14,161 --> 00:08:15,929
WOW.
179
00:08:16,229 --> 00:08:17,230
WHAT'S THE MATTER?
180
00:08:17,264 --> 00:08:20,067
I COULDN'T PUT IT
TOGETHER UNTIL NOW.
181
00:08:20,100 --> 00:08:21,669
IT FINALLY CLICKED.
182
00:08:21,702 --> 00:08:23,070
THE EVASIVENESS...
183
00:08:23,103 --> 00:08:25,839
INCONSISTENCIES
IN YOUR PAST...
184
00:08:26,807 --> 00:08:28,976
DICK SOLOMON IS
A FALSE IDENTITY,
ISN'T IT?
185
00:08:29,009 --> 00:08:29,777
FALSE IDENTITY?
186
00:08:29,810 --> 00:08:32,479
ME? NO.
187
00:08:34,381 --> 00:08:36,516
YOU COULD'VE TRUSTED ME,
YOU KNOW.
188
00:08:36,550 --> 00:08:37,918
WELL, I--I--I--I--I--
189
00:08:37,951 --> 00:08:40,020
THERE ARE SO MANY PEOPLE
IN THE GOVERNMENT
190
00:08:40,053 --> 00:08:42,623
WHO WOULD LOVE TO GET
THEIR HANDS ON YOU.
191
00:08:42,656 --> 00:08:44,357
You can't
let that happen!
192
00:08:44,391 --> 00:08:47,294
They'd parade me around
like an animal!
193
00:08:47,327 --> 00:08:49,362
DON'T WORRY.
194
00:08:49,396 --> 00:08:53,100
YOUR SECRET'S SAFE
WITH ME, MANNY.
195
00:08:53,133 --> 00:08:56,136
MANNY ROSENBERG.
196
00:08:57,404 --> 00:08:59,172
BUT I'M NOT
MANNY ROSENBER--
197
00:08:59,206 --> 00:09:00,908
OF COURSE NOT.
198
00:09:00,941 --> 00:09:03,711
BECAUSE MANNY ROSENBERG...
199
00:09:03,744 --> 00:09:08,882
IS STILL BEING HUNTED
BY THE FBI.
200
00:09:08,916 --> 00:09:11,985
FOR FOOD OR SPORT?
201
00:09:13,854 --> 00:09:16,156
* WAKE ME UP
BEFORE YOU GO-GO *
202
00:09:16,189 --> 00:09:19,292
* DON'T LEAVE ME HANGIN' ON
LIKE A YO-YO *
203
00:09:19,326 --> 00:09:22,162
* WAKE ME UP
BEFORE YOU GO-GO *
204
00:09:22,195 --> 00:09:25,332
THIS--SO--
MANNY ROSENBERG WAS--
205
00:09:25,365 --> 00:09:26,299
* WAKE ME UP...
206
00:09:26,333 --> 00:09:28,101
WHAT?
207
00:09:28,135 --> 00:09:32,039
MANNY ROSENBERG
WAS AN ACTIV--
208
00:09:32,072 --> 00:09:32,806
WHAT?
209
00:09:32,840 --> 00:09:34,307
EXCUSE ME.
210
00:09:37,277 --> 00:09:38,912
[CRUNCH]
211
00:09:39,246 --> 00:09:41,682
O.K. WHERE WAS I?
212
00:09:41,715 --> 00:09:43,116
"MANNY ROSENBERG
WAS AN ACTIVIST
213
00:09:43,150 --> 00:09:46,153
INVOLVED IN INCITING
A RIOT IN 1971."
214
00:09:46,186 --> 00:09:46,954
IS THERE ANYTHING ELSE?
215
00:09:46,987 --> 00:09:48,288
I'M LOOKING...
216
00:09:48,321 --> 00:09:51,324
ALL RIGHT.
I FOUND ANOTHER BOX
IN THE BASEMENT.
217
00:09:51,358 --> 00:09:52,459
WHAT'S "X-MAS"?
218
00:09:52,492 --> 00:09:53,994
I DON'T KNOW,
BUT IT'S GOT TO BE
SOMETHING PSYCHEDELIC.
219
00:09:54,027 --> 00:09:56,463
CHECK THIS OUT.
220
00:09:56,496 --> 00:09:57,164
THIS IS HEAVY.
221
00:09:57,197 --> 00:09:59,767
FAR OUT
MY MIND
IS BLOWN.
222
00:09:59,800 --> 00:10:01,168
AND WHO IS THIS?
223
00:10:01,201 --> 00:10:03,937
I THINK IT'S JERRY GARCIA.
224
00:10:05,505 --> 00:10:07,540
HERE'S A PICTURE
OF MANNY ROSENBERG.
225
00:10:07,574 --> 00:10:09,109
HE LOOKS
EXACTLY LIKE YOU!
226
00:10:09,142 --> 00:10:10,944
OH, DAMN!
227
00:10:10,978 --> 00:10:13,413
I WAS SUPPOSED TO GET
A COMPLETELY ORIGINAL BODY!
228
00:10:13,446 --> 00:10:15,448
THOSE GUYS IN RESEARCH
CAN'T DO ANYTHING RIGHT!
229
00:10:15,482 --> 00:10:18,318
WHAT DO YOU EXPECT?
THEY'RE NON-UNION.
230
00:10:18,351 --> 00:10:19,452
THIS COULD REALLY
BE TROUBLE.
231
00:10:19,486 --> 00:10:21,254
TOMMY, HOW ARE OUR HISTORIES
COMING ALONG?
232
00:10:21,288 --> 00:10:23,290
OH, WELL,
I HAVE THEM
RIGHT HERE.
233
00:10:23,323 --> 00:10:24,958
LEGAL DOCUMENTS,
SCHOOL RECORDS,
234
00:10:24,992 --> 00:10:26,794
DOCTORED PICTURES,
THE WORKS.
235
00:10:26,827 --> 00:10:30,163
DICK SOLOMON,
CLASS NERD, HELD BACK
BY A DOMINEERING MOTHER,
236
00:10:30,197 --> 00:10:31,732
WENT TO WORK
FOR NASA IN '74,
237
00:10:31,765 --> 00:10:33,767
BUT WAS FIRED AFTER A MINOR
PROCUREMENT SCANDAL--
238
00:10:33,801 --> 00:10:35,335
NEWSPAPER CLIPPINGS
ARE ENCLOSED--
239
00:10:35,368 --> 00:10:37,971
MAJOR BURNOUT LED TO
A STRING OF SECOND-RATE
TEACHING JOBS,
240
00:10:38,005 --> 00:10:39,773
YADDA-YADDA-YADDA,
ENDING UP HERE.
241
00:10:39,807 --> 00:10:40,974
THIS IS EXCELLENT.
242
00:10:41,008 --> 00:10:41,975
WHAT ABOUT ME?
243
00:10:42,009 --> 00:10:43,643
STOCKBROKER DURING
THE GREEDY EIGHTIES
244
00:10:43,677 --> 00:10:45,045
MADE AND LOST
SEVERAL FORTUNES
245
00:10:45,078 --> 00:10:47,247
BEFORE
PSYCHOLOGICAL PROBLEMS
AND GENDER CONFUSION
246
00:10:47,280 --> 00:10:50,283
LED TO A SEX-CHANGE
OPERATION IN 1988.
247
00:10:52,285 --> 00:10:53,253
I'M NEXT.
248
00:10:53,286 --> 00:10:55,088
HARRY, YOU'RE ADOPTED,
249
00:10:55,122 --> 00:10:56,857
BUT WE HAVEN'T
TOLD YOU YET.
250
00:10:57,925 --> 00:11:00,227
OHH...
251
00:11:00,260 --> 00:11:02,329
THAT'S GONNA HURT.
252
00:11:08,568 --> 00:11:10,637
OH, DR. ALBRIGHT,
I'M GLAD YOU'RE HERE.
253
00:11:10,670 --> 00:11:12,672
GOOD MORNING,
DR. SOLOMON.
254
00:11:14,441 --> 00:11:16,343
YES, WELL,
I'D LIKE TO CLEAR UP
255
00:11:16,376 --> 00:11:18,812
A FEW MISUNDERSTANDINGS
ABOUT YESTERDAY.
256
00:11:18,846 --> 00:11:20,280
FOR SOME REASON,
YOU MISTAKENLY THINK
257
00:11:20,313 --> 00:11:23,316
I'M THIS MANNY ROSENBERG
FELLA.
258
00:11:23,350 --> 00:11:25,185
OH, DON'T EVEN BOTHER.
259
00:11:25,218 --> 00:11:27,888
I TOLD YOU
YOU COULD TRUST ME.
260
00:11:27,921 --> 00:11:31,024
YOU PROBABLY DON'T REMEMBER,
BUT WE'VE ACTUALLY MET BEFORE.
261
00:11:31,058 --> 00:11:33,526
YOU SPOKE AT
MY CAMPUS IN '69.
262
00:11:33,560 --> 00:11:34,762
NOW, YOU SEE,
THAT'S IMPOSSIBLE.
263
00:11:34,795 --> 00:11:36,329
I WAS IN THE CIRCUS
THEN.
264
00:11:36,363 --> 00:11:39,666
THE FLYING SOLOMOSKIS.
THERE WERE SIX OF US.
265
00:11:39,699 --> 00:11:42,469
TWO OF US PLUNGED
TO OUR DEATHS.
266
00:11:42,502 --> 00:11:44,805
I DON'T EXPECT YOU
TO REMEMBER ME,
267
00:11:44,838 --> 00:11:46,740
WITH ALL THE PEOPLE
YOU'VE MET.
268
00:11:46,774 --> 00:11:48,208
YOU'RE SITTING
ON MY DESK.
269
00:11:48,241 --> 00:11:50,077
YOU'VE NEVER
DONE THAT BEFORE.
270
00:11:50,110 --> 00:11:53,013
DO YOU REMEMBER A RALLY
AT BERKELEY?
271
00:11:53,046 --> 00:11:54,514
DR. ALBRIGHT,
YOU'RE NOT LISTENING.
272
00:11:54,547 --> 00:11:56,283
I BROUGHT THIS IN
TO PROVE--
273
00:11:56,316 --> 00:11:58,185
THE STORIES
YOU MUST HAVE.
274
00:11:58,218 --> 00:11:59,686
WHAT?
275
00:11:59,719 --> 00:12:00,720
YOU KNOW, I'D BE LYING
276
00:12:00,754 --> 00:12:04,257
IF I SAID I FOUND THIS
LESS THAN INTRIGUING.
277
00:12:11,899 --> 00:12:15,368
WELL, ALL THOSE YEARS
UNDERGROUND, YOU DO
A LOT OF LIVING.
278
00:12:20,573 --> 00:12:21,341
[RUNNING UPSTAIRS]
279
00:12:21,374 --> 00:12:23,376
[SALLY]
HARRY!
280
00:12:23,410 --> 00:12:27,080
YOU GOT ANOTHER PACKAGE
FROM THE CD CLUB.
281
00:12:27,114 --> 00:12:30,818
I DON'T HAVE TIME TO LISTEN
TO THE ONES I HAVE.
282
00:12:30,851 --> 00:12:32,419
THOSE DEMONS.
283
00:12:32,452 --> 00:12:33,720
THEY'RE NOT HUMAN.
284
00:12:33,753 --> 00:12:35,088
NEITHER ARE WE.
285
00:12:35,122 --> 00:12:38,191
WELL, YEAH,
BUT WE HAVE AN EXCUSE.
286
00:12:38,225 --> 00:12:40,393
HELLO?
287
00:12:40,961 --> 00:12:43,230
WELL, I'M OFF
TO DR. ALBRIGHT'S.
288
00:12:43,263 --> 00:12:44,664
SHE BOUGHT
MY PHONY PROFILE?
289
00:12:44,697 --> 00:12:46,766
I DON'T EVEN
NEED IT.
290
00:12:46,800 --> 00:12:47,567
SHE LIKES ME
MUCH BETTER
291
00:12:47,600 --> 00:12:48,768
NOW THAT SHE THINKS
I'M MANNY.
292
00:12:48,802 --> 00:12:51,238
OH, GREAT! AFTER ALL
I WENT THROUGH
293
00:12:51,271 --> 00:12:52,940
CREATING A BACKGROUND
FOR YOU.
294
00:12:52,973 --> 00:12:57,644
DO YOU REALIZE I GOT YOU
A WEEKEND IN CANCUN
WITH TWIN GYMNASTS?
295
00:12:57,677 --> 00:12:59,813
ALL I GOT AT THE ORPHANAGE
296
00:12:59,847 --> 00:13:04,151
WAS A BEATING WHEN I
ASKED FOR MORE GRUEL.
297
00:13:07,554 --> 00:13:09,957
[JEFFERSON AIRPLANE'S
WHITE RABBIT PLAYS]
298
00:13:09,990 --> 00:13:12,725
[HUMMING]
299
00:13:12,759 --> 00:13:14,694
[KNOCK ON DOOR]
300
00:13:18,331 --> 00:13:19,532
FOR YOU.
HELLO!
301
00:13:19,566 --> 00:13:22,202
OH, YOU SHOULDN'T HAVE.
302
00:13:22,235 --> 00:13:24,037
I'M GLAD YOU CAME.
303
00:13:24,071 --> 00:13:27,774
OH, AND TO THINK
ALL THIS TIME
304
00:13:27,807 --> 00:13:31,778
I WAS JUST A DESK AWAY
FROM DANGER.
305
00:13:31,811 --> 00:13:34,948
THE THOUGHT OF THE FBI
WATCHING US RIGHT NOW
306
00:13:34,982 --> 00:13:36,984
IS SUCH A TURN-ON.
307
00:13:37,017 --> 00:13:39,819
AND EVEN IF
I WASN'T MANNY,
308
00:13:39,853 --> 00:13:41,588
IT WOULD BE JUST
AS EXCITING.
309
00:13:41,621 --> 00:13:43,723
OH, DON'T BE SILLY.
310
00:13:44,958 --> 00:13:46,693
OOH.
311
00:13:46,726 --> 00:13:49,362
ARE THESE
MAGIC BROWNIES?
312
00:13:49,396 --> 00:13:52,099
PEPPERIDGE FARM.
313
00:13:53,867 --> 00:13:57,070
YOU KNOW, I THINK
I HAVE SOMETHING.
314
00:13:57,104 --> 00:13:58,638
I FOUND IT WHEN I MOVED
EIGHT YEARS AGO.
315
00:13:58,671 --> 00:14:00,340
IT'S IN THE FREEZER.
316
00:14:00,373 --> 00:14:01,875
IT'S A JOINT.
317
00:14:01,909 --> 00:14:03,710
OOH. A DOOBIE.
318
00:14:03,743 --> 00:14:06,513
LET'S BOGART
THAT FAT BOY.
319
00:14:07,814 --> 00:14:09,449
YOU KNOW
WHAT I REGRET?
320
00:14:09,482 --> 00:14:11,651
I NEVER MADE IT
TO WOODSTOCK.
321
00:14:11,684 --> 00:14:13,120
AH! YES, WOODSTOCK.
322
00:14:13,153 --> 00:14:16,156
THE THREE-DAY CONCERT
HELD ON A FARM
IN UPSTATE NEW YORK
323
00:14:16,189 --> 00:14:19,526
THAT INCLUDED MANY OF
THE POPULAR MUSIC BANDS
OF THE TIME,
324
00:14:19,559 --> 00:14:22,162
FELT TO BE THE CULMINATION
OF THE COUNTERCULTURE
MOVEMENT
325
00:14:22,195 --> 00:14:26,399
CAPTURED BY
THE SONG WOODSTOCK
BY JONI MITCHELL.
326
00:14:26,433 --> 00:14:27,100
FOUND IT!
327
00:14:27,134 --> 00:14:28,135
THE SONG WAS POPULARIZED
328
00:14:28,168 --> 00:14:29,702
BY CROSBY, STILLS,
AND NASH,
329
00:14:29,736 --> 00:14:30,670
WHICH IS IRONIC,
330
00:14:30,703 --> 00:14:32,505
SINCE THEIRS WAS
THE MORE COMMERCIAL
VERSION,
331
00:14:32,539 --> 00:14:35,775
WHICH IS THE ANTITHESIS
OF THE SPIRIT
OF THE FESTIVAL.
332
00:14:37,377 --> 00:14:39,379
HERE WE GO.
333
00:14:48,588 --> 00:14:50,223
THIS ISN'T A JOINT.
334
00:14:50,257 --> 00:14:52,692
IT'S A FROZEN FRENCH FRY.
335
00:14:54,727 --> 00:14:55,862
OH, WELL.
336
00:14:55,895 --> 00:14:58,531
I GUESS WE'LL JUST
SETTLE FOR WINE.
337
00:15:03,870 --> 00:15:07,040
YOU'RE AN INSPIRATION
TO A NEO-TROTSKYITE,
338
00:15:07,074 --> 00:15:09,742
ANTI-STALINIST MARXIST.
339
00:15:09,776 --> 00:15:12,779
YOU'RE PRETTY TUNED IN
FOR A BOURGEOIS CHICK.
340
00:15:23,223 --> 00:15:25,825
[SIGHING]
341
00:15:25,858 --> 00:15:26,893
MEET ME ON
THE WATERBED
UPSTAIRS
342
00:15:26,926 --> 00:15:28,161
IN FIVE MINUTES.
343
00:15:28,195 --> 00:15:31,698
OH, AND, UH...
LOSE THE PINS.
344
00:15:43,076 --> 00:15:44,644
WHAT?
345
00:15:44,677 --> 00:15:46,513
HERE'S TO...
346
00:15:46,546 --> 00:15:48,015
WATERBEDS.
347
00:15:48,048 --> 00:15:50,050
HERE'S TO...
348
00:15:50,083 --> 00:15:52,552
FLOOR LAMPS.
349
00:15:55,888 --> 00:15:56,789
HELLO?
350
00:15:56,823 --> 00:15:59,459
CAROUSEL CD CLUB?
351
00:15:59,492 --> 00:16:00,360
I'LL CALL BACK LATER.
352
00:16:00,393 --> 00:16:02,362
DON'T HANG UP
THAT PHONE.
353
00:16:02,395 --> 00:16:04,264
YOU CAN DO THIS,
HARRY.
354
00:16:04,297 --> 00:16:06,933
YOU CAN TAKE
YOUR MIND BACK.
355
00:16:06,966 --> 00:16:09,602
OR AT LEAST
WHAT'S LEFT OF IT.
356
00:16:09,636 --> 00:16:11,704
O.K., SALLY, I WILL.
357
00:16:11,738 --> 00:16:13,006
LISTEN TO ME, BUSTER.
358
00:16:13,040 --> 00:16:16,109
I'M NOT HAPPY,
AND I WANT MY MONEY BACK.
359
00:16:16,143 --> 00:16:17,344
VERY GOOD!
360
00:16:17,377 --> 00:16:19,479
I'M SUPPOSED TO
PRESS 2 NOW.
361
00:16:20,847 --> 00:16:22,315
YES, HELLO?
362
00:16:22,349 --> 00:16:24,351
WE NEED TO TALK.
363
00:16:24,384 --> 00:16:25,785
I'M AT A PLACE
IN MY LIFE
364
00:16:25,818 --> 00:16:29,222
WHERE I'M JUST NOT READY
FOR THIS KIND OF COMMITMENT.
365
00:16:29,256 --> 00:16:31,924
I THINK IT'S BEST
THAT WE BREAK FREE,
366
00:16:31,958 --> 00:16:34,561
GO OUR SEPARATE WAYS.
367
00:16:34,594 --> 00:16:35,862
YOU WILL?
368
00:16:35,895 --> 00:16:38,131
OH, THANKS.
369
00:16:38,898 --> 00:16:40,600
HMM?
370
00:16:40,633 --> 00:16:43,570
WELL, YES...
371
00:16:43,603 --> 00:16:47,474
I GUESS I DO HAVE A FRIEND
WHO MIGHT BE INTERESTED.
372
00:16:47,507 --> 00:16:51,010
HER NAME IS SALLY SOLOMON.
373
00:16:57,084 --> 00:16:58,318
OH!
374
00:16:58,351 --> 00:17:01,988
OH! I CAN'T BELIEVE
WE'RE DOING THIS.
375
00:17:02,021 --> 00:17:04,624
YOUR HANDS ARE SO
SMALL AND DELICATE.
376
00:17:06,426 --> 00:17:07,994
I'M NOT POSITIVE,
377
00:17:08,027 --> 00:17:11,131
BUT I THINK I CAN FIT
YOUR ENTIRE FOOT
IN MY MOUTH.
378
00:17:11,398 --> 00:17:12,732
OH!
379
00:17:12,765 --> 00:17:15,835
YOU ARE A SUPERFREAK!
380
00:17:15,868 --> 00:17:18,238
THE KIND YOU DON'T
TAKE HOME TO MOTHER!
381
00:17:19,139 --> 00:17:22,041
MANNY, MANNY, MANNY!
382
00:17:23,343 --> 00:17:26,713
NOW I'M FEELING
A MORAL DILEMMA.
383
00:17:26,746 --> 00:17:28,648
I'M NOT SURE I CAN
GO THROUGH WITH THIS.
384
00:17:28,681 --> 00:17:31,384
MY BEDROOM'S UPSTAIRS.
385
00:17:31,418 --> 00:17:32,919
RACE YA.
386
00:17:34,687 --> 00:17:36,956
OH, WHAT THE HELL?
387
00:17:45,698 --> 00:17:47,033
WHAT THE HELL...
388
00:17:47,066 --> 00:17:48,000
DON'T BE UPTIGHT, BABE.
389
00:17:48,034 --> 00:17:50,403
LEAVE YOUR HANG-UPS
IN SUBURBIA.
390
00:17:52,405 --> 00:17:53,840
YOU'RE LEAVING?
391
00:17:53,873 --> 00:17:56,309
YOU BET YOUR BIPPY I AM.
392
00:18:00,547 --> 00:18:01,248
[DICK]
HEY!
393
00:18:01,281 --> 00:18:03,683
OH, YOU MISERABLE CREEP!
394
00:18:03,716 --> 00:18:04,851
I DON'T UNDERSTAND!
395
00:18:04,884 --> 00:18:05,952
THINK ABOUT IT!
396
00:18:05,985 --> 00:18:08,855
IT'S LIKE
A PURPLE HAZE
INSIDE MY BRAIN.
397
00:18:08,888 --> 00:18:10,723
OH, GIVE IT A REST.
398
00:18:10,757 --> 00:18:12,058
WHAT DID I DO WRONG?
399
00:18:12,091 --> 00:18:15,495
YOU KNOW WHAT YOU DID!
400
00:18:15,528 --> 00:18:17,063
COME ON, MANNY.
401
00:18:17,096 --> 00:18:17,897
BERKELEY.
402
00:18:17,930 --> 00:18:19,466
OHH!
403
00:18:19,499 --> 00:18:21,568
YOU'RE MAD
AT MANNY.
404
00:18:21,601 --> 00:18:23,002
YES!
405
00:18:23,035 --> 00:18:25,838
DR. ALBRIGHT IS MAD
AT MANNY.
406
00:18:25,872 --> 00:18:27,907
[LAUGHING]
OH, WELL, THEN...
407
00:18:27,940 --> 00:18:30,710
IT'S O.K. BECAUSE I HAVE
SOMETHING TO TELL YOU
408
00:18:30,743 --> 00:18:32,712
THAT'LL STRAIGHTEN
THIS WHOLE THING OUT.
409
00:18:32,745 --> 00:18:34,447
I'M NOT MANNY.
410
00:18:34,481 --> 00:18:36,283
HA HA HA HA.
411
00:18:36,316 --> 00:18:38,685
I MEAN,
ISN'T THAT IRONIC?
412
00:18:38,718 --> 00:18:41,588
RIGHT.
YOU'RE NOT MANNY.
413
00:18:41,621 --> 00:18:43,223
YOU JUST LOOK
EXACTLY LIKE HIM,
414
00:18:43,256 --> 00:18:45,225
KNOW EVERYTHING
ABOUT HIS PAST,
415
00:18:45,258 --> 00:18:47,927
AND HAVE BEEN CARRYING ON
THIS RIDICULOUS CHARADE
416
00:18:47,960 --> 00:18:48,961
FOR THREE DAYS.
417
00:18:48,995 --> 00:18:51,598
OH, YOU KNOW ME
SO WELL.
418
00:18:51,631 --> 00:18:53,300
OH, BOY.
419
00:18:53,333 --> 00:18:56,703
I'VE BEEN HANDED SOME
LAME STORIES IN MY LIFE,
420
00:18:56,736 --> 00:18:58,805
BUT YOU TAKE THE CAKE!
421
00:18:58,838 --> 00:19:00,807
I DON'T WANT THE CAKE.
I WANT YOU.
422
00:19:03,576 --> 00:19:05,712
OH, MY GOD.
423
00:19:05,745 --> 00:19:07,314
YOU ARE DICK SOLOMON.
424
00:19:09,949 --> 00:19:13,753
AND YOU LET ME MAKE
A COMPLETE FOOL
OF MYSELF!
425
00:19:13,786 --> 00:19:15,322
HOW COULD YOU
DO THAT?
426
00:19:15,355 --> 00:19:17,156
I WANTED TO TELL YOU.
I WAS GOING TO.
427
00:19:17,190 --> 00:19:18,391
WHAT STOPPED YOU?
428
00:19:18,425 --> 00:19:20,560
I THOUGHT YOU MIGHT
SLEEP WITH ME.
429
00:19:23,396 --> 00:19:24,931
OH.
430
00:19:24,964 --> 00:19:26,633
NOW
I UNDERSTAND.
431
00:19:26,666 --> 00:19:28,635
OH, THANK GOODNESS.
432
00:19:30,270 --> 00:19:31,771
GET OUT!
433
00:19:31,804 --> 00:19:33,039
YOU SELFISH,
434
00:19:33,072 --> 00:19:34,040
INCONSIDERATE,
435
00:19:34,073 --> 00:19:36,209
OPPORTUNISTIC BASTARD!
436
00:19:36,243 --> 00:19:38,144
YOU'RE RIGHT.
437
00:19:38,911 --> 00:19:40,480
I GUESS I'LL BE GOING.
438
00:19:42,382 --> 00:19:43,883
ABOUT INCONSIDERATE...
439
00:19:43,916 --> 00:19:45,385
I DID BRING BROWNIES!
440
00:19:45,418 --> 00:19:46,686
OH!
441
00:19:51,157 --> 00:19:52,792
I'M SURE GLAD
WE WON'T BE GETTING
442
00:19:52,825 --> 00:19:54,794
ANY MORE CDs
IN THE MAIL.
443
00:19:54,827 --> 00:19:56,396
YEAH.
444
00:19:56,429 --> 00:19:57,297
AND EVEN IF WE DO,
445
00:19:57,330 --> 00:19:58,865
THERE'S NO REASON
TO THINK
446
00:19:58,898 --> 00:20:01,634
THAT I HAD ANYTHING
TO DO WITH IT.
447
00:20:01,668 --> 00:20:04,571
'CAUSE I DIDN'T.
448
00:20:04,604 --> 00:20:06,239
DICK, SOMEONE'S
HERE TO SEE YOU.
449
00:20:06,273 --> 00:20:08,808
I DON'T WANT TO BE SEEN.
TELL THEM I'M NOT HERE.
450
00:20:08,841 --> 00:20:10,743
HE'S NOT HERE,
DR. ALBRIGHT.
GO AWAY.
451
00:20:10,777 --> 00:20:11,944
MARY!
452
00:20:11,978 --> 00:20:13,012
MARY!
453
00:20:13,045 --> 00:20:15,815
YOU'VE COME
BACK TO ME.
454
00:20:15,848 --> 00:20:17,650
BECAUSE
YOU'VE FORGIVEN ME
FOR WHAT I'VE DONE
455
00:20:17,684 --> 00:20:22,255
AND--AND BECAUSE
YOU REALIZE THAT
MY DECEIT,
456
00:20:22,289 --> 00:20:23,323
ALTHOUGH
SOPHOMORIC,
457
00:20:23,356 --> 00:20:26,426
WAS MEANT AS
A PURE GESTURE
OF AFFECTION.
458
00:20:26,459 --> 00:20:28,495
WELL, SOME OF THAT.
459
00:20:28,528 --> 00:20:31,531
UM, WOULD YOU LEAVE
US ALONE FOR A MINUTE?
460
00:20:31,564 --> 00:20:33,232
SURE.
461
00:20:34,467 --> 00:20:36,569
REMEMBER EVERY WORD,
WE WANT ALL THE DETAILS.
462
00:20:36,603 --> 00:20:37,937
WILL DO.
463
00:20:40,707 --> 00:20:45,211
LOOK, I MAY HAVE OVERREACTED
TO THIS MANNY THING.
464
00:20:45,244 --> 00:20:48,147
AND I UNDERSTAND THAT
MEN HAVE A TENDENCY
465
00:20:48,180 --> 00:20:49,749
TO GO OVERBOARD
TO IMPRESS ME.
466
00:20:49,782 --> 00:20:51,418
I UNDERSTAND THAT.
467
00:20:51,451 --> 00:20:53,486
THE ONLY REASON
I PRETENDED TO BE MANNY
468
00:20:53,520 --> 00:20:56,323
IS BECAUSE YOU LIKE HIM
MORE THAN ME.
469
00:20:56,356 --> 00:20:58,190
MANNY WASN'T
WHAT HE SEEMED.
470
00:20:58,224 --> 00:21:01,494
BUT YOU ARE
EXACTLY WHAT YOU SEEM.
471
00:21:01,528 --> 00:21:05,598
AND I'LL ADMIT THAT, UH,
YOUR LACK OF NUANCE
IS REFRESHING.
472
00:21:05,632 --> 00:21:09,402
OH, DAMN! I'M WEARING
HARRY'S UNDERWEAR AGAIN.
473
00:21:09,436 --> 00:21:12,772
WELL, A LITTLE NUANCE
WOULDN'T HURT.
474
00:21:12,805 --> 00:21:15,675
SO WE'RE STILL FRIENDS?
475
00:21:15,708 --> 00:21:18,077
PEACE.
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